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Welcome to Solaz del Mar.
I apologize, my friend,
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- but we allow no outsiders to stay in our town.
- No.
3
00:00:17,389 --> 00:00:18,768
We have room for you.
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00:00:18,837 --> 00:00:20,216
Tomorrow is La Ofrenda.
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A girl is chosen and
taken to El Alcazar.
6
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It's here now...
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the thing we were running from.
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Why surrender your
daughters to these people?
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La Ofrenda gives these
girls the opportunity
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to thrive and to be safe.
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Look at me. I'm the living proof.
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00:00:36,837 --> 00:00:37,941
[BLADE SLICES]
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- Aah!
- [WALKERS SNARLING]
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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♪
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- Synced and corrected by chamallow -
- www.addic7ed.com -
31
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♪
32
00:05:21,423 --> 00:05:23,389
Good morning.
33
00:05:23,458 --> 00:05:24,458
Good morning.
34
00:05:24,527 --> 00:05:28,527
♪
35
00:05:28,596 --> 00:05:31,734
It seemed you spoke
out of turn last night.
36
00:05:31,803 --> 00:05:33,630
From what I could see.
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I didn't mean to upset anyone
38
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or put you in an awkward position.
39
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No.
40
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In fact, I liked it.
41
00:05:43,561 --> 00:05:46,803
Fede looked disturbed. So did Guillermo.
42
00:05:46,872 --> 00:05:51,423
They're not used to someone with
the courage to speak her mind.
43
00:05:51,492 --> 00:05:52,561
Mm.
44
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Well, I am a guest.
45
00:05:55,113 --> 00:05:57,285
I used to know when
to keep my mouth shut.
46
00:05:59,768 --> 00:06:04,113
Maybe, because you're a
guest, you don't need to.
47
00:06:10,078 --> 00:06:11,596
We're still taking
what we need from here
48
00:06:11,665 --> 00:06:13,044
and hitting the road, right?
49
00:06:13,113 --> 00:06:14,975
I'm worried.
50
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Don't be.
51
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You know I had to do that.
52
00:06:19,320 --> 00:06:20,665
No, I get it, but...
53
00:06:20,734 --> 00:06:22,182
But nothing.
54
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Come on. Eyes on the prize.
55
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Right?
56
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Daryl.
57
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Just remember, hot dogs.
58
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Daryl.
59
00:06:34,906 --> 00:06:37,010
No, that's what we're about now...
60
00:06:37,078 --> 00:06:38,872
Eating them fucking hot dogs.
61
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And beans.
62
00:06:42,320 --> 00:06:45,251
Look, we're going home, alright?
63
00:06:45,320 --> 00:06:48,837
Let's try and stay out
of everybody's shit.
64
00:06:48,906 --> 00:06:50,423
Okay?
65
00:06:53,078 --> 00:06:55,320
I don't know. I got a bad feeling.
66
00:06:55,389 --> 00:06:56,941
Well, those guys ain't coming back.
67
00:06:57,010 --> 00:06:58,216
I wouldn't worry about it.
68
00:06:58,285 --> 00:06:59,354
What?
69
00:06:59,423 --> 00:07:00,975
That's not even what I'm talking about.
70
00:07:01,044 --> 00:07:02,527
Look, I'm going to the boat.
71
00:07:02,596 --> 00:07:04,803
Your job is to get that off the wall.
72
00:07:06,665 --> 00:07:08,492
What, you're gonna
steal their solar panel?
73
00:07:08,561 --> 00:07:10,768
Yeah, and anything else we need.
74
00:07:10,837 --> 00:07:11,941
Daryl.
75
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Daryl!
76
00:07:14,458 --> 00:07:16,941
Look, I got to thinking last night.
77
00:07:17,010 --> 00:07:20,941
I mean, it's great that
Justina wasn't chosen.
78
00:07:21,010 --> 00:07:24,078
Well, what about Alba?
79
00:07:24,147 --> 00:07:26,803
Alba? Who the fuck's Alba?
80
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Hot dogs, remember.
81
00:08:10,734 --> 00:08:13,354
♪
82
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[INDISTINCT CONVERSATIONS]
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♪
84
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♪
85
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[CLEARS THROAT]
86
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We should go.
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♪
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♪
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♪
90
00:09:05,113 --> 00:09:11,078
♪
91
00:09:11,147 --> 00:09:12,354
What was that about?
92
00:09:12,423 --> 00:09:15,147
Three Alcazar men are missing.
93
00:09:15,216 --> 00:09:16,768
Missing, huh?
94
00:09:16,837 --> 00:09:19,527
They disappeared last night,
sometime during the feast.
95
00:09:19,596 --> 00:09:21,872
So now they try to find them.
96
00:09:21,941 --> 00:09:25,251
They probably got drunk,
wake up in an alley somewhere.
97
00:09:25,320 --> 00:09:27,768
Who cares anyway? I hate them all.
98
00:09:29,320 --> 00:09:32,251
So you think you can
help me fix this boat?
99
00:09:32,320 --> 00:09:34,630
I know somebody who
I think can help you.
100
00:09:36,837 --> 00:09:38,320
Cool. How far is it?
101
00:09:38,389 --> 00:09:41,078
Out on the coast. Not
too far from the beach.
102
00:09:41,147 --> 00:09:42,734
[WALKERS GROWLING]
103
00:09:42,803 --> 00:09:45,113
Great. Sooner we can fix this
boat, sooner we can leave.
104
00:09:45,182 --> 00:09:47,596
[WALKERS GROWLING]
105
00:09:47,665 --> 00:09:55,665
♪
106
00:09:57,665 --> 00:09:59,320
♪
107
00:10:02,458 --> 00:10:10,458
♪
108
00:10:12,389 --> 00:10:20,389
♪
109
00:10:20,803 --> 00:10:23,010
This place is out in
the middle of nowhere.
110
00:10:26,147 --> 00:10:28,251
Does an old sailor live
out there or something?
111
00:10:28,320 --> 00:10:29,768
Yes.
112
00:10:29,837 --> 00:10:31,389
A ship's captain.
113
00:10:31,458 --> 00:10:39,458
♪
114
00:10:41,458 --> 00:10:49,458
♪
115
00:10:51,458 --> 00:10:54,182
♪
116
00:10:58,113 --> 00:11:01,803
♪
117
00:11:01,872 --> 00:11:03,492
You sure this guy's gonna help us?
118
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Yeah, trust me.
119
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♪
120
00:11:09,803 --> 00:11:11,596
[GUNS COCK]
121
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[GUN COCKS] Roberto.
122
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♪
123
00:11:18,665 --> 00:11:22,803
♪
124
00:11:35,354 --> 00:11:37,872
ROBERTO: She also hates El Alcazar.
125
00:11:37,941 --> 00:11:40,078
This lady's your boat captain?
126
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"This lady" spent 30 years
commanding cruise liners
127
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all over the world.
128
00:11:45,251 --> 00:11:48,734
You know who was always
the rudest passengers?
129
00:11:48,803 --> 00:11:50,492
Americans.
130
00:11:51,906 --> 00:11:53,768
I did not know she spoke English.
131
00:11:53,837 --> 00:11:56,872
What do you want for your spicy olives?
132
00:11:56,941 --> 00:11:59,320
Need help fixing a boat.
133
00:11:59,389 --> 00:12:00,665
I imagine so.
134
00:12:00,734 --> 00:12:02,872
You and your companion.
135
00:12:02,941 --> 00:12:04,768
I have a telescope.
136
00:12:04,837 --> 00:12:08,975
Most people don't sail their
boats right onto the beach.
137
00:12:09,044 --> 00:12:10,458
We hit a storm.
138
00:12:10,527 --> 00:12:12,010
That wasn't our plan.
139
00:12:12,078 --> 00:12:14,285
Clearly. What is the plan?
140
00:12:14,354 --> 00:12:15,803
To go home.
141
00:12:15,872 --> 00:12:17,941
[LAUGHS]
142
00:12:18,010 --> 00:12:19,354
To America?
143
00:12:19,423 --> 00:12:21,285
[LAUGHING]
144
00:12:24,320 --> 00:12:26,975
So you gonna help me or what?
145
00:12:27,044 --> 00:12:29,630
I'm a little low on gunpowder.
146
00:12:29,699 --> 00:12:31,941
- How low?
- Five kilos.
147
00:12:32,010 --> 00:12:33,251
He'll get it.
148
00:12:35,216 --> 00:12:36,423
Me?
149
00:12:36,492 --> 00:12:41,320
♪
150
00:12:41,389 --> 00:12:42,906
Ah!
151
00:12:48,492 --> 00:12:51,010
♪
152
00:12:51,734 --> 00:12:59,734
♪
153
00:13:01,803 --> 00:13:03,630
♪
154
00:13:03,699 --> 00:13:06,665
Okay, truck is fixed.
155
00:13:06,734 --> 00:13:09,699
Shall we take a look at
that death trap of yours?
156
00:13:09,768 --> 00:13:15,561
♪
157
00:13:15,630 --> 00:13:21,285
♪
158
00:13:21,354 --> 00:13:24,320
ANTONIO: Can I help you with something?
159
00:13:24,389 --> 00:13:26,216
Oh, uh, no.
160
00:13:26,285 --> 00:13:29,596
I'm good. Just getting some air.
161
00:13:34,251 --> 00:13:35,250
Blood.
162
00:13:35,251 --> 00:13:38,320
Bandage needs changing.
163
00:13:38,389 --> 00:13:39,561
Come on.
164
00:13:39,630 --> 00:13:47,630
♪
165
00:13:49,458 --> 00:13:57,458
♪
166
00:13:59,078 --> 00:14:01,182
So Fede and you...
167
00:14:01,251 --> 00:14:04,320
no love story there, huh?
168
00:14:05,492 --> 00:14:10,837
Ah, it's a very old... what's the word?
169
00:14:10,906 --> 00:14:12,320
um...
170
00:14:12,389 --> 00:14:13,941
quarrel.
171
00:14:14,010 --> 00:14:16,147
From when we were young.
172
00:14:16,216 --> 00:14:18,803
Before I went to Barcelona.
173
00:14:18,872 --> 00:14:20,665
Barcelona?
174
00:14:22,320 --> 00:14:26,458
I have a friend whose brother
lived there back before.
175
00:14:26,527 --> 00:14:28,044
- Mm-hmm.
- Mm.
176
00:14:28,113 --> 00:14:30,182
It was a magical place.
177
00:14:31,941 --> 00:14:34,906
But after la Caida, I came home.
178
00:14:34,975 --> 00:14:37,872
To Solaz.
179
00:14:37,941 --> 00:14:40,010
To raise my boy.
180
00:14:41,044 --> 00:14:43,010
Roberto's mother...
181
00:14:43,078 --> 00:14:46,285
we'd lost her by then in an accident.
182
00:14:55,010 --> 00:14:57,078
Let me see this.
183
00:15:01,734 --> 00:15:03,527
Better.
184
00:15:03,596 --> 00:15:08,734
♪
185
00:15:08,803 --> 00:15:10,458
Is that how you got hurt?
186
00:15:10,527 --> 00:15:12,941
♪
187
00:15:13,010 --> 00:15:14,492
How do you mean?
188
00:15:14,561 --> 00:15:16,803
♪
189
00:15:16,872 --> 00:15:18,423
In the accident?
190
00:15:18,492 --> 00:15:26,113
♪
191
00:15:26,182 --> 00:15:28,458
You'll leave soon.
192
00:15:28,527 --> 00:15:30,803
I think we know each other well enough.
193
00:15:30,872 --> 00:15:35,906
♪
194
00:15:35,975 --> 00:15:41,285
♪
195
00:15:44,596 --> 00:15:52,596
♪
196
00:15:54,320 --> 00:15:59,044
♪
197
00:15:59,113 --> 00:16:01,389
She hit the rocks. You got holes.
198
00:16:01,458 --> 00:16:03,182
Below the waterline.
199
00:16:03,251 --> 00:16:04,734
I'll patch it up.
200
00:16:08,147 --> 00:16:10,906
♪
201
00:16:10,975 --> 00:16:13,527
Oh, you cannot just patch it up.
202
00:16:13,596 --> 00:16:16,216
♪
203
00:16:16,285 --> 00:16:18,975
The rudder is damaged.
204
00:16:19,044 --> 00:16:20,043
I'll fix it.
205
00:16:20,044 --> 00:16:22,044
No, you cannot just fix rudder.
206
00:16:24,320 --> 00:16:26,044
Got to be someplace I
can find another one.
207
00:16:26,113 --> 00:16:28,872
[SIGHS] I suppose it's possible.
208
00:16:28,941 --> 00:16:31,285
If you could even find a similar boat.
209
00:16:31,354 --> 00:16:32,665
Tell me where to look.
210
00:16:37,251 --> 00:16:38,803
I think I know a place.
211
00:16:38,872 --> 00:16:40,423
You can take my truck.
212
00:16:40,492 --> 00:16:41,803
Great. Let's go.
213
00:16:41,872 --> 00:16:43,975
No.
214
00:16:44,044 --> 00:16:45,803
I bring you to my house,
215
00:16:45,872 --> 00:16:47,699
helped your friend,
and got you a captain.
216
00:16:47,768 --> 00:16:49,182
Before I do anything more,
217
00:16:49,251 --> 00:16:50,906
I want to make sure
my demands are clear.
218
00:16:50,975 --> 00:16:52,975
Your demands? What demands?
219
00:16:53,044 --> 00:16:54,699
Justina and me.
220
00:16:54,768 --> 00:16:57,010
We come on the boat with you.
221
00:16:57,078 --> 00:16:59,768
Or else you are on your own.
222
00:17:04,354 --> 00:17:05,665
Guess I'm on my own, then.
223
00:17:05,733 --> 00:17:07,354
You want my ethanol?
224
00:17:07,423 --> 00:17:09,044
You want my truck?
225
00:17:10,665 --> 00:17:12,215
Take them to America.
226
00:17:12,285 --> 00:17:20,285
♪
227
00:17:22,285 --> 00:17:27,596
♪
228
00:17:27,665 --> 00:17:33,113
♪
229
00:17:33,182 --> 00:17:34,181
[BANG]
230
00:17:34,182 --> 00:17:37,113
♪
231
00:17:37,182 --> 00:17:39,044
[DOOR CREAKING]
232
00:17:41,216 --> 00:17:49,216
♪
233
00:17:51,216 --> 00:17:59,216
♪
234
00:18:01,251 --> 00:18:09,251
♪
235
00:18:10,251 --> 00:18:14,010
[WOMAN WAILING]
236
00:18:14,078 --> 00:18:15,009
♪
237
00:18:15,010 --> 00:18:17,768
[WOMAN SHOUTING IN SPANISH]
238
00:18:17,837 --> 00:18:25,837
♪
239
00:18:27,527 --> 00:18:29,147
[MAN SPEAKING SPANISH]
240
00:18:29,216 --> 00:18:32,458
♪
241
00:18:32,527 --> 00:18:35,010
[PROJECTOR WHIRRING]
242
00:18:46,872 --> 00:18:48,768
[SQUEAKING]
243
00:19:02,010 --> 00:19:03,216
I'm sorry. I'm...
244
00:19:03,285 --> 00:19:05,872
It's okay. Have a chair.
245
00:19:08,906 --> 00:19:11,182
You can even bring the sword.
246
00:19:17,561 --> 00:19:19,113
Please.
247
00:19:28,216 --> 00:19:30,596
What about Jersey? Have you been there?
248
00:19:30,665 --> 00:19:32,389
It's a United State.
249
00:19:32,458 --> 00:19:33,906
Yeah, I know Jersey.
250
00:19:33,975 --> 00:19:36,837
I've told Justina all about America.
251
00:19:36,906 --> 00:19:39,492
What do you know about it?
252
00:19:39,561 --> 00:19:41,458
Many things. From the Boss.
253
00:19:41,527 --> 00:19:43,113
Bruce...
254
00:19:43,182 --> 00:19:46,389
- Springsteen.
- Yeah, I heard of him.
255
00:19:46,458 --> 00:19:47,630
I know his songs.
256
00:19:47,699 --> 00:19:49,354
Well, I know America very well
257
00:19:49,423 --> 00:19:50,803
and now I will see it.
258
00:19:50,872 --> 00:19:52,596
We got to get that rudder first.
259
00:19:52,665 --> 00:19:54,216
I'm not worried.
260
00:20:00,010 --> 00:20:01,665
They leave things for loved ones
261
00:20:01,734 --> 00:20:05,251
and write messages on the stones
to honor and pray for them.
262
00:20:05,320 --> 00:20:07,078
Why here?
263
00:20:07,147 --> 00:20:08,975
Well, this is the Camino de Santiago,
264
00:20:09,044 --> 00:20:11,768
the way of Saint James.
265
00:20:11,837 --> 00:20:13,216
For hundreds of years,
266
00:20:13,285 --> 00:20:16,320
pilgrims walk this trail
in search of something.
267
00:20:16,389 --> 00:20:18,734
Hm. Like what?
268
00:20:18,803 --> 00:20:20,389
Peace, I guess.
269
00:20:20,458 --> 00:20:21,665
Or hope.
270
00:20:21,734 --> 00:20:25,941
♪
271
00:20:26,010 --> 00:20:29,182
The boatyard is just
around the next bend.
272
00:20:29,251 --> 00:20:37,251
♪
273
00:20:39,251 --> 00:20:41,078
♪
274
00:20:41,147 --> 00:20:43,941
[DOG BARKING IN DISTANCE]
275
00:21:19,596 --> 00:21:25,458
♪
276
00:21:27,216 --> 00:21:31,216
♪
277
00:21:33,216 --> 00:21:41,216
♪
278
00:21:43,216 --> 00:21:48,320
♪
279
00:21:52,699 --> 00:22:00,699
♪
280
00:22:03,354 --> 00:22:10,147
♪
281
00:22:12,285 --> 00:22:14,596
♪
282
00:22:16,423 --> 00:22:24,423
♪
283
00:22:26,423 --> 00:22:34,423
♪
284
00:22:37,596 --> 00:22:39,147
[BIRDS SQUAWKING]
285
00:22:39,216 --> 00:22:47,216
♪
286
00:22:48,216 --> 00:22:56,216
♪
287
00:22:57,251 --> 00:22:58,630
Look, I get it.
288
00:22:59,251 --> 00:23:01,182
Ran away a whole bunch of times.
289
00:23:01,251 --> 00:23:03,975
Why?
290
00:23:04,044 --> 00:23:05,216
Different reasons.
291
00:23:05,285 --> 00:23:06,458
♪
292
00:23:06,527 --> 00:23:08,182
MAN: Hey! Daryl!
293
00:23:08,251 --> 00:23:09,837
♪
294
00:23:09,906 --> 00:23:12,113
Get back here, you little bastard!
295
00:23:12,182 --> 00:23:15,078
It's complicated.
296
00:23:15,147 --> 00:23:16,768
Not for me.
297
00:23:16,837 --> 00:23:20,561
♪
298
00:23:20,630 --> 00:23:22,423
You'll see. It gets harder.
299
00:23:23,561 --> 00:23:27,044
Life ain't like one of
those songs you memorized.
300
00:23:27,113 --> 00:23:30,389
That sounds like a thing
my father would say.
301
00:23:30,458 --> 00:23:32,492
Maybe you should listen to him.
302
00:23:33,561 --> 00:23:35,182
I know why I'm leaving.
303
00:23:35,251 --> 00:23:39,320
Maybe you're still trying
to figure out why you did.
304
00:23:39,389 --> 00:23:41,216
Ain't that the truth.
305
00:23:41,285 --> 00:23:49,285
♪
306
00:23:51,285 --> 00:23:59,285
♪
307
00:24:01,354 --> 00:24:06,837
♪
308
00:24:06,906 --> 00:24:12,182
♪
309
00:24:12,251 --> 00:24:14,251
Hey!
310
00:24:14,320 --> 00:24:16,182
I think I found something.
311
00:24:16,251 --> 00:24:17,250
Come here.
312
00:24:17,251 --> 00:24:22,285
♪
313
00:24:22,354 --> 00:24:27,354
♪
314
00:24:27,423 --> 00:24:29,941
[LAUGHING]
315
00:24:30,010 --> 00:24:33,354
ANTONIO: This film is called
"The Exterminating Angel."
316
00:24:33,423 --> 00:24:35,975
[CONVERSING IN SPANISH]
317
00:24:36,044 --> 00:24:39,699
It's about these people who
got trapped in that house
318
00:24:39,768 --> 00:24:41,803
and they don't know how to get out.
319
00:24:47,113 --> 00:24:49,389
You built this place?
320
00:24:49,458 --> 00:24:51,078
Little by little.
321
00:24:52,354 --> 00:24:54,837
How did you get all these movies?
322
00:24:54,906 --> 00:24:56,492
Mm.
323
00:24:56,561 --> 00:24:58,665
When Roberto was young,
324
00:24:58,734 --> 00:25:01,837
we would go on little
missions to art houses.
325
00:25:04,216 --> 00:25:05,215
To get old movies?
326
00:25:05,216 --> 00:25:07,561
Seems pretty dangerous.
327
00:25:07,630 --> 00:25:12,423
Ah. Would you not save a van Gogh,
328
00:25:12,492 --> 00:25:13,941
a Picasso,
329
00:25:14,010 --> 00:25:15,734
the Mona Lisa?
330
00:25:19,354 --> 00:25:21,906
Cinema is the record of humanity.
331
00:25:21,975 --> 00:25:25,872
When this hell ends, our children,
332
00:25:25,941 --> 00:25:29,216
their children will
need to know who we were.
333
00:25:29,285 --> 00:25:31,147
[CONVERSING IN SPANISH]
334
00:25:33,872 --> 00:25:36,561
You sound like Jerry.
335
00:25:36,630 --> 00:25:39,113
He's another friend of mine back home.
336
00:25:41,044 --> 00:25:44,216
Let's watch before the sun goes down.
337
00:25:44,285 --> 00:25:47,561
The projector is
hooked to a solar panel.
338
00:25:48,872 --> 00:25:56,872
♪
339
00:25:58,872 --> 00:26:01,389
♪
340
00:26:01,458 --> 00:26:06,527
[BANGING]
341
00:26:06,596 --> 00:26:08,941
- Is it working?
- ROBERTO: Yeah.
342
00:26:09,010 --> 00:26:17,010
♪
343
00:26:18,527 --> 00:26:20,492
[MUFFLED BANGING]
344
00:26:20,561 --> 00:26:28,147
♪
345
00:26:28,216 --> 00:26:35,527
♪
346
00:26:35,596 --> 00:26:37,492
Okay, almost.
347
00:26:37,561 --> 00:26:39,768
One more.
348
00:26:41,803 --> 00:26:44,113
[GRUNTS] Ah, we got it.
349
00:26:44,182 --> 00:26:46,734
Yeah! Whoo!
350
00:26:50,423 --> 00:26:52,113
There's something in the water.
351
00:26:52,182 --> 00:26:54,734
♪
352
00:26:54,803 --> 00:26:57,527
Probably a fish. Come on, let's go.
353
00:26:57,596 --> 00:26:59,665
No, no, no, it's not.
354
00:26:59,734 --> 00:27:01,251
It wasn't fish.
355
00:27:01,320 --> 00:27:03,182
[WALKER GROWLING]
356
00:27:03,251 --> 00:27:04,251
[GASPS]
357
00:27:04,285 --> 00:27:06,492
♪
358
00:27:06,561 --> 00:27:09,561
[GUN COCKS, GUNSHOT]
359
00:27:09,630 --> 00:27:10,975
Get on the beach.
360
00:27:11,044 --> 00:27:12,630
♪
361
00:27:12,699 --> 00:27:14,251
[GUN COCKS]
362
00:27:14,320 --> 00:27:17,285
♪
363
00:27:17,354 --> 00:27:18,975
It ain't safe.
364
00:27:19,044 --> 00:27:21,216
♪
365
00:27:21,285 --> 00:27:22,699
Come on.
366
00:27:22,768 --> 00:27:26,010
We'll find another one.
367
00:27:26,078 --> 00:27:30,010
♪
368
00:27:31,872 --> 00:27:32,872
We should go back.
369
00:27:32,906 --> 00:27:34,389
We ain't going back.
370
00:27:34,458 --> 00:27:37,010
[WALKERS GROWLING]
371
00:27:37,078 --> 00:27:45,078
♪
372
00:27:46,699 --> 00:27:48,561
[GUN COCKS]
373
00:27:48,630 --> 00:27:50,285
[GUNSHOTS]
374
00:27:50,354 --> 00:27:54,768
♪
375
00:27:54,837 --> 00:27:56,389
- DARYL: Leave it!
- We need it.
376
00:27:56,458 --> 00:28:00,665
♪
377
00:28:00,734 --> 00:28:02,010
[GUN CLICKS]
378
00:28:02,078 --> 00:28:10,078
♪
379
00:28:12,078 --> 00:28:17,285
♪
380
00:28:17,354 --> 00:28:22,596
♪
381
00:28:22,665 --> 00:28:24,492
Hey!
382
00:28:24,561 --> 00:28:32,561
♪
383
00:28:33,492 --> 00:28:35,665
[WALKER GROWLING]
384
00:28:35,734 --> 00:28:41,665
♪
385
00:28:41,734 --> 00:28:43,458
[GUNSHOT]
386
00:28:43,527 --> 00:28:45,182
[GUN COCKS, GUNSHOTS]
387
00:28:45,251 --> 00:28:52,285
♪
388
00:29:02,492 --> 00:29:05,216
[BREATHING HEAVILY]
389
00:29:16,458 --> 00:29:19,527
[BIRDS CHIRPING, DISTANT CLATTER]
390
00:29:50,803 --> 00:29:52,251
Ow!
391
00:29:53,768 --> 00:29:55,147
Mm.
392
00:30:14,941 --> 00:30:16,596
[CHUCKLES]
393
00:30:16,665 --> 00:30:24,665
♪
394
00:30:26,665 --> 00:30:34,665
♪
395
00:30:36,665 --> 00:30:44,665
♪
396
00:30:46,665 --> 00:30:48,320
♪
397
00:30:48,389 --> 00:30:49,630
[BOX CLATTERS]
398
00:30:49,699 --> 00:30:53,216
♪
399
00:30:53,285 --> 00:30:54,837
[RATTLING]
400
00:30:54,906 --> 00:31:02,906
♪
401
00:31:04,975 --> 00:31:06,182
♪
402
00:31:06,251 --> 00:31:07,596
[CLICK]
403
00:31:07,665 --> 00:31:15,665
♪
404
00:31:17,665 --> 00:31:25,665
♪
405
00:31:27,665 --> 00:31:35,665
♪
406
00:31:37,665 --> 00:31:45,665
♪
407
00:31:47,665 --> 00:31:55,665
♪
408
00:31:57,665 --> 00:32:03,768
♪
409
00:32:03,837 --> 00:32:09,872
♪
410
00:32:09,941 --> 00:32:11,113
Justina?
411
00:32:11,182 --> 00:32:12,320
I have to speak to Roberto.
412
00:32:12,389 --> 00:32:14,527
He's out with Daryl.
413
00:32:16,251 --> 00:32:18,596
Sorry.
414
00:32:18,665 --> 00:32:20,010
Hey.
415
00:32:20,078 --> 00:32:22,734
Justina, if you... if you
need somebody to talk to,
416
00:32:22,803 --> 00:32:25,665
I'm somebody.
417
00:32:25,734 --> 00:32:27,216
Last I checked.
418
00:32:27,285 --> 00:32:33,182
♪
419
00:32:33,251 --> 00:32:34,251
Come here.
420
00:32:34,320 --> 00:32:35,699
Sit down.
421
00:32:35,768 --> 00:32:42,630
♪
422
00:32:42,699 --> 00:32:49,354
♪
423
00:32:49,423 --> 00:32:51,630
[ENGINE SHUTS OFF]
424
00:32:51,699 --> 00:32:53,596
ROBERTO: Why are we stopping?
425
00:32:53,665 --> 00:32:55,734
♪
426
00:32:55,803 --> 00:32:57,251
Daryl.
427
00:33:17,423 --> 00:33:24,941
♪
428
00:33:25,010 --> 00:33:32,251
♪
429
00:33:32,320 --> 00:33:33,354
What's that?
430
00:33:33,423 --> 00:33:36,630
♪
431
00:33:36,699 --> 00:33:38,941
Used to belong to a kid I know.
432
00:33:39,010 --> 00:33:41,527
♪
433
00:33:41,596 --> 00:33:43,803
Maybe he's got a new one by now.
434
00:33:43,872 --> 00:33:51,389
♪
435
00:33:51,458 --> 00:33:59,458
♪
436
00:34:02,458 --> 00:34:06,010
It's my friend Alba.
437
00:34:07,596 --> 00:34:09,561
The one that was chosen.
438
00:34:11,734 --> 00:34:14,698
You saw how close she is with her mom.
439
00:34:16,975 --> 00:34:18,941
Going away...
440
00:34:19,010 --> 00:34:22,010
they will never survive
without each other.
441
00:34:23,457 --> 00:34:25,010
I'm so sorry.
442
00:34:28,147 --> 00:34:30,561
I have no parents.
443
00:34:30,630 --> 00:34:33,078
But I get to stay.
444
00:34:34,320 --> 00:34:36,803
How is it fair?
445
00:34:36,872 --> 00:34:40,044
It's not. None of this is fair.
446
00:34:43,216 --> 00:34:44,872
I have to do something.
447
00:34:44,941 --> 00:34:47,975
I can't just...
448
00:34:48,044 --> 00:34:49,216
just let it happen.
449
00:34:49,285 --> 00:34:51,837
I can't.
450
00:34:51,906 --> 00:34:54,941
It's so frustrating, I know.
451
00:34:55,010 --> 00:34:57,975
Feeling so helpless and angry.
452
00:34:58,044 --> 00:35:01,044
So much so that you start to
feel like it's your own fault.
453
00:35:01,113 --> 00:35:03,251
Like if... if you could
do something different
454
00:35:03,320 --> 00:35:05,768
or if you could switch
places, you could fix it.
455
00:35:05,837 --> 00:35:08,803
But sometimes you can't.
456
00:35:08,872 --> 00:35:12,941
♪
457
00:35:13,010 --> 00:35:15,492
Yeah.
458
00:35:15,561 --> 00:35:17,078
You're right.
459
00:35:17,147 --> 00:35:20,803
♪
460
00:35:20,872 --> 00:35:22,803
Thank you.
461
00:35:22,872 --> 00:35:30,872
♪
462
00:35:32,872 --> 00:35:39,078
♪
463
00:35:47,458 --> 00:35:49,147
Mm. Wow.
464
00:35:49,216 --> 00:35:50,665
I'll just be in my room.
465
00:35:50,734 --> 00:35:52,699
Why?
466
00:35:52,768 --> 00:35:54,941
Well, you're having company.
I don't want to impose.
467
00:35:55,010 --> 00:35:57,113
But you are the company.
468
00:36:00,975 --> 00:36:03,010
Have a seat, please.
469
00:36:06,768 --> 00:36:08,320
ANTONIO: Is it good?
470
00:36:10,147 --> 00:36:12,803
Mm. Mucho.
471
00:36:12,872 --> 00:36:14,285
Bueno.
472
00:36:14,354 --> 00:36:15,389
Bueno.
473
00:36:15,458 --> 00:36:17,872
Mm.
474
00:36:17,941 --> 00:36:21,699
If it's of use on your boat,
I have an extra solar panel.
475
00:36:23,768 --> 00:36:25,113
Mm.
476
00:36:27,596 --> 00:36:30,527
That's a good idea.
Never thought of that.
477
00:36:30,596 --> 00:36:32,320
Sure.
478
00:36:32,389 --> 00:36:37,010
And if you need anything
else, don't hesitate to ask.
479
00:36:37,078 --> 00:36:39,561
Thank you.
480
00:36:39,630 --> 00:36:41,665
Anything.
481
00:36:41,734 --> 00:36:44,216
Tools, candles...
482
00:36:44,285 --> 00:36:46,389
food from my storeroom.
483
00:36:54,734 --> 00:36:55,768
I'm sorry.
484
00:36:57,354 --> 00:36:59,251
You really have been so generous.
485
00:36:59,320 --> 00:37:01,803
And you saved my son's life.
486
00:37:04,389 --> 00:37:07,285
You've done well raising him.
487
00:37:07,354 --> 00:37:09,699
I'm not sure he would agree.
488
00:37:09,768 --> 00:37:10,872
Yeah.
489
00:37:10,941 --> 00:37:13,182
He's young. In love.
490
00:37:13,251 --> 00:37:15,010
How do you compete with that?
491
00:37:15,078 --> 00:37:16,113
Sí.
492
00:37:16,182 --> 00:37:17,837
Justina.
493
00:37:17,906 --> 00:37:19,699
Quite a young woman.
494
00:37:19,768 --> 00:37:22,389
All the time thinking of others.
495
00:37:25,768 --> 00:37:28,216
I was really sick.
496
00:37:28,285 --> 00:37:29,699
I don't know what would have happened
497
00:37:29,768 --> 00:37:32,768
if she hadn't talked
Roberto into helping me.
498
00:37:34,906 --> 00:37:37,044
Surviving six ofrendas.
499
00:37:37,113 --> 00:37:39,768
Such luck.
500
00:37:39,837 --> 00:37:41,113
She feels guilty.
501
00:37:41,182 --> 00:37:43,596
As much as she loves Roberto,
502
00:37:43,665 --> 00:37:46,768
I worried she might feel responsible,
503
00:37:46,837 --> 00:37:49,010
that she...
504
00:37:49,078 --> 00:37:52,320
what's the word?
505
00:37:52,389 --> 00:37:54,699
that she might volunteer.
506
00:37:57,078 --> 00:38:05,078
♪
507
00:38:07,147 --> 00:38:12,492
♪
508
00:38:12,561 --> 00:38:17,699
♪
509
00:38:17,768 --> 00:38:19,423
You ever hear of Ohio?
510
00:38:20,872 --> 00:38:22,458
What is Ohio?
511
00:38:22,527 --> 00:38:24,734
It's where I'm trying to get to.
512
00:38:24,803 --> 00:38:26,320
It's a state.
513
00:38:26,389 --> 00:38:28,147
It's like Jersey?
514
00:38:28,216 --> 00:38:32,078
Yeah, like Jersey but flat.
515
00:38:32,147 --> 00:38:34,010
Shit ton of corn.
516
00:38:34,078 --> 00:38:40,147
♪
517
00:38:40,216 --> 00:38:46,320
♪
518
00:38:46,389 --> 00:38:49,044
CAROL: Doña Marga?
519
00:38:49,113 --> 00:38:50,734
Where's Justina?
520
00:38:50,803 --> 00:38:52,596
♪
521
00:38:52,665 --> 00:38:54,803
[SOBBING SOFTLY]
522
00:38:54,872 --> 00:38:57,492
♪
523
00:38:57,561 --> 00:38:59,630
You know, you're right.
524
00:38:59,699 --> 00:39:01,906
I think you two are
gonna like it in America.
525
00:39:01,975 --> 00:39:09,975
♪
526
00:39:11,975 --> 00:39:13,975
♪
527
00:39:14,044 --> 00:39:16,837
[MEN SPEAKING SPANISH]
528
00:39:16,906 --> 00:39:19,251
[HORSE NEIGHS]
529
00:39:42,906 --> 00:39:44,699
[ENGINE RUMBLES]
530
00:39:44,768 --> 00:39:48,975
♪
531
00:39:49,044 --> 00:39:50,216
Justina?
532
00:39:50,285 --> 00:39:51,803
♪
533
00:39:51,872 --> 00:39:53,216
Justina.
534
00:39:53,285 --> 00:39:55,872
♪
535
00:39:55,941 --> 00:39:57,010
Justina!
536
00:39:57,078 --> 00:39:58,077
[HORSE NEIGHS]
537
00:39:58,078 --> 00:40:03,630
♪
538
00:40:06,699 --> 00:40:14,699
♪
539
00:40:16,699 --> 00:40:18,492
♪
540
00:40:22,458 --> 00:40:24,078
[IN SPANISH]
541
00:40:24,147 --> 00:40:26,389
- What do they want?
- To burn it all down.
542
00:40:26,458 --> 00:40:28,803
[BELL TOLLING]
543
00:40:28,906 --> 00:40:29,941
What is that?
544
00:40:30,010 --> 00:40:31,561
[IN SPANISH]
545
00:40:31,630 --> 00:40:32,906
It's under attack.
546
00:40:32,975 --> 00:40:35,458
♪
547
00:40:35,527 --> 00:40:37,182
We need every person we have
548
00:40:37,285 --> 00:40:38,596
to keep the village protected.
549
00:40:38,665 --> 00:40:40,596
[WALKERS GROWLING]
550
00:40:40,665 --> 00:40:42,182
♪
551
00:40:42,285 --> 00:40:43,285
Something ain't right.
552
00:40:43,389 --> 00:40:44,665
♪
553
00:40:44,768 --> 00:40:45,941
Cover!
554
00:40:46,078 --> 00:40:49,044
♪
555
00:40:51,354 --> 00:40:53,200
ANTONIO: They're not used
to someone with the courage
556
00:40:53,201 --> 00:40:54,922
to speak her mind.
557
00:40:54,923 --> 00:40:57,492
Well, I am a guest.
558
00:40:57,630 --> 00:40:59,699
I used to know when
to keep my mouth shut.
559
00:40:59,837 --> 00:41:03,941
Maybe because you're a
guest, you don't need to.
560
00:41:04,078 --> 00:41:06,975
♪
561
00:41:07,078 --> 00:41:08,734
NORIEGA: Antonio is
a wonderful character.
562
00:41:08,872 --> 00:41:12,010
It's a challenge to perform
a character so wounded
563
00:41:12,147 --> 00:41:13,734
and... and complex.
564
00:41:13,872 --> 00:41:15,872
MCBRIDE: Eduardo is a fantastic actor,
565
00:41:16,010 --> 00:41:19,251
so giving and right there.
566
00:41:19,389 --> 00:41:23,906
NORIEGA: Step by step,
he gets to know Carol.
567
00:41:24,044 --> 00:41:26,561
He starts to not only open to the world,
568
00:41:26,699 --> 00:41:30,010
but open to be able to
get in touch with someone.
569
00:41:30,147 --> 00:41:32,320
MCBRIDE: And I think for
Carol, coming out of the tunnel
570
00:41:32,423 --> 00:41:34,389
and having that experience with Sophia
571
00:41:34,527 --> 00:41:36,665
and having that sense
of, it's okay to let go.
572
00:41:36,768 --> 00:41:38,906
I think she's seeing the
world in a different way,
573
00:41:39,044 --> 00:41:42,251
because she doesn't have
that block there anymore.
574
00:41:42,389 --> 00:41:44,699
It's going to be interesting to explore.
575
00:41:47,527 --> 00:41:49,458
- I'm sorry. Um...
- It's okay.
576
00:41:49,561 --> 00:41:50,872
Have a chair.
577
00:41:51,010 --> 00:41:52,837
RICHMAN: David had this idea of, well,
578
00:41:52,975 --> 00:41:54,906
what if a guy was just a cinema lover?
579
00:41:55,044 --> 00:41:56,872
What would that mean
in a world like this?
580
00:41:57,010 --> 00:41:59,251
NORIEGA: It's a really beautiful
thing of this character,
581
00:41:59,389 --> 00:42:01,699
because it's something really poetic,
582
00:42:01,803 --> 00:42:04,975
keeping these old movies to show
583
00:42:05,113 --> 00:42:08,044
how was the world before the apocalypse.
584
00:42:08,147 --> 00:42:09,492
RICHMAN: Some people
might think it's in books.
585
00:42:09,630 --> 00:42:10,872
Some people might think it's in art.
586
00:42:10,975 --> 00:42:12,561
Some people might think it's in music.
587
00:42:12,665 --> 00:42:15,941
He loved movies. And so to him,
588
00:42:16,078 --> 00:42:17,630
sometime maybe this thing will end,
589
00:42:17,768 --> 00:42:19,596
and he'll have the record of humanity.
590
00:42:19,734 --> 00:42:21,389
This will tell the human story.
591
00:42:21,492 --> 00:42:23,975
That opens up a guy who
filmed a lot of his life.
592
00:42:24,113 --> 00:42:26,561
And maybe we get to see that life.
593
00:42:26,665 --> 00:42:28,561
Does an old sailor live
out there or something?
594
00:42:28,699 --> 00:42:31,803
Yes.
595
00:42:31,941 --> 00:42:33,768
[IN SPANISH]
596
00:42:33,906 --> 00:42:37,768
With Valentina, we really
wanted a very liberated woman.
597
00:42:37,906 --> 00:42:39,665
We wanted a woman who was content
598
00:42:39,803 --> 00:42:41,458
as much as you can be in the apocalypse.
599
00:42:41,596 --> 00:42:44,941
Valentina ended up in
this beautiful lighthouse
600
00:42:45,078 --> 00:42:47,906
where I live with my best friends.
601
00:42:48,044 --> 00:42:50,113
And we have this very
special life that's
602
00:42:50,251 --> 00:42:53,251
not necessarily accepted by
everybody else, but we love it.
603
00:42:53,389 --> 00:42:55,423
SQUILLANTE: We found this
absolutely stunning lighthouse
604
00:42:55,561 --> 00:42:58,458
in this beautiful location in Galicia,
605
00:42:58,596 --> 00:42:59,975
and that became the perfect place
606
00:43:00,113 --> 00:43:02,423
to have Valentina and her associates
607
00:43:02,527 --> 00:43:04,354
be based out of.
608
00:43:04,492 --> 00:43:06,561
VALENTINA: The rudder is damaged.
609
00:43:06,699 --> 00:43:08,699
Gotta be someplace I
can find another one.
610
00:43:08,837 --> 00:43:11,665
I think I know a place.
611
00:43:11,803 --> 00:43:14,941
SQUILLANTE: Our heroes need
to get a piece for our boat,
612
00:43:15,044 --> 00:43:16,872
and they have to go scavenging for it.
613
00:43:17,010 --> 00:43:18,803
ARBUES: The harbor
scenes was tough days.
614
00:43:18,906 --> 00:43:23,147
I mean, when you mix cameras
and water, it's not easy at all.
615
00:43:23,285 --> 00:43:25,010
SQUILLANTE: We really
lean into the authenticity
616
00:43:25,147 --> 00:43:26,734
of what we're trying to do.
617
00:43:26,872 --> 00:43:28,492
So, you know, you could
try to do it in a tank.
618
00:43:28,630 --> 00:43:30,423
You could try to cobble
it all together with VFX.
619
00:43:30,527 --> 00:43:32,147
Usually we do that
620
00:43:32,285 --> 00:43:34,216
when safety is really a
paramount issue for us,
621
00:43:34,354 --> 00:43:36,113
but we try to be in
the actual environment.
622
00:43:36,216 --> 00:43:39,182
So we found in Galicia an
incredibly sheltered harbor.
623
00:43:39,320 --> 00:43:42,285
And I just have to say,
for both Norman and Hugo,
624
00:43:42,389 --> 00:43:43,665
incredibly brave.
625
00:43:43,803 --> 00:43:45,458
They did all the scenes in the water.
626
00:43:45,561 --> 00:43:47,458
We had some "pretty difficult
to deal with" weather,
627
00:43:47,596 --> 00:43:48,803
and they just went for it.
628
00:43:48,941 --> 00:43:50,458
And of course, our zombie stunt players
629
00:43:50,561 --> 00:43:53,044
are just like the MVP's
of like every season.
630
00:43:53,182 --> 00:43:55,699
These people get lit on fire.
We push them off buildings.
631
00:43:55,837 --> 00:43:57,630
We run them over with
cars, and in this case,
632
00:43:57,734 --> 00:44:02,078
we had them emerge from the
surf to engage with them.
633
00:44:02,216 --> 00:44:03,768
ARBUES: Oh, I had so much fun.
634
00:44:03,906 --> 00:44:07,285
These kind of scenes make
you feel really proud.
635
00:44:07,423 --> 00:44:09,699
When you come back home
and you're going to sleep,
636
00:44:09,803 --> 00:44:12,872
you're like, I'm really
proud of this day.
637
00:44:13,010 --> 00:44:15,320
[IN SPANISH]
638
00:44:24,389 --> 00:44:26,596
"El Sacrificio" is Episode 3.
639
00:44:26,734 --> 00:44:28,458
That means "the sacrifice" in Spanish.
640
00:44:28,596 --> 00:44:32,251
And "the sacrifice" has
a kind of double meaning.
641
00:44:32,389 --> 00:44:36,423
But mostly it refers to the
sacrifice that this town makes
642
00:44:36,561 --> 00:44:38,423
in surrendering one of their children.
643
00:44:38,561 --> 00:44:41,389
[IN SPANISH]
644
00:44:55,941 --> 00:44:58,113
PERCIVAL: And this is what
Daryl and Carol observe.
645
00:44:58,251 --> 00:45:00,216
They observe a community
that is functioning,
646
00:45:00,354 --> 00:45:04,734
but that has this terrible
penalty clause to their safety.
647
00:45:04,837 --> 00:45:06,975
JUSTINA: It's my friend, Alba.
648
00:45:07,113 --> 00:45:08,492
CAROL: The one who was chosen.
649
00:45:08,630 --> 00:45:11,147
You saw how close she is with her mom.
650
00:45:11,285 --> 00:45:15,389
They will never survive
without each other.
651
00:45:15,492 --> 00:45:16,837
I'm so sorry.
652
00:45:16,975 --> 00:45:19,458
SAITTA: Justina is deeply empathetic.
653
00:45:19,596 --> 00:45:22,941
She has no parents, and she
really needs to help people.
654
00:45:23,078 --> 00:45:24,423
PERCIVAL: Carol observes these children,
655
00:45:24,527 --> 00:45:26,147
they're accepting their fate.
656
00:45:26,285 --> 00:45:27,837
But at the same time,
657
00:45:27,975 --> 00:45:31,665
it's clear that this is a painful
experience for the families.
658
00:45:31,803 --> 00:45:33,354
Where's Justina?
659
00:45:33,492 --> 00:45:36,354
ZABEL: In this case, that
decision gets switched,
660
00:45:36,492 --> 00:45:39,837
and who we thought it was
gonna be is not who it is, Alba.
661
00:45:39,975 --> 00:45:41,630
It instead turns out to be Justina,
662
00:45:41,768 --> 00:45:44,251
and she seems to be making
a sacrifice on behalf
663
00:45:44,354 --> 00:45:46,837
of what she thinks is right,
what she thinks is fair.
664
00:45:46,975 --> 00:45:49,630
SAITTA: The greatest risk for Justina
665
00:45:49,768 --> 00:45:53,768
is being unable to see the
people she loves ever again.
666
00:45:53,872 --> 00:45:56,182
As the story progresses,
even in subsequent episodes,
667
00:45:56,320 --> 00:45:58,251
the idea of what the sacrifice was
668
00:45:58,354 --> 00:46:00,941
and how the sacrifice was
made changes and evolves.
669
00:46:01,078 --> 00:46:03,906
♪
670
00:46:04,044 --> 00:46:05,389
Justina!
671
00:46:05,527 --> 00:46:08,596
[IN SPANISH]
672
00:46:08,734 --> 00:46:15,837
♪
673
00:46:18,389 --> 00:46:23,389
- Synced and corrected by chamallow -
- www.addic7ed.com -
674
00:46:28,285 --> 00:46:36,285
♪
675
00:46:38,285 --> 00:46:46,285
♪
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