All language subtitles for Primetime Emmy Awards - S00E77 - The 77th Primetime Emmy Awards.spa

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,030 --> 00:00:18,200 >> Announcer: TELEVISION... THE MOST POWERFUL MEDIUM EVER 2 00:00:18,240 --> 00:00:20,000 CREATED. WATCHED BY BILLIONS IN EVERY 3 00:00:20,030 --> 00:00:24,410 CORNER OF THE EARTH. BUT IT WOULD NOT EXIST WITHOUT A 4 00:00:24,440 --> 00:00:30,650 VISIONARY GENIUS WHO, NEARLY 100 YEARS AGO, SAW THE FUTURE. 5 00:00:30,680 --> 00:00:41,270 PHILO T. FARNSWORTH, THE INVENTOR OF TELEVISION. 6 00:00:41,310 --> 00:00:44,720 >> OKAY, READY? I'M TURNING ON THE POWER. 7 00:00:44,750 --> 00:00:48,130 >> UGH, THE CATHODE TUBE OVERHEATED, AGAIN! 8 00:00:48,170 --> 00:00:50,860 >> I'M BEGINNING TO THINK MR. FARNSWORTH'S IDEA FOR 9 00:00:50,890 --> 00:00:53,000 TELEVISION WILL NEVER WORK. >> PERHAPS WE SHOULD JUST GIVE 10 00:00:53,030 --> 00:01:01,030 UP. >> WE CANNOT GIVE UP. 11 00:01:01,060 --> 00:01:04,270 >> MR. FARNSWORTH! 12 00:01:04,310 --> 00:01:08,680 >> DO NOT GET DISCOURAGED. WHAT WE CREATE HERE WILL ONE DAY 13 00:01:08,720 --> 00:01:11,650 BRING THE WORLD SHOWS THAT INFORM AND EDUCATE. 14 00:01:11,680 --> 00:01:14,820 >> YES! >> GOD WILLING. 15 00:01:14,860 --> 00:01:16,510 >> SHOWS THAT MAKE US LAUGH, AND CRY! 16 00:01:16,550 --> 00:01:19,580 >> YES, WELL SAID! >> AND SHOWS ABOUT PEOPLE WHO, 17 00:01:19,620 --> 00:01:22,000 WHEN THEY GO TO WORK, THEY SWITCH TO DIFFERENT PEOPLE IN 18 00:01:22,030 --> 00:01:24,620 THEIR BRAINS WHO ONLY REMEMBER WHAT HAPPENS AT WORK. 19 00:01:24,650 --> 00:01:31,340 >> UM... 20 00:01:31,370 --> 00:01:38,100 I DON'T UNDERSTAND THAT, SIR. >> MANY PEOPLE WHO WATCH IT 21 00:01:38,130 --> 00:01:43,030 WON'T, EITHER, BUT BY GOD, IT WILL BE ON TV. 22 00:01:43,060 --> 00:01:44,440 I DREAM THAT, ONE DAY, THERE WILL BE A CHANNEL FOR EVERY 23 00:01:44,480 --> 00:01:49,100 INTEREST. THE TRAVEL CHANNEL, FOR TRAVEL. 24 00:01:49,130 --> 00:01:52,750 THE FOOD NETWORK, FOR FOOD. AND THE HISTORY CHANNEL. 25 00:01:52,790 --> 00:01:54,270 >> FOR HISTORY. >> NO. 26 00:01:54,310 --> 00:01:58,240 ALIENS. 27 00:01:58,270 --> 00:02:04,000 >> THERE WON'T BE HISTORY ON THE HISTORY CHANNEL, SIR? 28 00:02:04,030 --> 00:02:06,000 >> NO. JUST AS THERE WILL BE NO 29 00:02:06,030 --> 00:02:07,680 LEARNING ON THE LEARNING CHANNEL. 30 00:02:07,720 --> 00:02:13,000 >> THEN WHAT WILLBE ON THE LEARNING CHANNEL? 31 00:02:13,030 --> 00:02:15,860 >> HOARDERS. PEOPLE WHO EAT COUCH CUSHIONS. 32 00:02:15,890 --> 00:02:19,340 DR. PIMPLE POPPER. ALL OF OUR FUN STUFF. 33 00:02:19,370 --> 00:02:24,170 >> WHO WILL MAKE ALL THIS, SIR? >> ACTORS, WRITERS, DIRECTORS. 34 00:02:24,200 --> 00:02:28,820 AND, MOST IMPORTANTLY: PRODUCERS. 35 00:02:28,860 --> 00:02:31,820 >> AND WHAT DOES A PRODUCER DO, SIR? 36 00:02:31,860 --> 00:02:37,750 >> NOBODY KNOWS. 37 00:02:37,790 --> 00:02:40,890 >> AH, OKAY, SO TELEVISION WILL HAVE SOMETHING FOR EVERYONE? 38 00:02:40,930 --> 00:02:43,550 >> YES, FOR PEOPLE OF EVERY CULTURE. 39 00:02:43,580 --> 00:02:46,890 NETWORKS LIKE TELEMUNDO, FOR SPANISH SPEAKERS. 40 00:02:46,930 --> 00:02:50,750 AND B.E.T. -- BLACK ENTERTAINMENT TELEVISION. 41 00:02:50,790 --> 00:02:55,310 >> WILL THERE BE A NETWORK FOR WHITE PEOPLE, SIR? 42 00:02:55,340 --> 00:02:59,720 >> WHY, CBS, OF COURSE. 43 00:02:59,750 --> 00:03:02,680 >> YES, THE CAUCASIAN BROADCAST SYSTEM! 44 00:03:02,720 --> 00:03:08,370 >> YEAH, I GUESS SO. 45 00:03:08,410 --> 00:03:13,200 >> AND WILL THERE BE A NETWORK FOR ASIAN PEOPLE, SIR? 46 00:03:13,240 --> 00:03:14,650 >> WHAT'S THAT, YOU ASKED ABOUT STREAMING? 47 00:03:14,680 --> 00:03:18,890 >> NO. 48 00:03:18,930 --> 00:03:24,170 >> ONE DAY, I DREAM THERE WILL BE SO MANY SHOWS, WE WILL HAVE 49 00:03:24,200 --> 00:03:25,960 TO INVENT ANOTHER TYPE OF TV CALLED "STREAMING." 50 00:03:26,000 --> 00:03:28,170 >> WHAT IS STREAMING, SIR? >> A NEW WAY FOR COMPANIES TO 51 00:03:28,200 --> 00:03:32,100 LOSE MONEY. 52 00:03:32,130 --> 00:03:34,170 THESE STREAMERS WILL MAKE THEIR OWN SHOWS, AND CREATE THEIR OWN 53 00:03:34,200 --> 00:03:37,340 STARS. >> WHO WILL THESE STARS BE? 54 00:03:37,370 --> 00:03:41,680 >> MURDERERS. REAL LIFE MURDERERS, MOSTLY. 55 00:03:41,720 --> 00:03:45,790 >> WHO WOULD WATCH SHOWS ABOUT 56 00:03:45,820 --> 00:03:50,130 MURDERERS FOR ENTERTAINMENT? >> YOUR WIFE, MY WIFE, 57 00:03:50,170 --> 00:03:55,340 EVERYONE'S WIFE. 58 00:03:55,370 --> 00:03:59,060 AND THAT IS WHY WE WILL PAY THE STREAMING SUBSCRIPTION FEES. 59 00:03:59,100 --> 00:04:03,100 >> AH, I SEE. WITH STREAMING, THE VIEWER PAYS 60 00:04:03,130 --> 00:04:11,310 A FEE, SO THERE ARE NO ADS. >> IF IT ONLY WERE SO SIMPLE. 61 00:04:11,340 --> 00:04:14,030 YOU PAY THE FEE ANDTHERE ARE ADS. 62 00:04:14,060 --> 00:04:17,720 >> BUT THAT SEEMS UNFAIR TO THE CUSTOMER. 63 00:04:17,750 --> 00:04:19,410 >> ALL RIGHT, GET OUT. 64 00:04:19,440 --> 00:04:21,370 >> REALLY? >> YEAH, WE DON'T SAY THAT OUT 65 00:04:21,410 --> 00:04:25,340 LOUD. GET OUT. 66 00:04:25,370 --> 00:04:27,860 GO SIT IN THE BACK WITH THE PEOPLE WHO ARE PROBABLY GONNA 67 00:04:27,890 --> 00:04:29,820 LOSE ANYWAY. 68 00:04:29,860 --> 00:04:33,860 >> LOSE WHAT, SIR? >> AN EMMY. 69 00:04:33,890 --> 00:04:36,060 THAT IS WHAT THE AWARD CELEBRATING EXCELLENCE IN 70 00:04:36,100 --> 00:04:39,000 TELEVISION WILL BE CALLED. AND WINNING ONE WILL BE VERY 71 00:04:39,030 --> 00:04:49,580 PRESTIGIOUS. >> HMM, LIKE AN OSCAR! 72 00:04:49,620 --> 00:04:55,440 >> ALL RIGHT, DON'T -- 73 00:04:55,480 --> 00:04:57,240 IT'S A GOOD ONE. AND THERE WILL BE AWARDS FOR ALL 74 00:04:57,270 --> 00:05:02,340 TYPES OF SHOWS. GRIPPING DRAMAS, LIKE 75 00:05:02,370 --> 00:05:06,820 "THE PITT," A HEARTBREAKING LOOK AT THE EMOTIONAL TOLL OF TRAUMA. 76 00:05:06,860 --> 00:05:12,650 AND LAUGH-OUT-LOUD COMEDIES LIKE "THE BEAR," A HEARTBREAKING LOOK 77 00:05:12,680 --> 00:05:16,860 AT THE EMOTIONAL TOLL OF TRAUMA. 78 00:05:16,890 --> 00:05:19,060 >> THAT SOUNDS LIKE A DRAMA, SIR. 79 00:05:19,100 --> 00:05:24,960 >> AND YET IT IS NOT. BUT THE SHOWS THAT WIN AN EMMY 80 00:05:25,000 --> 00:05:28,410 HAVE ACHIEVED THE HIGHEST LEVEL OF ARTISTRY. 81 00:05:28,440 --> 00:05:35,340 >> AND WILL HAVE THE MOST VIEWERS. 82 00:05:35,370 --> 00:05:38,680 >> I MEAN, NOT EVEN CLOSE. 83 00:05:38,720 --> 00:05:41,580 MOST PEOPLE WILL WATCH FOOTBALL AND "YELLOWSTONE." 84 00:05:41,620 --> 00:05:44,240 BUT NONE OF THAT MATTERS IF WE GIVE UP NOW. 85 00:05:44,270 --> 00:05:48,620 BY INVENTING TV, WE CREATE A WORLD WHERE A WOMAN WILL HOST 86 00:05:48,650 --> 00:05:52,790 HER OWN POPULAR LATE-NIGHT TALK SHOW. 87 00:05:52,820 --> 00:05:57,170 >> A WOMAN, SIR?! >> NOT IN REAL LIFE, BUT ON A 88 00:05:57,200 --> 00:06:04,580 FICTIONAL SHOW CALLED "HACKS." 89 00:06:04,620 --> 00:06:08,620 WE CREATE A WORLD WHERE AN ACTOR NAMED STANLEY TUCCI WILL GET NOT 90 00:06:08,650 --> 00:06:13,030 ONE, BUT TWO SHOWS WHERE HE GOES TO ITALY AND EATS FOOD. 91 00:06:13,060 --> 00:06:19,960 >> TWO SHOWS, SIR? >> TWO, SO FAR. 92 00:06:20,000 --> 00:06:23,510 WE CREATE A WORLD WHERE THE FINEST ARTISTS CRAFT STORIES OF 93 00:06:23,550 --> 00:06:26,550 STAGGERING BEAUTY THAT MILLIONS OF PEOPLE WILL WATCH... 94 00:06:26,580 --> 00:06:30,200 ON THEIR PHONES, WHILE THEY'RE SITTING ON THE TOILET. 95 00:06:30,240 --> 00:06:34,650 THATIS TELEVISION. AND THIS IS THE EMMYS. 96 00:06:39,620 --> 00:06:42,030 ♪>> Announcer: PLEASE WELCOME 97 00:06:42,060 --> 00:06:44,680 TEN-TIME EMMY WINNER STEPHEN COLBERT. 98 00:07:11,270 --> 00:07:16,860 >> THANK YOU VERY MUCH. YOU ARE VERY KIND. 99 00:07:16,890 --> 00:07:19,100 THANK YOU! SIT DOWN! 100 00:07:19,130 --> 00:07:26,240 THANK YOU VERY MUCH. WE'VE GOT TO GO! 101 00:07:26,270 --> 00:07:30,060 WHILE I HAVE YOUR ATTENTION, IS ANYONE HIRING? 102 00:07:30,100 --> 00:07:31,310 BECAUSE I'VE GOT 200 VERY 103 00:07:31,340 --> 00:07:36,550 QUALIFIED CANDIDATES WITH ME HERE TONIGHT. 104 00:07:36,580 --> 00:07:46,370 WHO WILL BE AVAILABLE IN JUNE. I ALSO BROUGHT MY OWN RESUME 105 00:07:46,410 --> 00:07:49,960 HERE TONIGHT. I HAVEN'T HAD A CHANCE TO UPDATE 106 00:07:50,000 --> 00:07:56,130 MY HEADHSOT IN A BIT, BUT I THINK IT STILL WORKS. 107 00:07:56,170 --> 00:08:00,440 I AM IN THERE SOMEWHERE. 108 00:08:00,480 --> 00:08:04,820 AFTER I GET BACK FROM ISTANBUL, I'M SURE. 109 00:08:04,860 --> 00:08:09,650 I ONLY HAVE THE ONE, SO HARRISON FORD, COULD YOU GET 110 00:08:09,680 --> 00:08:16,200 THIS TO SPIELBERG? WOULD YOU? 111 00:08:16,240 --> 00:08:25,440 AND THE NOMINEES FOR LEAD ACTOR 112 00:08:25,480 --> 00:08:28,820 IN A COMEDY SERIES ARE... >> ADAM BRODY. 113 00:08:28,860 --> 00:08:31,680 "NOBODY WANTS THIS." SETH ROGEN. 114 00:08:31,720 --> 00:08:34,410 "THE STUDIO." JASON SEGEL. 115 00:08:34,440 --> 00:08:36,960 "SHRINKING." MARTIN SHORT. 116 00:08:37,000 --> 00:08:40,270 "ONLY MURDERS IN THE BUILDING." JEREMY ALLEN WHITE. 117 00:08:40,300 --> 00:08:45,860 "THE BEAR." >> AND NOW, THE EMMY FOR LEAD 118 00:08:45,890 --> 00:08:51,030 ACTOR IN A COMEDY SERIES GOES TO... 119 00:08:51,060 --> 00:08:53,310 SETH ROGEN. "THE STUDIO." 120 00:08:59,240 --> 00:09:03,130 >> Announcer: THIS IS THE FIRST EMMY WIN AND NINTH 121 00:09:03,170 --> 00:09:06,200 NOMINATION FOR SETH ROGEN, ALSO NOMINATED FOR DIRECTING, 122 00:09:06,240 --> 00:09:10,620 PRODUCING, AND WRITING "THE STUDIO." 123 00:09:10,650 --> 00:09:12,310 >> THANK YOU, STEPHEN. THANK YOU. 124 00:09:12,340 --> 00:09:16,310 WOW, THIS IS AMAZING. I SO COULD NOT WRAP MY HEAD 125 00:09:16,340 --> 00:09:18,790 AROUND THIS HAPPENING THAT I LITERALLY PREPARED NOTHING. 126 00:09:18,820 --> 00:09:20,930 I'VE NEVER WON ANYTHING IN MY LIFE. 127 00:09:20,960 --> 00:09:22,170 WHEN I WAS A KID I BOUGHT A USED BOWLING TROPHY AT AN ESTATE 128 00:09:22,200 --> 00:09:26,130 SALE, AND MY PARENTS WERE LIKE, YEAH, THAT'S A GOOD IDEA. 129 00:09:26,170 --> 00:09:29,720 YOU SHOULD PROBABLY BUY THAT. THANK YOU TO MY WIFE, MY MOTHER, 130 00:09:29,750 --> 00:09:33,650 EVERYONE WHO WORKS ON THE SHOW, MY AGENT, MY MANAGERS, THE 131 00:09:33,680 --> 00:09:35,790 WRITERS, IF YOU AND YOU GET STARTED ON THE SHOW, THANK YOU 132 00:09:35,820 --> 00:09:41,510 SO MUCH. THIS IS SO LOVELY. 133 00:09:41,550 --> 00:09:43,200 I FEEL LIKE I SHOULD -- I DON'T KNOW. 134 00:09:43,240 --> 00:09:45,480 I DON'T KNOW WHAT TO SAY. THIS IS SO NICE! 135 00:09:45,510 --> 00:09:46,790 THANK YOU. I APPRECIATE YOU ALL. 136 00:09:46,820 --> 00:09:49,270 HAVE A GOOD ONE. 137 00:09:49,310 --> 00:09:55,410 ♪>> Announcer: PLEASE WELCOME 138 00:09:55,440 --> 00:10:00,370 YOUR HOST, NATE BARGATZE. 139 00:10:00,410 --> 00:10:09,030 ♪>> Nate: ALL RIGHT, ALL RIGHT. 140 00:10:09,060 --> 00:10:15,030 THANK YOU. LOOK AT US, WE'RE DOING IT. 141 00:10:15,060 --> 00:10:18,480 ALL RIGHT? WELCOME TO THE 77TH EMMY AWARDS. 142 00:10:18,510 --> 00:10:26,930 IT'S NOT A BIG ONE LIKE THE 75TH OR THE 80TH, BUT IT'S THE ONE 143 00:10:26,960 --> 00:10:28,410 THEY GAVE ME. IT'S AN HONOR TO BE HERE 144 00:10:28,440 --> 00:10:32,650 TONIGHT. I'M EXCITED TO BE HERE. 145 00:10:32,680 --> 00:10:34,890 ALL OF YOU HAVE WORKED SO HARD TO BE HERE. 146 00:10:34,930 --> 00:10:38,790 IT'S CONFUSING, TOO. REBA McENTIRE, I FEEL LIKE I'M 147 00:10:38,820 --> 00:10:41,000 AT THE GRAMMYS. CATE BLANCHETT, I FEEL LIKE I'M 148 00:10:41,030 --> 00:10:45,510 AT THE OSCARS, IT'S CRAZY. TINA FEY, I THOUGHT, THEY 149 00:10:45,550 --> 00:10:48,820 SHOULD'VE HAD HER HOST, YOU KNOW? 150 00:10:48,860 --> 00:10:54,170 A LOT OF PEOPLE ARE WONDERING, WHY AM I HOSTING? 151 00:10:54,200 --> 00:11:01,240 I DON'T KNOW WHAT THAT WAS. 152 00:11:01,270 --> 00:11:10,890 ALL RIGHT, IT COUNTS AS A LAUGH. 153 00:11:10,930 --> 00:11:14,000 PEOPLE HAVE ASKED. FOR MY CAREER -- I'M A STAND-UP 154 00:11:14,030 --> 00:11:17,170 COMEDIAN, I HAVE NOT HAD A TON OF SUCCESS IN HOLLYWOOD, BUT LET 155 00:11:17,200 --> 00:11:21,650 ME TELL YOU, BOY, IS IT GOING GOOD EVERYWHERE ELSE. 156 00:11:21,680 --> 00:11:25,200 YOU MIGHT KNOW IF YOU HAVEN'T 157 00:11:25,240 --> 00:11:28,240 HEARD, AS A HOST THEY ASKED ME, WHEN YOU GIVE YOUR THANK YOU 158 00:11:28,270 --> 00:11:29,960 SPEECHES, THEY SAID YOU HAVE TO KEEP THEM ON TIME. 159 00:11:30,000 --> 00:11:32,930 SO THEY WANTED ME TO COME UP WITH A WAY TO DO THAT. 160 00:11:32,960 --> 00:11:39,240 WHAT I CAME UP WITH IS THIS WAY. EVERYBODY GETS 45 SECONDS. 161 00:11:39,270 --> 00:11:41,680 HONESTLY, GIVE YOUR SPEECH. I KNOW HOW HARD YOU HAVE ALL 162 00:11:41,720 --> 00:11:44,410 WORKED TO GET HERE. I'M NOT TRYING TO TAKE ANYTHING 163 00:11:44,440 --> 00:11:46,580 AWAY. 45 SECONDS, THAT'S WHAT YOU GOT. 164 00:11:46,620 --> 00:11:49,890 IF YOU WANT TO DO MORE THAN THAT, DO IT ON SOCIAL MEDIA 165 00:11:49,930 --> 00:11:51,440 LATER. WHEN PEOPLE ARE GOING TO SEE IT 166 00:11:51,480 --> 00:11:54,510 THERE ANYWAY. 167 00:11:54,550 --> 00:12:01,030 TO START THE SHOW, I'M GOING TO DONATE $100,000 TO THE BOYS AND 168 00:12:01,060 --> 00:12:03,620 A GIRLS OF AMERICA. 169 00:12:03,650 --> 00:12:09,890 YEAH. 170 00:12:09,930 --> 00:12:12,750 REMEMBER THAT. REMEMBER HOW FUN THAT WAS, 171 00:12:12,790 --> 00:12:17,620 BECAUSE THIS PART IS HARD TO SA SAY. 172 00:12:17,650 --> 00:12:25,410 IF YOU STAY AT 45 SECONDS, IT STAYS AT $100,000. 173 00:12:25,440 --> 00:12:28,930 ALL RIGHT, I KNOW. 174 00:12:28,960 --> 00:12:36,480 EVERY SECOND YOU GO UNDER -- OR 175 00:12:36,510 --> 00:12:40,510 OVER, I'M SORRY. EVERY SECOND YOU GO OVER 45 176 00:12:40,550 --> 00:12:44,480 SECONDS, WE WILL DEDUCT $1,000 AWAY FROM THE BOYS AD GIRLS 177 00:12:44,510 --> 00:12:49,370 CLUB. I KNOW, I KNOW. 178 00:12:49,410 --> 00:12:50,750 THAT'S TOUGH. IT'S HARD. 179 00:12:50,790 --> 00:12:53,030 THAT IS TOUGH. IT IS BRUTAL. 180 00:12:53,060 --> 00:12:56,510 WHAT ARE YOU GOING TO DO, THOUGH, YOU KNOW? 181 00:12:56,550 --> 00:12:59,100 I CAN'T CHANGE IT. THIS IS THE GAME I MADE UP, AND 182 00:12:59,130 --> 00:13:03,270 THESE ARE THE RULES. 183 00:13:03,310 --> 00:13:09,130 HERE'S THE THING, IF YOU GO UNDER, WE WILL PUT $1,000 A 184 00:13:09,170 --> 00:13:16,720 SECOND BACK ON FOR THE BOYS AND GIRLS CLUB OF AMERICA. 185 00:13:16,750 --> 00:13:18,930 RELAX, LET'S HAVE FUN, 186 00:13:18,960 --> 00:13:20,750 ALL RIGHT? BY THE WAY, WE ALREADY GOT 187 00:13:20,790 --> 00:13:24,130 STARTED. SETH, CONGRATS. 188 00:13:24,170 --> 00:13:28,510 I FEEL BAD, HE DIDN'T EVEN KNOW ABOUT THIS AT ALL. 189 00:13:28,550 --> 00:13:30,960 WHAT DID HE DO? 190 00:13:31,000 --> 00:13:36,310 WAS HE OVER, UNDER? UNDER? 191 00:13:36,340 --> 00:13:39,750 ALL RIGHT! 192 00:13:39,790 --> 00:13:48,030 HE WAS UNDER! DON'T GO CRAZY, THOUGH. 193 00:13:48,060 --> 00:13:52,440 BECAUSE I'M PAYING FOR THIS, SO DON'T -- LIKE, SOME OF YOU GO 194 00:13:52,480 --> 00:13:57,130 OVER A LITTLE, SOME GO UNDER, DO THE RIGHT THING. 195 00:13:57,170 --> 00:14:01,480 NOW YOU KNOW THE RULES. 196 00:14:01,510 --> 00:14:06,000 THOSE ARE IT. NOW THAT EVERYBODY KNOWS, LET'S 197 00:14:06,030 --> 00:14:08,170 KEEP THIS SHOW GOING. PLEASE WELCOME TWO-TIME EMMY 198 00:14:08,200 --> 00:14:10,410 WINNER JENNIFER COOLIDGE. 199 00:14:34,030 --> 00:14:39,000 ♪>> I MADE IT! 200 00:14:39,030 --> 00:14:43,100 WOW, YOU KNOW, I AM SO HONORED 201 00:14:43,130 --> 00:14:46,000 TO BE HERE PRESENTING THE EMMY FOR LEAD ACTRESS IN A COMEDY 202 00:14:46,030 --> 00:14:52,930 SERIES. I JUST WANT TO SAY TO THE 203 00:14:52,960 --> 00:14:58,000 NOMINEES, YOU ARE ALL INCREDIBLE TALENTS. 204 00:14:58,030 --> 00:15:02,200 YOU REALLY ARE. REALLY, TRULY. 205 00:15:02,240 --> 00:15:06,410 I'M NOT JOKING. 206 00:15:06,440 --> 00:15:12,310 BETWEEN US, I WAS ACTUALLY HOPING TO BE NOMINATED ALONGSIDE 207 00:15:12,340 --> 00:15:19,030 YOU TONIGHT FOR MY WORK ON THIS SEASON OF "THE PITT." 208 00:15:19,060 --> 00:15:21,100 I PLAYED A HORNY GRANDMOTHER 209 00:15:21,130 --> 00:15:25,240 HAVING A COLONOSCOPY DURING A POWER OUTAGE. 210 00:15:25,270 --> 00:15:28,720 YEAH. 211 00:15:28,750 --> 00:15:32,270 I HAD TO PLAY A LOT OF LEVELS, YOU KNOW. 212 00:15:32,310 --> 00:15:38,650 I EVEN HAD TO DO MY OWN PREP! GIRLS, I JUST WANNA SAY, BEING 213 00:15:38,680 --> 00:15:45,000 NOMINATED IS SUCH A HUGE DEAL. I TALKED TO THE GUYS AT THE 214 00:15:45,030 --> 00:15:47,680 ACADEMY TONIGHT AND I ASKED THEM HOW MANY ACTRESSES ARE ELIGIBLE 215 00:15:47,720 --> 00:15:50,580 IN THIS CATEGORY. THEY THOUGHT IT WAS AROUND 216 00:15:50,620 --> 00:15:59,930 25,000. I THOUGHT ABOUT IT AND THAT JUST 217 00:15:59,960 --> 00:16:05,200 DOESN'T SEEM RIGHT. I THINK IT'S GOTTA BE AROUND 218 00:16:05,240 --> 00:16:11,130 25 MILLION. AND THEN I GUESS IT'S JUST 219 00:16:11,170 --> 00:16:21,480 NARROWED DOWN TO YOU FIVE. GIRLS, I WON LAST YEAR, 220 00:16:21,510 --> 00:16:24,680 AND -- MAYBE IT WAS LIKE TWO YEARS AGO. 221 00:16:24,720 --> 00:16:30,270 ANYWAY, I JUST WANT TO SAY THIS, 222 00:16:30,310 --> 00:16:34,060 I CAN TELL YOU FROM EXPERIENCING WINNING, IT'S NOT ALL IT'S 223 00:16:34,100 --> 00:16:37,750 CRACKED UP TO BE. IT'S REALLY NOT. 224 00:16:37,790 --> 00:16:42,720 I THOUGHT I HAD GOTTEN REALLY CLOSE WITH MY FELLOW NOMINEES, 225 00:16:42,750 --> 00:16:45,790 ESPECIALLY AFTER I WON. I'M PRETTY SURE THEY REMOVED ME 226 00:16:45,820 --> 00:16:49,680 FROM THE GROUP CHAT. 227 00:16:49,720 --> 00:16:57,720 WE WERE ALL SUPPOSED TO GO ON A TRIP TO IBIZA. 228 00:16:57,750 --> 00:17:05,170 I FOUND OUT I WASN'T INCLUDED, AND THE ONLY REASON I KNEW THAT 229 00:17:05,200 --> 00:17:07,720 WAS BECAUSE ELIZABETH DEBICKI AND I HAVE THE 230 00:17:07,750 --> 00:17:12,650 SAME OZEMPIC DEALER. AT LEAST HERS IS WORKING. 231 00:17:12,680 --> 00:17:15,580 NOW THAT I THINK ABOUT IT, 232 00:17:15,610 --> 00:17:17,580 WINNING THE EMMY MIGHT HAVE BEEN THE WORST THING TO EVER HAPPEN 233 00:17:17,610 --> 00:17:26,130 TO ME. AND THE NOMINEES FOR LEAD 234 00:17:26,170 --> 00:17:32,000 ACTRESS IN A COMEDY SERIES ARE... 235 00:17:32,030 --> 00:17:34,440 >> UZO ADUBA. "THE RESIDENCE." 236 00:17:34,480 --> 00:17:37,310 KRISTEN BELL. "NOBODY WANTS THIS." 237 00:17:37,340 --> 00:17:39,960 QUINTA BRUNSON. "ABBOTT ELEMENTARY." 238 00:17:40,000 --> 00:17:42,130 AYO EDEBIRI. "THE BEAR." 239 00:17:42,170 --> 00:17:49,130 JEAN SMART. "HACKS." 240 00:17:49,170 --> 00:17:56,240 >> AND THE EMMY GOES TO -- 241 00:17:56,270 --> 00:17:59,550 GOD HELP ME. JEAN SMART. 242 00:17:59,580 --> 00:18:02,510 "HACKS." 243 00:18:02,550 --> 00:18:10,060 ♪>> Announcer: THIS IS THE 244 00:18:10,100 --> 00:18:14,060 SEVENTH EMMY WIN AND 14TH NOMINATION FOR JEAN SMART, AND 245 00:18:14,100 --> 00:18:20,000 HER FOURTH WIN FOR HER PORTRAYAL OF DEBORAH VANCE ON "HACKS." 246 00:18:31,030 --> 00:18:32,960 >> THANK YOU. THANK YOU SO MUCH. 247 00:18:33,000 --> 00:18:36,340 YOU HONOR ME SO MUCH. IF I WAS WALKING LIKE 248 00:18:36,370 --> 00:18:39,820 JOHN WAYNE, IT'S BECAUSE I BROKE MY KNEE THIS SUMMER AND IT'S NOT 249 00:18:39,860 --> 00:18:42,130 QUITE REPAIRED. ONE OF THE BEST THINGS ABOUT 250 00:18:42,170 --> 00:18:44,890 WINNING SOMETHING LIKE THIS IS THAT YOU ACTUALLY GET TO 251 00:18:44,930 --> 00:18:46,170 PUBLICLY THANK THE PEOPLE YOU WORK WITH, OUR UNBELIEVABLE 252 00:18:46,200 --> 00:18:50,790 CREW, MY INCREDIBLE CAST MATES, LED BY THE INCOMPARABLE HANNAH 253 00:18:50,820 --> 00:19:01,000 EINBINDER. 254 00:19:01,030 --> 00:19:05,440 AND OUR SHOW RUNNERS, OH, MY GOD, BEYOND BRILLIANT. 255 00:19:05,480 --> 00:19:08,370 THERE ARE SO MANY. EVERYBODY AT HBO MAX AND 256 00:19:08,410 --> 00:19:11,030 UNIVERSAL TELEVISION TV AND THE TELEVISION ACADEMY, THANK YOU SO 257 00:19:11,060 --> 00:19:12,310 MUCH, AND MY CHILDREN YOU ARE MY ANCHOR. 258 00:19:12,340 --> 00:19:14,620 JOE, MY CHEERLEADER, EVERYBODY. LET'S BE GOOD TO EACH OTHER. 259 00:19:14,650 --> 00:19:17,620 LET'S JUST BE GOOD TO EACH OTHER. 260 00:19:17,650 --> 00:19:26,000 THANK YOU. 261 00:19:26,030 --> 00:19:27,170 ♪>> Announcer: COMING UP NEXT, 262 00:19:27,200 --> 00:19:29,860 CATHERINE ZETA-JONES AND JENNA ORTEGA, AND JUDE LAW TEAMS 263 00:19:29,890 --> 00:19:33,000 UP WITH JASON BATEMAN. THEN LATER, REBA McENTIRE AND 264 00:19:33,030 --> 00:19:35,650 THE LADIES OF LITTLE BIG TOWN PAY TRIBUTE TO A LEGENDARY 265 00:19:35,680 --> 00:19:38,960 SITCOM. ALL THAT AND MORE, HERE AT THE 266 00:19:39,000 --> 00:19:41,000 PEACOCK THEATER IN DOWNTOWN L.A. THIS IS CBS. 267 00:19:50,030 --> 00:19:51,100 >> Announcer: PLEASE WELCOME OSCAR WINNER 268 00:19:51,130 --> 00:19:52,960 CATHERINE ZETA-JONES AND EMMY NOMINEE JENNA ORTEGA. 269 00:20:00,790 --> 00:20:08,000 >> GOOD EVENING. TONIGHT WE CELEBRATE WOMEN 270 00:20:08,030 --> 00:20:12,000 WHO DON'T JUST PLAY ROLES, THEY TRANSFORM INTO THEM. 271 00:20:12,030 --> 00:20:13,510 >> EACH OF THESE WOMEN'S PERFORMANCES HAS SPARKED 272 00:20:13,550 --> 00:20:15,480 CONVERSATION AND HAS REMINDED US OF THEIR DEMANDING, POWERFUL 273 00:20:15,510 --> 00:20:19,240 PRESENCE ON SCREEN. THEIR IMPACT IS UNDENIABLE. 274 00:20:19,270 --> 00:20:21,410 >> THEY CONTINUE TO RAISE THE BAR AND WIDEN THE LENS ON HOW WE 275 00:20:21,440 --> 00:20:24,030 SEE THE WORLD. >> HERE ARE THE NOMINEES FOR 276 00:20:24,060 --> 00:20:27,170 SUPPORTING ACTRESS IN A DRAMA SERIES. 277 00:20:27,200 --> 00:20:29,860 >> PATRICIA ARQUETTE. "SEVERANCE." 278 00:20:29,890 --> 00:20:33,370 CARRIE COON. "THE WHITE LOTUS." 279 00:20:33,410 --> 00:20:35,200 KATHERINE LaNASA. "THE PITT." 280 00:20:35,240 --> 00:20:37,410 JULIANNE NICHOLSON. "PARADISE." 281 00:20:37,440 --> 00:20:40,030 PARKER POSEY. "THE WHITE LOTUS." 282 00:20:40,060 --> 00:20:43,200 NATASHA ROTHWELL. "THE WHITE LOTUS." 283 00:20:43,240 --> 00:20:48,370 AIMEE LOU WOOD. "THE WHITE LOTUS." 284 00:20:48,410 --> 00:20:55,170 >> AND THE EMMY GOES TO... 285 00:20:55,200 --> 00:20:58,790 KATHERINE LaNASA. "THE PITT." 286 00:20:58,820 --> 00:21:04,650 >> Announcer: THIS IS THE 287 00:21:04,680 --> 00:21:10,860 FIRST EMMY WIN AND NOMINATION FOR CATHERINE ONE ASSET. 288 00:21:10,890 --> 00:21:23,030 FOR KATHERINE LaNASA. 289 00:21:23,060 --> 00:21:24,680 >> OH MY GOODNESS! 290 00:21:24,720 --> 00:21:28,340 I AM SO PROUD AND HONORED TO RECEIVE THIS AWARD FROM THE 291 00:21:28,370 --> 00:21:29,510 ACADEMY. MY WHOLE CAREER I WANTED TO WORK 292 00:21:29,550 --> 00:21:32,680 FOR JOHN WELLS, AND HE ELEVATES EVERYTHING IN HIS WAKE. 293 00:21:32,720 --> 00:21:35,790 JOHN, I AM SO MUCH BETTER WHEN YOU ARE AROUND. 294 00:21:35,820 --> 00:21:40,030 MOSTLY BECAUSE I DON'T WANT TO GET FIRED. 295 00:21:40,060 --> 00:21:44,060 THANK YOU, THE WRITERS, ALL THE NURSES THAT INSPIRED DANA. 296 00:21:44,100 --> 00:21:52,310 NO A NOAH WYLE AND THE INCOMPARE "THE PITT" FAMILY. 297 00:21:52,340 --> 00:21:57,580 WITHOUT YOU I'M NOTHING. 298 00:21:57,620 --> 00:22:02,680 WARNERS, HBO MAX, AND LASTLY MY CHILDREN FOR MAKING ME REAL, AND 299 00:22:02,720 --> 00:22:06,580 MY BEAUTIFUL HUSBAND FOR HELPING ME ALWAYS WITH EVERYTHING. 300 00:22:20,510 --> 00:22:32,860 ♪>> Nate: THAT WAS AN EXPENSIVE 301 00:22:32,890 --> 00:22:35,620 WAVE. 302 00:22:35,650 --> 00:22:40,130 A LOT OF PEOPLE AT HOME WERE ASKING, ARE WE PENALIZING THE 303 00:22:40,170 --> 00:22:42,550 PRESENTERS IF THEY GO ALONG OR SOMETHING? 304 00:22:42,580 --> 00:22:45,170 I JUST WANT TO GET IT STRAIGHT, WE ARE NOT. 305 00:22:45,200 --> 00:22:49,370 ONLY THE PEOPLE THAT HAVE WORKED THE HARDEST TO GET HERE. 306 00:22:49,410 --> 00:22:51,960 I'M BUSY HOSTING, SO I CAN'T 307 00:22:52,000 --> 00:22:53,930 KEEP TRACK OF ALL THE MONEY STUFF. 308 00:22:53,960 --> 00:22:56,030 SO, TO HELP US TONIGHT, WE HAVE AN ACTOR, COMEDIAN, AND PROUD 309 00:22:56,060 --> 00:22:58,440 ALUM OF THE BOYS AND GIRLS CLUB OF AMERICA -- JB SMOOVE. 310 00:22:58,480 --> 00:23:06,060 >> HEY, MAN, LET'S NOT MAKE THIS 311 00:23:06,100 --> 00:23:10,410 ABOUT ME. THIS IS ABOUT THE BOYS AND GIRLS 312 00:23:10,440 --> 00:23:11,620 CLUB OF AMERICA, EVERYBODY! 313 00:23:11,650 --> 00:23:15,270 I WANT TO SAY HELLO TO MY NEW FRIENDS HERE, TO PAUL AND 314 00:23:15,310 --> 00:23:19,820 KELSEY. SAY HELLO TO EVERYBODY. 315 00:23:19,860 --> 00:23:22,650 TAKE THAT JOB ONE DAY, OKAY? 316 00:23:22,680 --> 00:23:25,620 YOU'RE GOING TO TAKE THAT JOB ONE DAY, RIGHT? 317 00:23:25,650 --> 00:23:30,650 SIT ON DOWN NOW. 318 00:23:30,680 --> 00:23:34,340 NATE, THIS IS THE MOST AMAZING IDEA I'VE EVER SEEN. 319 00:23:34,370 --> 00:23:39,410 YOU ARE TRULY AN AMAZING, AMAZING, AMAZING HOST TONIGHT. 320 00:23:39,440 --> 00:23:42,480 THIS 45 SECONDS, I LOVE IT. GREAT IDEA, MAN. 321 00:23:42,510 --> 00:23:45,550 WHEN YOU GET UP THERE, EVERYBODY, PLEASE STICK TO YOUR 322 00:23:45,580 --> 00:23:47,170 TIME. THIS IS VERY IMPORTANT FOR THESE 323 00:23:47,200 --> 00:23:48,620 YOUNG PEOPLE. PLEASE. 324 00:23:48,650 --> 00:23:52,130 IF YOU FEEL YOURSELF GOING OVER, ZIPPED IT! 325 00:23:52,170 --> 00:23:57,130 ZIP IT! "THERE'S SOMETHING ABOUT MARY," 326 00:23:57,170 --> 00:24:02,200 YOU HAD TO ZIP IT UP, RIGHT? YEAH. 327 00:24:02,240 --> 00:24:06,240 THIS IS GOING TO BE AN AMAZING 328 00:24:06,270 --> 00:24:08,960 NIGHT. EVERYBODY, PLEASE, I AM A TRUE 329 00:24:09,000 --> 00:24:10,480 ALUM. I'VE GOT MY JACKET ON. 330 00:24:10,510 --> 00:24:14,200 THIS IS LIKE THE MASTERS JACKET, BUT BLUE, AND BETTER. 331 00:24:14,240 --> 00:24:20,790 YOU KNOW WHAT I'M SAYING? NATE, LET'S GO, BABY, BEFORE YOU 332 00:24:20,820 --> 00:24:24,030 START TALKING TO ME, TOO. >> Nate: WE ARE THREE AWARDS 333 00:24:24,060 --> 00:24:26,030 IN. WHAT WAS THE NUMBER? 334 00:24:26,060 --> 00:24:28,240 I WANTED TO SEE WHERE WE ARE AT. WE ARE DOWN. 335 00:24:28,270 --> 00:24:34,310 I'M SORRY. THIS IS SERIOUS! 336 00:24:34,340 --> 00:24:37,370 THAT'S GOOD FOR ME. 337 00:24:37,410 --> 00:24:40,890 I WAS BACKSTAGE WITH THESE NEXT PRESENTERS, AND I'VE SEEN THEM 338 00:24:40,930 --> 00:24:46,000 IN SO MUCH, YOU KNOW? I COULDN'T REMEMBER THEIR NAMES, 339 00:24:46,030 --> 00:24:48,650 BUT IT WAS -- JUDE LAW, DAD GUM IT, AND EMMY WINNER 340 00:24:48,680 --> 00:24:52,170 JASON BATEMAN. I KNEW IT WAS THEM! 341 00:25:04,030 --> 00:25:06,650 >> I'M GOING TO GO FIRST. JASON AND I ARE HERE TO 342 00:25:06,680 --> 00:25:12,680 PRESENT THE EMMY FOR SUPPORTING ACTOR IN A DRAMA SERIES. 343 00:25:12,720 --> 00:25:14,960 >> THAT'S TRUE, JUDE. THE ARTISTS WE HONOR TONIGHT 344 00:25:15,000 --> 00:25:16,650 ELEVATED EVERY SCENE THEY TOUCHED. 345 00:25:16,680 --> 00:25:18,370 THEY DEEPENED THE EMOTIONAL ARCS OF EVERY EPISODE, AND IGNITED 346 00:25:18,410 --> 00:25:22,270 INCREDIBLE CONFLICT. >> SIMPLY PUT, THEY MAKE EVERY 347 00:25:22,310 --> 00:25:24,340 SCENE THEY ARE IN UNDENIABLY MEMORABLE, AND WITHOUT THEM THE 348 00:25:24,370 --> 00:25:28,310 STORY IS INCOMPLETE. HERE ARE THE NOMINEES. 349 00:25:28,340 --> 00:25:30,720 >> ZACH CHERRY. "SEVERANCE." 350 00:25:30,750 --> 00:25:33,790 WALTON GOGGINS. "THE WHITE LOTUS." 351 00:25:33,820 --> 00:25:36,820 JASON ISAACS. "THE WHITE LOTUS." 352 00:25:36,860 --> 00:25:39,340 JAMES MARSDEN. "PARADISE." 353 00:25:39,370 --> 00:25:42,240 SAM ROCKWELL. "THE WHITE LOTUS." 354 00:25:42,270 --> 00:25:45,060 TRAMELL TILLMAN. "SEVERANCE." 355 00:25:45,100 --> 00:25:51,860 JOHN TURTURRO. "SEVERANCE." 356 00:25:51,890 --> 00:25:56,650 >> OKAY, THE EMMY GOES TO... I REALLY HOPE YOU WIN. 357 00:25:56,680 --> 00:26:00,340 TRAMELL TILLMAN. "SEVERANCE." 358 00:26:07,100 --> 00:26:16,270 >> THIS IS THE FIRST EMMY WIN AND NOMINATION FOR TRAMELL 359 00:26:16,310 --> 00:26:30,000 TILLMAN. 360 00:26:30,030 --> 00:26:32,620 ♪>> YOU REMEMBER WHAT YOU WANT TO 361 00:26:32,650 --> 00:26:35,030 REMEMBER. YOU MAKE TIME FOR WHAT YOU WANT 362 00:26:35,060 --> 00:26:38,720 TO MAKE TIME FOR. DO THE WORK, SHOW UP, AND MOST 363 00:26:38,750 --> 00:26:42,750 IMPORTANTLY, FOR THE LOVE OF GOD, DON'T EMBARRASS ME IN 364 00:26:42,790 --> 00:26:45,100 PUBLIC. 365 00:26:45,130 --> 00:26:49,310 MY FIRST ACTING COACH WAS TOUGH, Y'ALL, BUT ALL GREAT MOTHERS 366 00:26:49,340 --> 00:26:56,100 ARE. 367 00:26:56,130 --> 00:26:58,860 MAMA, YOU ARE THERE FOR ME WHEN NO ONE ELSE WAS, AND NO ONE ELS 368 00:26:58,890 --> 00:27:04,310 WOULD SHOW UP. YOUR LOVING-KINDNESS STAYS WITH 369 00:27:04,340 --> 00:27:08,790 ME. AND THIS IS FOR YOU. 370 00:27:08,820 --> 00:27:12,440 THANK YOU TO THE ACADEMY. I AM FULL, I AM HUMBLED, I AM 371 00:27:12,480 --> 00:27:17,750 HONORED, AND AS MY MAMA WOULD SAY, OOH, LOOK AT GOD! 372 00:27:26,030 --> 00:27:29,270 >> Announcer: COMING UP, REBA McENTIRE AND THE LADIES OF 373 00:27:29,310 --> 00:27:33,000 LITTLE BIG TOWN, KAREN FAIRCHILD AND KIMBERLY SCHLAPMAN, TOAST 374 00:27:33,030 --> 00:27:36,750 "THE GOLDEN GIRLS." PLUS ANGELA BASSETT PRESENTS THE 375 00:27:36,790 --> 00:27:39,580 AWARD FOR LEAD ACTRESS IN A DRAMA. 376 00:27:39,620 --> 00:27:40,620 THIS IS CBS. ♪ 377 00:27:55,030 --> 00:27:56,000 >> Announcer: PLEASE WELCOME 378 00:27:56,030 --> 00:27:59,000 EMMY WINNER ANGELA BASSETT. 379 00:28:12,890 --> 00:28:16,240 >> THE LEAD ACTRESS IN A DRAMA DOESN'T JUST SHOW UP TO WORK 380 00:28:16,270 --> 00:28:20,340 EACH DAY TO "ACT." THEY MUST TRANSFORM. 381 00:28:20,370 --> 00:28:24,170 THEY MUST COMMAND OUR SCREENS WITH A PRESENCE SO CAPTIVATING 382 00:28:24,200 --> 00:28:26,960 THAT WE REMEMBER THEIR PERFORMANCES LONG AFTER THE 383 00:28:27,000 --> 00:28:32,240 FINAL CREDIT FADES TO BLACK. THIS YEAR'S NOMINEES FOR LEAD 384 00:28:32,270 --> 00:28:37,130 ACTRESS IN A DRAMA SERIES DIDN'T JUST PLAY CHARACTERS, THEY GAVE 385 00:28:37,170 --> 00:28:42,240 US A MASTERCLASS IN ACTING THAT WAS JUST ELECTRIFYING. 386 00:28:42,270 --> 00:28:45,340 >> KATHY BATES. "MATLOCK." 387 00:28:45,370 --> 00:28:48,440 SHARON HORGAN. "BAD SISTERS." 388 00:28:48,480 --> 00:28:51,030 BRITT LOWER. "SEVERANCE." 389 00:28:51,060 --> 00:28:54,170 BELLA RAMSEY. "THE LAST OF US." 390 00:28:54,200 --> 00:29:01,620 KERI RUSSELL. "THE DIPLOMAT." 391 00:29:01,650 --> 00:29:08,750 >> AND THE EMMY GOES TO... BRITT LOWER. 392 00:29:14,100 --> 00:29:16,550 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 393 00:29:16,580 --> 00:29:24,580 FOR BRITT LOWER. ♪ 394 00:29:24,620 --> 00:29:38,310 ♪>> FIRST, IT IS A PRIVILEGE EVEN 395 00:29:38,340 --> 00:29:41,100 BE MENTIONED ALONGSIDE SUCH AN INCREDIBLE GROUP OF ARTISTS. 396 00:29:41,130 --> 00:29:43,170 WOW. I SHARE THIS AWARD WITH MY 397 00:29:43,200 --> 00:29:47,480 HEROIC CAST AND CREW WHOSE WORK CATALYZES MINE. 398 00:29:47,510 --> 00:29:51,650 I AM FOREVER GRATEFUL TO THE VISIONARY HEARTS OF DAN, 399 00:29:51,680 --> 00:29:59,030 JESSICA, ADAM, AND THEN. THANK YOU TO THE ACADEMY, 400 00:29:59,060 --> 00:30:04,030 APPLE TV+, AND TO MY FANS, OUR FANS, TO MY TEAM -- 401 00:30:04,060 --> 00:30:07,100 MY TEACHERS, MY MOM AND MY DAD, 402 00:30:07,130 --> 00:30:10,820 MY BROTHER, MY HUSBAND, OUR KIDS, OUR COPARENTS, OUR CHOSEN 403 00:30:10,860 --> 00:30:12,680 FAMILY. I LOVE YOU SO MUCH. 404 00:30:12,720 --> 00:30:19,410 THANK YOU FOR THIS, AND THANK YOU FOR CHOOSING ME. 405 00:30:28,130 --> 00:30:37,410 ♪>> Nate: 40 YEARS AGO TONIGHT, 406 00:30:37,440 --> 00:30:43,790 "THE GOLDEN GIRLS" PREMIERED ON NBC. 407 00:30:43,820 --> 00:30:49,750 IT WAS AN INSTANT CLASSIC. 408 00:30:49,790 --> 00:30:52,170 IT WAS A LITTLE EDGIER THAN PEOPLE REMEMBER. 409 00:30:52,200 --> 00:30:53,890 GROWING UP, I WAS NOT ALLOWED TO WATCH THE BLANCHE PARTS. 410 00:30:53,930 --> 00:30:56,820 HERE TO CELEBRATE THE 40TH 411 00:30:56,860 --> 00:30:59,620 ANNIVERSARY OF THE SHOW, AND TO PRESENT THE AWARD FOR BEST 412 00:30:59,650 --> 00:31:03,930 SUPPORTING ACTRESS IN A COMEDY SERIES, PLEASE WELCOME 413 00:31:03,960 --> 00:31:08,030 REBA McENTIRE AND LITTLE BIG TOWN'S KAREN FAIRCHILD AND 414 00:31:08,060 --> 00:31:15,030 KIMBERLY SCHLAPMAN. 415 00:31:15,060 --> 00:31:18,750 ♪>> SINGING IT FOR THE GIRLS! 416 00:31:18,790 --> 00:31:21,000 >> ♪ THANK YOU FOR BEING A FRIEND ♪ 417 00:31:21,030 --> 00:31:23,790 ♪ TRAVELED DOWN A ROAD AND BACK AGAIN ♪ 418 00:31:23,820 --> 00:31:31,030 ♪ YOUR HEART IS TRUE ♪ YOU'RE A PAL AND A CONFIDANT 419 00:31:31,060 --> 00:31:34,480 ♪>> ♪ AND IF YOU THREW A PARTY 420 00:31:34,510 --> 00:31:39,860 ♪ INVITED EVERYONE YOU KNEW >> ♪ YOU WOULD SEE THE BIGGEST 421 00:31:39,890 --> 00:31:43,580 GIFT WOULD BE FROM ME ♪ ♪ AND THE CARD ATTACHED WOULD 422 00:31:43,620 --> 00:31:46,240 SAY ♪ >> ♪ THANK YOU FOR BEING A 423 00:31:46,270 --> 00:31:54,130 FRIEND ♪ >> ♪ AND IF YOU THREW A PARTY 424 00:31:54,170 --> 00:32:00,620 ♪ INVITED EVERYONE YOU KNEW >> ♪ YOU WOULD SEE THE BIGGEST 425 00:32:00,650 --> 00:32:04,650 GIFT WOULD BE FROM ME ♪ ♪ AND THE CARD ATTACHED WOULD 426 00:32:04,680 --> 00:32:07,790 SAY ♪ >> ♪ THANK YOU FOR BEING A 427 00:32:07,820 --> 00:32:11,650 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 428 00:32:11,680 --> 00:32:16,000 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 429 00:32:16,030 --> 00:32:20,200 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 430 00:32:20,240 --> 00:32:29,790 FRIEND ♪ ♪ 431 00:32:29,820 --> 00:32:44,720 >> HERE IT COMES. 432 00:32:44,750 --> 00:32:46,960 >> HERE IT COMES. 433 00:32:47,000 --> 00:32:49,890 BLANCHE, DOROTHY, SOPHIA, AND ROSE -- ICONIC CHARACTERS WHO WE 434 00:32:49,930 --> 00:32:52,200 CONTINUE TO LOVE 40 YEARS AFTER THEY FIRST GRACED OUR TELEVISION 435 00:32:52,240 --> 00:32:56,340 SCREENS. >> TO THE CHARACTERS AND THE 436 00:32:56,370 --> 00:33:00,170 LEGENDS WHO BROUGHT THEM TO LIFE, THANK YOU FOR BEING OUR 437 00:33:00,200 --> 00:33:04,030 FRIENDS. >> HERE ARE THE NOMINEES FOR 438 00:33:04,060 --> 00:33:08,130 SUPPORTING ACTRESS IN A COMEDY SERIES. 439 00:33:08,170 --> 00:33:10,200 >> LIZA COLÓN-ZAYAS. "THE BEAR." 440 00:33:10,240 --> 00:33:12,000 HANNAH EINBINDER. "HACKS." 441 00:33:12,030 --> 00:33:14,550 KATHRYN HAHN. "THE STUDIO." 442 00:33:14,580 --> 00:33:16,820 JANELLE JAMES. "ABBOTT ELEMENTARY." 443 00:33:16,860 --> 00:33:19,410 CATHERINE O'HARA. "THE STUDIO." 444 00:33:19,440 --> 00:33:21,790 SHERYL LEE RALPH. "ABBOTT ELEMENTARY." 445 00:33:21,820 --> 00:33:28,820 JESSICA WILLIAMS. "SHRINKING." 446 00:33:28,860 --> 00:33:32,410 >> AND THE EMMY GOES TO... HANNAH EINBINDER. 447 00:33:32,440 --> 00:33:40,820 "HACKS." 448 00:33:40,860 --> 00:33:44,440 >> Announcer: THIS IS THE FIRST EMMY WIN AND FOURTH 449 00:33:44,480 --> 00:33:51,550 NOMINATION IN THIS CATEGORY FOR HANNAH EINBINDER FOR HER PORTRAY 450 00:33:51,580 --> 00:33:59,820 PORTRAYAL ON "HACKS." ♪ 451 00:33:59,860 --> 00:34:03,860 >> CONGRATULATIONS! >> WOW. 452 00:34:03,890 --> 00:34:08,550 THANK YOU SO MUCH! THANK YOU. 453 00:34:08,580 --> 00:34:12,620 WOW. YEAH, SORRY, I'M THINKING OUT 454 00:34:12,650 --> 00:34:15,100 LOUD HERE. I WAS JUST REALLY COMMITTED TO 455 00:34:15,130 --> 00:34:17,930 THE PERSONAL NARRATIVE I HAD THAT IT'S ACTUALLY COOLER TO 456 00:34:17,960 --> 00:34:21,030 CONTINUE TO LOSE. I WAS PRETTY COMMITTED TO THAT. 457 00:34:21,060 --> 00:34:24,890 HAD TO BE, RIGHT? BUT THIS IS COOL, TOO. 458 00:34:24,930 --> 00:34:27,340 THIS IS ALSO A PUNK ROCK. 459 00:34:27,370 --> 00:34:31,410 I WANT TO THANK THE CREATORS OF "HACKS." 460 00:34:31,440 --> 00:34:34,480 FOR CHANGING MY LIFE IN EVERY 461 00:34:34,510 --> 00:34:37,200 CONCEIVABLE WAY. NOT JUST BY GIVING ME A GREAT 462 00:34:37,240 --> 00:34:41,340 GIG, BUT BY BEING MY FRIENDS AND BEING MY FAMILY. 463 00:34:41,370 --> 00:34:45,030 OH, HERE I GO. 464 00:34:45,060 --> 00:34:49,720 AND I WANT TO THANK JEAN SMART, WHO IS LIKE THE SUN AND I GET TO 465 00:34:49,750 --> 00:34:53,650 STAND IN HER WARMTH. I ALSO WANT TO THANK THE CAST 466 00:34:53,680 --> 00:34:56,370 AND CREW OF "HACKS." FINALLY -- I WILL BE THE 467 00:34:56,410 --> 00:34:59,240 DIFFERENCE, SORRY. 468 00:34:59,270 --> 00:35:07,270 FINALLY, I JUST WANT TO SAY GO BIRDS. 469 00:35:07,310 --> 00:35:11,620 AND FREE PALESTINE. THANK YOU. 470 00:35:20,030 --> 00:35:21,030 ♪>> Announcer: COMING UP, AN 471 00:35:21,060 --> 00:35:24,100 APPEARANCE BY LEANNE MORGAN. THEN, JAMES MARSDEN, 472 00:35:24,130 --> 00:35:28,240 STERLING K. BROWN, AND JULIANNE NICHOLSON PRESENT THE 473 00:35:28,270 --> 00:35:33,270 AWARD FOR SUPPORTING ACTOR IN A COMEDY SERIES. 474 00:35:47,030 --> 00:35:50,000 ♪>> Nate: WELCOME BACK TO THE 475 00:35:50,030 --> 00:35:53,000 EMMYS. CONGRATULATIONS, HANNAH. 476 00:35:53,030 --> 00:35:56,580 I BELIEVE SHE SAID SHE WAS GOING TO PAY FOR IT. 477 00:35:56,620 --> 00:36:00,680 I JUST WANT TO MAKE SURE THEY SEPARATE THAT FROM THE AMOUNT I 478 00:36:00,720 --> 00:36:01,860 SAID. 479 00:36:01,890 --> 00:36:06,130 I WILL FIND HER LATER. SHE ALSO CURSED, AND LET ME TELL 480 00:36:06,170 --> 00:36:10,410 YOU, I WILL START A SWEAR JAR WHEELS ASKED IF Y'ALL DON'T -- 481 00:36:10,440 --> 00:36:14,170 WHAT IS THE MONEY AT? 482 00:36:14,200 --> 00:36:17,240 I KNOW. IT'S TOUGH WHEN YOU SEE IT ON 483 00:36:17,270 --> 00:36:21,200 TV. 484 00:36:21,240 --> 00:36:27,000 $80,000. IT IS ALL GOING TO WORK OUT. 485 00:36:27,030 --> 00:36:29,370 JUST WHEN EVERYBODY THOUGHT THEY CAN'T UNDERSTAND WHAT I'M 486 00:36:29,410 --> 00:36:32,480 SAYING, I THOUGHT, LET'S BRING OUT SOMEONE WITH A THICKER 487 00:36:32,510 --> 00:36:35,270 TENNESSEE ACCENT THAN MINE. FROM THE NETFLIX SITCOM 488 00:36:35,310 --> 00:36:39,370 "LEANNE," PLEASE WELCOME MY DEAR FRIEND LEANNE MORGAN. 489 00:36:44,370 --> 00:36:56,100 ♪>> OH, MY GOSH, I'M SO TICKLED 490 00:36:56,130 --> 00:36:58,000 TO BE HERE! THIS HAS BEEN A DREAM OF MINE 491 00:36:58,030 --> 00:37:04,000 SINCE I WAS A LITTLE BITTY GIRL, AND Y'ALL ARE JUST AS BEAUTIFUL 492 00:37:04,030 --> 00:37:07,060 AS I THOUGHT Y'ALL WERE GOING TO BE. 493 00:37:07,100 --> 00:37:11,060 PEDRO PASCAL, LOOK AT YOU! MY DARLING! 494 00:37:11,100 --> 00:37:13,890 HONEY! 495 00:37:13,930 --> 00:37:20,620 OH, MY GOSH, EVERYBODY IS SO DISCIPLINED AND TINY. 496 00:37:20,650 --> 00:37:25,270 WALTON GOGGINS, I COULD NOT GET MY TOE IN HIS PANTS. 497 00:37:25,310 --> 00:37:27,030 Y'ALL ARE ALL BEAUTIFUL. OH, MY GOSH. 498 00:37:27,060 --> 00:37:34,370 I KNOW, I'VE GOT TO GET ON THIS. OH, NOT THAT YET. 499 00:37:34,410 --> 00:37:36,960 CAN Y'ALL TELL I'M SO EXCITED? 500 00:37:37,000 --> 00:37:40,790 OKAY. CAN I PULL YOU IN FOR A CHAT? 501 00:37:40,820 --> 00:37:44,750 THAT'S WHAT ALL THOSE YOUNG PEOPLE SAY ON "LOVE ISLAND," AND 502 00:37:44,790 --> 00:37:47,510 I'M SO OBSESSED WITH THAT SHOW! IN FACT, AS SOMEONE WHO'S 503 00:37:47,550 --> 00:37:49,170 MARRIED AND A MOM, I AM OBSESSED WITH EVERY NOMINEE IN THE 504 00:37:49,200 --> 00:37:51,510 REALITY COMPETITION SERIES CATEGORY. 505 00:37:51,550 --> 00:37:57,310 Y'ALL STAY WITH ME ON THIS. PEDRO. 506 00:37:57,340 --> 00:37:58,480 "THE AMAZING RACE" DESCRIBES ME 507 00:37:58,510 --> 00:38:03,130 GETTING TO THE AIRPORT. 508 00:38:03,170 --> 00:38:05,240 MY MAKEUP WILL NEVER BE AS GOOD AS ALL THOSE BEAUTIES ON 509 00:38:05,270 --> 00:38:11,060 "RuPAUL'S DRAG RACE." 510 00:38:11,100 --> 00:38:18,310 "SURVIVOR." 511 00:38:18,340 --> 00:38:21,480 I'M A SURVIVOR. I'VE BEEN MARRIED FOR 33 YEARS. 512 00:38:21,510 --> 00:38:27,720 I'M THE "TOP CHEF" IN MY HOUSE. "TOP CHEF!" 513 00:38:27,750 --> 00:38:29,930 ANY MOM WHO PLAYS MAHJONG CAN RELATE TO THE TREACHERY, 514 00:38:29,960 --> 00:38:39,000 GOSSIP, AND BACKSTABBING ON "THE TRAITORS." 515 00:38:39,030 --> 00:38:41,650 I DON'T PLAY MAHJONG. 516 00:38:41,680 --> 00:38:45,030 I DON'T HAVE IT IN ME TO LEARN NEW THINGS. 517 00:38:45,060 --> 00:38:48,820 AND THOSE ARE THE NOMINEES FOR THE REALITY COMPETITION PROGRAM. 518 00:38:48,860 --> 00:38:56,480 AND THE EMMY GOES TO... "THE TRAITORS." 519 00:39:05,680 --> 00:39:08,370 >> Announcer: "THE TRAITORS" HAS WON ALL FIVE OF THEIR 520 00:39:08,410 --> 00:39:12,200 NOMINATIONS THIS YEAR. THIS IS THE SECOND CONSECUTIVE 521 00:39:12,240 --> 00:39:14,440 WINS CATEGORY. ACCEPTING THE EMMY ON THEIR 522 00:39:14,480 --> 00:39:17,960 BEHALF IS TO BE 26. >> QUICK, EVERYONE, THE CLOCK IS 523 00:39:18,000 --> 00:39:21,680 TICKING AND WE HAVE A SHIELD! THANK YOU TO THE ACADEMY, THE 524 00:39:21,720 --> 00:39:23,030 SPORT IS A LOVELY. WE APPRECIATE IT. 525 00:39:23,060 --> 00:39:27,310 THANKS EVERYONE HE WATCHES THE SHOW AND ALL THE PEOPLE WHO HAVE 526 00:39:27,340 --> 00:39:28,550 "TRAITORS" PARTIES AND DRESS UP AS ME. 527 00:39:28,580 --> 00:39:31,000 WE SEE YOU AND WE LOVE YOU. THANK YOU TO PEACOCK, THE BEST 528 00:39:31,030 --> 00:39:35,680 COLLABORATORS. THANK YOU TO STUDIO LAMBERT TO 529 00:39:35,720 --> 00:39:41,820 BE SO FECUND. THANK YOU TO OUR CRAZY CAST AT 530 00:39:41,860 --> 00:39:44,000 OUR CREW AND SCOTLAND WHO HAD TO UNDERSTAND THE CONCEPT OF THE 531 00:39:44,030 --> 00:39:45,650 SCOTTISH SUMMER AS SOMETIMES OXYMORONIC. 532 00:39:45,680 --> 00:39:48,030 IT'S A DIFFICULT TIM WE LIVE IN BUT IT IS SO GREAT THAT OUR SHOW 533 00:39:48,060 --> 00:39:50,890 BRINGS A LITTLE BIT OF JOY INTO THIS LIFE. 534 00:39:50,930 --> 00:39:54,720 TALKING OF JOY, THANK YOU, GRANT SCHAEFER, WHO BRINGS JOY INTO MY 535 00:39:54,750 --> 00:39:57,410 LIFE EVERY SINGLE DAY. THANK YOU SO MUCH. 536 00:40:06,480 --> 00:40:15,790 ♪>> Announcer: PLEASE WELCOME 537 00:40:15,820 --> 00:40:18,620 TWO-TIME EMMY NOMINEE JAMES MARSDEN, EMMY 538 00:40:18,650 --> 00:40:20,550 WINNER JULIANNE NICHOLSON, AND THREE-TIME EMMY WINNER 539 00:40:20,580 --> 00:40:22,270 STERLING K. BROWN. 540 00:40:22,310 --> 00:40:31,030 ♪>> DON'T WORRY ABOUT US! 541 00:40:31,060 --> 00:40:32,440 GREAT TO SHARE THE EMMYS STAGE WITH TWO OF MY ALL-TIME 542 00:40:32,480 --> 00:40:34,000 FAVORITE SCENE PARTNERS. >> COME ON, JAMES. 543 00:40:34,030 --> 00:40:35,680 YOU KNOW YOU'RE THE MAN. I LOVE WORKING WITH YOU BOTH ON 544 00:40:35,720 --> 00:40:37,890 "PARADISE." >> AND THANK YOU ALL FOR THE 545 00:40:37,930 --> 00:40:41,340 LOVE YOU'VE SHOWN TO OUR SHOW. >> BUT WE ARE A LITTLE BIT 546 00:40:41,370 --> 00:40:45,310 MIFFED ABOUT OUR SHOW NOT BEING VIEWED AS A COMEDY. 547 00:40:45,340 --> 00:40:47,550 >> AFTER ALL, JULIANNE WON AN EMMY FOR HER COMEDIC PERFORMANCE 548 00:40:47,580 --> 00:40:51,410 ON "HACKS." 549 00:40:51,440 --> 00:40:53,480 >> AND, STERLING, YOU'VE BEEN NOMINATED FOR YOUR COMEDIC 550 00:40:53,510 --> 00:40:55,550 PERFORMANCES IN "BROOKLYN NINE-NINE" AND 551 00:40:55,580 --> 00:40:59,960 "THE MARVELOUS MRS. MAISEL." >> THANK YOU VERY MUCH. 552 00:41:00,000 --> 00:41:04,650 AND, JAMES, YOU WERE NOMINATED FOR "JURY DUTY." 553 00:41:04,680 --> 00:41:09,960 AND THAT'S FUNNY STUFF. >> THANK YOU. 554 00:41:10,000 --> 00:41:11,480 SO I JUST DON'T GET HOW THREE COMEDIC POWERHOUSES WERE 555 00:41:11,510 --> 00:41:14,750 OVERLOOKED FOR OUR WORK IN "PARADISE." 556 00:41:14,790 --> 00:41:16,680 >> WHAT'S FUNNIER THAN 25,000 PEOPLE EVADING THE END OF THE 557 00:41:16,720 --> 00:41:18,240 WORLD BY MOVING INTO A BUNKER? COMPARED TO HEADLINES THESE 558 00:41:18,270 --> 00:41:24,000 DAYS, THAT'S POSITIVELY FEEL-GOOD TV. 559 00:41:24,030 --> 00:41:26,750 >> AND IT'S EVEN FUNNIER HOW YOUR WIFE IN THE SHOW MISSED THE 560 00:41:26,790 --> 00:41:31,890 PLANE THAT TOOK US TO THE BUNKER, BUT YOUR BARBER DIDN'T. 561 00:41:31,930 --> 00:41:36,480 BECAUSE YOUR FADE WAS TIGHT EVERY EPISODE. 562 00:41:36,510 --> 00:41:42,370 >> I'VE GOT TO KEEP THIS TIGHT, BABY, YOU KNOW WHAT I'M SAYING. 563 00:41:42,410 --> 00:41:44,510 >> SO, EMMY VOTERS, KEEP US IN MIND FOR NEXT YEAR. 564 00:41:44,550 --> 00:41:46,820 >> NOW, HERE ARE THE NOMINEES FOR SUPPORTING ACTOR IN A COMEDY 565 00:41:46,860 --> 00:41:48,720 SERIES. >> IKE BARINHOLTZ. 566 00:41:48,750 --> 00:41:50,750 "THE STUDIO." COLMAN DOMINGO. 567 00:41:50,790 --> 00:41:52,410 "THE FOUR SEASONS." HARRISON FORD. 568 00:41:52,440 --> 00:41:54,170 "SHRINKING." JEFF HILLER. 569 00:41:54,200 --> 00:41:56,620 "SOMEBODY SOMEWHERE." EBON MOSS-BACHRACH. 570 00:41:56,650 --> 00:41:58,790 "THE BEAR." MICHAEL URIE. 571 00:41:58,820 --> 00:42:01,340 "SHRINKING." BOWEN YANG. 572 00:42:01,370 --> 00:42:10,000 "SATURDAY NIGHT LIVE." >> OKAY, AND THE EMMY GOES TO... 573 00:42:10,030 --> 00:42:14,820 JEFF HILLER. "SOMEBODY SOMEWHERE." 574 00:42:19,890 --> 00:42:22,750 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 575 00:42:22,790 --> 00:42:26,930 FOR JEFF HILLER. 576 00:42:35,270 --> 00:42:41,820 >> CONGRATS! >> I FEEL LIKE I'M GOING TO CRY, 577 00:42:41,860 --> 00:42:46,060 BECAUSE FOR THE PAST 25 YEARS I HAVE BEEN LIKE, WORLD, I WANT TO 578 00:42:46,100 --> 00:42:48,720 BE AN ACTOR! IN THE WORLD WAS LIKE, MAYBE 579 00:42:48,750 --> 00:42:50,960 COMPUTERS. 580 00:42:51,000 --> 00:42:55,440 I JUST WANT TO SAY THANK YOU TO HBO FOR PUTTING A SHOW ABOUT 581 00:42:55,480 --> 00:43:02,030 SWEATY MIDDLE-AGE PEOPLE ON THE SAME NETWORK AS THE SEXY TEENS 582 00:43:02,060 --> 00:43:04,820 OF "EUPHORIA." 583 00:43:04,860 --> 00:43:09,680 THANK YOU TO THE DUPLASS BROTHERS. 584 00:43:09,720 --> 00:43:12,820 FOR WRITING A SHOW THAT 585 00:43:12,860 --> 00:43:16,890 CONNECTING AND LOVE IN THIS TIME WHEN COMPASSION IS SEEN AS A 586 00:43:16,930 --> 00:43:18,650 WEAKNESS. THANK YOU TO MY SWEET HUSBAND 587 00:43:18,680 --> 00:43:21,000 AND MY FAMILY FOR NEVER LAUGHING AT ME, AND MOST OF ALL, 588 00:43:21,030 --> 00:43:24,340 THANK YOU, BRIDGET EVERETT. YOU CHANGED MY LIFE AND YOU TOLD 589 00:43:24,370 --> 00:43:28,370 SO MANY PEOPLE TO BELIEVE IN THEMSELVES, AND THEY DO. 590 00:43:28,410 --> 00:43:36,000 THANK YOU. 591 00:43:36,030 --> 00:43:37,200 ♪>> Announcer: COMING UP NEXT, 592 00:43:37,240 --> 00:43:39,060 WALTON GOGGINS, PARKER POSEY, AND ELIZABETH BANKS TAKE THE 593 00:43:39,100 --> 00:43:42,270 STAGE. LATER, WE CELEBRATE 35 YEARS OF 594 00:43:42,310 --> 00:43:46,030 "LAW & ORDER." AND STILL AHEAD, LAINEY WILSON 595 00:43:46,060 --> 00:43:51,240 AND VINCE GILL SALUTE THE LEGENDS WE LOST THIS YEAR. 596 00:43:51,270 --> 00:43:52,270 THIS IS CBS. ♪ 597 00:44:12,030 --> 00:44:16,410 >> Nate: WELCOME BACK TO THE EMMYS. 598 00:44:16,440 --> 00:44:21,000 BEFORE I BRING UP THE NEXT PRESENTERS, JUST SO YOU KNOW, 599 00:44:21,030 --> 00:44:25,240 THE MONEY -- I THINK WE ARE AT -- I DON'T KNOW, IS A GOOD? 600 00:44:25,270 --> 00:44:29,860 OH, GOOD NIGHT. ALL RIGHT. 601 00:44:29,890 --> 00:44:32,820 IT'S GOING GOOD FOR ME. 602 00:44:32,860 --> 00:44:35,310 BEFORE I MET OUR NEXT PRESENTERS, I THOUGHT THEY WERE 603 00:44:35,340 --> 00:44:37,890 GOING TO BE A LOT. BUT THEY WERE ACTUALLY QUITE 604 00:44:37,930 --> 00:44:40,410 LOVELY. PLEASE WELCOME EMMY NOMINEES 605 00:44:40,440 --> 00:44:43,650 WALTON GOGGINS AND PARKER POSEY. 606 00:44:56,310 --> 00:44:59,510 >> WE SPENT EIGHT MONTHS IN THAILAND SHOOTING THE THIRD 607 00:44:59,550 --> 00:45:07,860 SEASON OF "THE WHITE LOTUS." >> YES, IT WAS SO BEAUTIFUL 608 00:45:07,890 --> 00:45:09,930 THERE! AND THE FOOD WAS DELICIOUS. 609 00:45:09,960 --> 00:45:14,030 JUST DIVINE. >> IT WAS, WASN'T IT? 610 00:45:14,060 --> 00:45:15,620 I WISH I HAD SOME RIGHT NOW. >> THAI THAI FOOD, OR AMERICAN 611 00:45:15,650 --> 00:45:20,000 THAI FOOD? >> THAI THAI FOOD. 612 00:45:20,030 --> 00:45:22,060 >> YOU ARE TIRED? >> I'M NOT TIRED. 613 00:45:22,100 --> 00:45:25,000 I JUST WANT SOME THAI FOOD THAT YOU ONLY GET IN THAILAND. 614 00:45:25,030 --> 00:45:30,000 >> THIS IS MAKING ME HUNGRY. >> OKAY, BUT FIRST WE HAVE TO 615 00:45:30,030 --> 00:45:31,550 SHOW THE NOMINEES FOR OUTSTANDING DIRECTING FOR A 616 00:45:31,580 --> 00:45:33,620 COMEDY SERIES. >> AYO EDEBIRI. 617 00:45:33,650 --> 00:45:38,000 "THE BEAR." LUCIA ANIELLO. 618 00:45:38,030 --> 00:45:40,030 "HACKS." JAMES BURROWS. 619 00:45:40,060 --> 00:45:42,550 "MID-CENTURY MODERN." NATHAN FIELDER. 620 00:45:42,580 --> 00:45:44,960 "THE REHEARSAL." SETH ROGEN AND EVAN GOLDBERG. 621 00:45:45,000 --> 00:45:57,890 "THE STUDIO." >> AND THE EMMY GOES TO... 622 00:45:57,930 --> 00:46:02,510 SETH ROGEN! 623 00:46:14,000 --> 00:46:17,550 >> I THINK WE SHARE THIS, WHICH IS PRETTY COOL. 624 00:46:17,580 --> 00:46:20,170 >> I CALL THE TOP. >> OKAY, THANKS. 625 00:46:20,200 --> 00:46:22,820 THANK YOU AGAIN, THIS IS SO LOVELY. 626 00:46:22,860 --> 00:46:25,200 THANK YOU TO OUR CAST AND CREW WITHOUT HIM OBVIOUSLY THIS WOULD 627 00:46:25,240 --> 00:46:29,240 NOT BE POSSIBLE. 628 00:46:29,270 --> 00:46:33,000 ALL OF YOU. THE WAY THAT WE MAKE THIS SHOW, 629 00:46:33,030 --> 00:46:36,000 EVERYONE REALLY HAS TO COME TOGETHER IN SORT OF A GLORIOUS 630 00:46:36,030 --> 00:46:37,030 PASSION, SO THANK YOU ALL FOR YOUR HARD WORK. 631 00:46:37,060 --> 00:46:41,000 THIS WOULD NOT BE POSSIBLE WITHOUT ALL OF YOU. 632 00:46:41,030 --> 00:46:43,790 >> THOSE ARE THOSE PEOPLE, AND I JUST WANT TO THANK MY FAMILY, MY 633 00:46:43,820 --> 00:46:47,130 KIDS, DUSTY AND BOOMER, AND MY WIFE, LISA. 634 00:46:47,170 --> 00:46:51,750 >> I LOVE MY WIFE! HE SAID YOU WOULDN'T DO THIS! 635 00:46:51,790 --> 00:46:53,960 >> AND MILLIE, I WANT TO THANK HER. 636 00:46:54,000 --> 00:46:57,240 >> WE ARE UNDER! THANK YOU! 637 00:46:59,100 --> 00:47:00,680 >> Announcer: PLEASE WELCOME FOUR-TIME EMMY NOMINEE 638 00:47:00,720 --> 00:47:04,060 ELIZABETH BANKS. 639 00:47:15,030 --> 00:47:18,720 >> GOOD EVENING. IF YOU'RE UNFAMILIAR WITH MY 640 00:47:18,750 --> 00:47:23,890 WORK, I'M AN ACTRESS, A DIRECTOR A PRODUCER, A SPOKESWOMAN, A 641 00:47:23,930 --> 00:47:30,340 LEGO HEROINE, AND THE HOST OF THE GAME SHOW "PRESS YOUR LUCK." 642 00:47:30,370 --> 00:47:33,030 THANKS. 643 00:47:33,060 --> 00:47:34,820 IF YOU'RE UNFAMILIAR WITH MY WORK, WHY ARE YOU HERE, AND HOW 644 00:47:34,860 --> 00:47:37,620 DID YOU GET IN? 645 00:47:37,650 --> 00:47:41,790 I'M PRESENTING THE AWARD FOR DIRECTING FOR A LIMITED OR 646 00:47:41,820 --> 00:47:50,060 ANTHOLOGY SERIES OR MOVIE, WHICH IS A LOT OF STUFF, RIGHT? 647 00:47:50,100 --> 00:47:52,100 THIS IS THE CATEGORY, TO SIMPLIFY, WHERE MOVIE 648 00:47:52,130 --> 00:47:54,130 STARS DABBLE IN TV WITHOUT HAVING TO COMMIT TO PLAYING THE 649 00:47:54,170 --> 00:47:56,030 SAME ROLE FOR EIGHT YEARS. WHEN WAS THE LAST TIME A 650 00:47:56,060 --> 00:48:01,960 DIRECTING CATEGORY HAD FIVE WOMEN AND ONE MAN? 651 00:48:02,000 --> 00:48:03,270 YEAH. 652 00:48:03,310 --> 00:48:05,720 I DID NOT BOTHER TO LOOK THAT UP, BUT I THINK WE ALL AGREE IT 653 00:48:05,750 --> 00:48:07,000 WAS NEVER. IN THIS YEAR'S NOMINEES ARE 654 00:48:07,030 --> 00:48:13,000 HELEN SHAVER FOR "THE PENGUIN." SHANNON MURPHY FOR 655 00:48:13,030 --> 00:48:21,580 "DYING FOR SEX." NICOLE KASSELL FOR "SIRENS." 656 00:48:21,620 --> 00:48:26,310 JENNIFER GETZINGER FOR "THE PENGUIN." 657 00:48:26,340 --> 00:48:33,340 LESLI LINKA GLATTER FOR "ZERO DAY." 658 00:48:33,370 --> 00:48:45,030 AND PHILIP BARANTINI FOR "ADOLESCENCE," WHICH IS KIND OF 659 00:48:45,060 --> 00:48:48,030 POETIC, IF YOU THINK ABOUT IT, BECAUSE PHILIP, YOU'RE THE 660 00:48:48,060 --> 00:48:54,860 "ONER." IF YOU KNOW, YOU KNOW. 661 00:48:54,890 --> 00:48:59,790 AND THE EMMY GOES TO... PHILIP BARANTINI. 662 00:48:59,820 --> 00:49:03,310 >> Announcer: THIS IS THE FIRST EMMY WIN AND SECOND 663 00:49:03,340 --> 00:49:06,580 NOMINATION THIS YEAR FOR PHILIP BARANTINI, WHO WAS ALSO 664 00:49:06,620 --> 00:49:11,030 NOMINATED AS PART OF THE PRODUCING TEAM FOR "ADOLE 665 00:49:11,060 --> 00:49:12,030 "ADOLESCENCE." ♪ 666 00:49:23,890 --> 00:49:27,000 >> OH, MY GOSH. THANK YOU SO MUCH. 667 00:49:27,030 --> 00:49:31,130 I'LL BE VERY QUICK. THANK YOU SO MUCH TO THE 668 00:49:31,170 --> 00:49:33,550 ACADEMY, TO ALL OF MY AMAZING CAST. 669 00:49:33,580 --> 00:49:39,930 THE WHOLE ENSEMBLE, ALL OF YOU. 670 00:49:39,960 --> 00:49:43,170 TO ALL THE CREW, THIS AWARD IS FOR THEM AS MUCH AS IT IS FOR 671 00:49:43,200 --> 00:49:45,170 ME. TO JACK AND STEVEN, THANK YOU 672 00:49:45,200 --> 00:49:50,000 FOR WRITING SOMETHING SO RAW, SO URGENT, AND SO ABSOLUTELY 673 00:49:50,030 --> 00:49:53,510 MATT LEWIS, MY INCREDIBLE EMMY-WINNING CINEMATOGRAPHER, I 674 00:49:53,550 --> 00:49:58,240 LOVE YOU. TO THE PRODUCERS -- 675 00:49:58,270 --> 00:50:00,860 YOU ARE MY RIGHT AND LEFT ARM ON 676 00:50:00,890 --> 00:50:04,030 THIS, I LOVE YOU TO BITS. TO NETFLIX, THANK YOU FOR 677 00:50:04,060 --> 00:50:09,100 TRUSTING US WITH THIS MAD IDEA. TO MY WIFE, MY BEAUTIFUL 678 00:50:09,130 --> 00:50:13,130 DAUGHTER, ALL OF MY FAMILY. OH, NO. 679 00:50:13,170 --> 00:50:19,480 LASTLY, MUM, I SAID I WOULD MAKE 680 00:50:19,510 --> 00:50:22,410 YOU PROUD AND I WILL CONTINUE TO DO SO. 681 00:50:22,440 --> 00:50:23,170 THANK YOU. 682 00:50:23,200 --> 00:50:27,100 ♪>> Announcer: COMING UP, 683 00:50:27,130 --> 00:50:31,000 JESSE WILLIAMS. AND, THE EMMYS CELEBRATE 684 00:50:31,030 --> 00:50:32,960 25 YEARS OF "SURVIVOR" WITH JEFF PROBST. 685 00:50:33,000 --> 00:50:35,650 THEN LATER, SYDNEY SWEENEY TAKES THE STAGE. 686 00:50:35,680 --> 00:50:38,200 PLUS, ALEXIS BLEDEL AND LAUREN GRAHAM TEAM UP FOR A 687 00:50:38,240 --> 00:50:40,240 "GILMORE GIRLS" REUNION. THIS IS CBS. 688 00:51:02,200 --> 00:51:03,170 ♪>> PLEASE WELCOME ACTOR AND 689 00:51:03,200 --> 00:51:05,200 PRODUCER JESSE WILLIAMS. 690 00:51:10,200 --> 00:51:11,310 ♪>> GOOD EVENING. 691 00:51:11,340 --> 00:51:14,510 THE JOB OF A TELEVISION DIRECTOR REQUIRES LEADERSHIP 692 00:51:14,550 --> 00:51:21,680 SKILLS, TECHNICAL EXPERTISE, AND THE ABILITY OF TRANSLATING 693 00:51:21,720 --> 00:51:23,340 A SCRIPT INTO COMPELLING VISUALS BY GUIDING BOTH THE ACTORS AND 694 00:51:23,370 --> 00:51:27,650 THE CAMERA TO TELL A COHESIVE STORY. 695 00:51:27,680 --> 00:51:29,620 PREFERABLY WITHOUT MEAL PENALTIES. 696 00:51:29,650 --> 00:51:33,620 THAT PERFECTLY DESCRIBES THESE DIRECTORS TONIGHT. 697 00:51:33,650 --> 00:51:35,310 HERE ARE THE NOMINEES FOR DIRECTING FOR A DRAMA SERIES. 698 00:51:35,340 --> 00:51:37,100 >> JANUS METZ. "ANDOR." 699 00:51:37,130 --> 00:51:39,580 AMANDA MARSALIS. "THE PITT." 700 00:51:39,620 --> 00:51:41,790 JOHN WELLS. "THE PITT." 701 00:51:41,820 --> 00:51:43,820 JESSICA LEE GAGNE. "SEVERANCE." 702 00:51:43,860 --> 00:51:46,240 BEN STILLER. "SEVERANCE." 703 00:51:46,270 --> 00:51:49,240 ADAM RANDALL. "SLOW HORSES." 704 00:51:49,270 --> 00:51:58,200 MIKE WHITE. "THE WHITE LOTUS." 705 00:51:58,240 --> 00:52:02,580 >> AND THE EMMY GOES TO... ADAM RANDALL. 706 00:52:02,620 --> 00:52:07,930 "SLOW HORSES." 707 00:52:07,960 --> 00:52:14,680 ♪>> Announcer: THIS IS THE 708 00:52:14,720 --> 00:52:17,960 FIRST EMMY WIN AND NOMINATION FOR ADAM RANDALL. 709 00:52:32,860 --> 00:52:34,440 >> THANK YOU. WOW, THAT IS UNEXPECTED. 710 00:52:34,480 --> 00:52:37,270 THANK YOU VERY MUCH. FIRST AND FOREMOST I WANT TO 711 00:52:37,310 --> 00:52:40,890 THANK MY WIFE, NATALIE, WHO'S BEEN ON THIS JOURNEY SINCE THE 712 00:52:40,930 --> 00:52:43,270 VERY BEGINNING, WITHOUT WHOSE LOVE AND BELIEF I WOULDN'T BE 713 00:52:43,310 --> 00:52:46,510 STANDING HERE TODAY. THIS IS AS MUCH YOURS AS IT IS 714 00:52:46,550 --> 00:52:50,060 MINE. I WANT TO THANK MY KIDS, MY 715 00:52:50,100 --> 00:52:52,030 TEAM -- 716 00:52:52,060 --> 00:52:58,720 HUGE THANK YOU TO APPLE TV. TO MY AMAZING COLLABORATORS, TO 717 00:52:58,750 --> 00:53:05,100 GARY OLDMAN, THE LEGENDARY GARY OLDMAN, DOUG URBANSKI, EVERYONE 718 00:53:05,130 --> 00:53:11,930 AT 60/40, EVERYONE AT SEESAW -- 719 00:53:11,960 --> 00:53:13,310 AND THE MOST INCREDIBLE CAST AND CREW. 720 00:53:13,340 --> 00:53:14,550 IT'S A PRIVILEGE WORKING WITH YOU. 721 00:53:14,580 --> 00:53:17,410 THANKS SO MUCH. THIS IS AN HONOR. 722 00:53:30,200 --> 00:53:31,410 ♪>> Nate: ALL RIGHT, WE'RE 723 00:53:31,440 --> 00:53:35,550 MOVING ALONG PRETTY WELL. I'VE GOT A BACKUP PLAN FOR THIS 724 00:53:35,580 --> 00:53:38,790 SPEECH THING. I'M NOT TRYING TO BRAG, BUT I'VE 725 00:53:38,820 --> 00:53:42,310 ACTUALLY BEEN NOMINATED TWICE, AND IF I WIN I PROMISE TO GIVE 726 00:53:42,340 --> 00:53:45,790 MY SPEECH IS SHORT. >> Announcer: YOU ALREADY LOST. 727 00:53:45,820 --> 00:53:47,240 >> Nate: LOST? WHEN? 728 00:53:47,270 --> 00:53:53,270 >> Announcer: LAST WEEKEND, AT THE CREATIVE ARTS EMMYS. 729 00:53:53,310 --> 00:53:55,680 >> Nate: SO THESE ARE THE NON-CREATIVE EMMYS? 730 00:53:55,720 --> 00:53:59,130 WHO DID I LOSE TO? >> Announcer: THE MARK TWAIN 731 00:53:59,170 --> 00:54:01,030 PRIZE -- >> Nate: MARK TWAIN? 732 00:54:01,060 --> 00:54:11,240 HE'S STILL ALIVE? HOW OLD IS HE? 733 00:54:11,270 --> 00:54:16,310 I THOUGHT WHEN YOU HOST THEY HAVE TO GIVE IT TO YOU. 734 00:54:16,340 --> 00:54:17,860 ALL RIGHT, NOT EVERYBODY CAN BE A WINNER. 735 00:54:17,890 --> 00:54:22,680 PLEASE WELCOME FIVE-TIME EMMY WINNER -- FIVE?! 736 00:54:22,720 --> 00:54:25,030 GOLLY, THAT'S A LOT. THE HOST OF "SURVIVOR," 737 00:54:25,060 --> 00:54:26,030 JEFF PROBST. 738 00:54:38,270 --> 00:54:42,240 ♪>> DURING "SURVIVOR'S" 25 YEARS 739 00:54:42,270 --> 00:54:48,170 ON CBS, 50 SEASONS OF OUR SHOW, WITH THE WORLD WATCHING, 740 00:54:48,200 --> 00:54:51,370 CONTESTANTS MUST OUTWIT, OUTPLAY, AND OUTLAST THE 741 00:54:51,410 --> 00:54:55,890 COMPETITION UNTIL ONE TAKES HOME THE PRIZE. 742 00:54:55,930 --> 00:55:00,750 TONIGHT IS NO DIFFERENT, WITH TWO TRIBES THAT BOTH HAVE DUG 743 00:55:00,790 --> 00:55:05,960 DEEP IN THEIR QUEST. AND HERE THERE IS NO IMMUNITY TO 744 00:55:06,000 --> 00:55:09,650 PROTECT THEM. 745 00:55:09,680 --> 00:55:19,340 "LAST WEEK TONIGHT WITH JOHN OLIVER. 746 00:55:19,370 --> 00:55:22,650 AND "SATURDAY NIGHT LIVE" -- DO YOU BOTH KNOW THE PRIZE YOU ARE 747 00:55:22,680 --> 00:55:25,370 PLAYING FOR? ALL RIGHT, THE VOTES HAVE BEEN 748 00:55:25,410 --> 00:55:28,680 TALLIED. THE SOLE SURVIVOR FOR THE 749 00:55:28,720 --> 00:55:35,890 SCRIPTED VARIETY SERIES TROPHY IN EMMYS' 77TH SEASON IS... 750 00:55:35,930 --> 00:55:40,000 "LAST WEEK TONIGHT WITH JOHN OLIVER." 751 00:55:47,240 --> 00:55:49,620 >> Announcer: "LAST WEEK TONIGHT WITH JOHN OLIVER" HAS 752 00:55:49,650 --> 00:55:52,370 RECEIVED SIX NOMINATIONS THIS YEAR AND A TOTAL OVERALL OF 69. 753 00:55:52,410 --> 00:55:59,240 THIS YEAR'S NOMINATION INCLUDED PRODUCTION DESIGN, WRITING, 754 00:55:59,270 --> 00:56:02,240 DIRECTING, AND SCRIPTED VARIETY SERIES. 755 00:56:02,270 --> 00:56:08,060 ACCEPTING THE EMMY ON BEHALF OF THE TEAM IS JOHN OLIVER. 756 00:56:08,100 --> 00:56:14,310 >> THANK YOU TO HBO, THANK YOU TO OUR STAFF, ESPECIALLY LIZ 757 00:56:14,340 --> 00:56:16,240 STANTON AND JIM CARVILLE. THANK YOU TO MY WIFE, I LOVE YOU 758 00:56:16,270 --> 00:56:19,580 VERY MUCH. THANK YOU TO OUR CHILDREN, 759 00:56:19,620 --> 00:56:27,620 THAT'S GOT TO BE ENOUGH. THAT'S A LOT OF MONEY FOR YOU. 760 00:56:27,650 --> 00:56:28,370 THANK YOU, GOODBYE! 761 00:56:28,410 --> 00:56:31,720 ♪>> Announcer: COMING UP, 762 00:56:31,750 --> 00:56:33,790 HIROYUKI SANADA, ANNA SAWAI, AND SYDNEY SWEENEY. 763 00:56:33,820 --> 00:56:35,960 THEN LATER, LAINEY WILSON AND VINCE GILL PAY TRIBUTE TO THOSE 764 00:56:36,000 --> 00:56:40,550 WE LOST THIS YEAR. PLUS, WHICH OF THESE SHOWS WILL 765 00:56:40,580 --> 00:56:44,310 TAKE HOME THE AWARD FOR OUTSTANDING DRAMA SERIES? 766 00:56:44,340 --> 00:56:51,860 WE'LL FIND OUT WHEN WE RETURN. 767 00:56:51,890 --> 00:56:54,930 THE 77TH EMMY AWARDS ON CBS, SPONSORED BY VOLKSWAGEN. 768 00:56:54,960 --> 00:56:56,960 NOW ANYBODY CAN DRIVE LIKE SOMEBODY. 769 00:57:07,270 --> 00:57:08,240 ♪>> Announcer: PLEASE WELCOME 770 00:57:08,270 --> 00:57:09,790 EMMY WINNERS HIROYUKI SANADA AND ANNA SAWAI. 771 00:57:19,270 --> 00:57:21,550 >> IT HAS BEEN SAID THAT THE KEY TO WRITING A GREAT DRAMA IS FOR 772 00:57:21,580 --> 00:57:25,000 THE WRITER TO CRAFT EVERY SCENE WITH A PERFECT BLEND AND BALANCE 773 00:57:25,030 --> 00:57:29,100 TO THE ACTION, THE DIALOGUE, AND THE NARRATIVE. 774 00:57:29,130 --> 00:57:33,130 >> AND, IN DOING JUST THAT, THIS YEAR'S NOMINEES FOR WRITING FOR 775 00:57:33,170 --> 00:57:39,440 A DRAMA SERIES GAVE US SOME OF THE MOST MEMORABLE AND POWERFUL 776 00:57:39,480 --> 00:57:43,480 TELEVISION OF THIS YEAR, OR ANY YEAR. 777 00:57:43,510 --> 00:57:46,200 HERE ARE THE NOMINEES. >> DAN GILROY. 778 00:57:46,240 --> 00:57:48,930 "ANDOR." JOE SACHS. 779 00:57:48,960 --> 00:57:51,720 "THE PITT." R. SCOTT GEMMILL. 780 00:57:51,750 --> 00:57:54,060 "THE PITT." DAN ERICKSON. 781 00:57:54,100 --> 00:57:56,480 "SEVERANCE." WILL SMITH. 782 00:57:56,510 --> 00:57:59,410 "SLOW HORSES." MIKE WHITE. 783 00:57:59,440 --> 00:58:11,030 "THE WHITE LOTUS." >> AND THE EMMY GOES TO... 784 00:58:11,060 --> 00:58:17,750 DAN GILROY. "ANDOR." 785 00:58:19,000 --> 00:58:23,060 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 786 00:58:23,100 --> 00:58:24,100 FOR DAN GILROY. ♪ 787 00:58:50,960 --> 00:58:53,340 >> THANK YOU, EVERYONE. I THINK A LOT OF PEOPLE ARE 788 00:58:53,370 --> 00:58:55,170 SURPRISED. IT WAS UNEXPECTED. 789 00:58:55,200 --> 00:59:00,130 OBVIOUSLY WE HAVE FRIENDS EVERYWHERE. 790 00:59:00,170 --> 00:59:03,720 I WANT TO THANK THE FANS, WHO 791 00:59:03,750 --> 00:59:08,580 DID MORE THAN WATCH THE SHOW. THEY LISTENED, THEY CARED, AND 792 00:59:08,620 --> 00:59:12,340 THEY MADE A STORY ABOUT ORDINARY PEOPLE CITING IMPOSSIBLE ODDS 793 00:59:12,370 --> 00:59:14,410 POSSIBLE. THIS WAS VERY SPECIAL BECAUSE I 794 00:59:14,440 --> 00:59:17,440 GOT TO WORK WITH BOTH MY BROTHERS ON THE SHOW, TONY 795 00:59:17,480 --> 00:59:19,620 GILROY, THE SHOWRUNNER AND THE CREATOR. 796 00:59:19,650 --> 00:59:24,060 IT IS ALL YOU, TONY. AND MY BROTHER, EDITOR AND 797 00:59:24,100 --> 00:59:27,370 PRODUCER. I VERY MUCH WANT TO THANK 798 00:59:27,410 --> 00:59:30,720 BOB IGER FOR HIS VISION, KATHY KENNEDY FOR SUPPORTING THE SHOW 799 00:59:30,750 --> 00:59:40,410 FROM ITS INCEPTION, THE PRODUCER, THE AMAZING CAST, AND 800 00:59:40,440 --> 00:59:44,340 TO GENEVIEVE O'REILLY, WHO IS INCOMPARABLE TALENT AND HEART 801 00:59:44,370 --> 00:59:51,680 BROUGHT THE EPISODE TO LIFE. THANK YOU TO MY WIFE AND MY 802 00:59:51,720 --> 00:59:53,720 DAUGHTER. I DON'T HAVE WORDS TO DESCRIBE 803 00:59:53,750 --> 00:59:56,410 HOW MUCH I LOVE THEM. THANK YOU. 804 00:59:59,930 --> 01:00:08,550 ♪>> Nate: THANK YOU, DAN, FOR 805 01:00:08,580 --> 01:00:11,750 HELPING ME OUT AFTER WHAT JOHN DID. 806 01:00:11,790 --> 01:00:14,860 HE'S THE WORST! 807 01:00:14,890 --> 01:00:21,410 AND I GUESS YOU ARE ALLOWED TO CURSE ON TV NOW, WHOM I? 808 01:00:21,440 --> 01:00:25,480 IT MESSED ME UP. I FORGOT. 809 01:00:25,510 --> 01:00:28,030 I HAVE A BLUE JEAN TUXEDO AND FOR SOME REASON. 810 01:00:28,060 --> 01:00:29,750 WE HAD A JOKE. THERE'S A CUMMERBUND. 811 01:00:29,790 --> 01:00:32,620 I FORGOT. I DON'T KNOW. 812 01:00:32,650 --> 01:00:39,030 PLEASE WELCOME TO TIME EMMY NOMINEE SYDNEY SWEENEY. 813 01:00:49,720 --> 01:00:51,720 - >> HELLO, HELLO. - THE LYLE AND ERIK 814 01:00:51,750 --> 01:00:53,440 MENENDEZ STORY." "ADOLESCENCE." 815 01:00:53,480 --> 01:00:56,620 "PRESUMED INNOCENT." "DYING FOR SEX." 816 01:00:56,650 --> 01:00:58,620 FOUR GREAT SERIES WITH SIX INCREDIBLE NOMINEES FOR 817 01:00:58,650 --> 01:01:00,580 SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE. 818 01:01:00,620 --> 01:01:03,720 HERE THEY ARE... >> JAVIER BARDEM. 819 01:01:03,750 --> 01:01:06,550 THE LYLE AND ERIK MENENDEZ STORY." 820 01:01:06,580 --> 01:01:09,410 BILL CAMP. "PRESUMED INNOCENT." 821 01:01:09,440 --> 01:01:11,440 OWEN COOPER. "ADOLESCENCE." 822 01:01:15,200 --> 01:01:19,060 ROB DELANEY. "DYING FOR SEX." 823 01:01:19,100 --> 01:01:21,480 PETER SARSGAARD. "PRESUMED INNOCENT." 824 01:01:21,510 --> 01:01:26,440 ASHLEY WALTERS. "ADOLESCENCE." 825 01:01:26,480 --> 01:01:30,820 >> THE EMMY GOES TO... OWEN COOPER. 826 01:01:30,860 --> 01:01:41,890 "ADOLESCENCE." 827 01:01:41,930 --> 01:01:46,620 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 828 01:01:46,650 --> 01:01:51,030 FOR OWEN COOPER, WHO MADE HIS DEBUT IN THE SERIES 829 01:01:51,060 --> 01:01:54,580 "ADOLESCENCE," WHICH WAS FILMED IN ONE CONTINUOUS TAKE. 830 01:02:09,410 --> 01:02:16,170 >> OH, MY GOD. 831 01:02:16,200 --> 01:02:21,960 STANDING UP HERE, WOW, IT IS SO SURREAL. 832 01:02:22,000 --> 01:02:25,030 HONESTLY, WHEN I STARTED THESE DRAMA CLASSES A COUPLE YEARS 833 01:02:25,060 --> 01:02:29,170 BACK, I DIDN'T EXPECT TO BE EVEN IN THE UNITED STATES, NEVER MIND 834 01:02:29,200 --> 01:02:33,270 HERE. I THINK TONIGHT PROVES THAT, IF 835 01:02:33,310 --> 01:02:36,480 YOU LISTEN AND YOU FOCUS AND YOU STEP OUT OF YOUR COMFORT ZONE, 836 01:02:36,510 --> 01:02:38,370 YOU CAN ACHIEVE ANYTHING IN LIFE. 837 01:02:38,410 --> 01:02:41,000 I WAS NOTHING ABOUT THREE YEARS AGO. 838 01:02:41,030 --> 01:02:46,790 I'M HERE NOW. IF YOU ARE LISTENING, YOU ARE 839 01:02:46,820 --> 01:02:49,650 FOCUSING, YOU STEP OUT OF YOUR COMFORT ZONE A LITTLE BIT, WHO 840 01:02:49,680 --> 01:02:52,030 CARES IF YOU GET EMBARRASSED? ANYTHING IS POSSIBLE. 841 01:02:52,060 --> 01:02:56,100 A BIG THANKS TO MY PARENTS, MY MUM AND MY DAD AND MY FAMILY, 842 01:02:56,130 --> 01:02:59,480 THE ONES WHO LOVE ME AND THE ONES WHO I LOVED. 843 01:02:59,510 --> 01:03:05,440 STEPHEN, AARON, ASHLEY, PHILIP BARANTINI, JACK THORNE, JOE 844 01:03:05,480 --> 01:03:07,060 JOHNSON. SORRY. 845 01:03:07,100 --> 01:03:09,270 IS IT GOING DOWN? NO. 846 01:03:09,310 --> 01:03:13,240 NETFLIX, PLAN B. 847 01:03:13,270 --> 01:03:16,620 OH, MY GOD, I COULD GO ON FOREVER. 848 01:03:16,650 --> 01:03:20,340 IT MAY HAVE MY NAME ON IT BUT IT REALLY BELONGS TO THE PEOPLE 849 01:03:20,370 --> 01:03:22,650 BEHIND THE CAMERA. STEPHEN AND ALL THE CAST. 850 01:03:22,680 --> 01:03:26,440 I HOPE YOU ALL HAVE AN AMAZING NIGHT, AND GOOD NIGHT. 851 01:03:30,580 --> 01:03:32,510 ♪>> Announcer: STILL TO COME, 852 01:03:32,550 --> 01:03:35,680 APPEARANCES BY IKE BARINHOLTZ, KATHRYN HAHN, ALEXIS BLEDEL, 853 01:03:35,720 --> 01:03:40,060 LAUREN GRAHAM, TINA FEY, KATHY BATES, AND ALAN CUMMING. 854 01:03:40,100 --> 01:03:43,620 PLUS, TED DANSON AND MARY STEENBURGEN RECEIVE THE 855 01:03:43,650 --> 01:03:45,650 BOB HOPE HUMANITARIAN AWARD. THIS IS CBS. 856 01:04:03,270 --> 01:04:04,790 >> Announcer: PLEASE WELCOME EMMY NOMINEE IKE BARINHOLTZ AND 857 01:04:04,820 --> 01:04:06,650 FOUR-TIME EMMY NOMINEE KATHRYN HAHN. 858 01:04:20,270 --> 01:04:22,240 ♪>> WE ARE HERE TO PRESENT AN 859 01:04:22,270 --> 01:04:24,580 AWARD FOR WRITING. >> SOME SAY WRITING IS THE MOST 860 01:04:24,620 --> 01:04:30,240 IMPORTANT PART OF A TV SHOW, BUT WE ACTUALLY THINK IT'S THE LEAST 861 01:04:30,270 --> 01:04:33,240 IMPORTANT. 862 01:04:33,270 --> 01:04:34,510 >> JUST BECAUSE WE DON'T HAVE SOME LITTLE TROPHY DOESN'T MEAN 863 01:04:34,550 --> 01:04:37,000 WE ARE NOT GREAT ACTORS, OKAY? WE ARE TRAINED ACTORS. 864 01:04:37,030 --> 01:04:39,960 WE ARE IMPROVISED. WE DON'T NEED SOME HARVARD NERD 865 01:04:40,000 --> 01:04:44,480 EATING PRINGLES TO TELL US WHAT TO SAY. 866 01:04:44,510 --> 01:04:48,440 TO PROVE THIS, YOU KNOW WHAT? LETS TURN OFF THE TELEPROMPTER. 867 01:04:48,480 --> 01:04:52,200 >> YEAH, WE'RE GONNA GO WITH OUR GUTS ON THIS ONE. 868 01:04:52,240 --> 01:05:02,000 TURN IT OFF. 869 01:05:02,030 --> 01:05:07,060 >> YES. >> SO... 870 01:05:07,100 --> 01:05:09,720 TV SHOWS ARE WHY WE ARE HERE TONIGHT. 871 01:05:09,750 --> 01:05:18,860 SOME GET A WORD HAVE AND KEEP. >> SHOWS... 872 01:05:18,890 --> 01:05:21,310 THAT'S WHAT WE CELEBRATE ON THE EMMYS AWARDS NIGHT. 873 01:05:21,340 --> 01:05:27,860 WE LOVE -- >> "CHEERS," AND "SEINFELD." 874 01:05:27,890 --> 01:05:31,510 THEY ARE NOT HERE TONIGHT. >> THEY WERE GREAT. 875 01:05:31,550 --> 01:05:34,510 PEOPLE ARE SMILING AT US. SOME PEOPLE ARE NOT. 876 01:05:34,550 --> 01:05:38,340 EVERYBODY IS SO PRETTY AND GLAMOROUS. 877 01:05:38,370 --> 01:05:40,820 >> NOAH WYLE. >> NOAH WYLE, SO GOOD ON 878 01:05:40,860 --> 01:05:43,960 "SCRUBS." 879 01:05:44,000 --> 01:05:48,030 >> WE ARE GOING TO -- TURN THE PROMPTER BACK ON, WE PROVED OUR 880 01:05:48,060 --> 01:05:50,680 POINT. >> MAYBE WRITERS AREIMPORTANT. 881 01:05:50,720 --> 01:05:52,620 WE'RE SORRY ABOUT WHAT WE SAID EARLIER. 882 01:05:52,650 --> 01:05:54,510 >> YES, WE'RE LEARNING. AND THE NOMINEES FOR WRITING FOR 883 01:05:54,550 --> 01:05:56,200 A LIMITED OR ANTHOLOGY SERIES OR MOVIE ARE... 884 01:05:56,240 --> 01:05:57,820 >> JACK THORNE AND STEPHEN GRAHAM. 885 01:05:57,860 --> 01:06:01,720 "ADOLESCENCE." CHARLIE BROOKER AND BISHA K. 886 01:06:01,750 --> 01:06:03,680 ALI. "BLACK MIRROR." 887 01:06:03,720 --> 01:06:05,720 KIM ROSENSTOCK AND ELIZABETH MERIWETHER. 888 01:06:05,750 --> 01:06:08,750 "DYING FOR SEX." LAUREN LeFRANC. 889 01:06:08,790 --> 01:06:11,000 "THE PENGUIN." JOSHUA ZETUMER. 890 01:06:11,030 --> 01:06:19,270 "SAY NOTHING." >> AND THE EMMY GOES TO... 891 01:06:19,310 --> 01:06:21,100 >> JACK THORNE AND STEPHEN GRAHAM. 892 01:06:21,130 --> 01:06:23,680 "ADOLESCENCE." 893 01:06:23,720 --> 01:06:30,000 ♪>> Announcer: THIS IS THE 894 01:06:30,030 --> 01:06:31,650 FIRST EMMY WIN FOR JACK THORNE AND STEPHEN GRAHAM. 895 01:06:31,680 --> 01:06:35,310 BOTH ARE ALSO NOMINATED AS PART OF THE PRODUCING TEAM. 896 01:06:35,340 --> 01:06:38,960 AND STEPHEN GRAHAM IS ALSO NOMINATED FOR HIS LEADIN ROLE 897 01:06:39,000 --> 01:06:41,000 IN "ADOLESCENCE." ♪ 898 01:06:58,200 --> 01:07:03,410 >> THANK YOU. WE ARE NOT DOING A REMAKE OF 899 01:07:03,440 --> 01:07:05,720 "LITTLE AND LARGE." JUST A QUICK ONE. 900 01:07:05,750 --> 01:07:08,340 WE NEVER EXPECTED OUR LITTLE PROGRAM TO HAVE SUCH A BIG 901 01:07:08,370 --> 01:07:10,030 IMPACT BUT WE ARE REALLY GRATEFUL THAT IT DID. 902 01:07:10,060 --> 01:07:12,170 WE WOULD LIKE TO THANK EVERYBODY. 903 01:07:12,200 --> 01:07:16,100 JUST FROM THE BOTTOM OF OUR HEARTS, THANKS TO EVERYONE AT 904 01:07:16,130 --> 01:07:20,370 NETFLIX, EVERYONE AT WARP, EVERYONE AT MATRIARCH, AND A 905 01:07:20,410 --> 01:07:22,750 SPECIAL THANK YOU TO JOE JOHNSON, HANNAH WALTERS, AND 906 01:07:22,790 --> 01:07:27,130 EMILY FOR BEING THE GLUE THAT HELD THIS THING TOGETHER. 907 01:07:27,170 --> 01:07:30,030 >> IT'S IMPOSSIBLE TO SINGLE OUT ANYONE IN THE CAST, BUT WE JUST 908 01:07:30,060 --> 01:07:39,860 WANTED TO SAY -- 909 01:07:39,890 --> 01:07:44,580 >> YOU'VE DONE THE WRONG BIT. >> WE HAVEN'T. 910 01:07:44,620 --> 01:07:46,550 IT'S ALL RIGHT. >> THIS IS HOW WE WORKED IN THE 911 01:07:46,580 --> 01:07:48,790 ROOM, BY THE WAY. THIS IS WHAT IS HAPPENING ALL 912 01:07:48,820 --> 01:07:51,060 THE TIME. >> YOU ARE THE YOUNG PEOPLE, THE 913 01:07:51,100 --> 01:07:54,030 FLAME THAT PROVE YOUNG PEOPLE ARE GOING TO BE OKAY AND WE ARE 914 01:07:54,060 --> 01:07:56,960 FOREVER GRATEFUL FOR YOU. THANK YOU. 915 01:07:57,000 --> 01:07:59,370 >> THANK YOU VERY MUCH. HAVE A LOVELY EVENING. 916 01:08:05,960 --> 01:08:10,620 ♪>> Nate: ALL RIGHT, HERE WE 917 01:08:10,650 --> 01:08:13,030 GO. THAT'S TOUGH. 918 01:08:13,060 --> 01:08:15,000 THAT WAS A SHOW CALLED "ADOLESCENCE" THAT DID THAT. 919 01:08:15,030 --> 01:08:23,340 TWO ADOLESCENTS. 920 01:08:23,370 --> 01:08:26,620 CONGRATS. I WOULD LIKE TO SAY, BECAUSE -- 921 01:08:26,650 --> 01:08:28,890 OWE INCOME I WILL PICK UP HIS TAB. 922 01:08:28,930 --> 01:08:34,820 PUT -- WHATEVER HE HAD, I WANT TO COVER OWEN. 923 01:08:34,860 --> 01:08:36,890 HE'S THE BEST. WHATEVER IT IS -- IS THAT WHAT% 924 01:08:36,930 --> 01:08:38,510 IT IS AT? GOOD NIGHT! 925 01:08:38,550 --> 01:08:43,000 WHAT IS WRONG? 25 YEARS AGO, OUR NEXT 926 01:08:43,030 --> 01:08:48,410 PRESENTERS STARRED IN THE WARNER BROTHERS TELEVISION 927 01:08:48,440 --> 01:08:51,170 SHOW "GILMORE GIRLS." NOW, CONTRACTUALLY I HAVE TO SAY 928 01:08:51,200 --> 01:08:54,890 "WARNER BROTHERS" -- FOR NOW. PLEASE WELCOME LAUREN GRAHAM AND 929 01:08:54,930 --> 01:09:00,030 EMMY WINNER ALEXIS BLEDEL. 930 01:09:08,860 --> 01:09:15,240 >> 25 YEARS AGO A SHOW CALLED "GILMORE GIRLS" PREMIERED, AND 931 01:09:15,270 --> 01:09:20,060 APPARENTLY TOOK THE SEASON OF FALL HOSTAGE. 932 01:09:20,100 --> 01:09:22,930 >> IN SPITE OF OUR AUTUMNAL DOMINANCE, "GILMORE" WAS 933 01:09:22,960 --> 01:09:24,750 ACTUALLY A VERY SMALL SHOW. >> MEANING, WE HAD NO MONEY. 934 01:09:24,790 --> 01:09:27,200 >> NOTHING. >> IF THERE WAS A BIRTHDAY AT 935 01:09:27,240 --> 01:09:29,620 "THE DREW CAREY SHOW" NEXT DOOR, THEY WOULD SEND US THEIR 936 01:09:29,650 --> 01:09:32,620 LEFTOVER SHEET CAKE. >> WE LOOKED HUNGRY. 937 01:09:32,650 --> 01:09:35,310 >> WE WALKED IN CIRCLES IN BURBANK SAYING "HEY, LOOK HOW 938 01:09:35,340 --> 01:09:40,100 CONNECTICUT IT IS HERE TODAY!" >> WE SAVED UP ALL YEAR LONG TO 939 01:09:40,130 --> 01:09:44,310 HAVE ONE SNOW EPISODE. >> AND THEN "E.R." WOULD WET 940 01:09:44,340 --> 01:09:47,130 DOWN THEIR STREET AND WASH IT ALL AWAY. 941 01:09:47,170 --> 01:09:49,170 >> YOU GOTTA LET THAT GO. >> THEY HAD CLOONEY. 942 01:09:49,200 --> 01:09:52,890 THEY COULD'VE LET US HAVE THE DAMN SNOW. 943 01:09:52,930 --> 01:09:54,650 >> BASICALLY, WE WERE BULLIED 944 01:09:54,680 --> 01:09:56,930 AND STARVING. >> BUT THE ONE THING WE DID 945 01:09:56,960 --> 01:09:58,650 HAVE -- WE HAD SCRIPTS. >> GREAT SCRIPTS. 946 01:09:58,680 --> 01:10:02,060 >> BIG SCRIPTS. >> TERRIFYING SCRIPTS. 947 01:10:02,100 --> 01:10:05,310 >> WITHOUT SCRIPTS, WE WOULD NOT HAVE THE WONDERFUL WORDS TO SAY. 948 01:10:05,340 --> 01:10:06,890 >> WE WOULDN'T KNOW IF IT'S DAY OR NIGHT. 949 01:10:06,930 --> 01:10:09,060 >> WHETHER WE'RE INSIDE OR OUTSIDE. 950 01:10:09,100 --> 01:10:13,650 >> SO, IN THE SPIRIT OF HAVING INFORMATION AND JOKES... 951 01:10:13,680 --> 01:10:15,170 >> HERE ARE THE NOMINEES FOR OUTSTANDING WRITING FOR A COMEDY 952 01:10:15,200 --> 01:10:17,820 SERIES. >> QUINTA BRUNSON. 953 01:10:17,860 --> 01:10:21,410 "ABBOTT ELEMENTARY." LUCIA ANIELLO, PAUL W. DOWNS 954 01:10:21,440 --> 01:10:26,060 AND JEN STATSKY. "HACKS." 955 01:10:26,100 --> 01:10:28,240 NATHAN FIELDER, CARRIE KEMPER, ADAM LOCKE-NORTON, AND 956 01:10:28,270 --> 01:10:32,340 ERIC NOTARNICOLA. "THE REHEARSAL." 957 01:10:32,370 --> 01:10:34,240 HANNAH BOS, PAUL THUREEN, AND BRIDGET EVERETT. 958 01:10:34,270 --> 01:10:38,790 "SOMEBODY SOMEWHERE." SETH ROGEN, EVAN GOLDBERG, 959 01:10:38,820 --> 01:10:40,750 PETER HUYCK, ALEX GREGORY, AND FRIDA PEREZ. 960 01:10:40,790 --> 01:10:44,030 "THE STUDIO." SAM JOHNSON, SARAH NAFTALIS, AND 961 01:10:44,060 --> 01:10:50,930 PAUL SIMMS. "WHAT WE DO IN THE SHADOWS." 962 01:10:50,960 --> 01:10:54,310 >> AND THE EMMY GOES TO... 963 01:10:54,340 --> 01:10:56,340 THE TEAM FROM "THE STUDIO." 964 01:10:59,510 --> 01:11:01,170 ♪>> Announcer: THIS IS THE 965 01:11:01,200 --> 01:11:05,030 THIRD EMMY WIN AND NINES NOMINATION FOR SETH ROGEN, THE 966 01:11:05,060 --> 01:11:10,170 SECOND AND SEVENTH WIN FOR EVAN GOLDBERG, THE THIRD EMMY WIN 967 01:11:10,200 --> 01:11:18,820 411-TIME NOMINEES PETER HUYCK AND ALEX GREGORY, AND THE THIRD 968 01:11:18,860 --> 01:11:23,580 FOR FRIDA PEREZ. >> WE WOULD LIKE TO THANK SETH 969 01:11:23,620 --> 01:11:28,720 AND EVAN. >> AAND R AMAZING CAST AND CREW. 970 01:11:28,750 --> 01:11:31,930 >> APPLE AND LIONSGATE. PAY UP. 971 01:11:31,960 --> 01:11:34,240 >> THANK YOU! 972 01:11:34,270 --> 01:11:35,750 ♪>> Announcer: COMING UP NEXT, 973 01:11:35,790 --> 01:11:41,000 TINA FEY, ALAN CUMMING, AND KATHY BATES. 974 01:11:41,030 --> 01:11:43,750 THEN LATER, A PERFORMANCE BY LAINEY WILSON AND VINCE GILL. 975 01:11:43,790 --> 01:11:44,790 IT'S HE EMMYS ON CBS. 976 01:11:56,410 --> 01:11:58,000 ♪>> Nate: ALL RIGHT. 977 01:11:58,030 --> 01:12:02,270 SETH ROGEN, LIKE JOHN OLIVER, IS THE WORST, AND ADDED MONEY TO 978 01:12:02,310 --> 01:12:07,580 IT. SO WHAT IS IT? 979 01:12:07,620 --> 01:12:10,750 ALL RIGHT, WE ARE BACK UP! $99,000. 980 01:12:10,790 --> 01:12:13,890 DON'T FORGET TO DO YOUR 981 01:12:13,930 --> 01:12:18,790 THANK YOUS LONG, EVERYBODY. THIS NEXT CATEGORY IS LIVE 982 01:12:18,820 --> 01:12:22,030 VARIETY SPECIAL. GOOD LUCK TO "SNL," KENDRICK, 983 01:12:22,060 --> 01:12:23,860 AND THE OSCARS, BUT JUST KNOW, IF YOU BEAT BEYONCE, THE BEYHIVE 984 01:12:23,890 --> 01:12:27,750 WILL COME FOR YOU. YOUR NEXT PRESENTER HAS WON TEN 985 01:12:27,790 --> 01:12:29,820 EMMY AWARDS. SHE'S ALSO BEEN NOMINATED 46 986 01:12:29,860 --> 01:12:33,370 TIMES. PLEASE WELCOME 36-TIME LOSER 987 01:12:33,410 --> 01:12:36,200 TINA FEY. 988 01:12:51,170 --> 01:12:54,200 >> WELL, GOOD EVENING. I'M IN AN AWKWARD POSITION 989 01:12:54,240 --> 01:12:59,820 TONIGHT, GIVEN MY PERSONAL RELATIONSHIPS TO THE NOMINEES 990 01:12:59,860 --> 01:13:01,410 FOR OUTSTANDING LIVE VARIETY SPECIAL. 991 01:13:01,440 --> 01:13:03,270 TWO OF THE NOMINEES INVOLVE "SNL," WHERE I WORKED FOR NINE 992 01:13:03,310 --> 01:13:09,480 YEARS. 993 01:13:09,510 --> 01:13:11,860 YEAH. SO IF THEY WIN, PEOPLE MIGHT 994 01:13:11,890 --> 01:13:14,100 THINK I JUST OPENED THE ENVELOPE AND SAID "SNL" OUT OF HABIT, 995 01:13:14,130 --> 01:13:17,030 LIKE THAT TIME I ACCIDENTALLY GAVE A MARK TWAIN PRIZE TO 996 01:13:17,060 --> 01:13:26,340 "ALEXA, PLAY RAIN SOUNDS." 997 01:13:26,370 --> 01:13:29,580 NATE, I WILL PAY FOR THE TIME WE TOOK FOR THAT JOKE. 998 01:13:29,620 --> 01:13:30,820 BUT IF THE 97TH ANNUAL ACADEMY 999 01:13:30,860 --> 01:13:34,750 AWARDS HOSTED BY CONAN O'BRIEN WINS, PEOPLE MIGHT WONDER IF 1000 01:13:34,790 --> 01:13:38,650 THAT'S TRUE, OR IF I'M JUST PRANKING CONAN, WHICH COULD 1001 01:13:38,680 --> 01:13:42,200 HAPPEN, BECAUSE WE ARE NEMESES. I MIGHT SAY CONAN WON, LET HIM 1002 01:13:42,240 --> 01:13:43,820 TAKE THE AWARD HOME, AND THEN CALL THE POLICE AND SAY HE STOLE 1003 01:13:43,860 --> 01:13:47,580 IT. WE DON'T KNOW. 1004 01:13:47,620 --> 01:13:57,060 WE DON'T KNOW WHAT I'LL DO. IF KENDRICK LAMAR'S SUPER BOWL 1005 01:13:57,100 --> 01:14:02,720 WHEW, I'M REALLY GOING TO HEAR IT FROM DRAKE. 1006 01:14:02,750 --> 01:14:04,030 AND DRAKE AND I ARE SUPPOSED TO 1007 01:14:04,060 --> 01:14:09,550 PLAY PICKLEBALL TOMORROW, SO... REALLY THE ONLY SAFE OUTCOME FOR 1008 01:14:09,580 --> 01:14:13,960 ME WOULD BE THE BEYONCE BOWL. 1009 01:14:14,000 --> 01:14:17,720 AS ALWAYS, THANK YOU, BEYONCE. WHOEVER WINS, FOR THE LOVE OF 1010 01:14:17,750 --> 01:14:22,440 GOD, DON'T COME UP HERE AND KISS MY STOMACH, BECAUSE I AM NOT 1011 01:14:22,480 --> 01:14:26,580 PREGNANT. 1012 01:14:26,620 --> 01:14:29,000 HERE ARE THE NOMINEES FOR OUTSTANDING LIVE VARIETY 1013 01:14:29,030 --> 01:14:33,440 SPECIAL, AND GOD HELP ME. >> THE "APPLE MUSIC 1014 01:14:33,480 --> 01:14:37,100 SUPER BOWL LIX HALFTIME SHOW STARRING KENDRICK LAMAR." 1015 01:14:37,130 --> 01:14:43,510 "BEYONCE BOWL." "THE OSCARS." 1016 01:14:43,550 --> 01:14:48,510 THE ANNIVERSARY SPECIAL." 1017 01:14:48,550 --> 01:14:55,580 THE HOMECOMING CONCERT." 1018 01:14:55,620 --> 01:15:01,340 - >> AND THE EMMY GOES TO... - THE ANNIVERSARY 1019 01:15:01,370 --> 01:15:03,440 SPECIAL." 1020 01:15:03,480 --> 01:15:14,410 ♪>> Announcer: THEY RECEIVE 12 1021 01:15:14,440 --> 01:15:18,030 NOMINATIONS THIS YEAR. THEY HAVE WON EMMYS IN 1022 01:15:18,060 --> 01:15:21,750 DIRECTING, WRITING, PICTURE EDITING, MAKEUP, HAIR STYLING, 1023 01:15:21,790 --> 01:15:26,030 SOUND MIXING, TECHNICAL DIRECTION, AND CAMERAWORK 1024 01:15:26,060 --> 01:15:27,200 CATEGORIES. ACCEPTING ON BEHALF OF THE TEAM 1025 01:15:27,240 --> 01:15:30,200 IS LORNE MICHAELS. 1026 01:15:42,790 --> 01:15:48,130 >> BECAUSE OF THE MONEY I'M GOING TO START TALKING QUICKLY. 1027 01:15:48,170 --> 01:15:56,100 I WON THIS AWARD FOR THE FIRST TIME 50 YEARS AGO, IN 1975. 1028 01:15:56,130 --> 01:16:02,030 I WAS YOUNGER AND I HAD A LOT OF 1029 01:16:02,060 --> 01:16:07,200 DREAMS ABOUT WHAT WOULD HAPPEN, AND ONE OF THOSE DREAMS WAS THAT 1030 01:16:07,240 --> 01:16:11,960 I WOULD STILL BE DOING THE SAME SHOW FOR THE NEXT 50 YEARS. 1031 01:16:12,000 --> 01:16:16,310 HOWEVER, HERE WE ARE. 1032 01:16:16,340 --> 01:16:21,130 I WANT TO THANK NBC AND COMCAST FOR THEIR SUPPORT. 1033 01:16:21,170 --> 01:16:26,580 THE SHOW WAS TWO YEARS IN THE PLANNING, AND THEY SAID, WE 1034 01:16:26,620 --> 01:16:31,650 DON'T CARE WHAT IT COSTS, AS LONG AS IT'S GOOD. 1035 01:16:31,680 --> 01:16:34,130 MAYBE THEY DIDN'T SAY THAT, MAYBE THAT'S JUST THE WAY I 1036 01:16:34,170 --> 01:16:37,620 HEARD IT. 1037 01:16:37,650 --> 01:16:43,550 ANYWAY, I ALSO WANT TO THANK THE ACADEMY FOR CONTINUING TO KEEP 1038 01:16:43,580 --> 01:16:47,200 THE WORD "TELEVISION" IN THEIR NAME, AS LONG AS IT IS IN THERE 1039 01:16:47,240 --> 01:16:51,930 WE WILL KEEP SHOWING UP. THANK YOU. 1040 01:17:16,790 --> 01:17:19,720 >> Announcer: PLEASE WELCOME THREE-TIME EMMY WINNER 1041 01:17:19,750 --> 01:17:22,310 ALAN CUMMING, AND TWO-TIME EMMY WINNER KATHY BATES. 1042 01:17:28,720 --> 01:17:40,750 ♪>> IN 1999, KATHY AND I STARRED 1043 01:17:40,790 --> 01:17:44,860 IN A TV MOVIE ADAPTATION OF "ANNIE." 1044 01:17:44,890 --> 01:17:47,650 >> THAT'S RIGHT. I PLAYED MISS HANNIGAN, AND ALAN 1045 01:17:47,680 --> 01:17:50,620 PLAYED MY SCHEMING YOUNGER BROTHER, ROOSTER. 1046 01:17:50,650 --> 01:17:53,580 >> KATHY RECEIVED AN EMMY NOMINATION FOR HER WORK. 1047 01:17:53,620 --> 01:18:01,270 >> ALAN DID NOT. 1048 01:18:01,310 --> 01:18:03,860 >> THANK YOU FOR REMINDING ME, KATHY. 1049 01:18:03,890 --> 01:18:06,650 BUT YOU ARE NOMINATED AGAIN TONIGHT, WEREN'T YOU? 1050 01:18:06,680 --> 01:18:13,240 DID YOU WIN? >> NO, I DID NOT. 1051 01:18:13,270 --> 01:18:15,650 THANK YOU FOR REMINDING ME, ALAN. 1052 01:18:15,680 --> 01:18:18,860 >> I WON TONIGHT AND LAST WEEK. ANYWAY -- 1053 01:18:18,890 --> 01:18:20,310 THE NOMINEES FOR WRITING FOR A 1054 01:18:20,340 --> 01:18:24,480 VARIETY SERIES ARE... >> "THE DAILY SHOW." 1055 01:18:24,510 --> 01:18:26,200 "LAST WEEK TONIGHT WITH JOHN OLIVER." 1056 01:18:26,240 --> 01:18:31,440 "SATURDAY NIGHT LIVE." 1057 01:18:31,480 --> 01:18:37,200 >> THE EMMY GOES TO... THE TEAM OF "LAST WEEK TONIGHT 1058 01:18:37,240 --> 01:18:39,130 WITH JOHN OLIVER." 1059 01:18:39,170 --> 01:18:45,030 ♪>> Announcer: THIS IS THE 1060 01:18:45,060 --> 01:18:48,860 EIGHTH CONSECUTIVE EMMY WIN IN THIS CATEGORY FOR "LAST WEEK 1061 01:18:48,890 --> 01:18:54,720 TONIGHT WITH JOHN OLIVER," WHICH HAS A TOTAL OVERALL OF 69 1062 01:18:54,750 --> 01:18:57,240 NOMINATIONS. HBO'S "LAST WEEK TONIGHT WITH 1063 01:18:57,270 --> 01:19:00,240 JOHN OLIVER" HAS WON THE CATEGORY EVERY YEAR SINCE 2016. 1064 01:19:09,440 --> 01:19:12,370 >> HELLO, THANK YOU SO MUCH. WE SHARE THIS CATEGORY, WE ARE 1065 01:19:12,410 --> 01:19:15,650 HONORED TO SHARE IT WITH ALL WRITERS OF LATE-NIGHT POLITICAL 1066 01:19:15,680 --> 01:19:18,480 COMEDY, WHILE THAT IS STILL A TYPE OF SHOW THAT'S ALLOWED TO 1067 01:19:18,510 --> 01:19:23,410 EXIST. 1068 01:19:23,440 --> 01:19:27,720 >> THIS SHOW DOES NOT GET MADE WITHOUT OUR RESEARCHERS, FOOTAGE 1069 01:19:27,750 --> 01:19:30,200 APARTMENT, P.A., AP, TRANSCRIBER, GRAPHICS 1070 01:19:30,240 --> 01:19:34,930 DEPARTMENT, INTERNS, CREW. NINA AND CASEY AT EACH BMX. 1071 01:19:37,580 --> 01:19:41,510 IF I FORGOT YOU, IT MIGHT NOT BE THAT IMPORTANT. 1072 01:19:41,550 --> 01:19:45,200 JOHN OLIVER! THAT'S IT. 1073 01:19:45,240 --> 01:19:47,750 GO, BOYS AND GIRLS CLUB OF AMERICA, GO! 1074 01:19:55,130 --> 01:20:01,370 >> Announcer: STILL TO COME, HUNTER SCHAFER, YOUNG MAZINO, 1075 01:20:01,410 --> 01:20:03,340 AND CHARLIE HUNNAM. AND LATER, TED DANSON AND 1076 01:20:03,370 --> 01:20:06,240 MARY STEENBURGEN RECEIVE THE BOB HOPE HUMANITARIAN AWARD. 1077 01:20:06,270 --> 01:20:07,270 THIS IS CBS. 1078 01:20:24,030 --> 01:20:25,440 >> Announcer: PLEASE WELCOME HUNTER SCHAFER, AND EMMY NOMINEE 1079 01:20:25,480 --> 01:20:26,480 YOUNG MAZINO. 1080 01:20:37,030 --> 01:20:38,200 ♪>> YOUNG, IT IS SO GREAT TO BE 1081 01:20:38,240 --> 01:20:41,200 HERE WITH YOU TO PRESENT SUPPORTING ACTRESS IN A LIMITED 1082 01:20:41,240 --> 01:20:44,270 OR ANTHOLOGY SERIES OR MOVIE. >> I COULDN'T AGREE MORE, 1083 01:20:44,310 --> 01:20:46,650 HUNTER. BACKSTAGE, YOU AND I WERE 1084 01:20:46,680 --> 01:20:49,170 TALKING ABOUT WHAT IT REALLY MEANS TO DELIVER A SUPPORTING 1085 01:20:49,200 --> 01:20:52,200 PERFORMANCE. TO ME IT MEANS LISTENING, 1086 01:20:52,240 --> 01:20:55,960 RESPONDING, ELEVATING, AND YOU SAID -- 1087 01:20:56,000 --> 01:20:59,410 >> WALKING INTO A SCENE, DROPPING A PERFECTLY EXECUTED 1088 01:20:59,440 --> 01:21:02,620 MONOLOGUE, SHEDDING A SINGLE TEAR, AND THEN DISAPPEARING 1089 01:21:02,650 --> 01:21:04,820 BEFORE EVERYONE REALIZES YOU'RE THE REASON THEY'LL KEEP 1090 01:21:04,860 --> 01:21:08,750 WATCHING. >> AND THESE SIX WOMEN 1091 01:21:08,790 --> 01:21:10,720 DEFINITELY KEPT US WATCHING THEIR INDELIBLE PERFORMANCES 1092 01:21:10,750 --> 01:21:13,680 THIS YEAR. >> ERIN DOHERTY. 1093 01:21:13,720 --> 01:21:16,680 "ADOLESCENCE." RUTH NEGGA. 1094 01:21:16,720 --> 01:21:19,130 "PRESUMED INNOCENT." DEIRDRE O'CONNELL. 1095 01:21:19,170 --> 01:21:22,410 "THE PENGUIN." CHLOE SEVIGNY. 1096 01:21:22,440 --> 01:21:25,200 THE LYLE AND ERIK MENENDEZ STORY." 1097 01:21:25,240 --> 01:21:28,030 JENNY SLATE. "DYING FOR SEX." 1098 01:21:28,060 --> 01:21:34,410 CHRISTINE TREMARCO. "ADOLESCENCE." 1099 01:21:34,440 --> 01:21:42,270 >> THE EMMY GOES TO... ERIN DOHERTY. 1100 01:21:49,170 --> 01:21:51,650 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 1101 01:21:51,680 --> 01:21:59,720 FOR ERIN DOHERTY. ♪ 1102 01:21:59,750 --> 01:22:14,720 ♪>> CONGRATULATIONS! 1103 01:22:14,750 --> 01:22:15,550 ♪>> CONGRATULATIONS! 1104 01:22:15,580 --> 01:22:18,030 SPEAK IT LOOKS LIKE I'M GOING TO BE 1105 01:22:18,060 --> 01:22:19,620 BANGING ON ABOUT "ADOLESCENCE" 1106 01:22:19,650 --> 01:22:21,820 THE REST OF MY LIFE, AND THERE WERE THINGS. 1107 01:22:21,860 --> 01:22:25,860 I'D LOVE TO MENTION EVERYTHING A PERSON INVOLVED IN MAKING THIS, 1108 01:22:25,890 --> 01:22:28,820 BECAUSE IT WAS THE DEFINITION OF A TEAM EFFORT, BUT I CAN'T GET 1109 01:22:28,860 --> 01:22:32,000 UP HERE WITHOUT TALKING ABOUT STEPHEN GRAHAM AND HANNAH 1110 01:22:32,030 --> 01:22:34,270 WALTERS. YOU ARE GENEROSITY PERSONIFIED. 1111 01:22:34,310 --> 01:22:38,550 EVEN THOUGH STEPHEN CALLED ME A TEA COZY TODAY. 1112 01:22:38,580 --> 01:22:40,510 THIS IS DEDICATED TO MY BIG 1113 01:22:40,550 --> 01:22:42,100 SISTER, GRACE. I WOULDN'T BE HERE WITHOUT YOU. 1114 01:22:42,130 --> 01:22:47,200 I LOVE YOU WITH ALL MY HEART. AND SINEAD, THANK YOU FOR MAKING 1115 01:22:47,240 --> 01:22:49,200 ME THE HAPPIEST PERSON THE WORLD. 1116 01:22:49,240 --> 01:22:52,170 I LOVE YOU WITH EVERYTHING I'VE GOT. 1117 01:22:52,200 --> 01:22:54,550 THANK YOU TO THE ACADEMY, AND YOU ARE ALL -- 1118 01:22:57,060 --> 01:23:04,030 ♪>> Nate: ALL RIGHT. 1119 01:23:04,060 --> 01:23:05,340 JOHN OLIVER, BY THE WAY, ADDED SOME TIME AGAIN. 1120 01:23:05,370 --> 01:23:10,620 I THINK THEY HAVE WON ENOUGH. 1121 01:23:10,650 --> 01:23:14,440 LORNE MICHAELS, YOU KNOW IT? TO BE HONEST, CONGRATS ON 50, 1122 01:23:14,480 --> 01:23:16,680 MAN. I HONESTLY PROBABLY WOULDN'T BE 1123 01:23:16,720 --> 01:23:20,170 HERE HOSTING IT WASN'T FOR YOU. SO THANK YOU VERY MUCH FOR THAT 1124 01:23:20,200 --> 01:23:22,270 FROM ME. 1125 01:23:22,310 --> 01:23:27,440 WHAT ELSE CAN I SAY? YOU COST THE BOYS AND GIRLS CLUB 1126 01:23:27,480 --> 01:23:30,580 A LOT OF MONEY. 1127 01:23:30,620 --> 01:23:33,960 IN CASE YOU ARE SITTING THERE THINKING, MAN, I COULD REALLY 1128 01:23:34,000 --> 01:23:37,130 USE ANOTHER SHOW ABOUT A PSYCHOPATH, OUR NEXT PRESENTER 1129 01:23:37,170 --> 01:23:41,240 HAS GOT YOU COVERED. HE'LL BE IN THE UPCOMING SEASON 1130 01:23:41,270 --> 01:23:43,240 OF "MONSTER." PLEASE WELCOME CHARLIE HUNNAM. 1131 01:24:00,310 --> 01:24:02,750 >> PICASSO SAID ART IS A LIE THAT REVEALS THE TRUTH. 1132 01:24:02,790 --> 01:24:06,930 A GREAT PERFORMANCE CAN HELP US TO UNDERSTAND OURSELVES, 1133 01:24:06,960 --> 01:24:09,000 SHEDDING LIGHT AND CLARITY ON THE CORNERS OF LIFE THAT CAN 1134 01:24:09,030 --> 01:24:14,410 FEEL DARK AND CONFUSING. THROUGH ART WE CAN TRANSMUTE 1135 01:24:14,440 --> 01:24:15,650 PAINFUL TRUTH INTO SOMETHING BEAUTIFUL. 1136 01:24:15,680 --> 01:24:20,620 THESE TALENTED ARTISTS HAVE ALL DONE JUST THAT. 1137 01:24:20,650 --> 01:24:22,510 THE NOMINEES FOR LEAD ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR 1138 01:24:22,550 --> 01:24:23,930 MOVIE ARE... >> CATE BLANCHETT. 1139 01:24:23,960 --> 01:24:26,130 "DISCLAIMER." MEGHANN FAHY. 1140 01:24:26,170 --> 01:24:28,030 "SIRENS." RASHIDA JONES. 1141 01:24:28,060 --> 01:24:32,270 "BLACK MIRROR." CRISTIN MILIOTI. 1142 01:24:32,310 --> 01:24:34,030 "THE PENGUIN." MICHELLE WILLIAMS. 1143 01:24:34,060 --> 01:24:41,650 "DYING FOR SEX." >> AND THE EMMY GOES TO... 1144 01:24:41,680 --> 01:24:45,580 CRISTIN MILIOTI. 1145 01:24:54,000 --> 01:24:56,930 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 1146 01:24:56,960 --> 01:25:09,130 FOR CRISTIN MILIOTI. ♪ 1147 01:25:09,170 --> 01:25:18,060 ♪>> WANT ME TO HOLD THIS? 1148 01:25:18,100 --> 01:25:21,030 >> SURE. I'LL HOLD IT. 1149 01:25:21,060 --> 01:25:23,200 THANK YOU! THANK YOU SO MUCH. 1150 01:25:23,240 --> 01:25:28,100 I AM SO PROFOUNDLY GRATEFUL. SORRY, I WROTE THIS ON THE BACK 1151 01:25:28,130 --> 01:25:31,680 OF NOTES I TOOK IN THERAPY THE OTHER DAY. 1152 01:25:31,720 --> 01:25:36,030 SO DON'T LOOK AT THE BACK. 1153 01:25:36,060 --> 01:25:40,480 I LOVED MAKING THIS SHOW AND I LOVED PLAYING SOFIA SO MUCH. 1154 01:25:40,510 --> 01:25:44,030 IT'S VERY HARD TO MAKE SENSE OF BEING ALIVE RIGHT NOW IN THIS 1155 01:25:44,060 --> 01:25:47,720 WORLD SO I'M DEEPLY GRATEFUL FOR THE BRIGHT SPOTS AND MAKING THIS 1156 01:25:47,750 --> 01:25:51,100 SHOW WITH OUR INCREDIBLE CAST AND CREW, AND GETTING TO INHABIT 1157 01:25:51,130 --> 01:25:53,960 THIS WOMAN WAS A BRIGHT SPOT FOR ME. 1158 01:25:54,000 --> 01:25:59,440 DESPITE IT BEING VERY GRISLY. PLAYING HER FELT LIKE FLYING. 1159 01:25:59,480 --> 01:26:02,480 OH, MY GOD, ARE YOU KIDDING? WOW, THIS REALLY SPEEDS. 1160 01:26:02,510 --> 01:26:04,680 I WANT TO THANK MY KETTLE FAMILY. 1161 01:26:04,720 --> 01:26:07,340 THEY ARE HERE TONIGHT WITH ME. THANK YOU FOR SUPPORTING YOUR 1162 01:26:07,370 --> 01:26:09,890 STRANGE KID AND SHOWING THE MOVIES THAT WERE VERY 1163 01:26:09,930 --> 01:26:12,510 INAPPROPRIATE FOR MY AGE. I WANT TO THANK OU, I WANT TO 1164 01:26:12,550 --> 01:26:14,270 THANK MY FRIENDS. I HAD THE BEST FRIENDS IN THE 1165 01:26:14,310 --> 01:26:16,510 WORLD. YOU ARE THE REASON I'M STANDING. 1166 01:26:16,550 --> 01:26:20,060 YOU ARE THE WHOLE REASON I'VE GOTTEN THROUGH LIFE. 1167 01:26:20,100 --> 01:26:24,000 I WANT TO THANK LAUREN, WHOSE BRAIN I WANT TO FREEBASE. 1168 01:26:24,030 --> 01:26:26,930 SHE'S THE REASON OUR SHOW WAS SO SPECIAL. 1169 01:26:26,960 --> 01:26:37,100 ALL RIGHT, I WANT TO THANK OUR INCREDIBLE COLIN, CREW, AGENTS,. 1170 01:26:37,130 --> 01:26:39,890 AND EVERYONE AT D.C. 1171 01:26:39,930 --> 01:26:42,580 THANK YOU SO MUCH. I LOVE YOU AND I LOVE ACTING SO 1172 01:26:42,620 --> 01:26:45,340 MUCH! 1173 01:26:55,030 --> 01:26:57,200 >> Announcer: COMING UP, MICHAEL SCHUR AND KRISTEN BELL 1174 01:26:57,240 --> 01:27:00,100 PRESENT THE BOB HOPE HUMANITARIAN AWARD TO TELEVISION 1175 01:27:00,130 --> 01:27:03,790 LEGENDS TED DANSON AND MARY STEENBURGEN. 1176 01:27:03,820 --> 01:27:06,550 PLUS, BRYAN CRANSTON PRESENTS THE EMMY FOR OUTSTANDING TALK 1177 01:27:06,580 --> 01:27:10,030 SERIES. AND JUST AHEAD, LAINEY WILSON 1178 01:27:10,060 --> 01:27:12,060 AND VINCE GILL PAY TRIBUTE TO THOSE WE LOST THIS YEAR. 1179 01:27:22,030 --> 01:27:23,000 ♪>> Announcer: PLEASE WELCOME 1180 01:27:23,030 --> 01:27:24,000 JUSTIN HARTLEY. 1181 01:27:32,030 --> 01:27:37,000 IT'S MY HONOR TO INTRODUCE OUR NEXT SPEAKER. 1182 01:27:37,030 --> 01:27:38,960 HE'S AN ACCOMPLISHED TELEVISION EXECUTIVE, ENTREPRENEUR, 1183 01:27:39,000 --> 01:27:43,000 AWARD-WINNING PRODUCER. WHAT'S MORE, HE IS A LEADER 1184 01:27:43,030 --> 01:27:45,550 DEEPLY COMMITTED TO HUMANITARIAN CAUSES AND TO THE POWER OF 1185 01:27:45,580 --> 01:27:49,620 STORYTELLING. PLEASE WELCOME OUR TELEVISION 1186 01:27:49,650 --> 01:27:53,240 ACADEMY CHAIRMAN, CRIS ABREGO. 1187 01:28:09,270 --> 01:28:12,030 >> HELLO, HELLO. LAST SUNDAY, AT THE CREATIVE 1188 01:28:12,060 --> 01:28:14,680 ARTS EMMYS, I HAD THE HONOR OF HELPING PRESENT THE GOVERNOR'S 1189 01:28:14,720 --> 01:28:21,170 AWARD TO THE CORPORATION FOR PUBLIC BROADCASTING. 1190 01:28:21,200 --> 01:28:26,060 FOR MORE THAN 50 YEARS, THE CPB 1191 01:28:26,100 --> 01:28:29,860 HAS BEEN THE BACKBONE OF AMERICAN PUBLIC MEDIA, BRINGING 1192 01:28:29,890 --> 01:28:32,620 US EVERYTHING FROM "SESAME STREET" TO 1193 01:28:32,650 --> 01:28:35,720 "MR. ROGERS' NEIGHBORHOOD" TO "FINDING YOUR ROOTS," AND 1194 01:28:35,750 --> 01:28:41,170 KEEPING FREE LOCAL STATIONS ALIVE ACROSS THE NATION. 1195 01:28:41,200 --> 01:28:47,890 AND, IN MANY SMALL TOWNS, THOSE 1196 01:28:47,930 --> 01:28:50,860 STATIONS WEREN'T JUST CULTURAL LIFELINES, THEY WERE THE ONLY 1197 01:28:50,890 --> 01:28:55,170 EMERGENCY ALERT SYSTEM FAMILIES COULD COUNT ON. 1198 01:28:55,200 --> 01:28:58,000 BUT, AT THE END OF THIS YEAR, CPB WILL CLOSE ITS DOORS BECAUSE 1199 01:28:58,030 --> 01:29:03,860 CONGRESS HAS VOTED TO DEFUND IT. 1200 01:29:03,890 --> 01:29:09,030 AND SILENCE YET ANOTHER CULTURAL INSTITUTION. 1201 01:29:09,060 --> 01:29:11,170 AND THAT'S A REMINDER OF JUST HOW MUCH OUR WORK HERE MATTERS, 1202 01:29:11,200 --> 01:29:21,480 ESPECIALLY RIGHT NOW. IN A TIME WHEN DIVISION 1203 01:29:21,510 --> 01:29:22,860 IN A TIME WHEN DIVISION 1204 01:29:22,890 --> 01:29:24,680 DOMINATES THE HEADLINES, STORYTELLING STILL HAS THE POWER 1205 01:29:24,720 --> 01:29:29,510 TO UNITE US. TELEVISION, AND THE ARTISTS WHO 1206 01:29:29,550 --> 01:29:32,200 MAKE IT, DO MORE THAN REFLECT SOCIETY. 1207 01:29:32,240 --> 01:29:34,170 THEY SHAPE OUR CULTURE. AND IN TIMES OF CULTURAL 1208 01:29:34,200 --> 01:29:36,410 REGRESSION, THEY REMIND US WHAT'S AT STAKE AND WHAT CAN 1209 01:29:36,440 --> 01:29:38,510 STILL BE ACHIEVED. "M*AáS*H." 1210 01:29:38,550 --> 01:29:41,720 "ROOTS." THE LATE, GREAT NORMAN LEAR'S 1211 01:29:41,750 --> 01:29:46,930 ENTIRE BODY OF WORK. "WILL AND GRACE." 1212 01:29:46,960 --> 01:29:50,580 "THE HANDMAID'S TALE." "SOUTH PARK." 1213 01:29:50,620 --> 01:29:56,790 THE LEGACY OF LATE NIGHT. FOR GENERATIONS, ARTISTS HAVE 1214 01:29:56,820 --> 01:30:01,100 SEIZED THE POWER OF TV TO BROADEN HORIZONS, CHALLENGE THE 1215 01:30:01,130 --> 01:30:08,100 STATUS QUO, AND BEND THAT ARC OF HISTORY TOWARDS JUSTICE. 1216 01:30:08,130 --> 01:30:13,130 THE TELEVISION ACADEMY, AND ALL 1217 01:30:13,170 --> 01:30:15,510 OF US IN THIS ROOM, MUST CONTINUE TO CHAMPION THAT POWER 1218 01:30:15,550 --> 01:30:18,720 AND WIELD IT RESPONSIBLY. IN MOMENTS LIKE THIS, NEUTRALITY 1219 01:30:18,750 --> 01:30:23,130 IS NOT ENOUGH. WE MUST BE VOICES FOR 1220 01:30:23,170 --> 01:30:30,580 CONNECTION, INCLUSION, EMPATHY, YES. 1221 01:30:30,620 --> 01:30:33,720 BECAUSE WE KNOW THAT CULTURE 1222 01:30:33,750 --> 01:30:42,240 DOESN'T COME FROM THE TOP DOWN. IT RISES FROM THE BOTTOM UP. 1223 01:30:42,270 --> 01:30:45,130 CULTURE BELONGS TO THE PEOPLE. SO, IF OUR INDUSTRY IS TO 1224 01:30:45,170 --> 01:30:47,440 THRIVE, WE NEED TO MAKE ROOM FOR MORE VOICES, NOT FEWER. 1225 01:30:47,480 --> 01:30:51,000 THAT'S THE WORK OF THE TELEVISION ACADEMY. 1226 01:30:51,030 --> 01:30:54,510 TODAY WE ARE ALMOST 30,000 STRONG -- THE LARGEST, YOUNGEST, 1227 01:30:54,550 --> 01:30:57,860 AND MOST DIVERSE BODY IN OUR HISTORY. 1228 01:30:57,890 --> 01:31:00,720 AND WITH THAT DIVERSITY COMES THE STRENGTH, IMAGINATION, AND 1229 01:31:00,750 --> 01:31:04,410 COURAGE OUR INDUSTRY NEEDS TO MOVE FORWARD. 1230 01:31:04,440 --> 01:31:08,410 SO LET'S DO THAT, TOGETHER. LET'S KEEP TELLING STORIES, AND 1231 01:31:08,440 --> 01:31:11,620 LET'S MAKE SURE THAT CULTURE IS NOT A PLATFORM FOR THE 1232 01:31:11,650 --> 01:31:15,030 PRIVILEGED, BUT A PUBLIC GOOD FOR ALL. 1233 01:31:15,060 --> 01:31:26,650 AND NOW, TO PRESENT ONE OF THE 1234 01:31:26,680 --> 01:31:30,270 TELEVISION ACADEMY'S MOST PRESTIGIOUS HONORS, THE BOB HOPE 1235 01:31:30,310 --> 01:31:33,060 HUMANITARIAN AWARD, PLEASE WELCOME EMMY NOMINEE 1236 01:31:33,100 --> 01:31:35,790 KRISTEN BELL AND EMMY WINNER MICHAEL SCHUR. 1237 01:31:56,030 --> 01:31:57,240 ♪>> MIKE AND I ARE HERE TO 1238 01:31:57,270 --> 01:32:03,030 CELEBRATE OUR GOOD FRIEND MARY STEENBURGEN, WHO IS BOTH A 1239 01:32:03,060 --> 01:32:06,370 BRILLIANT ACTOR AND A DEVOTED PHILANTHROPIST. 1240 01:32:06,410 --> 01:32:14,340 >> WE'RE ALSO HERE TO CELEBRATE TED DANSON. 1241 01:32:14,370 --> 01:32:16,060 WHO IS BOTH TALL AND FROM 1242 01:32:16,100 --> 01:32:20,550 SAN DIEGO. 1243 01:32:20,580 --> 01:32:23,270 THAT'S ACCORDING TO A BIO HIS PUBLICIST SENT OVER, AS NEITHER 1244 01:32:23,310 --> 01:32:28,030 OF US IS FAMILIAR WITH HIS ACTING WORK. 1245 01:32:28,060 --> 01:32:30,650 >> YEAH, I DON'T KNOW. TOGETHER, TED AND MARY ARE AN 1246 01:32:30,680 --> 01:32:32,620 UNSTOPPABLE FORCE, ON SCREEN AND OFF, AND TONIGHT THEY ARE 1247 01:32:32,650 --> 01:32:35,130 RECEIVING THE BOB HOPE HUMANITARIAN AWARD. 1248 01:32:35,170 --> 01:32:38,000 >> CREATED IN 2002 BY THE TELEVISION ACADEMY'S BOARD OF 1249 01:32:38,030 --> 01:32:41,270 GOVERNORS, THIS AWARD IS GIVEN TO ARTISTS WHOSE PHILANTHROPY 1250 01:32:41,310 --> 01:32:50,130 EXEMPLIFIES BOB HOPE'S ALTRUISM AND POSITIVE IMPACT ON SOCIETY. 1251 01:32:50,170 --> 01:32:52,930 >> PLEASE JOIN US AS WE SALUTE THESE TWO WONDERFUL ACTORS AND, 1252 01:32:52,960 --> 01:32:54,100 MORE IMPORTANTLY, WONDERFUL PEOPLE. 1253 01:32:54,130 --> 01:32:57,440 ♪>> Announcer: THEIR PERFORMANCES 1254 01:32:57,480 --> 01:33:00,790 ON CAMERA HAVE EARNED THEM THE ADORATION OF VIEWERS FROM AROUND 1255 01:33:00,820 --> 01:33:03,620 THE GLOBE, BUT TONIGHT WE HONOR TED DANSON AND MARY STEENBURGEN 1256 01:33:03,650 --> 01:33:07,130 FOR AN EVEN MORE MEANINGFUL CONTRIBUTION TO OUR WORLD -- 1257 01:33:07,170 --> 01:33:12,030 THEIR DEDICATION TO THE CAUSES THEY SO DEEPLY BELIEVE IN. 1258 01:33:12,060 --> 01:33:19,340 THEY'VE WORKED WITH OCEANA TO PROTECT AND PRESERVE THE WORLD'S 1259 01:33:19,370 --> 01:33:21,310 OCEANS. >> WE WANT TO MAKE SURE WE ARE 1260 01:33:21,340 --> 01:33:23,750 NOT OVER POLLUTING OUR WATERS. THERE IS A TICKING CLOCK, 1261 01:33:23,790 --> 01:33:25,890 THERE'S A REAL PROBLEM. WE CAN FIX THIS. 1262 01:33:25,930 --> 01:33:27,890 >> AND USED THEIR PASSIONATE AND POWERFUL VOICES TO INCREASE ARTS 1263 01:33:27,930 --> 01:33:31,030 FUNDING IN SCHOOLS. THEY ARE OUTSPOKEN ALLIES OF THE 1264 01:33:31,060 --> 01:33:33,410 LGBTQ COMMUNITY, AND HAVE PROUDLY STOOD UP FOR INDIVIDUALS 1265 01:33:33,440 --> 01:33:37,170 AND THEIR RIGHTS. LAST YEAR THEY WERE RECOGNIZED 1266 01:33:37,200 --> 01:33:41,030 WITH THE NANCY PELOSI EQUALITY ALLY AWARD AT THE 2024 EQUALITY 1267 01:33:41,060 --> 01:33:47,170 PAC NATIONAL PRIDE GALA IN WASHINGTON D.C. 1268 01:33:47,200 --> 01:33:53,510 >> THERE ARE ONLY REALLY TWO EMOTIONS, LOVE AND FEAR. 1269 01:33:53,550 --> 01:33:55,960 EVERYTHING WE DO BOILS DOWN TO ONE OR THE OTHER. 1270 01:33:56,000 --> 01:33:58,000 >> THEY'VE SUPPORTED THE MISSIONS OF NUMEROUS 1271 01:33:58,030 --> 01:34:00,270 ORGANIZATIONS SUCH AS THE ELIZABETH GLASER PEDIATRIC AIDS 1272 01:34:00,310 --> 01:34:03,440 FOUNDATION, NO KID HUNGRY, HEIFER INTERNATIONAL, 1273 01:34:03,480 --> 01:34:07,310 PROGERIA RESEARCH FOUNDATION, ANDPATHWAY TO KINSHIP, WORKING 1274 01:34:07,340 --> 01:34:12,000 WITH CURRENTLY AND FORMERLY INCARCERATED CITIZENS, AND 1275 01:34:12,030 --> 01:34:14,550 TOGETHER THEY HELPED CO-FOUND ANGELS AT RISK, A NON-PROFIT 1276 01:34:14,580 --> 01:34:17,440 ORGANIZATION THAT ADDRESSES THE CRISIS OF DRUG AND ALCOHOL ABUSE 1277 01:34:17,480 --> 01:34:21,030 IN TEENS AND FAMILIES BY CREATING EDUCATIONAL PROGRAMS 1278 01:34:21,060 --> 01:34:23,960 AND SERVICES TO RAISE AWARENESS FOR ADDICTION PREVENTION, 1279 01:34:24,000 --> 01:34:29,620 INTERVENTION, AND TREATMENT. WITH GRACE, INTEGRITY, AND 1280 01:34:29,650 --> 01:34:33,340 UNWAVERING COMMITMENT, TED DANSON AND MARY STEENBURGEN 1281 01:34:33,370 --> 01:34:36,310 HAVE BUILT AN EXTRAORDINARY LEGACY OF SERVICE TO OUR PEOPLE 1282 01:34:36,340 --> 01:34:40,270 AND OUR PLANET. ♪ 1283 01:34:40,310 --> 01:34:49,960 >> TED AND MARY -- ON BEHALF OF 1284 01:34:50,000 --> 01:34:53,370 THE TELEVISION ACADEMY, WE ARE HONORED TO PRESENT YOU WITH THE 1285 01:34:53,410 --> 01:34:56,200 2025 BOB HOPE HUMANITARIAN AWARD. 1286 01:35:32,750 --> 01:35:35,890 >> THANK YOU VERY MUCH. >> THANK YOU, GUYS, GUYS. 1287 01:35:35,930 --> 01:35:38,130 >> BEST FRIENDS. THANK YOU TO THE TELEVISION 1288 01:35:38,170 --> 01:35:40,030 ACADEMY AND ITS BOARD OF GOVERNORS FOR THIS AWARD. 1289 01:35:40,060 --> 01:35:43,100 IT'S NAMED AFTER A MAN WHOSE VERY NAME WAS "HOPE," AND THAT 1290 01:35:43,130 --> 01:35:45,410 IS WHAT BOB HOPE BROUGHT TO PEOPLE FOR 50 YEARS AS HE 1291 01:35:45,440 --> 01:35:52,820 TRAVELED THE WORLD ENTERTAINING OUR TROOPS. 1292 01:35:52,860 --> 01:35:54,580 WE SEND OUR LOVE TO HIS FAMILY ALONG WITH OUR DEEPEST THANKS 1293 01:35:54,620 --> 01:35:57,860 FOR THIS. THERE IS NO HONOR THAT WOULD 1294 01:35:57,890 --> 01:36:04,000 MEAN MORE TO MARY AND ME THAN THIS ONE. 1295 01:36:04,030 --> 01:36:17,440 THE FACT THAT IT HAS BEEN GIVEN TO BOTH OF US MEANS THE WORLD 1296 01:36:17,480 --> 01:36:19,860 >> AND THIS HONOR WOULD HAVE 1297 01:36:19,890 --> 01:36:22,060 MEANT THE WORLD TO OUR PARENTS, BECAUSE, IN A WAY, IT'S ABOUT 1298 01:36:22,100 --> 01:36:24,130 LIVING THE LIVES THEY, BY EXAMPLE, TAUGHT US TO LIVE. 1299 01:36:24,170 --> 01:36:26,240 MY DAD, AN ARKANSAS FREIGHT TRAIN CONDUCTOR, PLAYED BY ALL 1300 01:36:26,270 --> 01:36:34,100 OF THE RULES AT WORK, SAVE ONE. WHEN HE CAME ACROSS A MAN DOWN 1301 01:36:34,130 --> 01:36:36,480 BOXCAR, HE DIDN'T PUT THEM OFF THE TRAIN. 1302 01:36:36,510 --> 01:36:40,680 HE LET THEM RIDE. AND, EVEN THOUGH I WAS A CHILD, 1303 01:36:40,720 --> 01:36:45,270 I UNDERSTOOD WELL THE BEAUTY OF THAT ACT OF KINDNESS. 1304 01:36:45,310 --> 01:36:47,960 >> MY FATHER WAS AN ARCHEOLOGIST, AND SPENT MOST OF 1305 01:36:48,000 --> 01:36:51,030 HIS LIFE DIGGING UP AND CATALOGING THE REMNANTS OF PAST 1306 01:36:51,060 --> 01:36:57,000 CULTURES. HE TAUGHT ME, "THIS LIFE IS NOT 1307 01:36:57,030 --> 01:37:00,650 JUST ABOUT US. A LOT OF PEOPLE HAVE COME BEFORE 1308 01:37:00,680 --> 01:37:03,480 US, AND A LOT OF PEOPLE WILL COME AFTER US. 1309 01:37:03,510 --> 01:37:11,340 IT'S ABOUT OUR STEWARDSHIP OF WHAT WE HAVE BEEN GIVEN." 1310 01:37:11,370 --> 01:37:13,890 >> IF IT'S TRUE THAT LIFE IS MADE UP OF TWO EMOTIONS, LOVE 1311 01:37:13,930 --> 01:37:17,650 AND FEAR, THE WORLD IS A LITTLE OUT OF BALANCE RIGHT NOW. 1312 01:37:17,680 --> 01:37:22,200 WE DON'T WANT TO LIVE IN FEAR, SO WE MAKE OURSELVES USEFUL, 1313 01:37:22,240 --> 01:37:25,270 WORKING FOR ORGANIZATIONS THAT MOVE THE SCALE AWAY FROM FEAR 1314 01:37:25,310 --> 01:37:28,790 AND PUT US SMACK IN THE MIDDLE OF LOVE. 1315 01:37:28,820 --> 01:37:33,130 >> THANK YOU TO JACOB FENTON, KEITH ADDIS, ERIC KRANZLER, 1316 01:37:33,170 --> 01:37:41,480 JO YAO, AND ANNETT WOLF, BECAUSE FOR A LONG TIME THAT TEAM OF 1317 01:37:41,510 --> 01:37:43,440 PEOPLE HAS ALSO CONTRIBUTED THEIR OWN TIME AND CARING TO 1318 01:37:43,480 --> 01:37:50,000 THESE CAUSES AND MORE. >> THANK YOU TO OUR SISTERS, 1319 01:37:50,030 --> 01:37:52,860 OUR CHILDREN, AND GRANDCHILDREN, WHO OF COURSE ARE THE BEST 1320 01:37:52,890 --> 01:37:54,000 TEACHERS WE HAVE EVER HAD. MOST OF ALL, THANK YOU TO YOU, 1321 01:37:54,030 --> 01:37:59,000 OUR BELOVED COMMUNITY. TOGETHER WE HAVE A SACRED 1322 01:37:59,030 --> 01:38:06,310 ASSIGNMENT TO REMIND THE WORLD OF ITS DREAMS, ITS FAILURES, ITS 1323 01:38:06,340 --> 01:38:09,030 LAUGHTER, ITS COURAGE, AND, MOST ESPECIALLY, ITS HOPE. 1324 01:38:09,060 --> 01:38:11,960 >> THE TWO OF US FEEL VERY BLESSED TO SPEND OUR LIVES DOING 1325 01:38:12,000 --> 01:38:18,790 JUST THAT WITH YOU. THANK YOU FOR THIS HONOR. 1326 01:38:18,820 --> 01:38:21,270 >> THANK YOU. 1327 01:38:31,060 --> 01:38:34,480 >> Announcer: HERE ARE TONIGHT'S ACCOUNTANTS FROM ERNST & YOUNG, 1328 01:38:34,510 --> 01:38:38,930 GRETA CASAGRANDE, JADE DAVIS, AND SUZANNE DeJONG. 1329 01:38:46,310 --> 01:38:49,750 PLEASE WELCOME SIX-TIME EMMY NOMINEE PHYLICIA RASHAD. 1330 01:38:55,650 --> 01:39:00,550 >> HE WAS A BELOVED TEENAGER IN AN ICONIC TELEVISION SERIES 1331 01:39:00,580 --> 01:39:04,130 WHO THE WORLD WATCHED GROW INTO MANHOOD, AND LIKE ALL OUR 1332 01:39:04,170 --> 01:39:08,680 FRIENDS AND COLLEAGUES WHO TRANSITIONED THIS PAST YEAR, 1333 01:39:08,720 --> 01:39:15,270 MALCOLM JAMAL-WARNER REMAINS IN OUR HEARTS. 1334 01:39:15,310 --> 01:39:21,060 TONIGHT, AS IS TRADITION AT THE 1335 01:39:21,100 --> 01:39:25,370 EMMYS, WE REMEMBER THEM NOT JUST FOR THEIR IMMENSE TALENT, BUT 1336 01:39:25,410 --> 01:39:32,000 ALSO FOR THE WAY THEY MADE US BELIEVE IN SOMETHING BIGGER. 1337 01:39:32,030 --> 01:39:34,820 THE BEST THAT IS WITHIN US. EVEN THOUGH THEY MAY NO LONGER 1338 01:39:34,860 --> 01:39:38,340 BE WITH US, WE CAN ALL SMILE KNOWING THAT THEIR IMPACT WILL 1339 01:39:38,370 --> 01:39:41,370 REMAIN, KNOWING THAT THEIR LASTING IMPRESSIONS WILL 1340 01:39:41,410 --> 01:39:45,310 CONTINUE TO LIVE ON THROUGH STORY, KNOWING THAT THEY TOUCHED 1341 01:39:45,340 --> 01:39:50,310 OUR LIVES. WHETHER YOU GREW UP WATCHING 1342 01:39:50,340 --> 01:39:53,720 THEM OR HAVE JUST NOW DISCOVERED THEIR BRILLIANCE, THEIR LIGHT 1343 01:39:53,750 --> 01:39:57,790 REMAINS IN THE VERY FABRIC OF OUR INDUSTRY. 1344 01:39:57,820 --> 01:40:01,930 PERFORMING A SONG OF REMEMBRANCE FOR ALL THE MEMBERS OF ALL OUR 1345 01:40:01,960 --> 01:40:06,270 TELEVISION FAMILIES WHO HAVE PASSED ON, HERE ARE VINCE GILL 1346 01:40:06,310 --> 01:40:09,270 AND LAINEY WILSON. 1347 01:40:19,370 --> 01:40:27,410 >> ♪ I KNOW YOUR LIFE ON EARTH WAS TROUBLED ♪ 1348 01:40:27,440 --> 01:40:35,370 ♪ AND ONLY YOU COULD KNOW THE PAIN ♪ 1349 01:40:35,410 --> 01:40:43,580 ♪ YOU WEREN'T AFRAID TO FACE THE DEVIL ♪ 1350 01:40:43,620 --> 01:40:54,750 ♪ YOU WERE NO STRANGER TO THE RAIN ♪ 1351 01:40:54,790 --> 01:41:04,060 >> ♪ GO REST HIGH ON THAT MOUNTAIN ♪ 1352 01:41:04,100 --> 01:41:11,510 ♪ SON, YOUR WORK ON EARTH IS DONE ♪ 1353 01:41:11,550 --> 01:41:21,370 ♪ GO TO HEAVEN A-SHOUTIN' ♪ LOVE FOR THE FATHER AND THE 1354 01:41:21,410 --> 01:41:31,060 SON ♪ >> ♪ OH, HOW WE CRIED THE DAY 1355 01:41:31,100 --> 01:41:39,790 YOU LEFT US ♪ ♪ WE GATHERED 'ROUND YOUR GRAVE 1356 01:41:39,820 --> 01:41:47,100 TO GRIEVE ♪ ♪ WISH I COULD SEE THE ANGELS' 1357 01:41:47,130 --> 01:41:56,440 FACES ♪ ♪ WHEN THEY HEAR YOUR SWEET 1358 01:41:56,480 --> 01:42:05,930 VOICE SING ♪ ♪ 1359 01:42:33,750 --> 01:42:40,440 ♪>> ♪ GO REST HIGH ON THAT 1360 01:42:40,480 --> 01:42:49,480 MOUNTAIN ♪ ♪ SON, YOUR WORK ON EARTH IS 1361 01:42:49,510 --> 01:43:03,200 DONE ♪ ♪ GO TO HEAVEN A-SHOUTIN' 1362 01:43:03,240 --> 01:43:09,720 ♪ LOVE FOR THE FATHER AND THE SON ♪ 1363 01:43:41,510 --> 01:43:50,580 ♪>> ♪ YOU'RE SAFELY HOME IN THE 1364 01:43:50,620 --> 01:43:58,620 ARMS OF JESUS ♪ ♪ ETERNAL LIFE, MY BROTHER'S 1365 01:43:58,650 --> 01:44:07,130 FOUND ♪ ♪ THE DAY WILL COME, I KNOW I'LL 1366 01:44:07,170 --> 01:44:15,270 SEE HIM ♪ ♪ IN THAT SACRED PLACE ON THAT 1367 01:44:15,310 --> 01:44:23,620 HOLY GROUND ♪ >> ♪ GO REST HIGH ON THAT 1368 01:44:23,650 --> 01:44:32,790 MOUNTAIN ♪ ♪ SON, YOUR WORK ON EARTH IS 1369 01:44:32,820 --> 01:44:47,580 DONE ♪ ♪ GO TO HEAVEN A-SHOUTIN' 1370 01:44:47,620 --> 01:44:58,370 ♪ LOVE FOR THE FATHER AND THE SON ♪ 1371 01:44:58,410 --> 01:45:07,340 ♪ GO TO HEAVEN A-SHOUTIN' ♪ LOVE FOR THE FATHER AND THE 1372 01:45:07,370 --> 01:45:08,370 SON ♪ ♪ % 1373 01:45:50,030 --> 01:45:55,170 ♪>> Nate: WELCOME BACK TO THE 1374 01:45:55,200 --> 01:45:57,000 EMMYS. THE IN MEMORIAM WENT A LITTLE 1375 01:45:57,030 --> 01:45:57,890 LONG. 1376 01:45:57,930 --> 01:46:01,030 I'M JOKING, SORRY, I DIDN'T MEAN THAT. 1377 01:46:01,060 --> 01:46:10,030 THE NUMBER IS DOWN. IT'S CRAZY, JB. 1378 01:46:10,060 --> 01:46:12,860 IT'S LIKE THEY DON'T THINK IT'S A REAL. 1379 01:46:12,890 --> 01:46:15,000 >> THEY DON'T BELIEVE IT, MAN. THIS IS A REAL THING. 1380 01:46:15,030 --> 01:46:18,860 THESE YOUNG PEOPLE ARE REAL, YOU HEAR ME? 1381 01:46:18,890 --> 01:46:23,890 CARTER AND MOLLY, THERE BLADDERS ARE SMALL, THEY HAD TWO BOTTLES 1382 01:46:23,930 --> 01:46:26,680 OF WATER AND WE HAVE TO GET THIS MONEY UP, MAN. 1383 01:46:26,720 --> 01:46:31,130 >> Nate: I AGREE. PLEASE WELCOME YOUR NEXT 1384 01:46:31,170 --> 01:46:39,000 PRESENTER'S, MA MALIN AKERMAN AD BRITTANY SNOW. 1385 01:46:50,030 --> 01:46:52,000 >> WOW, THAT TOOK ME A WHILE TO GET HERE. 1386 01:46:52,620 --> 01:46:54,340 SORRY, I WAS REALLY SLOW TO COME OUT. 1387 01:46:54,370 --> 01:46:58,650 >> I DON'T MIND WAITING FOR YOU TO COME OUT. 1388 01:46:58,680 --> 01:47:04,030 >> THANK YOU FOR THE HELP. 1389 01:47:04,060 --> 01:47:06,480 >> THE FEELING A LEAD ACTOR BRINGS FORTH IN A CHARACTER 1390 01:47:06,510 --> 01:47:11,170 OFTEN RESONATES DEEPLY WITH THE AUDIENCE CREATING MEMORABLE 1391 01:47:11,200 --> 01:47:13,200 EXPERIENCES. >> THIS YEAR WE HAVE BEEN 1392 01:47:13,240 --> 01:47:16,270 CAPTIVATED BY PERFORMANCES OF CHARACTERS BOTH CHARISMATIC AND 1393 01:47:16,310 --> 01:47:20,480 FLAWED WHO WORKED THROUGH THEIR PERSONAL DEMONS ALL WHILE TRYING 1394 01:47:20,510 --> 01:47:22,000 TO NAVIGATE COMPLEX RELATIONSHIPS. 1395 01:47:22,030 --> 01:47:25,310 >> HERE ARE THE NOMINEES FOR OUTSTANDING LEAD ACTOR IN A 1396 01:47:25,340 --> 01:47:27,240 LIMITED OR ANTHOLOGY SERIES OR MOVIE. 1397 01:47:27,270 --> 01:47:29,410 >> COLIN FARRELL. "THE PENGUIN." 1398 01:47:29,440 --> 01:47:31,200 STEPHEN GRAHAM. "ADOLESCENCE." 1399 01:47:31,240 --> 01:47:33,680 JAKE GYLLENHAAL. "PRESUMED INNOCENT." 1400 01:47:33,720 --> 01:47:36,480 BRIAN TYREE HENRY. "DOPE THIEF." 1401 01:47:36,510 --> 01:47:38,820 - COOPER KOCH. - THE LYLE AND ERIK 1402 01:47:38,860 --> 01:47:47,170 MENENDEZ STORY." >> AND THE EMMY GOES TO... 1403 01:47:47,200 --> 01:47:49,310 STEPHEN GRAHAM. "ADOLESCENCE." 1404 01:47:57,960 --> 01:48:01,750 >> Announcer: THIS IS THE SECOND EMMY WIN AND THIRD 1405 01:48:01,790 --> 01:48:04,310 NOMINATION THIS YEAR FOR STEPHEN GRAHAM. 1406 01:48:04,340 --> 01:48:12,480 HE'S ALSO NOMINATED FOR WRITING AND PRODUCING "ADOLESCENCE." 1407 01:48:40,960 --> 01:48:46,820 >> THIS KIND OF THING DOESN'T 1408 01:48:46,860 --> 01:48:49,060 NORMALLY HAPPEN TO A KID LIKE ME. 1409 01:48:49,100 --> 01:48:54,890 I'M JUST A MIXED-RACE KID FROM A BLOCK OF FLATS IN A PLACE CALLED 1410 01:48:54,930 --> 01:49:02,480 KIRK KIRKBY. THIS IS THE MOST HUMBLING THING 1411 01:49:02,510 --> 01:49:04,750 I COULD IMAGINE MY LIFE AND IT SHOWS ANYTHING IS POSSIBLE. 1412 01:49:04,790 --> 01:49:07,750 THERE ARE TOO MANY PEOPLE TO THINK BUT I WANT TO THANK MY 1413 01:49:07,790 --> 01:49:09,200 FRIENDS AND FAMILY. WITHOUT YOU NONE OF THIS IS 1414 01:49:09,240 --> 01:49:11,370 POSSIBLE. THANK YOU FOR HELPING ME. 1415 01:49:11,410 --> 01:49:17,620 SOMETHING I CAN'T DO ON MY OWN. JACK, EVERYONE, I WANT TO BRING 1416 01:49:17,650 --> 01:49:20,820 IT TO MY DAD FOR TAKING ME TO VIDEO SHOP WHEN I WAS A KID AND 1417 01:49:20,860 --> 01:49:28,000 STARTING MY EDUCATION. MY KIDS, GRACE AND ELSIE, AND MY 1418 01:49:28,030 --> 01:49:30,860 ADORABLE WIFE, WHO I LIVE WITH EVERY OUNCE OF MY BEING. 1419 01:49:30,890 --> 01:49:34,890 YOU ARE MY ROCK, YOU ARE MY SOULMATE, AND YOU KNOW AND I 1420 01:49:34,930 --> 01:49:37,890 KNOW THAT WITHOUT YOU I WOULD BE DEAD. 1421 01:49:37,930 --> 01:49:41,170 SO FROM THE BOTTOM OF MY HEART, I LOVE YOU WITH EVERYTHING I 1422 01:49:41,200 --> 01:49:46,650 HAVE, AND NAMASTE, EVERYONE. THANKS VERY MUCH. 1423 01:49:51,200 --> 01:49:52,930 >> Announcer: PLEASE WELCOME SEVEN-TIME EMMY WINNER 1424 01:49:52,960 --> 01:49:56,060 BRYAN CRANSTON. 1425 01:50:06,580 --> 01:50:09,750 >> THE HALLMARK OF AN EXCEPTIONAL TALK SHOW, LIKE OUR 1426 01:50:09,790 --> 01:50:13,000 NOMINEES TONIGHT, IS TO ENTERTAIN THE AUDIENCE THROUGH 1427 01:50:13,030 --> 01:50:16,030 WITTY AND INTELLIGENT CONVERSATIONS WITH A WIDE RANGE 1428 01:50:16,060 --> 01:50:19,750 OF GUESTS. FROM THE LEARNED AND 1429 01:50:19,790 --> 01:50:24,580 INSPIRATIONAL GUESTS LIKE NEIL DeGRASSE TYSON, TO THE 1430 01:50:24,620 --> 01:50:27,000 DESTRUCTIVE AND WOKE DEGENERATES, LIKE TOM HANKS -- 1431 01:50:27,030 --> 01:50:41,130 A TALK SHOW MUST BRING OUT THEIR 1432 01:50:41,170 --> 01:50:44,340 VERY BEST, EVERY SINGLE NIGHT. EXCEPT FRIDAYS, AND WEEKENDS. 1433 01:50:44,370 --> 01:50:48,200 AND JOHN OLIVER. 1434 01:50:48,240 --> 01:50:54,720 THE NOMINEES FOR OUTSTANDING TALK SHOW ARE... 1435 01:50:54,750 --> 01:50:58,030 >> "THE DAILY SHOW." "JIMMY KIMMEL LIVE." 1436 01:50:58,060 --> 01:51:07,030 "THE LATE SHOW WITH STEPHEN COLBERT." 1437 01:51:16,170 --> 01:51:28,310 >> AND THE EMMY GOES TO... 1438 01:51:28,340 --> 01:51:29,580 "THE LATE SHOW WITH STEPHEN COLBERT!" 1439 01:51:34,100 --> 01:51:35,960 >> Announcer: "THE LATE SHOW WITH STEPHEN COLBERT" RECEIVED 1440 01:51:36,000 --> 01:51:39,000 TWO NOMINATIONS THIS YEAR. ACCEPTING THE EMMY ON BEHALF OF 1441 01:51:39,030 --> 01:51:39,860 THE TEAM IS STEPHEN COLBERT. 1442 01:51:59,510 --> 01:52:14,480 >> THANKS! 1443 01:52:14,510 --> 01:52:15,580 >> THANKS! 1444 01:52:15,620 --> 01:52:18,440 >> THINK OF THE CHILDREN! THANK YOU FOR THIS HONOR. 1445 01:52:18,480 --> 01:52:21,790 I WANT TO THANK CBS WERE GIVING US THE PRIVILEGE TO BE PART OF 1446 01:52:21,820 --> 01:52:25,860 THE LATE-NIGHT TRADITION, WHICH I HOPE CONTINUES LONG AFTER WE 1447 01:52:25,890 --> 01:52:31,310 ARE NO LONGER DOING THIS SHOW. I'VE GOT TO THANK THESE PEOPLE, 1448 01:52:31,340 --> 01:52:36,030 THOSE PEOPLE UP THERE, THE 200 INCREDIBLE PROFESSIONALS. 1449 01:52:36,060 --> 01:52:45,000 YOU ARE THE PROS FROM DOVER AND I AM SO PROUD TO BE ONE OF YOU. 1450 01:52:45,030 --> 01:52:48,410 WE HAVE GOT TO THANK THE PEOPLE WHO HAVE SUPPORTED US FOR THE 1451 01:52:48,440 --> 01:52:53,170 LAST 20 YEARS. 1452 01:52:53,200 --> 01:52:56,820 PERSONALLY I WANT TO THANK MY BEAUTIFUL, BRILLIANT WIFE, WHO 1453 01:52:56,860 --> 01:52:58,720 IS THE REAL BRAINS OF THE OUTFIT. 1454 01:52:58,750 --> 01:53:02,890 MY THREE CHILDREN. I WANT TO DEDICATE THIS TO MY 1455 01:53:02,930 --> 01:53:06,310 MOM AND DAD, HER MOM AND DAD, AND A YOUNG WOMAN WHO SHOULD BE 1456 01:53:06,340 --> 01:53:15,960 HERE TONIGHT, AMY COLE. TEN YEARS AGO IN SEPTEMBER OF 1457 01:53:16,000 --> 01:53:19,000 2015, SPIKE JONZE STOPPED BY MY OFFICE AND SAID, WHAT DO YOU 1458 01:53:19,030 --> 01:53:21,240 WANT THIS SHOW TO BE ABOUT? I SAID, I DON'T KNOW HOW YOU 1459 01:53:21,270 --> 01:53:24,370 COULD DO IT, BUT I'D LIKE TO DO A LATE NIGHT COMEDY SHOW THAT 1460 01:53:24,410 --> 01:53:28,030 WAS ABOUT LOVE. I DON'T KNOW IF I EVER FIGURED 1461 01:53:28,060 --> 01:53:31,440 THAT OUT, BUT AT A CERTAIN POINT, AND YOU CAN GUESS WHAT 1462 01:53:31,480 --> 01:53:34,410 THAT POINT WAS, I REALIZED THAT IN SOME WAYS WE WERE DOING A 1463 01:53:34,440 --> 01:53:36,620 LATE NIGHT COMEDY SHOW ABOUT LOSS. 1464 01:53:36,650 --> 01:53:38,750 AND THAT'S RELATED TO LOVE BECAUSE SOMETIMES THE ONLY TRULY 1465 01:53:38,790 --> 01:53:43,000 KNOW HOW MUCH YOU LOVE SOMETHINU MIGHT BE LOSING IT. 1466 01:53:43,030 --> 01:53:48,750 TEN YEARS LATER, IN SEPTEMBER OF 2025, MY FRIENDS, I HAVE NEVER 1467 01:53:48,790 --> 01:53:51,170 LOVED MY COUNTRY MORE DESPERATELY. 1468 01:53:51,200 --> 01:53:55,860 GOD BLESS AMERICA. STAY STRONG, BE BRAVE, AND IF 1469 01:53:55,890 --> 01:53:59,130 THE ELEVATOR TRIES TO BRING YOU DOWN, GO CRAZY AND PUNCH A 1470 01:53:59,170 --> 01:54:02,890 HIGHER FLOOR! WHOO! 1471 01:54:17,100 --> 01:54:18,720 ♪>> Announcer: AFTER THE BREAK, 1472 01:54:18,750 --> 01:54:20,930 SARAH PAULSON AND EVAN PETERS. PLUS, RAY ROMANO AND 1473 01:54:20,960 --> 01:54:24,200 BRAD GARRETT PRESENT THE EMMY FOR OUTSTANDING COMEDY SERIES, 1474 01:54:24,240 --> 01:54:27,890 AND COLMAN DOMINGO PRESENTS LEAD ACTOR IN A DRAMA SERIES. 1475 01:54:27,930 --> 01:54:28,930 THIS IS CBS. ♪ 1476 01:54:38,030 --> 01:54:39,680 >> Announcer: PLEASE WELCOME EMMY WINNERS SARAH PAULSON AND 1477 01:54:39,720 --> 01:54:41,620 EVAN PETERS. 1478 01:54:55,580 --> 01:54:57,890 >> HI! I'M REALLY EXCITED TO BE HERE 1479 01:54:57,930 --> 01:55:00,200 WITH YOU TONIGHT. >> YOU, TOO. 1480 01:55:00,240 --> 01:55:05,410 I MEAN, ME, IS ALSO. WE HAVEN'T REALLY WORKED 1481 01:55:05,440 --> 01:55:07,650 TOGETHER SINCE ""AMERICAN HORROR STORY" CLOSE 1482 01:55:07,680 --> 01:55:11,930 TO SEASON 10 PET I MISS YOU. 1483 01:55:11,960 --> 01:55:14,000 IF YOU REALLY MISSED ME, YOU WOULD CALL YOUR AGENT TO 1484 01:55:14,030 --> 01:55:16,340 MR. MURPHY AND GET STARTED ON SEASON 13. 1485 01:55:16,370 --> 01:55:19,240 THAT'S NOT WHY WE'RE HERE. >> WE ARE HERE TO PRESENT THE 1486 01:55:19,270 --> 01:55:22,370 EMMY FOR OUTSTANDING LIMITED OR ANTHOLOGY SERIES. 1487 01:55:22,410 --> 01:55:27,790 >> WHAT A GREAT CATEGORY. WOULDN'T YOU LIKE TO BE IN A 1488 01:55:27,820 --> 01:55:30,370 SHOW THAT WAS ABLE TO BE NOMINATED IN A CATEGORY LIKE 1489 01:55:30,410 --> 01:55:32,790 THAT? >> I WOULD. 1490 01:55:32,820 --> 01:55:36,170 I REALLY, REALLY WOULD. >> WHAT ARE YOU GOING TO DO 1491 01:55:36,200 --> 01:55:37,440 ABOUT IT? >> I'LL GET ON THE PHONE 1492 01:55:37,480 --> 01:55:38,580 >> HERE ARE THE NOMINEES FOR OUTSTANDING LIMITED OR ANTHOLOGY 1493 01:55:38,620 --> 01:55:41,310 SERIES. >> "ADOLESCENCE." 1494 01:55:41,340 --> 01:55:43,930 "BLACK MIRROR." "DYING FOR SEX." 1495 01:55:43,960 --> 01:55:47,100 THE LYLE AND ERIK MENENDEZ STORY." 1496 01:55:47,130 --> 01:56:00,820 "THE PENGUIN." >> AND THE EMMY GOES TO... 1497 01:56:00,860 --> 01:56:04,620 "ADOLESCENCE." 1498 01:56:04,650 --> 01:56:12,440 ♪>> Announcer: "ADOLESCENCE" 1499 01:56:12,480 --> 01:56:14,680 RECEIVED 13 NOMINATIONS THIS YEAR. 1500 01:56:14,720 --> 01:56:18,130 ACCEPTING THE EMMY ON BEHALF OF THE TEAM'S THREE-TIME EMMY 1501 01:56:18,170 --> 01:56:33,060 WINNER STEPHEN GRAHAM. 1502 01:56:33,100 --> 01:56:38,000 WINNER STEPHEN GRAHAM. 1503 01:56:38,030 --> 01:56:39,000 ♪>> DON'T START THE CLOCK YET. 1504 01:56:39,030 --> 01:56:40,720 WANT TO MAKE SURE EVERYONE IS IN. 1505 01:56:40,750 --> 01:56:43,510 THERE'S A LOT OF US. COME ON. 1506 01:56:43,550 --> 01:56:47,550 THANK YOU. FIRST OF ALL, LET ME SAY 1507 01:56:47,580 --> 01:56:49,750 THANK YOU MY AGENTS AND MY MANAGER WHO HAVE BEEN WITH ME 1508 01:56:49,790 --> 01:56:55,340 FOR OVER 20 YEARS. I LOVE YOUS DEARLY PRAYED I'M 1509 01:56:55,370 --> 01:56:58,720 SORRY FORGOT. THIS IS NOT A GAME OF FOOTY, YOU 1510 01:56:58,750 --> 01:57:01,750 KNOW WHAT I MEAN? IS NO WINNERS AND NO LOSERS. 1511 01:57:01,790 --> 01:57:05,410 IT'S ALL SUBJECTIVE. WHAT WE MANAGED TO CREATE WAS A 1512 01:57:05,440 --> 01:57:08,130 BEAUTIFUL FAMILY. WHETHER YOU WAS NUMBER ONE OR 1513 01:57:08,170 --> 01:57:10,650 NUMBER 101 ON THE CALL SHEET, WE WERE TREATED EQUALLY AND 1514 01:57:10,680 --> 01:57:12,820 EVERYONE WAS RESPECTED AND TREATED WITH THE UTMOST OF 1515 01:57:12,860 --> 01:57:14,860 RESPECT. WE ARE ALL THE SAME. 1516 01:57:14,890 --> 01:57:18,440 I THINK THAT'S HOW YOU GET THE BEST WORK AND HOW YOU GET THE 1517 01:57:18,480 --> 01:57:20,720 BEST OUT OF YOUR PEOPLE, DO YOU KNOW WHAT I MEAN? 1518 01:57:20,750 --> 01:57:23,370 IF YOU FILL THEM WITH LOVE AND GIVE THEM THAT OPPORTUNITY. 1519 01:57:23,410 --> 01:57:26,130 SO WHETHER OR NOT YOU ARE AN EXECUTIVE PRODUCER FROM PLAN B 1520 01:57:26,170 --> 01:57:30,580 OR YOU ARE THE FELLOW THAT WAS CLEANING THE TOILETS IN OUR 1521 01:57:30,620 --> 01:57:34,100 WINNEBAGOS, WE WERE ALL EQUAL. JUST LOOK AFTER EACH OTHER AND 1522 01:57:34,130 --> 01:57:36,440 GIVE YOUR MATE A CUDDLE OR A KISS AND TELL THEM YOU LOVE 1523 01:57:36,480 --> 01:57:38,650 THEM. GOOD NIGHT, GOD BLESS. 1524 01:57:58,030 --> 01:57:59,000 ♪>> Nate: ALL RIGHT. 1525 01:57:59,030 --> 01:58:00,890 THIS NIGHT HAS BEEN GREAT FOR ME. 1526 01:58:00,930 --> 01:58:04,480 HONESTLY, I THINK I HAVE MADE MONEY. 1527 01:58:04,510 --> 01:58:09,030 WHAT IS IT AT? 1528 01:58:09,060 --> 01:58:12,750 YEAH, THAT IS TOUGH, AND THE KIDS ARE GOING TO TAKE IT. 1529 01:58:12,790 --> 01:58:14,480 IT'S BRUTAL. STEPHEN COLBERT IS HAPPY THAT HE 1530 01:58:14,510 --> 01:58:21,100 DOESN'T HAVE A JOB, IT IS JUST TOUGH. 1531 01:58:21,130 --> 01:58:24,480 ALL RIGHT. WHAT A NIGHT! 1532 01:58:24,510 --> 01:58:27,000 ARE NEXT TWO PRESENTERS PLAYED BROTHERS IN THE '90s WHO 1533 01:58:27,030 --> 01:58:28,820 REALLY WANTED TO KILL THEIR MOM... 1534 01:58:28,860 --> 01:58:31,240 BUT THEY DIDN'T! PLEASE WELCOME EMMY WINNERS 1535 01:58:31,270 --> 01:58:33,620 RAY ROMANO AND BRAD GARRETT. 1536 01:58:47,650 --> 01:58:51,440 >> HEY, EVERYBODY. THANK YOU VERY MUCH. 1537 01:58:51,480 --> 01:58:56,790 IT'S AN HONOR TO BE HERE. FOR BRAD AND I, IT'S AN HONOR TO 1538 01:58:56,820 --> 01:59:00,440 PRESENT FOR BEST COMEDY SERIES. WE WERE LUCKY ENOUGH TO BE ON A 1539 01:59:00,480 --> 01:59:06,060 SHOW THAT WON THIS AWARD 20 YEARS AGO THIS MONTH. 1540 01:59:06,100 --> 01:59:10,680 BEAUTIFUL. 1541 01:59:10,720 --> 01:59:14,620 >> A LONG TIME AGO, BOY. >> IT FEELS A LITTLE DIFFERENT 1542 01:59:14,650 --> 01:59:18,480 TO BE ON THE EMMYS STAGE TONIGHT THAN IT DID THEN. 1543 01:59:18,510 --> 01:59:23,030 I DON'T THINK WE WERE WEARING COMPRESSION SOCKS BACK THEN. 1544 01:59:23,060 --> 01:59:25,030 >> OR HEARING AIDS. 1545 01:59:25,060 --> 01:59:29,170 >> YES. I DON'T HAVE ONE OF THOSE YET. 1546 01:59:29,200 --> 01:59:30,890 >> I'VE GOT TWO. >> YOU KNOW WHAT ELSE I REMEMBER 1547 01:59:30,930 --> 01:59:36,310 FROM THAT NIGHT, NOT ONLY DID WE WIN FOR THE SHOW, BUT MY FRIEND 1548 01:59:36,340 --> 01:59:41,000 BRAD HERE ALSO WON FOR BEST SUPPORTING ACTOR. 1549 01:59:41,030 --> 01:59:43,370 >> THANK YOU. THAT'S VERY NICE. 1550 01:59:43,410 --> 01:59:48,790 AND YOU LOST TO TONY SHALHOUB. 1551 01:59:48,820 --> 01:59:49,960 >> YES, I DID. 1552 01:59:50,000 --> 01:59:54,030 I DON'T KNOW WHY WE NEEDED TO KNOW THAT FACT, BUT YES. 1553 01:59:54,060 --> 01:59:56,820 >> YOU WANT TO KNOW SOMETHING, RAY? 1554 01:59:56,860 --> 02:00:01,240 I JUST THOUGHT THAT I WOULD HAVE BEEN BACK HERE SOONER, YOU KNOW? 1555 02:00:01,270 --> 02:00:05,580 IN SOME CAPACITY. >> WHAT DO YOU MEAN? 1556 02:00:05,620 --> 02:00:10,960 >> I JUST THOUGHT FOR WINNING THE EMMY I WOULD HAVE WORKED 1557 02:00:11,000 --> 02:00:13,820 MORE, THAT'S ALL. DON'T YOU THINK, IF YOU WIN 1558 02:00:13,860 --> 02:00:16,930 TONIGHT, YOUR LIFE IS GOING TO CHANGE? 1559 02:00:16,960 --> 02:00:23,750 IT'S NOT GOING TO CHANGE! >> STOP. 1560 02:00:23,790 --> 02:00:26,580 YOU'RE DOING FINE. YOU ARE. 1561 02:00:26,620 --> 02:00:29,790 >> AM I, RAY? >> YES. 1562 02:00:29,820 --> 02:00:33,030 >> YOU'RE KIND OF SIGN? YOU STARTED IN A 1563 02:00:33,060 --> 02:00:39,130 SCORSESE FILM WITH DE NIRO. I'M DOING A GUEST JOB ON "THE 1564 02:00:39,170 --> 02:00:41,310 DOG WHISPERER." >> YOU'RE OUT THERE! 1565 02:00:41,340 --> 02:00:45,790 YOU ARE STILL OUT THERE! THAT'S ALL THAT MATTERS. 1566 02:00:45,820 --> 02:00:48,170 COME ON. >> LET'S BE HONEST, I THINK THE 1567 02:00:48,200 --> 02:00:54,960 NEXT TIME I'M ON THE EMMYS IT WILL BE IN MEMORIAM. 1568 02:00:55,000 --> 02:00:55,860 >> NO! 1569 02:00:55,890 --> 02:00:57,930 NO, NO. WE ARE GOING TO STOP THIS RIGHT 1570 02:00:57,960 --> 02:01:00,750 IN THE BUD. YOU ARE BRINGING THE ROOM DOWN. 1571 02:01:00,790 --> 02:01:09,030 >> JUST BE HONEST WITH ME, OKAY? AM I GOING TO MAKE THE CUT? 1572 02:01:09,060 --> 02:01:13,200 >> WHAT CUT? >> IN MEMORIAM. 1573 02:01:13,240 --> 02:01:20,200 >> I'VE GOT TO READ THIS. 1574 02:01:20,240 --> 02:01:21,890 >> JUST TELL ME! JUST SAY IT! 1575 02:01:21,930 --> 02:01:29,200 >> I MEAN... IF IT'S A SLOW YEAR, NO DOUBT. 1576 02:01:29,240 --> 02:01:30,000 NO DOUBT. 1577 02:01:30,030 --> 02:01:32,170 NO QUESTION. >> OKAY. 1578 02:01:32,200 --> 02:01:33,370 THANK YOU. >> ALL RIGHT? 1579 02:01:33,410 --> 02:01:35,370 >> YOU ARE A GOOD FRIEND. >> THANK YOU. 1580 02:01:35,410 --> 02:01:39,960 BY THE WAY, YOU ARE DOING FINE. HE HAS HIS OWN COMEDY CLUB IN 1581 02:01:40,000 --> 02:01:41,680 LAS VEGAS. OKAY? 1582 02:01:41,720 --> 02:01:50,000 >> IT'S IN THE FOOD COURT! 1583 02:01:50,030 --> 02:01:51,000 >> IF YOU ARE THIS MONEY BACK 1584 02:01:51,030 --> 02:01:52,170 THEN, WE COULD HAVE WON A COUPLE MORE. 1585 02:01:52,200 --> 02:01:57,130 ALL RIGHT, SOMEBODY IS GOING TO 1586 02:01:57,170 --> 02:02:01,270 ENACT. HERE ARE THE NOMINEES. 1587 02:02:01,310 --> 02:02:02,860 >> "ABBOTT ELEMENTARY." "THE BEAR." 1588 02:02:02,890 --> 02:02:05,680 "HACKS." "NOBODY WANTS THIS." 1589 02:02:05,720 --> 02:02:14,960 "ONLY MURDERS IN THE BUILDING." "THE STUDIO." 1590 02:02:15,000 --> 02:02:25,650 "WHAT WE DO IN THE SHADOWS." 1591 02:02:25,680 --> 02:02:29,820 >> AND THE EMMY -- WAIT A MINUTE, YOU DO IT. 1592 02:02:29,860 --> 02:02:32,790 >> SERIOUSLY? >> YEAH, DO SOMETHING. 1593 02:02:32,820 --> 02:02:37,410 >> AND THE EMMY GOES TO "THE 1594 02:02:37,440 --> 02:02:38,100 STUDIO!" 1595 02:02:44,440 --> 02:02:49,440 >> Announcer: FOR ITS FIRST ELIGIBLE YEAR, "THE STUDIO" HAS 1596 02:02:49,480 --> 02:02:53,170 RECEIVED 23 NOMINATIONS, WHICH HAS TIED THE RECORD FOR THE MOST 1597 02:02:53,200 --> 02:02:56,550 NOMINATIONS IN A SINGLE YEAR FOR A COMEDY. 1598 02:03:01,130 --> 02:03:04,720 >> THANK YOU. IT'S GETTING EMBARRASSING. 1599 02:03:04,750 --> 02:03:08,100 I REALLY APPRECIATE IT. IN ALL HONESTY, TO 1600 02:03:08,130 --> 02:03:10,960 EVERYONE -- I'M GOING TO DO MY BEST ATTEMPT AT SINCERITY HERE. 1601 02:03:11,000 --> 02:03:14,680 IF YOU'VE WATCHED OUR SHOW, HE'S APPRECIATED OUR SHOW, VOTED FOR 1602 02:03:14,720 --> 02:03:16,890 OUR SHOW ESPECIALLY, THANK YOU VERY MUCH. 1603 02:03:16,930 --> 02:03:20,030 I AM LEGITIMATELY EMBARRASSED BY HOW HAPPY THIS MAKES ME. 1604 02:03:20,060 --> 02:03:22,480 TO BE STANDING UP HERE WITH ALL THESE PEOPLE. 1605 02:03:22,510 --> 02:03:25,170 THESE ARE THE BEST PEOPLE I% KNOW, AND TO HAVE THEM SPEND 1606 02:03:25,200 --> 02:03:29,270 THEIR DAYS WITH ME WORKING WITH ME IS TRULY LIKE ONE OF THE 1607 02:03:29,310 --> 02:03:31,650 GREAT HONORS OF MY LIFE. SO THANK YOU TO ALL THESE PEOPLE 1608 02:03:31,680 --> 02:03:33,680 SO MUCH. IF ANYONE ELSE WANT TO SAY 1609 02:03:33,720 --> 02:03:40,620 SOMETHING, WE ARE ALREADY -- 1610 02:03:40,650 --> 02:03:44,270 ANYONE YOU'D LIKE TO THANK? >> YOU MADE A MOVIE ABOUT 1611 02:03:44,310 --> 02:03:47,820 EXECUTIVES. 1612 02:03:47,860 --> 02:03:53,000 ALL THE PEOPLE AT APPLE AND LIONSGATE. 1613 02:03:53,030 --> 02:03:54,240 >> TIM COOK. HE IS HERE. 1614 02:03:54,270 --> 02:03:59,060 THANK YOU. >> THE FIRST LATINA TO EVER WIN 1615 02:03:59,100 --> 02:04:01,510 IN THIS CATEGORY, FRIDA PEREZ. >> THANK YOU TO HER. 1616 02:04:01,550 --> 02:04:07,270 SAY SOMETHING! >> WE WANT TO THANK LANDSCAPE, 1617 02:04:07,310 --> 02:04:11,270 AND MY FIANCE, NICK, I LOVE YOU. >> THANK YOU SO MUCH. 1618 02:04:11,310 --> 02:04:12,340 IN ALL HONESTY, THANK YOU SO MUCH. 1619 02:04:12,370 --> 02:04:14,060 HE COULDN'T APPRECIATE THIS MORE. 1620 02:04:14,100 --> 02:04:17,480 THANK YOU TO YOU ALL FOR REAL. THANKS TO EVERY EXECUTIVE OUT 1621 02:04:17,510 --> 02:04:19,890 THERE. THANK YOU TO THE EXECUTIVES. 1622 02:04:19,930 --> 02:04:26,270 THANK YOUR EXECUTIVES. BYE, EVERYBODY. 1623 02:04:32,030 --> 02:04:33,960 >> Announcer: UP NEXT, COLMAN DOMINGO PRESENTS THE EMMY 1624 02:04:34,000 --> 02:04:36,410 FOR LEAD ACTOR IN A DRAMA SERIES. 1625 02:04:36,440 --> 02:04:37,370 THEN, MARISKA HARGITAY, CHRISTOPHER MELONI, 1626 02:04:37,410 --> 02:04:39,000 TONY GOLDWYN, S. EPATHA MERKERSON, AND ICE-T 1627 02:04:55,030 --> 02:04:57,000 >> Announcer: PLEASE WELCOME EMMY WINNER COLMAN DOMINGO. 1628 02:05:09,060 --> 02:05:11,480 >> TONIGHT WE CELEBRATE MORE THAN PERFORMANCES. 1629 02:05:11,510 --> 02:05:13,930 WE CELEBRATE THE SPIRIT OF MEN WHO CARRY ENTIRE WORLDS WITHIN 1630 02:05:13,960 --> 02:05:18,650 THEIR CRAFT. MEN WHO DO NOT SIMPLY PLAY A 1631 02:05:18,680 --> 02:05:23,060 ROLE, BUT TRANSFORM -- BODY, VOICE, AND SOUL -- UNTIL WE THE 1632 02:05:23,100 --> 02:05:27,240 AUDIENCE FORGET WHERE THE ACTOR ENDS AND THE CHARACTER BEGINS. 1633 02:05:27,270 --> 02:05:29,270 TO WITNESS THEIR WORK IS TO BE REMINDED OF THE POWER OF 1634 02:05:29,310 --> 02:05:33,000 STORYTELLING. THE WAY IT CAN CRACK US OPEN, 1635 02:05:33,030 --> 02:05:37,340 HOLD US IN SILENCE, AND DEMAND WE FEEL SOMETHING TRUE. 1636 02:05:37,370 --> 02:05:43,510 THEY REMIND US THAT ART IS NOT JUST ENTERTAINMENT -- IT IS 1637 02:05:43,550 --> 02:05:46,580 REVELATION. HERE ARE THE NOMINEES FOR LEAD 1638 02:05:46,620 --> 02:05:50,480 ACTOR IN A DRAMA SERIES. >> STERLING K. BROWN. 1639 02:05:50,510 --> 02:05:53,270 "PARADISE." GARY OLDMAN. 1640 02:05:53,310 --> 02:05:58,440 "SLOW HORSES." PEDRO PASCAL. 1641 02:05:58,480 --> 02:06:00,580 "THE LAST OF US." ADAM SCOTT. 1642 02:06:00,620 --> 02:06:02,650 "SEVERANCE." NOAH WYLE. 1643 02:06:02,680 --> 02:06:10,000 "THE PITT." 1644 02:06:10,030 --> 02:06:17,410 >> AND THE EMMY GOES TO... NOAH WYLE. 1645 02:06:17,440 --> 02:06:19,720 "THE PITT." 1646 02:06:19,750 --> 02:06:29,750 ♪>> Announcer: THIS IS THE 1647 02:06:29,790 --> 02:06:33,000 FIRST EMMY WIN AND SEVENTH NOMINATION FOR NOAH WYLE, HE 1648 02:06:33,030 --> 02:06:34,000 RECEIVED FIVE NOMINATIONS FOR HIS SUPPORTING ROLE ON "ER" AS 1649 02:06:34,030 --> 02:06:39,790 DR. JOHN CARTER. 1650 02:06:39,820 --> 02:06:52,000 >> WOW! WHAT A DREAM THIS HAS BEEN. 1651 02:06:52,030 --> 02:06:54,720 OH, MY GOODNESS. FIRST OF ALL, TO MY FELLOW 1652 02:06:54,750 --> 02:06:57,750 NOMINEES, JUST HAVING MY NAME INCLUDED IN YOUR COMPANY IS THE 1653 02:06:57,790 --> 02:07:03,060 HONOR OF A LIFETIME. THANK YOU TO EVERYBODY AT "HBO 1654 02:07:03,100 --> 02:07:04,440 LIGHTNING TO STRIKE IN MY LIFE TWICE. 1655 02:07:04,480 --> 02:07:07,650 THANK YOU FOR BEING THAT LIGHTNING. 1656 02:07:07,680 --> 02:07:11,240 TO MY CREATIVE PARTNER IN THIS ENDEAVOR, SCOTT, UNTIL THE 1657 02:07:11,270 --> 02:07:14,620 WHEELS COME OFF, BROTHER, AND ALL THE AMAZING ARTISTS WHO MEET 1658 02:07:14,650 --> 02:07:19,410 US EVERY MORNING ON STAGE 22. THE CAST, CREW, BACKGROUND, 1659 02:07:19,440 --> 02:07:21,650 TECHNICAL ADVISORS, WRITERS, DIRECTORS. 1660 02:07:21,680 --> 02:07:24,620 YOU BRING YOUR A-GAME EVERY DAY WHICH INSPIRES ME TO BRING MINE. 1661 02:07:24,650 --> 02:07:28,650 AND TO MY CHILDREN, TO MY PARENTS, MY STEP-PARENTS AND MY 1662 02:07:28,680 --> 02:07:32,650 BEAUTIFUL WIFE, SARAH, WHO OWNS HALF OF THIS, NOT JUST BECAUSE 1663 02:07:32,680 --> 02:07:40,000 IT'S CALIFORNIA LAW BUT BECAUSE SHE EARNED IT. 1664 02:07:40,030 --> 02:07:41,820 AND MOSTLY COME IF ANYBODY IS 1665 02:07:41,860 --> 02:07:45,030 GOING ON SHIFT TONIGHT WERE COMING OFF SHIFT TONIGHT, 1666 02:07:45,060 --> 02:07:48,820 THANK YOU FOR BEING IN THAT JOB. THIS IS FOR YOU. 1667 02:08:02,060 --> 02:08:04,440 >> Announcer: CELEBRATING 35 YEARS ON TELEVISION, FROM THE 1668 02:08:04,480 --> 02:08:09,030 "LAW & ORDER" FRANCHISE, PLEASE WELCOME CHRISTOPHER MELONI, 1669 02:08:09,060 --> 02:08:13,550 ICE-T, TONY GOLDWYN, EMMY WINNER S. EPATHA MERKERSON, AND EMMY 1670 02:08:13,580 --> 02:08:17,170 WINNER MARISKA HARGITAY. 1671 02:08:22,680 --> 02:08:27,550 >> THAT SOUND? THAT'S THE NOISE MY PHONE MAKES 1672 02:08:27,580 --> 02:08:29,170 WHEN MARISKA CALLS ME. >> WE ARE YOUR "LAW & ORDER" 1673 02:08:29,200 --> 02:08:31,580 DREAM TEAM. ICONS, VETERANS, SURVIVORS OF SO 1674 02:08:31,620 --> 02:08:35,000 MANY ROOFTOP CHASE SCENES. >> AND WE'RE ALL HERE TONIGHT 1675 02:08:35,030 --> 02:08:38,100 WITH ONE CLEAR MISSION... >> TO REMIND YOU THAT 1676 02:08:38,130 --> 02:08:41,510 MARISKA HARGITAY HAS LITERALLY SOLVED MORE FICTIONAL CRIMES 1677 02:08:41,550 --> 02:08:46,030 THAN MOST ACTUAL PRECINCTS. 1678 02:08:46,060 --> 02:08:52,340 >> SHE'S BEEN ON "SVU" FOR 27 YEARS. 1679 02:08:52,370 --> 02:08:56,060 THAT'S LONGER THAN SOME OF YOU 1680 02:08:56,100 --> 02:08:59,750 HAVE BEEN IN THERAPY BECAUSE OF "SVU." 1681 02:08:59,790 --> 02:09:00,720 >> AND DON'T LET THE COMPASSION 1682 02:09:00,750 --> 02:09:06,000 FOOL YOU. OLIVIA BENSON WILL HUG A VICTIM 1683 02:09:06,030 --> 02:09:11,650 AND KNOCK OUT A PERP, ALL BEFORE LUNCH. 1684 02:09:11,680 --> 02:09:13,060 >> EVERYONE SETTLED, THAT'S ENOUGH. 1685 02:09:13,100 --> 02:09:20,480 I LOVE YOU ALL, THIS IS TRUE, BUT THIS ISN'T THE "MARISKA 1686 02:09:20,510 --> 02:09:24,270 LIFETIME ACHIEVEMENT ROAST." >> THIS ISN'T THE "MARISKA 1687 02:09:24,310 --> 02:09:27,680 LIFETIME ACHIEVEMENT ROAST?" >> HE'S ALWAYS IN CHARACTER. 1688 02:09:27,720 --> 02:09:29,310 >> AND NOW, LET'S GIVE SOME LOVE TO THE SHOWS THAT ARE CARRYING 1689 02:09:29,340 --> 02:09:31,310 THE TORCH, PUSHING BOUNDARIES, AND REMINDING US WHY TV DRAMA 1690 02:09:31,340 --> 02:09:36,750 STILL MATTERS. >> HERE ARE THE NOMINEES FOR 1691 02:09:36,790 --> 02:09:40,030 OUTSTANDING DRAMA SERIES. >> "ANDOR." 1692 02:09:40,060 --> 02:09:42,680 "THE DIPLOMAT." "THE LAST OF US." 1693 02:09:42,720 --> 02:09:47,030 "PARADISE." "THE PITT." 1694 02:09:47,060 --> 02:09:51,510 "SEVERANCE." "SLOW HORSES." 1695 02:09:51,550 --> 02:10:05,030 "THE WHITE LOTUS." >> THE EMMY GOES TO... 1696 02:10:05,060 --> 02:10:11,310 "THE PITT." 1697 02:10:11,340 --> 02:10:13,680 ♪>> Announcer: "THE PITT" HAS 1698 02:10:13,720 --> 02:10:17,820 30 NOMINATIONS INCLUDING CAPTAIN, DIRECTING, CONTEMPORARY 1699 02:10:17,860 --> 02:10:21,820 MAKEUP NONPROSTHETIC, PROSTHETIC MAKEUP, LEAD ACTOR, SUPPORTING 1700 02:10:21,860 --> 02:10:26,370 ACTRESS, GUEST ACTOR, SOUND EDITING, SOUND MIXING, WRITING, 1701 02:10:26,410 --> 02:10:31,860 AND DRAMA SERIES. 1702 02:10:31,890 --> 02:10:46,790 ♪>> THIS IS INSANE. 1703 02:10:46,820 --> 02:10:47,680 ♪>> THIS IS INSANE. 1704 02:10:47,720 --> 02:10:49,790 THANK YOU SO MUCH TO THE ACADEMY. 1705 02:10:49,820 --> 02:10:52,510 I WANT TO THANK EVERYBODY AT WARNER BROS., FOR BELIEVING IN 1706 02:10:52,550 --> 02:11:01,030 THIS SHOW FROM THE GET-GO,. 1707 02:11:01,060 --> 02:11:04,370 HBO MAX FOR NURTURING AND SUPPORTING OUR SHOW, OUR AMAZING 1708 02:11:04,410 --> 02:11:06,000 CAST AND CREW, WRITERSAND DIRECTORS. 1709 02:11:06,030 --> 02:11:08,170 WE WOULDN'T BE OUT HERE WITHOUT YOU GUYS. 1710 02:11:08,200 --> 02:11:12,060 I HAVE THE BEST PRODUCING PARTNERS AND FRIENDS IN THE 1711 02:11:12,100 --> 02:11:13,750 WORLD. JOHN WELLS. 1712 02:11:13,790 --> 02:11:16,030 AND NOAH WYLE, I DON'T KNOW WHERE HE IS. 1713 02:11:16,060 --> 02:11:22,130 MY SECRET WEAPON, DR. JOE SACHS. OUR FRIENDS, OUR FAMILIES, AND A 1714 02:11:22,170 --> 02:11:25,480 BIG SHOT UP. I WANT TO DEDICATE THIS ON 1715 02:11:25,510 --> 02:11:29,890 BEHALF OF EVERYONE, TO ALL THE HEALTH CARE WORKERS, FRONTLINE, 1716 02:11:29,930 --> 02:11:33,030 FIRST RESPONDERS. RESPECT THEM, PROTECT THEM, 1717 02:11:33,060 --> 02:11:35,650 TRUST THEM. THANK YOU. 1718 02:11:35,680 --> 02:11:42,820 >> Nate: ALL RIGHT. 1719 02:11:42,860 --> 02:11:46,620 THANKS TO EVERYONE HERE. THE NUMBERS -- I'LL BE HONEST 1720 02:11:46,650 --> 02:11:50,580 WITH YOU, IT WAS EMBARRASSING. IT WENT WAY DOWN. 1721 02:11:50,620 --> 02:11:55,000 I DON'T KNOW, I CAN'T IMAGINE EVERY DOING THIS AGAIN, SO I'M 1722 02:11:55,030 --> 02:11:58,030 GOING TO -- CBS IS GOING TO ADD $100,000. 1723 02:11:58,060 --> 02:12:03,480 I WILL GIVE $250,000. THAT TAKES US TO $350,000 FOR 1724 02:12:03,510 --> 02:12:06,030 THE BOYS AND GIRLS CLUB. THANK YOU SO MUCH FOR BEING OUT 1725 02:12:06,060 --> 02:12:08,820 HERE. THANK YOU, JB. 1726 02:12:08,860 --> 02:12:14,440 THANK YOU TO ALL THE WINNERS. GOOD NIGHT'S! 1727 02:12:14,480 --> 02:12:16,480 >> AMERICA NEEDS CLUB KIDS AND CLUB KIDS NEED YOU! 144541

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