All language subtitles for Rawhide - 3x20 - Incident of the Boomerang.eng

Hyah!

( whip cracks )

♪ Rollin', rollin', rollin' ♪

♪ Keep movin', movin', movin' ♪

♪ Though they're disapprovin' ♪

♪ Keep them dogies movin' ♪

♪ Rawhide! ♪

♪ Don't try
To understand 'em ♪

♪ Just rope, throw
And brand 'em ♪

♪ Soon we'll be livin'
High and wide ♪

♪ My heart's calculatin' ♪

♪ My true love
Will be waitin' ♪

♪ Be waiting at the end
Of my ride ♪

♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪

♪ Move 'em on, head 'em up
Rawhide ♪

♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪

♪ Cut 'em out
Ride 'em in ♪

♪ Rawhide! ♪

♪ Rollin', rollin', rollin' ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )

♪ Rawhide! ♪

Hyah!

( whip cracks )

( whip cracks )

( mellow theme playing )

Everything's so dry
around here,

even the dadgum wood burns
before you get it in the fire.

All right.
Come on with that water.

What's that?

It's the water.

Well, I wouldn't have known
if you hadn't told me.

Well, looks just like
any other kind of water.

Well, the trouble is,
there's so much of it.

Well, we're running
kinda short.

You mean, that's all?

Well,
I gotta add some liquid.

Come on,
let's squeeze this barrel.

Well, come on.

But Mr. Wishbone,
my ma told me

you can't squeeze blood
out of a turnip.

Well, this isn't a turnip,
and your ma isn't here.

( humorous theme playing )

Well, you're just
making it tighter!

Now, untie it over there.

All right.
Now, let's tip it.

( yells, grunts )

I said, tip it!

This is just about
the driest work I've ever done.

What'd you put in these
sandwiches anyway? Buffalo hide?

We ain't even
in buffalo country.

Well, that's something
to be thankful for.

( humorous theme continues )

( sighs )

Mushy.

I'm probably the best withouten
cook in the whole Sedalia Trail.

Yes, Mr. Wishbone.

Matter of fact, I'm probably
the best withouten cook

in the whole United States.

Sure, Mr. Wishbone.

Um, what's a withouten cook?

Oh, Mushy, you're an ignoramus.

No, sir. I'm-- I'm a Texan.

You're the cook's louse
with the most withouten brains.

Now, like I said,

I'm probably the best withouten
cook in the whole Sedalia Trail.

I can cook withouten salt,
withouten sugar,

withouten eggs or milk,
or even a decent side of beef.

There's one thing
I can't cook withouten.

What's that?

Water.

Maybe Mr. Nolan will find some.

( sighs )

And what am I supposed to do
in the meantime?

Go get my medical kit.

Ain't anybody sick,
Mr. Wishbone.

Are you sick?
No, I'm not sick.

But you're gonna be
if you don't hurry.

If there ain't anybody sick
around here, Mr. Wishbone--

Then I, um--
Then I don't know it.

Am I sick?

If you don't shut up, you're
gonna be sick past doctorin'.

( upbeat theme playing )

Mushy, you ever hear
of rum cakes?

Well, I heard of rum,
and I heard of cakes.

Not together.

What is it?

Rum cakes are a French pastry.

Now, you ever hear of BBs?

What's BBs?

BBs are bourbon biscuits.

Bourbon biscuits? Wow.
Heh-heh!

Yes, sir, this'll be
the first time in history

anybody ever got drunk
on biscuits.

( mellow theme playing )

( cows mooing )

I wonder who belongs to them,

wandering around loose
like that.

Beats me, but when beeves
start heading for Sedalia

on their own,
I'm gonna quit.

They start going on their own,
you're fired.

Whoa!

How do you do, ma'am?

What do you want?

Well, uh, we saw
the herd down here, and, uh,

looked like you were alone.

MAN:
Not quite alone, digger.

Well, too bad, boys.
Better luck next time.

Ah, you got it all wrong.

We weren't gonna bother
the young lady.

Get down.

Look, I'm Gil Favor,

this is Pete Nolan,
our herd scout.

We're pushing a herd
about four miles back.

We saw your dust and figured
we'd just better check it out.

What do you think, Ruthanne?

Well, they have
that cowhand look about them.

Yeah.
Well, I'm kinda sorry, cobbers.

But you see to our blow in.

It's usually Rafferty's rules
in the back blocks.

He means a newcomer
can't be too suspicious

in a wild country
like this.

I'm his translator.

Oh, my name's Goffage.

This is Miss Ruthanne Harper.
Late of Claysville.

Pleasure, ma'am.

You handle 200 head,
all by yourself?

Well, not quite.

Uh, say, uh,
where you bound for?

Down under.

Uh, Australia. We're gonna
start a run down there.

Ranch.

Ah, yeah, a ranch.

I always thought Australia
was sheep country.

Well, yeah, that's right.
Uh, down in the South.

But there's a lot of good
cattle country up in the North.

Lot of good cattle country

and millions of miles
of nothing else.

( laughs )

She's a city sheila.

You know, she wants to stay
in Melbourne or Sydney.

Or San Francisco.

There's more beauty
in a foot of the bush

than all the cities
in the world, Ruthanne.

She'll change her mind.

One of us certainly will.

When we're married.

You know, I had to come
all the way to Texas

to be bullied by a woman.

You say you're
from Claysville?

Yes.

I've never been to Claysville,
but I have a feeling

I know you from somewhere.
Was it San Antone?

No.

Houston? Dallas, maybe?

No.

( dramatic theme playing )

Come on.
Let him go, will you?

He's a stockman, like us.

Let him go. Let him go!

( Pete grunts )

( coughing )

Hey, try breathing again, Pete.

Oh, listen,
I'm sorry about this, cobber.

His name's Binnaburra.
He's my scout.

We've been friends
since we've been kids.

He's my cobber.
Your cobber.

That's right. He's my scout.

Your scout, huh?

Well, I guess you know
you're going into

Comanche territory
in about ten miles.

Wrong.
PETE: What do you mean, wrong?

Wrong.
Comanche all around here.

Well, listen. It doesn't make
much matter, does it?

It matters, all right.

I don't mean to
butt into your business,

but two men and a woman,
alone in Comanche territory...

Now, listen, Mr. Favor,
I've always been a loner,

except for these two.

I think we can
take care of ourselves.

( dramatic theme playing )

( ominous theme playing )

Hold it.
Why?

PETE:
Because that's not a war party.

They only wanted to warn us
that they're here.

Everybody be still.

( dramatic theme playing )

You speak English?

Some English.
Some Spanish.

This Comanche land.

We are on our way north.
Far north.

This Comanche land.

What's he after?

Beef, to let us through.

More cows come?

Three thousand more.
And 20 more men.

Tawyawp's people hungry.

Children hungry.

Want five cows.

Mr. Goffage, we could wait
for my herd to come up,

but I don't recommend it.

It's your game, Yank,
you play it the way you want.

I'll make it up to you.
Any ten steers of mine you like.

Thought he only asked
for five cows.

We'll add five
for insurance.

Good, good.

Mark your weak ones,
I'll cut 'em out.

FAVOR:
Wait a minute, Pete.

You choose, Tawyawp.

Choose all ten?

He'll pick the best beef
in the herd.

Go ahead.

Tell me what you had
in mind.

Maybe 50 miles
of red Indian land.

Five cows, good business.
Ten cows, friendship, I think.

Very smart, Mr. Favor.

( ominous theme playing )

Woman for sale?

For sale?

Give two knives, two guns.

No.

Three guns.

Well, I must say,
I'm very flattered.

Feel like the belle
of the ball.

Well, it's not so funny,
darling.

Four guns.

Not even for a hundred guns.

( men whooping )

Looks like
that insurance of yours

might've paid off already,
Mr. Favor.

You know, maybe I'm not so much
the loner I thought I was.

Mr. Favor, I don't know whether
you ever made the offer,

but if you wouldn't mind
combining the herds for a way,

I'd certainly be obliged
to you.

Where do you figure on
stopping tonight, Pete?

There's a river about
two miles north.

That sound all right
to you?

Not so good.

Well, why not?

Storm's coming.

Maybe the river
will flood.

Oh, there won't be any storm.

I know this Texas weather
like I know the alphabet.

Run not far off, cobber.

House, barn, fields:
all empty.

Well, that sound all right
to you, Mr. Favor?

Yeah, that's fine.

Boss, listen--
What's the difference?

Hey, we'll meet you at the run--
I mean, the ranch.

Good.
Come on, darling.

What storm is he talking about?
Listen, I know this country.

I've heard of some crazy reasons
to pick a night camp,

but this is the craziest
I ever heard of.

All right,
just forget it, then.

Well, I can't forget it.

Every time that jasper opened
his mouth, he made a fool of me.

Well, quit helping him out
so much, then.

We're gonna have enough trouble
handling Comanches

without you having your back up.

Well, it ain't the Comanches
I'm worried about.

I gathered that.

And it ain't that
Binnaburra either.

Oh?

I finally figured out
where I saw that woman before.

Where?

It was in a courtroom
in El Paso.

They had her up
for slickering some fella

out of his life savings.

You sure?

Yeah, I'm sure.

Come on.

Rain.

( dramatic theme playing )

( thunder crashing )

Rain.

WISHBONE:
Now, don't scratch it. Easy--
Don't drop it in the mud!

All right, now, come on.
Turn.

Now, don't scratch it on that
wheel. Coming around now.

I don't know why
you wanna take it in there.

You're gonna have to bring it
back out tomorrow.

So long as I got a kitchen,
Mr. Yates, I'm gonna work in it.

And I can't work in a kitchen
without a stove.

MAN:
There's only half a roof
over that room.

It's still a kitchen.

If putting it in the kitchen's
gonna make Wishbone happy,

I sure ain't the one
to argue about it.

I didn't say a word
about it raining.

WISHBONE:
Don't scratch it
going in that door.

ROWDY:
It starts raining,
we can float the thing out.

( upbeat theme playing )

Now, what's going on?

Ah, he's showing how
that boomerang thing works.

Never seen a piece of wood
act so crazy in my life.

Here's something
you can't make it do.

Throw it out there and make it
circle and come back to you.

How about that?

That silly thing reminds me of
a widow woman down in Galveston.

Got her hooks on old Wishbone.

Everything he did, well,
here she come back.

( all laughing )

Say, now, could you show me
how to make one of them?

It's easy.
I'll show all of you.

Ruthanne.

Hello.

GOFFAGE:
Ruthanne.

Fiancé's calling you.

I heard him.

Uh, the cook, he, uh,
needs a little water in here.

I don't believe
I caught your name.

Rowdy. Rowdy Yates.

I'm Ruthanne.

Yeah.

Watching the twilight?

Yeah.

It's nice out here
after the heat of the day.

Care for a drink of water?

( chuckles )

I didn't bring a dipper along.

I'm not thirsty.

You're not?

You know, I see
a real big cloud out there.

It looks--

It looks like a sailing ship.

Yeah, and right behind it,
there's a lamb chasing it.

I don't see any clouds.

You don't?

Uh-uh.

WISHBONE:
Rowdy?

What are you doing
out here?

Oh.

Excuse me, Mr. Yates.

I better see
what Mr. Goffage wants.

Shame on you.

Look, we were just talking,
that's all.

Listen to me, young fella...

Oh, uh, heh, hello, boss.

Yeah. You and Miss Harper
getting along all right?

No.

He came along.
Lucky I did too.

You know, of course,
she's engaged to Mr. Goffage.

They're not married yet.

Pete tell you about her?

Looks like he told
everybody.

She'll take that poor man
for every nickel he's got.

Almost be worth it too.

You hear that? Now, how do you
know she'll stop at Goffage?

Why, give her half a chance
and she'll swindle her way

through this crew
like a plague.

What do you wanna do? Turn 'em
loose in Comanche territory?

Well, no.
Well, then,

let's just
stay clear of anything

that ain't our business,
huh?

Both of you.

( humorous theme playing )

Well, where's my water?

( humorous theme swells )

( crowd singing indistinctly )

CROWD:
♪ He rose on his elbow
And said ♪

♪ Wrap me up in my stockwhip
And blanket ♪

♪ And bury me deep down below ♪

♪ Where the dingoes and crows
Can't molest me ♪

♪ In the shade where
The coolibahs grow ♪

♪ So bring out
The battered old billy ♪

♪ Put the pannikins
All in a row ♪

♪ And drink to the health
Of the stockmen ♪

♪ Who soon will be lying below ♪

( laughter, cheering )

More? More, anybody?

No, it's bonzer, cook.
Especially the snorts.

Yeah, well, anybody don't
like it don't have to eat 'em.

After all the work I went to
on them sausages:

chopping the meat,
stuffin' the cases.

Ah. Come on, Mr. Wishbone.

Binnaburra says your tack
is fair whack out the diddly.

Me too. Fair dinkum.

Yeah?

( laughs )

They're wacko, Wishbone.
They like them.

Especially the snorts.
The sausages.

Oh, why don't you talk English?

( all laugh )

( laughing )

Are you gonna let
that good snort go to waste?

Oh. No, I ain't hungry.

( knock on door )

Sure couldn't be one of our men.

Evening.
I'm looking for Mr. Favor.

You found him.

My name's Adler.

I was on my way north
when I spotted your herd.

Your nighthawk said
you might have

a dry place for me to sleep.

You eaten yet?

Not since morning.
Well, come on in.

Thanks.

Here. Sit down.

Wish, another plate.

Sure do appreciate this.

Um, well, this is
Miss Ruthanne Harper.

Ma'am.

Mr. Adler.

FAVOR:
And the lucky man next to her
is the man she's gonna marry.

Uh, Richard Goffage.
How are you, son?

Congratulations.

Hope you like the snorts.
I mean, sausages.

You bet.

Say, uh,
where you heading for?

Oh, no place in particular, just
anywhere I can find me a job.

You a drover?

Off and on.

Say, I don't suppose you might
have a spot open, Mr. Favor?

Well, I might.

Well, this--
This looks like my lucky day.

A hot meal and maybe a job
and a nice, dry place to sleep.

I wouldn't count too much
on a dry place to sleep.

It's quite a ranch. This
the only part still standing?

No. There's a barn. You must've
passed it on the way here.

It's quite a ways
from the house.

( ominous theme playing )

What do you suppose
happened, Mr. Favor?

Where did the owners go?

Oh, on west.

Maybe back to civilization.

Maybe the Comanches
went on the warpath.

Well, that sounds terrible.

It can be.

Say, any time you wanna,
uh, bed down,

you can put your horse
in the barn.

Well, thanks. I'll do it now
if you don't mind.

Many thanks,
and, uh, goodnight.

Say, Quince, why don't you give
him a hand gettin' squared away?

You bet.

( door closes )

( yawns )

Oh, you must be tired,
dolly.

I am rather.

Well, why don't you
go upstairs, huh?

You don't mind?

No. Run along.

Good night, Richard.
Good night.

Night.

MAN:
Good night.

( suspenseful theme playing )

Oh, Johnny, Johnny, Johnny.

They told me in Claysville
you'd gone north with the herd.

Why didn't you wait?

( tearfully ):
I waited.

I waited and I nearly
went out of my mind.

Then they told me
you tried to break out.

They said you were in solitary.

They said
you'd be there forever.

They said...

How did you get out?

How do you think?

That don't matter.
It's all over with now.

Who's this Goffage?

He's a cattle owner,
a rancher.

He's taking a herd
to Australia.

Where'd you meet him?

He was around town,
and he had a nice smile.

So he smiled and said,
"Marry me"?

And you said, "Sure, why not?

Nothing else on
my dance card tonight."

Well, it was better
than starving.

Besides, it kinda
took me by surprise.

No one else has ever asked me
to marry them.

Is that what you want?

Of course it is.

Then I'll marry you.

Soon as we get to a town.

Soon as I get a stake.

Where did you say
this Goffage was headed?

Australia.

How's he figure to get those
3,000 beeves across that ocean?

Oh, he doesn't have 3,000.

He has 200,
in with Mr. Favor's,

until we get past
Indian territory.

How many of those men
are Goffage's?

Just one.

Two hundred cows.

Ten dollars a hide.

That's the stake.

As soon as he splits with Favor,
when he's off on his own,

that's the time.

( tense theme playing )

Look, I don't want you
to kill him.

He's a good man.

He's been kind to me.

( tender theme playing )

Do you love him?

Course I don't.

( mysterious theme playing )

( mysterious theme swells )

You with me?

If I don't hurt him?

Yes.

( tense theme playing )

( tense theme swells )

WISHBONE:
Oh, you keep
comin' out the door.

I have no specs this time.

PETE:
Men, go right to the floor.

WISHBONE:
Now, watch your step.

PETE:
You're sure worried about
this old stove a lot.

ROWDY:
Ah, this blasted thing. Oughta
just carry it back and forth.

By the time I get to a kitchen,
you're gonna carry it in again.

"Don't scratch it.
Don't scratch it."

It sounds like one of them
squawkin' birds, you know?

Easy. I'll open it up
over here.

( playful theme playing )

Oh, you ruined it!
Upside down in the mud!

Get outta here!

Get outta here,
every one of you!

Mushy!
Hey.

Can't do anything.

Every other thing you gotta do,

you gotta try to do it
for yourself.

Get over here
and open this thing up.

Lift it up!

( groans )

( both chuckle )

Y'all set to go?

Yeah, I'm ready
to move out, Yank.

( chuckles )

Cobber?

GOFFAGE:
Yeah, what is it, mate?

Uh, I have a thing
to tell you.

Are you worried
about the woman?

Now, listen, cobber,
I know you don't like her.

I know you're afraid that
she'll lure me down to the city,

and that it'll be quits
for you and me.

But that'll never happen.

I told you from the beginning,
and I'll tell you again.

It'll be the three of us

on the finest cattle run
you ever saw.

All right?

( somber theme playing )

Mornin', boss.

Oh, Adler.

Yeah?

I, um, made up my mind.

I can't use you.

But last night you said
there'd be a job.

I said there might be.

Well, Mr. Favor,

I want the job.

That mean anything to you?

Sorry, no.

Let me tell you something.

You need me.

I do?

Sure, as a go-between
with the Comanches.

And that's you, huh?
You bet your life that's me.

I'm more Comanche
than white.

My father was Lone Eagle,

blood brother to Tawyawp.

Thought you said
your name was Adler.

Well, that's the German name
for Eagle.

Johnny Adler,
Johnny Eagle.

I still can't use you.

Let it go.

No,
I ain't gonna let it go.

I'll break your face in,
you walk away from me.

Nobody's walkin' away from you.

I just want you
to get it into your head

that I can't use you.

Now,
isn't that simple enough?

No. No, it ain't
simple enough.

I'm stayin' with you.

FAVOR:
No, you're not, Johnny.

ADLER:
You got a reason?

I'm boss of this outfit,

I don't need another drover,

and that's reason enough.

Well, I'll give you
a better reason.

Like this.

( dramatic theme playing )

Now will you get out?

Oh, no!

Thank you, Mr. Favor.

I'll go.

I'll go,
but I'll be back.

I'll be back
so you can do that again.

You'll wanna see
how it comes out next time.

( tense theme playing )

You need some help,
Miss Harper?

( dramatic theme playing )

( upbeat theme playing )

( tranquil theme playing )

( playful theme playing )

Wait a minute, Jim.

I think I see
what you're doin' wrong.

Now, look.

Try turnin' your wrist over
before you let it go.

I have turned it over.

I've turned it over
and under and inside out,

and it still goes
straight as a bullet.

No, wait. I'll show you
what I mean. Look. Stand back.

Now we know one thing:
It ain't the wrist.

Bunch of 2-year-old kids

throwin' them
crooked sticks around.

Can you do it?

I wouldn't waste my time.

( playful theme continues )

If you want that, it's yours.

Well, I don't want it.

( chuckles )

You know, I think your scout's
jealous of my scout, Mr. Favor.

Probably just
all bent out of shape.

He'll get over it.

Well, it's a funny thing
about jealousy.

It can tear a man apart,

unless he's sure of himself,
can't it?

( chuckling )

Oh, I told that boy
to stay away from her,

but, um, she's a mighty
attractive woman.

Heh.
And he's a handsome boy.

It's no wonder
they like each other.

Doesn't bother me,
Mr. Favor.

Ruthanne's a flirt.

Maybe that's part
of why I love her.

You know, Goffage,
there's some women who--

Well, they just never
get used to cow country.

What I mean...

I think I know what you mean,
Mr. Favor.

You mean that this is
a bad match,

that I'm making a mistake.

I think that what you see
is a woman who doesn't love me.

Well, I see something else
as well.

I see toughness and loyalty.

I see a need to settle down,
take care of a home,

have some kids.

She was willin' to marry me
without love.

And I think that maybe love
will come in time.

By the way, Mr. Favor,

did you know
that she was proved innocent

of that charge in El Paso?

Hm. You knew about that, huh?

I knew about that
before I asked her to marry me.

You know, I got the feeling

you two are gonna come out
all right after all.

So long as Mr. Adler doesn't
come ridin' back again, huh?

Oh, incidentally,

thanks for gettin' rid
of him.

Oh, that was my pleasure.

( triumphant theme playing )

( ominous theme playing )

I say it can be done.

What are 20 whites
against 50 Comanches?

You can attack at night.
I know it can be done.

Would I have ridden this far
to talk foolishness

with my blood uncle?

They said Tawyawp
was a great warrior.

Were they wrong?

( dramatic theme playing )

Tawyawp, the buffalo are gone,

but in their place
are 3,000 steers.

And many guns.

I have another thought.

There is a woman.

She's my woman. She will come
here with me if I ask her to.

Tawyawp will say
he holds her as hostage

for all the guns
and half the herd.

And for you, what?

The woman,

200 steers

and the scalp
of a man named Favor.

( tense theme playing )

Bring her.

( tranquil theme playing )

( cattle lowing )

It's the animals
I wanna show you the most.

Koala sittin'
up in a tall tree,

eatin' his eucalyptus leaves.

The platypus, the emu.

Wait till you see the feathers
I'll take from our emu

to make you a bonnet.

Really are full of plans,
aren't you, Richard?

I could plan for you, dolly,
all the day and all the night

and never reach the end.

I don't know
why you're so good to me.

I-I think
it's the other way around.

No, it isn't.

( somber theme playing )

I haven't even given you
honesty.

About what?

Tell me about
the baby kangaroos.

What did my uncle call them?

Joeys.

Tell me about the joeys.

( tranquil theme playing )

( cattle lowing )

There. How's that look?

Looks like the Ritz.

Pleasant dreams, darling.
Sleep well.

( tense theme playing )
Richard.

Yes?

Nothing.

Sleep well.

Good night, dolly.

Night.

Guard my girl well, cobber.

Aye, cobber.

Good night.

( suspenseful theme playing )

( ominous theme playing )

Hey! Hey, Jim.

( action theme playing )

( gunshots, cattle lowing )

MAN:
Stampede!

Come on, let's go.

No, Johnny.
I've changed my mind.

I'm not coming with you.

Look, I haven't got time
to argue with you.

Richard! Argh!

( suspenseful theme playing )

MAN 1:
Come on, let's get him!

Get him, cobber.
Get him.

What are you waiting for?
Get him!

Throw it! Throw that boomerang.
Throw it, will you?

Throw it!

( dramatic theme playing )

We gotta get after him,
Mr. Favor.

Ah, it's no use,
not in the dead of night.

You never missed a mark
that easy before.

You wanted to miss.
You wanted to get rid of her!

Take it easy, Goffage.
It's true, isn't it?

Isn't it?
Take it easy.

( dramatic theme swells )

( action theme playing )

Sun's been up for ten minutes,
Mr. Favor.

Now what are we waitin' for?

FAVOR:
Rowdy, hold the herd here
until noon.

If we're not back by then,
move 'em out.

QUINCE:
Mr. Favor.

( tense theme playing )

Pete.

Tawyawp has the girl.

No.

PETE:
But he'll give her up...

for all the guns...

and half of the cattle.

Well, tell him
we'll do it, of course.

What's our choice, Mr. Favor?
No choice.

Tell him.

Well, what's the matter?

It's half my herd he wants.

Well, of course
it's half your herd,

but you can't hold back
now.

Now, listen, Mr. Favor,
I'll pay for those cattle

if it takes me 20 years.

I'm afraid the owners
couldn't wait 20 years.

What kind of a man
are you?

You know what they'll do to her.
Even I know.

Look, I'd give my arm
to save her,

but I can't give this herd.

Why, you filthy coward.

You rotten--

Tell him no deal.

( tense theme continues )

We could
follow him.

He sure ain't gonna let anybody
follow him to Tawyawp's camp,

until he's certain
he ain't bein' followed.

Where are you goin'?

( dramatic theme playing )

Boss, Binnaburra's
goin' after the girl.

Maybe he oughta
have some help.

Yeah. Rowdy, take over
till Pete and I get back.

Mr. Favor,
room for one more?

Uh, sure.

( tense theme playing )

( dramatic theme playing )

( dramatic theme swells )

( tense theme playing )

Well, trail boss--

Where's the woman?

Safe.

If you brought her here
on your own, Adler,

you're a real fool.

There's somebody else
who wants her

as badly as you do.

Any time I wanna leave,
the woman leaves with me.

Any time.

You wanna bet?

Comanche camp well-hidden.

How you come here?

This man found you.

We followed him.

And 20 more men
are following us.

All with guns.

They're lying.

They wouldn't
leave the herd alone.

Can you stand against
that many guns, Tawyawp?

Give us the girl
for 50 cows,

and there'll be no bloodshed.

( inaudible whispering )

Gotta hand it to you.
You got him worried.

( chuckles )

Well, what's so funny?

You'll find out.

The trail boss here
has talked himself

into a real bad corner.

( drums beating )

( Comanches whooping )

Well, what's that?

Comanche gauntlet.

( whooping continues )

( whooping, drumming stops )

( mysterious theme playing )

Maybe you lie.

Maybe you tell truth.

You run from here

to there.

If any man get through,

all can leave
and take woman.

You mean we got a choice?

You can give Tawyawp
100 cow and go,

but woman stay.

Isn't that a beaut?

( sighs )

If we try to take her
outta here,

we'll never make it
with our scalps.

I know.

We'll take the gauntlet.

Get goin'.

Wait.

You, go first.

Me?

Tawyawp, wait. Listen.

I'm kin to you.

I-I'll give you the woman.

Anytime you wanna leave.

( Comanches whooping )

( breathlessly ):
She's yours, Tawyawp.

I won't challenge you
for her.

From now on,
never be seen in our camp.

Go.

( somber theme playing )

I know their ways.
Maybe I can make it.

No. My fault.

No, cobber,

I'm gonna give it a go.

If I don't make it,
you can try.

Richard!

Richard, give it up.
Don't do it.

Don't do it.
I'm not worth it.

I'm not
what you think I am at all.

I'm a cheat, and I'm a liar.

I've worked in dance halls,
I've been in jail,

and not three nights ago

I promised to marry
a common thief

at the first opportunity.

You made a mistake, dolly,

about the other man

and about yourself.

Let go of me!
Let go! Richard! Richard!

( Comanches whooping )

Come on, Goffage.
Get up, Goffage.

( Comanches whooping )

( suspenseful theme playing )

( sobbing ):
Richard.

Quick, get up, Richard.

Let me go and help him. Get up!

Richard!

Get up, cobber.

( Comanches whooping )

I don't want you to die.

I love you.

Get up!

Stop!

( tense theme playing )

Let it be said that Tawyawp
would not kill a man of courage.

( sobbing )

He's run the gauntlet.

Is Tawyawp
a man of his word?

( gasping, sobbing )

Oh, no, dolly.

No, no need to make
such a fuss over me.

We've been through tougher times
than this, haven't we, cobber?

Aye, cobber.

( sobs ):
Richard,

I'll go with you
anywhere you say.

To the end of Australia.

But you'd rather stay
in this land, dolly.

I'd rather be with you.

Anywhere.

Anywhere.

Hey, scout,

that offer you made
about, um,

givin' me one of them
boomerang things...

That still go?
Still go.

You'll have to teach me
how to throw it.

Aye, cobber.

Aye, cobber.

( chuckles )
( sobs )

Mr. Favor,

if a man were to take over
that ruined run back there,

you think he could make
a go of it?

I'm positive he could.

( peaceful theme playing )

Come on, dolly.
Let's go back, huh?

( triumphant theme playing )

( triumphant theme swells )

Head 'em up!

Move 'em out!

♪ Rollin', rollin', rollin' ♪

♪ Rollin', rollin'
Rollin' ♪

♪ Keep rollin', rollin'
Rollin' ♪

♪ Though the streams
Are swollen ♪

♪ Keep them dogies rollin' ♪

♪ Rawhide! ♪

♪ Through rain and wind
And weather ♪

♪ Hell-bent for leather ♪

♪ Wishin' my gal
Was by my side ♪

♪ All the things I'm missin' ♪

♪ Good vittles
Love and kissin' ♪

♪ Are waiting at the end
Of my ride ♪

♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪

♪ Move 'em on, head 'em up
Rawhide ♪

♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪

♪ Cut 'em out
Ride 'em in ♪

♪ Rawhide! ♪

♪ Rollin', rollin', rollin' ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )

♪ Rawhide! ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )