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These are the user uploaded subtitles that are being translated: 1 00:00:02,667 --> 00:00:03,833 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:03,833 --> 00:00:04,567 ATLANTA... 3 00:00:04,567 --> 00:00:05,600 I WANT TO BE IN LOVE. 4 00:00:05,600 --> 00:00:06,833 I WANT TO BE A ONE-WOMAN GUY. 5 00:00:06,833 --> 00:00:08,000 I KNOW I COULD BE. 6 00:00:08,000 --> 00:00:10,067 I HAD A TALK WITH MALCOLM. 7 00:00:10,067 --> 00:00:12,033 HE SUGGESTED THAT I NEEDED TO 8 00:00:12,033 --> 00:00:13,967 STAY HOT, AND BENZINO'S 9 00:00:13,967 --> 00:00:15,100 A LITTLE COLD. 10 00:00:15,100 --> 00:00:16,067 THEY NEED TO GET YOU A HIT 11 00:00:16,067 --> 00:00:17,133 MOTHER[bleep] RECORD, 'CAUSE 12 00:00:17,133 --> 00:00:17,900 IT'S NOT LIKE YOU'RE SO 13 00:00:17,900 --> 00:00:18,833 MOTHER[bleep] HOT YOURSELF 14 00:00:18,833 --> 00:00:20,433 EITHER. 15 00:00:20,433 --> 00:00:22,667 D-LO IS MY HUSBAND AND MY 16 00:00:22,667 --> 00:00:23,467 MANAGER. 17 00:00:23,467 --> 00:00:25,367 WE GOT TO LOOK AT 18 00:00:25,367 --> 00:00:26,300 THAT PICTURE. 19 00:00:26,300 --> 00:00:27,833 WHY DON'T WE EVEN CONSIDER 20 00:00:27,833 --> 00:00:29,000 MAYBE YOU STEPPING DOWN A 21 00:00:29,000 --> 00:00:30,700 LITTLE BIT AND ALLOWING ME TO 22 00:00:30,700 --> 00:00:31,733 EXPLORE SOME OPTIONS ON 23 00:00:31,733 --> 00:00:32,400 MANAGEMENT? 24 00:00:32,400 --> 00:00:33,300 IF THAT'S GONNA BRING MY 25 00:00:33,300 --> 00:00:34,867 FRIEND BACK, THAT'S GONNA BRING 26 00:00:34,867 --> 00:00:36,300 THE PERSON THAT I LOVE BACK, I'M 27 00:00:36,300 --> 00:00:37,300 DOWN FOR THAT. 28 00:00:37,300 --> 00:00:38,100 WHAT'S SUSTAINING Y'ALL 29 00:00:38,100 --> 00:00:39,633 RELATIONSHIP RIGHT NOW? 30 00:00:39,633 --> 00:00:40,767 BABY MAMA, BABY DADDY. 31 00:00:40,767 --> 00:00:41,567 YOU DON'T DEAL WITH HER AT 32 00:00:41,567 --> 00:00:42,433 ALL, AS FAR AS WITH THE 33 00:00:42,433 --> 00:00:43,467 RELATIONSHIP. 34 00:00:43,467 --> 00:00:44,733 I CAN'T DO IT. 35 00:00:44,733 --> 00:00:46,267 SHE DON'T KNOW ABOUT... 36 00:00:46,267 --> 00:00:47,633 [laughs] NOTHIN'. 37 00:00:47,633 --> 00:00:48,400 NOTHIN'? 38 00:00:48,400 --> 00:00:49,600 [laughter] 39 00:00:49,600 --> 00:00:50,500 JOSELINE THREATENED 40 00:00:50,500 --> 00:00:51,533 BABY MAMA. 41 00:00:51,533 --> 00:00:52,433 WHY WOULD SHE BE FLIPPIN' 42 00:00:52,433 --> 00:00:53,733 OUT, LIKE, FOR WHAT? 43 00:00:53,733 --> 00:00:54,733 ARE Y'ALL STILL [bleep] AROUND? 44 00:00:54,733 --> 00:00:55,733 OCCASIONALLY, I TAKE 45 00:00:55,733 --> 00:00:56,900 A DIP BACK. 46 00:00:56,900 --> 00:00:57,833 SO I'M SUPPOSED TO BELIEVE 47 00:00:57,833 --> 00:00:58,733 THAT YOU'RE NOT GONNA SLEEP WITH 48 00:00:58,733 --> 00:01:00,433 HER AGAIN? 49 00:01:00,433 --> 00:01:02,633 I'M NOT DOIN' NO OTHER WOMEN. 50 00:01:06,167 --> 00:01:07,667 * THIS IS THE LIFE 51 00:01:07,667 --> 00:01:08,767 ♪ THIS IS THE LIFE 52 00:01:08,767 --> 00:01:09,433 * YEAH 53 00:01:09,433 --> 00:01:10,167 * THIS IS THE LIFE 54 00:01:10,167 --> 00:01:11,133 ♪ THIS IS THE LIFE 55 00:01:11,133 --> 00:01:11,733 * 'SUP ♪ 56 00:01:11,733 --> 00:01:12,600 * THIS IS THE LIFE 57 00:01:12,600 --> 00:01:13,633 ♪ THIS IS THE LIFE 58 00:01:13,633 --> 00:01:14,300 * HUH 59 00:01:14,300 --> 00:01:15,067 * THIS IS THE LIFE 60 00:01:15,067 --> 00:01:18,167 ♪ THIS IS THE LIFE 61 00:01:18,167 --> 00:01:18,833 * HUH 62 00:01:18,833 --> 00:01:19,733 ♪ THERE AIN'T NOTHING LIKE ♪ 63 00:01:19,733 --> 00:01:20,833 ♪ HIP-HOP MUSIC 64 00:01:20,833 --> 00:01:21,800 ♪ MUSIC 65 00:01:21,800 --> 00:01:22,867 * THIS IS THE LIFE 66 00:01:22,867 --> 00:01:27,267 ♪ THIS IS THE LIFE 67 00:01:36,733 --> 00:01:38,367 SO AFTER THE THERAPY SESSION, 68 00:01:38,367 --> 00:01:40,467 I JUST WANTED TO SEE MIMI HAPPY. 69 00:01:40,467 --> 00:01:41,767 AND I WANTED TO SPEND SOME TIME 70 00:01:41,767 --> 00:01:42,867 WITH HER AND THE BABY, SO I 71 00:01:42,867 --> 00:01:44,433 SUGGESTED A LITTLE, YOU KNOW, 72 00:01:44,433 --> 00:01:45,667 QUALITY TIME IN THE PARK 73 00:01:45,667 --> 00:01:47,200 SO MIMI AND I CAN SORT OVER 74 00:01:47,200 --> 00:01:49,600 THINGS AND WE COULD FIX THIS. 75 00:01:49,600 --> 00:01:51,300 YOU LIKE THE BUBBLES, BABY? 76 00:01:51,300 --> 00:01:52,433 YEAH. 77 00:01:52,433 --> 00:01:53,633 ISN'T THIS BEAUTIFUL? 78 00:01:53,633 --> 00:01:55,067 I LOVE THE FAMILY OUTING. 79 00:01:55,067 --> 00:01:56,700 IF I COULD GET YOU AROUND 80 00:01:56,700 --> 00:01:58,767 SOMETIMES, IT'D BE GREAT. 81 00:01:58,767 --> 00:02:00,067 I WANT TO MAKE EVERY STEP I 82 00:02:00,067 --> 00:02:01,700 CAN, YOU KNOW, TO MAKE SURE WE 83 00:02:01,700 --> 00:02:02,967 GET ON THE RIGHT TRACK 84 00:02:02,967 --> 00:02:03,933 RIGHT NOW. 85 00:02:03,933 --> 00:02:06,800 AND I THINK DR. JEFF HAD A LOT 86 00:02:06,800 --> 00:02:08,867 TO DO WITH WHERE MY MENTAL GAME 87 00:02:08,867 --> 00:02:10,533 IS RIGHT NOW. 88 00:02:10,533 --> 00:02:11,900 STEVIE MAY THINK HE MADE A 89 00:02:11,900 --> 00:02:13,367 BREAKTHROUGH WITH DR. JEFF, 90 00:02:13,367 --> 00:02:15,067 SITTING THERE AT THERAPY AND, 91 00:02:15,067 --> 00:02:17,100 "YES," AND, "I REALIZE," AND ALL 92 00:02:17,100 --> 00:02:18,633 THIS, THAT, AND THE THIRD. 93 00:02:18,633 --> 00:02:19,833 BUT GUESS WHAT. 94 00:02:19,833 --> 00:02:21,500 TOMORROW IT'LL BE BACK TO THE 95 00:02:21,500 --> 00:02:23,267 SAME OLD BULL[bleep]. 96 00:02:23,267 --> 00:02:24,733 HE NEEDS TO UNDERSTAND THAT HE 97 00:02:24,733 --> 00:02:25,767 CANNOT MAKE THE SAME MISTAKES 98 00:02:25,767 --> 00:02:26,667 AGAIN. 99 00:02:26,667 --> 00:02:27,900 I KNOW WE'VE KNOWN EACH OTHER A 100 00:02:27,900 --> 00:02:30,267 LONG TIME, AND I DON'T WANT YOU 101 00:02:30,267 --> 00:02:32,900 TO THINK OR GET SO COMFORTABLE 102 00:02:32,900 --> 00:02:35,633 THAT YOU THINK I AM SO COOL 103 00:02:35,633 --> 00:02:37,267 THAT ANYTHING GOES. 104 00:02:37,267 --> 00:02:38,567 I'M NOT THAT COOL. 105 00:02:38,567 --> 00:02:39,333 I JUST WANT YOU TO KNOW. 106 00:02:39,333 --> 00:02:40,200 I'M NOT SAYING THAT ANYTHING 107 00:02:40,200 --> 00:02:40,967 GOES. 108 00:02:40,967 --> 00:02:41,833 YOU'RE GONNA HAVE TO REBUILD 109 00:02:41,833 --> 00:02:42,967 SOME TRUST WITH ME. 110 00:02:42,967 --> 00:02:43,933 I MEAN, I KNOW YOU SAID YOU 111 00:02:43,933 --> 00:02:45,867 APOLOGIZE AND YOU'RE SORRY AND 112 00:02:45,867 --> 00:02:46,767 NO MORE, NO MORE. 113 00:02:46,767 --> 00:02:49,900 BUT THE TRUST IS JUST... 114 00:02:49,900 --> 00:02:50,633 DEMOLISHED. 115 00:02:50,633 --> 00:02:52,400 YOU HAVE NO IDEA. 116 00:02:52,400 --> 00:02:54,133 CONSIDERING WHAT HAS HAPPENED 117 00:02:54,133 --> 00:02:56,767 BETWEEN YOU GUYS, FOR ME TO 118 00:02:56,767 --> 00:02:59,133 RIGHT NOW SAY, "OKAY, YOU GUYS 119 00:02:59,133 --> 00:03:01,600 CAN JUST BE MANAGER AND--AND 120 00:03:01,600 --> 00:03:03,900 CLIENT"? 121 00:03:03,900 --> 00:03:05,833 I DON'T BELIEVE THAT. 122 00:03:05,833 --> 00:03:06,867 I CAN UNDERSTAND WHERE MIMI 123 00:03:06,867 --> 00:03:07,933 IS COMING FROM. 124 00:03:07,933 --> 00:03:09,267 YOU KNOW, SHE DOESN'T TRUST ME. 125 00:03:09,267 --> 00:03:10,100 I'VE LIED TO HER OVER 126 00:03:10,100 --> 00:03:11,100 AND OVER AGAIN. 127 00:03:11,100 --> 00:03:12,200 NOBODY'S PERFECT. 128 00:03:12,200 --> 00:03:13,100 I'M NOT. 129 00:03:13,100 --> 00:03:14,433 SHOW ME A PERFECT MAN, AND I'LL 130 00:03:14,433 --> 00:03:15,367 SHOW YOU A LIAR. 131 00:03:15,367 --> 00:03:16,767 I KNOW WHAT MY ISSUES ARE, YOU 132 00:03:16,767 --> 00:03:17,600 KNOW WHAT I'M SAYING? 133 00:03:17,600 --> 00:03:18,700 I'M JUST SPEAKING FOR ME, 134 00:03:18,700 --> 00:03:19,367 KNOW WHAT I'M SAYING? 135 00:03:19,367 --> 00:03:20,067 EVERYBODY GOT THEIR OWN 136 00:03:20,067 --> 00:03:21,667 PERSONAL VIETNAMS, 137 00:03:21,667 --> 00:03:22,467 RIGHT? 138 00:03:22,467 --> 00:03:23,200 CORRECT. 139 00:03:23,200 --> 00:03:24,200 AND TO MAKE THE WHOLE 140 00:03:24,200 --> 00:03:26,300 SITUATION EXPLODE WAS MY LIES. 141 00:03:26,300 --> 00:03:27,767 AND I DON'T WANT TO BE A LIAR 142 00:03:27,767 --> 00:03:28,667 ANYMORE. 143 00:03:28,667 --> 00:03:30,767 I WANT US ALL TO SIT DOWN 144 00:03:30,767 --> 00:03:32,567 IN COUNSELING SO WE ALL COULD 145 00:03:32,567 --> 00:03:34,267 BE ABLE TO WORK TOGETHER. 146 00:03:34,267 --> 00:03:35,100 WHAT? 147 00:03:35,100 --> 00:03:36,400 I WANT US ALL-- 148 00:03:36,400 --> 00:03:37,067 ALL THREE OF US? 149 00:03:37,067 --> 00:03:37,733 YES. 150 00:03:37,733 --> 00:03:38,400 FOR WHAT? 151 00:03:38,400 --> 00:03:39,667 I BELIEVE THAT'S THE BEST WAY 152 00:03:39,667 --> 00:03:42,200 TO SORT OUT WHAT IT IS. 153 00:03:42,200 --> 00:03:43,233 I'M IN A RELATIONSHIP WITH 154 00:03:43,233 --> 00:03:45,200 STEVIE, NOT JOSELINE. 155 00:03:45,200 --> 00:03:47,200 SO WHY THE [bleep] WOULD I HAVE 156 00:03:47,200 --> 00:03:49,600 JOSELINE AT MY THERAPY SESSION? 157 00:03:49,600 --> 00:03:50,900 FOR WHAT? 158 00:03:50,900 --> 00:03:51,567 PLEASE. 159 00:03:51,567 --> 00:03:52,333 I DON'T KNOW HOW I FEEL 160 00:03:52,333 --> 00:03:53,067 ABOUT THAT. 161 00:03:53,067 --> 00:03:53,900 COME ON. 162 00:03:53,900 --> 00:03:54,567 ALL RIGHT. 163 00:03:54,567 --> 00:03:55,500 I HAD TO THINK ABOUT GOING TO 164 00:03:55,500 --> 00:03:56,500 COUNSELING TOO. 165 00:03:56,500 --> 00:03:57,500 NO, I DON'T HAVE A PROBLEM 166 00:03:57,500 --> 00:03:58,500 WITH GOING TO COUNSELING. 167 00:03:58,500 --> 00:04:00,267 I HAVE A PROBLEM GOING TO 168 00:04:00,267 --> 00:04:01,500 COUNSELING WITH YOU AND HER. 169 00:04:01,500 --> 00:04:02,700 IT'S ALL MY FAULT, SO CAN I 170 00:04:02,700 --> 00:04:03,500 FIX IT? 171 00:04:03,500 --> 00:04:05,700 PLEASE? 172 00:04:07,667 --> 00:04:10,267 I'LL THINK ABOUT IT, STEVIE. 173 00:04:21,200 --> 00:04:22,667 THE LAST TIME I SAW JOSELINE, 174 00:04:22,667 --> 00:04:24,233 SHE WAS TOTALLY AGAINST US 175 00:04:24,233 --> 00:04:25,067 WORKING TOGETHER. 176 00:04:25,067 --> 00:04:26,567 SO I WAS THE BIGGER PERSON. 177 00:04:26,567 --> 00:04:27,767 I CALLED HER UP TO COOL DOWN 178 00:04:27,767 --> 00:04:28,533 THE TENSION. 179 00:04:28,533 --> 00:04:29,500 'CAUSE HOW WE GONNA MAKE GOOD 180 00:04:29,500 --> 00:04:30,567 MUSIC IF WE FIGHTIN' 181 00:04:30,567 --> 00:04:31,233 ALL THE TIME? 182 00:04:31,233 --> 00:04:32,400 HOW'S IT GOING? 183 00:04:32,400 --> 00:04:33,467 WHAT'S UP? 184 00:04:33,467 --> 00:04:35,400 SO LET ME JUST GET STRAIGHT 185 00:04:35,400 --> 00:04:36,200 TO THE POINT. 186 00:04:36,200 --> 00:04:37,567 I BROUGHT YOU HERE TODAY 187 00:04:37,567 --> 00:04:39,067 'CAUSE EVERY TIME WE MEET, 188 00:04:39,067 --> 00:04:40,233 YOU ALWAYS COMIN' AT ME ON SOME 189 00:04:40,233 --> 00:04:40,933 RAH-RAH [bleep]. 190 00:04:40,933 --> 00:04:41,700 HOW IS THAT? 191 00:04:41,700 --> 00:04:42,567 YOU KNOW, IT'S A LITTLE 192 00:04:42,567 --> 00:04:44,200 TENSION IN THE AIR. 193 00:04:44,200 --> 00:04:46,067 SO I BROUGHT YOU HERE TODAY SO 194 00:04:46,067 --> 00:04:47,467 WE CAN CLEAR THE AIR. 195 00:04:47,467 --> 00:04:48,367 HOW WE GONNA DO THAT? 196 00:04:48,367 --> 00:04:49,567 WE GON' BE WORKING TOGETHER, 197 00:04:49,567 --> 00:04:50,667 OBVIOUSLY. 198 00:04:50,667 --> 00:04:51,367 ARE WE? 199 00:04:51,367 --> 00:04:52,833 I MEAN, IF MANAGEMENT LIKES 200 00:04:52,833 --> 00:04:53,900 IT, THEN... 201 00:04:53,900 --> 00:04:54,600 MANAGEMENT LIKE IT. 202 00:04:54,600 --> 00:04:55,533 YOU KNOW HOW THE INDUSTRY 203 00:04:55,533 --> 00:04:56,200 WORKS? 204 00:04:56,200 --> 00:04:56,967 OKAY, WELL, YOUR MANAGER 205 00:04:56,967 --> 00:04:58,333 CAN'T AGREE WITH MY MANAGER IF 206 00:04:58,333 --> 00:04:59,733 HE'S NO LONGER MY MANAGER. 207 00:04:59,733 --> 00:05:00,900 STEVIE'S NOT MANAGING YOU? 208 00:05:00,900 --> 00:05:02,667 HE'S STILL MANAGING ME, OF 209 00:05:02,667 --> 00:05:04,200 COURSE, BUT I'M DOING MORE 210 00:05:04,200 --> 00:05:05,100 THINGS FOR MYSELF. 211 00:05:05,100 --> 00:05:05,933 SO YOU STILL WANT TO WORK 212 00:05:05,933 --> 00:05:07,067 WITH HIM AS A PRODUCER 213 00:05:07,067 --> 00:05:07,867 FOR OUR SONG? 214 00:05:07,867 --> 00:05:08,667 YOU DON'T HAVE TO DO A SONG 215 00:05:08,667 --> 00:05:09,933 WITH ME, BECAUSE YOU COULD JUST 216 00:05:09,933 --> 00:05:10,600 WORK WITH STEVIE. 217 00:05:10,600 --> 00:05:11,267 YOU CAN CALL HIM. 218 00:05:11,267 --> 00:05:12,667 WHAT'S THE CHANGE OF HEART? 219 00:05:12,667 --> 00:05:14,067 I FEEL LIKE I WORK BETTER 220 00:05:14,067 --> 00:05:16,067 WITHOUT STEVIE ON TOP OF MY 221 00:05:16,067 --> 00:05:17,067 BACK, YOU KNOW? 222 00:05:17,067 --> 00:05:18,200 FOR US, BEING PERSONALLY 223 00:05:18,200 --> 00:05:19,367 TOGETHER, I DON'T THINK IT'S 224 00:05:19,367 --> 00:05:20,733 GONNA WORK. 225 00:05:20,733 --> 00:05:21,567 WOW. 226 00:05:21,567 --> 00:05:23,367 I'M SHOCKED. 227 00:05:23,367 --> 00:05:24,500 I DON'T NEED STEVIE AT ALL, 228 00:05:24,500 --> 00:05:25,300 AND I'M GONNA MAKE IT 229 00:05:25,300 --> 00:05:26,067 NO MATTER WHAT. 230 00:05:26,067 --> 00:05:26,900 SO IF KARLIE WANT TO GO WORK 231 00:05:26,900 --> 00:05:29,067 WITH HIM, BE MY GUEST. 232 00:05:29,067 --> 00:05:29,833 NOW THAT YOU'RE TELLING ME 233 00:05:29,833 --> 00:05:31,633 ALL THIS, YOU HAVE TO ADMIT 234 00:05:31,633 --> 00:05:32,467 I WAS RIGHT. 235 00:05:32,467 --> 00:05:33,367 RIGHT ABOUT WHAT? 236 00:05:33,367 --> 00:05:34,500 YOU MESSIN' WITH STEVIE J. 237 00:05:34,500 --> 00:05:35,567 BUT YOU WASN'T RIGHT, 238 00:05:35,567 --> 00:05:36,600 BECAUSE I'VE NEVER DONE ANYTHING 239 00:05:36,600 --> 00:05:37,767 IN FRONT OF YOU FOR YOU TO THINK 240 00:05:37,767 --> 00:05:39,300 THAT I WAS DATING STEVIE. 241 00:05:39,300 --> 00:05:40,600 YOU JUST ASSUMED. 242 00:05:40,600 --> 00:05:42,267 YOU DIDN'T SEE US DO ANYTHING. 243 00:05:42,267 --> 00:05:43,067 ALL I KNOW IS, 244 00:05:43,067 --> 00:05:44,767 AT THE END OF THE DAY, YOU WERE 245 00:05:44,767 --> 00:05:45,633 MESSING WITH STEVIE. 246 00:05:45,633 --> 00:05:46,767 WHY WAS YOU SO WORRIED ABOUT 247 00:05:46,767 --> 00:05:47,867 ME MESSING WITH STEVIE ANYWAY? 248 00:05:47,867 --> 00:05:49,200 YOU MUST WANT TO MESS WITH HIM. 249 00:05:49,200 --> 00:05:50,067 TELL ME. 250 00:05:50,067 --> 00:05:51,533 NO, WHY WOULD I [bleep] WITH 251 00:05:51,533 --> 00:05:53,400 STEVIE WHEN--GUESS WHO I 252 00:05:53,400 --> 00:05:54,600 [bleep] WITH. 253 00:05:54,600 --> 00:05:55,433 I DON'T KNOW, AND I DON'T 254 00:05:55,433 --> 00:05:56,133 CARE. 255 00:05:56,133 --> 00:05:56,800 BENZINO. 256 00:05:56,800 --> 00:05:58,167 YOU MESS WITH BENZINO? 257 00:05:58,167 --> 00:05:59,067 WHEN Y'ALL STARTED MESSING 258 00:05:59,067 --> 00:05:59,700 AROUND? 259 00:05:59,700 --> 00:06:00,633 WE MET AT THE STUDIO. 260 00:06:00,633 --> 00:06:03,700 YOU LOOK LIKE YOU IN LOVE. 261 00:06:03,700 --> 00:06:06,367 THEM LASHES WENT LIKE THIS. 262 00:06:08,267 --> 00:06:10,733 KARLIE, GIRL, MM. 263 00:06:10,733 --> 00:06:11,467 WHAT HAPPENED? 264 00:06:11,467 --> 00:06:12,200 Y'ALL MET AT THE STUDIO 265 00:06:12,200 --> 00:06:12,833 AND WHAT? 266 00:06:12,833 --> 00:06:13,600 WELL, I LOOK LIKE YOU WHEN 267 00:06:13,600 --> 00:06:14,600 YOU WERE CRAZY OVER STEVIE. 268 00:06:14,600 --> 00:06:16,200 NO, NO, I NEVER DID THAT. 269 00:06:16,200 --> 00:06:16,800 OH, WHAT? 270 00:06:16,800 --> 00:06:17,467 YOU DID WORSE. 271 00:06:17,467 --> 00:06:18,200 PLEASE. 272 00:06:18,200 --> 00:06:18,800 THIS AIN'T ABOUT ME. 273 00:06:18,800 --> 00:06:19,467 THIS IS ABOUT YOU. 274 00:06:19,467 --> 00:06:20,233 YOU WOULD TURN THE TABLE 275 00:06:20,233 --> 00:06:21,667 UPSIDE DOWN FOR STEVIE. 276 00:06:21,667 --> 00:06:22,400 THIS IS NOT ABOUT ME. 277 00:06:22,400 --> 00:06:23,500 THIS IS ABOUT YOU AND BENZINO. 278 00:06:23,500 --> 00:06:24,500 SO WHAT WENT ON? 279 00:06:24,500 --> 00:06:25,333 WHAT DO YOU THINK ABOUT HIM? 280 00:06:25,333 --> 00:06:26,100 YOU KNOW, THAT'S LIKE MY 281 00:06:26,100 --> 00:06:27,200 BROTHER 'CAUSE OF STEVIE, 282 00:06:27,200 --> 00:06:27,833 YOU KNOW. 283 00:06:27,833 --> 00:06:28,700 I LOVE HIM. 284 00:06:28,700 --> 00:06:30,067 YOU KNOW, BUT JUST MAKE SURE YOU 285 00:06:30,067 --> 00:06:31,433 DO HIM RIGHT... 286 00:06:31,433 --> 00:06:32,667 OR YOU GONNA HAVE A PROBLEM. 287 00:06:32,667 --> 00:06:33,633 OH, MAKE SURE HE DO ME RIGHT. 288 00:06:33,633 --> 00:06:34,400 OH, HE GONNA DO YOU RIGHT, 289 00:06:34,400 --> 00:06:35,233 'CAUSE HE'S A MAN. 290 00:06:35,233 --> 00:06:36,533 JUST BE HAPPY FOR ME. 291 00:06:36,533 --> 00:06:38,467 I'M HAPPY FOR HIM. 292 00:06:38,467 --> 00:06:39,600 BE HAPPY FOR ME TOO. 293 00:06:39,600 --> 00:06:40,700 I CAN'T BE THAT HAPPY FOR YOU 294 00:06:40,700 --> 00:06:41,700 YET, 'CAUSE I GOT TO SEE WHERE 295 00:06:41,700 --> 00:06:42,800 WE GOING WITH THIS 'CAUSE I'M 296 00:06:42,800 --> 00:06:43,767 STILL MAD AT YOUR ASS. 297 00:06:43,767 --> 00:06:45,067 I KNOW SHE'S, LIKE, REAL FAKE 298 00:06:45,067 --> 00:06:45,967 AND PHONY. 299 00:06:45,967 --> 00:06:46,900 AND SHE'S FROM L.A. 300 00:06:46,900 --> 00:06:47,867 THEY ALL FAKE AND PHONY. 301 00:06:47,867 --> 00:06:48,567 THEY ALWAYS PUTTIN' ON 302 00:06:48,567 --> 00:06:49,233 THAT FRONT. 303 00:06:49,233 --> 00:06:50,167 [whimpering] 304 00:06:50,167 --> 00:06:51,633 "MY NAME IS KARLIE." 305 00:06:51,633 --> 00:06:52,700 BITCH, SHUT UP. 306 00:06:52,700 --> 00:06:53,733 YOU'RE FROM THE HOOD. 307 00:06:53,733 --> 00:06:54,933 BUT I FEEL LIKE I SHOULD GIVE 308 00:06:54,933 --> 00:06:57,400 HER A CHANCE, BECAUSE MAYBE SHE 309 00:06:57,400 --> 00:06:59,133 JUST HAVE TO BE THAT WAY 'CAUSE 310 00:06:59,133 --> 00:07:00,700 EVERYBODY MADE HER THAT WAY. 311 00:07:00,700 --> 00:07:01,767 I CAN STILL BE MAD AT YOU, 312 00:07:01,767 --> 00:07:03,100 BUT I DON'T HOLD GRUDGES. 313 00:07:03,100 --> 00:07:04,367 WHAT HAPPENED HAPPENED, 314 00:07:04,367 --> 00:07:06,567 AND NOW WE'RE HERE, SO... 315 00:07:06,567 --> 00:07:07,300 YOU'RE RIGHT. 316 00:07:07,300 --> 00:07:09,300 OKAY. 317 00:07:10,833 --> 00:07:12,200 * SHE STUPID FINE 318 00:07:12,200 --> 00:07:13,767 ♪ SHE A VAMPIRE 319 00:07:13,767 --> 00:07:15,700 ♪ I THINK SHE READ MINDS 320 00:07:15,700 --> 00:07:19,067 BOW. BOW. 321 00:07:19,067 --> 00:07:20,067 ♪ RED BOTTLE 322 00:07:20,067 --> 00:07:21,200 ♪ HIGH HEELS 323 00:07:21,200 --> 00:07:22,500 ♪ DON'T MATCH HER BAGS ♪ 324 00:07:22,500 --> 00:07:25,967 * ALL SHE WANT IS BAGS 325 00:07:25,967 --> 00:07:28,067 ♪ RED BOTTLE, HIGH HEELS 326 00:07:28,067 --> 00:07:29,067 * DON'T MATCH THE BAG ♪ 327 00:07:29,067 --> 00:07:32,867 OKAY. 328 00:07:32,867 --> 00:07:34,200 HI, RASHEEDA. 329 00:07:34,200 --> 00:07:35,467 SO SCRAP CALLED ME TO COME TO 330 00:07:35,467 --> 00:07:36,700 THE STUDIO AND LISTEN TO THIS 331 00:07:36,700 --> 00:07:37,667 TRACK THAT HE WANT ME TO 332 00:07:37,667 --> 00:07:39,367 COLLAB ON AND PERFORM AT HIS 333 00:07:39,367 --> 00:07:40,400 MIX TAPE RELEASE. 334 00:07:40,400 --> 00:07:42,800 AND I WALK IN, AND I SEE SHAY. 335 00:07:42,800 --> 00:07:44,067 AND I'M LIKE, "OKAY, I'VE SEEN 336 00:07:44,067 --> 00:07:44,700 SHAY AROUND. 337 00:07:44,700 --> 00:07:45,900 I KNOW HER FROM THE INDUSTRY." 338 00:07:45,900 --> 00:07:46,900 BUT I'M LOOKIN', LIKE, 339 00:07:46,900 --> 00:07:47,933 "WAIT A MINUTE. 340 00:07:47,933 --> 00:07:49,600 WHAT'S SHE DOING UP IN HERE?" 341 00:07:49,600 --> 00:07:50,467 HE WAS JUST TELLING ME YOU 342 00:07:50,467 --> 00:07:52,067 SUPPOSED TO BE ON THIS SONG. 343 00:07:52,067 --> 00:07:52,833 WHOO! 344 00:07:52,833 --> 00:07:53,700 THE SINGLE. 345 00:07:53,700 --> 00:07:54,567 THAT'S WHAT I CAME FOR. 346 00:07:54,567 --> 00:07:55,533 I CAME TO LISTEN. 347 00:07:55,533 --> 00:07:57,067 THIS IS MADE FOR RASHEEDA. 348 00:07:57,067 --> 00:07:58,633 YOU FEEL ME? 349 00:07:58,633 --> 00:08:00,200 THIS IS MADE FOR RASHEEDA? 350 00:08:00,200 --> 00:08:01,200 THE QUEEN'S NOT EASY. 351 00:08:01,200 --> 00:08:01,867 YOU GONNA REPRESENT 352 00:08:01,867 --> 00:08:02,700 FOR THE LADIES? 353 00:08:02,700 --> 00:08:03,433 OH, THAT'S ALL I DO. 354 00:08:03,433 --> 00:08:04,200 I ALREADY KNOW SHE IS. 355 00:08:04,200 --> 00:08:05,700 [indistinct] 356 00:08:05,700 --> 00:08:07,067 WELL, I DON'T WANT TO 357 00:08:07,067 --> 00:08:07,767 INTERRUPT Y'ALL. 358 00:08:07,767 --> 00:08:08,600 I'M GONNA LET Y'ALL DO 359 00:08:08,600 --> 00:08:09,267 WHAT Y'ALL DO. 360 00:08:09,267 --> 00:08:09,933 ALL RIGHT. 361 00:08:09,933 --> 00:08:11,200 TALK TO YOU LATER. BYE. 362 00:08:11,200 --> 00:08:11,833 both: MWAH! 363 00:08:11,833 --> 00:08:12,700 ALL DAY. 364 00:08:12,700 --> 00:08:13,833 SERIOUSLY, SCRAP? 365 00:08:13,833 --> 00:08:15,500 YOU JUST BROKE UP WITH ERICA, 366 00:08:15,500 --> 00:08:16,533 AND YOU DONE MOVED ON TO THE 367 00:08:16,533 --> 00:08:17,367 NEXT CHICK 368 00:08:17,367 --> 00:08:18,433 AND YOU KNOW I GET DOWN WITH 369 00:08:18,433 --> 00:08:19,200 ERICA? 370 00:08:19,200 --> 00:08:19,867 COME ON, NOW. 371 00:08:19,867 --> 00:08:20,667 YOU KNOW I'MA GIVE IT TO YOU 372 00:08:20,667 --> 00:08:21,333 STRAIGHT. 373 00:08:21,333 --> 00:08:23,600 WHAT'S UP WITH... 374 00:08:23,600 --> 00:08:24,533 ALL THAT? 375 00:08:24,533 --> 00:08:25,533 OH, SHAY? 376 00:08:25,533 --> 00:08:26,333 Y-YEAH. 377 00:08:26,333 --> 00:08:27,567 OH, NO, SHE--YOU KNOW, 378 00:08:27,567 --> 00:08:29,900 THAT'S THE HOMEY, BUT, YOU KNOW. 379 00:08:29,900 --> 00:08:30,833 THAT'S THE HOMEY. 380 00:08:30,833 --> 00:08:31,633 THAT'S A LITTLE MORE THAN A 381 00:08:31,633 --> 00:08:32,400 HOMEY, THOUGH. 382 00:08:32,400 --> 00:08:33,400 I KNOW, BUT I AIN'T TRYING TO 383 00:08:33,400 --> 00:08:34,833 MAKE IT GO NOWHERE FAST, YOU 384 00:08:34,833 --> 00:08:35,733 KNOW WHAT I'M SAYING? 385 00:08:35,733 --> 00:08:37,067 LIKE, IF IT HAPPEN, IT HAPPEN. 386 00:08:37,067 --> 00:08:38,533 IF IT DON'T, I'M COOL. 387 00:08:38,533 --> 00:08:39,400 EITHER WAY, 'CAUSE I AIN'T 388 00:08:39,400 --> 00:08:40,300 TRYING TO JUMP BACK IN 389 00:08:40,300 --> 00:08:41,267 ANYTHING. 390 00:08:41,267 --> 00:08:42,533 YOU KNOW I TALK TO ERICA. 391 00:08:42,533 --> 00:08:43,433 WHAT'S SHE TALKING ABOUT? 392 00:08:43,433 --> 00:08:45,567 SHE WAS REAL UPSET, 393 00:08:45,567 --> 00:08:47,400 LIKE, CRYING AND... 394 00:08:47,400 --> 00:08:48,567 I AIN'T NEVER SEEN ERICA 395 00:08:48,567 --> 00:08:49,400 SHED NO TEAR. 396 00:08:49,400 --> 00:08:51,200 ME NEITHER. 397 00:08:51,200 --> 00:08:51,867 REALLY? 398 00:08:51,867 --> 00:08:52,533 I SEEN A HURT FEMALE 399 00:08:52,533 --> 00:08:53,400 STRAIGHT UP AND DOWN. 400 00:08:53,400 --> 00:08:54,733 LIKE, I WAS LOOKING AT HER LIKE, 401 00:08:54,733 --> 00:08:56,233 "YO, I'M FIXIN' TO CRY TOO, 402 00:08:56,233 --> 00:08:57,800 DAMN IT." 403 00:08:57,800 --> 00:08:58,933 I'VE NEVER SEEN THE TEARS, 404 00:08:58,933 --> 00:08:59,767 YOU KNOW WHAT I'M SAYING? 405 00:08:59,767 --> 00:09:01,233 THAT WOULD MAKE IT REAL, IF I 406 00:09:01,233 --> 00:09:02,067 SEEN THE TEARS. 407 00:09:02,067 --> 00:09:03,800 LIKE, WOW, SHE CARE, 408 00:09:03,800 --> 00:09:05,367 NOT ALL THE, "OH, OKAY. 409 00:09:05,367 --> 00:09:06,200 EVERYTHING COOL. 410 00:09:06,200 --> 00:09:07,467 I'M COOL WITH THAT." 411 00:09:07,467 --> 00:09:09,067 WELL, WHATEVER, YOU FEEL ME? 412 00:09:09,067 --> 00:09:10,567 'CAUSE ERICA IS HARD. 413 00:09:10,567 --> 00:09:11,667 ERICA REAL HARD. 414 00:09:11,667 --> 00:09:12,767 YOU GOT TO UNDERSTAND 415 00:09:12,767 --> 00:09:13,467 ONE THING, THOUGH. 416 00:09:13,467 --> 00:09:14,200 WHAT'S THAT? 417 00:09:14,200 --> 00:09:15,267 THAT DOOR--YOU CAN'T KEEP 418 00:09:15,267 --> 00:09:16,333 WALKING THROUGH THAT DOOR, THEN 419 00:09:16,333 --> 00:09:17,233 WALKING OUT THAT DOOR AND 420 00:09:17,233 --> 00:09:18,067 WALKING IN AND WALKING OUT. 421 00:09:18,067 --> 00:09:18,967 IF YOU GONNA BE DONE WITH 422 00:09:18,967 --> 00:09:20,100 HER, YOU NEED TO BE DONE, 423 00:09:20,100 --> 00:09:20,967 DONE, DONE WITH HER. 424 00:09:20,967 --> 00:09:22,400 LIKE, YOU CAN'T BE LIKE, "HEY, 425 00:09:22,400 --> 00:09:23,267 BABE, HEY, LET'S DO THIS." 426 00:09:23,267 --> 00:09:24,767 HEY, MAN, YOU HEARD OF 427 00:09:24,767 --> 00:09:25,633 SHAWTY LO? 428 00:09:25,633 --> 00:09:26,633 I'M DONE, DONE, MAN. 429 00:09:26,633 --> 00:09:27,300 I'M DONE, DONE. 430 00:09:27,300 --> 00:09:28,200 I AIN'T TRYIN' TO HEAR IT, 431 00:09:28,200 --> 00:09:28,833 'CAUSE I KNOW YOU. 432 00:09:28,833 --> 00:09:29,500 I'M DONE, DONE. 433 00:09:29,500 --> 00:09:30,200 NO, I'M DONE, DONE. 434 00:09:30,200 --> 00:09:31,067 I AIN'T TRYIN' TO HEAR THAT. 435 00:09:31,067 --> 00:09:31,833 YOU KNOW WHAT I NEED YOU TO 436 00:09:31,833 --> 00:09:32,500 DO, THOUGH? 437 00:09:32,500 --> 00:09:33,667 GET ON THIS MOTHER[bleep] SONG. 438 00:09:33,667 --> 00:09:35,567 OKAY. 439 00:09:35,567 --> 00:09:36,667 IT'S IMPORTANT THAT WE GOT 440 00:09:36,667 --> 00:09:37,667 TO, YOU KNOW, STRAIGHTEN IT OUT 441 00:09:37,667 --> 00:09:38,467 WITH YOUR PEOPLE. 442 00:09:38,467 --> 00:09:39,333 THE SITUATION THAT HAPPENED 443 00:09:39,333 --> 00:09:40,567 THE OTHER DAY, I DON'T WANT THAT 444 00:09:40,567 --> 00:09:41,967 TO HAPPEN EVER AGAIN. 445 00:09:41,967 --> 00:09:43,767 I GO TO THE STUDIO TO TALK TO 446 00:09:43,767 --> 00:09:45,300 SCRAPPY ABOUT THE SONG, AND HE 447 00:09:45,300 --> 00:09:47,800 IS IN THERE WITH A GIRL. 448 00:09:47,800 --> 00:09:48,767 I MEAN, THEY KISSED 449 00:09:48,767 --> 00:09:50,767 AND EVERYTHING. 450 00:09:55,700 --> 00:09:57,467 RIGHT THERE. 451 00:09:57,467 --> 00:09:58,467 GOT YOU. 452 00:09:58,467 --> 00:09:59,133 GET INTO IT. 453 00:09:59,133 --> 00:10:00,433 * YOU WANT A LITTLE FUN 454 00:10:00,433 --> 00:10:02,667 ♪ LOOK OUT 'CAUSE HERE I COME ♪ 455 00:10:02,667 --> 00:10:04,200 GOT YOU. 456 00:10:04,200 --> 00:10:08,933 NICE. CHIN UP MORE. 457 00:10:08,933 --> 00:10:09,767 VERY NICE. 458 00:10:09,767 --> 00:10:11,133 WORK THAT, KARLIE REDD. 459 00:10:11,133 --> 00:10:12,700 TODAY I'M HOOKING UP KARLIE WITH 460 00:10:12,700 --> 00:10:14,267 A FEATURE FOR HIP HOP WEEKLY. 461 00:10:14,267 --> 00:10:15,400 APPARENTLY, HER LABEL'S BEEN 462 00:10:15,400 --> 00:10:16,600 MAKING A LOT OF NOISE ABOUT HER 463 00:10:16,600 --> 00:10:17,667 DATIN' ME. 464 00:10:17,667 --> 00:10:19,633 GETTIN' ALL STEAMY. 465 00:10:19,633 --> 00:10:20,900 I JUST WANT KARLIE AND HER 466 00:10:20,900 --> 00:10:22,867 LABEL TO REALIZE THAT I AM GOOD 467 00:10:22,867 --> 00:10:23,833 FOR HER CAREER. 468 00:10:23,833 --> 00:10:25,100 'CAUSE IF YOU ASK ME, SHE LOOKED 469 00:10:25,100 --> 00:10:26,767 GOOD NEXT TO Z. 470 00:10:26,767 --> 00:10:27,567 THANK YOU FOR DOING THIS 471 00:10:27,567 --> 00:10:28,233 FOR ME. 472 00:10:28,233 --> 00:10:29,133 LOOKS GOOD. 473 00:10:29,133 --> 00:10:29,800 REALLY? 474 00:10:29,800 --> 00:10:30,967 YEAH, I'M SAYIN'. 475 00:10:30,967 --> 00:10:31,900 I MEAN, THINGS ARE POPPIN', YOU 476 00:10:31,900 --> 00:10:32,833 KNOW, 477 00:10:32,833 --> 00:10:33,967 EVEN WITH THAT VINCE MEETING. 478 00:10:33,967 --> 00:10:35,167 THAT WAS CRAZY. 479 00:10:35,167 --> 00:10:36,667 THAT WAS... 480 00:10:36,667 --> 00:10:38,400 YEAH, HE LIKES YOUR STUFF TOO. 481 00:10:38,400 --> 00:10:39,267 REALLY? 482 00:10:39,267 --> 00:10:40,167 YEAH. 483 00:10:40,167 --> 00:10:41,200 OH, MY GOD. 484 00:10:41,200 --> 00:10:42,667 I'M EXCITED ABOUT THAT. 485 00:10:42,667 --> 00:10:43,533 RIGHT? 486 00:10:43,533 --> 00:10:45,033 I'M SO APPRECIATIVE OF WHAT 487 00:10:45,033 --> 00:10:46,067 BENZINO'S DOING FOR ME, 488 00:10:46,067 --> 00:10:47,000 FOR MY CAREER. 489 00:10:47,000 --> 00:10:48,400 YOU KNOW, IT'S HARD FOR A MAN TO 490 00:10:48,400 --> 00:10:51,167 ACTUALLY HELP A WOMAN WITH HER 491 00:10:51,167 --> 00:10:53,300 CAREER 100%. 492 00:10:53,300 --> 00:10:54,600 I'M LOVING THIS RIGHT NOW. 493 00:10:54,600 --> 00:10:55,600 MOVING FORWARD, THOUGH, IT'S 494 00:10:55,600 --> 00:10:56,967 IMPORTANT THAT WE GOT TO, 495 00:10:56,967 --> 00:10:57,867 YOU KNOW, STRAIGHTEN IT OUT WITH 496 00:10:57,867 --> 00:10:58,533 YOUR PEOPLE, 497 00:10:58,533 --> 00:10:59,233 YOU KNOW WHAT I'M SAYING? 498 00:10:59,233 --> 00:11:00,933 'CAUSE THAT'S STILL ON MY MIND. 499 00:11:00,933 --> 00:11:02,067 THE SITUATION THAT HAPPENED 500 00:11:02,067 --> 00:11:03,133 THE OTHER DAY, I DON'T WANT THAT 501 00:11:03,133 --> 00:11:04,367 TO HAPPEN EVER AGAIN. 502 00:11:04,367 --> 00:11:05,433 IF IT'S A SITUATION WHERE, 503 00:11:05,433 --> 00:11:06,333 LIKE, THEY KEEP SAYING, 504 00:11:06,333 --> 00:11:07,700 "YEAH, ZINO'S A BAD LOOK AND 505 00:11:07,700 --> 00:11:08,467 ZINO..." 506 00:11:08,467 --> 00:11:09,667 BUT, YOU KNOW, ZINO BRINGIN' 507 00:11:09,667 --> 00:11:11,400 VINCE HERBERT TO THE TABLE. 508 00:11:11,400 --> 00:11:12,067 THAT WAS BIG. 509 00:11:12,067 --> 00:11:13,233 ZINO DOIN' PHOTO SHOOTS. 510 00:11:13,233 --> 00:11:14,100 OF COURSE. 511 00:11:14,100 --> 00:11:15,067 I HOPE THEY LOOKIN' AT THAT 512 00:11:15,067 --> 00:11:15,733 LIKE, "DUDE'S FOR REAL." 513 00:11:15,733 --> 00:11:16,933 YOU ARE DEFINITELY STEPPIN' 514 00:11:16,933 --> 00:11:19,067 UP TO THE PLATE, AND I CAN'T-- 515 00:11:19,067 --> 00:11:19,967 HOW AM I NOT GONNA 516 00:11:19,967 --> 00:11:21,100 ACKNOWLEDGE THAT? 517 00:11:21,100 --> 00:11:22,367 SO THE NEXT CONVERSATION 518 00:11:22,367 --> 00:11:23,567 YOU HAVE IS GONNA BE... 519 00:11:23,567 --> 00:11:25,433 ZINO'S IN MY LIFE. 520 00:11:25,433 --> 00:11:26,667 SO HERE I WAS THINKING THAT I 521 00:11:26,667 --> 00:11:27,800 WAS GONNA GET SIDELINED BY 522 00:11:27,800 --> 00:11:29,067 KARLIE'S CAREER. 523 00:11:29,067 --> 00:11:30,400 BUT THAT'S NOT THE CASE. 524 00:11:30,400 --> 00:11:32,467 I MEAN, KARLIE IS A GREAT, 525 00:11:32,467 --> 00:11:33,567 GREAT, GREAT GIRL. 526 00:11:33,567 --> 00:11:34,467 I'M NOT GONNA LOSE HER TO 527 00:11:34,467 --> 00:11:35,167 ANYTHING. 528 00:11:35,167 --> 00:11:37,067 YOU ARE THE PIECES 529 00:11:37,067 --> 00:11:38,800 TO MY PUZZLE. 530 00:11:38,800 --> 00:11:41,733 WELL, IT SEEM LIKE I'M ONE OF 531 00:11:41,733 --> 00:11:42,933 THE PIECES TO YOUR PUZZLE. 532 00:11:42,933 --> 00:11:45,367 YOU GOT A LOT OF PIECES. 533 00:11:45,367 --> 00:11:46,800 BUT NO. YOU-- 534 00:11:46,800 --> 00:11:48,367 I GOT THIS FOR YOU, 535 00:11:48,367 --> 00:11:51,467 BECAUSE MY PUZZLE'S NOT COMPLETE 536 00:11:51,467 --> 00:11:52,800 WITHOUT YOU. 537 00:11:52,800 --> 00:11:54,167 WOW, THAT'S HOT. 538 00:11:54,167 --> 00:11:55,467 YEAH. SO I WEAR... 539 00:11:55,467 --> 00:11:56,300 THAT'S CRAZY. 540 00:11:56,300 --> 00:11:57,533 I AM, BABY. 541 00:11:57,533 --> 00:11:59,533 COME HERE, MAMA. 542 00:11:59,533 --> 00:12:00,833 LET ME SEE THAT. 543 00:12:00,833 --> 00:12:03,367 SO I WEAR THIS PART, AND YOU 544 00:12:03,367 --> 00:12:05,667 WEAR THAT PART. 545 00:12:07,100 --> 00:12:08,633 THANKS, BABY. 546 00:12:08,633 --> 00:12:09,833 I'M ROCKIN' IT. 547 00:12:09,833 --> 00:12:10,800 THANK YOU. 548 00:12:10,800 --> 00:12:12,467 NO, THANK YOU. 549 00:12:12,467 --> 00:12:14,767 THANK YOU. COME HERE. 550 00:12:23,067 --> 00:12:24,500 TONIGHT I'M GOING TO PERFORM 551 00:12:24,500 --> 00:12:25,567 WITH MY BOY SCRAPPY. 552 00:12:25,567 --> 00:12:26,900 WE DID A SONG THAT TURNED OUT 553 00:12:26,900 --> 00:12:27,567 REALLY HOT. 554 00:12:27,567 --> 00:12:28,433 I THINK PEOPLE ARE REALLY GONNA 555 00:12:28,433 --> 00:12:29,233 LIKE IT. 556 00:12:29,233 --> 00:12:29,933 AND MY GIRLS IS THERE 557 00:12:29,933 --> 00:12:30,667 REPRESENTIN'. 558 00:12:30,667 --> 00:12:31,600 BUT THE ONLY THING THAT'S 559 00:12:31,600 --> 00:12:33,800 MISSING IS MY BABY KIRK. 560 00:12:33,800 --> 00:12:35,933 HEY. 561 00:12:35,933 --> 00:12:37,600 WHAT'S UP, LADIES? 562 00:12:37,600 --> 00:12:40,300 HOTNESS IS GOIN' ON. 563 00:12:40,300 --> 00:12:41,167 CAN YOU MAKE ROOM FOR 564 00:12:41,167 --> 00:12:42,300 K.MICHELLE'S ASS, PLEASE, 565 00:12:42,300 --> 00:12:43,500 AND THEN ME, ME, ME? 566 00:12:43,500 --> 00:12:44,600 THIS IS ALL A LITTLE 567 00:12:44,600 --> 00:12:45,767 CONTRAPMENT, YOU KNOW? 568 00:12:45,767 --> 00:12:47,500 [bleep], WHATEVER. 569 00:12:47,500 --> 00:12:48,700 WHERE KIRK AT? 570 00:12:48,700 --> 00:12:49,700 MY BOY, WHERE HE AT? 571 00:12:49,700 --> 00:12:50,933 HE AIN'T HERE TONIGHT. 572 00:12:50,933 --> 00:12:51,800 WHERE IS HE AT? 573 00:12:51,800 --> 00:12:53,767 GIRLS, HE'S NOT HERE TONIGHT. 574 00:12:53,767 --> 00:12:55,167 BUT I'MA SAY IT LIKE THIS. 575 00:12:55,167 --> 00:12:56,467 IT'S SO HARD WHEN YOU WORK 576 00:12:56,467 --> 00:12:58,067 TOGETHER, WHEN YOU HUSBAND AND 577 00:12:58,067 --> 00:12:59,167 WIFE, WHEN YOU TRYING TO 578 00:12:59,167 --> 00:12:59,833 BUILD SOMETHING. 579 00:12:59,833 --> 00:13:02,800 IT'S JUST SO MUCH, YOU KNOW? 580 00:13:02,800 --> 00:13:03,533 I KNOW. 581 00:13:03,533 --> 00:13:04,233 OKAY? 582 00:13:04,233 --> 00:13:05,300 WE NOT MARRIED... 583 00:13:05,300 --> 00:13:06,533 BUT I DON'T WANT TO DO THIS. 584 00:13:06,533 --> 00:13:08,367 Y'ALL ACT LIKE IT. 585 00:13:08,367 --> 00:13:09,500 NERVE-RACKING. 586 00:13:09,500 --> 00:13:10,767 YES, YOU DO. 587 00:13:10,767 --> 00:13:11,433 OH, [bleep]. 588 00:13:11,433 --> 00:13:12,233 BUT I'M SO GLAD Y'ALL 589 00:13:12,233 --> 00:13:12,867 ARE HERE. 590 00:13:12,867 --> 00:13:13,533 WE HERE. 591 00:13:13,533 --> 00:13:14,233 SUPPORT, HONEY. 592 00:13:14,233 --> 00:13:15,233 SUPPORT. 593 00:13:15,233 --> 00:13:15,833 BUT YOU GOOD. 594 00:13:15,833 --> 00:13:16,833 I JUST WANT TO KILL IT. 595 00:13:16,833 --> 00:13:18,633 I WANT TO STAY FOCUSED AND JUST 596 00:13:18,633 --> 00:13:20,933 DEAL WITH PROBLEMS OF LIFE 597 00:13:20,933 --> 00:13:21,800 LATER. 598 00:13:21,800 --> 00:13:22,800 I DIDN'T EVEN WANT TO TALK 599 00:13:22,800 --> 00:13:24,100 ABOUT KIRK AND I'S SITUATION 600 00:13:24,100 --> 00:13:24,833 RIGHT NOW. 601 00:13:24,833 --> 00:13:25,500 AND YOU KNOW WHAT? 602 00:13:25,500 --> 00:13:26,567 THE BEST THING FOR ME TO DO IS 603 00:13:26,567 --> 00:13:27,967 JUST CHANGE THE SUBJECT. 604 00:13:27,967 --> 00:13:29,233 AND IN THE MIDST OF THAT, IT'S 605 00:13:29,233 --> 00:13:30,600 SOMETHING I NEED TO LET THE 606 00:13:30,600 --> 00:13:31,600 GIRLS KNOW. 607 00:13:31,600 --> 00:13:33,600 SO I GO TO THE STUDIO TO TALK TO 608 00:13:33,600 --> 00:13:35,200 SCRAPPY ABOUT THE SONG, AND HE 609 00:13:35,200 --> 00:13:38,967 IS IN THERE WITH A GIRL. 610 00:13:38,967 --> 00:13:39,633 AND HE LIKE, "OH, 611 00:13:39,633 --> 00:13:40,333 THIS MY HOMEY." 612 00:13:40,333 --> 00:13:41,367 WHOA, WHOA, WHOA, WHOA. 613 00:13:41,367 --> 00:13:44,200 SO I WAS LIKE, "OKAY." 614 00:13:44,200 --> 00:13:45,067 SO I DON'T REALLY KNOW 615 00:13:45,067 --> 00:13:45,733 WHAT'S GOING ON. 616 00:13:45,733 --> 00:13:46,767 OH, HE DONE ALREADY MOVED ON 617 00:13:46,767 --> 00:13:47,467 TO THE NEXT HOT POCKET. 618 00:13:47,467 --> 00:13:48,800 I MEAN, HE SAY IT'S HIS 619 00:13:48,800 --> 00:13:49,600 FRIEND. 620 00:13:49,600 --> 00:13:50,900 OKAY, HE SAID IT WAS HIS 621 00:13:50,900 --> 00:13:52,933 FRIEND, BUT WHAT DID YOU SEE? 622 00:13:52,933 --> 00:13:54,467 YOU KNOW, FRIENDS DON'T 623 00:13:54,467 --> 00:13:55,800 INTERACT THE WAY THEY INTERACT. 624 00:13:55,800 --> 00:13:56,467 WHAT? 625 00:13:56,467 --> 00:13:57,467 HE SLAPPED HER ON THE BOOTY? 626 00:13:57,467 --> 00:13:58,667 I MEAN, THEY KISSED AND 627 00:13:58,667 --> 00:13:59,633 EVERYTHING. 628 00:13:59,633 --> 00:14:01,500 HAVE YOU TALKED TO ERICA? 629 00:14:01,500 --> 00:14:02,333 I HAVEN'T TALKED TO HER. 630 00:14:02,333 --> 00:14:03,467 ONE THING ABOUT ME IS, I'M REAL 631 00:14:03,467 --> 00:14:05,267 FUNNY ABOUT JUMPIN' AND GOING 632 00:14:05,267 --> 00:14:06,300 AND TELLING SOMEBODY SOMETHING 633 00:14:06,300 --> 00:14:07,067 ABOUT THEIR RELATIONSHIP. 634 00:14:07,067 --> 00:14:08,367 NO, NOT EVEN TELLING. 635 00:14:08,367 --> 00:14:09,233 YOU KNOW WHAT I'M SAYING? 636 00:14:09,233 --> 00:14:11,367 BECAUSE SHE MAY KNOW ABOUT IT, 637 00:14:11,367 --> 00:14:12,433 BUT I DEFINITELY WANT TO 638 00:14:12,433 --> 00:14:13,100 CHECK ON HER. 639 00:14:13,100 --> 00:14:14,133 WHAT? WHAT? WHAT? 640 00:14:14,133 --> 00:14:15,367 HEY, GIRL. 641 00:14:15,367 --> 00:14:16,067 HOW ARE YOU? 642 00:14:16,067 --> 00:14:16,800 I'M GOOD. 643 00:14:16,800 --> 00:14:18,300 HOW YOU DOIN', RASHEEDA? 644 00:14:18,300 --> 00:14:19,700 THIS IS SHAY, 645 00:14:19,700 --> 00:14:21,467 SCRAPPY'S FRIEND. 646 00:14:21,467 --> 00:14:22,567 FRIEND. 647 00:14:22,567 --> 00:14:23,600 WHEN SHAY WALKED IN WITH 648 00:14:23,600 --> 00:14:25,600 SCRAPPY, I JUST WAS LOOKING 649 00:14:25,600 --> 00:14:27,233 AROUND, YOU KNOW, FOR THE 650 00:14:27,233 --> 00:14:27,900 CANDID CAMERA. 651 00:14:27,900 --> 00:14:29,367 I DIDN'T KNOW WHAT WAS GOING ON. 652 00:14:29,367 --> 00:14:31,267 I WAS LIKE, "UH-UH, THIS IS NOT 653 00:14:31,267 --> 00:14:32,233 GOING DOWN." 654 00:14:32,233 --> 00:14:33,767 I FELT SOME KIND OF WAY. 655 00:14:33,767 --> 00:14:34,533 YOU FIXIN' TO GO SIT DOWN? 656 00:14:34,533 --> 00:14:35,400 I'LL TALK TO Y'ALL SOON. 657 00:14:35,400 --> 00:14:37,167 OKAY. ALL RIGHT. 658 00:14:37,167 --> 00:14:38,533 I FEEL SOME TYPE OF WAY. 659 00:14:38,533 --> 00:14:40,367 MY WHOLE LEFT LEG IS DOING THE 660 00:14:40,367 --> 00:14:41,167 ELVIS PRESLEY. 661 00:14:41,167 --> 00:14:42,367 I FEEL SOME TYPE OF WAY. 662 00:14:42,367 --> 00:14:43,800 Y'ALL COME AT ME REAL. 663 00:14:43,800 --> 00:14:45,867 DO I SAY SOMETHING TO ERICA, 664 00:14:45,867 --> 00:14:46,700 OR DO I SAY... 665 00:14:46,700 --> 00:14:48,067 WHAT WOULD YOU SAY TO HER? 666 00:14:48,067 --> 00:14:48,967 THAT'S WHAT I'M TRYING TO 667 00:14:48,967 --> 00:14:49,767 FIGURE OUT. 668 00:14:49,767 --> 00:14:51,733 IF MIMI WAS IN MY HOUSE AND 669 00:14:51,733 --> 00:14:54,167 I DONE WALKED IN AND I SAW SOME 670 00:14:54,167 --> 00:14:55,867 STUFF THAT'S NOT APPROPRIATE, I 671 00:14:55,867 --> 00:14:58,467 WOULD HOPE THAT Y'ALL SAY, "K, 672 00:14:58,467 --> 00:15:00,467 I'MA TELL YOU SOMETHING. 673 00:15:00,467 --> 00:15:01,933 THAT BOO THAT YOU CALLIN' YOUR 674 00:15:01,933 --> 00:15:03,233 BOO OR THE EX-BOO IS BANGIN' 675 00:15:03,233 --> 00:15:05,067 ANOTHER BOO." 676 00:15:05,067 --> 00:15:06,800 ERICA CAN TRY TO BE AS TOUGH AS 677 00:15:06,800 --> 00:15:08,233 SHE WANTS TO, BUT I KNOW WHEN 678 00:15:08,233 --> 00:15:08,900 SHE'S HURT. 679 00:15:08,900 --> 00:15:10,267 SO I KNOW IT'S ONLY RIGHT FOR ME 680 00:15:10,267 --> 00:15:11,767 TO TALK TO HER AND JUST KEEP IT 681 00:15:11,767 --> 00:15:13,500 100, 'CAUSE THAT'S WHAT REAL 682 00:15:13,500 --> 00:15:14,333 FRIENDS DO. 683 00:15:14,333 --> 00:15:15,800 * SHE STUPID FINE 684 00:15:15,800 --> 00:15:17,433 ♪ SHE LIKE CLOTHES 685 00:15:17,433 --> 00:15:19,133 ♪ BUT REALLY LITTLE BAGS 686 00:15:19,133 --> 00:15:20,867 * GET THAT MONEY 687 00:15:20,867 --> 00:15:22,467 ♪ GET THAT MONEY 688 00:15:22,467 --> 00:15:23,933 ♪ IF YOU AIN'T GOT THEM LICKS ♪ 689 00:15:23,933 --> 00:15:26,133 ♪ [bleep] 690 00:15:26,133 --> 00:15:29,267 * HEY, HEY, HEY, HEY 691 00:15:29,267 --> 00:15:30,667 LAST NIGHT, I WENT TO 692 00:15:30,667 --> 00:15:33,300 SCRAPPY'S MIX TAPE EVENT, AND 693 00:15:33,300 --> 00:15:35,167 HE WAS THERE WITH A WOMAN. 694 00:15:35,167 --> 00:15:36,167 THAT THREE-WAY COUNSELING 695 00:15:36,167 --> 00:15:37,533 SESSION IS NOT GONNA WORK. 696 00:15:37,533 --> 00:15:38,667 AT FIRST, I THOUGHT IT WAS 697 00:15:38,667 --> 00:15:39,967 ASININE. 698 00:15:39,967 --> 00:15:41,800 BUT NOW THAT I THINK ABOUT IT, 699 00:15:41,800 --> 00:15:42,767 LET'S GO, 700 00:15:42,767 --> 00:15:44,167 'CAUSE EVERYTHING IS GONNA 701 00:15:44,167 --> 00:15:46,167 COME OUT. 702 00:15:56,367 --> 00:15:57,933 IT'S BEEN A WHILE SINCE I HAD 703 00:15:57,933 --> 00:15:59,700 SOME ALONE TIME WITH ARIANE. 704 00:15:59,700 --> 00:16:00,700 AND WITH ALL THIS STUFF GOING ON 705 00:16:00,700 --> 00:16:01,967 WITH STEVIE, I JUST REALLY 706 00:16:01,967 --> 00:16:03,467 NEEDED SOMEONE I COULD VENT TO. 707 00:16:03,467 --> 00:16:04,500 SO HOW YOU FEELING? 708 00:16:04,500 --> 00:16:05,900 IT'S BEEN SO MUCH GOING ON, 709 00:16:05,900 --> 00:16:06,667 ARIANE. 710 00:16:06,667 --> 00:16:07,567 I'M JUST TRYING TO DEAL 711 00:16:07,567 --> 00:16:10,433 WITH MY ISSUES. 712 00:16:10,433 --> 00:16:11,767 I HAVEN'T CALLED YOU AND TOLD... 713 00:16:11,767 --> 00:16:12,967 WHAT IS IT? 714 00:16:12,967 --> 00:16:15,067 STEVIE AND I 715 00:16:15,067 --> 00:16:18,733 ARE NOW GOING TO COUNSELING. 716 00:16:18,733 --> 00:16:19,967 I THOUGHT IT WAS JUST GONNA 717 00:16:19,967 --> 00:16:21,433 BE A WRAP, BECAUSE THE LAST TIME 718 00:16:21,433 --> 00:16:23,667 THAT WE SPOKE, YOU WERE PACKING 719 00:16:23,667 --> 00:16:24,333 UP ALL HIS [bleep], 720 00:16:24,333 --> 00:16:26,500 AND HE WAS OUT. 721 00:16:26,500 --> 00:16:29,300 I MEAN, FOR EVA'S SAKE, I 722 00:16:29,300 --> 00:16:31,567 SUGGESTED WE NEED TO SIT DOWN 723 00:16:31,567 --> 00:16:32,933 AND TALK TO SOMEBODY. 724 00:16:32,933 --> 00:16:33,733 IT'S LIKE A NEVER-ENDING 725 00:16:33,733 --> 00:16:34,667 STORY. 726 00:16:34,667 --> 00:16:35,900 SO WE WENT TO OUR COUNSELING 727 00:16:35,900 --> 00:16:36,733 SESSION. 728 00:16:36,733 --> 00:16:38,933 OF COURSE, JOSELINE CAME UP. 729 00:16:38,933 --> 00:16:40,667 BUT NOW STEVIE WANTS TO BRING 730 00:16:40,667 --> 00:16:43,200 HER INTO THE COUNSELING WITH US. 731 00:16:43,200 --> 00:16:44,600 HE'S REALLY THINKING HE'S IN 732 00:16:44,600 --> 00:16:46,500 A THREE-WAY RELATIONSHIP. 733 00:16:46,500 --> 00:16:48,200 HE'S SAYING HE WANTS TO DO 734 00:16:48,200 --> 00:16:49,567 THIS BECAUSE HE'S GONNA 735 00:16:49,567 --> 00:16:51,233 CONTINUE TO WORK WITH HER 736 00:16:51,233 --> 00:16:52,333 AND HE WANTS ME TO FEEL 737 00:16:52,333 --> 00:16:53,700 COMFORTABLE WITH HIM 738 00:16:53,700 --> 00:16:54,367 WORKING WITH HER. 739 00:16:54,367 --> 00:16:55,200 BUT DO YOU THINK YOU'LL EVER 740 00:16:55,200 --> 00:16:55,967 FEEL COMFORTABLE, THOUGH? 741 00:16:55,967 --> 00:16:56,633 NO. NEVER. 742 00:16:56,633 --> 00:16:57,300 EXACTLY. 743 00:16:57,300 --> 00:16:58,067 NEVER. 744 00:16:58,067 --> 00:17:00,833 THE WHOLE POINT OF ME ARGUING, 745 00:17:00,833 --> 00:17:03,967 FUSSING, AND FIGHTING IS TO KEEP 746 00:17:03,967 --> 00:17:05,167 OUR FAMILY TOGETHER. 747 00:17:05,167 --> 00:17:05,933 I HAVE A DAUGHTER. 748 00:17:05,933 --> 00:17:07,400 LIKE, I WAS RAISED IN A 749 00:17:07,400 --> 00:17:09,400 HOUSEHOLD WITH JUST ONE PARENT. 750 00:17:09,400 --> 00:17:10,700 I DIDN'T WANT THAT FOR HER. 751 00:17:10,700 --> 00:17:13,167 THAT IS MY DRIVE BEHIND ME 752 00:17:13,167 --> 00:17:15,067 TRYING TO KEEP THIS THING GOING. 753 00:17:15,067 --> 00:17:17,533 SO IF IT WASN'T FOR EVA BEING IN 754 00:17:17,533 --> 00:17:19,733 THE SITUATION, THERE ABSOLUTELY 755 00:17:19,733 --> 00:17:21,200 WOULD BE NO ME AND STEVIE. 756 00:17:21,200 --> 00:17:22,833 YOU CAN BELIEVE THAT. 757 00:17:22,833 --> 00:17:24,200 WHAT IS SHE SAYING? 758 00:17:24,200 --> 00:17:26,200 OH, SHE CALLED ME 759 00:17:26,200 --> 00:17:28,533 AND TOLD ME, "I KNOW YOU GUYS 760 00:17:28,533 --> 00:17:29,767 HAVE A FAMILY. 761 00:17:29,767 --> 00:17:30,700 I KNOW YOU GUYS HAVE BEEN 762 00:17:30,700 --> 00:17:31,967 TOGETHER A LONG TIME. 763 00:17:31,967 --> 00:17:33,600 BUT I'M NOT GONNA STOP [bleep] 764 00:17:33,600 --> 00:17:34,567 HIM, 'CAUSE HE GOT 765 00:17:34,567 --> 00:17:36,200 GOOD [bleep]." 766 00:17:36,200 --> 00:17:39,400 SHE SAID THAT TO YOU? 767 00:17:39,400 --> 00:17:40,500 DAMN! 768 00:17:40,500 --> 00:17:41,467 I JUST WANT HER TO BE DONE WITH 769 00:17:41,467 --> 00:17:42,633 HIM ALREADY. 770 00:17:42,633 --> 00:17:43,800 EVEN IF HE GETS RID OF THIS 771 00:17:43,800 --> 00:17:45,100 BITCH, IT'LL JUST BE ANOTHER ONE 772 00:17:45,100 --> 00:17:45,967 IN A COUPLE OF MONTHS, 773 00:17:45,967 --> 00:17:47,767 'CAUSE STEVIE CAN'T BE TRUSTED. 774 00:17:47,767 --> 00:17:48,733 THAT THREE-WAY COUNSELING 775 00:17:48,733 --> 00:17:50,200 SESSION IS NOT GONNA WORK. 776 00:17:50,200 --> 00:17:50,867 MM. 777 00:17:50,867 --> 00:17:51,733 LET ME TELL YOU WHAT IT 778 00:17:51,733 --> 00:17:52,600 WILL DO. 779 00:17:52,600 --> 00:17:53,833 IT WILL GET EVERYTHING 780 00:17:53,833 --> 00:17:54,733 ON THE TABLE. 781 00:17:54,733 --> 00:17:56,067 AT FIRST, I THOUGHT IT WAS 782 00:17:56,067 --> 00:17:57,400 ASININE. 783 00:17:57,400 --> 00:17:59,200 BUT NOW THAT I THINK ABOUT IT, 784 00:17:59,200 --> 00:18:00,967 LET'S GO, 785 00:18:00,967 --> 00:18:02,433 'CAUSE EVERYTHING'S 786 00:18:02,433 --> 00:18:03,533 GONNA COME OUT. 787 00:18:03,533 --> 00:18:04,633 OOH, I KNOW SHE IS GONNA 788 00:18:04,633 --> 00:18:05,400 GO IN THERE AND TEAR THAT 789 00:18:05,400 --> 00:18:06,900 [bleep] DOWN. 790 00:18:06,900 --> 00:18:08,900 I'M LOOKING FORWARD. 791 00:18:14,400 --> 00:18:15,667 AFTER SEEING SCRAPPY COME 792 00:18:15,667 --> 00:18:16,933 INTO HIS MIX TAPE PARTY WITH 793 00:18:16,933 --> 00:18:18,767 SHAY, I KNEW I HAD TO SAY 794 00:18:18,767 --> 00:18:20,400 SOMETHING TO ERICA. 795 00:18:20,400 --> 00:18:21,633 HOW YOU DOIN', BABE? 796 00:18:21,633 --> 00:18:22,833 GOOD, AND YOU? 797 00:18:22,833 --> 00:18:23,667 YOU LOOK PRETTY. 798 00:18:23,667 --> 00:18:25,633 IT'S NOT EASY TO SEE YOUR EX 799 00:18:25,633 --> 00:18:27,300 WITH ANOTHER WOMAN. 800 00:18:27,300 --> 00:18:29,400 BUT YOU GOT TO DEAL WITH IT, 801 00:18:29,400 --> 00:18:31,200 FACE IT, AND YOU GOT TO MOVE ON. 802 00:18:31,200 --> 00:18:34,267 SO I HAD TO TALK TO YOU, AND I 803 00:18:34,267 --> 00:18:36,100 WANTED TO COME AND BRING UP 804 00:18:36,100 --> 00:18:38,200 SOMETHING TO YOU, BECAUSE I FEEL 805 00:18:38,200 --> 00:18:40,500 LIKE IT'S THE BEST WAY TO DO IT, 806 00:18:40,500 --> 00:18:41,500 YOU KNOW WHAT I'M SAYING? 807 00:18:41,500 --> 00:18:42,433 NOT ON THE PHONE. 808 00:18:42,433 --> 00:18:43,233 YEAH. 809 00:18:43,233 --> 00:18:44,433 NOT THROUGH "HE SAID, SHE 810 00:18:44,433 --> 00:18:45,733 SAID" WHAT THE SITUATION IS. 811 00:18:45,733 --> 00:18:46,567 ONE-ON-ONE. 812 00:18:46,567 --> 00:18:48,433 LAST NIGHT, I WENT TO 813 00:18:48,433 --> 00:18:51,267 SCRAPPY'S MIX TAPE EVENT, AND HE 814 00:18:51,267 --> 00:18:53,100 WAS THERE WITH A WOMAN. 815 00:18:53,100 --> 00:18:54,267 HER NAME'S SHAY. 816 00:18:54,267 --> 00:18:56,800 AND WHAT I WANTED TO DO, I 817 00:18:56,800 --> 00:18:59,333 WANTED TO LET YOU KNOW. 818 00:19:02,800 --> 00:19:03,633 I DON'T EVEN KNOW 819 00:19:03,633 --> 00:19:04,333 WHAT TO SAY. 820 00:19:04,333 --> 00:19:07,467 LIKE, FOR REAL? 821 00:19:07,467 --> 00:19:09,100 AGAIN? 822 00:19:09,100 --> 00:19:10,733 LITTLE DO I KNOW, HE'S JUST BACK 823 00:19:10,733 --> 00:19:12,100 TO HIS OLD HABITS. 824 00:19:12,100 --> 00:19:13,800 NOTHING REALLY HAS CHANGED. 825 00:19:13,800 --> 00:19:15,067 I GUESS I JUST WANTED IT SO 826 00:19:15,067 --> 00:19:15,900 MUCH, I THOUGHT I WAS SEEING 827 00:19:15,900 --> 00:19:16,567 SOMETHING. 828 00:19:16,567 --> 00:19:18,067 I REALLY WASN'T SEEING ANYTHING. 829 00:19:18,067 --> 00:19:19,067 I'VE BEEN DEALING WITH SCRAPPY 830 00:19:19,067 --> 00:19:19,800 FOR YEARS. 831 00:19:19,800 --> 00:19:21,300 HE CANNOT BE BY HISSELF. 832 00:19:21,300 --> 00:19:21,967 OKAY. 833 00:19:21,967 --> 00:19:22,633 PERIOD. 834 00:19:22,633 --> 00:19:23,667 HE'LL MEET A BITCH AT THE GAS 835 00:19:23,667 --> 00:19:25,367 STATION, AND THEY BUDDY-BUDDY 836 00:19:25,367 --> 00:19:28,400 LIKE--IT'S ALL FOR SHOW. 837 00:19:28,400 --> 00:19:29,900 AND IN A COUPLE OF WINKS, YOU'LL 838 00:19:29,900 --> 00:19:31,067 SEE HIM WITH SOMEBODY ELSE. 839 00:19:31,067 --> 00:19:32,333 THAT'S JUST HOW HE ROCKS. 840 00:19:32,333 --> 00:19:33,467 THAT'S HOW HE ROLLS. 841 00:19:33,467 --> 00:19:34,333 YES, I'M HURT. 842 00:19:34,333 --> 00:19:35,267 YES, YOU KNOW, I'M DISAPPOINTED 843 00:19:35,267 --> 00:19:35,933 IN HIM. 844 00:19:35,933 --> 00:19:37,100 BUT AT THE END OF THE DAY, 845 00:19:37,100 --> 00:19:37,800 YOU NOT HURTIN' ME. 846 00:19:37,800 --> 00:19:39,067 YOU HURTIN' YOURSELF, 847 00:19:39,067 --> 00:19:41,533 'CAUSE YOU--YOU TAXIN'. 848 00:19:41,533 --> 00:19:42,367 "I JUST WANT TO KICK IT WITH 849 00:19:42,367 --> 00:19:43,067 YOU," THIS, THAT. 850 00:19:43,067 --> 00:19:44,467 LIKE, YOU BLOWIN' ME UP. 851 00:19:44,467 --> 00:19:45,233 SO IF THAT'S WHAT YOU WANT TO 852 00:19:45,233 --> 00:19:46,633 DO, THEN COOL, BECAUSE AT THE 853 00:19:46,633 --> 00:19:48,700 END OF THE DAY, I'M NOT GONNA 854 00:19:48,700 --> 00:19:49,633 BE HURT IN THE LONG RUN. 855 00:19:49,633 --> 00:19:50,400 TRUST AND BELIEVE, IT'S NOT 856 00:19:50,400 --> 00:19:51,333 GONNA BE ME. 857 00:19:51,333 --> 00:19:52,467 IT'S GONNA BE YOU. 858 00:19:52,467 --> 00:19:53,367 ALL RIGHT. 859 00:19:53,367 --> 00:19:54,567 'CAUSE YOU GONNA HAVE TO 860 00:19:54,567 --> 00:19:56,300 CRAWL AND MAKE YOUR WAY BACK 861 00:19:56,300 --> 00:19:57,867 SOMEHOW, SOMEWAY. 862 00:19:57,867 --> 00:19:59,100 YOU GONNA HAVE TO MAKE YOUR 863 00:19:59,100 --> 00:20:00,367 WAY BACK. 864 00:20:00,367 --> 00:20:01,867 SCRAPPY NEEDS TO KNOW WHAT HE 865 00:20:01,867 --> 00:20:03,800 WANTS, BECAUSE YOU HAVE BEEN IN 866 00:20:03,800 --> 00:20:05,000 AND OUT NOT ONLY MY LIFE BUT 867 00:20:05,000 --> 00:20:05,867 YOUR DAUGHTER'S LIFE. 868 00:20:05,867 --> 00:20:07,233 SO I CAN'T JUST OPEN UP MY HEART 869 00:20:07,233 --> 00:20:08,200 AND JUST BE ALL IN A 870 00:20:08,200 --> 00:20:08,867 RELATIONSHIP. 871 00:20:08,867 --> 00:20:10,267 YOU HAVE TO ACTUALLY SHOW ME 872 00:20:10,267 --> 00:20:11,467 THAT YOU REALLY LOVE ME AND YOU 873 00:20:11,467 --> 00:20:12,467 REALLY WANT YOUR FAMILY. 874 00:20:12,467 --> 00:20:13,633 REGARDLESS OF WHAT HE DO TO 875 00:20:13,633 --> 00:20:16,500 YOU, NOTHING IS MORE PAINFUL 876 00:20:16,500 --> 00:20:19,900 THAN TO FACE THE REALITY OF, 877 00:20:19,900 --> 00:20:22,300 "I MIGHT NOT HAVE A FAMILY." 878 00:20:22,300 --> 00:20:23,700 I CAN HONESTLY SAY, THAT'S 879 00:20:23,700 --> 00:20:26,467 WHAT HURTS ME THE MOST, WHEN 880 00:20:26,467 --> 00:20:29,867 MY LITTLE GIRL IS QUESTIONING 881 00:20:29,867 --> 00:20:32,767 THAT WHOLE SITUATION. 882 00:20:32,767 --> 00:20:34,633 SHE'S SO YOUNG, SHE CAN'T SEE 883 00:20:34,633 --> 00:20:36,233 WHY YOU CAN'T JUST COME OVER 884 00:20:36,233 --> 00:20:37,300 THERE, YOU KNOW, WHY YOU CAN'T 885 00:20:37,300 --> 00:20:38,467 JUST BE WITH ME AND DADDY, WHY 886 00:20:38,467 --> 00:20:39,300 YOU CAN'T JUST GO HERE WITH ME 887 00:20:39,300 --> 00:20:39,967 AND DADDY. 888 00:20:39,967 --> 00:20:43,033 AND SHE'S SEVEN. 889 00:20:43,033 --> 00:20:44,300 SEVEN, K. 890 00:20:44,300 --> 00:20:45,500 THEN YOU DON'T WANT TO BASH 891 00:20:45,500 --> 00:20:46,433 HER DADDY. 892 00:20:46,433 --> 00:20:48,200 ALL THIS--AND I NEVER WILL. 893 00:20:48,200 --> 00:20:49,800 I DON'T HAVE TO. 894 00:20:49,800 --> 00:20:51,733 'CAUSE YOU BASHIN' YOURSELF. 895 00:20:51,733 --> 00:20:52,933 SHE'S GONNA SEE THAT. 896 00:20:52,933 --> 00:20:54,467 SHE'S GONNA UNDERSTAND IT LATER 897 00:20:54,467 --> 00:20:56,300 ON IN LIFE. 898 00:20:56,300 --> 00:20:57,833 WHATEVER YOU HAVE TO DO TO 899 00:20:57,833 --> 00:20:59,067 MAKE SURE THAT LITTLE GIRL IS 900 00:20:59,067 --> 00:21:01,500 GOOD, YOU GOT TO DO IT. 901 00:21:10,867 --> 00:21:12,400 MY MOTHER PASSED AWAY NINE 902 00:21:12,400 --> 00:21:14,867 YEARS AGO, AND HER LAST WISH WAS 903 00:21:14,867 --> 00:21:16,333 FOR ME TO SPREAD HER ASHES OVER 904 00:21:16,333 --> 00:21:17,867 A BODY OF WATER. 905 00:21:17,867 --> 00:21:19,400 AND AFTER THE LAST SESSION WITH 906 00:21:19,400 --> 00:21:21,567 DR. JEFF, I REALIZED THAT I HAVE 907 00:21:21,567 --> 00:21:23,300 TO TAKE CARE OF THIS TO HEAL 908 00:21:23,300 --> 00:21:26,300 MYSELF AND MOVE FORWARD. 909 00:21:26,300 --> 00:21:28,433 SO I'M GOING TO DO THAT TODAY 910 00:21:28,433 --> 00:21:30,200 WITH ARIANE AND MY BROTHER 911 00:21:30,200 --> 00:21:31,767 KWESI SO WE CAN RESPECT HER LAST 912 00:21:31,767 --> 00:21:33,933 WISHES TOGETHER. 913 00:21:33,933 --> 00:21:36,200 MY MOTHER WAS A VERY LOVING 914 00:21:36,200 --> 00:21:39,067 WOMAN BUT A VERY SELFISH WOMAN. 915 00:21:39,067 --> 00:21:42,633 SHE WANTED TO FIND HERSELF, 916 00:21:42,633 --> 00:21:44,367 BY ANY MEANS NECESSARY. 917 00:21:44,367 --> 00:21:46,333 WHOEVER SHE HAD TO SACRIFICE IN 918 00:21:46,333 --> 00:21:48,300 THE PROCESS, SHE DID. 919 00:21:48,300 --> 00:21:52,200 AT 13, SHE JUST KIND OF GAVE ME 920 00:21:52,200 --> 00:21:53,967 UP, AND, YOU KNOW, I HAD TO GO. 921 00:21:53,967 --> 00:21:57,333 I'VE BEEN ON MY OWN EVER SINCE. 922 00:21:57,333 --> 00:21:58,533 I WENT TO COUNSELING THE OTHER 923 00:21:58,533 --> 00:22:00,867 DAY WITH STEVIE. 924 00:22:00,867 --> 00:22:02,767 AND WE TOUCHED BACK ON MY 925 00:22:02,767 --> 00:22:05,267 CHILDHOOD, UPBRINGING. 926 00:22:05,267 --> 00:22:07,100 I MEAN, YOU KNOW THAT WHEN 927 00:22:07,100 --> 00:22:09,067 MOMMY JOINED THE RELIGION, 928 00:22:09,067 --> 00:22:11,800 YOU AND I WERE SEPARATED FOR 929 00:22:11,800 --> 00:22:12,800 ABOUT TEN YEARS. 930 00:22:12,800 --> 00:22:13,733 RIGHT. 931 00:22:13,733 --> 00:22:16,667 AND I WANT TO JUST PUT THIS 932 00:22:16,667 --> 00:22:19,600 BEHIND ME AND MOVE FORWARD. 933 00:22:19,600 --> 00:22:21,267 I JUST THINK IT WAS TIME THAT, 934 00:22:21,267 --> 00:22:23,067 YOU KNOW, I GOT THIS DONE. 935 00:22:23,067 --> 00:22:24,533 IT'S BEEN A LONG TIME. 936 00:22:24,533 --> 00:22:25,200 YEAH. 937 00:22:25,200 --> 00:22:26,067 SO I'M JUST GLAD THAT YOU'RE 938 00:22:26,067 --> 00:22:28,800 HERE AND YOU CAN HELP ME 939 00:22:28,800 --> 00:22:30,833 WITH THE SITUATION. 940 00:22:30,833 --> 00:22:32,200 IT'S PERFECT FOR ME TO BE 941 00:22:32,200 --> 00:22:34,400 HERE WITH YOU ON THIS. 942 00:22:34,400 --> 00:22:36,633 AND I THANK YOU FOR COMING. 943 00:22:36,633 --> 00:22:38,300 I HELD MY MOTHER'S HAND WHEN SHE 944 00:22:38,300 --> 00:22:39,667 TOOK HER LAST BREATH. 945 00:22:39,667 --> 00:22:42,400 AND SHE COULDN'T JUST SAY, 946 00:22:42,400 --> 00:22:43,733 "I'M SORRY. 947 00:22:43,733 --> 00:22:45,867 I'M SORRY." 948 00:22:45,867 --> 00:22:49,267 SHE COULDN'T DO THAT. 949 00:22:49,267 --> 00:22:50,233 SHE MADE A LOT OF WRONG 950 00:22:50,233 --> 00:22:51,533 DECISIONS. 951 00:22:51,533 --> 00:22:54,100 BUT I HAD TO FORGIVE HER. 952 00:22:54,100 --> 00:22:56,967 IF I DID NOT FORGIVE HER, 953 00:22:56,967 --> 00:22:59,200 I WOULD BE THE MOST EVIL, 954 00:22:59,200 --> 00:23:02,600 HATEFUL, RESENTFUL PERSON 955 00:23:02,600 --> 00:23:04,367 IN THIS WORLD. 956 00:23:04,367 --> 00:23:05,600 AND I DIDN'T WANT TO BE 957 00:23:05,600 --> 00:23:07,300 THAT PERSON. 958 00:23:07,300 --> 00:23:09,433 I HAD TO FORGIVE HER. 959 00:23:09,433 --> 00:23:10,500 WE RECOGNIZE THE SPIRIT OF 960 00:23:10,500 --> 00:23:12,433 OUR MOTHER, KNOWN AS GLORIA EVA 961 00:23:12,433 --> 00:23:13,700 SIMMONS JAMES. 962 00:23:13,700 --> 00:23:14,900 WE GIVE THANKS AND PRAISES FOR 963 00:23:14,900 --> 00:23:16,767 HER GUARDIAN ANGELS THAT WATCH 964 00:23:16,767 --> 00:23:17,833 OVER HER. 965 00:23:17,833 --> 00:23:18,967 WE GIVE THANKS AND PRAISES FOR 966 00:23:18,967 --> 00:23:21,500 THIS DAY AS WE CELEBRATE HER 967 00:23:21,500 --> 00:23:23,467 AND HONOR HER AND ALLOW HER TO 968 00:23:23,467 --> 00:23:25,467 CONTINUE TO MOVE UPWARDS 969 00:23:25,467 --> 00:23:27,400 IN A POSITIVE WAY IN THE 970 00:23:27,400 --> 00:23:30,767 ANCESTOR WORLD. 971 00:23:30,767 --> 00:23:33,100 [sighs] 972 00:23:33,100 --> 00:23:36,800 I JUST WANT TO LET YOU KNOW, 973 00:23:36,800 --> 00:23:38,733 MOMMY, THAT I FORGIVE YOU, 974 00:23:38,733 --> 00:23:43,900 THAT I LOVE YOU, AND THAT 975 00:23:43,900 --> 00:23:45,767 I'M GONNA BE OKAY. 976 00:23:45,767 --> 00:23:47,367 AND I KNOW YOU LOVE ME. 977 00:23:47,367 --> 00:23:52,567 AND THIS IS A LONG TIME OVERDUE, 978 00:23:52,567 --> 00:23:57,067 AND EVERYTHING'S GONNA BE OKAY. 979 00:23:57,067 --> 00:23:59,133 I FEEL THAT. 980 00:23:59,400 --> 00:24:00,467 [peaceful guitar music] 981 00:24:00,467 --> 00:24:08,467 ♪ 982 00:24:31,400 --> 00:24:32,300 WHAT'S IN THE BOX? 983 00:24:32,300 --> 00:24:34,100 I WASN'T EXPECTING THIS, MAN. 984 00:24:34,100 --> 00:24:35,100 I GOT GOOSE BUMPS. 985 00:24:35,100 --> 00:24:35,900 WOW. 986 00:24:35,900 --> 00:24:36,867 THAT'S SOME SICK-ASS [bleep] 987 00:24:36,867 --> 00:24:37,667 RIGHT NOW. 988 00:24:37,667 --> 00:24:39,067 YOU'RE NOT ACKNOWLEDGING 989 00:24:39,067 --> 00:24:39,900 THE PART THAT YOU'RE PLAYING 990 00:24:39,900 --> 00:24:40,567 IN THIS. 991 00:24:40,567 --> 00:24:41,633 SHE'S DIRTY. 992 00:24:41,633 --> 00:24:42,667 SHE'S STINKIN'. 993 00:24:42,667 --> 00:24:44,533 SHE WANT TO COME UP FOR AIR. 994 00:24:44,533 --> 00:24:46,533 GODDAMN! 995 00:24:58,633 --> 00:24:59,467 THINGS HAVE BEEN REALLY 996 00:24:59,467 --> 00:25:00,533 HEATING UP BETWEEN ME AND 997 00:25:00,533 --> 00:25:02,667 KARLIE, AND I THINK I PROVED 998 00:25:02,667 --> 00:25:04,300 THAT I CAN BE AN ASSET 999 00:25:04,300 --> 00:25:05,300 TO HER CAREER. 1000 00:25:05,300 --> 00:25:06,433 SHE GOT ME A LITTLE PIECE OF 1001 00:25:06,433 --> 00:25:07,567 JEWELRY, SO I JUST WANTED TO 1002 00:25:07,567 --> 00:25:08,867 REPAY THE GESTURE. 1003 00:25:08,867 --> 00:25:10,233 SO I CALLED UP MY MAN DAVE THE 1004 00:25:10,233 --> 00:25:11,867 JEWELER, TOLD DAVE TO MEET ME AT 1005 00:25:11,867 --> 00:25:13,100 THE CIGAR SHOP, YOU KNOW WHAT 1006 00:25:13,100 --> 00:25:14,067 I'M SAYING, CHECK OUT SOME 1007 00:25:14,067 --> 00:25:14,833 PIECES. 1008 00:25:14,833 --> 00:25:15,600 ALL RIGHT, BENZINO, 1009 00:25:15,600 --> 00:25:16,333 HOW'S IT GOING? 1010 00:25:16,333 --> 00:25:17,067 HOW'S EVERYTHING? 1011 00:25:17,067 --> 00:25:17,700 EVERYTHING IS GREAT. 1012 00:25:17,700 --> 00:25:18,733 GOOD, MAN, GOOD. 1013 00:25:18,733 --> 00:25:20,067 BROUGHT SOME EYE CANDY 1014 00:25:20,067 --> 00:25:20,833 FOR YOU. 1015 00:25:20,833 --> 00:25:22,533 NICE. 1016 00:25:22,533 --> 00:25:23,600 * NOW GET YOUR ASS 1017 00:25:23,600 --> 00:25:24,633 ♪ UP OFF THE WALL 1018 00:25:24,633 --> 00:25:26,533 ♪ SO EVERYONE CAN SEE 1019 00:25:26,533 --> 00:25:27,600 ♪ NOW, YOU MIGHT CUT A RUG 1020 00:25:27,600 --> 00:25:28,567 ♪ AT THE LOCAL CLUB 1021 00:25:28,567 --> 00:25:29,533 ♪ BUT YOU AIN'T GOT NOTHING ♪ 1022 00:25:29,533 --> 00:25:30,500 ♪ ON ME 1023 00:25:30,500 --> 00:25:31,833 ♪ NOW GO, LITTLE MAMA 1024 00:25:31,833 --> 00:25:32,633 ♪ SHAKE IT FAST 1025 00:25:32,633 --> 00:25:33,300 ♪ YOU KNOW THE DOG 1026 00:25:33,300 --> 00:25:34,533 ♪ NEED A PIECE OF THAT CAT 1027 00:25:34,533 --> 00:25:35,233 ♪ AND I DONE BEEN 1028 00:25:35,233 --> 00:25:35,867 ♪ AROUND THE WORLD 1029 00:25:35,867 --> 00:25:36,633 ♪ WITH THE FINEST OF GIRLS 1030 00:25:36,633 --> 00:25:37,467 THERE'S A SPECIAL WOMAN IN 1031 00:25:37,467 --> 00:25:39,067 YOUR LIFE? 1032 00:25:39,067 --> 00:25:40,067 MAN. 1033 00:25:40,067 --> 00:25:40,933 YOU KNOW, AT THIS POINT, YOU 1034 00:25:40,933 --> 00:25:41,967 KNOW, KARLIE REALLY MAKES ME 1035 00:25:41,967 --> 00:25:43,133 FEEL COMPLETE. 1036 00:25:43,133 --> 00:25:44,433 I THINK SHE'S REALLY SPECIAL. 1037 00:25:44,433 --> 00:25:45,567 YOU KNOW, I MEAN, USUALLY I 1038 00:25:45,567 --> 00:25:48,233 DON'T GO INTO SOMETHING SO FAST. 1039 00:25:48,233 --> 00:25:49,067 BUT, YOU KNOW, THIS WAS JUST, 1040 00:25:49,067 --> 00:25:50,100 LIKE, MAN. 1041 00:25:50,100 --> 00:25:50,767 YOU KNOW WHAT I MEAN? 1042 00:25:50,767 --> 00:25:52,067 IT JUST BLEW ME AWAY, SO 1043 00:25:52,067 --> 00:25:53,300 I THINK, AT THIS POINT, I JUST 1044 00:25:53,300 --> 00:25:54,467 WANT TO, YOU KNOW, SHOW HER HOW 1045 00:25:54,467 --> 00:25:55,367 MUCH I MEANT TO HER, 1046 00:25:55,367 --> 00:25:56,433 YOU KNOW WHAT I'M SAYING? 1047 00:25:56,433 --> 00:25:57,667 PICK HER UP A LITTLE SOMETHING. 1048 00:25:57,667 --> 00:26:00,300 WHAT'S IN THE BOX? 1049 00:26:00,300 --> 00:26:03,800 IT'S PANDORA'S BOX, HUH? 1050 00:26:03,800 --> 00:26:07,400 WHOA. 1051 00:26:07,400 --> 00:26:08,367 MAN. 1052 00:26:08,367 --> 00:26:09,400 * YEAH, IT'S SIMPLE ♪ 1053 00:26:09,400 --> 00:26:10,067 ♪ IT'S EASY ♪ 1054 00:26:10,067 --> 00:26:11,233 ♪ SOMETHING YOU CAN GROOVE ON 1055 00:26:11,233 --> 00:26:14,567 ♪ GOT TO HAVE IT 1056 00:26:14,567 --> 00:26:15,833 I WASN'T EXPECTING THIS, MAN, 1057 00:26:15,833 --> 00:26:17,467 BUT... 1058 00:26:17,467 --> 00:26:19,867 MAN, THIS IS... 1059 00:26:19,867 --> 00:26:21,867 I GOT GOOSE BUMPS. 1060 00:26:28,500 --> 00:26:29,500 I WENT AND TALKED TO DEB 1061 00:26:29,500 --> 00:26:30,633 WITHOUT KIRK. 1062 00:26:30,633 --> 00:26:32,233 AND TO BE HONEST WITH YOU, 1063 00:26:32,233 --> 00:26:33,300 HE WASN'T FEELING THAT [bleep] 1064 00:26:33,300 --> 00:26:34,067 AT ALL. 1065 00:26:34,067 --> 00:26:35,300 BUT HE DID DECIDE TO GO IN WITH 1066 00:26:35,300 --> 00:26:36,633 ME AND HIM TOGETHER AND GO 1067 00:26:36,633 --> 00:26:37,400 TALK TO HER. 1068 00:26:37,400 --> 00:26:38,633 I'M NOT SURE HOW THIS IS GONNA 1069 00:26:38,633 --> 00:26:40,233 TURN OUT EITHER, BUT I'M HOPING 1070 00:26:40,233 --> 00:26:40,933 FOR THE BEST. 1071 00:26:40,933 --> 00:26:41,967 HI. 1072 00:26:41,967 --> 00:26:43,333 HI, WHAT'S UP, LADY? 1073 00:26:43,333 --> 00:26:44,067 HOW ARE YOU? 1074 00:26:44,067 --> 00:26:45,400 IT REALLY HURT MY FEELINGS 1075 00:26:45,400 --> 00:26:46,500 THAT RASHEEDA WENT BEHIND 1076 00:26:46,500 --> 00:26:47,233 MY BACK. 1077 00:26:47,233 --> 00:26:48,433 BUT AT THE END OF THE DAY, I 1078 00:26:48,433 --> 00:26:49,767 FEEL LIKE IT'S REALLY ALL ABOUT 1079 00:26:49,767 --> 00:26:51,100 THE BUSINESS, AND I GOT TO BE A 1080 00:26:51,100 --> 00:26:51,900 PROFESSIONAL. 1081 00:26:51,900 --> 00:26:53,433 SO I'M WILLING TO SIT DOWN WITH 1082 00:26:53,433 --> 00:26:54,533 DEB TO SEE WHAT SHE CAN DO FOR 1083 00:26:54,533 --> 00:26:55,900 RASHEEDA AND HER CAREER. 1084 00:26:55,900 --> 00:26:56,733 I JUST WANTED TO BRING THE 1085 00:26:56,733 --> 00:26:57,733 MEETING TOGETHER, FOR EVERYBODY 1086 00:26:57,733 --> 00:27:00,300 TO KNOW EACH OTHER AND SEE IF WE 1087 00:27:00,300 --> 00:27:01,733 CAN MAKE SOMETHING WORK. 1088 00:27:01,733 --> 00:27:03,967 OKAY, SO BEFORE I EVEN RUN MY 1089 00:27:03,967 --> 00:27:05,933 MOUTH, KIRK, WHAT DID YOU FEEL 1090 00:27:05,933 --> 00:27:06,767 ABOUT THAT? 1091 00:27:06,767 --> 00:27:08,700 I DIDN'T FEEL THE IDEA OF HER 1092 00:27:08,700 --> 00:27:10,100 COMING, MEETING WITHOUT LETTING 1093 00:27:10,100 --> 00:27:11,100 ME KNOW. 1094 00:27:11,100 --> 00:27:12,067 THAT'S A PROBLEM. 1095 00:27:12,067 --> 00:27:13,400 'CAUSE SHE'S NOT ABLE TO MAKE 1096 00:27:13,400 --> 00:27:14,633 HER OWN DECISIONS. 1097 00:27:14,633 --> 00:27:15,600 IT AIN'T ABOUT HER MAKING HER 1098 00:27:15,600 --> 00:27:16,767 OWN DECISION NEITHER. 1099 00:27:16,767 --> 00:27:18,800 IT'S ABOUT, AT THE END OF THE 1100 00:27:18,800 --> 00:27:19,700 DAY, I'M YOUR PARTNER. 1101 00:27:19,700 --> 00:27:20,500 THAT'S TRUE. 1102 00:27:20,500 --> 00:27:21,233 YOU'RE MY WIFE, SO 1103 00:27:21,233 --> 00:27:22,567 BUSINESS-WISE, SHE GOT TO 1104 00:27:22,567 --> 00:27:23,600 LET ME KNOW. 1105 00:27:23,600 --> 00:27:25,133 RASHEEDA AND I HAVE ALWAYS DONE 1106 00:27:25,133 --> 00:27:26,233 BUSINESS TOGETHER. 1107 00:27:26,233 --> 00:27:27,767 WE'VE ALWAYS AGREED TOGETHER. 1108 00:27:27,767 --> 00:27:28,767 WE NEVER DONE NOTHING BEHIND 1109 00:27:28,767 --> 00:27:29,733 EACH OTHER'S BACK. 1110 00:27:29,733 --> 00:27:30,767 AND AS I GET IN THE MEETING, I'M 1111 00:27:30,767 --> 00:27:32,133 ALREADY JUST LOOKING, LIKE, 1112 00:27:32,133 --> 00:27:33,733 "OKAY, RASHEEDA HAS SOMEHOW 1113 00:27:33,733 --> 00:27:34,767 ALREADY MADE UP HER MIND." 1114 00:27:34,767 --> 00:27:36,067 SO I'M REALLY SITTING HERE LIKE, 1115 00:27:36,067 --> 00:27:37,600 "WHAT AM I EVEN DOING HERE?" 1116 00:27:37,600 --> 00:27:38,967 I HAPPEN TO THINK RASHEEDA'S 1117 00:27:38,967 --> 00:27:40,967 A VERY TALENTED PERSON. 1118 00:27:40,967 --> 00:27:41,933 BUT I'VE JUST NEVER SEEN HER 1119 00:27:41,933 --> 00:27:42,700 GET ANYWHERE. 1120 00:27:42,700 --> 00:27:43,967 I'VE WATCHED HER CLIMB, AND I'VE 1121 00:27:43,967 --> 00:27:45,867 WATCHED HER DECLINE. 1122 00:27:45,867 --> 00:27:47,433 AND SHE KEPT GOING DOWN. 1123 00:27:47,433 --> 00:27:48,767 IN THE TALKING, THERE WAS A 1124 00:27:48,767 --> 00:27:51,233 COMMON DENOMINATOR, AND D-LO 1125 00:27:51,233 --> 00:27:52,433 HAPPENED TO BE THE COMMON 1126 00:27:52,433 --> 00:27:54,433 DENOMINATOR BETWEEN EACH LABEL 1127 00:27:54,433 --> 00:27:55,667 THAT WAS DONE. 1128 00:27:55,667 --> 00:27:57,767 SO WHAT MADE EVERYBODY ELSE 1129 00:27:57,767 --> 00:27:59,767 WRONG AND D-LO NOT? 1130 00:27:59,767 --> 00:28:01,667 FIRST OFF, RASHEEDA SELLS 1131 00:28:01,667 --> 00:28:03,367 MORE RECORDS TODAY THAN SHE'S 1132 00:28:03,367 --> 00:28:05,600 EVER SOLD IN HER ENTIRE CAREER. 1133 00:28:05,600 --> 00:28:07,433 SO FOR RASHEEDA TO BE HERE FROM 1134 00:28:07,433 --> 00:28:09,633 '90 TO 2012 AND BE ONE OF THE 1135 00:28:09,633 --> 00:28:10,800 HOTTEST UNDERGROUND FEMALE 1136 00:28:10,800 --> 00:28:12,133 RAPPERS IN THE GAME, D-LO IS 1137 00:28:12,133 --> 00:28:13,233 THE REASON WHY RASHEEDA SITS 1138 00:28:13,233 --> 00:28:14,067 HERE TODAY. 1139 00:28:14,067 --> 00:28:15,100 THAT'S SOME SICK-ASS [bleep] 1140 00:28:15,100 --> 00:28:15,833 RIGHT NOW. 1141 00:28:15,833 --> 00:28:17,067 YOU HAVE TO LOOK AT THIS. 1142 00:28:17,067 --> 00:28:18,600 YOU'RE NOT ACKNOWLEDGING 1143 00:28:18,600 --> 00:28:19,667 THE PART THAT YOU'RE PLAYING 1144 00:28:19,667 --> 00:28:20,433 IN THIS. 1145 00:28:20,433 --> 00:28:21,100 REALLY. 1146 00:28:21,100 --> 00:28:21,933 'CAUSE YOU MAKIN' IT SEEM 1147 00:28:21,933 --> 00:28:23,300 LIKE EVERYBODY GOT A PROBLEM 1148 00:28:23,300 --> 00:28:24,300 BUT YOU. 1149 00:28:24,300 --> 00:28:25,867 GODDAMN, I'D HAVE GOT KICKED IN 1150 00:28:25,867 --> 00:28:27,067 MY ASS 100 TIMES. 1151 00:28:27,067 --> 00:28:27,833 I DON'T MIND SAYING-- 1152 00:28:27,833 --> 00:28:28,633 I'D HAVE DONE A WHOLE BUNCH 1153 00:28:28,633 --> 00:28:29,333 OF STUFF. 1154 00:28:29,333 --> 00:28:30,333 I DON'T SIT THERE AND KEEP 1155 00:28:30,333 --> 00:28:31,133 TALKING ABOUT IT. 1156 00:28:31,133 --> 00:28:31,900 I'M NOT A PROUD MAN TO SAY 1157 00:28:31,900 --> 00:28:32,567 IT'S NONE OF MY FAULT. 1158 00:28:32,567 --> 00:28:33,233 I DON'T CARE. 1159 00:28:33,233 --> 00:28:34,067 I'M COOL WITH THAT. 1160 00:28:34,067 --> 00:28:34,933 SWEETHEART, THIS AIN'T ABOUT 1161 00:28:34,933 --> 00:28:35,833 FAULT. 1162 00:28:35,833 --> 00:28:37,300 THIS IS ABOUT GROWTH. 1163 00:28:37,300 --> 00:28:38,967 IT'S ABOUT MOVING FORWARD. 1164 00:28:38,967 --> 00:28:40,133 IT'S ABOUT COMING 1165 00:28:40,133 --> 00:28:41,800 FROM UNDER THE GROUND. 1166 00:28:41,800 --> 00:28:42,833 SHE'S DIRTY. 1167 00:28:42,833 --> 00:28:43,967 SHE'S STINKIN'. 1168 00:28:43,967 --> 00:28:46,233 SHE WANT TO COME UP FOR AIR. 1169 00:28:46,233 --> 00:28:48,433 GODDAMN! 1170 00:28:48,433 --> 00:28:49,800 I'M THE ARCHENEMY. 1171 00:28:49,800 --> 00:28:51,233 EVERYBODY IS JUST GOING IN ON ME 1172 00:28:51,233 --> 00:28:52,100 AND WHAT I HAVEN'T DONE, 1173 00:28:52,100 --> 00:28:52,867 AND, "YOU THIS, 1174 00:28:52,867 --> 00:28:53,600 AND YOU THE REASON"-- 1175 00:28:53,600 --> 00:28:54,667 I'M FEELING LIKE, "YO. 1176 00:28:54,667 --> 00:28:55,700 DO YOU KNOW WHAT I DO FOR HER? 1177 00:28:55,700 --> 00:28:56,567 ARE YOU SERIOUS?" 1178 00:28:56,567 --> 00:28:57,833 EMOTIONALLY, IT KIND OF HURT MY 1179 00:28:57,833 --> 00:28:58,533 FEELINGS. 1180 00:28:58,533 --> 00:28:59,633 BUT, YOU KNOW, WOMEN GONNA 1181 00:28:59,633 --> 00:29:00,667 BE WOMEN. 1182 00:29:00,667 --> 00:29:01,633 LISTEN, KIRK. 1183 00:29:01,633 --> 00:29:03,067 YOU KNOW DAMN WELL IT'S TIME FOR 1184 00:29:03,067 --> 00:29:05,400 US TO SEPARATE SOME [bleep]. 1185 00:29:05,400 --> 00:29:06,500 YOU KNOW IT'S TIME FOR US TO 1186 00:29:06,500 --> 00:29:07,667 MAKE SOME OTHER [bleep] HAPPEN 1187 00:29:07,667 --> 00:29:08,567 IN ORDER FOR US TO GO WHERE WE 1188 00:29:08,567 --> 00:29:09,400 NEED TO GO. 1189 00:29:09,400 --> 00:29:10,900 WE NEED TO GET FOCUSED. 1190 00:29:10,900 --> 00:29:11,900 WE NEED TO LET BUSINESS BE 1191 00:29:11,900 --> 00:29:12,933 BUSINESS AND LET PERSONAL-- 1192 00:29:12,933 --> 00:29:13,900 'CAUSE THAT [bleep] IS AFFECTING 1193 00:29:13,900 --> 00:29:15,167 US IN A LOT OF WAYS THAT IT 1194 00:29:15,167 --> 00:29:16,467 SHOULD NOT BE RIGHT NOW. 1195 00:29:16,467 --> 00:29:17,967 THAT'S THE REALITY OF 1196 00:29:17,967 --> 00:29:18,733 WHAT'S GOING ON. 1197 00:29:18,733 --> 00:29:19,600 AND I'M GONNA LEAVE THAT DOOR 1198 00:29:19,600 --> 00:29:21,233 AGAIN OPEN FOR YOU, RASHEEDA. 1199 00:29:21,233 --> 00:29:22,633 YOU KNOW, AND THEN STILL THEN, 1200 00:29:22,633 --> 00:29:24,067 I WOULD STILL LIKE TO GO IN THE 1201 00:29:24,067 --> 00:29:25,733 STUDIO AND STILL LIKE TO SEE 1202 00:29:25,733 --> 00:29:26,433 WHAT'S THERE. 1203 00:29:26,433 --> 00:29:27,767 BUT I WOULD LIKE TO GO IN 1204 00:29:27,767 --> 00:29:29,967 WITHOUT KIRK. 1205 00:29:31,567 --> 00:29:32,400 TIME IS TICKING, AND IT'S 1206 00:29:32,400 --> 00:29:33,567 TIME FOR US TO MOVE FORWARD IN 1207 00:29:33,567 --> 00:29:34,567 THE RIGHT DIRECTION. 1208 00:29:34,567 --> 00:29:35,933 I MEAN, WHAT WE NEED TO DO? 1209 00:29:35,933 --> 00:29:37,167 I WANT YOUR SUPPORT. 1210 00:29:37,167 --> 00:29:37,867 THAT'S ALL. 1211 00:29:37,867 --> 00:29:38,633 THANK YOU, BABY. 1212 00:29:38,633 --> 00:29:39,533 I WASN'T REALLY PAYING ANY MIND. 1213 00:29:39,533 --> 00:29:40,233 STEVIE. 1214 00:29:40,233 --> 00:29:40,900 YES. 1215 00:29:40,900 --> 00:29:43,767 WHAT THE HELL WAS THAT? 1216 00:29:51,600 --> 00:29:52,567 SO AS I'M LEAVING THE 1217 00:29:52,567 --> 00:29:54,267 MEETING, I'M FEELING LIKE, "WOW. 1218 00:29:54,267 --> 00:29:56,067 I JUST GOT OFF TRIAL FOR TRYING 1219 00:29:56,067 --> 00:29:58,267 TO JUST CHECK OUT DEB, MAKING 1220 00:29:58,267 --> 00:29:59,367 SURE SHE WAS IN RASHEEDA 1221 00:29:59,367 --> 00:30:00,100 BEST INTERESTS." 1222 00:30:00,100 --> 00:30:01,267 AND I'M FEELING LIKE THIS AIN'T 1223 00:30:01,267 --> 00:30:02,867 THE RASHEEDA I KNOW. 1224 00:30:02,867 --> 00:30:03,700 AND IT REALLY GOT ME 1225 00:30:03,700 --> 00:30:04,500 KIND OF BOTHERED. 1226 00:30:04,500 --> 00:30:05,967 I DON'T THINK THAT WENT TOO 1227 00:30:05,967 --> 00:30:07,967 WELL FOR ME. 1228 00:30:07,967 --> 00:30:09,267 JUST LETTING YOU KNOW. 1229 00:30:09,267 --> 00:30:10,667 IT DIDN'T GO WELL 1230 00:30:10,667 --> 00:30:11,567 TO ME NEITHER, 1231 00:30:11,567 --> 00:30:13,467 BUT WHY DO YOU SAY YOU, THOUGH? 1232 00:30:13,467 --> 00:30:15,100 I FEEL LIKE YOU WAS JUST 1233 00:30:15,100 --> 00:30:16,767 SITTING THERE WHILE I'M BEING 1234 00:30:16,767 --> 00:30:19,033 ACCUSED OF BEING A PERSON THAT'S 1235 00:30:19,033 --> 00:30:20,467 STANDING IN THE WAY OF YOUR 1236 00:30:20,467 --> 00:30:21,733 CAREER, AND I KNOW THAT YOU'RE 1237 00:30:21,733 --> 00:30:23,333 HERE BECAUSE OF THE EFFORT 1238 00:30:23,333 --> 00:30:24,567 THAT WAS PUT FORTH, 1239 00:30:24,567 --> 00:30:25,600 THE ACCOMPLISHMENTS. 1240 00:30:25,600 --> 00:30:26,967 IT FELT LIKE YOU WAS JUST-- 1241 00:30:26,967 --> 00:30:27,967 THEY DIDN'T MEAN NOTHING. 1242 00:30:27,967 --> 00:30:29,133 AND TO THEM, 1243 00:30:29,133 --> 00:30:30,367 I'M THE [bleep]-UP PERSON. 1244 00:30:30,367 --> 00:30:31,033 I UNDERSTAND 1245 00:30:31,033 --> 00:30:32,267 WHERE YOU COMING FROM. 1246 00:30:32,267 --> 00:30:33,933 I FEEL THAT, AND YOU KNOW WHAT? 1247 00:30:33,933 --> 00:30:35,267 I UNDERSTAND THAT THIS WHOLE 1248 00:30:35,267 --> 00:30:37,700 SITUATION FOR US IS DIFFICULT. 1249 00:30:37,700 --> 00:30:38,667 I DON'T HAVE TO SIT HERE AND 1250 00:30:38,667 --> 00:30:40,367 DEFEND EVERYTHING YOU'VE DONE. 1251 00:30:40,367 --> 00:30:41,267 IT'S ABOUT TRYING TO 1252 00:30:41,267 --> 00:30:41,867 MOVE FORWARD. 1253 00:30:41,867 --> 00:30:43,333 YOU HAVE TAKEN ME HERE. 1254 00:30:43,333 --> 00:30:44,600 NOW LET'S PASS THE BATON, AND 1255 00:30:44,600 --> 00:30:46,167 LET'S RUN THIS RACE. 1256 00:30:46,167 --> 00:30:47,367 WE'VE BEEN RIDING FOR A LONG 1257 00:30:47,367 --> 00:30:48,600 TIME TOGETHER. 1258 00:30:48,600 --> 00:30:49,867 YEAH, TOGETHER 1259 00:30:49,867 --> 00:30:50,600 FROM THE VERY BEGINNING. 1260 00:30:50,600 --> 00:30:51,433 EXACTLY. GUESS WHAT. 1261 00:30:51,433 --> 00:30:52,400 THAT'S NOT GONNA CHANGE. 1262 00:30:52,400 --> 00:30:54,233 I MEAN, WHAT WE NEED TO DO? 1263 00:30:54,233 --> 00:30:55,000 I'M SITTING HERE SAYING... 1264 00:30:55,000 --> 00:30:55,667 WELL, FIRST OF ALL, 1265 00:30:55,667 --> 00:30:56,333 YOU KNOW WHAT? 1266 00:30:56,333 --> 00:30:57,767 I'M SORRY IF YOU FELT I 1267 00:30:57,767 --> 00:30:58,733 WAS DOING YOU LIKE THAT. 1268 00:30:58,733 --> 00:30:59,700 THAT WASN'T MY INTENTION. 1269 00:30:59,700 --> 00:31:00,967 IF YOU FELT LIKE I WASN'T 1270 00:31:00,967 --> 00:31:02,500 AT THE FOREFRONT AND AT THE 1271 00:31:02,500 --> 00:31:03,633 DEFENSE, MY BAD. 1272 00:31:03,633 --> 00:31:04,300 BUT YOU KNOW WHAT? 1273 00:31:04,300 --> 00:31:06,300 I APOLOGIZE, BUT YES, I DO WANT 1274 00:31:06,300 --> 00:31:07,267 TO MOVE FORWARD. 1275 00:31:07,267 --> 00:31:08,400 BECAUSE I FEEL LIKE TIME IS 1276 00:31:08,400 --> 00:31:09,333 TICKING, AND IT'S TIME 1277 00:31:09,333 --> 00:31:10,333 FOR US TO MOVE FORWARD IN THE 1278 00:31:10,333 --> 00:31:11,333 RIGHT DIRECTION. 1279 00:31:11,333 --> 00:31:12,467 OKAY. 1280 00:31:12,467 --> 00:31:14,067 I WANT YOUR SUPPORT. 1281 00:31:14,067 --> 00:31:15,667 THAT'S ALL. 1282 00:31:15,667 --> 00:31:17,167 RASHEEDA KNOWS I'M ALL ABOUT 1283 00:31:17,167 --> 00:31:18,833 ACCELERATING HER CAREER, 1284 00:31:18,833 --> 00:31:19,533 HELPING HER GET TO THE 1285 00:31:19,533 --> 00:31:20,400 NEXT STEP. 1286 00:31:20,400 --> 00:31:21,167 AND AT THE END OF THE DAY, I 1287 00:31:21,167 --> 00:31:22,067 FEEL LIKE, IF YOU WANT TO HAVE 1288 00:31:22,067 --> 00:31:23,367 DEB MANAGE YOU, GO AHEAD AND 1289 00:31:23,367 --> 00:31:24,500 HAVE DEB MANAGE YOU. 1290 00:31:24,500 --> 00:31:25,733 I HOPE YOU THE BEST. 1291 00:31:25,733 --> 00:31:27,100 LET'S JUST FIND PEACE IN THE 1292 00:31:27,100 --> 00:31:28,333 RELATIONSHIP. 1293 00:31:28,333 --> 00:31:29,400 LIKE, I CAME IN HERE WITH A 1294 00:31:29,400 --> 00:31:31,267 HEADS-UP LOOK, BUT I FEEL LIKE, 1295 00:31:31,267 --> 00:31:32,733 STILL, I'M LEAVING, AND YOU'RE 1296 00:31:32,733 --> 00:31:34,433 NOT HAPPY FROM THE RESULT. 1297 00:31:34,433 --> 00:31:35,633 BECAUSE IT'S DELICATE AND 1298 00:31:35,633 --> 00:31:37,967 IT'S, YOU KNOW, US AND WHAT WE 1299 00:31:37,967 --> 00:31:39,967 BUILT AND US BUSINESS--OUR 1300 00:31:39,967 --> 00:31:41,700 BUSINESS, OUR PERSONAL [bleep]. 1301 00:31:41,700 --> 00:31:42,700 YEAH, IT'S GONNA BE STICKY. 1302 00:31:42,700 --> 00:31:43,867 IT'S GONNA BE A LITTLE ROUGH. 1303 00:31:43,867 --> 00:31:45,267 IT'S ONLY OBVIOUS. 1304 00:31:45,267 --> 00:31:46,933 BUT LET'S MAKE SENSE 1305 00:31:46,933 --> 00:31:48,600 OF WHAT NEEDS TO BE DONE AND 1306 00:31:48,600 --> 00:31:51,267 MOVE FORWARD. 1307 00:31:51,267 --> 00:31:53,367 LIKE I SAID, I'M DOWN. 1308 00:31:53,367 --> 00:31:55,433 DO WHAT YOU NEED TO DO. 1309 00:32:10,367 --> 00:32:11,300 ZINO. 1310 00:32:11,300 --> 00:32:12,267 WHAT'S UP, BABY? 1311 00:32:12,267 --> 00:32:12,867 WHAT'S UP, MAN? 1312 00:32:12,867 --> 00:32:13,833 COOLNESS. 1313 00:32:13,833 --> 00:32:14,500 CHILLIN', MAN. 1314 00:32:14,500 --> 00:32:16,267 I THINK IT'S GOING DOWN. 1315 00:32:16,267 --> 00:32:17,067 WHAT'S THAT? 1316 00:32:17,067 --> 00:32:19,433 I GOT MIMI AND JOSELINE 1317 00:32:19,433 --> 00:32:20,900 TO AGREE TO GO TO COUNSELING. 1318 00:32:20,900 --> 00:32:21,567 GET OUT. 1319 00:32:21,567 --> 00:32:22,333 WHOO. 1320 00:32:22,333 --> 00:32:23,067 NO. 1321 00:32:23,067 --> 00:32:24,100 YEAH, WITH DR. JEFF. 1322 00:32:24,100 --> 00:32:25,900 ARE YOU SERIOUS? 1323 00:32:25,900 --> 00:32:27,500 I JUST--I BELIEVE IT'S TIME 1324 00:32:27,500 --> 00:32:28,367 THAT THEY UNDERSTAND WHERE I'M 1325 00:32:28,367 --> 00:32:29,100 COMING FROM. 1326 00:32:29,100 --> 00:32:31,367 OKAY, SO WHY IN THE HELL 1327 00:32:31,367 --> 00:32:33,500 WOULD YOU WANT BOTH OF YOUR 1328 00:32:33,500 --> 00:32:34,867 CHICKS IN THE SAME ROOM 1329 00:32:34,867 --> 00:32:35,600 TOGETHER? 1330 00:32:35,600 --> 00:32:36,833 I KNOW WHY YOU'RE GOING. 1331 00:32:36,833 --> 00:32:38,067 BUT THEY'RE GOING THERE TO FIND 1332 00:32:38,067 --> 00:32:40,133 OUT WHICH ONE IS COMING OUT 1333 00:32:40,133 --> 00:32:41,533 THERE WITH STEVE AND WHICH ONE 1334 00:32:41,533 --> 00:32:42,767 IS GONNA GO APE [bleep]. 1335 00:32:42,767 --> 00:32:44,100 'CAUSE AT THE END OF THE DAY, 1336 00:32:44,100 --> 00:32:45,633 IT'S ABOUT WHO YOU CHOOSE. 1337 00:32:45,633 --> 00:32:46,433 AND THEY KNOW THAT. 1338 00:32:46,433 --> 00:32:47,267 YOU KNOW WHAT I'M SAYING? 1339 00:32:47,267 --> 00:32:48,100 SO WHAT DO YOU PLAN TO 1340 00:32:48,100 --> 00:32:49,267 ACCOMPLISH WHEN IT'S ALL SAID 1341 00:32:49,267 --> 00:32:50,367 AND DONE? 1342 00:32:50,367 --> 00:32:51,733 A WINNING TEAM. 1343 00:32:51,733 --> 00:32:53,200 I WANT EVERYBODY TO WIN, YEAH. 1344 00:32:53,200 --> 00:32:53,967 I MEAN, IF YOU COULD BE WITH 1345 00:32:53,967 --> 00:32:54,900 THEM BOTH AND YOU COULD PULL 1346 00:32:54,900 --> 00:32:56,800 THAT [bleep] OFF, YO... 1347 00:32:56,800 --> 00:32:58,233 ALI. 1348 00:32:58,233 --> 00:33:02,267 THE CHAMP IS HERE! 1349 00:33:02,267 --> 00:33:03,367 [laughter] 1350 00:33:03,367 --> 00:33:05,600 BUT IF YOU CAN'T, IT'LL GO 1351 00:33:05,600 --> 00:33:06,800 DOWN IN HISTORY AS ONE OF THE 1352 00:33:06,800 --> 00:33:08,267 MOST BUMBLING [bleep]-UPS YOU 1353 00:33:08,267 --> 00:33:09,567 PROBABLY EVER DID. 1354 00:33:09,567 --> 00:33:10,667 AT THE END OF THE DAY, I HAVE 1355 00:33:10,667 --> 00:33:13,067 MIMI ON THIS SIDE, AND I GOT 1356 00:33:13,067 --> 00:33:14,767 JOSELINE ON THIS SIDE. 1357 00:33:14,767 --> 00:33:15,867 WE WORK GREAT TOGETHER. 1358 00:33:15,867 --> 00:33:17,267 BUT IF EVERYBODY COULD JUST ZIP 1359 00:33:17,267 --> 00:33:20,567 IT AND LET ME CONTROL THE SHOW, 1360 00:33:20,567 --> 00:33:23,267 IT'D BE LIGHTS, CAMERA, ACTION. 1361 00:33:23,267 --> 00:33:24,267 ENOUGH ABOUT THAT. 1362 00:33:24,267 --> 00:33:25,567 WHAT ABOUT YOU AND KARLIE? 1363 00:33:25,567 --> 00:33:27,333 YOU KNOW, I WAS AT THE CIGAR 1364 00:33:27,333 --> 00:33:28,733 BAR THE OTHER DAY, YOU KNOW WHAT 1365 00:33:28,733 --> 00:33:29,700 I'M SAYING? 1366 00:33:29,700 --> 00:33:30,733 CALLED DAVE THE JEWELER MAN, 1367 00:33:30,733 --> 00:33:31,967 YOU KNOW. 1368 00:33:31,967 --> 00:33:33,767 JEWELER MAN? 1369 00:33:33,767 --> 00:33:34,633 I WENT AND COPPED THAT-- 1370 00:33:34,633 --> 00:33:35,667 WENT AND COPPED SOME CABBAGE. 1371 00:33:35,667 --> 00:33:36,433 WENT AND COPPED THAT 1372 00:33:36,433 --> 00:33:37,267 RABBIT FOOD. 1373 00:33:37,267 --> 00:33:38,533 MM... 1374 00:33:38,533 --> 00:33:39,767 HEY! 1375 00:33:39,767 --> 00:33:40,533 I THINK--YOU KNOW WHAT I'M 1376 00:33:40,533 --> 00:33:41,533 SAYIN', I THINK I'M GONNA... 1377 00:33:41,533 --> 00:33:42,267 CRAZY. 1378 00:33:42,267 --> 00:33:42,900 HEY. 1379 00:33:42,900 --> 00:33:43,800 YEAH, I THINK IT'S--YOU KNOW. 1380 00:33:43,800 --> 00:33:45,533 YOU GOIN' IN? 1381 00:33:45,533 --> 00:33:46,667 KIND OF LOOKS THAT WAY. 1382 00:33:46,667 --> 00:33:47,400 I MEAN, DAMN, 1383 00:33:47,400 --> 00:33:48,100 YOU KNOW WHAT I'M SAYING? 1384 00:33:48,100 --> 00:33:49,067 YOU LOVE HER ENOUGH TO SPEND 1385 00:33:49,067 --> 00:33:49,900 THE REST OF YOUR LIFE WITH HER 1386 00:33:49,900 --> 00:33:51,367 FROM HERE GOING FORWARD FOREVER 1387 00:33:51,367 --> 00:33:52,200 AND EVER? 1388 00:33:52,200 --> 00:33:53,067 EVER, EVER? 1389 00:33:53,067 --> 00:33:54,200 I GOT THE RABBIT FOOD. 1390 00:33:54,200 --> 00:33:55,067 BUT YOU BEEN BUYING CARROTS 1391 00:33:55,067 --> 00:33:55,833 FOR A LONG TIME. 1392 00:33:55,833 --> 00:33:56,500 YEAH, YEAH, YEAH. 1393 00:33:56,500 --> 00:33:57,500 BUT IT'S DIFFERENT WHEN IT'S ON 1394 00:33:57,500 --> 00:33:58,367 THIS FINGER. 1395 00:33:58,367 --> 00:33:59,200 SEE THAT FINGER RIGHT THERE? 1396 00:33:59,200 --> 00:34:00,100 NOT THAT FINGER, THIS FINGER. 1397 00:34:00,100 --> 00:34:00,867 THAT FINGER, YEAH, YEAH. 1398 00:34:00,867 --> 00:34:01,533 RIGHT THERE. 1399 00:34:01,533 --> 00:34:02,300 THAT'S WHAT THEY WANT. 1400 00:34:02,300 --> 00:34:03,267 THEY DON'T WANT YOU TO DO THAT. 1401 00:34:03,267 --> 00:34:04,833 THEY WANT YOU TO DO THAT. 1402 00:34:04,833 --> 00:34:06,633 RIGHT THERE. 1403 00:34:06,633 --> 00:34:07,300 THEY LIKE A LITTLE BIT 1404 00:34:07,300 --> 00:34:08,267 OF BOTH. 1405 00:34:08,267 --> 00:34:10,067 OH, COME ON, MAN. 1406 00:34:10,067 --> 00:34:11,767 I USED TO BE LIKE SLEAZE-O, 1407 00:34:11,767 --> 00:34:12,733 PLAYING THE FIELD 1408 00:34:12,733 --> 00:34:13,733 JUST LIKE A MADMAN. 1409 00:34:13,733 --> 00:34:15,300 IT'S HARD TO BE MONOGAMOUS. 1410 00:34:15,300 --> 00:34:16,767 BUT AT THIS POINT, I'M READY TO 1411 00:34:16,767 --> 00:34:17,967 TAKE ON A CHALLENGE. 1412 00:34:17,967 --> 00:34:19,500 I'M READY TO BE A ONE-WOMAN MAN. 1413 00:34:19,500 --> 00:34:20,367 YOU KNOW, EVERYTHING ELSE IS 1414 00:34:20,367 --> 00:34:21,467 GONNA BE A BLUR. 1415 00:34:21,467 --> 00:34:22,667 THINK WE CAN GET THIS THING TO 1416 00:34:22,667 --> 00:34:23,400 POP, MAN. 1417 00:34:23,400 --> 00:34:24,100 THAT'S MY GIRL, MAN. 1418 00:34:24,100 --> 00:34:24,800 YOU KNOW WHAT I'M SAYING? 1419 00:34:24,800 --> 00:34:26,067 AND AT THE END OF THE DAY, IF 1420 00:34:26,067 --> 00:34:27,433 I WANT MY THING... 1421 00:34:27,433 --> 00:34:28,567 COME ON, MAN. 1422 00:34:28,567 --> 00:34:29,467 YOU KNOW I'M RIDING WITH YOU. 1423 00:34:29,467 --> 00:34:30,600 SEE, I HAVE TO BE THERE TO CLEAN 1424 00:34:30,600 --> 00:34:31,267 UP THE MESS ANYWAY. 1425 00:34:31,267 --> 00:34:31,933 RIGHT, RIGHT. 1426 00:34:31,933 --> 00:34:32,633 KNOW WHAT I'M SAYING? 1427 00:34:32,633 --> 00:34:33,300 ABSOLUTELY. 1428 00:34:33,300 --> 00:34:34,067 YOU KNOW YOU GONNA BE THE 1429 00:34:34,067 --> 00:34:34,833 BEST MAN AT MY WEDDING, 1430 00:34:34,833 --> 00:34:35,733 YOU KNOW WHAT I'M SAYING? 1431 00:34:35,733 --> 00:34:36,400 ABSOLUTELY. 1432 00:34:36,400 --> 00:34:39,300 TO THE END, BABY. 1433 00:34:39,300 --> 00:34:40,267 YOU'RE TRYING TO CONTINUE 1434 00:34:40,267 --> 00:34:41,733 ON A RELATIONSHIP WITH HER? 1435 00:34:41,733 --> 00:34:42,933 I JUST WANT... 1436 00:34:42,933 --> 00:34:43,767 I'M LIVING WITH HIM RIGHT 1437 00:34:43,767 --> 00:34:45,067 NOW, JOSELINE. 1438 00:34:45,067 --> 00:34:45,967 YOU GUYS LIVING TOGETHER? 1439 00:34:45,967 --> 00:34:47,167 YES, I'M IN THE HOUSE. 1440 00:34:47,167 --> 00:34:54,100 YES, I HAVE BEEN THERE. 1441 00:34:54,100 --> 00:34:56,867 SO BACK TO DR. JEFF AGAIN. 1442 00:34:56,867 --> 00:34:58,667 I ONLY AGREED TO THIS THERAPY 1443 00:34:58,667 --> 00:35:00,267 SESSION SO I COULD WATCH STEVIE 1444 00:35:00,267 --> 00:35:01,933 FALL APART IN FRONT OF MY EYES. 1445 00:35:01,933 --> 00:35:04,300 SURE, I WOULD LOVE FOR MY FAMILY 1446 00:35:04,300 --> 00:35:05,233 TO WORK OUT. 1447 00:35:05,233 --> 00:35:07,067 BUT I GOT THIS GUT FEELING THIS 1448 00:35:07,067 --> 00:35:09,667 DUDE IS STILL UP TO NO GOOD. 1449 00:35:09,667 --> 00:35:11,067 TELL ME WHAT'S BEEN GOING ON. 1450 00:35:11,067 --> 00:35:12,067 I KNOW WE'RE HERE FOR 1451 00:35:12,067 --> 00:35:13,333 A COUPLE OF REASONS, BUT I WANT 1452 00:35:13,333 --> 00:35:15,067 TO VERY QUICKLY SEE HOW YOU GUYS 1453 00:35:15,067 --> 00:35:16,067 HAVE BEEN. 1454 00:35:16,067 --> 00:35:17,133 THINGS HAVE BEEN GOOD. 1455 00:35:17,133 --> 00:35:17,800 MM-HMM. 1456 00:35:17,800 --> 00:35:19,500 GETTING BETTER. 1457 00:35:19,500 --> 00:35:20,467 WHERE DO YOU SEE SOME OF THE 1458 00:35:20,467 --> 00:35:21,533 IMPROVEMENTS? 1459 00:35:21,533 --> 00:35:22,200 I MEAN, IT'S THE... 1460 00:35:22,200 --> 00:35:23,433 both: COMMUNICATION. 1461 00:35:23,433 --> 00:35:25,233 IT'S BEEN A BIG HELP FOR ME, 1462 00:35:25,233 --> 00:35:26,800 YOU KNOW, AND I'M SURE IT'S BEEN 1463 00:35:26,800 --> 00:35:28,067 A BIG HELP FOR HER. 1464 00:35:28,067 --> 00:35:30,367 NOW THAT WE ARE AT THIS 1465 00:35:30,367 --> 00:35:33,400 POINT, THERE'S STILL ANOTHER 1466 00:35:33,400 --> 00:35:35,933 MAJOR ISSUE. 1467 00:35:35,933 --> 00:35:36,767 ABSOLUTELY. 1468 00:35:36,767 --> 00:35:38,433 AND WE'RE TALKING ABOUT... 1469 00:35:38,433 --> 00:35:40,233 JOSELINE. 1470 00:35:40,233 --> 00:35:41,433 I DO LOVE BOTH OF THEM, YOU KNOW 1471 00:35:41,433 --> 00:35:42,100 WHAT I'M SAYING? 1472 00:35:42,100 --> 00:35:43,067 BUT IT'S JUST LIKE, DO I 1473 00:35:43,067 --> 00:35:44,600 SUGARCOAT THE SITUATION, OR DO I 1474 00:35:44,600 --> 00:35:46,833 BRING THEM BOTH TO DR. JEFF AND, 1475 00:35:46,833 --> 00:35:48,167 YOU KNOW, PUT IT ALL 1476 00:35:48,167 --> 00:35:49,067 ON THE TABLE? 1477 00:35:49,067 --> 00:35:50,167 JOSELINE, YOUR... 1478 00:35:50,167 --> 00:35:51,233 MY ARTIST. 1479 00:35:51,233 --> 00:35:52,633 YOUR ARTIST... 1480 00:35:52,633 --> 00:35:53,600 MY FRIEND. 1481 00:35:53,600 --> 00:35:55,400 MY BUSINESS PARTNER. 1482 00:35:55,400 --> 00:35:57,200 SHE'S YOUR BUSINESS PARTNER, 1483 00:35:57,200 --> 00:35:58,600 OR I'M YOUR BUSINESS PARTNER? 1484 00:35:58,600 --> 00:35:59,433 SHE'S MY BUSINESS PARTNER 1485 00:35:59,433 --> 00:36:00,167 TOO. 1486 00:36:00,167 --> 00:36:01,900 SO WE'RE ALL BUSINESS 1487 00:36:01,900 --> 00:36:02,667 PARTNERS. 1488 00:36:02,667 --> 00:36:03,667 YEAH. 1489 00:36:03,667 --> 00:36:05,533 AND YOU WANT ME TO FEEL 1490 00:36:05,533 --> 00:36:07,867 COMFORTABLE WITH THIS SITUATION. 1491 00:36:07,867 --> 00:36:09,367 HMM. 1492 00:36:09,367 --> 00:36:10,067 DID WE DO THAT AT 1493 00:36:10,067 --> 00:36:10,767 THE SAME TIME? 1494 00:36:10,767 --> 00:36:11,433 YEAH. 1495 00:36:11,433 --> 00:36:12,867 CAN WE DO THAT AGAIN? 1496 00:36:12,867 --> 00:36:14,933 all: HMM. 1497 00:36:14,933 --> 00:36:16,200 I CAN SEE RIGHT THROUGH 1498 00:36:16,200 --> 00:36:17,067 ALL OF THIS. 1499 00:36:17,067 --> 00:36:20,067 IT'S SO CLEAR AND APPARENT TO ME 1500 00:36:20,067 --> 00:36:22,267 THAT THOSE TWO ARE [bleep]. 1501 00:36:22,267 --> 00:36:23,433 AND IF HE THINKS THIS IS ABOUT 1502 00:36:23,433 --> 00:36:24,733 TO BE SOME THREE-WAY [bleep], 1503 00:36:24,733 --> 00:36:26,667 HE'S CLEARLY MISTAKEN. 1504 00:36:26,667 --> 00:36:27,433 WELL, FIRST OF ALL, LET ME 1505 00:36:27,433 --> 00:36:28,667 TELL YOU WHAT I'M SEEING. 1506 00:36:28,667 --> 00:36:31,067 TAKE A LOOK UNDER YOUR SHOE. 1507 00:36:31,067 --> 00:36:32,467 I THINK YOU JUST STEPPED INTO 1508 00:36:32,467 --> 00:36:34,700 SOME STUFF AGAIN, STEVIE. 1509 00:36:34,700 --> 00:36:35,600 AND I THINK YOU'RE TRYING TO 1510 00:36:35,600 --> 00:36:37,833 MOONWALK YOUR WAY OUT OF THIS. 1511 00:36:37,833 --> 00:36:39,367 YOU REALIZE THIS THING ABOUT... 1512 00:36:39,367 --> 00:36:40,233 [knock at door] 1513 00:36:40,233 --> 00:36:41,467 BUSINESS--HELLO. 1514 00:36:41,467 --> 00:36:42,133 HI. 1515 00:36:42,133 --> 00:36:42,833 HOW ARE YOU? 1516 00:36:42,833 --> 00:36:43,767 I'M GOOD. 1517 00:36:43,767 --> 00:36:44,800 YOU MUST BE JOSELINE. 1518 00:36:44,800 --> 00:36:45,900 YES, I AM. NICE TO MEET YOU. 1519 00:36:45,900 --> 00:36:46,900 I'M DR. JEFF. 1520 00:36:46,900 --> 00:36:47,767 NICE TO MEET YOU. 1521 00:36:47,767 --> 00:36:48,433 JOSELINE. 1522 00:36:48,433 --> 00:36:49,100 WHAT'S UP, BABE? 1523 00:36:49,100 --> 00:36:49,933 I DIDN'T KNOW WHY STEVIE 1524 00:36:49,933 --> 00:36:50,600 WANTED ME TO GO TO THIS 1525 00:36:50,600 --> 00:36:51,633 THERAPY SESSION. 1526 00:36:51,633 --> 00:36:52,400 LIKE, I DON'T WANT TO TALK TO 1527 00:36:52,400 --> 00:36:53,133 Y'ALL, LIKE. 1528 00:36:53,133 --> 00:36:53,933 I FEEL LIKE IT SHOULD'VE BEEN 1529 00:36:53,933 --> 00:36:56,067 STEVIE AND MIMI, NOT JOSELINE. 1530 00:36:56,067 --> 00:36:56,700 WHAT THE [bleep] AM I 1531 00:36:56,700 --> 00:36:57,600 DOING THERE? 1532 00:36:57,600 --> 00:36:59,233 WE WERE JUST TALKING ABOUT 1533 00:36:59,233 --> 00:37:01,667 THE ARRANGEMENT THAT YOU AND 1534 00:37:01,667 --> 00:37:02,900 STEVIE HAVE. 1535 00:37:02,900 --> 00:37:04,367 WHAT IS YOUR KNOWLEDGE 1536 00:37:04,367 --> 00:37:06,333 AS TO THE ARRANGEMENT? 1537 00:37:06,333 --> 00:37:07,833 WELL, YOU KNOW, WHEN STEVIE 1538 00:37:07,833 --> 00:37:09,067 AND I GOT TOGETHER, WE SPENT A 1539 00:37:09,067 --> 00:37:10,367 LOT OF TIME TOGETHER, LIKE, 1540 00:37:10,367 --> 00:37:11,933 LITERALLY THREE MONTHS 1541 00:37:11,933 --> 00:37:13,467 TOGETHER STRAIGHT. 1542 00:37:13,467 --> 00:37:14,667 I DIDN'T KNOW ANYTHING ABOUT 1543 00:37:14,667 --> 00:37:16,167 MIMI AT ALL. 1544 00:37:16,167 --> 00:37:16,967 YOU DIDN'T KNOW ANYTHING? 1545 00:37:16,967 --> 00:37:17,767 NO, I DIDN'T KNOW ANYTHING 1546 00:37:17,767 --> 00:37:18,433 ABOUT MIMI, NOT AT THE 1547 00:37:18,433 --> 00:37:19,100 BEGINNING. 1548 00:37:19,100 --> 00:37:20,500 TO ME, YOU WAS JUST, LIKE, 1549 00:37:20,500 --> 00:37:21,467 THE BABY MOM. 1550 00:37:21,467 --> 00:37:22,833 JOSELINE, IT'S INTERESTING, 1551 00:37:22,833 --> 00:37:24,167 BECAUSE YOU'RE A GOOD-LOOKING 1552 00:37:24,167 --> 00:37:26,533 WOMAN, AND SHE'S A GOOD-LOOKING 1553 00:37:26,533 --> 00:37:28,967 WOMAN, AND YOU KNOW STEVIE. 1554 00:37:28,967 --> 00:37:30,700 DID YOU REALLY THINK 1555 00:37:30,700 --> 00:37:32,600 THAT ALL SHE WAS 1556 00:37:32,600 --> 00:37:35,367 WAS JUST THE BABY MAMA? 1557 00:37:35,367 --> 00:37:36,167 WELL-- 1558 00:37:36,167 --> 00:37:37,600 LET'S BE HONEST. 1559 00:37:37,600 --> 00:37:38,767 WHEN WE WAS AT THE STUDIO 1560 00:37:38,767 --> 00:37:40,333 THAT DAY AND SHE CAME IN, 1561 00:37:40,333 --> 00:37:41,200 I WAS RECORDING. 1562 00:37:41,200 --> 00:37:42,467 SO I DIDN'T REALLY--I WASN'T 1563 00:37:42,467 --> 00:37:44,100 REALLY PAYING ANY MIND TO-- 1564 00:37:44,100 --> 00:37:45,200 THANK YOU, BABY. 1565 00:37:45,200 --> 00:37:46,733 I WASN'T REALLY PAYING ANY MIND 1566 00:37:46,733 --> 00:37:48,433 TO ANYTHING THAT SHE-- 1567 00:37:48,433 --> 00:37:49,700 ARE YOU [bleep] SERIOUS? 1568 00:37:49,700 --> 00:37:51,433 SEEING STEVIE DAB 1569 00:37:51,433 --> 00:37:53,233 THE SWEAT OFF JOSELINE'S NOSE, 1570 00:37:53,233 --> 00:37:54,467 MY INSTANT REACTION WAS, 1571 00:37:54,467 --> 00:37:56,100 "ARE YOU [bleep] SERIOUS? 1572 00:37:56,100 --> 00:37:57,633 LIKE, YOU JUST BLATANTLY 1573 00:37:57,633 --> 00:37:58,700 DISRESPECTFUL. 1574 00:37:58,700 --> 00:37:59,600 LIKE, YOU JUST DON'T GIVE A 1575 00:37:59,600 --> 00:38:01,067 [bleep] AT ALL." 1576 00:38:01,067 --> 00:38:01,733 STEVIE. 1577 00:38:01,733 --> 00:38:02,433 YES. 1578 00:38:02,433 --> 00:38:05,267 WHAT THE HELL WAS THAT? 1579 00:38:05,267 --> 00:38:06,133 HER NOSE WAS SWEATING. 1580 00:38:06,133 --> 00:38:06,933 AND THAT'S WHAT'S FUNNY. 1581 00:38:06,933 --> 00:38:08,267 HER NOSE ALWAYS SWEATS. 1582 00:38:08,267 --> 00:38:08,933 CRAZY. 1583 00:38:08,933 --> 00:38:09,933 STEVIE, I GOT TO CALL YOU OUT 1584 00:38:09,933 --> 00:38:11,667 ON THIS ONE, OKAY? 1585 00:38:11,667 --> 00:38:12,300 A'IGHT. 1586 00:38:12,300 --> 00:38:13,467 THERE'S A TERM IN PSYCHOLOGY 1587 00:38:13,467 --> 00:38:15,667 WE CALL PASSIVE-AGGRESSIVE. 1588 00:38:15,667 --> 00:38:16,667 THAT WAS PASSIVE-AGGRESSIVE? 1589 00:38:16,667 --> 00:38:18,400 PASSIVE-AGGRESSIVE MEANS 1590 00:38:18,400 --> 00:38:21,200 THAT YOU HAVE, MAYBE, SOME ANGER 1591 00:38:21,200 --> 00:38:22,567 OR THERE'S SOMETHING YOU WANT TO 1592 00:38:22,567 --> 00:38:24,500 SAY OR DO AND YOU JUST CAN'T 1593 00:38:24,500 --> 00:38:26,233 COME OUT AND SAY OR DO IT, 1594 00:38:26,233 --> 00:38:28,267 SO YOU DO SOMETHING VERY PASSIVE 1595 00:38:28,267 --> 00:38:31,067 LIKE WIPING THE SWEAT OFF OF THE 1596 00:38:31,067 --> 00:38:33,433 TOP OF HER NOSE IN FRONT OF THE 1597 00:38:33,433 --> 00:38:35,467 WOMAN WHO YOU'RE TRYING TO 1598 00:38:35,467 --> 00:38:36,800 CONTINUE TO BUILD 1599 00:38:36,800 --> 00:38:39,267 A RELATIONSHIP WITH. 1600 00:38:39,267 --> 00:38:41,067 WHAT THE HELL WAS THAT? 1601 00:38:41,067 --> 00:38:41,867 I DIDN'T SEE NOTHING WRONG 1602 00:38:41,867 --> 00:38:42,567 WITH IT. 1603 00:38:42,567 --> 00:38:45,167 OF COURSE YOU DIDN'T. 1604 00:38:45,167 --> 00:38:46,200 AND THE FACT THAT YOU DIDN'T SEE 1605 00:38:46,200 --> 00:38:47,300 ANYTHING WRONG... 1606 00:38:47,300 --> 00:38:48,467 YOU'RE TRYING TO CONTINUE IN 1607 00:38:48,467 --> 00:38:49,533 A RELATIONSHIP WITH HER? 1608 00:38:49,533 --> 00:38:50,467 I JUST WANT... 1609 00:38:50,467 --> 00:38:51,733 I'M LIVING WITH HIM RIGHT 1610 00:38:51,733 --> 00:38:53,067 NOW, JOSELINE. 1611 00:38:53,067 --> 00:38:53,967 YOU GUYS LIVING TOGETHER? 1612 00:38:53,967 --> 00:38:55,100 YES, I'M IN THE HOUSE. 1613 00:38:55,100 --> 00:38:57,100 YES, I HAVE BEEN THERE. 1614 00:38:59,233 --> 00:39:01,300 BITCH. 1615 00:39:02,533 --> 00:39:03,367 WHY HAVEN'T YOU-- 1616 00:39:03,367 --> 00:39:04,500 GET UP. GET UP. GET UP. 1617 00:39:04,500 --> 00:39:05,733 GET UP. 1618 00:39:05,733 --> 00:39:06,900 STEVIE CAN GO TO HELL, 1619 00:39:06,900 --> 00:39:07,667 FOR ALL I CARE. 1620 00:39:07,667 --> 00:39:08,633 TWO DAYS AGO, HE GONNA COME 1621 00:39:08,633 --> 00:39:09,767 KNOCKING ON MY DOOR, TALKING 1622 00:39:09,767 --> 00:39:10,833 ABOUT HE WANT TO HAVE SEX, BUT 1623 00:39:10,833 --> 00:39:11,867 DIDN'T YOU FORGET TO TELL ME 1624 00:39:11,867 --> 00:39:12,667 THAT YOU HAVE MIMI STAYING AT 1625 00:39:12,667 --> 00:39:13,500 YOUR HOUSE? 1626 00:39:13,500 --> 00:39:14,767 I'M GONNA BEAT YO' ASS. 1627 00:39:14,767 --> 00:39:15,533 I GOT HER. I GOT HER. 1628 00:39:15,533 --> 00:39:16,200 I GOT HER. 1629 00:39:16,200 --> 00:39:17,067 JOSELINE, JOSELINE. 1630 00:39:17,067 --> 00:39:21,400 LET GO OF ME. 1631 00:39:21,400 --> 00:39:22,833 [bleep] THAT BITCH. 1632 00:39:22,833 --> 00:39:23,933 CALM DOWN, JOSELINE. 1633 00:39:23,933 --> 00:39:25,700 MAN, LET GO OF ME! 1634 00:39:25,700 --> 00:39:27,367 LET GO OF ME. 1635 00:39:27,367 --> 00:39:28,067 JOSELINE. 1636 00:39:28,067 --> 00:39:28,900 NO. 1637 00:39:28,900 --> 00:39:30,100 JOSELINE. JOSELINE. 1638 00:39:30,100 --> 00:39:31,067 LET GO OF ME! 1639 00:39:31,067 --> 00:39:32,367 JOSELINE, JOSELINE, JOSELINE, 1640 00:39:32,367 --> 00:39:34,567 JOSELINE. 1641 00:39:34,567 --> 00:39:35,433 LET GO OF ME! 1642 00:39:35,433 --> 00:39:37,500 WHEN I SAW JOSELINE JUMP UP 1643 00:39:37,500 --> 00:39:39,867 AND WWF HIS ASS, WHAT WAS I 1644 00:39:39,867 --> 00:39:41,067 SUPPOSED TO DO? 1645 00:39:41,067 --> 00:39:42,533 I'MA JUST SCOOT ON OVER AND LET 1646 00:39:42,533 --> 00:39:43,667 YOU WHACK HIM. 1647 00:39:43,667 --> 00:39:44,967 GET HIM AGAIN. 1648 00:39:44,967 --> 00:39:46,700 GET HIM FOR ME. 1649 00:39:46,700 --> 00:39:47,800 AH! 1650 00:39:47,800 --> 00:39:48,933 NO. NO! 1651 00:39:48,933 --> 00:39:49,667 YES. 1652 00:39:49,667 --> 00:39:50,867 NO. LET GO OF ME! 1653 00:39:50,867 --> 00:39:51,533 OKAY, LET HER GO. 1654 00:39:51,533 --> 00:39:52,200 NO! 1655 00:39:52,200 --> 00:39:52,867 I DON'T GIVE A [bleep] 1656 00:39:52,867 --> 00:39:53,533 WHO IT IS! 1657 00:39:53,533 --> 00:39:54,267 COME HERE. COME ON. 1658 00:39:54,267 --> 00:39:55,067 ME AND YOU. 1659 00:39:55,067 --> 00:39:56,267 YUP. 1660 00:39:56,267 --> 00:40:00,533 DONE. 1661 00:40:00,533 --> 00:40:02,100 HEY! 1662 00:40:02,100 --> 00:40:03,800 IN MY PERFECT WORLD, I COULD 1663 00:40:03,800 --> 00:40:05,033 GET THEM TO WORK TOGETHER. 1664 00:40:05,033 --> 00:40:05,900 YOU WANT TO LOVE 'EM BOTH. 1665 00:40:05,900 --> 00:40:07,067 YEAH. 1666 00:40:07,067 --> 00:40:09,800 [bleep] DR. JEFF. 1667 00:40:09,800 --> 00:40:10,533 YOU KNOW, YOU HAD YOUR MIX 1668 00:40:10,533 --> 00:40:11,600 TAPE RELEASE PARTY. 1669 00:40:11,600 --> 00:40:13,100 THEY SAY YOU WALKED IN WITH A 1670 00:40:13,100 --> 00:40:14,300 GIRL BY THE NAME OF SHAY. 1671 00:40:14,300 --> 00:40:15,133 WE JUST FRIENDS. 1672 00:40:15,133 --> 00:40:16,000 HAVE YOU SLEPT WITH HER? 1673 00:40:16,000 --> 00:40:16,833 NO. 1674 00:40:16,833 --> 00:40:17,600 NEVER? 1675 00:40:17,600 --> 00:40:18,733 WHAT ARE YOU SAYING? 1676 00:40:18,733 --> 00:40:20,000 I THINK HE'S [bleep] LYING. 1677 00:40:20,000 --> 00:40:21,033 OH, I KNOW THAT HE'S LYING. 1678 00:40:21,033 --> 00:40:22,067 LIKE, YOU NOT FOOLIN' ME. 1679 00:40:22,067 --> 00:40:22,867 YOU FOOLIN' YOUR DAMN SELF. 1680 00:40:22,867 --> 00:40:23,533 RIGHT. 1681 00:40:23,533 --> 00:40:24,767 I HAD A LITTLE CONVERSATION 1682 00:40:24,767 --> 00:40:26,300 WITH ERICA, BUT I DON'T KNOW 1683 00:40:26,300 --> 00:40:27,500 IF I'M TRYING TO GO 1684 00:40:27,500 --> 00:40:28,900 DOWN THE ROAD. 1685 00:40:28,900 --> 00:40:29,833 HOW DO PLAYERS PLAY? 1686 00:40:29,833 --> 00:40:31,733 ALL DAY, EVERY DAY. 1687 00:40:31,733 --> 00:40:32,733 I'M STARTING TO SEE SOME 1688 00:40:32,733 --> 00:40:33,333 SIDES OF HIM. 1689 00:40:33,333 --> 00:40:34,400 I'M LIKE, "FOR REAL?" 1690 00:40:34,400 --> 00:40:35,133 THE PROBLEM IS THAT 1691 00:40:35,133 --> 00:40:35,867 YOU'RE ANGRY ALL THE TIME. 1692 00:40:35,867 --> 00:40:36,567 WE ALREADY GOT-- 1693 00:40:36,567 --> 00:40:37,433 OH, THAT'S THE PROBLEM? 1694 00:40:37,433 --> 00:40:38,233 SO THIS IS THE WHOLE PROBLEM 1695 00:40:38,233 --> 00:40:39,533 BETWEEN ME AND YOU IS THAT I'M 1696 00:40:39,533 --> 00:40:40,367 ANGRY ALL THE TIME. 1697 00:40:40,367 --> 00:40:41,400 THAT'S ONE OF THE PROBLEMS. 1698 00:40:41,400 --> 00:40:42,733 I AM A WOMAN THAT LIVED 1699 00:40:42,733 --> 00:40:45,033 THROUGH THE VIOLENCE AGAINST ME. 1700 00:40:45,033 --> 00:40:46,500 I AM A SURVIVOR. 1701 00:40:46,500 --> 00:40:48,067 THE GUY SHE'S REFERRING TO 1702 00:40:48,067 --> 00:40:49,933 IS MARRIED TO ONE OF MY CLOSE, 1703 00:40:49,933 --> 00:40:50,867 CLOSE FRIENDS. 1704 00:40:50,867 --> 00:40:51,733 AND I DON'T REALLY WANT 1705 00:40:51,733 --> 00:40:52,400 TO TALK ABOUT IT. 1706 00:40:52,400 --> 00:40:53,133 YOU KNOW, I DON'T KNOW. 1707 00:40:53,133 --> 00:40:54,433 I JUST FEEL LIKE 1708 00:40:54,433 --> 00:40:55,933 MAYBE THAT'S NOT SOMETHING 1709 00:40:55,933 --> 00:40:56,900 THAT HE DID TO YOU. 1710 00:40:56,900 --> 00:40:58,567 NONE OF Y'ALL WAS THERE, 1711 00:40:58,567 --> 00:40:59,433 NONE OF Y'ALL! 1712 00:40:59,433 --> 00:41:01,400 THAT MAN BEAT MY ASS! 1713 00:41:01,400 --> 00:41:03,400 AND I HAD TO DEAL WITH IT! 105699