Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:16,030 --> 00:00:18,200
>> Announcer: TELEVISION...
THE MOST POWERFUL MEDIUM EVER
2
00:00:18,240 --> 00:00:20,000
CREATED.
WATCHED BY BILLIONS IN EVERY
3
00:00:20,030 --> 00:00:24,410
CORNER OF THE EARTH.
BUT IT WOULD NOT EXIST WITHOUT A
4
00:00:24,440 --> 00:00:30,650
VISIONARY GENIUS WHO, NEARLY
100 YEARS AGO, SAW THE FUTURE.
5
00:00:30,680 --> 00:00:41,270
PHILO T. FARNSWORTH, THE
INVENTOR OF TELEVISION.
6
00:00:41,310 --> 00:00:44,720
>> OKAY, READY?
I'M TURNING ON THE POWER.
7
00:00:44,750 --> 00:00:48,130
>> UGH, THE CATHODE TUBE
OVERHEATED, AGAIN!
8
00:00:48,170 --> 00:00:50,860
>> I'M BEGINNING TO THINK
MR. FARNSWORTH'S IDEA FOR
9
00:00:50,890 --> 00:00:53,000
TELEVISION WILL NEVER WORK.
>> PERHAPS WE SHOULD JUST GIVE
10
00:00:53,030 --> 00:01:01,030
UP.
>> WE CANNOT GIVE UP.
11
00:01:01,060 --> 00:01:04,270
>> MR. FARNSWORTH!
12
00:01:04,310 --> 00:01:08,680
>> DO NOT GET DISCOURAGED.
WHAT WE CREATE HERE WILL ONE DAY
13
00:01:08,720 --> 00:01:11,650
BRING THE WORLD SHOWS THAT
INFORM AND EDUCATE.
14
00:01:11,680 --> 00:01:14,820
>> YES!
>> GOD WILLING.
15
00:01:14,860 --> 00:01:16,510
>> SHOWS THAT MAKE US LAUGH, AND
CRY!
16
00:01:16,550 --> 00:01:19,580
>> YES, WELL SAID!
>> AND SHOWS ABOUT PEOPLE WHO,
17
00:01:19,620 --> 00:01:22,000
WHEN THEY GO TO WORK, THEY
SWITCH TO DIFFERENT PEOPLE IN
18
00:01:22,030 --> 00:01:24,620
THEIR BRAINS WHO ONLY REMEMBER
WHAT HAPPENS AT WORK.
19
00:01:24,650 --> 00:01:31,340
>> UM...
20
00:01:31,370 --> 00:01:38,100
I DON'T UNDERSTAND THAT, SIR.
>> MANY PEOPLE WHO WATCH IT
21
00:01:38,130 --> 00:01:43,030
WON'T, EITHER, BUT BY GOD, IT
WILL BE ON TV.
22
00:01:43,060 --> 00:01:44,440
I DREAM THAT, ONE DAY, THERE
WILL BE A CHANNEL FOR EVERY
23
00:01:44,480 --> 00:01:49,100
INTEREST.
THE TRAVEL CHANNEL, FOR TRAVEL.
24
00:01:49,130 --> 00:01:52,750
THE FOOD NETWORK, FOR FOOD.
AND THE HISTORY CHANNEL.
25
00:01:52,790 --> 00:01:54,270
>> FOR HISTORY.
>> NO.
26
00:01:54,310 --> 00:01:58,240
ALIENS.
27
00:01:58,270 --> 00:02:04,000
>> THERE WON'T BE HISTORY ON THE
HISTORY CHANNEL, SIR?
28
00:02:04,030 --> 00:02:06,000
>> NO.
JUST AS THERE WILL BE NO
29
00:02:06,030 --> 00:02:07,680
LEARNING ON THE LEARNING
CHANNEL.
30
00:02:07,720 --> 00:02:13,000
>> THEN WHAT WILLBE ON THE
LEARNING CHANNEL?
31
00:02:13,030 --> 00:02:15,860
>> HOARDERS.
PEOPLE WHO EAT COUCH CUSHIONS.
32
00:02:15,890 --> 00:02:19,340
DR. PIMPLE POPPER.
ALL OF OUR FUN STUFF.
33
00:02:19,370 --> 00:02:24,170
>> WHO WILL MAKE ALL THIS, SIR?
>> ACTORS, WRITERS, DIRECTORS.
34
00:02:24,200 --> 00:02:28,820
AND, MOST IMPORTANTLY:
PRODUCERS.
35
00:02:28,860 --> 00:02:31,820
>> AND WHAT DOES A PRODUCER DO,
SIR?
36
00:02:31,860 --> 00:02:37,750
>> NOBODY KNOWS.
37
00:02:37,790 --> 00:02:40,890
>> AH, OKAY, SO TELEVISION WILL
HAVE SOMETHING FOR EVERYONE?
38
00:02:40,930 --> 00:02:43,550
>> YES, FOR PEOPLE OF EVERY
CULTURE.
39
00:02:43,580 --> 00:02:46,890
NETWORKS LIKE TELEMUNDO, FOR
SPANISH SPEAKERS.
40
00:02:46,930 --> 00:02:50,750
AND B.E.T. -- BLACK
ENTERTAINMENT TELEVISION.
41
00:02:50,790 --> 00:02:55,310
>> WILL THERE BE A NETWORK FOR
WHITE PEOPLE, SIR?
42
00:02:55,340 --> 00:02:59,720
>> WHY, CBS, OF COURSE.
43
00:02:59,750 --> 00:03:02,680
>> YES, THE CAUCASIAN BROADCAST
SYSTEM!
44
00:03:02,720 --> 00:03:08,370
>> YEAH, I GUESS SO.
45
00:03:08,410 --> 00:03:13,200
>> AND WILL THERE BE A NETWORK
FOR ASIAN PEOPLE, SIR?
46
00:03:13,240 --> 00:03:14,650
>> WHAT'S THAT, YOU ASKED ABOUT
STREAMING?
47
00:03:14,680 --> 00:03:18,890
>> NO.
48
00:03:18,930 --> 00:03:24,170
>> ONE DAY, I DREAM THERE WILL
BE SO MANY SHOWS, WE WILL HAVE
49
00:03:24,200 --> 00:03:25,960
TO INVENT ANOTHER TYPE OF TV
CALLED "STREAMING."
50
00:03:26,000 --> 00:03:28,170
>> WHAT IS STREAMING, SIR?
>> A NEW WAY FOR COMPANIES TO
51
00:03:28,200 --> 00:03:32,100
LOSE MONEY.
52
00:03:32,130 --> 00:03:34,170
THESE STREAMERS WILL MAKE THEIR
OWN SHOWS, AND CREATE THEIR OWN
53
00:03:34,200 --> 00:03:37,340
STARS.
>> WHO WILL THESE STARS BE?
54
00:03:37,370 --> 00:03:41,680
>> MURDERERS.
REAL LIFE MURDERERS, MOSTLY.
55
00:03:41,720 --> 00:03:45,790
>> WHO WOULD WATCH SHOWS ABOUT
56
00:03:45,820 --> 00:03:50,130
MURDERERS FOR ENTERTAINMENT?
>> YOUR WIFE, MY WIFE,
57
00:03:50,170 --> 00:03:55,340
EVERYONE'S WIFE.
58
00:03:55,370 --> 00:03:59,060
AND THAT IS WHY WE WILL PAY THE
STREAMING SUBSCRIPTION FEES.
59
00:03:59,100 --> 00:04:03,100
>> AH, I SEE.
WITH STREAMING, THE VIEWER PAYS
60
00:04:03,130 --> 00:04:11,310
A FEE, SO THERE ARE NO ADS.
>> IF IT ONLY WERE SO SIMPLE.
61
00:04:11,340 --> 00:04:14,030
YOU PAY THE FEE ANDTHERE ARE
ADS.
62
00:04:14,060 --> 00:04:17,720
>> BUT THAT SEEMS UNFAIR TO THE
CUSTOMER.
63
00:04:17,750 --> 00:04:19,410
>> ALL RIGHT, GET OUT.
64
00:04:19,440 --> 00:04:21,370
>> REALLY?
>> YEAH, WE DON'T SAY THAT OUT
65
00:04:21,410 --> 00:04:25,340
LOUD.
GET OUT.
66
00:04:25,370 --> 00:04:27,860
GO SIT IN THE BACK WITH THE
PEOPLE WHO ARE PROBABLY GONNA
67
00:04:27,890 --> 00:04:29,820
LOSE ANYWAY.
68
00:04:29,860 --> 00:04:33,860
>> LOSE WHAT, SIR?
>> AN EMMY.
69
00:04:33,890 --> 00:04:36,060
THAT IS WHAT THE AWARD
CELEBRATING EXCELLENCE IN
70
00:04:36,100 --> 00:04:39,000
TELEVISION WILL BE CALLED.
AND WINNING ONE WILL BE VERY
71
00:04:39,030 --> 00:04:49,580
PRESTIGIOUS.
>> HMM, LIKE AN OSCAR!
72
00:04:49,620 --> 00:04:55,440
>> ALL RIGHT, DON'T --
73
00:04:55,480 --> 00:04:57,240
IT'S A GOOD ONE.
AND THERE WILL BE AWARDS FOR ALL
74
00:04:57,270 --> 00:05:02,340
TYPES OF SHOWS.
GRIPPING DRAMAS, LIKE
75
00:05:02,370 --> 00:05:06,820
"THE PITT," A HEARTBREAKING LOOK
AT THE EMOTIONAL TOLL OF TRAUMA.
76
00:05:06,860 --> 00:05:12,650
AND LAUGH-OUT-LOUD COMEDIES LIKE
"THE BEAR," A HEARTBREAKING LOOK
77
00:05:12,680 --> 00:05:16,860
AT THE EMOTIONAL TOLL OF TRAUMA.
78
00:05:16,890 --> 00:05:19,060
>> THAT SOUNDS LIKE A DRAMA,
SIR.
79
00:05:19,100 --> 00:05:24,960
>> AND YET IT IS NOT.
BUT THE SHOWS THAT WIN AN EMMY
80
00:05:25,000 --> 00:05:28,410
HAVE ACHIEVED THE HIGHEST LEVEL
OF ARTISTRY.
81
00:05:28,440 --> 00:05:35,340
>> AND WILL HAVE THE MOST
VIEWERS.
82
00:05:35,370 --> 00:05:38,680
>> I MEAN, NOT EVEN CLOSE.
83
00:05:38,720 --> 00:05:41,580
MOST PEOPLE WILL WATCH FOOTBALL
AND "YELLOWSTONE."
84
00:05:41,620 --> 00:05:44,240
BUT NONE OF THAT MATTERS IF WE
GIVE UP NOW.
85
00:05:44,270 --> 00:05:48,620
BY INVENTING TV, WE CREATE A
WORLD WHERE A WOMAN WILL HOST
86
00:05:48,650 --> 00:05:52,790
HER OWN POPULAR LATE-NIGHT TALK
SHOW.
87
00:05:52,820 --> 00:05:57,170
>> A WOMAN, SIR?!
>> NOT IN REAL LIFE, BUT ON A
88
00:05:57,200 --> 00:06:04,580
FICTIONAL SHOW CALLED "HACKS."
89
00:06:04,620 --> 00:06:08,620
WE CREATE A WORLD WHERE AN ACTOR
NAMED STANLEY TUCCI WILL GET NOT
90
00:06:08,650 --> 00:06:13,030
ONE, BUT TWO SHOWS WHERE HE GOES
TO ITALY AND EATS FOOD.
91
00:06:13,060 --> 00:06:19,960
>> TWO SHOWS, SIR?
>> TWO, SO FAR.
92
00:06:20,000 --> 00:06:23,510
WE CREATE A WORLD WHERE THE
FINEST ARTISTS CRAFT STORIES OF
93
00:06:23,550 --> 00:06:26,550
STAGGERING BEAUTY THAT MILLIONS
OF PEOPLE WILL WATCH...
94
00:06:26,580 --> 00:06:30,200
ON THEIR PHONES, WHILE THEY'RE
SITTING ON THE TOILET.
95
00:06:30,240 --> 00:06:34,650
THATIS TELEVISION.
AND THIS IS THE EMMYS.
96
00:06:39,620 --> 00:06:42,030
♪>> Announcer: PLEASE WELCOME
97
00:06:42,060 --> 00:06:44,680
TEN-TIME EMMY WINNER
STEPHEN COLBERT.
98
00:07:11,270 --> 00:07:16,860
>> THANK YOU VERY MUCH.
YOU ARE VERY KIND.
99
00:07:16,890 --> 00:07:19,100
THANK YOU!
SIT DOWN!
100
00:07:19,130 --> 00:07:26,240
THANK YOU VERY MUCH.
WE'VE GOT TO GO!
101
00:07:26,270 --> 00:07:30,060
WHILE I HAVE YOUR ATTENTION, IS
ANYONE HIRING?
102
00:07:30,100 --> 00:07:31,310
BECAUSE I'VE GOT 200 VERY
103
00:07:31,340 --> 00:07:36,550
QUALIFIED CANDIDATES WITH ME
HERE TONIGHT.
104
00:07:36,580 --> 00:07:46,370
WHO WILL BE AVAILABLE IN JUNE.
I ALSO BROUGHT MY OWN RESUME
105
00:07:46,410 --> 00:07:49,960
HERE TONIGHT.
I HAVEN'T HAD A CHANCE TO UPDATE
106
00:07:50,000 --> 00:07:56,130
MY HEADHSOT IN A BIT, BUT I
THINK IT STILL WORKS.
107
00:07:56,170 --> 00:08:00,440
I AM IN THERE SOMEWHERE.
108
00:08:00,480 --> 00:08:04,820
AFTER I GET BACK FROM ISTANBUL,
I'M SURE.
109
00:08:04,860 --> 00:08:09,650
I ONLY HAVE THE ONE, SO
HARRISON FORD, COULD YOU GET
110
00:08:09,680 --> 00:08:16,200
THIS TO SPIELBERG?
WOULD YOU?
111
00:08:16,240 --> 00:08:25,440
AND THE NOMINEES FOR LEAD ACTOR
112
00:08:25,480 --> 00:08:28,820
IN A COMEDY SERIES ARE...
>> ADAM BRODY.
113
00:08:28,860 --> 00:08:31,680
"NOBODY WANTS THIS."
SETH ROGEN.
114
00:08:31,720 --> 00:08:34,410
"THE STUDIO."
JASON SEGEL.
115
00:08:34,440 --> 00:08:36,960
"SHRINKING."
MARTIN SHORT.
116
00:08:37,000 --> 00:08:40,270
"ONLY MURDERS IN THE BUILDING."
JEREMY ALLEN WHITE.
117
00:08:40,300 --> 00:08:45,860
"THE BEAR."
>> AND NOW, THE EMMY FOR LEAD
118
00:08:45,890 --> 00:08:51,030
ACTOR IN A COMEDY SERIES GOES
TO...
119
00:08:51,060 --> 00:08:53,310
SETH ROGEN.
"THE STUDIO."
120
00:08:59,240 --> 00:09:03,130
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NINTH
121
00:09:03,170 --> 00:09:06,200
NOMINATION FOR SETH ROGEN, ALSO
NOMINATED FOR DIRECTING,
122
00:09:06,240 --> 00:09:10,620
PRODUCING, AND WRITING "THE
STUDIO."
123
00:09:10,650 --> 00:09:12,310
>> THANK YOU, STEPHEN.
THANK YOU.
124
00:09:12,340 --> 00:09:16,310
WOW, THIS IS AMAZING.
I SO COULD NOT WRAP MY HEAD
125
00:09:16,340 --> 00:09:18,790
AROUND THIS HAPPENING THAT I
LITERALLY PREPARED NOTHING.
126
00:09:18,820 --> 00:09:20,930
I'VE NEVER WON ANYTHING IN MY
LIFE.
127
00:09:20,960 --> 00:09:22,170
WHEN I WAS A KID I BOUGHT A USED
BOWLING TROPHY AT AN ESTATE
128
00:09:22,200 --> 00:09:26,130
SALE, AND MY PARENTS WERE LIKE,
YEAH, THAT'S A GOOD IDEA.
129
00:09:26,170 --> 00:09:29,720
YOU SHOULD PROBABLY BUY THAT.
THANK YOU TO MY WIFE, MY MOTHER,
130
00:09:29,750 --> 00:09:33,650
EVERYONE WHO WORKS ON THE SHOW,
MY AGENT, MY MANAGERS, THE
131
00:09:33,680 --> 00:09:35,790
WRITERS, IF YOU AND YOU GET
STARTED ON THE SHOW, THANK YOU
132
00:09:35,820 --> 00:09:41,510
SO MUCH.
THIS IS SO LOVELY.
133
00:09:41,550 --> 00:09:43,200
I FEEL LIKE I SHOULD -- I DON'T
KNOW.
134
00:09:43,240 --> 00:09:45,480
I DON'T KNOW WHAT TO SAY.
THIS IS SO NICE!
135
00:09:45,510 --> 00:09:46,790
THANK YOU.
I APPRECIATE YOU ALL.
136
00:09:46,820 --> 00:09:49,270
HAVE A GOOD ONE.
137
00:09:49,310 --> 00:09:55,410
♪>> Announcer: PLEASE WELCOME
138
00:09:55,440 --> 00:10:00,370
YOUR HOST, NATE BARGATZE.
139
00:10:00,410 --> 00:10:09,030
♪>> Nate: ALL RIGHT, ALL RIGHT.
140
00:10:09,060 --> 00:10:15,030
THANK YOU.
LOOK AT US, WE'RE DOING IT.
141
00:10:15,060 --> 00:10:18,480
ALL RIGHT?
WELCOME TO THE 77TH EMMY AWARDS.
142
00:10:18,510 --> 00:10:26,930
IT'S NOT A BIG ONE LIKE THE 75TH
OR THE 80TH, BUT IT'S THE ONE
143
00:10:26,960 --> 00:10:28,410
THEY GAVE ME.
IT'S AN HONOR TO BE HERE
144
00:10:28,440 --> 00:10:32,650
TONIGHT.
I'M EXCITED TO BE HERE.
145
00:10:32,680 --> 00:10:34,890
ALL OF YOU HAVE WORKED SO HARD
TO BE HERE.
146
00:10:34,930 --> 00:10:38,790
IT'S CONFUSING, TOO.
REBA McENTIRE, I FEEL LIKE I'M
147
00:10:38,820 --> 00:10:41,000
AT THE GRAMMYS.
CATE BLANCHETT, I FEEL LIKE I'M
148
00:10:41,030 --> 00:10:45,510
AT THE OSCARS, IT'S CRAZY.
TINA FEY, I THOUGHT, THEY
149
00:10:45,550 --> 00:10:48,820
SHOULD'VE HAD HER HOST, YOU
KNOW?
150
00:10:48,860 --> 00:10:54,170
A LOT OF PEOPLE ARE WONDERING,
WHY AM I HOSTING?
151
00:10:54,200 --> 00:11:01,240
I DON'T KNOW WHAT THAT WAS.
152
00:11:01,270 --> 00:11:10,890
ALL RIGHT, IT COUNTS AS A LAUGH.
153
00:11:10,930 --> 00:11:14,000
PEOPLE HAVE ASKED.
FOR MY CAREER -- I'M A STAND-UP
154
00:11:14,030 --> 00:11:17,170
COMEDIAN, I HAVE NOT HAD A TON
OF SUCCESS IN HOLLYWOOD, BUT LET
155
00:11:17,200 --> 00:11:21,650
ME TELL YOU, BOY, IS IT GOING
GOOD EVERYWHERE ELSE.
156
00:11:21,680 --> 00:11:25,200
YOU MIGHT KNOW IF YOU HAVEN'T
157
00:11:25,240 --> 00:11:28,240
HEARD, AS A HOST THEY ASKED ME,
WHEN YOU GIVE YOUR THANK YOU
158
00:11:28,270 --> 00:11:29,960
SPEECHES, THEY SAID YOU HAVE TO
KEEP THEM ON TIME.
159
00:11:30,000 --> 00:11:32,930
SO THEY WANTED ME TO COME UP
WITH A WAY TO DO THAT.
160
00:11:32,960 --> 00:11:39,240
WHAT I CAME UP WITH IS THIS WAY.
EVERYBODY GETS 45 SECONDS.
161
00:11:39,270 --> 00:11:41,680
HONESTLY, GIVE YOUR SPEECH.
I KNOW HOW HARD YOU HAVE ALL
162
00:11:41,720 --> 00:11:44,410
WORKED TO GET HERE.
I'M NOT TRYING TO TAKE ANYTHING
163
00:11:44,440 --> 00:11:46,580
AWAY.
45 SECONDS, THAT'S WHAT YOU GOT.
164
00:11:46,620 --> 00:11:49,890
IF YOU WANT TO DO MORE THAN
THAT, DO IT ON SOCIAL MEDIA
165
00:11:49,930 --> 00:11:51,440
LATER.
WHEN PEOPLE ARE GOING TO SEE IT
166
00:11:51,480 --> 00:11:54,510
THERE ANYWAY.
167
00:11:54,550 --> 00:12:01,030
TO START THE SHOW, I'M GOING TO
DONATE $100,000 TO THE BOYS AND
168
00:12:01,060 --> 00:12:03,620
A GIRLS OF AMERICA.
169
00:12:03,650 --> 00:12:09,890
YEAH.
170
00:12:09,930 --> 00:12:12,750
REMEMBER THAT.
REMEMBER HOW FUN THAT WAS,
171
00:12:12,790 --> 00:12:17,620
BECAUSE THIS PART IS HARD TO SA
SAY.
172
00:12:17,650 --> 00:12:25,410
IF YOU STAY AT 45 SECONDS, IT
STAYS AT $100,000.
173
00:12:25,440 --> 00:12:28,930
ALL RIGHT, I KNOW.
174
00:12:28,960 --> 00:12:36,480
EVERY SECOND YOU GO UNDER -- OR
175
00:12:36,510 --> 00:12:40,510
OVER, I'M SORRY.
EVERY SECOND YOU GO OVER 45
176
00:12:40,550 --> 00:12:44,480
SECONDS, WE WILL DEDUCT $1,000
AWAY FROM THE BOYS AD GIRLS
177
00:12:44,510 --> 00:12:49,370
CLUB.
I KNOW, I KNOW.
178
00:12:49,410 --> 00:12:50,750
THAT'S TOUGH.
IT'S HARD.
179
00:12:50,790 --> 00:12:53,030
THAT IS TOUGH.
IT IS BRUTAL.
180
00:12:53,060 --> 00:12:56,510
WHAT ARE YOU GOING TO DO,
THOUGH, YOU KNOW?
181
00:12:56,550 --> 00:12:59,100
I CAN'T CHANGE IT.
THIS IS THE GAME I MADE UP, AND
182
00:12:59,130 --> 00:13:03,270
THESE ARE THE RULES.
183
00:13:03,310 --> 00:13:09,130
HERE'S THE THING, IF YOU GO
UNDER, WE WILL PUT $1,000 A
184
00:13:09,170 --> 00:13:16,720
SECOND BACK ON FOR THE BOYS AND
GIRLS CLUB OF AMERICA.
185
00:13:16,750 --> 00:13:18,930
RELAX, LET'S HAVE FUN,
186
00:13:18,960 --> 00:13:20,750
ALL RIGHT?
BY THE WAY, WE ALREADY GOT
187
00:13:20,790 --> 00:13:24,130
STARTED.
SETH, CONGRATS.
188
00:13:24,170 --> 00:13:28,510
I FEEL BAD, HE DIDN'T EVEN KNOW
ABOUT THIS AT ALL.
189
00:13:28,550 --> 00:13:30,960
WHAT DID HE DO?
190
00:13:31,000 --> 00:13:36,310
WAS HE OVER, UNDER?
UNDER?
191
00:13:36,340 --> 00:13:39,750
ALL RIGHT!
192
00:13:39,790 --> 00:13:48,030
HE WAS UNDER!
DON'T GO CRAZY, THOUGH.
193
00:13:48,060 --> 00:13:52,440
BECAUSE I'M PAYING FOR THIS, SO
DON'T -- LIKE, SOME OF YOU GO
194
00:13:52,480 --> 00:13:57,130
OVER A LITTLE, SOME GO UNDER, DO
THE RIGHT THING.
195
00:13:57,170 --> 00:14:01,480
NOW YOU KNOW THE RULES.
196
00:14:01,510 --> 00:14:06,000
THOSE ARE IT.
NOW THAT EVERYBODY KNOWS, LET'S
197
00:14:06,030 --> 00:14:08,170
KEEP THIS SHOW GOING.
PLEASE WELCOME TWO-TIME EMMY
198
00:14:08,200 --> 00:14:10,410
WINNER JENNIFER COOLIDGE.
199
00:14:34,030 --> 00:14:39,000
♪>> I MADE IT!
200
00:14:39,030 --> 00:14:43,100
WOW, YOU KNOW, I AM SO HONORED
201
00:14:43,130 --> 00:14:46,000
TO BE HERE PRESENTING THE EMMY
FOR LEAD ACTRESS IN A COMEDY
202
00:14:46,030 --> 00:14:52,930
SERIES.
I JUST WANT TO SAY TO THE
203
00:14:52,960 --> 00:14:58,000
NOMINEES, YOU ARE ALL INCREDIBLE
TALENTS.
204
00:14:58,030 --> 00:15:02,200
YOU REALLY ARE.
REALLY, TRULY.
205
00:15:02,240 --> 00:15:06,410
I'M NOT JOKING.
206
00:15:06,440 --> 00:15:12,310
BETWEEN US, I WAS ACTUALLY
HOPING TO BE NOMINATED ALONGSIDE
207
00:15:12,340 --> 00:15:19,030
YOU TONIGHT FOR MY WORK ON THIS
SEASON OF "THE PITT."
208
00:15:19,060 --> 00:15:21,100
I PLAYED A HORNY GRANDMOTHER
209
00:15:21,130 --> 00:15:25,240
HAVING A COLONOSCOPY DURING A
POWER OUTAGE.
210
00:15:25,270 --> 00:15:28,720
YEAH.
211
00:15:28,750 --> 00:15:32,270
I HAD TO PLAY A LOT OF LEVELS,
YOU KNOW.
212
00:15:32,310 --> 00:15:38,650
I EVEN HAD TO DO MY OWN PREP!
GIRLS, I JUST WANNA SAY, BEING
213
00:15:38,680 --> 00:15:45,000
NOMINATED IS SUCH A HUGE DEAL.
I TALKED TO THE GUYS AT THE
214
00:15:45,030 --> 00:15:47,680
ACADEMY TONIGHT AND I ASKED THEM
HOW MANY ACTRESSES ARE ELIGIBLE
215
00:15:47,720 --> 00:15:50,580
IN THIS CATEGORY.
THEY THOUGHT IT WAS AROUND
216
00:15:50,620 --> 00:15:59,930
25,000.
I THOUGHT ABOUT IT AND THAT JUST
217
00:15:59,960 --> 00:16:05,200
DOESN'T SEEM RIGHT.
I THINK IT'S GOTTA BE AROUND
218
00:16:05,240 --> 00:16:11,130
25 MILLION.
AND THEN I GUESS IT'S JUST
219
00:16:11,170 --> 00:16:21,480
NARROWED DOWN TO YOU FIVE.
GIRLS, I WON LAST YEAR,
220
00:16:21,510 --> 00:16:24,680
AND -- MAYBE IT WAS LIKE TWO
YEARS AGO.
221
00:16:24,720 --> 00:16:30,270
ANYWAY, I JUST WANT TO SAY THIS,
222
00:16:30,310 --> 00:16:34,060
I CAN TELL YOU FROM EXPERIENCING
WINNING, IT'S NOT ALL IT'S
223
00:16:34,100 --> 00:16:37,750
CRACKED UP TO BE.
IT'S REALLY NOT.
224
00:16:37,790 --> 00:16:42,720
I THOUGHT I HAD GOTTEN REALLY
CLOSE WITH MY FELLOW NOMINEES,
225
00:16:42,750 --> 00:16:45,790
ESPECIALLY AFTER I WON.
I'M PRETTY SURE THEY REMOVED ME
226
00:16:45,820 --> 00:16:49,680
FROM THE GROUP CHAT.
227
00:16:49,720 --> 00:16:57,720
WE WERE ALL SUPPOSED TO GO ON A
TRIP TO IBIZA.
228
00:16:57,750 --> 00:17:05,170
I FOUND OUT I WASN'T INCLUDED,
AND THE ONLY REASON I KNEW THAT
229
00:17:05,200 --> 00:17:07,720
WAS BECAUSE
ELIZABETH DEBICKI AND I HAVE THE
230
00:17:07,750 --> 00:17:12,650
SAME OZEMPIC DEALER.
AT LEAST HERS IS WORKING.
231
00:17:12,680 --> 00:17:15,580
NOW THAT I THINK ABOUT IT,
232
00:17:15,610 --> 00:17:17,580
WINNING THE EMMY MIGHT HAVE BEEN
THE WORST THING TO EVER HAPPEN
233
00:17:17,610 --> 00:17:26,130
TO ME.
AND THE NOMINEES FOR LEAD
234
00:17:26,170 --> 00:17:32,000
ACTRESS IN A COMEDY SERIES
ARE...
235
00:17:32,030 --> 00:17:34,440
>> UZO ADUBA.
"THE RESIDENCE."
236
00:17:34,480 --> 00:17:37,310
KRISTEN BELL.
"NOBODY WANTS THIS."
237
00:17:37,340 --> 00:17:39,960
QUINTA BRUNSON.
"ABBOTT ELEMENTARY."
238
00:17:40,000 --> 00:17:42,130
AYO EDEBIRI.
"THE BEAR."
239
00:17:42,170 --> 00:17:49,130
JEAN SMART.
"HACKS."
240
00:17:49,170 --> 00:17:56,240
>> AND THE EMMY GOES TO --
241
00:17:56,270 --> 00:17:59,550
GOD HELP ME.
JEAN SMART.
242
00:17:59,580 --> 00:18:02,510
"HACKS."
243
00:18:02,550 --> 00:18:10,060
♪>> Announcer: THIS IS THE
244
00:18:10,100 --> 00:18:14,060
SEVENTH EMMY WIN AND 14TH
NOMINATION FOR JEAN SMART, AND
245
00:18:14,100 --> 00:18:20,000
HER FOURTH WIN FOR HER PORTRAYAL
OF DEBORAH VANCE ON "HACKS."
246
00:18:31,030 --> 00:18:32,960
>> THANK YOU.
THANK YOU SO MUCH.
247
00:18:33,000 --> 00:18:36,340
YOU HONOR ME SO MUCH.
IF I WAS WALKING LIKE
248
00:18:36,370 --> 00:18:39,820
JOHN WAYNE, IT'S BECAUSE I BROKE
MY KNEE THIS SUMMER AND IT'S NOT
249
00:18:39,860 --> 00:18:42,130
QUITE REPAIRED.
ONE OF THE BEST THINGS ABOUT
250
00:18:42,170 --> 00:18:44,890
WINNING SOMETHING LIKE THIS IS
THAT YOU ACTUALLY GET TO
251
00:18:44,930 --> 00:18:46,170
PUBLICLY THANK THE PEOPLE YOU
WORK WITH, OUR UNBELIEVABLE
252
00:18:46,200 --> 00:18:50,790
CREW, MY INCREDIBLE CAST MATES,
LED BY THE INCOMPARABLE HANNAH
253
00:18:50,820 --> 00:19:01,000
EINBINDER.
254
00:19:01,030 --> 00:19:05,440
AND OUR SHOW RUNNERS, OH, MY
GOD, BEYOND BRILLIANT.
255
00:19:05,480 --> 00:19:08,370
THERE ARE SO MANY.
EVERYBODY AT HBO MAX AND
256
00:19:08,410 --> 00:19:11,030
UNIVERSAL TELEVISION TV AND THE
TELEVISION ACADEMY, THANK YOU SO
257
00:19:11,060 --> 00:19:12,310
MUCH, AND MY CHILDREN YOU ARE MY
ANCHOR.
258
00:19:12,340 --> 00:19:14,620
JOE, MY CHEERLEADER, EVERYBODY.
LET'S BE GOOD TO EACH OTHER.
259
00:19:14,650 --> 00:19:17,620
LET'S JUST BE GOOD TO EACH
OTHER.
260
00:19:17,650 --> 00:19:26,000
THANK YOU.
261
00:19:26,030 --> 00:19:27,170
♪>> Announcer: COMING UP NEXT,
262
00:19:27,200 --> 00:19:29,860
CATHERINE ZETA-JONES AND
JENNA ORTEGA, AND JUDE LAW TEAMS
263
00:19:29,890 --> 00:19:33,000
UP WITH JASON BATEMAN.
THEN LATER, REBA McENTIRE AND
264
00:19:33,030 --> 00:19:35,650
THE LADIES OF LITTLE BIG TOWN
PAY TRIBUTE TO A LEGENDARY
265
00:19:35,680 --> 00:19:38,960
SITCOM.
ALL THAT AND MORE, HERE AT THE
266
00:19:39,000 --> 00:19:41,000
PEACOCK THEATER IN DOWNTOWN L.A.
THIS IS CBS.
267
00:19:50,030 --> 00:19:51,100
>> Announcer: PLEASE WELCOME
OSCAR WINNER
268
00:19:51,130 --> 00:19:52,960
CATHERINE ZETA-JONES AND EMMY
NOMINEE JENNA ORTEGA.
269
00:20:00,790 --> 00:20:08,000
>> GOOD EVENING.
TONIGHT WE CELEBRATE WOMEN
270
00:20:08,030 --> 00:20:12,000
WHO DON'T JUST PLAY ROLES, THEY
TRANSFORM INTO THEM.
271
00:20:12,030 --> 00:20:13,510
>> EACH OF THESE WOMEN'S
PERFORMANCES HAS SPARKED
272
00:20:13,550 --> 00:20:15,480
CONVERSATION AND HAS REMINDED US
OF THEIR DEMANDING, POWERFUL
273
00:20:15,510 --> 00:20:19,240
PRESENCE ON SCREEN.
THEIR IMPACT IS UNDENIABLE.
274
00:20:19,270 --> 00:20:21,410
>> THEY CONTINUE TO RAISE THE
BAR AND WIDEN THE LENS ON HOW WE
275
00:20:21,440 --> 00:20:24,030
SEE THE WORLD.
>> HERE ARE THE NOMINEES FOR
276
00:20:24,060 --> 00:20:27,170
SUPPORTING ACTRESS IN A DRAMA
SERIES.
277
00:20:27,200 --> 00:20:29,860
>> PATRICIA ARQUETTE.
"SEVERANCE."
278
00:20:29,890 --> 00:20:33,370
CARRIE COON.
"THE WHITE LOTUS."
279
00:20:33,410 --> 00:20:35,200
KATHERINE LaNASA.
"THE PITT."
280
00:20:35,240 --> 00:20:37,410
JULIANNE NICHOLSON.
"PARADISE."
281
00:20:37,440 --> 00:20:40,030
PARKER POSEY.
"THE WHITE LOTUS."
282
00:20:40,060 --> 00:20:43,200
NATASHA ROTHWELL.
"THE WHITE LOTUS."
283
00:20:43,240 --> 00:20:48,370
AIMEE LOU WOOD.
"THE WHITE LOTUS."
284
00:20:48,410 --> 00:20:55,170
>> AND THE EMMY GOES TO...
285
00:20:55,200 --> 00:20:58,790
KATHERINE LaNASA.
"THE PITT."
286
00:20:58,820 --> 00:21:04,650
>> Announcer: THIS IS THE
287
00:21:04,680 --> 00:21:10,860
FIRST EMMY WIN AND NOMINATION
FOR CATHERINE ONE ASSET.
288
00:21:10,890 --> 00:21:23,030
FOR KATHERINE LaNASA.
289
00:21:23,060 --> 00:21:24,680
>> OH MY GOODNESS!
290
00:21:24,720 --> 00:21:28,340
I AM SO PROUD AND HONORED TO
RECEIVE THIS AWARD FROM THE
291
00:21:28,370 --> 00:21:29,510
ACADEMY.
MY WHOLE CAREER I WANTED TO WORK
292
00:21:29,550 --> 00:21:32,680
FOR JOHN WELLS, AND HE ELEVATES
EVERYTHING IN HIS WAKE.
293
00:21:32,720 --> 00:21:35,790
JOHN, I AM SO MUCH BETTER WHEN
YOU ARE AROUND.
294
00:21:35,820 --> 00:21:40,030
MOSTLY BECAUSE I DON'T WANT TO
GET FIRED.
295
00:21:40,060 --> 00:21:44,060
THANK YOU, THE WRITERS, ALL THE
NURSES THAT INSPIRED DANA.
296
00:21:44,100 --> 00:21:52,310
NO A NOAH WYLE AND THE INCOMPARE
"THE PITT" FAMILY.
297
00:21:52,340 --> 00:21:57,580
WITHOUT YOU I'M NOTHING.
298
00:21:57,620 --> 00:22:02,680
WARNERS, HBO MAX, AND LASTLY MY
CHILDREN FOR MAKING ME REAL, AND
299
00:22:02,720 --> 00:22:06,580
MY BEAUTIFUL HUSBAND FOR HELPING
ME ALWAYS WITH EVERYTHING.
300
00:22:20,510 --> 00:22:32,860
♪>> Nate: THAT WAS AN EXPENSIVE
301
00:22:32,890 --> 00:22:35,620
WAVE.
302
00:22:35,650 --> 00:22:40,130
A LOT OF PEOPLE AT HOME WERE
ASKING, ARE WE PENALIZING THE
303
00:22:40,170 --> 00:22:42,550
PRESENTERS IF THEY GO ALONG OR
SOMETHING?
304
00:22:42,580 --> 00:22:45,170
I JUST WANT TO GET IT STRAIGHT,
WE ARE NOT.
305
00:22:45,200 --> 00:22:49,370
ONLY THE PEOPLE THAT HAVE WORKED
THE HARDEST TO GET HERE.
306
00:22:49,410 --> 00:22:51,960
I'M BUSY HOSTING, SO I CAN'T
307
00:22:52,000 --> 00:22:53,930
KEEP TRACK OF ALL THE MONEY
STUFF.
308
00:22:53,960 --> 00:22:56,030
SO, TO HELP US TONIGHT, WE HAVE
AN ACTOR, COMEDIAN, AND PROUD
309
00:22:56,060 --> 00:22:58,440
ALUM OF THE BOYS AND GIRLS CLUB
OF AMERICA -- JB SMOOVE.
310
00:22:58,480 --> 00:23:06,060
>> HEY, MAN, LET'S NOT MAKE THIS
311
00:23:06,100 --> 00:23:10,410
ABOUT ME.
THIS IS ABOUT THE BOYS AND GIRLS
312
00:23:10,440 --> 00:23:11,620
CLUB OF AMERICA, EVERYBODY!
313
00:23:11,650 --> 00:23:15,270
I WANT TO SAY HELLO TO MY NEW
FRIENDS HERE, TO PAUL AND
314
00:23:15,310 --> 00:23:19,820
KELSEY.
SAY HELLO TO EVERYBODY.
315
00:23:19,860 --> 00:23:22,650
TAKE THAT JOB ONE DAY, OKAY?
316
00:23:22,680 --> 00:23:25,620
YOU'RE GOING TO TAKE THAT JOB
ONE DAY, RIGHT?
317
00:23:25,650 --> 00:23:30,650
SIT ON DOWN NOW.
318
00:23:30,680 --> 00:23:34,340
NATE, THIS IS THE MOST AMAZING
IDEA I'VE EVER SEEN.
319
00:23:34,370 --> 00:23:39,410
YOU ARE TRULY AN AMAZING,
AMAZING, AMAZING HOST TONIGHT.
320
00:23:39,440 --> 00:23:42,480
THIS 45 SECONDS, I LOVE IT.
GREAT IDEA, MAN.
321
00:23:42,510 --> 00:23:45,550
WHEN YOU GET UP THERE,
EVERYBODY, PLEASE STICK TO YOUR
322
00:23:45,580 --> 00:23:47,170
TIME.
THIS IS VERY IMPORTANT FOR THESE
323
00:23:47,200 --> 00:23:48,620
YOUNG PEOPLE.
PLEASE.
324
00:23:48,650 --> 00:23:52,130
IF YOU FEEL YOURSELF GOING OVER,
ZIPPED IT!
325
00:23:52,170 --> 00:23:57,130
ZIP IT!
"THERE'S SOMETHING ABOUT MARY,"
326
00:23:57,170 --> 00:24:02,200
YOU HAD TO ZIP IT UP, RIGHT?
YEAH.
327
00:24:02,240 --> 00:24:06,240
THIS IS GOING TO BE AN AMAZING
328
00:24:06,270 --> 00:24:08,960
NIGHT.
EVERYBODY, PLEASE, I AM A TRUE
329
00:24:09,000 --> 00:24:10,480
ALUM.
I'VE GOT MY JACKET ON.
330
00:24:10,510 --> 00:24:14,200
THIS IS LIKE THE MASTERS JACKET,
BUT BLUE, AND BETTER.
331
00:24:14,240 --> 00:24:20,790
YOU KNOW WHAT I'M SAYING?
NATE, LET'S GO, BABY, BEFORE YOU
332
00:24:20,820 --> 00:24:24,030
START TALKING TO ME, TOO.
>> Nate: WE ARE THREE AWARDS
333
00:24:24,060 --> 00:24:26,030
IN.
WHAT WAS THE NUMBER?
334
00:24:26,060 --> 00:24:28,240
I WANTED TO SEE WHERE WE ARE AT.
WE ARE DOWN.
335
00:24:28,270 --> 00:24:34,310
I'M SORRY.
THIS IS SERIOUS!
336
00:24:34,340 --> 00:24:37,370
THAT'S GOOD FOR ME.
337
00:24:37,410 --> 00:24:40,890
I WAS BACKSTAGE WITH THESE NEXT
PRESENTERS, AND I'VE SEEN THEM
338
00:24:40,930 --> 00:24:46,000
IN SO MUCH, YOU KNOW?
I COULDN'T REMEMBER THEIR NAMES,
339
00:24:46,030 --> 00:24:48,650
BUT IT WAS -- JUDE LAW, DAD GUM
IT, AND EMMY WINNER
340
00:24:48,680 --> 00:24:52,170
JASON BATEMAN.
I KNEW IT WAS THEM!
341
00:25:04,030 --> 00:25:06,650
>> I'M GOING TO GO FIRST.
JASON AND I ARE HERE TO
342
00:25:06,680 --> 00:25:12,680
PRESENT THE EMMY FOR SUPPORTING
ACTOR IN A DRAMA SERIES.
343
00:25:12,720 --> 00:25:14,960
>> THAT'S TRUE, JUDE.
THE ARTISTS WE HONOR TONIGHT
344
00:25:15,000 --> 00:25:16,650
ELEVATED EVERY SCENE THEY
TOUCHED.
345
00:25:16,680 --> 00:25:18,370
THEY DEEPENED THE EMOTIONAL ARCS
OF EVERY EPISODE, AND IGNITED
346
00:25:18,410 --> 00:25:22,270
INCREDIBLE CONFLICT.
>> SIMPLY PUT, THEY MAKE EVERY
347
00:25:22,310 --> 00:25:24,340
SCENE THEY ARE IN UNDENIABLY
MEMORABLE, AND WITHOUT THEM THE
348
00:25:24,370 --> 00:25:28,310
STORY IS INCOMPLETE.
HERE ARE THE NOMINEES.
349
00:25:28,340 --> 00:25:30,720
>> ZACH CHERRY.
"SEVERANCE."
350
00:25:30,750 --> 00:25:33,790
WALTON GOGGINS.
"THE WHITE LOTUS."
351
00:25:33,820 --> 00:25:36,820
JASON ISAACS.
"THE WHITE LOTUS."
352
00:25:36,860 --> 00:25:39,340
JAMES MARSDEN.
"PARADISE."
353
00:25:39,370 --> 00:25:42,240
SAM ROCKWELL.
"THE WHITE LOTUS."
354
00:25:42,270 --> 00:25:45,060
TRAMELL TILLMAN.
"SEVERANCE."
355
00:25:45,100 --> 00:25:51,860
JOHN TURTURRO.
"SEVERANCE."
356
00:25:51,890 --> 00:25:56,650
>> OKAY, THE EMMY GOES TO...
I REALLY HOPE YOU WIN.
357
00:25:56,680 --> 00:26:00,340
TRAMELL TILLMAN.
"SEVERANCE."
358
00:26:07,100 --> 00:26:16,270
>> THIS IS THE FIRST EMMY WIN
AND NOMINATION FOR TRAMELL
359
00:26:16,310 --> 00:26:30,000
TILLMAN.
360
00:26:30,030 --> 00:26:32,620
♪>> YOU REMEMBER WHAT YOU WANT TO
361
00:26:32,650 --> 00:26:35,030
REMEMBER.
YOU MAKE TIME FOR WHAT YOU WANT
362
00:26:35,060 --> 00:26:38,720
TO MAKE TIME FOR.
DO THE WORK, SHOW UP, AND MOST
363
00:26:38,750 --> 00:26:42,750
IMPORTANTLY, FOR THE LOVE OF
GOD, DON'T EMBARRASS ME IN
364
00:26:42,790 --> 00:26:45,100
PUBLIC.
365
00:26:45,130 --> 00:26:49,310
MY FIRST ACTING COACH WAS TOUGH,
Y'ALL, BUT ALL GREAT MOTHERS
366
00:26:49,340 --> 00:26:56,100
ARE.
367
00:26:56,130 --> 00:26:58,860
MAMA, YOU ARE THERE FOR ME WHEN
NO ONE ELSE WAS, AND NO ONE ELS
368
00:26:58,890 --> 00:27:04,310
WOULD SHOW UP.
YOUR LOVING-KINDNESS STAYS WITH
369
00:27:04,340 --> 00:27:08,790
ME.
AND THIS IS FOR YOU.
370
00:27:08,820 --> 00:27:12,440
THANK YOU TO THE ACADEMY.
I AM FULL, I AM HUMBLED, I AM
371
00:27:12,480 --> 00:27:17,750
HONORED, AND AS MY MAMA WOULD
SAY, OOH, LOOK AT GOD!
372
00:27:26,030 --> 00:27:29,270
>> Announcer: COMING UP,
REBA McENTIRE AND THE LADIES OF
373
00:27:29,310 --> 00:27:33,000
LITTLE BIG TOWN, KAREN FAIRCHILD
AND KIMBERLY SCHLAPMAN, TOAST
374
00:27:33,030 --> 00:27:36,750
"THE GOLDEN GIRLS."
PLUS ANGELA BASSETT PRESENTS THE
375
00:27:36,790 --> 00:27:39,580
AWARD FOR LEAD ACTRESS IN A
DRAMA.
376
00:27:39,620 --> 00:27:40,620
THIS IS CBS. ♪
377
00:27:55,030 --> 00:27:56,000
>> Announcer: PLEASE WELCOME
378
00:27:56,030 --> 00:27:59,000
EMMY WINNER ANGELA BASSETT.
379
00:28:12,890 --> 00:28:16,240
>> THE LEAD ACTRESS IN A DRAMA
DOESN'T JUST SHOW UP TO WORK
380
00:28:16,270 --> 00:28:20,340
EACH DAY TO "ACT."
THEY MUST TRANSFORM.
381
00:28:20,370 --> 00:28:24,170
THEY MUST COMMAND OUR SCREENS
WITH A PRESENCE SO CAPTIVATING
382
00:28:24,200 --> 00:28:26,960
THAT WE REMEMBER THEIR
PERFORMANCES LONG AFTER THE
383
00:28:27,000 --> 00:28:32,240
FINAL CREDIT FADES TO BLACK.
THIS YEAR'S NOMINEES FOR LEAD
384
00:28:32,270 --> 00:28:37,130
ACTRESS IN A DRAMA SERIES DIDN'T
JUST PLAY CHARACTERS, THEY GAVE
385
00:28:37,170 --> 00:28:42,240
US A MASTERCLASS IN ACTING THAT
WAS JUST ELECTRIFYING.
386
00:28:42,270 --> 00:28:45,340
>> KATHY BATES.
"MATLOCK."
387
00:28:45,370 --> 00:28:48,440
SHARON HORGAN.
"BAD SISTERS."
388
00:28:48,480 --> 00:28:51,030
BRITT LOWER.
"SEVERANCE."
389
00:28:51,060 --> 00:28:54,170
BELLA RAMSEY.
"THE LAST OF US."
390
00:28:54,200 --> 00:29:01,620
KERI RUSSELL.
"THE DIPLOMAT."
391
00:29:01,650 --> 00:29:08,750
>> AND THE EMMY GOES TO...
BRITT LOWER.
392
00:29:14,100 --> 00:29:16,550
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
393
00:29:16,580 --> 00:29:24,580
FOR BRITT LOWER. ♪
394
00:29:24,620 --> 00:29:38,310
♪>> FIRST, IT IS A PRIVILEGE EVEN
395
00:29:38,340 --> 00:29:41,100
BE MENTIONED ALONGSIDE SUCH AN
INCREDIBLE GROUP OF ARTISTS.
396
00:29:41,130 --> 00:29:43,170
WOW.
I SHARE THIS AWARD WITH MY
397
00:29:43,200 --> 00:29:47,480
HEROIC CAST AND CREW WHOSE WORK
CATALYZES MINE.
398
00:29:47,510 --> 00:29:51,650
I AM FOREVER GRATEFUL TO THE
VISIONARY HEARTS OF DAN,
399
00:29:51,680 --> 00:29:59,030
JESSICA, ADAM, AND THEN.
THANK YOU TO THE ACADEMY,
400
00:29:59,060 --> 00:30:04,030
APPLE TV+, AND TO MY FANS, OUR
FANS, TO MY TEAM --
401
00:30:04,060 --> 00:30:07,100
MY TEACHERS, MY MOM AND MY DAD,
402
00:30:07,130 --> 00:30:10,820
MY BROTHER, MY HUSBAND, OUR
KIDS, OUR COPARENTS, OUR CHOSEN
403
00:30:10,860 --> 00:30:12,680
FAMILY.
I LOVE YOU SO MUCH.
404
00:30:12,720 --> 00:30:19,410
THANK YOU FOR THIS, AND
THANK YOU FOR CHOOSING ME.
405
00:30:28,130 --> 00:30:37,410
♪>> Nate: 40 YEARS AGO TONIGHT,
406
00:30:37,440 --> 00:30:43,790
"THE GOLDEN GIRLS" PREMIERED ON
NBC.
407
00:30:43,820 --> 00:30:49,750
IT WAS AN INSTANT CLASSIC.
408
00:30:49,790 --> 00:30:52,170
IT WAS A LITTLE EDGIER THAN
PEOPLE REMEMBER.
409
00:30:52,200 --> 00:30:53,890
GROWING UP, I WAS NOT ALLOWED TO
WATCH THE BLANCHE PARTS.
410
00:30:53,930 --> 00:30:56,820
HERE TO CELEBRATE THE 40TH
411
00:30:56,860 --> 00:30:59,620
ANNIVERSARY OF THE SHOW, AND TO
PRESENT THE AWARD FOR BEST
412
00:30:59,650 --> 00:31:03,930
SUPPORTING ACTRESS IN A COMEDY
SERIES, PLEASE WELCOME
413
00:31:03,960 --> 00:31:08,030
REBA McENTIRE AND LITTLE BIG
TOWN'S KAREN FAIRCHILD AND
414
00:31:08,060 --> 00:31:15,030
KIMBERLY SCHLAPMAN.
415
00:31:15,060 --> 00:31:18,750
♪>> SINGING IT FOR THE GIRLS!
416
00:31:18,790 --> 00:31:21,000
>> ♪ THANK YOU FOR BEING A
FRIEND ♪
417
00:31:21,030 --> 00:31:23,790
♪ TRAVELED DOWN A ROAD AND BACK
AGAIN ♪
418
00:31:23,820 --> 00:31:31,030
♪ YOUR HEART IS TRUE
♪ YOU'RE A PAL AND A CONFIDANT
419
00:31:31,060 --> 00:31:34,480
♪>> ♪ AND IF YOU THREW A PARTY
420
00:31:34,510 --> 00:31:39,860
♪ INVITED EVERYONE YOU KNEW
>> ♪ YOU WOULD SEE THE BIGGEST
421
00:31:39,890 --> 00:31:43,580
GIFT WOULD BE FROM ME ♪
♪ AND THE CARD ATTACHED WOULD
422
00:31:43,620 --> 00:31:46,240
SAY ♪
>> ♪ THANK YOU FOR BEING A
423
00:31:46,270 --> 00:31:54,130
FRIEND ♪
>> ♪ AND IF YOU THREW A PARTY
424
00:31:54,170 --> 00:32:00,620
♪ INVITED EVERYONE YOU KNEW
>> ♪ YOU WOULD SEE THE BIGGEST
425
00:32:00,650 --> 00:32:04,650
GIFT WOULD BE FROM ME ♪
♪ AND THE CARD ATTACHED WOULD
426
00:32:04,680 --> 00:32:07,790
SAY ♪
>> ♪ THANK YOU FOR BEING A
427
00:32:07,820 --> 00:32:11,650
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
428
00:32:11,680 --> 00:32:16,000
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
429
00:32:16,030 --> 00:32:20,200
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
430
00:32:20,240 --> 00:32:29,790
FRIEND ♪ ♪
431
00:32:29,820 --> 00:32:44,720
>> HERE IT COMES.
432
00:32:44,750 --> 00:32:46,960
>> HERE IT COMES.
433
00:32:47,000 --> 00:32:49,890
BLANCHE, DOROTHY, SOPHIA, AND
ROSE -- ICONIC CHARACTERS WHO WE
434
00:32:49,930 --> 00:32:52,200
CONTINUE TO LOVE 40 YEARS AFTER
THEY FIRST GRACED OUR TELEVISION
435
00:32:52,240 --> 00:32:56,340
SCREENS.
>> TO THE CHARACTERS AND THE
436
00:32:56,370 --> 00:33:00,170
LEGENDS WHO BROUGHT THEM TO
LIFE, THANK YOU FOR BEING OUR
437
00:33:00,200 --> 00:33:04,030
FRIENDS.
>> HERE ARE THE NOMINEES FOR
438
00:33:04,060 --> 00:33:08,130
SUPPORTING ACTRESS IN A COMEDY
SERIES.
439
00:33:08,170 --> 00:33:10,200
>> LIZA COLÓN-ZAYAS.
"THE BEAR."
440
00:33:10,240 --> 00:33:12,000
HANNAH EINBINDER.
"HACKS."
441
00:33:12,030 --> 00:33:14,550
KATHRYN HAHN.
"THE STUDIO."
442
00:33:14,580 --> 00:33:16,820
JANELLE JAMES.
"ABBOTT ELEMENTARY."
443
00:33:16,860 --> 00:33:19,410
CATHERINE O'HARA.
"THE STUDIO."
444
00:33:19,440 --> 00:33:21,790
SHERYL LEE RALPH.
"ABBOTT ELEMENTARY."
445
00:33:21,820 --> 00:33:28,820
JESSICA WILLIAMS.
"SHRINKING."
446
00:33:28,860 --> 00:33:32,410
>> AND THE EMMY GOES TO...
HANNAH EINBINDER.
447
00:33:32,440 --> 00:33:40,820
"HACKS."
448
00:33:40,860 --> 00:33:44,440
>> Announcer: THIS IS THE
FIRST EMMY WIN AND FOURTH
449
00:33:44,480 --> 00:33:51,550
NOMINATION IN THIS CATEGORY FOR
HANNAH EINBINDER FOR HER PORTRAY
450
00:33:51,580 --> 00:33:59,820
PORTRAYAL ON "HACKS." ♪
451
00:33:59,860 --> 00:34:03,860
>> CONGRATULATIONS!
>> WOW.
452
00:34:03,890 --> 00:34:08,550
THANK YOU SO MUCH!
THANK YOU.
453
00:34:08,580 --> 00:34:12,620
WOW.
YEAH, SORRY, I'M THINKING OUT
454
00:34:12,650 --> 00:34:15,100
LOUD HERE.
I WAS JUST REALLY COMMITTED TO
455
00:34:15,130 --> 00:34:17,930
THE PERSONAL NARRATIVE I HAD
THAT IT'S ACTUALLY COOLER TO
456
00:34:17,960 --> 00:34:21,030
CONTINUE TO LOSE.
I WAS PRETTY COMMITTED TO THAT.
457
00:34:21,060 --> 00:34:24,890
HAD TO BE, RIGHT?
BUT THIS IS COOL, TOO.
458
00:34:24,930 --> 00:34:27,340
THIS IS ALSO A PUNK ROCK.
459
00:34:27,370 --> 00:34:31,410
I WANT TO THANK THE CREATORS OF
"HACKS."
460
00:34:31,440 --> 00:34:34,480
FOR CHANGING MY LIFE IN EVERY
461
00:34:34,510 --> 00:34:37,200
CONCEIVABLE WAY.
NOT JUST BY GIVING ME A GREAT
462
00:34:37,240 --> 00:34:41,340
GIG, BUT BY BEING MY FRIENDS AND
BEING MY FAMILY.
463
00:34:41,370 --> 00:34:45,030
OH, HERE I GO.
464
00:34:45,060 --> 00:34:49,720
AND I WANT TO THANK JEAN SMART,
WHO IS LIKE THE SUN AND I GET TO
465
00:34:49,750 --> 00:34:53,650
STAND IN HER WARMTH.
I ALSO WANT TO THANK THE CAST
466
00:34:53,680 --> 00:34:56,370
AND CREW OF "HACKS."
FINALLY -- I WILL BE THE
467
00:34:56,410 --> 00:34:59,240
DIFFERENCE, SORRY.
468
00:34:59,270 --> 00:35:07,270
FINALLY, I JUST WANT TO SAY GO
BIRDS.
469
00:35:07,310 --> 00:35:11,620
AND FREE PALESTINE.
THANK YOU.
470
00:35:20,030 --> 00:35:21,030
♪>> Announcer: COMING UP, AN
471
00:35:21,060 --> 00:35:24,100
APPEARANCE BY LEANNE MORGAN.
THEN, JAMES MARSDEN,
472
00:35:24,130 --> 00:35:28,240
STERLING K. BROWN, AND
JULIANNE NICHOLSON PRESENT THE
473
00:35:28,270 --> 00:35:33,270
AWARD FOR SUPPORTING ACTOR IN A
COMEDY SERIES.
474
00:35:47,030 --> 00:35:50,000
♪>> Nate: WELCOME BACK TO THE
475
00:35:50,030 --> 00:35:53,000
EMMYS.
CONGRATULATIONS, HANNAH.
476
00:35:53,030 --> 00:35:56,580
I BELIEVE SHE SAID SHE WAS GOING
TO PAY FOR IT.
477
00:35:56,620 --> 00:36:00,680
I JUST WANT TO MAKE SURE THEY
SEPARATE THAT FROM THE AMOUNT I
478
00:36:00,720 --> 00:36:01,860
SAID.
479
00:36:01,890 --> 00:36:06,130
I WILL FIND HER LATER.
SHE ALSO CURSED, AND LET ME TELL
480
00:36:06,170 --> 00:36:10,410
YOU, I WILL START A SWEAR JAR
WHEELS ASKED IF Y'ALL DON'T --
481
00:36:10,440 --> 00:36:14,170
WHAT IS THE MONEY AT?
482
00:36:14,200 --> 00:36:17,240
I KNOW.
IT'S TOUGH WHEN YOU SEE IT ON
483
00:36:17,270 --> 00:36:21,200
TV.
484
00:36:21,240 --> 00:36:27,000
$80,000.
IT IS ALL GOING TO WORK OUT.
485
00:36:27,030 --> 00:36:29,370
JUST WHEN EVERYBODY THOUGHT THEY
CAN'T UNDERSTAND WHAT I'M
486
00:36:29,410 --> 00:36:32,480
SAYING, I THOUGHT, LET'S BRING
OUT SOMEONE WITH A THICKER
487
00:36:32,510 --> 00:36:35,270
TENNESSEE ACCENT THAN MINE.
FROM THE NETFLIX SITCOM
488
00:36:35,310 --> 00:36:39,370
"LEANNE," PLEASE WELCOME MY
DEAR FRIEND LEANNE MORGAN.
489
00:36:44,370 --> 00:36:56,100
♪>> OH, MY GOSH, I'M SO TICKLED
490
00:36:56,130 --> 00:36:58,000
TO BE HERE!
THIS HAS BEEN A DREAM OF MINE
491
00:36:58,030 --> 00:37:04,000
SINCE I WAS A LITTLE BITTY GIRL,
AND Y'ALL ARE JUST AS BEAUTIFUL
492
00:37:04,030 --> 00:37:07,060
AS I THOUGHT Y'ALL WERE GOING TO
BE.
493
00:37:07,100 --> 00:37:11,060
PEDRO PASCAL, LOOK AT YOU!
MY DARLING!
494
00:37:11,100 --> 00:37:13,890
HONEY!
495
00:37:13,930 --> 00:37:20,620
OH, MY GOSH, EVERYBODY IS SO
DISCIPLINED AND TINY.
496
00:37:20,650 --> 00:37:25,270
WALTON GOGGINS, I COULD NOT GET
MY TOE IN HIS PANTS.
497
00:37:25,310 --> 00:37:27,030
Y'ALL ARE ALL BEAUTIFUL.
OH, MY GOSH.
498
00:37:27,060 --> 00:37:34,370
I KNOW, I'VE GOT TO GET ON THIS.
OH, NOT THAT YET.
499
00:37:34,410 --> 00:37:36,960
CAN Y'ALL TELL I'M SO EXCITED?
500
00:37:37,000 --> 00:37:40,790
OKAY.
CAN I PULL YOU IN FOR A CHAT?
501
00:37:40,820 --> 00:37:44,750
THAT'S WHAT ALL THOSE YOUNG
PEOPLE SAY ON "LOVE ISLAND," AND
502
00:37:44,790 --> 00:37:47,510
I'M SO OBSESSED WITH THAT SHOW!
IN FACT, AS SOMEONE WHO'S
503
00:37:47,550 --> 00:37:49,170
MARRIED AND A MOM, I AM OBSESSED
WITH EVERY NOMINEE IN THE
504
00:37:49,200 --> 00:37:51,510
REALITY COMPETITION SERIES
CATEGORY.
505
00:37:51,550 --> 00:37:57,310
Y'ALL STAY WITH ME ON THIS.
PEDRO.
506
00:37:57,340 --> 00:37:58,480
"THE AMAZING RACE" DESCRIBES ME
507
00:37:58,510 --> 00:38:03,130
GETTING TO THE AIRPORT.
508
00:38:03,170 --> 00:38:05,240
MY MAKEUP WILL NEVER BE AS GOOD
AS ALL THOSE BEAUTIES ON
509
00:38:05,270 --> 00:38:11,060
"RuPAUL'S DRAG RACE."
510
00:38:11,100 --> 00:38:18,310
"SURVIVOR."
511
00:38:18,340 --> 00:38:21,480
I'M A SURVIVOR.
I'VE BEEN MARRIED FOR 33 YEARS.
512
00:38:21,510 --> 00:38:27,720
I'M THE "TOP CHEF" IN MY HOUSE.
"TOP CHEF!"
513
00:38:27,750 --> 00:38:29,930
ANY MOM WHO PLAYS MAHJONG CAN
RELATE TO THE TREACHERY,
514
00:38:29,960 --> 00:38:39,000
GOSSIP, AND BACKSTABBING ON
"THE TRAITORS."
515
00:38:39,030 --> 00:38:41,650
I DON'T PLAY MAHJONG.
516
00:38:41,680 --> 00:38:45,030
I DON'T HAVE IT IN ME TO LEARN
NEW THINGS.
517
00:38:45,060 --> 00:38:48,820
AND THOSE ARE THE NOMINEES FOR
THE REALITY COMPETITION PROGRAM.
518
00:38:48,860 --> 00:38:56,480
AND THE EMMY GOES TO...
"THE TRAITORS."
519
00:39:05,680 --> 00:39:08,370
>> Announcer: "THE TRAITORS"
HAS WON ALL FIVE OF THEIR
520
00:39:08,410 --> 00:39:12,200
NOMINATIONS THIS YEAR.
THIS IS THE SECOND CONSECUTIVE
521
00:39:12,240 --> 00:39:14,440
WINS CATEGORY.
ACCEPTING THE EMMY ON THEIR
522
00:39:14,480 --> 00:39:17,960
BEHALF IS TO BE 26.
>> QUICK, EVERYONE, THE CLOCK IS
523
00:39:18,000 --> 00:39:21,680
TICKING AND WE HAVE A SHIELD!
THANK YOU TO THE ACADEMY, THE
524
00:39:21,720 --> 00:39:23,030
SPORT IS A LOVELY.
WE APPRECIATE IT.
525
00:39:23,060 --> 00:39:27,310
THANKS EVERYONE HE WATCHES THE
SHOW AND ALL THE PEOPLE WHO HAVE
526
00:39:27,340 --> 00:39:28,550
"TRAITORS" PARTIES AND DRESS UP
AS ME.
527
00:39:28,580 --> 00:39:31,000
WE SEE YOU AND WE LOVE YOU.
THANK YOU TO PEACOCK, THE BEST
528
00:39:31,030 --> 00:39:35,680
COLLABORATORS.
THANK YOU TO STUDIO LAMBERT TO
529
00:39:35,720 --> 00:39:41,820
BE SO FECUND.
THANK YOU TO OUR CRAZY CAST AT
530
00:39:41,860 --> 00:39:44,000
OUR CREW AND SCOTLAND WHO HAD TO
UNDERSTAND THE CONCEPT OF THE
531
00:39:44,030 --> 00:39:45,650
SCOTTISH SUMMER AS SOMETIMES
OXYMORONIC.
532
00:39:45,680 --> 00:39:48,030
IT'S A DIFFICULT TIM WE LIVE IN
BUT IT IS SO GREAT THAT OUR SHOW
533
00:39:48,060 --> 00:39:50,890
BRINGS A LITTLE BIT OF JOY INTO
THIS LIFE.
534
00:39:50,930 --> 00:39:54,720
TALKING OF JOY, THANK YOU, GRANT
SCHAEFER, WHO BRINGS JOY INTO MY
535
00:39:54,750 --> 00:39:57,410
LIFE EVERY SINGLE DAY.
THANK YOU SO MUCH.
536
00:40:06,480 --> 00:40:15,790
♪>> Announcer: PLEASE WELCOME
537
00:40:15,820 --> 00:40:18,620
TWO-TIME EMMY NOMINEE
JAMES MARSDEN, EMMY
538
00:40:18,650 --> 00:40:20,550
WINNER JULIANNE NICHOLSON, AND
THREE-TIME EMMY WINNER
539
00:40:20,580 --> 00:40:22,270
STERLING K. BROWN.
540
00:40:22,310 --> 00:40:31,030
♪>> DON'T WORRY ABOUT US!
541
00:40:31,060 --> 00:40:32,440
GREAT TO SHARE THE EMMYS
STAGE WITH TWO OF MY ALL-TIME
542
00:40:32,480 --> 00:40:34,000
FAVORITE SCENE PARTNERS.
>> COME ON, JAMES.
543
00:40:34,030 --> 00:40:35,680
YOU KNOW YOU'RE THE MAN.
I LOVE WORKING WITH YOU BOTH ON
544
00:40:35,720 --> 00:40:37,890
"PARADISE."
>> AND THANK YOU ALL FOR THE
545
00:40:37,930 --> 00:40:41,340
LOVE YOU'VE SHOWN TO OUR SHOW.
>> BUT WE ARE A LITTLE BIT
546
00:40:41,370 --> 00:40:45,310
MIFFED ABOUT OUR SHOW NOT BEING
VIEWED AS A COMEDY.
547
00:40:45,340 --> 00:40:47,550
>> AFTER ALL, JULIANNE WON AN
EMMY FOR HER COMEDIC PERFORMANCE
548
00:40:47,580 --> 00:40:51,410
ON "HACKS."
549
00:40:51,440 --> 00:40:53,480
>> AND, STERLING, YOU'VE BEEN
NOMINATED FOR YOUR COMEDIC
550
00:40:53,510 --> 00:40:55,550
PERFORMANCES IN
"BROOKLYN NINE-NINE" AND
551
00:40:55,580 --> 00:40:59,960
"THE MARVELOUS MRS. MAISEL."
>> THANK YOU VERY MUCH.
552
00:41:00,000 --> 00:41:04,650
AND, JAMES, YOU WERE
NOMINATED FOR "JURY DUTY."
553
00:41:04,680 --> 00:41:09,960
AND THAT'S FUNNY STUFF.
>> THANK YOU.
554
00:41:10,000 --> 00:41:11,480
SO I JUST DON'T GET HOW THREE
COMEDIC POWERHOUSES WERE
555
00:41:11,510 --> 00:41:14,750
OVERLOOKED FOR OUR WORK IN
"PARADISE."
556
00:41:14,790 --> 00:41:16,680
>> WHAT'S FUNNIER THAN 25,000
PEOPLE EVADING THE END OF THE
557
00:41:16,720 --> 00:41:18,240
WORLD BY MOVING INTO A BUNKER?
COMPARED TO HEADLINES THESE
558
00:41:18,270 --> 00:41:24,000
DAYS, THAT'S POSITIVELY
FEEL-GOOD TV.
559
00:41:24,030 --> 00:41:26,750
>> AND IT'S EVEN FUNNIER HOW
YOUR WIFE IN THE SHOW MISSED THE
560
00:41:26,790 --> 00:41:31,890
PLANE THAT TOOK US TO THE
BUNKER, BUT YOUR BARBER DIDN'T.
561
00:41:31,930 --> 00:41:36,480
BECAUSE YOUR FADE WAS TIGHT
EVERY EPISODE.
562
00:41:36,510 --> 00:41:42,370
>> I'VE GOT TO KEEP THIS TIGHT,
BABY, YOU KNOW WHAT I'M SAYING.
563
00:41:42,410 --> 00:41:44,510
>> SO, EMMY VOTERS, KEEP US IN
MIND FOR NEXT YEAR.
564
00:41:44,550 --> 00:41:46,820
>> NOW, HERE ARE THE NOMINEES
FOR SUPPORTING ACTOR IN A COMEDY
565
00:41:46,860 --> 00:41:48,720
SERIES.
>> IKE BARINHOLTZ.
566
00:41:48,750 --> 00:41:50,750
"THE STUDIO."
COLMAN DOMINGO.
567
00:41:50,790 --> 00:41:52,410
"THE FOUR SEASONS."
HARRISON FORD.
568
00:41:52,440 --> 00:41:54,170
"SHRINKING."
JEFF HILLER.
569
00:41:54,200 --> 00:41:56,620
"SOMEBODY SOMEWHERE."
EBON MOSS-BACHRACH.
570
00:41:56,650 --> 00:41:58,790
"THE BEAR."
MICHAEL URIE.
571
00:41:58,820 --> 00:42:01,340
"SHRINKING."
BOWEN YANG.
572
00:42:01,370 --> 00:42:10,000
"SATURDAY NIGHT LIVE."
>> OKAY, AND THE EMMY GOES TO...
573
00:42:10,030 --> 00:42:14,820
JEFF HILLER.
"SOMEBODY SOMEWHERE."
574
00:42:19,890 --> 00:42:22,750
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
575
00:42:22,790 --> 00:42:26,930
FOR JEFF HILLER.
576
00:42:35,270 --> 00:42:41,820
>> CONGRATS!
>> I FEEL LIKE I'M GOING TO CRY,
577
00:42:41,860 --> 00:42:46,060
BECAUSE FOR THE PAST 25 YEARS I
HAVE BEEN LIKE, WORLD, I WANT TO
578
00:42:46,100 --> 00:42:48,720
BE AN ACTOR!
IN THE WORLD WAS LIKE, MAYBE
579
00:42:48,750 --> 00:42:50,960
COMPUTERS.
580
00:42:51,000 --> 00:42:55,440
I JUST WANT TO SAY THANK YOU TO
HBO FOR PUTTING A SHOW ABOUT
581
00:42:55,480 --> 00:43:02,030
SWEATY MIDDLE-AGE PEOPLE ON THE
SAME NETWORK AS THE SEXY TEENS
582
00:43:02,060 --> 00:43:04,820
OF "EUPHORIA."
583
00:43:04,860 --> 00:43:09,680
THANK YOU TO THE DUPLASS
BROTHERS.
584
00:43:09,720 --> 00:43:12,820
FOR WRITING A SHOW THAT
585
00:43:12,860 --> 00:43:16,890
CONNECTING AND LOVE IN THIS TIME
WHEN COMPASSION IS SEEN AS A
586
00:43:16,930 --> 00:43:18,650
WEAKNESS.
THANK YOU TO MY SWEET HUSBAND
587
00:43:18,680 --> 00:43:21,000
AND MY FAMILY FOR NEVER LAUGHING
AT ME, AND MOST OF ALL,
588
00:43:21,030 --> 00:43:24,340
THANK YOU, BRIDGET EVERETT.
YOU CHANGED MY LIFE AND YOU TOLD
589
00:43:24,370 --> 00:43:28,370
SO MANY PEOPLE TO BELIEVE IN
THEMSELVES, AND THEY DO.
590
00:43:28,410 --> 00:43:36,000
THANK YOU.
591
00:43:36,030 --> 00:43:37,200
♪>> Announcer: COMING UP NEXT,
592
00:43:37,240 --> 00:43:39,060
WALTON GOGGINS, PARKER POSEY,
AND ELIZABETH BANKS TAKE THE
593
00:43:39,100 --> 00:43:42,270
STAGE.
LATER, WE CELEBRATE 35 YEARS OF
594
00:43:42,310 --> 00:43:46,030
"LAW & ORDER."
AND STILL AHEAD, LAINEY WILSON
595
00:43:46,060 --> 00:43:51,240
AND VINCE GILL SALUTE THE
LEGENDS WE LOST THIS YEAR.
596
00:43:51,270 --> 00:43:52,270
THIS IS CBS. ♪
597
00:44:12,030 --> 00:44:16,410
>> Nate: WELCOME BACK TO THE
EMMYS.
598
00:44:16,440 --> 00:44:21,000
BEFORE I BRING UP THE NEXT
PRESENTERS, JUST SO YOU KNOW,
599
00:44:21,030 --> 00:44:25,240
THE MONEY -- I THINK WE ARE
AT -- I DON'T KNOW, IS A GOOD?
600
00:44:25,270 --> 00:44:29,860
OH, GOOD NIGHT.
ALL RIGHT.
601
00:44:29,890 --> 00:44:32,820
IT'S GOING GOOD FOR ME.
602
00:44:32,860 --> 00:44:35,310
BEFORE I MET OUR NEXT
PRESENTERS, I THOUGHT THEY WERE
603
00:44:35,340 --> 00:44:37,890
GOING TO BE A LOT.
BUT THEY WERE ACTUALLY QUITE
604
00:44:37,930 --> 00:44:40,410
LOVELY.
PLEASE WELCOME EMMY NOMINEES
605
00:44:40,440 --> 00:44:43,650
WALTON GOGGINS AND PARKER POSEY.
606
00:44:56,310 --> 00:44:59,510
>> WE SPENT EIGHT MONTHS IN
THAILAND SHOOTING THE THIRD
607
00:44:59,550 --> 00:45:07,860
SEASON OF "THE WHITE LOTUS."
>> YES, IT WAS SO BEAUTIFUL
608
00:45:07,890 --> 00:45:09,930
THERE!
AND THE FOOD WAS DELICIOUS.
609
00:45:09,960 --> 00:45:14,030
JUST DIVINE.
>> IT WAS, WASN'T IT?
610
00:45:14,060 --> 00:45:15,620
I WISH I HAD SOME RIGHT NOW.
>> THAI THAI FOOD, OR AMERICAN
611
00:45:15,650 --> 00:45:20,000
THAI FOOD?
>> THAI THAI FOOD.
612
00:45:20,030 --> 00:45:22,060
>> YOU ARE TIRED?
>> I'M NOT TIRED.
613
00:45:22,100 --> 00:45:25,000
I JUST WANT SOME THAI FOOD THAT
YOU ONLY GET IN THAILAND.
614
00:45:25,030 --> 00:45:30,000
>> THIS IS MAKING ME HUNGRY.
>> OKAY, BUT FIRST WE HAVE TO
615
00:45:30,030 --> 00:45:31,550
SHOW THE NOMINEES FOR
OUTSTANDING DIRECTING FOR A
616
00:45:31,580 --> 00:45:33,620
COMEDY SERIES.
>> AYO EDEBIRI.
617
00:45:33,650 --> 00:45:38,000
"THE BEAR."
LUCIA ANIELLO.
618
00:45:38,030 --> 00:45:40,030
"HACKS."
JAMES BURROWS.
619
00:45:40,060 --> 00:45:42,550
"MID-CENTURY MODERN."
NATHAN FIELDER.
620
00:45:42,580 --> 00:45:44,960
"THE REHEARSAL."
SETH ROGEN AND EVAN GOLDBERG.
621
00:45:45,000 --> 00:45:57,890
"THE STUDIO."
>> AND THE EMMY GOES TO...
622
00:45:57,930 --> 00:46:02,510
SETH ROGEN!
623
00:46:14,000 --> 00:46:17,550
>> I THINK WE SHARE THIS, WHICH
IS PRETTY COOL.
624
00:46:17,580 --> 00:46:20,170
>> I CALL THE TOP.
>> OKAY, THANKS.
625
00:46:20,200 --> 00:46:22,820
THANK YOU AGAIN, THIS IS SO
LOVELY.
626
00:46:22,860 --> 00:46:25,200
THANK YOU TO OUR CAST AND CREW
WITHOUT HIM OBVIOUSLY THIS WOULD
627
00:46:25,240 --> 00:46:29,240
NOT BE POSSIBLE.
628
00:46:29,270 --> 00:46:33,000
ALL OF YOU.
THE WAY THAT WE MAKE THIS SHOW,
629
00:46:33,030 --> 00:46:36,000
EVERYONE REALLY HAS TO COME
TOGETHER IN SORT OF A GLORIOUS
630
00:46:36,030 --> 00:46:37,030
PASSION, SO THANK YOU ALL FOR
YOUR HARD WORK.
631
00:46:37,060 --> 00:46:41,000
THIS WOULD NOT BE POSSIBLE
WITHOUT ALL OF YOU.
632
00:46:41,030 --> 00:46:43,790
>> THOSE ARE THOSE PEOPLE, AND I
JUST WANT TO THANK MY FAMILY, MY
633
00:46:43,820 --> 00:46:47,130
KIDS, DUSTY AND BOOMER, AND MY
WIFE, LISA.
634
00:46:47,170 --> 00:46:51,750
>> I LOVE MY WIFE!
HE SAID YOU WOULDN'T DO THIS!
635
00:46:51,790 --> 00:46:53,960
>> AND MILLIE, I WANT TO THANK
HER.
636
00:46:54,000 --> 00:46:57,240
>> WE ARE UNDER!
THANK YOU!
637
00:46:59,100 --> 00:47:00,680
>> Announcer: PLEASE WELCOME
FOUR-TIME EMMY NOMINEE
638
00:47:00,720 --> 00:47:04,060
ELIZABETH BANKS.
639
00:47:15,030 --> 00:47:18,720
>> GOOD EVENING.
IF YOU'RE UNFAMILIAR WITH MY
640
00:47:18,750 --> 00:47:23,890
WORK, I'M AN ACTRESS, A DIRECTOR
A PRODUCER, A SPOKESWOMAN, A
641
00:47:23,930 --> 00:47:30,340
LEGO HEROINE, AND THE HOST OF
THE GAME SHOW "PRESS YOUR LUCK."
642
00:47:30,370 --> 00:47:33,030
THANKS.
643
00:47:33,060 --> 00:47:34,820
IF YOU'RE UNFAMILIAR WITH MY
WORK, WHY ARE YOU HERE, AND HOW
644
00:47:34,860 --> 00:47:37,620
DID YOU GET IN?
645
00:47:37,650 --> 00:47:41,790
I'M PRESENTING THE AWARD FOR
DIRECTING FOR A LIMITED OR
646
00:47:41,820 --> 00:47:50,060
ANTHOLOGY SERIES OR MOVIE, WHICH
IS A LOT OF STUFF, RIGHT?
647
00:47:50,100 --> 00:47:52,100
THIS IS THE CATEGORY, TO
SIMPLIFY, WHERE MOVIE
648
00:47:52,130 --> 00:47:54,130
STARS DABBLE IN TV WITHOUT
HAVING TO COMMIT TO PLAYING THE
649
00:47:54,170 --> 00:47:56,030
SAME ROLE FOR EIGHT YEARS.
WHEN WAS THE LAST TIME A
650
00:47:56,060 --> 00:48:01,960
DIRECTING CATEGORY HAD FIVE
WOMEN AND ONE MAN?
651
00:48:02,000 --> 00:48:03,270
YEAH.
652
00:48:03,310 --> 00:48:05,720
I DID NOT BOTHER TO LOOK THAT
UP, BUT I THINK WE ALL AGREE IT
653
00:48:05,750 --> 00:48:07,000
WAS NEVER.
IN THIS YEAR'S NOMINEES ARE
654
00:48:07,030 --> 00:48:13,000
HELEN SHAVER FOR "THE PENGUIN."
SHANNON MURPHY FOR
655
00:48:13,030 --> 00:48:21,580
"DYING FOR SEX."
NICOLE KASSELL FOR "SIRENS."
656
00:48:21,620 --> 00:48:26,310
JENNIFER GETZINGER FOR
"THE PENGUIN."
657
00:48:26,340 --> 00:48:33,340
LESLI LINKA GLATTER FOR
"ZERO DAY."
658
00:48:33,370 --> 00:48:45,030
AND PHILIP BARANTINI FOR
"ADOLESCENCE," WHICH IS KIND OF
659
00:48:45,060 --> 00:48:48,030
POETIC, IF YOU THINK ABOUT IT,
BECAUSE PHILIP, YOU'RE THE
660
00:48:48,060 --> 00:48:54,860
"ONER."
IF YOU KNOW, YOU KNOW.
661
00:48:54,890 --> 00:48:59,790
AND THE EMMY GOES TO...
PHILIP BARANTINI.
662
00:48:59,820 --> 00:49:03,310
>> Announcer: THIS IS THE
FIRST EMMY WIN AND SECOND
663
00:49:03,340 --> 00:49:06,580
NOMINATION THIS YEAR FOR PHILIP
BARANTINI, WHO WAS ALSO
664
00:49:06,620 --> 00:49:11,030
NOMINATED AS PART OF THE
PRODUCING TEAM FOR "ADOLE
665
00:49:11,060 --> 00:49:12,030
"ADOLESCENCE." ♪
666
00:49:23,890 --> 00:49:27,000
>> OH, MY GOSH.
THANK YOU SO MUCH.
667
00:49:27,030 --> 00:49:31,130
I'LL BE VERY QUICK.
THANK YOU SO MUCH TO THE
668
00:49:31,170 --> 00:49:33,550
ACADEMY, TO ALL OF MY AMAZING
CAST.
669
00:49:33,580 --> 00:49:39,930
THE WHOLE ENSEMBLE, ALL OF YOU.
670
00:49:39,960 --> 00:49:43,170
TO ALL THE CREW, THIS AWARD IS
FOR THEM AS MUCH AS IT IS FOR
671
00:49:43,200 --> 00:49:45,170
ME.
TO JACK AND STEVEN, THANK YOU
672
00:49:45,200 --> 00:49:50,000
FOR WRITING SOMETHING SO RAW, SO
URGENT, AND SO ABSOLUTELY
673
00:49:50,030 --> 00:49:53,510
MATT LEWIS, MY INCREDIBLE
EMMY-WINNING CINEMATOGRAPHER, I
674
00:49:53,550 --> 00:49:58,240
LOVE YOU.
TO THE PRODUCERS --
675
00:49:58,270 --> 00:50:00,860
YOU ARE MY RIGHT AND LEFT ARM ON
676
00:50:00,890 --> 00:50:04,030
THIS, I LOVE YOU TO BITS.
TO NETFLIX, THANK YOU FOR
677
00:50:04,060 --> 00:50:09,100
TRUSTING US WITH THIS MAD IDEA.
TO MY WIFE, MY BEAUTIFUL
678
00:50:09,130 --> 00:50:13,130
DAUGHTER, ALL OF MY FAMILY.
OH, NO.
679
00:50:13,170 --> 00:50:19,480
LASTLY, MUM, I SAID I WOULD MAKE
680
00:50:19,510 --> 00:50:22,410
YOU PROUD AND I WILL CONTINUE TO
DO SO.
681
00:50:22,440 --> 00:50:23,170
THANK YOU.
682
00:50:23,200 --> 00:50:27,100
♪>> Announcer: COMING UP,
683
00:50:27,130 --> 00:50:31,000
JESSE WILLIAMS.
AND, THE EMMYS CELEBRATE
684
00:50:31,030 --> 00:50:32,960
25 YEARS OF "SURVIVOR" WITH
JEFF PROBST.
685
00:50:33,000 --> 00:50:35,650
THEN LATER, SYDNEY SWEENEY TAKES
THE STAGE.
686
00:50:35,680 --> 00:50:38,200
PLUS, ALEXIS BLEDEL AND
LAUREN GRAHAM TEAM UP FOR A
687
00:50:38,240 --> 00:50:40,240
"GILMORE GIRLS" REUNION.
THIS IS CBS.
688
00:51:02,200 --> 00:51:03,170
♪>> PLEASE WELCOME ACTOR AND
689
00:51:03,200 --> 00:51:05,200
PRODUCER JESSE WILLIAMS.
690
00:51:10,200 --> 00:51:11,310
♪>> GOOD EVENING.
691
00:51:11,340 --> 00:51:14,510
THE JOB OF A TELEVISION
DIRECTOR REQUIRES LEADERSHIP
692
00:51:14,550 --> 00:51:21,680
SKILLS, TECHNICAL EXPERTISE, AND
THE ABILITY OF TRANSLATING
693
00:51:21,720 --> 00:51:23,340
A SCRIPT INTO COMPELLING VISUALS
BY GUIDING BOTH THE ACTORS AND
694
00:51:23,370 --> 00:51:27,650
THE CAMERA TO TELL A COHESIVE
STORY.
695
00:51:27,680 --> 00:51:29,620
PREFERABLY WITHOUT MEAL
PENALTIES.
696
00:51:29,650 --> 00:51:33,620
THAT PERFECTLY DESCRIBES THESE
DIRECTORS TONIGHT.
697
00:51:33,650 --> 00:51:35,310
HERE ARE THE NOMINEES FOR
DIRECTING FOR A DRAMA SERIES.
698
00:51:35,340 --> 00:51:37,100
>> JANUS METZ.
"ANDOR."
699
00:51:37,130 --> 00:51:39,580
AMANDA MARSALIS.
"THE PITT."
700
00:51:39,620 --> 00:51:41,790
JOHN WELLS.
"THE PITT."
701
00:51:41,820 --> 00:51:43,820
JESSICA LEE GAGNE.
"SEVERANCE."
702
00:51:43,860 --> 00:51:46,240
BEN STILLER.
"SEVERANCE."
703
00:51:46,270 --> 00:51:49,240
ADAM RANDALL.
"SLOW HORSES."
704
00:51:49,270 --> 00:51:58,200
MIKE WHITE.
"THE WHITE LOTUS."
705
00:51:58,240 --> 00:52:02,580
>> AND THE EMMY GOES TO...
ADAM RANDALL.
706
00:52:02,620 --> 00:52:07,930
"SLOW HORSES."
707
00:52:07,960 --> 00:52:14,680
♪>> Announcer: THIS IS THE
708
00:52:14,720 --> 00:52:17,960
FIRST EMMY WIN AND NOMINATION
FOR ADAM RANDALL.
709
00:52:32,860 --> 00:52:34,440
>> THANK YOU.
WOW, THAT IS UNEXPECTED.
710
00:52:34,480 --> 00:52:37,270
THANK YOU VERY MUCH.
FIRST AND FOREMOST I WANT TO
711
00:52:37,310 --> 00:52:40,890
THANK MY WIFE, NATALIE, WHO'S
BEEN ON THIS JOURNEY SINCE THE
712
00:52:40,930 --> 00:52:43,270
VERY BEGINNING, WITHOUT WHOSE
LOVE AND BELIEF I WOULDN'T BE
713
00:52:43,310 --> 00:52:46,510
STANDING HERE TODAY.
THIS IS AS MUCH YOURS AS IT IS
714
00:52:46,550 --> 00:52:50,060
MINE.
I WANT TO THANK MY KIDS, MY
715
00:52:50,100 --> 00:52:52,030
TEAM --
716
00:52:52,060 --> 00:52:58,720
HUGE THANK YOU TO APPLE TV.
TO MY AMAZING COLLABORATORS, TO
717
00:52:58,750 --> 00:53:05,100
GARY OLDMAN, THE LEGENDARY GARY
OLDMAN, DOUG URBANSKI, EVERYONE
718
00:53:05,130 --> 00:53:11,930
AT 60/40, EVERYONE AT SEESAW --
719
00:53:11,960 --> 00:53:13,310
AND THE MOST INCREDIBLE CAST AND
CREW.
720
00:53:13,340 --> 00:53:14,550
IT'S A PRIVILEGE WORKING WITH
YOU.
721
00:53:14,580 --> 00:53:17,410
THANKS SO MUCH.
THIS IS AN HONOR.
722
00:53:30,200 --> 00:53:31,410
♪>> Nate: ALL RIGHT, WE'RE
723
00:53:31,440 --> 00:53:35,550
MOVING ALONG PRETTY WELL.
I'VE GOT A BACKUP PLAN FOR THIS
724
00:53:35,580 --> 00:53:38,790
SPEECH THING.
I'M NOT TRYING TO BRAG, BUT I'VE
725
00:53:38,820 --> 00:53:42,310
ACTUALLY BEEN NOMINATED TWICE,
AND IF I WIN I PROMISE TO GIVE
726
00:53:42,340 --> 00:53:45,790
MY SPEECH IS SHORT.
>> Announcer: YOU ALREADY LOST.
727
00:53:45,820 --> 00:53:47,240
>> Nate: LOST?
WHEN?
728
00:53:47,270 --> 00:53:53,270
>> Announcer: LAST WEEKEND, AT
THE CREATIVE ARTS EMMYS.
729
00:53:53,310 --> 00:53:55,680
>> Nate: SO THESE ARE THE
NON-CREATIVE EMMYS?
730
00:53:55,720 --> 00:53:59,130
WHO DID I LOSE TO?
>> Announcer: THE MARK TWAIN
731
00:53:59,170 --> 00:54:01,030
PRIZE --
>> Nate: MARK TWAIN?
732
00:54:01,060 --> 00:54:11,240
HE'S STILL ALIVE?
HOW OLD IS HE?
733
00:54:11,270 --> 00:54:16,310
I THOUGHT WHEN YOU HOST THEY
HAVE TO GIVE IT TO YOU.
734
00:54:16,340 --> 00:54:17,860
ALL RIGHT, NOT EVERYBODY CAN BE
A WINNER.
735
00:54:17,890 --> 00:54:22,680
PLEASE WELCOME FIVE-TIME EMMY
WINNER -- FIVE?!
736
00:54:22,720 --> 00:54:25,030
GOLLY, THAT'S A LOT.
THE HOST OF "SURVIVOR,"
737
00:54:25,060 --> 00:54:26,030
JEFF PROBST.
738
00:54:38,270 --> 00:54:42,240
♪>> DURING "SURVIVOR'S" 25 YEARS
739
00:54:42,270 --> 00:54:48,170
ON CBS, 50 SEASONS OF OUR SHOW,
WITH THE WORLD WATCHING,
740
00:54:48,200 --> 00:54:51,370
CONTESTANTS MUST OUTWIT,
OUTPLAY, AND OUTLAST THE
741
00:54:51,410 --> 00:54:55,890
COMPETITION UNTIL ONE TAKES HOME
THE PRIZE.
742
00:54:55,930 --> 00:55:00,750
TONIGHT IS NO DIFFERENT, WITH
TWO TRIBES THAT BOTH HAVE DUG
743
00:55:00,790 --> 00:55:05,960
DEEP IN THEIR QUEST.
AND HERE THERE IS NO IMMUNITY TO
744
00:55:06,000 --> 00:55:09,650
PROTECT THEM.
745
00:55:09,680 --> 00:55:19,340
"LAST WEEK TONIGHT WITH
JOHN OLIVER.
746
00:55:19,370 --> 00:55:22,650
AND "SATURDAY NIGHT LIVE" -- DO
YOU BOTH KNOW THE PRIZE YOU ARE
747
00:55:22,680 --> 00:55:25,370
PLAYING FOR?
ALL RIGHT, THE VOTES HAVE BEEN
748
00:55:25,410 --> 00:55:28,680
TALLIED.
THE SOLE SURVIVOR FOR THE
749
00:55:28,720 --> 00:55:35,890
SCRIPTED VARIETY SERIES TROPHY
IN EMMYS' 77TH SEASON IS...
750
00:55:35,930 --> 00:55:40,000
"LAST WEEK TONIGHT WITH
JOHN OLIVER."
751
00:55:47,240 --> 00:55:49,620
>> Announcer: "LAST WEEK
TONIGHT WITH JOHN OLIVER" HAS
752
00:55:49,650 --> 00:55:52,370
RECEIVED SIX NOMINATIONS THIS
YEAR AND A TOTAL OVERALL OF 69.
753
00:55:52,410 --> 00:55:59,240
THIS YEAR'S NOMINATION INCLUDED
PRODUCTION DESIGN, WRITING,
754
00:55:59,270 --> 00:56:02,240
DIRECTING, AND SCRIPTED VARIETY
SERIES.
755
00:56:02,270 --> 00:56:08,060
ACCEPTING THE EMMY ON BEHALF OF
THE TEAM IS JOHN OLIVER.
756
00:56:08,100 --> 00:56:14,310
>> THANK YOU TO HBO, THANK YOU
TO OUR STAFF, ESPECIALLY LIZ
757
00:56:14,340 --> 00:56:16,240
STANTON AND JIM CARVILLE.
THANK YOU TO MY WIFE, I LOVE YOU
758
00:56:16,270 --> 00:56:19,580
VERY MUCH.
THANK YOU TO OUR CHILDREN,
759
00:56:19,620 --> 00:56:27,620
THAT'S GOT TO BE ENOUGH.
THAT'S A LOT OF MONEY FOR YOU.
760
00:56:27,650 --> 00:56:28,370
THANK YOU, GOODBYE!
761
00:56:28,410 --> 00:56:31,720
♪>> Announcer: COMING UP,
762
00:56:31,750 --> 00:56:33,790
HIROYUKI SANADA, ANNA SAWAI, AND
SYDNEY SWEENEY.
763
00:56:33,820 --> 00:56:35,960
THEN LATER, LAINEY WILSON AND
VINCE GILL PAY TRIBUTE TO THOSE
764
00:56:36,000 --> 00:56:40,550
WE LOST THIS YEAR.
PLUS, WHICH OF THESE SHOWS WILL
765
00:56:40,580 --> 00:56:44,310
TAKE HOME THE AWARD FOR
OUTSTANDING DRAMA SERIES?
766
00:56:44,340 --> 00:56:51,860
WE'LL FIND OUT WHEN WE RETURN.
767
00:56:51,890 --> 00:56:54,930
THE 77TH EMMY AWARDS ON CBS,
SPONSORED BY VOLKSWAGEN.
768
00:56:54,960 --> 00:56:56,960
NOW ANYBODY CAN DRIVE LIKE
SOMEBODY.
769
00:57:07,270 --> 00:57:08,240
♪>> Announcer: PLEASE WELCOME
770
00:57:08,270 --> 00:57:09,790
EMMY WINNERS HIROYUKI SANADA AND
ANNA SAWAI.
771
00:57:19,270 --> 00:57:21,550
>> IT HAS BEEN SAID THAT THE KEY
TO WRITING A GREAT DRAMA IS FOR
772
00:57:21,580 --> 00:57:25,000
THE WRITER TO CRAFT EVERY SCENE
WITH A PERFECT BLEND AND BALANCE
773
00:57:25,030 --> 00:57:29,100
TO THE ACTION, THE DIALOGUE, AND
THE NARRATIVE.
774
00:57:29,130 --> 00:57:33,130
>> AND, IN DOING JUST THAT, THIS
YEAR'S NOMINEES FOR WRITING FOR
775
00:57:33,170 --> 00:57:39,440
A DRAMA SERIES GAVE US SOME OF
THE MOST MEMORABLE AND POWERFUL
776
00:57:39,480 --> 00:57:43,480
TELEVISION OF THIS YEAR, OR ANY
YEAR.
777
00:57:43,510 --> 00:57:46,200
HERE ARE THE NOMINEES.
>> DAN GILROY.
778
00:57:46,240 --> 00:57:48,930
"ANDOR."
JOE SACHS.
779
00:57:48,960 --> 00:57:51,720
"THE PITT."
R. SCOTT GEMMILL.
780
00:57:51,750 --> 00:57:54,060
"THE PITT."
DAN ERICKSON.
781
00:57:54,100 --> 00:57:56,480
"SEVERANCE."
WILL SMITH.
782
00:57:56,510 --> 00:57:59,410
"SLOW HORSES."
MIKE WHITE.
783
00:57:59,440 --> 00:58:11,030
"THE WHITE LOTUS."
>> AND THE EMMY GOES TO...
784
00:58:11,060 --> 00:58:17,750
DAN GILROY.
"ANDOR."
785
00:58:19,000 --> 00:58:23,060
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
786
00:58:23,100 --> 00:58:24,100
FOR DAN GILROY. ♪
787
00:58:50,960 --> 00:58:53,340
>> THANK YOU, EVERYONE.
I THINK A LOT OF PEOPLE ARE
788
00:58:53,370 --> 00:58:55,170
SURPRISED.
IT WAS UNEXPECTED.
789
00:58:55,200 --> 00:59:00,130
OBVIOUSLY WE HAVE FRIENDS
EVERYWHERE.
790
00:59:00,170 --> 00:59:03,720
I WANT TO THANK THE FANS, WHO
791
00:59:03,750 --> 00:59:08,580
DID MORE THAN WATCH THE SHOW.
THEY LISTENED, THEY CARED, AND
792
00:59:08,620 --> 00:59:12,340
THEY MADE A STORY ABOUT ORDINARY
PEOPLE CITING IMPOSSIBLE ODDS
793
00:59:12,370 --> 00:59:14,410
POSSIBLE.
THIS WAS VERY SPECIAL BECAUSE I
794
00:59:14,440 --> 00:59:17,440
GOT TO WORK WITH BOTH MY
BROTHERS ON THE SHOW, TONY
795
00:59:17,480 --> 00:59:19,620
GILROY, THE SHOWRUNNER AND THE
CREATOR.
796
00:59:19,650 --> 00:59:24,060
IT IS ALL YOU, TONY.
AND MY BROTHER, EDITOR AND
797
00:59:24,100 --> 00:59:27,370
PRODUCER.
I VERY MUCH WANT TO THANK
798
00:59:27,410 --> 00:59:30,720
BOB IGER FOR HIS VISION, KATHY
KENNEDY FOR SUPPORTING THE SHOW
799
00:59:30,750 --> 00:59:40,410
FROM ITS INCEPTION, THE
PRODUCER, THE AMAZING CAST, AND
800
00:59:40,440 --> 00:59:44,340
TO GENEVIEVE O'REILLY, WHO IS
INCOMPARABLE TALENT AND HEART
801
00:59:44,370 --> 00:59:51,680
BROUGHT THE EPISODE TO LIFE.
THANK YOU TO MY WIFE AND MY
802
00:59:51,720 --> 00:59:53,720
DAUGHTER.
I DON'T HAVE WORDS TO DESCRIBE
803
00:59:53,750 --> 00:59:56,410
HOW MUCH I LOVE THEM.
THANK YOU.
804
00:59:59,930 --> 01:00:08,550
♪>> Nate: THANK YOU, DAN, FOR
805
01:00:08,580 --> 01:00:11,750
HELPING ME OUT AFTER WHAT JOHN
DID.
806
01:00:11,790 --> 01:00:14,860
HE'S THE WORST!
807
01:00:14,890 --> 01:00:21,410
AND I GUESS YOU ARE ALLOWED TO
CURSE ON TV NOW, WHOM I?
808
01:00:21,440 --> 01:00:25,480
IT MESSED ME UP.
I FORGOT.
809
01:00:25,510 --> 01:00:28,030
I HAVE A BLUE JEAN TUXEDO AND
FOR SOME REASON.
810
01:00:28,060 --> 01:00:29,750
WE HAD A JOKE.
THERE'S A CUMMERBUND.
811
01:00:29,790 --> 01:00:32,620
I FORGOT.
I DON'T KNOW.
812
01:00:32,650 --> 01:00:39,030
PLEASE WELCOME TO TIME EMMY
NOMINEE SYDNEY SWEENEY.
813
01:00:49,720 --> 01:00:51,720
- >> HELLO, HELLO.
- THE LYLE AND ERIK
814
01:00:51,750 --> 01:00:53,440
MENENDEZ STORY."
"ADOLESCENCE."
815
01:00:53,480 --> 01:00:56,620
"PRESUMED INNOCENT."
"DYING FOR SEX."
816
01:00:56,650 --> 01:00:58,620
FOUR GREAT SERIES WITH SIX
INCREDIBLE NOMINEES FOR
817
01:00:58,650 --> 01:01:00,580
SUPPORTING ACTOR IN A LIMITED OR
ANTHOLOGY SERIES OR MOVIE.
818
01:01:00,620 --> 01:01:03,720
HERE THEY ARE...
>> JAVIER BARDEM.
819
01:01:03,750 --> 01:01:06,550
THE LYLE AND ERIK
MENENDEZ STORY."
820
01:01:06,580 --> 01:01:09,410
BILL CAMP.
"PRESUMED INNOCENT."
821
01:01:09,440 --> 01:01:11,440
OWEN COOPER.
"ADOLESCENCE."
822
01:01:15,200 --> 01:01:19,060
ROB DELANEY.
"DYING FOR SEX."
823
01:01:19,100 --> 01:01:21,480
PETER SARSGAARD.
"PRESUMED INNOCENT."
824
01:01:21,510 --> 01:01:26,440
ASHLEY WALTERS.
"ADOLESCENCE."
825
01:01:26,480 --> 01:01:30,820
>> THE EMMY GOES TO...
OWEN COOPER.
826
01:01:30,860 --> 01:01:41,890
"ADOLESCENCE."
827
01:01:41,930 --> 01:01:46,620
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
828
01:01:46,650 --> 01:01:51,030
FOR OWEN COOPER, WHO MADE HIS
DEBUT IN THE SERIES
829
01:01:51,060 --> 01:01:54,580
"ADOLESCENCE," WHICH WAS FILMED
IN ONE CONTINUOUS TAKE.
830
01:02:09,410 --> 01:02:16,170
>> OH, MY GOD.
831
01:02:16,200 --> 01:02:21,960
STANDING UP HERE, WOW, IT IS SO
SURREAL.
832
01:02:22,000 --> 01:02:25,030
HONESTLY, WHEN I STARTED THESE
DRAMA CLASSES A COUPLE YEARS
833
01:02:25,060 --> 01:02:29,170
BACK, I DIDN'T EXPECT TO BE EVEN
IN THE UNITED STATES, NEVER MIND
834
01:02:29,200 --> 01:02:33,270
HERE.
I THINK TONIGHT PROVES THAT, IF
835
01:02:33,310 --> 01:02:36,480
YOU LISTEN AND YOU FOCUS AND YOU
STEP OUT OF YOUR COMFORT ZONE,
836
01:02:36,510 --> 01:02:38,370
YOU CAN ACHIEVE ANYTHING IN
LIFE.
837
01:02:38,410 --> 01:02:41,000
I WAS NOTHING ABOUT THREE YEARS
AGO.
838
01:02:41,030 --> 01:02:46,790
I'M HERE NOW.
IF YOU ARE LISTENING, YOU ARE
839
01:02:46,820 --> 01:02:49,650
FOCUSING, YOU STEP OUT OF YOUR
COMFORT ZONE A LITTLE BIT, WHO
840
01:02:49,680 --> 01:02:52,030
CARES IF YOU GET EMBARRASSED?
ANYTHING IS POSSIBLE.
841
01:02:52,060 --> 01:02:56,100
A BIG THANKS TO MY PARENTS, MY
MUM AND MY DAD AND MY FAMILY,
842
01:02:56,130 --> 01:02:59,480
THE ONES WHO LOVE ME AND THE
ONES WHO I LOVED.
843
01:02:59,510 --> 01:03:05,440
STEPHEN, AARON, ASHLEY, PHILIP
BARANTINI, JACK THORNE, JOE
844
01:03:05,480 --> 01:03:07,060
JOHNSON.
SORRY.
845
01:03:07,100 --> 01:03:09,270
IS IT GOING DOWN?
NO.
846
01:03:09,310 --> 01:03:13,240
NETFLIX, PLAN B.
847
01:03:13,270 --> 01:03:16,620
OH, MY GOD, I COULD GO ON
FOREVER.
848
01:03:16,650 --> 01:03:20,340
IT MAY HAVE MY NAME ON IT BUT IT
REALLY BELONGS TO THE PEOPLE
849
01:03:20,370 --> 01:03:22,650
BEHIND THE CAMERA.
STEPHEN AND ALL THE CAST.
850
01:03:22,680 --> 01:03:26,440
I HOPE YOU ALL HAVE AN AMAZING
NIGHT, AND GOOD NIGHT.
851
01:03:30,580 --> 01:03:32,510
♪>> Announcer: STILL TO COME,
852
01:03:32,550 --> 01:03:35,680
APPEARANCES BY IKE BARINHOLTZ,
KATHRYN HAHN, ALEXIS BLEDEL,
853
01:03:35,720 --> 01:03:40,060
LAUREN GRAHAM, TINA FEY,
KATHY BATES, AND ALAN CUMMING.
854
01:03:40,100 --> 01:03:43,620
PLUS, TED DANSON AND
MARY STEENBURGEN RECEIVE THE
855
01:03:43,650 --> 01:03:45,650
BOB HOPE HUMANITARIAN AWARD.
THIS IS CBS.
856
01:04:03,270 --> 01:04:04,790
>> Announcer: PLEASE WELCOME
EMMY NOMINEE IKE BARINHOLTZ AND
857
01:04:04,820 --> 01:04:06,650
FOUR-TIME EMMY NOMINEE
KATHRYN HAHN.
858
01:04:20,270 --> 01:04:22,240
♪>> WE ARE HERE TO PRESENT AN
859
01:04:22,270 --> 01:04:24,580
AWARD FOR WRITING.
>> SOME SAY WRITING IS THE MOST
860
01:04:24,620 --> 01:04:30,240
IMPORTANT PART OF A TV SHOW, BUT
WE ACTUALLY THINK IT'S THE LEAST
861
01:04:30,270 --> 01:04:33,240
IMPORTANT.
862
01:04:33,270 --> 01:04:34,510
>> JUST BECAUSE WE DON'T HAVE
SOME LITTLE TROPHY DOESN'T MEAN
863
01:04:34,550 --> 01:04:37,000
WE ARE NOT GREAT ACTORS, OKAY?
WE ARE TRAINED ACTORS.
864
01:04:37,030 --> 01:04:39,960
WE ARE IMPROVISED.
WE DON'T NEED SOME HARVARD NERD
865
01:04:40,000 --> 01:04:44,480
EATING PRINGLES TO TELL US WHAT
TO SAY.
866
01:04:44,510 --> 01:04:48,440
TO PROVE THIS, YOU KNOW WHAT?
LETS TURN OFF THE TELEPROMPTER.
867
01:04:48,480 --> 01:04:52,200
>> YEAH, WE'RE GONNA GO WITH OUR
GUTS ON THIS ONE.
868
01:04:52,240 --> 01:05:02,000
TURN IT OFF.
869
01:05:02,030 --> 01:05:07,060
>> YES.
>> SO...
870
01:05:07,100 --> 01:05:09,720
TV SHOWS ARE WHY WE ARE HERE
TONIGHT.
871
01:05:09,750 --> 01:05:18,860
SOME GET A WORD HAVE AND KEEP.
>> SHOWS...
872
01:05:18,890 --> 01:05:21,310
THAT'S WHAT WE CELEBRATE ON THE
EMMYS AWARDS NIGHT.
873
01:05:21,340 --> 01:05:27,860
WE LOVE --
>> "CHEERS," AND "SEINFELD."
874
01:05:27,890 --> 01:05:31,510
THEY ARE NOT HERE TONIGHT.
>> THEY WERE GREAT.
875
01:05:31,550 --> 01:05:34,510
PEOPLE ARE SMILING AT US.
SOME PEOPLE ARE NOT.
876
01:05:34,550 --> 01:05:38,340
EVERYBODY IS SO PRETTY AND
GLAMOROUS.
877
01:05:38,370 --> 01:05:40,820
>> NOAH WYLE.
>> NOAH WYLE, SO GOOD ON
878
01:05:40,860 --> 01:05:43,960
"SCRUBS."
879
01:05:44,000 --> 01:05:48,030
>> WE ARE GOING TO -- TURN THE
PROMPTER BACK ON, WE PROVED OUR
880
01:05:48,060 --> 01:05:50,680
POINT.
>> MAYBE WRITERS AREIMPORTANT.
881
01:05:50,720 --> 01:05:52,620
WE'RE SORRY ABOUT WHAT WE SAID
EARLIER.
882
01:05:52,650 --> 01:05:54,510
>> YES, WE'RE LEARNING.
AND THE NOMINEES FOR WRITING FOR
883
01:05:54,550 --> 01:05:56,200
A LIMITED OR ANTHOLOGY SERIES OR
MOVIE ARE...
884
01:05:56,240 --> 01:05:57,820
>> JACK THORNE AND
STEPHEN GRAHAM.
885
01:05:57,860 --> 01:06:01,720
"ADOLESCENCE."
CHARLIE BROOKER AND BISHA K.
886
01:06:01,750 --> 01:06:03,680
ALI.
"BLACK MIRROR."
887
01:06:03,720 --> 01:06:05,720
KIM ROSENSTOCK AND ELIZABETH
MERIWETHER.
888
01:06:05,750 --> 01:06:08,750
"DYING FOR SEX."
LAUREN LeFRANC.
889
01:06:08,790 --> 01:06:11,000
"THE PENGUIN."
JOSHUA ZETUMER.
890
01:06:11,030 --> 01:06:19,270
"SAY NOTHING."
>> AND THE EMMY GOES TO...
891
01:06:19,310 --> 01:06:21,100
>> JACK THORNE AND
STEPHEN GRAHAM.
892
01:06:21,130 --> 01:06:23,680
"ADOLESCENCE."
893
01:06:23,720 --> 01:06:30,000
♪>> Announcer: THIS IS THE
894
01:06:30,030 --> 01:06:31,650
FIRST EMMY WIN FOR JACK THORNE
AND STEPHEN GRAHAM.
895
01:06:31,680 --> 01:06:35,310
BOTH ARE ALSO NOMINATED AS PART
OF THE PRODUCING TEAM.
896
01:06:35,340 --> 01:06:38,960
AND STEPHEN GRAHAM IS ALSO
NOMINATED FOR HIS LEADIN ROLE
897
01:06:39,000 --> 01:06:41,000
IN "ADOLESCENCE." ♪
898
01:06:58,200 --> 01:07:03,410
>> THANK YOU.
WE ARE NOT DOING A REMAKE OF
899
01:07:03,440 --> 01:07:05,720
"LITTLE AND LARGE."
JUST A QUICK ONE.
900
01:07:05,750 --> 01:07:08,340
WE NEVER EXPECTED OUR LITTLE
PROGRAM TO HAVE SUCH A BIG
901
01:07:08,370 --> 01:07:10,030
IMPACT BUT WE ARE REALLY
GRATEFUL THAT IT DID.
902
01:07:10,060 --> 01:07:12,170
WE WOULD LIKE TO THANK
EVERYBODY.
903
01:07:12,200 --> 01:07:16,100
JUST FROM THE BOTTOM OF OUR
HEARTS, THANKS TO EVERYONE AT
904
01:07:16,130 --> 01:07:20,370
NETFLIX, EVERYONE AT WARP,
EVERYONE AT MATRIARCH, AND A
905
01:07:20,410 --> 01:07:22,750
SPECIAL THANK YOU TO JOE
JOHNSON, HANNAH WALTERS, AND
906
01:07:22,790 --> 01:07:27,130
EMILY FOR BEING THE GLUE THAT
HELD THIS THING TOGETHER.
907
01:07:27,170 --> 01:07:30,030
>> IT'S IMPOSSIBLE TO SINGLE OUT
ANYONE IN THE CAST, BUT WE JUST
908
01:07:30,060 --> 01:07:39,860
WANTED TO SAY --
909
01:07:39,890 --> 01:07:44,580
>> YOU'VE DONE THE WRONG BIT.
>> WE HAVEN'T.
910
01:07:44,620 --> 01:07:46,550
IT'S ALL RIGHT.
>> THIS IS HOW WE WORKED IN THE
911
01:07:46,580 --> 01:07:48,790
ROOM, BY THE WAY.
THIS IS WHAT IS HAPPENING ALL
912
01:07:48,820 --> 01:07:51,060
THE TIME.
>> YOU ARE THE YOUNG PEOPLE, THE
913
01:07:51,100 --> 01:07:54,030
FLAME THAT PROVE YOUNG PEOPLE
ARE GOING TO BE OKAY AND WE ARE
914
01:07:54,060 --> 01:07:56,960
FOREVER GRATEFUL FOR YOU.
THANK YOU.
915
01:07:57,000 --> 01:07:59,370
>> THANK YOU VERY MUCH.
HAVE A LOVELY EVENING.
916
01:08:05,960 --> 01:08:10,620
♪>> Nate: ALL RIGHT, HERE WE
917
01:08:10,650 --> 01:08:13,030
GO.
THAT'S TOUGH.
918
01:08:13,060 --> 01:08:15,000
THAT WAS A SHOW CALLED
"ADOLESCENCE" THAT DID THAT.
919
01:08:15,030 --> 01:08:23,340
TWO ADOLESCENTS.
920
01:08:23,370 --> 01:08:26,620
CONGRATS.
I WOULD LIKE TO SAY, BECAUSE --
921
01:08:26,650 --> 01:08:28,890
OWE INCOME I WILL PICK UP HIS
TAB.
922
01:08:28,930 --> 01:08:34,820
PUT -- WHATEVER HE HAD, I WANT
TO COVER OWEN.
923
01:08:34,860 --> 01:08:36,890
HE'S THE BEST.
WHATEVER IT IS -- IS THAT WHAT%
924
01:08:36,930 --> 01:08:38,510
IT IS AT?
GOOD NIGHT!
925
01:08:38,550 --> 01:08:43,000
WHAT IS WRONG?
25 YEARS AGO, OUR NEXT
926
01:08:43,030 --> 01:08:48,410
PRESENTERS STARRED IN THE
WARNER BROTHERS TELEVISION
927
01:08:48,440 --> 01:08:51,170
SHOW "GILMORE GIRLS."
NOW, CONTRACTUALLY I HAVE TO SAY
928
01:08:51,200 --> 01:08:54,890
"WARNER BROTHERS" -- FOR NOW.
PLEASE WELCOME LAUREN GRAHAM AND
929
01:08:54,930 --> 01:09:00,030
EMMY WINNER ALEXIS BLEDEL.
930
01:09:08,860 --> 01:09:15,240
>> 25 YEARS AGO A SHOW CALLED
"GILMORE GIRLS" PREMIERED, AND
931
01:09:15,270 --> 01:09:20,060
APPARENTLY TOOK THE SEASON OF
FALL HOSTAGE.
932
01:09:20,100 --> 01:09:22,930
>> IN SPITE OF OUR AUTUMNAL
DOMINANCE, "GILMORE" WAS
933
01:09:22,960 --> 01:09:24,750
ACTUALLY A VERY SMALL SHOW.
>> MEANING, WE HAD NO MONEY.
934
01:09:24,790 --> 01:09:27,200
>> NOTHING.
>> IF THERE WAS A BIRTHDAY AT
935
01:09:27,240 --> 01:09:29,620
"THE DREW CAREY SHOW" NEXT DOOR,
THEY WOULD SEND US THEIR
936
01:09:29,650 --> 01:09:32,620
LEFTOVER SHEET CAKE.
>> WE LOOKED HUNGRY.
937
01:09:32,650 --> 01:09:35,310
>> WE WALKED IN CIRCLES IN
BURBANK SAYING "HEY, LOOK HOW
938
01:09:35,340 --> 01:09:40,100
CONNECTICUT IT IS HERE TODAY!"
>> WE SAVED UP ALL YEAR LONG TO
939
01:09:40,130 --> 01:09:44,310
HAVE ONE SNOW EPISODE.
>> AND THEN "E.R." WOULD WET
940
01:09:44,340 --> 01:09:47,130
DOWN THEIR STREET AND WASH IT
ALL AWAY.
941
01:09:47,170 --> 01:09:49,170
>> YOU GOTTA LET THAT GO.
>> THEY HAD CLOONEY.
942
01:09:49,200 --> 01:09:52,890
THEY COULD'VE LET US HAVE THE
DAMN SNOW.
943
01:09:52,930 --> 01:09:54,650
>> BASICALLY, WE WERE BULLIED
944
01:09:54,680 --> 01:09:56,930
AND STARVING.
>> BUT THE ONE THING WE DID
945
01:09:56,960 --> 01:09:58,650
HAVE -- WE HAD SCRIPTS.
>> GREAT SCRIPTS.
946
01:09:58,680 --> 01:10:02,060
>> BIG SCRIPTS.
>> TERRIFYING SCRIPTS.
947
01:10:02,100 --> 01:10:05,310
>> WITHOUT SCRIPTS, WE WOULD NOT
HAVE THE WONDERFUL WORDS TO SAY.
948
01:10:05,340 --> 01:10:06,890
>> WE WOULDN'T KNOW IF IT'S DAY
OR NIGHT.
949
01:10:06,930 --> 01:10:09,060
>> WHETHER WE'RE INSIDE OR
OUTSIDE.
950
01:10:09,100 --> 01:10:13,650
>> SO, IN THE SPIRIT OF
HAVING INFORMATION AND JOKES...
951
01:10:13,680 --> 01:10:15,170
>> HERE ARE THE NOMINEES FOR
OUTSTANDING WRITING FOR A COMEDY
952
01:10:15,200 --> 01:10:17,820
SERIES.
>> QUINTA BRUNSON.
953
01:10:17,860 --> 01:10:21,410
"ABBOTT ELEMENTARY."
LUCIA ANIELLO, PAUL W. DOWNS
954
01:10:21,440 --> 01:10:26,060
AND JEN STATSKY.
"HACKS."
955
01:10:26,100 --> 01:10:28,240
NATHAN FIELDER, CARRIE KEMPER,
ADAM LOCKE-NORTON, AND
956
01:10:28,270 --> 01:10:32,340
ERIC NOTARNICOLA.
"THE REHEARSAL."
957
01:10:32,370 --> 01:10:34,240
HANNAH BOS, PAUL THUREEN, AND
BRIDGET EVERETT.
958
01:10:34,270 --> 01:10:38,790
"SOMEBODY SOMEWHERE."
SETH ROGEN, EVAN GOLDBERG,
959
01:10:38,820 --> 01:10:40,750
PETER HUYCK, ALEX GREGORY, AND
FRIDA PEREZ.
960
01:10:40,790 --> 01:10:44,030
"THE STUDIO."
SAM JOHNSON, SARAH NAFTALIS, AND
961
01:10:44,060 --> 01:10:50,930
PAUL SIMMS.
"WHAT WE DO IN THE SHADOWS."
962
01:10:50,960 --> 01:10:54,310
>> AND THE EMMY GOES TO...
963
01:10:54,340 --> 01:10:56,340
THE TEAM FROM "THE STUDIO."
964
01:10:59,510 --> 01:11:01,170
♪>> Announcer: THIS IS THE
965
01:11:01,200 --> 01:11:05,030
THIRD EMMY WIN AND NINES
NOMINATION FOR SETH ROGEN, THE
966
01:11:05,060 --> 01:11:10,170
SECOND AND SEVENTH WIN FOR EVAN
GOLDBERG, THE THIRD EMMY WIN
967
01:11:10,200 --> 01:11:18,820
411-TIME NOMINEES PETER HUYCK
AND ALEX GREGORY, AND THE THIRD
968
01:11:18,860 --> 01:11:23,580
FOR FRIDA PEREZ.
>> WE WOULD LIKE TO THANK SETH
969
01:11:23,620 --> 01:11:28,720
AND EVAN.
>> AAND R AMAZING CAST AND CREW.
970
01:11:28,750 --> 01:11:31,930
>> APPLE AND LIONSGATE.
PAY UP.
971
01:11:31,960 --> 01:11:34,240
>> THANK YOU!
972
01:11:34,270 --> 01:11:35,750
♪>> Announcer: COMING UP NEXT,
973
01:11:35,790 --> 01:11:41,000
TINA FEY, ALAN CUMMING, AND
KATHY BATES.
974
01:11:41,030 --> 01:11:43,750
THEN LATER, A PERFORMANCE BY
LAINEY WILSON AND VINCE GILL.
975
01:11:43,790 --> 01:11:44,790
IT'S HE EMMYS ON CBS.
976
01:11:56,410 --> 01:11:58,000
♪>> Nate: ALL RIGHT.
977
01:11:58,030 --> 01:12:02,270
SETH ROGEN, LIKE JOHN OLIVER, IS
THE WORST, AND ADDED MONEY TO
978
01:12:02,310 --> 01:12:07,580
IT.
SO WHAT IS IT?
979
01:12:07,620 --> 01:12:10,750
ALL RIGHT, WE ARE BACK UP!
$99,000.
980
01:12:10,790 --> 01:12:13,890
DON'T FORGET TO DO YOUR
981
01:12:13,930 --> 01:12:18,790
THANK YOUS LONG, EVERYBODY.
THIS NEXT CATEGORY IS LIVE
982
01:12:18,820 --> 01:12:22,030
VARIETY SPECIAL.
GOOD LUCK TO "SNL," KENDRICK,
983
01:12:22,060 --> 01:12:23,860
AND THE OSCARS, BUT JUST KNOW,
IF YOU BEAT BEYONCE, THE BEYHIVE
984
01:12:23,890 --> 01:12:27,750
WILL COME FOR YOU.
YOUR NEXT PRESENTER HAS WON TEN
985
01:12:27,790 --> 01:12:29,820
EMMY AWARDS.
SHE'S ALSO BEEN NOMINATED 46
986
01:12:29,860 --> 01:12:33,370
TIMES.
PLEASE WELCOME 36-TIME LOSER
987
01:12:33,410 --> 01:12:36,200
TINA FEY.
988
01:12:51,170 --> 01:12:54,200
>> WELL, GOOD EVENING.
I'M IN AN AWKWARD POSITION
989
01:12:54,240 --> 01:12:59,820
TONIGHT, GIVEN MY PERSONAL
RELATIONSHIPS TO THE NOMINEES
990
01:12:59,860 --> 01:13:01,410
FOR OUTSTANDING LIVE VARIETY
SPECIAL.
991
01:13:01,440 --> 01:13:03,270
TWO OF THE NOMINEES INVOLVE
"SNL," WHERE I WORKED FOR NINE
992
01:13:03,310 --> 01:13:09,480
YEARS.
993
01:13:09,510 --> 01:13:11,860
YEAH.
SO IF THEY WIN, PEOPLE MIGHT
994
01:13:11,890 --> 01:13:14,100
THINK I JUST OPENED THE ENVELOPE
AND SAID "SNL" OUT OF HABIT,
995
01:13:14,130 --> 01:13:17,030
LIKE THAT TIME I ACCIDENTALLY
GAVE A MARK TWAIN PRIZE TO
996
01:13:17,060 --> 01:13:26,340
"ALEXA, PLAY RAIN SOUNDS."
997
01:13:26,370 --> 01:13:29,580
NATE, I WILL PAY FOR THE TIME WE
TOOK FOR THAT JOKE.
998
01:13:29,620 --> 01:13:30,820
BUT IF THE 97TH ANNUAL ACADEMY
999
01:13:30,860 --> 01:13:34,750
AWARDS HOSTED BY CONAN O'BRIEN
WINS, PEOPLE MIGHT WONDER IF
1000
01:13:34,790 --> 01:13:38,650
THAT'S TRUE, OR IF I'M JUST
PRANKING CONAN, WHICH COULD
1001
01:13:38,680 --> 01:13:42,200
HAPPEN, BECAUSE WE ARE NEMESES.
I MIGHT SAY CONAN WON, LET HIM
1002
01:13:42,240 --> 01:13:43,820
TAKE THE AWARD HOME, AND THEN
CALL THE POLICE AND SAY HE STOLE
1003
01:13:43,860 --> 01:13:47,580
IT.
WE DON'T KNOW.
1004
01:13:47,620 --> 01:13:57,060
WE DON'T KNOW WHAT I'LL DO.
IF KENDRICK LAMAR'S SUPER BOWL
1005
01:13:57,100 --> 01:14:02,720
WHEW, I'M REALLY GOING TO HEAR
IT FROM DRAKE.
1006
01:14:02,750 --> 01:14:04,030
AND DRAKE AND I ARE SUPPOSED TO
1007
01:14:04,060 --> 01:14:09,550
PLAY PICKLEBALL TOMORROW, SO...
REALLY THE ONLY SAFE OUTCOME FOR
1008
01:14:09,580 --> 01:14:13,960
ME WOULD BE THE BEYONCE BOWL.
1009
01:14:14,000 --> 01:14:17,720
AS ALWAYS, THANK YOU, BEYONCE.
WHOEVER WINS, FOR THE LOVE OF
1010
01:14:17,750 --> 01:14:22,440
GOD, DON'T COME UP HERE AND KISS
MY STOMACH, BECAUSE I AM NOT
1011
01:14:22,480 --> 01:14:26,580
PREGNANT.
1012
01:14:26,620 --> 01:14:29,000
HERE ARE THE NOMINEES FOR
OUTSTANDING LIVE VARIETY
1013
01:14:29,030 --> 01:14:33,440
SPECIAL, AND GOD HELP ME.
>> THE "APPLE MUSIC
1014
01:14:33,480 --> 01:14:37,100
SUPER BOWL LIX HALFTIME SHOW
STARRING KENDRICK LAMAR."
1015
01:14:37,130 --> 01:14:43,510
"BEYONCE BOWL."
"THE OSCARS."
1016
01:14:43,550 --> 01:14:48,510
THE ANNIVERSARY
SPECIAL."
1017
01:14:48,550 --> 01:14:55,580
THE HOMECOMING CONCERT."
1018
01:14:55,620 --> 01:15:01,340
- >> AND THE EMMY GOES TO...
- THE ANNIVERSARY
1019
01:15:01,370 --> 01:15:03,440
SPECIAL."
1020
01:15:03,480 --> 01:15:14,410
♪>> Announcer: THEY RECEIVE 12
1021
01:15:14,440 --> 01:15:18,030
NOMINATIONS THIS YEAR.
THEY HAVE WON EMMYS IN
1022
01:15:18,060 --> 01:15:21,750
DIRECTING, WRITING, PICTURE
EDITING, MAKEUP, HAIR STYLING,
1023
01:15:21,790 --> 01:15:26,030
SOUND MIXING, TECHNICAL
DIRECTION, AND CAMERAWORK
1024
01:15:26,060 --> 01:15:27,200
CATEGORIES.
ACCEPTING ON BEHALF OF THE TEAM
1025
01:15:27,240 --> 01:15:30,200
IS LORNE MICHAELS.
1026
01:15:42,790 --> 01:15:48,130
>> BECAUSE OF THE MONEY I'M
GOING TO START TALKING QUICKLY.
1027
01:15:48,170 --> 01:15:56,100
I WON THIS AWARD FOR THE FIRST
TIME 50 YEARS AGO, IN 1975.
1028
01:15:56,130 --> 01:16:02,030
I WAS YOUNGER AND I HAD A LOT OF
1029
01:16:02,060 --> 01:16:07,200
DREAMS ABOUT WHAT WOULD HAPPEN,
AND ONE OF THOSE DREAMS WAS THAT
1030
01:16:07,240 --> 01:16:11,960
I WOULD STILL BE DOING THE SAME
SHOW FOR THE NEXT 50 YEARS.
1031
01:16:12,000 --> 01:16:16,310
HOWEVER, HERE WE ARE.
1032
01:16:16,340 --> 01:16:21,130
I WANT TO THANK NBC AND COMCAST
FOR THEIR SUPPORT.
1033
01:16:21,170 --> 01:16:26,580
THE SHOW WAS TWO YEARS IN THE
PLANNING, AND THEY SAID, WE
1034
01:16:26,620 --> 01:16:31,650
DON'T CARE WHAT IT COSTS, AS
LONG AS IT'S GOOD.
1035
01:16:31,680 --> 01:16:34,130
MAYBE THEY DIDN'T SAY THAT,
MAYBE THAT'S JUST THE WAY I
1036
01:16:34,170 --> 01:16:37,620
HEARD IT.
1037
01:16:37,650 --> 01:16:43,550
ANYWAY, I ALSO WANT TO THANK THE
ACADEMY FOR CONTINUING TO KEEP
1038
01:16:43,580 --> 01:16:47,200
THE WORD "TELEVISION" IN THEIR
NAME, AS LONG AS IT IS IN THERE
1039
01:16:47,240 --> 01:16:51,930
WE WILL KEEP SHOWING UP.
THANK YOU.
1040
01:17:16,790 --> 01:17:19,720
>> Announcer: PLEASE WELCOME
THREE-TIME EMMY WINNER
1041
01:17:19,750 --> 01:17:22,310
ALAN CUMMING, AND TWO-TIME EMMY
WINNER KATHY BATES.
1042
01:17:28,720 --> 01:17:40,750
♪>> IN 1999, KATHY AND I STARRED
1043
01:17:40,790 --> 01:17:44,860
IN A TV MOVIE ADAPTATION OF
"ANNIE."
1044
01:17:44,890 --> 01:17:47,650
>> THAT'S RIGHT.
I PLAYED MISS HANNIGAN, AND ALAN
1045
01:17:47,680 --> 01:17:50,620
PLAYED MY SCHEMING YOUNGER
BROTHER, ROOSTER.
1046
01:17:50,650 --> 01:17:53,580
>> KATHY RECEIVED AN EMMY
NOMINATION FOR HER WORK.
1047
01:17:53,620 --> 01:18:01,270
>> ALAN DID NOT.
1048
01:18:01,310 --> 01:18:03,860
>> THANK YOU FOR REMINDING ME,
KATHY.
1049
01:18:03,890 --> 01:18:06,650
BUT YOU ARE NOMINATED AGAIN
TONIGHT, WEREN'T YOU?
1050
01:18:06,680 --> 01:18:13,240
DID YOU WIN?
>> NO, I DID NOT.
1051
01:18:13,270 --> 01:18:15,650
THANK YOU FOR REMINDING ME,
ALAN.
1052
01:18:15,680 --> 01:18:18,860
>> I WON TONIGHT AND LAST WEEK.
ANYWAY --
1053
01:18:18,890 --> 01:18:20,310
THE NOMINEES FOR WRITING FOR A
1054
01:18:20,340 --> 01:18:24,480
VARIETY SERIES ARE...
>> "THE DAILY SHOW."
1055
01:18:24,510 --> 01:18:26,200
"LAST WEEK TONIGHT WITH
JOHN OLIVER."
1056
01:18:26,240 --> 01:18:31,440
"SATURDAY NIGHT LIVE."
1057
01:18:31,480 --> 01:18:37,200
>> THE EMMY GOES TO...
THE TEAM OF "LAST WEEK TONIGHT
1058
01:18:37,240 --> 01:18:39,130
WITH JOHN OLIVER."
1059
01:18:39,170 --> 01:18:45,030
♪>> Announcer: THIS IS THE
1060
01:18:45,060 --> 01:18:48,860
EIGHTH CONSECUTIVE EMMY WIN IN
THIS CATEGORY FOR "LAST WEEK
1061
01:18:48,890 --> 01:18:54,720
TONIGHT WITH JOHN OLIVER," WHICH
HAS A TOTAL OVERALL OF 69
1062
01:18:54,750 --> 01:18:57,240
NOMINATIONS.
HBO'S "LAST WEEK TONIGHT WITH
1063
01:18:57,270 --> 01:19:00,240
JOHN OLIVER" HAS WON THE
CATEGORY EVERY YEAR SINCE 2016.
1064
01:19:09,440 --> 01:19:12,370
>> HELLO, THANK YOU SO MUCH.
WE SHARE THIS CATEGORY, WE ARE
1065
01:19:12,410 --> 01:19:15,650
HONORED TO SHARE IT WITH ALL
WRITERS OF LATE-NIGHT POLITICAL
1066
01:19:15,680 --> 01:19:18,480
COMEDY, WHILE THAT IS STILL A
TYPE OF SHOW THAT'S ALLOWED TO
1067
01:19:18,510 --> 01:19:23,410
EXIST.
1068
01:19:23,440 --> 01:19:27,720
>> THIS SHOW DOES NOT GET MADE
WITHOUT OUR RESEARCHERS, FOOTAGE
1069
01:19:27,750 --> 01:19:30,200
APARTMENT, P.A., AP,
TRANSCRIBER, GRAPHICS
1070
01:19:30,240 --> 01:19:34,930
DEPARTMENT, INTERNS, CREW.
NINA AND CASEY AT EACH BMX.
1071
01:19:37,580 --> 01:19:41,510
IF I FORGOT YOU, IT MIGHT NOT BE
THAT IMPORTANT.
1072
01:19:41,550 --> 01:19:45,200
JOHN OLIVER!
THAT'S IT.
1073
01:19:45,240 --> 01:19:47,750
GO, BOYS AND GIRLS CLUB OF
AMERICA, GO!
1074
01:19:55,130 --> 01:20:01,370
>> Announcer: STILL TO COME,
HUNTER SCHAFER, YOUNG MAZINO,
1075
01:20:01,410 --> 01:20:03,340
AND CHARLIE HUNNAM.
AND LATER, TED DANSON AND
1076
01:20:03,370 --> 01:20:06,240
MARY STEENBURGEN RECEIVE THE
BOB HOPE HUMANITARIAN AWARD.
1077
01:20:06,270 --> 01:20:07,270
THIS IS CBS.
1078
01:20:24,030 --> 01:20:25,440
>> Announcer: PLEASE WELCOME
HUNTER SCHAFER, AND EMMY NOMINEE
1079
01:20:25,480 --> 01:20:26,480
YOUNG MAZINO.
1080
01:20:37,030 --> 01:20:38,200
♪>> YOUNG, IT IS SO GREAT TO BE
1081
01:20:38,240 --> 01:20:41,200
HERE WITH YOU TO PRESENT
SUPPORTING ACTRESS IN A LIMITED
1082
01:20:41,240 --> 01:20:44,270
OR ANTHOLOGY SERIES OR MOVIE.
>> I COULDN'T AGREE MORE,
1083
01:20:44,310 --> 01:20:46,650
HUNTER.
BACKSTAGE, YOU AND I WERE
1084
01:20:46,680 --> 01:20:49,170
TALKING ABOUT WHAT IT REALLY
MEANS TO DELIVER A SUPPORTING
1085
01:20:49,200 --> 01:20:52,200
PERFORMANCE.
TO ME IT MEANS LISTENING,
1086
01:20:52,240 --> 01:20:55,960
RESPONDING, ELEVATING, AND YOU
SAID --
1087
01:20:56,000 --> 01:20:59,410
>> WALKING INTO A SCENE,
DROPPING A PERFECTLY EXECUTED
1088
01:20:59,440 --> 01:21:02,620
MONOLOGUE, SHEDDING A SINGLE
TEAR, AND THEN DISAPPEARING
1089
01:21:02,650 --> 01:21:04,820
BEFORE EVERYONE REALIZES YOU'RE
THE REASON THEY'LL KEEP
1090
01:21:04,860 --> 01:21:08,750
WATCHING.
>> AND THESE SIX WOMEN
1091
01:21:08,790 --> 01:21:10,720
DEFINITELY KEPT US WATCHING
THEIR INDELIBLE PERFORMANCES
1092
01:21:10,750 --> 01:21:13,680
THIS YEAR.
>> ERIN DOHERTY.
1093
01:21:13,720 --> 01:21:16,680
"ADOLESCENCE."
RUTH NEGGA.
1094
01:21:16,720 --> 01:21:19,130
"PRESUMED INNOCENT."
DEIRDRE O'CONNELL.
1095
01:21:19,170 --> 01:21:22,410
"THE PENGUIN."
CHLOE SEVIGNY.
1096
01:21:22,440 --> 01:21:25,200
THE LYLE AND ERIK
MENENDEZ STORY."
1097
01:21:25,240 --> 01:21:28,030
JENNY SLATE.
"DYING FOR SEX."
1098
01:21:28,060 --> 01:21:34,410
CHRISTINE TREMARCO.
"ADOLESCENCE."
1099
01:21:34,440 --> 01:21:42,270
>> THE EMMY GOES TO...
ERIN DOHERTY.
1100
01:21:49,170 --> 01:21:51,650
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
1101
01:21:51,680 --> 01:21:59,720
FOR ERIN DOHERTY. ♪
1102
01:21:59,750 --> 01:22:14,720
♪>> CONGRATULATIONS!
1103
01:22:14,750 --> 01:22:15,550
♪>> CONGRATULATIONS!
1104
01:22:15,580 --> 01:22:18,030
SPEAK IT LOOKS LIKE I'M GOING TO
BE
1105
01:22:18,060 --> 01:22:19,620
BANGING ON ABOUT "ADOLESCENCE"
1106
01:22:19,650 --> 01:22:21,820
THE REST OF MY LIFE, AND THERE
WERE THINGS.
1107
01:22:21,860 --> 01:22:25,860
I'D LOVE TO MENTION EVERYTHING A
PERSON INVOLVED IN MAKING THIS,
1108
01:22:25,890 --> 01:22:28,820
BECAUSE IT WAS THE DEFINITION OF
A TEAM EFFORT, BUT I CAN'T GET
1109
01:22:28,860 --> 01:22:32,000
UP HERE WITHOUT TALKING ABOUT
STEPHEN GRAHAM AND HANNAH
1110
01:22:32,030 --> 01:22:34,270
WALTERS.
YOU ARE GENEROSITY PERSONIFIED.
1111
01:22:34,310 --> 01:22:38,550
EVEN THOUGH STEPHEN CALLED ME A
TEA COZY TODAY.
1112
01:22:38,580 --> 01:22:40,510
THIS IS DEDICATED TO MY BIG
1113
01:22:40,550 --> 01:22:42,100
SISTER, GRACE.
I WOULDN'T BE HERE WITHOUT YOU.
1114
01:22:42,130 --> 01:22:47,200
I LOVE YOU WITH ALL MY HEART.
AND SINEAD, THANK YOU FOR MAKING
1115
01:22:47,240 --> 01:22:49,200
ME THE HAPPIEST PERSON THE
WORLD.
1116
01:22:49,240 --> 01:22:52,170
I LOVE YOU WITH EVERYTHING I'VE
GOT.
1117
01:22:52,200 --> 01:22:54,550
THANK YOU TO THE ACADEMY, AND
YOU ARE ALL --
1118
01:22:57,060 --> 01:23:04,030
♪>> Nate: ALL RIGHT.
1119
01:23:04,060 --> 01:23:05,340
JOHN OLIVER, BY THE WAY, ADDED
SOME TIME AGAIN.
1120
01:23:05,370 --> 01:23:10,620
I THINK THEY HAVE WON ENOUGH.
1121
01:23:10,650 --> 01:23:14,440
LORNE MICHAELS, YOU KNOW IT?
TO BE HONEST, CONGRATS ON 50,
1122
01:23:14,480 --> 01:23:16,680
MAN.
I HONESTLY PROBABLY WOULDN'T BE
1123
01:23:16,720 --> 01:23:20,170
HERE HOSTING IT WASN'T FOR YOU.
SO THANK YOU VERY MUCH FOR THAT
1124
01:23:20,200 --> 01:23:22,270
FROM ME.
1125
01:23:22,310 --> 01:23:27,440
WHAT ELSE CAN I SAY?
YOU COST THE BOYS AND GIRLS CLUB
1126
01:23:27,480 --> 01:23:30,580
A LOT OF MONEY.
1127
01:23:30,620 --> 01:23:33,960
IN CASE YOU ARE SITTING THERE
THINKING, MAN, I COULD REALLY
1128
01:23:34,000 --> 01:23:37,130
USE ANOTHER SHOW ABOUT A
PSYCHOPATH, OUR NEXT PRESENTER
1129
01:23:37,170 --> 01:23:41,240
HAS GOT YOU COVERED.
HE'LL BE IN THE UPCOMING SEASON
1130
01:23:41,270 --> 01:23:43,240
OF "MONSTER."
PLEASE WELCOME CHARLIE HUNNAM.
1131
01:24:00,310 --> 01:24:02,750
>> PICASSO SAID ART IS A LIE
THAT REVEALS THE TRUTH.
1132
01:24:02,790 --> 01:24:06,930
A GREAT PERFORMANCE CAN HELP US
TO UNDERSTAND OURSELVES,
1133
01:24:06,960 --> 01:24:09,000
SHEDDING LIGHT AND CLARITY ON
THE CORNERS OF LIFE THAT CAN
1134
01:24:09,030 --> 01:24:14,410
FEEL DARK AND CONFUSING.
THROUGH ART WE CAN TRANSMUTE
1135
01:24:14,440 --> 01:24:15,650
PAINFUL TRUTH INTO SOMETHING
BEAUTIFUL.
1136
01:24:15,680 --> 01:24:20,620
THESE TALENTED ARTISTS HAVE ALL
DONE JUST THAT.
1137
01:24:20,650 --> 01:24:22,510
THE NOMINEES FOR LEAD ACTRESS IN
A LIMITED OR ANTHOLOGY SERIES OR
1138
01:24:22,550 --> 01:24:23,930
MOVIE ARE...
>> CATE BLANCHETT.
1139
01:24:23,960 --> 01:24:26,130
"DISCLAIMER."
MEGHANN FAHY.
1140
01:24:26,170 --> 01:24:28,030
"SIRENS."
RASHIDA JONES.
1141
01:24:28,060 --> 01:24:32,270
"BLACK MIRROR."
CRISTIN MILIOTI.
1142
01:24:32,310 --> 01:24:34,030
"THE PENGUIN."
MICHELLE WILLIAMS.
1143
01:24:34,060 --> 01:24:41,650
"DYING FOR SEX."
>> AND THE EMMY GOES TO...
1144
01:24:41,680 --> 01:24:45,580
CRISTIN MILIOTI.
1145
01:24:54,000 --> 01:24:56,930
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
1146
01:24:56,960 --> 01:25:09,130
FOR CRISTIN MILIOTI. ♪
1147
01:25:09,170 --> 01:25:18,060
♪>> WANT ME TO HOLD THIS?
1148
01:25:18,100 --> 01:25:21,030
>> SURE.
I'LL HOLD IT.
1149
01:25:21,060 --> 01:25:23,200
THANK YOU!
THANK YOU SO MUCH.
1150
01:25:23,240 --> 01:25:28,100
I AM SO PROFOUNDLY GRATEFUL.
SORRY, I WROTE THIS ON THE BACK
1151
01:25:28,130 --> 01:25:31,680
OF NOTES I TOOK IN THERAPY THE
OTHER DAY.
1152
01:25:31,720 --> 01:25:36,030
SO DON'T LOOK AT THE BACK.
1153
01:25:36,060 --> 01:25:40,480
I LOVED MAKING THIS SHOW AND I
LOVED PLAYING SOFIA SO MUCH.
1154
01:25:40,510 --> 01:25:44,030
IT'S VERY HARD TO MAKE SENSE OF
BEING ALIVE RIGHT NOW IN THIS
1155
01:25:44,060 --> 01:25:47,720
WORLD SO I'M DEEPLY GRATEFUL FOR
THE BRIGHT SPOTS AND MAKING THIS
1156
01:25:47,750 --> 01:25:51,100
SHOW WITH OUR INCREDIBLE CAST
AND CREW, AND GETTING TO INHABIT
1157
01:25:51,130 --> 01:25:53,960
THIS WOMAN WAS A BRIGHT SPOT FOR
ME.
1158
01:25:54,000 --> 01:25:59,440
DESPITE IT BEING VERY GRISLY.
PLAYING HER FELT LIKE FLYING.
1159
01:25:59,480 --> 01:26:02,480
OH, MY GOD, ARE YOU KIDDING?
WOW, THIS REALLY SPEEDS.
1160
01:26:02,510 --> 01:26:04,680
I WANT TO THANK MY KETTLE
FAMILY.
1161
01:26:04,720 --> 01:26:07,340
THEY ARE HERE TONIGHT WITH ME.
THANK YOU FOR SUPPORTING YOUR
1162
01:26:07,370 --> 01:26:09,890
STRANGE KID AND SHOWING THE
MOVIES THAT WERE VERY
1163
01:26:09,930 --> 01:26:12,510
INAPPROPRIATE FOR MY AGE.
I WANT TO THANK OU, I WANT TO
1164
01:26:12,550 --> 01:26:14,270
THANK MY FRIENDS.
I HAD THE BEST FRIENDS IN THE
1165
01:26:14,310 --> 01:26:16,510
WORLD.
YOU ARE THE REASON I'M STANDING.
1166
01:26:16,550 --> 01:26:20,060
YOU ARE THE WHOLE REASON I'VE
GOTTEN THROUGH LIFE.
1167
01:26:20,100 --> 01:26:24,000
I WANT TO THANK LAUREN, WHOSE
BRAIN I WANT TO FREEBASE.
1168
01:26:24,030 --> 01:26:26,930
SHE'S THE REASON OUR SHOW WAS SO
SPECIAL.
1169
01:26:26,960 --> 01:26:37,100
ALL RIGHT, I WANT TO THANK OUR
INCREDIBLE COLIN, CREW, AGENTS,.
1170
01:26:37,130 --> 01:26:39,890
AND EVERYONE AT D.C.
1171
01:26:39,930 --> 01:26:42,580
THANK YOU SO MUCH.
I LOVE YOU AND I LOVE ACTING SO
1172
01:26:42,620 --> 01:26:45,340
MUCH!
1173
01:26:55,030 --> 01:26:57,200
>> Announcer: COMING UP,
MICHAEL SCHUR AND KRISTEN BELL
1174
01:26:57,240 --> 01:27:00,100
PRESENT THE BOB HOPE
HUMANITARIAN AWARD TO TELEVISION
1175
01:27:00,130 --> 01:27:03,790
LEGENDS TED DANSON AND
MARY STEENBURGEN.
1176
01:27:03,820 --> 01:27:06,550
PLUS, BRYAN CRANSTON PRESENTS
THE EMMY FOR OUTSTANDING TALK
1177
01:27:06,580 --> 01:27:10,030
SERIES.
AND JUST AHEAD, LAINEY WILSON
1178
01:27:10,060 --> 01:27:12,060
AND VINCE GILL PAY TRIBUTE TO
THOSE WE LOST THIS YEAR.
1179
01:27:22,030 --> 01:27:23,000
♪>> Announcer: PLEASE WELCOME
1180
01:27:23,030 --> 01:27:24,000
JUSTIN HARTLEY.
1181
01:27:32,030 --> 01:27:37,000
IT'S MY HONOR TO INTRODUCE
OUR NEXT SPEAKER.
1182
01:27:37,030 --> 01:27:38,960
HE'S AN ACCOMPLISHED TELEVISION
EXECUTIVE, ENTREPRENEUR,
1183
01:27:39,000 --> 01:27:43,000
AWARD-WINNING PRODUCER.
WHAT'S MORE, HE IS A LEADER
1184
01:27:43,030 --> 01:27:45,550
DEEPLY COMMITTED TO HUMANITARIAN
CAUSES AND TO THE POWER OF
1185
01:27:45,580 --> 01:27:49,620
STORYTELLING.
PLEASE WELCOME OUR TELEVISION
1186
01:27:49,650 --> 01:27:53,240
ACADEMY CHAIRMAN, CRIS ABREGO.
1187
01:28:09,270 --> 01:28:12,030
>> HELLO, HELLO.
LAST SUNDAY, AT THE CREATIVE
1188
01:28:12,060 --> 01:28:14,680
ARTS EMMYS, I HAD THE HONOR OF
HELPING PRESENT THE GOVERNOR'S
1189
01:28:14,720 --> 01:28:21,170
AWARD TO THE CORPORATION FOR
PUBLIC BROADCASTING.
1190
01:28:21,200 --> 01:28:26,060
FOR MORE THAN 50 YEARS, THE CPB
1191
01:28:26,100 --> 01:28:29,860
HAS BEEN THE BACKBONE OF
AMERICAN PUBLIC MEDIA, BRINGING
1192
01:28:29,890 --> 01:28:32,620
US EVERYTHING FROM
"SESAME STREET" TO
1193
01:28:32,650 --> 01:28:35,720
"MR. ROGERS' NEIGHBORHOOD" TO
"FINDING YOUR ROOTS," AND
1194
01:28:35,750 --> 01:28:41,170
KEEPING FREE LOCAL STATIONS
ALIVE ACROSS THE NATION.
1195
01:28:41,200 --> 01:28:47,890
AND, IN MANY SMALL TOWNS, THOSE
1196
01:28:47,930 --> 01:28:50,860
STATIONS WEREN'T JUST CULTURAL
LIFELINES, THEY WERE THE ONLY
1197
01:28:50,890 --> 01:28:55,170
EMERGENCY ALERT SYSTEM FAMILIES
COULD COUNT ON.
1198
01:28:55,200 --> 01:28:58,000
BUT, AT THE END OF THIS YEAR,
CPB WILL CLOSE ITS DOORS BECAUSE
1199
01:28:58,030 --> 01:29:03,860
CONGRESS HAS VOTED TO DEFUND IT.
1200
01:29:03,890 --> 01:29:09,030
AND SILENCE YET ANOTHER CULTURAL
INSTITUTION.
1201
01:29:09,060 --> 01:29:11,170
AND THAT'S A REMINDER OF JUST
HOW MUCH OUR WORK HERE MATTERS,
1202
01:29:11,200 --> 01:29:21,480
ESPECIALLY RIGHT NOW.
IN A TIME WHEN DIVISION
1203
01:29:21,510 --> 01:29:22,860
IN A TIME WHEN DIVISION
1204
01:29:22,890 --> 01:29:24,680
DOMINATES THE HEADLINES,
STORYTELLING STILL HAS THE POWER
1205
01:29:24,720 --> 01:29:29,510
TO UNITE US.
TELEVISION, AND THE ARTISTS WHO
1206
01:29:29,550 --> 01:29:32,200
MAKE IT, DO MORE THAN REFLECT
SOCIETY.
1207
01:29:32,240 --> 01:29:34,170
THEY SHAPE OUR CULTURE.
AND IN TIMES OF CULTURAL
1208
01:29:34,200 --> 01:29:36,410
REGRESSION, THEY REMIND US
WHAT'S AT STAKE AND WHAT CAN
1209
01:29:36,440 --> 01:29:38,510
STILL BE ACHIEVED.
"M*AáS*H."
1210
01:29:38,550 --> 01:29:41,720
"ROOTS."
THE LATE, GREAT NORMAN LEAR'S
1211
01:29:41,750 --> 01:29:46,930
ENTIRE BODY OF WORK.
"WILL AND GRACE."
1212
01:29:46,960 --> 01:29:50,580
"THE HANDMAID'S TALE."
"SOUTH PARK."
1213
01:29:50,620 --> 01:29:56,790
THE LEGACY OF LATE NIGHT.
FOR GENERATIONS, ARTISTS HAVE
1214
01:29:56,820 --> 01:30:01,100
SEIZED THE POWER OF TV TO
BROADEN HORIZONS, CHALLENGE THE
1215
01:30:01,130 --> 01:30:08,100
STATUS QUO, AND BEND THAT ARC OF
HISTORY TOWARDS JUSTICE.
1216
01:30:08,130 --> 01:30:13,130
THE TELEVISION ACADEMY, AND ALL
1217
01:30:13,170 --> 01:30:15,510
OF US IN THIS ROOM, MUST
CONTINUE TO CHAMPION THAT POWER
1218
01:30:15,550 --> 01:30:18,720
AND WIELD IT RESPONSIBLY.
IN MOMENTS LIKE THIS, NEUTRALITY
1219
01:30:18,750 --> 01:30:23,130
IS NOT ENOUGH.
WE MUST BE VOICES FOR
1220
01:30:23,170 --> 01:30:30,580
CONNECTION, INCLUSION, EMPATHY,
YES.
1221
01:30:30,620 --> 01:30:33,720
BECAUSE WE KNOW THAT CULTURE
1222
01:30:33,750 --> 01:30:42,240
DOESN'T COME FROM THE TOP DOWN.
IT RISES FROM THE BOTTOM UP.
1223
01:30:42,270 --> 01:30:45,130
CULTURE BELONGS TO THE PEOPLE.
SO, IF OUR INDUSTRY IS TO
1224
01:30:45,170 --> 01:30:47,440
THRIVE, WE NEED TO MAKE ROOM FOR
MORE VOICES, NOT FEWER.
1225
01:30:47,480 --> 01:30:51,000
THAT'S THE WORK OF THE
TELEVISION ACADEMY.
1226
01:30:51,030 --> 01:30:54,510
TODAY WE ARE ALMOST 30,000
STRONG -- THE LARGEST, YOUNGEST,
1227
01:30:54,550 --> 01:30:57,860
AND MOST DIVERSE BODY IN OUR
HISTORY.
1228
01:30:57,890 --> 01:31:00,720
AND WITH THAT DIVERSITY COMES
THE STRENGTH, IMAGINATION, AND
1229
01:31:00,750 --> 01:31:04,410
COURAGE OUR INDUSTRY NEEDS TO
MOVE FORWARD.
1230
01:31:04,440 --> 01:31:08,410
SO LET'S DO THAT, TOGETHER.
LET'S KEEP TELLING STORIES, AND
1231
01:31:08,440 --> 01:31:11,620
LET'S MAKE SURE THAT CULTURE IS
NOT A PLATFORM FOR THE
1232
01:31:11,650 --> 01:31:15,030
PRIVILEGED, BUT A PUBLIC GOOD
FOR ALL.
1233
01:31:15,060 --> 01:31:26,650
AND NOW, TO PRESENT ONE OF THE
1234
01:31:26,680 --> 01:31:30,270
TELEVISION ACADEMY'S MOST
PRESTIGIOUS HONORS, THE BOB HOPE
1235
01:31:30,310 --> 01:31:33,060
HUMANITARIAN AWARD, PLEASE
WELCOME EMMY NOMINEE
1236
01:31:33,100 --> 01:31:35,790
KRISTEN BELL AND EMMY WINNER
MICHAEL SCHUR.
1237
01:31:56,030 --> 01:31:57,240
♪>> MIKE AND I ARE HERE TO
1238
01:31:57,270 --> 01:32:03,030
CELEBRATE OUR GOOD FRIEND
MARY STEENBURGEN, WHO IS BOTH A
1239
01:32:03,060 --> 01:32:06,370
BRILLIANT ACTOR AND A DEVOTED
PHILANTHROPIST.
1240
01:32:06,410 --> 01:32:14,340
>> WE'RE ALSO HERE TO CELEBRATE
TED DANSON.
1241
01:32:14,370 --> 01:32:16,060
WHO IS BOTH TALL AND FROM
1242
01:32:16,100 --> 01:32:20,550
SAN DIEGO.
1243
01:32:20,580 --> 01:32:23,270
THAT'S ACCORDING TO A BIO HIS
PUBLICIST SENT OVER, AS NEITHER
1244
01:32:23,310 --> 01:32:28,030
OF US IS FAMILIAR WITH HIS
ACTING WORK.
1245
01:32:28,060 --> 01:32:30,650
>> YEAH, I DON'T KNOW.
TOGETHER, TED AND MARY ARE AN
1246
01:32:30,680 --> 01:32:32,620
UNSTOPPABLE FORCE, ON SCREEN AND
OFF, AND TONIGHT THEY ARE
1247
01:32:32,650 --> 01:32:35,130
RECEIVING THE BOB HOPE
HUMANITARIAN AWARD.
1248
01:32:35,170 --> 01:32:38,000
>> CREATED IN 2002 BY THE
TELEVISION ACADEMY'S BOARD OF
1249
01:32:38,030 --> 01:32:41,270
GOVERNORS, THIS AWARD IS GIVEN
TO ARTISTS WHOSE PHILANTHROPY
1250
01:32:41,310 --> 01:32:50,130
EXEMPLIFIES BOB HOPE'S ALTRUISM
AND POSITIVE IMPACT ON SOCIETY.
1251
01:32:50,170 --> 01:32:52,930
>> PLEASE JOIN US AS WE SALUTE
THESE TWO WONDERFUL ACTORS AND,
1252
01:32:52,960 --> 01:32:54,100
MORE IMPORTANTLY, WONDERFUL
PEOPLE.
1253
01:32:54,130 --> 01:32:57,440
♪>> Announcer: THEIR PERFORMANCES
1254
01:32:57,480 --> 01:33:00,790
ON CAMERA HAVE EARNED THEM THE
ADORATION OF VIEWERS FROM AROUND
1255
01:33:00,820 --> 01:33:03,620
THE GLOBE, BUT TONIGHT WE HONOR
TED DANSON AND MARY STEENBURGEN
1256
01:33:03,650 --> 01:33:07,130
FOR AN EVEN MORE MEANINGFUL
CONTRIBUTION TO OUR WORLD --
1257
01:33:07,170 --> 01:33:12,030
THEIR DEDICATION TO THE CAUSES
THEY SO DEEPLY BELIEVE IN.
1258
01:33:12,060 --> 01:33:19,340
THEY'VE WORKED WITH OCEANA TO
PROTECT AND PRESERVE THE WORLD'S
1259
01:33:19,370 --> 01:33:21,310
OCEANS.
>> WE WANT TO MAKE SURE WE ARE
1260
01:33:21,340 --> 01:33:23,750
NOT OVER POLLUTING OUR WATERS.
THERE IS A TICKING CLOCK,
1261
01:33:23,790 --> 01:33:25,890
THERE'S A REAL PROBLEM.
WE CAN FIX THIS.
1262
01:33:25,930 --> 01:33:27,890
>> AND USED THEIR PASSIONATE AND
POWERFUL VOICES TO INCREASE ARTS
1263
01:33:27,930 --> 01:33:31,030
FUNDING IN SCHOOLS.
THEY ARE OUTSPOKEN ALLIES OF THE
1264
01:33:31,060 --> 01:33:33,410
LGBTQ COMMUNITY, AND HAVE
PROUDLY STOOD UP FOR INDIVIDUALS
1265
01:33:33,440 --> 01:33:37,170
AND THEIR RIGHTS.
LAST YEAR THEY WERE RECOGNIZED
1266
01:33:37,200 --> 01:33:41,030
WITH THE NANCY PELOSI EQUALITY
ALLY AWARD AT THE 2024 EQUALITY
1267
01:33:41,060 --> 01:33:47,170
PAC NATIONAL PRIDE GALA IN
WASHINGTON D.C.
1268
01:33:47,200 --> 01:33:53,510
>> THERE ARE ONLY REALLY TWO
EMOTIONS, LOVE AND FEAR.
1269
01:33:53,550 --> 01:33:55,960
EVERYTHING WE DO BOILS DOWN TO
ONE OR THE OTHER.
1270
01:33:56,000 --> 01:33:58,000
>> THEY'VE SUPPORTED THE
MISSIONS OF NUMEROUS
1271
01:33:58,030 --> 01:34:00,270
ORGANIZATIONS SUCH AS THE
ELIZABETH GLASER PEDIATRIC AIDS
1272
01:34:00,310 --> 01:34:03,440
FOUNDATION, NO KID HUNGRY,
HEIFER INTERNATIONAL,
1273
01:34:03,480 --> 01:34:07,310
PROGERIA RESEARCH FOUNDATION,
ANDPATHWAY TO KINSHIP, WORKING
1274
01:34:07,340 --> 01:34:12,000
WITH CURRENTLY AND FORMERLY
INCARCERATED CITIZENS, AND
1275
01:34:12,030 --> 01:34:14,550
TOGETHER THEY HELPED CO-FOUND
ANGELS AT RISK, A NON-PROFIT
1276
01:34:14,580 --> 01:34:17,440
ORGANIZATION THAT ADDRESSES THE
CRISIS OF DRUG AND ALCOHOL ABUSE
1277
01:34:17,480 --> 01:34:21,030
IN TEENS AND FAMILIES BY
CREATING EDUCATIONAL PROGRAMS
1278
01:34:21,060 --> 01:34:23,960
AND SERVICES TO RAISE AWARENESS
FOR ADDICTION PREVENTION,
1279
01:34:24,000 --> 01:34:29,620
INTERVENTION, AND TREATMENT.
WITH GRACE, INTEGRITY, AND
1280
01:34:29,650 --> 01:34:33,340
UNWAVERING COMMITMENT,
TED DANSON AND MARY STEENBURGEN
1281
01:34:33,370 --> 01:34:36,310
HAVE BUILT AN EXTRAORDINARY
LEGACY OF SERVICE TO OUR PEOPLE
1282
01:34:36,340 --> 01:34:40,270
AND OUR PLANET. ♪
1283
01:34:40,310 --> 01:34:49,960
>> TED AND MARY -- ON BEHALF OF
1284
01:34:50,000 --> 01:34:53,370
THE TELEVISION ACADEMY, WE ARE
HONORED TO PRESENT YOU WITH THE
1285
01:34:53,410 --> 01:34:56,200
2025 BOB HOPE HUMANITARIAN
AWARD.
1286
01:35:32,750 --> 01:35:35,890
>> THANK YOU VERY MUCH.
>> THANK YOU, GUYS, GUYS.
1287
01:35:35,930 --> 01:35:38,130
>> BEST FRIENDS.
THANK YOU TO THE TELEVISION
1288
01:35:38,170 --> 01:35:40,030
ACADEMY AND ITS BOARD OF
GOVERNORS FOR THIS AWARD.
1289
01:35:40,060 --> 01:35:43,100
IT'S NAMED AFTER A MAN WHOSE
VERY NAME WAS "HOPE," AND THAT
1290
01:35:43,130 --> 01:35:45,410
IS WHAT BOB HOPE BROUGHT TO
PEOPLE FOR 50 YEARS AS HE
1291
01:35:45,440 --> 01:35:52,820
TRAVELED THE WORLD ENTERTAINING
OUR TROOPS.
1292
01:35:52,860 --> 01:35:54,580
WE SEND OUR LOVE TO HIS FAMILY
ALONG WITH OUR DEEPEST THANKS
1293
01:35:54,620 --> 01:35:57,860
FOR THIS.
THERE IS NO HONOR THAT WOULD
1294
01:35:57,890 --> 01:36:04,000
MEAN MORE TO MARY AND ME THAN
THIS ONE.
1295
01:36:04,030 --> 01:36:17,440
THE FACT THAT IT HAS BEEN GIVEN
TO BOTH OF US MEANS THE WORLD
1296
01:36:17,480 --> 01:36:19,860
>> AND THIS HONOR WOULD HAVE
1297
01:36:19,890 --> 01:36:22,060
MEANT THE WORLD TO OUR PARENTS,
BECAUSE, IN A WAY, IT'S ABOUT
1298
01:36:22,100 --> 01:36:24,130
LIVING THE LIVES THEY, BY
EXAMPLE, TAUGHT US TO LIVE.
1299
01:36:24,170 --> 01:36:26,240
MY DAD, AN ARKANSAS FREIGHT
TRAIN CONDUCTOR, PLAYED BY ALL
1300
01:36:26,270 --> 01:36:34,100
OF THE RULES AT WORK, SAVE ONE.
WHEN HE CAME ACROSS A MAN DOWN
1301
01:36:34,130 --> 01:36:36,480
BOXCAR, HE DIDN'T PUT THEM OFF
THE TRAIN.
1302
01:36:36,510 --> 01:36:40,680
HE LET THEM RIDE.
AND, EVEN THOUGH I WAS A CHILD,
1303
01:36:40,720 --> 01:36:45,270
I UNDERSTOOD WELL THE BEAUTY OF
THAT ACT OF KINDNESS.
1304
01:36:45,310 --> 01:36:47,960
>> MY FATHER WAS AN
ARCHEOLOGIST, AND SPENT MOST OF
1305
01:36:48,000 --> 01:36:51,030
HIS LIFE DIGGING UP AND
CATALOGING THE REMNANTS OF PAST
1306
01:36:51,060 --> 01:36:57,000
CULTURES.
HE TAUGHT ME, "THIS LIFE IS NOT
1307
01:36:57,030 --> 01:37:00,650
JUST ABOUT US.
A LOT OF PEOPLE HAVE COME BEFORE
1308
01:37:00,680 --> 01:37:03,480
US, AND A LOT OF PEOPLE WILL
COME AFTER US.
1309
01:37:03,510 --> 01:37:11,340
IT'S ABOUT OUR STEWARDSHIP OF
WHAT WE HAVE BEEN GIVEN."
1310
01:37:11,370 --> 01:37:13,890
>> IF IT'S TRUE THAT LIFE IS
MADE UP OF TWO EMOTIONS, LOVE
1311
01:37:13,930 --> 01:37:17,650
AND FEAR, THE WORLD IS A LITTLE
OUT OF BALANCE RIGHT NOW.
1312
01:37:17,680 --> 01:37:22,200
WE DON'T WANT TO LIVE IN FEAR,
SO WE MAKE OURSELVES USEFUL,
1313
01:37:22,240 --> 01:37:25,270
WORKING FOR ORGANIZATIONS THAT
MOVE THE SCALE AWAY FROM FEAR
1314
01:37:25,310 --> 01:37:28,790
AND PUT US SMACK IN THE MIDDLE
OF LOVE.
1315
01:37:28,820 --> 01:37:33,130
>> THANK YOU TO JACOB FENTON,
KEITH ADDIS, ERIC KRANZLER,
1316
01:37:33,170 --> 01:37:41,480
JO YAO, AND ANNETT WOLF, BECAUSE
FOR A LONG TIME THAT TEAM OF
1317
01:37:41,510 --> 01:37:43,440
PEOPLE HAS ALSO CONTRIBUTED
THEIR OWN TIME AND CARING TO
1318
01:37:43,480 --> 01:37:50,000
THESE CAUSES AND MORE.
>> THANK YOU TO OUR SISTERS,
1319
01:37:50,030 --> 01:37:52,860
OUR CHILDREN, AND GRANDCHILDREN,
WHO OF COURSE ARE THE BEST
1320
01:37:52,890 --> 01:37:54,000
TEACHERS WE HAVE EVER HAD.
MOST OF ALL, THANK YOU TO YOU,
1321
01:37:54,030 --> 01:37:59,000
OUR BELOVED COMMUNITY.
TOGETHER WE HAVE A SACRED
1322
01:37:59,030 --> 01:38:06,310
ASSIGNMENT TO REMIND THE WORLD
OF ITS DREAMS, ITS FAILURES, ITS
1323
01:38:06,340 --> 01:38:09,030
LAUGHTER, ITS COURAGE, AND, MOST
ESPECIALLY, ITS HOPE.
1324
01:38:09,060 --> 01:38:11,960
>> THE TWO OF US FEEL VERY
BLESSED TO SPEND OUR LIVES DOING
1325
01:38:12,000 --> 01:38:18,790
JUST THAT WITH YOU.
THANK YOU FOR THIS HONOR.
1326
01:38:18,820 --> 01:38:21,270
>> THANK YOU.
1327
01:38:31,060 --> 01:38:34,480
>> Announcer: HERE ARE TONIGHT'S
ACCOUNTANTS FROM ERNST & YOUNG,
1328
01:38:34,510 --> 01:38:38,930
GRETA CASAGRANDE, JADE DAVIS,
AND SUZANNE DeJONG.
1329
01:38:46,310 --> 01:38:49,750
PLEASE WELCOME SIX-TIME EMMY
NOMINEE PHYLICIA RASHAD.
1330
01:38:55,650 --> 01:39:00,550
>> HE WAS A BELOVED TEENAGER
IN AN ICONIC TELEVISION SERIES
1331
01:39:00,580 --> 01:39:04,130
WHO THE WORLD WATCHED GROW INTO
MANHOOD, AND LIKE ALL OUR
1332
01:39:04,170 --> 01:39:08,680
FRIENDS AND COLLEAGUES WHO
TRANSITIONED THIS PAST YEAR,
1333
01:39:08,720 --> 01:39:15,270
MALCOLM JAMAL-WARNER REMAINS IN
OUR HEARTS.
1334
01:39:15,310 --> 01:39:21,060
TONIGHT, AS IS TRADITION AT THE
1335
01:39:21,100 --> 01:39:25,370
EMMYS, WE REMEMBER THEM NOT JUST
FOR THEIR IMMENSE TALENT, BUT
1336
01:39:25,410 --> 01:39:32,000
ALSO FOR THE WAY THEY MADE US
BELIEVE IN SOMETHING BIGGER.
1337
01:39:32,030 --> 01:39:34,820
THE BEST THAT IS WITHIN US.
EVEN THOUGH THEY MAY NO LONGER
1338
01:39:34,860 --> 01:39:38,340
BE WITH US, WE CAN ALL SMILE
KNOWING THAT THEIR IMPACT WILL
1339
01:39:38,370 --> 01:39:41,370
REMAIN, KNOWING THAT THEIR
LASTING IMPRESSIONS WILL
1340
01:39:41,410 --> 01:39:45,310
CONTINUE TO LIVE ON THROUGH
STORY, KNOWING THAT THEY TOUCHED
1341
01:39:45,340 --> 01:39:50,310
OUR LIVES.
WHETHER YOU GREW UP WATCHING
1342
01:39:50,340 --> 01:39:53,720
THEM OR HAVE JUST NOW DISCOVERED
THEIR BRILLIANCE, THEIR LIGHT
1343
01:39:53,750 --> 01:39:57,790
REMAINS IN THE VERY FABRIC OF
OUR INDUSTRY.
1344
01:39:57,820 --> 01:40:01,930
PERFORMING A SONG OF REMEMBRANCE
FOR ALL THE MEMBERS OF ALL OUR
1345
01:40:01,960 --> 01:40:06,270
TELEVISION FAMILIES WHO HAVE
PASSED ON, HERE ARE VINCE GILL
1346
01:40:06,310 --> 01:40:09,270
AND LAINEY WILSON.
1347
01:40:19,370 --> 01:40:27,410
>> ♪ I KNOW YOUR LIFE ON EARTH
WAS TROUBLED ♪
1348
01:40:27,440 --> 01:40:35,370
♪ AND ONLY YOU COULD KNOW THE
PAIN ♪
1349
01:40:35,410 --> 01:40:43,580
♪ YOU WEREN'T AFRAID TO FACE THE
DEVIL ♪
1350
01:40:43,620 --> 01:40:54,750
♪ YOU WERE NO STRANGER TO THE
RAIN ♪
1351
01:40:54,790 --> 01:41:04,060
>> ♪ GO REST HIGH ON THAT
MOUNTAIN ♪
1352
01:41:04,100 --> 01:41:11,510
♪ SON, YOUR WORK ON EARTH IS
DONE ♪
1353
01:41:11,550 --> 01:41:21,370
♪ GO TO HEAVEN A-SHOUTIN'
♪ LOVE FOR THE FATHER AND THE
1354
01:41:21,410 --> 01:41:31,060
SON ♪
>> ♪ OH, HOW WE CRIED THE DAY
1355
01:41:31,100 --> 01:41:39,790
YOU LEFT US ♪
♪ WE GATHERED 'ROUND YOUR GRAVE
1356
01:41:39,820 --> 01:41:47,100
TO GRIEVE ♪
♪ WISH I COULD SEE THE ANGELS'
1357
01:41:47,130 --> 01:41:56,440
FACES ♪
♪ WHEN THEY HEAR YOUR SWEET
1358
01:41:56,480 --> 01:42:05,930
VOICE SING ♪ ♪
1359
01:42:33,750 --> 01:42:40,440
♪>> ♪ GO REST HIGH ON THAT
1360
01:42:40,480 --> 01:42:49,480
MOUNTAIN ♪
♪ SON, YOUR WORK ON EARTH IS
1361
01:42:49,510 --> 01:43:03,200
DONE ♪
♪ GO TO HEAVEN A-SHOUTIN'
1362
01:43:03,240 --> 01:43:09,720
♪ LOVE FOR THE FATHER AND THE
SON ♪
1363
01:43:41,510 --> 01:43:50,580
♪>> ♪ YOU'RE SAFELY HOME IN THE
1364
01:43:50,620 --> 01:43:58,620
ARMS OF JESUS ♪
♪ ETERNAL LIFE, MY BROTHER'S
1365
01:43:58,650 --> 01:44:07,130
FOUND ♪
♪ THE DAY WILL COME, I KNOW I'LL
1366
01:44:07,170 --> 01:44:15,270
SEE HIM ♪
♪ IN THAT SACRED PLACE ON THAT
1367
01:44:15,310 --> 01:44:23,620
HOLY GROUND ♪
>> ♪ GO REST HIGH ON THAT
1368
01:44:23,650 --> 01:44:32,790
MOUNTAIN ♪
♪ SON, YOUR WORK ON EARTH IS
1369
01:44:32,820 --> 01:44:47,580
DONE ♪
♪ GO TO HEAVEN A-SHOUTIN'
1370
01:44:47,620 --> 01:44:58,370
♪ LOVE FOR THE FATHER AND THE
SON ♪
1371
01:44:58,410 --> 01:45:07,340
♪ GO TO HEAVEN A-SHOUTIN'
♪ LOVE FOR THE FATHER AND THE
1372
01:45:07,370 --> 01:45:08,370
SON ♪
♪ %
1373
01:45:50,030 --> 01:45:55,170
♪>> Nate: WELCOME BACK TO THE
1374
01:45:55,200 --> 01:45:57,000
EMMYS.
THE IN MEMORIAM WENT A LITTLE
1375
01:45:57,030 --> 01:45:57,890
LONG.
1376
01:45:57,930 --> 01:46:01,030
I'M JOKING, SORRY, I DIDN'T MEAN
THAT.
1377
01:46:01,060 --> 01:46:10,030
THE NUMBER IS DOWN.
IT'S CRAZY, JB.
1378
01:46:10,060 --> 01:46:12,860
IT'S LIKE THEY DON'T THINK IT'S
A REAL.
1379
01:46:12,890 --> 01:46:15,000
>> THEY DON'T BELIEVE IT, MAN.
THIS IS A REAL THING.
1380
01:46:15,030 --> 01:46:18,860
THESE YOUNG PEOPLE ARE REAL, YOU
HEAR ME?
1381
01:46:18,890 --> 01:46:23,890
CARTER AND MOLLY, THERE BLADDERS
ARE SMALL, THEY HAD TWO BOTTLES
1382
01:46:23,930 --> 01:46:26,680
OF WATER AND WE HAVE TO GET THIS
MONEY UP, MAN.
1383
01:46:26,720 --> 01:46:31,130
>> Nate: I AGREE.
PLEASE WELCOME YOUR NEXT
1384
01:46:31,170 --> 01:46:39,000
PRESENTER'S, MA MALIN AKERMAN AD
BRITTANY SNOW.
1385
01:46:50,030 --> 01:46:52,000
>> WOW, THAT TOOK ME A WHILE TO
GET HERE.
1386
01:46:52,620 --> 01:46:54,340
SORRY, I WAS REALLY SLOW TO COME
OUT.
1387
01:46:54,370 --> 01:46:58,650
>> I DON'T MIND WAITING FOR YOU
TO COME OUT.
1388
01:46:58,680 --> 01:47:04,030
>> THANK YOU FOR THE HELP.
1389
01:47:04,060 --> 01:47:06,480
>> THE FEELING A LEAD ACTOR
BRINGS FORTH IN A CHARACTER
1390
01:47:06,510 --> 01:47:11,170
OFTEN RESONATES DEEPLY WITH THE
AUDIENCE CREATING MEMORABLE
1391
01:47:11,200 --> 01:47:13,200
EXPERIENCES.
>> THIS YEAR WE HAVE BEEN
1392
01:47:13,240 --> 01:47:16,270
CAPTIVATED BY PERFORMANCES OF
CHARACTERS BOTH CHARISMATIC AND
1393
01:47:16,310 --> 01:47:20,480
FLAWED WHO WORKED THROUGH THEIR
PERSONAL DEMONS ALL WHILE TRYING
1394
01:47:20,510 --> 01:47:22,000
TO NAVIGATE COMPLEX
RELATIONSHIPS.
1395
01:47:22,030 --> 01:47:25,310
>> HERE ARE THE NOMINEES FOR
OUTSTANDING LEAD ACTOR IN A
1396
01:47:25,340 --> 01:47:27,240
LIMITED OR ANTHOLOGY SERIES OR
MOVIE.
1397
01:47:27,270 --> 01:47:29,410
>> COLIN FARRELL.
"THE PENGUIN."
1398
01:47:29,440 --> 01:47:31,200
STEPHEN GRAHAM.
"ADOLESCENCE."
1399
01:47:31,240 --> 01:47:33,680
JAKE GYLLENHAAL.
"PRESUMED INNOCENT."
1400
01:47:33,720 --> 01:47:36,480
BRIAN TYREE HENRY.
"DOPE THIEF."
1401
01:47:36,510 --> 01:47:38,820
- COOPER KOCH.
- THE LYLE AND ERIK
1402
01:47:38,860 --> 01:47:47,170
MENENDEZ STORY."
>> AND THE EMMY GOES TO...
1403
01:47:47,200 --> 01:47:49,310
STEPHEN GRAHAM.
"ADOLESCENCE."
1404
01:47:57,960 --> 01:48:01,750
>> Announcer: THIS IS THE
SECOND EMMY WIN AND THIRD
1405
01:48:01,790 --> 01:48:04,310
NOMINATION THIS YEAR FOR STEPHEN
GRAHAM.
1406
01:48:04,340 --> 01:48:12,480
HE'S ALSO NOMINATED FOR WRITING
AND PRODUCING "ADOLESCENCE."
1407
01:48:40,960 --> 01:48:46,820
>> THIS KIND OF THING DOESN'T
1408
01:48:46,860 --> 01:48:49,060
NORMALLY HAPPEN TO A KID LIKE
ME.
1409
01:48:49,100 --> 01:48:54,890
I'M JUST A MIXED-RACE KID FROM A
BLOCK OF FLATS IN A PLACE CALLED
1410
01:48:54,930 --> 01:49:02,480
KIRK KIRKBY.
THIS IS THE MOST HUMBLING THING
1411
01:49:02,510 --> 01:49:04,750
I COULD IMAGINE MY LIFE AND IT
SHOWS ANYTHING IS POSSIBLE.
1412
01:49:04,790 --> 01:49:07,750
THERE ARE TOO MANY PEOPLE TO
THINK BUT I WANT TO THANK MY
1413
01:49:07,790 --> 01:49:09,200
FRIENDS AND FAMILY.
WITHOUT YOU NONE OF THIS IS
1414
01:49:09,240 --> 01:49:11,370
POSSIBLE.
THANK YOU FOR HELPING ME.
1415
01:49:11,410 --> 01:49:17,620
SOMETHING I CAN'T DO ON MY OWN.
JACK, EVERYONE, I WANT TO BRING
1416
01:49:17,650 --> 01:49:20,820
IT TO MY DAD FOR TAKING ME TO
VIDEO SHOP WHEN I WAS A KID AND
1417
01:49:20,860 --> 01:49:28,000
STARTING MY EDUCATION.
MY KIDS, GRACE AND ELSIE, AND MY
1418
01:49:28,030 --> 01:49:30,860
ADORABLE WIFE, WHO I LIVE
WITH EVERY OUNCE OF MY BEING.
1419
01:49:30,890 --> 01:49:34,890
YOU ARE MY ROCK, YOU ARE MY
SOULMATE, AND YOU KNOW AND I
1420
01:49:34,930 --> 01:49:37,890
KNOW THAT WITHOUT YOU I WOULD BE
DEAD.
1421
01:49:37,930 --> 01:49:41,170
SO FROM THE BOTTOM OF MY HEART,
I LOVE YOU WITH EVERYTHING I
1422
01:49:41,200 --> 01:49:46,650
HAVE, AND NAMASTE, EVERYONE.
THANKS VERY MUCH.
1423
01:49:51,200 --> 01:49:52,930
>> Announcer: PLEASE WELCOME
SEVEN-TIME EMMY WINNER
1424
01:49:52,960 --> 01:49:56,060
BRYAN CRANSTON.
1425
01:50:06,580 --> 01:50:09,750
>> THE HALLMARK OF AN
EXCEPTIONAL TALK SHOW, LIKE OUR
1426
01:50:09,790 --> 01:50:13,000
NOMINEES TONIGHT, IS TO
ENTERTAIN THE AUDIENCE THROUGH
1427
01:50:13,030 --> 01:50:16,030
WITTY AND INTELLIGENT
CONVERSATIONS WITH A WIDE RANGE
1428
01:50:16,060 --> 01:50:19,750
OF GUESTS.
FROM THE LEARNED AND
1429
01:50:19,790 --> 01:50:24,580
INSPIRATIONAL GUESTS LIKE
NEIL DeGRASSE TYSON, TO THE
1430
01:50:24,620 --> 01:50:27,000
DESTRUCTIVE AND WOKE
DEGENERATES, LIKE TOM HANKS --
1431
01:50:27,030 --> 01:50:41,130
A TALK SHOW MUST BRING OUT THEIR
1432
01:50:41,170 --> 01:50:44,340
VERY BEST, EVERY SINGLE NIGHT.
EXCEPT FRIDAYS, AND WEEKENDS.
1433
01:50:44,370 --> 01:50:48,200
AND JOHN OLIVER.
1434
01:50:48,240 --> 01:50:54,720
THE NOMINEES FOR OUTSTANDING
TALK SHOW ARE...
1435
01:50:54,750 --> 01:50:58,030
>> "THE DAILY SHOW."
"JIMMY KIMMEL LIVE."
1436
01:50:58,060 --> 01:51:07,030
"THE LATE SHOW WITH
STEPHEN COLBERT."
1437
01:51:16,170 --> 01:51:28,310
>> AND THE EMMY GOES TO...
1438
01:51:28,340 --> 01:51:29,580
"THE LATE SHOW WITH
STEPHEN COLBERT!"
1439
01:51:34,100 --> 01:51:35,960
>> Announcer: "THE LATE SHOW
WITH STEPHEN COLBERT" RECEIVED
1440
01:51:36,000 --> 01:51:39,000
TWO NOMINATIONS THIS YEAR.
ACCEPTING THE EMMY ON BEHALF OF
1441
01:51:39,030 --> 01:51:39,860
THE TEAM IS STEPHEN COLBERT.
1442
01:51:59,510 --> 01:52:14,480
>> THANKS!
1443
01:52:14,510 --> 01:52:15,580
>> THANKS!
1444
01:52:15,620 --> 01:52:18,440
>> THINK OF THE CHILDREN!
THANK YOU FOR THIS HONOR.
1445
01:52:18,480 --> 01:52:21,790
I WANT TO THANK CBS WERE GIVING
US THE PRIVILEGE TO BE PART OF
1446
01:52:21,820 --> 01:52:25,860
THE LATE-NIGHT TRADITION, WHICH
I HOPE CONTINUES LONG AFTER WE
1447
01:52:25,890 --> 01:52:31,310
ARE NO LONGER DOING THIS SHOW.
I'VE GOT TO THANK THESE PEOPLE,
1448
01:52:31,340 --> 01:52:36,030
THOSE PEOPLE UP THERE, THE 200
INCREDIBLE PROFESSIONALS.
1449
01:52:36,060 --> 01:52:45,000
YOU ARE THE PROS FROM DOVER AND
I AM SO PROUD TO BE ONE OF YOU.
1450
01:52:45,030 --> 01:52:48,410
WE HAVE GOT TO THANK THE PEOPLE
WHO HAVE SUPPORTED US FOR THE
1451
01:52:48,440 --> 01:52:53,170
LAST 20 YEARS.
1452
01:52:53,200 --> 01:52:56,820
PERSONALLY I WANT TO THANK MY
BEAUTIFUL, BRILLIANT WIFE, WHO
1453
01:52:56,860 --> 01:52:58,720
IS THE REAL BRAINS OF THE
OUTFIT.
1454
01:52:58,750 --> 01:53:02,890
MY THREE CHILDREN.
I WANT TO DEDICATE THIS TO MY
1455
01:53:02,930 --> 01:53:06,310
MOM AND DAD, HER MOM AND DAD,
AND A YOUNG WOMAN WHO SHOULD BE
1456
01:53:06,340 --> 01:53:15,960
HERE TONIGHT, AMY COLE.
TEN YEARS AGO IN SEPTEMBER OF
1457
01:53:16,000 --> 01:53:19,000
2015, SPIKE JONZE STOPPED BY MY
OFFICE AND SAID, WHAT DO YOU
1458
01:53:19,030 --> 01:53:21,240
WANT THIS SHOW TO BE ABOUT?
I SAID, I DON'T KNOW HOW YOU
1459
01:53:21,270 --> 01:53:24,370
COULD DO IT, BUT I'D LIKE TO DO
A LATE NIGHT COMEDY SHOW THAT
1460
01:53:24,410 --> 01:53:28,030
WAS ABOUT LOVE.
I DON'T KNOW IF I EVER FIGURED
1461
01:53:28,060 --> 01:53:31,440
THAT OUT, BUT AT A CERTAIN
POINT, AND YOU CAN GUESS WHAT
1462
01:53:31,480 --> 01:53:34,410
THAT POINT WAS, I REALIZED THAT
IN SOME WAYS WE WERE DOING A
1463
01:53:34,440 --> 01:53:36,620
LATE NIGHT COMEDY SHOW ABOUT
LOSS.
1464
01:53:36,650 --> 01:53:38,750
AND THAT'S RELATED TO LOVE
BECAUSE SOMETIMES THE ONLY TRULY
1465
01:53:38,790 --> 01:53:43,000
KNOW HOW MUCH YOU LOVE SOMETHINU
MIGHT BE LOSING IT.
1466
01:53:43,030 --> 01:53:48,750
TEN YEARS LATER, IN SEPTEMBER OF
2025, MY FRIENDS, I HAVE NEVER
1467
01:53:48,790 --> 01:53:51,170
LOVED MY COUNTRY MORE
DESPERATELY.
1468
01:53:51,200 --> 01:53:55,860
GOD BLESS AMERICA.
STAY STRONG, BE BRAVE, AND IF
1469
01:53:55,890 --> 01:53:59,130
THE ELEVATOR TRIES TO BRING YOU
DOWN, GO CRAZY AND PUNCH A
1470
01:53:59,170 --> 01:54:02,890
HIGHER FLOOR!
WHOO!
1471
01:54:17,100 --> 01:54:18,720
♪>> Announcer: AFTER THE BREAK,
1472
01:54:18,750 --> 01:54:20,930
SARAH PAULSON AND EVAN PETERS.
PLUS, RAY ROMANO AND
1473
01:54:20,960 --> 01:54:24,200
BRAD GARRETT PRESENT THE EMMY
FOR OUTSTANDING COMEDY SERIES,
1474
01:54:24,240 --> 01:54:27,890
AND COLMAN DOMINGO PRESENTS LEAD
ACTOR IN A DRAMA SERIES.
1475
01:54:27,930 --> 01:54:28,930
THIS IS CBS. ♪
1476
01:54:38,030 --> 01:54:39,680
>> Announcer: PLEASE WELCOME
EMMY WINNERS SARAH PAULSON AND
1477
01:54:39,720 --> 01:54:41,620
EVAN PETERS.
1478
01:54:55,580 --> 01:54:57,890
>> HI!
I'M REALLY EXCITED TO BE HERE
1479
01:54:57,930 --> 01:55:00,200
WITH YOU TONIGHT.
>> YOU, TOO.
1480
01:55:00,240 --> 01:55:05,410
I MEAN, ME, IS ALSO.
WE HAVEN'T REALLY WORKED
1481
01:55:05,440 --> 01:55:07,650
TOGETHER SINCE
""AMERICAN HORROR STORY" CLOSE
1482
01:55:07,680 --> 01:55:11,930
TO SEASON 10 PET I MISS YOU.
1483
01:55:11,960 --> 01:55:14,000
IF YOU REALLY MISSED ME, YOU
WOULD CALL YOUR AGENT TO
1484
01:55:14,030 --> 01:55:16,340
MR. MURPHY AND GET STARTED ON
SEASON 13.
1485
01:55:16,370 --> 01:55:19,240
THAT'S NOT WHY WE'RE HERE.
>> WE ARE HERE TO PRESENT THE
1486
01:55:19,270 --> 01:55:22,370
EMMY FOR OUTSTANDING LIMITED OR
ANTHOLOGY SERIES.
1487
01:55:22,410 --> 01:55:27,790
>> WHAT A GREAT CATEGORY.
WOULDN'T YOU LIKE TO BE IN A
1488
01:55:27,820 --> 01:55:30,370
SHOW THAT WAS ABLE TO BE
NOMINATED IN A CATEGORY LIKE
1489
01:55:30,410 --> 01:55:32,790
THAT?
>> I WOULD.
1490
01:55:32,820 --> 01:55:36,170
I REALLY, REALLY WOULD.
>> WHAT ARE YOU GOING TO DO
1491
01:55:36,200 --> 01:55:37,440
ABOUT IT?
>> I'LL GET ON THE PHONE
1492
01:55:37,480 --> 01:55:38,580
>> HERE ARE THE NOMINEES FOR
OUTSTANDING LIMITED OR ANTHOLOGY
1493
01:55:38,620 --> 01:55:41,310
SERIES.
>> "ADOLESCENCE."
1494
01:55:41,340 --> 01:55:43,930
"BLACK MIRROR."
"DYING FOR SEX."
1495
01:55:43,960 --> 01:55:47,100
THE LYLE AND ERIK
MENENDEZ STORY."
1496
01:55:47,130 --> 01:56:00,820
"THE PENGUIN."
>> AND THE EMMY GOES TO...
1497
01:56:00,860 --> 01:56:04,620
"ADOLESCENCE."
1498
01:56:04,650 --> 01:56:12,440
♪>> Announcer: "ADOLESCENCE"
1499
01:56:12,480 --> 01:56:14,680
RECEIVED 13 NOMINATIONS THIS
YEAR.
1500
01:56:14,720 --> 01:56:18,130
ACCEPTING THE EMMY ON BEHALF OF
THE TEAM'S THREE-TIME EMMY
1501
01:56:18,170 --> 01:56:33,060
WINNER STEPHEN GRAHAM.
1502
01:56:33,100 --> 01:56:38,000
WINNER STEPHEN GRAHAM.
1503
01:56:38,030 --> 01:56:39,000
♪>> DON'T START THE CLOCK YET.
1504
01:56:39,030 --> 01:56:40,720
WANT TO MAKE SURE EVERYONE IS
IN.
1505
01:56:40,750 --> 01:56:43,510
THERE'S A LOT OF US.
COME ON.
1506
01:56:43,550 --> 01:56:47,550
THANK YOU.
FIRST OF ALL, LET ME SAY
1507
01:56:47,580 --> 01:56:49,750
THANK YOU MY AGENTS AND MY
MANAGER WHO HAVE BEEN WITH ME
1508
01:56:49,790 --> 01:56:55,340
FOR OVER 20 YEARS.
I LOVE YOUS DEARLY PRAYED I'M
1509
01:56:55,370 --> 01:56:58,720
SORRY FORGOT.
THIS IS NOT A GAME OF FOOTY, YOU
1510
01:56:58,750 --> 01:57:01,750
KNOW WHAT I MEAN?
IS NO WINNERS AND NO LOSERS.
1511
01:57:01,790 --> 01:57:05,410
IT'S ALL SUBJECTIVE.
WHAT WE MANAGED TO CREATE WAS A
1512
01:57:05,440 --> 01:57:08,130
BEAUTIFUL FAMILY.
WHETHER YOU WAS NUMBER ONE OR
1513
01:57:08,170 --> 01:57:10,650
NUMBER 101 ON THE CALL SHEET, WE
WERE TREATED EQUALLY AND
1514
01:57:10,680 --> 01:57:12,820
EVERYONE WAS RESPECTED AND
TREATED WITH THE UTMOST OF
1515
01:57:12,860 --> 01:57:14,860
RESPECT.
WE ARE ALL THE SAME.
1516
01:57:14,890 --> 01:57:18,440
I THINK THAT'S HOW YOU GET THE
BEST WORK AND HOW YOU GET THE
1517
01:57:18,480 --> 01:57:20,720
BEST OUT OF YOUR PEOPLE, DO YOU
KNOW WHAT I MEAN?
1518
01:57:20,750 --> 01:57:23,370
IF YOU FILL THEM WITH LOVE AND
GIVE THEM THAT OPPORTUNITY.
1519
01:57:23,410 --> 01:57:26,130
SO WHETHER OR NOT YOU ARE AN
EXECUTIVE PRODUCER FROM PLAN B
1520
01:57:26,170 --> 01:57:30,580
OR YOU ARE THE FELLOW THAT WAS
CLEANING THE TOILETS IN OUR
1521
01:57:30,620 --> 01:57:34,100
WINNEBAGOS, WE WERE ALL EQUAL.
JUST LOOK AFTER EACH OTHER AND
1522
01:57:34,130 --> 01:57:36,440
GIVE YOUR MATE A CUDDLE OR A
KISS AND TELL THEM YOU LOVE
1523
01:57:36,480 --> 01:57:38,650
THEM.
GOOD NIGHT, GOD BLESS.
1524
01:57:58,030 --> 01:57:59,000
♪>> Nate: ALL RIGHT.
1525
01:57:59,030 --> 01:58:00,890
THIS NIGHT HAS BEEN GREAT FOR
ME.
1526
01:58:00,930 --> 01:58:04,480
HONESTLY, I THINK I HAVE MADE
MONEY.
1527
01:58:04,510 --> 01:58:09,030
WHAT IS IT AT?
1528
01:58:09,060 --> 01:58:12,750
YEAH, THAT IS TOUGH, AND THE
KIDS ARE GOING TO TAKE IT.
1529
01:58:12,790 --> 01:58:14,480
IT'S BRUTAL.
STEPHEN COLBERT IS HAPPY THAT HE
1530
01:58:14,510 --> 01:58:21,100
DOESN'T HAVE A JOB, IT IS JUST
TOUGH.
1531
01:58:21,130 --> 01:58:24,480
ALL RIGHT.
WHAT A NIGHT!
1532
01:58:24,510 --> 01:58:27,000
ARE NEXT TWO PRESENTERS
PLAYED BROTHERS IN THE '90s WHO
1533
01:58:27,030 --> 01:58:28,820
REALLY WANTED TO KILL THEIR
MOM...
1534
01:58:28,860 --> 01:58:31,240
BUT THEY DIDN'T!
PLEASE WELCOME EMMY WINNERS
1535
01:58:31,270 --> 01:58:33,620
RAY ROMANO AND BRAD GARRETT.
1536
01:58:47,650 --> 01:58:51,440
>> HEY, EVERYBODY.
THANK YOU VERY MUCH.
1537
01:58:51,480 --> 01:58:56,790
IT'S AN HONOR TO BE HERE.
FOR BRAD AND I, IT'S AN HONOR TO
1538
01:58:56,820 --> 01:59:00,440
PRESENT FOR BEST COMEDY SERIES.
WE WERE LUCKY ENOUGH TO BE ON A
1539
01:59:00,480 --> 01:59:06,060
SHOW THAT WON THIS AWARD 20
YEARS AGO THIS MONTH.
1540
01:59:06,100 --> 01:59:10,680
BEAUTIFUL.
1541
01:59:10,720 --> 01:59:14,620
>> A LONG TIME AGO, BOY.
>> IT FEELS A LITTLE DIFFERENT
1542
01:59:14,650 --> 01:59:18,480
TO BE ON THE EMMYS STAGE TONIGHT
THAN IT DID THEN.
1543
01:59:18,510 --> 01:59:23,030
I DON'T THINK WE WERE WEARING
COMPRESSION SOCKS BACK THEN.
1544
01:59:23,060 --> 01:59:25,030
>> OR HEARING AIDS.
1545
01:59:25,060 --> 01:59:29,170
>> YES.
I DON'T HAVE ONE OF THOSE YET.
1546
01:59:29,200 --> 01:59:30,890
>> I'VE GOT TWO.
>> YOU KNOW WHAT ELSE I REMEMBER
1547
01:59:30,930 --> 01:59:36,310
FROM THAT NIGHT, NOT ONLY DID WE
WIN FOR THE SHOW, BUT MY FRIEND
1548
01:59:36,340 --> 01:59:41,000
BRAD HERE ALSO WON FOR BEST
SUPPORTING ACTOR.
1549
01:59:41,030 --> 01:59:43,370
>> THANK YOU.
THAT'S VERY NICE.
1550
01:59:43,410 --> 01:59:48,790
AND YOU LOST TO TONY SHALHOUB.
1551
01:59:48,820 --> 01:59:49,960
>> YES, I DID.
1552
01:59:50,000 --> 01:59:54,030
I DON'T KNOW WHY WE NEEDED TO
KNOW THAT FACT, BUT YES.
1553
01:59:54,060 --> 01:59:56,820
>> YOU WANT TO KNOW SOMETHING,
RAY?
1554
01:59:56,860 --> 02:00:01,240
I JUST THOUGHT THAT I WOULD HAVE
BEEN BACK HERE SOONER, YOU KNOW?
1555
02:00:01,270 --> 02:00:05,580
IN SOME CAPACITY.
>> WHAT DO YOU MEAN?
1556
02:00:05,620 --> 02:00:10,960
>> I JUST THOUGHT FOR WINNING
THE EMMY I WOULD HAVE WORKED
1557
02:00:11,000 --> 02:00:13,820
MORE, THAT'S ALL.
DON'T YOU THINK, IF YOU WIN
1558
02:00:13,860 --> 02:00:16,930
TONIGHT, YOUR LIFE IS GOING TO
CHANGE?
1559
02:00:16,960 --> 02:00:23,750
IT'S NOT GOING TO CHANGE!
>> STOP.
1560
02:00:23,790 --> 02:00:26,580
YOU'RE DOING FINE.
YOU ARE.
1561
02:00:26,620 --> 02:00:29,790
>> AM I, RAY?
>> YES.
1562
02:00:29,820 --> 02:00:33,030
>> YOU'RE KIND OF SIGN?
YOU STARTED IN A
1563
02:00:33,060 --> 02:00:39,130
SCORSESE FILM WITH DE NIRO.
I'M DOING A GUEST JOB ON "THE
1564
02:00:39,170 --> 02:00:41,310
DOG WHISPERER."
>> YOU'RE OUT THERE!
1565
02:00:41,340 --> 02:00:45,790
YOU ARE STILL OUT THERE!
THAT'S ALL THAT MATTERS.
1566
02:00:45,820 --> 02:00:48,170
COME ON.
>> LET'S BE HONEST, I THINK THE
1567
02:00:48,200 --> 02:00:54,960
NEXT TIME I'M ON THE EMMYS IT
WILL BE IN MEMORIAM.
1568
02:00:55,000 --> 02:00:55,860
>> NO!
1569
02:00:55,890 --> 02:00:57,930
NO, NO.
WE ARE GOING TO STOP THIS RIGHT
1570
02:00:57,960 --> 02:01:00,750
IN THE BUD.
YOU ARE BRINGING THE ROOM DOWN.
1571
02:01:00,790 --> 02:01:09,030
>> JUST BE HONEST WITH ME, OKAY?
AM I GOING TO MAKE THE CUT?
1572
02:01:09,060 --> 02:01:13,200
>> WHAT CUT?
>> IN MEMORIAM.
1573
02:01:13,240 --> 02:01:20,200
>> I'VE GOT TO READ THIS.
1574
02:01:20,240 --> 02:01:21,890
>> JUST TELL ME!
JUST SAY IT!
1575
02:01:21,930 --> 02:01:29,200
>> I MEAN...
IF IT'S A SLOW YEAR, NO DOUBT.
1576
02:01:29,240 --> 02:01:30,000
NO DOUBT.
1577
02:01:30,030 --> 02:01:32,170
NO QUESTION.
>> OKAY.
1578
02:01:32,200 --> 02:01:33,370
THANK YOU.
>> ALL RIGHT?
1579
02:01:33,410 --> 02:01:35,370
>> YOU ARE A GOOD FRIEND.
>> THANK YOU.
1580
02:01:35,410 --> 02:01:39,960
BY THE WAY, YOU ARE DOING FINE.
HE HAS HIS OWN COMEDY CLUB IN
1581
02:01:40,000 --> 02:01:41,680
LAS VEGAS.
OKAY?
1582
02:01:41,720 --> 02:01:50,000
>> IT'S IN THE FOOD COURT!
1583
02:01:50,030 --> 02:01:51,000
>> IF YOU ARE THIS MONEY BACK
1584
02:01:51,030 --> 02:01:52,170
THEN, WE COULD HAVE WON A COUPLE
MORE.
1585
02:01:52,200 --> 02:01:57,130
ALL RIGHT, SOMEBODY IS GOING TO
1586
02:01:57,170 --> 02:02:01,270
ENACT.
HERE ARE THE NOMINEES.
1587
02:02:01,310 --> 02:02:02,860
>> "ABBOTT ELEMENTARY."
"THE BEAR."
1588
02:02:02,890 --> 02:02:05,680
"HACKS."
"NOBODY WANTS THIS."
1589
02:02:05,720 --> 02:02:14,960
"ONLY MURDERS IN THE BUILDING."
"THE STUDIO."
1590
02:02:15,000 --> 02:02:25,650
"WHAT WE DO IN THE SHADOWS."
1591
02:02:25,680 --> 02:02:29,820
>> AND THE EMMY -- WAIT A
MINUTE, YOU DO IT.
1592
02:02:29,860 --> 02:02:32,790
>> SERIOUSLY?
>> YEAH, DO SOMETHING.
1593
02:02:32,820 --> 02:02:37,410
>> AND THE EMMY GOES TO "THE
1594
02:02:37,440 --> 02:02:38,100
STUDIO!"
1595
02:02:44,440 --> 02:02:49,440
>> Announcer: FOR ITS FIRST
ELIGIBLE YEAR, "THE STUDIO" HAS
1596
02:02:49,480 --> 02:02:53,170
RECEIVED 23 NOMINATIONS, WHICH
HAS TIED THE RECORD FOR THE MOST
1597
02:02:53,200 --> 02:02:56,550
NOMINATIONS IN A SINGLE YEAR FOR
A COMEDY.
1598
02:03:01,130 --> 02:03:04,720
>> THANK YOU.
IT'S GETTING EMBARRASSING.
1599
02:03:04,750 --> 02:03:08,100
I REALLY APPRECIATE IT.
IN ALL HONESTY, TO
1600
02:03:08,130 --> 02:03:10,960
EVERYONE -- I'M GOING TO DO MY
BEST ATTEMPT AT SINCERITY HERE.
1601
02:03:11,000 --> 02:03:14,680
IF YOU'VE WATCHED OUR SHOW, HE'S
APPRECIATED OUR SHOW, VOTED FOR
1602
02:03:14,720 --> 02:03:16,890
OUR SHOW ESPECIALLY, THANK YOU
VERY MUCH.
1603
02:03:16,930 --> 02:03:20,030
I AM LEGITIMATELY EMBARRASSED BY
HOW HAPPY THIS MAKES ME.
1604
02:03:20,060 --> 02:03:22,480
TO BE STANDING UP HERE WITH ALL
THESE PEOPLE.
1605
02:03:22,510 --> 02:03:25,170
THESE ARE THE BEST PEOPLE I%
KNOW, AND TO HAVE THEM SPEND
1606
02:03:25,200 --> 02:03:29,270
THEIR DAYS WITH ME WORKING WITH
ME IS TRULY LIKE ONE OF THE
1607
02:03:29,310 --> 02:03:31,650
GREAT HONORS OF MY LIFE.
SO THANK YOU TO ALL THESE PEOPLE
1608
02:03:31,680 --> 02:03:33,680
SO MUCH.
IF ANYONE ELSE WANT TO SAY
1609
02:03:33,720 --> 02:03:40,620
SOMETHING, WE ARE ALREADY --
1610
02:03:40,650 --> 02:03:44,270
ANYONE YOU'D LIKE TO THANK?
>> YOU MADE A MOVIE ABOUT
1611
02:03:44,310 --> 02:03:47,820
EXECUTIVES.
1612
02:03:47,860 --> 02:03:53,000
ALL THE PEOPLE AT APPLE AND
LIONSGATE.
1613
02:03:53,030 --> 02:03:54,240
>> TIM COOK.
HE IS HERE.
1614
02:03:54,270 --> 02:03:59,060
THANK YOU.
>> THE FIRST LATINA TO EVER WIN
1615
02:03:59,100 --> 02:04:01,510
IN THIS CATEGORY, FRIDA PEREZ.
>> THANK YOU TO HER.
1616
02:04:01,550 --> 02:04:07,270
SAY SOMETHING!
>> WE WANT TO THANK LANDSCAPE,
1617
02:04:07,310 --> 02:04:11,270
AND MY FIANCE, NICK, I LOVE YOU.
>> THANK YOU SO MUCH.
1618
02:04:11,310 --> 02:04:12,340
IN ALL HONESTY, THANK YOU SO
MUCH.
1619
02:04:12,370 --> 02:04:14,060
HE COULDN'T APPRECIATE THIS
MORE.
1620
02:04:14,100 --> 02:04:17,480
THANK YOU TO YOU ALL FOR REAL.
THANKS TO EVERY EXECUTIVE OUT
1621
02:04:17,510 --> 02:04:19,890
THERE.
THANK YOU TO THE EXECUTIVES.
1622
02:04:19,930 --> 02:04:26,270
THANK YOUR EXECUTIVES.
BYE, EVERYBODY.
1623
02:04:32,030 --> 02:04:33,960
>> Announcer: UP NEXT,
COLMAN DOMINGO PRESENTS THE EMMY
1624
02:04:34,000 --> 02:04:36,410
FOR LEAD ACTOR IN A DRAMA
SERIES.
1625
02:04:36,440 --> 02:04:37,370
THEN, MARISKA HARGITAY,
CHRISTOPHER MELONI,
1626
02:04:37,410 --> 02:04:39,000
TONY GOLDWYN,
S. EPATHA MERKERSON, AND ICE-T
1627
02:04:55,030 --> 02:04:57,000
>> Announcer: PLEASE WELCOME
EMMY WINNER COLMAN DOMINGO.
1628
02:05:09,060 --> 02:05:11,480
>> TONIGHT WE CELEBRATE MORE
THAN PERFORMANCES.
1629
02:05:11,510 --> 02:05:13,930
WE CELEBRATE THE SPIRIT OF MEN
WHO CARRY ENTIRE WORLDS WITHIN
1630
02:05:13,960 --> 02:05:18,650
THEIR CRAFT.
MEN WHO DO NOT SIMPLY PLAY A
1631
02:05:18,680 --> 02:05:23,060
ROLE, BUT TRANSFORM -- BODY,
VOICE, AND SOUL -- UNTIL WE THE
1632
02:05:23,100 --> 02:05:27,240
AUDIENCE FORGET WHERE THE ACTOR
ENDS AND THE CHARACTER BEGINS.
1633
02:05:27,270 --> 02:05:29,270
TO WITNESS THEIR WORK IS TO BE
REMINDED OF THE POWER OF
1634
02:05:29,310 --> 02:05:33,000
STORYTELLING.
THE WAY IT CAN CRACK US OPEN,
1635
02:05:33,030 --> 02:05:37,340
HOLD US IN SILENCE, AND DEMAND
WE FEEL SOMETHING TRUE.
1636
02:05:37,370 --> 02:05:43,510
THEY REMIND US THAT ART IS NOT
JUST ENTERTAINMENT -- IT IS
1637
02:05:43,550 --> 02:05:46,580
REVELATION.
HERE ARE THE NOMINEES FOR LEAD
1638
02:05:46,620 --> 02:05:50,480
ACTOR IN A DRAMA SERIES.
>> STERLING K. BROWN.
1639
02:05:50,510 --> 02:05:53,270
"PARADISE."
GARY OLDMAN.
1640
02:05:53,310 --> 02:05:58,440
"SLOW HORSES."
PEDRO PASCAL.
1641
02:05:58,480 --> 02:06:00,580
"THE LAST OF US."
ADAM SCOTT.
1642
02:06:00,620 --> 02:06:02,650
"SEVERANCE."
NOAH WYLE.
1643
02:06:02,680 --> 02:06:10,000
"THE PITT."
1644
02:06:10,030 --> 02:06:17,410
>> AND THE EMMY GOES TO...
NOAH WYLE.
1645
02:06:17,440 --> 02:06:19,720
"THE PITT."
1646
02:06:19,750 --> 02:06:29,750
♪>> Announcer: THIS IS THE
1647
02:06:29,790 --> 02:06:33,000
FIRST EMMY WIN AND SEVENTH
NOMINATION FOR NOAH WYLE, HE
1648
02:06:33,030 --> 02:06:34,000
RECEIVED FIVE NOMINATIONS FOR
HIS SUPPORTING ROLE ON "ER" AS
1649
02:06:34,030 --> 02:06:39,790
DR. JOHN CARTER.
1650
02:06:39,820 --> 02:06:52,000
>> WOW!
WHAT A DREAM THIS HAS BEEN.
1651
02:06:52,030 --> 02:06:54,720
OH, MY GOODNESS.
FIRST OF ALL, TO MY FELLOW
1652
02:06:54,750 --> 02:06:57,750
NOMINEES, JUST HAVING MY NAME
INCLUDED IN YOUR COMPANY IS THE
1653
02:06:57,790 --> 02:07:03,060
HONOR OF A LIFETIME.
THANK YOU TO EVERYBODY AT "HBO
1654
02:07:03,100 --> 02:07:04,440
LIGHTNING TO STRIKE IN MY LIFE
TWICE.
1655
02:07:04,480 --> 02:07:07,650
THANK YOU FOR BEING THAT
LIGHTNING.
1656
02:07:07,680 --> 02:07:11,240
TO MY CREATIVE PARTNER IN THIS
ENDEAVOR, SCOTT, UNTIL THE
1657
02:07:11,270 --> 02:07:14,620
WHEELS COME OFF, BROTHER, AND
ALL THE AMAZING ARTISTS WHO MEET
1658
02:07:14,650 --> 02:07:19,410
US EVERY MORNING ON STAGE 22.
THE CAST, CREW, BACKGROUND,
1659
02:07:19,440 --> 02:07:21,650
TECHNICAL ADVISORS, WRITERS,
DIRECTORS.
1660
02:07:21,680 --> 02:07:24,620
YOU BRING YOUR A-GAME EVERY DAY
WHICH INSPIRES ME TO BRING MINE.
1661
02:07:24,650 --> 02:07:28,650
AND TO MY CHILDREN, TO MY
PARENTS, MY STEP-PARENTS AND MY
1662
02:07:28,680 --> 02:07:32,650
BEAUTIFUL WIFE, SARAH, WHO OWNS
HALF OF THIS, NOT JUST BECAUSE
1663
02:07:32,680 --> 02:07:40,000
IT'S CALIFORNIA LAW BUT BECAUSE
SHE EARNED IT.
1664
02:07:40,030 --> 02:07:41,820
AND MOSTLY COME IF ANYBODY IS
1665
02:07:41,860 --> 02:07:45,030
GOING ON SHIFT TONIGHT WERE
COMING OFF SHIFT TONIGHT,
1666
02:07:45,060 --> 02:07:48,820
THANK YOU FOR BEING IN THAT JOB.
THIS IS FOR YOU.
1667
02:08:02,060 --> 02:08:04,440
>> Announcer: CELEBRATING 35
YEARS ON TELEVISION, FROM THE
1668
02:08:04,480 --> 02:08:09,030
"LAW & ORDER" FRANCHISE, PLEASE
WELCOME CHRISTOPHER MELONI,
1669
02:08:09,060 --> 02:08:13,550
ICE-T, TONY GOLDWYN, EMMY WINNER
S. EPATHA MERKERSON, AND EMMY
1670
02:08:13,580 --> 02:08:17,170
WINNER MARISKA HARGITAY.
1671
02:08:22,680 --> 02:08:27,550
>> THAT SOUND?
THAT'S THE NOISE MY PHONE MAKES
1672
02:08:27,580 --> 02:08:29,170
WHEN MARISKA CALLS ME.
>> WE ARE YOUR "LAW & ORDER"
1673
02:08:29,200 --> 02:08:31,580
DREAM TEAM.
ICONS, VETERANS, SURVIVORS OF SO
1674
02:08:31,620 --> 02:08:35,000
MANY ROOFTOP CHASE SCENES.
>> AND WE'RE ALL HERE TONIGHT
1675
02:08:35,030 --> 02:08:38,100
WITH ONE CLEAR MISSION...
>> TO REMIND YOU THAT
1676
02:08:38,130 --> 02:08:41,510
MARISKA HARGITAY HAS LITERALLY
SOLVED MORE FICTIONAL CRIMES
1677
02:08:41,550 --> 02:08:46,030
THAN MOST ACTUAL PRECINCTS.
1678
02:08:46,060 --> 02:08:52,340
>> SHE'S BEEN ON "SVU" FOR
27 YEARS.
1679
02:08:52,370 --> 02:08:56,060
THAT'S LONGER THAN SOME OF YOU
1680
02:08:56,100 --> 02:08:59,750
HAVE BEEN IN THERAPY BECAUSE OF
"SVU."
1681
02:08:59,790 --> 02:09:00,720
>> AND DON'T LET THE COMPASSION
1682
02:09:00,750 --> 02:09:06,000
FOOL YOU.
OLIVIA BENSON WILL HUG A VICTIM
1683
02:09:06,030 --> 02:09:11,650
AND KNOCK OUT A PERP, ALL BEFORE
LUNCH.
1684
02:09:11,680 --> 02:09:13,060
>> EVERYONE SETTLED, THAT'S
ENOUGH.
1685
02:09:13,100 --> 02:09:20,480
I LOVE YOU ALL, THIS IS TRUE,
BUT THIS ISN'T THE "MARISKA
1686
02:09:20,510 --> 02:09:24,270
LIFETIME ACHIEVEMENT ROAST."
>> THIS ISN'T THE "MARISKA
1687
02:09:24,310 --> 02:09:27,680
LIFETIME ACHIEVEMENT ROAST?"
>> HE'S ALWAYS IN CHARACTER.
1688
02:09:27,720 --> 02:09:29,310
>> AND NOW, LET'S GIVE SOME LOVE
TO THE SHOWS THAT ARE CARRYING
1689
02:09:29,340 --> 02:09:31,310
THE TORCH, PUSHING BOUNDARIES,
AND REMINDING US WHY TV DRAMA
1690
02:09:31,340 --> 02:09:36,750
STILL MATTERS.
>> HERE ARE THE NOMINEES FOR
1691
02:09:36,790 --> 02:09:40,030
OUTSTANDING DRAMA SERIES.
>> "ANDOR."
1692
02:09:40,060 --> 02:09:42,680
"THE DIPLOMAT."
"THE LAST OF US."
1693
02:09:42,720 --> 02:09:47,030
"PARADISE."
"THE PITT."
1694
02:09:47,060 --> 02:09:51,510
"SEVERANCE."
"SLOW HORSES."
1695
02:09:51,550 --> 02:10:05,030
"THE WHITE LOTUS."
>> THE EMMY GOES TO...
1696
02:10:05,060 --> 02:10:11,310
"THE PITT."
1697
02:10:11,340 --> 02:10:13,680
♪>> Announcer: "THE PITT" HAS
1698
02:10:13,720 --> 02:10:17,820
30 NOMINATIONS INCLUDING
CAPTAIN, DIRECTING, CONTEMPORARY
1699
02:10:17,860 --> 02:10:21,820
MAKEUP NONPROSTHETIC, PROSTHETIC
MAKEUP, LEAD ACTOR, SUPPORTING
1700
02:10:21,860 --> 02:10:26,370
ACTRESS, GUEST ACTOR, SOUND
EDITING, SOUND MIXING, WRITING,
1701
02:10:26,410 --> 02:10:31,860
AND DRAMA SERIES.
1702
02:10:31,890 --> 02:10:46,790
♪>> THIS IS INSANE.
1703
02:10:46,820 --> 02:10:47,680
♪>> THIS IS INSANE.
1704
02:10:47,720 --> 02:10:49,790
THANK YOU SO MUCH TO THE
ACADEMY.
1705
02:10:49,820 --> 02:10:52,510
I WANT TO THANK EVERYBODY AT
WARNER BROS., FOR BELIEVING IN
1706
02:10:52,550 --> 02:11:01,030
THIS SHOW FROM THE GET-GO,.
1707
02:11:01,060 --> 02:11:04,370
HBO MAX FOR NURTURING AND
SUPPORTING OUR SHOW, OUR AMAZING
1708
02:11:04,410 --> 02:11:06,000
CAST AND CREW, WRITERSAND
DIRECTORS.
1709
02:11:06,030 --> 02:11:08,170
WE WOULDN'T BE OUT HERE WITHOUT
YOU GUYS.
1710
02:11:08,200 --> 02:11:12,060
I HAVE THE BEST PRODUCING
PARTNERS AND FRIENDS IN THE
1711
02:11:12,100 --> 02:11:13,750
WORLD.
JOHN WELLS.
1712
02:11:13,790 --> 02:11:16,030
AND NOAH WYLE, I DON'T KNOW
WHERE HE IS.
1713
02:11:16,060 --> 02:11:22,130
MY SECRET WEAPON, DR. JOE SACHS.
OUR FRIENDS, OUR FAMILIES, AND A
1714
02:11:22,170 --> 02:11:25,480
BIG SHOT UP.
I WANT TO DEDICATE THIS ON
1715
02:11:25,510 --> 02:11:29,890
BEHALF OF EVERYONE, TO ALL THE
HEALTH CARE WORKERS, FRONTLINE,
1716
02:11:29,930 --> 02:11:33,030
FIRST RESPONDERS.
RESPECT THEM, PROTECT THEM,
1717
02:11:33,060 --> 02:11:35,650
TRUST THEM.
THANK YOU.
1718
02:11:35,680 --> 02:11:42,820
>> Nate: ALL RIGHT.
1719
02:11:42,860 --> 02:11:46,620
THANKS TO EVERYONE HERE.
THE NUMBERS -- I'LL BE HONEST
1720
02:11:46,650 --> 02:11:50,580
WITH YOU, IT WAS EMBARRASSING.
IT WENT WAY DOWN.
1721
02:11:50,620 --> 02:11:55,000
I DON'T KNOW, I CAN'T IMAGINE
EVERY DOING THIS AGAIN, SO I'M
1722
02:11:55,030 --> 02:11:58,030
GOING TO -- CBS IS GOING TO ADD
$100,000.
1723
02:11:58,060 --> 02:12:03,480
I WILL GIVE $250,000.
THAT TAKES US TO $350,000 FOR
1724
02:12:03,510 --> 02:12:06,030
THE BOYS AND GIRLS CLUB.
THANK YOU SO MUCH FOR BEING OUT
1725
02:12:06,060 --> 02:12:08,820
HERE.
THANK YOU, JB.
1726
02:12:08,860 --> 02:12:14,440
THANK YOU TO ALL THE WINNERS.
GOOD NIGHT'S!
1727
02:12:14,480 --> 02:12:16,480
>> AMERICA NEEDS CLUB KIDS AND
CLUB KIDS NEED YOU!
144541
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.