All language subtitles for Rookie.Blue.S03E13.I.Never.1080p.AMZN.WEB-DL.DDP5.1.H264-SiGMA_track3_[eng]

***

HEY, COME ON, GUYS,
IT'S NOT THE END OF THE WORLD.

YOU KNOW,
SO I'M ON DESK DUTY,

AND IT MIGHT JUST BE
A FEW WEEKS, BUT IT'S FINE.

I FEEL LIKE SOMEONE'S
BREAKING UP THE BAND.

YEAH, THAT'S JUST SILLY,
'CAUSE WE'RE NOT A BAND.

BUT IF WE WERE,
I WOULD BE YOKO.

SO YOU ALL
SHOULD BE CELEBRATING.

(laughing)
BUT, I MEAN, IT IS WEIRD.

I HAVE NEVER
BEEN FIRED BEFORE.

I NEVER.

HEAR, HEAR.
(glasses clink)

I NEVER HAD SEX WITH ANYONE
FROM 15 DIVISION.

(laughter)

WAIT--SERIOUSLY, I'M THE ONLY
ONE WHO'S NEVER HAD SEX

WITH ANYONE FROM 15?

AND EVEN LAST NIGHT,
YOU KNOW,

SAM WAS THERE PLAYING POOL
WITH ANOTHER GIRL.

I WASN'T EVEN JEALOUS.

YOU KNOW, ALL I KEPT
THINKING TO MYSELF WAS,

THAT MAN NEVER ONCE TOLD ME
ANYTHING ABOUT HIMSELF.

NEVER SAID "I-I LOVE YOU."

NEVER ONCE MADE AN EFFORT
TO MAKE THINGS WORK

WHEN THINGS GOT TOUGH.

IF YOU'RE GONNA
USE A FRENCH PRESS,

YOU DO ONE HEAPING
TABLESPOON PER CUP.

ARE YOU EVEN
LISTENING TO ME?

OF COURSE
I'M LISTENING TO YOU.

OKAY, WELL, THEN...

DO YOU HAVE
ANY MOTHERLY THOUGHTS?

GET OVER IT.
I AM OVER IT.

THAT'S WHAT
I'M TRYING TO TELL YOU.

IF YOU WERE OVER IT,
YOU WOULDN'T BE TRYING

TO TELL ME ANYTHING.

YOU'D BE FOCUSING
ON THIS TASK FORCE...
(water pouring)

OR SIGNED UP FOR--
I DON'T KNOW, SCUBA LESSONS.

(whispers)
SCUBA LESSONS.

ANDY, IT'S BEEN
A MONTH AND A HALF.

SO?

SO...

YOU NEED A CHANGE
OF SCENE.

DO SOMETHING DIFFERENT.

SOMETHING YOU'VE NEVER
DONE BEFORE.

FIGURE OUT WHAT YOU WANT
BEFORE IT'S TOO LATE.

IT MAY NOT BE
THE MOST MOTHERLY ADVICE...

(sweeps table)
BUT IT'S THE BEST I GOT.

YEAH, YOU'RE REALLY BIG
ON CHANGES OF SCENE.

YEAH, I AM.

YOU'RE YOUNG. YOU GOT YOUR
WHOLE LIFE AHEAD OF YOU.

DON'T BE THAT GIRL.

WHAT GIRL?

THAT GIRL THAT LETS SOME GUY
GET IN THE WAY

OF EVERYTHING
SHE WANTS TO ACCOMPLISH.

TRUST ME, YOU'LL REGRET IT.

UH...

THAT WAS ACTUALLY
PRETTY MOTHERLY.

OLIVER, DON'T CLEAN MY TRUCK.

YOU KNOW WHAT?
SOMEBODY'S GOTTA DO IT.

IT LOOKS LIKE YOU'VE
BEEN LIVING IN HERE.

AND DON'T--DON'T EVEN GET ME
STARTED ABOUT YOUR HOUSE.

IT WAS YOUR IDEA
TO CRASH THERE, MAN.

YEAH, YEAH.

AND I REGRETTED IT
FROM THE SECOND

THAT I WADED
THROUGH YOUR FRONT DOOR.

LISTEN, MAN--THIS?

THIS IS NOT LIKE YOU.

(truck door closes)
I WANT THIS.

NEW ME.

YEAH, WELL...

THE NEW YOU NEEDS
A CLEANING LADY.

OR MAYBE A GIRLFRIEND.
OR, HEY, MAYBE

YOU COULD START BY ADMITTING

THAT YOU MADE A MISTAKE
LEAVING YOUR LAST ONE.

I'M GONNA GET A COFFEE.
DO YOU WANT A COFFEE?

NO. YEAH, YEAH, YEAH.
COME HERE.

I'M--I'M SERIOUS.

SAM, I KNOW YOU DON'T
WANNA BE ALONE.

YOU JUST WANT
TO AVOID THE HARD STUFF.

NO, NO, LISTEN.
LIKE CHANGING, GROWING.

AND LET ME TELL YOU--
YOU DON'T GROW, YOU DIE.

YOU KNOW, THAT IS
GENUINELY COOL ADVICE.

AND I'M GONNA
RETURN THE FAVOR.

I'M GONNA SUGGEST THAT YOU
START HOSTING

YOUR OWN RADIO TALK SHOW.

UGH. FUNNY.
HEY!

DID ONE OF YOU LEAVE THIS
AT THE PENNY LAST NIGHT?

THAT'S MINE.
AH. THERE YOU GO.

THANKS.

HI.
HEY.

SO LAST NIGHT
WAS PRETTY FUN, RIGHT?

YEAH, YEAH. IT SURE WAS.

SAM'S A GOOD POOL PLAYER.

WELL, SO ARE YOU.
I MEAN, YOU'RE PERFECT FOR ME.

YOU'RE--WELL, YOU'RE
RIGHT AT MY LEVEL.

HEY, LISTEN, DID YOU WANNA
MAYBE PLAY AGAIN TONIGHT?

UH, WHO?
UH, YOU AND ME?

UH, YEAH, SURE.
YEAH?

YEAH, THAT, UH,
THAT'D BE, UM, SURE.

OKAY.
AF--AFTER YOU.

THANK YOU.
OH.

(claps hands)

CAN I HELP YOU?

YOUR TALK FORCE.
I WANT IN.

LOOK, I-I KNOW
THIS IS AWKWARD.

BECAUSE WE USED TO--
YOU KNOW,

AND THEN YOU LEFT
AND CAME BACK,

AND WE NEVER REALLY--
YOU KNOW, SO...

YEAH, WELL, IT COULDN'T BE
ANY MORE AWKWARD

THAN IT IS
RIGHT THIS SECOND, SO...
I KNOW, RIGHT?

THAT'S WHY I FIGURED
I WOULD JUST COME IN HERE

AND--AND PUT IT
ALL OUT THERE.

LUKE, I'M A GOOD COP.

I'VE WORKED U.C.,
GANGS, UH, SERIAL OFFENDERS.

I DON'T THINK
IT'S GONNA WORK.

WHY NOT?
IT'S NOT THE RIGHT FIT.

WHAT ARE YOU--

COME ON. I-I'M READY
FOR THIS OPPORTUNITY.

YOU PUT A CHALLENGE
IN FRONT OF ME,

I'M GONNA RISE UP.

(sighs)

LUKE, COME ON, PLEASE.

I JUST--I NEED
A CHANGE OF SCENE.

THAT'S KIND OF
THE PROBLEM, ISN'T IT?

LAST COUPLE MONTHS,
IT'S NOT LIKE YOUR JOB

HAS BEEN YOUR
NUMBER ONE PRIORITY.

WHAT ARE YOU TALKING ABOUT?

MY JOB MEANS EVERYTHING TO ME.

RIGHT.

WHAT? SAM?
YOU'RE REFERRING TO SAM?

HE'S NOT AN ISSUE.

LOOK, ANDY, REGARDLESS,

I'VE GOT A CITY FULL OF COPS
THAT GOT THEIR APPLICATIONS IN

AS SOON AS THEY HEARD
ABOUT THIS.

I'M SORRY.
YOU'RE JUST TOO LATE.

(scoffs) OH, MY GOD.

I'M THAT GIRL.

THANKS.

SLEEPING NEXT TO YOUR KID IS
THE BEST FEELING IN THE WORLD.

HE KEPT PATTING
MY FACE,

"WHAT'S THIS CALLED NAME?
WHAT'S THIS CALLED NAME?"

YEAH, I KNOW, I KNOW.
I HEARD.

SO HOW LONG ARE THEY
THINKING ABOUT STAYING?

UH, I'M NOT SURE YET.

UM, DENISE DOES NOT
LIKE THE CITY,

SO I'M TRYING
TO FIGURE IT OUT.

IT'S A GOOD THING TIMMINS
IS ONLY AN HOUR AWAY.

YEAH, BY PLANE.
SO YOU CAN GO VISIT HER
ON THE WEEKENDS.

BONJOUR. QU'EST-CE QU'IL
SE PASSE?

MOI, JE M'APPELLE GAIL.

GAIL PECK GETS BENCHED,

AND SUDDENLY THE LONELY PLANET'S
NEVER LOOKED LESS LONELY.

HEY, UNTIL THEY DECIDE,

I'M GONNA BE COUNTING
PAPER CLIPS BEHIND A DESK,

SO I NEED TO BE ABLE
TO LOOK FORWARD TO SOMETHING.

EAT, PRAY, HATE.
I LIKE IT.

I DON'T.

WE'LL ALWAYS
HAVE PARIS.

I MEAN, NOTHING
AGAINST KIDS.

IT'S CHRIS. IT'S LIKE
HE'S BEEN BODY-SNATCHED.

I THOUGHT THIS WAS GONNA BE
LIKE "TWO MEN AND A BABY."

INSTEAD, IT'S LIKE SOME
HORRIBLE AFTER-SCHOOL SPECIAL,

EXCEPT NOBODY GETS CANCER.
NOT YET.

THAT'S TRUE. THAT'S VERY
HEARTENING. THANK YOU.
(chuckles)

(female dispatcher)
All call--We have a 911

at St. Patrick's Hospital.

A prisoner receiving medical
treatment has escaped custody.

MARK 1521. WE'RE ON OUR WAY.

(siren wailing)
We're looking
for a gray corrections truck,

unit number TC-59.

I'M PUTTING YOU FORWARD
FOR THE TASK FORCE.

DON'T BE SO SURPRISED.

YOU'RE A GOOD COP.
YOU'RE A GOOD DETECTIVE.

EVEN WITH EVERYTHING
YOU'VE BEEN THROUGH THIS YEAR,

IT'S IMPRESSIVE.

I THINK YOU'D ADD
A LOT TO THE TEAM,

IF YOU'RE INTERESTED.

YES, I'M INTERESTED.
EVERYBODY WANTS IN ON THIS.

OKAY, BUT, UH,
THERE COULD BE SOME TRAVEL.

YOU MIGHT BE GONE
FOR A WHILE.

HOW LONG?
I DON'T KNOW.

BUT, UH, I KNOW
YOU GOT A FAMILY.

BUT THIS IS A BIG DEAL.
IF WE CAN PULL THIS OFF,

IT'S GONNA LOOK GOOD
ON ALL THE OFFICERS INVOLVED.

THINK ABOUT IT.

This is 1521.

JUST PASSED THE CORRECTIONS
VEHICLE GOING WESTBOUND ON QUEEN

FROM GRAND.
(dispatcher) Copy.

All available units. Our BOLO
van is heading west on Queen.

(siren wailing)
All units. Code one.
Please respond.

(tires screech)

TRUCK'S GOING NORTHBOUND
ON MONRO.

(tires screech)

(siren wailing, tires screech)

(Dov over radio)
We got a body on the ground.

Request backup.
(tires screech)

(tires screech,
glass shatters in distance)

1521. WE NEED A MEDIC
TO MONRO STREET.

DON'T MOVE!

SIR?
GO, GO. I'M FINE.
JUST GO GET HIM.

IT'S FINE.
MY PARTNER'S ON IT.

PLEASE COME HERE.
TURN AROUND.

OH, MY GOD.

OOH! AAH!

AAH! GET OFF OF ME!

(grunting)

(grunting)

(panting)

DOV!

(shrieks)

BLACK CORRECTIONS JACKET,

AND--AND GRAY PANTS.
BLACK RUNNING SHOES.

SUSPECT LAST SEEN WEARING
A BLACK CORRECTIONS JACKET,

GRAY PANTS.
SHE'S FINE.

YEAH? LET ME LOOK.

OH, LIKE A MILLION BUCKS.

ALL RIGHT. WELL, WE JUST
FINISHED TALKING

TO THE GUARD WHO WAS
ATTACKED AT ST. PAT'S.

THEY WERE TAKING
JOHN GREY TO THE HOSPITAL.

NOW HE SAID THAT
HE SWALLOWED RAZOR BLADES

AND HE WAS SPITTING BLOOD.

SO HOW'D HE GET
THE DROP ON HIM?

UH, HE GRABBED A TASER
OFF OF THIS GUARD,

WAITED, USED THE TASER
ON THE SECOND GUARD

OUTSIDE OF THE HOSPITAL,

AND THEN THREW THIS GUY
INTO A VAN AND TOOK OFF.

THINK HE WAS INVOLVED?

LET'S FIND OUT.
LET'S BRING HIM IN,

AND WE'LL QUESTION HIM
WHEN WE GET BACK.

JOHN GREY, HUH?
TOUGH BREAK.

YOU KNEW HIM?

YEAH, WE ARRESTED HIM
EARLIER THIS YEAR.

BASTARD KIDNAPPED
A LITTLE GIRL--ALICE McLEOD.

KEPT HER LOCKED IN A BASEMENT
FOR SEVEN YEARS.

EIGHT MONTHS AGO, WE ARRESTED
OUR SUSPECT, JOHN GREY,

IN THE KIDNAPPING
OF ALICE McLEOD.

CHANCES ARE HE'S HEADED
OUT OF TOWN.

HE ESCAPED
FROM OUR DIVISION.

WE'RE GONNA GET HIM.

YEAH, WE CHECKED THE HOUSE.

IT GOT SOLD
AFTER HE WENT TO PRISON.

I'M GONNA ASSUME WE GOT OFFICERS
WATCHING THE GIRL'S HOUSE?

633 ROXBOROUGH DRIVE.

SHE LIVES WITH HER GRANDFATHER.

NOBODY'S HOME, AND HE'S
NOT ANSWERING HIS CELL.

WELL, KEEP TRYING.
WHAT ABOUT THE GUARDS?

ANY CHANCE THAT
THEY'RE INVOLVED?

THEY'RE BOTH IN INTERVIEW.
WE'LL KNOW SOON ENOUGH.
GOOD.

WE'VE GOT UNIFORMS
CANVASSING THE AREA

OUTSIDE THE ALLEY.
ANYTHING ELSE?

KNOWN ASSOCIATES.
IN PRISON, BEFORE PRISON.

FAMILY, LAWYERS. ANYBODY
HE COULD HAVE TALKED TO,

WE NEED TO FIND THEM.

NASH, WE NEED TO GET
A BOLO

TO NEIGHBORING POLICE SERVICES
AND TRAVEL OUTLETS.

ALL RIGHT? AIRPORT,
BUS STATION, TRAIN STATION,

RENTAL CARS.
I'M ON IT.

ALL RIGHT.
LET'S GET OUT THERE.

WHERE DO YOU
WANNA START?
ALICE'S HOUSE.

27's ALREADY THERE.

SO? IT'S NOT US.

WHAT'S GOING ON?

UH, JUST CHECKING
THE PREMISES.

UM, STAFF SERGEANT BEST
SENT US OVER.

NO SIGN OF ALICE, HUH?

NOPE. WE'VE BEEN HERE...
HALF AN HOUR.

NOBODY'S HOME,
NOBODY IN OR OUT.

ALL RIGHT. MIND IF
WE WALK AROUND?

GO AHEAD.

(radio chatter)

OKAY. GUESS
WE'LL START HERE,

AND THEN TRY THE NEIGHBORS,

SEE IF THEY SAW ANYTHING?

YOU HONESTLY THINK
HE'D COME HERE?

THAT'D BE INSANE.

JOHN GREY COULD HAVE
GOT AWAY LAST TIME.

WE ONLY CAUGHT HIM BECAUSE
HE WOULDN'T LEAVE WITHOUT ALICE.

I MEAN, HE'S OBSESSED
WITH HER.

HEY.

WHAT? SOME PEOPLE LIKE
FRESH AIR.

YEAH, IN THE SUMMERTIME.
IT'S FREEZING OUT RIGHT NOW.

WHO'D LEAVE
THEIR WINDOW OPEN?

OKAY.

(groans)

UM...

WHAT ARE YOU DOING?

I'M GIVING YOU A BOOST.

ALICE?

MR. McLEOD?

(Dov) IF YOU'RE GOING IN,
YOU BETTER HURRY UP.

DOOR WAS OPEN. THE SECURITY
SYSTEM'S TURNED OFF.

(holsters gun)

I THOUGHT ALICE
WAS HOME-SCHOOLED.

WHAT TIME IS IT?

1:00.

"1:00 P.M.--DR. KIRIJIAN.
3:30--O.T. AT FIELDING."

MAYBE SOME KIND
OF THERAPY?

MAYBE.

DOV, HER ENTIRE BEDROOM
IS PRISTINE EXCEPT FOR THIS.

THINK HE'S BEEN HERE
ALREADY?

IF HE HAS, HE KNOWS
EXACTLY WHERE TO FIND HER.

(door buzzer sounds, beeps)

HOW LONG YOU WORKED
IN CORRECTIONS?

COUPLE OF MONTHS.

HOW MUCH YOU MAKE NOW?
WHAT'S YOUR YEARLY?

I DON'T HAVE TO
ANSWER THAT.

IT'S OKAY.
IT'S A TRICK QUESTION.

I ALREADY KNOW HOW MUCH
A CORRECTIONS OFFICER MAKES,

AND I'M TELLING YOU,
IT AIN'T THAT MUCH.

MUST BE TEMPTING, HUH?

MAKE A LITTLE EXTRA PAYDAY?

I DIDN'T HELP
THAT SCUMBALL ESCAPE.

I KNOW.

HE JUST SLIPPED HIS CUFFS
AND TOOK YOUR TASER,

USED IT ON YOUR PARTNER,

THEN FORCED YOU TO DRIVE
THE VAN WITH IT, RIGHT?

DO I LOOK LIKE
I WAS IN ON THIS?

YOU LOOK LIKE YOU WANT PEOPLE
TO THINK THAT YOU WEREN'T.

(phone vibrating)

(Luke) SO HOW MUCH
DID HE OFFER YOU?

(Vince) LOOK AT MY FACE.

WHAT'S GOING ON?

WE THINK JOHN GREY
WAS IN THE HOUSE.

HOW DO YOU KNOW?
ARE YOU SURE?

NO, WE'RE NOT SURE,
BUT THE BACK DOOR WAS OPEN,

AND THE SECURITY SYSTEM
WAS DISARMED.

SO?

TRACI? HER ROOM
WAS SPOTLESS.

I MEAN, EXCEPT
THE BED WAS MESSED UP,

AND THERE WAS
ONE PILLOWCASE GONE.

WAIT--DID YOU GUYS
GO IN THE HOUSE?

UH, ANY NEWS
ON THE GRANDFATHER?

YEAH, YEAH. HIS SISTER SAYS
HE'S IN MEMORIAL RIGHT NOW.

HE'S IN RADIATION THERAPY, SO
WE'LL TALK TO HIM WHEN HE'S OUT,

BUT, GUYS, WE'RE SUPPOSED TO BE
LOOKING FOR JOHN GREY.

NO, WE ARE. BUT WE NEED
YOUR HELP ON SOMETHING.

WE'RE LOOKING FOR
A DR. KIRIJIAN.

K-I-R-I-J-I-A-N.

ACCORDING TO HER SCHEDULE,

THAT'S EXACTLY WHERE
ALICE SHOULD BE RIGHT NOW.

Okay. It could be
a family doctor.

NO, I DON'T THINK SO.
IT WAS TWICE A WEEK.

PROBABLY A PSYCHOLOGIST,
MAYBE A SHRINK.

OKAY. THERE'S--THERE'S TWO.

THERE'S A HANNAH
AND A GEORGE.

HANNAH IS DOWNTOWN
AND GEORGE IS IN WOODBRIDGE.

WHAT'S THE OFFICE ADDRESS
FOR HANNAH?

213 ST. JOSEPH, SUITE 1504.
ANDY?

YEAH, WE'RE ON OUR WAY.
(siren wails)

***

HAI UN...

UH, COME SI DICE... COLTELLO?

I DON'T WANT
TO BREAK A NAIL.

SO WHAT--YOU GOING
TO ITALY NOW?

(Italian accent) SUNSET
ON THE PONTE VECCHIO.

CHIANTI ON
THE PIAZZA SAN MARCO.

SOUNDS LIKE IT'S GONNA BE
A LONG TRIP.

(normal accent) WELL, YOU CAN
COME AND VISIT ME IF YOU WANT.

OF COURSE, YOU'RE NOT GONNA
BE ABLE TO RECOGNIZE ME,

'CAUSE I'M GONNA BE
ABOUT 800 POUNDS

AFTER EATING
ALL THAT PASTA.

WHAT?

(knife clicks)

YOU DIDN'T EXPECT ME
TO STICK AROUND

AND BAG GROCERIES,
DID YOU?

NO. NO, OF COURSE NOT.

NICK, I... I HAVE
TO DO SOMETHING.

I DON'T KNOW. MAYBE IT'S
A CHANCE FOR ME TO...

FIND MYSELF.

I'D NEVER HOLD YOU BACK
FROM DOING THAT.

I'M JUST...

JUST THINKING ABOUT US.

YEAH, WELL, US IS FINE,
'CAUSE US IS AMAZING.

WE ARE, RIGHT?

WHAT'S A LITTLE TIME APART?
RIGHT?

WE'LL BE FINE.
OF COURSE WE WILL.

I'LL MISS YOU.

I'LL MISS YOU, TOO.

COLLINS, COME ON. WE'RE GOING TO
VISIT JOHN GREY'S JAIL BUDDY.

YES, SIR. JUST LET ME
GET MY STUFF.

HEY.

(chuckles)

SO JOHN GREY.

YOU SPENT THREE MONTHS
IN A CELL WITH THE GUY.

THEN TODAY, HE SWALLOWS
A RAZOR BLADE,

OR MAYBE HE DIDN'T.

EITHER WAY, AUTOMATIC
HOSPITAL VISIT.

WOULD YOU HAVE ANYTHING
TO SAY ABOUT THAT?

'CAUSE, YOU KNOW, JOHN'S NEVER
BEEN INSIDE BEFORE.

SO THE RAZOR BLADE TRICK?

THAT, UH, CAME FROM
A PRO, SO TO SPEAK.

DO YOU KNOW WHAT HE DID?

DO YOU KNOW WHY
HE WAS IN HERE?

WELL, I KNOW
WHAT THEY SAY HE DID.

BUT I ALSO KNOW
THAT IT'S YOUR JOB

TO IMPRISON CITIZENS
WHO DISAGREE

WITH THIS GOVERNMENT'S
POLITICAL AGENDA.

DID HE EVER TALK
ABOUT, UH, ALICE?

CAN'T HELP YOU OUT.

YOUR FILE SAYS YOU WERE
IN AFGHANISTAN.

ROTO ZERO.

WHAT ABOUT IT?

YOU ARRIVED IN KANDAHAR
WITH NOTHING.

NO INFRASTRUCTURE, NO SUPPORT.

WE DUG OUR OWN TRENCHES.

SO AT LEAST WE HAD
A PLACE TO SLEEP.

I KNOW.

YOU'RE A HERO.

NOT ANYMORE.

LOOK, YOU MAY NOT
TRUST THIS UNIFORM,

BUT IT'S TRUE.

NOW YOUR OLD CELLMATE,
HE ABDUCTED A LITTLE GIRL.

KEPT HER IN HIS BASEMENT
FOR SEVEN YEARS.

THAT THING WITH THE RAZOR BLADE,
HE DID THAT.

HE USED A PEN REFILL
TO SLIP HIS CUFFS.

AND THAT, UH,
CORRECTIONS GUARD?

THE YOUNG ONE? HE'D BE UP
FOR HELPING OUT.

IF THE PRICE WAS RIGHT.

ANYTHING ELSE?

GREY'S GOT
A BAG ON THE OUTSIDE.

IN A STORAGE LOCKER.
B5, EASTERN STORAGE.

AND WHAT'S IN THE BAG?

MONEY.

WEAPONS.

STUFF HE WOULDN'T KNOW
HOW TO USE.

YOU TOLD GREY YOUR WHOLE PLAN
AND HE STOLE IT, HUH?

GUARD!

I WANNA GO BACK
TO MY CELL.

(door buzzer sounds,
door opens)

NICE WORK, COLLINS.

THANK YOU, SIR.

(knock on door)

DR. KIRIJIAN?

HERE!

HI, SORRY TO BOTHER...

WHAT HAPPENED? HERE.
LET ME HELP YOU UP.

1521. I NEED AN AMBULANCE
TO 213 ST. JOSEPH, SUITE 1504.

I'LL CLEAR THE OTHER ROOMS.
WE'RE GONNA GET YOU
TO THE HOSPITAL. OKAY.

CAN YOU TELL ME
WHAT HAPPENED?

UH, HE--HE BROKE IN
WHILE WE WERE TALKING.

RIGHT AWAY, I KNEW
WHO HE WAS.

JOHN GREY? WHAT WAS
HE WEARING?

UH, A DARK JACKET...

I-I DON'T KNOW.
I CAN'T THINK.
O-OKAY.

DO YOU REMEMBER HIM
SAYING ANYTHING?

MAYBE ABOUT WHERE
HE WAS GOING,

WHERE HE WAS TAKING HER?

ALL CLEAR.
HE SAID HE WAS
GOING TO KILL ME

UNLESS I TOLD HIM
WHERE ALICE WAS.

ALICE? I THOUGHT
ALICE WAS HERE.

NO, NO. NO, NO.

HER GRANDFATHER RESCHEDULED.

THEY COULDN'T MAKE IT TODAY.

I GAVE THE APPOINTMENT
TO KATIE.
WHO'S KATIE?

KATIE SPALDING.
OH, GOD.

SHE IS 11. HE TOOK HER!

OH, GOD,
YOU'VE GOT TO FIND HER.
DOV.

THIS IS EPSTEIN.
JOHN GREY WAS HERE.

HE'S TAKEN ANOTHER GIRL.

WE'RE GONNA FIND HER.

(man) SO WE CHECKED
EVERY INCH OF THE BUILDING.

EVERY DESK, EVERY OFFICE,
EVERY CLOSET,

DUCT SPACE, BOILER ROOM,
FURNACE ROOM.

THE GUY'S NOT IN THERE.

38 MINUTES.
MAN, YOU GUYS ARE GOOD.

WELL, I WISH WE'D FOUND HIM.

I MEAN, TWO GIRLS
GONE MISSING?

HOW CAN NOBODY NOTICE?

SO WHAT NOW?

I MAY WIDEN THE SEARCH.

CAN YOUR TEAM FOCUS
ON UNION STATION?

IT'S A BLOCK AWAY.

WE GOT TRAINS LEAVING
EVERY FIVE MINUTES.

GOT IT. GOOD.
THANKS, PAL.

GUYS, THIS IS KATIE SPALDING.

DAD SHOWED TO PICK HER UP.
IT'S A TOTAL MESS.

HE HAD THAT PICTURE
IN HIS CAR.

WE SENT HIM DOWN TO DIVISION.

(Swarek) DOESN'T GET
ANY BETTER.

ACCORDING TO
HIS PRISON BUDDY,

JOHN GREY'S GOT
A DUFFEL BAG

FULL OF GOODIES--MONEY,
WEAPONS, AMMO, YOU NAME IT.

SO WHAT'S THE PLAN?
SPREAD OUT. LET'S EXPAND
THE PERIMETER.

UNION STATION,
BUS TERMINALS, SUBWAYS.

(cell phone ringing)
WE GOTTA TRY
AND FIND SOME WITNESSES.

ALL RIGHT.

(ringing continues)

(Swarek) ANDY McNALLY.
WHAT?

THAT'S WHO'S CALLING ME.

(ringing continues)

(beep)

HELLO?

(man) Who's this?

THIS IS OFFICER SAM SWAREK.
WHO'S CALLING?

John Grey. Eden, my baby--
I need to see her.

JOHN, WHERE ARE YOU?

WHERE'S KATIE?

(girl) Oh!

Please, I want to go home.

(John)
Take me off speakerphone,

or I'm hanging up.

ALL RIGHT. JOHN...
(beep)

JOHN, IT'S JUST YOU
AND ME NOW, OKAY?

HEY, JOHN GREY
JUST PHONED SWAREK.
OKAY.

I UNDERSTAND
YOU NEED TO SEE ALICE...
YEAH, ANDY'S PHONE.

BUT YOU GOTTA GIVE ME
A LITTLE TIME...

HE MUST HAVE GRABBED IT
WHEN HE HIT HER.

TO FIGURE THIS OUT,
ALL RIGHT?

YEAH, THEY'RE TALKING
RIGHT NOW.

YEP.

(beep)

UH, HE HUNG UP.

HE SAYS WE GOT
AN HOUR TO FIND ALICE.

OR WHAT?
OR HE'S GONNA KILL
KATIE SPALDING.

CAN'T TRACE THE CALL.

HE MUST HAVE TURNED IT OFF
AS SOON AS HE HUNG UP.

YEAH, WELL, I COULDN'T
KEEP HIM ON THE PHONE.

YEAH, WELL, 29 SECONDS
REALLY ISN'T LONG ENOUGH, SAM.

GOOD NEWS IS, DOESN'T SOUND
LIKE HE HAS ALICE.

HANG ON A SEC.

IT'S THE SECURITY COMPANY.

THE ALARM AT THE McLEOD
HOUSE IS GOING OFF NOW.

DID YOU GET THAT?

YEAH, I'M GONNA
SEND SHAW RIGHT NOW.

ALARM'S GOING OFF
AT THE McLEOD HOUSE.

ALL RIGHT. LET'S ROLL.

McNALLY, EPSTEIN, WE'RE GOING
WEST TO UNION STATION,

YOU GUYS GO EAST,
CHECK OUT THE HOTEL.

OKAY.
DON'T WORRY.
WE'LL GET HIM.

HOW DO YOU KNOW?
I JUST DO.

THIS TIME,
YOU JUMP IN THE LAKE.

(car door closes)

(Andy whispers) OKAY.

(door closes)

OKAY. YOU GO EAST,
I'M GONNA GO SOUTH.

HEY, TRACI?

KATIE SPALDING.
11 YEARS OLD.

FATHER IS JAKE,
MOTHER IS MARLO,

AND SHE'S BEEN SEEING
DR. KIRIJIAN ONCE A WEEK.

WHY?
SHE HAS O.C.D.,

SO SHE COUNTS THINGS--

NUMBER OF STAIRS
IN HER HOUSE,

NUMBER OF TILES
IN HER CEILING.

OKAY. THANK YOU.
DE NADA.

AND HER DAD'S COMING IN,

SO I'LL LET YOU KNOW
IF THERE'S ANYTHING ELSE.

(siren wailing)

(siren turns off)

YOU GUYS TAKE THE BACK.

(house alarm wailing)

(radio static)
CHANNEL ONE,
READY WHEN YOU ARE.

(man over radio)
Go on three.

ONE. TWO. THREE.

(alarm continues wailing)

(hangers rustle)

POLICE! DON'T MOVE!
AAH!

ALICE! ALICE.
HEY, HEY, HEY.

YOU'RE SAFE.
YOU'RE SAFE.

IT'S OKAY. ALICE,
GIVE ME YOUR HAND.
1505 TO DISPATCH--

WE FOUND ALICE McLEOD
AT 633 ROXBOROUGH DRIVE.

IT'S OKAY. YOU'RE SAFE.

(man in distance)
MARK YOUR FLOORS LOADED.

(radio static)
LOOKS LIKE THE KITCHEN'S CLEAR.

(clatter)
(unholsters gun)

HEY!

SEEN A GUY WITH A LITTLE GIRL
AROUND HERE?

NO, NO.

OH!

SO YOU TURNED THE ALARM OFF,

AND THEN YOU LEFT
THE WINDOW OPEN

SO YOU COULD SNEAK
BACK IN LATER.

YEAH. BUT THEN WHEN I GOT HOME,
THERE WAS A POLICE CAR OUTSIDE.

AND WHEN YOU CAME BACK IN,

THAT'S WHEN YOU SET
THE ALARM OFF?

YEAH.

AM I IN TROUBLE?

NO. NO, YOU'RE NOT
IN TROUBLE.

BUT YOUR GRANDPA'S
WORRIED ABOUT YOU.

EVER SINCE I GOT BACK,

PEOPLE HAVE BEEN TREATING ME
LIKE A CHILD.

I'M 15. I JUST WANT
TO BE NORMAL FOR A DAY--

GO TO A MOVIE, BE REGULAR,

INSTEAD OF THAT GIRL
THAT EVERYONE TALKS ABOUT.

IT'S OKAY. YOU WENT
TO A MOVIE.

THAT IS WHAT 15-YEAR-OLDS DO.

SO IF I'M NOT IN TROUBLE,
THEN... WH-WHY ARE YOU HERE?

(radio chatter)

(radio static)
STILL CLEARING THE BASEMENT.
NO SIGN OF HIM.

(radio chatter)

(girl speaking indistinctly)

SIXTY-- (gasps)

AAH!

KATIE? KATIE?

KATIE SPALDING. YEAH.
KATIE SPALDING. OKAY.

WHERE'D HE GO?

HE LEFT.
HE LEFT?

NO! DON'T LEAVE ME!
NO! DON'T LEAVE ME!

KATIE, I'M NOT
GONNA LEAVE YOU.

I PROMISE, OKAY?
I'M HERE.

(holsters gun)
OKAY. YOU NEED TO HOLD ON
TO THAT REALLY TIGHT, OKAY?

DO YOU KNOW WHAT THIS IS?

YEAH.
YOU DO?

YEAH--AAH!
YOU DO?

OH--
OFFICER. NO FAST MOVES.
OKAY?

MM-HMM.
SHE'S SCARED ENOUGH
AS IT IS ALREADY.

67...

YOU'RE DOING GREAT.
YOU'RE REALLY STRONG.
(counting indistinctly)

(Dov) Basement's clear.

I'M STILL HEADED EAST,
I THINK.

ANSWER IT.
NO.

ANSWER IT.
ROGER.

72... 73...

LISTEN TO ME.
YOU DON'T MOVE,

AND YOU DON'T GET HURT.

(clink)
76...

77...

WE'RE GONNA WALK OUT
OF HERE NOW, OKAY?
OKAY. OKAY.

YOU STAY HERE.
NO! NO!

KATIE, EVERYTHING'S GONNA
BE FINE, OKAY?
STAY HERE AND HOLD ON.

NO! NO! STAY! NO!

NO!
I'VE JUST GOT TO SEE HER.
I'VE GOT TO SEE HER.

96...

97...

SHE'S GONNA BE OKAY.

SHE'S GONNA BE OKAY
AS LONG AS SHE HOLDS ON TIGHT,

AND YOU GIVE ME
WHAT I NEED.

WHICH IS WHAT?

I NEED TO TALK TO EDEN.

I NEED TO SEE EDEN,

I NEED TO TELL HER
THAT I LOVE HER.

JOHN, HER NAME IS ALICE.

I KNOW HER NAME!

SHE'S MY DAUGHTER.
SHE LOVES ME.

I LOVE HER.

YEAH. OKAY.

LOOK, I MEAN, JOHN,
IT'S GONNA BE DIFFICULT.

IT'S GONNA BE...

IT'S NOT DIFFICULT.
OKAY.

I'LL DO WHATEVER I CAN.
I WILL.

WE'RE GONNA CALL HER.
OKAY.

TEN MINUTES ON THE PHONE
FOR THAT LITTLE GIRL'S LIFE.

THAT'S A GOOD DEAL.

CAN WE AT LEAST GET KATIE
OUT OF THE FREEZER, PLEASE?

I MEAN...

GET HER.

I JUST NEED YOU
TO HOLD ON TIGHT, OKAY?

GOOD JOB.
YOU'RE DOING SO GOOD.

OKAY? JUST WANT YOU TO GET
WARMED UP. IT'S GONNA BE FINE.

IT'S HARD TO HOLD.

I NEED TO SIT.
I NEED--
NO, DON'T. STOP, STOP.

OKAY, OKAY. I'M GONNA PUT YOU
UP HERE, OKAY?
I CAN'T--I CAN'T...

KEEP HOLDING IT. KEEP HOLDING
IT. YOU'RE DOING SO GOOD.

AAH!
SHUT UP!

STOP. PLEASE.
HE WON'T HURT YOU.
SHUT HER UP!

AAH! AAH! AAH!
PLEASE, PLEASE, PLEASE.

PUT YOUR HANDS--
PUT YOUR HANDS ON THERE.
(breathing heavily)

YOU KEEP HOLDING IT.
NO, NO. IT'S OKAY.

IT'S OKAY. REMEMBER WHEN
YOU WERE COUNTING?

REMEMBER WHEN
YOU WERE COUNTING?

WHAT WAS THAT?
BONES.

BONES?
BONES.

THE NUMBER OF BONES
IN THE HUMAN BODY.

OKAY.
I KNOW. I FORGOT.

OKAY. OKAY.
WELL, LET'S GO BACK TO THAT.

NO. I STOPPED AT 100.
YOU STOPPED. OKAY.

WELL, WHY DON'T WE START
FROM 1 AGAIN?

AND WHEN WE GET TO 100--
THAT WOULD BE 200.

THAT WOULD BE 200.
YEAH.

THAT'S RIGHT.

(radio static)
McNALLY, I'M FINISHED DOWN HERE.
WHAT'S YOUR 20?

(radio static)
McNALLY.

(radio static)
DISPATCH, THIS IS EPSTEIN.

I can't find McNally.
It's been ten minutes.

I haven't heard from her.

I HAVEN'T SEEN HER
IN MONTHS.

IT'S KILLING ME.

I MEAN, IS SHE GOING
TO SCHOOL?

IS SHE GETTING EDUCATED?
IS SHE HEALTHY?

THE SHRINK WOULDN'T
TELL ME ANYTHING.

IT'S DRIVING ME--
OKAY, JOHN.

I DON'T KNOW.
I DON'T--I DON'T KNOW.

FIND IT!
OKAY. JUST...

(beeping)

HERE.

WHAT IS THIS?
AAH!

IT'S YOUR BEST SHOT.

OFFICER SWAREK?

JOHN. IS THAT YOU?

I NEED...
TO TALK TO EDEN.

YOU JUST GIVE ME
HER PHONE NUMBER,

I'LL CALL HER MYSELF.

LET ME TALK TO HER
FOR TEN MINUTES,

AND I'LL LET
THE LITTLE GIRL GO.

OKAY, JOHN,

I'M AT HER GRANDFATHER'S
RIGHT NOW.
(siren wailing)

WE'RE WORKING ON IT.
I THOUGHT SHE WOULD BE HERE.

SHE'S... SHE'S NOT.

(siren wailing)

(beep)

JOHN. JOHN?

THEY'RE LYING TO ME,
AREN'T THEY?
AAH!

THEY'RE NOT GONNA
LET ME TALK TO HER?
(whispers) I DON'T KNOW.

ARE THEY?
I DON'T KNOW.
I DON'T KNOW. I DON'T KNOW.

SHE CAN'T HOLD THAT FOREVER.

OKAY. OKAY.

I CAN'T!
ONE MORE MINUTE, KATIE.
YES, YOU CAN.

I CAN'T!
YES, YOU CAN.
YES, YOU CAN.

I CAN'T HOLD ON TO IT.
LOOK--YOU'RE GONNA
GIVE IT TO ME.

YOU'RE GONNA GIVE IT
TO ME, OKAY?
I CAN'T.

I CAN'T.
NO, NO, NO, NO, NO!

I CAN'T!

KATIE, YOU GOTTA
BE REALLY CAREFUL, OKAY?

OKAY. OKAY.
McNALLY.

HEY. HE JUST WENT THAT WAY.

OKAY, WE'LL GET HIM.
EPSTEIN, GO.

OKAY. YOU GUYS, YOU GOTTA
GET KATIE OUT OF HERE.

CLEAR THE BUILDING.
COME ON, KATIE.

COME WITH ME.
COLLINS, COLLINS.
ANY THOUGHTS?

UH, M67. 4.5 SECOND DELAY
AFTER RELEASE.

DO NOT RELEASE THAT IN HERE.

I'LL SEND E.T.F. IN, OKAY?
OKAY, GO!

KATIE, STICK TO MY LEFT,
OKAY? STAY CLOSE.

(holsters gun)

SAM, YOU DON'T HAVE
TO BE HERE. JUST GO.

NO.

(door clattering)

POLICE! DON'T MOVE!

STOP!

THERE'S NOWHERE TO GO!
TURN AROUND!

IF YOU PUT YOUR HANDS
IN THAT BAG, I WILL SHOOT YOU!

STOP RIGHT NOW!

STEP FORWARD.

I JUST--I JUST WANTED
TO SAY GOOD-BYE TO HER.

PUT YOUR HANDS
BEHIND YOUR HEAD.

TURN AROUND.

I SAID TURN AROUND!

ON YOUR KNEES.

(radio static)
THIS IS EPSTEIN.
I'M IN THE BASEMENT.

I GOT HIM.

(sighs)

HOW MANY BONES
ARE IN A HUMAN BODY?

OKAY, ANDY--

NO, NO, NO.
DO YOU KNOW OR NOT?

206.

206. I THOUGHT IT WAS
MORE LIKE 150,

BUT I GUESS I HAVEN'T REALLY
THOUGHT ABOUT IT BEFORE.

FIRST TIME YOU EVER
HELD A GRENADE?

YES. (sighs)

I MEAN...

IT WASN'T REALLY
A GOAL OF MINE, BUT...

HEY, AT LEAST IF IT'S
THE LAST THING I EVER DO,

THEN IT'S A FIRST, SO...

I WISH I WAS MORE
LIKE YOU.

WHAT ARE YOU--

I WISH YOU WERE IN MY HEAD.

I WISH YOU COULD
READ MY MIND.

WHAT ARE YOU TALKING ABOUT?

I LOVE YOU, ANDY.

I DO.

(chuckles softly)

SAM...

I'M HOLDING A BOMB.

SO AM I.

This is Collins.
We're clear. E.T.F.'s coming in.

OKAY.

HI.

HEY.

OKAY, McNALLY.
JUST HANG TIGHT, OKAY?

OKAY. CAN YOU--
CAN YOU JUST BACK UP?
YEAH.

THANK YOU.
O-OKAY.
OKAY, OKAY, OKAY.

REALLY, JUST--
YOU'RE IN MY SPACE.
OKAY.

OKAY.

OKAY.

THIS WILL WORK BETTER IF YOU
JUST DON'T THINK ABOUT IT, OKAY?

JUST LET ME DO IT.

FROM WHAT I HEAR,
IT'S KINDA LIKE, UH,

AFTER A PEDICURE, YOU KNOW?
(breathing nervously)

WHEN YOU SLIDE
THE FLIP-FLOPS ON.

(clicking softly)

POLISH IS STILL WET.

OKAY.

SO HERE COMES
THE TRICKY PART.

GOTTA LET GO.

THAT'S IT?
THAT'S IT.

(gasps softly)

(exhales)

WE'RE GOOD?

WE'RE GOOD.
(sighs) ALL RIGHT.

(sighing)

(exhales) OH, MY GOD.

(sighs)

(sighs)
(door closes)

WE SHOULD LET ALICE
AND HER FAMILY KNOW

THAT WE GOT HIM IN CUSTODY.
I ALREADY DID.

WE'RE PUTTING OFFICERS
AT THE HOUSE

UNTIL HE'S
BACK IN LOCKDOWN.

I THOUGHT WE WERE WAITING
FOR HIS LAWYER.

TASK FORCE.

I JUST GOT THE DETAILS
FROM HEADQUARTERS.

AND IT JUST GOT
A LOT MORE COMPLICATED.

BY COMPLICATED,
YOU MEAN DANGEROUS?

THEY WANT THE TEAM
MOBILIZED BY MIDNIGHT.

TONIGHT?

OKAY. (sighs)

OKAY, UH... I CAN DO THIS.
I JUST NEED TO--

I JUST NEED TO SET SOME
THINGS UP WITH DEX

AND SAY GOOD-BYE TO LEO.

YOU'RE NOT GONNA HAVE TIME.

THEN I CAN'T SAY YES.

I'M NOT GONNA LEAVE WITHOUT
SAYING GOOD-BYE TO MY SON.

YEAH. I UNDERSTAND.

LUKE--
TRACI.

IT'S OKAY. YOU HAVE SOMETHING
MORE IMPORTANT IN YOUR LIFE.

OKAY? YOU'RE LUCKY.

DON'T APOLOGIZE FOR THAT.

(door closes)

PUT HIM ON.

HEY--HEY, BUDDY.
STILL CAN'T SLEEP, HUH?

(chuckles) YEAH.

YEAH, NO, NO.
I WANNA SEE YOU, TOO.

YEAH. YEAH,
WELL, I'M HEADING HOME SOON.

I'LL CALL YOU FROM THE TRUCK.
OKAY?

OH, DIAZ, GOOD WORK
TODAY, BUDDY.

HEY, HEY, CAN I TALK TO YOU
FOR A SEC?

YEAH, YEAH, SURE.

UH...

YES? LET'S HEAR IT.
UH...

DENISE...
YEAH?

DOES NOT LIKE THE CITY.
OKAY.

SHE, UH... SHE THINKS
IT'S TOO DANGEROUS.

MM-HMM.
UM, AFTER THE CASE TODAY,
I-I...

YEAH?
ANYWAYS,

THE POINT IS, IS THAT SHE'S
MOVING BACK TO TIMMINS.

AND WHEN SHE GOES,
I'M GOING WITH HER.

(clicks tongue)
NOW I'VE ALREADY APPLIED
TO THE TIMMINS P.D.,

AND I'D LIKE TO USE YOU
AS A REFERENCE

IF THAT'S OKAY.
YEAH.

NO--YEAH. OF COURSE.
YEAH, YEAH, YEAH.

I MEAN, FOR SURE.
FOR SURE.

LOOK, I GET IT, Y-YOU KNOW.
YOU WANT TO BE WITH YOUR KID.

BUT I THINK THAT YOU REALLY--
YOU AND DENISE

REALLY NEED TO MAKE SURE
YOU KNOW WHAT YOU'RE DOING HERE.

'CAUSE, DIAZ, IF YOU TRANSFER
TO TIMMINS,

IT'S NOT GONNA BE LIKE THIS.

NOT THE SAME KIND
OF OPPORTUNITIES.

OH. YEAH. 'CAUSE THERE'S BEEN
TONS OF OPPORTUNITIES HERE.

CHRIS DIAZ,
NUMBER ONE ROOKIE.

GUY YOU ALWAYS CALL ON.

GUY I ALWAYS COUNT ON.

GUY I RECOMMENDED FOR
TRAINING OFFICER NEXT YEAR.

T.O.?

UH, YOU SERIOUS?

NO.
(stomps foot lightly)

(chuckles)

(cell phone ringing)
YEAH.

OH.
YEAH, I GOTTA GET THIS.

THIS--
OKAY.

YEAH, YOU'RE NOT JUMPING
SHIP, ARE YOU?

WHAT ARE YOU TALKING ABOUT?
I DON'T KNOW.

PECK'S ON HER WAY OUT,
DIAZ IS MOVING TO TIMMINS.

IT JUST KINDA FEELS LIKE

SOMEBODY'S
BREAKING UP THE BAND.

YOU WERE BRAVE BACK THERE.

NO. KATIE WAS BRAVE.

ANDY,

WHAT I SAID TO YOU...

IT'S OKAY.

HEAT OF THE MOMENT.
I GET IT.

NO.

I MEANT IT.

IT'S TRUE.

THERE ARE 206 BONES
IN THE HUMAN BODY.

I SAW IT ON "GREY'S ANATOMY."

I'M GOING HOME.
(chuckles) COME ON.
McNALLY!

YOU DON'T GET TO DO THIS
ANYMORE, OKAY?

I DON'T CARE IF YOU'RE SERIOUS.
I DON'T CARE IF YOU'RE JOKING.

I DON'T CARE ANYMORE.
SO JUST LEAVE ME ALONE.

I'M NOT GONNA
LEAVE YOU ALONE.

I SCREWED UP, OKAY?

THINGS GOT TOUGH,
AND I WALKED AWAY.

I THOUGHT I WAS DOING
THE RIGHT THING!
I MEAN,

DO YOU HAVE ANY IDEA
WHAT YOU PUT ME THROUGH?

(sighs)
YOU BROKE UP WITH ME
IN A PARKING LOT,

AND FOR SIX WEEKS
I TRIED TO CONTACT YOU.

YOU DIDN'T ANSWER
ONE OF MY CALLS!
ANDY--

NO!
ANDY, I'M--

SAM, IT'S TOO LATE!

I'M SORRY.
I CAN'T DO THIS ANYMORE.

OKAY, YOU KNOW WHAT? YOU DON'T
HAVE TO DO ANYTHING, OKAY?

YOU DON'T HAVE TO DO ANYTHING.
I'M GONNA DO IT ALL.

(sighs)
I'M GONNA DO EVERYTHING,
OKAY?

I'M GONNA SHOW YOU
EVERY SINGLE DAY

UNTIL YOU SAY YES.

I'M GONNA MAKE YOU DINNER.

I'M GONNA TAKE OUT
YOUR GARBAGE.

I'M GONNA WALK YOUR DOG.
I DON'T HAVE A DOG.

THEN LET'S GET A DOG.

LABRADOODLE,
MUTT FROM THE POUND--

I DON'T CARE. LET'S BRING
HIM HOME AND CALL HIM BOO.

BOO RADLEY. I'VE ALWAYS
LOVED THAT FOR A DOG.

(sighs)

OKAY, LOOK...

CAN WE JUST START
WITH A DRINK?

JUST A DRINK.

PLEASE.

ANDY.

JUST GIVE ME A CHANCE.

I'LL BE AT THE PENNY.

(sighs)

GOT A MINUTE?

YEAH.

I DON'T UNDERSTAND.

THING HAVE CHANGED.

AFTER TODAY, NOBODY'S GONNA
QUESTION ME PUTTING YOU FORWARD.

BUT I HAVE TO LEAVE
TONIGHT?

SOMEBODY'S GONNA MEET YOU
AT YOUR HOUSE,

MAKE SURE YOUR BUSINESS
IS TAKEN CARE OF,

SET UP YOUR COVER STORY.

OBVIOUSLY YOU CAN'T LET
ANYBODY KNOW THAT YOU'RE GOING.

THIS ASSIGNMENT'S DANGEROUS,

BUT I FIGURE
YOU KNOW THAT.
MM-HMM.

YOU CAME INTO MY OFFICE
THIS MORNING

AND YOU TOLD ME YOU WOULD
RISE TO ANY CHALLENGE,

THAT YOUR JOB IS
THE MOST IMPORTANT THING.

I MEANT THAT.

GOOD.

'CAUSE I NEED YOUR ANSWER
IN FIVE MINUTES.

WANT TO DO THIS
IN MY OFFICE?

HERE'S FINE.

(sighs)

ROSS PERIK--

THE GUY WHO, UH,
KIDNAPPED YOU,

MURDERED THOSE GIRLS...

I REMEMBER.

HIS TRIAL'S IN THREE WEEKS.

AND WE'RE GONNA NEED
YOUR WITNESS TESTIMONY

TO PUT THE GUY WHO KILLED
JERRY AWAY FOR GOOD.

YEP. I'VE COPIED
MY NOTES.

I'VE GONE OVER THE TESTIMONY
WITH A PROSECUTOR.

I'M REALLY READY
FOR THIS TRIAL.

AND AN OFFICER WHO'S
LOST HER BADGE

ISN'T GONNA LOOK GOOD
ON THE STAND.

DEFENSE WILL
TEAR IT APART.

WHICH MEANS WHAT?

WHICH MEANS WE'RE RETURNING
YOU TO FULL DUTY.

THERE'LL BE A PAY CUT,

AND YOU'LL BE RIDING
WITH A T.O. AGAIN.

BUT ON THE UPSIDE,
CONGRATULATIONS,

YOU'RE BACK ON THE JOB.

FULL DUTY, AS OF TOMORROW.

(books thud)

AT LEAST SHE WON'T THINK
YOU'RE TRYING TOO HARD.

(laughs) COME ON.
THIS IS MY LUCKY SHIRT.

I FOUND IT IN THE BACK
OF MY CAR.

WELL, THEN BECCA'S
A LUCKY GIRL.

(sighs) OKAY, OKAY, ALL RIGHT.

I DON'T KNOW, I DON'T KNOW.

I DON'T KNOW
WHAT I'M DOING HERE.

TRUST ME, OKAY?
THE DATING WORLD--

IT'S LIKE RIDING A BIKE.

IT ALWAYS HURTS
WHEN YOU FALL OFF.

NO, NO. IT'S NOT THAT.

ZOE. SHE CALLED ME TODAY.

SHE WANTS ME TO COME HOME,
WANTS TO TRY AGAIN.

(chuckles) WHAT ARE YOU
STILL DOING HERE?

SHE'S DONE THIS BEFORE.
YOU KNOW, I GO BACK--

SHE'S LIKE A YO-YO--
UP AND DOWN AND UP AND DOWN.

AND IF I DO GO BACK AGAIN
AND SHE PUSHES ME AWAY,

I'M GONNA BE LIVING WITH YOU
FOR THE REST OF MY LIFE.

OKAY. WHAT IF SHE--WHAT IF
SHE MEANS IT THIS TIME, OKAY?

DON'T WASTE A GOOD THING
BY KEEPING SCORE, MAN.

SOMETIMES THE BEST THING
IS THE THING YOU HAD.

GET YOUR OWN RADIO SHOW.

("I Just Don't Think I'll Ever
Get Over You" playing)

(Colin Hay)
* I DRINK GOOD COFFEE *

SAY SORRY TO BECCA FOR ME.

* EVERY MORNING *
GOOD LUCK.

YOU GOOD?

YEAH. I AM.

ANYTHING ELSE YOU NEED TAKEN
CARE OF WHILE YOU'RE GONE?

NO.

BUT IF SOMETHING COMES UP,
THEN I'LL JUST FIGURE IT OUT.

WE'RE SENDING TWO OF YOU.

WE'RE PICKING UP
YOUR PARTNER NOW.

(turn signal clicking)

* WITHOUT YOU HERE *

* THERE IS LESS TO SAY *

IT'S YOU.

IT'S YOU.

* DON'T WANT YOU THINKING *

* I'M UNHAPPY *

* WHAT IS CLOSER *
(indistinct conversations)

* TO THE TRUTH *

* THAT IF I LIVED *

* TILL I WAS *

* 102 *

HEY.

* I JUST DON'T THINK I'LL EVER *

* GET OVER YOU *

WHAT, ARE YOU DRINKING
ALONE?

UH, IT LOOKS THAT WAY.

HAVE YOU SEEN NICK AT ALL?

UH...

NO. SORRY.

YOU KNOW WHAT?
LET'S CELEBRATE.

UNTIL NICK GETS HERE, YEAH?

ALL RIGHT, BUT ONLY 'CAUSE
YOU SEEM SO LONELY

AND PATHETIC HERE
BY YOURSELF.
(laughs)

TELL ME AGAIN WHY
THE ROOKIES DON'T LIKE YOU.
(glasses clink)

* I JUST DON'T THINK I'LL EVER *

* GET OVER YOU *

YOU'RE LEAVING
EVERYTHING BEHIND--

YOUR WALLET, YOUR CELL.

THERE'S NO E-MAILS,
NO CALLS HOME.

IT'S ZERO CONTACT.

REMEMBER WHY YOU'RE THERE.
YOU GOT A JOB TO DO.

SO GET IT DONE.

(clicks tongue)

IT'S HIM.

I DON'T THINK HE'S COMING.

I THINK WE'RE DRINKING ALONE.

YEAH.

GOOD LUCK.

* BUT I DON'T
WANT YOU THINKING *

* THAT I DON'T GET ASKED *

* TO DINNER *
(sighs)

* 'CAUSE I'M HERE TO SAY *

* THAT I SOMETIMES DO *

***

* AND EVEN THOUGH
I MAY SOON FEEL *

* THE TOUCH OF LOVE *

SO READY TO SAY GOOD-BYE
TO YOUR OLD LIFE?

* I JUST DON'T THINK *

YEAH. I GUESS I AM.

* I'LL EVER GET OVER YOU *

***