All language subtitles for Lynley s01e01 A Place of Hiding.eng

(dramatic, sweeping music)

(grass rustling)

(geese honking)

(waves lapping)

(gannets cawing)

(sinister music)

(water splashing)

(dramatic music)

(seabirds twittering)

(car rumbling, roaring)

(suspenseful music)

What did you actually
say to him?

I told him he was
no good at his job.

No, Barbara, you told him he was
incompetent and amateurish,

your DI.

Your boss.

He bungled the bloody arrest!

So, you thought you'd
publicly humiliate him?

How many enemies are you
planning to make

in this department?

DS HAVERS:
Look, I get it, but...

I wanna transfer off his team.

There's not many places
I can put you.

(sighs)

(dramatic music)

There's a new DI,

just starting,

I can pair you up with him.

But this is your last chance.

(up tempo music)

(exhales)

Well?

What happened?

What do you think?

I got read the riot act
and assigned a new DI.

- DC BEKELE: Seriously?
- Mm.

- Who?
- Dunno, some new bloke.

Probably wet behind the ears.

Been warned to behave myself
and not speak out of turn.

Oh, yeah, well, not much chance
of that, is there?

Thanks, mate.

You know what?

I'm gonna end up as nurse maid

to some fresh-faced city boy,

who doesn't know his arse
from his elbow.

- What?
- Watch where you're going.

(office chatter)

Can I help you?

I'm DI Lynley.

Do you know where
I can find my office?

- Oh, you're the new...
- Fresh-faced city boy

who doesn't know
his arse from his elbow.

Oh...
Yeah, it's that way.

Um, I'm DS Havers, Barbara.

Thanks.

Oh, and I, uh, won't be needing
a nurse maid.

(clears throat)

Oh, what now?

Oh, I was... I was told
this is my desk.

Well, Barbara, nobody mentioned
an office share but, err...

I see you two have already met.

Good.

Barbara Havers
is your assigned DS.

Great.

A call just came into
the station, suspicious death.

Salcott Island.

I need you two
to get down there.

Play nicely, yeah?

(dramatic music)

Okay.

Shall we?

I'm okay to drive,
I know the area.

Let's take my car.

Okay.

(door unlocks)

- You're kidding me?
- (car revs)

Whoa, slow down, mate!

So, err, where were you before?

- Met.
- Train at Hendon?

Yeah.

And before that?

University.

- Right, where?
- Oxford.

Balliol College. And you?

Swaffham High,
then Swaffham Tech. Yeah.

Norfolk, Norfolk born and bred.

Anyone else in your family
in the force?

Oh, actually we're big
in iron and steel.

Really?

Yeah, my mother irons

and my dad steals.

Good one.

(dramatic music continues)

Nice wellies.
Left mine in my car.

None spare, I'm afraid.

(boot slams)

Sorry about that.

(soft sigh)

- Morning.
- DI LYNLEY: Good morning.

- Salcott Island?
- Yeah.

(boat rumbles quietly)

(wake ripples)

(gull cries, birds singing)

- Morning, Dev!
- DEV: Alright?

Yeah.

We got an ID on him?

White male named Brouard.

Guy Brouard.
B-R-O-U-A-R-D.

- 59.
- Who found him?

Bird watcher from the mainland.

Err, this is Detective Inspector
Lynley by the way,

err, Sergeant Ellis.

Do we know anything about him?

Owns the big estate
on the island,

retired here a few years ago,

groundsman came and
identified him.

You wanna wait for me here?

- No.
- Are you sure?

Yeah, I'll be fine.
Thanks, Dev.

(dramatic music)

(camera clicking)

DI Lynley.

I'll take it from here.

No problem, Sir.

(sinister music)

DI LYNLEY: Blow to the skull.

Pretty deep.

Well, maybe he slipped
and fell off the sea wall.

Err...

No, these could be
defensive wounds.

He's damp but not wet through,

he ended up here when
the tide was out.

Sergeant Ellis?

I need you to call
the coroner's office,

we need to arrange
a post-mortem.

Thank you kindly.

- Where'd you find Beau Brummell?
- (scoffs)

Isn't he something?

DI LYNLEY: Havers?
(mysterious music)

There's a blood trail.

We need forensics
to examine this whole area.

Maybe someone attacked him here,

hurled him over the wall.

Need to shut
the whole place down.

On it.

(dark crescendo)

(trees rustling, birds singing)

(dramatic music)

(crow caws)

How long have you worked
for Mr. Brouard?

Ever since he came here.

11 years, 12 nearly.

And you're the housekeeper,
Valerie, is it?

Layton.

Oh, and Paul,
he's our groundsman.

DS HAVERS: You're the one
who identified him?

Why don't you take this
up to her?

He doesn't like to talk much.

There's some fancy name for it.

You both live here?

VALERIE: Mm.

When did you last
see Mr. Brouard?

Err, last night when
I was clearing the dinner,

about 10.

He didn't want much,

tin of soup, some fresh fruit.

I washed up quick and,
err, went upstairs.

Anyone else in the house?

My niece, Cynthia.

Comes to stay
during the holidays.

She and I sat and watched
a movie.

We were together
the rest of the evening,

- Paul joined us.
- Who was the tray for, Valerie?

Oh...

(tense music)

Please, follow me.

(door squeaks open)

Mrs. Brouard?
You have some visitors.

Oh, thank you.

(whispers) Osteosarcoma.

May have only a week
or two left.

Nurse comes in three
times a week.

Were they here yesterday?

No. Paul and I manage
the other days between us.

(whispers) Does she know
what's happened?

- Has someone told her?
- VALERIE: I did try.

But, err...

she didn't register it.

Her son knows though...

driving up from the south coast.

(suspenseful music)

CORONER: Nasty wound.

Not a knife, a blunt object.

You can tell by the surrounding
abrasion.

Look.

DI LYNLEY: Definitely
our cause of death?

CORONER: Difficult to say
at this stage,

but blood loss can be heavy.

I'll need to do
an internal examination.

DI LYNLEY: Do you have
anything else for us?

Oh, there's these.

(box clattering)

- DI LYNLEY: Intriguing.
- (dark music)

CORONER: In his pocket,
not sure what they are.

DI LYNLEY: Family icons.

Romans used to carry them...

for luck.

No sign of a weapon?

No, nothing yet.

Probably at the bottom
of the estuary.

What about suspects?

Well, it's a private island.

Everyone travels there by boat,

there's no casual footfall.

(background chatter)

Is there anything else, Sir?

It's just, I'm expecting
forensics to brief me, so...

Havers...

Could you wait outside?

(tense music)

(door opens)

Presumably when you
took this job,

you didn't know that
I'd been transferred here.

A pleasant surprise for us all.

So...

We're gonna try to...

reset our relationship?

Forget everything that
happened between us in London?

Because I could make things
quite uncomfortable for you.

I hope that you appreciate that.

Pax vobiscum.

I'm agreeing to a truce.

Lynley?

- Mm?
- Keep me informed.

DI LYNLEY: Yes, Sir.

DS HAVERS: Well,
what was that about?

Nothing.

I wouldn't worry about it.

(high tempo music)

(seagulls crying)

You're the only other person
who lives on the island?

I own this row of cottages.

They're all empty right now.

DS HAVERS: You must've known
Mr. Brouard quite well,

was he a good neighbour?

TONY: Well, he seemed
alright to me.

Made his money
in the city they say.

Retired out here, still in
his fifties, lucky bugger.

Sorry.

Shouldn't speak ill of the dead.

(brush cutter buzzing)

(engine cuts out)

Got your work cut out
for you, Paul.

(dove cooing)

How long have you worked
here, Paul?

Since I left school.

What about your parents?

(mysterious music)

My mum's dead.

DI LYNLEY: And your father?

(sighs) He was glad
to see me gone.

The Brouards are kind of...

- you know...
- Family, huh?

PAUL: Yeah.

TONY: You know
any Roman history?

Let's assume I don't.

TONY: During the time
of Hadrian

- there was a villa here.
- Okay.

Some students are here
working on it, digging it up.

Maybe the Roman emperors
are what inspired him...

Inspired him to do what?

Emperor Tiberius had
a palace at Capri,

an island paradise,

naked girls running round
like nymphs.

I don't quite get you.

TONY: Wife dying of cancer?

So, he liked to bring people
here to entertain him.

(sinister music)

Anything else you think
we need to know, Paul?

What is it?

I saw them together.

You saw them?

Err, Mr. Brouard
and a young woman.

They were wearing masks,
and they were dressed up.

Can you give me a description
of her?

Her hair colour, height?

Well, she was in a mask,
like I said, and it was dark.

DI LYNLEY:
And where were you?

I was over by the gate.

I was only there for a moment...

...he was touching her,
kissing her.

Then I went in. I watched TV
with Cynthia and Val.

Anyone else you saw?

No, but...

DI LYNLEY: Who was she, Paul?

Who was the woman in the mask?

No one gets on or off the island

without the harbour pilot
knowing.

(suspenseful music)

(seagulls crying)

(water rippling)

TED: No launches recorded here.

And I always keep
very good records.

So, no one sailed
over to the island yesterday?

Just some people coming back.

What about private launches?

TED: This is the only route,

and they always keep the slipway
chained up.

Hey, do you mind if I borrow
those records?

A bit of bedtime reading.

Not at all.

Do me a favour,

bring 'em back will ya?

I like to keep a tight ship.

Thanks.

A young woman, you reckon?

I think you're talking
about someone

who was already over there.

- Well, thanks.
- His neighbour mentioned

something about some students.

(dramatic music)

(grass rustling)

SAM: ...we'll have to pick up
where we left off

- yesterday, yeah?
- STUDENT: I'll just carry on.

- Who are these guys?
- SAM: No idea.

I'll talk to them.

Hi, can I help?

Inspector Lynley,
Three Counties, Major Crime.

You know there's been
a death on the island?

Yeah, yeah, we... we
just found out.

DI LYNLEY:
Are you in charge here?

Yeah, I mean it... it's
just a student dig.

Yeah, but on
Mr. Brouard's estate.

That's what we were
just talking about,

he's our benefactor, he financed
the work we're doing,

fed us, provided accommodation.

Were you all here last night?

No, not everyone stayed over,
just me and Sofia.

DI LYNLEY: How well did you
know Mr. Brouard?

You socialise with him?

SAM: Yeah, sometimes.

We went for dinner at the house.

He was... he was kind,
really generous.

Where are you guys from, Sofia?

We're at Cambridge.

Just going into third year.

Archaeology is it?

- Mm.
- DS HAVERS: That's fascinating.

Oh, I watched some
documentaries on the telly.

You ever done those, um,
what are they called,

- re-enactments?
- Sorry how... how do you mean?

Well, like dressing
up, masks and that.

SOFIA: Mm, no that's...

that's not really our scene.

(dramatic music)

- Why'd you ask her that?
- What do you mean?

The witness said
he'd been with a girl.

So, you thought you'd share
his statement with her?

Did you see her eyes?
She would not look at us,

- she's hiding something...
- She isn't even a suspect yet

and she isn't under caution.

One step at a time, okay?

Let's not get ahead
of ourselves.

(sweepingly dramatic music)

(birds singing)

PAUL: I finished
all the planting.

It's gonna look
really beautiful.

I think you're gonna love it.

(suspenseful music)

(fades to high tempo music)

(boat splashing)

BOAT DRIVER: There you go, Sir.

Thank you.

(suspenseful music)

VALERIE: Adrian.

I'm so sorry.

Carmel, welcome back.

Hello, Valerie.

I've made your room up.

Err, how long will
you be staying?

You're welcome, of course.

Well, we have to talk
to the lawyers first

and then... see about a funeral.

How's Mum doing?
Can we go up and sit with her?

Oh, yes.

(mysterious music)

Sorry.

- (scoffs)
- PAUL: What?

I'm not stupid, you know.

- What do you mean?
- (water running)

I see stuff.

You're a dark horse, ain't ya?

(sinister music)

PAUL: Promise me you're not
gonna say anything.

I've seen what you're up to.

Know what my price is, yeah?

Hi.

That packet of gram flour
expired over a year ago.

- Are you having a clear out?
- AMANI: Mm-hmm.

How was your day?

(sighs) You don't wanna know.

(dramatic music)

(television playing
in background)

- (car rumbling)
- (waves crashing)

(light music plays)

(sighs)

(phone pings)

(dramatic music fades in)

(waves crashing)

(tin rattles)

(car lock beeps)

I checked the ferry log.

The tides were out.
- Mm?

No vessels went across
that evening.

Whoever the woman was,

she was already on that island.

Okay. Am I coming with you?

- Yeah, chop, chop.
- (car doors open, close)

- Ah, ah, not in the car.
- (grunts)

(car engine starts)

(up tempo music)

(waves lapping)

VALERIE: Those students are the
only other people on the island.

You might wanna hold
your breath.

They're a bit messy.

- (lock rattles)
- (door squeaks)

They're only using it temporary.

This place has been here
since the war.

How did they make
contact with you?

Wrote to Mr. Brouard.

We've had groups working
here before.

Ah, well, it's a tiny island.

It certainly seems to have
its fair share of history.

VALERIE: Roman villa,

also a World War II
military installation.

Taking your life in your hands
there, mate.

- (dramatic music)
- Yeah.

- What you got?
- (suspenseful music)

(door opens)

- What's taking so long?
- It's ridiculous.

- How much...
- Hi, Sofia.

DS HAVERS: Thanks for coming in.

Err, is, is she under arrest?

No, you're free to leave
whenever you want,

this is just a voluntary
interview.

You are entitled to legal
advice, though.

Oh, well, my Dad's a barrister,

so, maybe I should call him.

No, no, it's okay,
Sam, don't worry.

Alright, Sofia,
if you'd like to follow us.

- Sure.
- Will this take...

Oh, Sam, you can wait here.

DI LYNLEY: Your name's Sofia
Cullen, is that right?

- Mm-hmm.
- You're a student of Cambridge.

Second year.
Me and Sam share a house.

And how well did you know
Guy Brouard?

Not that well.

He was hosting us,
funding our dig.

And what was the
nature of your relationship?

Friends, I guess.

Yeah, he gave me a nickname,
China.

That's my specialism, pottery.

I make clay reproductions,

and he let me look through
his catalogue.

Well...

would you recognise these, then?

Yeah.

I made them for Mr. Brouard.

- You made them?
- As a thank you.

They're supposed to be
house guards,

they're supposed
to ward off evil.

(laughs)

Well, we have a witness who says
Guy Brouard

was intimate with someone
in the hours before he died.

(suspenseful music)

Well, what's that got
to do with me?

I'll ask you again,

what was the nature
of your relationship?

That yours?

Mm-hmm.

Bit of an unusual garment.

Plus, we found blood on it.

Oh, I cut myself...

see?
Here, a couple of days back.

I was using an old trowel.

Sorry, is that what
all this is about?

Just a couple spots of blood.

Did anyone see that happen?

No.

Well, we'd like you to agree
to give us a DNA sample.

If the blood matches,
you've nothing to worry about.

Sure.

(waves crashing)

(footsteps crunching)

- ROB: Alright?
- PAUL: Yeah.

Have you
heard about Mr. Brouard?

ROB: Everyone's gossiping.

Dirty old sod.

It was gonna happen eventually.

Well, he was kind to me.

Yeah, well, you wasn't his type.

And there's something else.

What?

Something come up in the nets.

(sinister music)

He was wearing this
the night he died.

Looks like he was making movies.

Do you think we should give it
to the police officers?

No.

And why not?

What's up?

(dark music)

(footsteps receding)

(people chattering)

DCI NIES: Barbara?

Fancy a quick chat and a coffee?

DS HAVERS: Err, yeah.

Great.

Come in.

Well, shut the door.

I've got one of these new
espresso machines,

anniversary gift from my wife,

just gotta learn to work
the bloody thing. (chuckles)

How's it going?

DS HAVERS: Well, I'm supposed to
be behaving myself.

You did warn me to knuckle down.

Well, you can speak freely.

It's just us.

He's a bit of an arrogant sod,
isn't he?

Well, he was your only option,
you do realise.

Take a seat.

You mean there's nowhere else
to put me?

That's about the size of it.

Do you take sugar?

No, thanks.

There we go.

So, what's happening,

err, with the case I mean?

We've got a suspect.

- Yeah, a student, Sofia Cullen.
- And?

DS HAVERS: Lynley's not so sure.
She's one of his kind,

you know, blue stocking.

But I reckon she's lying to us.

You think he's reluctant
to arrest her?

Maybe.

(tense music)

DCI NIES: This DI Lynley,

I've encountered him
before, you know.

Four years in the Met together.

Really?

DCI NIES:
Oh, how can I put this?

He's not really a 'team player'.

Ha.

If he ever puts a foot wrong,

I'd be glad if you
come tell me...

hmm?

Biscuit?

You've lucked out there.

Your new partner, nightmare.

- Sorry, I don't follow.
- Well, you will be sorry.

You should've seen how
things ended with the last DI.

Anyway, good luck, mate,
you're gonna need it.

DS HAVERS: Thanks.

It's a local brew.

Cheers.

Are you gonna be writing
a novel all evening then?

Case notes don't write
themselves, Sergeant.

Come on then.

What'd you think?

What about?

About the girl?

I reckon a man like Brouard,

a man obsessed with owning
beautiful things,

I reckon he'd be drawn to her.

Sofia's the only young woman
on the island that night.

Cynthia and Valerie were there

but they both have an alibi
in each other.

So, Sofia...

she's the closest thing
we've got to a suspect.

You really think so?

Yeah, don't you?

I think if you murder someone
and their blood splashes about,

you don't stuff your clothes
in a laundry bag.

- You burn them.
- Mm.

Maybe she didn't notice
the blood.

Plus, you know, people panic
and do stupid things.

No, she doesn't really
seem the sort.

What's that supposed to mean?

She seems smart.

Cambridge educated.

Yeah, I suppose.

Tell me something, do you really
think that posh people

don't commit murders,
it's just the plebs?

Do you want a hand brushing
that chip off your shoulder?

What?

If you've got a problem with me,
just say so.

I can take it.

Come on.

Go for it, Havers, don't be shy.

What is a bloke like you
doing in a job like this?

Oh, that old chestnut.

Well, I've been asked
so many times.

- Everyone's gotta earn a living.
- That's not an answer.

Your family has money.

You've been asking
questions then, have you?

Some of the lads
have been talking.

But I just don't know

what it is you're doing
here, that's all.

I'm doing my job.

- Same as everyone.
- (dramatic music)

I'm a career officer.

I'm not just amusing myself till
something better comes along.

(officers chuckling)

(curious music)

(heavy sexual breathing)

- (woman moaning)
- (laughs)

(knocking on door)

VALERIE: Cynthia?

- Hiya.
- Hey.

(suspenseful music)

What's this?

VALERIE: Don't know.

What's that smell?

You been smoking in here?

Err, it's incense.

Oh, well, don't burn
the place down.

- (laughs softly)
- (dark music)

THEA: It's all quite
straight forward.

There's money set aside
for a funeral.

He asked to be cremated,

and for his ashes to be interred
in an urn.

How very Graeco-Roman.

And what about the estate?

I, I know he,
he changed the will

after my mother became ill.

It's to be sold.

And the money given
to a charity.

(dramatic music)

British Heritage.

What?

Also... a large sum is going
to one private individual.

And you don't mean me?

Oh.

How much?

(screaming) You little worm!

Argh.

- PAUL: Urgh.
- How'd you do it?

Huh? You start calling him
Daddy?

I am going to have lawyers
crawling right up your backside!

(screams) Adie!

- PAUL: (groans)
- What?!

VALERIE: Stop it!

- Paul, no! Don't!
- (screaming, hitting)

(grunting, struggling)

- Cyn, quick, call the police!
- ADRIAN: Argh.

You really think you're up
to this, little man?

- (grunts)
- VALERIE: Adie!

- (men struggling)
- That is enough!

Stop it right now!

Adie, stop it!

- (screams)
- (suspenseful music)

- VALERIE: He's just a kid!
- It's not him, it...

It's got nothing
to do with Paul.

I got a letter from
the solicitor, it... it's me.

He left me an endowment.

(treacherous music)

Where's Adrian now?

DI LYNLEY: Station, Horsford.

He's under arrest for assault.

We need you to give
us a statement.

Paul?

I can't.

His family
has looked after me.

It doesn't matter
what he's done.

- (poignant music)
- (knocking on door)

DS HAVERS: Cynthia?

Hello, you.

(sexual moaning)

Do you have any idea why
he chose your niece

as a beneficiary?

Err, sorry, I'm as surprised
as anyone.

Sir?
I need to see you.

Excuse me a minute.

(sexual moaning)

DS HAVERS: Wait for it.

Who do you think that is?

Ah, struth.

(sinister music)

We've seen the film.

You and Guy Brouard.

A sexual encounter, pretty wild.

Pretty unusual.

(suspenseful music)

(sighs)

When was the film made?

DS HAVERS: Alright, Cynthia.

I know that this is difficult.

I don't understand
what I did wrong.

You didn't do anything wrong.

We're just asking questions.

You're not under arrest
or anything like that.

DI LYNLEY: I need you to
cooperate here, Carmel.

When was the film made?

About a month ago.

He said he liked
to keep mementos.

He used to make these
little jokes.

Mm, what sort of jokes?

Well, he called me Diana.

He said I was a goddess,
you know.

Did he ever touch you, Cynthia?

He must've paid you
some attention, though,

if he said that you
were attractive.

I didn't do nothing
to lead him on.

We know that, love.

Did you know he was gonna leave
you all that money?

We were staying at Salcott
for the weekend.

Adrian had to shoot
down to London.

He's an investment banker.

I was in the house working
at my laptop.

I'm a solicitor.

And, what...

Mr. Brouard suggested
a way you could...

amuse each other?

It was a private encounter
between two adults.

How exactly is this relevant?

It's relevant because he's dead.

We're still trying
to establish a motive.

Guy was very charismatic.

He said that he was
the Emperor Augustus,

that the island was his empire.

Yes, okay,
I had intimate relations

with my husband's father

and, yes, he kept a record.

It's embarrassing, nothing more.

I know the law, Inspector.

DS HAVERS:
Why would she do that?

Not for the sex...
or the attention.

Certainly not from
her father-in-law.

(sexual moaning)

Well, either way we've got
a second suspect.

- Adrian?
- Violent temper.

If he knew about this...

DS HAVERS: We need to put him
on that island.

Shall we request
the pleasure of his company?

Okay.

We need to know your movements
on the 14th,

the day your father
was murdered.

And if you want a solicitor,
you are entitled to one.

You think I was involved
in his death?

That's completely ridiculous.

I was at work...

at the bank...

a normal day.

Train home from Blackfriars.

The next morning, I got
the message he was dead.

Is there anyone
who can verify that?

Carmel was at home.

She'll back me up.

(dramatic music)

CORONER: Time of death
I'd estimate

somewhere between
10:00 and 11:00pm.

What about the weapon?

A blunt metal object,
used with force,

some sort of hitting motion.

And then there's these...

(mysterious music)

Metal shards in the wound.

If you find it,
we can try to match it.

It's likely he was knocked
unconscious,

left bleeding,

but the wound wasn't fatal,

which brings me to this.

Interesting.

Chalky residue found
inside his stomach,

only partially dissolved,
but suspicious.

I'll order a toxicology report.

Where's the so-called Chief
Forensics Officer around here?

I was having such a good
day up until now.

Haven't they fired you yet?

Well, you know how it is,
someone's gotta

keep this place going.

Havers, this is my friend,
Simon St. James.

- Hello.
- DI LYNLEY: Si, DS Havers.

Oh, God, poor you,

you've been saddled
with this arrogant tosser.

Ah, thank you.

They're the words
I was looking for.

Glad to be of service.

- It's good to see you too, mate.
- Yeah.

So, what brings you over here?

I'm the new DI,
Three Counties.

Ah, so, you're on
the Brouard case?

- Keep up, dear.
- Oh...

They send you over
the blood samples?

Yes, yes, I, err, have
the reports here.

The traces on the dress
are the same DNA profile

as the blood from the deceased.

(puzzling music)

Seems like Sofia
was lying to us.

Yes, it does.

Are you gonna let me
take the lead this time?

Why?

New boss, eager to impress you.

I did eight years in CID,
I know what I'm doing.

Just tread carefully, will you?

This... found in your
laundry bag,

Guy Brouard's blood was on that.

We got a match back
from the lab.

Now you said the blood
was yours,

you said you cut yourself?

I...I was confused.

Okay, well, take a minute,

see if you can
unconfuse yourself.

Because you were seen
wearing it that night.

You were seen being
intimate with Mr. Brouard.

Mm?

It... it started as a joke,
that's all it was.

- What was?
- I'd read about them,

a sort of, err...

celebration.

What exactly are you
talking about?

A bacchanal.

(sinister music)

You mean like
the Ancient Romans,

a sort of ritual?

Yeah, he joked about it,
he said, err,

he said this was
his own private island.

Guy Brouard persuaded you
to take part in a re-enactment?

He said we could do
anything we want.

There were no rules.

He joked he was the only
god on Salcott.

(dark music)

And what happened?

We dressed up.

- Me and him.
- (gate clangs)

Costumes, masks, torches.

Wine.

(creepy whoosh)

He chased me from the house
through the forest

and then onto the sea wall.

That's where it happened.

- Sorry, err, chased?
- It's a sort of... hunt.

(eerie music)

It's part of the game.

Did you have sex with him?

Out loud, please,
for the recording.

(flames whoosh)

Yes.

(wine sloshing)

- (sinister music)
- (bottle smashes)

DS HAVERS: Why...

why did you go with him?

He's old enough to be your dad.

He was very persuasive.

He was looking after us.

That's not an answer, Sofia.

Money, okay?

I want to do a master's degree,
and I can't get the funding.

It's really hard to get
sponsorship these days.

My parents have just divorced,

all the money's gone,
they can't afford it, so...

Guy offered.

But there were strings attached.

Am I right?

Yeah, it was really stupid.

I never should've done it.
I can't...

I can't imagine what
my family will say.

What about your boyfriend?

What does he reckon?

He never knew.

I left him sleeping.

So, after the intercourse...?

SOFIA: Mr. Brouard...

he fell down and cut himself.

He was really... drunk
at this point.

Yeah, that must be the blood
on my clothes.

Okay, and then what?

SOFIA: He left.

He, he seemed okay.

I, I walked back
to the bunk house.

Yeah, I stripped off my clothes,
put them in the laundry,

that was the last I saw of him
on the beach.

Honest.

- We need to let her go.
- DS HAVERS: What?

The Crown Prosecution
would throw it straight out.

DS HAVERS: Urgh.

You think she's innocent
just because she talks posh.

No, I think the CPS will say

we don't have
enough to charge her.

She admits they had sex,
she lied about it before.

But that's because her boyfriend
was working right alongside her.

DS HAVERS: Oh, come on, we can
put her on the beach,

we've got blood on her clothes
consistent with delivering

- a blow to the head.
- It could be a fall,

- just like she said.
- Okay, well,

then how do you explain
the metal shards?

None of the evidence
is conclusive.

Why are you so keen for her
to be guilty?

Why are you so keen for her
to be innocent?

Alright, what's her motive?

Err, I dunno, maybe
he went too far

and attacked her during
one of their little games.

Too many maybes.
The boyfriend has

more of a motive than she does.

Maybe she wasn't the last one
to see him that night.

Don't you just ever go
with your gut?

- (keyboard clacking)
- No.

Nor should anyone.

(dramatic music)

(birds twittering)

(door squeaks)

Hi, Mrs. Brouard.

Time for lunch.

You okay?

Here you are.

MRS. BROUARD: Thank you.

SOFIA: Sam?

(grass rustling)

What's happening?
What are you doing?

I'm going.

Going where?

- I don't understand.
- SAM: Yes, you do.

You think I'm staying here
any longer?

Did you have an affair with him?

- Did you?
- No.

Did you?

- It was one night.
- Ah, I'm going.

- I was stupid, it was one night.
- SAM: Get off me.

- Sam! Sam!
- SAM: Get off me!

Hear me out!

(poignant music)

This, this is,
this is pretty clear.

She admits that she
was with him,

she admits that they had sex.

That's hardly enough
for the CPS to charge her.

- Well, isn't it?
- (file flaps)

We know she's lied before...

at her first interview.

Has someone already
briefed you, Sir?

Well, didn't she begin by
giving us a false statement?

No sexual relationship.

Keep up.

Well, she didn't want
to admit it

in case her boyfriend
discovered.

Well, it, err...

looks like you need to dig
a bit deeper, Inspector.

- (sniffs)
- (disquieting music)

(office chatter)

DI LYNLEY: Do me
a favour, would you?

If you're gonna make a
report to DCI Nies,

at least have the courtesy
to warn me in advance.

He asked me a direct question
and I answered it.

And? You didn't think
it would be best to alert me?

Oh, look, whatever's going on
between you two, yeah,

it's got nothing
to do with me.

Okay, yeah, I see, he's given
you the full low-down.

No, he just said that you guys
had worked together before,

- that's all.
- And then he asked you

for a case update and knowing
he was out to get me,

- you happily provided it.
- It wasn't like that.

Look, there's one quality
I value above all others, okay,

- and that's loyalty.
- Hang on,

you do not get to question mine.

No, you hang on, I've stood
by you since I got here.

What the hell's
that supposed to mean?

DI LYNLEY:
I see the lads smirking

when I turn up with you.

They think you're
a pain in the arse,

they feel sorry for me
being paired up with you.

Who said that? Tell me a name.

If I'm prepared to take you
as I find you,

you should extend me
the same courtesy!

Urgh, listen to yourself,
Mr Lord of the Manor.

You're not a team player

and I'm not your bloody
maidservant!

Well, I'm not sure there's
much point in us continuing...

you and I, I mean.

Perhaps you should put in for
reassignment after this case.

- Wait, hang on.
- Better for both of us.

- DS HAVERS: Wait! Hang on!
- (door slams)

(sport playing on television)

(soft snoring)

(soft music)

Oh, how you doing?

- No don't, don't get up.
- Oh, I'll make your tea.

- I'd like to see you try.
- It's no bother.

- Don't be daft.
- We're going out, love.

We're going to the cemetery.

- You're driving us.
- I'm tired, Dad.

- Anniversary.
- I know, but...

For your mother.

I keep it in my own way.

Hi, Mum!

(people chattering)

(mobile phone rings)

Hello.

Thanks so much.

Thank you.

- Morning.
- Hi.

I just got a call from
Adrian Brouard's boss,

she's willing to talk.

Oh, I'd better head down
there then.

Okay, I'll hold the fort,
and I'll text you the address.

Well, you're the
point of contact,

- you should probably come.
- I thought you told me

to put in
for reassignment?

Let's leave that for now,

till after we've
solved the case.

(upbeat music)

(traffic humming)

This from the 14th, look, see?

There's Adrian leaving.

- And then...
- (key clicks)

17:01 out the door.

That's plenty of time
for him to get down to Salcott.

Well, check CCTV
from the train platform.

So, how's it going?

Very insightful.
Thank you for the access.

It was only a matter of time
before you guys turned up here.

Oh, really?

Adrian likes to overstep
the boundary.

You don't like him?

Thinks the world owes
him a living.

You're only as good
as your last deal,

and Adrian's been losing
money lately.

- DS HAVERS: How?
- SUSAN: He burns through

everything he earns
at top speed.

(suspenseful music)

He brought us a new bond scheme,

people failed to invest,

all very embarrassing.

His father was on the board here
for years.

What, you didn't know?

Adrian tried to persuade him
to come out of retirement,

help fund it.

- And?
- SUSAN: And it didn't happen.

His father refused to help him,

left him to drown.

Well, thank you.

DS HAVERS: So, he's a screw up.

Basically.

Pisses his money away
at the bank,

tries to drag his dad into it
to bail him out.

No dice.

He needed that inheritance
more than ever.

Coupled with the fact
his father's screwing the wife.

- Certainly paints a picture.
- (phone pings)

Toxicology report just came in.

CORONER: Oxycodone.

There's a thriving black market.

People take it
for just about anything.

Enough in his bloodstream
to sink a battleship.

If it was self-administered,

he was careless,
would've caused him

to go into respiratory failure.

I don't understand,
I thought you said he bled out.

It was hard to ascertain
what took him first.

Well, we'd better check
with Mrs. Brouard's doctor.

- They might be the source.
- DS HAVERS: Already done that.

She's only prescribed morphine,

and there was nothing else found
in the house search.

DI LYNLEY: So,
where'd it come from?

You reckon Adrian
might have a drug problem?

Burns through his money,
she said.

Yeah.

- Email this to us, would you?
- Sure.

(mysterious music)

So, you left work early
on the day he died.

- Now hang on...
- Do you think Adrian

was involved, Inspector?

Mrs Brouard, please,
don't interfere.

It all comes back to that film.

They found it.

The film with Guy
and I together,

they know all about it.

Somehow Cynthia found the DVD.

ADRIAN: Oh, Jesus.

You're making a mistake,
Inspector.

You think my husband
was jealous.

- DI LYNLEY: Look...
- You think this was a crime

- of jealousy?
- Mrs. Brouard, please...

Adrian knew everything.

He agreed to let me do it.

Adrian had lost money...

- (dramatic music)
- ...a lot of money.

He bankrupted us.

We were completely washed up...

- Carmel, they don't...
- No, they need to hear this.

So of course,

we went to Guy.

Begged, pleaded for his help.

But he wouldn't budge.

He enjoyed having control
over everyone.

He relished every
little weakness.

So, I suggested it.

We all know the kinds of games
that Guy liked to play.

I suggested
that I prostitute myself,

and Adrian agreed.

- Carmel...
- Now it was an idea

that we cooked up between
the two of us.

So, the notion that
he killed him

in some sort of jealous fit,

well, it's absurd.

And do you have any
evidence for this?

I made him sign a contract.

I drafted it myself.

His money, my body.

(treacherous music)

(birds twittering)

(crow caws)

(door opens)

DS HAVERS: Sir? Just got a text.

Confirmation.

CCTV at Brighton.

He took the early train home.

Oh, damn it.

Adrian Brouard's
not responsible.

Though he might've paid someone
to do it, I suppose.

Someone could've easily waited
till Sofia was gone

and attacked him
when he was helpless.

(sighs heavily)

Now let's get back to base.

(foreboding music)

Christ.

DS HAVERS:
What time's the ferry?

DI LYNLEY: On this island,
it comes when it comes.

DS HAVERS: Hah.
What you thinking?

DI LYNLEY: Well,
we still don't know

where the hell he got
the drugs from.

DS HAVERS: Oh, look who it is.

Leave it to me.

- Hi, Cynthia.
- Mm, hello.

Can I ask you a question?

Well, you already
interviewed me.

No, yeah, I know that.

I just wanna know
where'd you get the weed?

We don't wanna arrest you, okay,
we just...

we just need the name
of your supplier, that's all.

It's just some bloke I know.

Okay, can you give me the name?

Come on, Cynthia,
where'd it come from?

It's...

Look, you need to talk to Paul.

Okay...

He has this little hideaway
where he keeps it all.

(mysterious music)

Thank you.

I guess it's not back
to base after all.

Paul?

Paul!

(motor cuts)

We need to have a word, Paul.

- Why? What's happened?
- Err, why don't you come inside,

- yeah, we'll have a chat.
- Why?

We have reason to believe you've
been selling illegal drugs.

I, I haven't, I haven't touched
anything like that at all, so...

- No, no, we know.
- PAUL: I don't know

what you're talking about.

Argh! Oh, just come right out
with it why don't you!

DI LYNLEY: Paul!

DS HAVERS: Paul! Ah!
- DI LYNLEY: Paul!

DS HAVERS: Paul, stop!

(heavy breathing, panting)

- DI LYNLEY: Paul!
- (gate clatters, clangs)

Urgh! Come on!

(high tempo music)

Keep up, Havers. Argh!

Paul!

Ah! (sploshes)

Paul!

(splashing)

Paul!

(men grunting, straining)

Paul!

Stop!

(foreboding music)

Paul!

Stop!

Paul, not that way!

There's nowhere to go, Paul!

Paul!

- Paul!
- PAUL: Argh!

- DI LYNLEY: Ah!
- PAUL: Ah, ah!

- (men groaning)
- (climactic music)

Havers!

(Paul grunting)

- You took your time.
- You got some power

in them legs of yours.

And a pretty good tackle too.

Rugby.

- First fifteen.
- Of course.

Here we go.
We don't want you

going home in
your dirty pants, do we?

Stop smiling, would you?

Right, the kid's being looked
over by a doctor,

but we have to wait till
his solicitor gets here.

And I've sent someone round
to go search through

his little den.

Come on, hurry up, cupcake,

let's get you a sandwich.

(people chattering)

You know what, I don't know
anything about you.

Well, like, where
are you living?

Are you back at
your family estate?

In my old teenage bedroom?

DS HAVERS: No, just...

DI LYNLEY: No, I've got a place
on the coast.

Just renting.

Hmm...

I couldn't really go
back home again, so...

- nope.
- Is that a sorer subject?

There's a lot of history
in my family.

Well, the eldest son's
supposed to take over, but...

DS HAVERS:
So, what's your story?

How did you end up a,
what was it, career officer?

(laughs)

Well, I did a law degree
at Oxford.

Of course.

My uncle was a barrister,
a silk.

Everyone expected me to follow
in his footsteps.

But, ah... well, I got
obsessed with criminology.

Just the way the whole system's
set up.

And I knew I didn't wanna
spend my life in a courtroom.

I wanted to be
on the front line.

Did your family kick off?

Yeah, they didn't speak to me
for a while.

And I love this job.

It gives me some sort of purpose
that I never really had before.

(suspenseful music)

Mr. Brouard had opiates
in his bloodstream.

We believe they were a factor
in his death.

How'd they get
on the island, Paul?

She kept asking
for stronger medicine.

And you knew someone
who could help?

- Who could supply you?
- Yeah.

Well, how did Mr. Brouard
get hold of it?

You buy some for him as well?

I had... I had no idea
that he knew about it.

- (packets rustling)
- (sinister music)

DI LYNLEY: We found these, Paul.

Cynthia told us about
your little hiding place.

What were you doing with them?

I swear to you,
I don't know why I kept them,

please believe me,
I, I, I, I found 'em.

This camera tripod's been
identified as the weapon

that caused his head injuries.

He was clubbed with it.
The camera's broken,

the film's destroyed,

- can you tell us what's on it?
- No.

DI LYNLEY: The water's made the
film unretrievable.

It's not looking very good
for you is it, Paul?

No.

You're in possession
of the murder weapon,

the drugs that were
in his system.

It wasn't me.

Believe me, it wasn't me,

I didn't have anything
to do with it.

Who supplied
the oxycodone, Paul?

(suspenseful music)

(door opens)

Rob Palmer?

(sighs)

(relaxing classical
music playing)

(phone buzzes)

Hi, Mum, hi.

Yeah, yeah, I'm, err,
I'm well enough.

You?

Sure, yeah.

(classical music intensifies)

(door squeaks)

(door squeaks quietly)

(ominous music)

So, you think you can just
walk into my room, do you?

Well, say what you're gonna say.

Come on.

(Adrian scoffs)

I knew it was only
a matter of time.

As soon as you started visiting,

I knew he'd become obsessed.

New toy.

It's a shame
it didn't work out for you.

I guess you're going to have to
kiss all this goodbye.

Aren't you?

Please leave.

(threatening music)

(office chatter)

(keys jangle)

You alright?

Yeah, it's just, um...

Well, we're nowhere.

And Nies is gonna be
snapping at my heels.

Oh, I don't know how you can
eat that stuff.

What even is that?

What these?

Figs, food of the gods.

- Hang on.
- DS HAVERS: Hmm?

He said he was Augustus.

Who?

DI LYNLEY: Guy Brouard.

You know your Roman history?

Emperor Augustus?

One of my current favourites.

What is it with men,
and why are they so obsessed

- with the Roman empire?
- No, no, no hang on, listen.

I read about it last night.

Naturally.

Augustus thought
he was being poisoned,

he thought someone
was trying to kill him,

so, he changed his diet,
ate figs from the trees,

plucked his own fruit
from the orchard.

- Where, where's this going?
- Tinned soup.

- What?
- That's what Guy Brouard ate.

You can't tamper with a tin,
it's safe to eat.

And fresh fruit.

(dramatic music)

DS HAVERS: We're looking
at the possibility that

his food or drink
might've been spiked.

As a precursor to murder, perhaps.

Maybe a way to pacify him.

He was fussy about his food,
I told you,

it usually came from a tin.

Not much of a banquet
for Bacchus, is it?

What about the wine then?

Opened an hour or so beforehand,

then it sits on the dining table
to breathe.

(treacherous music)

DS HAVERS: Easy enough
to tamper with.

Where's the bottle now?

There were shards of glass
out by the sea wall.

- (bottle shatters)
- Okay so,

let's assume for a moment

that's how it got into
his bloodstream.

The person responsible
would've had to know

that bottle would be there.

Everyone knew,
it was his regular routine.

Augustus.

That's what he called himself.

He's hinting at something.

Okay, so, who was it trying
to poison Augustus back then?

Livia.

DS HAVERS: And who was she, professor?

Mrs. Brouard?
We need to talk to you.

We're police officers.

Where's the boy?

(soft music)

Where's Paul?

DI LYNLEY:
Well, we're holding him.

(sighs)

He was supplying you
with illegal drugs.

I don't have much time.

DS HAVERS: Here, take a sip.

I begged him to help me.

Well, they found their way
into your husband's wine.

He was drugged, Mrs. Brouard.

(suspicious music)

We need you to tell us
exactly what happened.

Someone... went into the garden

and spiked your husband's
wine bottle.

MRS. BROUARD: Hmm.

He always opened it

hours before his dinner,

paranoid about being spiked,

but he would never
drink red wine...

without letting it breathe.

I knew I'd have the opportunity.

You know how many
nights I endured

listening to the voices,

laughter from the gardens?

I put up with it for
such a long time.

I was ill, so I allowed it.

When you love somebody,
you want them to be happy.

Then it all started getting
out of hand.

He went with poor Adie's wife.

I could hear them together
through the wall

and it was more than
I could stomach.

(gate squeaks noisily)

- (sinister music)
- (Mrs. Brouard struggling)

DI LYNLEY: She's not strong
enough to wield a weapon.

We're looking at two different
crimes here.

The blow to the head
wasn't enough to kill him,

but together with the drugs,
it was a lethal combination.

Paul thought she
was responsible,

that's why he hid the
mask and the camera,

in case there was
something on it.

But he's wrong.

There's someone else
who's implicated.

Okay, so what are
we trying to do?

Get CPS to charge her
with manslaughter?

- No, no.
- Err, Sir, Sir!

A crime was committed here.

That woman lay there
night after night,

knowing her husband was on
the other side of the wall

- having sex with God knows who.
- Don't you think I know that?

What you're saying is true,
Havers,

a crime was committed there.

There's someone else
who's implicated, okay?

Let's just wait till
we've got the full picture.

Understood?

(scoffs)

- (wind whistling)
- (grass rustling)

(dramatic music)

(trowel scraping)

(sieve rattling)

(suspenseful music)

(vacuum cleaner whirring)

Morning.

DS HAVERS: Morning.

I spoke to Maia.

- Oh, and...?
- I was right.

- Hair analysis.
- (suspenseful music)

Evidence of other drugs
in the system.

- Morphine, diazepam...
- (keys jangling)

She'd tried this before
on several occasions.

Okay, so, what do you
wanna do about it?

We hold off on the arrest

until we know who attacked him.

Until we get the full picture?

- (dramatic music)
- (birds singing)

So, what are we missing, then?

Well, there's something.

Something passed us by.

We need to go back
to basics, Havers.

(mysterious music)

Start again from scratch.

Okay, well, what about this
collection of his?

What about it?

Well, you said he modelled
his life after people

in ancient history, yeah?

Huh, I dunno, you tell me,
who were they all?

Sofia said she'd seen
a catalogue.

- (thud)
- (dramatic music)

- DS HAVERS: That's 27.
- DI LYNLEY: Mm-hmm.

DS HAVERS: Okay, 28, statue of
an aristocratic Roman boy.

I guess that's him.

29, early 20th century
naked woman bathing.

DI LYNLEY: Yeah, here.

DS HAVERS:
Not a looker, is she?

Err, okay 30, Roman red glazed
pottery bust, Diana.

Something used to be here.

- Hmm?
- Has 30 gone missing?

Roman red glazed pottery
bust, Diana.

Diana.

That's what he used to call her.

DS HAVERS:
Cynthia said that name,

said it was the nickname
he gave her.

What's going on, Valerie?

A piece of art
from the catalogue

appears to have gone walkabout.

It was broken, Sir.

The bust was smashed.

Did you keep the pieces?

Can you show us?

(pottery clanking)

(dramatic music)

(keys clacking)

The face, it...
doesn't it look like...

Cynthia.

Her mother, my sister, Rose,

she's in a bad way.

Cyn has to run things at home,

do all the cooking and change
her mother's sheets

when she wets herself.

It's the drink that does it.

Cyn's at college most days,

but over the summer,
it gets harder for her.

I told her she could come
and stay here with us

in the holidays.

She's content up in her
room just listening to music.

And then there was
this stupid thing with the bust.

Well, just a coincidence,
but Mr. Brouard, he noticed it,

he kept going on about it,
kept making comments.

(sighs) We all knew
what he was like,

but when it's your own niece

and you're supposed to be
looking after her.

You felt uncomfortable with
the things he was saying to her.

He said that having her
in the house

was like having a real
work of art here.

That Diana had come to life.

Goddess on earth, a divine form.

I saw the way he looked at her.

And you were torn.

You wanted her here with you,

but you didn't want him getting
close to her.

Made me shudder
every time he said anything.

(sinister music)

So, you broke it?

That's an expensive
fit of anger.

VALERIE: I thought he'd be angry
when I told him about it.

He was at first, but...

then he seemed to
forget about it.

(loud shattering)

Spoke to some insurance firm.

I'll need to take these pieces.

She said he didn't seem
too upset about it.

In the catalogue,
this is valued at five figures.

It's a reproduction... fake.

Yeah.

That's what I reckoned.

I didn't think the Romans
had nose studs.

(dramatic music)

(traffic humming)

(door bell rings)

Inspector.
What's going on?

DI LYNLEY:
Can we take a look around?

We need to see inside.

(scoffs) What, do you have
a warrant or...?

Well, we could come back
with one if you like.

I assume you wanna see
Sofia's pottery workshop?

(door squeaks open)

(high tempo music)

Look at all this stuff.

It's a regular little factory
you've got going on here.

Forgeries.

Ah, well, reproductions.

You say potato...

Did you know what was going on?

Tell us the truth, Sam.

How deeply involved
were you in this little scam?

- (wind blowing)
- (grass rustling)

(door opens)

You weren't honest
with us, Sofia.

What?

DI LYNLEY: Oh,
we've done our homework.

We went to Cambridge.

Saw your studio.

China, isn't that what
he called you?

Creating fake masterpieces.

(tense music)

You stole a priceless piece
of art

from Mr. Brouard's collection,

replaced it,
so he wouldn't notice,

just bad luck for you
that it got broken.

No, no, wait a second...

What happened when
he discovered the theft?

Did he confront you?

Threaten you with the police?

And then it spiralled
into violence?

He had no eye at all, you know.

He collected art
with enthusiasm,

but actually had no concept
of what was good

and what was garbage.

The man wasn't a true collector.

It was a sham.

So, you thought you'd relieve
him of his masterpiece,

replace it with a replica.

Is that why you left Cynthia's
little nose stud there?

SOFIA: (laughs)

DI LYNLEY: A little joke
at his expense.

Where's the original
Diana statue?

Sold to fund your research?

Tell us what happened
when he realised it was stolen.

He came to find me.

He said he would expose me...

unless I...

Unless you consented
to his little role play.

So...

that was the reason you did it.

He was twisted.

He enjoyed playing his
little power games.

DS HAVERS: You had sex with him
just to silence him.

But I didn't know
the whole thing

would be filmed.

And now everything I did
will forever be on film.

It just happened in...
in the moment.

I felt humiliated,
I felt powerless.

- (whacking)
- Argh!

Mr. Brouard: Argh!

SOFIA: When I came to Salcott,
I was someone else.

(grunts)

(distant splash)

My tutors, they said
I had a great future.

This island, it's...

it's destroyed me.

(begins to sob)

It's time for us to go, Sofia.

No.

(sinister music)

Sofia.

Sofia, it's time to go.

(dark music)

Sofia?

(high tempo music)

- Hey, hey...
- DS HAVERS: Woah, woah, woah,

woah, woah, woah, woah, woah.

I can't do this.

Sofia, look at me...

A trial and prison.

This doesn't have to be
the end of the road.

(Sofia sobs)

You're bright...
and you're talented.

What the hell does any
of that matter now?

- DS HAVERS: It matters.
- No, no, Sofia, no.

It matters because you were
manipulated by that man,

any jury would see you didn't
plan to kill him.

(high tempo music continues)

- You gotta be strong.
- (Sofia whimpers)

DA HAVERS: Look at me.

It's alright.

DI LYNLEY: Hey, hey, hey.

I got it.

Keep it pressed down.

- (panicking, crying)
- DS HAVERS: Sofia, it's okay.

- DI LYNLEY: Ah!
- (high tempo music crescendo)

(explosion)

DS HAVERS: Oh!

(dramatic music)

(plastic sheeting rustles)

(gentle music)

VALERIE: Oh, uh, Paul, we need
to get that picture down.

Right.

(rustling)

(birds singing)

(workmen chattering)

VALERIE: The estate
is up for sale.

What a relief, really.

All those monstrosities
up for auction.

Most of the money will go
to charity but...

Cynthia gets a decent slice
of the pie.

What will happen with
Mrs. Brouard?

Err, the CPS have said
they won't prosecute.

We're finished here.

(poignant music)

Brouard...

there was no one there to stand
in his way,

to tell him no, show him where
the boundary lies.

Life's supposed to be a battle.

(melancholic music)

Is that your way of telling me
I'm still on the team?

Hmm.

(dramatic music)

(keys jangle)

(engine roars to life)

(dramatic closing music)

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