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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,768 --> 00:00:03,769 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:01:14,875 --> 00:01:17,776 AAH! HA HA HA! 3 00:01:25,118 --> 00:01:27,663 HELLO, GOLFING FIENDS, 4 00:01:27,687 --> 00:01:30,266 AND WELCOME TO THE CRYPT. 5 00:01:30,290 --> 00:01:32,268 OH, DON'T MIND HIM. 6 00:01:32,292 --> 00:01:34,270 THAT'S JUST MY CADDIE JUAN. 7 00:01:34,294 --> 00:01:38,274 HE GOT ME TEED OFF WHILE I WAS PLAYING A ROUND, 8 00:01:38,298 --> 00:01:40,776 SO I SHOT A HOLE IN JUAN! 9 00:01:40,800 --> 00:01:44,780 AH HA HA HA HA HA HA HA! 10 00:01:44,804 --> 00:01:46,615 WHICH BRINGS TO MIND 11 00:01:46,639 --> 00:01:49,118 THE YOUNG WOMAN IN TONIGHT'S TALE. 12 00:01:49,142 --> 00:01:51,587 SHE'S ALSO PLAYING AROUND, 13 00:01:51,611 --> 00:01:54,623 EXCEPT THAT HER GAME ISN'T GOLF. 14 00:01:54,647 --> 00:01:55,959 IT'S LOVE. 15 00:01:55,983 --> 00:02:00,118 I CALL THIS DISGUSTING DRAMA SPOILED. 16 00:02:10,664 --> 00:02:12,397 HOLD HIS CALLS. 17 00:02:13,867 --> 00:02:17,013 AND SO, IF ALL PARTIES AGREE, 18 00:02:17,037 --> 00:02:20,316 ONLY DECISIVE ACTION ON YOUR PART 19 00:02:20,340 --> 00:02:23,986 WILL EFFECTUATE A SUCCESSFUL MERGER 20 00:02:24,010 --> 00:02:26,822 OF OUR TWO COMPANIES. 21 00:02:26,846 --> 00:02:31,327 I... I... WH-WHAT ARE YOU DOING? 22 00:02:31,351 --> 00:02:35,565 I AM TRYING TO EFFECTUATE A SUCCESSFUL MERGER 23 00:02:35,589 --> 00:02:37,066 WITH MY HUSBAND. 24 00:02:37,090 --> 00:02:38,834 FUCHSIA, I DON'T HAVE TIME FOR THIS. 25 00:02:38,858 --> 00:02:40,370 I'VE BEEN TRYING TO MAKE THIS DEAL WORK 26 00:02:40,394 --> 00:02:42,372 FOR THE LAST SIX WEEKS! 27 00:02:42,396 --> 00:02:43,873 AND TOTALLY IGNORING ME! 28 00:02:43,897 --> 00:02:47,432 YOU CARE MORE ABOUT THIS AGENCY THAN YOU DO YOUR OWN WIFE! 29 00:02:49,169 --> 00:02:51,648 WELL, ONE THING'S FOR CERTAIN, EVIAN. 30 00:02:51,672 --> 00:02:55,273 IT'S TIME FOR DECISIVE ACTION. 31 00:03:06,386 --> 00:03:07,885 QUEBEC... 32 00:03:11,391 --> 00:03:13,870 COME INTO MY OFFICE, WILL YOU? 33 00:03:13,894 --> 00:03:15,393 NOW. 34 00:03:25,406 --> 00:03:28,385 I'VE BEEN KEEPING AN EYE ON YOU, QUEBEC. 35 00:03:28,409 --> 00:03:30,887 ON MY WORK? 36 00:03:30,911 --> 00:03:32,122 REALLY? 37 00:03:32,146 --> 00:03:33,757 NO. ON YOU. 38 00:03:33,781 --> 00:03:35,892 HAVE A SEAT. 39 00:03:35,916 --> 00:03:38,395 THIS ISN'T ABOUT BUSINESS, IS IT? 40 00:03:38,419 --> 00:03:40,897 NO. IT'S ABOUT YOU. 41 00:03:40,921 --> 00:03:44,901 YOU'RE LIKE ME, QUEBEC. I CAN TELL. 42 00:03:44,925 --> 00:03:48,405 YOU'VE GOT AN EMPTY VOID IN YOUR LONELY LIFE. 43 00:03:48,429 --> 00:03:49,906 I DO? 44 00:03:49,930 --> 00:03:51,908 YES, YOU DO. 45 00:03:51,932 --> 00:03:57,414 YOU AND I, WE ARE LIKE TWO LOST TRAVELERS 46 00:03:57,438 --> 00:04:00,939 IN A LOVELESS, DARK, FROZEN WORLD. 47 00:04:03,944 --> 00:04:06,423 WHAT DO YOU WANT, MISS MONROE? 48 00:04:06,447 --> 00:04:08,425 I WANT YOU. 49 00:04:08,449 --> 00:04:09,926 BUT YOUR HUSBAND... 50 00:04:09,950 --> 00:04:11,428 FORGET HIM. 51 00:04:11,452 --> 00:04:13,930 IN MY LIFE, I SEE SOMETHING I WANT, I TAKE IT. 52 00:04:13,954 --> 00:04:17,434 DO YOU UNDERSTAND? RULES AREN'T FOR ME. 53 00:04:17,458 --> 00:04:21,125 YOU ARE FOR ME. 54 00:04:31,972 --> 00:04:32,949 OOH. 55 00:04:32,973 --> 00:04:33,950 AHH. 56 00:04:33,974 --> 00:04:34,951 OH. 57 00:04:34,975 --> 00:04:36,452 AHHH! 58 00:04:36,476 --> 00:04:38,454 OH! OH! 59 00:04:38,478 --> 00:04:39,956 YES! 60 00:04:39,980 --> 00:04:40,957 AH. 61 00:04:40,981 --> 00:04:43,459 OHH... OHH... 62 00:04:43,483 --> 00:04:48,464 OH, GOD, LOUISE! FUCHSIA IS AWESOME! 63 00:04:48,488 --> 00:04:50,466 SHE HAS HER MOMENTS. 64 00:04:50,490 --> 00:04:51,968 MOMENTS? HER MOMENTS? 65 00:04:51,992 --> 00:04:54,971 THAT'S THE WAY YOU SHOULD LIVE LIFE, LOUISE. 66 00:04:54,995 --> 00:04:56,973 YOU GO FOR IT. 67 00:04:56,997 --> 00:05:00,476 YOU DON'T WASTE IT LIKE WE DO, SORTING LAUNDRY. 68 00:05:00,500 --> 00:05:03,479 BUT, JANET, YOU HAVE TO SORT LAUNDRY. 69 00:05:03,503 --> 00:05:06,482 YOU CAN'T MIX YOUR DELICATES WITH YOUR PERMANENT PRESS, 70 00:05:06,506 --> 00:05:09,485 AND IF YOU'RE USING HEAVY DETERGENT, 71 00:05:09,509 --> 00:05:10,987 YOU HAVE TO MIX YOUR COLORS AND YOUR WHITES... 72 00:05:11,011 --> 00:05:12,488 ARE YOU NUTS? I'M TALKING 73 00:05:12,512 --> 00:05:15,491 WHEN YOU SEE SOMETHING YOU WANT, YOU TAKE IT. 74 00:05:15,515 --> 00:05:17,493 YOU LOSE YOUR HEAD IN ROMANCE. 75 00:05:17,517 --> 00:05:20,997 OH, COME ON, JANET, YOU'VE GOT THE AMERICAN DREAM. 76 00:05:21,021 --> 00:05:22,999 YOU'RE MARRIED TO A DOCTOR. 77 00:05:23,023 --> 00:05:24,300 YEAH... 78 00:05:24,324 --> 00:05:26,803 BUT HE'S MARRIED TO HIS WORK... 79 00:05:26,827 --> 00:05:30,306 HIS STUPID RESEARCH, HIS FANCY-PANTS OPERATIONS. 80 00:05:30,330 --> 00:05:33,810 WELL, I WANT FUCHSIA'S LIFE... HOT PASSION... 81 00:05:33,834 --> 00:05:35,311 MMM. 82 00:05:35,335 --> 00:05:37,981 STEAMY ROMANCE... 83 00:05:38,005 --> 00:05:39,549 DANGER? 84 00:05:39,573 --> 00:05:41,817 YES. THAT, TOO. 85 00:05:41,841 --> 00:05:44,320 HA HA HA! HA HA HA! 86 00:05:47,848 --> 00:05:49,325 OH, WELL. 87 00:05:49,349 --> 00:05:51,628 ALL DONE. 88 00:05:53,153 --> 00:05:54,619 DARLING. 89 00:05:56,356 --> 00:05:58,301 WAS THE OPERATION A SUCCESS? 90 00:05:58,325 --> 00:06:01,337 YES, BUT THE PATIENT DIED. 91 00:06:01,361 --> 00:06:02,404 DAMN. 92 00:06:02,428 --> 00:06:05,407 IF ONLY MY NEW ANESTHETIC WERE READY, 93 00:06:05,431 --> 00:06:08,745 WE COULD HAVE DONE THE IMPOSSIBLE LAST NIGHT, JANET. 94 00:06:08,769 --> 00:06:11,314 WE COULD HAVE FROZEN THE BRAIN 95 00:06:11,338 --> 00:06:13,116 AND PERFORMED THE MOST DIFFICULT TRANSPLANT. 96 00:06:13,140 --> 00:06:14,918 DAMN. DAMN. 97 00:06:14,942 --> 00:06:17,520 I'VE GOT WORK IN THE LAB. 98 00:06:17,544 --> 00:06:19,022 HELLO, LOUISE. 99 00:06:19,046 --> 00:06:20,245 HELLO, DOCTOR. 100 00:06:25,084 --> 00:06:27,730 HOSPITAL CALL IN THE MIDDLE OF THE NIGHT AGAIN? 101 00:06:27,754 --> 00:06:28,865 MM-HMM. YEAH. 102 00:06:28,889 --> 00:06:31,923 WELL, HAVE A NICE DAY. 103 00:06:45,772 --> 00:06:46,772 DARLING... 104 00:06:49,776 --> 00:06:52,755 WHAT A FOOL I'VE BEEN EXPLORING MEDICAL SCIENCE 105 00:06:52,779 --> 00:06:56,426 WHEN I COULD BE EXPLORING YOU. 106 00:06:56,450 --> 00:07:01,786 WELL, CHRISTOPHER COLUMBUS, WELCOME TO THE NEW WORLD. 107 00:07:06,793 --> 00:07:08,938 EARTH TO JANET. 108 00:07:08,962 --> 00:07:11,274 ARE YOU OK, HON? 109 00:07:11,298 --> 00:07:12,942 HUH? OH. 110 00:07:12,966 --> 00:07:15,444 WELL, THESE MUST BE LEON'S. 111 00:07:15,468 --> 00:07:17,947 THEY'RE DEFINITELY NOT JIM PALMER'S. 112 00:07:17,971 --> 00:07:19,304 THANKS. 113 00:07:23,310 --> 00:07:25,810 THIS IS EXTRAORDINARY. 114 00:07:26,980 --> 00:07:29,125 IF MY CALCULATIONS ARE CORRECT, 115 00:07:29,149 --> 00:07:34,631 MY NEW ANESTHETIC WILL WORK FAR BEYOND ANYONE'S IMAGINATION. 116 00:07:34,655 --> 00:07:39,802 3... AND... 4. 117 00:07:39,826 --> 00:07:41,826 YES... 118 00:07:43,163 --> 00:07:44,473 WHAT ARE YOU DOING? 119 00:07:44,497 --> 00:07:47,476 I TOLD YOU NOT TO COME IN HERE WHEN THE RED LIGHT IS ON. 120 00:07:47,500 --> 00:07:51,313 TRYING TO EFFECTUATE A SUCCESSFUL MERGER WITH MY HUSBAND. 121 00:07:51,337 --> 00:07:53,315 WELL, I'M TRYING TO MAKE MEDICAL HISTORY, 122 00:07:53,339 --> 00:07:54,483 WHICH IS MORE IMPORTANT. 123 00:07:54,507 --> 00:07:57,341 JANET, LET ME POUR THIS IN HERE RIGHT NOW. 124 00:07:58,511 --> 00:07:59,656 DON'T YOU SEE? 125 00:07:59,680 --> 00:08:02,491 ORGAN TRANSPLANTS OF UNDREAMED COMPLEXITY 126 00:08:02,515 --> 00:08:03,993 COULD ACTUALLY BECOME REALITY. 127 00:08:04,017 --> 00:08:06,663 YOU COULD ACTUALLY OPERATE FOR WEEKS AT A TIME 128 00:08:06,687 --> 00:08:08,497 BECAUSE THE BRAIN WOULD STILL BE ALIVE. 129 00:08:08,521 --> 00:08:09,999 OH, YOU'D LOVE THAT, WOULDN'T YOU? 130 00:08:10,023 --> 00:08:11,167 ABSOLUTELY. 131 00:08:11,191 --> 00:08:12,168 HERE... 132 00:08:12,192 --> 00:08:13,169 HOLD THIS. 133 00:08:13,193 --> 00:08:15,026 HOLD... JANET. JANET! 134 00:08:16,863 --> 00:08:19,197 MY NEW ANESTHETIC. 135 00:08:22,035 --> 00:08:25,036 NOW, TO MR. COTTONTAIL'S HOUSE. 136 00:08:27,173 --> 00:08:30,876 WE HAVE A VERY SPECIAL LUNCH PREPARED. 137 00:08:32,713 --> 00:08:34,379 WELL, LOOK WHO'S HERE. 138 00:08:35,382 --> 00:08:36,926 COME ON, MR. COTTONTAIL. 139 00:08:36,950 --> 00:08:41,364 WE WANT YOU TO EAT AND SLEEP FOR MEDICAL SCIENCE. 140 00:08:41,388 --> 00:08:44,600 YOU'RE GONNA BE A VERY FAMOUS BUNNY. 141 00:08:44,624 --> 00:08:46,102 WHO CARES? 142 00:08:46,126 --> 00:08:47,370 BUT... BUT YOUR HUSBAND? 143 00:08:47,394 --> 00:08:48,604 WHO CARES? 144 00:08:48,628 --> 00:08:51,040 NO. DON'T WORRY ABOUT HIM. 145 00:08:51,064 --> 00:08:54,110 HE NEVER COMES HOME IN THE MIDDLE OF THE DAY. 146 00:08:54,134 --> 00:08:55,611 WE SHOULD STOP. 147 00:08:55,635 --> 00:08:57,613 CAN YOU STOP AN AVALANCHE 148 00:08:57,637 --> 00:08:59,782 ONCE IT STARTS TO THUNDER WILDLY 149 00:08:59,806 --> 00:09:03,119 DOWN THE MOUNTAIN? 150 00:09:03,143 --> 00:09:05,955 CAN YOU STOP A WATERFALL 151 00:09:05,979 --> 00:09:08,590 FROM CRASHING... 152 00:09:08,614 --> 00:09:10,626 STEAMILY... 153 00:09:10,650 --> 00:09:12,295 OVER... 154 00:09:12,319 --> 00:09:13,363 A CLIFF? 155 00:09:13,387 --> 00:09:14,597 NO. 156 00:09:14,621 --> 00:09:15,965 NO. 157 00:09:15,989 --> 00:09:17,467 YES, YOU CAN. 158 00:09:17,491 --> 00:09:19,135 EVIAN. 159 00:09:19,159 --> 00:09:21,271 LIKE THIS. 160 00:09:21,295 --> 00:09:24,006 NO, BABY. YOU CAN'T. DON'T SHOOT! 161 00:09:24,030 --> 00:09:26,497 JUST WATCH ME. 162 00:09:29,002 --> 00:09:30,713 WHAT? OH, GOD! 163 00:09:30,737 --> 00:09:33,416 OH, GOD! COME BACK! DON'T SHOOT! OH, GOD! 164 00:09:33,440 --> 00:09:34,484 OH, GOD! 165 00:09:34,508 --> 00:09:39,288 NO. OH, NO. STOP. OH, GOD. OH. SHIT! SHIT! 166 00:09:39,312 --> 00:09:41,557 DON'T SHOOT. DON'T SHOOT. 167 00:09:41,581 --> 00:09:43,392 AND THAT CONCLUDES ANOTHER EPISODE 168 00:09:43,416 --> 00:09:46,462 OF THERE'S ALWAYS TOMORROW. OH, NO. SHIT. SHIT. SHIT. 169 00:09:47,821 --> 00:09:50,399 LOUISE, LOUISE, THE DOOR'S OPEN. 170 00:09:50,423 --> 00:09:51,901 TELL ME. 171 00:09:51,925 --> 00:09:53,936 DID YOU SEE IT? IT WAS UNBELIEVABLE. 172 00:09:53,960 --> 00:09:55,437 TELL ME WHAT HAPPENED. 173 00:09:55,461 --> 00:09:56,605 HE SHOT... WHO? 174 00:09:56,629 --> 00:09:57,807 QUEBEC... 175 00:09:57,831 --> 00:09:58,807 NO! 176 00:09:58,831 --> 00:10:00,375 BELOW THE BELT. 177 00:10:00,399 --> 00:10:01,376 NO! 178 00:10:01,400 --> 00:10:02,611 WEREN'T YOU WATCHING? 179 00:10:02,635 --> 00:10:04,613 OF COURSE I WAS WATCHING UPSTAIRS ON THE TELEVISION, 180 00:10:04,637 --> 00:10:06,015 UNTIL THE DAMN PICTURE WENT OUT! 181 00:10:06,039 --> 00:10:09,452 JANET, WHEN ARE YOU GOING TO JOIN THE REST OF US 182 00:10:09,476 --> 00:10:11,621 IN THE 20th CENTURY AND GET CABLE? 183 00:10:11,645 --> 00:10:13,022 THE PICTURE IS SO MUCH BETTER. 184 00:10:13,046 --> 00:10:15,958 PLUS YOU GET HBO AND EVERYTHING. 185 00:10:15,982 --> 00:10:19,295 IT WOULD REALLY IMPROVE THE QUALITY OF YOUR LIFE. 186 00:10:19,319 --> 00:10:20,963 YES. 187 00:10:20,987 --> 00:10:22,331 YES! 188 00:10:22,355 --> 00:10:23,833 NO! 189 00:10:23,857 --> 00:10:26,335 LEON THINKS CABLE IS FRIVOLOUS. 190 00:10:26,359 --> 00:10:28,137 WHAT? 191 00:10:28,161 --> 00:10:30,906 CNN, FRIVOLOUS? 192 00:10:30,930 --> 00:10:32,775 C-SPAN, FRIVOLOUS? 193 00:10:32,799 --> 00:10:34,944 THE WEATHER CHANNEL, FRIVOLOUS? 194 00:10:34,968 --> 00:10:38,681 HA. I THINK NOT, AND FURTHERMORE, 195 00:10:38,705 --> 00:10:40,183 WOULD FUCHSIA HESITATE 196 00:10:40,207 --> 00:10:42,618 BECAUSE EVIAN THOUGHT SOMETHING WAS FRIVOLOUS? 197 00:10:42,642 --> 00:10:43,686 NO. 198 00:10:43,710 --> 00:10:47,256 OR WOULD SHE TAKE... 199 00:10:47,280 --> 00:10:50,325 DECISIVE ACTION. DECISIVE ACTION? 200 00:10:50,349 --> 00:10:51,661 YES. 201 00:10:57,690 --> 00:10:58,667 OH. 202 00:10:58,691 --> 00:11:03,139 HI. I'M ABEL WITH THE CABLE. 203 00:11:03,163 --> 00:11:06,308 I'M SURE YOU ARE. 204 00:11:06,332 --> 00:11:09,812 HA HA! I MEAN, HI. COME IN. 205 00:11:09,836 --> 00:11:11,814 I'M GLAD YOU'RE HERE. 206 00:11:11,838 --> 00:11:13,516 TOMORROW STARTS IN AN HOUR. 207 00:11:13,540 --> 00:11:15,184 WHAT? 208 00:11:15,208 --> 00:11:17,975 MY STORY. THERE'S ALWAYS TOMORROW. IT'S A SOAP OPERA. 209 00:11:20,346 --> 00:11:22,158 SO WHERE DO YOU WANT IT? 210 00:11:22,182 --> 00:11:25,561 HUH? 211 00:11:25,585 --> 00:11:27,296 YOUR BOX. 212 00:11:27,320 --> 00:11:28,864 EXCUSE ME? 213 00:11:28,888 --> 00:11:31,233 YOUR CABLE BOX. 214 00:11:31,257 --> 00:11:33,236 WHERE DO YOU WANT IT? 215 00:11:33,260 --> 00:11:35,671 WELL, I NEED IT MORE THAN ONCE. 216 00:11:35,695 --> 00:11:38,340 I MEAN, I NEED IT IN DIFFERENT ROOMS. 217 00:11:38,364 --> 00:11:42,199 I MEAN, CAN YOU DO IT IN THE BEDROOM, TOO? 218 00:11:44,871 --> 00:11:47,516 NO PROBLEM. 219 00:11:47,540 --> 00:11:49,273 GREAT. 220 00:11:51,010 --> 00:11:51,988 GREAT. 221 00:11:52,012 --> 00:11:53,990 UH, WILL IT TAKE LONG? 222 00:11:54,014 --> 00:11:57,994 NAH. I'LL RUN A LINE IN FROM THE STREET, 223 00:11:58,018 --> 00:12:00,129 DO THE FIRST INSTALLATION... 224 00:12:00,153 --> 00:12:02,398 BING, BANG, BOOM. 225 00:12:02,422 --> 00:12:04,834 THE SECOND ONE USUALLY TAKES LONGER, 226 00:12:04,858 --> 00:12:09,304 BUT IT'S MORE FUN, IF YOU KNOW WHAT I MEAN. 227 00:12:09,328 --> 00:12:10,828 UH-HUH. 228 00:12:12,832 --> 00:12:15,600 SO NOW, MALE... 229 00:12:17,169 --> 00:12:19,081 INTO FEMALE. 230 00:12:19,105 --> 00:12:20,583 INPUT... 231 00:12:20,607 --> 00:12:22,106 OUTPUT... 232 00:12:24,611 --> 00:12:26,088 FINISHED. 233 00:12:26,112 --> 00:12:28,112 YOU'RE ALL HOOKED UP. 234 00:12:29,281 --> 00:12:31,494 GOT QUITE A TOOL THERE. 235 00:12:31,518 --> 00:12:33,296 IT'S HUGE. 236 00:12:33,320 --> 00:12:35,119 IT'S NOT THE SIZE OF THE TOOL, MA'AM. 237 00:12:36,456 --> 00:12:38,434 IT'S HOW YOU USE IT. 238 00:12:38,458 --> 00:12:40,959 YOU CERTAINLY KNOW HOW TO USE IT. 239 00:12:43,296 --> 00:12:45,629 HOW MANY INSTALLATIONS HAVE YOU DONE IN ONE DAY? 240 00:12:46,632 --> 00:12:47,977 15. 241 00:12:48,001 --> 00:12:50,780 MY PHILIPS DID SO MUCH SCREWING 242 00:12:50,804 --> 00:12:52,682 I THOUGHT THE TIP WOULD FALL OFF. 243 00:12:52,706 --> 00:12:53,706 OH, GOD. 244 00:12:58,144 --> 00:12:59,455 DAMN! 245 00:12:59,479 --> 00:13:00,556 DUTY CALLS. 246 00:13:00,580 --> 00:13:02,291 OH, WELL. 247 00:13:02,315 --> 00:13:04,427 IF YOU HAVE ANY PROBLEMS, 248 00:13:04,451 --> 00:13:06,429 YOU CAN GET IMMEDIATE SERVICE 249 00:13:06,453 --> 00:13:09,765 BY BEEPING ME DIRECTLY, DAY OR NIGHT. 250 00:13:09,789 --> 00:13:10,766 THANKS. 251 00:13:10,790 --> 00:13:12,301 AND REMEMBER... 252 00:13:12,325 --> 00:13:13,302 HUH? 253 00:13:13,326 --> 00:13:14,803 IT'S ABEL. 254 00:13:14,827 --> 00:13:17,806 AS IN READY, WILLING, AND... 255 00:13:17,830 --> 00:13:19,330 YOU BET. 256 00:13:31,511 --> 00:13:34,923 FUCHSIA, WHAT ARE YOU DOING HERE? 257 00:13:34,947 --> 00:13:37,326 I... I SHOT YOUR LOVER. 258 00:13:37,350 --> 00:13:39,862 QUEBEC MEANT NOTHING TO ME. 259 00:13:39,886 --> 00:13:43,332 I WAS JUST TRYING TO STIR YOU UP. 260 00:13:43,356 --> 00:13:45,334 EVIAN, REMEMBER THIS? 261 00:13:45,358 --> 00:13:48,337 I WORE IT ON OUR WEDDING NIGHT. 262 00:13:48,361 --> 00:13:51,340 HOW COULD I FORGET? 263 00:13:51,364 --> 00:13:54,343 OH, MY HUSBAND, TAKE ME. 264 00:13:54,367 --> 00:13:55,845 OH, EVIAN. 265 00:13:55,869 --> 00:13:57,202 OH. 266 00:14:02,876 --> 00:14:05,855 DAY FOUR, MR. COTTONTAIL. 267 00:14:05,879 --> 00:14:07,857 VITAL SIGNS STABLE, 268 00:14:07,881 --> 00:14:09,859 BRAIN WAVES NORMAL, 269 00:14:09,883 --> 00:14:11,961 HEART FUNCTIONING. 270 00:14:11,985 --> 00:14:15,031 WHAT DID I TELL YOU ABOUT COMING IN WHEN THE LIGHT'S ON? 271 00:14:15,055 --> 00:14:16,332 ONLY EMERGENCIES. 272 00:14:16,356 --> 00:14:20,791 OH, THIS IS AN EMERGENCY. 273 00:14:22,329 --> 00:14:24,307 REMEMBER THIS, LEON? 274 00:14:24,331 --> 00:14:27,276 I WORE IT ON OUR WEDDING NIGHT. 275 00:14:27,300 --> 00:14:29,778 YOU DID? 276 00:14:29,802 --> 00:14:33,249 WELL, NOT ALL THE TIME. YOU DID REMOVE IT. 277 00:14:33,273 --> 00:14:35,184 TAKE A NIGHT OFF, LEON. 278 00:14:35,208 --> 00:14:38,187 I HAVE SOMETHING SO SPECIAL PLANNED. 279 00:14:38,211 --> 00:14:40,256 I CAN'T. I'M SO CLOSE. 280 00:14:40,280 --> 00:14:43,792 WATCH TV. READ A BOOK OR SOMETHING. 281 00:14:43,816 --> 00:14:45,394 I DON'T WANNA WATCH TV. 282 00:14:45,418 --> 00:14:46,829 I WANT TO BE WITH YOU. 283 00:14:46,853 --> 00:14:49,731 YOU CAN'T. I'M AT A CRITICAL STAGE. 284 00:14:49,755 --> 00:14:51,166 SO AM I! 285 00:14:51,190 --> 00:14:53,268 JANET, LOOK AT THIS. 286 00:14:53,292 --> 00:14:54,803 EW! 287 00:14:54,827 --> 00:14:56,772 IS HE DEAD? 288 00:14:56,796 --> 00:14:59,775 NO. HE'S IN A CONDITION OF THERMODYNAMIC STASIS. 289 00:14:59,799 --> 00:15:01,643 IT'S NEVER BEEN DONE BEFORE. 290 00:15:01,667 --> 00:15:04,146 HE'S BEEN THIS WAY FOR DAYS. 291 00:15:04,170 --> 00:15:06,148 I THINK I CAN HOLD HIM ANOTHER WEEK. 292 00:15:06,172 --> 00:15:08,150 YOU CARE MORE ABOUT HOLDING BUGS BUNNY HERE 293 00:15:08,174 --> 00:15:10,085 THAN YOU DO ABOUT HOLDING ME. 294 00:15:10,109 --> 00:15:11,420 COME ON, LEON. 295 00:15:11,444 --> 00:15:13,422 OH, COME ON. I'LL MAKE YOU SO HAPPY. 296 00:15:13,446 --> 00:15:15,424 YOU'LL BE SO GLAD. 297 00:15:15,448 --> 00:15:18,627 JANET, I CAN'T. I CAN'T DO THIS. 298 00:15:18,651 --> 00:15:20,263 NOW LOOK WHAT YOU'VE DONE! 299 00:15:20,287 --> 00:15:21,964 YOU DID THAT ON PURPOSE, DIDN'T YOU? 300 00:15:21,988 --> 00:15:24,033 NOW I HAVE TO GO TO THE HOSPITAL TO GET MORE PLASMA! 301 00:15:24,057 --> 00:15:27,135 OH, LEON, PLEASE. CAN'T IT WAIT? 302 00:15:27,159 --> 00:15:30,005 NO. I CAN'T LOSE HIM. I NEED IT TONIGHT. 303 00:15:30,029 --> 00:15:33,442 YOU NEED IT! WHAT ABOUT ME, HUH? 304 00:15:33,466 --> 00:15:35,377 WHAT ABOUT WHAT I NEED? 305 00:15:35,401 --> 00:15:38,402 WHAT ABOUT ME? 306 00:16:17,843 --> 00:16:19,123 DOOR'S OPEN. 307 00:16:25,685 --> 00:16:26,662 HI. 308 00:16:26,686 --> 00:16:28,164 I'M HAVING PROBLEMS 309 00:16:28,188 --> 00:16:30,565 WITH MY RECEPTION, ABEL. 310 00:16:30,589 --> 00:16:32,567 I'VE TRIED THE KNOBS, 311 00:16:32,591 --> 00:16:34,903 BUT I'M NOT GETTING ANYTHING. 312 00:16:34,927 --> 00:16:37,928 WELL, I'M PRETTY GOOD AT PLAYING WITH KNOBS. 313 00:16:40,333 --> 00:16:43,312 MAYBE YOU'VE JUST GOT A BAD CONNECTION. 314 00:16:43,336 --> 00:16:46,815 WELL, THEN TAKE A LOOK, 315 00:16:46,839 --> 00:16:48,839 WOULD YOU? 316 00:16:55,414 --> 00:16:58,194 LOOK AT THAT. YOU'VE GOT SNOW. 317 00:16:58,218 --> 00:17:00,196 YOU'RE LIKE ME, ABEL. I CAN TELL. 318 00:17:00,220 --> 00:17:03,665 YOU'VE GOT AN EMPTY VOID IN YOUR LONELY LIFE. 319 00:17:03,689 --> 00:17:05,234 I DO? 320 00:17:05,258 --> 00:17:07,736 YOU SEE, YOU AND I, 321 00:17:07,760 --> 00:17:09,738 WE'RE LIKE TWO LOST TRAVELERS 322 00:17:09,762 --> 00:17:14,443 IN A DARK, LOVELESS, FROZEN WORLD. 323 00:17:14,467 --> 00:17:15,444 NAH. 324 00:17:15,468 --> 00:17:19,348 I'VE GOT PLENTY OF HEAT IN MY VAN. 325 00:17:19,372 --> 00:17:21,349 COMPANY'S GOOD ABOUT THAT. 326 00:17:21,373 --> 00:17:23,852 YOU DIDN'T NEED TO CALL ME. 327 00:17:23,876 --> 00:17:25,454 IT'S SIMPLE. 328 00:17:25,478 --> 00:17:28,523 YOUR MALE AND FEMALE CONNECTORS HAVE COME UNPLUGGED. 329 00:17:28,547 --> 00:17:30,726 I HATE WHEN THAT HAPPENS. 330 00:17:30,750 --> 00:17:36,365 I JUST NEED TO SCREW THESE BACK TOGETHER. 331 00:17:36,389 --> 00:17:37,432 DON'T BOTHER. 332 00:17:37,456 --> 00:17:39,768 THE TV DOESN'T NEED TO BE HOOKED UP. 333 00:17:39,792 --> 00:17:41,292 I DO. 334 00:17:42,461 --> 00:17:45,629 WELL, YOUR EQUIPMENT IS IN PERFECT CONDITION. 335 00:18:05,451 --> 00:18:07,651 I'D LIKE TO SEE YOU AGAIN, ABEL. 336 00:18:08,621 --> 00:18:10,932 I'D LIKE TO GET MORE PREMIUM CHANNELS. 337 00:18:10,956 --> 00:18:14,936 I GUESS YOU CAN SAY I'M CABLE READY. 338 00:18:14,960 --> 00:18:16,460 SURE. 339 00:18:17,630 --> 00:18:19,608 YOU'VE ALREADY GOT THE BOX, 340 00:18:19,632 --> 00:18:22,299 I JUST HAVE TO PLUG 'EM IN. 341 00:18:44,490 --> 00:18:46,468 HAVE ANYTHING TO SAY, LEON? 342 00:18:46,492 --> 00:18:48,971 YEAH. WHAT HAPPENED TO THE TV? 343 00:18:48,995 --> 00:18:50,472 THAT'S ALL? 344 00:18:50,496 --> 00:18:52,975 I'M ON THE VERGE OF GREATNESS. 345 00:18:52,999 --> 00:18:54,476 BACK TO WORK. 346 00:18:54,500 --> 00:18:56,979 CALL THE TV REPAIRMAN IN THE MORNING. 347 00:18:57,003 --> 00:18:58,502 GOOD IDEA, LEON. 348 00:19:00,039 --> 00:19:01,672 GOOD IDEA. 349 00:19:07,012 --> 00:19:09,991 WHAT SEEMS TO BE THE PROBLEM NOW, MA'AM? 350 00:19:10,015 --> 00:19:11,493 VERTICAL HOLD. 351 00:19:11,517 --> 00:19:14,496 HOW ABOUT A RERUN OF LAST NIGHT'S SHOW? 352 00:19:14,520 --> 00:19:15,997 I HATE RERUNS. 353 00:19:16,021 --> 00:19:19,523 LET'S THINK OF TODAY MORE AS AN ENCORE PRESENTATION. 354 00:19:22,528 --> 00:19:24,506 WHAT ABOUT YOUR HUSBAND? 355 00:19:24,530 --> 00:19:27,008 DON'T WORRY ABOUT HIM. HE'S AT... 356 00:19:28,534 --> 00:19:29,511 JANET? 357 00:19:29,535 --> 00:19:31,513 THE FRONT DOOR! OH, GOD! 358 00:19:31,537 --> 00:19:33,215 OH, SHIT. 359 00:19:33,239 --> 00:19:34,250 JANET? 360 00:19:34,274 --> 00:19:35,784 UP HERE, LEON, 361 00:19:35,808 --> 00:19:37,819 IN THE BEDROOM. 362 00:19:39,311 --> 00:19:41,289 WHAT THE HELL'S GOING ON HERE? 363 00:19:41,313 --> 00:19:43,025 WHO THE HELL ARE YOU? 364 00:19:43,049 --> 00:19:44,359 I'M THE CABLE MAN. 365 00:19:44,383 --> 00:19:46,829 I'M JUST HERE TO CHECK OUT SOME OF THE EQUIPMENT. 366 00:19:46,853 --> 00:19:48,397 YOU TOLD ME TO CALL HIM. 367 00:19:48,421 --> 00:19:50,766 IT SEEMS YOUR WORK'S CAUSING SOME INTERFERENCE. 368 00:19:50,790 --> 00:19:53,068 I'D SAY THAT'S WHAT CAUSED THE PROBLEM IN THE FIRST PLACE. 369 00:19:53,092 --> 00:19:55,204 DIDN'T YOU JUST INSTALL CABLE THE OTHER DAY? 370 00:19:55,228 --> 00:19:57,205 BUT I HAD TO COME BACK. 371 00:19:57,229 --> 00:19:59,930 WE HAD TO WORK OUT SOME OF THE KINKS. 372 00:20:02,068 --> 00:20:04,479 AH HA HA HA! 373 00:20:04,503 --> 00:20:05,981 TURN THAT OFF. 374 00:20:06,005 --> 00:20:07,882 WHAT ARE YOU DOING HOME 375 00:20:07,906 --> 00:20:10,385 IN THE MIDDLE OF THE AFTERNOON? 376 00:20:10,409 --> 00:20:12,387 I'VE TAKEN A LEAVE OF ABSENCE FROM THE HOSPITAL 377 00:20:12,411 --> 00:20:14,389 UNTIL THIS RESEARCH IS FINISHED. 378 00:20:14,413 --> 00:20:18,260 OH, THAT MEANS YOU'LL BE HERE FROM NOW ON. 379 00:20:18,284 --> 00:20:20,595 RIGHT. ROUND-THE-CLOCK, DOWN IN THE LAB. 380 00:20:20,619 --> 00:20:21,730 Shit. 381 00:20:21,754 --> 00:20:22,864 AS SOON AS I'VE PERFECTED MY ANESTHETIC, 382 00:20:22,888 --> 00:20:24,255 I'LL BE THERE FOR YOU. 383 00:20:25,925 --> 00:20:28,759 BUT RIGHT NOW, I'M JUST NOT ABLE. 384 00:20:31,264 --> 00:20:32,929 YOU CAN SAY THAT AGAIN. 385 00:20:37,770 --> 00:20:38,747 Come here. Come here. 386 00:20:38,771 --> 00:20:40,749 NO, NO, NO, NO. COME HERE. 387 00:20:40,773 --> 00:20:42,251 SEE, HE'LL BE DOWN THERE FOR HOURS. 388 00:20:42,275 --> 00:20:43,752 WE CAN ALWAYS TELL WHEN HE'S ABOUT TO COME UP 389 00:20:43,776 --> 00:20:44,919 BECAUSE THE RED LIGHT GOES OFF. 390 00:20:44,943 --> 00:20:46,255 YOU CAN ESCAPE THROUGH THE GARDEN. 391 00:20:46,279 --> 00:20:47,611 IT'S PERFECT, LOVE. 392 00:21:04,631 --> 00:21:06,108 DAY 7... 393 00:21:06,132 --> 00:21:10,112 MR. COTTONTAIL REMAINS STABLE IN SUSPENSION. 394 00:21:10,136 --> 00:21:13,615 CELLS STILL NORMAL. 395 00:21:13,639 --> 00:21:15,450 EVIAN. 396 00:21:15,474 --> 00:21:17,285 TAKE ME. 397 00:21:17,309 --> 00:21:19,955 HERE. NOW. 398 00:21:19,979 --> 00:21:22,813 NO, FUCHSIA. 399 00:21:24,150 --> 00:21:28,630 THERE'S SOMEONE ELSE IN MY LIFE NOW. 400 00:21:28,654 --> 00:21:29,965 EVIAN! 401 00:21:29,989 --> 00:21:31,800 HOW COULD THAT BE? 402 00:21:31,824 --> 00:21:35,464 YOU'VE BEEN LOCKED UP IN THE MEN'S HOUSE OF DETENTION FOR 2 WEEKS. 403 00:21:39,498 --> 00:21:41,999 OH, MY GOD... 404 00:21:43,236 --> 00:21:45,647 MM, CABLE. 405 00:21:45,671 --> 00:21:47,649 IT REALLY HAS IMPROVED THE QUALITY OF MY LIFE. 406 00:21:48,674 --> 00:21:49,651 OH. LIGHTS OUT. 407 00:21:49,675 --> 00:21:51,152 OUT THROUGH THE GARDEN. 408 00:21:51,176 --> 00:21:52,509 TAKE YOUR TIME. 409 00:21:53,512 --> 00:21:55,112 BYE. BYE. 410 00:22:01,687 --> 00:22:03,331 HOW'S IT GOING, HON? 411 00:22:03,355 --> 00:22:05,166 DAY 10, JANET. 412 00:22:05,190 --> 00:22:08,504 MR. COTTONTAIL IS RESTING COMFORTABLY. 413 00:22:08,528 --> 00:22:11,173 I HOPE YOU'RE NOT TOO LONELY. 414 00:22:11,197 --> 00:22:13,530 I'M MANAGING. 415 00:22:17,069 --> 00:22:20,704 DAY 15... 416 00:22:22,375 --> 00:22:25,487 SUBJECT STILL NORMAL. 417 00:22:25,511 --> 00:22:30,514 THE MOST DIFFICULT OPERATION NOW SEEMS POSSIBLE. 418 00:22:32,050 --> 00:22:33,995 VERY GOOD. 419 00:22:34,019 --> 00:22:35,497 VERY GOOD, SWEETIE PIE. 420 00:22:35,521 --> 00:22:38,500 CAN YOU STOP AN AVALANCHE 421 00:22:38,524 --> 00:22:44,373 FROM THUNDERING WILDLY DOWN A MOUNTAIN? 422 00:22:44,397 --> 00:22:46,208 NO. 423 00:22:46,232 --> 00:22:48,610 CAN YOU STOP A WATERFALL 424 00:22:48,634 --> 00:22:49,967 FROM CRASHING... 425 00:22:51,103 --> 00:22:53,482 OVER A CLIFF? 426 00:22:53,506 --> 00:22:54,805 NO... 427 00:22:57,777 --> 00:22:58,787 YES. 428 00:22:59,846 --> 00:23:00,922 YES. 429 00:23:00,946 --> 00:23:01,923 AH. 430 00:23:01,947 --> 00:23:03,492 YES. 431 00:23:03,516 --> 00:23:05,227 OH... 432 00:23:05,251 --> 00:23:07,562 YES... 433 00:23:07,586 --> 00:23:13,568 YES. YES! OH, YES! 434 00:23:13,592 --> 00:23:17,806 I CAN SEE STOCKHOLM NOW, THE NOBEL PRIZE! 435 00:23:17,830 --> 00:23:20,308 JANET! JANET! 436 00:23:20,332 --> 00:23:23,912 YOU'RE GOING TO BE VERY PROUD OF ME! 437 00:23:23,936 --> 00:23:27,149 I WANT YOU, ABEL. I WANT YOUR BODY. 438 00:23:27,173 --> 00:23:30,552 GIVE ME ALL OF IT, EVERY INCH OF IT. 439 00:23:30,576 --> 00:23:32,120 I WANT YOUR BODY. 440 00:23:32,144 --> 00:23:35,490 I WANT YOUR BODY, JANET. GIVE IT TO ME. 441 00:23:35,514 --> 00:23:36,558 YES! 442 00:23:36,582 --> 00:23:38,560 GIVE IT TO ME. 443 00:23:38,584 --> 00:23:40,824 YES! OHH! 444 00:23:45,524 --> 00:23:47,002 GIVE ME YOUR BODY NOW. 445 00:23:47,026 --> 00:23:49,604 GIVE IT TO ME. YES! 446 00:23:49,628 --> 00:23:50,605 NO... 447 00:23:50,629 --> 00:23:52,173 YES! NO! 448 00:23:52,197 --> 00:23:53,742 TAKE MY BODY. 449 00:23:53,766 --> 00:23:56,745 WHAT CAN I DO? WHAT CAN I DO? 450 00:23:56,769 --> 00:23:58,747 DIVORCE HER AND LEAVE HER? 451 00:23:58,771 --> 00:24:02,150 NO. NO. THAT WOULD BE TOO EASY. 452 00:24:02,174 --> 00:24:03,919 GIVE IT TO ME. YES! 453 00:24:03,943 --> 00:24:06,855 I'VE GOT TO HURT HER, 454 00:24:06,879 --> 00:24:09,458 HURT HER AS SHE HURT ME. 455 00:24:22,995 --> 00:24:24,261 YES. 456 00:24:26,265 --> 00:24:27,497 YES. 457 00:24:31,837 --> 00:24:39,143 FIRST ON MR. COTTONTAIL, NOW ON HUMANS... 458 00:24:43,015 --> 00:24:44,993 OR SHOULD I SAY... 459 00:24:45,017 --> 00:24:46,683 SUB-HUMANS? 460 00:25:35,568 --> 00:25:37,679 DAY EIGHT... 461 00:25:37,703 --> 00:25:41,716 THE SUBJECTS APPEAR TO BE NORMAL. 462 00:25:41,740 --> 00:25:44,453 THE EXTENDED ANESTHESIA 463 00:25:44,477 --> 00:25:50,458 IS ALLOWING THE PROCEDURE TO FAR EXCEED MY HOPES. 464 00:25:50,482 --> 00:25:52,460 THE EXTENDED ANESTHESIA 465 00:25:52,484 --> 00:25:55,330 IS ALLOWING THE PROCEDURE TO FAR EXCEED MY HOPES. 466 00:25:55,354 --> 00:25:56,832 DAY 15... 467 00:25:56,856 --> 00:26:02,359 SUBJECTS IN PLACE, SHOULD AWAKEN MOMENTARILY. 468 00:26:06,365 --> 00:26:07,842 HI. 469 00:26:07,866 --> 00:26:09,344 HI. 470 00:26:09,368 --> 00:26:11,846 HOW LONG HAVE WE BEEN ASLEEP? 471 00:26:11,870 --> 00:26:13,848 BABY, YOU'RE WEARING ME OUT. 472 00:26:13,872 --> 00:26:15,850 HA HA HA HA. 473 00:26:15,874 --> 00:26:18,875 LET'S GET SOME LIGHT ON IN HERE. 474 00:26:20,312 --> 00:26:22,857 AAH! 475 00:26:22,881 --> 00:26:23,858 NO! 476 00:26:23,882 --> 00:26:25,092 OH, MY GOD! WHAT'S HAPPENED? 477 00:26:25,116 --> 00:26:26,093 I DON'T KNOW. 478 00:26:26,117 --> 00:26:27,329 WHAT THE HELL'S HAPPENED TO US? 479 00:26:27,353 --> 00:26:30,097 WHAT DO YOU THINK HAPPENED? 480 00:26:30,121 --> 00:26:32,434 LEON. 481 00:26:32,458 --> 00:26:36,126 YOU'VE JUST MADE MEDICAL HISTORY TOGETHER. 482 00:26:41,900 --> 00:26:45,914 LEON! HOW COULD YOU? 483 00:26:45,938 --> 00:26:48,150 YOU LOST YOUR HEADS OVER EACH OTHER. 484 00:26:48,174 --> 00:26:51,587 YOU WANTED EACH OTHER'S BODIES. 485 00:26:51,611 --> 00:26:53,555 I GAVE THEM TO YOU! 486 00:26:53,579 --> 00:26:54,957 HA HA HA! 487 00:26:54,981 --> 00:26:57,981 AH HA HA HA HA! 488 00:26:59,818 --> 00:27:03,987 AH HA HA HA HA HA HA HA! 489 00:27:09,995 --> 00:27:12,774 WELL, LOOKS LIKE JANET AND ABEL 490 00:27:12,798 --> 00:27:15,310 HAVE BECOME RATHER ATTACHED. 491 00:27:15,334 --> 00:27:18,313 TALK ABOUT BEING STUCK ON EACH OTHER! 492 00:27:18,337 --> 00:27:20,315 HA HA HA HA! 493 00:27:20,339 --> 00:27:24,319 I GUESS THE NEXT TIME JANET WANTS TO CABLE-UP, 494 00:27:24,343 --> 00:27:27,322 SHE'LL BE A LITTLE MORE CAREFUL ABOUT IT. 495 00:27:27,346 --> 00:27:31,414 ANYWAY, I'VE GOT TO GET BACK TO MY GAME. 496 00:27:34,754 --> 00:27:38,300 WHAT DO YOU KNOW? PAR FOR THE CORPSE! 497 00:27:38,324 --> 00:27:41,803 AH HA HA HA HA HA HA HA HA! 498 00:27:41,827 --> 00:27:45,840 HA HA HA HA HA HA! 499 00:27:45,864 --> 00:27:48,843 CAPTIONING MADE POSSIBLE BY WARNER BROS. 500 00:27:48,867 --> 00:27:51,846 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE... www.ncicap.org... 501 00:27:51,870 --> 00:27:54,871 CAPTIONS COPYRIGHT 1991 TALES FROM THE CRYPT HOLDINGS 32428

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