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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:03,099 ♪ 2 00:00:03,100 --> 00:00:04,965 Next on "Great Performances"... 3 00:00:04,966 --> 00:00:08,365 ♪ It's too darn hot 4 00:00:08,366 --> 00:00:11,665 Go backstage where things get too darn hot 5 00:00:11,666 --> 00:00:14,099 in Cole Porter's brilliant musical comedy 6 00:00:14,100 --> 00:00:17,532 about the battle of the sexes then and now. 7 00:00:17,533 --> 00:00:19,299 ♪ Kiss him 8 00:00:19,300 --> 00:00:21,899 ♪ Never, never, never, never, neeeeverrrrr ♪ 9 00:00:21,900 --> 00:00:24,099 Stephanie J. Block and Adrian Dunbar 10 00:00:24,100 --> 00:00:27,299 light up the stage in "Kiss Me, Kate," next. 11 00:00:27,300 --> 00:00:28,766 [ Cheers and applause ] 12 00:00:30,100 --> 00:00:32,265 ♪♪ 13 00:00:32,266 --> 00:00:34,399 Major funding for "Great Performances" 14 00:00:34,400 --> 00:00:35,566 is provided by... 15 00:00:40,433 --> 00:00:42,732 ...and by contributions to your PBS station 16 00:00:42,733 --> 00:00:44,166 from viewers like you. Thank you. 17 00:00:45,866 --> 00:00:53,866 [ Indistinct conversations ] 18 00:01:30,733 --> 00:01:32,032 [ Piano playing ] 19 00:01:32,033 --> 00:01:40,033 ♪ 20 00:01:41,966 --> 00:01:49,966 ♪ 21 00:01:51,500 --> 00:01:59,500 ♪ 22 00:02:01,400 --> 00:02:09,400 ♪ 23 00:02:11,400 --> 00:02:19,400 ♪ 24 00:02:21,200 --> 00:02:29,200 ♪ 25 00:02:31,100 --> 00:02:32,700 [ Conversations continue ] 26 00:02:35,333 --> 00:02:37,332 [ Up-tempo music plays ] 27 00:02:37,333 --> 00:02:43,899 ♪ 28 00:02:43,900 --> 00:02:46,965 Oh, my God. 29 00:02:46,966 --> 00:02:54,966 ♪ 30 00:02:56,933 --> 00:03:04,933 ♪ 31 00:03:40,700 --> 00:03:42,332 Steve? 32 00:03:42,333 --> 00:03:44,265 Steve, I'm going to have to stop you there. 33 00:03:44,266 --> 00:03:47,432 Thank you. Company, gather for notes. 34 00:03:47,433 --> 00:03:49,432 Company, to the stage for notes. 35 00:03:49,433 --> 00:03:52,632 Let's go. -Okay, Ralph. Everybody here? 36 00:03:52,633 --> 00:03:54,299 -All yours, Fred. -Thank you, Company. 37 00:03:54,300 --> 00:03:56,432 Okay, Steve, that's a great cut in the overture. 38 00:03:56,433 --> 00:03:57,699 I want you to keep it in. 39 00:03:57,700 --> 00:03:58,633 Can I hear that again? 40 00:03:58,634 --> 00:03:59,799 No time, Mr. Graham. 41 00:03:59,800 --> 00:04:01,499 Yeah, well, you know what they say. 42 00:04:01,500 --> 00:04:03,365 We don't open, we just run out of time. 43 00:04:03,366 --> 00:04:05,232 So, final notes. What do you got? 44 00:04:05,233 --> 00:04:06,899 Baptista. 45 00:04:06,900 --> 00:04:09,032 -Baptista. -Was I paraphrasing again? 46 00:04:09,033 --> 00:04:11,399 -Yep. Extensively. -But I get the meaning across. 47 00:04:11,400 --> 00:04:12,999 The audience gets the gist. 48 00:04:13,000 --> 00:04:14,899 It's a Shakespeare play, Harry. 49 00:04:14,900 --> 00:04:18,499 People do not come to a Shakespeare play for the gist. 50 00:04:18,500 --> 00:04:20,365 -I think they do. -Just look at it, okay? 51 00:04:20,366 --> 00:04:21,499 Next! -Bianca. 52 00:04:21,500 --> 00:04:22,632 Lois. 53 00:04:22,633 --> 00:04:24,632 -Yes, Freddy. -[ Laughs ] 54 00:04:24,633 --> 00:04:28,099 I mean, Mr. Fredric C. Graham, director, producer, star! 55 00:04:28,100 --> 00:04:30,365 You were wonderful yesterday, darling. 56 00:04:30,366 --> 00:04:32,299 Just wonderful. -Thank you. 57 00:04:32,300 --> 00:04:35,832 No one would ever realize it was your first musical. 58 00:04:35,833 --> 00:04:37,632 Well, I've worked in nightclubs for years. 59 00:04:37,633 --> 00:04:38,932 Alright, line up for curtain call. 60 00:04:38,933 --> 00:04:40,432 Just one thing, honey. 61 00:04:40,433 --> 00:04:42,065 You know the scene with Lucentio? 62 00:04:42,066 --> 00:04:44,965 -Yes? -You're upstaging yourself. 63 00:04:44,966 --> 00:04:47,432 Thank you. 64 00:04:47,433 --> 00:04:48,865 No, no. It's not a good thing. 65 00:04:48,866 --> 00:04:50,232 No, I want you to turn around, 66 00:04:50,233 --> 00:04:52,132 deliver your lines straight out to the audience like that. 67 00:04:52,133 --> 00:04:54,065 Okay. So, don't stand like this. 68 00:04:54,066 --> 00:04:56,032 -Uh-huh. -But like this instead. 69 00:04:56,033 --> 00:04:58,432 Yep. That's having an effect. I mean, that's effective. 70 00:04:58,433 --> 00:05:01,132 Okay. Yeah, next. -Act One, scene eight. 71 00:05:01,133 --> 00:05:02,165 What the hell is that? 72 00:05:02,166 --> 00:05:03,465 I'm betting it's the whip. 73 00:05:03,466 --> 00:05:05,065 Oh, yes. Thank you, Harry. 74 00:05:05,066 --> 00:05:08,032 I can't get that damn thing to snap. 75 00:05:08,033 --> 00:05:10,632 But I'll work on that. Next? -Lucentio. 76 00:05:10,633 --> 00:05:12,765 Lucentio. Lucentio. Where is he? 77 00:05:12,766 --> 00:05:14,299 Bill Calhoun! 78 00:05:14,300 --> 00:05:16,299 -Where is he? -Bill Calhoun! 79 00:05:16,300 --> 00:05:18,932 -Bill Calhoun! -You see what I mean? 80 00:05:18,933 --> 00:05:20,765 You know, you give a Broadway hoofer a chance 81 00:05:20,766 --> 00:05:22,499 to play Shakespeare, this is what happens. 82 00:05:22,500 --> 00:05:25,499 He's running late. His mother's sick. 83 00:05:25,500 --> 00:05:27,365 Oh, really? Well, that's wonderful news. 84 00:05:27,366 --> 00:05:30,632 Because the last time he was running late, she was dead. 85 00:05:30,633 --> 00:05:32,932 Alright. Okay, everybody, let's go. 86 00:05:32,933 --> 00:05:34,965 Let's do the bows. Thank you. -Curtain call, please. 87 00:05:34,966 --> 00:05:36,232 There you go, thank you. 88 00:05:36,233 --> 00:05:39,199 -Alright, yeah. -Thank you. 89 00:05:39,200 --> 00:05:40,632 Just the one, guys, just the one. 90 00:05:40,633 --> 00:05:42,865 ♪ 91 00:05:42,866 --> 00:05:44,632 Baptista, change places with Gremio. 92 00:05:44,633 --> 00:05:46,899 -Are you serious? -Just do it, Harry. 93 00:05:46,900 --> 00:05:48,232 Just do it. 94 00:05:48,233 --> 00:05:56,233 ♪ 95 00:05:56,700 --> 00:06:01,265 Yeah, Miss Vanessi, would you care to join us? 96 00:06:01,266 --> 00:06:04,799 -Mm-hmm. -Yeah. Yeah. Okay. 97 00:06:04,800 --> 00:06:06,365 Yeah, leave a little room for me, honey. 98 00:06:06,366 --> 00:06:09,532 That's it. And, okay, everybody. 99 00:06:09,533 --> 00:06:11,732 And bow. 100 00:06:11,733 --> 00:06:15,265 ♪ 101 00:06:15,266 --> 00:06:17,532 That's it. And we drop back. And step forward. 102 00:06:17,533 --> 00:06:19,932 One sec. Oh, one second. One second. Lois! 103 00:06:19,933 --> 00:06:21,599 -Did thou call me, honey? -Yeah. 104 00:06:21,600 --> 00:06:23,765 I do not want you leaving the theater. 105 00:06:23,766 --> 00:06:27,032 I don't plan to. It's my life now! 106 00:06:27,033 --> 00:06:30,165 No, no, darling, I mean between now and curtain up. 107 00:06:30,166 --> 00:06:32,599 -Whatever thou say, Fred. -I want you to rest and relax. 108 00:06:32,600 --> 00:06:34,265 You got a little bed in your room, don't you? 109 00:06:34,266 --> 00:06:36,165 You know I do, silly. 110 00:06:36,166 --> 00:06:37,432 You were there last night. 111 00:06:37,433 --> 00:06:39,732 -What? -Oh! 112 00:06:39,733 --> 00:06:42,265 [ Clears throat ] Yeah, um... 113 00:06:42,266 --> 00:06:45,565 Uh, yeah, sorry. That took a little longer than I thought. 114 00:06:45,566 --> 00:06:49,165 Is that what you said to her last night? 115 00:06:49,166 --> 00:06:52,165 Let's not make this any more awkward than it is. 116 00:06:52,166 --> 00:06:53,732 Is that what she said to you? 117 00:06:53,733 --> 00:06:55,765 Yeah. Okay, right. Can we... 118 00:06:55,766 --> 00:06:57,799 Give me some lights and music for Miss Vanessi's bow, please. 119 00:06:57,800 --> 00:06:59,632 Thank you, Steve. 120 00:06:59,633 --> 00:07:02,199 ♪ 121 00:07:02,200 --> 00:07:06,466 [ Cast members exclaiming ] 122 00:07:08,400 --> 00:07:12,865 Isn't a smile in your contract, Miss Vanessi? 123 00:07:12,866 --> 00:07:15,099 -You bastard! -What? 124 00:07:15,100 --> 00:07:16,432 -Oh, my God! -I am here for you! 125 00:07:16,433 --> 00:07:20,065 -Ralph, you okay? -Yeah, no, I'm good, I'm good. 126 00:07:20,066 --> 00:07:21,632 What's next? -How about a pep talk? 127 00:07:21,633 --> 00:07:23,399 Yeah, how about it? Yeah, okay, come on. 128 00:07:23,400 --> 00:07:25,465 Okay, people, come on. Step up. Let's go. 129 00:07:25,466 --> 00:07:27,332 There you are, Johnny. Good to see ya. Yeah. 130 00:07:27,333 --> 00:07:29,199 Okay. Gather round, everybody. 131 00:07:29,200 --> 00:07:32,265 Okay, listen up. Here's the scoop. 132 00:07:32,266 --> 00:07:34,932 We survived Chicago. [ Cast members murmur ] 133 00:07:34,933 --> 00:07:38,799 We survived Boston, New Haven, and D.C. 134 00:07:38,800 --> 00:07:40,432 And here we are in Baltimore. 135 00:07:40,433 --> 00:07:42,265 The money's coming down from New York, 136 00:07:42,266 --> 00:07:43,999 but don't let it worry you. 137 00:07:44,000 --> 00:07:45,832 Because now that my former wife Miss Vanessi 138 00:07:45,833 --> 00:07:47,665 has joined the company, 139 00:07:47,666 --> 00:07:50,065 we've got a real chance of making it to Broadway. 140 00:07:50,066 --> 00:07:52,465 [ Cheers and applause ] 141 00:07:52,466 --> 00:07:54,699 And I know you're all gonna agree with me 142 00:07:54,700 --> 00:07:59,165 when I say she is uniquely qualified to play the shrew. 143 00:07:59,166 --> 00:08:02,299 I agree! [ Laughter ] 144 00:08:02,300 --> 00:08:05,499 Seriously though, guys, a company of actors, 145 00:08:05,500 --> 00:08:07,632 why, they're like a family. 146 00:08:07,633 --> 00:08:11,432 And in a very real sense, you are my family. 147 00:08:11,433 --> 00:08:15,232 No, no, and I love each and every single one of you. 148 00:08:15,233 --> 00:08:19,499 So let's hit our marks, pick up our cues. 149 00:08:19,500 --> 00:08:22,265 Let's give them a hell of a show! 150 00:08:22,266 --> 00:08:23,332 [ All exclaim ] 151 00:08:23,333 --> 00:08:28,399 ♪ 152 00:08:28,400 --> 00:08:32,165 ♪ Another op'nin', another show ♪ 153 00:08:32,166 --> 00:08:35,632 ♪ In Philly, Boston or Baltimo' ♪ 154 00:08:35,633 --> 00:08:39,432 ♪ A chance for stage folks to say hello ♪ 155 00:08:39,433 --> 00:08:42,932 ♪ Another op'nin' of another show ♪ 156 00:08:42,933 --> 00:08:46,665 ♪ Another job that you hope at last ♪ 157 00:08:46,666 --> 00:08:50,232 ♪ Will make your future forget your past ♪ 158 00:08:50,233 --> 00:08:53,765 ♪ Another pain where the ulcers grow ♪ 159 00:08:53,766 --> 00:08:57,399 ♪ Another op'nin' of another show ♪ 160 00:08:57,400 --> 00:09:00,832 ♪ Four weeks, you rehearse and rehearse ♪ 161 00:09:00,833 --> 00:09:04,499 ♪ Three weeks, and it couldn't be worse ♪ 162 00:09:04,500 --> 00:09:07,765 ♪ One week, will it ever be right? ♪ 163 00:09:07,766 --> 00:09:11,232 ♪ Then out o' the hat, it's that big first night ♪ 164 00:09:11,233 --> 00:09:14,965 ♪ The overture is about to start ♪ 165 00:09:14,966 --> 00:09:18,632 ♪ You cross your fingers and hold your heart ♪ 166 00:09:18,633 --> 00:09:22,165 ♪ It's curtain time and away we go ♪ 167 00:09:22,166 --> 00:09:23,532 Let's go! 168 00:09:23,533 --> 00:09:25,599 ♪ 169 00:09:25,600 --> 00:09:28,165 House lights. 170 00:09:28,166 --> 00:09:31,165 Alright. 171 00:09:31,166 --> 00:09:34,199 Circuit one! -♪ Another op'nin' 172 00:09:34,200 --> 00:09:36,032 ♪ Another show Circuit two! 173 00:09:36,033 --> 00:09:39,232 ♪ In Philly, Boston or Baltimo' ♪ 174 00:09:39,233 --> 00:09:41,365 -Three! -♪ A chance for stage folks 175 00:09:41,366 --> 00:09:43,032 ♪ To say hello 176 00:09:43,033 --> 00:09:46,599 ♪ Another op'nin' of another show ♪ 177 00:09:46,600 --> 00:09:50,199 ♪ Another job that you hope at last ♪ 178 00:09:50,200 --> 00:09:53,899 ♪ Will make your future forget your past ♪ 179 00:09:53,900 --> 00:09:57,265 ♪ Another pain where the ulcers grow ♪ 180 00:09:57,266 --> 00:10:00,899 ♪ Another op'nin' of another show ♪ 181 00:10:00,900 --> 00:10:04,332 ♪ Four weeks, you rehearse and rehearse ♪ 182 00:10:04,333 --> 00:10:07,932 ♪ Three weeks, and it couldn't be worse ♪ 183 00:10:07,933 --> 00:10:11,365 ♪ One week, will it ever be right? ♪ 184 00:10:11,366 --> 00:10:14,665 ♪ Then out o' the hat, it's that big first night ♪ 185 00:10:14,666 --> 00:10:17,032 ♪ The overture is about to start ♪ 186 00:10:17,033 --> 00:10:18,765 ♪ The overture is about to start ♪ 187 00:10:18,766 --> 00:10:22,165 ♪ You cross your fingers and hold your heart ♪ 188 00:10:22,166 --> 00:10:25,732 ♪ It's curtain time and away we go ♪ 189 00:10:25,733 --> 00:10:28,132 Alright. Let's take it from the second act, combination. 190 00:10:28,133 --> 00:10:31,699 Here we go. Five, six. Five, six, seven, eight. 191 00:10:31,700 --> 00:10:39,700 ♪ 192 00:10:44,433 --> 00:10:47,366 No, listen. It's like this. Watch. 193 00:10:48,833 --> 00:10:49,932 There you go. 194 00:10:49,933 --> 00:10:57,799 ♪ 195 00:10:57,800 --> 00:11:01,299 ♪ Four weeks, you rehearse and rehearse ♪ 196 00:11:01,300 --> 00:11:04,899 ♪ Three weeks, and it couldn't be worse ♪ 197 00:11:04,900 --> 00:11:08,332 ♪ One week, will it ever be right? ♪ 198 00:11:08,333 --> 00:11:11,866 ♪ Then out o' the hat, it's that big first night ♪ 199 00:11:13,333 --> 00:11:21,333 ♪ 200 00:11:29,166 --> 00:11:36,199 ♪ Another op'nin' 201 00:11:36,200 --> 00:11:42,499 ♪ Another show 202 00:11:42,500 --> 00:11:45,632 ♪ Another op'nin' 203 00:11:45,633 --> 00:11:48,399 ♪ Another show 204 00:11:48,400 --> 00:11:51,032 ♪ Another op'nin' 205 00:11:51,033 --> 00:11:55,665 ♪ Another op'nin', another op'nin ♪ 206 00:11:55,666 --> 00:11:56,965 ♪ Another show 207 00:11:56,966 --> 00:12:00,899 ♪ It's another op'nin' of another show ♪ 208 00:12:00,900 --> 00:12:03,265 ♪ The overture is about to start ♪ 209 00:12:03,266 --> 00:12:05,465 -♪ Another show -♪ You cross your fingers 210 00:12:05,466 --> 00:12:07,732 ♪ And hold your heart ♪ Another show 211 00:12:07,733 --> 00:12:10,599 ♪ It's curtain time and away we ♪ 212 00:12:10,600 --> 00:12:14,299 ♪ Another op'nin', just another op'nin' ♪ 213 00:12:14,300 --> 00:12:17,865 ♪ Of another 214 00:12:17,866 --> 00:12:19,399 ♪ Show 215 00:12:19,400 --> 00:12:24,732 ♪ 216 00:12:24,733 --> 00:12:27,433 [ Cheers and applause ] 217 00:12:30,700 --> 00:12:37,899 ♪ 218 00:12:37,900 --> 00:12:39,899 [ Indistinct conversations ] 219 00:12:39,900 --> 00:12:47,900 ♪ 220 00:12:50,966 --> 00:12:53,332 Cutting it a little close, Mr. Calhoun. 221 00:12:53,333 --> 00:12:55,465 Well, I'm here, and my legs ain't broken. 222 00:12:55,466 --> 00:12:56,832 Not yet. 223 00:12:56,833 --> 00:13:00,032 Hey, buddy. I ain't got all day. 224 00:13:00,033 --> 00:13:02,899 Do me a favor, and cover the cab, will you, Pops? 225 00:13:02,900 --> 00:13:04,799 -[ Scoffs ] No way. -Oh, please, come on. 226 00:13:04,800 --> 00:13:05,766 It's for the good of the show. 227 00:13:05,767 --> 00:13:08,132 Somebody's got to pay up. 228 00:13:08,133 --> 00:13:10,632 I got a mortgage and a wife 229 00:13:10,633 --> 00:13:13,766 at home who's not happy with the choices I made in life. 230 00:13:15,600 --> 00:13:18,532 -Please? -Oh, alright. I'll lay it out. 231 00:13:18,533 --> 00:13:20,632 Thanks, Pops. You get paid when I get paid. 232 00:13:20,633 --> 00:13:23,232 After some others get paid. 233 00:13:23,233 --> 00:13:28,600 -Bill! There you are! -Lois. Here I am. 234 00:13:30,433 --> 00:13:34,133 You've been gambling again, haven't you? 235 00:13:38,066 --> 00:13:40,432 Where were you? 236 00:13:40,433 --> 00:13:42,500 I went to the cleaners. 237 00:13:44,066 --> 00:13:46,666 How much did you lose this time? 238 00:13:48,533 --> 00:13:50,499 Ten G's. 239 00:13:50,500 --> 00:13:53,565 -Ten G's? -Ten thousand fast little bucks! 240 00:13:53,566 --> 00:13:55,632 Well, did you sign an IOU again? 241 00:13:55,633 --> 00:13:57,799 Uh-huh. They wouldn't have let me out alive unless I did. 242 00:13:57,800 --> 00:14:00,366 Okay. Well, whose name did you sign this time? 243 00:14:01,700 --> 00:14:03,533 Fredric C. Graham. 244 00:14:04,633 --> 00:14:07,065 Mr. Graham? 245 00:14:07,066 --> 00:14:09,099 Mister... Bill, Bill, Bill. 246 00:14:09,100 --> 00:14:11,599 Mr. Graham has given us our big chance. 247 00:14:11,600 --> 00:14:13,899 Do you want to play clubs all your life? 248 00:14:13,900 --> 00:14:15,532 I was so close! 249 00:14:15,533 --> 00:14:17,432 I bet a hard eight, and if it had come up, 250 00:14:17,433 --> 00:14:20,132 I would've been able to finance this whole production. 251 00:14:20,133 --> 00:14:21,633 But it didn't come up. 252 00:14:22,800 --> 00:14:24,266 Well, not this time. 253 00:14:25,733 --> 00:14:27,365 Oh, Bill. 254 00:14:27,366 --> 00:14:34,065 ♪ Why can't you behave? 255 00:14:34,066 --> 00:14:41,599 ♪ Oh, why can't you behave? 256 00:14:41,600 --> 00:14:45,365 ♪ After all the things you told me ♪ 257 00:14:45,366 --> 00:14:49,965 ♪ And the promises that you gave ♪ 258 00:14:49,966 --> 00:14:56,265 ♪ Oh, why can't you behave? 259 00:14:56,266 --> 00:14:59,499 They switched the dice on me, baby. 260 00:14:59,500 --> 00:15:07,265 ♪ Why can't you be good? 261 00:15:07,266 --> 00:15:15,132 ♪ And do just as you should? 262 00:15:15,133 --> 00:15:19,565 ♪ Won't you turn that new leaf over? ♪ 263 00:15:19,566 --> 00:15:24,065 ♪ Don't you know you're the one I crave? ♪ 264 00:15:24,066 --> 00:15:29,399 ♪ Oh, why can't you behave? 265 00:15:29,400 --> 00:15:32,065 ♪ 266 00:15:32,066 --> 00:15:38,500 ♪ There's a farm I know near my old hometown ♪ 267 00:15:39,733 --> 00:15:47,733 ♪ Where we two can go and try settlin' down ♪ 268 00:15:48,033 --> 00:15:53,332 ♪ There I'll care for you forever ♪ 269 00:15:53,333 --> 00:15:57,865 ♪ Well, at least till you dig my grave ♪ 270 00:15:57,866 --> 00:16:03,199 ♪ Oh, why can't you behave? 271 00:16:03,200 --> 00:16:07,032 ♪ Gee, I need you, kid 272 00:16:07,033 --> 00:16:10,832 ♪ I always knew you did 273 00:16:10,833 --> 00:16:16,899 ♪ But why can't you 274 00:16:16,900 --> 00:16:21,765 ♪ Behave? 275 00:16:21,766 --> 00:16:24,499 ♪ 276 00:16:24,500 --> 00:16:26,265 No, don't. 277 00:16:26,266 --> 00:16:29,566 [ Cheers and applause ] 278 00:16:30,700 --> 00:16:33,899 ♪ 279 00:16:33,900 --> 00:16:35,765 [ Indistinct conversation ] 280 00:16:35,766 --> 00:16:43,766 ♪ 281 00:16:51,733 --> 00:16:53,532 What the hell do you think you were playing at, 282 00:16:53,533 --> 00:16:55,565 punching me in front of the entire company? 283 00:16:55,566 --> 00:16:57,099 I had a problem with your note. 284 00:16:57,100 --> 00:16:58,799 I asked you to smile. 285 00:16:58,800 --> 00:17:01,899 And I did smile after I punched you. 286 00:17:01,900 --> 00:17:04,465 I just needed the proper motivation. 287 00:17:04,466 --> 00:17:05,965 [ Knock on door ] What?! 288 00:17:05,966 --> 00:17:08,132 -Half-hour, Miss Vanessi. -Thank you, Ralph. 289 00:17:08,133 --> 00:17:11,065 It's this heat. -You know Baltimore. 290 00:17:11,066 --> 00:17:13,165 Half-hour. -Yeah. How's the house? 291 00:17:13,166 --> 00:17:14,665 Yeah, you know Baltimore. 292 00:17:14,666 --> 00:17:16,565 Yeah, there'll be deer running around the balcony. 293 00:17:16,566 --> 00:17:18,999 I'm telling you, the next time I open a show here, 294 00:17:19,000 --> 00:17:20,299 I'm gonna bring my shotgun. 295 00:17:20,300 --> 00:17:22,065 At least we'll eat. 296 00:17:22,066 --> 00:17:24,332 At least we'll eat. That's the idea. 297 00:17:24,333 --> 00:17:26,532 So, so much for the big Hollywood name. 298 00:17:26,533 --> 00:17:29,665 Your fans must have realized you're appearing in person. 299 00:17:29,666 --> 00:17:31,032 [ Telephone rings ] -Ah! 300 00:17:31,033 --> 00:17:33,232 Go ahead. Answer it. It's probably your mystery man. 301 00:17:33,233 --> 00:17:35,365 What's his name? What's his name? 302 00:17:35,366 --> 00:17:37,499 -Harrison. -Harrison, yeah. Harrison. 303 00:17:37,500 --> 00:17:39,065 -Hello. -Harrison. 304 00:17:39,066 --> 00:17:40,700 -Harrison. -Mm. 305 00:17:41,466 --> 00:17:44,232 Oh, you're still at the White House? 306 00:17:44,233 --> 00:17:47,232 -[ Sighs ] -What? 307 00:17:47,233 --> 00:17:49,432 The President wants to talk to me? 308 00:17:49,433 --> 00:17:53,032 To unimportant little old me? Darling, what will I say? 309 00:17:53,033 --> 00:17:55,599 Is it true you've declared Baltimore a disaster area? 310 00:17:55,600 --> 00:17:57,465 There you go. -How dare you! 311 00:17:57,466 --> 00:17:58,666 [ Laughs ] 312 00:18:00,100 --> 00:18:04,065 Mr. President... Hello, sir. 313 00:18:04,066 --> 00:18:07,199 No, no, no, no, no, no. I apologize. 314 00:18:07,200 --> 00:18:09,700 That was no one. He is just an actor. 315 00:18:10,800 --> 00:18:12,832 No, not in the movies. 316 00:18:12,833 --> 00:18:18,465 His grotesquely large features are better suited to the stage. 317 00:18:18,466 --> 00:18:22,232 Harrison? [ Gasps ] Yes! 318 00:18:22,233 --> 00:18:25,799 He could be in Westerns, I agree. 319 00:18:25,800 --> 00:18:26,999 [ Laughs ] 320 00:18:27,000 --> 00:18:29,865 No, thank you, Mr. President. 321 00:18:29,866 --> 00:18:33,699 Well, I'd better let you get back to running the free world. 322 00:18:33,700 --> 00:18:35,799 Harrison, did you hear? 323 00:18:35,800 --> 00:18:38,465 The President thinks you could be a cowboy. 324 00:18:38,466 --> 00:18:40,965 In the movies. -Oh, yeah. 325 00:18:40,966 --> 00:18:43,732 Oh, I miss you too, my darling. 326 00:18:43,733 --> 00:18:45,565 Look, I know you don't have time 327 00:18:45,566 --> 00:18:47,432 to see my little performance in my little show, 328 00:18:47,433 --> 00:18:50,132 but when will I see you again? 329 00:18:50,133 --> 00:18:53,132 Ooh! You have big news? 330 00:18:53,133 --> 00:18:56,032 Top secret? [ Gasps ] 331 00:18:56,033 --> 00:18:57,365 Well, I can't wait. 332 00:18:57,366 --> 00:19:01,065 Yes, yes, I'm blowing you two kisses... mwah, mwah. 333 00:19:01,066 --> 00:19:05,299 Alright, my darling. Alright. Bye-bye. 334 00:19:05,300 --> 00:19:09,432 -A cowboy, huh? -Must be all those darn muscles. 335 00:19:09,433 --> 00:19:11,665 Oh, yeah, I see it. I see it. Is it real? 336 00:19:11,666 --> 00:19:12,899 It's real, alright. 337 00:19:12,900 --> 00:19:14,165 It's not the Hope Diamond, is it? 338 00:19:14,166 --> 00:19:16,265 The one with the curse? 339 00:19:16,266 --> 00:19:17,899 It was his mother's engagement ring. 340 00:19:17,900 --> 00:19:19,765 And now it is mine. 341 00:19:19,766 --> 00:19:22,265 Yeah, well, she must have worn it on her big toe. 342 00:19:22,266 --> 00:19:24,032 Oh! 343 00:19:24,033 --> 00:19:25,232 Congratulations. 344 00:19:25,233 --> 00:19:27,300 You've roped yourself a wealthy cowpoke. 345 00:19:28,100 --> 00:19:29,799 -Fred. -Huh? 346 00:19:29,800 --> 00:19:32,532 -You know what day it is? -Uh... 347 00:19:32,533 --> 00:19:36,132 It is our anniversary, and you forgot! 348 00:19:36,133 --> 00:19:38,632 My darling Lilli, may I remind you, 349 00:19:38,633 --> 00:19:40,365 we were married in the spring. 350 00:19:40,366 --> 00:19:42,832 April is the cruelest month, remember? 351 00:19:42,833 --> 00:19:46,332 No. It's the one-year anniversary of our divorce. 352 00:19:46,333 --> 00:19:48,332 Oh. Oh, well, alright. So... 353 00:19:48,333 --> 00:19:51,765 Look, if you must know, I was gonna buy you a cactus, 354 00:19:51,766 --> 00:19:54,399 but I couldn't afford it because I've got no money. 355 00:19:54,400 --> 00:19:56,065 I understand that you're rolling in it. 356 00:19:56,066 --> 00:19:58,365 Money? Oh, yes. 357 00:19:58,366 --> 00:20:00,165 Every night before I go to bed, 358 00:20:00,166 --> 00:20:02,299 that is exactly what I do. 359 00:20:02,300 --> 00:20:04,665 I roll around in my money. 360 00:20:04,666 --> 00:20:06,632 It's wonderful for the hips. 361 00:20:06,633 --> 00:20:10,199 Damn Hollywood swimming pools and avocado ranches. 362 00:20:10,200 --> 00:20:12,399 And here I am putting every penny I can scrape, 363 00:20:12,400 --> 00:20:15,565 borrow, and steal into my Cyrano in Paris. 364 00:20:15,566 --> 00:20:17,732 A huge success, by the way. 365 00:20:17,733 --> 00:20:19,799 Four glorious performances. 366 00:20:19,800 --> 00:20:22,132 I'll have you know there was a general strike. 367 00:20:22,133 --> 00:20:24,200 You couldn't have been that bad. 368 00:20:27,866 --> 00:20:30,632 [ Both laugh ] 369 00:20:30,633 --> 00:20:35,299 Same old Lilli, huh? Oh. Who's this little monster? 370 00:20:35,300 --> 00:20:38,565 Did you adopt? Or can you buy a kid these days? 371 00:20:38,566 --> 00:20:41,332 That is you, age two, bottoms up. 372 00:20:41,333 --> 00:20:43,499 -No. -Yes. 373 00:20:43,500 --> 00:20:46,299 What? Can I have it? 374 00:20:46,300 --> 00:20:52,099 Sure. Go ahead and take it. You can also have this. 375 00:20:52,100 --> 00:20:54,532 From our first bottle of champagne. 376 00:20:54,533 --> 00:20:56,565 What, our wedding breakfast? 377 00:20:56,566 --> 00:20:57,899 In my apartment. 378 00:20:57,900 --> 00:20:59,865 In your apa... You mean that one room 379 00:20:59,866 --> 00:21:01,499 you had over the Armenian bakery? 380 00:21:01,500 --> 00:21:04,665 You're a fine one to complain. You didn't even have a room. 381 00:21:04,666 --> 00:21:06,932 Yeah. Why do you think I married you? 382 00:21:06,933 --> 00:21:08,199 -Oh! -[ Laughs ] 383 00:21:08,200 --> 00:21:09,932 You know, that was the season 384 00:21:09,933 --> 00:21:12,232 we played the Barter Theatre in Virginia 385 00:21:12,233 --> 00:21:15,199 and they paid you with a ham. -[ Laughs ] 386 00:21:15,200 --> 00:21:17,599 We lived off that ham all winter. 387 00:21:17,600 --> 00:21:20,932 And I got a job reading palms at that little, um, 388 00:21:20,933 --> 00:21:23,532 that little tea place just opposite Macy's. 389 00:21:23,533 --> 00:21:26,132 Yeah, and I demonstrated shaving soap in Woolworth's. 390 00:21:26,133 --> 00:21:29,499 That's right. That's how I spent my honeymoon. 391 00:21:29,500 --> 00:21:32,599 Watching you shave. Oh, God. What a life. 392 00:21:32,600 --> 00:21:35,499 Simpler times. Simpler times. 393 00:21:35,500 --> 00:21:37,232 You know, we had just gotten off the road 394 00:21:37,233 --> 00:21:39,899 with that little British makeshift of an operetta 395 00:21:39,900 --> 00:21:42,765 that for some reason was set in Switzerland. 396 00:21:42,766 --> 00:21:44,632 But the costumes were Dutch. 397 00:21:44,633 --> 00:21:47,032 Yeah. So were the salaries, as I recall. 398 00:21:47,033 --> 00:21:48,799 -Ah! -[ Laughs ] 399 00:21:48,800 --> 00:21:50,765 There was a waltz in it, wasn't there? 400 00:21:50,766 --> 00:21:52,332 -Oh! -Something about a bar, 401 00:21:52,333 --> 00:21:53,532 or something, I don't know. 402 00:21:53,533 --> 00:21:55,232 ♪ 403 00:21:55,233 --> 00:21:58,365 "Ja, madam, you look ravishing tonight. 404 00:21:58,366 --> 00:22:00,632 You've made me the happiest of men." 405 00:22:00,633 --> 00:22:03,432 "Ooh, Your Highness." 406 00:22:03,433 --> 00:22:09,899 [ Vocalizing ] 407 00:22:09,900 --> 00:22:15,665 Wunderbar! -♪ Wunderbar, wunderbar 408 00:22:15,666 --> 00:22:19,799 ♪ There's our favorite star above ♪ 409 00:22:19,800 --> 00:22:24,265 ♪ What a bright, shining star 410 00:22:24,266 --> 00:22:30,199 ♪ Like our love, it's wunderbar ♪ 411 00:22:30,200 --> 00:22:32,999 ♪ 412 00:22:33,000 --> 00:22:36,932 ♪ Gazing down on the Jungfrau 413 00:22:36,933 --> 00:22:41,432 ♪ From our secret chalet for two ♪ 414 00:22:41,433 --> 00:22:45,332 ♪ Let us drink, liebchen mein 415 00:22:45,333 --> 00:22:50,765 ♪ In the moonlight benign 416 00:22:50,766 --> 00:22:57,966 ♪ To the joy of our dream come true ♪ 417 00:23:00,133 --> 00:23:05,432 ♪ Wunderbar, wunderbar 418 00:23:05,433 --> 00:23:09,699 ♪ What a perfect night for love ♪ 419 00:23:09,700 --> 00:23:13,965 ♪ Here am I, here you are 420 00:23:13,966 --> 00:23:18,299 ♪ Why, it's truly wunderbar 421 00:23:18,300 --> 00:23:22,599 ♪ Wunderbar, wunderbar 422 00:23:22,600 --> 00:23:26,732 ♪ We're alone and hand in glove ♪ 423 00:23:26,733 --> 00:23:30,965 ♪ Not a cloud near or far 424 00:23:30,966 --> 00:23:35,199 ♪ Why, it's more than wunderbar ♪ 425 00:23:35,200 --> 00:23:37,365 ♪ Say you care, dear 426 00:23:37,366 --> 00:23:39,332 ♪ For you madly 427 00:23:39,333 --> 00:23:41,632 ♪ Say you long, dear 428 00:23:41,633 --> 00:23:43,665 ♪ For your kiss 429 00:23:43,666 --> 00:23:45,699 ♪ Do you swear, dear? 430 00:23:45,700 --> 00:23:47,832 ♪ Darling, gladly 431 00:23:47,833 --> 00:23:53,499 ♪ Life's divine, dear 432 00:23:53,500 --> 00:23:59,266 ♪ And you're mine, dear 433 00:24:04,600 --> 00:24:09,632 ♪ Wunderbar, wunderbar 434 00:24:09,633 --> 00:24:13,732 ♪ There's our favorite star above ♪ 435 00:24:13,733 --> 00:24:18,365 ♪ What a bright, shining star 436 00:24:18,366 --> 00:24:23,032 ♪ Like our love, it's wunderbar ♪ 437 00:24:23,033 --> 00:24:31,033 ♪ 438 00:24:38,333 --> 00:24:44,300 ♪ And you're mine, dear 439 00:24:46,200 --> 00:24:51,599 ♪ Wunderbar, wunderbar 440 00:24:51,600 --> 00:24:56,065 ♪ There's our favorite star above ♪ 441 00:24:56,066 --> 00:25:02,165 ♪ What a bright, shining star 442 00:25:02,166 --> 00:25:10,166 ♪ Like our love, it's wunderbar ♪ 443 00:25:11,633 --> 00:25:13,899 [ Cheers and applause ] 444 00:25:13,900 --> 00:25:18,399 -Yeah. Alright. Well... -Alright. 445 00:25:18,400 --> 00:25:19,933 Alright. Thank you, sweetie. 446 00:25:21,166 --> 00:25:22,599 -Five minutes, you two. -Oh! 447 00:25:22,600 --> 00:25:25,365 -Okay, okay. -Well, whose fault was it? 448 00:25:25,366 --> 00:25:26,366 What?! 449 00:25:26,367 --> 00:25:28,132 ♪ 450 00:25:28,133 --> 00:25:29,932 Could have been your temper. 451 00:25:29,933 --> 00:25:33,965 -Could have been your ego. -Yeah. 452 00:25:33,966 --> 00:25:37,899 [ Laughs ] Yeah. Probably a bit of both, huh? 453 00:25:37,900 --> 00:25:39,932 ♪ 454 00:25:39,933 --> 00:25:41,665 Let's get dressed. 455 00:25:41,666 --> 00:25:45,632 ♪ 456 00:25:45,633 --> 00:25:47,932 Hello. 457 00:25:47,933 --> 00:25:49,432 Who are you? What are you doing backstage? 458 00:25:49,433 --> 00:25:51,032 Fine-looking fella. 459 00:25:51,033 --> 00:25:52,765 -Clean-cut. -One could say handsome. 460 00:25:52,766 --> 00:25:56,599 -One would not be wrong. -Look, gentlemen, 461 00:25:56,600 --> 00:25:58,365 I'm very touched by your admiration and devotion, 462 00:25:58,366 --> 00:26:00,232 but I do not see my fans till after the show... 463 00:26:00,233 --> 00:26:02,099 -What diction. -Well-schooled. 464 00:26:02,100 --> 00:26:05,299 And note how he does not spit when he talks. 465 00:26:05,300 --> 00:26:07,632 This is all very flattering, but I can assure you, 466 00:26:07,633 --> 00:26:09,899 I do not see my public till after the show, not before. 467 00:26:09,900 --> 00:26:11,765 Paul! -Oh, what grace! 468 00:26:11,766 --> 00:26:15,765 If I had to do something to him, I would cry like a baby. 469 00:26:15,766 --> 00:26:17,732 Yeah. Now, look, gentlemen, why don't 470 00:26:17,733 --> 00:26:19,332 you come back after the show? 471 00:26:19,333 --> 00:26:21,199 I'll gladly give you an autograph. 472 00:26:21,200 --> 00:26:23,165 Oh, no, we got your autograph. 473 00:26:23,166 --> 00:26:25,565 That's why we're here. -What? 474 00:26:25,566 --> 00:26:28,865 A little matter of a IOU. 475 00:26:28,866 --> 00:26:32,399 Oh! Here it is. Ten G's. 476 00:26:32,400 --> 00:26:34,299 Mr. Hogan... that's our employer... 477 00:26:34,300 --> 00:26:36,299 he regards this as a debt of honor. 478 00:26:36,300 --> 00:26:37,932 Mr. Hogan? 479 00:26:37,933 --> 00:26:40,932 So... How's about it, Mr. Graham? 480 00:26:40,933 --> 00:26:43,465 [ Laughs ] That isn't even my signature. 481 00:26:43,466 --> 00:26:45,665 Yeah, yeah. They all say that. 482 00:26:45,666 --> 00:26:46,799 What? 483 00:26:46,800 --> 00:26:48,365 I'm surprised at you, Mr. Graham. 484 00:26:48,366 --> 00:26:50,365 You signed it only this afternoon 485 00:26:50,366 --> 00:26:53,865 after what we hear was quite a little game down to the hotel. 486 00:26:53,866 --> 00:26:57,065 Now, look, I can assure you, I've not left this building 487 00:26:57,066 --> 00:26:58,165 since 8:00 this morning. 488 00:26:58,166 --> 00:26:59,432 He forgot. 489 00:26:59,433 --> 00:27:01,432 Yeah, that's human nature for you. 490 00:27:01,433 --> 00:27:05,132 The minute a man signs a IOU, everything goes dark. 491 00:27:05,133 --> 00:27:09,299 Yeah. The doctors call it "magnesia." 492 00:27:09,300 --> 00:27:11,365 -Paul! -Paul! 493 00:27:11,366 --> 00:27:13,065 -Paul! -What? 494 00:27:13,066 --> 00:27:14,066 [ Gangsters laugh ] 495 00:27:14,067 --> 00:27:17,399 You know, I would cry like a baby 496 00:27:17,400 --> 00:27:20,865 if I had to do something to such a high-type fella. 497 00:27:20,866 --> 00:27:24,299 Remember last week, that high-type fella, 498 00:27:24,300 --> 00:27:25,899 I used up three handkerchiefs. 499 00:27:25,900 --> 00:27:28,032 Look, gentlemen, I'm about to go on! 500 00:27:28,033 --> 00:27:29,499 Do you mind leaving? 501 00:27:29,500 --> 00:27:31,432 -Do you mind leaving? -Do you mind leaving? 502 00:27:31,433 --> 00:27:32,699 -I'm about to go on. -I'm about to go on. 503 00:27:32,700 --> 00:27:35,632 Do you mind... [ Gangsters laugh ] 504 00:27:35,633 --> 00:27:37,765 Ain't he virile? Mm. 505 00:27:37,766 --> 00:27:40,165 Ooh! 506 00:27:40,166 --> 00:27:43,332 "I now wish to express all the best wishes 507 00:27:43,333 --> 00:27:45,265 for a magnificent opening 508 00:27:45,266 --> 00:27:48,565 and the success your brilliant talents deserve." 509 00:27:48,566 --> 00:27:51,465 "Heartiest felicitations. Gene Kelly." 510 00:27:51,466 --> 00:27:54,065 Yeah, personal friend. Oh, come on. Really, guys? 511 00:27:54,066 --> 00:27:56,065 Uh, fellas? 512 00:27:56,066 --> 00:27:59,365 Now, Mr. Graham, just remember, during the performance tonight, 513 00:27:59,366 --> 00:28:01,932 we're gonna be watching you from the front box. 514 00:28:01,933 --> 00:28:04,965 So, try and jostle your memory, 515 00:28:04,966 --> 00:28:07,365 or we'll be forced to jostle it for you. 516 00:28:07,366 --> 00:28:08,932 -We'll be back. -Yeah. 517 00:28:08,933 --> 00:28:10,965 Oh. 518 00:28:10,966 --> 00:28:12,133 Break a leg. 519 00:28:12,966 --> 00:28:15,332 -[ Gasps ] -As they say. 520 00:28:15,333 --> 00:28:16,900 Yeah. [ Knock on door ] 521 00:28:20,133 --> 00:28:23,232 -Oh. Hello, Paul. -Hello, beautiful. 522 00:28:23,233 --> 00:28:25,232 [ Laughs ] 523 00:28:25,233 --> 00:28:28,065 Just like old times. -Oh, what's that? 524 00:28:28,066 --> 00:28:30,699 Well, you and Mr. Graham working together again. 525 00:28:30,700 --> 00:28:34,232 Oh, yes. Maybe too much like old times. 526 00:28:34,233 --> 00:28:36,066 -He sent you those. -[ Clears throat ] 527 00:28:36,633 --> 00:28:37,933 Hmm? -Uh-huh. 528 00:28:39,900 --> 00:28:41,465 [ Gasps ] 529 00:28:41,466 --> 00:28:43,299 Oh! 530 00:28:43,300 --> 00:28:48,432 Snowdrops, pansies, and rosemary. 531 00:28:48,433 --> 00:28:52,132 Hattie, it's my wedding bouquet. 532 00:28:52,133 --> 00:28:55,799 He didn't forget. -Of course not, honey. 533 00:28:55,800 --> 00:28:57,200 I'll get the vase. 534 00:28:58,400 --> 00:29:00,299 [ Laughs ] -Oh. 535 00:29:00,300 --> 00:29:08,300 ♪ 536 00:29:11,266 --> 00:29:14,732 ♪ Strange, dear 537 00:29:14,733 --> 00:29:18,432 ♪ But true, dear 538 00:29:18,433 --> 00:29:24,732 ♪ When I'm close to you, dear 539 00:29:24,733 --> 00:29:31,032 ♪ The stars fill the sky 540 00:29:31,033 --> 00:29:37,832 ♪ So in love with you am I 541 00:29:37,833 --> 00:29:40,065 ♪ 542 00:29:40,066 --> 00:29:46,265 ♪ Even without you 543 00:29:46,266 --> 00:29:53,065 ♪ My arms fold about you 544 00:29:53,066 --> 00:29:59,432 ♪ You know, darling, why 545 00:29:59,433 --> 00:30:06,099 ♪ So in love with you am I 546 00:30:06,100 --> 00:30:12,499 ♪ In love with the night mysterious ♪ 547 00:30:12,500 --> 00:30:18,599 ♪ The night when you first were there ♪ 548 00:30:18,600 --> 00:30:22,799 ♪ In love with my joy 549 00:30:22,800 --> 00:30:25,732 ♪ Delirious 550 00:30:25,733 --> 00:30:28,165 ♪ When I knew 551 00:30:28,166 --> 00:30:35,365 ♪ That you could care 552 00:30:35,366 --> 00:30:42,465 ♪ So taunt me and hurt me 553 00:30:42,466 --> 00:30:48,899 ♪ Deceive me, desert me 554 00:30:48,900 --> 00:30:55,299 ♪ I'm yours till I die 555 00:30:55,300 --> 00:30:58,532 ♪ So in love 556 00:30:58,533 --> 00:31:05,865 ♪ So in love, so in love with you ♪ 557 00:31:05,866 --> 00:31:09,132 ♪ My love 558 00:31:09,133 --> 00:31:14,365 ♪ Am I 559 00:31:14,366 --> 00:31:22,366 ♪ 560 00:31:34,766 --> 00:31:37,432 ♪ When I knew 561 00:31:37,433 --> 00:31:43,065 ♪ That you could care 562 00:31:43,066 --> 00:31:46,765 ♪ 563 00:31:46,766 --> 00:31:53,832 ♪ So taunt me and hurt me 564 00:31:53,833 --> 00:32:00,599 ♪ Deceive me, desert me 565 00:32:00,600 --> 00:32:07,699 ♪ I'm yours till I die 566 00:32:07,700 --> 00:32:10,932 ♪ So in love 567 00:32:10,933 --> 00:32:18,532 ♪ So in love, so in love with you ♪ 568 00:32:18,533 --> 00:32:20,766 ♪ My love 569 00:32:27,600 --> 00:32:35,600 ♪ Am I 570 00:32:35,666 --> 00:32:39,299 ♪ 571 00:32:39,300 --> 00:32:40,699 [ Breath catches ] 572 00:32:40,700 --> 00:32:44,465 ♪ 573 00:32:44,466 --> 00:32:48,366 [ Cheers and applause ] 574 00:32:54,333 --> 00:32:55,399 There we go. 575 00:32:55,400 --> 00:32:56,400 Yeah, where the hell were you, Paul? 576 00:32:56,401 --> 00:32:57,865 Letting a couple of gangsters 577 00:32:57,866 --> 00:32:59,665 in here five minutes before curtain up? 578 00:32:59,666 --> 00:33:02,399 Good job I was able to scare them off, right? 579 00:33:02,400 --> 00:33:05,099 -Yeah, well, I tried to. -Yeah. 580 00:33:05,100 --> 00:33:06,465 -But I couldn't. -Yeah, why not? 581 00:33:06,466 --> 00:33:08,332 Oh, I don't know. Two reasons. 582 00:33:08,333 --> 00:33:10,832 Firstly, they are bigger and stronger than I am. 583 00:33:10,833 --> 00:33:13,199 -Oh, yeah. -And secondly, which I think 584 00:33:13,200 --> 00:33:15,132 is the more significant point... -Uh-huh? 585 00:33:15,133 --> 00:33:16,965 ...I'm smaller and weaker than they are! 586 00:33:16,966 --> 00:33:18,732 Yeah, okay, well, look, I'll let it go this time, 587 00:33:18,733 --> 00:33:20,832 but for God's sake, get yourself a spine. 588 00:33:20,833 --> 00:33:23,932 So, did you deliver the flowers? 589 00:33:23,933 --> 00:33:25,799 -Yes, sir. -Excellent. Excellent. 590 00:33:25,800 --> 00:33:28,932 Good, good. Did you put the note inside? 591 00:33:28,933 --> 00:33:32,665 -Yes, sir. -Great. Excelente. 592 00:33:32,666 --> 00:33:35,799 And you delivered them to Miss Lane in person, of course? 593 00:33:35,800 --> 00:33:36,800 [ Chuckles ] 594 00:33:38,300 --> 00:33:40,299 -Miss Lane? -Yeah. 595 00:33:40,300 --> 00:33:42,665 Uh, I thought they were for Miss Vanessi, sir. 596 00:33:42,666 --> 00:33:45,032 Oh, no, no. You idiot! 597 00:33:45,033 --> 00:33:46,532 What are you... I told you! 598 00:33:46,533 --> 00:33:48,432 I'm sorry, sir. I just assumed because 599 00:33:48,433 --> 00:33:51,365 Miss Vanessi is the star, and Miss Lane is... 600 00:33:51,366 --> 00:33:54,399 "Miss Lane is, Miss Lane is" what? What? 601 00:33:54,400 --> 00:33:55,500 Too young? 602 00:33:56,733 --> 00:33:59,665 -No. -No? 603 00:33:59,666 --> 00:34:02,865 -Uh, no. -No. Then what? Then what? 604 00:34:02,866 --> 00:34:05,132 -Just not old enough. -Get out! Get out! 605 00:34:05,133 --> 00:34:09,565 Get out. Idiot. Damn it. Where is that note? 606 00:34:09,566 --> 00:34:11,966 It's gotta be here somewhere. What's she doing? 607 00:34:15,800 --> 00:34:20,932 Oh, Fred! Oh, you dear, you didn't forget. 608 00:34:20,933 --> 00:34:22,799 Oh, you didn't think I would, did ya? 609 00:34:22,800 --> 00:34:24,932 Places! On stage! Mud in your eye! 610 00:34:24,933 --> 00:34:27,532 Break a leg. Toi toi toi. -Okay, honey, let's go. 611 00:34:27,533 --> 00:34:29,465 -My hands are freezing. -You know, it's okay. 612 00:34:29,466 --> 00:34:30,999 It's just nerves. You're gonna be fine. 613 00:34:31,000 --> 00:34:32,665 -Do you think they'll like me? -What? 614 00:34:32,666 --> 00:34:34,532 After all, I have been away from the theater 615 00:34:34,533 --> 00:34:36,365 for almost six years. -Are you kidding me? 616 00:34:36,366 --> 00:34:37,999 They are going to love you. 617 00:34:38,000 --> 00:34:39,765 You're doing such a fabulous job. 618 00:34:39,766 --> 00:34:41,532 I don't know, Fred. 619 00:34:41,533 --> 00:34:43,565 I don't feel that I have found my Kate yet. 620 00:34:43,566 --> 00:34:45,165 No, you will, darling, you will. 621 00:34:45,166 --> 00:34:46,332 Once you're in front of an audience... 622 00:34:46,333 --> 00:34:47,665 Would you like to see the card, Miss Lilli? 623 00:34:47,666 --> 00:34:50,699 Yes! Yes, yes, yes. That's just the lift I need. 624 00:34:50,700 --> 00:34:54,332 No, no! Well, I'll tell you what's on it. Ha! 625 00:34:54,333 --> 00:35:01,132 "To Lilli, the only woman I've ever loved, 626 00:35:01,133 --> 00:35:05,599 the only artist I've ever worshiped." 627 00:35:05,600 --> 00:35:07,099 Now give me the card. You can read it after the show. 628 00:35:07,100 --> 00:35:09,366 Oh, Fred, do you really mean that? 629 00:35:13,533 --> 00:35:15,999 With all my heart. [ Laughs ] 630 00:35:16,000 --> 00:35:18,099 Well, then, that is just where it is going. 631 00:35:18,100 --> 00:35:20,665 -What? Oh, God. -Right next to mine. 632 00:35:20,666 --> 00:35:23,499 Oh, well, I'm not nervous anymore. 633 00:35:23,500 --> 00:35:25,865 -No! -And, Fred, I promise, 634 00:35:25,866 --> 00:35:29,132 I will never punch you in the stomach again. 635 00:35:29,133 --> 00:35:32,099 Never! [ Laughter ] 636 00:35:32,100 --> 00:35:33,100 Oh! 637 00:35:36,533 --> 00:35:40,099 You will, my sweet. You will. 638 00:35:40,100 --> 00:35:41,199 Oh, God. 639 00:35:41,200 --> 00:35:49,200 ♪ 640 00:36:10,966 --> 00:36:14,832 ♪ A troupe of strolling players are we ♪ 641 00:36:14,833 --> 00:36:18,732 ♪ Not stars like L.B. Mayer's are we ♪ 642 00:36:18,733 --> 00:36:20,665 ♪ We're just a simple band 643 00:36:20,666 --> 00:36:22,699 ♪ Who roams around the land 644 00:36:22,700 --> 00:36:26,432 ♪ Dispensing fol-de-rol frivolity ♪ 645 00:36:26,433 --> 00:36:30,632 ♪ Mere folk who give distraction are we ♪ 646 00:36:30,633 --> 00:36:34,365 ♪ No theater guild attraction are we ♪ 647 00:36:34,366 --> 00:36:36,265 ♪ We're just a crazy group 648 00:36:36,266 --> 00:36:38,199 ♪ That never ceases to troop 649 00:36:38,200 --> 00:36:43,532 ♪ Around the map of little Italy ♪ 650 00:36:43,533 --> 00:36:45,832 ♪ We open in Venice 651 00:36:45,833 --> 00:36:47,832 ♪ We next play Verona 652 00:36:47,833 --> 00:36:50,132 ♪ Then on to Cremona 653 00:36:50,133 --> 00:36:52,265 ♪ Lotsa laughs in Cremona 654 00:36:52,266 --> 00:36:54,199 ♪ Our next jump is Parma 655 00:36:54,200 --> 00:36:56,432 ♪ That dopey, mopey menace 656 00:36:56,433 --> 00:36:58,799 ♪ Then Mantua, then Padua 657 00:36:58,800 --> 00:37:00,765 ♪ Then we open again, where? 658 00:37:00,766 --> 00:37:06,932 ♪ 659 00:37:06,933 --> 00:37:09,065 ♪ Then we open again, where? 660 00:37:09,066 --> 00:37:11,365 ♪ We open in Venice 661 00:37:11,366 --> 00:37:13,432 ♪ We next play Verona 662 00:37:13,433 --> 00:37:15,399 ♪ Then on to Cremona 663 00:37:15,400 --> 00:37:17,465 ♪ Lotsa bars in Cremona 664 00:37:17,466 --> 00:37:19,432 ♪ Our next jump is Parma 665 00:37:19,433 --> 00:37:21,699 ♪ That beerless, cheerless menace ♪ 666 00:37:21,700 --> 00:37:23,965 ♪ Then Mantua, then Padua 667 00:37:23,966 --> 00:37:25,765 ♪ Then we open again, where? 668 00:37:25,766 --> 00:37:27,632 ♪ In Venice! 669 00:37:27,633 --> 00:37:30,499 ♪ 670 00:37:30,500 --> 00:37:31,965 [ Indistinct conversations ] 671 00:37:31,966 --> 00:37:39,966 ♪ 672 00:37:45,933 --> 00:37:47,999 Wait. 673 00:37:48,000 --> 00:37:52,099 Signor Baptista, I am your neighbor and was suitor first. 674 00:37:52,100 --> 00:37:53,999 But I am the one that love Bianca more. 675 00:37:54,000 --> 00:37:55,765 Thou canst not love as dear as I. 676 00:37:55,766 --> 00:37:59,732 Gentlemen, that I may soon make good. 677 00:37:59,733 --> 00:38:03,599 What I have said, Bianca, get you in... 678 00:38:03,600 --> 00:38:06,932 and let it not displease thee, good Bianca, 679 00:38:06,933 --> 00:38:10,765 for I will love thee ne'er the less, my girl. 680 00:38:10,766 --> 00:38:15,165 Sir, to your pleasure, humbly I subscribe. 681 00:38:15,166 --> 00:38:18,932 My books and my instruments shall be my company. 682 00:38:18,933 --> 00:38:24,732 On them to look, and practice by myself. 683 00:38:24,733 --> 00:38:26,199 Poor child. 684 00:38:26,200 --> 00:38:28,099 -Signor Baptista. -Signor Baptista. 685 00:38:28,100 --> 00:38:30,965 Gentlemen, importune me no further. 686 00:38:30,966 --> 00:38:34,199 For how I firmly am resolved, you know. 687 00:38:34,200 --> 00:38:38,365 That is, not to bestow my youngest daughter 688 00:38:38,366 --> 00:38:41,132 before I have a husband for the elder. 689 00:38:41,133 --> 00:38:45,133 [ Shrieking ] 690 00:38:47,100 --> 00:38:50,032 If either of you both love Katherine, 691 00:38:50,033 --> 00:38:53,799 leave shall you have to court her at your pleasure. 692 00:38:53,800 --> 00:38:57,132 To cart her rather. She's too rough for me. 693 00:38:57,133 --> 00:39:00,599 If you, Hortensio, or Signor Gremio, 694 00:39:00,600 --> 00:39:03,165 if either of you can find a husband, 695 00:39:03,166 --> 00:39:04,999 I would be most liberal. 696 00:39:05,000 --> 00:39:07,499 [ Laughs ] A husband? 697 00:39:07,500 --> 00:39:10,165 -A devil! -Indeed! 698 00:39:10,166 --> 00:39:13,965 [ All exclaiming ] 699 00:39:13,966 --> 00:39:15,432 I say, a husband? 700 00:39:15,433 --> 00:39:17,232 I say, a devil! 701 00:39:17,233 --> 00:39:18,632 Thinkst thou, sir, 702 00:39:18,633 --> 00:39:20,499 though you be very rich, 703 00:39:20,500 --> 00:39:23,965 any man be so very a fool to be married to hell? 704 00:39:23,966 --> 00:39:25,765 Hush, Hortensio. 705 00:39:25,766 --> 00:39:27,899 I'm sure there be good fellows in the world 706 00:39:27,900 --> 00:39:30,632 that would take her for her faults, and money enough. 707 00:39:30,633 --> 00:39:33,665 Comb thy noodle with a three-legged stool! 708 00:39:33,666 --> 00:39:34,965 [ All exclaiming ] 709 00:39:34,966 --> 00:39:37,899 I'd be as lief to take her dowry with this condition, 710 00:39:37,900 --> 00:39:40,799 as to be whipped at the high-cross every morning. 711 00:39:40,800 --> 00:39:44,165 I pray you, sir, is it your will to make a stale of me 712 00:39:44,166 --> 00:39:45,932 amongst these mates? 713 00:39:45,933 --> 00:39:48,699 [ Indistinct shouting ] 714 00:39:48,700 --> 00:39:51,265 If I could only find a man that would thoroughly woo her, 715 00:39:51,266 --> 00:39:53,132 wed her, and bed her... 716 00:39:53,133 --> 00:39:56,066 -Oh! -...and rid my house of her. 717 00:39:58,166 --> 00:39:59,865 [ Sighs ] 718 00:39:59,866 --> 00:40:04,065 Ahhhh, me. 719 00:40:04,066 --> 00:40:07,165 ♪ 720 00:40:07,166 --> 00:40:08,265 [ Exclaims ] 721 00:40:08,266 --> 00:40:12,899 ♪ 722 00:40:12,900 --> 00:40:17,365 ♪ I've made a haul in all the leading rackets ♪ 723 00:40:17,366 --> 00:40:21,832 ♪ From which rip-roarin' rich I happen to be ♪ 724 00:40:21,833 --> 00:40:26,065 ♪ And if thou wouldst attain the upper brackets ♪ 725 00:40:26,066 --> 00:40:31,032 ♪ Marry me, marry me, marry me 726 00:40:31,033 --> 00:40:35,299 ♪ My purse has yet to know a silver lining ♪ 727 00:40:35,300 --> 00:40:39,665 ♪ Still lifeless is my wifeless family tree ♪ 728 00:40:39,666 --> 00:40:43,965 ♪ But if for love unending thou art pining ♪ 729 00:40:43,966 --> 00:40:48,732 ♪ Marry me, marry me, marry me 730 00:40:48,733 --> 00:40:52,432 ♪ I come to thee a thoroughbred patrician ♪ 731 00:40:52,433 --> 00:40:56,799 ♪ Still spraying my decaying family tree ♪ 732 00:40:56,800 --> 00:41:00,232 ♪ To give a social goose to thy position ♪ 733 00:41:00,233 --> 00:41:04,965 Boop! ♪ Marry me, marry me, marry me 734 00:41:04,966 --> 00:41:07,265 ♪ Marry me 735 00:41:07,266 --> 00:41:09,865 -♪ Marry me -♪ Marry me 736 00:41:09,866 --> 00:41:13,099 ♪ Marry me 737 00:41:13,100 --> 00:41:19,965 -♪ Marry me -♪ Marry me 738 00:41:19,966 --> 00:41:22,465 ♪ I'm a maid who would marry 739 00:41:22,466 --> 00:41:24,999 ♪ And will take with no qualm 740 00:41:25,000 --> 00:41:29,665 ♪ Any Tom, Dick or Harry, any Harry, Dick or Tom ♪ 741 00:41:29,666 --> 00:41:34,265 ♪ I'm a maid mad to marry and will take double-quick ♪ 742 00:41:34,266 --> 00:41:39,065 ♪ Any Tom, Dick or Harry, any Tom, Harry or Dick ♪ 743 00:41:39,066 --> 00:41:41,665 ♪ I'm the man thou shouldst marry ♪ 744 00:41:41,666 --> 00:41:43,799 -♪ Howdy, Pop -♪ Howdy, Mom 745 00:41:43,800 --> 00:41:46,065 ♪ I'm the man thou shouldst marry ♪ 746 00:41:46,066 --> 00:41:48,132 ♪ Art thou Harry, Dick or Tom? ♪ 747 00:41:48,133 --> 00:41:50,299 ♪ I'm the man thou shouldst marry ♪ 748 00:41:50,300 --> 00:41:52,232 -♪ Howdy, pal -♪ Howdy, chick 749 00:41:52,233 --> 00:41:54,799 ♪ Art thou Tom, Dick or Harry? ♪ 750 00:41:54,800 --> 00:41:56,799 ♪ Call me Tom, Harry or Dick 751 00:41:56,800 --> 00:41:59,399 ♪ I'm a maid who would marry ♪ She's a maid who would marry ♪ 752 00:41:59,400 --> 00:42:01,399 ♪ And would no longer tarry 753 00:42:01,400 --> 00:42:03,765 -♪ She's a maid mad to marry -♪ I'm a maid mad to marry 754 00:42:03,766 --> 00:42:06,299 -♪ May her hopes not miscarry -♪ May my hopes not miscarry 755 00:42:06,300 --> 00:42:08,632 -♪ She's a maid mad to marry -♪ I'm a maid mad to marry 756 00:42:08,633 --> 00:42:10,832 ♪ And will take double-quick 757 00:42:10,833 --> 00:42:15,032 ♪ Any Tom, Dick or Harry 758 00:42:15,033 --> 00:42:18,932 ♪ Any Tom, Harry or Dick 759 00:42:18,933 --> 00:42:21,299 ♪ A dicka dick, a dicka dick 760 00:42:21,300 --> 00:42:24,432 ♪ A dicka dick, a dicka dick, a dicka dick ♪ 761 00:42:24,433 --> 00:42:26,499 ♪ A dicka dick, a dick dick 762 00:42:26,500 --> 00:42:28,199 Okay, go for it, boys. 763 00:42:28,200 --> 00:42:31,232 ♪ 764 00:42:31,233 --> 00:42:32,365 Very good! 765 00:42:32,366 --> 00:42:40,366 ♪ 766 00:42:42,233 --> 00:42:44,365 Whoo-hoo! I love that. 767 00:42:44,366 --> 00:42:52,366 ♪ 768 00:42:54,300 --> 00:43:02,300 [ Scatting ] 769 00:43:02,466 --> 00:43:03,665 -♪ Marry me -♪ Marry me 770 00:43:03,666 --> 00:43:04,832 ♪ Marry me 771 00:43:04,833 --> 00:43:12,833 ♪ 772 00:43:33,833 --> 00:43:38,365 ♪ Any Tom, Dick, or Harry 773 00:43:38,366 --> 00:43:41,565 ♪ Any Tom ♪ Tom, Dick 774 00:43:41,566 --> 00:43:44,265 ♪ Tom, Dick, or Harry ♪ Or Harry 775 00:43:44,266 --> 00:43:46,299 ♪ Tom, Dick 776 00:43:46,300 --> 00:43:48,232 ♪ Tom, Dick, or Harry 777 00:43:48,233 --> 00:43:52,532 ♪ Any To-o-o-m, Harry 778 00:43:52,533 --> 00:43:55,699 ♪ Or Dick ♪ Tom, Dick 779 00:43:55,700 --> 00:43:57,765 ♪ Tom, Dick, or Harry 780 00:43:57,766 --> 00:44:00,165 ♪ 781 00:44:00,166 --> 00:44:02,665 -♪ Tom, Harry or Dick -Yeah! 782 00:44:02,666 --> 00:44:04,866 [ Cheers and applause ] 783 00:44:08,100 --> 00:44:09,965 [ Indistinct conversations ] 784 00:44:09,966 --> 00:44:17,966 ♪ 785 00:44:26,300 --> 00:44:29,999 Sweet Bianca. She sings as sweetly as a nightingale. 786 00:44:30,000 --> 00:44:33,765 She looks as clear as morning roses newly washed with dew. 787 00:44:33,766 --> 00:44:36,565 And with a rose the maid hath chosen a fool. 788 00:44:36,566 --> 00:44:39,165 And if it be so, sir, is it of any offense? 789 00:44:39,166 --> 00:44:42,132 No, if without more words, you will get you hence. 790 00:44:42,133 --> 00:44:46,465 [ Indistinct shouting ] 791 00:44:46,466 --> 00:44:47,500 Oh, God! 792 00:44:49,133 --> 00:44:51,932 -Petruchio! -Lucentio! 793 00:44:51,933 --> 00:44:53,532 [ Laughs ] 794 00:44:53,533 --> 00:44:56,499 What happy gale blows you to Padua from fair Verona? 795 00:44:56,500 --> 00:45:00,265 Why, such a wind as scatters young men through the world 796 00:45:00,266 --> 00:45:02,732 to seek their fortunes further than at home. 797 00:45:02,733 --> 00:45:05,199 And you? -Well, I came to study. 798 00:45:05,200 --> 00:45:07,165 Oh, I'm glad that you thus continue your resolve 799 00:45:07,166 --> 00:45:09,599 to suck the sweets of sweet philosophy, 800 00:45:09,600 --> 00:45:12,232 the mathematics, and the botany. 801 00:45:12,233 --> 00:45:14,599 Fall to them as your stomach serves you. 802 00:45:14,600 --> 00:45:17,465 No profit grows where is no pleasure taken. 803 00:45:17,466 --> 00:45:20,099 In brief, sir, study. 804 00:45:20,100 --> 00:45:22,932 As for me... 805 00:45:22,933 --> 00:45:28,265 ♪ I've come to wive it wealthily in Padua ♪ 806 00:45:28,266 --> 00:45:33,599 ♪ If wealthily then happily in Padua ♪ 807 00:45:33,600 --> 00:45:36,232 ♪ If my wife has a bag of gold 808 00:45:36,233 --> 00:45:40,365 ♪ Do I care if the bag be old? 809 00:45:40,366 --> 00:45:45,765 ♪ I've come to wive it wealthily in Padua ♪ 810 00:45:45,766 --> 00:45:51,299 ♪ He's come to wive it wealthily in Padua ♪ 811 00:45:51,300 --> 00:45:52,865 ♪ I heard you mutter 812 00:45:52,866 --> 00:45:56,499 ♪ "Zounds, a loathsome lad you are" ♪ 813 00:45:56,500 --> 00:45:59,032 ♪ I shall not be disturbed one bit ♪ 814 00:45:59,033 --> 00:46:01,599 ♪ If she be but a quarter-wit 815 00:46:01,600 --> 00:46:04,099 ♪ If she only can talk of clo'es ♪ 816 00:46:04,100 --> 00:46:08,365 ♪ While she powders her... nose [ Laughter ] 817 00:46:08,366 --> 00:46:13,665 ♪ I've come to wive it wealthily in Padua ♪ 818 00:46:13,666 --> 00:46:19,032 ♪ He's come to wive it wealthily in Padua ♪ 819 00:46:19,033 --> 00:46:20,399 ♪ I heard you say 820 00:46:20,400 --> 00:46:24,265 ♪ "Gadzooks, completely mad you are" ♪ 821 00:46:24,266 --> 00:46:26,165 ♪ Wouldn't give me the slightest shock ♪ 822 00:46:26,166 --> 00:46:27,432 -Ow! -♪ If her knees now and then 823 00:46:27,433 --> 00:46:29,065 ♪ Should knock 824 00:46:29,066 --> 00:46:31,599 ♪ If her eyes were a wee bit crossed ♪ 825 00:46:31,600 --> 00:46:33,466 ♪ If she's wearing the hair 826 00:46:34,366 --> 00:46:35,732 ♪ She's lost 827 00:46:35,733 --> 00:46:38,465 ♪ Still the damsel I'll make my dame ♪ 828 00:46:38,466 --> 00:46:41,799 ♪ In the dark they are all the same ♪ 829 00:46:41,800 --> 00:46:44,265 [ Laughter ] 830 00:46:44,266 --> 00:46:47,465 Now, now, padre. Mnh-mnh. 831 00:46:47,466 --> 00:46:52,699 ♪ I've come to wive it wealthily in Padua ♪ 832 00:46:52,700 --> 00:46:58,065 ♪ He's come to wive it wealthily in Padua ♪ 833 00:46:58,066 --> 00:46:59,232 ♪ I heard you say 834 00:46:59,233 --> 00:47:02,965 ♪ "Good gad, what a cad you are" ♪ 835 00:47:02,966 --> 00:47:05,532 ♪ Do I mind if she fret and fuss ♪ 836 00:47:05,533 --> 00:47:07,832 ♪ If she fume like Vesuvius 837 00:47:07,833 --> 00:47:10,199 ♪ If she roar like a winter breeze ♪ 838 00:47:10,200 --> 00:47:12,499 ♪ On the rough Adriatic Seas Oh! 839 00:47:12,500 --> 00:47:14,565 ♪ She screams like a teething brat ♪ 840 00:47:14,566 --> 00:47:16,465 ♪ If she scratch like a tiger cat ♪ 841 00:47:16,466 --> 00:47:19,233 ♪ If she fight like a raging boar ♪ 842 00:47:21,700 --> 00:47:26,899 ♪ I have oft stuck a pig before ♪ 843 00:47:26,900 --> 00:47:30,632 [ Men exclaiming, women clamoring ] 844 00:47:30,633 --> 00:47:31,965 Ha! 845 00:47:31,966 --> 00:47:38,032 ♪ I've come to wive it wealthily in Padua ♪ 846 00:47:38,033 --> 00:47:43,999 ♪ With a hunny, nunny, nunny and a hey, hey, hey ♪ 847 00:47:44,000 --> 00:47:47,232 ♪ Not to mention money, money 848 00:47:47,233 --> 00:47:52,565 ♪ For a rainy day 849 00:47:52,566 --> 00:47:53,865 [ Ding! ] 850 00:47:53,866 --> 00:47:58,099 ♪ He's come to wive it wealthily ♪ 851 00:47:58,100 --> 00:48:05,065 ♪ In Padua 852 00:48:05,066 --> 00:48:07,833 [ Cheers and applause ] 853 00:48:09,566 --> 00:48:12,899 Hey! This gentleman is happily arrived. 854 00:48:12,900 --> 00:48:15,332 Petruchio, thou'rt too much, my friend. 855 00:48:15,333 --> 00:48:18,532 I cannot wish him to a shrewd, ill-tempered wife. 856 00:48:18,533 --> 00:48:21,232 -But she is rich. -Yes, rich and beauteous. 857 00:48:21,233 --> 00:48:24,032 But shrewd and forward so beyond all measure. 858 00:48:24,033 --> 00:48:26,699 That were my state far poorer than it is, 859 00:48:26,700 --> 00:48:30,799 I would not wed her for a mine of gold. 860 00:48:30,800 --> 00:48:35,965 Peace! Lucentio, thou know'st not gold's effect. 861 00:48:35,966 --> 00:48:38,265 If thou know'st one rich enough to be Petruchio's wife, 862 00:48:38,266 --> 00:48:40,599 then tell me her father's name, 'tis enough. 863 00:48:40,600 --> 00:48:42,865 -Her father is Baptista Minola. -Ah! 864 00:48:42,866 --> 00:48:45,165 -Her name is Katherine... -Katherine. 865 00:48:45,166 --> 00:48:47,132 ...elder sister of the fair Bianca. 866 00:48:47,133 --> 00:48:51,133 Fair Bianca. [ Katherine shrieking ] 867 00:48:52,833 --> 00:48:53,900 That is she. 868 00:48:55,300 --> 00:48:57,433 An irksome, brawling scold. 869 00:48:58,900 --> 00:49:02,399 Think you a little din can daunt mine ears? 870 00:49:02,400 --> 00:49:05,932 Have I not in my time heard lions roar? 871 00:49:05,933 --> 00:49:08,299 Have I not heard great ordnance in the field, 872 00:49:08,300 --> 00:49:11,532 and heaven's artillery thunder in the sky? 873 00:49:11,533 --> 00:49:13,965 And tell you me of a woman's tongue 874 00:49:13,966 --> 00:49:15,799 that give not half a great a blow 875 00:49:15,800 --> 00:49:18,799 to hear as does a chestnut in a farmer's fire? 876 00:49:18,800 --> 00:49:21,699 Then you will woo this wildcat? 877 00:49:21,700 --> 00:49:24,132 -Will I live? -Oh! 878 00:49:24,133 --> 00:49:26,699 I promise we will be contributors, 879 00:49:26,700 --> 00:49:29,599 and bear your charge of wooing, whatsoe'er. 880 00:49:29,600 --> 00:49:30,832 Done. 881 00:49:30,833 --> 00:49:33,399 Let's quaff carouses to this gentleman. 882 00:49:33,400 --> 00:49:35,032 For all of this, much thanks. 883 00:49:35,033 --> 00:49:37,565 Provided that you win her. 884 00:49:37,566 --> 00:49:38,966 Mm! 885 00:49:41,600 --> 00:49:44,999 Lucentio, go you to old Baptista and say, 886 00:49:45,000 --> 00:49:47,565 "I have a husband for Katherine." 887 00:49:47,566 --> 00:49:49,033 Katherine the Curst! 888 00:49:50,733 --> 00:49:52,899 "Katherine the Curst." 889 00:49:52,900 --> 00:49:57,965 Ha. A title for a maid, of all titles the worst. 890 00:49:57,966 --> 00:49:59,099 [ Laughs ] 891 00:49:59,100 --> 00:50:02,399 Sister, content you with my discontent. 892 00:50:02,400 --> 00:50:05,099 [ Indistinct shouting ] 893 00:50:05,100 --> 00:50:08,232 Katherine. Katherine. 894 00:50:08,233 --> 00:50:11,599 For shame, thou, hilding of a devilish spirit. 895 00:50:11,600 --> 00:50:16,265 Poor child, she weeps. -She is your treasure. 896 00:50:16,266 --> 00:50:19,032 She must have a husband. 897 00:50:19,033 --> 00:50:21,799 I must dance barefoot on her wedding day, 898 00:50:21,800 --> 00:50:26,432 and, for your love to her, lead apes in hell. 899 00:50:26,433 --> 00:50:29,433 Oh, was ever a gentleman thus grieved as I? 900 00:50:30,666 --> 00:50:32,099 A word with you, kind sir. 901 00:50:32,100 --> 00:50:35,033 Importune me no further, good sir, for how I firmly am r... 902 00:50:37,466 --> 00:50:38,600 What say you now? 903 00:50:41,566 --> 00:50:43,699 That is indeed news. 904 00:50:43,700 --> 00:50:47,133 Good news! Come in, Lucentio. Ha! 905 00:50:48,233 --> 00:50:53,400 -Lucentio, thou meacock wretch. -Oh-oh-oh-hoo! Ooh! 906 00:50:59,633 --> 00:51:03,032 ♪ I hate 907 00:51:03,033 --> 00:51:04,033 ♪ Men 908 00:51:05,400 --> 00:51:09,133 ♪ I can't abide them even now and then ♪ 909 00:51:10,200 --> 00:51:12,699 ♪ Than ever marry one of them 910 00:51:12,700 --> 00:51:15,232 ♪ I'd rest a virgin rather 911 00:51:15,233 --> 00:51:18,065 ♪ For husbands are a boring lot ♪ 912 00:51:18,066 --> 00:51:20,765 ♪ They only give you bother 913 00:51:20,766 --> 00:51:22,965 ♪ Of course, I'm awf'lly glad 914 00:51:22,966 --> 00:51:27,065 ♪ That Mother had to marry Father ♪ 915 00:51:27,066 --> 00:51:32,066 ♪ But I hate men 916 00:51:32,700 --> 00:51:35,265 ♪ Of all the type I've ever met ♪ 917 00:51:35,266 --> 00:51:37,499 ♪ Within our democracy 918 00:51:37,500 --> 00:51:40,099 ♪ I hate the most the athlete 919 00:51:40,100 --> 00:51:43,399 ♪ With his manner bold and brassy ♪ 920 00:51:43,400 --> 00:51:46,699 ♪ He may have hair upon his chest ♪ 921 00:51:46,700 --> 00:51:50,000 ♪ But, sister, so did Lassie 922 00:51:51,200 --> 00:51:56,866 ♪ I hate men 923 00:51:57,300 --> 00:52:00,965 ♪ 924 00:52:00,966 --> 00:52:04,566 ♪ I hate men 925 00:52:05,866 --> 00:52:09,300 ♪ Their worth upon this Earth I dinna ken ♪ 926 00:52:10,666 --> 00:52:12,799 ♪ Avoid the trav'ling salesman 927 00:52:12,800 --> 00:52:15,799 ♪ Though a tempting Tom he may be ♪ 928 00:52:15,800 --> 00:52:21,399 ♪ From China he will bring you jade and perfume from Araby ♪ 929 00:52:21,400 --> 00:52:24,999 ♪ But don't forget 'tis he who'll have the fun ♪ 930 00:52:25,000 --> 00:52:27,732 ♪ And ye the baby 931 00:52:27,733 --> 00:52:29,899 [ Breathing heavily ] 932 00:52:29,900 --> 00:52:32,865 [ Groaning ] 933 00:52:32,866 --> 00:52:36,932 ♪ I hate men 934 00:52:36,933 --> 00:52:39,732 ♪ If you should wed a businessman ♪ 935 00:52:39,733 --> 00:52:42,065 ♪ Be wary, oh, be wary 936 00:52:42,066 --> 00:52:44,599 ♪ He'll tell you he's detained in town ♪ 937 00:52:44,600 --> 00:52:47,665 ♪ On business necessary 938 00:52:47,666 --> 00:52:50,499 ♪ The business is the business 939 00:52:50,500 --> 00:52:55,265 ♪ That he gives his secretary 940 00:52:55,266 --> 00:52:59,900 ♪ I hate men 941 00:53:00,533 --> 00:53:05,965 ♪ 942 00:53:05,966 --> 00:53:09,432 ♪ I hate men 943 00:53:09,433 --> 00:53:11,199 Sing it with me! 944 00:53:11,200 --> 00:53:15,099 ♪ I hate men 945 00:53:15,100 --> 00:53:16,100 ♪ Yes! 946 00:53:16,101 --> 00:53:17,465 ♪ Though roosters they 947 00:53:17,466 --> 00:53:19,400 ♪ I will not play the hen 948 00:53:20,600 --> 00:53:23,065 ♪ If you espouse an older man 949 00:53:23,066 --> 00:53:25,465 ♪ Through girlish optimism 950 00:53:25,466 --> 00:53:28,099 ♪ He'll always stay at home at night ♪ 951 00:53:28,100 --> 00:53:30,799 ♪ And make no criticism 952 00:53:30,800 --> 00:53:33,432 ♪ Though some may call it love 953 00:53:33,433 --> 00:53:37,532 ♪ The doctors call it "rheumatism" ♪ 954 00:53:37,533 --> 00:53:43,199 ♪ Oh, I hate men 955 00:53:43,200 --> 00:53:45,732 ♪ Of all I've read, alone in bed ♪ 956 00:53:45,733 --> 00:53:47,799 ♪ From A to zed, about 'em 957 00:53:47,800 --> 00:53:50,399 ♪ Since love is blind, then from our mind ♪ 958 00:53:50,400 --> 00:53:53,065 ♪ All womankind should rout 'em ♪ 959 00:53:53,066 --> 00:53:56,499 ♪ But, ladies, you must answer too ♪ 960 00:53:56,500 --> 00:54:01,232 ♪ What would you do without 'em? ♪ 961 00:54:01,233 --> 00:54:08,965 ♪ Still, I hate men 962 00:54:08,966 --> 00:54:11,533 [ Cheers and applause ] 963 00:54:17,400 --> 00:54:21,365 -Katherine! Wonder of wonders! -What? 964 00:54:21,366 --> 00:54:24,899 A gentleman from Verona desires you in marriage. 965 00:54:24,900 --> 00:54:27,300 Well, then he best go back there. 966 00:54:28,633 --> 00:54:31,033 [ Trilling tongue ] 967 00:54:32,400 --> 00:54:34,932 Uh, greetings, kind sir. 968 00:54:34,933 --> 00:54:37,099 I hear, sir, you have a daughter called Katherine, 969 00:54:37,100 --> 00:54:38,832 fair and virtuous. 970 00:54:38,833 --> 00:54:40,665 I have a daughter, sir, called Katherine. 971 00:54:40,666 --> 00:54:42,365 I am a gentleman of Verona, sir, 972 00:54:42,366 --> 00:54:44,199 who hearing of her beauty and her wit, 973 00:54:44,200 --> 00:54:46,432 her affability and bashful modesty, 974 00:54:46,433 --> 00:54:49,199 her wondrous qualities and mild behavior, 975 00:54:49,200 --> 00:54:52,465 am bold to make myself a forward guest within your house, 976 00:54:52,466 --> 00:54:55,032 so that mine eye might be a witness of that report. 977 00:54:55,033 --> 00:54:57,899 Signor Baptista, my business... 978 00:54:57,900 --> 00:55:03,200 No! No, no! Oh, I'm gonna kill him. 979 00:55:04,633 --> 00:55:07,565 Paul, where is he? Yeah? Is he in... 980 00:55:07,566 --> 00:55:10,165 No, no, no, no! Hattie! 981 00:55:10,166 --> 00:55:13,399 -Alright! -Hattie! I need my pills. 982 00:55:13,400 --> 00:55:15,532 Oh, God. -[ Speaking indistinctly ] 983 00:55:15,533 --> 00:55:18,999 Shut up, Pops! Fred has done it again. 984 00:55:19,000 --> 00:55:21,032 -Take a pill, take a pill. -He's done it again. 985 00:55:21,033 --> 00:55:22,832 They're not for me. They're for Lois. 986 00:55:22,833 --> 00:55:24,599 What?! 987 00:55:24,600 --> 00:55:27,432 Love is a lie! 988 00:55:27,433 --> 00:55:31,099 ♪ 989 00:55:31,100 --> 00:55:33,165 -Where are you? Ralph? -Let specialties therefore 990 00:55:33,166 --> 00:55:35,499 be drawn between us... -Are you insane? 991 00:55:35,500 --> 00:55:38,832 Did you know about this?! I'm out! I'm out! 992 00:55:38,833 --> 00:55:42,132 ...that is, her love, for that is all in all. 993 00:55:42,133 --> 00:55:44,232 Why, that is nothing, Father, for I tell you, 994 00:55:44,233 --> 00:55:47,165 I am as peremptory as she is proud-minded. 995 00:55:47,166 --> 00:55:49,132 That bastard! 996 00:55:49,133 --> 00:55:51,532 -I will attend her here... -No, no! Get off! 997 00:55:51,533 --> 00:55:54,632 ...and woo her with some spirit when she comes. 998 00:55:54,633 --> 00:55:56,565 If she do rail, I'll tell her plain 999 00:55:56,566 --> 00:55:59,099 she sings as sweetly as a nightingale. 1000 00:55:59,100 --> 00:56:02,065 If she do bid me pack... -I bid thee pack. 1001 00:56:02,066 --> 00:56:03,132 What? 1002 00:56:03,133 --> 00:56:05,065 Grazie, signorina. 1003 00:56:05,066 --> 00:56:07,865 And now, Signor Petruchio, speak. 1004 00:56:07,866 --> 00:56:11,665 Oh, yes, speak, Petruchio. 1005 00:56:11,666 --> 00:56:14,632 Though thy message is not meant for me, 1006 00:56:14,633 --> 00:56:16,132 you lousy no-good son of a bitch! 1007 00:56:16,133 --> 00:56:17,932 Good morrow, Kate. We're on stage, Lilli. 1008 00:56:17,933 --> 00:56:19,299 We're on stage. -[ Screams ] 1009 00:56:19,300 --> 00:56:22,365 Good morrow, Kate, for that's your name, I hear. 1010 00:56:22,366 --> 00:56:26,732 Well, you have heard, but somewhat hard of hearing. 1011 00:56:26,733 --> 00:56:28,899 They call me Katherine that do talk of me. 1012 00:56:28,900 --> 00:56:31,565 You lie, in faith, for you are called plain Kate, 1013 00:56:31,566 --> 00:56:35,065 and bonny Kate, and sometimes Kate the Curst. 1014 00:56:35,066 --> 00:56:38,165 And so, Kate, the prettiest Kate in Christendom, 1015 00:56:38,166 --> 00:56:41,299 take this of me, Kate of my consolation. 1016 00:56:41,300 --> 00:56:43,799 Hearing of your mildness praised in every town, 1017 00:56:43,800 --> 00:56:47,299 your virtue spoken of, and your beauty sounded, 1018 00:56:47,300 --> 00:56:50,199 though not so deeply as belongs to thee, 1019 00:56:50,200 --> 00:56:53,465 myself am moved to woo thee for my wife. 1020 00:56:53,466 --> 00:56:56,332 Moved in good time. 1021 00:56:56,333 --> 00:57:01,565 Let him who moved you hither remove you hence. 1022 00:57:01,566 --> 00:57:04,832 I knew at the first, you were a movable. 1023 00:57:04,833 --> 00:57:07,699 -Why, what is a movable? -A joint stool. 1024 00:57:07,700 --> 00:57:09,899 Thou hast hit it. Come, sit on me. 1025 00:57:09,900 --> 00:57:12,265 No. No, no. 1026 00:57:12,266 --> 00:57:14,465 Asses are made to bear, and so are you. 1027 00:57:14,466 --> 00:57:16,432 Women are made to bear, and so are you. 1028 00:57:16,433 --> 00:57:18,499 No such jade as you, if me you mean. 1029 00:57:18,500 --> 00:57:20,832 What? Ow! Damn it! 1030 00:57:20,833 --> 00:57:22,699 Come, you wasp, you are too angry. 1031 00:57:22,700 --> 00:57:26,765 If I be too waspish, best beware my sting. 1032 00:57:26,766 --> 00:57:28,799 What? Oh! Damn it! 1033 00:57:28,800 --> 00:57:30,699 My remedy then is to pluck it out. 1034 00:57:30,700 --> 00:57:34,165 Aye, if the fool could find it where it lies. 1035 00:57:34,166 --> 00:57:37,065 Who knows not where a wasp bee wear his sting? 1036 00:57:37,066 --> 00:57:39,332 In his tail. -[ Grunts ] 1037 00:57:39,333 --> 00:57:40,765 I swear I'll cuff you, if you strike again. 1038 00:57:40,766 --> 00:57:42,399 Listen to me, Miss Vanessi. 1039 00:57:42,400 --> 00:57:44,265 You go on acting the way you're acting, 1040 00:57:44,266 --> 00:57:45,832 I'll give you the biggest paddling of your life, 1041 00:57:45,833 --> 00:57:47,999 and right here on stage. -No, you wouldn't dare. 1042 00:57:48,000 --> 00:57:51,099 Oh-ho! Oh-ho! Oh-ho! 1043 00:57:51,100 --> 00:57:52,665 No? 1044 00:57:52,666 --> 00:57:56,699 If you strike me, you are no gentleman. 1045 00:57:56,700 --> 00:57:59,799 -[ Scoffs ] -What is your crest? A coxcomb? 1046 00:57:59,800 --> 00:58:02,432 No, a combless cock, and Kate shall be my hen. 1047 00:58:02,433 --> 00:58:04,232 -Fred! Harry! Harry! -You asked for it. 1048 00:58:04,233 --> 00:58:07,299 -You're gonna get it. -And now, Signor Petruchio, 1049 00:58:07,300 --> 00:58:09,666 how speed you with my daughter? 1050 00:58:13,333 --> 00:58:16,165 How, but well, sir? How, but well? 1051 00:58:16,166 --> 00:58:18,432 It were impossible we should speed amiss. 1052 00:58:18,433 --> 00:58:20,765 We've agreed so well together that upon Sunday 1053 00:58:20,766 --> 00:58:22,099 is the wedding day. 1054 00:58:22,100 --> 00:58:25,732 God give you joy, son. 'Tis a match! 1055 00:58:25,733 --> 00:58:28,999 -Amen, we say! -'Tis a match! 'Tis a match! 1056 00:58:29,000 --> 00:58:32,432 And so, Father, wife and gentlemen, adieu. 1057 00:58:32,433 --> 00:58:35,899 I will to Venice, where I... 1058 00:58:35,900 --> 00:58:38,232 I'm warning you. I'm warning you. 1059 00:58:38,233 --> 00:58:40,065 I will to Venice, where I will buy apparel 1060 00:58:40,066 --> 00:58:41,332 for the wedding day. 1061 00:58:41,333 --> 00:58:43,299 For Sunday comes apace. 1062 00:58:43,300 --> 00:58:48,199 We will have rings and things and fine array. 1063 00:58:48,200 --> 00:58:49,866 So, kiss me, Kate. 1064 00:58:52,000 --> 00:58:56,566 I'll see thee hanged on Sunday first. 1065 00:58:57,066 --> 00:58:58,233 [ Spits ] 1066 00:59:07,533 --> 00:59:09,499 Steve, do something, just do something really quickly. 1067 00:59:09,500 --> 00:59:10,765 Right now, right now, right now. 1068 00:59:10,766 --> 00:59:18,699 ♪ 1069 00:59:18,700 --> 00:59:22,899 Hattie! Hattie! 1070 00:59:22,900 --> 00:59:26,865 Oh! Pack my bags. I am through! 1071 00:59:26,866 --> 00:59:29,332 I don't blame you one bit. 1072 00:59:29,333 --> 00:59:31,999 That is the last time you will lay your hands on me, 1073 00:59:32,000 --> 00:59:33,332 Mr. Graham. -I didn't... 1074 00:59:33,333 --> 00:59:34,899 I didn't touch her! I didn't touch her! 1075 00:59:34,900 --> 00:59:36,865 Only because Harry stopped you. 1076 00:59:36,866 --> 00:59:38,965 You were poised to spank me. -No, no, no. 1077 00:59:38,966 --> 00:59:40,865 Petruchio was poised to spank Kate, 1078 00:59:40,866 --> 00:59:44,099 which is entirely justified given the context of the scene. 1079 00:59:44,100 --> 00:59:46,132 -That's kind of fair. -Shut up, Paul! 1080 00:59:46,133 --> 00:59:49,599 Motivated, I might add, by your liberal improvisations. 1081 00:59:49,600 --> 00:59:51,865 -Improvisations? -Yes. May I remind you, 1082 00:59:51,866 --> 00:59:53,165 Miss Vanessi, the name of the piece 1083 00:59:53,166 --> 00:59:54,432 is "The Taming of the Shrew," 1084 00:59:54,433 --> 00:59:56,332 not "The Punching of the Fred." 1085 00:59:56,333 --> 00:59:58,999 Be quiet, you lunatics! There's a show onstage! 1086 00:59:59,000 --> 01:00:01,665 Yeah. You got the worst temper in show business. 1087 01:00:01,666 --> 01:00:04,865 The studio fired you. -Sure. [ Laughs ] 1088 01:00:04,866 --> 01:00:08,232 Lecture me now after you just embarrassed yourself 1089 01:00:08,233 --> 01:00:11,099 with someone who could be your granddaughter! 1090 01:00:11,100 --> 01:00:14,099 Oh, what, you're jealous? You divorced me. 1091 01:00:14,100 --> 01:00:17,565 Did I dream that? -You gave my wedding bouq... 1092 01:00:17,566 --> 01:00:21,332 [ Sobbing ] 1093 01:00:21,333 --> 01:00:24,332 You gave... 1094 01:00:24,333 --> 01:00:28,533 my wedding bouquet to that tramp. 1095 01:00:29,633 --> 01:00:31,533 [ Sobbing ] 1096 01:00:33,233 --> 01:00:35,132 But that is no excuse for ad-libbing. 1097 01:00:35,133 --> 01:00:38,266 Oh, my God! [ Screams ] 1098 01:00:39,500 --> 01:00:42,665 [ Inhales sharply ] "Let my lovely Lois shine 1099 01:00:42,666 --> 01:00:44,132 through Bianca tonight 1100 01:00:44,133 --> 01:00:46,499 and there'll be a new star in the heavens." 1101 01:00:46,500 --> 01:00:49,432 Thou jerk! -Alright, alright, alright. 1102 01:00:49,433 --> 01:00:52,399 Look, so I sent the kid some fl... 1103 01:00:52,400 --> 01:00:54,232 Oh, my God. 1104 01:00:54,233 --> 01:00:56,999 So I sent the kid some... Oh. 1105 01:00:57,000 --> 01:00:59,065 -[ Sighs ] -Look. 1106 01:00:59,066 --> 01:01:01,332 So I sent the kid some flowers. 1107 01:01:01,333 --> 01:01:03,099 I put a note in with the flowers. 1108 01:01:03,100 --> 01:01:07,132 But may I remind you, I am free, male, and barely 50. 1109 01:01:07,133 --> 01:01:10,032 -50?! -Yeah, well, 55, something. 1110 01:01:10,033 --> 01:01:12,432 What actor has done what I have done? 1111 01:01:12,433 --> 01:01:14,632 What about my Peer Gynt in London? 1112 01:01:14,633 --> 01:01:17,966 Croydon is not London! 1113 01:01:20,733 --> 01:01:22,932 What about my Hamlet in Dublin? 1114 01:01:22,933 --> 01:01:24,832 They paid you in potatoes. Mashed. 1115 01:01:24,833 --> 01:01:27,632 Oh, my God, Miss Vanessi, you've got no soul. 1116 01:01:27,633 --> 01:01:29,399 Oh, I couldn't teach you manners as a wife, 1117 01:01:29,400 --> 01:01:32,199 but I will teach you manners as an actress. 1118 01:01:32,200 --> 01:01:34,099 Not in this production, my pet. 1119 01:01:34,100 --> 01:01:36,299 -What did you say? -You heard me. 1120 01:01:36,300 --> 01:01:39,232 And here is something to remember me by. -What? 1121 01:01:39,233 --> 01:01:42,132 Oh, my God! What are you trying to do? 1122 01:01:42,133 --> 01:01:46,065 Kill me? Oh, my God, oh, I think my nose is broken. 1123 01:01:46,066 --> 01:01:48,765 Oh, God. Ralph! Ralph! I'm bleeding. 1124 01:01:48,766 --> 01:01:49,899 -Yes, sir. -Get me some alcohol. 1125 01:01:49,900 --> 01:01:52,799 -Yes, sir. -God, there's got to be a law 1126 01:01:52,800 --> 01:01:54,965 against attempted murder even in Baltimore. 1127 01:01:54,966 --> 01:01:56,632 -Oh. -Oh. Oh, my God. 1128 01:01:56,633 --> 01:01:57,633 Oh, Paul. 1129 01:01:59,500 --> 01:02:01,233 Does my nose look broken? 1130 01:02:02,966 --> 01:02:05,232 -It always has. -Oh, God. 1131 01:02:05,233 --> 01:02:06,965 Do you want a glass or just drink straight from the bottle? 1132 01:02:06,966 --> 01:02:08,199 I'll drink it straight from the bottle. 1133 01:02:08,200 --> 01:02:11,332 That monstrous, monstrous female. 1134 01:02:11,333 --> 01:02:13,132 Oh, my God. Am I bleeding heavily? 1135 01:02:13,133 --> 01:02:14,465 Am I bleeding? -I don't see anything. 1136 01:02:14,466 --> 01:02:17,465 -Oh, yeah? What's that? -Max Factor Number 2. 1137 01:02:17,466 --> 01:02:20,532 Get out of here! Get out of here. 1138 01:02:20,533 --> 01:02:24,199 Harrison, I will marry you tonight. 1139 01:02:24,200 --> 01:02:25,932 That villain accosted me. 1140 01:02:25,933 --> 01:02:27,932 On stage. In front of a paying audience. 1141 01:02:27,933 --> 01:02:29,565 I'm done with the theater. 1142 01:02:29,566 --> 01:02:32,732 Oh, I just want to go where people are real, 1143 01:02:32,733 --> 01:02:35,532 where people have integrity. 1144 01:02:35,533 --> 01:02:39,165 [ Gasps ] Yes, I will go to Washington. 1145 01:02:39,166 --> 01:02:40,832 Oh! 1146 01:02:40,833 --> 01:02:43,699 Oh, my darling, it's going to be a whole new world with you. 1147 01:02:43,700 --> 01:02:46,032 Hattie, please pack my things. 1148 01:02:46,033 --> 01:02:49,765 I'll wear my terra-cotta suit and my new hat. 1149 01:02:49,766 --> 01:02:55,299 Yes, my darling, he raised his hand to me like the beast he is. 1150 01:02:55,300 --> 01:02:57,465 -I'm a realistic actor. -That's right. 1151 01:02:57,466 --> 01:03:01,499 I am quitting. Right now! -Oh, no, no. 1152 01:03:01,500 --> 01:03:03,099 No, you don't really mean you'd leave in the middle 1153 01:03:03,100 --> 01:03:04,865 of a performance! -Oh, no? 1154 01:03:04,866 --> 01:03:06,865 I will have you up on charges with Equity. 1155 01:03:06,866 --> 01:03:11,432 Oh, I will be glad, glad to appear before Equity! 1156 01:03:11,433 --> 01:03:13,699 I shall gather signed testimonials. 1157 01:03:13,700 --> 01:03:16,265 Oh, yeah? Well, I'll bring my X-rays. 1158 01:03:16,266 --> 01:03:18,265 You hit me, remember? 1159 01:03:18,266 --> 01:03:21,365 Nothing you can do or say will stop me. 1160 01:03:21,366 --> 01:03:23,765 No. So, who was that? 1161 01:03:23,766 --> 01:03:25,865 Was that your mystery man on the phone? 1162 01:03:25,866 --> 01:03:27,632 Yes. He's coming for me right now. 1163 01:03:27,633 --> 01:03:30,199 He is a real man. 1164 01:03:30,200 --> 01:03:31,765 And I am leaving with him tonight. 1165 01:03:31,766 --> 01:03:34,366 Oh, no, no, no. You don't really mean you'd leave. 1166 01:03:35,500 --> 01:03:39,732 My God. Yes, you do. -You bet I do. 1167 01:03:39,733 --> 01:03:41,665 But you'll never work in the theater again! 1168 01:03:41,666 --> 01:03:43,599 -Who wants to?! -Oh, my God. 1169 01:03:43,600 --> 01:03:45,065 She's out of her mind. -Get out. 1170 01:03:45,066 --> 01:03:47,832 Get out! Get out! Get out! Get out! 1171 01:03:47,833 --> 01:03:49,765 Oh, no. 1172 01:03:49,766 --> 01:03:52,699 Not you guys again. -Hello again. 1173 01:03:52,700 --> 01:03:56,532 We just come by to check whether any of that stage combat 1174 01:03:56,533 --> 01:03:58,365 jostled loose a memory or two. 1175 01:03:58,366 --> 01:04:02,565 -Regarding the IOU. -And the signing thereof. 1176 01:04:02,566 --> 01:04:05,899 How can I remember something that I never even did? 1177 01:04:05,900 --> 01:04:08,799 [ Laughs ] 1178 01:04:08,800 --> 01:04:11,899 That's ironic. Coming from you, I mean. 1179 01:04:11,900 --> 01:04:14,065 -What? -Well, perhaps this is 1180 01:04:14,066 --> 01:04:16,065 an overly poetic interpretation 1181 01:04:16,066 --> 01:04:19,565 of your craft, but isn't that the job of an actor? 1182 01:04:19,566 --> 01:04:21,299 To remember things that they've never experienced? 1183 01:04:21,300 --> 01:04:23,565 Forgive me, but I think it would be more accurate 1184 01:04:23,566 --> 01:04:26,365 to say they create memories for the characters 1185 01:04:26,366 --> 01:04:28,065 they are portraying in order 1186 01:04:28,066 --> 01:04:30,900 that they might be more fully realized. 1187 01:04:32,500 --> 01:04:33,533 Ain't that right? 1188 01:04:35,066 --> 01:04:41,399 Yeah, yeah. You know, I really think I misjudged you guys. 1189 01:04:41,400 --> 01:04:45,632 I mean, you come across a tad brutish at times. 1190 01:04:45,633 --> 01:04:47,332 No offense. -None taken. 1191 01:04:47,333 --> 01:04:49,032 And yet... 1192 01:04:49,033 --> 01:04:50,765 And yet, you have an instinctive love 1193 01:04:50,766 --> 01:04:52,900 and understanding of the theater. 1194 01:04:56,433 --> 01:05:00,165 Not to mention a passion for fiduciary responsibility. 1195 01:05:00,166 --> 01:05:02,799 I mean, you guys... 1196 01:05:02,800 --> 01:05:04,433 You could be producers. 1197 01:05:08,600 --> 01:05:10,165 You think? 1198 01:05:10,166 --> 01:05:11,833 That is a dream we dare not dream. 1199 01:05:13,800 --> 01:05:15,332 Now, look, guys, I'll be straight with you, 1200 01:05:15,333 --> 01:05:16,965 I did write the IOU. 1201 01:05:16,966 --> 01:05:18,265 And I'd love to pay back the debt, 1202 01:05:18,266 --> 01:05:19,999 if only I had the cash. 1203 01:05:20,000 --> 01:05:21,632 I mean, I would have at the end of the week, 1204 01:05:21,633 --> 01:05:24,599 if only the show could run. -Oh, it'll run. 1205 01:05:24,600 --> 01:05:26,232 It's entertaining, vivacious, 1206 01:05:26,233 --> 01:05:31,065 and calculated to please the discriminating theatergoer. 1207 01:05:31,066 --> 01:05:35,299 You can quote me. -Thank you. I will. 1208 01:05:35,300 --> 01:05:40,399 The problem is, my co-star, Miss Vanessi, she's quitting. 1209 01:05:40,400 --> 01:05:42,265 -Quitting? -Yeah, you know, temperament. 1210 01:05:42,266 --> 01:05:44,032 Something about the way we played our little scene. 1211 01:05:44,033 --> 01:05:45,765 -Oh, no, no, no! -No, no. Wait, guys. 1212 01:05:45,766 --> 01:05:47,799 Wait, wait. Look. 1213 01:05:47,800 --> 01:05:49,465 She's in here right now getting dressed to leave the theater. 1214 01:05:49,466 --> 01:05:53,632 -She can't do that! -No, look. 1215 01:05:53,633 --> 01:05:55,965 She won't listen to me. -[ Sobs ] 1216 01:05:55,966 --> 01:05:59,365 But if I was to bring you two guys on as producers, 1217 01:05:59,366 --> 01:06:02,065 with your special skill set, 1218 01:06:02,066 --> 01:06:04,565 perhaps you could convince her to stay? 1219 01:06:04,566 --> 01:06:05,732 How much? 1220 01:06:05,733 --> 01:06:07,132 Two percent. 1221 01:06:07,133 --> 01:06:08,399 -Of the net? -Of the gross. 1222 01:06:08,400 --> 01:06:11,299 -Done. -Lilli. Oh, Lilli. 1223 01:06:11,300 --> 01:06:14,199 Fred, there is no use trying to persuade me. 1224 01:06:14,200 --> 01:06:15,565 Darling, two of our above-the-title producers 1225 01:06:15,566 --> 01:06:17,065 all the way from New York, 1226 01:06:17,066 --> 01:06:18,232 the guys have come to see you. 1227 01:06:18,233 --> 01:06:19,732 -No, no, no. -Thank you very much, gentlemen. 1228 01:06:19,733 --> 01:06:20,965 Come in. Thank you, Lilli. Thank you. 1229 01:06:20,966 --> 01:06:22,533 Oh, Miss Vanessi. 1230 01:06:25,200 --> 01:06:28,732 Miss Vanessi, you have been my ideal for years. 1231 01:06:28,733 --> 01:06:31,799 I married my wife because in a certain light, 1232 01:06:31,800 --> 01:06:36,599 when it's kind of dark, she might pass for your sister. 1233 01:06:36,600 --> 01:06:39,299 -How sweet. -♪ Your glorious voice 1234 01:06:39,300 --> 01:06:41,432 has been an inspiration to me in my work. 1235 01:06:41,433 --> 01:06:43,199 -What a trouper. -What a personality. 1236 01:06:43,200 --> 01:06:45,165 Now, Miss Vanessi, 1237 01:06:45,166 --> 01:06:47,499 is it true that you're contemplating quitting 1238 01:06:47,500 --> 01:06:49,799 this high-type entertainment? -Yes, I am. 1239 01:06:49,800 --> 01:06:51,032 -Oh, no, no, no. -No, no, no, no. 1240 01:06:51,033 --> 01:06:52,632 Let's talk this over. 1241 01:06:52,633 --> 01:06:54,332 [ Gasps ] 1242 01:06:54,333 --> 01:06:56,465 Oh, excuse me. I'm just transferring the weight 1243 01:06:56,466 --> 01:06:58,299 off a one side to the other. -Aah! 1244 01:06:58,300 --> 01:07:00,165 -Yeah. I'm doing the same thing. -Yeah. 1245 01:07:00,166 --> 01:07:04,032 You see, we now got a financial interest 1246 01:07:04,033 --> 01:07:06,932 in the success of this show, as well as personal. 1247 01:07:06,933 --> 01:07:10,899 And, Miss Vanessi, you got to play the show out tonight, 1248 01:07:10,900 --> 01:07:12,599 and at least to the end of the week 1249 01:07:12,600 --> 01:07:16,632 when Mr. Graham pays his debt of honor. 1250 01:07:16,633 --> 01:07:20,500 Are you threatening me? 1251 01:07:24,366 --> 01:07:26,965 I assume so. 1252 01:07:26,966 --> 01:07:30,899 Now you know, Miss Vanessi, the show must go on. 1253 01:07:30,900 --> 01:07:32,665 It absolutely must go on. 1254 01:07:32,666 --> 01:07:34,932 -Fred! -I know, it's outrageous. 1255 01:07:34,933 --> 01:07:36,865 It's outrageous. Oh, God. 1256 01:07:36,866 --> 01:07:44,866 ♪ 1257 01:07:47,633 --> 01:07:50,032 -♪ We sing -♪ We sing 1258 01:07:50,033 --> 01:07:52,132 -♪ We sing -♪ Of love 1259 01:07:52,133 --> 01:07:54,299 -♪ We sing -♪ We sing 1260 01:07:54,300 --> 01:08:00,599 -♪ We sing -♪ Of love 1261 01:08:00,600 --> 01:08:08,499 ♪ Cantiamo d'amore 1262 01:08:08,500 --> 01:08:12,499 ♪ Ye gods above 1263 01:08:12,500 --> 01:08:16,765 ♪ May we never sing of anything but love ♪ 1264 01:08:16,766 --> 01:08:20,765 ♪ For love is the joy of ev'ry girl and boy ♪ 1265 01:08:20,766 --> 01:08:22,632 ♪ As love, later on 1266 01:08:22,633 --> 01:08:24,999 ♪ Keeps 'em going till they're gone ♪ 1267 01:08:25,000 --> 01:08:27,099 ♪ Yes, love is the theme 1268 01:08:27,100 --> 01:08:29,099 ♪ Of all people who dream 1269 01:08:29,100 --> 01:08:31,132 ♪ So love, let's confess 1270 01:08:31,133 --> 01:08:34,765 ♪ Is ev'rybody's business 1271 01:08:34,766 --> 01:08:38,699 ♪ Cantiamo d'amore 1272 01:08:38,700 --> 01:08:44,432 ♪ E per sempre cantiamo del dolce amore ♪ 1273 01:08:44,433 --> 01:08:52,433 ♪ 1274 01:08:54,433 --> 01:08:55,433 La! 1275 01:08:56,333 --> 01:08:57,333 La! 1276 01:08:58,300 --> 01:08:59,300 La! 1277 01:09:00,366 --> 01:09:02,132 La! La! 1278 01:09:02,133 --> 01:09:04,665 La! La! La! 1279 01:09:04,666 --> 01:09:09,099 ♪ 1280 01:09:09,100 --> 01:09:12,565 ♪ La la la la la la la la la la la la la la la la ♪ 1281 01:09:12,566 --> 01:09:16,699 ♪ La la la la la la la la la la la la la la la ♪ 1282 01:09:16,700 --> 01:09:20,232 ♪ La la la la la la la la la la la la la la la la ♪ 1283 01:09:20,233 --> 01:09:22,532 -Whoo! -♪ La la la la la la la la 1284 01:09:22,533 --> 01:09:26,099 ♪ La la la la la la la la la la ♪ 1285 01:09:26,100 --> 01:09:28,932 Hey! Whoo! Hey! 1286 01:09:28,933 --> 01:09:32,332 ♪ 1287 01:09:32,333 --> 01:09:35,732 ♪ La, la, la, la 1288 01:09:35,733 --> 01:09:39,865 ♪ 1289 01:09:39,866 --> 01:09:43,665 ♪ La, la, la, la 1290 01:09:43,666 --> 01:09:47,099 ♪ La la la la la la la la la la la ♪ 1291 01:09:47,100 --> 01:09:49,099 ♪ We sing 1292 01:09:49,100 --> 01:09:51,099 ♪ Of love 1293 01:09:51,100 --> 01:09:52,932 ♪ We sing 1294 01:09:52,933 --> 01:09:54,999 ♪ Of love 1295 01:09:55,000 --> 01:09:58,865 ♪ Ye gods above 1296 01:09:58,866 --> 01:10:01,299 ♪ May we never sing of anything ♪ 1297 01:10:01,300 --> 01:10:03,266 ♪ Never sing of anything 1298 01:10:03,866 --> 01:10:08,599 ♪ Never sing of anything 1299 01:10:08,600 --> 01:10:13,232 ♪ But love 1300 01:10:13,233 --> 01:10:15,265 D'amore! 1301 01:10:15,266 --> 01:10:18,932 [ Cheers and applause ] 1302 01:10:18,933 --> 01:10:26,933 ♪ 1303 01:10:27,000 --> 01:10:30,165 Such a marriage never was before. 1304 01:10:30,166 --> 01:10:32,965 The man is mad. -And so madly mated. 1305 01:10:32,966 --> 01:10:35,599 And in such garb... an old jerkin 1306 01:10:35,600 --> 01:10:38,232 and a pair of breeches thrice turned. 1307 01:10:38,233 --> 01:10:40,999 A pair of boots that have been candle cases and not even mates. 1308 01:10:41,000 --> 01:10:43,999 One buckled. Another laced. [ Crowd murmurs ] 1309 01:10:44,000 --> 01:10:47,732 Come, my bonny Kate. 1310 01:10:47,733 --> 01:10:50,499 I said, come! Come! Ugh. What is... 1311 01:10:50,500 --> 01:10:51,699 -Come on, let's go. -Here we go. Out you go. 1312 01:10:51,700 --> 01:10:53,065 Easy though. Come on. Let's do it. 1313 01:10:53,066 --> 01:10:55,466 -Hey! -What? 1314 01:10:57,533 --> 01:10:59,866 [ Cheers and applause ] 1315 01:11:03,566 --> 01:11:05,399 Prithee, Kate, content yourself. 1316 01:11:05,400 --> 01:11:09,899 Be not angry. -I will be angry! 1317 01:11:09,900 --> 01:11:13,165 What has thou to do? 1318 01:11:13,166 --> 01:11:15,199 Forward to the bridal dinner. 1319 01:11:15,200 --> 01:11:18,032 I see a woman may be made a fool, 1320 01:11:18,033 --> 01:11:20,299 if she has not a spirit to resist. 1321 01:11:20,300 --> 01:11:21,365 [ All exclaim ] 1322 01:11:21,366 --> 01:11:23,265 Obey the bride, you that attend her. 1323 01:11:23,266 --> 01:11:25,232 Forward to the wedding feast, revel and domineer. 1324 01:11:25,233 --> 01:11:27,999 Be mad, be merry, or go hang yourselves. 1325 01:11:28,000 --> 01:11:29,400 As for my bonny Kate... 1326 01:11:30,033 --> 01:11:31,566 -Put it down! -Just put it down. 1327 01:11:32,733 --> 01:11:34,765 For heaven's sake. 1328 01:11:34,766 --> 01:11:37,000 [ All murmuring ] 1329 01:11:40,566 --> 01:11:41,965 [ Whip cracks, all shouting ] 1330 01:11:41,966 --> 01:11:44,466 [ Gunshot, screaming continues ] 1331 01:11:49,100 --> 01:11:51,132 Everyone, please! 1332 01:11:51,133 --> 01:11:54,365 Nay, look not big, nor stamp, nor stare, nor fret. 1333 01:11:54,366 --> 01:11:56,132 Put the gun away. Put the gun away. 1334 01:11:56,133 --> 01:11:58,265 I will be master of all that is mine. 1335 01:11:58,266 --> 01:12:01,565 She is my goods, my chattels, my horse, my ox, 1336 01:12:01,566 --> 01:12:05,332 my ass, my anything. Touch her who dare. 1337 01:12:05,333 --> 01:12:07,132 ♪ 1338 01:12:07,133 --> 01:12:10,399 ♪ So kiss me, Kate 1339 01:12:10,400 --> 01:12:13,199 ♪ Thou lovely loon 1340 01:12:13,200 --> 01:12:17,765 ♪ E'er we start on our honeymoon ♪ 1341 01:12:17,766 --> 01:12:20,699 ♪ So kiss me, Kate 1342 01:12:20,700 --> 01:12:24,099 ♪ Darling devil divine 1343 01:12:24,100 --> 01:12:28,432 ♪ For now thou shall ever be mine ♪ 1344 01:12:28,433 --> 01:12:29,899 -♪ I'll never be thine -♪ So kiss me, Kate 1345 01:12:29,900 --> 01:12:33,432 ♪ So kiss him, Kate, thou lovely loon ♪ 1346 01:12:33,433 --> 01:12:36,065 -No! -♪ E'er we start 1347 01:12:36,066 --> 01:12:38,099 -♪ Nay -♪ On our honeymoon 1348 01:12:38,100 --> 01:12:41,199 -♪ Away -♪ So kiss him, Kate 1349 01:12:41,200 --> 01:12:43,065 ♪ Darling devil divine 1350 01:12:43,066 --> 01:12:44,299 ♪ Darling, drop dead 1351 01:12:44,300 --> 01:12:45,999 ♪ For now thou shall ever be 1352 01:12:46,000 --> 01:12:48,732 -♪ Now I shall never be -♪ Now thou shall ever be 1353 01:12:48,733 --> 01:12:49,965 ♪ Now I shall never be 1354 01:12:49,966 --> 01:12:51,232 -♪ Thine -♪ Yes, mine 1355 01:12:51,233 --> 01:12:52,499 -♪ Not thine -♪ Yes, mine 1356 01:12:52,500 --> 01:12:53,466 -♪ You swine -♪ Yes, mine 1357 01:12:53,467 --> 01:12:54,699 ♪ She called him a swine 1358 01:12:54,700 --> 01:12:55,832 ♪ So kiss me, Kate 1359 01:12:55,833 --> 01:12:56,899 ♪ I'll crack your pate 1360 01:12:56,900 --> 01:12:58,032 ♪ Oh, please don't pout 1361 01:12:58,033 --> 01:12:59,199 ♪ I'll knock you out 1362 01:12:59,200 --> 01:13:00,365 ♪ My priceless prize 1363 01:13:00,366 --> 01:13:01,632 ♪ I'll black your eyes 1364 01:13:01,633 --> 01:13:02,665 ♪ Oh, kiss me quick 1365 01:13:02,666 --> 01:13:03,965 ♪ Your rump I'll kick 1366 01:13:03,966 --> 01:13:05,865 -♪ Oh, kiss him -♪ Bounder 1367 01:13:05,866 --> 01:13:08,265 ♪ He's not her dish, he's not her dish ♪ 1368 01:13:08,266 --> 01:13:10,332 ♪ Oh, kiss him ♪ Flounder 1369 01:13:10,333 --> 01:13:12,565 ♪ A type of fish she would not wish ♪ 1370 01:13:12,566 --> 01:13:13,999 ♪ Oh, kiss him 1371 01:13:14,000 --> 01:13:15,799 -♪ Dastard -♪ What's that we heard? 1372 01:13:15,800 --> 01:13:19,033 ♪ What's that we heard? Oh, kiss him ♪ 1373 01:13:20,366 --> 01:13:22,366 Bastard. [ All gasp ] 1374 01:13:23,833 --> 01:13:27,165 ♪ Oh, Katie, that's a naughty word ♪ 1375 01:13:27,166 --> 01:13:28,465 ♪ Oh, kiss me ♪ Kiss him 1376 01:13:28,466 --> 01:13:29,732 -♪ Kiss me -♪ Kiss him 1377 01:13:29,733 --> 01:13:33,332 ♪ Kiss him, kiss him, kiss him 1378 01:13:33,333 --> 01:13:37,599 ♪ Ne-e-e-e-ever 1379 01:13:37,600 --> 01:13:43,565 ♪ Ne-e-e-e-e-e-e-ever-r-r-r 1380 01:13:43,566 --> 01:13:47,899 ♪ Ne-e-e-e-ever 1381 01:13:47,900 --> 01:13:53,165 ♪ Ne-e-e-e-e-e-ever 1382 01:13:53,166 --> 01:14:00,265 ♪ Ne-e-e-e-e-e-e-ever 1383 01:14:00,266 --> 01:14:05,799 ♪ Ne-e-e-ever, never, ne-e-e-e-ever ♪ 1384 01:14:05,800 --> 01:14:13,632 ♪ Never, never, never, never never, never, never, never ♪ 1385 01:14:13,633 --> 01:14:16,632 ♪ Never, never, never, never, neeeeverrrrr ♪ 1386 01:14:16,633 --> 01:14:17,832 [ Sighs ] 1387 01:14:17,833 --> 01:14:20,365 Never! 1388 01:14:20,366 --> 01:14:22,165 ♪ 1389 01:14:22,166 --> 01:14:24,932 ♪ Kiss him, Kate, kiss him, kiss him, Kate ♪ 1390 01:14:24,933 --> 01:14:26,632 ♪ Kiss him, kiss him, Kate 1391 01:14:26,633 --> 01:14:29,865 ♪ Kiss him, kiss him, Kate, kiss him, kiss him, Kate ♪ 1392 01:14:29,866 --> 01:14:33,432 ♪ Kiss him, Kate, kiss him, Kate, Kiss him, Kate, kiss ♪ 1393 01:14:33,433 --> 01:14:35,699 -♪ No -♪ Him 1394 01:14:35,700 --> 01:14:38,599 ♪ Noooooo 1395 01:14:38,600 --> 01:14:39,832 -Oh, kiss him! -Oh, kiss him! 1396 01:14:39,833 --> 01:14:42,265 -[ Sighs ] -♪ Kate 1397 01:14:42,266 --> 01:14:47,132 ♪ 1398 01:14:47,133 --> 01:14:53,665 [ All clamoring ] 1399 01:14:53,666 --> 01:14:58,533 [ Cheers and applause ] 1400 01:15:12,866 --> 01:15:15,265 Thank you for joining us for Great Performances 1401 01:15:15,266 --> 01:15:17,732 Kiss Me Kate from the Barbican Theatre in London. 1402 01:15:17,733 --> 01:15:20,365 This dynamic revival of a Cole Porter classic 1403 01:15:20,366 --> 01:15:22,499 is here for you thanks to your support 1404 01:15:22,500 --> 01:15:24,199 for your local PBS station. 1405 01:15:24,200 --> 01:15:26,199 Featuring powerhouse performances 1406 01:15:26,200 --> 01:15:28,365 from Tony Award winner Stephanie J. Block 1407 01:15:28,366 --> 01:15:29,832 and BAFTA Award nominee 1408 01:15:29,833 --> 01:15:32,599 Adrienne Dunbar, this exceptional production 1409 01:15:32,600 --> 01:15:34,099 is just getting started. 1410 01:15:34,100 --> 01:15:36,432 Coming up, we have a thrilling rendition 1411 01:15:36,433 --> 01:15:39,765 of the crowd pleaser "Too Darn Hot" that you don't wanna miss. 1412 01:15:39,766 --> 01:15:42,432 This is a one of a kind show from Tony Award winning 1413 01:15:42,433 --> 01:15:45,265 director Bartlett Sherr with beautiful choreography, 1414 01:15:45,266 --> 01:15:48,265 incredible performances and lots of laughs. 1415 01:15:48,266 --> 01:15:49,999 And it's here for you to experience 1416 01:15:50,000 --> 01:15:52,765 thanks to your support for your local PBS station. 1417 01:15:52,766 --> 01:15:54,999 No plane ticket to London required. 1418 01:15:55,000 --> 01:15:57,499 So please take this opportunity right now 1419 01:15:57,500 --> 01:16:00,499 to scan the QR code or go to the URL on screen 1420 01:16:00,500 --> 01:16:03,332 to give to your PBS station right now. 1421 01:16:03,333 --> 01:16:05,466 PBS is your home for the arts. 1422 01:16:05,666 --> 01:16:07,732 Whether it's a revival of a Broadway show 1423 01:16:07,733 --> 01:16:10,632 on Great Performances, a unique concert event 1424 01:16:10,633 --> 01:16:13,465 or a breakout artist on Austin City Limits, 1425 01:16:13,466 --> 01:16:16,032 you can count on PBS to bring you the best 1426 01:16:16,033 --> 01:16:18,665 in music and arts programming that you can't 1427 01:16:18,666 --> 01:16:20,065 find anywhere else. 1428 01:16:20,066 --> 01:16:22,666 There's so much more for you to explore with PBS. 1429 01:16:22,866 --> 01:16:25,499 Learning about American artists and luminaries 1430 01:16:25,500 --> 01:16:28,065 on American Masters, diving into the past 1431 01:16:28,066 --> 01:16:30,732 with Finding Your Roots and Antiques Roadshow 1432 01:16:30,733 --> 01:16:34,065 or taking in a heart stopping drama on Masterpiece. 1433 01:16:34,066 --> 01:16:37,999 You rely on PBS for entertaining and enriching programs that 1434 01:16:38,000 --> 01:16:39,699 the whole family can enjoy. 1435 01:16:39,700 --> 01:16:42,966 But it's all only possible because of you. 1436 01:16:43,200 --> 01:16:45,999 It's support from you, your friends and neighbors 1437 01:16:46,000 --> 01:16:48,732 for your local PBS station that allows PBS 1438 01:16:48,733 --> 01:16:51,765 to bring you the best in the arts, music, Broadway 1439 01:16:51,766 --> 01:16:54,432 and everything else you love on PBS. 1440 01:16:54,433 --> 01:16:57,833 Whether you watch on the PBS app, online or on TV. 1441 01:16:58,033 --> 01:17:01,332 So please scan the QR code or go to the website below 1442 01:17:01,333 --> 01:17:03,465 to give to your local PBS station 1443 01:17:03,466 --> 01:17:06,700 and invest in more amazing shows like this. 1444 01:17:06,933 --> 01:17:08,599 And with your qualifying membership, 1445 01:17:08,600 --> 01:17:11,365 you can take advantage of one of our most popular 1446 01:17:11,366 --> 01:17:13,665 member benefits, PBS Passport. 1447 01:17:13,666 --> 01:17:15,999 With the PBS app and PBS Passport, 1448 01:17:16,000 --> 01:17:18,766 you can watch so many of your PBS favorites 1449 01:17:18,966 --> 01:17:20,332 whenever you're in the mood. 1450 01:17:20,333 --> 01:17:23,065 Please give Kiss Me Kate a round of applause 1451 01:17:23,066 --> 01:17:26,265 by scanning the QR code or going to the URL below 1452 01:17:26,266 --> 01:17:29,465 to make a contribution to your local PBS station. 1453 01:17:29,466 --> 01:17:33,499 And now let's return to act two of Great Performances, 1454 01:17:33,500 --> 01:17:34,500 Kiss Me Kate. 1455 01:17:38,633 --> 01:17:46,633 [ Indistinct conversations ] 1456 01:17:47,800 --> 01:17:49,465 [ Muffled music plays ] 1457 01:17:49,466 --> 01:17:51,865 ♪ Kiss him, Kate ♪ Kiss him, kiss him, Kate 1458 01:17:51,866 --> 01:17:53,699 ♪ Kiss him, kiss him, Kate 1459 01:17:53,700 --> 01:17:56,232 ♪ Kiss him, kiss him, Kate ♪ Kiss him 1460 01:17:56,233 --> 01:17:59,699 ♪ Kiss him, Kate, kiss him, Kate ♪ 1461 01:17:59,700 --> 01:18:01,999 ♪ Kiss ♪ No 1462 01:18:02,000 --> 01:18:05,532 -♪ Him -♪ N-o-o-o 1463 01:18:05,533 --> 01:18:07,832 -Aw, kiss him! -Aw, kiss him! 1464 01:18:07,833 --> 01:18:11,932 ♪ K-a-a-a-ate 1465 01:18:11,933 --> 01:18:15,265 No, I am a person! He knows that, right?! 1466 01:18:15,266 --> 01:18:17,499 I'm a person! -Of course! 1467 01:18:17,500 --> 01:18:19,465 It wasn't me. I didn't do anything. 1468 01:18:19,466 --> 01:18:20,865 I didn't... ow! What are you hitting me for? 1469 01:18:20,866 --> 01:18:22,199 What took so long to bring the curtain? 1470 01:18:22,200 --> 01:18:23,932 We were stood there like a lemon. 1471 01:18:23,933 --> 01:18:25,899 [ Indistinct high-pitched talking ] 1472 01:18:25,900 --> 01:18:28,099 That's just noise. What is that? 1473 01:18:28,100 --> 01:18:30,232 Oh, my God! 1474 01:18:30,233 --> 01:18:34,732 They said they were producers, but they had guns. 1475 01:18:34,733 --> 01:18:36,199 No, real guns, Frank. 1476 01:18:36,200 --> 01:18:39,832 Look, look, you gotta get me out of this show. 1477 01:18:39,833 --> 01:18:43,399 Because that's what I pay you for! 1478 01:18:43,400 --> 01:18:44,632 Uh... 1479 01:18:44,633 --> 01:18:49,165 ♪ 1480 01:18:49,166 --> 01:18:50,933 [ Grunting ] 1481 01:18:54,466 --> 01:18:56,532 -Better? -Yeah. 1482 01:18:56,533 --> 01:18:59,132 ♪ 1483 01:18:59,133 --> 01:19:00,699 Unh! 1484 01:19:00,700 --> 01:19:08,700 ♪ 1485 01:19:26,366 --> 01:19:30,399 ♪ It's too darn hot 1486 01:19:30,400 --> 01:19:34,332 ♪ It's too darn hot 1487 01:19:34,333 --> 01:19:37,665 ♪ I'd like to sup 1488 01:19:37,666 --> 01:19:40,265 ♪ With my baby tonight 1489 01:19:40,266 --> 01:19:42,832 ♪ 1490 01:19:42,833 --> 01:19:48,632 ♪ And play the pup with my baby tonight ♪ 1491 01:19:48,633 --> 01:19:51,132 ♪ 1492 01:19:51,133 --> 01:19:55,465 ♪ I'd like to sup with my baby tonight ♪ 1493 01:19:55,466 --> 01:19:59,499 ♪ And play the pup with my baby tonight ♪ 1494 01:19:59,500 --> 01:20:03,399 ♪ But I ain't up to my baby tonight ♪ 1495 01:20:03,400 --> 01:20:06,999 ♪ 'Cause it's too darn hot 1496 01:20:07,000 --> 01:20:15,000 ♪ 1497 01:20:16,633 --> 01:20:23,765 ♪ It's too darn hot 1498 01:20:23,766 --> 01:20:26,599 ♪ I'd like to stop 1499 01:20:26,600 --> 01:20:29,099 ♪ For my baby tonight 1500 01:20:29,100 --> 01:20:31,332 ♪ 1501 01:20:31,333 --> 01:20:34,032 ♪ And blow my top 1502 01:20:34,033 --> 01:20:36,499 ♪ With my baby tonight 1503 01:20:36,500 --> 01:20:38,765 ♪ 1504 01:20:38,766 --> 01:20:42,599 ♪ I'd like to stop for my baby tonight ♪ 1505 01:20:42,600 --> 01:20:46,632 ♪ And blow my top with my baby tonight ♪ 1506 01:20:46,633 --> 01:20:49,999 ♪ But I'd be a flop 1507 01:20:50,000 --> 01:20:53,432 [ Laughter ] 1508 01:20:53,433 --> 01:21:01,433 ♪ With my baby tonight 1509 01:21:02,333 --> 01:21:05,165 ♪ 1510 01:21:05,166 --> 01:21:08,499 ♪ 'Cause it's too darn hot 1511 01:21:08,500 --> 01:21:10,532 ♪ 1512 01:21:10,533 --> 01:21:11,599 Whoo! 1513 01:21:11,600 --> 01:21:13,732 ♪ 1514 01:21:13,733 --> 01:21:16,632 ♪ It's too darn hot ♪ Too darn hot 1515 01:21:16,633 --> 01:21:19,732 -♪ It's too, too, too darn hot -♪ Too darn hot 1516 01:21:19,733 --> 01:21:23,399 ♪ I'd like to fool with my baby tonight ♪ 1517 01:21:23,400 --> 01:21:25,999 ♪ With his baby 1518 01:21:26,000 --> 01:21:28,332 -♪ Break every rule -♪ Every rule 1519 01:21:28,333 --> 01:21:31,465 ♪ With my baby tonight 1520 01:21:31,466 --> 01:21:35,565 ♪ I'd like to fool with my baby tonight ♪ 1521 01:21:35,566 --> 01:21:38,499 ♪ Break every rule with my baby tonight ♪ 1522 01:21:38,500 --> 01:21:41,365 ♪ But, pillow, you'll be my baby tonight ♪ 1523 01:21:41,366 --> 01:21:44,732 ♪ 'Cause it's too darn hot 1524 01:21:44,733 --> 01:21:47,765 ♪ According to the Kinsey Report ♪ 1525 01:21:47,766 --> 01:21:50,632 ♪ Every average man you know 1526 01:21:50,633 --> 01:21:53,765 ♪ Much prefers to play his favorite sport ♪ 1527 01:21:53,766 --> 01:21:56,966 ♪ When the temperature is low 1528 01:21:58,700 --> 01:22:04,432 ♪ But when the thermometer goes way up ♪ 1529 01:22:04,433 --> 01:22:09,565 ♪ And the weather is sizzling hot ♪ 1530 01:22:09,566 --> 01:22:12,199 ♪ Mr. Adam 1531 01:22:12,200 --> 01:22:14,865 ♪ For his madam 1532 01:22:14,866 --> 01:22:16,432 ♪ Is not 1533 01:22:16,433 --> 01:22:18,332 ♪ 'Cause it's too, too 1534 01:22:18,333 --> 01:22:20,499 ♪ Too darn hot ♪ Too darn hot 1535 01:22:20,500 --> 01:22:22,932 -♪ It's too darn hot -♪ Too darn hot 1536 01:22:22,933 --> 01:22:26,199 ♪ It's too darn hot 1537 01:22:26,200 --> 01:22:27,932 ♪ 1538 01:22:27,933 --> 01:22:30,932 ♪ Hot, hot, hot, hot 1539 01:22:30,933 --> 01:22:32,499 ♪ 1540 01:22:32,500 --> 01:22:35,332 ♪ Hot, hot, hot, hot 1541 01:22:35,333 --> 01:22:36,932 ♪ 1542 01:22:36,933 --> 01:22:39,799 ♪ Hot, hot, hot, hot 1543 01:22:39,800 --> 01:22:41,432 ♪ 1544 01:22:41,433 --> 01:22:46,199 ♪ Hot, hot, hot, hot, hot hot hot ♪ 1545 01:22:46,200 --> 01:22:48,665 ♪ Hot hot, hot, hot, hot 1546 01:22:48,666 --> 01:22:56,666 ♪ Hot hot, hot, hot 1547 01:23:00,100 --> 01:23:02,832 ♪ Hot hot, hot, hot ♪ Hot 1548 01:23:02,833 --> 01:23:09,932 [ Scatting ] 1549 01:23:09,933 --> 01:23:13,999 ♪ 'Cause it's too darn, too darn, too darn ♪ 1550 01:23:14,000 --> 01:23:15,199 ♪ Too, too darn hot 1551 01:23:15,200 --> 01:23:17,099 ♪ According to the Kinsey Report ♪ 1552 01:23:17,100 --> 01:23:19,365 ♪ Every average man you know 1553 01:23:19,366 --> 01:23:21,999 ♪ Much prefers to play his favorite sport ♪ 1554 01:23:22,000 --> 01:23:24,732 ♪ When the temperature is low 1555 01:23:24,733 --> 01:23:27,365 ♪ But when the thermometer, when the thermometer ♪ 1556 01:23:27,366 --> 01:23:29,965 ♪ But when the thermometer goes way up ♪ 1557 01:23:29,966 --> 01:23:32,265 ♪ And the weather is sizzling hot ♪ 1558 01:23:32,266 --> 01:23:34,865 ♪ Mr. Gob for his squab 1559 01:23:34,866 --> 01:23:37,365 ♪ A Marine for his queen 1560 01:23:37,366 --> 01:23:41,099 ♪ A G.I. for his cutie-pie is not ♪ 1561 01:23:41,100 --> 01:23:43,332 ♪ 'Cause it's too, too hot 1562 01:23:43,333 --> 01:23:45,499 -There it is! -Whoo! 1563 01:23:45,500 --> 01:23:53,500 ♪ 1564 01:24:28,000 --> 01:24:30,132 Whoo! [ Cheering ] 1565 01:24:30,133 --> 01:24:31,632 Want some more? 1566 01:24:31,633 --> 01:24:39,633 ♪ 1567 01:25:22,900 --> 01:25:24,399 Get out! 1568 01:25:24,400 --> 01:25:25,699 ♪ 1569 01:25:25,700 --> 01:25:30,399 ♪ It's too darn hot, it's too darn hot ♪ 1570 01:25:30,400 --> 01:25:35,432 ♪ It's too darn hot 1571 01:25:35,433 --> 01:25:38,299 ♪ 1572 01:25:38,300 --> 01:25:40,599 Ready? 1573 01:25:40,600 --> 01:25:43,232 Are you ready? Five, six! 1574 01:25:43,233 --> 01:25:44,565 Five, six, seven, eight! 1575 01:25:44,566 --> 01:25:52,566 ♪ 1576 01:25:58,066 --> 01:26:00,465 -♪ It's too darn hot -♪ It's too darn hot 1577 01:26:00,466 --> 01:26:02,932 -♪ It's too darn hot -♪ It's too darn 1578 01:26:02,933 --> 01:26:07,399 ♪ It's too darn 1579 01:26:07,400 --> 01:26:09,265 ♪ It's too darn hot, too darn hot ♪ 1580 01:26:09,266 --> 01:26:11,665 ♪ Too darn hot 1581 01:26:11,666 --> 01:26:19,332 ♪ Too darn h-o-o-o-ot 1582 01:26:19,333 --> 01:26:21,065 [ Song ends ] 1583 01:26:21,066 --> 01:26:23,933 [ Cheers and applause ] 1584 01:26:31,800 --> 01:26:34,166 [ Cheers and applause continues ] 1585 01:26:37,700 --> 01:26:40,532 Act 2! Everyone onstage! 1586 01:26:40,533 --> 01:26:48,533 ♪ 1587 01:26:50,500 --> 01:26:52,999 [ Indistinct talking ] 1588 01:26:53,000 --> 01:26:55,599 You got this. Go ahead, go ahead, go ahead. 1589 01:26:55,600 --> 01:26:56,932 ♪ 1590 01:26:56,933 --> 01:26:58,032 Steve, give me a minute, will you? 1591 01:26:58,033 --> 01:26:59,099 Give me a minute. Thank you. 1592 01:26:59,100 --> 01:27:01,065 Thank you, thank you. 1593 01:27:01,066 --> 01:27:02,965 Good evening, ladies and gentlemen. 1594 01:27:02,966 --> 01:27:04,832 I'd just like to share a little something with you 1595 01:27:04,833 --> 01:27:06,999 before we go into the second half. 1596 01:27:07,000 --> 01:27:09,599 First of all, are you enjoying the show? 1597 01:27:09,600 --> 01:27:13,132 [ Cheers and applause ] 1598 01:27:13,133 --> 01:27:15,432 That's a relief. It's not always the case. 1599 01:27:15,433 --> 01:27:16,465 [ Laughter ] 1600 01:27:16,466 --> 01:27:17,665 No, what I mean is, 1601 01:27:17,666 --> 01:27:19,665 contemporary audiences sometimes find the idea 1602 01:27:19,666 --> 01:27:23,465 of Petruchio taming Kate, well, you know, kind of difficult. 1603 01:27:23,466 --> 01:27:24,732 No, I hear what you're saying. 1604 01:27:24,733 --> 01:27:27,465 Look, it's 1948. [ Laughter ] 1605 01:27:27,466 --> 01:27:29,599 And women are fully emancipated. 1606 01:27:29,600 --> 01:27:31,699 [ Laughter ] Which is exactly my point. 1607 01:27:31,700 --> 01:27:33,832 You see, you've got to remember, back in Shakespeare's day, 1608 01:27:33,833 --> 01:27:36,765 well, the female parts were played by men 1609 01:27:36,766 --> 01:27:38,532 or young boys 1610 01:27:38,533 --> 01:27:39,732 who were free to knock each other about, 1611 01:27:39,733 --> 01:27:41,865 much to the hilarity of the audience. 1612 01:27:41,866 --> 01:27:43,132 So there you have it. 1613 01:27:43,133 --> 01:27:46,499 Women are emancipated, and for better or worse, 1614 01:27:46,500 --> 01:27:48,265 they are allowed on stage. 1615 01:27:48,266 --> 01:27:50,165 [ Laughter ] 1616 01:27:50,166 --> 01:27:54,199 [ Scattered groans, laughter ] 1617 01:27:54,200 --> 01:27:55,799 Which makes "The Taming of the Shrew" 1618 01:27:55,800 --> 01:27:57,732 kind of complicated, right? 1619 01:27:57,733 --> 01:28:00,099 I mean, I myself find it extremely difficult 1620 01:28:00,100 --> 01:28:02,965 playing that brute Petruchio opp... 1621 01:28:02,966 --> 01:28:05,432 [ Laughter ] 1622 01:28:05,433 --> 01:28:06,765 [ Clears throat ] 1623 01:28:06,766 --> 01:28:07,965 Opposite Miss Vanessi. 1624 01:28:07,966 --> 01:28:10,332 As many of you may know, we were once married. 1625 01:28:10,333 --> 01:28:12,232 Sadly, we've gone our separate ways. 1626 01:28:12,233 --> 01:28:14,932 But I know I can speak for both of us when I say, 1627 01:28:14,933 --> 01:28:17,899 we have the utmost respect for one another. 1628 01:28:17,900 --> 01:28:19,165 [ Laughter ] 1629 01:28:19,166 --> 01:28:20,799 Anything else, fellas? 1630 01:28:20,800 --> 01:28:23,032 Oh, yeah, no, the guns and all that chaos 1631 01:28:23,033 --> 01:28:24,199 at the end of the first act, 1632 01:28:24,200 --> 01:28:26,499 ladies and gentlemen, totally scripted. 1633 01:28:26,500 --> 01:28:27,732 Totally, yeah. 1634 01:28:27,733 --> 01:28:29,432 I mean, Shakespeare himself 1635 01:28:29,433 --> 01:28:31,632 really enjoyed the comedy of anachronism. 1636 01:28:31,633 --> 01:28:33,265 Isn't that right, guys? 1637 01:28:33,266 --> 01:28:34,432 [ Bleating ] Yeah. 1638 01:28:34,433 --> 01:28:35,865 [ Laughter ] 1639 01:28:35,866 --> 01:28:36,899 I'll let the guys explain that one. 1640 01:28:36,900 --> 01:28:38,965 Oh, right, yeah, yeah. 1641 01:28:38,966 --> 01:28:41,432 Yeah, for the benefit of the less sophisticated of youse 1642 01:28:41,433 --> 01:28:44,332 in the audience... you know who you are... 1643 01:28:44,333 --> 01:28:45,599 [ Laughter ] 1644 01:28:45,600 --> 01:28:47,833 my partner will now elucidate. 1645 01:28:49,566 --> 01:28:52,332 [ Clears throat ] Anachronism. 1646 01:28:52,333 --> 01:28:53,632 [ Clears throat ] 1647 01:28:53,633 --> 01:28:56,999 It's when something appears, say, in a play, 1648 01:28:57,000 --> 01:28:58,832 and that thing belongs to 1649 01:28:58,833 --> 01:29:01,165 or is appropriate for a period other than that 1650 01:29:01,166 --> 01:29:03,632 in which the play is set. 1651 01:29:03,633 --> 01:29:06,599 Yeah, yeah. Like when a Colt .45 suddenly appears 1652 01:29:06,600 --> 01:29:09,165 in a 16th-century Shakespeare play. 1653 01:29:09,166 --> 01:29:11,265 It's inappropriate... -Surprising... 1654 01:29:11,266 --> 01:29:12,899 ...and therefore somewhat amusing. 1655 01:29:12,900 --> 01:29:15,432 I hope that helped. -I don't think it did. 1656 01:29:15,433 --> 01:29:16,433 [ Laughter ] 1657 01:29:16,434 --> 01:29:17,599 Enjoy the show. 1658 01:29:17,600 --> 01:29:19,532 Why did you say that? 1659 01:29:19,533 --> 01:29:27,533 ♪ 1660 01:29:44,166 --> 01:29:45,932 Sit down, Kate. 1661 01:29:45,933 --> 01:29:47,699 ♪ 1662 01:29:47,700 --> 01:29:48,833 [ Sighs ] 1663 01:29:50,166 --> 01:29:55,732 I am starv'd for meat, giddy for lack of sleep, 1664 01:29:55,733 --> 01:29:59,432 with oaths kept waking, and with brawling fed. 1665 01:29:59,433 --> 01:30:02,199 And that which spites me more than all these wants, 1666 01:30:02,200 --> 01:30:05,499 he does it under name of perfect love. 1667 01:30:05,500 --> 01:30:06,632 Sit down, Kate. 1668 01:30:06,633 --> 01:30:08,065 I will not! 1669 01:30:08,066 --> 01:30:09,965 Sit down. I know you have a stomach. 1670 01:30:09,966 --> 01:30:12,732 Will you give thanks, sweet Kate, or else shall I? 1671 01:30:12,733 --> 01:30:14,199 What is this, mutton? -Aye. 1672 01:30:14,200 --> 01:30:15,399 -Who brought it? -I. 1673 01:30:15,400 --> 01:30:18,232 How dare you! 'Tis burnt and dried away. 1674 01:30:18,233 --> 01:30:20,899 How dare you bring it from the dresser and serve it here to me? 1675 01:30:20,900 --> 01:30:24,832 Who likes it not? Here, take it from me. 1676 01:30:24,833 --> 01:30:28,365 Trenchers, cups, and all. 1677 01:30:28,366 --> 01:30:32,699 I pray ye, Husband, be not so disquiet. 1678 01:30:32,700 --> 01:30:35,965 The meat was well, if you were so contented. 1679 01:30:35,966 --> 01:30:38,165 I tell thee, Kate, 'twas burnt and dried away, 1680 01:30:38,166 --> 01:30:40,765 and I expressly am forbid to touch... 1681 01:30:40,766 --> 01:30:42,365 To touch it. -No! 1682 01:30:42,366 --> 01:30:45,432 For it engender choler, planteth anger, 1683 01:30:45,433 --> 01:30:48,999 'twere better best that both of us should fast. 1684 01:30:49,000 --> 01:30:52,832 What, did you marry me to famish me? 1685 01:30:52,833 --> 01:30:54,865 Tomorrow shall you eat, my honey love, 1686 01:30:54,866 --> 01:30:57,332 when we return unto your father's house. 1687 01:30:57,333 --> 01:30:59,665 And revel it as bravely as the best, 1688 01:30:59,666 --> 01:31:02,532 with silken coats and caps and golden rings, 1689 01:31:02,533 --> 01:31:05,732 and ruffs and cuffs and farthingales and things. 1690 01:31:05,733 --> 01:31:08,332 Ho, tailor, come! Show us these ornaments. 1691 01:31:08,333 --> 01:31:10,032 How is with you, sir? 1692 01:31:10,033 --> 01:31:12,665 Here is the cap Your Worship did bespeak. 1693 01:31:12,666 --> 01:31:15,232 -Oh! -'Tis meant for thee, Kate. 1694 01:31:15,233 --> 01:31:18,732 Oh, but this was modeled on a porringer, velvet dish. 1695 01:31:18,733 --> 01:31:22,932 Fie, fie. Let me try. Aye, for 'tis lewd and filthy. 1696 01:31:22,933 --> 01:31:27,432 Take it away, bring me a bigger. -I'll have no bigger. 1697 01:31:27,433 --> 01:31:29,865 This doth fit the time. 1698 01:31:29,866 --> 01:31:33,799 And gentlewomen wear such caps as these. 1699 01:31:33,800 --> 01:31:39,032 When you are gentle, you shall have one. 1700 01:31:39,033 --> 01:31:40,299 Not till then. 1701 01:31:40,300 --> 01:31:44,199 I am no child or babe. 1702 01:31:44,200 --> 01:31:46,699 Your betters have endur'd me say my mind, 1703 01:31:46,700 --> 01:31:49,499 and if they cannot, best stop thine ear. 1704 01:31:49,500 --> 01:31:53,665 For my tongue will tell the anger of my heart 1705 01:31:53,666 --> 01:31:56,799 or else my heart, concealing it, will break. 1706 01:31:56,800 --> 01:32:00,732 Why, what thou say'st is true. 1707 01:32:00,733 --> 01:32:04,999 It is a paltry cap, a custard-coffin, 1708 01:32:05,000 --> 01:32:06,799 a bauble, a silken pie. 1709 01:32:06,800 --> 01:32:09,165 I love thee well that thou do like it not. 1710 01:32:09,166 --> 01:32:13,532 Love me or love me not, I like the cap. 1711 01:32:13,533 --> 01:32:16,632 And it I will have or I will have none. 1712 01:32:16,633 --> 01:32:18,466 Hmm. 1713 01:32:20,100 --> 01:32:22,399 -No! -Here, take it hence. Begone. 1714 01:32:22,400 --> 01:32:25,132 Dear friends, thou angels in disguise 1715 01:32:25,133 --> 01:32:27,132 that had helped me in my hour of need, 1716 01:32:27,133 --> 01:32:29,765 t'were well you rested from your travels in yonder chamber. 1717 01:32:29,766 --> 01:32:31,300 Get thee hence. 1718 01:32:34,933 --> 01:32:36,632 Go to, go to... 1719 01:32:36,633 --> 01:32:38,632 Oh! 1720 01:32:38,633 --> 01:32:40,900 Come to, come to. 1721 01:32:41,866 --> 01:32:44,733 I am hungry! 1722 01:32:45,400 --> 01:32:52,899 How... can you think of food at such a time? 1723 01:32:52,900 --> 01:32:57,033 Come, let me lead you to the bridal chamber. 1724 01:32:57,766 --> 01:32:58,966 [ Mouthing ] Help me. 1725 01:33:03,733 --> 01:33:05,699 Thus have I politicly begun my reign, 1726 01:33:05,700 --> 01:33:09,799 and 'tis my hope to end successfully. 1727 01:33:09,800 --> 01:33:13,265 My falcon now is sharp and passing empty. 1728 01:33:13,266 --> 01:33:17,832 And till she stoop, she must not be full-gorged. 1729 01:33:17,833 --> 01:33:19,632 She ate no meat today, nor shall not. 1730 01:33:19,633 --> 01:33:21,565 Last night, she slept not. 1731 01:33:21,566 --> 01:33:25,465 Tonight, she must not. As with the meat, 1732 01:33:25,466 --> 01:33:28,732 some undeserved fault I'll find about the making of the bed. 1733 01:33:28,733 --> 01:33:30,465 And here I'll fling the pillow, 1734 01:33:30,466 --> 01:33:32,232 there the bolster, this way the coverlet, 1735 01:33:32,233 --> 01:33:36,632 another way the sheets. Aye, and amidst this hurly, 1736 01:33:36,633 --> 01:33:42,399 I intend that all is done in reverend care of her. 1737 01:33:42,400 --> 01:33:45,899 This is the way to kill a wife with kindness. 1738 01:33:45,900 --> 01:33:51,365 And thus, I'll curb her mad and headstrong humor. 1739 01:33:51,366 --> 01:33:55,733 He that knows better how to tame a shrew, now let him speak. 1740 01:33:57,833 --> 01:34:01,032 'Tis charity to show. 1741 01:34:01,033 --> 01:34:02,599 Come, my bonny Kate! 1742 01:34:02,600 --> 01:34:04,199 [ Knock on door ] 1743 01:34:04,200 --> 01:34:06,065 Come, my winsome Kate. 1744 01:34:06,066 --> 01:34:07,432 [ Knock on door ] 1745 01:34:07,433 --> 01:34:08,565 Come, my... oh! 1746 01:34:08,566 --> 01:34:10,765 Ohh! [ Groans ] 1747 01:34:10,766 --> 01:34:12,599 ♪ 1748 01:34:12,600 --> 01:34:16,365 Damn it! The woman has shut her bolt. 1749 01:34:16,366 --> 01:34:19,665 She did perform while I did act the dolt. 1750 01:34:19,666 --> 01:34:22,799 Was ever a man so beaten? 1751 01:34:22,800 --> 01:34:25,665 Was ever a man so weary? 1752 01:34:25,666 --> 01:34:29,365 ♪ 1753 01:34:29,366 --> 01:34:33,432 ♪ Since I reached the charming age of puberty ♪ 1754 01:34:33,433 --> 01:34:37,365 ♪ And began to think of feminine curls ♪ 1755 01:34:37,366 --> 01:34:41,265 ♪ Like a show that's typically Shuberty ♪ 1756 01:34:41,266 --> 01:34:46,365 ♪ I have always had a multitude of girls ♪ 1757 01:34:46,366 --> 01:34:54,232 ♪ But now that a married man at last am I ♪ 1758 01:34:54,233 --> 01:35:02,233 ♪ How aware of my dear departed past am I ♪ 1759 01:35:02,433 --> 01:35:06,432 ♪ Where is the life that late I led? ♪ 1760 01:35:06,433 --> 01:35:10,132 ♪ Where is it now? Totally dead! ♪ 1761 01:35:10,133 --> 01:35:13,999 ♪ And where is the fun I used to find? ♪ 1762 01:35:14,000 --> 01:35:15,799 ♪ Where has it gone? 1763 01:35:15,800 --> 01:35:17,865 ♪ Gone with the wine! 1764 01:35:17,866 --> 01:35:21,865 ♪ The marriage life may all be well ♪ 1765 01:35:21,866 --> 01:35:23,865 ♪ But raising an heir could never compare ♪ 1766 01:35:23,866 --> 01:35:25,599 ♪ With raising a bit of hell 1767 01:35:25,600 --> 01:35:29,432 ♪ So I repeat what first I said ♪ 1768 01:35:29,433 --> 01:35:33,833 ♪ Where is the life that late I... ♪ 1769 01:35:37,333 --> 01:35:44,432 ♪ In dear Milano, where are you, Momo? ♪ 1770 01:35:44,433 --> 01:35:48,232 ♪ Still selling those pictures of the Scriptures ♪ 1771 01:35:48,233 --> 01:35:50,865 ♪ In the Duomo? 1772 01:35:50,866 --> 01:35:54,332 ♪ And Carolina 1773 01:35:54,333 --> 01:35:57,865 ♪ Where are you, Lina? 1774 01:35:57,866 --> 01:36:04,499 ♪ Still peddling your pizza in the streets-a ole Taormina? ♪ 1775 01:36:04,500 --> 01:36:11,265 ♪ And in Firenze, where are you, Alice? ♪ 1776 01:36:11,266 --> 01:36:18,332 ♪ Still there in your pretty itty-bitty pity palace? ♪ 1777 01:36:18,333 --> 01:36:22,699 ♪ And sweet Lucretia 1778 01:36:22,700 --> 01:36:27,799 ♪ So young and gay-ee 1779 01:36:27,800 --> 01:36:35,800 ♪ What scandalous doings in the ruins of Pompeii ♪ 1780 01:36:36,933 --> 01:36:37,933 ♪ 1781 01:36:42,600 --> 01:36:46,665 ♪ Where is the life that late I led? ♪ 1782 01:36:46,666 --> 01:36:50,199 ♪ Where is it now? Totally dead! ♪ 1783 01:36:50,200 --> 01:36:54,132 ♪ And where is the fun I used to find? ♪ 1784 01:36:54,133 --> 01:36:57,832 ♪ Where has it gone? Gone with the wine! ♪ 1785 01:36:57,833 --> 01:37:02,065 ♪ The marriage game is quite all right ♪ 1786 01:37:02,066 --> 01:37:04,099 ♪ Yes, during the day, it's easy to play ♪ 1787 01:37:04,100 --> 01:37:05,565 ♪ But, oh, what a bore at night ♪ 1788 01:37:05,566 --> 01:37:09,365 ♪ So I repeat what first I said ♪ 1789 01:37:09,366 --> 01:37:16,365 ♪ Where is the life that late I... ♪ 1790 01:37:16,366 --> 01:37:19,832 ♪ Where is Rebecca? 1791 01:37:19,833 --> 01:37:21,799 ♪ 1792 01:37:21,800 --> 01:37:25,465 ♪ My Becky-wecky-oh 1793 01:37:25,466 --> 01:37:27,165 ♪ 1794 01:37:27,166 --> 01:37:34,765 ♪ Is she still cruising that amusing Ponte Vecchio? ♪ 1795 01:37:34,766 --> 01:37:41,699 ♪ And sweet Fedora, the wild virago? ♪ 1796 01:37:41,700 --> 01:37:48,232 ♪ It's lucky I missed her gangster sister from Chicago ♪ 1797 01:37:48,233 --> 01:37:51,399 ♪ And sweet Venetia 1798 01:37:51,400 --> 01:37:55,099 ♪ Who used to chat so 1799 01:37:55,100 --> 01:38:01,965 ♪ Is she still drinking in her stinking pink palazzo? ♪ 1800 01:38:01,966 --> 01:38:06,865 ♪ And lovely Lisa 1801 01:38:06,866 --> 01:38:11,065 ♪ Where are you, Lisa? 1802 01:38:11,066 --> 01:38:14,365 ♪ 1803 01:38:14,366 --> 01:38:22,366 ♪ You gave a new meaning to the Leaning Tower of Pisa ♪ 1804 01:38:26,700 --> 01:38:28,165 ♪ 1805 01:38:28,166 --> 01:38:32,065 ♪ Where is the life that late I led? ♪ 1806 01:38:32,066 --> 01:38:33,632 ♪ Where is it now? 1807 01:38:33,633 --> 01:38:35,732 ♪ Why, it's totally dead! 1808 01:38:35,733 --> 01:38:39,499 ♪ Where is the fun I used to find? ♪ 1809 01:38:39,500 --> 01:38:43,299 ♪ Where has it gone? Gone with the wine! ♪ 1810 01:38:43,300 --> 01:38:47,232 ♪ I've oft been told of nuptial bliss ♪ 1811 01:38:47,233 --> 01:38:49,265 ♪ But what do you do 1812 01:38:49,266 --> 01:38:51,632 ♪ At a quarter to two 1813 01:38:51,633 --> 01:38:53,932 ♪ With only a shrew to kiss? 1814 01:38:53,933 --> 01:38:57,299 ♪ So I repeat what first I said ♪ 1815 01:38:57,300 --> 01:39:03,132 ♪ Where is the life that late 1816 01:39:03,133 --> 01:39:11,133 ♪ I led? 1817 01:39:13,133 --> 01:39:15,899 ♪ 1818 01:39:15,900 --> 01:39:17,832 [ Cheers and applause ] 1819 01:39:17,833 --> 01:39:22,265 ♪ 1820 01:39:22,266 --> 01:39:24,600 [ Cheers and applause ] 1821 01:39:26,533 --> 01:39:29,833 [ Sirens wail ] 1822 01:39:41,433 --> 01:39:42,933 Lilli?! 1823 01:39:44,166 --> 01:39:45,999 Lilli! -Excuse me, sir. 1824 01:39:46,000 --> 01:39:48,365 There's a show going on. Shh, shh! 1825 01:39:48,366 --> 01:39:51,465 -Lilli! -Who is making all that noise? 1826 01:39:51,466 --> 01:39:52,865 This one here. 1827 01:39:52,866 --> 01:39:54,299 He's screaming like a crazy person. 1828 01:39:54,300 --> 01:39:55,599 Now, should I call a doctor? 1829 01:39:55,600 --> 01:39:57,199 I brought my own. Flynn, Riley! 1830 01:39:57,200 --> 01:39:58,699 -Sir! -Get the medics. 1831 01:39:58,700 --> 01:40:00,899 -In here. -Well, this guy's so far gone, 1832 01:40:00,900 --> 01:40:02,832 he has to travel with his own hospital. 1833 01:40:02,833 --> 01:40:04,699 -Lilli! -If you're looking for 1834 01:40:04,700 --> 01:40:07,165 Miss Vanessi, she's on stage. 1835 01:40:07,166 --> 01:40:08,232 Oh, no, no, no! 1836 01:40:08,233 --> 01:40:10,332 I'll be happy to give her a message. 1837 01:40:10,333 --> 01:40:11,999 She has plenty of fans. 1838 01:40:12,000 --> 01:40:14,332 I'm her betrothed! I'm not a fan! 1839 01:40:14,333 --> 01:40:16,065 Oh, well, that marriage will never last. 1840 01:40:16,066 --> 01:40:18,565 -Lilli! -Quiet, damn it! 1841 01:40:18,566 --> 01:40:21,299 -Who said, "Quiet, damn it"?! -I did. 1842 01:40:21,300 --> 01:40:23,065 -Who are you? -Fredric C. Graham, 1843 01:40:23,066 --> 01:40:25,299 actor, director, producer, and someone who knows better 1844 01:40:25,300 --> 01:40:27,799 than to scream backstage when there's a show going on. 1845 01:40:27,800 --> 01:40:31,065 Who are you? -General Harrison Howell. 1846 01:40:31,066 --> 01:40:32,832 Lilli's betrothed. 1847 01:40:32,833 --> 01:40:34,499 But not a fan, and he keeps going on about it. 1848 01:40:34,500 --> 01:40:36,065 Oh, so you're Lilli's mystery man? 1849 01:40:36,066 --> 01:40:37,765 Well, I've heard so much about you, 1850 01:40:37,766 --> 01:40:39,365 it's almost like you're an old friend. 1851 01:40:39,366 --> 01:40:40,832 Like a very old fr... 1852 01:40:40,833 --> 01:40:43,765 Like, much older than I expected. 1853 01:40:43,766 --> 01:40:45,965 -I need to see Lilli. -Yeah, go right ahead. 1854 01:40:45,966 --> 01:40:47,465 That's her dressing room over there. 1855 01:40:47,466 --> 01:40:49,332 -Come this way. -Oh, No. 1856 01:40:49,333 --> 01:40:51,199 No, Miss Vanessi will not be needing your services, 1857 01:40:51,200 --> 01:40:52,532 thank you very much. 1858 01:40:52,533 --> 01:40:53,832 She said she's been assaulted. 1859 01:40:53,833 --> 01:40:55,732 No, she assaulted me! 1860 01:40:55,733 --> 01:40:57,599 You may have misheard that. She doesn't enunciate. 1861 01:40:57,600 --> 01:40:59,465 Fred, you're needed on stage. 1862 01:40:59,466 --> 01:41:01,499 Yeah, go right ahead. That's her dressing room. 1863 01:41:01,500 --> 01:41:04,332 Make yourself comfortable. I can see why she fell for you. 1864 01:41:04,333 --> 01:41:06,533 You look exactly like her grandpa. 1865 01:41:09,933 --> 01:41:12,965 Harrison? 1866 01:41:12,966 --> 01:41:15,265 Is that you? 1867 01:41:15,266 --> 01:41:16,932 I'm sorry? 1868 01:41:16,933 --> 01:41:20,399 It's me... Lois. 1869 01:41:20,400 --> 01:41:22,599 Don't you remember, General? 1870 01:41:22,600 --> 01:41:25,765 On the Sydney Harbor Bridge? 1871 01:41:25,766 --> 01:41:27,465 I had something in my eye, 1872 01:41:27,466 --> 01:41:30,499 and you took me to Hong Kong to take it out. 1873 01:41:30,500 --> 01:41:32,999 Oh, yeah. How could I forget? 1874 01:41:33,000 --> 01:41:35,899 It's all right, men. Wait outside. 1875 01:41:35,900 --> 01:41:37,299 Mount your vehicles! 1876 01:41:37,300 --> 01:41:40,099 I've still got the diamond bracelet with the rubies. 1877 01:41:40,100 --> 01:41:41,932 I think of you all the time 1878 01:41:41,933 --> 01:41:45,632 when I go down to my safe deposit box. 1879 01:41:45,633 --> 01:41:47,432 -Now look here, Laura. -Lois. 1880 01:41:47,433 --> 01:41:49,165 Lois, of course, Lois. 1881 01:41:49,166 --> 01:41:52,765 That was a long time ago. It was wartime. 1882 01:41:52,766 --> 01:41:57,732 I was a young soldier, barely 45, 1883 01:41:57,733 --> 01:41:59,899 looking for rest and... 1884 01:41:59,900 --> 01:42:01,699 recreation. 1885 01:42:01,700 --> 01:42:03,832 I remember the recreation. 1886 01:42:03,833 --> 01:42:05,499 I don't remember the rest. 1887 01:42:05,500 --> 01:42:06,665 Well, neither do I. 1888 01:42:06,666 --> 01:42:08,865 But as I say, that was long ago. 1889 01:42:08,866 --> 01:42:11,265 And I'm about to marry my Lois. 1890 01:42:11,266 --> 01:42:13,899 -"Your Lois"? -My Lilli. 1891 01:42:13,900 --> 01:42:15,765 Lilli Vanessi. 1892 01:42:15,766 --> 01:42:18,565 I'm a public figure now. 1893 01:42:18,566 --> 01:42:22,832 I know. I've heard you on the radio. 1894 01:42:22,833 --> 01:42:25,332 You're a big cheese. 1895 01:42:25,333 --> 01:42:27,965 You were just a little cheese back then. 1896 01:42:27,966 --> 01:42:30,999 Yes, I'm a big cheese. 1897 01:42:31,000 --> 01:42:34,799 And, more significantly, a cheese that's betrothed. 1898 01:42:34,800 --> 01:42:38,999 I must avoid scandal at all costs, you understand? 1899 01:42:39,000 --> 01:42:40,265 Oh, I understand. 1900 01:42:40,266 --> 01:42:42,799 So may I rely on your discretion? 1901 01:42:42,800 --> 01:42:46,465 After all, the institution of marriage is sacred. 1902 01:42:46,466 --> 01:42:48,065 I take it very seriously. 1903 01:42:48,066 --> 01:42:50,832 -Of course. -Here's my card. 1904 01:42:50,833 --> 01:42:54,232 Let a decent amount of time pass before you get in touch. 1905 01:42:54,233 --> 01:42:56,399 Say, three weeks. 1906 01:42:56,400 --> 01:42:58,299 -[ Chuckles ] -And if my valet answers, 1907 01:42:58,300 --> 01:43:02,365 just say you're my cousin Tillie from Maine. 1908 01:43:02,366 --> 01:43:04,799 He'll know what that means. 1909 01:43:04,800 --> 01:43:07,266 Aye-aye, Captain! 1910 01:43:14,166 --> 01:43:17,832 When did you join the United States Army? 1911 01:43:17,833 --> 01:43:21,799 You've been listening the whole time? 1912 01:43:21,800 --> 01:43:23,865 Yeah. 1913 01:43:23,866 --> 01:43:28,432 I assure you there was nothing wrong between he and I. 1914 01:43:28,433 --> 01:43:32,232 Just because a girl is good-hearted and normal 1915 01:43:32,233 --> 01:43:34,765 and... patriotic, 1916 01:43:34,766 --> 01:43:36,465 and wants to get along with her fellow man... 1917 01:43:36,466 --> 01:43:41,165 ♪ Why can't you behave? 1918 01:43:41,166 --> 01:43:44,099 ♪ 1919 01:43:44,100 --> 01:43:48,132 I guess we both have our demons. 1920 01:43:48,133 --> 01:43:51,999 ♪ How in hell can you be jealous ♪ 1921 01:43:52,000 --> 01:43:57,933 ♪ When you know you're the one I crave? ♪ 1922 01:43:58,900 --> 01:44:02,165 ♪ I'm just mad for you 1923 01:44:02,166 --> 01:44:05,999 ♪ And I'll always be 1924 01:44:06,000 --> 01:44:09,599 ♪ But naturally 1925 01:44:09,600 --> 01:44:12,365 ♪ If a custom-tailored vet 1926 01:44:12,366 --> 01:44:15,265 ♪ Asks me out for something wet ♪ 1927 01:44:15,266 --> 01:44:21,165 ♪ When the vet begins to pet, I cry "Hooray!" ♪ 1928 01:44:21,166 --> 01:44:24,299 ♪ But I'm always true to you, darling ♪ 1929 01:44:24,300 --> 01:44:27,165 ♪ In my fashion 1930 01:44:27,166 --> 01:44:31,165 ♪ Yes, I'm always true to you, darling, in my way ♪ 1931 01:44:31,166 --> 01:44:32,465 Look, this is ridiculous. You can't... 1932 01:44:32,466 --> 01:44:35,799 ♪ Okay, I enjoy a tender pass 1933 01:44:35,800 --> 01:44:38,665 ♪ By the boss of Boston Mass 1934 01:44:38,666 --> 01:44:41,299 ♪ Though his pass is middle-class ♪ 1935 01:44:41,300 --> 01:44:44,565 ♪ And not Back Bay 1936 01:44:44,566 --> 01:44:50,565 ♪ But I'm always true to you, darling, in my fashion ♪ 1937 01:44:50,566 --> 01:44:56,332 ♪ Yes, I'm always true to you, darling, in my way ♪ 1938 01:44:56,333 --> 01:44:59,199 ♪ There's a madman known as Mack ♪ 1939 01:44:59,200 --> 01:45:02,232 ♪ Who is planning to attack 1940 01:45:02,233 --> 01:45:08,299 ♪ If his mad attack means a Cadillac, okay ♪ 1941 01:45:08,300 --> 01:45:14,199 ♪ But I'm always true to you, darling, in my fashion ♪ 1942 01:45:14,200 --> 01:45:20,299 ♪ Yes, I'm always true to you, darling, in my way ♪ 1943 01:45:20,300 --> 01:45:22,999 ♪ I've been asked to have a meal ♪ 1944 01:45:23,000 --> 01:45:25,932 ♪ By a big tycoon in steel 1945 01:45:25,933 --> 01:45:28,865 ♪ If the meal includes a deal 1946 01:45:28,866 --> 01:45:31,732 ♪ Accept I may 1947 01:45:31,733 --> 01:45:37,699 ♪ But I'm always true to you, darling, in my fashion ♪ 1948 01:45:37,700 --> 01:45:43,565 ♪ Yes, I'm always true to you, darling, in my way ♪ 1949 01:45:43,566 --> 01:45:46,399 ♪ I could never curl my lip 1950 01:45:46,400 --> 01:45:49,232 ♪ To a dazzling diamond clip 1951 01:45:49,233 --> 01:45:52,065 ♪ Though the clip meant "let 'er rip" ♪ 1952 01:45:52,066 --> 01:45:55,332 ♪ I'd not say "Nay!" 1953 01:45:55,333 --> 01:46:01,199 ♪ But I'm always true to you, darling, in my fashion ♪ 1954 01:46:01,200 --> 01:46:06,699 ♪ Yes, I'm always true to you, darling, in my way ♪ 1955 01:46:06,700 --> 01:46:09,865 ♪ Oh, there's an oilman known as Tex ♪ 1956 01:46:09,866 --> 01:46:12,465 ♪ Who is keen to give me checks ♪ 1957 01:46:12,466 --> 01:46:14,499 ♪ And his checks, I fear 1958 01:46:14,500 --> 01:46:18,765 ♪ Mean that sex is here to stay ♪ 1959 01:46:18,766 --> 01:46:24,265 ♪ But I'm always true to you, darling, in my fashion ♪ 1960 01:46:24,266 --> 01:46:29,699 ♪ Yes, I'm always true to you 1961 01:46:29,700 --> 01:46:36,799 ♪ Darling, in my way 1962 01:46:36,800 --> 01:46:38,866 [ Cheers and applause ] 1963 01:46:40,666 --> 01:46:42,099 [ Music continues ] 1964 01:46:42,100 --> 01:46:43,265 Oh. 1965 01:46:43,266 --> 01:46:46,365 ♪ 1966 01:46:46,366 --> 01:46:49,265 ♪ There's a wealthy Hindu priest ♪ 1967 01:46:49,266 --> 01:46:52,465 ♪ Who's a wolf, to say the least ♪ 1968 01:46:52,466 --> 01:46:56,099 ♪ When the priest goes too far east ♪ 1969 01:46:56,100 --> 01:46:58,665 ♪ I also stray 1970 01:46:58,666 --> 01:47:04,732 ♪ But I'm always true to you, darling, in my fashion ♪ 1971 01:47:04,733 --> 01:47:08,165 ♪ Yes, I'm always true to you, darling, in my... ♪ 1972 01:47:08,166 --> 01:47:10,699 I'm just gonna sit. Okay? 1973 01:47:10,700 --> 01:47:13,532 ♪ There's a lush from Baltimore ♪ 1974 01:47:13,533 --> 01:47:16,432 ♪ Who is rich but such a bore 1975 01:47:16,433 --> 01:47:19,832 ♪ When the bore falls on the floor ♪ 1976 01:47:19,833 --> 01:47:22,332 ♪ I let him lay 1977 01:47:22,333 --> 01:47:28,099 ♪ But I'm always true to you, darling, in my fashion ♪ 1978 01:47:28,100 --> 01:47:33,132 ♪ Yes, I'm always true to you, darling, in my way ♪ 1979 01:47:33,133 --> 01:47:34,265 Oh, oh! 1980 01:47:34,266 --> 01:47:36,965 ♪ Mr. Harris, plutocrat 1981 01:47:36,966 --> 01:47:39,865 ♪ Wants to give my cheek a pat 1982 01:47:39,866 --> 01:47:43,165 ♪ If a Harris pat means a Paris hat ♪ 1983 01:47:43,166 --> 01:47:46,065 ♪ Baby, ooh la la 1984 01:47:46,066 --> 01:47:52,699 ♪ Mais je suis toujours fidle, darling, in my fashion ♪ 1985 01:47:52,700 --> 01:47:57,732 ♪ Oui, je suis toujours fidle 1986 01:47:57,733 --> 01:48:05,733 ♪ Darling, in my way 1987 01:48:06,533 --> 01:48:10,032 ♪ From Ohio, Mrs. Thorne 1988 01:48:10,033 --> 01:48:13,832 ♪ She calls me up from night till morn ♪ 1989 01:48:13,833 --> 01:48:17,465 ♪ Mrs. Thorne once cornered corn ♪ 1990 01:48:17,466 --> 01:48:20,932 ♪ And that ain't hay 1991 01:48:20,933 --> 01:48:27,932 ♪ But I am always true to you, darling, in my fashion ♪ 1992 01:48:27,933 --> 01:48:35,599 ♪ Yes, I'm always true to you, darling, in my way ♪ 1993 01:48:35,600 --> 01:48:38,399 ♪ Mr. Gable 1994 01:48:38,400 --> 01:48:41,099 ♪ I mean Clark 1995 01:48:41,100 --> 01:48:46,199 ♪ Wants me on his boat to park 1996 01:48:46,200 --> 01:48:52,799 ♪ If the Gable boat means a sable coat ♪ 1997 01:48:52,800 --> 01:49:00,800 ♪ Anchors aweigh! 1998 01:49:02,333 --> 01:49:10,333 ♪ But I'm always true to you, darling, in my fashion ♪ 1999 01:49:11,033 --> 01:49:18,399 ♪ Yes, I'm always true to you 2000 01:49:18,400 --> 01:49:26,400 ♪ Darling, in my way 2001 01:49:28,400 --> 01:49:30,432 [ Cheers and applause ] 2002 01:49:30,433 --> 01:49:31,465 [ Laughs ] Whoo! 2003 01:49:31,466 --> 01:49:34,632 [ Laughing ] 2004 01:49:34,633 --> 01:49:36,199 Ah, ah. 2005 01:49:36,200 --> 01:49:38,932 Okay, play me out. Oh, give me a run. 2006 01:49:38,933 --> 01:49:39,999 ♪ 2007 01:49:40,000 --> 01:49:43,132 Ah! Ah! 2008 01:49:43,133 --> 01:49:46,532 Oh, oh, oh, oh, oh! 2009 01:49:46,533 --> 01:49:48,699 Thank you! Thank you! 2010 01:49:48,700 --> 01:49:50,399 You, call me. 2011 01:49:50,400 --> 01:49:55,399 ♪ 2012 01:49:55,400 --> 01:49:57,732 Major Rogers? Change of plans, Major. 2013 01:49:57,733 --> 01:49:59,532 The wedding's tomorrow. 2014 01:49:59,533 --> 01:50:00,732 No buts, Major. 2015 01:50:00,733 --> 01:50:01,666 Thinking on your feet, 2016 01:50:01,667 --> 01:50:02,865 that's the essence of command. 2017 01:50:02,866 --> 01:50:04,165 Now take this down. 2018 01:50:04,166 --> 01:50:05,565 We'll be married at Saint Thomas' 2019 01:50:05,566 --> 01:50:08,432 at 1430 hours. You got that? 2020 01:50:08,433 --> 01:50:10,832 Reception at the Waldorf, 1600 hours. 2021 01:50:10,833 --> 01:50:13,499 Press conference, 1740 hours. 2022 01:50:13,500 --> 01:50:14,932 Arrive Grand Central, 1825. 2023 01:50:14,933 --> 01:50:17,399 Depart, 1830 hours. You got that? 2024 01:50:17,400 --> 01:50:19,932 Arrive Washington, 2135. 2025 01:50:19,933 --> 01:50:22,399 Arrive White House, 2155. 2026 01:50:22,400 --> 01:50:27,199 Conference with President, then honeymoon with wife. 2027 01:50:27,200 --> 01:50:29,099 Time permitting. Ooh, ooh! 2028 01:50:29,100 --> 01:50:30,699 What do you think I should wear for the ceremony? 2029 01:50:30,700 --> 01:50:34,599 My black suit or my white dress uniform? 2030 01:50:34,600 --> 01:50:37,165 Miss Vanessi? White, I suppose. 2031 01:50:37,166 --> 01:50:39,932 Not black, in any case. 2032 01:50:39,933 --> 01:50:41,499 Agreed. We'll go with the suit, 2033 01:50:41,500 --> 01:50:44,665 the one I wore to Gandhi's funeral. 2034 01:50:44,666 --> 01:50:48,299 Good choice, Harrison. Gandhi's funeral. 2035 01:50:48,300 --> 01:50:49,999 Oh, do you mind if I call you Harrison? 2036 01:50:50,000 --> 01:50:52,465 Call me Harrison if you wish. 2037 01:50:52,466 --> 01:50:55,732 Harrison, allow me to give you a word of advice, 2038 01:50:55,733 --> 01:50:59,865 as someone who has survived marriage to Lilli. 2039 01:50:59,866 --> 01:51:01,799 Don't believe everything she says. 2040 01:51:01,800 --> 01:51:04,199 I mean, you've got to understand the caprices 2041 01:51:04,200 --> 01:51:06,099 of women of talent and beauty. 2042 01:51:06,100 --> 01:51:08,665 I mean, she may even come in here tonight and say, 2043 01:51:08,666 --> 01:51:11,599 "Harrison, I'm playing the show under duress. 2044 01:51:11,600 --> 01:51:13,799 Call the FBI!" 2045 01:51:13,800 --> 01:51:15,699 Why should she want the FBI? 2046 01:51:15,700 --> 01:51:18,732 Why did she want an ambulance? 2047 01:51:18,733 --> 01:51:20,199 Oh, thank God you're here! 2048 01:51:20,200 --> 01:51:23,532 Oh, oh! Harrison. 2049 01:51:23,533 --> 01:51:26,865 I am playing the show under duress. 2050 01:51:26,866 --> 01:51:28,732 Call the FBI! 2051 01:51:28,733 --> 01:51:30,432 Now, my dear, I don't mind bringing a doctor and a nurse, 2052 01:51:30,433 --> 01:51:33,132 they're on my payroll, but the FBI is not. 2053 01:51:33,133 --> 01:51:36,432 Now, I enjoy indulging the, uh... 2054 01:51:36,433 --> 01:51:38,599 caprices of a woman of talent and beauty 2055 01:51:38,600 --> 01:51:39,865 whom I happen to adore... 2056 01:51:39,866 --> 01:51:41,599 "Caprices"? 2057 01:51:41,600 --> 01:51:43,199 Darling, these thugs have threatened me. 2058 01:51:43,200 --> 01:51:44,799 Now, now, my dear... 2059 01:51:44,800 --> 01:51:46,499 I am playing at the point of a gun. 2060 01:51:46,500 --> 01:51:48,532 They will not let me leave this building! 2061 01:51:48,533 --> 01:51:50,932 Are you talking about two of the most promising graduates 2062 01:51:50,933 --> 01:51:52,999 of the Group Theatre? 2063 01:51:53,000 --> 01:51:56,199 These gentlemen have dedicated their lives to truth and beauty. 2064 01:51:56,200 --> 01:51:58,865 -Truth. -Beauty. 2065 01:51:58,866 --> 01:52:00,899 Can't you see they are gangsters? 2066 01:52:00,900 --> 01:52:02,299 I guess it shows. 2067 01:52:02,300 --> 01:52:03,499 What can you say to libel? 2068 01:52:03,500 --> 01:52:05,132 -Should I say something? -No. 2069 01:52:05,133 --> 01:52:06,699 Discretion is the better part of valor. 2070 01:52:06,700 --> 01:52:08,199 Famous Sayings, top shelf, 2071 01:52:08,200 --> 01:52:10,365 under non-fiction, right-hand corner. 2072 01:52:10,366 --> 01:52:12,299 Atlanta. No smoking. No talking. 2073 01:52:12,300 --> 01:52:13,465 We are well-read. 2074 01:52:13,466 --> 01:52:16,965 We spent 8 to 12 years bettering ourselves. 2075 01:52:16,966 --> 01:52:19,332 My dear, judging by their costumes and their education, 2076 01:52:19,333 --> 01:52:21,932 these men are obviously not what you say they are. 2077 01:52:21,933 --> 01:52:23,965 But they have guns! 2078 01:52:23,966 --> 01:52:28,165 Well, the right to bear arms is enshrined in our constitution. 2079 01:52:28,166 --> 01:52:30,632 Harrison, I could get killed. 2080 01:52:30,633 --> 01:52:33,265 Guns don't kill people. 2081 01:52:33,266 --> 01:52:34,299 -We do. -We do. 2082 01:52:34,300 --> 01:52:35,499 [ Both laugh ] 2083 01:52:35,500 --> 01:52:36,665 It's nice to meet you, General. 2084 01:52:36,666 --> 01:52:38,065 You take care of yourself, all right? 2085 01:52:38,066 --> 01:52:39,165 All right. Fred, you got this? 2086 01:52:39,166 --> 01:52:41,299 Yeah, yeah. Thank you, guys. 2087 01:52:41,300 --> 01:52:43,299 Thanks, guys. Yeah, two percent. Yeah, General. 2088 01:52:43,300 --> 01:52:46,666 Allow me. Please, General. 2089 01:52:47,400 --> 01:52:52,765 Lilli, if you want to go, then go. 2090 01:52:52,766 --> 01:52:55,532 Leave the theater, if that's what you want to do. 2091 01:52:55,533 --> 01:52:59,232 I mean, what is there in the theater to hold you? 2092 01:52:59,233 --> 01:53:01,399 It's so tawdry. 2093 01:53:01,400 --> 01:53:05,999 I mean, the meaningless excitement of opening night. 2094 01:53:06,000 --> 01:53:08,132 The dreary business of creating a part 2095 01:53:08,133 --> 01:53:11,799 and watching a character come to life. 2096 01:53:11,800 --> 01:53:14,265 And those idiotic men and women who stop and stare and go... 2097 01:53:14,266 --> 01:53:15,299 [ Gasping ] 2098 01:53:15,300 --> 01:53:17,000 [ Gasping ] 2099 01:53:18,133 --> 01:53:22,299 -"There goes Lilli Vanessi!" -Yes, it's me. 2100 01:53:22,300 --> 01:53:23,799 Yeah, it's dreadful. It's drea... 2101 01:53:23,800 --> 01:53:25,399 I don't blame you for wanting to get away from all that 2102 01:53:25,400 --> 01:53:26,699 when you've got a chance of happiness. 2103 01:53:26,700 --> 01:53:28,865 I mean, real happiness. 2104 01:53:28,866 --> 01:53:30,999 Under the General. 2105 01:53:31,000 --> 01:53:32,299 Why, thank you, Graham. 2106 01:53:32,300 --> 01:53:34,765 I believe I know what it takes to make a woman happy. 2107 01:53:34,766 --> 01:53:36,732 Well, God bless you, sir. 2108 01:53:36,733 --> 01:53:41,999 No, I never want to see the theater or you again. 2109 01:53:42,000 --> 01:53:43,832 I am going to have a wonderful life 2110 01:53:43,833 --> 01:53:47,799 with the most adorable man in the entire world. 2111 01:53:47,800 --> 01:53:50,199 And the President of the United States 2112 01:53:50,200 --> 01:53:53,799 agrees with you, dearest one. That's my big news. 2113 01:53:53,800 --> 01:53:57,132 Truman has asked me to be his running mate in November. 2114 01:53:57,133 --> 01:53:58,599 And you said yes? 2115 01:53:58,600 --> 01:54:00,332 Hold your horses. 2116 01:54:00,333 --> 01:54:03,665 Dewey has also asked me to be his running mate. 2117 01:54:03,666 --> 01:54:05,332 Dewey or Truman! 2118 01:54:05,333 --> 01:54:07,299 What a decision! 2119 01:54:07,300 --> 01:54:10,665 Well, I know a winner when I see one. 2120 01:54:10,666 --> 01:54:13,332 I picked Dewey. 2121 01:54:13,333 --> 01:54:16,232 My darling, I am so proud of you. 2122 01:54:16,233 --> 01:54:17,399 Mwah! 2123 01:54:17,400 --> 01:54:20,899 Well, let me just throw something on and then 2124 01:54:20,900 --> 01:54:25,165 we can turn our backs on this tawdry life in the theater. 2125 01:54:25,166 --> 01:54:27,299 I'm going to wear my enchanting new hat. 2126 01:54:27,300 --> 01:54:28,765 It's French. 2127 01:54:28,766 --> 01:54:31,265 Lilli. Fancy foreign headwear? 2128 01:54:31,266 --> 01:54:33,332 That's not what America expects to see on top 2129 01:54:33,333 --> 01:54:35,199 of a future Second Lady. 2130 01:54:35,200 --> 01:54:38,699 What is it with men and hats? 2131 01:54:38,700 --> 01:54:40,799 I like the hat, Harrison. 2132 01:54:40,800 --> 01:54:43,265 And my entire wardrobe is Dior. 2133 01:54:43,266 --> 01:54:46,565 So, come November and Nebraska, 2134 01:54:46,566 --> 01:54:48,499 I'm going to need my New Look mink. 2135 01:54:48,500 --> 01:54:49,799 Forgive me, my dear, 2136 01:54:49,800 --> 01:54:51,465 but what the voters will want to see you in 2137 01:54:51,466 --> 01:54:56,199 is a good old Republican cloth coat. 2138 01:54:56,200 --> 01:54:57,965 Does Dior do a cloth coat? 2139 01:54:57,966 --> 01:54:59,899 I don't know. 2140 01:54:59,900 --> 01:55:02,332 Now, it's gonna be a long, hard slog till November, 2141 01:55:02,333 --> 01:55:06,265 but after I'm elected, well, the truth is the VP doesn't do much. 2142 01:55:06,266 --> 01:55:10,232 He's just there in case the president has a stroke. 2143 01:55:10,233 --> 01:55:12,599 I may have the odd affair... 2144 01:55:12,600 --> 01:55:14,865 of states to attend to in Washington, 2145 01:55:14,866 --> 01:55:19,632 but we'll spend most of our time on my ranch in Oklahoma. 2146 01:55:19,633 --> 01:55:22,199 30,000 acres. 2147 01:55:22,200 --> 01:55:26,799 You can ride for days and not see a soul. 2148 01:55:26,800 --> 01:55:30,832 Oh! The life of a cowboy. 2149 01:55:30,833 --> 01:55:32,499 -[ Groans ] -What do you call the ranch? 2150 01:55:32,500 --> 01:55:34,499 "Solitude"? -No. 2151 01:55:34,500 --> 01:55:35,765 "Contentment." 2152 01:55:35,766 --> 01:55:37,565 "Contentment." Perfect. 2153 01:55:37,566 --> 01:55:40,732 Lilli, just think, no more cocktail parties, 2154 01:55:40,733 --> 01:55:44,699 no more fancy friends calling around with the latest gossip. 2155 01:55:44,700 --> 01:55:47,865 In fact, no friends at all. 2156 01:55:47,866 --> 01:55:49,899 Just the odd coyote coming round for dinner. 2157 01:55:49,900 --> 01:55:51,232 You know what I mean? 2158 01:55:51,233 --> 01:55:52,832 I got a dining room can seat a hundred. 2159 01:55:52,833 --> 01:55:54,232 Oh, marvelous! 2160 01:55:54,233 --> 01:55:56,065 I can just see your life with the General right now. 2161 01:55:56,066 --> 01:55:59,132 0600 hours, he rises with the help of a valet. 2162 01:55:59,133 --> 01:56:00,999 Been with me 30 years. 2163 01:56:01,000 --> 01:56:03,332 And it's into his riding clothes, and you into yours. 2164 01:56:03,333 --> 01:56:05,699 Well, I am mad about horses. 2165 01:56:05,700 --> 01:56:07,799 Yes, and eventually you'll stop falling off. 2166 01:56:07,800 --> 01:56:10,199 -Then home for breakfast. -Yeah, breakfast. 2167 01:56:10,200 --> 01:56:11,765 You'll sit at one end of the long table, 2168 01:56:11,766 --> 01:56:13,265 he'll sit at the other. 2169 01:56:13,266 --> 01:56:15,665 You'll watch through a telescope as Harrison slops his Wheaties. 2170 01:56:15,666 --> 01:56:18,499 Keeps you regular. Yeah, and then time for a nap. 2171 01:56:18,500 --> 01:56:20,232 20 minutes. Rest the brain. 2172 01:56:20,233 --> 01:56:22,099 Yeah, then you get up and you can dress 2173 01:56:22,100 --> 01:56:24,865 and you can stare out at the desolate plains for a while, 2174 01:56:24,866 --> 01:56:26,832 maybe do a little vulture spotting. 2175 01:56:26,833 --> 01:56:29,265 Then Harrison will join you to discuss the stocks. 2176 01:56:29,266 --> 01:56:31,332 -It's a bull market. -Oh... 2177 01:56:31,333 --> 01:56:34,365 Consolidated desperation's at an all-time high. 2178 01:56:34,366 --> 01:56:36,165 Then lunch. 2179 01:56:36,166 --> 01:56:40,299 Now, I've got the finest chef in the country. 2180 01:56:40,300 --> 01:56:42,499 -Oh! -But I have to watch my diet, 2181 01:56:42,500 --> 01:56:44,332 so we'll stick to the yolk of one egg, 2182 01:56:44,333 --> 01:56:46,532 shredded raw carrots, and a glass of buttermilk. 2183 01:56:46,533 --> 01:56:48,265 It's done wonders for me. 2184 01:56:48,266 --> 01:56:50,865 Then a nice, soothing, refreshing nap. 2185 01:56:50,866 --> 01:56:52,565 30 minutes! Rest the brain. 2186 01:56:52,566 --> 01:56:55,332 Yes, you too will nap, Miss Vanessi. 2187 01:56:55,333 --> 01:56:58,465 Mind-numbing fatigue will clutch at your consciousness. 2188 01:56:58,466 --> 01:57:01,365 Then it's out for a quick walk in the cactus garden. 2189 01:57:01,366 --> 01:57:05,265 Mind the spiders. -Then high tea. Very refreshing. 2190 01:57:05,266 --> 01:57:09,665 -Yep. Then another nap. -15 minutes. 2191 01:57:09,666 --> 01:57:11,699 Yeah, then you're up and you dress for dinner, 2192 01:57:11,700 --> 01:57:13,832 and you dine on carrots and buttermilk 2193 01:57:13,833 --> 01:57:15,532 and the yolk of a raw egg. 2194 01:57:15,533 --> 01:57:18,065 And he'll sit at one end of the long table, 2195 01:57:18,066 --> 01:57:19,599 and you'll sit at the other. 2196 01:57:19,600 --> 01:57:22,265 Then a brisk game of dominoes. 2197 01:57:22,266 --> 01:57:23,966 Oh, God. 2198 01:57:24,766 --> 01:57:27,465 Oh, such a wonderful game. 2199 01:57:27,466 --> 01:57:30,099 Then it's time for the last nap of the day. 2200 01:57:30,100 --> 01:57:31,732 The long one. 2201 01:57:31,733 --> 01:57:34,199 You stretch out, you yawn deliciously. 2202 01:57:34,200 --> 01:57:35,532 [ Yawns ] 2203 01:57:35,533 --> 01:57:40,565 A solitary hawk calls as it circles in the still air. 2204 01:57:40,566 --> 01:57:42,600 A-aa-aaah-aah! 2205 01:57:44,633 --> 01:57:46,400 Caaaaaaw! 2206 01:57:47,466 --> 01:57:48,665 Caaaaaw! 2207 01:57:48,666 --> 01:57:51,299 Get out while you can still walk! 2208 01:57:51,300 --> 01:57:54,500 Funny, that's exactly what I was gonna say to you. 2209 01:57:57,000 --> 01:58:00,232 He that knows better how to tame a shrew, now let him speak. 2210 01:58:00,233 --> 01:58:02,599 -'Tis charity to show. -'Tis charity to show. 2211 01:58:02,600 --> 01:58:10,600 ♪ 2212 01:58:17,033 --> 01:58:20,665 It likes me well, Cambio, hie you here and bid Bianca, 2213 01:58:20,666 --> 01:58:22,365 make her ready straight. 2214 01:58:22,366 --> 01:58:24,165 And, if you will, tell what hath happened. 2215 01:58:24,166 --> 01:58:26,865 Lucentio's father is arrived in Padua, 2216 01:58:26,866 --> 01:58:30,265 and how she's like to be Lucentio's wife. 2217 01:58:30,266 --> 01:58:33,699 Well, I pray the gods she may, with all my heart. 2218 01:58:33,700 --> 01:58:41,700 ♪ 2219 01:58:43,700 --> 01:58:47,399 ♪ Package for Miss Lois Lane 2220 01:58:47,400 --> 01:58:49,499 ♪ For your Bianca 2221 01:58:49,500 --> 01:58:50,632 ♪ Ha ha ha ha ha 2222 01:58:50,633 --> 01:58:53,965 ♪ Package for Miss Lois Lane 2223 01:58:53,966 --> 01:58:55,932 ♪ For your Bianca 2224 01:58:55,933 --> 01:58:57,232 ♪ Ha ha ha ha ha 2225 01:58:57,233 --> 01:59:00,365 ♪ Package for Miss Lois Lane 2226 01:59:00,366 --> 01:59:03,799 ♪ Package for Miss Lois Lane ♪ 2227 01:59:03,800 --> 01:59:06,899 ♪ Package for Miss Lois Lane 2228 01:59:06,900 --> 01:59:10,399 ♪ Ha ha ha ha ha, ha ha ha ha ha ha ha ♪ 2229 01:59:10,400 --> 01:59:13,433 ♪ Your Bianca, ha! 2230 01:59:14,666 --> 01:59:21,600 ♪ Sweet Bianca 2231 01:59:23,200 --> 01:59:27,832 ♪ While rehearsing with Bianca 2232 01:59:27,833 --> 01:59:31,765 ♪ She's the darling I adore 2233 01:59:31,766 --> 01:59:35,332 ♪ Offstage, I've found 2234 01:59:35,333 --> 01:59:38,399 ♪ She's been around 2235 01:59:38,400 --> 01:59:40,366 Don't we know it. [ All muttering ] 2236 01:59:41,533 --> 01:59:45,932 ♪ But I still love her more and more ♪ 2237 01:59:45,933 --> 01:59:49,565 ♪ So I've written her a love song ♪ 2238 01:59:49,566 --> 01:59:53,565 ♪ Though I'm just an amateur 2239 01:59:53,566 --> 01:59:56,565 ♪ I'll sing it through 2240 01:59:56,566 --> 02:00:00,199 ♪ For all of you 2241 02:00:00,200 --> 02:00:03,999 ♪ To see if it's worthy of her 2242 02:00:04,000 --> 02:00:05,765 ♪ Are you listening? 2243 02:00:05,766 --> 02:00:07,365 -Yeah, come on. -Come on, let's go. 2244 02:00:07,366 --> 02:00:13,399 -♪ Bianca -♪ Bianca 2245 02:00:13,400 --> 02:00:19,232 ♪ Oh, baby, will you be mine? ♪ 2246 02:00:19,233 --> 02:00:22,365 ♪ Bianca ♪ Bianca 2247 02:00:22,366 --> 02:00:25,332 -♪ Bianca -♪ Bianca 2248 02:00:25,333 --> 02:00:29,465 ♪ You'd better answer yes or papa spanka ♪ 2249 02:00:29,466 --> 02:00:31,332 [ All shouting ] -Okay, I'll change it! 2250 02:00:31,333 --> 02:00:34,332 ♪ To win you ♪ To win you 2251 02:00:34,333 --> 02:00:37,265 -♪ Bianca -♪ Bianca 2252 02:00:37,266 --> 02:00:42,799 ♪ There's nothing I would not do ♪ 2253 02:00:42,800 --> 02:00:47,599 ♪ I would swim from here to far Casablanca ♪ 2254 02:00:47,600 --> 02:00:49,033 Would you get off, man?! 2255 02:00:50,366 --> 02:00:54,099 ♪ Sweet Bianca 2256 02:00:54,100 --> 02:00:57,065 ♪ Bianca 2257 02:00:57,066 --> 02:00:58,765 ♪ 2258 02:00:58,766 --> 02:01:00,499 ♪ For you 2259 02:01:00,500 --> 02:01:02,965 ♪ 2260 02:01:02,966 --> 02:01:04,765 ♪ Bianca 2261 02:01:04,766 --> 02:01:06,199 ♪ 2262 02:01:06,200 --> 02:01:07,865 ♪ Bianca 2263 02:01:07,866 --> 02:01:09,365 ♪ 2264 02:01:09,366 --> 02:01:13,599 ♪ Oh, baby, will you be... 2265 02:01:13,600 --> 02:01:15,899 ♪ Doo-loo, doo-loo-do-do 2266 02:01:15,900 --> 02:01:22,665 -♪ Bianca -♪ Bianca 2267 02:01:22,666 --> 02:01:25,432 ♪ Ya better be answerin' yes 'cause if ya don't ♪ 2268 02:01:25,433 --> 02:01:28,465 ♪ Then papa's gonna wanna give a... ooh! ♪ 2269 02:01:28,466 --> 02:01:31,765 -♪ To win you -♪ To win you 2270 02:01:31,766 --> 02:01:34,599 ♪ Bianca ♪ Bianca 2271 02:01:34,600 --> 02:01:40,232 ♪ There's nothing he would not do ♪ 2272 02:01:40,233 --> 02:01:46,599 ♪ I would gladly give up coffee for Sanka ♪ 2273 02:01:46,600 --> 02:01:51,032 ♪ Even Sanka, Bianca, for you ♪ 2274 02:01:51,033 --> 02:01:53,532 Okay. Watch out, everybody! 2275 02:01:53,533 --> 02:01:54,599 -Aah! -Here I go! 2276 02:01:54,600 --> 02:02:02,265 ♪ 2277 02:02:02,266 --> 02:02:03,532 Oh! 2278 02:02:03,533 --> 02:02:04,665 ♪ 2279 02:02:04,666 --> 02:02:07,165 [ Tap shoes tapping ] 2280 02:02:07,166 --> 02:02:10,999 ♪ 2281 02:02:11,000 --> 02:02:12,065 Whoa! 2282 02:02:12,066 --> 02:02:20,066 ♪ 2283 02:02:23,333 --> 02:02:25,165 Don't do that to my chair! 2284 02:02:25,166 --> 02:02:26,299 ♪ 2285 02:02:26,300 --> 02:02:28,665 Hey! Hey! Hey! 2286 02:02:28,666 --> 02:02:36,666 ♪ 2287 02:02:51,500 --> 02:02:55,832 -♪ To win you -♪ To win you 2288 02:02:55,833 --> 02:02:59,165 -♪ Bianca -♪ Bianca 2289 02:02:59,166 --> 02:03:05,365 ♪ There's nothing I would not do ♪ 2290 02:03:05,366 --> 02:03:11,732 ♪ He would gladly give up coffee for Sanka ♪ 2291 02:03:11,733 --> 02:03:15,532 ♪ Even Sanka, Bianca 2292 02:03:15,533 --> 02:03:18,465 ♪ Yes, Sanka, Bianca 2293 02:03:18,466 --> 02:03:21,365 ♪ Bianca ♪ Bianca 2294 02:03:21,366 --> 02:03:24,532 -♪ Bianca -♪ Bianca 2295 02:03:24,533 --> 02:03:27,465 ♪ Bianca 2296 02:03:27,466 --> 02:03:30,732 ♪ For you 2297 02:03:30,733 --> 02:03:34,332 ♪ 2298 02:03:34,333 --> 02:03:38,765 [ Cheers and applause ] 2299 02:03:38,766 --> 02:03:40,532 Let's go! Let's go! 2300 02:03:40,533 --> 02:03:48,533 ♪ 2301 02:03:53,566 --> 02:03:56,600 Yeah, yeah, Gumpy, it's me. Let me talk to Mr. Hogan. 2302 02:03:57,733 --> 02:03:59,999 Because I want to report in, Gumpy. 2303 02:04:00,000 --> 02:04:03,866 Mr. Hogan likes it when I report in, Gumpy. 2304 02:04:04,866 --> 02:04:07,699 Why should I call you Mr. Gumpy? -[ Laughs ] 2305 02:04:07,700 --> 02:04:09,765 Just... Oh! 2306 02:04:09,766 --> 02:04:11,799 Oh. Oh, I see. 2307 02:04:11,800 --> 02:04:13,799 -What? What? What? -Yeah, yeah, of course 2308 02:04:13,800 --> 02:04:15,565 we'll pay you a visit, Mr. Gumpy! 2309 02:04:15,566 --> 02:04:18,732 -Oh, my... -All right, Mr. Gumpy. 2310 02:04:18,733 --> 02:04:20,565 Yes, Mr. Gumpy. 2311 02:04:20,566 --> 02:04:23,732 Can I... 2312 02:04:23,733 --> 02:04:26,632 Gumpy... fwwt! Hogan... ckk! 2313 02:04:26,633 --> 02:04:28,032 [ Grumbles ] You mean it? 2314 02:04:28,033 --> 02:04:31,332 Mr. Hogan's unidentified remains will be found floating 2315 02:04:31,333 --> 02:04:32,965 in the Bay tomorrow. 2316 02:04:32,966 --> 02:04:34,300 Rest his soul. 2317 02:04:36,166 --> 02:04:38,699 -Fellas? -Oh, Mr. Graham. 2318 02:04:38,700 --> 02:04:41,965 Well, looks like we're gonna have to declare a moratorium 2319 02:04:41,966 --> 02:04:44,299 on you, seeing as how Mr. Gumpy's declared 2320 02:04:44,300 --> 02:04:46,332 a moratorium on Mr. Hogan. 2321 02:04:46,333 --> 02:04:48,265 -Moratorium? -Yeah, they'll let you out. 2322 02:04:48,266 --> 02:04:50,965 -What, I'm off the hook? -No Mr. Hogan, no IOU. 2323 02:04:50,966 --> 02:04:52,765 -All right. -There goes our two percent. 2324 02:04:52,766 --> 02:04:55,199 Yeah. Well, we must part. 2325 02:04:55,200 --> 02:04:56,499 -Oh, that's good. -Oh, you like that? 2326 02:04:56,500 --> 02:04:58,232 -Yeah. Yeah. -All right. 2327 02:04:58,233 --> 02:05:01,432 Yeah, thank you for letting us live out a dream. 2328 02:05:01,433 --> 02:05:03,932 Oh, no, it was my pleasure. I... 2329 02:05:03,933 --> 02:05:05,832 -Come here, big guy. -Yeah, what... Oh! 2330 02:05:05,833 --> 02:05:07,132 Whoa, whoa, oh, boy! 2331 02:05:07,133 --> 02:05:09,499 Please, Lilli, can't you just stick it out 2332 02:05:09,500 --> 02:05:10,532 to the end of the show? 2333 02:05:10,533 --> 02:05:12,232 You only got one song left. 2334 02:05:12,233 --> 02:05:13,699 Oh, yes. 2335 02:05:13,700 --> 02:05:15,632 You mean the song where I express 2336 02:05:15,633 --> 02:05:18,265 how ashamed I am that women are so simple? 2337 02:05:18,266 --> 02:05:21,232 I'm not a simple woman, Ralph. 2338 02:05:21,233 --> 02:05:24,465 Uh, Miss Vanessi, we just want to say au revoir. 2339 02:05:24,466 --> 02:05:26,965 Oh, yeah, yeah, it has been a delightful experience. 2340 02:05:26,966 --> 02:05:28,699 "Delightful"? 2341 02:05:28,700 --> 02:05:32,199 I have never been so threatened, so bullied, 2342 02:05:32,200 --> 02:05:36,032 so pushed around in my entire life. 2343 02:05:36,033 --> 02:05:39,100 Have you two ever considered directing? 2344 02:05:41,733 --> 02:05:43,965 We'll always think of you with great fondness! 2345 02:05:43,966 --> 02:05:45,532 Oh, yeah, yeah. 2346 02:05:45,533 --> 02:05:48,865 Speaking of fondness, excuse us if we overstep, 2347 02:05:48,866 --> 02:05:54,099 but there is a gentleman here in this building who loves you. 2348 02:05:54,100 --> 02:05:56,365 He loves you like few can love another. 2349 02:05:56,366 --> 02:05:58,965 Yeah. He loves you like a mudder 2350 02:05:58,966 --> 02:06:01,632 loves a rainy day at Belmont Park. 2351 02:06:01,633 --> 02:06:04,365 Yeah. Yeah, and in case you are confused 2352 02:06:04,366 --> 02:06:07,465 as to this Romeo's identity, here's a clue. 2353 02:06:07,466 --> 02:06:09,432 He is not the one who, at this moment, 2354 02:06:09,433 --> 02:06:11,299 is napping in your dressing room, 2355 02:06:11,300 --> 02:06:14,299 dreaming of killing buffalo on the Great Plains. 2356 02:06:14,300 --> 02:06:16,199 No. 2357 02:06:16,200 --> 02:06:18,033 He's the other one. 2358 02:06:19,200 --> 02:06:21,832 -Au revoir. -Au revoir. 2359 02:06:21,833 --> 02:06:23,665 Oh, yeah, guys, can you leave the costumes? 2360 02:06:23,666 --> 02:06:25,599 They're rented. 2361 02:06:25,600 --> 02:06:27,765 Can we keep the hats? 2362 02:06:27,766 --> 02:06:29,165 Yeah, you can keep the hats. 2363 02:06:29,166 --> 02:06:30,600 -Yes! -Yes! 2364 02:06:32,166 --> 02:06:37,332 Hattie, would you please run along and get me a car? 2365 02:06:37,333 --> 02:06:40,899 And book me the first train back to New York. 2366 02:06:40,900 --> 02:06:43,099 Oh, yeah. What about Sleeping Beauty? 2367 02:06:43,100 --> 02:06:45,065 You are not Louella Parsons, 2368 02:06:45,066 --> 02:06:49,065 and I do not care to discuss my personal life with you. 2369 02:06:49,066 --> 02:06:51,165 Ralph, this is for the company. 2370 02:06:51,166 --> 02:06:54,465 I am going to miss them very much. 2371 02:06:54,466 --> 02:06:58,265 Oh, thank you. 2372 02:06:58,266 --> 02:06:59,965 Bye, Pops. 2373 02:06:59,966 --> 02:07:03,032 Same old Lilli, huh? 2374 02:07:03,033 --> 02:07:06,099 And I thought I detected a new note. 2375 02:07:06,100 --> 02:07:10,399 Like a new note of softness, humility, 2376 02:07:10,400 --> 02:07:12,165 spark of affection, maybe even love. 2377 02:07:12,166 --> 02:07:15,365 You are not going to hypnotize me, Svengali. 2378 02:07:15,366 --> 02:07:17,199 Come on, Lilli. You're not gonna walk out on me. 2379 02:07:17,200 --> 02:07:18,765 You walked out on me once. 2380 02:07:18,766 --> 02:07:21,532 -Yeah, but I came back. -Fred... 2381 02:07:21,533 --> 02:07:24,432 I've made plans, I've made promises. 2382 02:07:24,433 --> 02:07:26,465 Yeah, and I made mistakes. 2383 02:07:26,466 --> 02:07:28,865 I could've been better to you. I should have. 2384 02:07:28,866 --> 02:07:31,032 ♪ 2385 02:07:31,033 --> 02:07:32,499 I'm sorry. 2386 02:07:32,500 --> 02:07:34,665 ♪ 2387 02:07:34,666 --> 02:07:36,499 The car's waiting, Miss Vanessi. 2388 02:07:36,500 --> 02:07:39,732 I'm sorry, too. 2389 02:07:39,733 --> 02:07:47,733 ♪ 2390 02:07:48,400 --> 02:07:55,299 ♪ Strange, dear, but true, dear ♪ 2391 02:07:55,300 --> 02:08:01,832 ♪ When I'm close to you, dear 2392 02:08:01,833 --> 02:08:08,165 ♪ The stars fill the sky 2393 02:08:08,166 --> 02:08:16,065 ♪ So in love with you am I 2394 02:08:16,066 --> 02:08:22,499 ♪ Even without you 2395 02:08:22,500 --> 02:08:29,232 ♪ My arms fold about you 2396 02:08:29,233 --> 02:08:35,265 ♪ You know, darling, why 2397 02:08:35,266 --> 02:08:42,199 ♪ So in love with you am I 2398 02:08:42,200 --> 02:08:46,965 ♪ In love with the night mysterious ♪ 2399 02:08:46,966 --> 02:08:48,399 ♪ 2400 02:08:48,400 --> 02:08:54,999 ♪ The night when you first were there ♪ 2401 02:08:55,000 --> 02:09:02,265 ♪ In love with my joy delirious ♪ 2402 02:09:02,266 --> 02:09:04,932 ♪ When I knew 2403 02:09:04,933 --> 02:09:11,199 ♪ That you could care 2404 02:09:11,200 --> 02:09:13,132 ♪ 2405 02:09:13,133 --> 02:09:17,799 ♪ So taunt me 2406 02:09:17,800 --> 02:09:20,965 ♪ And hurt me 2407 02:09:20,966 --> 02:09:24,332 ♪ Deceive me 2408 02:09:24,333 --> 02:09:27,499 ♪ Desert me 2409 02:09:27,500 --> 02:09:30,199 ♪ I'm yours 2410 02:09:30,200 --> 02:09:36,332 ♪ Till I die 2411 02:09:36,333 --> 02:09:43,165 ♪ So in love, so in love ♪ 2412 02:09:43,166 --> 02:09:50,665 ♪ So in love with you, my love ♪ 2413 02:09:50,666 --> 02:09:53,699 ♪ 2414 02:09:53,700 --> 02:10:01,700 ♪ Am I 2415 02:10:03,700 --> 02:10:05,832 ♪ 2416 02:10:05,833 --> 02:10:07,532 Am I. 2417 02:10:07,533 --> 02:10:10,165 ♪ 2418 02:10:10,166 --> 02:10:12,533 [ Cheers and applause ] 2419 02:10:16,100 --> 02:10:17,499 ♪ 2420 02:10:17,500 --> 02:10:19,032 Hattie! 2421 02:10:19,033 --> 02:10:20,999 A little help getting the understudy ready? 2422 02:10:21,000 --> 02:10:24,265 -Oh, God, not Shirley. -I get to go on? 2423 02:10:24,266 --> 02:10:26,832 Really? I'll make you proud. 2424 02:10:26,833 --> 02:10:29,432 No, you won't. Come on. 2425 02:10:29,433 --> 02:10:31,199 -I will! -Let's go. 2426 02:10:31,200 --> 02:10:32,632 It's your time. 2427 02:10:32,633 --> 02:10:40,633 ♪ 2428 02:10:52,266 --> 02:10:53,565 1, 2. 2429 02:10:53,566 --> 02:10:55,299 Do you think there are any press in the audience? 2430 02:10:55,300 --> 02:10:56,632 God, I hope not. 2431 02:10:56,633 --> 02:10:58,565 Go and get ready for your entrance! Go. 2432 02:10:58,566 --> 02:11:00,832 Steve. Steve. Thank you. 2433 02:11:00,833 --> 02:11:02,099 Ladies and gentlemen, 2434 02:11:02,100 --> 02:11:03,832 for the remainder of the performance, 2435 02:11:03,833 --> 02:11:05,065 the role of Katherine... -Hey, hey! Wait! 2436 02:11:05,066 --> 02:11:06,165 Where's the exit? 2437 02:11:06,166 --> 02:11:07,465 I'm trying to make announcement here. 2438 02:11:07,466 --> 02:11:08,932 -We want to get out of here. -...will be played by 2439 02:11:08,933 --> 02:11:10,599 her understudy, Miss Shirley Eckl. 2440 02:11:10,600 --> 02:11:13,399 Damn it. -I'mma shoot him. I'mma... 2441 02:11:13,400 --> 02:11:15,532 Hey! 2442 02:11:15,533 --> 02:11:17,932 Hey! How do we get out of here? 2443 02:11:17,933 --> 02:11:20,732 Uh, how did we get in here? 2444 02:11:20,733 --> 02:11:23,132 We're trapped like rats. 2445 02:11:23,133 --> 02:11:24,732 ♪ 2446 02:11:24,733 --> 02:11:26,332 Oh, shoo... 2447 02:11:26,333 --> 02:11:27,432 Hey, no, no, no. -Hey! 2448 02:11:27,433 --> 02:11:29,399 No, no, no! -You gotta stop. Stop! 2449 02:11:29,400 --> 02:11:30,699 He's waving his stick around. 2450 02:11:30,700 --> 02:11:31,799 Hey, hey, hey! What do we do, man? 2451 02:11:31,800 --> 02:11:33,665 What do we do, what do we do? 2452 02:11:33,666 --> 02:11:36,565 Uh, I got an idea. 2453 02:11:36,566 --> 02:11:37,732 ♪ 2454 02:11:37,733 --> 02:11:41,699 ♪ The girls today in society 2455 02:11:41,700 --> 02:11:45,265 ♪ Go for classical poetry 2456 02:11:45,266 --> 02:11:47,065 ♪ So to win their hearts 2457 02:11:47,066 --> 02:11:49,465 ♪ One must quote with ease 2458 02:11:49,466 --> 02:11:53,065 ♪ Aeschylus and Euripides 2459 02:11:53,066 --> 02:11:57,132 ♪ One must know Homer, and b'lieve me, Bo ♪ 2460 02:11:57,133 --> 02:12:01,032 ♪ Sophocles, also Sappho-ho 2461 02:12:01,033 --> 02:12:02,899 ♪ Unless you know Shelley 2462 02:12:02,900 --> 02:12:05,165 -♪ And Keats -♪ And Pope 2463 02:12:05,166 --> 02:12:08,699 ♪ Dainty Debbies will call you a dope ♪ 2464 02:12:08,700 --> 02:12:12,432 ♪ But the poet of them all 2465 02:12:12,433 --> 02:12:16,699 ♪ Who will start 'em simply ravin' ♪ 2466 02:12:16,700 --> 02:12:21,065 ♪ Is the poet people call 2467 02:12:21,066 --> 02:12:25,365 ♪ The Bard of Stratford-on-Avon ♪ 2468 02:12:25,366 --> 02:12:29,265 ♪ Brush up your Shakespeare 2469 02:12:29,266 --> 02:12:33,165 ♪ Start quoting him now 2470 02:12:33,166 --> 02:12:36,432 ♪ Brush up your Shakespeare 2471 02:12:36,433 --> 02:12:40,299 ♪ And the women you will wow 2472 02:12:40,300 --> 02:12:44,399 ♪ Just declaim a few lines from "Othella" ♪ 2473 02:12:44,400 --> 02:12:48,199 ♪ And they'll think you're a hell of a fella ♪ 2474 02:12:48,200 --> 02:12:52,065 ♪ If your blonde won't respond when you flatter 'er ♪ 2475 02:12:52,066 --> 02:12:56,099 ♪ Tell her what Tony told Cleopatterer ♪ 2476 02:12:56,100 --> 02:13:00,065 ♪ If she fights when her clothes you are mussing ♪ 2477 02:13:00,066 --> 02:13:04,699 ♪ What are clothes? Much Ado About Nussing ♪ 2478 02:13:04,700 --> 02:13:07,832 ♪ Brush up your Shakespeare 2479 02:13:07,833 --> 02:13:11,899 ♪ And they'll all kowtow 2480 02:13:11,900 --> 02:13:13,165 -Thanks. -That's it, Steve. 2481 02:13:13,166 --> 02:13:16,132 [ Music continues ] -No! No, no, no! 2482 02:13:16,133 --> 02:13:18,265 Hey, hey, hey! Watch me. 2483 02:13:18,266 --> 02:13:20,132 Do what I do, all right? All right. 2484 02:13:20,133 --> 02:13:24,065 ♪ Brush up your Shakespeare 2485 02:13:24,066 --> 02:13:27,932 ♪ Start quoting him now 2486 02:13:27,933 --> 02:13:31,432 ♪ Brush up your Shakespeare 2487 02:13:31,433 --> 02:13:35,132 ♪ And the women you will wow No! No! 2488 02:13:35,133 --> 02:13:39,065 ♪ With the wife of the British ambessida ♪ 2489 02:13:39,066 --> 02:13:43,065 ♪ Try a crack out of "Troilus and Cressida" ♪ 2490 02:13:43,066 --> 02:13:46,899 ♪ If she says she won't buy it or tike it ♪ 2491 02:13:46,900 --> 02:13:50,932 ♪ Make her tike it, what's more As You Like It ♪ 2492 02:13:50,933 --> 02:13:54,665 ♪ If she says your behavior is heinous ♪ 2493 02:13:54,666 --> 02:13:58,332 ♪ Kick her right in the Coriolanus ♪ 2494 02:13:58,333 --> 02:13:59,365 Ow! 2495 02:13:59,366 --> 02:14:02,532 ♪ Brush up your Shakespeare 2496 02:14:02,533 --> 02:14:06,499 ♪ And they'll all kowtow 2497 02:14:06,500 --> 02:14:07,632 -We're done! -No more, Steve. 2498 02:14:07,633 --> 02:14:09,299 That's done. [ Music continues ] 2499 02:14:09,300 --> 02:14:10,565 Oh, come on, Ralph! -One more. 2500 02:14:10,566 --> 02:14:13,132 -I gotta go kill somebody! -She's not ready! 2501 02:14:13,133 --> 02:14:14,632 ♪ 2502 02:14:14,633 --> 02:14:18,432 ♪ Brush up your Shakespeare 2503 02:14:18,433 --> 02:14:22,332 ♪ Start quoting him now 2504 02:14:22,333 --> 02:14:25,632 ♪ Brush up your Shakespeare 2505 02:14:25,633 --> 02:14:29,665 ♪ And the women you will wow 2506 02:14:29,666 --> 02:14:33,599 ♪ If you can't be a ham and do Hamlet ♪ 2507 02:14:33,600 --> 02:14:37,265 ♪ They will not give a damn or a damnlet ♪ 2508 02:14:37,266 --> 02:14:41,232 ♪ Just recite an occasional sonnet ♪ 2509 02:14:41,233 --> 02:14:45,199 ♪ And your lap'll have "honey" upon it ♪ 2510 02:14:45,200 --> 02:14:49,099 ♪ When your baby is pleading for pleasure ♪ 2511 02:14:49,100 --> 02:14:52,765 ♪ Let her sample you Measure for Measure ♪ 2512 02:14:52,766 --> 02:14:53,766 -Oh! -Ha! 2513 02:14:53,767 --> 02:14:57,065 ♪ Brush up your Shakespeare 2514 02:14:57,066 --> 02:15:00,465 ♪ And they'll all kowtow 2515 02:15:00,466 --> 02:15:04,332 -Forsooth. -♪ And they'll all kowtow 2516 02:15:04,333 --> 02:15:09,332 -I' faith. -♪ And they'll all kowtow 2517 02:15:09,333 --> 02:15:11,200 [ Cheers and applause ] 2518 02:15:15,100 --> 02:15:17,799 Oh... what? [ Music continues ] 2519 02:15:17,800 --> 02:15:19,399 What do I do with this? 2520 02:15:19,400 --> 02:15:20,400 Uh, just shake the hat, all right? 2521 02:15:20,401 --> 02:15:21,699 -Shake the hat? -Just shake the hat. 2522 02:15:21,700 --> 02:15:23,832 Do what I do, all right? -Yeah, yeah, yeah. 2523 02:15:23,833 --> 02:15:27,665 ♪ Brush up your Shakespeare 2524 02:15:27,666 --> 02:15:31,399 ♪ Start quoting him now 2525 02:15:31,400 --> 02:15:34,799 ♪ Brush up your Shakespeare 2526 02:15:34,800 --> 02:15:38,665 ♪ And the women you will wow 2527 02:15:38,666 --> 02:15:42,432 ♪ Better mention "The Merchant of Venice" ♪ 2528 02:15:42,433 --> 02:15:46,465 ♪ When her sweet pound o' flesh you would menace ♪ 2529 02:15:46,466 --> 02:15:50,165 ♪ If her virtue, at first, she defends, well ♪ 2530 02:15:50,166 --> 02:15:54,332 ♪ Just remind her that All's Well That Ends Well ♪ 2531 02:15:54,333 --> 02:15:57,932 ♪ And if still she won't give you a bonus ♪ 2532 02:15:57,933 --> 02:16:01,432 ♪ You know what Venus got from Adonis ♪ 2533 02:16:01,433 --> 02:16:02,499 Ooh! 2534 02:16:02,500 --> 02:16:05,632 ♪ Brush up your Shakespeare 2535 02:16:05,633 --> 02:16:08,832 ♪ And they'll all kowtow 2536 02:16:08,833 --> 02:16:09,865 Thinks thou?! 2537 02:16:09,866 --> 02:16:12,932 ♪ And they'll all kowtow 2538 02:16:12,933 --> 02:16:14,099 Odds bodkins! 2539 02:16:14,100 --> 02:16:18,065 ♪ They'll all kowtow 2540 02:16:18,066 --> 02:16:20,165 [ Cheers and applause ] 2541 02:16:20,166 --> 02:16:22,865 Steady on. -Hurry up. 2542 02:16:22,866 --> 02:16:25,165 Oh, come on! [ Music continues ] 2543 02:16:25,166 --> 02:16:27,132 All right, you gotta help us out now! 2544 02:16:27,133 --> 02:16:29,499 All right! Sing it with us! 2545 02:16:29,500 --> 02:16:30,865 Come on, come on! 2546 02:16:30,866 --> 02:16:34,732 -♪ Brush up your Shakespeare -Sing the song! 2547 02:16:34,733 --> 02:16:36,899 ♪ Start quoting him now 2548 02:16:36,900 --> 02:16:38,632 You guys in the top, too, come on! 2549 02:16:38,633 --> 02:16:41,732 -♪ Brush up your Shakespeare -Thank you! 2550 02:16:41,733 --> 02:16:45,499 ♪ And the women you will wow 2551 02:16:45,500 --> 02:16:49,299 ♪ If your girl is a Washington Heights dream ♪ 2552 02:16:49,300 --> 02:16:53,299 ♪ Treat the kid to A Midsummer Night's Dream ♪ 2553 02:16:53,300 --> 02:16:56,932 ♪ If she then wants an all-by-herself night ♪ 2554 02:16:56,933 --> 02:17:00,865 ♪ Let her rest every 'leventh or Twelfth Night ♪ 2555 02:17:00,866 --> 02:17:04,665 ♪ If because of your heat she gets huffy ♪ 2556 02:17:04,666 --> 02:17:08,265 ♪ Simply play on and "Lay on, Macduffy!" ♪ 2557 02:17:08,266 --> 02:17:10,299 ♪ 2558 02:17:10,300 --> 02:17:14,765 ♪ Brush up your Shakespeare 2559 02:17:14,766 --> 02:17:18,399 ♪ And they'll all kowtow 2560 02:17:18,400 --> 02:17:19,400 Forsooth. 2561 02:17:19,401 --> 02:17:21,799 ♪ And they'll all kowtow 2562 02:17:21,800 --> 02:17:22,766 Thinks thou?! 2563 02:17:22,767 --> 02:17:25,332 ♪ And they'll all kowtow 2564 02:17:25,333 --> 02:17:26,465 We trow! 2565 02:17:26,466 --> 02:17:33,532 ♪ And they'll all kowtow 2566 02:17:33,533 --> 02:17:36,133 [ Cheers and applause ] 2567 02:17:43,633 --> 02:17:51,633 ♪ 2568 02:18:00,766 --> 02:18:01,832 Let's go. 2569 02:18:01,833 --> 02:18:09,833 ♪ 2570 02:18:45,800 --> 02:18:50,465 My dear Bianca and her newfound spouse. 2571 02:18:50,466 --> 02:18:52,865 Brother Petruchio, daughter Katherine, 2572 02:18:52,866 --> 02:18:56,599 feast with the best, and welcome to my house. 2573 02:18:56,600 --> 02:18:58,433 [ Applause ] 2574 02:19:00,000 --> 02:19:03,732 But where is Katherine? 2575 02:19:03,733 --> 02:19:06,565 Where is she? 2576 02:19:06,566 --> 02:19:09,399 Father, go you to mistress Katherine, 2577 02:19:09,400 --> 02:19:12,066 say I command her to come to me. 2578 02:19:15,933 --> 02:19:18,565 I know she will not come. 2579 02:19:18,566 --> 02:19:22,432 The fouler fortune mine and there's an end. 2580 02:19:22,433 --> 02:19:25,065 What is thy will, sir? 2581 02:19:25,066 --> 02:19:26,366 [ People gasping ] 2582 02:19:27,533 --> 02:19:29,832 Darling... 2583 02:19:29,833 --> 02:19:33,665 you came back. [ Chuckles ] 2584 02:19:33,666 --> 02:19:38,665 Katherine, take off that cap. It becomes you not. 2585 02:19:38,666 --> 02:19:42,232 It is a bauble. Throw it underfoot. 2586 02:19:42,233 --> 02:19:47,832 ♪ 2587 02:19:47,833 --> 02:19:49,965 I charge thee, Katherine... 2588 02:19:49,966 --> 02:19:53,465 ♪ 2589 02:19:53,466 --> 02:19:56,665 Tell these headstrong women what duty they do owe 2590 02:19:56,666 --> 02:19:59,332 their lords and husbands. 2591 02:19:59,333 --> 02:20:03,165 ♪ 2592 02:20:03,166 --> 02:20:06,032 ♪ I am ashamed 2593 02:20:06,033 --> 02:20:12,432 ♪ That women are so simple 2594 02:20:12,433 --> 02:20:19,965 ♪ To offer war where they should kneel for peace ♪ 2595 02:20:19,966 --> 02:20:26,532 ♪ Or seek for rule, supremacy, and sway ♪ 2596 02:20:26,533 --> 02:20:34,533 ♪ When we are bound to serve, love, and obey ♪ 2597 02:20:35,633 --> 02:20:43,633 ♪ Why are our bodies soft and weak and smooth? ♪ 2598 02:20:45,433 --> 02:20:52,599 ♪ Unapt to toil the troubles in the world ♪ 2599 02:20:52,600 --> 02:20:59,065 ♪ But that our soft condition and our hearts ♪ 2600 02:20:59,066 --> 02:21:07,066 ♪ Should well agree with our external parts? ♪ 2601 02:21:07,500 --> 02:21:10,932 -♪ So hold... -♪ So hold your temper 2602 02:21:10,933 --> 02:21:14,699 ♪ And meekly put 2603 02:21:14,700 --> 02:21:18,465 ♪ Your hand 'neath the sole of 2604 02:21:18,466 --> 02:21:22,465 ♪ Your good wife's foot 2605 02:21:22,466 --> 02:21:27,299 ♪ In token of which duty 2606 02:21:27,300 --> 02:21:32,932 ♪ If you please 2607 02:21:32,933 --> 02:21:39,499 ♪ My hand is ready 2608 02:21:39,500 --> 02:21:44,865 ♪ Ready 2609 02:21:44,866 --> 02:21:52,866 ♪ May it do you ease 2610 02:21:54,233 --> 02:21:57,732 ♪ 2611 02:21:57,733 --> 02:21:59,765 Kiss me, Kate. 2612 02:21:59,766 --> 02:22:02,132 [ Applause ] 2613 02:22:02,133 --> 02:22:04,665 ♪ 2614 02:22:04,666 --> 02:22:07,265 ♪ So kiss me, Kate ♪ Caro 2615 02:22:07,266 --> 02:22:09,965 -♪ Thou lovely loon -♪ Carissimo 2616 02:22:09,966 --> 02:22:12,165 -♪ Ere we start -♪ Bello 2617 02:22:12,166 --> 02:22:15,299 -♪ On our honeymoon -♪ Carissimo 2618 02:22:15,300 --> 02:22:17,299 -♪ So, kiss me, Kate -♪ Oh, kiss him, Kate 2619 02:22:17,300 --> 02:22:20,932 -♪ Darling angel, divine! -♪ Prestissimo 2620 02:22:20,933 --> 02:22:22,765 ♪ For now thou shall ever be 2621 02:22:22,766 --> 02:22:28,465 ♪ Now thou shall ever be 2622 02:22:28,466 --> 02:22:30,265 -♪ Mine -♪ Mine 2623 02:22:30,266 --> 02:22:33,699 -♪ Darling mine -♪ For she is thine 2624 02:22:33,700 --> 02:22:38,799 -♪ And I am thine -♪ And she is thine 2625 02:22:38,800 --> 02:22:46,800 ♪ All thine 2626 02:22:48,966 --> 02:22:51,966 (audience cheering) 2627 02:22:53,500 --> 02:22:56,199 From the opening number to "Too Darn Hot" 2628 02:22:56,200 --> 02:22:58,732 to "Brush Up Your Shakespeare," you can see why Cole 2629 02:22:58,733 --> 02:23:01,932 Porter's Kiss Me, Kate has stood the test of time. 2630 02:23:01,933 --> 02:23:03,832 And it's all thanks to your support 2631 02:23:03,833 --> 02:23:05,565 for your local PBS station. 2632 02:23:05,566 --> 02:23:07,999 There's still a little more show left 2633 02:23:08,000 --> 02:23:11,199 with a special curtain call that you won't wanna miss. 2634 02:23:11,200 --> 02:23:14,165 But right now, take this moment to give this show 2635 02:23:14,166 --> 02:23:17,032 a standing ovation by scanning the QR code or 2636 02:23:17,033 --> 02:23:19,865 going to the URL on screen to support your 2637 02:23:19,866 --> 02:23:21,265 local PBS station. 2638 02:23:21,266 --> 02:23:24,732 Combining Shakespeare, music from the Italian Renaissance, 2639 02:23:24,733 --> 02:23:28,332 Verdi's operas, the Viennese waltz, and the blues. 2640 02:23:28,333 --> 02:23:31,333 This hilarious musical is a fusion of the past 2641 02:23:31,566 --> 02:23:33,999 with themes about the complicated relationships 2642 02:23:34,000 --> 02:23:35,665 we have with those we love. 2643 02:23:35,666 --> 02:23:38,132 It's entertaining, expertly performed, 2644 02:23:38,133 --> 02:23:39,732 and broadens your world. 2645 02:23:39,733 --> 02:23:42,699 It's exactly the kind of programming that 2646 02:23:42,700 --> 02:23:43,899 PBS is all about. 2647 02:23:43,900 --> 02:23:46,732 And it only happens thanks to your investment 2648 02:23:46,733 --> 02:23:48,365 in your local PBS station. 2649 02:23:48,366 --> 02:23:51,032 It's your generosity that makes the music 2650 02:23:51,033 --> 02:23:54,333 and arts programs you love from PBS possible. 2651 02:23:54,566 --> 02:23:57,932 Series like Great Performances and Austin City Limits, 2652 02:23:57,933 --> 02:24:01,332 along with dance, theater, and so much more. 2653 02:24:01,333 --> 02:24:03,899 It's all here for you because of you. 2654 02:24:03,900 --> 02:24:06,499 So please, scan the QR code below 2655 02:24:06,500 --> 02:24:10,099 or go to the URL on screen and give to your local 2656 02:24:10,100 --> 02:24:11,432 PBS station today. 2657 02:24:11,433 --> 02:24:13,665 And when you become a qualifying member, 2658 02:24:13,666 --> 02:24:16,332 you can take advantage of a special member benefit 2659 02:24:16,333 --> 02:24:18,099 called PBS Passport. 2660 02:24:18,100 --> 02:24:19,033 Here's more. 2661 02:24:19,034 --> 02:24:20,799 Let me tell you about PBS Passport, 2662 02:24:20,800 --> 02:24:22,365 a member benefit that is... 2663 02:24:22,366 --> 02:24:23,732 Absolutely amazing. 2664 02:24:23,733 --> 02:24:24,799 Agreed. 2665 02:24:24,800 --> 02:24:27,132 Make a qualifying donation to this PBS station 2666 02:24:27,133 --> 02:24:29,799 and you can enjoy all that PBS Passport has to offer 2667 02:24:29,800 --> 02:24:31,465 with the PBS app or online. 2668 02:24:31,466 --> 02:24:32,466 What you'll get? 2669 02:24:32,467 --> 02:24:33,632 A new you. 2670 02:24:33,633 --> 02:24:34,899 Picture it. 2671 02:24:34,900 --> 02:24:37,365 You could be a theater buff, and then a precarious wonder, 2672 02:24:37,366 --> 02:24:39,799 a science dynamo, a history savant, 2673 02:24:39,800 --> 02:24:42,199 or just a well-rounded, interesting delight. 2674 02:24:42,200 --> 02:24:43,732 What journey will you take? 2675 02:24:43,733 --> 02:24:45,899 Go online or reach out to the number on the screen 2676 02:24:45,900 --> 02:24:48,533 to give now and take advantage of PBS Passport today. 2677 02:24:49,033 --> 02:24:52,132 It's your support that makes amazing arts programming 2678 02:24:52,133 --> 02:24:55,099 like Great Performances, Kiss Me, Kate possible. 2679 02:24:55,100 --> 02:24:59,165 So please, scan the QR code or go to the URL on screen now 2680 02:24:59,166 --> 02:25:01,465 to give to your local PBS station. 2681 02:25:01,466 --> 02:25:05,599 PBS brings Broadway to you and everyone in your community, 2682 02:25:05,600 --> 02:25:08,299 providing vital access to theater and concerts 2683 02:25:08,300 --> 02:25:12,299 that enrich our lives and inspire the next generation 2684 02:25:12,300 --> 02:25:15,432 of actors, musicians, dancers, and artists 2685 02:25:15,433 --> 02:25:16,832 who grace our screens. 2686 02:25:16,833 --> 02:25:19,032 That's what you support when you give to your 2687 02:25:19,033 --> 02:25:20,299 local PBS station. 2688 02:25:20,300 --> 02:25:23,832 You'll help keep the arts alive and accessible to everyone. 2689 02:25:23,833 --> 02:25:27,099 Scan the QR code below or go to the URL on screen 2690 02:25:27,100 --> 02:25:31,065 to make an investment in your local PBS station right now. 2691 02:25:31,066 --> 02:25:34,366 Any amount is welcome and makes a huge impact. 2692 02:25:34,800 --> 02:25:35,800 Thank you. 2693 02:25:36,500 --> 02:25:37,933 [MUSIC PLAYING] 2694 02:25:38,400 --> 02:25:46,400 ♪ 2695 02:26:12,133 --> 02:26:14,799 [ Cheers and applause ] 2696 02:26:14,800 --> 02:26:22,800 ♪ 2697 02:26:36,800 --> 02:26:39,399 [ Cheers and applause ] 2698 02:26:39,400 --> 02:26:47,400 ♪ 2699 02:26:49,400 --> 02:26:51,799 [ Cheers and applause ] 2700 02:26:51,800 --> 02:26:59,800 ♪ 2701 02:27:13,366 --> 02:27:16,099 [ Cheers and applause ] 2702 02:27:16,100 --> 02:27:24,100 ♪ 2703 02:27:47,633 --> 02:27:51,465 [ Cheers and applause ] 2704 02:27:51,466 --> 02:27:59,466 ♪ 2705 02:28:03,100 --> 02:28:06,066 [ Cheers and applause ] 2706 02:28:08,200 --> 02:28:10,065 ♪ 2707 02:28:10,066 --> 02:28:13,932 ♪ Brush up your Shakespeare 2708 02:28:13,933 --> 02:28:17,299 ♪ Start quoting him now 2709 02:28:17,300 --> 02:28:20,565 ♪ Brush up your Shakespeare 2710 02:28:20,566 --> 02:28:24,199 ♪ And the women you will wow 2711 02:28:24,200 --> 02:28:27,765 ♪ So tonight just recite to your matey ♪ 2712 02:28:27,766 --> 02:28:31,832 ♪ Kiss me, Kate, kiss me, Kate, kiss me, Katie ♪ 2713 02:28:31,833 --> 02:28:34,865 ♪ Brush up your Shakespeare 2714 02:28:34,866 --> 02:28:42,532 ♪ And they'll all kowtow 2715 02:28:42,533 --> 02:28:45,300 [ Cheers and applause ] 2716 02:28:48,866 --> 02:28:56,866 ♪ 2717 02:29:53,866 --> 02:29:57,866 (music) 184316