All language subtitles for Naturally.Sadie.S03E03.Too.Hip.Hop.for.the.Room.1080p.AMZN.WEB-DL.DDP2.0.x264-DAWN_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,919 --> 00:00:03,628 ♪♪ 2 00:00:03,712 --> 00:00:04,838 [ Voice over ] HEY, I'M SADIE. 3 00:00:04,879 --> 00:00:07,298 MY LIFE IS FILLED WITH ALL KINDS OF WEIRD CREATURES 4 00:00:07,382 --> 00:00:10,301 FROM BEST FRIENDS TO IMPULSIVE BROTHERS. 5 00:00:10,385 --> 00:00:11,761 SOMEHOW WE ALL FIT TOGETHER, 6 00:00:11,845 --> 00:00:13,012 NATURALLY. 7 00:00:14,764 --> 00:00:17,183 ♪ IF I COULD CHOOSE A WORLD FOR ME ♪ 8 00:00:17,267 --> 00:00:19,769 ♪ IT'D BE OPEN, BIG AND FREE ♪ 9 00:00:19,853 --> 00:00:22,188 ♪ I'D PICK A PLACE NOT LIKE THE REST ♪ 10 00:00:22,230 --> 00:00:23,565 ♪ NOT LIKE THE REST ♪ 11 00:00:23,648 --> 00:00:25,775 ♪ IT'D BE BEST ♪ ♪ MY WORLD ♪ 12 00:00:25,859 --> 00:00:28,403 ♪ MY SPACE, MY FRIENDS ♪ 13 00:00:28,486 --> 00:00:31,531 ♪ I RUN TO YOU WHEN NO ONE'S THERE ♪ 14 00:00:31,614 --> 00:00:35,160 ♪ NO ONE'S THERE ♪ ♪ AND OTHERS STARE ♪ 15 00:00:35,243 --> 00:00:38,371 ♪ AND THERE WE'LL BE ♪ 16 00:00:38,455 --> 00:00:42,208 ♪ NATURALLY ♪ 17 00:00:44,586 --> 00:00:46,045 Female voice: [ Narrating ] SADIE HAWTHORNE 18 00:00:46,129 --> 00:00:47,255 LOVES HANGING WITH FRIENDS, 19 00:00:47,338 --> 00:00:48,673 IS GOOD AT SCHOOL, 20 00:00:48,757 --> 00:00:50,550 A LITTLE AWKWARD ON HER FEET, 21 00:00:50,633 --> 00:00:53,136 AND LOVES ANIMALS OF ALL SHAPES AND SIZES. 22 00:00:53,219 --> 00:00:54,304 BUT NOW SHE WANTS TO WIN A SPOT 23 00:00:54,387 --> 00:00:55,847 ON HER HIGH SCHOOL'S HIP-HOP TEAM. 24 00:00:55,930 --> 00:00:59,142 CAN SADIE GO FROM NATURALIST TO DANCER IN FIVE DAYS? 25 00:00:59,225 --> 00:01:00,560 OR WILL SHE BE THE ONE 26 00:01:00,602 --> 00:01:02,228 ON THE ENDANGERED SPECIES LIST? 27 00:01:02,270 --> 00:01:05,523 FIND OUT NOW ON AN ALL-NEW EPISODE OF... 28 00:01:09,277 --> 00:01:11,905 Sadie: [ Voice over ] HI, MY NAME IS SADIE HAWTHORNE. 29 00:01:11,946 --> 00:01:14,157 NORMALLY, I NARRATE THINGS IN MY HEAD, 30 00:01:14,240 --> 00:01:17,368 BUT... BUT THIS WEEK, I'LL BE NARRATING MY EPISODE OF "CHANGED". 31 00:01:17,452 --> 00:01:18,870 THIS IS MY MOM, JEAN. 32 00:01:18,953 --> 00:01:21,081 IF SHE'S NOT IN THE KITCHEN WHIPPING UP DINNER, 33 00:01:21,164 --> 00:01:24,125 THEN SHE'S AT HER COMPUTER WHIPPING UP ANOTHER BOOK. 34 00:01:24,209 --> 00:01:28,087 [ ♪♪♪ ] 35 00:01:28,171 --> 00:01:31,257 THE PERPLEXED-LOOKING GUY IS MY DAD, WALTER. 36 00:01:31,299 --> 00:01:32,592 HE'S AN ENGINEER. 37 00:01:32,675 --> 00:01:33,885 ALTHOUGH, SOME DAYS, 38 00:01:33,968 --> 00:01:35,845 YOU MAY FIND THAT HARD TO BELIEVE. 39 00:01:35,929 --> 00:01:38,473 [ ♪♪♪ ] 40 00:01:38,556 --> 00:01:40,558 WE ALL LIVE IN THE TOWN OF WHITBY, 41 00:01:40,642 --> 00:01:42,644 INCORPORATED IN 1855. 42 00:01:42,727 --> 00:01:46,564 POPULATION 110,400.5. 43 00:01:46,648 --> 00:01:49,442 IT'S THE HOME OF OLYMPIC MEDALLISTS AND NHL PLAYERS 44 00:01:49,526 --> 00:01:51,694 ADAM FOOTE AND JOE NIEUWENDYK. 45 00:01:51,778 --> 00:01:54,280 AND THE WORLD'S LARGEST WHISK. 46 00:01:54,322 --> 00:01:57,784 ONE DAY WE HOPE TO MAKE THE WORLD'S LARGEST OMELETTE. 47 00:01:57,867 --> 00:02:03,123 REMEMBER HOW I TOLD YOU THE POPULATION OF WHITBY WAS 110,400.5? 48 00:02:03,206 --> 00:02:05,458 I'M PRETTY SURE MY BROTHER, HAL... 49 00:02:05,500 --> 00:02:07,126 IS THE POINT-FIVE. 50 00:02:07,210 --> 00:02:08,795 OW! AWESOME! 51 00:02:08,878 --> 00:02:10,713 ROCK 'N' ROLL TV IS HERE! 52 00:02:10,797 --> 00:02:13,258 IT'S ABOUT TIME I GOT MY BEHIND-THE-SCENES SPECIAL. 53 00:02:13,341 --> 00:02:16,135 SORRY, HAL, BUT TO GET A BEHIND- THE-SCENES SPECIAL, 54 00:02:16,219 --> 00:02:17,387 YOU ACTUALLY HAVE TO HAVE DONE SOMETHING 55 00:02:17,470 --> 00:02:18,888 IN FRONT OF THE SCENES. 56 00:02:18,972 --> 00:02:20,306 THEY'RE HERE BECAUSE OF ME. 57 00:02:20,348 --> 00:02:21,474 AW, PLEASE DON'T TELL ME 58 00:02:21,558 --> 00:02:22,642 THEY'RE DOING SOME BORING SHOW 59 00:02:22,684 --> 00:02:24,394 ON YOU AND SOME BORING ANIMAL. 60 00:02:24,477 --> 00:02:27,146 NO... THEY'RE FROM "CHANGED". 61 00:02:27,230 --> 00:02:29,190 AND I HAVE ONE WEEK TO BE CHANGED FROM A NATURALIST 62 00:02:29,274 --> 00:02:31,568 TO A DANCER ON BENNETT HIGH'S HIP-HOP TEAM. 63 00:02:33,736 --> 00:02:35,989 DO WE THINK OUR SADIE CAN MAKE THE HIP-HOP TEAM? 64 00:02:36,030 --> 00:02:38,658 [ Strained laughter ] 65 00:02:38,741 --> 00:02:40,243 YOU BET. 66 00:02:40,326 --> 00:02:41,911 DANCING IS IN THE HAWTHORNE BLOOD. 67 00:02:41,995 --> 00:02:42,871 IT IS. 68 00:02:42,954 --> 00:02:44,330 IN... IN 1979, JEAN AND I 69 00:02:44,414 --> 00:02:46,207 WERE WHITBY'S DISCO DANCING CHAMPS. 70 00:02:46,291 --> 00:02:48,209 [ Disco ♪♪♪ ] 71 00:02:48,293 --> 00:02:50,837 MY LITTLE GIRL'S GROWING UP. 72 00:02:52,714 --> 00:02:55,466 DO I THINK SADIE WILL MAKE THE HIP-HOP TEAM? 73 00:02:56,968 --> 00:02:58,928 [ Laughter ] 74 00:03:04,058 --> 00:03:06,186 SADIE! [ Chiming of doorbell ] 75 00:03:06,269 --> 00:03:07,854 Sadie: [ Voice over ] REMEMBER WHAT I SAID: POINT-FIVE. 76 00:03:07,896 --> 00:03:09,564 PUT A SOCK IN IT, DOOFUS. 77 00:03:11,774 --> 00:03:12,859 [ Laughter ] 78 00:03:14,944 --> 00:03:15,945 Hal: [ Distant laughter ] 79 00:03:16,029 --> 00:03:17,947 Sadie: [ Voice over ] THAT'S RAIN AND MARGARET. 80 00:03:18,031 --> 00:03:18,990 THEY'RE MY BEST FRIENDS. 81 00:03:19,073 --> 00:03:22,535 I'VE KNOWN THEM SINCE THEY WERE THIS OLD... 82 00:03:23,745 --> 00:03:26,247 WE ALL GO TO R.B. BENNETT HIGH. 83 00:03:26,331 --> 00:03:27,373 OKAY, SADIE, SPILL IT. 84 00:03:27,457 --> 00:03:29,334 WHAT'S WITH THE CAMERA CREW? 85 00:03:29,417 --> 00:03:32,754 I KNOW, THEY'RE DOING A STORY ON YOUNG FASHION DESIGNERS 86 00:03:32,837 --> 00:03:34,464 AND RIGHT NOW THEY'RE INTERVIEWING 87 00:03:34,547 --> 00:03:36,382 THE DESIGNER'S FASHION-CHALLENGED FRIEND. 88 00:03:36,466 --> 00:03:37,383 WRONG AND... 89 00:03:37,425 --> 00:03:38,885 HURTFUL. 90 00:03:38,927 --> 00:03:40,970 WAIT, IS THIS ABOUT ME SNEAKING REFILLS IN THE CAF? 91 00:03:41,054 --> 00:03:43,473 BECAUSE I SWEAR I NEVER SAW THE SIGN. 92 00:03:45,099 --> 00:03:47,310 OKAY, YOU GUYS, WHY DON'T YOU JUST LET ME 93 00:03:47,393 --> 00:03:48,978 TELL YOU WHY THEY'RE HERE. 94 00:03:49,062 --> 00:03:51,397 REMEMBER WHEN YOU TOLD ME ABOUT THAT OPENING ON THE HIP-HOP TEAM? 95 00:03:51,481 --> 00:03:52,899 WELL... 96 00:03:52,982 --> 00:03:54,817 I'VE DECIDED TO TRY OUT FOR IT. 97 00:03:54,901 --> 00:03:56,903 Sadie: [ Voice over ] FOR YOU GUYS WATCHING AT HOME, 98 00:03:56,945 --> 00:03:59,072 THAT WASN'T THE REACTION I WAS HOPING FOR. 99 00:03:59,113 --> 00:04:01,407 A-AREN'T YOU GOING TO SAY SOMETHING? 100 00:04:01,449 --> 00:04:02,867 ANYTHING? 101 00:04:02,951 --> 00:04:04,243 THAT'S GREAT, SADIE. 102 00:04:04,327 --> 00:04:06,913 JUST THINK, YOU ON THE HIP-HOP TEAM. 103 00:04:06,996 --> 00:04:10,917 WHO BETTER TO PUT THE "HIP" IN HIP-HOP? 104 00:04:11,000 --> 00:04:14,253 [ ♪♪♪ ] 105 00:04:14,337 --> 00:04:15,588 DON'T GET ME WRONG, 106 00:04:15,672 --> 00:04:17,423 I'D LOVE TO SEE SADIE MAKE THE SQUAD 107 00:04:17,507 --> 00:04:19,259 BUT I'VE SEEN THE GIRL DANCE. 108 00:04:20,593 --> 00:04:22,053 HECK, I'VE GOT FOOTAGE. 109 00:04:22,136 --> 00:04:24,305 AND THIS IS A MOVE I LIKE TO CALL 110 00:04:24,389 --> 00:04:25,431 THE WHITBY WIGGLE. 111 00:04:25,515 --> 00:04:26,766 WOO-OH! 112 00:04:26,849 --> 00:04:27,767 [ Giggling ] 113 00:04:27,809 --> 00:04:29,060 I HOPE SADIE MAKES THE SQUAD. 114 00:04:29,143 --> 00:04:30,520 I DO. 115 00:04:30,603 --> 00:04:32,438 BUT IF SHE DOESN'T, SHE CAN STILL COME DOWN 116 00:04:32,522 --> 00:04:34,274 FOR SOME AMAZING COMFORT FOOD 117 00:04:34,357 --> 00:04:35,984 AT ACROPOLIS WOW. 118 00:04:36,067 --> 00:04:38,027 [ ♪♪♪ ] 119 00:04:38,111 --> 00:04:40,029 Sadie: [ Voice over ] I KNEW THAT IF THE IDEA OF JOINING THE HIP-HOP TEAM 120 00:04:40,113 --> 00:04:41,948 HADN'T GONE OVER WELL WITH MY FRIENDS, 121 00:04:41,990 --> 00:04:44,701 IT WASN'T GOING TO GO OVER WELL WITH THE REST OF THE STUDENTS. 122 00:04:44,784 --> 00:04:47,036 ONE STUDENT IN PARTICULAR: 123 00:04:47,120 --> 00:04:48,705 BEN HARRISON. 124 00:04:49,831 --> 00:04:51,332 WE USED TO BE BOYFRIEND- GIRLFRIEND, 125 00:04:51,416 --> 00:04:52,500 NOW WE'RE JUST FRIENDS. 126 00:04:52,583 --> 00:04:54,085 A-AND WE'RE BOTH FINE WITH THAT! 127 00:04:54,168 --> 00:04:55,962 Ben: WHAT'S WITH THE CAMERA CREW, RED? 128 00:04:56,004 --> 00:04:58,631 BREAKING UP WITH ME IN FRONT OF YOUR FAMILY WASN'T GOOD ENOUGH? 129 00:04:58,673 --> 00:04:59,966 YOU NOW WANT TO GO NATIONAL? 130 00:05:00,049 --> 00:05:02,302 Sadie: [ Voice over ] OKAY, APPARENTLY, WE'RE BOTH NOT FINE WITH IT. 131 00:05:02,385 --> 00:05:05,388 NO, I'M TRYING OUT FOR BENNETT'S HIP-HOP TEAM. 132 00:05:05,471 --> 00:05:07,974 Sadie: [ Voice over ] IT'S AT THIS POINT BEN WILL SAY SOMETHING SMUG. 133 00:05:08,057 --> 00:05:08,975 GOOD LUCK WITH THAT. 134 00:05:09,017 --> 00:05:09,851 Sadie: [ Voice over ] DON'T WORRY, IT'S COMING. 135 00:05:09,934 --> 00:05:12,437 I'M CURIOUS, WAS HIP-HOP YOUR FIRST CHOICE 136 00:05:12,520 --> 00:05:14,480 OR DID SOMEONE ALREADY TAKE "WATCHING ICE MELT"? 137 00:05:14,522 --> 00:05:16,357 Sadie: [ Voice over ] AND THERE IT IS. 138 00:05:16,441 --> 00:05:17,984 WHAT'S THAT SUPPOSED TO MEAN? 139 00:05:18,067 --> 00:05:20,486 I DON'T KNOW, HIP-HOP DANCING? 140 00:05:20,528 --> 00:05:22,363 WHAT'S THE POINT? 141 00:05:22,447 --> 00:05:23,448 W-WHAT'S THE POINT OF ANYTHING, BEN? 142 00:05:23,531 --> 00:05:24,657 WHAT'S THE POINT OF PHOTOGRAPHY? 143 00:05:24,741 --> 00:05:26,326 TO CAPTURE MOMENTS IN LIFE 144 00:05:26,409 --> 00:05:28,119 SO WE HAVE A RECORDED HISTORY FOR FUTURE GENERATIONS. 145 00:05:28,202 --> 00:05:29,495 I MEANT BESIDES THAT. 146 00:05:29,537 --> 00:05:31,622 Sadie: [ Voice over ] MAYBE THAT'S PART OF WHY WE BROKE UP. 147 00:05:31,706 --> 00:05:34,625 BEN IS GREAT BUT HE CAN BE A BIT SERIOUS. 148 00:05:34,709 --> 00:05:36,836 EVEN THOUGH YOU COULD BE TRYING OUT FOR SOMETHING 149 00:05:36,919 --> 00:05:38,379 WITH AN ACTUAL SIGNIFICANCE, 150 00:05:38,463 --> 00:05:40,798 YOU CAN'T LOSE SIGHT OF ONE THING, RED. 151 00:05:40,882 --> 00:05:42,008 WHAT THING? 152 00:05:42,050 --> 00:05:43,051 YOU'VE GOT TO BEAT ARDEN. 153 00:05:44,093 --> 00:05:45,720 ARDEN'S TRYING OUT? 154 00:05:45,803 --> 00:05:48,431 LET ME GUESS, YOU'RE JUST FINDING OUT ABOUT THIS NOW. 155 00:05:48,514 --> 00:05:49,849 WELL... 156 00:05:49,891 --> 00:05:51,434 I GOTTA GO. CHIMO. 157 00:05:52,560 --> 00:05:54,145 Sadie: [ Voice over ] ARDEN ALCOTT. 158 00:05:54,228 --> 00:05:57,398 TWO WORDS I DID NOT NEED TO HEAR. 159 00:05:58,816 --> 00:06:01,652 ARDEN ALCOTT'S THE MOST POPULAR GIRL AT BENNETT. 160 00:06:01,736 --> 00:06:03,571 HECK, MAYBE EVEN IN WHITBY. 161 00:06:03,654 --> 00:06:06,157 SHE'S CUTE, ATHLETIC, SMART 162 00:06:06,240 --> 00:06:08,451 AND ALWAYS GETS WHAT SHE WANTS. 163 00:06:08,534 --> 00:06:10,703 WELL, ALMOST ALWAYS. 164 00:06:10,787 --> 00:06:12,538 DID HAWTHORNE SAY SHE WON BENJAMIN? 165 00:06:12,580 --> 00:06:13,706 BECAUSE SHE DIDN'T. 166 00:06:13,790 --> 00:06:15,708 IF I WANTED BEN, HE'D BE MINE. 167 00:06:15,750 --> 00:06:17,752 ANYWAY, IT DOESN'T MATTER. 168 00:06:17,835 --> 00:06:21,214 I AM GOING TO WIPE THE FLOOR WITH HER. 169 00:06:21,255 --> 00:06:23,382 Sadie: [ Voice over ] SO, FOR THE NEXT DAY, 170 00:06:23,466 --> 00:06:25,927 I WAITED TO MEET MY "CHANGED" CHALLENGE COACH. 171 00:06:26,010 --> 00:06:29,514 AND WAITED. AND WAITED. 172 00:06:29,597 --> 00:06:31,474 Man: [ Over intercom ] SA-DIE? 173 00:06:34,268 --> 00:06:38,689 WE NEED SADIE HAWTHORNE IN THE HOUSE. I-I-IN THE... 174 00:06:38,773 --> 00:06:40,441 EITHER THAT'S MY COACH 175 00:06:40,525 --> 00:06:42,860 OR MS. MANN HAS A SIDE TO HER NOBODY KNOWS ABOUT. 176 00:06:42,944 --> 00:06:45,071 [ ♪♪♪ ] 177 00:06:45,113 --> 00:06:46,072 Sadie: [ Voice over ] THERE HE IS. 178 00:06:46,155 --> 00:06:47,573 OH, I HOPE HE'S CUTE. 179 00:06:47,657 --> 00:06:48,825 I HOPE HE'S FAMOUS. 180 00:06:48,908 --> 00:06:50,451 I HOPE I GET TO SEE HIS CRIB. 181 00:06:50,535 --> 00:06:51,577 I HOPE... 182 00:06:52,245 --> 00:06:54,872 HE'S NOT MY FIRST CRUSH, OWEN ANTHONY. 183 00:06:57,792 --> 00:07:00,461 Sadie: [ Voice over ] MEET MY "CHANGED" COACH: 184 00:07:00,545 --> 00:07:01,796 OWEN ANTHONY. 185 00:07:01,879 --> 00:07:03,673 HE'S ONE OF THE BEST DANCERS IN THE CITY. 186 00:07:03,756 --> 00:07:05,925 IN FACT, THE REASON WHY THERE'S A SPOT ON THE TEAM 187 00:07:05,967 --> 00:07:08,511 IS BECAUSE HE LEFT WHEN HE JOINED "GUYZ WILL BE GUYZ". 188 00:07:09,637 --> 00:07:10,555 HEY, SADIE. IT'S... 189 00:07:10,638 --> 00:07:11,514 IT'S BEEN A WHILE. 190 00:07:11,597 --> 00:07:12,932 Sadie: [ Voice over ] WAS I SURPRISED TO LEARN 191 00:07:13,015 --> 00:07:14,600 OWEN ANTHONY WAS MY "CHANGED" COACH? 192 00:07:14,642 --> 00:07:17,019 TOTALLY. IT WAS SO UNFAIR. 193 00:07:17,103 --> 00:07:19,021 NOBODY ELSE'S "CHANGED" COACH WAS THE BOY 194 00:07:19,105 --> 00:07:21,440 THEY CRUSHED ON FOR ABOUT A BILLION YEARS... 195 00:07:21,524 --> 00:07:23,484 AND THEN BROKE HIS HEART. 196 00:07:25,653 --> 00:07:27,613 I NEEDED SOMEONE TO TEACH ME HOW TO DANCE, 197 00:07:27,697 --> 00:07:30,199 NOT TO REMIND ME I WAS A JERK. 198 00:07:32,535 --> 00:07:34,871 YEAH, IT'S... IT'S BEEN A WHILE. 199 00:07:35,872 --> 00:07:37,039 SURE, SADIE HURT ME. 200 00:07:37,123 --> 00:07:38,833 BUT THAT WAS LAST YEAR. 201 00:07:38,916 --> 00:07:42,003 I'M... I'M TOTALLY OVER HER. I'VE MOVED ON. 202 00:07:43,671 --> 00:07:44,714 WHY? DID SHE SAY ANYTHING? 203 00:07:46,716 --> 00:07:48,885 WELL, YOU CAN'T DANCE IN THAT. SO... 204 00:07:50,261 --> 00:07:51,679 I GOT SOME "GUYZ WILL BE GUYZ" STUFF. 205 00:07:51,762 --> 00:07:53,723 PUT THIS ON AND, UH... 206 00:07:54,807 --> 00:07:55,725 COME BACK HERE. 207 00:07:57,185 --> 00:07:59,604 YOU GUYS COULD HAVE TOLD ME MY COACH WAS OWEN. 208 00:07:59,687 --> 00:08:01,689 OH, OF COURSE, WHERE WOULD THE DRAMA BE IN THAT? 209 00:08:01,772 --> 00:08:03,149 OH, YOU THINK THAT WAS UNCOMFORTABLE? 210 00:08:03,191 --> 00:08:04,984 HUH! JUST WAIT UNTIL BEN FINDS OUT 211 00:08:05,026 --> 00:08:06,235 THAT OWEN IS MY "CHANGED" COACH. 212 00:08:07,987 --> 00:08:08,863 WAIT A MINUTE. 213 00:08:08,946 --> 00:08:09,989 WHERE'D THE OTHER CAMERA GO? 214 00:08:10,072 --> 00:08:11,282 HEY, THANKS FOR FOLLOWING ME. 215 00:08:11,365 --> 00:08:13,326 TRUST ME, THIS IS SO GOING TO BE WORTH IT. 216 00:08:13,367 --> 00:08:15,328 HEY, NERD BURGER... 217 00:08:15,369 --> 00:08:17,914 "NERD BURGER", A HAL HAWTHORNE ORIGINAL. 218 00:08:17,997 --> 00:08:20,082 PATENTED 2004. 219 00:08:20,166 --> 00:08:21,083 I'VE GOT SOME GREAT NEWS. 220 00:08:21,167 --> 00:08:23,294 YOU LEARNED TO FLY AND YOU'RE MIGRATING SOUTH? 221 00:08:23,377 --> 00:08:25,838 NOPE. GUESS WHO'S SADIE'S "CHANGED" COACH. 222 00:08:25,880 --> 00:08:26,923 CAN'T GUESS? 223 00:08:27,006 --> 00:08:28,341 OWEN ANTHONY. 224 00:08:28,382 --> 00:08:30,551 OR AS I LIKE TO CALL HIM, THE OLD BEN. 225 00:08:30,635 --> 00:08:33,554 HOW IS THAT POSSIBLY GOOD NEWS? 226 00:08:33,638 --> 00:08:34,931 WELL, THAT'S... 227 00:08:35,014 --> 00:08:36,265 THAT'S GOOD NEWS FOR ME. 228 00:08:36,349 --> 00:08:37,517 YOU SHOULD HAVE "SAWN" YOUR FACE. 229 00:08:37,600 --> 00:08:40,102 [ Chuckling ] IT WAS GREAT. 230 00:08:40,186 --> 00:08:42,647 DOES IT BUG ME THAT OWEN'S TEACHING SADIE HIP-HOP? 231 00:08:42,730 --> 00:08:45,650 NO. OWEN'S A COOL GUY. 232 00:08:45,733 --> 00:08:46,275 SADIE AND I BROKE UP. 233 00:08:46,359 --> 00:08:48,069 SHE DUMPED YOU HARD. 234 00:08:48,152 --> 00:08:49,695 [ Chuckle ] 235 00:08:49,737 --> 00:08:50,821 SADIE AND I HAVE MOVED ON. 236 00:08:50,905 --> 00:08:52,114 WE'RE JUST FRIENDS, NOW. 237 00:08:53,699 --> 00:08:54,992 WHY? DID SHE SAY ANYTHING? 238 00:08:55,076 --> 00:08:58,037 ♪ THERE'S A RESTAURANT WHERE YOU SHOULD BE NOW ♪ 239 00:08:58,120 --> 00:09:00,957 ♪ IT'S A LITTLE PLACE CALLED ACROPOLIS WOW ♪ 240 00:09:01,040 --> 00:09:02,291 CALL RIGHT NOW FOR RESERVATIONS AT... 241 00:09:02,375 --> 00:09:04,210 [ Long beep ] 242 00:09:04,252 --> 00:09:05,878 YOU KNOW THEY'RE NEVER GOING TO LET YOU 243 00:09:05,920 --> 00:09:07,004 SAY THAT NUMBER ON THE AIR, RIGHT? 244 00:09:07,088 --> 00:09:08,631 IT COULD SLIP THROUGH. 245 00:09:08,714 --> 00:09:09,882 [ Whispering ] YEAH, OKAY. 246 00:09:09,924 --> 00:09:12,885 AND ONE, AND TWO, THREE, FOUR. 247 00:09:12,969 --> 00:09:14,220 FIVE, SIX, AND SEVEN, 248 00:09:14,262 --> 00:09:15,805 EIGHT. 249 00:09:17,098 --> 00:09:18,057 NO? OKAY. 250 00:09:18,140 --> 00:09:21,018 TURN AND SWITCH... OH! 251 00:09:21,102 --> 00:09:23,729 Sadie: [ Voice over ] YEAH, THAT'S ME, STILL NOT GETTING IT. 252 00:09:23,771 --> 00:09:26,232 IT'S PRETTY MUCH THE SAME THING FOR THE NEXT HOUR. 253 00:09:26,315 --> 00:09:29,068 LET'S GO TO THE LOW-LIGHT REEL, WHY DON'T WE? 254 00:09:29,151 --> 00:09:31,946 ♪ GETTING TO KNOW WHAT'S OUT THERE ♪ 255 00:09:32,029 --> 00:09:34,740 ♪ RACING MYSELF ON A DARE, NO DOUBTS ♪ 256 00:09:34,824 --> 00:09:35,950 ♪ AND IF I SUDDENLY CRASH ♪ 257 00:09:36,033 --> 00:09:37,743 ♪ I'LL JUST LOOK BACK AND LAUGH ♪ 258 00:09:37,785 --> 00:09:39,078 ♪ IT MIGHT ALL MAKE SENSE ♪ 259 00:09:39,161 --> 00:09:40,705 ♪ IN SOME DAY AND A HALF ♪ 260 00:09:40,788 --> 00:09:41,998 DRY YOURSELF OFF. 261 00:09:42,081 --> 00:09:43,916 ♪ HERE I GO AGAIN ♪ 262 00:09:43,958 --> 00:09:46,294 ♪ BELIEVIN' REAL THINGS HAPPEN ♪ 263 00:09:47,920 --> 00:09:49,922 ♪ SKATING ON A DREAM ♪ 264 00:09:49,964 --> 00:09:52,842 ♪ SLAMMING INTO DESTINY ♪ 265 00:09:54,218 --> 00:09:55,886 ♪ JUST WHEN YOU THINK ♪ 266 00:09:55,970 --> 00:09:58,848 ♪ I WON'T MAKE IT PAST PRETEND ♪ 267 00:09:58,931 --> 00:10:00,725 ♪ DON'T QUESTION IT ♪ 268 00:10:00,808 --> 00:10:01,976 ♪ HERE I GO AGAIN ♪ 269 00:10:02,059 --> 00:10:03,769 Sadie: HEY. Owen: HEY. 270 00:10:03,853 --> 00:10:06,355 ♪ IT'S MY MOMENT, EVERY MOMENT ♪ 271 00:10:06,439 --> 00:10:09,191 ♪ YOU CAN ALWAYS COUNT ME IN ♪ 272 00:10:09,275 --> 00:10:12,111 ♪ MY FOREVER IS RIGHT NOW ♪ 273 00:10:12,194 --> 00:10:16,407 ♪ AND I'M NOT EVER GIVING IN ♪ 274 00:10:16,490 --> 00:10:19,118 ♪ OH ♪ ♪ JUST WHEN YOU THINK ♪ 275 00:10:19,160 --> 00:10:21,787 ♪ YOU THINK ♪ ♪ I WON'T MAKE IT PAST PRETEND ♪ 276 00:10:21,871 --> 00:10:23,331 ♪ OH, OH ♪ ♪ DON'T QUESTION IT ♪ 277 00:10:23,414 --> 00:10:26,083 ♪ HERE I GO AGAIN ♪ ♪ AGAIN ♪ 278 00:10:26,167 --> 00:10:27,293 OH... 279 00:10:27,335 --> 00:10:29,295 Margaret: GOOD ONE, SADE. 280 00:10:29,337 --> 00:10:32,048 AT LEAST THIS TIME, YOU DIDN'T FALL QUITE AS HARD. 281 00:10:32,131 --> 00:10:34,008 Sadie: [ Voice over ] AS DAY ONE CAME TO AN END, 282 00:10:34,091 --> 00:10:36,218 THINGS SEEMED HIP-HOPELESS. 283 00:10:36,302 --> 00:10:37,928 MAYBE WE SHOULD CALL IT A DAY. 284 00:10:38,012 --> 00:10:39,138 YEAH... 285 00:10:39,221 --> 00:10:41,766 I'LL JUST LIE DOWN HERE ON THE FLOOR 286 00:10:41,849 --> 00:10:43,017 FOR ANOTHER WEEK OR SO. 287 00:10:43,100 --> 00:10:44,310 [ Chuckles ] 288 00:10:44,352 --> 00:10:46,354 COOL. SEE YOU, SADE. 289 00:10:46,437 --> 00:10:48,105 DON'T FORGET TO PRACTICE THOSE DANCE STEPS TONIGHT. 290 00:10:48,189 --> 00:10:49,148 GREAT. 291 00:10:49,231 --> 00:10:51,192 PAIN AND HUMILIATION. 292 00:10:51,275 --> 00:10:53,444 THE HOME VERSION. [ Panting ] 293 00:10:53,527 --> 00:10:55,154 Sadie: [ Voice over ] SO, THAT WAS A DISASTER. 294 00:10:55,196 --> 00:10:57,073 IF I WASN'T PANTING SO HARD, 295 00:10:57,156 --> 00:10:59,992 I SWEAR I COULD HAVE HEARD ARDEN BEING SMUG. 296 00:11:00,076 --> 00:11:01,827 Arden: ALL RIGHT, I'LL ADMIT IT: 297 00:11:01,869 --> 00:11:03,829 I'M WORRIED ABOUT HAWTHORNE. 298 00:11:03,913 --> 00:11:05,164 NOT BECAUSE SHE'S A BETTER DANCER 299 00:11:05,206 --> 00:11:06,999 BUT BECAUSE SHE HAS A COACH? 300 00:11:07,083 --> 00:11:08,709 THAT IS SO NOT FAIR. 301 00:11:11,087 --> 00:11:13,214 [ Indistinct conversation ] 302 00:11:13,297 --> 00:11:15,007 HEY, GIVE ME THOSE HEAD-PHONEY THINGS. 303 00:11:15,091 --> 00:11:16,342 I WANT TO HEAR WHAT THEY'RE SAYING. 304 00:11:16,425 --> 00:11:17,843 Owen: [ On headphones ] HEY, MARGARET, DO... 305 00:11:17,885 --> 00:11:19,303 DO YOU THINK SADIE'S GOING TO MAKE THE TEAM? 306 00:11:19,387 --> 00:11:21,847 [ On headphones ] I KNOW SADIE, AND WHEN SHE PUTS HER MIND TO SOMETHING 307 00:11:21,889 --> 00:11:23,265 THERE'S NO STOPPING THE GIRL. 308 00:11:23,349 --> 00:11:25,184 COOL. 309 00:11:25,267 --> 00:11:26,769 SO, UH... 310 00:11:28,145 --> 00:11:30,147 DO YOU WANT TO GO TO THE WOW WITH ME LATER? 311 00:11:30,231 --> 00:11:31,899 YEAH... 312 00:11:31,982 --> 00:11:33,025 I'D LIKE THAT. 313 00:11:33,109 --> 00:11:35,277 ADVANTAGE ALCOTT. 314 00:11:39,407 --> 00:11:41,033 Sadie: [ Voice over ] I'D LIKE TO SAY THIS SHOT OF ME 315 00:11:41,117 --> 00:11:43,202 WAS ONLY TWO MINUTES LATER. 316 00:11:43,285 --> 00:11:45,538 SADLY, I HAD BEEN LYING ON MY BACK LIKE A TURTLE 317 00:11:45,579 --> 00:11:46,789 FOR ABOUT AN HOUR. 318 00:11:47,832 --> 00:11:50,710 A LITTLE HELP? UGH. 319 00:11:52,294 --> 00:11:54,213 Ben: IS THAT THE BEST YOU GOT? 320 00:11:54,296 --> 00:11:56,173 OWEN MUST NOT BE A REAL MOTIVATOR. 321 00:11:56,257 --> 00:11:58,175 VERY FUNNY, BEN. 322 00:11:58,259 --> 00:12:00,928 WAIT. HOW DID YOU KNOW OWEN'S MY COACH? 323 00:12:01,011 --> 00:12:01,887 HAL. 324 00:12:01,971 --> 00:12:04,056 PART OF HIS PUBLIC SERVICE TO SPREAD BAD NEWS. 325 00:12:04,140 --> 00:12:06,142 AH! SO YOU'RE HERE 326 00:12:06,225 --> 00:12:07,268 BECAUSE YOU ALREADY HEARD OWEN'S MY COACH 327 00:12:07,351 --> 00:12:08,894 AND NOW YOU'RE JEALOUS? 328 00:12:08,978 --> 00:12:11,021 UH, NO. BUT INTERESTING YOU'D GO THERE. 329 00:12:11,105 --> 00:12:13,274 I'M HERE TO SEE IF I CAN TALK YOU OUT THIS SILLY STUNT. 330 00:12:13,357 --> 00:12:14,275 [ Sigh ] WELL, 331 00:12:14,358 --> 00:12:16,152 MR. NO-FUN... 332 00:12:17,361 --> 00:12:20,072 THIS STUNT ISN'T SILLY, AND... 333 00:12:20,114 --> 00:12:21,157 I'M NOT QUITTING. 334 00:12:21,240 --> 00:12:23,159 IN FACT, I'LL BE BACK TOMORROW, 335 00:12:23,242 --> 00:12:25,745 EVEN BIGGER AND BETTER THAN I WAS BEFORE. 336 00:12:26,996 --> 00:12:28,789 NOW, CAN YOU HELP ME OUT OF THE GYM? 337 00:12:28,873 --> 00:12:30,249 I CAN'T FEEL MY LEGS. 338 00:12:30,332 --> 00:12:31,333 COME ON. 339 00:12:33,043 --> 00:12:34,086 OW. 340 00:12:34,128 --> 00:12:35,254 Sadie: [ Voice over ] THAT NIGHT, 341 00:12:35,296 --> 00:12:36,255 I MANAGED TO STUMBLE HOME 342 00:12:36,338 --> 00:12:38,257 AND INTO THE TENDER LOVING ARMS OF MY MOM AND DAD. 343 00:12:38,340 --> 00:12:39,341 DON'T WORRY, SWEETIE. 344 00:12:39,425 --> 00:12:41,302 I BET TOMORROW YOU'LL CATCH ON 345 00:12:41,385 --> 00:12:43,387 AND BE EVEN BETTER THAN THAT VANILLA ICE. 346 00:12:43,471 --> 00:12:45,306 WHO? 347 00:12:45,389 --> 00:12:47,016 Sadie: [ Voice over ] THE GREAT THING ABOUT GROWING UP A HAWTHORNE 348 00:12:47,099 --> 00:12:49,143 IS YOU COULD ALWAYS COUNT ON YOUR FAMILY TO SUPPORT YOU. 349 00:12:49,226 --> 00:12:50,561 Hal: HEY, MOM, DAD, 350 00:12:50,644 --> 00:12:52,438 THIS IS MY IMPRESSION OF SADIE DANCING. 351 00:12:52,521 --> 00:12:54,857 WHU', YEAH, UH, WHOA! 352 00:12:56,275 --> 00:12:57,568 WHOA! [ Clatter ] 353 00:12:57,651 --> 00:12:59,320 HAL! 354 00:12:59,403 --> 00:13:01,864 Sadie: [ Voice over ] JUST KEEP THINKING: "POINT-FIVE". 355 00:13:01,947 --> 00:13:03,783 SADIE, YOUR MOTHER AND I 356 00:13:03,866 --> 00:13:05,993 THINK WE FOUND THE PERFECT THING TO INSPIRE YOU. 357 00:13:08,287 --> 00:13:10,247 [ Disco ♪♪♪ ] 358 00:13:13,501 --> 00:13:19,465 [ ♪♪♪ ] 359 00:13:19,548 --> 00:13:21,467 Sadie: [ Voice over ] THE ONLY THING THAT INSPIRED 360 00:13:21,509 --> 00:13:23,260 WAS TO NEVER TO BUILD A TIME MACHINE 361 00:13:23,344 --> 00:13:24,887 THAT SENT ME BACK TO 1979. 362 00:13:27,223 --> 00:13:28,224 THERE'S SOMETHING ELSE 363 00:13:28,307 --> 00:13:29,517 YOU MIGHT WANT TO KNOW ABOUT ME. 364 00:13:29,600 --> 00:13:31,977 IF I HAVE HOMEWORK, I ALWAYS DO IT. 365 00:13:32,019 --> 00:13:34,188 EVEN IF IT CAUSES ME SEVERE AGONY. 366 00:13:34,271 --> 00:13:36,232 HEY, SADIE, I HAVE YOUR HIP-HOP NAME: 367 00:13:36,315 --> 00:13:38,192 M.C. ICE PACK. [ Cackling ] 368 00:13:38,275 --> 00:13:39,568 HAL, GET OUT OF HERE. 369 00:13:40,611 --> 00:13:42,196 ALL RIGHT, RELAX... 370 00:13:42,279 --> 00:13:43,531 M.C. ICE PACK. 371 00:13:43,614 --> 00:13:45,282 PEACE, YO. 372 00:13:45,366 --> 00:13:46,325 [ Sigh ] 373 00:13:47,451 --> 00:13:49,328 [ Knocking on door ] HAL, I SAID... 374 00:13:49,370 --> 00:13:50,621 HEY, HAWTHORNE... 375 00:13:50,704 --> 00:13:52,373 LOOKING GOOD. 376 00:13:52,456 --> 00:13:54,375 ARDEN, WHAT ARE YOU DOING HERE? 377 00:13:54,458 --> 00:13:56,544 I JUST THOUGHT MAYBE WE COULD PRACTISE. 378 00:13:56,627 --> 00:13:58,212 I KNOW WE'RE COMPETING, 379 00:13:58,295 --> 00:14:00,005 BUT THAT DOESN'T MEAN WE CAN'T STILL HELP EACH OTHER. 380 00:14:00,047 --> 00:14:01,215 SERIOUSLY, WHAT ARE YOU DOING HERE? 381 00:14:01,298 --> 00:14:04,051 FINE. I CAME FOR THE CAMERAS. 382 00:14:04,134 --> 00:14:06,178 DO YOU KNOW HOW MANY PEOPLE GET CAREERS 383 00:14:06,220 --> 00:14:07,304 FROM BEING ON REALITY TV? 384 00:14:07,388 --> 00:14:08,556 AND LET'S FACE IT, HAWTHORNE, 385 00:14:08,639 --> 00:14:10,933 YOU'RE NOT EXACTLY HOLLYWOOD MATERIAL. 386 00:14:11,016 --> 00:14:12,184 THANKS A LOT, ARDEN. 387 00:14:12,268 --> 00:14:13,227 I'M SORRY. 388 00:14:13,310 --> 00:14:14,144 THAT WAS MEAN. 389 00:14:14,228 --> 00:14:17,106 WHAT DO YOU SAY WE GO TO THE WOW? MY TREAT? 390 00:14:17,189 --> 00:14:19,066 Sadie: [ Voice over ] LOOK, I KNEW I SHOULD HAVE FIGURED 391 00:14:19,149 --> 00:14:20,359 ARDEN WAS UP TO NO GOOD, 392 00:14:20,401 --> 00:14:21,569 BUT IF I DIDN'T GO WITH HER, 393 00:14:21,652 --> 00:14:23,362 I'D LOOK LIKE I WAS THE MEAN ONE. 394 00:14:23,445 --> 00:14:24,530 SO, I WENT. 395 00:14:24,613 --> 00:14:25,698 FINE. 396 00:14:25,739 --> 00:14:26,657 Sadie: [ Voice over ] BIG MISTAKE. 397 00:14:26,740 --> 00:14:28,158 LET'S GO, THEN. 398 00:14:28,242 --> 00:14:31,036 [ ♪♪♪ ] 399 00:14:31,078 --> 00:14:32,997 Sadie: [ Voice over ] THE WOW IS OUR LOCAL HANGOUT. 400 00:14:33,080 --> 00:14:34,373 IN CASE HE HASN'T MENTIONED IT, 401 00:14:34,456 --> 00:14:36,208 IT'S OWNED BY RAIN'S PARENTS. 402 00:14:36,250 --> 00:14:39,044 HELLO, MISS, WELCOME TO THE ACROPOLIS WOW, 403 00:14:39,086 --> 00:14:41,505 ESTABLISHED IN 1983 AND HOME OF THE WOW BURGER. 404 00:14:41,589 --> 00:14:43,048 EH... 405 00:14:43,132 --> 00:14:44,216 Sadie: [ Voice over ] AFTER A LONG DAY, 406 00:14:44,300 --> 00:14:45,342 I KNEW THERE WAS ONLY ONE PERSON 407 00:14:45,426 --> 00:14:47,219 I COULD TALK TO, TO MAKE IT BETTER: 408 00:14:47,303 --> 00:14:48,262 MARGARET. 409 00:14:50,180 --> 00:14:53,434 UNFORTUNATELY, MARGARET WAS ALREADY MAKING MY FIRST CRUSH FEEL BETTER. 410 00:14:54,476 --> 00:14:56,353 Margaret: SADIE, WAIT. 411 00:14:56,437 --> 00:14:57,479 SADIE! 412 00:15:00,566 --> 00:15:02,067 [ Ringing of cellphone ] 413 00:15:03,736 --> 00:15:05,362 MARGARET. 414 00:15:05,446 --> 00:15:06,989 WHAT'S THAT, HER 50th CALL? 415 00:15:08,449 --> 00:15:10,075 Sadie: [ Voice over ] OKAY, LOOK, I DON'T WANT YOU 416 00:15:10,117 --> 00:15:11,535 TO GET A BAD IMPRESSION OF MARGARET. 417 00:15:11,619 --> 00:15:13,412 SHE DOESN'T USUALLY DO THIS KIND OF THING. 418 00:15:13,495 --> 00:15:15,164 IN FACT, SHE EVEN HAD RULES. 419 00:15:15,247 --> 00:15:16,332 A WHOLE BOOK OF THEM. 420 00:15:18,334 --> 00:15:19,209 THE "NOT-COOL" RULE: 421 00:15:19,293 --> 00:15:21,420 "NO GIRL SHALL EVER DATE HER FRIEND'S CRUSH 422 00:15:21,462 --> 00:15:22,963 EVEN IF THE CRUSH IS OVER 423 00:15:23,047 --> 00:15:24,423 AND SHE HAS HER FRIEND'S PERMISSION." 424 00:15:24,506 --> 00:15:26,508 Jean: SADIE! COME DOWNSTAIRS. 425 00:15:26,592 --> 00:15:28,260 WE HAVE A SURPRISE FOR YOU. 426 00:15:28,344 --> 00:15:30,638 YIPPEE. ANOTHER SURPRISE. 427 00:15:30,721 --> 00:15:32,139 Sadie: [ Voice over ] AT THIS POINT, 428 00:15:32,222 --> 00:15:33,682 I WAS HOPING MY PARENTS' SURPRISE 429 00:15:33,766 --> 00:15:35,517 WOULD BE THAT "CHANGED" HAD BEEN CANCELLED 430 00:15:35,601 --> 00:15:39,021 AND I WOULD NEVER HAVE TO HEAR THE WORDS "HIP-HOP" AGAIN. 431 00:15:39,104 --> 00:15:40,522 WHAT'S GOING ON? 432 00:15:40,606 --> 00:15:42,566 PLEASE TELL ME YOU'RE NOT GOING TO DANCE AGAIN. 433 00:15:42,650 --> 00:15:44,610 TAH-DAH! 434 00:15:44,693 --> 00:15:46,403 Jean: WE GOT YOU HIP-HOP CLOTHES FOR THE AUDITION! 435 00:15:48,322 --> 00:15:50,449 I DON'T BELIEVE YOU GUYS. 436 00:15:50,532 --> 00:15:52,743 WHOA! THAT CUZ NEED TO CHILLAX. 437 00:15:52,826 --> 00:15:53,994 WORD. 438 00:15:54,078 --> 00:15:56,038 ON THE FOR-REAL-A. YO. 439 00:15:56,121 --> 00:15:57,456 ♪ TURN IT UP! ♪ 440 00:15:57,539 --> 00:15:59,750 Sadie: [ Voice over ] BENNETT IS A SMALL SCHOOL. 441 00:15:59,833 --> 00:16:02,211 AND EVENTUALLY, YOU'RE GOING TO RUN INTO EVERYBODY 442 00:16:02,294 --> 00:16:03,504 SOONER OR LATER. 443 00:16:04,672 --> 00:16:06,590 SADIE, WOULD YOU PLEASE LISTEN TO ME? 444 00:16:06,674 --> 00:16:08,008 I CAN EXPLAIN. 445 00:16:08,092 --> 00:16:09,051 EXPLAIN WHAT? 446 00:16:09,134 --> 00:16:10,594 HOW YOU AND MY FIRST CRUSH WERE FLIRTING AT THE WOW? 447 00:16:10,678 --> 00:16:13,222 NOW AVAILABLE FOR CATERING AND PRIVATE PARTIES. 448 00:16:13,305 --> 00:16:14,264 RAIN! RAIN! 449 00:16:16,809 --> 00:16:17,768 HEY, SADIE. 450 00:16:17,851 --> 00:16:19,561 [ Sigh ] 451 00:16:20,020 --> 00:16:22,481 I DIDN'T MEAN FOR IT TO HAPPEN, I SWEAR. 452 00:16:22,564 --> 00:16:23,565 WHATEVER. 453 00:16:23,649 --> 00:16:25,192 I MEAN, IT'S NOT LIKE I HAVE ANY RIGHT TO COMPLAIN. 454 00:16:25,275 --> 00:16:27,653 WE WERE NEVER BOYFRIEND- GIRLFRIEND... 455 00:16:27,736 --> 00:16:29,154 IN THEORY. 456 00:16:29,196 --> 00:16:32,491 IF YOU WANT TO SPEND TIME TOGETHER, THAT'S COOL. 457 00:16:32,574 --> 00:16:34,284 SPEND ALL THE TIME YOU WANT. 458 00:16:34,368 --> 00:16:36,161 I'M NO LONGER TRYING OUT FOR THE HIP-HOP TEAM. 459 00:16:36,245 --> 00:16:39,415 [ ♪♪♪ ] 460 00:16:39,498 --> 00:16:40,666 Margaret: DO I FEEL GUILTY? 461 00:16:40,708 --> 00:16:42,084 OF COURSE. 462 00:16:42,167 --> 00:16:43,752 THIS SO GOES AGAINST THE "NOT-COOL" RULE. 463 00:16:43,836 --> 00:16:47,131 BUT THE THING IS, MY RULE BOOK IS ALWAYS IN FLUX. 464 00:16:48,799 --> 00:16:50,634 I LIKE OWEN. 465 00:16:50,718 --> 00:16:52,678 I GUESS I NEVER REALLY TRIED GETTING TO KNOW HIM BETTER 466 00:16:52,720 --> 00:16:54,346 BECAUSE OF SADIE. 467 00:16:54,430 --> 00:16:57,057 BESIDES, IT'S NOT LIKE SADIE EVER ACTUALLY DATED HIM. 468 00:16:57,141 --> 00:16:58,517 DO I FEEL GUILTY? 469 00:16:58,559 --> 00:17:00,352 SURE. 470 00:17:00,394 --> 00:17:02,354 I MEAN, I DIDN'T PLAN THIS THING WITH MARGARET. 471 00:17:02,438 --> 00:17:04,732 BUT BESIDES, IT'S NOT LIKE SADIE AND I EVER ACTUALLY DATED. 472 00:17:04,815 --> 00:17:06,358 DO I FEEL GUILTY? 473 00:17:06,442 --> 00:17:08,610 NO WAY. JUST CALL IT PAYBACK. 474 00:17:08,694 --> 00:17:10,821 THE WHOLE SCHOOL KNEW BENJAMIN WAS CRUSHING ON ME 475 00:17:10,904 --> 00:17:12,239 BEFORE HAWTHORNE SHOWED UP 476 00:17:12,322 --> 00:17:14,783 AND PLAYED THE "I'M SO NAIVE" CARD. 477 00:17:14,867 --> 00:17:17,077 THAT GIRL IS A SHARK. 478 00:17:17,161 --> 00:17:19,204 BESIDES, IT'S NOT LIKE HER AND OWEN EVER ACTUALLY DATED. 479 00:17:19,246 --> 00:17:20,205 [ Slurping ] 480 00:17:20,247 --> 00:17:22,833 YOU REALLY NEED TO STOP SNEAKING REFILLS, RAIN. 481 00:17:22,916 --> 00:17:24,668 I-I CAN'T HELP MYSELF. 482 00:17:24,752 --> 00:17:26,128 I NEED THE ADRENALINE RUSH, SADIE. 483 00:17:26,211 --> 00:17:27,129 I NEED THE RUSH. 484 00:17:29,173 --> 00:17:30,174 LOOK, I KNOW THIS HURTS 485 00:17:30,257 --> 00:17:31,383 BUT LOOK AT IT THIS WAY. 486 00:17:31,425 --> 00:17:33,469 YOU'RE THE TOMATO ON THE WOW BURGER, 487 00:17:33,552 --> 00:17:34,803 OWEN'S THE KETCHUP. 488 00:17:34,887 --> 00:17:37,181 AND ALTHOUGH BOTH INDIVIDUALLY ARE GREAT, 489 00:17:37,264 --> 00:17:39,141 WE DON'T REALLY NEED TOMATOES AND KETCHUP 490 00:17:39,224 --> 00:17:40,184 ON THE SAME BURGER. 491 00:17:40,267 --> 00:17:40,851 WHERE IS THIS GOING, RAIN? 492 00:17:40,934 --> 00:17:42,394 MARGARET IS THE PICKLE. 493 00:17:42,436 --> 00:17:43,771 NOW, YOU REPLACE THE TOMATO WITH THE PICKLE 494 00:17:43,854 --> 00:17:45,064 AND... [ Snapping of fingers ] 495 00:17:45,147 --> 00:17:46,648 BAM. YOU HAVE THE PERFECT HAMBURGER. 496 00:17:46,732 --> 00:17:49,109 7.99 WITH FRIES AND A DRINK. [ Click of tongue ] 497 00:17:52,237 --> 00:17:53,405 I JUST WANT TO KNOW. 498 00:17:53,447 --> 00:17:55,491 IS WHAT MARGARET DID REALLY THAT BAD? 499 00:17:55,574 --> 00:17:57,576 SURE, MARGARET AND I HAVE HAD OUR DIFFERENCES 500 00:17:57,659 --> 00:17:59,161 BUT WE'D ALWAYS GOTTEN THROUGH THEM. 501 00:17:59,244 --> 00:18:01,371 BUT THAT TIME, IT WAS DIFFERENT. 502 00:18:01,455 --> 00:18:03,332 I MEAN, THE ONLY REASON I'D JOIN THE HIP-HOP TEAM 503 00:18:03,415 --> 00:18:05,334 WAS SO THAT WE COULD BELONG TO THE SAME CLUB. 504 00:18:05,417 --> 00:18:07,419 WHAT A GOOD IDEA THAT WAS. 505 00:18:07,503 --> 00:18:08,754 YEAH, RAIN. 506 00:18:08,796 --> 00:18:09,755 IT REALLY IS THAT BAD. 507 00:18:09,838 --> 00:18:12,758 I WOULD NEVER, EVER DATE MARGARET'S FIRST CRUSH. 508 00:18:12,841 --> 00:18:15,219 THAT'S BECAUSE MICHAEL BUBLE IS A LITTLE OLD FOR YOU. 509 00:18:17,262 --> 00:18:18,555 UGH! 510 00:18:18,639 --> 00:18:20,808 SADIE, IF YOU QUIT, WHAT ARE THEY GOING TO FILM 511 00:18:20,891 --> 00:18:22,434 FOR THE REST OF THE... 512 00:18:22,518 --> 00:18:23,811 WEEK... 513 00:18:23,894 --> 00:18:26,146 [ ♪♪♪ ] 514 00:18:26,230 --> 00:18:28,148 "Changed" Narrator: RAINBOW PAPADAKIS IS KNOWN AS THE KID 515 00:18:28,232 --> 00:18:30,442 WHOSE PARENTS NAMED HIM "RAINBOW". 516 00:18:30,526 --> 00:18:32,611 HE LIKES HANGING WITH HIS FRIENDS, 517 00:18:32,694 --> 00:18:34,404 WORKING AT HIS FAMILY RESTAURANT 518 00:18:34,488 --> 00:18:35,823 AND READING TO HIS YAYA. 519 00:18:35,906 --> 00:18:37,449 BUT NOW RAIN WANTS TO BE CHANGED 520 00:18:37,533 --> 00:18:39,618 FROM RESTAURANT WORKER... 521 00:18:39,660 --> 00:18:41,203 TO A ROCK STAR! 522 00:18:43,247 --> 00:18:44,706 Sadie: [ Voice over ] ALL RIGHT, THAT'S ENOUGH! 523 00:18:44,790 --> 00:18:46,542 STOP. [ Squealing of tires/ crashing of car ] 524 00:18:49,294 --> 00:18:50,879 OKAY, MAYBE ME BROODING 525 00:18:50,963 --> 00:18:52,589 ISN'T THE GREATEST TELEVISION 526 00:18:52,673 --> 00:18:55,384 BUT, TRUST ME, IT'S A LOT BETTER THAN RAIN IN SPANDEX. 527 00:18:56,343 --> 00:18:58,846 SINCE YOU LAST LEFT ME, TWO DAYS HAVE PASSED 528 00:18:58,929 --> 00:19:00,848 AND IT LOOKED LIKE I HAD BLOWN ANY CHANCE 529 00:19:00,931 --> 00:19:02,391 OF REACHING MY GOAL, 530 00:19:02,474 --> 00:19:04,309 OR BEING FRIENDS WITH MARGARET AGAIN. 531 00:19:04,393 --> 00:19:05,561 [ Rapping on glass ] 532 00:19:07,312 --> 00:19:08,772 OH, IT'S YOU. 533 00:19:08,856 --> 00:19:10,148 WHY ARE YOU EVEN HERE? 534 00:19:10,190 --> 00:19:12,568 TO CONGRATULATE ME FOR QUITTING SOMETHING AS LAME AS HIP-HOP? 535 00:19:12,651 --> 00:19:14,236 NO. 536 00:19:14,319 --> 00:19:17,823 I'M HERE BECAUSE I UNDERSTAND WHY YOU QUIT. 537 00:19:17,865 --> 00:19:19,616 WHY YOU'RE MAD AT MARGARET. 538 00:19:19,700 --> 00:19:20,868 YOU DO? YEAH. 539 00:19:20,951 --> 00:19:22,369 WHEN I FOUND OUT OWEN WAS YOUR COACH, 540 00:19:22,452 --> 00:19:24,163 I FLIPPED TOO. 541 00:19:24,246 --> 00:19:25,581 I MEAN, WE'RE NOT BOYFRIEND-GIRLFRIEND OR ANYTHING 542 00:19:25,664 --> 00:19:26,957 BUT I STILL GOT JEALOUS. 543 00:19:27,040 --> 00:19:27,916 YOU DID? 544 00:19:28,000 --> 00:19:29,334 I MEAN, YOU DID? 545 00:19:29,376 --> 00:19:30,752 YEAH. 546 00:19:30,836 --> 00:19:31,753 WELL... 547 00:19:32,963 --> 00:19:34,840 WHY DIDN'T YOU SAY ANYTHING? 548 00:19:34,923 --> 00:19:36,592 BECAUSE SOMETIMES YOU HAVE TO PUT YOUR FEELINGS ASIDE 549 00:19:36,675 --> 00:19:37,885 TO MAKE YOUR FRIENDS HAPPY. 550 00:19:39,386 --> 00:19:42,222 YOU COULD HAVE POINTED THAT OUT EARLIER, GOOF. 551 00:19:42,306 --> 00:19:43,849 AND I JUST LOST A HALF-WEEK OF PRACTISE. 552 00:19:43,932 --> 00:19:45,517 I'M NEVER GOING TO MAKE THE TEAM NOW. 553 00:19:45,601 --> 00:19:47,352 FOR THE RECORD, I LEARNED TO DO THIS 554 00:19:47,394 --> 00:19:49,229 WHEN I WAS YOUNG AND FOOLISH. 555 00:19:49,313 --> 00:19:50,189 WHAT ARE YOU TALKING ABOUT? 556 00:19:54,067 --> 00:19:55,527 NO WAY. 557 00:19:55,569 --> 00:19:57,529 THAT'S RIGHT. "BE-BOP" HARRISON 558 00:19:57,571 --> 00:19:59,364 CAN SHAKE IT AND NOT BREAK IT. 559 00:19:59,406 --> 00:20:00,532 [ Chuckling ] 560 00:20:00,616 --> 00:20:02,034 BACK HOME I WAS PART OF THE HIP-HOP TEAM. 561 00:20:02,075 --> 00:20:03,660 2-8-9 LIVES. 562 00:20:03,744 --> 00:20:06,330 I'M NOT PROUD OF IT, BUT IT IS WHAT IT IS. 563 00:20:09,666 --> 00:20:10,959 WHAT ARE YOU WAITING FOR? 564 00:20:11,043 --> 00:20:12,711 THE AUDITION'S IN TWO HOURS. COME ON! 565 00:20:12,753 --> 00:20:14,296 OKAY. 566 00:20:14,379 --> 00:20:15,297 READY? 567 00:20:15,380 --> 00:20:16,340 ONE, AND... 568 00:20:16,423 --> 00:20:21,803 [ ♪♪♪ ] 569 00:20:21,887 --> 00:20:24,348 ♪ YEAH, WE UP IN THE CLUB LIKE... ♪ 570 00:20:24,431 --> 00:20:26,683 ♪ AND WE ALL DANCING TO THE STROBE LIGHT ♪ 571 00:20:26,767 --> 00:20:29,269 ♪ AND THE DJ JAMMING, GOT THE FLOW LIKE... ♪ 572 00:20:29,353 --> 00:20:31,271 ♪ HEAD, BODY, BOUNCING AND STEPPING ♪ 573 00:20:31,355 --> 00:20:32,314 ♪ DRESSED TO IMPRESS IT... ♪ 574 00:20:32,397 --> 00:20:33,357 [ Click of button ] 575 00:20:35,943 --> 00:20:37,736 I JUST WANT TO SAY TO YOU... 576 00:20:37,819 --> 00:20:40,030 AND TO THE AUDIENCE OF "CHANGED", TUESDAYS AT 9:00 O'CLOCK, 577 00:20:40,113 --> 00:20:42,407 THAT I'M SORRY. 578 00:20:43,492 --> 00:20:44,993 AND I WANT YOU TO BE HAPPY. 579 00:20:45,077 --> 00:20:46,244 NO MATTER WHAT. 580 00:20:50,624 --> 00:20:52,292 I GUESS THAT ONLY LEAVES ONE THING. 581 00:20:52,376 --> 00:20:53,752 WHAT? 582 00:20:53,835 --> 00:20:55,420 TO BUST IT OUT, GIRLFRIEND. 583 00:20:55,462 --> 00:20:56,713 [ Chuckling ] 584 00:20:56,797 --> 00:20:57,881 ♪ GET YOUR FEET ON THE FLOOR ♪ 585 00:20:57,965 --> 00:20:58,882 ♪ GET YOUR BACK OFF THE WALL ♪ 586 00:20:58,966 --> 00:20:59,883 ♪ AND LET'S GO ♪ 587 00:20:59,967 --> 00:21:01,843 ♪ O-O-OH ♪ 588 00:21:08,517 --> 00:21:10,686 ♪ IN THE CLUB, WE... ♪ ♪ BOUNCE, BOUNCE ♪ 589 00:21:10,769 --> 00:21:13,105 ♪ IN THE CLUB, WE... ♪ ♪ SHAKE THAT THING ♪ 590 00:21:13,146 --> 00:21:15,607 ♪ IN THE CLUB, WE... ♪ ♪ BOUNCE, BOUNCE ♪ 591 00:21:15,691 --> 00:21:17,943 ♪ IN THE CLUB, WE... ♪ ♪ GOTTA BOUNCE, YEAH ♪ 592 00:21:17,985 --> 00:21:20,362 ♪ IN THE CLUB, WE... ♪ ♪ BOUNCE, BOUNCE ♪ 593 00:21:20,445 --> 00:21:22,572 ♪ COME ON AND BOUNCE AND SHAKE ♪ ♪ SHAKE THAT THING ♪ 594 00:21:22,656 --> 00:21:24,783 ♪ IN THE CLUB, WE... ♪ ♪ BOUNCE, BOUNCE ♪ 595 00:21:24,825 --> 00:21:27,077 ♪ IN THE CLUB, WE... ♪ ♪ BOUNCE, BOUNCE, BOUNCE ♪ 596 00:21:27,160 --> 00:21:29,663 ♪ WE BE UP IN THE CLUB... ♪ ♪ SHAKE THAT THING ♪ 597 00:21:29,746 --> 00:21:32,374 Sadie: [ Voice over ] AS IT TURNS OUT, 598 00:21:32,457 --> 00:21:33,458 I NEVER MADE THE TEAM. 599 00:21:33,542 --> 00:21:34,626 OH, YES! 600 00:21:34,668 --> 00:21:36,128 Sadie: [ Voice over ] ARDEN DID. 601 00:21:36,169 --> 00:21:38,422 BUT WHAT DID CHANGE WAS MY FRIENDSHIP WITH MARGARET. 602 00:21:41,425 --> 00:21:44,428 IT, SOMEHOW, GOT EVEN STRONGER. 603 00:21:44,511 --> 00:21:46,972 ♪ BOUNCE, BOUNCE ♪ ♪ IN THE CLUB, WE... ♪ 604 00:21:47,055 --> 00:21:48,974 ♪ SHAKE THAT THING ♪ ♪ IN THE CLUB, WE... ♪ 605 00:21:49,057 --> 00:21:51,393 ♪ BOUNCE, BOUNCE ♪ ♪ IN THE CLUB, WE... ♪ 606 00:21:51,476 --> 00:21:53,061 ♪ GOTTA BOUNCE, YEAH ♪ ♪ IN THE CLUB ♪ 607 00:21:53,145 --> 00:21:54,896 [ ♪♪♪ ] 608 00:21:54,980 --> 00:21:57,107 MY HOBBIES WOULD PROBABLY INCLUDE SHOPPING. 609 00:21:57,190 --> 00:21:58,734 LOOKING GOOD. 610 00:21:58,817 --> 00:22:01,028 SHOPPING? I... I ALREADY SAID THAT. 611 00:22:01,111 --> 00:22:03,321 [ Giggling ] 612 00:22:03,405 --> 00:22:04,406 [ Thump ] 613 00:22:05,407 --> 00:22:06,575 Jean: SHE'S COORDINATED. 614 00:22:06,658 --> 00:22:08,076 A LITTLE... BIT, RIGHT? 615 00:22:08,160 --> 00:22:09,536 YEAH. YEAH. YEAH. 616 00:22:10,662 --> 00:22:11,663 [ Buzzing of fly ] 617 00:22:11,705 --> 00:22:13,874 [ ♪♪♪ ] 618 00:22:13,957 --> 00:22:14,916 AH! 619 00:22:15,000 --> 00:22:16,752 I'M JUST... SO COOL 620 00:22:16,835 --> 00:22:18,837 THAT, UH, ALL THE GIRLS KIND OF FLOCK TO ME. 621 00:22:18,879 --> 00:22:20,714 IT'S... IT'S A CURSE, REALLY. 622 00:22:20,797 --> 00:22:22,340 AND IT'S... HOW'S IT GOING? 623 00:22:22,424 --> 00:22:23,508 SEE YA. 624 00:22:23,592 --> 00:22:25,552 Woman: WHAT ABOUT YOUR RELATIONSHIP WITH SADIE? 625 00:22:25,635 --> 00:22:27,429 I DON'T REALLY THINK THAT'S ANY OF YOUR BUSINESS. 626 00:22:29,097 --> 00:22:30,432 [ Smack of kiss ] 44644

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.