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1
00:00:10,585 --> 00:00:13,713
In some ways, they've made
their most ambitious record yet.
2
00:00:13,821 --> 00:00:16,585
And ambition is not synonymous
with record sales.
3
00:00:16,691 --> 00:00:18,090
You know?
4
00:00:18,192 --> 00:00:19,216
I mean, this is not...
5
00:00:19,327 --> 00:00:23,764
This is a masterful, dense,
artistic statement.
6
00:00:23,865 --> 00:00:25,093
It could bomb.
7
00:00:33,374 --> 00:00:34,773
I need more piano.
8
00:00:34,876 --> 00:00:37,071
Less noise?
Less noise.
9
00:00:37,178 --> 00:00:38,577
Yeah.
I could take less noise.
10
00:00:43,718 --> 00:00:45,777
One, two, three.
11
00:00:45,887 --> 00:00:48,447
♪ It's my father's voice
dreaming ♪
12
00:00:48,556 --> 00:00:53,186
♪ Of sailors sailing off
in the morning ♪
13
00:00:56,364 --> 00:01:02,633
♪ For the air-conditioned rooms
at the top of the stairs ♪
14
00:01:07,542 --> 00:01:09,772
♪ His jaw's been broken ♪
15
00:01:09,877 --> 00:01:13,836
♪ And his bandage is wrapped
too tight ♪
16
00:01:18,052 --> 00:01:20,452
♪ His fangs have been pulled ♪
17
00:01:20,555 --> 00:01:24,286
♪ And I really want to see you
tonight ♪
18
00:01:30,898 --> 00:01:32,661
No. I'm sorry.
19
00:01:44,278 --> 00:01:49,341
♪ I am an American
aquarium drinker ♪
20
00:01:49,450 --> 00:01:54,012
♪ I assassin down the avenue ♪
21
00:01:54,121 --> 00:01:58,649
♪ I'm hiding out
in the big city blinking ♪
22
00:01:58,759 --> 00:02:02,786
♪ What was I thinking
when I let go of you? ♪
23
00:02:12,273 --> 00:02:17,336
♪ Let's forget about
the tongue-tied lightning ♪
24
00:02:17,445 --> 00:02:21,677
♪ Let's undress just like
cross-eyed strangers ♪
25
00:02:21,782 --> 00:02:26,685
♪ This is not a joke,
so please stop smiling ♪
26
00:02:26,787 --> 00:02:31,520
♪ What was I thinking
when I said it didn't hurt? ♪
27
00:02:40,668 --> 00:02:45,230
♪ I want to crawl through
those brown eyes dreaming ♪
28
00:02:45,339 --> 00:02:47,239
♪ Take you from the inside ♪
29
00:02:47,341 --> 00:02:50,071
♪ Baby, hold on tight ♪
30
00:02:50,177 --> 00:02:54,739
♪ Well, you were so right when
you said I've been drinking ♪
31
00:02:54,849 --> 00:02:59,548
♪ What was I thinking
when we said good night? ♪
32
00:03:03,991 --> 00:03:08,451
♪ I am trying
to break your heart ♪
33
00:03:08,563 --> 00:03:12,966
♪ I am trying
to break your heart ♪
34
00:03:13,067 --> 00:03:18,198
♪ But still I would be lying
if I said it wasn't easy ♪
35
00:03:18,306 --> 00:03:22,743
♪ I am trying
to break your heart ♪
36
00:03:26,514 --> 00:03:27,913
What are you doing?
37
00:03:32,320 --> 00:03:33,787
"Hello!"
38
00:03:33,888 --> 00:03:34,946
"Hello."
39
00:03:39,226 --> 00:03:41,285
"Welcome to our movie.
40
00:03:41,395 --> 00:03:45,559
We are going to be seeing lots
of film about Wilco today."
41
00:03:47,935 --> 00:03:49,664
I've got to say
we're pretty lucky.
42
00:03:49,770 --> 00:03:53,171
I think Wilco is in a position
43
00:03:53,274 --> 00:03:55,504
where they can make the record
they want to make.
44
00:03:55,610 --> 00:03:57,339
I mean, there is definitely...
45
00:03:57,445 --> 00:03:59,504
I don't know
if I'd call it pressure,
46
00:03:59,614 --> 00:04:01,377
but there's definitely a feeling
47
00:04:01,482 --> 00:04:04,178
that this is sort of the moment.
48
00:04:04,285 --> 00:04:06,549
"They are very funny guys."
49
00:04:06,654 --> 00:04:08,383
Give him a cigarette.
50
00:04:08,489 --> 00:04:09,751
Oh, yeah. I got one.
51
00:04:14,962 --> 00:04:17,328
I need a piece of gum.
52
00:04:17,431 --> 00:04:20,764
I think...
and, of course, hope...
53
00:04:20,868 --> 00:04:22,768
that this record is gonna be
54
00:04:22,870 --> 00:04:26,362
a pretty big priority for Warner
when it comes out.
55
00:04:26,474 --> 00:04:31,207
And... you don't get that
every time you put a record out.
56
00:04:31,312 --> 00:04:33,974
"So, anyway, I was touring...
57
00:04:34,081 --> 00:04:36,276
I was touring on the road
with Wilco."
58
00:04:38,219 --> 00:04:40,687
Oh, here's your gum back.
59
00:04:42,623 --> 00:04:43,851
One, two...
60
00:05:02,043 --> 00:05:05,342
♪ The cash machine ♪
61
00:05:05,446 --> 00:05:08,813
♪ Is blue and green ♪
62
00:05:08,916 --> 00:05:11,476
♪ For a hundred in twenties ♪
63
00:05:11,585 --> 00:05:15,146
♪ And a small service fee ♪
64
00:05:15,256 --> 00:05:18,714
♪ I can spend three dollars ♪
65
00:05:18,826 --> 00:05:22,728
♪ And sixty-three cents ♪
66
00:05:22,830 --> 00:05:26,231
♪ On Diet Coca-Cola ♪
67
00:05:26,333 --> 00:05:29,131
♪ And unlit cigarettes ♪
68
00:05:44,185 --> 00:05:47,416
♪ I wonder why we listen
to poets ♪
69
00:05:47,521 --> 00:05:50,149
♪ When nobody gives a fuck ♪
70
00:05:51,525 --> 00:05:54,926
♪ How hot and sorrowful ♪
71
00:05:55,029 --> 00:05:57,725
♪ This machine begs for luck ♪
72
00:06:00,000 --> 00:06:06,564
♪ All my lies
are always wishes ♪
73
00:06:06,674 --> 00:06:13,204
♪ I know I would die
if I could come back new ♪
74
00:06:13,314 --> 00:06:15,373
You know, there are two kinds
of potential.
75
00:06:15,483 --> 00:06:17,212
There's artistic potential,
76
00:06:17,318 --> 00:06:20,219
which I think for them
is unlimited,
77
00:06:20,321 --> 00:06:23,051
and there is
commercial potential,
78
00:06:23,157 --> 00:06:25,682
which is really
quite mysterious to us
79
00:06:25,793 --> 00:06:27,420
because there are
so many factors
80
00:06:27,528 --> 00:06:29,086
that are out of your control,
81
00:06:29,196 --> 00:06:33,599
and we try not to think
about it too much and just...
82
00:06:33,701 --> 00:06:36,864
try to make a great record,
83
00:06:36,971 --> 00:06:42,739
and hope and push the label
to make the right decisions
84
00:06:42,843 --> 00:06:45,744
and do the right things
promotion-wise and so on.
85
00:06:45,846 --> 00:06:47,438
This is an interactive band.
86
00:06:47,548 --> 00:06:49,982
These are four or five people,
you know,
87
00:06:50,084 --> 00:06:51,312
who make music together,
88
00:06:51,418 --> 00:06:53,147
and the music wouldn't sound
the way it does
89
00:06:53,254 --> 00:06:55,449
unless these five people are
together in the room
90
00:06:55,556 --> 00:06:57,080
at the same time,
making the music.
91
00:06:57,191 --> 00:06:58,590
It's a constant process.
92
00:06:58,692 --> 00:07:03,595
I mean, we make records,
and they're, um...
93
00:07:03,697 --> 00:07:07,133
Like, that ends up being
a thing that you're making,
94
00:07:07,234 --> 00:07:11,261
and you have a million options
as to what that thing can be
95
00:07:11,372 --> 00:07:12,839
and what shape it can be.
96
00:07:22,483 --> 00:07:26,647
We generally go for a pretty
straight, definitive version
97
00:07:26,754 --> 00:07:29,314
of what the song sounds like
it should be
98
00:07:29,423 --> 00:07:32,483
and then deconstruct it
a little bit
99
00:07:32,593 --> 00:07:35,494
and see if there's some more
exciting way to approach it.
100
00:07:37,765 --> 00:07:41,826
♪ Echoes in my heart ♪
101
00:07:41,936 --> 00:07:43,995
♪ And gravel in my palm ♪
102
00:07:44,104 --> 00:07:48,666
There's no reason at all
not to destroy it.
103
00:07:48,776 --> 00:07:50,004
You know?
104
00:07:50,110 --> 00:07:52,738
We made it,
so it's ours to destroy,
105
00:07:52,847 --> 00:07:54,906
and that's liberating
and exciting
106
00:07:55,015 --> 00:07:57,245
in a really creative way.
107
00:08:12,733 --> 00:08:14,860
♪ I need a camera ♪
108
00:08:14,969 --> 00:08:16,937
♪ To my eye ♪
109
00:08:17,037 --> 00:08:19,005
♪ To my eye ♪
110
00:08:19,106 --> 00:08:24,942
♪ Reminding which lies
that I've been hiding ♪
111
00:08:25,045 --> 00:08:27,843
♪ Which echoes belong ♪
112
00:08:29,383 --> 00:08:32,284
♪ I'm counting on ♪
113
00:08:32,386 --> 00:08:35,355
♪ Two days in Central Park ♪
114
00:08:36,891 --> 00:08:39,382
♪ With gravel in my heart ♪
115
00:08:40,961 --> 00:08:43,589
♪ And echoes in my palm ♪
116
00:08:45,132 --> 00:08:46,565
♪ Phone my family ♪
117
00:08:46,667 --> 00:08:50,865
♪ Tell 'em I'm lost
on the sidewalk ♪
118
00:08:50,971 --> 00:08:52,871
♪ And no, it's not okay ♪
119
00:08:52,973 --> 00:08:54,873
♪ I smashed a camera ♪
120
00:08:54,975 --> 00:08:57,034
♪ I want to know why ♪
121
00:08:57,144 --> 00:08:58,873
♪ To my eye ♪
122
00:08:58,979 --> 00:09:05,043
♪ Reminding which lies
that I've been hiding ♪
123
00:09:05,152 --> 00:09:07,620
♪ Which echoes belong ♪
124
00:09:08,989 --> 00:09:12,186
♪ I'm counting on ♪
125
00:09:12,293 --> 00:09:15,490
♪ Two days in Central Park ♪
126
00:09:17,031 --> 00:09:20,432
♪ With echoes in my heart ♪
127
00:09:20,534 --> 00:09:22,001
♪ And gravel in my palm ♪
128
00:09:22,102 --> 00:09:25,401
I think this record's
more of a leap for the band.
129
00:09:25,506 --> 00:09:28,498
This is probably the closest
to pure collaboration
130
00:09:28,609 --> 00:09:30,167
Wilco has ever got.
131
00:09:30,277 --> 00:09:32,575
Personally, I'm really happy
'cause Jeff and I have done
132
00:09:32,680 --> 00:09:34,113
a lot of this stuff together.
133
00:09:34,214 --> 00:09:35,704
This is the first time
134
00:09:35,816 --> 00:09:37,647
that Jeff and I have made
a conscious effort
135
00:09:37,751 --> 00:09:39,582
to get together at the loft
and write songs.
136
00:09:39,687 --> 00:09:43,350
Not that things don't happen
spontaneously, um,
137
00:09:43,457 --> 00:09:45,186
with the Wilco recordings,
138
00:09:45,292 --> 00:09:48,352
but there is a lot
of conferring with each other,
139
00:09:48,462 --> 00:09:50,054
a lot of deliberation,
140
00:09:50,164 --> 00:09:54,498
a lot of, like Jeff was talking,
destroying what we've done,
141
00:09:54,601 --> 00:09:57,001
trying it from the back door,
turning it upside down.
142
00:09:57,104 --> 00:10:00,335
♪ I'm counting out ♪
143
00:10:00,441 --> 00:10:03,569
♪ The days to see how far ♪
144
00:10:05,112 --> 00:10:07,740
♪ I've driven in the dark ♪
145
00:10:09,550 --> 00:10:11,677
♪ Echoes in my heart ♪
146
00:10:13,220 --> 00:10:14,653
♪ Phone my family ♪
147
00:10:14,755 --> 00:10:19,021
♪ Tell 'em I'm lost
on the sidewalk ♪
148
00:10:19,126 --> 00:10:21,492
♪ No, it's not okay ♪
149
00:10:27,368 --> 00:10:29,666
♪ No, it's not okay ♪
150
00:10:35,242 --> 00:10:37,870
♪ No, it's not okay ♪
151
00:10:45,719 --> 00:10:47,482
Uh, okay.
152
00:10:49,123 --> 00:10:50,556
It's the first record
153
00:10:50,657 --> 00:10:52,682
where we've really done
everything ourselves.
154
00:10:52,793 --> 00:10:55,557
We're engineering it ourselves,
and we're doing it in our space.
155
00:10:55,662 --> 00:10:58,756
We're doing two seemingly
contradictory things...
156
00:10:58,866 --> 00:11:02,097
we're making a record
in a very relaxed environment
157
00:11:02,202 --> 00:11:05,296
with no outside input,
but at the same time,
158
00:11:05,406 --> 00:11:08,000
we're accepting
a certain kind of pressure
159
00:11:08,108 --> 00:11:09,837
that we're putting on ourselves.
160
00:11:09,943 --> 00:11:13,344
It's nice not to have
a producer for Wilco
161
00:11:13,447 --> 00:11:19,317
because we're all, any one
of us, perfectly capable of...
162
00:11:19,420 --> 00:11:23,789
directing or shaping
a musical moment.
163
00:11:23,891 --> 00:11:26,382
Everything is
just kind of set up
164
00:11:26,493 --> 00:11:28,427
to just keep making records.
165
00:11:28,529 --> 00:11:32,795
I know it's cool to bitch about
your record label, you know?
166
00:11:32,900 --> 00:11:37,462
But, I mean, they're letting us
make a record in our loft,
167
00:11:37,571 --> 00:11:39,471
and they haven't heard
a word of it.
168
00:11:41,408 --> 00:11:42,807
They're giving us $85,000,
169
00:11:42,910 --> 00:11:44,639
and they haven't heard
a word of it.
170
00:11:44,745 --> 00:11:47,043
You know, that's trust, right?
They trust us.
171
00:11:48,082 --> 00:11:50,482
You're always playing the...
172
00:11:50,584 --> 00:11:54,486
You're pretty much doing
1, 5, 6, 4 on all the...
173
00:11:54,588 --> 00:11:56,317
A lot of times,
when you're playing,
174
00:11:56,423 --> 00:11:59,153
if you don't have any, like,
sonic landscape behind you,
175
00:11:59,259 --> 00:12:01,523
everything turns into
a folk song.
176
00:12:01,628 --> 00:12:04,654
That's pretty much
what you do, right?
177
00:12:04,765 --> 00:12:05,925
Yeah.
178
00:12:12,172 --> 00:12:13,730
We just wanted it
to not sound like
179
00:12:13,841 --> 00:12:16,002
a little folk ditty, you know?
180
00:12:16,110 --> 00:12:17,839
So we wanted to have just, like,
181
00:12:17,945 --> 00:12:21,938
some kind of sonic weight
under all of that
182
00:12:22,049 --> 00:12:25,951
and, uh, just something
kind of weird and fucked up.
183
00:12:26,053 --> 00:12:28,521
♪ It's my father's voice
dreaming ♪
184
00:12:28,622 --> 00:12:32,752
♪ Of sailors sailing off
in the morning ♪
185
00:12:32,860 --> 00:12:34,418
♪ To fight the war ♪
186
00:12:34,528 --> 00:12:36,428
That picks it up some.
187
00:12:36,530 --> 00:12:41,763
♪ For the air-conditioned rooms
at the top of the stairs ♪
188
00:12:41,869 --> 00:12:44,633
♪ They head to the table ♪
189
00:12:44,738 --> 00:12:47,138
Tune the "A" string
to a "B" flat and it...
190
00:12:47,241 --> 00:12:49,471
♪ And it makes
no difference to me ♪
191
00:12:49,576 --> 00:12:51,043
And then you put them together
192
00:12:51,145 --> 00:12:53,113
and you'll get
some really magical moments.
193
00:12:53,213 --> 00:12:57,479
♪ They cried all over overseas ♪
194
00:12:57,584 --> 00:13:01,543
♪ And it's hot
in the poor places tonight ♪
195
00:13:03,724 --> 00:13:05,555
♪ I'm not going outside ♪
196
00:13:05,659 --> 00:13:08,856
And we thought that might be
rhythmic enough to play to.
197
00:13:10,797 --> 00:13:15,791
♪ There's bourbon on the breath
of the singer you love ♪
198
00:13:15,903 --> 00:13:18,497
It's kind of along with
some of the more noise tracks,
199
00:13:18,605 --> 00:13:19,731
but it's rhythmic,
200
00:13:19,840 --> 00:13:22,070
so it's something
that they can play along to.
201
00:13:22,176 --> 00:13:24,076
♪ He takes all his words ♪
202
00:13:24,178 --> 00:13:28,581
♪ From the books
that you don't read anyway ♪
203
00:13:28,682 --> 00:13:30,309
It was about 3:00
in the morning.
204
00:13:30,417 --> 00:13:32,146
We were either gonna get
something great
205
00:13:32,252 --> 00:13:33,981
or lose our fucking minds.
206
00:13:34,087 --> 00:13:36,647
All these things are
just blaring in here, you know?
207
00:13:36,757 --> 00:13:38,657
That's when it all
kind of exploded.
208
00:13:38,759 --> 00:13:42,820
♪ They cried all over overseas ♪
209
00:13:43,931 --> 00:13:47,458
♪ And it makes no difference
to me ♪
210
00:13:48,936 --> 00:13:52,702
♪ When it's hot
in the poor places tonight ♪
211
00:13:54,308 --> 00:13:57,675
♪ I'm not going outside ♪
212
00:14:17,397 --> 00:14:21,527
♪ And it takes all the breath
out of me ♪
213
00:14:22,903 --> 00:14:27,237
♪ When they cry all over
overseas ♪
214
00:14:28,408 --> 00:14:33,311
♪ When it's hot
in the poor places tonight ♪
215
00:14:33,413 --> 00:14:36,746
♪ I'm not going outside ♪
216
00:14:38,719 --> 00:14:42,211
♪ It's hot in the poor places
tonight ♪
217
00:14:44,224 --> 00:14:47,990
♪ I'm not going outside ♪
218
00:14:49,563 --> 00:14:52,862
♪ I'm not going outside ♪
219
00:14:54,968 --> 00:14:58,335
♪ I'm not going outside ♪
220
00:15:33,440 --> 00:15:37,900
Yankee... Hotel... Foxtrot...
221
00:15:39,413 --> 00:15:43,713
Yankee... Hotel... Foxtrot...
222
00:15:45,018 --> 00:15:49,717
Yankee... Hotel... Foxtrot...
223
00:16:06,340 --> 00:16:07,364
Hey.
224
00:16:07,474 --> 00:16:09,908
How you doing, man?
Good to see you.
225
00:16:10,010 --> 00:16:12,410
Now, the Latin voice.
226
00:16:12,512 --> 00:16:14,707
We're going to do something
with Jeff Tweedy,
227
00:16:14,815 --> 00:16:16,749
who plays rock 'n' roll.
228
00:16:16,850 --> 00:16:19,751
♪ One, two, three,
one, two, three ♪
229
00:16:19,853 --> 00:16:22,481
♪ Gonna rock and... ♪
230
00:16:22,589 --> 00:16:25,820
So, with the community
that you are doing now,
231
00:16:25,926 --> 00:16:29,293
did you play music, uh...
porque...
232
00:16:29,396 --> 00:16:32,126
Do you think
that your music, uh,
233
00:16:32,232 --> 00:16:35,531
reaches out to children who
don't have a fighting chance?
234
00:16:37,037 --> 00:16:38,265
Um...
235
00:16:38,372 --> 00:16:42,775
♪ The rolling perfume
in the night ♪
236
00:16:42,876 --> 00:16:47,472
♪ It's not even half as nice
as you ♪
237
00:16:47,581 --> 00:16:51,881
♪ Set my sights
on one whispery kiss ♪
238
00:16:51,985 --> 00:16:52,985
I'll sign that.
239
00:16:53,053 --> 00:16:55,954
If you know how to spell
"Simón"... go for it.
240
00:16:56,056 --> 00:16:58,957
S-I-M-O-N-E?
241
00:16:59,059 --> 00:17:01,289
That sounds like right, yeah.
242
00:17:01,395 --> 00:17:02,987
"Real pal"...
243
00:17:06,800 --> 00:17:10,031
Do your record... My...
I have an idea.
244
00:17:10,137 --> 00:17:13,197
Does it come out on...
compact disc?
245
00:17:13,306 --> 00:17:14,432
Mm-hmm.
246
00:17:16,209 --> 00:17:20,111
♪ I dreamed about killing you
again last night ♪
247
00:17:20,213 --> 00:17:23,671
♪ And it felt all right to me ♪
248
00:17:25,552 --> 00:17:29,955
♪ Dying on the banks
of Embarcadero skies ♪
249
00:17:30,056 --> 00:17:34,322
♪ Sat and watched you bleed ♪
250
00:17:34,428 --> 00:17:36,896
Let's just do a lot
of good crowd control tonight
251
00:17:36,997 --> 00:17:39,158
and, you know, bring up
the whole political thing,
252
00:17:39,266 --> 00:17:40,824
just fuckin'...
253
00:17:40,934 --> 00:17:42,902
The whole thing
about women's rights,
254
00:17:43,003 --> 00:17:44,937
lesbians' rights,
and stuff like that.
255
00:17:45,038 --> 00:17:47,472
I'm gonna play to it.
I'm gonna play to the crowd.
256
00:17:47,574 --> 00:17:48,836
Cool.
257
00:17:48,942 --> 00:17:52,503
'Cause, you know, the Dow
is down about 30%, you know.
258
00:17:52,612 --> 00:17:54,170
And as soon as I looked at that,
259
00:17:54,281 --> 00:17:57,182
I just knew what kind
of position you're in and stuff.
260
00:17:57,284 --> 00:18:00,583
I've got to kiss some major ass
to, you know,
261
00:18:00,687 --> 00:18:04,179
to get it...
my portfolio back together.
262
00:18:04,291 --> 00:18:06,191
Totally. I know. I know.
263
00:18:06,293 --> 00:18:07,726
I have...
264
00:18:07,828 --> 00:18:09,728
I hear you, man. Totally.
265
00:18:09,830 --> 00:18:14,062
I totally... I canned
my stockbroker two weeks ago.
266
00:18:14,167 --> 00:18:16,397
How's the place
out in the Hamptons? Good?
267
00:18:16,503 --> 00:18:19,961
Mm, it's a fixer-upper.
I mean, the pool is shit.
268
00:18:20,073 --> 00:18:20,971
Yeah.
269
00:18:21,074 --> 00:18:23,599
Spielberg told me... He's like,
"I went over to Jeff's..."
270
00:18:23,710 --> 00:18:26,406
'Cause he knows your fuckin'
music is a big bullshit thing...
271
00:18:26,513 --> 00:18:28,811
and he was just like,
"I saw his fucking pool,"
272
00:18:28,915 --> 00:18:31,179
you know, and he was just,
uh... he's funny.
273
00:18:31,284 --> 00:18:33,275
You know, he reminds me
a lot of you.
274
00:18:33,386 --> 00:18:35,217
You are stupid.
275
00:18:37,324 --> 00:18:39,121
♪ Springtime comes ♪
276
00:18:39,226 --> 00:18:42,753
♪ And the leaves are back
on the trees again ♪
277
00:18:43,697 --> 00:18:47,428
♪ Snappers are harder to see,
my friends ♪
278
00:18:50,804 --> 00:18:53,773
♪ You're weeding out
your weekends ♪
279
00:19:00,213 --> 00:19:03,944
♪ Summer comes
and gravity undoes you ♪
280
00:19:04,050 --> 00:19:05,950
♪ You're happy because ♪
281
00:19:06,052 --> 00:19:09,613
♪ The lovely way
the sunshine bends ♪
282
00:19:11,725 --> 00:19:14,023
♪ Hiding
from your close friends ♪
283
00:19:14,127 --> 00:19:16,595
♪ Weeding out your weekends ♪
284
00:19:23,503 --> 00:19:27,371
♪ Candy left over
from Halloween ♪
285
00:19:27,474 --> 00:19:31,376
♪ The unified theory
of everything ♪
286
00:19:31,478 --> 00:19:35,539
♪ Love left over
from lovers leaving ♪
287
00:19:35,649 --> 00:19:39,949
♪ Books they all know
they're not worth reading ♪
288
00:19:42,322 --> 00:19:44,916
♪ It's not for the season ♪
289
00:19:45,992 --> 00:19:47,050
That's, uh...
290
00:19:48,662 --> 00:19:51,222
one of the new songs...
291
00:19:57,604 --> 00:20:01,335
from our upcoming Wilco record.
292
00:20:04,945 --> 00:20:08,972
They sound nothing like that
on the record.
293
00:20:11,985 --> 00:20:13,213
Poetry?
294
00:20:13,320 --> 00:20:16,050
Are you saying
that my lyrics are poetry?
295
00:20:18,325 --> 00:20:19,553
I like you.
296
00:20:24,698 --> 00:20:26,757
Here's some more... poetry
for you.
297
00:20:29,903 --> 00:20:33,304
I wanted to go out and
play some shows acoustically.
298
00:20:33,406 --> 00:20:35,237
It seemed like the good time
to do it.
299
00:20:35,342 --> 00:20:37,105
We haven't really toured
for a while.
300
00:20:37,210 --> 00:20:38,871
The record's still being made.
301
00:20:38,979 --> 00:20:41,311
And take a little break
from the record,
302
00:20:41,414 --> 00:20:43,882
go play some music,
and see how things go.
303
00:21:02,335 --> 00:21:05,736
♪ There are rows and rows
of houses ♪
304
00:21:08,675 --> 00:21:12,475
♪ With the windows
painted blue ♪
305
00:21:17,384 --> 00:21:21,684
♪ With the light from the TV ♪
306
00:21:26,226 --> 00:21:29,889
♪ Running parallel to you ♪
307
00:21:34,634 --> 00:21:38,764
♪ There is no sunken treasure ♪
308
00:21:43,643 --> 00:21:46,976
♪ Rumored to be ♪
309
00:21:50,817 --> 00:21:53,445
Jeff, do you remember Scott
from Reprise?
310
00:21:53,553 --> 00:21:54,611
Yeah.
How you doing?
311
00:21:54,721 --> 00:21:55,949
Hey, great job, man.
312
00:21:56,056 --> 00:21:57,250
Well, thanks. Thanks.
313
00:21:57,357 --> 00:21:58,585
You know my friend Sarah?
314
00:21:58,692 --> 00:22:00,091
- Yeah, yeah.
- Oh, excellent.
315
00:22:00,193 --> 00:22:06,098
♪ In a sea ♪
316
00:22:08,401 --> 00:22:10,767
♪ Black with ink ♪
317
00:22:10,870 --> 00:22:12,428
Nice to meet you.
I work at WEA.
318
00:22:12,539 --> 00:22:13,437
Jim.
319
00:22:13,540 --> 00:22:14,540
That was great.
320
00:22:14,574 --> 00:22:16,439
This is the whole
WEA contingent... Mitch.
321
00:22:16,543 --> 00:22:17,441
Mitch? All right.
322
00:22:17,544 --> 00:22:19,102
All WEA folks?
323
00:22:19,212 --> 00:22:20,679
Not all of them.
324
00:22:20,780 --> 00:22:23,681
Hoyt... Last Record Store,
Santa Rosa, California.
325
00:22:23,783 --> 00:22:25,751
- Pushing Wilco all the way.
- All right.
326
00:22:25,852 --> 00:22:27,649
♪ Try to fold it over ♪
327
00:22:30,757 --> 00:22:34,056
♪ If I had a boat ♪
328
00:22:39,032 --> 00:22:47,032
♪ I'd probably... ♪
329
00:22:47,373 --> 00:22:49,307
♪ Roll over ♪
330
00:22:49,409 --> 00:22:51,809
Hey, is the new record
more like...
331
00:22:51,911 --> 00:22:53,640
Is it gonna be
more like "A.M.,"
332
00:22:53,747 --> 00:22:57,308
or is it gonna be more like...
"Summer Teeth"?
333
00:22:57,417 --> 00:23:00,580
Uh, it's really not
that much like
334
00:23:00,687 --> 00:23:02,951
either one of those records,
I don't think, so...
335
00:23:03,056 --> 00:23:04,956
Ooh. Really?
336
00:23:05,058 --> 00:23:08,653
♪ Surely there is somebody ♪
337
00:23:11,865 --> 00:23:16,632
♪ Who needs ♪
338
00:23:18,905 --> 00:23:21,669
It sounded like it was
a trip-hop album or something.
339
00:23:21,775 --> 00:23:23,675
There were tape loops
and samples and...
340
00:23:23,777 --> 00:23:27,144
There are those things, but it's
not like a trip-hop record.
341
00:23:27,247 --> 00:23:28,771
Tricky.
342
00:23:28,882 --> 00:23:31,248
♪ I am so ♪
343
00:23:33,286 --> 00:23:35,754
♪ I am so ♪
344
00:23:37,457 --> 00:23:39,925
♪ Out of tune ♪
345
00:23:46,132 --> 00:23:48,362
♪ I am so ♪
346
00:23:50,970 --> 00:23:53,666
♪ Out of tune ♪
347
00:23:55,141 --> 00:23:57,609
♪ With you ♪
348
00:24:02,482 --> 00:24:05,610
I'm happy with it,
and we're almost done with it,
349
00:24:05,718 --> 00:24:09,017
so, uh, you just have to wait
another month or so.
350
00:24:09,122 --> 00:24:10,680
A month or two months.
351
00:24:10,790 --> 00:24:13,350
And you guys are gonna tour
on that straightaway, then?
352
00:24:13,459 --> 00:24:15,859
Maybe.
I don't know.
353
00:24:15,962 --> 00:24:18,487
Well, hopefully it'll come out
in July.
354
00:24:18,598 --> 00:24:21,761
It's, um...
355
00:24:21,868 --> 00:24:26,271
it's got a lot of the drums
and holes...
356
00:24:26,372 --> 00:24:29,603
and holes in the songs in it.
357
00:24:29,709 --> 00:24:31,438
That's...
358
00:24:32,712 --> 00:24:35,272
So you're like...
Is Courtney Love in there?
359
00:24:35,381 --> 00:24:36,439
No.
360
00:24:38,218 --> 00:24:39,776
Sorry.
361
00:24:39,886 --> 00:24:42,116
A lot of big, open spaces
362
00:24:42,222 --> 00:24:47,023
between what's supposed to be,
like... the music part.
363
00:24:48,228 --> 00:24:50,458
I don't know. I'm gone.
364
00:25:03,276 --> 00:25:09,237
♪ We all return ♪
365
00:25:11,951 --> 00:25:15,250
♪ Music is my savior ♪
366
00:25:19,993 --> 00:25:22,791
♪ I was maimed
by rock 'n roll ♪
367
00:25:26,900 --> 00:25:31,200
♪ I got my name ♪
368
00:25:35,275 --> 00:25:38,472
♪ From rock 'n roll ♪
369
00:25:58,765 --> 00:26:00,357
Uh, it's Jeff.
370
00:26:06,606 --> 00:26:07,504
Cool?
371
00:26:07,607 --> 00:26:08,835
- Yeah, it seems fine.
- Great.
372
00:26:08,942 --> 00:26:11,433
That's exactly the mix
you'll have out there.
373
00:26:15,748 --> 00:26:20,310
♪ How can I convince you
it's me I don't like ♪
374
00:26:20,420 --> 00:26:24,982
♪ And not be so indifferent
to the look in your eyes ♪
375
00:26:25,091 --> 00:26:27,651
♪ When I've always been
distant ♪
376
00:26:27,760 --> 00:26:32,060
♪ And I've always told lies
for love? ♪
377
00:26:35,101 --> 00:26:40,334
♪ I know this isn't what
you were wanting me to say ♪
378
00:26:40,440 --> 00:26:44,843
♪ How can I be closer
and get further away ♪
379
00:26:44,944 --> 00:26:51,577
♪ From the truth that proves
it's beautiful to lie? ♪
380
00:26:55,021 --> 00:27:02,689
♪ I've got reservations ♪
381
00:27:04,263 --> 00:27:07,323
♪ About so many things ♪
382
00:27:07,433 --> 00:27:11,301
♪ But not about you ♪
383
00:27:11,404 --> 00:27:12,962
And then maybe...
384
00:27:25,151 --> 00:27:26,709
Something... I don't know.
385
00:27:26,819 --> 00:27:28,047
You know, it's...
386
00:27:28,154 --> 00:27:29,052
Sure.
387
00:27:29,155 --> 00:27:30,315
Yeah.
388
00:27:30,423 --> 00:27:31,822
It's only a single.
389
00:27:31,924 --> 00:27:33,482
It's the first time,
where he goes,
390
00:27:33,593 --> 00:27:36,027
♪ I got a reservation... ♪
391
00:27:36,129 --> 00:27:38,654
Yeah. Yeah, the first one is
the double one.
392
00:27:47,774 --> 00:27:49,571
Okay.
393
00:27:56,749 --> 00:27:58,979
I think
he's gonna stay away from...
394
00:27:59,085 --> 00:28:00,814
What's that?
395
00:28:00,920 --> 00:28:05,823
Uh, I guess the next...
four or five days.
396
00:28:07,960 --> 00:28:09,518
Yeah. We're mixing.
397
00:28:10,730 --> 00:28:12,459
I'm not at the loft.
398
00:28:12,565 --> 00:28:15,033
I'm at the studio.
399
00:28:16,969 --> 00:28:18,266
Tony's here.
400
00:28:18,371 --> 00:28:20,737
♪ I... ♪
401
00:28:20,840 --> 00:28:22,068
All right.
402
00:28:22,175 --> 00:28:27,078
♪ ... got a reservation ♪
403
00:28:27,180 --> 00:28:28,738
All right.
404
00:28:28,848 --> 00:28:31,976
Well, I'll call you later.
405
00:28:37,090 --> 00:28:38,557
Pajama day?
406
00:28:44,997 --> 00:28:47,397
This is, like,
this is the record
407
00:28:47,500 --> 00:28:50,901
that needs to take the band
to another level.
408
00:28:51,003 --> 00:28:52,800
If that didn't happen,
409
00:28:52,905 --> 00:28:56,807
it would be a tragic sort
of missed opportunity
410
00:28:56,909 --> 00:28:59,309
and that it would damage
the band.
411
00:29:02,081 --> 00:29:05,847
I think every record I've
ever made, somebody has said,
412
00:29:05,952 --> 00:29:07,852
"This is the big one."
413
00:29:07,954 --> 00:29:09,683
"You guys are gonna be huge."
414
00:29:09,789 --> 00:29:13,520
And when I saw the reality
of the situation,
415
00:29:13,626 --> 00:29:16,026
I felt a little dumb
for believing it.
416
00:29:17,530 --> 00:29:19,691
♪ Make no difference
ever known ♪
417
00:29:19,799 --> 00:29:22,359
♪ Make no difference
ever known to me ♪
418
00:29:22,468 --> 00:29:24,834
We do have a new A&R guy, Mio,
419
00:29:24,937 --> 00:29:27,997
who's really, like, younger
and cooler than our last guy.
420
00:29:28,107 --> 00:29:29,165
So who knows?
421
00:29:29,275 --> 00:29:32,142
Maybe he'll come in
and say something really cool.
422
00:29:32,245 --> 00:29:33,303
Maybe he'll be great.
423
00:29:33,412 --> 00:29:35,209
♪ I'm the man who loves you ♪
424
00:29:37,583 --> 00:29:39,642
♪ I'm the man who loves you ♪
425
00:29:39,752 --> 00:29:40,810
I think this sounds great.
426
00:29:40,920 --> 00:29:42,182
Yeah. It's a song.
427
00:29:42,288 --> 00:29:44,415
Do you want to hear
the new one again?
428
00:29:44,524 --> 00:29:46,287
Can you guys tell me what it is
429
00:29:46,392 --> 00:29:49,122
about the drum sounds on this
that's not happening?
430
00:29:49,228 --> 00:29:51,128
You said you can't get
a good snare sound?
431
00:29:51,230 --> 00:29:53,630
You can't brighten them up.
432
00:29:53,733 --> 00:29:56,600
I think that's
what's kind of cool about it.
433
00:29:56,702 --> 00:29:58,169
They're murky-sounding,
you know?
434
00:29:58,271 --> 00:30:00,671
- This is all you can get out of them.
- I think it's great.
435
00:30:00,773 --> 00:30:02,673
If the overall song
feels good to you,
436
00:30:02,775 --> 00:30:03,969
you're gonna fall in love
437
00:30:04,076 --> 00:30:06,306
with the little parts of it
that are fucked up.
438
00:30:06,412 --> 00:30:08,903
To sum up what I'm thinking...
439
00:30:09,015 --> 00:30:11,055
- You can't change one piece of the puzzle.
- Right.
440
00:30:11,083 --> 00:30:13,916
I don't think well-defined,
bright drums
441
00:30:14,020 --> 00:30:15,920
with presence and definition
442
00:30:16,022 --> 00:30:18,889
would serve the feel
of that song.
443
00:30:18,991 --> 00:30:21,551
You know,
it's a $150-an-hour argument,
444
00:30:21,661 --> 00:30:22,719
but that's okay.
445
00:30:24,797 --> 00:30:26,424
Whatever they lack
446
00:30:26,532 --> 00:30:29,467
I say are actually a virtue
in this cut.
447
00:30:29,569 --> 00:30:34,871
If we go with this new one,
there is more redoing than...
448
00:30:34,974 --> 00:30:37,909
Jeff thought before he left,
for instance.
449
00:30:38,010 --> 00:30:40,240
What is coming up right now
is exactly what came up
450
00:30:40,346 --> 00:30:42,371
when I first started talking
to Jeff about it,
451
00:30:42,481 --> 00:30:47,214
which was, "I think this
does create a domino effect."
452
00:30:47,320 --> 00:30:50,118
Did anyone have any problem
with this song
453
00:30:50,223 --> 00:30:54,091
- until last night when you tried to EQ. The snare?
- Yes. Absolutely. Always.
454
00:30:54,193 --> 00:30:56,024
Always since day one.
455
00:30:56,128 --> 00:30:59,620
Maybe we should mix stuff
that we know is done.
456
00:30:59,732 --> 00:31:01,290
There is no fucking pressure,
man.
457
00:31:01,400 --> 00:31:03,698
This is day two in the studio
for this record.
458
00:31:03,803 --> 00:31:04,861
- Three.
- Three. Okay.
459
00:31:06,138 --> 00:31:09,107
There's still no pressure.
460
00:31:09,208 --> 00:31:10,766
I just know if we mix
both of these,
461
00:31:10,876 --> 00:31:12,434
we're gonna go,
"Neither one's it."
462
00:31:12,545 --> 00:31:13,705
I just know it.
463
00:31:13,813 --> 00:31:15,542
I think it'd be great
if we just mixed
464
00:31:15,648 --> 00:31:17,275
and leave all tracking
for the loft.
465
00:31:17,383 --> 00:31:18,611
Honestly.
466
00:31:18,718 --> 00:31:20,117
Jeff's on his way down.
467
00:31:20,219 --> 00:31:21,777
Oh, his... Alert the media.
468
00:31:21,887 --> 00:31:23,184
Has he...
469
00:31:23,289 --> 00:31:25,689
Has he been... Was he alerted
to the situation?
470
00:31:25,791 --> 00:31:27,725
No. He just called
for a status report.
471
00:31:27,827 --> 00:31:30,057
Oh, and you said,
"Status not good."
472
00:31:30,162 --> 00:31:33,859
We had a little bit
of a work stoppage...
473
00:31:33,966 --> 00:31:37,561
a grinding... grinding to
a halt, like, "Well, hold on.
474
00:31:37,670 --> 00:31:40,264
What exactly is the dynamic-
How are we supposed to do this?"
475
00:31:40,406 --> 00:31:44,001
Sort of like really readjusting
to how things are gonna work
476
00:31:44,110 --> 00:31:46,010
when we're in
a different environment
477
00:31:46,112 --> 00:31:50,173
from our luxurious...
little dreamworld.
478
00:31:50,283 --> 00:31:53,684
We're spending $1,000 a day
to be here.
479
00:31:53,786 --> 00:31:56,346
Anytime we get stumped
from here on out,
480
00:31:56,455 --> 00:31:58,355
we should just... move on.
481
00:31:58,457 --> 00:32:00,391
That's what we're deciding.
482
00:32:00,493 --> 00:32:03,189
I think we've all
kind of decided that.
483
00:32:03,296 --> 00:32:05,093
Like, I don't want to
mix them both.
484
00:32:05,197 --> 00:32:07,859
At the same time, I don't want
to get too hung up on this.
485
00:32:07,967 --> 00:32:10,197
It's an important decision.
486
00:32:10,303 --> 00:32:13,363
Oops. We happened to make it
the day we were here.
487
00:32:13,472 --> 00:32:14,871
Or not make it.
488
00:32:14,974 --> 00:32:16,874
You know, whatever.
Let's move on.
489
00:32:16,976 --> 00:32:20,275
You know, we've spent $1,000
in stupider ways in this band.
490
00:32:20,379 --> 00:32:23,610
Like all that blow in Amsterdam.
That was...
491
00:32:23,716 --> 00:32:25,707
Well, I must have missed out on that.
492
00:32:26,385 --> 00:32:29,320
There's more pressure on Jeff,
493
00:32:29,422 --> 00:32:34,951
you know, externally
and self-imposed, I think.
494
00:32:35,061 --> 00:32:42,331
He is aware that the success
or failure...
495
00:32:42,435 --> 00:32:45,302
artistically, primarily,
of the record
496
00:32:45,404 --> 00:32:47,463
reflects mostly on him.
497
00:32:55,915 --> 00:32:57,940
Cut to the real mix
to "Heavy Metal Drummer."
498
00:32:58,050 --> 00:32:59,108
Why couldn't we do that
499
00:32:59,218 --> 00:33:01,379
when we're mixing
"Heavy Metal Drummer"?
500
00:33:01,487 --> 00:33:03,387
Well, why not do it now?
501
00:33:03,489 --> 00:33:05,252
Because we got to go off-line,
502
00:33:05,358 --> 00:33:08,555
unmute everything to find out
what track that thing's on.
503
00:33:08,661 --> 00:33:11,391
Can't you just look and see
what track it comes up on?
504
00:33:11,497 --> 00:33:12,395
Yeah.
505
00:33:12,498 --> 00:33:15,331
But I don't know
if it's just one track or two
506
00:33:15,434 --> 00:33:17,265
or what part of the kit it is.
507
00:33:17,370 --> 00:33:19,031
Okay, how would we do it...
508
00:33:19,138 --> 00:33:21,698
How would we overlap it
mixing it separately?
509
00:33:21,807 --> 00:33:23,206
We'd just say the orchestra
510
00:33:23,309 --> 00:33:25,709
at the top of
"Heavy Metal Drummer" is there.
511
00:33:25,811 --> 00:33:28,245
It wouldn't have to be a,
like, mastering thing?
512
00:33:28,347 --> 00:33:31,544
Well, no, 'cause the orchestra
is in "Heavy Metal Drummer"...
513
00:33:31,650 --> 00:33:33,379
in the top
of "Heavy Metal Drummer."
514
00:33:33,486 --> 00:33:36,387
But it seems...
That seems backwards to me.
515
00:33:36,489 --> 00:33:39,219
Why not mix it
up to the cut point
516
00:33:39,325 --> 00:33:42,590
instead of trying to mix
the other one
517
00:33:42,695 --> 00:33:45,755
from a new starting point?
518
00:33:45,865 --> 00:33:49,028
Why not mix it...
mix it to the edit?
519
00:33:50,336 --> 00:33:51,462
Do you know what I mean?
520
00:33:51,570 --> 00:33:54,130
Instead of, like,
making a new edit for the...
521
00:33:54,240 --> 00:33:55,969
when we mix
"Heavy Metal Drummer."
522
00:33:56,075 --> 00:33:57,269
All right. I guess...
523
00:33:57,376 --> 00:33:58,809
I- I... to me,
it's the exact...
524
00:33:58,911 --> 00:34:01,345
There's...
It's the exact same thing.
525
00:34:01,447 --> 00:34:04,848
You mix one up to here, or you
start the other mix here.
526
00:34:04,950 --> 00:34:06,850
Mix, start.
527
00:34:08,821 --> 00:34:10,049
Right there.
528
00:34:10,156 --> 00:34:11,885
All right.
529
00:34:11,991 --> 00:34:14,050
I didn't know
that you wanted it to sound
530
00:34:14,160 --> 00:34:15,923
exactly like it does here.
531
00:34:16,028 --> 00:34:18,997
I thought you wanted it to be
the noise going over
532
00:34:19,098 --> 00:34:22,067
whatever was really on
"Heavy Metal Drummer" there.
533
00:34:22,168 --> 00:34:25,695
I don't want the orchestra to go
into "Heavy Metal Drummer."
534
00:34:25,805 --> 00:34:26,999
It cuts right there.
535
00:34:27,106 --> 00:34:28,300
Right. And I...
536
00:34:28,407 --> 00:34:30,307
Okay, okay.
Let me try to explain myself.
537
00:34:30,409 --> 00:34:32,673
Um... what I...
I didn't know that...
538
00:34:32,778 --> 00:34:35,008
This is taking a lot longer
than doing one mute.
539
00:34:35,114 --> 00:34:37,446
I know, but can I explain
myself, please?
540
00:34:37,550 --> 00:34:38,949
I didn't know until now
541
00:34:39,051 --> 00:34:41,815
that you wanted it to start
with a little kit...
542
00:34:43,923 --> 00:34:44,981
Big kit.
543
00:34:45,090 --> 00:34:46,614
Well, we can do it both ways.
544
00:34:46,725 --> 00:34:48,352
No, I don't...
I don't give a shit.
545
00:34:48,461 --> 00:34:49,461
You just... I just...
546
00:34:49,528 --> 00:34:51,257
You misunderstood
what I was saying.
547
00:34:51,363 --> 00:34:56,266
I- I assumed, apparently wrong,
that it was noise
548
00:34:56,368 --> 00:34:58,427
until "Heavy Metal Drummer"
started.
549
00:34:58,537 --> 00:35:01,563
But now I understand
that it's orchestra
550
00:35:01,674 --> 00:35:05,166
until a subset of
"Heavy Metal Drummer" starts,
551
00:35:05,277 --> 00:35:07,472
then, two measures later,
552
00:35:07,580 --> 00:35:09,980
"Heavy Metal Drummer"
really starts, right?
553
00:35:10,082 --> 00:35:11,743
- Sure.
- Okay. I didn't know that.
554
00:35:11,851 --> 00:35:14,251
I thought we were just saying,
"Hey, that would be cool
555
00:35:14,353 --> 00:35:16,617
if the noise went right up to
'Heavy Metal Drummer. "'
556
00:35:16,722 --> 00:35:18,280
Does that make sense?
557
00:35:18,390 --> 00:35:20,221
Well, whatever.
I don't know.
558
00:35:20,326 --> 00:35:22,089
I don't know
what the problem is.
559
00:35:22,194 --> 00:35:23,559
I don't.
560
00:35:23,662 --> 00:35:25,994
I just want you to understand
me, like understand...
561
00:35:26,098 --> 00:35:27,098
Why is that so important?
562
00:35:27,166 --> 00:35:29,134
I don't have to understand you
all the time.
563
00:35:29,235 --> 00:35:30,793
It's okay.
564
00:35:30,903 --> 00:35:34,805
Like, we found it, and...
and we can do it.
565
00:35:34,907 --> 00:35:36,101
Okay.
566
00:35:36,208 --> 00:35:38,972
It... It seems to me
like you're making a-a big deal
567
00:35:39,078 --> 00:35:40,477
out of not wanting...
568
00:35:40,579 --> 00:35:42,638
Not wanting to... Okay.
569
00:35:42,748 --> 00:35:44,841
I've just been sitting here
trying...
570
00:35:44,950 --> 00:35:47,851
I've been listening to you
explain yourself.
571
00:35:47,953 --> 00:35:49,352
And do you understand it?
572
00:35:49,455 --> 00:35:51,082
Sure. I understand it.
573
00:35:51,190 --> 00:35:52,555
Why couldn't you just say,
574
00:35:52,658 --> 00:35:54,626
"I understand
what you're saying"?
575
00:35:54,727 --> 00:35:55,727
I did.
576
00:35:57,730 --> 00:35:58,890
Two seconds ago, you said,
577
00:35:58,998 --> 00:36:01,091
"Why is it so important
that I understand you?"
578
00:36:01,200 --> 00:36:02,599
Well, because it doesn't seem
579
00:36:02,701 --> 00:36:04,601
like you were gonna let me
understand you.
580
00:36:04,703 --> 00:36:06,603
You were gonna have to
explain it to me
581
00:36:06,705 --> 00:36:08,570
again and again and again.
582
00:36:08,674 --> 00:36:12,633
♪ Who will rock the cradle,
who will sing the song? ♪
583
00:36:12,745 --> 00:36:15,475
♪ Who will rock the cradles
when I'm gone? ♪
584
00:36:15,581 --> 00:36:18,243
♪ Who will rock the cradle
when I'm gone? ♪
585
00:36:18,350 --> 00:36:21,615
♪ I will rock the cradle,
I will sing the song ♪
586
00:36:21,720 --> 00:36:25,451
♪ I will rock the cradle
when you're gone ♪
587
00:36:25,558 --> 00:36:28,186
I think I'm gonna go throw up.
588
00:36:41,407 --> 00:36:44,968
♪ Done all I can do
and I've said all I can say ♪
589
00:36:45,077 --> 00:36:47,637
♪ I'll tell it to your mother
next payday ♪
590
00:36:47,746 --> 00:36:50,806
♪ I'll tell it to your mother
next payday ♪
591
00:37:00,125 --> 00:37:03,185
♪ I've got no sugar baby now ♪
592
00:37:03,295 --> 00:37:07,356
♪ I've said all I can say
and I've done all I can do ♪
593
00:37:07,466 --> 00:37:09,832
♪ I can't get along with you ♪
594
00:37:09,935 --> 00:37:11,664
Because of the medication?
595
00:37:11,770 --> 00:37:12,668
No.
596
00:37:12,771 --> 00:37:15,501
I just throw up all the time
when I have migraines.
597
00:37:15,608 --> 00:37:18,839
When I was a kid, I threw up...
598
00:37:18,944 --> 00:37:22,277
I used to throw up
like 30 times in a night
599
00:37:22,381 --> 00:37:25,748
and get put in the hospital
for dehydration.
600
00:37:25,851 --> 00:37:29,412
♪ Who will rock the cradle,
who will sing the song? ♪
601
00:37:29,521 --> 00:37:32,581
That feels better.
602
00:37:32,691 --> 00:37:35,421
You're right. It's six of one,
half-dozen of the other.
603
00:37:35,527 --> 00:37:36,653
I'm sorry.
604
00:37:36,762 --> 00:37:39,026
Yeah, I-I guess
I wasn't explaining myself...
605
00:37:39,131 --> 00:37:41,964
See, now we have to do
all our outro mutes
606
00:37:42,067 --> 00:37:43,159
on everything else.
607
00:37:43,268 --> 00:37:44,326
Why?
608
00:37:46,271 --> 00:37:48,739
Well, because we have
a bunch of other things open.
609
00:37:48,841 --> 00:37:50,900
I mean, it just cuts
right there.
610
00:37:51,010 --> 00:37:52,739
No, but up to there.
You know what I mean?
611
00:37:52,845 --> 00:37:54,073
- Oh, right.
- Up to there.
612
00:37:54,179 --> 00:37:56,340
Well, we would have had to
do that anyway.
613
00:37:56,448 --> 00:37:58,439
Yeah, some of that
we would have, yeah.
614
00:37:58,550 --> 00:37:59,949
But I was... I was... Yeah.
615
00:38:00,052 --> 00:38:01,451
I was just thinking it'd be...
616
00:38:01,553 --> 00:38:03,646
We'd just start
"Heavy Metal Drummer" that way
617
00:38:03,756 --> 00:38:05,485
was what I was thinking,
you know?
618
00:38:14,700 --> 00:38:17,294
I'm cool. It's...
I'm totally cool, all right?
619
00:38:17,403 --> 00:38:18,461
It's over.
620
00:38:18,570 --> 00:38:20,663
Right now, um,
621
00:38:20,773 --> 00:38:24,539
Reprise Records is in
a pretty serious state of flux,
622
00:38:24,643 --> 00:38:26,634
which I'm a bit nervous about.
623
00:38:26,745 --> 00:38:29,373
I mean, I'm not worried about
the record not coming out.
624
00:38:29,481 --> 00:38:30,778
The record will come out,
625
00:38:30,883 --> 00:38:33,613
but you don't know
whether we're gonna be getting
626
00:38:33,719 --> 00:38:36,279
the... same sort of enthusiasm
627
00:38:36,388 --> 00:38:38,413
out of whoever
the replacement person is.
628
00:38:38,524 --> 00:38:40,048
It's just a mystery.
629
00:38:40,693 --> 00:38:43,958
What about "Must be High"
or "Casino Queen"?
630
00:38:44,063 --> 00:38:45,291
Nah.
631
00:38:45,397 --> 00:38:47,695
I'm just thinking
in terms of rockers, man.
632
00:38:47,800 --> 00:38:48,994
Yeah.
633
00:38:49,101 --> 00:38:51,569
If we got easy rockers,
we should probably...
634
00:38:51,670 --> 00:38:53,604
I don't want to
do that anymore, man.
635
00:38:53,706 --> 00:38:55,936
You don't want to rock?
636
00:38:56,041 --> 00:38:57,941
No, I don't want to
just fall back
637
00:38:58,043 --> 00:38:59,601
on a bunch of easy rockers.
638
00:38:59,712 --> 00:39:02,272
No, I'm just thinking
with four days to practice
639
00:39:02,381 --> 00:39:03,439
and four shows.
640
00:39:14,393 --> 00:39:17,954
♪ Why, I wonder,
is my heart full of holes ♪
641
00:39:20,999 --> 00:39:25,902
♪ And the feeling goes
but my hair keeps growing ♪
642
00:39:28,607 --> 00:39:33,909
♪ Will I set the sun ♪
643
00:39:34,012 --> 00:39:37,413
♪ On a big-wheeled wagon? ♪
644
00:39:37,516 --> 00:39:39,416
♪ I'm bragging ♪
645
00:39:39,518 --> 00:39:41,713
♪ I'm always in love ♪
646
00:39:48,660 --> 00:39:52,653
♪ When I let go
of your throat-sweet throttle ♪
647
00:39:56,201 --> 00:40:00,467
♪ Clean the lash
of your black-belt model ♪
648
00:40:03,075 --> 00:40:06,909
♪ Will I catch the moon ♪
649
00:40:08,413 --> 00:40:12,076
♪ Like a bird in a cage ♪
650
00:40:12,184 --> 00:40:14,152
♪ It's for you I swoon ♪
651
00:40:14,253 --> 00:40:16,380
♪ I'm always in love ♪
652
00:40:23,028 --> 00:40:27,590
♪ I don't get the connection ♪
653
00:40:27,699 --> 00:40:31,260
♪ This is only a test ♪
654
00:40:31,370 --> 00:40:35,329
♪ I hope I do my best ♪
655
00:40:35,440 --> 00:40:37,635
♪ You know I won't forget ♪
656
00:40:54,092 --> 00:40:57,994
♪ Fold the cold
in my jet-lag palm ♪
657
00:41:01,700 --> 00:41:06,137
♪ And I soak so long
I forget my mother ♪
658
00:41:09,208 --> 00:41:14,475
♪ Will I set the sun ♪
659
00:41:14,580 --> 00:41:18,016
♪ On a big-wheeled wagon? ♪
660
00:41:18,116 --> 00:41:20,016
♪ I'm bragging ♪
661
00:41:20,118 --> 00:41:22,746
♪ I'm always in love ♪
662
00:41:25,591 --> 00:41:27,821
♪ Drag I sang ♪
663
00:41:27,926 --> 00:41:29,826
♪ I'm always in love ♪
664
00:41:29,928 --> 00:41:33,364
♪ Ooh, ooh, ooh, ooh, ooh,
ooh, ooh, ooh, ooh ♪
665
00:41:33,465 --> 00:41:35,695
♪ I'm worried ♪
666
00:41:35,801 --> 00:41:38,429
♪ I'm always in love ♪
667
00:41:45,911 --> 00:41:47,811
♪ I'm worried ♪
668
00:41:47,913 --> 00:41:49,813
♪ I'm worried ♪
669
00:41:49,915 --> 00:41:51,507
♪ I'm worried ♪
670
00:41:51,617 --> 00:41:53,517
♪ I'm always in love ♪
671
00:41:53,619 --> 00:41:55,519
♪ I'm worried ♪
672
00:41:55,621 --> 00:41:57,521
♪ I'm worried ♪
673
00:41:57,623 --> 00:41:59,022
♪ I'm worried ♪
674
00:41:59,124 --> 00:42:01,422
♪ I'm always in love ♪
675
00:42:01,526 --> 00:42:03,221
♪ I'm worried ♪
676
00:42:03,328 --> 00:42:05,125
♪ I'm worried ♪
677
00:42:05,230 --> 00:42:06,595
♪ I'm worried ♪
678
00:42:06,698 --> 00:42:09,292
♪ I'm always in love ♪
679
00:42:09,401 --> 00:42:10,959
♪ I'm worried ♪
680
00:42:11,069 --> 00:42:12,969
♪ I'm worried ♪
681
00:42:13,071 --> 00:42:16,472
♪ I'm worried
'cause I'm always in love ♪
682
00:42:18,243 --> 00:42:20,473
♪ Whoo-hoo, whoo-hoo-hoo ♪
683
00:42:22,114 --> 00:42:24,412
♪ Whoo-hoo, whoo-hoo-hoo ♪
684
00:42:25,517 --> 00:42:28,315
♪ Whoo-hoo, whoo-hoo-hoo ♪
685
00:42:29,554 --> 00:42:31,886
♪ Whoo-hoo, whoo-hoo-hoo ♪
686
00:42:36,828 --> 00:42:38,625
I'd go either way.
687
00:42:39,398 --> 00:42:41,332
When this record ended up
being finished,
688
00:42:41,433 --> 00:42:44,891
it actually felt fresher to me
than it had felt for months.
689
00:42:45,003 --> 00:42:50,100
After... We did a bulk of
the recording in a, you know,
690
00:42:50,208 --> 00:42:51,971
over a year or so,
691
00:42:52,077 --> 00:42:54,807
and somewhere towards the end
of that year,
692
00:42:54,913 --> 00:42:57,677
it got to be kind of nit-picking
693
00:42:57,783 --> 00:43:00,411
and going back
and retracking songs
694
00:43:00,519 --> 00:43:04,080
and knowing exactly what we were
going for... less exploratory.
695
00:43:04,189 --> 00:43:08,285
And... And that was starting
to get kind of rough
696
00:43:08,393 --> 00:43:11,021
by the time we went to CRC
to mix.
697
00:43:11,129 --> 00:43:13,029
We got bogged down
in certain things
698
00:43:13,131 --> 00:43:16,100
like, um, redoing drums or,
you know,
699
00:43:16,201 --> 00:43:19,534
certain calls that were good
that helped us later on.
700
00:43:19,638 --> 00:43:23,096
But for whatever reason, it...
it just bogged down.
701
00:43:23,208 --> 00:43:27,406
Doing the record...
the final mixes... at Soma
702
00:43:27,512 --> 00:43:31,642
and hearing them
through Jim O'Rourke's ears,
703
00:43:31,750 --> 00:43:35,151
actually hearing it with someone
704
00:43:35,253 --> 00:43:38,518
who is coming at it
with some fresh perspective
705
00:43:38,623 --> 00:43:41,683
and being able to collaborate
on the final mix
706
00:43:41,793 --> 00:43:43,260
is kind of like...
707
00:43:43,362 --> 00:43:45,956
Well, we're kind of throwing
everything out the window,
708
00:43:46,064 --> 00:43:47,793
but we're also
kind of getting back
709
00:43:47,899 --> 00:43:49,628
to what the original thing was.
710
00:43:49,735 --> 00:43:51,965
When it went to Jim
with completely fresh ears,
711
00:43:52,070 --> 00:43:53,833
he heard them
a little differently,
712
00:43:53,939 --> 00:43:56,533
and right away, as soon as we
heard how he was mixing...
713
00:43:56,641 --> 00:43:58,336
like "Trying to Break
Your Heart,"
714
00:43:58,443 --> 00:43:59,603
the first thing he mixed,
715
00:43:59,711 --> 00:44:01,736
then it was like,
"Oh. This really works."
716
00:44:01,847 --> 00:44:03,872
That's why
bands don't mix records.
717
00:44:03,982 --> 00:44:05,381
Definitely it was like a...
718
00:44:05,484 --> 00:44:08,214
It was a final stage
of collaboration.
719
00:44:08,320 --> 00:44:09,685
Like mixing the record...
720
00:44:09,788 --> 00:44:12,621
That's what I always felt like
mixing should be...
721
00:44:12,724 --> 00:44:15,818
like it should be the last stage
of, uh, of inspiration.
722
00:44:15,927 --> 00:44:17,656
I think we tried to
make it powerful,
723
00:44:17,763 --> 00:44:18,763
like with two guitars.
724
00:44:18,830 --> 00:44:21,390
Can you beef up your tone
a little, then, or something?
725
00:44:21,500 --> 00:44:22,626
- Yeah, yeah.
- Okay, okay.
726
00:44:22,734 --> 00:44:23,962
This is so steady now.
727
00:44:24,069 --> 00:44:26,401
Yeah. I thought it was
feeling great, man.
728
00:44:26,505 --> 00:44:28,234
God, I thought it felt great.
729
00:44:28,340 --> 00:44:30,399
No, I mean, we can try
the two guitars again
730
00:44:30,509 --> 00:44:31,567
if it feels too weak.
731
00:44:31,676 --> 00:44:33,473
I just think that we've tried
the two...
732
00:44:33,578 --> 00:44:35,978
I think the two-guitars thing
is, like...
733
00:44:36,081 --> 00:44:38,345
Might be obsolete, you know?
734
00:44:39,751 --> 00:44:42,276
Uh, I'm not sure what
that means, but I'll try.
735
00:44:42,387 --> 00:44:43,945
No, I just...
736
00:44:44,056 --> 00:44:45,956
It's just that it was...
What's that?
737
00:44:46,058 --> 00:44:47,685
That felt great to me.
That's all.
738
00:44:47,793 --> 00:44:49,590
It just felt fuckin' rockin',
you know?
739
00:44:50,629 --> 00:44:51,857
That's all.
740
00:45:03,008 --> 00:45:04,976
♪ Jesus, don't cry ♪
741
00:45:07,646 --> 00:45:11,377
♪ You can rely on me, honey ♪
742
00:45:11,483 --> 00:45:15,749
♪ You can combine
anything you want ♪
743
00:45:17,589 --> 00:45:20,149
♪ I'll be around ♪
744
00:45:22,527 --> 00:45:27,089
♪ You were right
about the stars ♪
745
00:45:27,199 --> 00:45:31,067
♪ Each one is a setting sun ♪
746
00:45:35,040 --> 00:45:38,009
♪ Tall buildings shake ♪
747
00:45:38,110 --> 00:45:42,012
♪ Voices escape singing sad,
sad songs ♪
748
00:45:42,114 --> 00:45:43,411
♪ Tuned to chords ♪
749
00:45:43,515 --> 00:45:45,176
♪ Strung down your cheeks ♪
750
00:45:45,283 --> 00:45:47,945
We actually officially
delivered the record...
751
00:45:48,053 --> 00:45:50,180
or sent them the final mixes
of the record.
752
00:45:50,555 --> 00:45:53,854
I must have had 50,
60 definite possibilities
753
00:45:53,959 --> 00:45:57,156
for magazine features, let alone
television appearances,
754
00:45:57,262 --> 00:45:59,492
which were starting...
Offers were coming in.
755
00:45:59,598 --> 00:46:02,465
And I just thought like, "Boy,
this is gonna be so great,
756
00:46:02,567 --> 00:46:03,795
you know, it's all set."
757
00:46:03,902 --> 00:46:06,496
I think the press has always
loved Wilco,
758
00:46:06,605 --> 00:46:08,835
but now we're gonna take it
even to another level.
759
00:46:08,940 --> 00:46:10,635
When we delivered
the record, though,
760
00:46:10,742 --> 00:46:13,142
we didn't hear from them
for like two weeks, you know?
761
00:46:13,245 --> 00:46:16,806
So we... we thought that was
probably not a good thing.
762
00:46:16,915 --> 00:46:19,213
I knew that I was sitting
on something
763
00:46:19,317 --> 00:46:21,717
that people were gonna
beat down the door to get.
764
00:46:21,820 --> 00:46:23,913
And then the advances
didn't get made.
765
00:46:24,022 --> 00:46:25,421
So June is rolling along,
766
00:46:25,524 --> 00:46:27,617
and I'm going like,
"Well, we're losing time,
767
00:46:27,726 --> 00:46:30,024
"we're losing... we're losing
people to deadlines.
768
00:46:30,128 --> 00:46:32,323
"They're not gonna be able to
cover this record
769
00:46:32,430 --> 00:46:33,829
if we don't hurry up."
770
00:46:33,932 --> 00:46:36,162
And then,
about the third week in June,
771
00:46:36,268 --> 00:46:38,498
I'd heard, "There's a problem."
772
00:46:38,603 --> 00:46:43,165
Next thing I heard was that...
773
00:46:43,275 --> 00:46:45,334
they asked us to change
the record.
774
00:46:45,443 --> 00:46:48,503
I don't know how they...
what they wanted us to change.
775
00:46:48,613 --> 00:46:53,778
And Tony told me that...
that was their response,
776
00:46:53,885 --> 00:46:56,353
and... and I told Tony
777
00:46:56,454 --> 00:46:59,355
that we weren't interested
in changing the record.
778
00:46:59,457 --> 00:47:01,516
Their A&R representative
was Mio Vuchovich,
779
00:47:01,626 --> 00:47:03,389
and what I had heard...
Like I said,
780
00:47:03,495 --> 00:47:06,191
I never talked to Wilco about
the way this chain happened,
781
00:47:06,298 --> 00:47:07,856
but what I heard from my side
782
00:47:07,966 --> 00:47:11,834
was that Mio had some ideas
about changes to the record
783
00:47:11,937 --> 00:47:15,429
or additional recording
or mixing or things like that,
784
00:47:15,540 --> 00:47:18,236
and the band had felt like,
"That's the record.
785
00:47:18,343 --> 00:47:19,776
We're finished, " you know?
786
00:47:19,878 --> 00:47:22,904
"We're not really in the mind
to make changes,
787
00:47:23,014 --> 00:47:25,676
and it's sort of
a take it or leave it."
788
00:47:25,784 --> 00:47:29,584
And I think it went up
to Mio's boss, David Kahne,
789
00:47:29,688 --> 00:47:31,883
the head of A&R
for Warner's and Reprise,
790
00:47:31,990 --> 00:47:33,548
felt like Mio was right
791
00:47:33,658 --> 00:47:35,956
and that changes
did need to be made,
792
00:47:36,061 --> 00:47:38,529
and if the band wasn't
interested in making them,
793
00:47:38,630 --> 00:47:40,860
then they should probably be
on another label.
794
00:47:40,966 --> 00:47:42,228
Next thing I heard
795
00:47:42,334 --> 00:47:45,531
was that they wanted to know
if we wanted to leave.
796
00:47:45,904 --> 00:47:48,634
Well, I just think we've been
jerked around so many times
797
00:47:48,740 --> 00:47:51,106
and that this is the ultimate
jerking-around.
798
00:47:51,209 --> 00:47:54,007
You know, like this
"We're gonna drop you" shit
799
00:47:54,112 --> 00:47:57,138
or whatever it is or
"You can get out of the deal."
800
00:47:57,249 --> 00:48:00,241
Either way you want to look
at it, it's still...
801
00:48:00,352 --> 00:48:04,379
majorly being jerked around,
and... you know,
802
00:48:04,489 --> 00:48:08,653
why should I think that things
are gonna change?
803
00:48:08,760 --> 00:48:10,489
Actually,
when Tony first told me
804
00:48:10,595 --> 00:48:12,187
that this was a possibility...
805
00:48:12,297 --> 00:48:15,095
I have to be completely
honest... it hurt my feelings.
806
00:48:15,200 --> 00:48:17,100
It's like a feeling
of rejection.
807
00:48:17,202 --> 00:48:20,228
It's got to be more than some
sort of promise of, you know,
808
00:48:20,372 --> 00:48:22,863
"We love you and we're going to
take care of you."
809
00:48:24,209 --> 00:48:26,769
Do you know what I mean?
810
00:48:26,878 --> 00:48:28,778
Because we've heard
all that before,
811
00:48:28,880 --> 00:48:32,111
and I just think that the wound
from this episode
812
00:48:32,217 --> 00:48:35,209
of making this record,
delivering the record,
813
00:48:35,320 --> 00:48:38,551
and getting, basically,
nothing but headaches in return
814
00:48:38,657 --> 00:48:41,182
is pretty deep and gonna be
pretty tough to heal,
815
00:48:41,293 --> 00:48:43,386
and you're not just dealing...
you know,
816
00:48:43,495 --> 00:48:46,191
I'm not the only person
you've got to make feel good.
817
00:48:46,298 --> 00:48:49,699
We never got too specific
818
00:48:49,801 --> 00:48:54,704
about what exactly, uh,
made them hate it.
819
00:48:54,806 --> 00:48:56,273
Okay, but I just want you...
820
00:48:56,374 --> 00:48:58,103
I want you to understand
one thing.
821
00:48:58,209 --> 00:48:59,767
This is really important.
822
00:48:59,878 --> 00:49:03,370
Right now I believe that
the best thing for the band...
823
00:49:03,481 --> 00:49:06,882
for the band... the present
and future of the band...
824
00:49:06,985 --> 00:49:09,545
is to be away
from Reprise Records.
825
00:49:09,654 --> 00:49:13,556
It was at a weird time
in the Reprise inner circle
826
00:49:13,658 --> 00:49:15,216
because Howie Klein,
827
00:49:15,327 --> 00:49:18,262
who had been president
of Reprise for a long time...
828
00:49:18,363 --> 00:49:20,297
since Reprise was reactivated...
829
00:49:20,398 --> 00:49:23,390
he'd also been at Sire
when Uncle Tupelo was on Sire
830
00:49:23,501 --> 00:49:26,698
and a big fan of the band...
had just left the label.
831
00:49:26,805 --> 00:49:30,036
In fact, I think the day that
the band turned in the record...
832
00:49:30,141 --> 00:49:32,735
the end of June...
right around then, he...
833
00:49:32,844 --> 00:49:34,402
that was his last day.
834
00:49:34,512 --> 00:49:37,948
A day or two after I retired,
I got a phone call
835
00:49:38,049 --> 00:49:41,416
from one of Wilco's many,
many, many, many fans
836
00:49:41,519 --> 00:49:42,918
at Warner Brothers...
837
00:49:43,021 --> 00:49:45,751
and that was the first
of many phone calls I got...
838
00:49:45,857 --> 00:49:47,984
telling me that Wilco
was dropped.
839
00:49:48,093 --> 00:49:52,325
I would guess that if I was an
executive at a record company...
840
00:49:52,430 --> 00:49:53,988
high-up executive.
841
00:49:54,099 --> 00:49:56,329
I don't mean the people working
in the trenches,
842
00:49:56,434 --> 00:49:58,664
but I mean the guys with,
you know,
843
00:49:58,770 --> 00:50:01,261
the gold-plated cellphones,
you know?
844
00:50:01,373 --> 00:50:04,103
If I was up there and I listened
to "Yankee Hotel Foxtrot,"
845
00:50:04,209 --> 00:50:05,608
I probably wouldn't get it.
846
00:50:05,710 --> 00:50:07,075
Why don't I get it?
847
00:50:07,178 --> 00:50:09,669
Because it doesn't tell me
exactly who it's for,
848
00:50:09,781 --> 00:50:12,079
it doesn't tell me
exactly what it's about,
849
00:50:12,183 --> 00:50:14,913
and it doesn't tell me
exactly how much it will sell.
850
00:50:15,019 --> 00:50:17,078
From what I gather, I think
851
00:50:17,188 --> 00:50:19,850
that they didn't even think
there was a single to work on.
852
00:50:19,958 --> 00:50:22,358
There's pretty stuff in there,
there's hard stuff in there,
853
00:50:22,460 --> 00:50:24,189
there's mystery in there,
there's...
854
00:50:24,295 --> 00:50:27,526
there's really sweet... tunes.
855
00:50:27,632 --> 00:50:32,035
And there's, you know,
an abrasion in there as well.
856
00:50:32,137 --> 00:50:33,536
But it's all there,
857
00:50:33,638 --> 00:50:37,699
and you really have to
kind of sit with it.
858
00:50:37,809 --> 00:50:40,607
You have to allow yourself
the time
859
00:50:40,712 --> 00:50:42,771
to get something out of it.
860
00:50:42,881 --> 00:50:46,442
There's no chance that Wilco
would have ever been dropped
861
00:50:46,551 --> 00:50:49,145
when I was president
of Reprise Records.
862
00:50:49,254 --> 00:50:52,485
We're now in a... a culture...
863
00:50:52,590 --> 00:50:54,455
not just a business,
but a culture...
864
00:50:54,559 --> 00:50:56,493
in which we expect
everything to happen
865
00:50:56,594 --> 00:50:58,152
Like that.
866
00:50:58,263 --> 00:51:00,288
You know,
you have people outside,
867
00:51:00,398 --> 00:51:02,628
standing around
talking on cellphones.
868
00:51:02,734 --> 00:51:05,066
You know, the gist
of the conversation is,
869
00:51:05,170 --> 00:51:07,434
"I'll be there
in five minutes."
870
00:51:07,539 --> 00:51:08,938
Who gives a fuck?
871
00:51:09,040 --> 00:51:10,940
Just be there in five minutes.
872
00:51:11,042 --> 00:51:12,600
Don't talk about it.
873
00:51:12,710 --> 00:51:14,439
You know, it's... You get...
874
00:51:14,546 --> 00:51:20,576
People are just so impatient,
and as a result, you know,
875
00:51:20,685 --> 00:51:23,813
we're looking at things
in ways like,
876
00:51:23,922 --> 00:51:27,153
"Well, how much time do I have
to devote to this?"
877
00:51:27,258 --> 00:51:31,217
And it's really sad because,
you know, music, art,
878
00:51:31,329 --> 00:51:34,025
literature, poetry, you know,
879
00:51:34,132 --> 00:51:37,226
even great technical...
technological inventions...
880
00:51:37,335 --> 00:51:39,803
they're not meant to be
881
00:51:39,904 --> 00:51:42,998
Done and done with that quickly.
882
00:51:43,107 --> 00:51:45,507
It was, like,
kind of just a shock
883
00:51:45,610 --> 00:51:50,138
to be, like,
slapped in the face with, um...
884
00:51:50,248 --> 00:51:52,682
um...
885
00:51:52,784 --> 00:51:59,519
this calculated world
of... international,
886
00:51:59,624 --> 00:52:01,224
multinational... whatever...
corporation.
887
00:52:02,694 --> 00:52:05,026
♪ I'd like to thank you all ♪
888
00:52:05,129 --> 00:52:07,529
♪ For nothin' ♪
889
00:52:07,632 --> 00:52:11,227
♪ I'd like to thank you all
for nothin' at all ♪
890
00:52:11,336 --> 00:52:13,634
♪ I'd like to thank you ♪
891
00:52:13,738 --> 00:52:14,796
♪ Nothin' ♪
892
00:52:14,906 --> 00:52:16,373
♪ Nothin' ♪
893
00:52:16,474 --> 00:52:17,236
♪ Nothin' ♪
894
00:52:17,342 --> 00:52:18,900
♪ Nothin' ♪
895
00:52:19,010 --> 00:52:20,170
♪ Nothin' ♪
896
00:52:20,278 --> 00:52:21,302
♪ Nothin' ♪
897
00:52:21,412 --> 00:52:22,811
♪ Nothin' ♪
898
00:52:22,914 --> 00:52:24,142
♪ Nothin' ♪
899
00:52:24,249 --> 00:52:25,477
♪ Nothin' ♪
900
00:52:25,583 --> 00:52:26,811
♪ Nothin' ♪
901
00:52:26,918 --> 00:52:28,146
♪ Nothin' ♪
902
00:52:28,253 --> 00:52:29,379
♪ Nothin' ♪
903
00:52:29,487 --> 00:52:30,715
♪ Nothin' ♪
904
00:52:30,822 --> 00:52:31,914
♪ Nothin' ♪
905
00:52:32,023 --> 00:52:33,251
♪ Nothin' ♪
906
00:52:33,358 --> 00:52:34,484
♪ Nothin' ♪
907
00:52:34,592 --> 00:52:35,752
♪ Nothin' ♪
908
00:52:35,860 --> 00:52:36,918
♪ Nothin' ♪
909
00:52:37,028 --> 00:52:38,086
♪ Nothin' ♪
910
00:52:38,196 --> 00:52:39,424
♪ Nothin' ♪
911
00:52:39,531 --> 00:52:40,691
♪ Nothin' ♪
912
00:52:40,798 --> 00:52:41,992
♪ Nothin' ♪
913
00:52:42,100 --> 00:52:43,158
♪ Nothin' ♪
914
00:52:43,268 --> 00:52:44,462
♪ Nothin' ♪
915
00:52:44,569 --> 00:52:45,797
♪ Nothin' ♪
916
00:52:45,904 --> 00:52:46,962
♪ Nothin' ♪
917
00:52:47,071 --> 00:52:48,299
♪ Nothin' ♪
918
00:52:48,406 --> 00:52:49,566
♪ Nothin' ♪
919
00:52:49,674 --> 00:52:50,800
♪ Nothin' ♪
920
00:52:50,909 --> 00:52:52,069
♪ Nothin' ♪
921
00:52:52,176 --> 00:52:53,336
♪ Nothin' ♪
922
00:52:53,444 --> 00:52:54,604
♪ Nothin' ♪
923
00:52:54,712 --> 00:52:55,872
♪ Nothin' ♪
924
00:52:55,980 --> 00:52:57,140
♪ Nothin' ♪
925
00:52:57,248 --> 00:52:58,476
♪ Nothin' ♪
926
00:52:58,583 --> 00:53:00,983
♪ Nothin' at all ♪
927
00:53:12,196 --> 00:53:16,098
I see a band here that is
really ambitious artistically.
928
00:53:16,200 --> 00:53:19,431
It's not a VH1
"Behind the Music" story.
929
00:53:19,537 --> 00:53:23,940
It's not a drugs-groupies-
celebrity kind of story at all.
930
00:53:24,042 --> 00:53:26,704
This band's story is the music.
931
00:53:26,811 --> 00:53:28,244
Twenty years from now,
932
00:53:28,346 --> 00:53:31,406
they're probably gonna get more
of their due than they are now.
933
00:53:31,516 --> 00:53:33,541
I don't think they're a band
that fits in
934
00:53:33,651 --> 00:53:36,085
with a lot of what music
gets played on the radio.
935
00:53:36,187 --> 00:53:38,917
The appreciation for its
records is going to increase
936
00:53:39,023 --> 00:53:40,490
as time goes on.
937
00:53:57,609 --> 00:54:00,669
In the making of this record,
I felt like I got no support...
938
00:54:00,778 --> 00:54:01,676
zero.
939
00:54:01,779 --> 00:54:05,010
Emotional, financial...
whatever.
940
00:54:05,116 --> 00:54:07,209
Then, at some point
in the process,
941
00:54:07,318 --> 00:54:10,776
you start asking yourself, "Why
are we... What are they doing?"
942
00:54:10,888 --> 00:54:12,287
We don't need the money.
943
00:54:12,390 --> 00:54:14,449
You know, the band can go out
and play gigs
944
00:54:14,559 --> 00:54:18,620
and make the money
to pay for the records, so...
945
00:54:18,730 --> 00:54:22,757
They're not getting the band
on the radio.
946
00:54:22,867 --> 00:54:27,668
Um... you know, it's really...
at this point, to me,
947
00:54:27,772 --> 00:54:32,106
their value is really,
really questionable to us.
948
00:55:07,645 --> 00:55:11,376
♪ I've got you
and it's all I need ♪
949
00:55:11,482 --> 00:55:15,282
♪ I've got you
and it's all I need ♪
950
00:55:15,386 --> 00:55:19,186
♪ I've got you
and it's all I need ♪
951
00:55:19,290 --> 00:55:20,917
♪ I got you ♪
952
00:55:22,927 --> 00:55:26,658
♪ I got you
and I still believe ♪
953
00:55:26,764 --> 00:55:30,165
♪ That you are all
I will ever need ♪
954
00:55:30,268 --> 00:55:31,292
♪ It's you ♪
955
00:55:34,138 --> 00:55:35,264
♪ All ♪
956
00:55:37,875 --> 00:55:42,107
♪ All the way back
in the Seventies ♪
957
00:55:42,213 --> 00:55:45,944
♪ You were my little TV queen ♪
958
00:55:46,050 --> 00:55:49,781
♪ Your Tarzan
and your friend Janine ♪
959
00:55:49,887 --> 00:55:51,684
♪ I got you ♪
960
00:55:53,725 --> 00:55:57,627
♪ I got you
and I still believe ♪
961
00:55:57,729 --> 00:56:00,789
♪ That you are all
I will ever need ♪
962
00:56:00,898 --> 00:56:02,058
♪ It's you ♪
963
00:56:04,736 --> 00:56:05,964
♪ All ♪
964
00:56:37,935 --> 00:56:41,666
♪ It's the end of the century ♪
965
00:56:41,773 --> 00:56:44,970
♪ And I can't think
of anything ♪
966
00:56:49,013 --> 00:56:51,243
♪ Except you ♪
967
00:56:52,683 --> 00:56:56,915
♪ Now it's the end
of the century ♪
968
00:56:57,021 --> 00:56:59,717
♪ And I can't think
of anything ♪
969
00:56:59,824 --> 00:57:01,314
♪ But you ♪
970
00:57:03,995 --> 00:57:05,462
♪ All ♪
971
00:57:07,832 --> 00:57:09,129
♪ All ♪
972
00:57:11,602 --> 00:57:13,069
♪ I ♪
973
00:57:15,573 --> 00:57:23,573
♪ Ne-e-e-e-ed ♪
974
00:57:46,237 --> 00:57:48,205
♪ I got you ♪
975
00:57:50,174 --> 00:57:52,642
♪ I got you, babe ♪
976
00:57:52,743 --> 00:57:55,541
♪ Whoo-hoo-hoo-hoo ♪
977
00:57:57,281 --> 00:58:00,341
♪ Whoo-hoo, hoo-hoo ♪
978
00:58:00,451 --> 00:58:02,851
Aah!
979
00:58:27,211 --> 00:58:28,940
Thanks a lot.
Have a good night.
980
00:59:04,048 --> 00:59:06,107
Good to see you, brother.
981
00:59:06,217 --> 00:59:07,946
Aw.
982
00:59:08,052 --> 00:59:09,417
Whoa, whoa, whoa.
983
00:59:09,520 --> 00:59:11,249
Wait, wait, wait, wait.
984
00:59:18,129 --> 00:59:20,757
They won't let you
just do it yourselves?
985
00:59:22,833 --> 00:59:23,891
Hoarding it, pig.
986
00:59:24,001 --> 00:59:25,901
I'm stealing the band's pizza.
987
00:59:26,003 --> 00:59:27,732
Oh, I got busted!
988
00:59:27,838 --> 00:59:29,237
I'm sorry, dude.
989
00:59:29,340 --> 00:59:31,900
- Is that cool? Is it cool?
- Does anybody have a pen?
990
00:59:37,014 --> 00:59:39,915
I don't have nothing
for you to sign!
991
00:59:40,017 --> 00:59:41,575
Tell him to sign your ass.
992
00:59:41,686 --> 00:59:43,244
I'm just kidding.
993
00:59:43,354 --> 00:59:44,753
Yeah, I can do that.
994
00:59:44,855 --> 00:59:46,254
You'll have to sign my boobs.
995
00:59:46,357 --> 00:59:48,052
Actually... Would I?
996
00:59:48,159 --> 00:59:49,854
I don't know.
I've never...
997
00:59:49,961 --> 00:59:52,521
Someone in our band
did that once, actually.
998
00:59:52,630 --> 00:59:55,428
You can sign my ass.
I have nothing else to sign.
999
00:59:55,533 --> 00:59:56,625
- Really?
- Do you wanna?
1000
00:59:56,734 --> 00:59:58,964
If you sign her ass,
you have to sign my ass.
1001
00:59:59,070 --> 01:00:01,561
And if you sign her ass,
you have to sign my ass.
1002
01:00:01,672 --> 01:00:03,833
You can sign my chest.
1003
01:00:04,205 --> 01:00:06,969
That's what Jimmy...
Oh, we saw Jimmy in the, uh...
1004
01:00:07,074 --> 01:00:09,770
- Are we on the lighting stage?
- Sound check.
1005
01:00:09,877 --> 01:00:12,539
...with Straitjackets
in the elevator last night.
1006
01:00:12,646 --> 01:00:13,943
Remember the guy who sat in...
1007
01:00:14,048 --> 01:00:15,948
- Oh. Oh, my God.
- Jimmy Lester?
1008
01:00:16,050 --> 01:00:18,109
- What?
- I'm sorry. I'm sorry.
1009
01:00:18,219 --> 01:00:19,117
This is a...
1010
01:00:19,220 --> 01:00:22,986
I met Bob from
"Sesame Street" yesterday...
1011
01:00:23,090 --> 01:00:24,148
last night.
1012
01:00:24,258 --> 01:00:25,316
- Bob?
- Oh.
1013
01:00:25,426 --> 01:00:27,326
Do you know Bob?
Does anybody know who Bob is?
1014
01:00:27,428 --> 01:00:28,668
- Yeah.
- I can't remember that.
1015
01:00:28,762 --> 01:00:30,491
- How'd you meet him?
- He was in our hotel.
1016
01:00:30,598 --> 01:00:32,828
He's doing a kids' show
right now as we speak.
1017
01:00:32,933 --> 01:00:33,933
Oh, man.
1018
01:00:34,001 --> 01:00:35,593
He's like, "Yeah, I got...
1019
01:00:35,703 --> 01:00:38,171
Big Bird's coming in tomorrow,
and we're..."
1020
01:00:39,773 --> 01:00:42,071
There's Jay right now
as we speak.
1021
01:00:43,611 --> 01:00:46,808
So also, although
it's already been blown,
1022
01:00:46,914 --> 01:00:49,439
but J.P. Asked if we could
sort of steer clear
1023
01:00:49,550 --> 01:00:51,415
of the stage for a little while.
1024
01:00:51,519 --> 01:00:52,519
Until...
1025
01:00:52,586 --> 01:00:54,144
Until sound check is over?
1026
01:00:54,255 --> 01:00:57,349
Until Jay gets, uh, done?
1027
01:00:57,458 --> 01:00:59,858
Has Jay been here since
like 6:00 in the morning?
1028
01:01:05,966 --> 01:01:09,902
Gentlemen, we have about
35 minutes to do all of this.
1029
01:01:13,507 --> 01:01:18,001
Yeah, we're going Glenn,
we're gonna go... Jay Bennett,
1030
01:01:18,112 --> 01:01:21,513
the entire keyboard world
and Jay Bennett electric rig.
1031
01:01:21,615 --> 01:01:22,877
Keep him there.
1032
01:01:22,983 --> 01:01:25,144
After Jay,
we'll do Johnny real quick,
1033
01:01:25,252 --> 01:01:27,948
Mr. Tweedy, let Leroy get
his world sussed out.
1034
01:01:28,055 --> 01:01:30,683
We're only gonna have time
to do about two songs.
1035
01:01:40,634 --> 01:01:42,363
Check. Hey, hey, hey.
1036
01:01:43,304 --> 01:01:45,204
Yeah, the delay's not working.
1037
01:01:45,306 --> 01:01:48,867
♪ You have to learn how to die ♪
1038
01:01:48,976 --> 01:01:53,106
♪ If you want to
want to be alive ♪
1039
01:01:58,018 --> 01:02:00,316
♪ You have to die ♪
1040
01:02:01,555 --> 01:02:04,183
♪ You have to die ♪
1041
01:02:07,127 --> 01:02:10,961
♪ You have to learn how to die ♪
1042
01:02:11,065 --> 01:02:14,865
♪ If you want to
want to be alive ♪
1043
01:02:38,292 --> 01:02:40,590
- Whoo!
- Whoo!
1044
01:02:50,104 --> 01:02:52,800
♪ I know we don't talk much ♪
1045
01:02:52,906 --> 01:02:54,965
♪ But you're
such a good talker ♪
1046
01:02:55,075 --> 01:02:56,474
♪ Oh, oh ♪
1047
01:02:56,577 --> 01:02:59,978
♪ Well, I know
we should take a walk ♪
1048
01:03:00,080 --> 01:03:02,048
♪ But you're
such a fast walker ♪
1049
01:03:02,149 --> 01:03:03,343
♪ Oh, oh ♪
1050
01:03:03,450 --> 01:03:04,576
♪ Well, all right ♪
1051
01:03:07,054 --> 01:03:10,023
♪ I know where I'll be tonight ♪
1052
01:03:10,124 --> 01:03:11,853
♪ All right ♪
1053
01:03:14,395 --> 01:03:17,387
♪ Outta mind, outtasite ♪
1054
01:03:17,498 --> 01:03:19,398
No, no.
John's introducing me.
1055
01:03:19,500 --> 01:03:21,092
- Oh, okay.
- And then I'll go to you.
1056
01:03:21,201 --> 01:03:22,532
- Okay.
- Okay?
1057
01:03:22,636 --> 01:03:24,596
When is the new album
actually available to people
1058
01:03:24,672 --> 01:03:25,570
to go out and buy?
1059
01:03:25,673 --> 01:03:26,901
That's a good question.
1060
01:03:27,007 --> 01:03:28,565
♪ I know you probably hate me ♪
1061
01:03:28,676 --> 01:03:30,906
♪ That's okay with me ♪
1062
01:03:31,011 --> 01:03:32,808
♪ All right ♪
1063
01:03:35,282 --> 01:03:36,840
♪ I know where I'll be tonight ♪
1064
01:03:36,950 --> 01:03:38,508
Good afternoon, good evening,
1065
01:03:38,619 --> 01:03:41,520
and happy Independence Day,
everyone.
1066
01:03:41,622 --> 01:03:43,180
Please welcome
1067
01:03:43,290 --> 01:03:48,387
one of America's most exciting
and innovative bands,
1068
01:03:48,495 --> 01:03:49,985
Wilco!
1069
01:03:54,768 --> 01:04:00,263
♪ You don't see me now-ow-ow ♪
1070
01:04:01,642 --> 01:04:08,571
♪ You don't want to any... ♪
1071
01:04:08,682 --> 01:04:10,309
♪ how-ow-ow ♪
1072
01:04:14,988 --> 01:04:16,888
♪ Well, look out ♪
1073
01:04:16,990 --> 01:04:20,824
♪ Here I come again
and I'm bringing my friends ♪
1074
01:04:22,129 --> 01:04:24,029
♪ I said look out ♪
1075
01:04:24,131 --> 01:04:25,860
♪ Here I come again ♪
1076
01:04:25,966 --> 01:04:27,866
♪ I'm bringing my friends ♪
1077
01:04:27,968 --> 01:04:29,435
♪ Okay? All right? Okay? ♪
1078
01:04:29,536 --> 01:04:31,299
♪ All right! ♪
1079
01:04:32,873 --> 01:04:35,034
♪ I know where I'll be tonight ♪
1080
01:04:36,076 --> 01:04:37,270
♪ All right ♪
1081
01:04:39,747 --> 01:04:43,308
♪ Outta mind, outtasite ♪
1082
01:04:43,417 --> 01:04:46,648
♪ Outta mind, outtasite ♪
1083
01:04:46,754 --> 01:04:51,282
♪ Outta mind, outtasite ♪
1084
01:04:51,392 --> 01:04:53,257
♪ All right! ♪
1085
01:05:00,968 --> 01:05:03,368
Show some gratitude!
1086
01:05:18,685 --> 01:05:20,050
Let's talk about Jay.
1087
01:05:20,154 --> 01:05:22,782
All right. I probably
won't have much to say.
1088
01:05:22,890 --> 01:05:24,118
- Okay.
- Just warning you.
1089
01:05:24,224 --> 01:05:25,452
Okay.
1090
01:05:25,559 --> 01:05:29,154
It's my understanding, from
what I heard in the grapevine,
1091
01:05:29,263 --> 01:05:31,493
that that was sort of
an amicable separation
1092
01:05:31,598 --> 01:05:33,896
and that, um, I...
1093
01:05:34,001 --> 01:05:35,559
And I don't know
that this is true,
1094
01:05:35,669 --> 01:05:37,864
but the hearsay is sort of
that he didn't feel
1095
01:05:37,971 --> 01:05:40,337
that he had had as much
a role in the songwriting
1096
01:05:40,441 --> 01:05:42,432
as he wanted to have or, uh...
1097
01:05:42,543 --> 01:05:45,068
I think that there's
some truth to that,
1098
01:05:45,179 --> 01:05:47,704
and I think there's an effort...
1099
01:05:47,815 --> 01:05:50,181
there's an effort made
for it to be amicable.
1100
01:05:50,284 --> 01:05:54,015
Since Jeff's solo tour
and Glenn joining the band,
1101
01:05:54,121 --> 01:05:58,023
uh, some dynamics
in the band had altered
1102
01:05:58,125 --> 01:06:00,525
in... many different ways.
1103
01:06:00,627 --> 01:06:04,461
I think Jay's contribution
to the band over time
1104
01:06:04,565 --> 01:06:07,500
and our collaboration
was important
1105
01:06:07,601 --> 01:06:09,694
and was valued in the band.
1106
01:06:09,803 --> 01:06:14,240
As for the circumstances
surrounding him leaving,
1107
01:06:14,341 --> 01:06:17,071
I really think that that's
up to Jay to define.
1108
01:06:17,177 --> 01:06:22,410
And as far as my, uh,
feelings about it,
1109
01:06:22,516 --> 01:06:24,484
I couldn't be happier.
1110
01:06:24,585 --> 01:06:25,585
Jeff was convinced
1111
01:06:25,619 --> 01:06:27,519
that he really needed to
tell Jay directly
1112
01:06:27,621 --> 01:06:29,316
and he needed to be the guy
to do it.
1113
01:06:29,423 --> 01:06:30,981
We sat down, and he said,
1114
01:06:31,091 --> 01:06:34,788
"I don't think I can make music
with you anymore."
1115
01:06:34,895 --> 01:06:36,624
And I said, "Why?"
1116
01:06:36,730 --> 01:06:40,496
And, uh...
1117
01:06:40,601 --> 01:06:45,334
I'm not sure I ever got
an answer that made any sense.
1118
01:06:45,439 --> 01:06:48,840
Jay wore out his welcome
in a lot of ways.
1119
01:06:48,942 --> 01:06:54,903
It's hard to be working
with somebody, uh...
1120
01:06:56,783 --> 01:06:59,650
that... that needs more
than you can...
1121
01:06:59,753 --> 01:07:01,482
than you can give him.
1122
01:07:01,588 --> 01:07:05,490
And, um, you know,
I'm more interested in being...
1123
01:07:05,592 --> 01:07:07,992
playing music with people
that I can share with
1124
01:07:08,095 --> 01:07:09,687
than give things to.
1125
01:07:09,796 --> 01:07:12,526
Jeff was threatened by me.
1126
01:07:12,633 --> 01:07:14,191
It's clear.
1127
01:07:14,301 --> 01:07:17,862
By the attention
I was beginning to get.
1128
01:07:17,971 --> 01:07:22,533
Um...
1129
01:07:22,643 --> 01:07:25,203
He wanted the band back.
That's simple.
1130
01:07:25,312 --> 01:07:26,870
That's a simple answer.
1131
01:07:26,980 --> 01:07:29,881
You know, Jeff went into
this big, long analogy
1132
01:07:29,983 --> 01:07:32,816
about how a circle needs
a center, you know?
1133
01:07:32,920 --> 01:07:35,218
Well, he was gonna be
the center, right?
1134
01:07:35,322 --> 01:07:36,880
I wasn't gonna be the center.
1135
01:07:36,990 --> 01:07:39,891
It's hard for me to talk about.
1136
01:07:39,993 --> 01:07:45,260
Um, I mean, I've known Jay
for... 16 years?
1137
01:07:45,365 --> 01:07:47,230
17 years?
1138
01:07:47,367 --> 01:07:54,967
And... our friendship had, uh...
1139
01:07:55,075 --> 01:07:56,975
run its course.
1140
01:07:57,077 --> 01:08:00,513
There's a lot of power-related
issues in Wilco,
1141
01:08:00,614 --> 01:08:02,013
and people are...
1142
01:08:02,115 --> 01:08:04,675
They don't want to lose
their gig, man.
1143
01:08:04,785 --> 01:08:07,686
And so they don't want to
step outside
1144
01:08:07,788 --> 01:08:12,088
of their little, uh, um...
1145
01:08:12,192 --> 01:08:15,753
uh... scripted role.
1146
01:08:15,862 --> 01:08:19,457
'Cause if they do,
this is what happens.
1147
01:08:19,566 --> 01:08:22,933
I think we all knew everyone
would be happier in the end,
1148
01:08:23,036 --> 01:08:25,334
and I think Jay would
totally agree with that.
1149
01:08:26,173 --> 01:08:28,107
It did not come
as a total shock to me
1150
01:08:28,208 --> 01:08:30,267
to be asked to leave Wilco.
1151
01:08:30,377 --> 01:08:33,369
It had been
in the back of my mind.
1152
01:08:33,480 --> 01:08:37,041
In fact, I'd talked to Leroy
about this extensively...
1153
01:08:37,150 --> 01:08:42,213
that, to quote myself, "My days
in Wilco are numbered."
1154
01:08:42,322 --> 01:08:44,722
I had thought very,
very seriously
1155
01:08:44,825 --> 01:08:46,554
about leaving the band.
1156
01:08:46,660 --> 01:08:49,060
I just happened to be beaten
to the punch.
1157
01:08:49,162 --> 01:08:54,065
When you're Jay Bennett or
whomever and you leave the band,
1158
01:08:54,167 --> 01:08:56,692
you have to kind of start over.
1159
01:08:56,803 --> 01:09:00,432
You're going back to playing
for 35 people
1160
01:09:00,540 --> 01:09:04,704
or 100 people or whatever
from sold-out theaters.
1161
01:09:04,811 --> 01:09:08,212
♪ So sleep now ♪
1162
01:09:08,315 --> 01:09:10,715
♪ My darlin' ♪
1163
01:09:10,817 --> 01:09:16,778
♪ And I will keep
all the bad dreams away ♪
1164
01:09:17,991 --> 01:09:21,518
♪ And breathe now ♪
1165
01:09:21,628 --> 01:09:24,461
♪ Breathe easy ♪
1166
01:09:24,564 --> 01:09:29,695
♪ And I will say
all the right things to say ♪
1167
01:09:30,837 --> 01:09:34,830
♪ Because we made you ♪
1168
01:09:34,941 --> 01:09:37,569
♪ My darlin' ♪
1169
01:09:37,678 --> 01:09:44,083
♪ From a love
that was in our hearts ♪
1170
01:09:44,184 --> 01:09:48,211
♪ We were a family ♪
1171
01:09:48,321 --> 01:09:52,553
♪ My darlin',
right from the start ♪
1172
01:10:04,304 --> 01:10:07,467
♪ Grow up now ♪
1173
01:10:07,574 --> 01:10:10,475
♪ My darlin' ♪
1174
01:10:10,577 --> 01:10:15,640
♪ Just don't grow up so fast ♪
1175
01:10:17,417 --> 01:10:20,648
♪ Be careful ♪
1176
01:10:20,754 --> 01:10:23,723
♪ My darlin' ♪
1177
01:10:23,824 --> 01:10:27,624
♪ But make
all the good times last ♪
1178
01:10:27,728 --> 01:10:29,628
They delivered a great record,
1179
01:10:29,730 --> 01:10:31,891
and I think
it's a record company that,
1180
01:10:31,998 --> 01:10:33,056
for whatever reason,
1181
01:10:33,166 --> 01:10:35,566
can't handle
that type of great record.
1182
01:10:35,669 --> 01:10:39,799
And so, fantastic.
Let's go do something else.
1183
01:10:39,906 --> 01:10:40,372
I don't know how to make
1184
01:10:40,474 --> 01:10:41,474
I don't know how to make
1185
01:10:41,508 --> 01:10:43,533
something other than
the record we made,
1186
01:10:43,643 --> 01:10:47,545
and I think to entertain
1187
01:10:47,647 --> 01:10:53,847
any of their half-assed,
fearful, frightened bullshit
1188
01:10:53,954 --> 01:10:58,789
would be to compromise something
that is a big part of my soul.
1189
01:10:58,892 --> 01:11:01,622
You know?
Like, it's a part of my heart.
1190
01:11:01,728 --> 01:11:05,164
And I don't have any interest
in doing that anymore.
1191
01:11:05,265 --> 01:11:07,825
I think it's a really, really,
really strong record.
1192
01:11:07,934 --> 01:11:09,333
I think it's a statement.
1193
01:11:09,436 --> 01:11:11,802
I think it's the right record
for them to make...
1194
01:11:11,905 --> 01:11:13,463
now in their career.
1195
01:11:13,573 --> 01:11:16,303
And I think there are dozens
of labels
1196
01:11:16,409 --> 01:11:19,139
that would be ecstatic
to have it
1197
01:11:19,246 --> 01:11:21,840
and who, if you delivered
this record,
1198
01:11:21,948 --> 01:11:24,508
would call you up and,
you know, be excited about it.
1199
01:11:24,618 --> 01:11:25,516
That's all.
1200
01:11:25,619 --> 01:11:28,679
You know, that's what I'm tired
of is, like, no enthusiasm.
1201
01:11:28,789 --> 01:11:32,691
Why is Wilco dropped, uh,
24 hours after they deliver
1202
01:11:32,793 --> 01:11:34,852
a record like
"Yankee Hotel Foxtrot"?
1203
01:11:34,961 --> 01:11:37,361
Um... I mean,
1204
01:11:37,464 --> 01:11:39,523
we've contemplated that question
at great length
1205
01:11:39,633 --> 01:11:41,032
over the summer, and in the end,
1206
01:11:41,134 --> 01:11:43,398
I think Tony and I both
just sort of put our hands up
1207
01:11:43,503 --> 01:11:45,698
and said, "I guess we're glad
that it just happened,
1208
01:11:45,806 --> 01:11:47,671
"and we won't try to
over-intellectualize it
1209
01:11:47,774 --> 01:11:49,071
any further."
1210
01:11:49,176 --> 01:11:50,973
But I really think,
looking back on it,
1211
01:11:51,077 --> 01:11:52,567
it's because of marketing.
1212
01:11:52,679 --> 01:11:55,409
And it's because you have
an artist like Jeff Tweedy
1213
01:11:55,515 --> 01:11:57,642
who's put out, uh, you know,
1214
01:11:57,751 --> 01:12:02,211
four or five records in a row
with a record company
1215
01:12:02,322 --> 01:12:05,223
and they haven't been able to
bring sales up to a level
1216
01:12:05,325 --> 01:12:08,783
where it's really significantly
affecting their bottom line.
1217
01:12:08,895 --> 01:12:10,192
They, uh, I guess,
1218
01:12:10,297 --> 01:12:13,323
stop thinking about it
from a pure artistic level
1219
01:12:13,433 --> 01:12:16,163
and just say, "We don't
make money on this guy."
1220
01:12:16,269 --> 01:12:19,898
And then he delivers a record
which, for whatever reasons,
1221
01:12:20,006 --> 01:12:24,238
they evaluate
as being difficult to raise
1222
01:12:24,344 --> 01:12:27,836
to the next level
of public appeal,
1223
01:12:27,948 --> 01:12:31,008
so they say, "Well, okay,
we're not going to..."
1224
01:12:31,117 --> 01:12:34,644
I guess, to use a phrase...
"throw good money after bad.
1225
01:12:34,754 --> 01:12:37,951
"We've spent $200,000
recording this record,
1226
01:12:38,058 --> 01:12:40,618
"but it's gonna cost us
another $300,000 or whatever
1227
01:12:40,727 --> 01:12:43,127
"to launch a marketing campaign
for it,
1228
01:12:43,230 --> 01:12:46,597
and we just don't think we're
gonna make our money back."
1229
01:12:46,700 --> 01:12:49,100
So they drop the artist.
1230
01:12:49,202 --> 01:12:53,036
Um, this, of course,
creates a situation for us
1231
01:12:53,139 --> 01:12:55,869
where we have a finished record
and we want to put it out.
1232
01:12:55,976 --> 01:12:58,376
"Yankee Hotel Foxtrot"
has actually turned into
1233
01:12:58,478 --> 01:12:59,877
a kind of metaphor.
1234
01:12:59,980 --> 01:13:03,780
It's now a measure
of what record companies...
1235
01:13:03,884 --> 01:13:05,943
or not even so much
record companies,
1236
01:13:06,052 --> 01:13:08,816
but the corporations
that own record companies...
1237
01:13:08,922 --> 01:13:10,651
are willing to put up with.
1238
01:13:10,757 --> 01:13:13,157
Ultimately, what it came down to
1239
01:13:13,260 --> 01:13:15,922
was they had told Jeff Tweedy,
"We don't like your album.
1240
01:13:16,029 --> 01:13:17,428
We don't want to release it."
1241
01:13:17,530 --> 01:13:20,021
In the end, you know,
1242
01:13:20,133 --> 01:13:23,034
it doesn't really matter
who puts the record out.
1243
01:13:23,136 --> 01:13:27,197
Eventually,
either in the near future
1244
01:13:27,307 --> 01:13:31,209
or in the way-far,
distant future,
1245
01:13:31,311 --> 01:13:32,869
someone's gonna get it.
1246
01:13:32,979 --> 01:13:36,176
As long as music is available,
someone will hear it.
1247
01:13:36,283 --> 01:13:38,183
The record label must have
found it to be
1248
01:13:38,285 --> 01:13:40,480
something of
a public-relations problem,
1249
01:13:40,587 --> 01:13:43,147
because the press really
latched on to the situation
1250
01:13:43,256 --> 01:13:45,986
as something of a...
1251
01:13:46,092 --> 01:13:48,356
using Jeff as a poster boy
as to what problems
1252
01:13:48,461 --> 01:13:50,691
were going on
in a lot of record companies...
1253
01:13:50,797 --> 01:13:52,662
and in particular
Warner Brothers...
1254
01:13:52,766 --> 01:13:54,165
with their artist rosters.
1255
01:13:54,267 --> 01:13:57,168
And they didn't want it to
blow up any further than it did.
1256
01:13:57,270 --> 01:14:02,003
So they, um,
after a certain amount of, uh,
1257
01:14:02,108 --> 01:14:03,905
anxiety-ridden conversations,
1258
01:14:04,010 --> 01:14:05,671
said, "We think
the right thing to do
1259
01:14:05,779 --> 01:14:07,838
"is let you take your record
somewhere else...
1260
01:14:07,948 --> 01:14:09,006
wherever you'd like."
1261
01:14:09,115 --> 01:14:10,514
Every time we put out a record,
1262
01:14:10,617 --> 01:14:13,381
the length of time that
a record company is willing
1263
01:14:13,486 --> 01:14:16,683
to actually even, uh, humor you
1264
01:14:16,790 --> 01:14:18,724
about, like,
working on your record
1265
01:14:18,825 --> 01:14:20,053
has gotten shorter.
1266
01:14:20,160 --> 01:14:24,893
Music is not limited to what
happens in a business quarter.
1267
01:14:24,998 --> 01:14:26,625
And...
1268
01:14:30,236 --> 01:14:31,794
You know...
1269
01:14:31,905 --> 01:14:35,136
this is a record, okay?
1270
01:14:35,241 --> 01:14:37,835
This is something that,
probably, someone will buy.
1271
01:14:37,944 --> 01:14:40,435
They'll pay, 15, 16...
whatever... bucks for it.
1272
01:14:40,547 --> 01:14:42,447
And that's cool, but, you know,
1273
01:14:42,549 --> 01:14:45,109
what's encoded somewhere
in the bottom of this thing...
1274
01:14:45,218 --> 01:14:48,619
this dopey little disc...
you know, that's what matters.
1275
01:14:48,722 --> 01:14:52,783
This... the artifact,
the actual object... is not.
1276
01:14:52,892 --> 01:14:56,453
What's encoded in here,
if it's any good...
1277
01:14:56,563 --> 01:14:58,121
you know, you'll hear it.
1278
01:14:58,231 --> 01:15:00,529
And you'll either get it
or you won't,
1279
01:15:00,633 --> 01:15:05,002
and just as... as a...
as a writer, as a fan,
1280
01:15:05,105 --> 01:15:07,369
as a guy who just listens
to music a lot...
1281
01:15:07,474 --> 01:15:09,533
you know, if you don't get it...
1282
01:15:09,642 --> 01:15:13,237
you know, I just think
that's kind of too bad.
1283
01:15:19,719 --> 01:15:23,120
♪ There's a magazine
called Sunset ♪
1284
01:15:23,223 --> 01:15:26,681
♪ And a tape machine
that won't let ♪
1285
01:15:26,793 --> 01:15:32,629
♪ Me ever forget this
impossible longing for you ♪
1286
01:15:32,732 --> 01:15:35,724
"Yankee Hotel
Foxtrot" has been finished now
1287
01:15:35,835 --> 01:15:37,530
for about six months.
1288
01:15:37,637 --> 01:15:41,596
The band have done a little bit
of touring, um...
1289
01:15:41,708 --> 01:15:44,438
word got out that the band
were out of their deal,
1290
01:15:44,544 --> 01:15:46,705
and we started getting
a lot of calls,
1291
01:15:46,813 --> 01:15:50,806
um, and basically started
talking to people.
1292
01:15:50,917 --> 01:15:54,045
I think we were dealing with
about...
1293
01:15:54,154 --> 01:15:58,318
25 or 30 labels initially,
and then, as time passed,
1294
01:15:58,425 --> 01:16:01,553
we have been whittling
the list down,
1295
01:16:01,661 --> 01:16:05,688
and we're now talking
to five or so
1296
01:16:05,799 --> 01:16:10,031
and hope to have that resolved
in the next week or two.
1297
01:16:10,136 --> 01:16:12,366
I don't have any money.
1298
01:16:12,472 --> 01:16:14,269
I don't have very much.
1299
01:16:16,876 --> 01:16:19,845
Oh! I only have $6.
1300
01:16:19,946 --> 01:16:21,504
You want something to eat,
Sammy?
1301
01:16:21,614 --> 01:16:22,512
Yes.
1302
01:16:22,615 --> 01:16:24,446
I want something to eat.
1303
01:16:24,551 --> 01:16:25,609
What do you want?
1304
01:16:25,718 --> 01:16:27,117
Soda.
1305
01:16:27,220 --> 01:16:28,778
Soda.
1306
01:16:28,888 --> 01:16:30,788
Honey, I don't have
enough money.
1307
01:16:30,890 --> 01:16:31,948
I know.
1308
01:16:32,058 --> 01:16:33,787
I'll go get some money.
1309
01:16:33,893 --> 01:16:37,920
Never in my wildest,
most optimistic moment
1310
01:16:38,031 --> 01:16:39,862
did I think
that we'd be sitting here
1311
01:16:39,966 --> 01:16:41,729
in the position we're in
right now,
1312
01:16:41,835 --> 01:16:44,565
which is with a finished record
1313
01:16:44,671 --> 01:16:49,631
that... is ours to take
wherever we want.
1314
01:16:49,742 --> 01:16:53,143
You could certainly say
that they fucked up
1315
01:16:53,246 --> 01:16:56,340
by letting the band go
and walk away with a record.
1316
01:16:56,449 --> 01:16:58,178
It's really an opportunity
1317
01:16:58,284 --> 01:17:01,014
that maybe comes along
once in a career.
1318
01:17:01,121 --> 01:17:04,352
The claw machine ripped him off.
1319
01:17:05,558 --> 01:17:06,786
It wouldn't play?
1320
01:17:06,893 --> 01:17:11,455
No, it... it went by itself.
1321
01:17:11,564 --> 01:17:12,963
Tony, smell Sam's butt.
1322
01:17:13,066 --> 01:17:14,124
No, thanks.
1323
01:17:14,234 --> 01:17:16,202
I need to know if he needs
a diaper.
1324
01:17:16,302 --> 01:17:17,860
I think he does.
1325
01:17:19,739 --> 01:17:24,972
I was surprised at
the number of record companies
1326
01:17:25,078 --> 01:17:27,842
that were willing to pay
a large amount of money
1327
01:17:27,947 --> 01:17:30,074
to be sort of in
the Wilco picture.
1328
01:17:30,183 --> 01:17:31,810
♪ Oh, yeah ♪
1329
01:17:35,021 --> 01:17:36,613
Recognize it?
1330
01:17:36,723 --> 01:17:38,452
What is it?
1331
01:17:38,558 --> 01:17:41,425
- Guess. It's one of your songs.
- It's one of my songs?
1332
01:17:41,528 --> 01:17:43,086
"I'm Trying to Break
Your Heart"?
1333
01:17:43,196 --> 01:17:44,094
No.
1334
01:17:44,197 --> 01:17:45,721
Uh, "I Need a Camera"?
1335
01:17:45,832 --> 01:17:46,730
No.
1336
01:17:46,833 --> 01:17:48,892
- "Dreamer in my Dreams"?
- No.
1337
01:17:53,306 --> 01:17:54,204
No?
1338
01:17:54,307 --> 01:17:56,241
- "Casino Queen"?
- Unh-unh.
1339
01:17:56,342 --> 01:17:58,401
- "California Stars"?
- No.
1340
01:17:58,511 --> 01:17:59,739
Tell me.
1341
01:17:59,846 --> 01:18:02,747
It's something
with a drum in it.
1342
01:18:02,849 --> 01:18:04,612
"Heavy Metal Drummer."
1343
01:18:04,717 --> 01:18:05,615
Yes!
1344
01:18:05,718 --> 01:18:07,276
How's that go?
1345
01:18:12,859 --> 01:18:16,260
♪ I sincerely miss
those heavy metal bands ♪
1346
01:18:16,362 --> 01:18:20,765
♪ I used to go see
on the landing in the summer ♪
1347
01:18:20,867 --> 01:18:22,596
♪ She fell in love
with the drummer ♪
1348
01:18:22,702 --> 01:18:24,602
♪ She fell in love
with the drummer ♪
1349
01:18:24,704 --> 01:18:26,331
♪ She fell in love ♪
1350
01:18:28,541 --> 01:18:33,137
♪ Shiny, shiny pants
and bleached-blond hair ♪
1351
01:18:33,246 --> 01:18:36,909
♪ A double kick drum
by the river in the summer ♪
1352
01:18:37,016 --> 01:18:38,916
♪ She fell in love
with the drummer ♪
1353
01:18:39,018 --> 01:18:40,576
♪ Another, then another ♪
1354
01:18:40,687 --> 01:18:42,655
♪ She fell in love ♪
1355
01:18:45,525 --> 01:18:50,224
♪ I miss the innocence
I've known ♪
1356
01:18:52,565 --> 01:18:57,593
♪ Playing Kiss covers,
beautiful and stoned ♪
1357
01:19:05,278 --> 01:19:09,112
♪ Unlock my body
and move myself to dance ♪
1358
01:19:09,215 --> 01:19:13,151
♪ Into warm liquid,
flowing, blowing glass ♪
1359
01:19:13,253 --> 01:19:17,349
♪ Classical music blasting
masks the ringing in my ears ♪
1360
01:19:17,457 --> 01:19:19,823
The record had started to leak
a little bit
1361
01:19:19,926 --> 01:19:21,120
from labels and so on,
1362
01:19:21,227 --> 01:19:23,491
and copies were starting
to float around.
1363
01:19:23,596 --> 01:19:27,498
And initially
we tried to slow it down...
1364
01:19:27,600 --> 01:19:30,160
we knew we couldn't stop it...
and then, at some point,
1365
01:19:30,270 --> 01:19:32,966
I think we just decided,
"You know what? It's out there.
1366
01:19:33,072 --> 01:19:35,006
"Let's embrace it
and make it available
1367
01:19:35,108 --> 01:19:37,770
through our website
if people want to hear it."
1368
01:19:37,877 --> 01:19:40,607
A lot of people were
really aware of the new songs,
1369
01:19:40,713 --> 01:19:43,181
to the point where, I think,
a lot of people,
1370
01:19:43,283 --> 01:19:45,808
in the front rows, at least,
knew all the words.
1371
01:19:45,918 --> 01:19:50,753
♪ Playing Kiss covers,
beautiful and stoned ♪
1372
01:19:53,660 --> 01:19:58,791
♪ I miss the innocence
I've known ♪
1373
01:20:01,634 --> 01:20:06,833
♪ Playing Kiss covers,
beautiful and stoned ♪
1374
01:20:09,776 --> 01:20:14,941
♪ Playing Kiss covers,
beautiful and stoned ♪
1375
01:20:18,117 --> 01:20:23,521
♪ Playing Kiss covers,
beautiful and stoned ♪
1376
01:20:23,623 --> 01:20:25,352
♪ Whoo-hoo ♪
1377
01:20:25,458 --> 01:20:27,688
♪ Whoo-hoo ♪
1378
01:20:27,794 --> 01:20:31,025
♪ Whoo-hoo, hey ♪
1379
01:20:31,130 --> 01:20:33,496
♪ Whoo-hoo ♪
1380
01:20:33,599 --> 01:20:35,362
♪ Whoo-hoo ♪
1381
01:20:35,468 --> 01:20:38,232
♪ Whoo-hoo, hey ♪
1382
01:20:59,926 --> 01:21:06,354
After months of...
discussions and ruminations,
1383
01:21:06,466 --> 01:21:08,627
we have decided to sign...
1384
01:21:08,735 --> 01:21:10,965
The band's gonna sign
to Nonesuch records.
1385
01:21:11,070 --> 01:21:13,971
We've agreed
to all the major terms,
1386
01:21:14,073 --> 01:21:18,737
so the record will come out
on Nonesuch in April.
1387
01:21:18,845 --> 01:21:23,339
I do find it ironic
and a little humorous
1388
01:21:23,449 --> 01:21:25,849
that Time Warner is
the parent company
1389
01:21:25,952 --> 01:21:28,546
of both of these labels...
Reprise and Nonesuch.
1390
01:21:28,654 --> 01:21:30,713
- Are you Jeff?
- Yeah.
1391
01:21:30,823 --> 01:21:32,381
- Nice to meet you.
- You too.
1392
01:21:32,492 --> 01:21:35,120
One way to put
the reason for picking Nonesuch
1393
01:21:35,228 --> 01:21:37,025
is that they were
the best combination
1394
01:21:37,130 --> 01:21:40,566
of sort of the business deal
and a creative home.
1395
01:21:40,666 --> 01:21:43,533
In hearing the record, you know,
in the first 30 seconds,
1396
01:21:43,636 --> 01:21:46,537
I felt that there was something
going on with this record
1397
01:21:46,639 --> 01:21:48,869
that I hadn't heard
in a Wilco record before
1398
01:21:48,975 --> 01:21:52,536
and that it, you know, was...
it sounded brave to me.
1399
01:21:52,645 --> 01:21:55,614
Um, you know, it may have been
the same 30 seconds
1400
01:21:55,715 --> 01:21:56,875
that convinced Reprise
1401
01:21:56,983 --> 01:21:58,951
that they didn't want to
put out the record.
1402
01:22:05,091 --> 01:22:07,958
Okay, you ready
to start signing things?
1403
01:22:08,060 --> 01:22:09,084
Mm-hmm.
1404
01:22:11,531 --> 01:22:13,829
Yeah, it looks good.
1405
01:22:13,933 --> 01:22:16,299
Hold on.
1406
01:22:16,402 --> 01:22:18,768
One more.
1407
01:22:18,871 --> 01:22:20,998
This is to get paid.
1408
01:22:21,107 --> 01:22:22,836
Definitely sign that one.
1409
01:22:22,942 --> 01:22:24,341
And I sign here.
1410
01:22:24,444 --> 01:22:26,207
You sign there.
1411
01:22:29,015 --> 01:22:30,573
And you're back in the fire.
1412
01:22:30,683 --> 01:22:31,741
Thanks.
1413
01:22:31,851 --> 01:22:33,512
It's a deal.
1414
01:22:36,055 --> 01:22:38,956
♪ Be not so nervous ♪
1415
01:22:39,058 --> 01:22:42,118
♪ Be not so pale ♪
1416
01:22:42,228 --> 01:22:45,254
♪ Someone watches you ♪
1417
01:22:45,364 --> 01:22:48,629
♪ You will not fail ♪
1418
01:22:48,734 --> 01:22:52,170
♪ Be not so nervous,
be not so pale ♪
1419
01:22:54,941 --> 01:22:58,399
♪ Be not so nervous,
be not so pale ♪
1420
01:23:01,113 --> 01:23:05,914
♪ Be not so sorry
for what you've done ♪
1421
01:23:07,620 --> 01:23:09,679
♪ You must forget them now ♪
1422
01:23:09,789 --> 01:23:11,256
♪ It's done ♪
1423
01:23:13,993 --> 01:23:18,692
♪ And when you wake up, you
will find that you can run ♪
1424
01:23:18,798 --> 01:23:22,165
We're about two months
away from the record coming out.
1425
01:23:22,268 --> 01:23:23,826
The advances are here.
1426
01:23:23,936 --> 01:23:25,665
Jeff is in town doing press.
1427
01:23:25,771 --> 01:23:27,830
He goes to Europe next week
to do press.
1428
01:23:27,940 --> 01:23:29,669
It all begins now.
1429
01:23:29,775 --> 01:23:32,801
♪ Be not so fearful ♪
1430
01:23:32,912 --> 01:23:36,143
♪ Be not so frail ♪
1431
01:23:36,249 --> 01:23:38,479
♪ Someone watches you ♪
1432
01:23:38,584 --> 01:23:40,415
♪ You will not leave the rails ♪
1433
01:23:40,520 --> 01:23:42,886
What are we, almost
eight months or nine months
1434
01:23:42,989 --> 01:23:45,287
since the record was originally
planned to come out
1435
01:23:45,391 --> 01:23:46,688
on another label?
1436
01:23:46,792 --> 01:23:50,057
So it's been a long road,
but it's the beginning.
1437
01:23:50,162 --> 01:23:53,461
♪ Be not so fearful,
be not so pale ♪
1438
01:23:56,168 --> 01:24:00,798
♪ Be not so sorry
for what you've done ♪
1439
01:24:02,542 --> 01:24:04,510
♪ You must forget them now ♪
1440
01:24:04,610 --> 01:24:05,668
♪ It's done ♪
1441
01:24:05,778 --> 01:24:07,678
We're...
couldn't be more excited
1442
01:24:07,780 --> 01:24:09,008
about the long-term prospects
1443
01:24:09,115 --> 01:24:10,844
of being able to work
with this band.
1444
01:24:10,950 --> 01:24:15,512
♪ And when you wake up you will
find that you can run ♪
1445
01:24:15,621 --> 01:24:18,852
♪ Be not so sorry
for what you've done ♪
1446
01:24:18,958 --> 01:24:20,926
It's a long road to here,
1447
01:24:21,027 --> 01:24:23,518
but, you know,
it's a new chapter now,
1448
01:24:23,629 --> 01:24:25,589
and, uh, we're, um...
couldn't be more optimistic.
1449
01:24:41,347 --> 01:24:44,578
♪ Choo-choo Charlie had
a plenty good band ♪
1450
01:24:44,684 --> 01:24:48,484
♪ But he couldn't understand
why no one would go ♪
1451
01:24:52,124 --> 01:24:55,685
♪ The World Record Players
on a tour of Japan ♪
1452
01:24:55,795 --> 01:24:59,856
♪ Charlie's fixin' his van
with the left arm tan ♪
1453
01:25:02,368 --> 01:25:07,271
♪ He said,
"Monday, I'm all high" ♪
1454
01:25:07,373 --> 01:25:10,274
♪ "Get me out of FLA" ♪
1455
01:25:10,376 --> 01:25:14,642
♪ "In school, yeah,
I fooled ya" ♪
1456
01:25:14,747 --> 01:25:17,215
♪ "Now I know I made a mistake" ♪
1457
01:25:25,691 --> 01:25:27,249
♪ Blister on the turnpike ♪
1458
01:25:27,360 --> 01:25:28,918
♪ Let me by ♪
1459
01:25:29,028 --> 01:25:32,987
♪ I only want to wonder why
when I don't die ♪
1460
01:25:36,535 --> 01:25:38,560
♪ Ooh, I shot ya ♪
1461
01:25:38,671 --> 01:25:40,400
♪ Yeah, I know ♪
1462
01:25:40,506 --> 01:25:44,135
♪ I only want to go
where my wheels roll ♪
1463
01:25:48,014 --> 01:25:51,916
♪ Monday, I'm all high ♪
1464
01:25:52,018 --> 01:25:54,578
♪ Get me out of FLA ♪
1465
01:25:54,687 --> 01:25:58,919
♪ Well, I fooled ya
in school, yeah ♪
1466
01:25:59,025 --> 01:26:01,220
♪ Now I know I made a mistake ♪
1467
01:26:35,828 --> 01:26:38,695
♪ Everybody's wonderin',
"Where'd he go? ♪
1468
01:26:38,798 --> 01:26:43,098
♪ "He must be down in Pensacola
hidin' from the snow" ♪
1469
01:26:46,739 --> 01:26:49,902
♪ The World Record Players
on a tour of Japan ♪
1470
01:26:50,009 --> 01:26:52,307
♪ Charlie's fixin' his van ♪
1471
01:26:52,411 --> 01:26:54,538
♪ He's waitin' for a postcard ♪
1472
01:26:56,849 --> 01:27:01,582
♪ He said,
"Monday, I'm all high" ♪
1473
01:27:01,687 --> 01:27:04,451
♪ "Get me out of TLA" ♪
1474
01:27:04,557 --> 01:27:08,288
♪ "I cut class in school, yeah" ♪
1475
01:27:08,394 --> 01:27:11,192
♪ "Now I know I made a mistake" ♪
1476
01:27:12,698 --> 01:27:14,928
♪ I made a big mistake. ♪
1477
01:27:15,034 --> 01:27:16,433
Whoo!
1478
01:27:16,535 --> 01:27:17,559
Whoo!
1479
01:27:31,450 --> 01:27:32,450
Whoo!
1480
01:27:45,898 --> 01:27:47,957
Whoo!
1481
01:27:48,067 --> 01:27:49,796
♪ All right! ♪
1482
01:27:49,902 --> 01:27:51,335
♪ All right! ♪
1483
01:27:51,437 --> 01:27:53,371
♪ All right! ♪
1484
01:27:53,472 --> 01:27:55,201
♪ All right! ♪
1485
01:27:55,307 --> 01:27:57,036
♪ All right! ♪
1486
01:27:57,143 --> 01:27:58,838
♪ All right. ♪
1487
01:27:58,944 --> 01:28:00,309
♪ All right. ♪
1488
01:28:00,412 --> 01:28:01,811
♪ All right. ♪
1489
01:28:10,322 --> 01:28:11,721
That's the coup.
1490
01:28:11,824 --> 01:28:15,817
That's like the coup
of all time for us.
1491
01:28:15,928 --> 01:28:18,829
To basically get, you know,
1492
01:28:18,931 --> 01:28:21,331
one of the biggest
entertainment corporations
1493
01:28:21,433 --> 01:28:22,627
in the world
1494
01:28:22,735 --> 01:28:27,263
to release us from a contract
essentially Scot-free
1495
01:28:27,373 --> 01:28:29,739
with a record that they had
already paid for
1496
01:28:29,842 --> 01:28:32,777
and then sell it back to them
for three times the money.
1497
01:28:32,878 --> 01:28:34,812
They disliked the record
so much
1498
01:28:34,914 --> 01:28:36,347
that they paid for it twice.
1499
01:28:47,293 --> 01:28:49,193
Hold your breath.
1500
01:28:49,295 --> 01:28:50,523
Make a wish.
1501
01:28:50,629 --> 01:28:52,392
Count to three.
1502
01:28:52,498 --> 01:28:56,059
♪ Come with me and you'll be ♪
1503
01:28:56,168 --> 01:29:00,229
♪ In a world
of pure imagination ♪
1504
01:29:00,339 --> 01:29:07,802
♪ Take a look and you'll see
into your imagination ♪
1505
01:29:13,419 --> 01:29:17,446
♪ We'll begin with a spin ♪
1506
01:29:17,556 --> 01:29:21,788
♪ Traveling in the world
of my creation ♪
1507
01:29:21,894 --> 01:29:26,456
♪ What we'll see will defy ♪
1508
01:29:26,565 --> 01:29:30,023
♪ Explanation ♪
1509
01:29:39,011 --> 01:29:42,811
♪ If you want to view paradise ♪
1510
01:29:42,915 --> 01:29:47,318
♪ Simply look around
and view it ♪
1511
01:29:47,419 --> 01:29:51,048
♪ Anything you want to, do it ♪
1512
01:29:51,156 --> 01:29:55,115
♪ Want to change the world? ♪
1513
01:29:55,227 --> 01:29:57,957
♪ There's nothing to it ♪
1514
01:30:15,381 --> 01:30:18,282
♪ There is no life I know ♪
1515
01:30:18,384 --> 01:30:21,444
♪ To compare
with pure imagination ♪
1516
01:30:21,553 --> 01:30:29,119
♪ Living there, you'll be free
if you truly wish to be ♪
1517
01:31:09,735 --> 01:31:13,603
♪ If you want to view paradise ♪
1518
01:31:13,706 --> 01:31:17,267
♪ Simply look around
and view it ♪
1519
01:31:17,376 --> 01:31:21,403
♪ Anything you want to, do it ♪
1520
01:31:21,513 --> 01:31:24,141
♪ Want to change the world? ♪
1521
01:31:24,249 --> 01:31:29,209
♪ There's nothing... to it ♪
1522
01:31:39,932 --> 01:31:45,029
♪ There is no life I know ♪
1523
01:31:45,137 --> 01:31:51,872
♪ To compare
with pure imagination ♪
1524
01:31:51,977 --> 01:31:58,143
♪ Living there, you'll be free ♪
1525
01:31:58,250 --> 01:32:06,250
♪ If you truly wish to be ♪
114306
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