All language subtitles for Rawhide - 3x08 - Incident at Poco Tiempo.eng

Hyah!

( whip cracks )

♪ Rollin', rollin', rollin' ♪

♪ Keep movin', movin', movin' ♪

♪ Though they're disapprovin' ♪

♪ Keep them dogies movin' ♪

♪ Rawhide! ♪

♪ Don't try
To understand 'em ♪

♪ Just rope, throw
And brand 'em ♪

♪ Soon we'll be livin'
High and wide ♪

♪ My heart's calculatin' ♪

♪ My true love
Will be waitin' ♪

♪ Be waiting at the end
Of my ride ♪

♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪

♪ Move 'em on, head 'em up
Rawhide ♪

♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪

♪ Cut 'em out
Ride 'em in ♪

♪ Rawhide! ♪

♪ Rollin', rollin', rollin' ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )

♪ Rawhide! ♪

Hyah!

( whip cracks )

( whip cracks )

( peaceful theme playing )

( menacing theme playing )

What is this?

Will, take a look
in those saddlebags.

My name's Payton.

Mind telling us
where you're headed?

Going to the town
called Poco Tiempo.

PAYTON:
What for?

We got business there.

What kind of business?

What's this all about, mister?

I asked you
what kind of business.

Not until you tell me
what this is all about.

We're just drovers from a cattle
drive 15, 20 miles east of here.

The boss sent us to town
to pick up expense money.

PAYTON:
The boss sent two of you
on one horse?

No, we got caught in
a rockslide. This one got lame.

The other one broke his leg.
We--

We had to shoot him.

You said something about
expense money.

That's right.
Supplies and stuff.

So where did you expect
to get this expense money?

From the confectionary store.

From the bank, Mr. Payton.

How do you know
the bank's still standing?

Standing?

You don't know anything
about the fire?

But you know
the bank's still standing?

Look,
we don't know anything about--

Save your breath. He ain't
gonna believe you anyhow.

Why not?
'Cause it's not the truth?

There's nothing
in the saddlebags, Mr. Payton.

What did you
expect to find?

Perhaps $10,000.

Stolen from the bank?

No. Not from the bank.

We can prove who we are
and what we're doing.

Look, shut up, will you?

Oh, you are a real rough one,
aren't you, mister?

You got no call coming around
here bracing us.

That's for us to decide.

Get that rifle off me, mister.

Charlie, you double ride
with one of these men.

Will,
you take the other.

Look, I ain't riding nowhere.

Hold on, Rowdy.
They're riding us into town.

It beats hoofing it.

Mister, you're coming with us.

Now, you can come peaceably,
or you can make trouble.

PAYTON:
But either way

you're coming with us.

( menacing theme playing )

Find anything yet?
Nothing yet,

but we're still looking.

This might've been a town once,
but it sure ain't no more.

Finest cotton-growing country
in Texas.

It'll be a town again.
All right, come on.

( menacing theme playing )

Well,
this is the mission.

Mean anything to you?

What are you gettin' at?

Is there any reason
why you don't wanna go in?

You lead the way, mister.

You're the one who's trying
to prove somethin'.

Sister, we just brought
these two men in.

Are they the men?

You saw them when they grabbed
him and ran him off.

PAYTON:
You got a good look.

Are these the ones?

We've never seen them before,
Mr. Payton.

Never.

Sorry to have troubled you.

All right. Let's get out
of here, all of you.

We can't go on like this,
Sister.

We've got to tell them.
Who can we tell?

I suppose we can't.

You know we can't.

All right.

You didn't steal the money.

Means you didn't
do the other thing.

You're free to go.

What other thing?

Murder a priest.

( dramatic theme playing )

That's one thing
they might've told us before.

We'd have been
on their side.

Yeah.
Well, lookie yonder.

QUINCE:
Wouldn't you know it? The first
thing they rebuild is a saloon.

Come on.
Whoa.

What do you mean,
"whoa"?

We got two things
to do in this town,

and that's pick up money--

Get some remounts and get
back to the herd. I know.

Well, why don't you see
if you can pick us up

a couple of horses?
Well, take money.

Well, that's what we came here
to get, isn't it?

This horse ought to be worth
somethin' in trade.

I'm going over to the bank.
I'll meet you later.

( ominous theme playing )

( western theme playing )

Who runs the livery stable?

Right here.

You got a couple
of horses to sell?

To sell?
Yeah, this one's lame.

Oh, a little rest,
he'll be all right.

I'd like to swap you him
and give you something to boot

for two Summerlin.

Here.

Be three or four weeks
before he can be rode.

I know.
Well, I don't have no horses.

It says "livery stable."

Thought you had a corral
out in back somewhere.

Oh, I had horses all right.
All of them in there.

Every last one of 'em gone
in the fire.

Must've been mighty bad.
Yeah.

Middle of the night. Like seeing
your own family burn up.

I never heard
no screaming like it.

Well,
anybody else have horses?

You won't find any horses
in this town for sale.

We need every one we got left.

I'll even buy
that one off you.

Well, that won't do us no good
unless we get something to ride.

We gotta hook up
with our outfit.

Where's your outfit at?

Cattle drive. Twenty miles
from here. More by now.

Moving north?
Yup.

Oh, you best take
the stage out of here.

Stage?

Yeah, we got a line running
between here and Blanesville.

That's 50 miles northwest.

You could pick up horses there.

Get what you came for?

Yeah, they had enough money in
the bank for Mr. Favor's draft.

Uh,
we owe anything here?

Just ain't no horses
to be had.

Unless we reach a town
50 miles from here.

Who says?
Livery man.

Fifty miles sounds
kinda crazy to me.

Well, no more than us walking
back to the herd.

Man says we can
reach that town by stage.

Yup.
Coach pulls out in the morning.

You wanna buy our horse there?

Uh, gonna need some care.
About $15 high as I can go.

That's fair enough.
Considering everything, I guess.

Don't wanna sell the saddle,
do you?

Them saddles ain't inlaid, but
they're good-working saddles.

Ought to be worth
a few dollars.

ROWDY:
Well, we'll keep the saddles.

What I wanna know is,
who'd wanna kill a priest?

Bad thing.
Real good man.

See, we raise cotton here.
Planting's everything.

The whole crop was in that
storehouse when it burned.

Now, Father Sebastian,

he went out to other places
and raised money.

To buy us seed
to keep us goin'.

Went all over.
Talked to men he knew.

Night he got back,
him and that money disappeared.

Two men. The nuns over
at the mission saw it.

They grabbed him
and yanked him away.

Was he shot.

Well, now, Father Sebastian,

he's the kind of man that'd turn
up if that shot had missed.

Well, uh, I'll need a bill
of sale on that horse.

All right.

We'll fix it up over at the
saloon. Have a drink on it.

All right,
hold it right there.

( mysterious theme playing )

Father Sebastian,
are you all right?

I'm fine.
Sleeping on this hard pallet?

The harder the better.
It's not imperative.

Maybe you'll tell me now.

Who were those two men out there
you didn't know?

We told you the truth.
We didn't know them.

Those men were brought to us
as suspects.

What did you say?
Well, what was there to say?

We'd never seen them before.

But they'll wait.
They'll go away and stop

and watch you two
come down here.

They went away.
We're being very careful

that no one learns
about this place.

All it means
is the padre's life.

Sisters, do as I say.

Go to Mr. Payton and the others
and tell them about this.

Father, Father--
We don't mean to disobey you,

Father, but we can't do it.
Go and tell them.

Please forgive us.
For your sake.

That's right,
for his sake.

I'll ask you again.

How long do you think you're
going to get away with this?

The town is blocked
off everywhere.

How can you get out?

Huh.
He won't mention money.

I'll mention it.

How are we going to get
the money out of here?

That's real easy to mention.

We're not gonna take it out.
They are.

We?
MAN: You and her.

The saints be with you.

You think you can rely
on the sisters?

They like you.

Supposed we put it up
to them?

We can't do it.

Oh, you mean you don't care
what happens to the padre?

I wouldn't think you'd dare.

According to you, no.

According to me,
there's no choice.

Sisters, you--
Your work is upstairs.

You-- You are needed there.

MAN:
They can get somebody else
to do the work.

There's plenty of women
in this town.

All the sisters gotta say
is they're tired or somethin'.

Yes, they can take care
of things until we return.

No.

Oh, Father, we've got to do
as these men say.

Sister Frances,
the town isn't a town anymore,

and we have lost the money.

We can start over.

But we can't lose you.

Well, what do you want us to do?

( ominous theme playing )

You take this bag
to Blanesville. Both of you.

As simple as that.
No arching.

When you get there,
you go to the hotel.

There'll be a man waiting
for you. A man named Carter.

You give him the bag.

And Father Sebastian?

As soon as Carter gets the bag
he'll telegraph us here.

Ain't that somethin'?

One of the few buildings
that escaped the fire.

The telegraph office.

Ain't that somethin'?

As soon as we hear from Carter
we'll turn the padre loose.

MAN:
Understand?

Sisters, you stay here.

We have no other choice,
Father.

You going or not?

Yes.

Yes, we'll do it.

Sister Frances, Sister Joan,
I order you not to.

Father, we're not disobeying,
but you must go on living,

whether what we do
seems wrong to you or not.

Please forgive us.
Just a minute.

We'll keep the money. The stage
doesn't leave till morning.

( ominous theme playing )

( upbeat theme playing )

MAN:
Hey, I-I didn't know
you was leaving town, Emerald.

It's a dull town,
Mr. Swanson.

Couldn't get that roulette wheel
to do what you wanted it to?

That's right.
We're gonna miss ya.

I'm sure you are.
I mean it,

you take care of yourself,
you hear?

Don't ever worry about me.

Dance hall or not,
that's a mighty purty girl.

It's gonna be a long ride.

Yes.
Yes, it will be.

I expect we should
get acquainted.

Yes,
I expect we should.

I'm Emerald Carney.

I'm Sister Frances,

and this is Sister Joan.

I felt kinda funny
when I saw you in here.

I got the feeling maybe you
weren't going to approve of me.

That's odd.

I somehow got the feeling that
you might not approve of us.

Well, bless you both.

What I mean is,
I think we'll get along fine.

Yes, I'm sure we will.

Hey. I've been wondering how
those gals are gonna get along.

Yeah, well, why wouldn't they?
They're all gals, ain't they?

So to speak.

Well, uh,
you ready to get started?

Yeah. I'm waiting
for the sign painter.

About time he shows up.

Uh,
let me see that please.

( ominous theme playing )

What do you have in that bag,
Sister?

You may look inside,
Mr. Payton.

Sorry.

All right, come on.

Come on what?

Get out and bring
your satchel with you.

What for?

You know we're not
letting anyone leave town

without searching them first.

You try searching me.

Are you gonna out by yourself,
or do you want my assistance?

I'm staying right here.

You can take this.

What do you think you're doing,
Payton,

wringing a chicken's neck?

Handle those
things carefully.

I just laundered them.

Here.

What kept you from
dropping it on the ground?

I'm sorry.

Don't say you're sorry.

Just don't say anything.

I wanna hate you
with a clear conscience.

Men.

You don't know how well off
you are without them.

All right?
It's all right.

Here,
I'll take your case.

All right,
you boys can get on board now.

Can I have that bag?
I'll put it in the back.

( menacing theme playing )

( driver grunting )

( western theme playing )

How'd it go?
They searched everybody

on the coach but the sisters.
That's what I figured.

Now it's my turn
to get some fresh air.

Meet you in five. That's the
time it takes to saddle horses.

Saddle the horses?

You figure on walking
the plains, Bill?

You wanna miss
the sisters' arrival?

You told them to give the money
to someone named Carter.

You think I'm playing tricks?
Who else is in this but us?

MAN 1:
You know there ain't no Carter.

MAN 2:
Why'd you tell 'em there was?

What if they start asking around
for somebody named Carter?

We'll be there.

But you told 'em
we're staying here,

letting the father go when
we get the telegraph.

I told 'em what I had
to tell 'em.

If we're gonna get there
before they get there

we better get started.

I told you I was gonna
saddle the horses.

What if we have any trouble
gettin' out of here?

We'll get out.
As long as we let 'em search us.

As long as we
don't have the money.

He'll be able to tell everybody
what we look like.

You saddle the horses.

( ominous theme playing )

( upbeat western theme playing )

( snoring )

Sleeps like a baby,
doesn't he?

Baby bulldog.

Is it, uh,
is it all right?

Is what
all right?

Well, is it all right to speak?

I've been wondering why you've
been so silent all this while.

Have you?
Yes.

I mean, yes, I think I have.

Yes, I'm sure she has.

I'm sure she has too.

Would you ladies
care for a drink?

No.
No, thank you.

No, thank you.

What's in it?

Just plain water, ma'am.

Save it.
You may have to wash later.

What did you want
to speak about, Mr. Yates?

Well, I wanted to thank you,
ma'am,

for helping Jim and me
out of that mess.

( speaking indistinctly )

Thank you too.

We only told the truth.

Well, sometimes the truth's
hard to come by

when a man
needs it the most.

Is that bad?

Well, it's more of a nuisance
than anything else.

May I help you?

Sister.

Thank you very much.

Practically a diamond hitch,
ma'am.

You ladies must learn
a lot in your work.

I've known how to tie bandages
since I was a little girl.

I was brought up on a ranch
with my four brothers.

Where was that?
Southwest Texas.

Well, that's my country.

What was your name then?
If you don't mind me asking.

Conroy.

Conroy?

Well, I-- I've heard my pa--
Da-- Dan Yates--

I've heard him speak
of the Conroy's.

Gee, I probably would've
met you before.

I went in the war
when I was 16.

Say, wasn't your family
hit pretty hard

in the Comanche raid?

Yes, I lost two of my brothers.

But that's how I met
Sister Frances.

Some of us were taken
to the church for sanctuary.

Father Sebastian.

Yeah,
the wheel's lockin'.

She's froze up.
Gears goin' inside.

They tell you you're working
for a new line.

All fine equipment.

Yeah,
and good men taking care of it.

Well,
you carrying any grease?

I am unless
one of them lunkheads

forgot to hang the bucket.

You'll have to work
this wheel loose

before it'll do any good.

Unlock the team, Jack.

Nothing like breaking down
in the middle of nowhere.

( groans )

Taking them
long enough.

Getting that wheel
off is hard.

I don't know how you stand
in those clothes you wear.

We don't think about it.

Come to think of it,
I don't know why you girls

ever lock yourself in for
a life like that.

Ever feel sorry
about it?

Sorry?

Good-looking kid
like you.

Ever wish
you could back out?

Back out?

From what you're doing.
Being a nun. Sister.

Well, I still have that choice.

Oh, yeah?

You see, I haven't taken
my final vows yet.

Oh?

And maybe you're not so sure
you want to stay in.

Why do you say that?

Way you been looking
at that drover.

Can't say as I blame you.

You sure got
a lot of play on it.

Nothing wrong
with that flange.

It's another 10 miles
to the relay station.

Wheel stays on
and we'll make it.

All right,
let's get it off the jack.

All right, ladies,
ready to go.

( peaceful theme playing )

Thank you, drover boy.

Ever so much, drover boy.

DRIVER:
Hyah. Weezer.

( peaceful theme playing )

Hold the team, Ben,
we're not going out for awhile.

Trouble?
Yeah, bad wheel.

MAN:
Let's go.

We're gonna have to make
a stopover for repairs.

Might be a little while,
so best you ladies go inside.

Let me help you with that,
ma'am.

( mysterious theme playing )

( groans )
I'll take-- I'll take it.

I'll take it.

This isn't so bad,
if we have to spend the night.

Us girls can be
real cozy here.

Spend the night?
But we have no time for that.

The men sound real
discouraged about the coach.

( sighs )

It ain't the wheel.

It's the axle,
it's bent.

We'll have to take it off,
put some heat on it,

and straighten 'er out.

I guess we better
tell the passengers.

Ladies, I'm sorry,
but it looks like

we're gonna have to lay
over till morning.

But we can't do that.

We must go straight through
to Blanesville.

Believe me, ma'am, it can't be
helped. we gotta fix the coach.

Ben says you ladies can have
the cabin for the night.

But we can't wait that long.
Is there--?

Is there a buggy we can hire,
or--? Or anything?

Ben, can you help?

Well, there's a buckboard
I guess you could use,

but it's more than 25 miles from
here to Blanesville, ma'am.

Yeah, Sister, and you don't
wanna go off alone with that.

But I'm afraid we must.

You'll let one of us
go with you?

Oh, please, you must let me
do this my way.

Well, there's a rig
I-I could fix up for you.

Oh, thank you.

( ominous theme playing )

Jim.

Yeah?

Keep an eye on him,
will ya?

Sure. What for?

Just let me know
if he does anything unusual.

All right.

You can be certain
this wagon will be returned.

I ain't worried about that,
ma'am.

Two ladies
that bothers me.

You sure
you wanna do this?

Yes.
Yes, we'll be all right.

( ominous theme playing )

How's it coming?

Ah, we'll heat it up
and straighten it.

( ominous theme playing )

Rowdy.

That sign painter
headed for the grill.

Didn't hardly wait
for the buckboard to pull out.

Stay around
in case I need you, huh?

( menacing theme playing )

( horses whinnying )

Now, I want that.
No, you can't have it.

It doesn't belong to you.
Give it to me.

No, you can't have it.
Come on, give me that.

( dramatic theme playing )

( gunshot )

Hold it right there.

Go ahead and pull that.
Go ahead.

Drop that bag.

Drop it.
( gun cocks )

Turn around.

Get outta here.

Keep going.

Oh, we--
We want to thank you.

You're liable to, uh,
run into some more of this.

I think you better let me
drive you back.

The coach'll be ready in a few
hours. We're all working on it.

Well, all right.

I'll sit in the back,
Sister.

Please.

( triumphant theme playing )

( ticking )

You came back.

Yes.
Ma'am.

Yes?

I'm afraid I got
bad news for you.

Father Sebastian.

Message from Poco Tiempo.
Says your priest is dead.

( dramatic theme playing )

Got it straighten out?

That ought to do it.

Let's get it back on the coach.

( ominous theme playing )

What is it?

Father Sebastian?

Yes.

But I'm being selfish too.
I'm thinking about my own life.

That isn't selfish.

I'm afraid, Sister.

I've been afraid
for a long time.

Yes. Yes, I know.

I don't feel I can
go through with it.

I don't feel I belong.

And now that it's too late
to help Father Sebastian--

Well, we must still
finish our journey.

Father would've
wanted that.

We'll take the money
to Blanesville

where it'll be safe.

And then?

Joan,

I'm sure most of us
felt the same way you do.

Deeply humble.

Fearful of taking
the final step.

Not you.

Yes. Even now.

About many things.

Not you, Sister.

What do you think we are, Joan?

We all doubt ourselves.

We all feel unworthy.

Then why?

What is there in it for
any of you?

Helping others.

Expressing our faith
and devotion in sacrifice.

This makes us feel worthwhile.

This renews
our own strength.

I don't have that in me.

Oh, yes, but you do.

A need to serve is very
strong in you, Joan.

And you must respond to it.

For peace of mind.

And fulfillment.

For you it's the true happiness.

I've made up my mind, Sister.

I'm not taking
my final vow.

She's all yours. Ready to roll.

I'll tell the women.

( crickets chirping )

Yeah,

you're the kind of a man,
all right.

Kind of what?

Kind of man a woman would make
a fool of herself over.

What are you talking about?

That pretty young nun. She's not
gonna take her final vows,

just because of you.

Have you been drinkin'?
I have not.

Then make sense, will ya?

Oh,
I'm making all kinds of sense.

That girl. She's not in with the
rest of those churchwomen yet.

Not all the way.
She hasn't given her final word.

And now she's not going to.

Yeah,
what's that gotta do with me?

You and her come from the same
part of Texas, don't you?

Yeah.

You're the good-looking
boy from home.

She saw the likes of you,
and that was it.

You always go around
talkin' like this?

Oh, I'm a gossipy,
meddlesome female.

You know any who aren't?

Yeah,
those two in there.

May I help you?
Oh, no.

No, thank you.
Uh, Sister. Um...

I don't want you to think I've
been making any trouble for you,

and not on purpose anyway.

Trouble?

Yeah, I-- Well,
what I mean is, I have, uh,

greatest respect for you ladies.
All of you.

I don't want you thinking I'm
trying to be fancy or anything.

Fancy?

Oh. Oh, have you been
talking to that girl?

Emerald?

Yeah. She told me that Sister
Joan was gonna quit your outfit

on account of me.

Oh, please believe me.

Sister Joan has all
the qualities needed

to become a dedicated nun.

But leaving us or staying
with us, that's her decision.

Her's alone. You had nothing
to do with it.

Oh.

I'm sure glad you said that.

I-- I didn't think there
was anything wrong

with me talkin' to her
about her kinfolk.

No.

No, of course not.

Perhaps--

Perhaps you've become
a symbol to Sister Joan.

Your image is part of a world
that she used to know.

You've been very helpful.
Very strong.

This might
affect her decision.

But whatever the outcome,
it's no fault of yours.

EMERALD:
We're all waiting for you.

Oh.

Why don't you and me, uh, sit
together the rest of this trip?

Come on.

Jack. Drop the bag and tools,
they're the painter's.

Oh, uh, Ben, give this to
the painter when he gets back.

Give this to him too.

All ready?

Weezer. Hyah.

Hyah.

( western theme playing )

We got a lot of riding ahead.
I figured this would be

a good chance for you and me
to get acquainted.

Kind of a new idea on your part,
isn't it?

Yeah.
That's the way it goes.

ROWDY:
I saw you standing
in that doorway

and you looked mighty pretty.

Uh-huh.

( ominous theme playing )

( peaceful theme playing )

MAN:
Whoa.

Good time to stretch your legs,
folks.

It's time for me
to water the horses.

Pardon me, ma'am.

Thank you,
Rowdy.

Rowdy?
Hm?

Could I talk to you?

Excuse me.

What are you trying to prove,
playing up that girl?

Oh,
we're just having a little fun.

Well,
she don't think so.

Not with all that hogwash
you're givin' her.

She knows I don't mean it.
Well, maybe not at first,

but the last two hours now
she's been lapping it up.

I'm older than you, Rowdy, and
I know what I'm talkin' about.

If you ain't careful
you're gonna be

neck-deep in women trouble.

I can take care of myself.

I hope so.

I hope that girl isn't going
to be hurt by what he's doing.

Hm?

Those two out there.

Haven't you noticed?

No.

He's been paying
a lot of attention to her.

Sister.

Yes?

( tender theme playing )

Did you mean it when you said
you were fearful and uncertain?

About taking my final vows?

I felt just as you do.

Mr. Yates.

Yeah?
How much farther

would you say we had to go?

Oh,
I'd say around 5 miles or so.

Oh.

Uh...

I wanted to tell you, ma'am,
about, uh, Emerald and me.

Oh?

We got engaged.

( dramatic theme playing )

Engaged?

Yeah.
I asked her and she said yeah.

Oh.

So you gonna be all right when
you get to Blanesville?

After you leave
the coach and all.

You're thinking about the money.

Uh-huh.

We're taking it straight
to the bank.

I don't believe
there'll be any trouble now.

( western theme playing )

( ominous theme playing )

We got a change of plans.
Word just came through

about the priest being shot.
It's all over town.

Nuns might find out about
it before they get to the hotel.

So we meet them just as soon
as they step off the stage.

That's right.

Whoa, whoa.

Get 'em out.

( dramatic theme playing )

Just stay quiet, friends.

Give me your gun.

Handle first.

You're gonna step out,
one at a time. Men first.

Come on, move. Get out.

All right, move.
Turn your back to me.

That's it, you're behaving
real nice. Come on.

All right, ladies.
Move, get out of there.

Okay, Colley.
Get the bag.

( suspenseful theme playing )

Nothing in it.

All right, where is it?
That money belongs to God.

Where is it?
I'll never tell you.

Ain't in here.

Now, listen, lady.
Ah.

I know where it is.
You got it on ya.

You took it out
of that bag

and cached them
in those clothes of yours.

Is that right, Sister?
They're women, Colley.

Churchwomen.
Not much we can do about it.

But you can. Get in there
and take the money off of her.

I wouldn't do anything for you.

You act stubborn, you won't like
what I'll do to your face.

Haven't you done enough?
Get in there.

You next.
Come on, come on.

MAN:
Search her.

( yells )

( gunshot )

( action theme playing )

What's going on here?
Hold it.

They came from Poco Tiempo.

Those are the men that murdered
Father Sebastian.

Which ones?

That man.

And this one.

All right. Come on, a few of you
men take him. Let's get him in.

MAN:
Get up there.

Take him. Come on.

Go in and tie him.

I've been thanking God
for his help.

Now I want to thank you
for helping God.

Well, I was glad
to help him, ma'am.

( triumphant theme playing )

Can I help?

Thank you, but the driver will
take him somewhere he can rest.

Oh,
I'd like to talk to you.

You all right now?
Yes.

All he needs
is a good stiff drink.

Come on, Jack.

What was it you wanted
to talk to me about?

I'm deeply touched
by what you're trying to do,

but it's unnecessary.

Oh, well,
what am I trying to do?

Why taking the veil

is a final
and irrevocable decision.

We're all mortal.

Even the best of us
have our weaknesses.

And when we're

facing the sacred moment,

we all tend to hesitate

and falter.

Yeah, I guess so.

I've finally overcome
my self-doubts.

And I told Sister Frances that I
was ready to take my final vows.

I'm-- I'm glad for you.

That man was hurt
and needed my help.

Little while ago
you needed help too.

Sure. Well, I understand.

I hope you didn't think that,
uh...

Well, what I mean is,

I understand why
you sisters help,

because, uh...

well, sisters are great helpers.

I'm grateful
that you spare me from

having to spell it out for you.

What about your engagement?

Oh, you don't have to worry
about Emerald.

She understands
I didn't really mean it.

Does she?

( tender theme playing )

Emerald, there's a--

Well, there's something
I-I want you to have.

Fifty dollars?

Yeah. Well, you been real good
about this whole thing,

and-- Well,
I wanted you to have it.

Look, Rowdy, it was fun.

I don't wanna be paid for it.

See you around sometime.

So long.

God bless you.
Goodbye.

We'll say goodbye now.
And thank you.

Goodbye.

( peaceful theme playing )

Well,
there go two real fine people.

You bet.
There goes another one.

Yeah.

Head 'em up!

Move 'em out!

♪ Rollin', rollin', rollin' ♪

♪ Rollin', rollin'
Rollin' ♪

♪ Keep rollin', rollin'
Rollin' ♪

♪ Though the streams
Are swollen ♪

♪ Keep them dogies rollin' ♪

♪ Rawhide! ♪

♪ Through rain and wind
And weather ♪

♪ Hell-bent for leather ♪

♪ Wishin' my gal
Was by my side ♪

♪ All the things I'm missin' ♪

♪ Good vittles
Love and kissin' ♪

♪ Are waiting at the end
Of my ride ♪

♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪

♪ Move 'em on, head 'em up
Rawhide ♪

♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪

♪ Cut 'em out
Ride 'em in ♪

♪ Rawhide! ♪

♪ Rollin', rollin', rollin' ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )

♪ Rawhide! ♪

Hyah!

( whip cracks )

Hyah!

( whip cracks )

♪ Rollin', rollin', rollin' ♪