All language subtitles for Explained.S01E10.Exclamation.Mark.WEB-DL.1080p.Lord32x.Studio

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian Download
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,765 --> 00:00:17,600 [narrator] Every day around the world, 2 00:00:17,684 --> 00:00:20,353 millions struggle with the same question: 3 00:00:20,437 --> 00:00:24,816 to exclamation point or not to exclamation point? 4 00:00:26,818 --> 00:00:28,486 Exclamation points are friendly. 5 00:00:29,112 --> 00:00:31,197 But they can also be too friendly. 6 00:00:32,407 --> 00:00:33,950 They show you're excited, 7 00:00:34,034 --> 00:00:36,578 but can also make it seem like you're shouting. 8 00:00:38,329 --> 00:00:40,582 In a work email, they lighten the tone, 9 00:00:40,665 --> 00:00:43,084 but you can also look less serious. 10 00:00:44,544 --> 00:00:46,755 And if you don't use exclamation points, 11 00:00:47,297 --> 00:00:49,174 sometimes you risk seeming mean. 12 00:00:49,257 --> 00:00:52,927 You wrote, "Myra had the baby," but you didn't use an exclamation point. 13 00:00:53,011 --> 00:00:55,180 [Narrator] Elaine once got dumped over it. 14 00:00:55,263 --> 00:00:58,391 I would put exclamation points at the ends of all of these sentences! 15 00:00:58,475 --> 00:01:00,435 On this one and on that one! 16 00:01:00,518 --> 00:01:04,314 You can put one on this one: I'm leaving! 17 00:01:04,397 --> 00:01:06,733 [Narrator] The way they're perceived in a professional setting 18 00:01:06,816 --> 00:01:09,402 can vary widely depending on gender. 19 00:01:09,486 --> 00:01:11,738 When sent by a female co-worker, 20 00:01:11,821 --> 00:01:13,865 nearly half of male respondents found 21 00:01:13,948 --> 00:01:17,827 the use of exclamation points in this email to be very professional. 22 00:01:17,911 --> 00:01:21,623 But when that same email was sent by a man, 23 00:01:21,706 --> 00:01:23,792 that number dropped significantly. 24 00:01:24,584 --> 00:01:27,670 Humans are communicators and innovators. 25 00:01:28,254 --> 00:01:30,090 We sent a man to the moon. 26 00:01:30,173 --> 00:01:33,718 But we only have three ways to end a sentence. 27 00:01:34,427 --> 00:01:37,639 Exclamation points are everywhere in popular culture, 28 00:01:37,722 --> 00:01:41,017 even though it's not totally clear what they mean. 29 00:01:41,434 --> 00:01:44,395 Why is the exclamation point so confusing? 30 00:01:45,730 --> 00:01:47,232 And is there something better? 31 00:01:53,530 --> 00:01:55,115 [man 1] It's a bird! It's a plane!! 32 00:01:55,198 --> 00:01:57,492 -Don't do it for me. Do it for the paper. -Scram, Svengali! 33 00:01:57,575 --> 00:01:58,701 Where are the people? 34 00:01:59,911 --> 00:02:01,496 I am the greatest! 35 00:02:04,958 --> 00:02:07,377 [Alex Trebek] This is Jeopardy! 36 00:02:07,460 --> 00:02:11,881 Keep America great, exclamation point! 37 00:02:11,965 --> 00:02:13,258 And they text to each other. 38 00:02:13,341 --> 00:02:15,426 They don't need to know spelling. Don't need grammar. 39 00:02:15,510 --> 00:02:18,221 Only you can prevent forest fires! 40 00:02:18,304 --> 00:02:20,306 It's an exclamation point! 41 00:02:20,390 --> 00:02:22,559 It's a line with a dot under it. 42 00:02:25,728 --> 00:02:29,023 [Narrator] Who better to help us understand how to use an exclamation point 43 00:02:29,107 --> 00:02:33,862 than the high priests of punctuation: copy editors? 44 00:02:33,945 --> 00:02:36,906 And what better way to get the unvarnished truth 45 00:02:36,990 --> 00:02:40,368 than at a copy editor conference cocktail hour? 46 00:02:40,451 --> 00:02:42,745 Hey! Your team won the game. That's fantastic! 47 00:02:42,829 --> 00:02:44,080 Egads! 48 00:02:44,164 --> 00:02:45,248 Holy shit! 49 00:02:45,331 --> 00:02:49,252 Or I'm pregnant! Or I got divorced! 50 00:02:49,335 --> 00:02:51,171 I'm not any of these things. Wow. 51 00:02:51,254 --> 00:02:55,216 You get one exclamation mark in your career. Use it wisely. 52 00:02:55,300 --> 00:02:58,511 In editing school, they told me to use them minimally. 53 00:02:59,512 --> 00:03:00,847 And I didn't listen... 54 00:03:00,930 --> 00:03:02,390 because I think they're dope. 55 00:03:02,473 --> 00:03:04,976 If you use multiple exclamation marks, 56 00:03:05,059 --> 00:03:07,520 you sound like an overexcited 14-year-old. 57 00:03:07,604 --> 00:03:10,982 Professional correspondence, I wouldn't use it more than two times. 58 00:03:11,065 --> 00:03:15,695 I use the exclamation mark personally... all the time. 59 00:03:16,613 --> 00:03:19,991 Like, it's really egregious and I really need to get help for it. 60 00:03:20,074 --> 00:03:23,912 [Narrator] But the question of how to use an exclamation point used to be simple. 61 00:03:24,829 --> 00:03:26,581 You put exclamation points 62 00:03:27,290 --> 00:03:28,958 after exclamations. 63 00:03:29,542 --> 00:03:33,630 Words like "lo," "hark," "behold" 64 00:03:33,713 --> 00:03:35,840 that are meant to grab the reader's attention. 65 00:03:35,924 --> 00:03:41,346 The Italian poet Iacopo Alpoleio da Urbisaglia claimed to have invented it. 66 00:03:41,429 --> 00:03:45,016 In the Renaissance, there was the sense of the contemporary culture 67 00:03:45,099 --> 00:03:48,019 being broken or decayed, 68 00:03:48,102 --> 00:03:51,314 and needing to go back and find a better foundation 69 00:03:51,397 --> 00:03:54,192 for the arts and culture and society. 70 00:03:54,692 --> 00:03:58,696 [narrator] And they turned to antiquity, to ancient Athens and Rome, 71 00:03:58,780 --> 00:04:00,531 and to orators like Cicero. 72 00:04:01,741 --> 00:04:04,452 Da Urgisaglia decided to mark his exclamations 73 00:04:04,535 --> 00:04:07,789 to indicate the livelier way they should be read aloud. 74 00:04:07,872 --> 00:04:11,084 He called his creation the punctus admirativus, 75 00:04:11,167 --> 00:04:13,628 or the punctus exclamativus. 76 00:04:13,711 --> 00:04:16,256 [Weiskott] "I began noting the ends of such clauses 77 00:04:16,339 --> 00:04:20,677 with a plain punctus and a comma placed lengthwise above it." 78 00:04:20,760 --> 00:04:25,181 [Narrator] The new punctus took off and was used this way for centuries. 79 00:04:26,015 --> 00:04:30,270 By the 1700s, the Spanish had standardized turning it upside down 80 00:04:30,353 --> 00:04:32,563 and also placing it out in front. 81 00:04:33,439 --> 00:04:35,984 Missionaries and European colonial powers 82 00:04:36,067 --> 00:04:39,779 spread its use across the globe and on to dozens of languages. 83 00:04:42,115 --> 00:04:43,866 But applying exclamation points 84 00:04:43,950 --> 00:04:47,453 to written traditions that didn't originally have them could be tricky. 85 00:04:48,121 --> 00:04:51,833 When one of the great masterpieces of Old English, Beowulf, 86 00:04:51,916 --> 00:04:54,502 was rediscovered in the early 1800s, 87 00:04:54,585 --> 00:04:58,172 many editors debated whether or not to apply an exclamation point 88 00:04:58,256 --> 00:04:59,882 to the poem's first word. 89 00:05:01,634 --> 00:05:02,468 [Narrator] What? 90 00:05:02,552 --> 00:05:04,846 [Weiskott] "Hwæt!" which means listen up, 91 00:05:04,929 --> 00:05:07,557 or, in rap music, it's kind of like "yo!" or "heyo!" 92 00:05:13,646 --> 00:05:18,276 [Narrator] Beowulf is a pretty different story depending on how you punctuate it. 93 00:05:18,359 --> 00:05:20,570 Listen! We have heard about the glory of the Spear-Danes, 94 00:05:20,653 --> 00:05:24,782 the kings of tribes, in days of yore, how the noblemen performed brave deeds! 95 00:05:26,868 --> 00:05:28,536 If that exclamation point is there, 96 00:05:28,619 --> 00:05:30,705 the narrator is pretty jazzed about this past. 97 00:05:31,289 --> 00:05:36,919 [Narrator] No other punctuation has the same power as the exclamation point 98 00:05:37,003 --> 00:05:39,130 to signal a feeling. 99 00:05:39,714 --> 00:05:41,924 [Weiskott] By the time you get to the 18th century, 100 00:05:42,008 --> 00:05:44,260 people started using it not just for grammar, 101 00:05:44,344 --> 00:05:45,636 but also for tone. 102 00:05:45,720 --> 00:05:48,639 "My friend! This conduct amazes me!" 103 00:05:48,723 --> 00:05:51,726 [Narrator] Great American authors, like Herman Melville, 104 00:05:51,809 --> 00:05:55,271 embrace the exclamation point to convey passion. 105 00:05:55,938 --> 00:06:00,943 His classic, Moby Dick, had 1,683. 106 00:06:01,027 --> 00:06:03,154 [man] "I can see that figure now-- 107 00:06:03,237 --> 00:06:07,950 pallidly neat, pitiably respectable, incurably forlorn!" 108 00:06:08,034 --> 00:06:13,164 [Narrator] But then, after 1920, the exclamation point became uncool. 109 00:06:13,247 --> 00:06:15,958 Writers are starting to associate the exclamation mark 110 00:06:16,042 --> 00:06:20,213 on the one hand, with the sensational headlines of the yellow press, 111 00:06:20,296 --> 00:06:25,134 and on the other, with the sentimental novels written by women. 112 00:06:25,218 --> 00:06:26,844 [narrator] Like Mrs. Southworth. 113 00:06:26,928 --> 00:06:30,306 [Nunberg] In either case, the exclamation mark is unmanly. 114 00:06:30,390 --> 00:06:31,724 It's disdained. 115 00:06:31,808 --> 00:06:34,519 [narrator] And one of the most influential writers around this time 116 00:06:34,602 --> 00:06:38,189 was also one of the manliest, Ernest Hemingway. 117 00:06:38,272 --> 00:06:41,651 The Old Man and the Sea had one. 118 00:06:43,778 --> 00:06:46,948 Hemingway's contemporary F. Scott Fitzgerald 119 00:06:47,031 --> 00:06:50,243 appears to have succumbed to the pressure. 120 00:06:50,326 --> 00:06:51,994 In her memoir of their affair, 121 00:06:52,078 --> 00:06:54,997 Sheila Graham claimed Fitzgerald once told her, 122 00:06:55,081 --> 00:06:57,250 "Cut out all these exclamation points. 123 00:06:57,333 --> 00:07:00,837 An exclamation point is like laughing at your own joke." 124 00:07:01,712 --> 00:07:05,258 It's an attitude that persists among writers even today. 125 00:07:05,341 --> 00:07:07,552 [man] I think the exclamation point is a little useless. 126 00:07:07,635 --> 00:07:11,264 It adds a sort of unnecessary weight to the end of a sentence. 127 00:07:11,347 --> 00:07:12,723 And so I've steered away from them 128 00:07:12,807 --> 00:07:15,017 in my personal writing and my professional writing. 129 00:07:16,018 --> 00:07:18,187 [Narrator] Writers may have shunned the exclamation point, 130 00:07:18,271 --> 00:07:19,564 but not everybody did. 131 00:07:20,440 --> 00:07:24,235 Advertising took the exclamation point and ran with it, 132 00:07:24,318 --> 00:07:27,405 in order to get your attention to sell ya stuff. 133 00:07:28,531 --> 00:07:32,034 From the 1930s to the 1940s and '50s, 134 00:07:32,118 --> 00:07:36,247 the number of print ads with exclamation points in them doubled. 135 00:07:36,330 --> 00:07:40,793 And while advertising was having this love affair with the exclamation point, 136 00:07:40,877 --> 00:07:44,922 one of the most successful punctuation innovations was born: 137 00:07:45,006 --> 00:07:47,467 the interrobang. 138 00:07:49,427 --> 00:07:55,183 [woman] There has never been a symbol that used both of them as one symbol. 139 00:07:55,766 --> 00:07:58,102 It was always two or three pieces of type, 140 00:07:58,186 --> 00:08:00,104 which is pretty inelegant. 141 00:08:00,188 --> 00:08:02,815 [Narrator] Penny and her late husband, Martin Speckter, 142 00:08:02,899 --> 00:08:07,445 ran a successful ad agency during the Mad Men era of advertising. 143 00:08:07,528 --> 00:08:10,031 We met in September, got married in December. 144 00:08:10,114 --> 00:08:12,992 I used to go dancing and drinking, 145 00:08:13,075 --> 00:08:16,454 and he didn't drink and he didn't dance. 146 00:08:17,455 --> 00:08:19,999 So I had to find other interests. 147 00:08:20,666 --> 00:08:21,751 One of those interests 148 00:08:21,834 --> 00:08:25,630 was working on a small typography magazine called Type Talks. 149 00:08:25,713 --> 00:08:29,217 We were at dinner one night, and he was lacking four pages. 150 00:08:29,300 --> 00:08:33,012 And all of a sudden, he thought of the interrobang. 151 00:08:33,679 --> 00:08:36,349 So he called the art studio that we used, 152 00:08:36,432 --> 00:08:40,353 and he said, "Is anybody there around who can draw?" 153 00:08:40,436 --> 00:08:41,771 And we went over. 154 00:08:41,854 --> 00:08:43,898 We were there till about three o'clock in the morning. 155 00:08:43,981 --> 00:08:47,443 And he came up with a number of versions of the interrobang. 156 00:08:47,944 --> 00:08:50,947 The name combined "interro" for interrogate 157 00:08:51,030 --> 00:08:53,533 and "bang" for exclamation point, 158 00:08:53,616 --> 00:08:57,328 a slang term that's said to have emerged from comic books. 159 00:08:58,412 --> 00:09:01,832 [Narrator] Martin Speckter's interrobang got off to a promising start. 160 00:09:02,416 --> 00:09:05,169 It was included in the popular font Americana 161 00:09:05,253 --> 00:09:08,422 and as an option on multiple typewriters. 162 00:09:09,090 --> 00:09:13,094 It was even the title of a 1969 Italian erotic thriller. 163 00:09:13,177 --> 00:09:15,680 Would you like to make love to him? What is this never-ending interrogation? 164 00:09:18,349 --> 00:09:22,061 Redesigning the exclamation point seemed like it might hold the solution. 165 00:09:22,144 --> 00:09:23,020 "LET'S PLUCK THE BIRD" 166 00:09:23,104 --> 00:09:26,816 The French writer Hervé Bazin introduced the acclamation point, 167 00:09:26,899 --> 00:09:29,360 a demonstration of goodwill or welcome; 168 00:09:29,443 --> 00:09:30,903 the conviction point, 169 00:09:30,987 --> 00:09:33,698 if you need to say something with unwavering certainty; 170 00:09:33,781 --> 00:09:38,578 and the authority point, to share your sentence with a note of expertise. 171 00:09:39,579 --> 00:09:44,417 But none of these, nor the interrobang, caught on, because they came too late. 172 00:09:45,334 --> 00:09:48,588 A different design trend had already taken hold. 173 00:09:49,213 --> 00:09:52,341 [Nunberg] The famous Doyle Dane ads for Volkswagen 174 00:09:52,425 --> 00:09:55,636 that popularized the Bug in the early 1960s 175 00:09:55,720 --> 00:09:58,556 went in absolutely the other direction. 176 00:09:58,639 --> 00:10:02,560 [Narrator] VW ushered in the simplicity of Helvetica and a period, 177 00:10:02,643 --> 00:10:06,188 in direct opposition to competitors like Chevrolet. 178 00:10:07,023 --> 00:10:09,900 In print ads, their usage plummeted, 179 00:10:10,568 --> 00:10:14,989 yet in TV shows based on comic books, they became iconic. 180 00:10:15,072 --> 00:10:17,783 [Nunberg] You look at the original Batman show on television, 181 00:10:17,867 --> 00:10:20,745 where they're saying, "Wham," and little balloons are going up. 182 00:10:20,828 --> 00:10:23,748 So we can appreciate these things always with you understanding 183 00:10:23,831 --> 00:10:25,750 that we really don't take them too seriously. 184 00:10:25,833 --> 00:10:27,460 And that's what allows people to use it, 185 00:10:27,543 --> 00:10:32,089 but always with a sense of, "I don't really mean this." 186 00:10:32,173 --> 00:10:36,177 Exclamation points appeared in the pop art of Roy Lichtenstein, 187 00:10:36,260 --> 00:10:40,389 popular musical titles, and for the first time, campaign slogans, 188 00:10:40,473 --> 00:10:44,143 until finally the bubble burst with satire. 189 00:10:45,186 --> 00:10:50,983 Popular culture in that period becomes almost an obsession of American culture, 190 00:10:51,067 --> 00:10:54,111 but always with one or another form of detachment. 191 00:10:54,195 --> 00:10:56,238 It's ironic. It's campy. 192 00:10:57,031 --> 00:10:59,909 And this culture shift coincided with another: 193 00:11:00,368 --> 00:11:02,620 women's advancement in the workplace. 194 00:11:03,204 --> 00:11:06,749 In a position of authority, a woman has two requirements to fulfill. 195 00:11:08,751 --> 00:11:11,462 If she fulfills the expectations to be a good woman, 196 00:11:11,545 --> 00:11:14,840 she will be liked, but she will be underestimated. 197 00:11:14,924 --> 00:11:20,221 If she fulfills the requirements of a manager or leader, she'll be respected, 198 00:11:20,304 --> 00:11:24,392 but she will probably be called that word that starts with "b." 199 00:11:24,975 --> 00:11:27,603 [Narrator] Periods were direct and could seem stern. 200 00:11:27,687 --> 00:11:31,107 Exclamation points became code for nice. 201 00:11:31,190 --> 00:11:33,526 I ask you, for example, "Do you want to go out tonight?" 202 00:11:33,609 --> 00:11:35,069 and you say, "Yeah." 203 00:11:36,153 --> 00:11:37,863 I don't think you really want to. 204 00:11:37,947 --> 00:11:38,989 Yeah! 205 00:11:39,073 --> 00:11:43,119 You need to be enthusiastic to really mean it in writing. 206 00:11:43,202 --> 00:11:46,747 If you don't have an exclamation point, it's like you don't mean it. 207 00:11:46,831 --> 00:11:49,333 And for many women, in fact, you need multiple ones. 208 00:11:50,084 --> 00:11:53,838 [Narrator] In a 2006 study, the only study ever done on this, 209 00:11:53,921 --> 00:11:58,134 nearly three-quarters of all exclamation points in online correspondence 210 00:11:58,217 --> 00:11:59,760 were used by women. 211 00:12:00,344 --> 00:12:02,388 But that didn't mean the exclamation point 212 00:12:02,471 --> 00:12:05,141 didn't stop indicating passion or irony either... 213 00:12:05,725 --> 00:12:09,562 or volume, commands, action, warning, surprise, 214 00:12:09,645 --> 00:12:11,689 and of course, exclamations, like the tweets of Donald Trump. 215 00:12:13,899 --> 00:12:15,818 [Trump] During the day, if I'm in the office, 216 00:12:15,901 --> 00:12:18,404 I have a number of people that I'll just call out a tweet to. 217 00:12:18,487 --> 00:12:20,740 -You call out, "Exclamation point!" -I do. 218 00:12:21,323 --> 00:12:24,201 [Narrator] The exclamation point hasn't so much evolved over time 219 00:12:24,285 --> 00:12:26,829 so much as it's accumulated meaning. 220 00:12:26,912 --> 00:12:29,582 [Parham] There's so many meanings that we've put onto it, right? 221 00:12:29,665 --> 00:12:31,083 And so it can kind of be anything, 222 00:12:31,167 --> 00:12:33,210 and in that sense, it's become kind of nothing. 223 00:12:34,420 --> 00:12:38,841 [Narrator] Writing each other constantly over email, text, and social media, 224 00:12:38,924 --> 00:12:40,843 it's changed how we communicate. 225 00:12:40,926 --> 00:12:42,970 and in a lot of ways, the exclamation point 226 00:12:43,053 --> 00:12:45,264 is having a heyday on the internet. 227 00:12:45,931 --> 00:12:49,393 [Parham] "Report: Kanye West is forced to move in with Kris Jenner... 228 00:12:49,477 --> 00:12:51,228 by Kim Kardashian!" 229 00:12:51,771 --> 00:12:53,439 It's so ridiculous. 230 00:12:54,398 --> 00:12:57,651 You'll see something like a Bossip or a Media Takeout headline 231 00:12:57,735 --> 00:12:59,570 that is totally exaggerated, 232 00:12:59,653 --> 00:13:03,616 which is also adopting this type of internet language and internet speak 233 00:13:03,699 --> 00:13:05,326 in a very unique and interesting way. 234 00:13:05,409 --> 00:13:08,454 But online, it's just fun. Let's just have some fun with it. 235 00:13:08,913 --> 00:13:11,957 On Twitter, I'll put five exclamation points in a tweet 236 00:13:12,041 --> 00:13:14,460 just because it's, like-- it's kind of silly. 237 00:13:14,543 --> 00:13:17,713 That's kind of the point too. You're kind of trying to play up the emotion. 238 00:13:19,715 --> 00:13:24,595 [Narrator] But online and on our phone, we now have lots of ways to convey tone. 239 00:13:25,054 --> 00:13:28,891 [Tannen] Emoticons, emojis, memes, gifs. 240 00:13:28,974 --> 00:13:31,101 All these ways of saying, 241 00:13:31,185 --> 00:13:35,940 "Don't take what I just said literally and don't think it's in any way negative." 242 00:13:36,023 --> 00:13:38,067 A lot of it is just showing goodwill, 243 00:13:38,150 --> 00:13:41,529 but now that there is so much conversation going on online 244 00:13:41,612 --> 00:13:46,325 that especially older people worry, and that's always been the case, 245 00:13:46,408 --> 00:13:49,036 they feel like this is license-plate language. 246 00:13:49,119 --> 00:13:53,624 LOL, for example, or LMAO, laughing my... butt off. 247 00:13:53,707 --> 00:13:55,501 IDK for I don't know. 248 00:13:55,584 --> 00:13:58,462 And many of us linguists point out we've always had that. 249 00:13:58,546 --> 00:14:01,048 For example, FYI, ASAP. 250 00:14:01,131 --> 00:14:06,762 But I think it's just the same process of language changing and adapting 251 00:14:06,846 --> 00:14:08,097 to the current needs. 252 00:14:08,180 --> 00:14:10,266 Language and writing are supposed to be fluid, 253 00:14:10,349 --> 00:14:13,477 and it's supposed to be tenuous. You're supposed to be able to stretch it. 254 00:14:13,561 --> 00:14:16,522 But, in a lot of ways, the internet is still very new and young 23655

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.