Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA: THE REUNION...

BITCH, YOU LOOK LIKE MICHAEL

JACKSON IN THRILLER.

AND YOU LOOK LIKE THE BOTTOM

OF MY SHOE.

BITCH, YOU GOT A RIP IN YOUR

[bleep].

YOU GOT NO WALLS.

JUMP, BITCH! JUMP!

[all yelling at once]

DON'T [bleep] GO THERE,

STEVIE.

DID YOU BELIEVE THAT THAT WAS

YOUR BABY?

YES.

I DON'T KNOW IF I BELIEVE

K.MICHELLE.

DO WHAT YOU DO!

BIPOLAR, SCHIZOPHRENIC,

INSECURE BITCH.

YOU GET BAGS UNDER YOUR EYES.

YEAH, LET ME HAVE MY

MOTHER[bleep] BAGS.

AFTER I SLAMMED YOU IN THE

BUSHES...

EVERYBODY FELL IN THE BUSHES

WITH THE SECURITY.

WHAT'S THE STATUS RIGHT NOW

BETWEEN YOU AND JOSELINE?

ARE YOU TWO A COUPLE?

AND ON THE CONCLUSION

TO LOVE & HIP-HOP: ATLANTA:

THE REUNION...

ANSWER THE DAMN QUESTION.

I'M GETTING TO IT.

THIS YOUR [bleep].

CHECK THIS, BITCH.

SHUT THE [bleep] UP.

YOU'RE GONNA SIT IN

THAT SEAT.

THAT'S WHAT YOU GONNA DO.

[all yelling at once]

WHAT DID HE DO FOR ME?

WHAT--IT AIN'T MY FAULT THAT

YOU AIN'T NO SUPERSTAR.

I FEEL LIKE A LITTLE BOY

IN SCHOOL,

AND MY MAMA JUST CAME TO BRING

ME MY LUNCH.

YOU ARE POLYGAMOUS.

IT SEEMS LIKE THE POLE DOES

A BODY GOOD.

NOBODY EVER TOOK CARE OF ME

BUT STEVIE.

EVERYBODY ELSE JUST DID WHAT

THEY HAD TO DO.

YOU NEED TO AT LEAST HAVE

A WIKIPEDIA PAGE.

I ACTUALLY USE HIM FOR HIS

SEX AND HIS MONEY.

IS IT SAFE TO SAY THAT THIS

RELATIONSHIP IS A WRAP?

I AM GONNA BE THE MAN THAT

YOU WANT TO BE WITH.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

YES, YOU KNOW WHAT IT IS.

OF COURSE.

LOVE & HIP-HOP: ATLANTA:

PART II: THE REUNION.

NOBODY'S SAFE.

WE'RE GOING IN HEAVY.

WOW.

I'M YOUR HOST AND EXECUTIVE

PRODUCER OF THE SHOW,

MONA SCOTT-YOUNG, AND WE'RE BACK

WITH PART II OF LOVE & HIP-HOP:

ATLANTA: THE REUNION.

I'M JOINED ON THE STAGE BY THE

MOST NOTORIOUS LOVE TRIANGLE ON

TV: MIMI, STEVIE, AND JOSELINE.

HEY, GUYS.

WHAT'S UP?

HI.

WHAT'S POPPING?

HOW ARE YOU?

IN PART I, WE LEFT OFF WITH

STEVIE STRUGGLING TO MAKE HIS

RELATIONSHIPS WITH MIMI AND

JOSELINE WORK, SO NOW, STEVIE,

IT'S YOUR MOMENT OF TRUTH.

WHAT'S THE STATUS OF YOUR

RELATIONSHIP WITH JOSELINE?

ARE YOU GUYS OFFICIALLY

A COUPLE?

I MEAN, WE HAVE--

OUR RELATIONSHIP HAS AN

INTERESTING DYNAMIC.

YOU KNOW WHAT I'M SAYING?

WE STARTED OFF ON SOME PHYSICAL,

YOU KNOW, WHICH LED TO

HER HAVING A CAREER NOW--

ANSWER THE DAMN QUESTION.

I AM.

OKAY.

IT'S ACTUALLY A YES

OR NO QUESTION.

I'M GETTING TO IT.

IT'S A YES OR NO QUESTION.

I MEAN, NO.

NO.

NO, WE'RE NOT TOGETHER.

I ACTUALLY USE HIM FOR HIS SEX

AND HIS MONEY.

OKAY, THANK YOU.

[laughter]

ALL RIGHT, WELL, LISTEN, LISTEN.

I REALLY DON'T CARE ABOUT IT,

'CAUSE YOU KNOW WHAT?

I DON'T WANT NONE OF

THAT HEADACHE.

ALL RIGHT, PEOPLE, WE'VE GOT

TO MOVE ON.

LET'S START OFF BY EXPLORING

WHAT HAPPENED WHEN STEVIE

DECIDED THAT HE, MIMI, AND

JOSELINE SHOULD GO TO THERAPY

TOGETHER.

[horn honks]

CAN WE SIT IN THE THERAPIST?

YOU WANT TO GO IN FRONT OF

A THERAPIST?

YEAH. YEAH.

NOW YOU'RE TALKING.

WHY DID YOU COME TO THERAPY?

THE LYING.

SHE'S CALLING YOU A LIAR.

I ADMIT THAT I'VE LIED

TO HER, YES.

I WANT YOU TO OWN WHAT

YOU'VE DONE.

I OWN THAT I'VE LIED.

I OWN THAT I--

YEAH, I'M A LIAR.

HMM.

CAN WE DO THAT AGAIN?

all: HMM.

WHY DOES A MAN CHEAT?

BECAUSE THE WOMAN LETS HIM.

ENABLING BEHAVIORS.

YOU DIDN'T HAVE A MOTHER

IN YOUR LIFE.

YOU WILL ALWAYS CARRY THAT PAIN

AND PUT THAT PAIN ON

EVERYBODY ELSE.

I WANT US ALL TO SIT DOWN AT

COUNSELING SO WE ALL COULD BE

ABLE TO WORK TOGETHER.

ALL THREE OF US?

YES.

I'M IN A RELATIONSHIP WITH

STEVIE, NOT JOSELINE, SO WHY

THE [bleep] WOULD I HAVE

JOSELINE AT MY THERAPY SESSION?

YOU'S TRYING TO CONTINUE ON

YOUR RELATIONSHIP WITH HER?

I JUST WANT TO--

I'M LIVING WITH HIM RIGHT

NOW, JOSELINE.

YOU GUYS LIVING TOGETHER?

YES, I'M IN THE HOUSE.

YES, I HAVE BEEN THERE.

BITCH!

WHAT HOUSE YOU--

GET UP, GET UP, GET UP.

GET UP, BROTHER.

LET GO OF ME!

JOSELINE.

NO!

JOSELINE. JOSELINE.

JOSELINE.

LET GO OF ME!

YOU KNOW ABOUT HIM AND MIMI?

THAT'S MY PROBLEM.

I REALLY DON'T KNOW 'CAUSE HE'S

ALWAYS AROUND ME.

HE ALWAYS COME TO ME.

HE ALWAYS COME--GETS ME BACK.

"I LOVE YOU.

I WANT TO MAKE IT WORK.

I DON'T WANT TO LOSE YOU."

STEVIE, YOU GOT THE GOD

SHIRT ON.

WHAT DOES THAT MEAN?

THEY CAN TAKE CONTROL OVER

THEIR LIVES, BUT IT'S STILL

MY BUS.

I'M RUNNING THIS [bleep].

STEVIE, I WANT TO GIVE YOU

CREDIT FOR TRYING,

BUT "I AM GOD"?

WHAT IS THAT?

I MEAN, IT'S JUST A NICE

SHIRT, YOU KNOW WHAT I'M SAYING?

I'M GODLIKE.

BUT IS THAT THE WAY YOU THINK

OF YOURSELF WITH THESE WOMEN?

DO YOU FEEL LIKE THEY SHOULD

IDOLIZE YOU IN SOME WAY?

AIN'T NOBODY IDOLIZING THAT

BULL[bleep].

MIMI, WHY DID YOU GO

TO THERAPY?

YOU'D BEEN THROUGH SO

MUCH ALREADY.

WE HAVE A TWO-YEAR-OLD.

I WANTED TO HOLD MY FAMILY

TOGETHER.

I DON'T KNOW ABOUT ANYBODY ELSE.

I REALLY DON'T GIVE A [bleep].

SO WHEN HE ASKED ME TO GO TO

THERAPY, I AGREED.

YOU WERE HOPING THAT YOU GUYS

CAN WORK THROUGH THE ISSUES--

NOT EVEN WORK THROUGH IT, BUT

GET SOME TYPE OF UNDERSTANDING

SOMEWHERE, 'CAUSE WE WEREN'T

EVEN COMMUNICATING AT THE TIME.

WE COULDN'T HAVE A FIVE-MINUTE

CONVERSATION WITHOUT,

"[bleep] YOU."

WE COULDN'T.

STEVIE, YOU BRING

THESE WOMEN TOGETHER.

YOU SAY THAT YOU WANT TO GO

THROUGH THERAPY, BUT DID YOU

JUST WANT ALL THE LYING TO STOP?

IS THAT WHAT IT WAS?

YES, I WANTED TO PUT IT ON

THE TABLE, YOU KNOW WHAT

I'M SAYING?

AND THEN AFTER I PUT IT ON THE

TABLE, THEN THEY COULD MAKE

THEIR ASSESSMENT OF HOW THEY

WANT TO APPROACH IT OR MOVE ON

FROM THERE.

WHAT IS THAT WHOLE BUS

ANALOGY?

THEY'RE RIDING ON YOUR BUS.

BREAK THAT DOWN FOR US

SO WE UNDERSTAND.

WELL, YOU KNOW, I BEEN IN

THIS GAME FOR YEARS.

YOU KNOW, GOT A LOT OF MILES

ON MY SHOES,

ON MY ITALIAN LOAFERS,

YOU KNOW WHAT I'M SAYING?

AND IT'S LIKE, AT THE END OF

THE DAY, THEY WOULDN'T [bleep]

WITH ME IF I WAS JOE SCHMO

THE PLUMBER.

I SURE WOULDN'T.

I'M NOT TALKING TO YOU.

YOU KNOW WHAT I'M SAYING?

OKAY, ARE YOU TALKING ABOUT

MIMI WHEN YOU SAY THAT?

BECAUSE, MIMI, YOU TALK ABOUT--

I BEEN DOWN WITH YOU WHEN

YOU DIDN'T HAVE [bleep].

WAIT, WAIT, LET ME FINISH.

SO DON'T GO THERE WITH ME.

BUT SHE WAS [bleep] ME WHEN

I HAD [bleep].

YES, BUT WHEN YOU DIDN'T,

I WAS STILL THERE, SO DON'T GO

THERE WITH ME.

TURN THE RADIO DOWN.

NO, [bleep] YOU.

WE WAS IN THE TRENCHES TOGETHER,

SO DON'T [bleep] PLAY ME

LIKE THAT.

I AIN'T THAT [bleep]

SUPERFICIAL-ASS BITCH.

YOU PLAYING YOURSELF.

I'M PLAYING MYSELF?

I THOUGHT SHE WAS

TALKING TO ME.

WELL, HELL, I AIN'T [bleep]

WITH A BROKE-ASS [...].

I [bleep] WITH STEVIE 'CAUSE

HE HAD IT WHEN I BED HIM.

HE AIN'T HAVE IT WHEN YOU

BED HIM--AIN'T HAVE [bleep].

HEY, STEVIE!

Y'ALL SEEING THIS?

HIGH FIVE.

HE DIDN'T HAVE [bleep]

WHEN YOU MET HIM,

SO DON'T GO THERE EITHER.

WELL, GUESS WHAT, MIMI.

I AIN'T KNOW.

THAT WAS FOR YOU TO KNOW

AND FOR ME NOT TO FIND OUT.

WELL, YOU DIDN'T KNOW.

HE DIDN'T HAVE A [bleep] DIME

WHEN YOU MET HIM.

[bleep] THAT.

YOU DIDN'T NOW HE AIN'T

HAVE [bleep]?

NO, SURE DIDN'T.

AND HE'S DRIVING YOUR CAR?

STEVIE COULD DRIVE WHATEVER

HE WANT TO DRIVE.

IT DOESN'T MATTER!

WELL, ONE THING WE KNOW

STEVIE IS DRIVING IS THIS BUS,

AND YOUR EXPECTATION, STEVIE,

IS THAT IF THEY WANT TO RIDE

ON YOUR BUS, THEY GONNA HAVE

TO TAKE WHATEVER COMES WITH IT.

LISTEN, LISTEN, YOU KNOW,

YEAH, ABSOLUTELY.

I'M RIDING ON THE BUS.

MY THING IS LIKE THIS--

YOU CAN STAY ON THAT, BITCH.

YOU'RE ON THE BUS,

AND THAT'S WHY MIMI--

SO WHAT? SO WHAT?

RIDE ON THAT MOTHER[bleep].

MIMI, ARE YOU ON THE BUS?

NO, I'M NOT.

ALL RIGHT.

I KNOWN YOU SIX MONTHS,

AND LOOK WHERE I'M AT.

I'M GONNA STAY ON YOUR BUS.

THAT'S WHAT'S UP.

ALL RIGHT, STAY ON IT.

YOU KNOW, AT THE END OF THE

DAY, YOU KNOW WHAT I'M SAYING,

I KNOW SHE'S HURT, YOU KNOW

WHAT I'M SAYING?

AND I KNOW I'VE DONE SOME THINGS

THAT HURT HER.

RIGHT.

I UNDERSTAND WHERE

SHE'S COMING FROM.

WELL, I WAS GONNA SAY, THAT'S

SOME OF THE GOOD STUFF THAT CAME

OUT OF THERAPY, BECAUSE ONE OF

THE MORE POWERFUL MOMENTS,

WATCHING IT, WAS TO SEE THE

SCENE ABOUT YOUR MOTHER.

RIGHT.

THAT WAS SOME PRETTY

INCREDIBLE REVELATIONS THAT

TOOK PLACE THERE.

RIGHT.

AND DR. JEFF, YOU KNOW,

HIS ANALYSIS WAS THAT

IT CAUSED YOU TO HATE WOMEN.

I DON'T HATE WOMEN.

I LOVE WOMEN, YOU KNOW WHAT

I'M SAYING?

NOW, HOW I DEAL WITH WOMEN IS

A DIFFERENT STORY.

WHY IS THAT?

BUT HOW YOU DEAL WITH THEM

DETERMINES HOW YOU REALLY FEEL

ABOUT THEM, STEVIE, BECAUSE--

NOT TRUE.

YOU'VE GOT TO LOOK AT

THAT CLOSELY.

TELL THE TRUTH, STEVIE.

YOU HEARD WHAT YOUR MAMA--

YOUR MOM WASN'T THERE FOR YOU,

AND HE NEEDS TO TALK TO HIS MOM.

I TOLD YOU THIS [bleep]

ALL THE TIME.

AND I THINK I HAVE TO AGREE

WITH YOU, JOSELINE.

I DO AGREE, STEVIE, AND IT'S

SOMETHING THAT I THINK IS WORTH

LOOKING INTO.

ONE DAY, MAYBE.

I'M COOL.

OKAY.

MIMI, YOU HAD YOUR OWN

ABANDONMENT ISSUES WITH YOUR

MOM, GROWING UP WITHOUT YOUR MOM

AS WELL.

HOW DO YOU THINK IT IMPACTED

YOUR RELATIONSHIPS WITH MEN,

ESPECIALLY YOUR RELATIONSHIP

WITH STEVIE?

IT MADE ME, WHEN I DID GET

INTO A RELATIONSHIP, WANT TO

KEEP IT AND ALSO, AFTER I HAD

A CHILD WITH THIS MAN, TO REALLY

HOLD ON TO MY FAMILY BECAUSE

I DIDN'T WANT MY DAUGHTER TO

EXPERIENCE WHAT I HAD.

OKAY, AND ALSO, I FIND IT

VERY INTERESTING, JOSELINE,

THAT YOU HAD ISSUES WITH

YOUR MOM AS WELL.

AS A MATTER OF FACT, LET'S CHECK

OUT A SCENE WITH YOU, YOUR MOM,

AND YOUR STEPDAD THAT DIDN'T

MAKE IT ONTO THE SHOW.

IT'S HER FAULT.

SHE NEVER--

WE TRIED, MAN.

[speaking Spanish]

BECAUSE WHEN I USED TO COME--

WHEN I USED TO RUN AWAY AND COME

TO THE HOUSE AND HAVE $200, $300

IN MY HAND AND GIVE IT TO HER,

THEN SHE'LL TAKE IT AND LET ME

GO IN THE HOUSE.

THAT WASN'T NO PROBLEM.

SHE ALWAYS SAID THAT, BUT SHE

ALWAYS SAID I NEVER DID ENOUGH.

SHE NEVER WANTS TO TAKE

RESPONSIBILITIES OF WHAT SHE

DID WRONG.

OKAY, LET'S TRY THIS OUT.

NO, IT'S NOT--

YOU DON'T HAVE THE REASONS.

SHE'S [bleep] WRONG FOR THAT

[bleep], AND SHE ALWAYS--

AND YOU WAS WRONG TOO!

YOU WAS WRONG TOO!

I'M NOT GONNA LET Y'ALL BLAME

THIS [bleep] ON ME NO MORE.

YOU CAN GO.

I'M DONE.

GET THEM OUT OF HERE.

THAT HURTS YOU TO LOOK

AT THAT.

[sniffles]

I LOVE MY PARENTS, AND I'M

GONNA ALWAYS LOVE MY PARENTS,

BUT I WAS A KID.

I DIDN'T DO ANYTHING WRONG.

RIGHT.

WHAT DID I DO WRONG?

COME HOME WITH SOME MONEY

AND YOU LET ME GO BACK ON

THE STREETS?

I DIDN'T DO ANYTHING WRONG.

THAT'S WHY I DON'T KNOW HOW TO

HAVE A RELATIONSHIP--

A NORMAL RELATIONSHIP--

WITH NO MAN, SO I DEAL WITH MEN

THE ONLY WAY I KNOW HOW TO DEAL

WITH MEN, IS BY DOING WHAT I DO

AND NOT GIVING A [bleep],

BUT I STILL LOVE MY MOM,

AND I LOVE MY PARENTS,

AND I'M GONNA ALWAYS LOVE THEM,

BECAUSE SHE DIDN'T

KNOW NO BETTER.

SHE DIDN'T HAVE NO MOM.

HOW AM I GONNA BLAME HER WHEN

MY MOM DIDN'T HAVE NO MOM?

SHE DON'T KNOW [bleep].

SHE NEVER LEARNED HOW TO BE

A MOM, SO I CAN'T BE MAD AT HER.

THE ONLY PERSON THAT EVER TOOK

CARE OF ME WAS STEVIE.

EVERYBODY ELSE JUST DID WHAT

THEY HAD TO DO.

THAT'S WHAT YOU ARE.

YOU WANT TO SAVE EVERY [bleep].

DO YOU THINK THIS IS

A HEALTHY RELATIONSHIP?

BUT, SEE, THE THING ABOUT

ME AND STEVIE--

WE MORE FRIENDS THAN ANYTHING.

I DON'T TAKE STEVIE TOO

SERIOUSLY LIKE HOW MIMI TAKE HIM

TOO SERIOUSLY, AND--

YOU DON'T HAVE A CHILD WITH

HIM, SO, OF COURSE--

YES, I DON'T HAVE

A CHILD WITH HIM.

YOU HAVEN'T DEALT WITH HIM

FOR 15 YEARS, SO OF COURSE NOT.

I DON'T HAVE A CHILD

WITH HIM.

LET ME TELL YOU SOMETHING, MIMI.

I DON'T HAVE A CHILD WITH HIM,

BUT I WAS PREGNANT FOR HIM,

AND IF I WOULD HAVE HAD A CHILD

FOR HIM, I WOULD HAVE BEEN JUST

AS MAD AS YOU ARE.

THAT'S WHY I DON'T HAVE A CHILD

FROM HIM, BUT AT THE END OF THE

DAY, I STILL RESPECT HIM,

'CAUSE--YOU KNOW WHY I

RESPECT HIM?

BECAUSE HE DID A LOT FOR ME.

GREAT.

UNLIKE YOU, THAT YOU GO TALK

DOWN ON HIM, AND YOU NEVER GAVE

HIM A CHANCE.

WHAT THE [bleep] DID HE DO

FOR ME, JOSELINE?

HE AIN'T DO [bleep] FOR ME.

HE TOOK CARE OF YOU

MANY YEARS.

WHAT DID HE DO FOR ME?

HE TOOK CARE OF YOU

FOR MANY YEARS.

HE MADE YOU A SUPERSTAR!

WHAT DID HE DO FOR ME?

WELL, IT AIN'T MY FAULT THAT

YOU AIN'T NO SUPERSTAR.

THAT AIN'T GOT TO DO WITH ME.

OKAY.

BITCH, I'M JUST AS MUCH OF

a STAR AS YOUR ASS SITTING ON

THIS [bleep] STAGE.

SO WHY YOU NOT WHERE I'M AT?

YOU DIDN'T WANT THAT--

WHY I'M NOT WHERE YOU'RE AT?

I'M SITTING ON THIS COUCH JUST

LIKE YOU ARE.

I DID NOT BRING IT UP.

YOU BROUGHT THAT UP.

I'M SITTING ON THIS COUCH

LIKE YOU ARE.

OKAY, BUT YOU BROUGHT IT UP.

I'M NOT TRYING TO BE--

I DIDN'T SAY--

YOU THE BABY MAMA.

I DON'T HAVE A BEEF WITH YOU.

OKAY, YOU GUYS HOLD UP

FOR A MINUTE.

LET ME TAKE A QUESTION HERE

FROM THE FANS.

I HAVE DANE B. FROM FACEBOOK

ASKING, "STEVIE, WHY DO YOU

CONSTANTLY THREATEN JOSELINE

WITH SENDING HER BACK TO THE

STRIP CLUB?

IS THAT YOUR WAY OF

CONTROLLING HER?"

I MEAN, THAT WAS EARLY ON,

YOU KNOW WHAT I'M SAYING?

THAT WAS JUST SOMETHING THAT I

KNEW THAT WOULD GET TO HER.

AT THE END OF THE DAY, YOU KNOW

WHAT I'M SAYING, ALL I WANT TO

DO IS SEE HER WIN.

THAT'S IT, YOU KNOW WHAT

I'M SAYING?

THE THINKING IS THAT STEVIE'S

CONTROL OVER YOU IS A LITTLE

BIT, LIKE, PIMP-LIKE IN HIS

HOLD, YOU KNOW?

HE DETERMINES WHEN YOU DO WHAT,

AND HE HANGS ON SO TIGHT.

WHAT DO YOU SAY ABOUT THAT?

NAH, THAT'S THE SAME THING--

SHUT UP.

LET ME ANSWER MY OWN QUESTION,

'CAUSE SHE'S NOT ASKING YOU--

WHAT A MANAGER DOES.

SHE CAN'T DO IT HERSELF, OR SHE

WOULD HAVE BEEN THERE.

MONA, LET ME TELL YOU

WHAT IT IS.

IT AIN'T ABOUT THAT HE'S

"PIMPING" ON ME AND ALL

OF THAT.

I LISTEN TO STEVIE WHEN I NEED

TO LISTEN TO STEVIE.

WHEN I DON'T, I DO

MY OWN [bleep].

NO, YOU DON'T.

AND I WISH PEOPLE--

LISTEN, IF IT'S NOT ABOUT MY

CAREER, IF IT'S NOT ABOUT MY

MONEY, AIN'T NOBODY LISTENING

TO [bleep] STEVIE.

YES, YOU ARE.

HE'S A [bleep] IDIOT.

HE'S A FOOL.

MIMI MAY HAVE BEEN WILLING TO

SIT THROUGH THERAPY WITH STEVIE

AND JOSELINE, BUT SHE FINALLY

TOOK A STAND WHEN SHE FELT

BLATANTLY DISRESPECTED,

BUT IT WAS NO SWEAT OFF

JOSELINE'S NOSE.

TAKE A LOOK.

I WASN'T REALLY PAYING ANY

MIND TO--

THANK YOU, BABY--

I WASN'T REALLY PAYING ANY MIND

TO ANYTHING THAT--

ARE YOU [bleep] SERIOUS?

WHAT THE HELL WAS THAT?

HER NOSE WAS SWEATING.

MY NOSE WAS SWEATING.

HE ALWAYS WIPES MY NOSE

HER NOSE ALWAYS SWEATS.

IT'S CRAZY.

JUST KNOW YOU LOOKING GOOD,

YOU KNOW WHAT I MEAN?

I COULD WIPE MY OWN SWEAT.

I KNOW YOU CAN WIPE YOUR

OWN SWEAT.

I WANTED TO WIPE IT FOR YOU.

I'M TRYING TO BUILD YOU

AS A BRAND TOO, YOU KNOW WHAT

I'M SAYING?

I DIDN'T KNOW ABOUT THIS

BEFORE IT HAPPENED.

LIKE, YOU JUST BLATANTLY

DISRESPECTFUL.

LIKE, YOU JUST DON'T GIVE

A [bleep] AT ALL.

STEVIE, WHAT IN THE HELL WERE

YOU THINKING?

DURING A THERAPY SESSION WITH

MIMI, AND THAT'S SUCH

AN INTIMATE GESTURE.

'CAUSE HE'S A DISRESPECTFUL

MOTHER[bleep].

AN INTIMATE GESTURE?

YES.

I DIDN'T RUB HER [bleep].

I DIDN'T FEEL ON HER ASS

OR NOTHING.

I JUST RUBBED HER NOSE.

YOU DON'T EVEN GET IT.

LISTEN, WHEN WE COME BACK--

HE CAN'T STAY AWAY FROM ME

SEXUALLY.

HE GOT TO TOUCH ME.

THIS IS TOO MUCH.

THAT AIN'T GOT NOTHING TO DO

WITH YOUR--EH, SEX.

HE CAN'T KEEP HIS HANDS

AWAY FROM ME.

ALL RIGHT.

PLEASE, YOU GONNA BE CALLING

RIGHT AFTER THIS [bleep].

I'M NOT CALLING YOU AT ALL.

"WHERE'S THAT ASS AT?"

RIGHT HERE.

ALL RIGHT, LET'S HOLD UP

FOR A SECOND.

GUYS, WHEN WE COME BACK,

THERE'LL BE MORE HOOKUPS AND

HEARTBREAK TO TALK ABOUT.

STICK AROUND FOR MORE LOVE &

HIP-HOP: ATLANTA: THE REUNION.

[cheers and applause]

DIDN'T Y'ALL [bleep].

CHECK THIS, BITCH.

YOU CHECK IT!

BRING YOUR ASS!

NO, NO, NO.

HEY, HEY, HEY.

SHUT THE [bleep] UP.

* THIS IS THE LIFE

WE'RE BACK WITH LOVE &

HIP-HOP: ATLANTA: THE REUNION.

AND JOINING ME ON THE STAGE IS

THIS SEASON'S OTHER LOVE

TRIANGLE: SCRAPPY, ERICA,

AND SHAY.

SCRAPPY CLAIMED HE WAS LOOKING

FOR A WOMAN TO HOLD HIM DOWN.

WELL, HE FOUND TWO, EACH WHO

BELIEVE THEY WERE HIS

ONE-AND-ONLY.

ERICA AND SHAY COULDN'T HAVE

BEEN MORE DIFFERENT, BUT THEY

BOTH FOUND THEMSELVES IN THE

SAME PILE OF SCRAP.

CHECK IT OUT.

SO YOU TELL ME, WHERE YOU

WANT TO START?

ERICA MY BABY MAMA AND ALL.

I LOVE HER, BUT THAT DON'T MEAN

YOU GOT TO BE WITH SOMEBODY.

I GOT TO GET MY OWN SPOT.

DO WHAT PLAYERS DO.

HOW DO PLAYERS PLAY?

ALL DAY, EVERY DAY.

SHAY IS ONE OF MY

BEST FRIENDS.

YOU HAVE A LOOK AT HER,

YOU BE LIKE, "DAMN."

DO YOU KNOW THE DIFFERENCE

BETWEEN A BOY AND A MAN?

MY MOM DOESN'T THINK

SCRAPPY'S THE ONE FOR ME.

I KNOW WHAT I'M DOING RIGHT NOW.

WE'RE MOVING FORWARD,

AND WE'RE HAPPY.

I'M WORKING ON YOU, AND YOU

WORKING ON ME.

YES.

AND IN THE END, I'M GONNA

HAVE A RING.

THAT'S YOUR BABY MAMA BUT NOT

YOUR GIRLFRIEND.

RIGHT.

IF I DON'T WANT TO WORK FOR IT,

I WILL DEFINITELY TELL YOU.

SO FAR AS SHE CONCERNED,

IT'S OVER.

YEAH, INDEED.

HE'S MINE, BIZ-NAY-EE.

[grunts]

WHAT?

HAVE YOU SLEPT WITH HER?

WE'RE JUST FRIENDS.

DOES SHE KNOW THAT Y'ALL

ARE JUST FRIENDS?

"JUST FRIENDS"?

WHY YOU HIDING IT?

I AIN'T HIDING IT.

I JUST LOVE YOU.

I LOVE ERICA DIXON.

HOW YOU REALLY FEEL ABOUT ME?

I LOVE YOU.

I'M DOWN WITH SHAY,

BUT I GOT TO GO ALONG WITH

WHAT YOU DECIDE.

[sighs]

SCRAPPY, IT LOOKS TO ME LIKE

YOU LOVE EVERYBODY.

WHEN YOU GOT SOMEBODY THAT,

YOU KNOW, YOU LOVE, AND YOU GOT

A KID WITH THEM, AND YOU DONE

BEEN THROUGH A LOT OF STUFF WITH

THEM, AND YOU JUST WANT SOME

KIND OF WAY TO MAKE IT WORK--

YOU KNOW, FOR ME, IT SEEMED LIKE

I KIND OF--EVERY TIME--

EVERY SINGLE TIME, I RUN.

I RUN.

WHAT WERE YOU RUNNING FROM?

JUST BEING HURT AGAIN.

GETTING WITH ERICA AND STUFF

JUST DON'T WORK OUT, AND I

KNOW ERICA GOT A MEAN STREAK

WITH HER, YOU KNOW, AND SHE CAN

BE REAL MEAN SOMETIMES.

ERICA, HOW DID THAT MAKE YOU

FEEL SEEING THAT?

I MEAN, IT HURT, BUT AT THE

END OF THE DAY, IT WAS A JOKE TO

ME 'CAUSE I KNOW IT WAS ALL DONE

TO GET MY ATTENTION, AND EVERY

CONVERSATION, EVERY INTERACTION,

WAS ABOUT ME.

THE RELATIONSHIP WAS

A LITTLE--

I MEAN, IT WAS A LOT CONFUSING.

I'M GONNA JUST KEEP IT REAL

WITH YOU.

YOU GUYS STARTED OUT TOGETHER,

BUT THEN YOU WANTED TO LIVE

APART, AND YOU SAID, "IT WOULD

BETTER IF WE LIVED APART."

MM-HMM.

WHAT WAS GOING ON WITH

YOU GUYS?

I MEAN, THIS IS HOW I

HONESTLY FEEL, YOU KNOW--

'CAUSE IT WAS KIND OF FORCED

AT FIRST.

IT WASN'T SOMETHING THAT WE BOTH

WANTED, AND IT'S JUST ME NOT

ONLY BEING HIS CHILD'S MOTHER

BUT BEING HIS FRIEND, AND WHEN

HE'S DOWN AND OUT, LIKE,

I GOT HIM.

I GOT HIS BACK, AND WHEN HE HIT

ME, LIKE, "HEY, YOU KNOW, I NEED

SOMEWHERE TO STAY, GET ON MY

FEET, WOOTY-WOOTY-WOOT"--

COME ON.

'CAUSE I KNOW HE GOT ME.

HE'S ALWAYS BEEN THERE FOR ME,

SO I'M LIKE, "YEAH, COME ON,

I GOT YOU."

IT WASN'T THAT, "OKAY, I WANT TO

BE WITH YOU, AND YOU WANT TO BE

WITH ME."

OKAY, SO HE CAME TO THE HOUSE

TO STAY, AND YOU WANTED TO BE

THERE FOR HIM 'CAUSE YOUR FRIEND

WAS IN NEED--YOUR BABY DADDY--

AND ONE THING LED TO ANOTHER.

IS THAT WHAT HAPPENED?

ABSOLUTELY.

AND THEN YOU GUYS ENDED UP

BACK TOGETHER AGAIN, BUT THEN

YOU REALIZED THAT IT WASN'T

REALLY WHAT YOU WANTED?

I JUST CAUGHT ON TO IT,

YOU KNOW WHAT I'M SAYING?

AND PEOPLE CAN, YOU KNOW,

SAY I'M SLOW OR WHATEVER,

BUT ME AND LOVE--

I AIN'T A GOOD JUDGE OF

CHARACTER, YOU FEEL ME?

WITH MY PEOPLE I PICK,

YOU FEEL ME?

MM.

AND I, UM--

THAT'S WHY HE AIN'T

WITH YOUR ASS.

OKAY.

BUT LOOK--HOLD ON--

WHERE YOU STAYING?

BUT LOOK. LISTEN. LISTEN.

CHECK THIS OUT.

WHERE YOU STAYING?

NO, NO, NO, NO, NO.

HOLD ON, HOLD ON.

HOLD ON, HOLD ON,

DO SHE NOT KNOW HER PLACE?

WHAT DO YOU MEAN,

"KNOW HER PLACE"?

YOU--THIS YOUR [bleep].

CHECK THIS, BITCH.

HOLD ON. CHILL OUT.

NO, I'M NOT GONNA CHILL OUT.

YOU CHECK THIS.

YOU CHECK IT.

BRING YOUR ASS.

NO, NO, NO, SHAY.

LISTEN, LISTEN, LISTEN.

SIT YOUR ASS DOWN.

RELAX.

SHUT THE [bleep] UP, PLEASE.

[all yelling at once]

[bleep] YOU AND YOUR

BUN, BITCH.

WHAT YOU GONNA DO?

HEY, HEY, HEY.

YOU'RE GONNA SIT

IN THAT SEAT.

THAT'S WHAT YOU GONNA DO.

I'M SITTING.

ARE WE CLEAR?

I'M CLEAR.

ARE WE CLEAR?

I'M CLEAR. I'M GOOD.

I'M HERE.

ERICA, LET ME JUST FINISH

WITH SCRAPPY REAL QUICK.

PLEASE.

WE SAW YOU PROMISE ERICA THAT

IT WAS GONNA BE YOU AND HER,

AND SHE ABSOLUTELY THOUGHT THAT,

WITH YOU MOVING OUT, YOU GUYS

WERE GONNA BE WORKING ON THE

RELATIONSHIP.

THAT'S A FAIR ASSUMPTION, ERICA?

RIGHT.

SO WHAT HAPPENED, SCRAPPY?

I LIKE TO RUN.

YOU FEEL ME?

AND I JUST KNEW, YOU KNOW,

SHAY--YOU KNOW, THAT'S MY

BEST FRIEND.

SHE ALWAYS BEEN THERE, YOU KNOW,

HOLLERING AT ME, LETTING ME KNOW

WHAT THE REAL IS, YOU FEEL ME?

BUT ERICA, IN ALL FAIRNESS,

HAD BEEN THROUGH A LOT

OF HURT TOO.

WE SAW THAT, AND, ERICA--

ABSOLUTELY.

YOU KNOW, YOU HAD YOUR

GUARD UP.

WHY WOULDN'T I?

ALL THE BACK-AND-FORTH,

BACK-AND-FORTH.

I COULDN'T JUST OPEN UP MY HEART

AND BE LIKE, "OKAY, IT'S ME,

YOU, AND"--

JUST TAKE HIS WORD, PRETTY MUCH.

I COULDN'T UNDERSTAND THAT.

SO YOU PRETTY MUCH WERE

LOOKING FOR THAT LOVE.

YOU WERE LOOKING FOR THE LOVE

FROM ERICA, BUT YOU WEREN'T

GETTING IT FROM HER.

RIGHT, AND I WASN'T

UNDERSTANDING WHY SHE WASN'T

GIVING IT, YOU FEEL ME?

SO, YOU KNOW--

AND I DONE HAVE THIS

CONVERSATION--YOU KNOW WHAT

I'M SAYING--LIKE, WITH SHAY,

YOU KNOW, JUST LETTING HER KNOW

THAT I WAS SORRY--YOU KNOW WHAT

I'M SAYING--THAT I EVEN BRUNG

HER IN THAT TYPE OF SITUATION,

'CAUSE, I MEAN, WHEN IT COMES TO

FEELINGS, MAN, LIKE, FEELINGS

CAN JUST HAVE YOU EVERYWHERE.

AS YOU CAN SEE.

AND I'M AN EMOTIONAL DUDE,

YOU KNOW WHAT I'M SAYING?

LIKE, STUFF THAT DON'T BOTHER

STEVIE J--THAT [bleep] WILL

TAKE ME UP OUT OF HERE,

YOU KNOW WHAT I'M SAYING?

I HAVE A HEART ATTACK.

SO, ERICA, DO YOU FEEL LIKE

YOU COULD TRUST SCRAPPY?

RIGHT OFF THE BAT?

NO.

WE'D DEFINITELY HAVE TO BUILD

THAT TRUST.

OKAY.

SHAY, HOW DOES THAT MAKE

YOU FEEL?

IT HURTS.

I BEEN FRIENDS WITH HIM FOR

A LONG TIME, SO WHEN WE DECIDED

TO TAKE THIS RELATIONSHIP TO THE

NEXT LEVEL, I THOUGHT IT WOULD

BE DIFFERENT ONLY BECAUSE I'VE

KNOWN HIM SO LONG, AND WE HAD

GREAT COMMUNICATION, SO I DIDN'T

EXPECT HIM TO LIE TO ME AND TELL

HER ONE THING AND TELL

THE OTHER THING.

THAT'S WHAT I DIDN'T UNDERSTAND

WHY SHE WOULD ATTACK ME ON

TWITTER AND SAY THINGS IN RADIO

INTERVIEWS WHEN HE'S TELLING HER

THIS OVER HERE AND THEN TELLING

ME THIS, AND WE WATCHING THE

SAME TV SCREEN, SO WHY YOU

COMING AT ME?

YOU CAN'T GO AFTER EVERY WOMAN

THIS MAN DEAL WITH.

YOU GOT TO DEAL WITH THE

PERSON YOU DEAL WITH.

THAT'S WHO YOU IN LOVE WITH.

WAIT, 'CAUSE I KNOW WE ALL

SAW THAT SCENE WHERE THEY

WERE SITTING--

SHUT THE [bleep] UP, BITCH.

MAKE ME, BITCH.

SHUT UP.

WAIT, NO, NO, NO, NO, NO.

THOSE SHOES STAY ON.

THAT ASS STAYS ON THIS COUCH.

SHUT UP AND LET ME TALK!

HEY, HEY, HEY, COME ON, GIRL.

MONA, CAN I SPEAK

ON THAT SITUATION?

WAIT, WHEN I'M TALKING,

SHE JUMPS IN IT, THOUGH.

AND YOU WAS TALKING TO ME.

YOU WEREN'T TALKING TO HER.

GO AHEAD!

SHUT THE [bleep] UP, BITCH!

GO AHEAD!

COME ON.

GO AHEAD!

ALL RIGHT.

ALL RIGHT, SINCE WE CANNOT

HAVE THIS CONVERSATION, WE'VE

GOT TO TAKE A BREAK, BUT MORE

LOVE & HIP-HOP: ATLANTA:

THE REUNION WHEN WE RETURN.

TOLD ME HE WASN'T GONNA

DO ME LIKE THAT.

BUT YOU KNOW WHAT?

YOU KNOW WHAT, THOUGH?

BUT YOU KNOW WHAT, THOUGH?

HOLD ON, LET ME--

HOLD ON, HOLD ON, HOLD ON.

YOU TOLD ME YOU WEREN'T GONNA

DO ME LIKE THAT.

* THIS IS THE LIFE

YOU'RE WATCHING LOVE &

HIP-HOP: ATLANTA: THE REUNION.

SCRAPPY'S NUMBER ONE WILL ALWAYS

BE HIS MOTHER, MOMMA DEE.

LOUD, BRASH, AND UNPREDICTABLE,

MOMMA DEE HAS NEVER BEEN ONE TO

HOLD HER TONGUE WHEN IT COMES TO

SCRAPPY, 'CAUSE, AS WE ALL KNOW,

MOMMA KNOWS BEST.

I JUST FEEL LIKE

A MOTHER[bleep] DONE BENT ME

THE [bleep] OVER AND [bleep] ME

WITHOUT NO GODDAMN GREASE.

HOW THE [bleep] YOU GONNA

PIMP A PIMP?

I'M MOMMA DEE.

I'M THE MOTHER OF THE FAMOUS RAP

STAR LIL SCRAPPY.

SHE TRAINED TO GO.

T.T.G.

I'M HAVING A VISUAL.

YOU TOOK YOUR MEDICINE TODAY?

YOU REALLY THINK I'M FEELING

THAT BITCH?

IT'S OVER BETWEEN HIM AND ERICA.

MA, DON'T CALL HER NO BITCH.

IT WON'T BE NO LOVE LOST.

NOT WHEN YOU'RE MESSING WITH

MOMMA'S SON.

YOU LEFT HIM FOR DEAD.

YOU LEFT HIM FOR DEAD!

YOU LEFT MY CHILD FOR DEAD.

DON'T [bleep] WITH MY DAMN

BABIES.

SHAY IS THE PERFECT YOUNG LADY

FOR MY SON.

SHE'S GOT A FINE, TIGHT BODY,

AND IF I WAS MY SON, I'D BE ON

THAT TOO.

HAVE YOU HIT IT YET?

I'M JEALOUS.

DON'T BE.

I'M SO JEALOUS.

YOU STEP OUT OF LINE

AS A MAMA.

I'M ON THE THRONE, AND I'M

NOT GIVING UP MY SEAT.

AND IN THAT ORDER.

MOMMA DEE, WELCOME BACK.

WE KNOW THAT ERICA TOOK SCRAPPY

IN WHEN HE NEEDED A PLACE TO

STAY, AND SHE'S BEEN THERE FOR

HIM TIME AND TIME AGAIN.

WHY ARE YOU SO HARD ON HER?

BECAUSE WHEN MY SON WANTS

LOVE AND HE'S NOT GETTING IT,

I'M HURT AS A MOTHER, AND I'M

CONCERNED BECAUSE, YOU KNOW...

WELL, WHY DON'T I JUST SHOW HER?

SCRAPPY, IT'S BEEN A BUMPY

RIDE--A LONG RIDE--

TO BE YOUR MOM, BUT AS SURE AS

THE SUN RISES IN THE MORNING,

I AM PROUD TO BE THE QUEEN OF

OUR FAMILY'S CASTLE, AND YOU

WILL ALWAYS BE THE PRINCE

OF THE SOUTH.

I FEEL LIKE A LITTLE BOY

IN SCHOOL,

AND MY MAMA JUST CAME TO BRING

ME MY LUNCH.

THANK YOU, MOMMA DEE.

[cheers and applause]

OKAY, LET'S GET BACK ON TRACK.

ERICA, WE SAW HOW DEEPLY SCRAPPY

WAS AFFECTED BY YOUR REACTION

TO THE ASTHMA ATTACK.

LOOKING BACK, DO YOU FEEL LIKE

YOU WOULD HAVE DONE ANYTHING

DIFFERENTLY?

YEAH, BECAUSE I DIDN'T KNOW

IT WAS THAT DEEP.

HONESTLY, I REALLY DIDN'T.

I JUST THOUGHT, YOU KNOW,

HE'S HAVING AN ASTHMA ATTACK.

HE'S HAD THEM BEFORE, YOU KNOW,

AROUND ME.

SCRAPPY, DO YOU THINK MAYBE

YOU OVERREACTED?

NO.

OKAY.

'CAUSE I WAS LIKE--

I MEAN, YOU JUST HAD THE FEELING

OF FEELING, LIKE, TO BE OUT OF

BREATH AND, LIKE,

DAMN NEAR DEAD.

WAS THAT A BIG FACTOR FOR YOU

IN YOUR DECISION TO NOT STAY IN

THE RELATIONSHIP?

THAT JUST TOPPED IT, YOU

KNOW, 'CAUSE I WAS LIKE, "WOW,

I MEAN, IF YOU DON'T BE THERE

FOR ME WHEN I'M FIXING TO DIE,"

YOU KNOW WHAT I'M SAYING?

OKAY.

WELL, MOMMA DEE, WE KNOW

THERE'S NO LOVE LOST BETWEEN YOU

AND ERICA, BUT YOU HAD A LOT

OF LOVE FOR SHAY.

WHAT DO YOU SEE IN SHAY THAT YOU

DON'T SEE IN ERICA?

WELL, SHE'S MORE

AFFECTIONATE.

SHE'S MORE NURTURING.

YOU KNOW, ANYTIME A MOTHER SEES

THEIR CHILD GETTING TREATED REAL

GOOD, THEN THE MOTHER'S GONNA

GO ALONG WITH THAT.

SO YOU'RE LOOKING FOR

SOMEBODY WHO GIVES HIM THE SAME

KIND OF SMOTHERLY LOVE

THAT YOU DO?

YOU KNOW?

THAT'S NOT WHAT HE NEEDS.

HE NEEDS A WOMAN, NOT ANOTHER

MAMA.

BUT AT THE END OF THE DAY,

IF THAT'S WHAT HE WANTS--

I DIDN'T SAY I WANTED--

YOU DIDN'T SAY "MOTHERING."

YOU DIDN'T USE HER WORDS, BUT,

YOU KNOW, YOU SAID, "I'M NOT

GETTING ANY LOVE," SO...

SHAY, I DEFINITELY WANT TO

GIVE YOU AN OPPORTUNITY TO

EXPRESS YOURSELF.

TELL US WHAT YOU WANT US TO

KNOW.

THERE'S NOT A LOT, REALLY,

THAT I GOT TO SAY.

I CAME HERE, REALLY, TO ASK

ERICA WHAT WAS HER PROBLEM

WITH ME.

LET ME TELL YOU MY ISSUE

WITH YOU.

TELL ME.

THAT SAME EPISODE YOU SEEN

WHERE YOU CAME INTO HIS HOUSE

AND Y'ALL WAS SITTING THERE--

[mocking laugh]

"SO SHE DON'T KNOW?"

"NAH, SHE DON'T KNOW."

THAT RIGHT THERE LET ME KNOW YOU

KNEW WHAT THE HELL WAS GOING ON.

THE FIRST EPISODE I WAS ON,

WHEN I WAS TALKING TO HIM

OUTSIDE THE POOL, I SAID,

"OH, SO YOU STICKING UP FOR HER

'CAUSE SHE YOUR BABY MAMA, NOT

'CAUSE YOU WITH HER, RIGHT?"

HE SAID, "YEAH, NOT 'CAUSE

I'M WITH HER.

'CAUSE IT'S MY BABY MAMA."

AT THE END OF THE DAY, LIKE,

BOTH OF YOU, YOU FEEL ME--

ERICA, I LOVE YOU.

YOU THE MOTHER OF MY CHILD.

I LOVE YOU TO DEATH.

LIKE, "LOVE YOU" LOVE YOU,

YOU FEEL ME?

LOVE YOU.

SHAY, I LOVE YOU.

YOU MY FRIEND,

ALWAYS BEEN MY FRIEND.

YOU BEEN THERE WITH ME, YOU--

FRIEND.

THANK YOU.

HOLD ON. HOLD ON.

FRIEND. FRIEND.

FRIEND?

JUST FRIENDS?

NO, WE GOT A LITTLE BIT MORE

THAN THAT.

WELL, HE KNOW.

LET'S BE CLEAR, I'M NOT--

BEFORE YOU GO THERE, LET ME

JUST SAY THIS.

SCRAPPY--

THAT FRIEND CARD

BEEN THROWN A LOT.

OKAY, SHAY, WELL,

LET'S GET IT CLEAR.

I DON'T HAVE JUST SEX WITH MY

FRIENDS, BOO.

ALL RIGHT, LET'S GET THAT

CLEAR.

LET'S GET THAT CLEAR.

IT WAS MORE THAN THAT.

DON'T LOOK AT IT LIKE--

BUT NOW, KNOWING HOW SHE FELT

FROM WATCHING THE SHOW AND

KNOWING WHAT IT'S DONE TO YOUR

FRIENDSHIP, IS THERE ANYTHING

YOU WANT TO SAY TO SHAY?

YES. YES.

SHAY, YOU KNOW I LOVE

THE HELL OUT YOU.

YOU MY FRIEND, LIKE, YOU--

YOU KNOW, WHEN I AIN'T GOT

NOBODY TO TALK TO, YOU KNOW,

I DEFINITELY COME HOLLER AT YOU,

YOU FEEL ME?

AND LIKE I TOLD YOU LAST TIME,

MY BABY MAMA ERICA--

I GUESS THAT'S WHERE I WANT TO

BE AT, YOU FEEL ME?

LIKE I TOLD YOU, 'CAUSE I WAS

RUNNING FROM IT, YOU KNOW WHAT

I'M SAYING?

I LIED TO YOU.

I LIED TO HER.

YOU DID. YOU LIED TO ME.

YOU LIED TO HER, SO WHAT I WAS

JUST TRYING TO CLEAR UP WAS A

BIG, FAT LIE, AND IT ALL CAME

DOWN ON YOU, SO I WAS JUST

SAYING SHE SHOULDN'T ATTACK ME.

LIKE, THAT'S ALL I'M SAYING.

I ATTACKED YOU AFTER I SEEN

THAT EPISODE.

I'M NOT EVEN GOING--

I TAKE ALL THE BLAME AS

A MAN, AS A MAN AND ALL THAT.

I WANT TO STAND UP, BE A MAN,

AND SAY I'LL TAKE THE BLAME.

AT THE END OF THE DAY, IT WAS

MORE THAN A FRIENDSHIP BECAUSE,

YES, WE WERE TRYING TO GO

SOMEWHERE, YOU FEEL ME?

BUT I FEEL LIKE IF I'M NOT IN IT

LIKE THAT, I SHOULDN'T KEEP

LAGGING YOU ON OR HURTING

YOUR FEELINGS.

YOU TOLD ME THE SAME

THING ABOUT HER.

YOU SAID THAT SHE WASN'T GIVING

YOU AFFECTION.

YOU SAID THAT YOU DID NOT WANT

TO BE THERE.

BUT YOU KNOW WHAT?

I DIDN'T GIVE HER A CHANCE TO

GIVE ME AFFECTION.

THANK YOU.

THEN GO AHEAD AND GIVE HER

A CHANCE, AND THEN, YOU KNOW,

THE THINGS THAT'S IN MY NAME

NEED TO BE IN HER NAME.

OKAY.

OKAY, WAIT A MINUTE.

LISTEN, LISTEN, THIS WHOLE

THING IS A LITTLE CONFUSING.

WHAT HE JUST DID RIGHT NOW,

HE TOLD ME HE WASN'T GONNA

DO ME LIKE THAT.

BUT YOU KNOW WHAT?

YOU KNOW WHAT, THOUGH?

BUT YOU KNOW WHAT, THOUGH?

DON'T DO ME LIKE THAT!

YOU TOLD ME YOU WEREN'T GONNA

DO ME LIKE THAT.

HOLD ON, LET ME SHOW YOU

SOMETHING!

LET ME, LET ME, LET ME, LET ME--

OKAY.

ALL RIGHT, I GUESS WE LOST

SHAY, BUT SCRAPPY'S RELATIONSHIP

WITH ERICA AND SHAY WASN'T THE

ONLY THING THAT HAD US CONFUSED.

SOMETIMES IT FELT LIKE HE WAS

SPEAKING IN A WHOLE OTHER

LANGUAGE.

CHECK THIS OUT.

I'LL BE CHILLING, YOU KNOW

WHAT I'M SAYING, DOING MY LITTLE

THIZZ-NAY-EE, YOU FEEL ME?

JUST FIND ME A LITTLE SPIZZOT,

A LITTLE PLACE.

IT'S WALLA--

IT'S WALLA MAGIC.

IT'S DONE.

OH, NOW, DON'T TEMPT ME.

THEY TEMPT ME, MAN, I'M GONNA--

YOU FIZZ ME?

JUST BE CAREFUL.

IT'S MADE FOR RASHEEDA,

THE QUIZ-NAY-EE-ZEE!

BUT SHE'S ALSO THE OTHER

SIZ-NAY-EE-ZIDE.

SIZ-NAY-EE!

THAT'S THAT GRUSTLE GANG LINGO,

MAN, YOU FEEL?

THAT'S MY LITTLE LINGO, MAN.

ALL RIGHT, IS THAT, LIKE,

AN ATLANTA THING OR A SCRAPPY

THING?

AH, THEM AIN'T GOT NOTHING TO

DO WITH ATLANTA.

I'M GONNA PUT ATLANTA ON TO

THAT, YOU FIZ-NAY-EE ME?

OKAY, GOING BACK TO YOUR

STORY--

I JUST NEEDED TO LIGHTEN UP THE

MOMENT REALLY QUICKLY--

WE SAW YOU GO BACK AND FORTH.

YOU PRETTY MUCH EXPRESSED TO

SHAY BEFORE SHE LEFT THAT YOU

WERE SORRY FOR THE WAY THAT YOU

HAD TREATED HER AND THAT YOU

DEFINITELY DO WANT TO BE WITH

ERICA, YOU SAID?

YEAH.

ALL RIGHT, ANYTHING YOU WANT

TO SAY TO ERICA RIGHT NOW?

I MEAN--DEFINITELY.

WELL, BASICALLY, YOU KNOW, LIKE,

YOU DONE BEEN THERE WITH ME, YOU

KNOW WHAT I'M SAYING?

LIKE, I DONE BEEN THERE WITH ALL

MY TEETH KNOCKED OUT MY MOUTH,

AND THERE AIN'T NOBODY CALL ME.

NOBODY GIVE NO BREAD OR NOTHING.

YOU WAS IN THERE--YOU KNOW WHAT

I'M SAYING--WHEN I WAS IN

ALL THEM DENTIST APPOINTMENTS,

HAD TO GET MY FACE

RECONSTRUCTED, YOU FEEL ME?

ALL THAT, LIKE, YOU WAS RIGHT

THERE.

THE OTHER LITTLE SITUATION THAT

HAPPENED WITH OUR LITTLE GIRL,

YOU WAS RIGHT THERE AGAIN.

I'M TALKING ABOUT, I CALLED

CRYING LIKE A BABY, AND YOU

STILL--YOU AIN'T LAUGH.

YOU AIN'T DO NOTHING.

AND I WANTED TO. I DID.

YEAH, I KNOW YOU DID, BUT I

RESPECT YOU LISTENING TO ME, AND

I LOVE YOU SO MUCH, SO I'M GONNA

PROVE TO YOU THAT I AM GONNA BE

THE MAN THAT YOU WANT

TO BE WITH.

YOU COOL WITH THAT, MOMMA?

I AM THE QUEEN.

I WILL BE SITTING ON MY THRONE

UNTIL THAT POINT IN TIME IN

WHICH YOU COME TO ME AND SAY

THAT YOU WANT TO TAKE HER HAND,

AND I'LL BE WATCHING, HOVERING

OVER, AND WAITING.

WELL, LOOK, MOM, PUT IT LIKE

THIS, YOU AIN'T GOT TO HOVER

TOO LONG.

[audience screaming]

[cheers and applause]

ARE YOU SERIOUS?

YOU AIN'T GONNA HAVE NO MORE

WORRIES OUT OF SCRAPPY MESSING

WITH NOBODY ELSE.

I'M DONE.

I WANT TO BE A MAN.

I WANT TO HAVE MY FAMILY BACK,

YOU FEELING WHAT I'M SAYING?

IF IT DON'T WORK, IT'S COOL, BUT

IS YOU GONNA MARRY A [bleep]?

YES!

YES, YES, YES.

HOLD ON. HOLD ON.

SHE SAID YES!

[cheers and applause]

IT TOO SMALL!

PUT IT RIGHT THERE.

OKAY, WE'LL GET THAT.

[cheers and applause]

WOW.

MOMMA DEE, MOMMA DEE.

AW...

LOVE YOU.

ALL RIGHT, THERE IS LOVE

IN LOVE & HIP-HOP.

COMING UP, MORE FROM THE LOVE &

HIP-HOP: ATLANTA REUNION.

THERE WAS A CHICK BUTT-NAKED

IN THE HOUSE, AND SHE WAS LIKE,

"I LIVE WITH HIM."

AND THIS WAS THE NIGHT THAT

HE PROPOSED?

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WE'RE BACK WITH MORE LOVE &

HIP-HOP: ATLANTA: THE REUNION.

THIS SEASON, WE HAD OUR COUPLES

WHO WORKED TOGETHER AND PLAYED

TOGETHER, BUT DID THEY STAY

TOGETHER?

LET'S HEAR FROM KIRK AND

RASHEEDA, BENZINO AND KARLIE,

AND WE'VE BROUGHT K.MICHELLE

UP HERE BECAUSE SHE KNOWS

A LITTLE BIT ABOUT THE SUBJECT.

FINDING THE BALANCE BETWEEN LOVE

AND CAREER--THAT'S WHAT THIS

SERIES IS ALL ABOUT, BUT THE

LOVE OF BUSINESS DOESN'T ALWAYS

MESH WITH THE BUSINESS OF LOVE,

AND WE ALL KNOW THE DANGERS OF

MIXING THE TWO.

TAKE A LOOK.

VERY NICE.

WORK THAT, KARLIE REDD.

YOU ARE THE PIECES TO MY

PUZZLE.

BEING AN INDEPENDENT ARTIST

IS REALLY HARD WHEN YOU'RE

A WIFE AND MOTHER.

STAND BY!

YO, WHERE ARE YOU?

I'M HERE, BUT I'M REALLY NOT

HERE, AND ME AND YOU AIN'T HERE.

SO WHAT'S GOING ON WITH THIS

BENZINO GUY I'M HEARING ABOUT?

EVERY WOMAN NEEDS LOVE.

GUESS WHAT, YOU WANT LOVE,

OR YOU WANT A CAREER RIGHT NOW?

YOU GOT TO MAKE A DECISION,

KARLIE, BECAUSE I CAN'T GO

THROUGH THIS.

I CAN'T LIVE MY LIFE LIKE THIS.

I JUST WANT TO BE HAPPY WITH

A MAN, YOU KNOW WHAT I'M SAYING?

WHEN BUSINESS IS INVOLVED,

NO ONE CARE IF YOU HURT.

EVERYBODY WANT YOU TO SING,

SHUT UP, AND MAKE THE MONEY.

IS IT RASHEEDA THE WIFE?

THE HOMEMAKER?

IS THAT WHO I REALLY WANT TO BE?

I'M ABOUT TO GET FIRED,

IS WHAT YOU TELLING ME.

I DON'T WANT TO SAY THAT.

THE ONLY THING WE EVER TALK

ABOUT, REALLY, IS JUST ABOUT YOU

AND YOUR CAREER.

MY SOLUTION TO THAT IS--

HOW THE [bleep] WE GONNA TALK

ABOUT A SOLUTION IF YOU DON'T

EVEN KNOW, LIKE, WHAT

THE PROBLEM IS?

THAT'S IT.

WE AIN'T ROCKING NO MORE.

SO I'LL DIRECT THE FIRST

QUESTION TO THE LADIES.

HOW HAS BEING IN YOUR

RELATIONSHIP HELPED OR HURT

YOUR CAREER?

KARLIE?

YOU JUST GOT FIND A MAN WHO

UNDERSTANDS THE CAREER THAT IS--

THAT YOU'VE WORKED SO HARD FOR

IT, AND IT'S REALLY, REALLY

IMPORTANT.

ONCE YOU FIND A MAN WHO

UNDERSTANDS THAT, THEN HE CAN BE

A PART OF THAT.

LET ME ASK YOU, RASHEEDA, HAS

IT HELPED OR HURT YOUR CAREER?

IT HAS TOTALLY HELPED MY

CAREER IN A LOT OF WAYS BECAUSE

I KNOW I GOT SOMEBODY WHO'S

LOOKING OUT FOR ME WITHOUT

A SHADOW OF A DOUBT, BUT,

YOU KNOW, IT DOES HURT IT.

IT DETERS PEOPLE A LOT OF TIMES,

AND, YOU KNOW, THAT'S SOMETHING

THAT WE HAVE TO CONSTANTLY

FIGHT.

ALL RIGHT.

AND K.MICHELLE, YOU WERE IN

A RELATIONSHIP WITH YOUR

LABEL HEAD.

MM-HMM, I AM.

AND WOULD YOU SAY THAT,

ULTIMATELY--

I MEAN, ULTIMATELY HOW--

IT WAS MESSED UP FOR ME

BECAUSE, WHEN THINGS, YOU KNOW--

WHEN PERSONAL GOT INTO IT, A LOT

OF THINGS I SUFFERED FROM WITHIN

MY CAREER, BUT AT THE END OF THE

DAY, ALL I HAVE IS MY VOICE,

YOU KNOW WHAT I'M SAYING?

SO IT'S TRICKY.

RIGHT.

WELL, GOING BACK TO YOU,

BENZINO, THAT NON-PROPOSAL--

'CAUSE I WANT TO CALL IT

A PROPOSAL, BUT IT WAS LIKE

A NON-PROPOSAL.

WHY'D YOU GO THROUGH THAT WHOLE

PROPOSAL?

BECAUSE AT THE END OF THE DAY

IT'S LIKE, YOU KNOW, I WAS

FEELING LIKE, "MAN, YOU KNOW,

I WANT TO BE MARRIED, AND,

YOU KNOW, MAYBE, LIKE, I COULD

DO THIS."

I HAD GOT THE RING, AND THEN,

YOU KNOW WHAT I'M SAYING, THINGS

JUST STARTED HAPPENING, LIKE,

I THINK KARLIE'S ABOUT THE

INDUSTRY, CAREER, MUSIC, AND,

YOU KNOW, I HAVE A CAREER TOO,

AND I WASN'T THROWING THAT UP

ALL THE TIME, BRINGING THAT UP.

I MEAN, KARLIE, LISTENING TO

ALL OF THIS RIGHT NOW, HAVE YOU

HAD A CHANCE TO EVEN TALK TO

BENZINO OR CONFRONT HIM AFTER

THAT NON-PROPOSAL?

THE DAY THAT BENZINO PROPOSED

TO ME, I WAS CRYING AND HURT.

I WAS LIKE, "I'M GOING TO HIS

HOUSE.

I'M GONNA TALK TO HIM AND TELL

HIM I'M SORRY OR, YOU KNOW,

LET'S WORK THIS OUT.

I DON'T KNOW. I DON'T KNOW."

WALKED IN THE DOOR, AND THERE

WAS A CHICK BUTT-NAKED IN THE

HOUSE, AND SHE WAS LIKE,

"I LIVE WITH HIM."

AND THIS WAS THE NIGHT THAT

HE PROPOSED?

SO WHAT I HAVE TO TELL YOU

IS, BENZINO, BABY...

[all talking at once]

YOU ARE POLYGAMOUS.

YEAH, THAT'S COOL.

SHE BROUGHT YOU A GIFT.

HERE, LET ME TAKE THAT.

THAT'S A GIFT FOR HIM.

HERE YOU GO.

BUT AT THE END OF THE DAY--

CAN I JUST--BUT CAN I JUST--

I STILL HAVE A LOT OF

FEELINGS FOR HIM.

BUT WAIT A MINUTE, THOUGH.

EVEN WHAT I SAW--

I MEAN, I SAW IT WITH MY OWN

TWO EYES.

BUT WAIT A MINUTE, THOUGH.

BUT WAIT A MINUTE.

HOLD UP.

BOO, I CAUGHT YOU DEAD-ASS

WITH A CHICK IN THE ROOM NAKED.

YOU WASN'T SUPPOSED TO BE

IN MY HOUSE.

I'M GONNA ASK ONE LAST

QUESTION, BENZINO.

BENZINO!

THE GIRL HAS BEEN LIVING

AT HIS HOUSE.

KARLIE, OVER HERE.

WOW.

OVER HERE.

IS IT SAFE TO SAY THAT THIS

RELATIONSHIP IS A WRAP?

FINITO.

KARLIE?

FINITO.

ALL RIGHT, SO LET'S MOVE ON

TO RASHEEDA AND KIRK.

YOU GUYS HAVE BEEN MARRIED

FOR ABOUT 12 YEARS...

MM-HMM.

AND HAVE BEEN WORKING

TOGETHER FOR ALMOST THE SAME

AMOUNT OF TIME, AND ACTUALLY,

UNTIL YOU CAME ON THIS SHOW,

YOU GUYS KEPT YOUR MARRIAGE

A SECRET.

DEFINITELY.

WHY IS THAT?

TELL US.

IT SEEMED LIKE WHEN YOU

DEALING WITH A FEMALE RAPPER,

IT'S BEST TO BE SINGLE.

YOU KNOW, THEY DON'T WANT

TO SEE--

THEY DON'T WANT TO SEE THAT.

YOU NEED TO CREATE THE ILLUSION

THAT YOU'RE A SINGLE ARTIST,

SOMEBODY ATTAINABLE.

I KNOW IT MUST BE HARD TO

HAVE GUYS LOOKING AT HER GOING,

"DAMN, SHE FINE."

AND GUESS WHAT, MY

CONVERSATION IS, "YEAH,

SHE COOL."

I USED TO BE LIKE, "YEAH,

IS SHE HITTING?

I DON'T KNOW.

SOMETIMES. MAYBE."

I JUST PLAY IT OFF

AND KEEP IT COOL.

AND THEN WE SAW THAT YOU

GUYS, YOU KNOW, STRUGGLED WITH

CONTINUING TO WORK TOGETHER,

AND, RASHEEDA, A LOT OF THE

VIEWERS WERE DIVIDED OVER YOUR

DECISION 'CAUSE IT ALMOST SEEMS

LIKE YOU CHOSE LOVE OVER CAREER.

WELL, THAT'S WHAT YOU'RE

SUPPOSED TO DO.

OKAY.

YOU'RE SUPPOSED TO CHOOSE

LOVE.

ALL RIGHT.

K.MICHELLE, SO WHAT DO YOU

THINK OF RASHEEDA'S DECISION

TO CHOOSE LOVE?

I THINK THAT WAS THE RIGHT

THING TO DO.

IT'S NOT A LOT OF PEOPLE THAT

ARE JUST GONNA BE THERE FOR YOU

AND LOVE YOU.

ONCE YOU GET THAT, YOU HAVE TO

DO WHAT YOU SUPPOSED TO DO TO

MAINTAIN THAT.

THAT'S GREAT WHAT THEY HAVE,

YOU KNOW WHAT I'M SAYING?

I'M NOT TAKING FROM THAT

OR ANYTHING.

WHAT ERICA AND SCRAPPY GOT, YOU

KNOW, EVERY WOMAN WANTS THAT,

YOU KNOW WHAT I'M SAYING?

SO AT THE END OF THE DAY, LOVE--

THAT'S REALLY WHAT LIFE

IS ALL ABOUT.

AND ON THAT NOTE, LET'S TAKE

A BREAK.

FOR ME TO BE ALMOST 50 YEARS

OLD AND TO SWING ON THE POLE,

BOO, IT SEEMS LIKE THE POLE

DOES A BODY GOOD.

OKAY. ALL RIGHT.

* THIS IS THE LIFE

WE'RE BACK WITH PART II

OF LOVE & HIP-HOP: ATLANTA:

THE REUNION.

THIS SEASON HAS BEEN A WILD

AND CRAZY RIDE FOR EVERYONE

ON THIS STAGE.

STEVIE, YOUR BEHAVIOR HAS BEEN

REALLY POLARIZING.

I MEAN, THE PEOPLE WHO HATE YOU,

LIKE, THEY REALLY HATE YOU.

HOW DOES THAT MAKE YOU FEEL?

THEY HATIN' ON GOD, SO WHO

AM I, YOU KNOW WHAT I'M SAYING?

WOW.

DIG THAT.

I'M WITH HIM.

ALL RIGHT.

SO FACE.

YOU KNOW.

I HEAR YOU, SCRAPPY.

YOU'RE AGREEING WITH THAT?

YEAH, THEY GONNA HATE.

OKAY.

STEVIE, I HAVE A QUESTION

FOR YOU THEN.

THIS IS FROM KALLI ON FACEBOOK.

"DO YOU THINK THAT RAT FACE

THAT YOU MAKE IS CUTE?"

[laughter]

IS THAT WHAT THEY CALLING IT,

THE RAT FACE?

WOW.

WELL, WE NOTICED THE FACIAL

EXPRESSION TOO, AND WE PUT

TOGETHER OUR OWN LITTLE HOMAGE

TO STEVIE'S RAT FACE.

LET'S TAKE A LOOK.

WHO YOU WANNA SEE?

IT'S GONNA TAKE SOME FIXING.

SOME REAL, REAL FIXING.

YOU KNOW?

YOU GOT TO BE MONOGAMOUS,

MY BROTHER.

SAMPLING THE PRODUCT.

IF I COULD DO WHATEVER I LIKE--

[muttering]

WOW.

IF EVERYBODY COULD JUST ZIP

IT AND LET ME CONTROL THE SHOW,

IT'D BE LIGHTS, CAMERA, ACTION.

[laughter]

SO LET'S GO OUT OF THIS WITH

SOME MORE QUESTIONS FROM

THE VIEWING AUDIENCE.

OKAY, WHAT DO WE HAVE?

BRETT D. FROM FACEBOOK WANTS TO

KNOW, "MOMMA DEE, I SAW A VIDEO

OF YOU ONLINE POLE DANCING.

WHAT KIND OF A GRANDMOTHER

DOES THAT?"

HERE WE GO.

SIT BACK, PRINCE.

OH, NO.

[laughter]

TO ANSWER THAT QUESTION,

WHAT TYPE OF GRANDMOTHER AM I?

I'M A VERY GOOD ONE.

VERY LOVING, CARING, AND SHARING

MOTHER AND GRANDMOTHER,

BUT CHECK GAME.

FOR ME TO BE ALMOST 50 YEARS OLD

AND CAN SWING ON A POLE AND MAKE

MONEY WITHOUT TAKING OFF MY

CLOTHES, BOO, YOU HEARD ME?

IT SEEMS LIKE THE POLE DOES

A BODY GOOD.

OKAY.

ALL RIGHT.

AND IN THAT ORDER.

SNAP.

ALL RIGHT, K.MICHELLE,

THERE'S ONE FOR YOU HERE.

TRINA FROM GEORGIA WANTS TO

KNOW, "HOW MANY RECEIPTS DOES

A PERSON HAVE TO HAVE IN ORDER

FOR YOU TO RESPECT THEM?"

[laughter]

JUST MORE THAN KARLIE HAD

TO BE TALKING TO ME.

OKAY.

BUT, YOU KNOW, YOU NEED TO

AT LEAST HAVE A WIKIPEDIA PAGE.

THAT'S ONE BIG RECEIPT.

THAT'S ALL.

A WIKIPEDIA PAGE.

BARE MINIMUM.

JUST SOMETHING.

A BARE MINIMUM SO WE CAN KIND OF

KNOW WHAT YOU'VE DONE.

NATALIE ON FACEBOOK ASKED,

"WHERE'S YOUR CAR, STEVIE J?

YOU'RE ALWAYS WALKING

SOMEWHERE."

[laughter]

WELL, I DIDN'T HAVE A CAR,

BUT NOW, YOU KNOW WHAT I'M

SAYING, I GOT A CAR, SO, YOU

KNOW WHAT I'M SAYING?

OKAY.

I'M NOT AFRAID TO SAY I

DIDN'T HAVE A CAR, YOU KNOW WHAT

I'M SAYING?

ALL RIGHT, BUT NOW YOU GOT

A CHECK, SO YOU GOT A CAR.

YEAH, YEAH, YEAH.

ALL RIGHT, IT'S ALL GOOD.

ALL RIGHT, WELL, DANIELLE FROM

BROOKLYN HAS A QUESTION

FOR YOU, MIMI.

"YOU ONLY DROPPED OFF THREE

BOXES FOR STEVIE, AND Y'ALL BEEN

TOGETHER 14 YEARS.

IS THAT ALL THE CLOTHES HE HAD?"

IS THAT EVERYTHING THAT HE HAD?

HAD I DROPPED OFF EVERYTHING,

I WOULD HAVE HAD TO CALL

THE MOVERS.

ALL RIGHT.

WELL, WE'LL FIND OUT WHAT'S NEXT

FOR THE LOVE & HIP-HOP: ATLANTA

CAST AFTER THE BREAK.

STAY TUNED.

ERICA, YOU CHEESING?

I'M SO FREAKING HAPPY.

LIKE, MY HEART IS JUST BEATING.

SCRAPPY, ANYTHING YOU HAVE

TO SAY?

I'M HAPPY.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

AND WE'RE BACK WITH PART II

OF LOVE & HIP-HOP: ATLANTA:

THE REUNION.

WE'VE GOT THE WHOLE CAST UP HERE

FINALLY LOOKING LIKE ONE BIG

HAPPY--ARE WE ALL GOOD?

WE GOOD.

ALL RIGHT, 'CAUSE I KNOW THE

ONE COUPLE THAT IS VERY HAPPY

RIGHT NOW IS SCRAPPY AND ERICA,

AND, ERICA, YOU CHEESING?

CONGRATULATIONS.

HOW DO YOU FEEL, ERICA?

LET ME HEAR FROM YOU.

I CAN'T EVEN EXPLAIN.

LIKE, I TOLD HIM, I WAS LIKE,

"I'M SO FREAKING HAPPY.

LIKE, MY HEART IS JUST BEATING."

OH, WOW.

WELL, MOMMA DEE, ANYTHING THAT

YOU WANT TO SAY TO ERICA?

WHAT'S GOOD FOR THE PRINCE

IS GOOD FOR THE QUEEN.

WELCOME TO THE PALACE.

WOW.

SCRAPPY, ANYTHING YOU HAVE

TO SAY?

I'M HAPPY.

THANKS SO MUCH FOR JOINING US

FOR LOVE & HIP-HOP: ATLANTA:

THE REUNION.

THAT'S ALL THE TIME WE HAVE FOR

TONIGHT, BUT DON'T WORRY.

WE WILL BE BACK WITH SEASON TWO

OF ATLANTA, BUT BEFORE THAT,

MAKE SURE YOU CATCH SEASON THREE

OF THE ORIGINAL LOVE & HIP-HOP.

FLEX.

THAT'S RIGHT, LOVE & HIP-HOP

IS BACK IN THE BIG APPLE, BABY.

MAKE SURE YOU TUNE IN.

YOU KNOW WHAT IT IS.