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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,973 --> 00:00:08,874 Narrator: MURDER IS AS OLD AS TIME... 2 00:00:11,311 --> 00:00:14,613 ...AND SO IS THE QUEST TO FIND THE KILLERS. 3 00:00:18,051 --> 00:00:21,219 WHEN SLEUTHING MEETS SCIENCE, 4 00:00:21,288 --> 00:00:23,622 NEW FORENSIC TOOLS ARE BORN. 5 00:00:25,025 --> 00:00:26,825 IN 1892, 6 00:00:26,893 --> 00:00:29,928 THE HUNT FOR A CHILD KILLER IN ARGENTINA 7 00:00:29,930 --> 00:00:34,600 FOREVER CHANGES THE WAY POLICE I.D. KILLERS. 8 00:00:34,668 --> 00:00:36,134 Man: HE WENT TO THE CRIME SCENE 9 00:00:36,203 --> 00:00:38,203 LOOKING FOR ANY EVIDENCE 10 00:00:38,205 --> 00:00:41,106 THAT MIGHT INDICATE WHAT HAD HAPPENED. 11 00:00:42,543 --> 00:00:44,042 Narrator: THE BREAKTHROUGH... 12 00:00:44,111 --> 00:00:46,845 FINGERPRINT IDENTIFICATION... 13 00:00:46,913 --> 00:00:50,482 A FOOLPROOF METHOD FOR CONFIRMING A KILLER. 14 00:00:50,551 --> 00:00:53,218 Man: NO TWO PEOPLE HAVE EVER HAD THE SAME FINGERPRINT. 15 00:00:54,354 --> 00:00:55,465 SO WHAT THEY WERE LOOKING AT 16 00:00:55,489 --> 00:00:57,756 IS THE PATTERN OF WHAT WE CALL FRICTION RIDGES, 17 00:00:57,824 --> 00:01:00,426 AND THAT'S WHAT ALLOWS US TO GRASP AND HOLD STUFF. 18 00:01:04,498 --> 00:01:06,765 Narrator: FINGERPRINTS BECOME THE ULTIMATE EVIDENCE 19 00:01:06,767 --> 00:01:08,434 IN CRIME FIGHTING. 20 00:01:10,504 --> 00:01:11,770 BUT A CENTURY LATER, 21 00:01:11,838 --> 00:01:12,904 THEY'RE THE MISSING LINK 22 00:01:12,907 --> 00:01:16,108 IN A DESPERATE HUNT FOR A SERIAL KILLER 23 00:01:16,176 --> 00:01:18,610 KNOWN AS THE NIGHT STALKER. 24 00:01:20,147 --> 00:01:22,614 Man: THERE WERE NO FINGERPRINTS LEFT BEHIND. 25 00:01:22,682 --> 00:01:25,451 AND NOBODY IN CRIMINAL HISTORY HAD EVER DONE THE THINGS 26 00:01:25,519 --> 00:01:27,986 THAT THIS ONE MAN WAS DOING. 27 00:01:53,780 --> 00:01:55,948 [CAR HORN HONKS] 28 00:01:58,953 --> 00:02:01,253 [HELICOPTER] 29 00:02:06,427 --> 00:02:08,960 Weatherman: CLEAR SKIES TONIGHT WITH A LOW NEAR 70. 30 00:02:08,963 --> 00:02:10,362 INCREASING CLOUDINESS TOMORROW, 31 00:02:10,430 --> 00:02:14,299 STICKY AND HUMID WITH A HIGH OF 96. 32 00:02:14,301 --> 00:02:16,702 Narrator: IN THE SPRING OF 1985, 33 00:02:16,770 --> 00:02:21,106 LOS ANGELES IS GRIPPED BY A BLISTERING HEAT WAVE 34 00:02:21,175 --> 00:02:25,377 AND HELD HOSTAGE BY A RUTHLESS SERIAL KILLER. 35 00:02:36,590 --> 00:02:38,323 [GUNSHOT] 36 00:02:39,259 --> 00:02:40,926 HE'S JUST STRUCK AGAIN 37 00:02:40,994 --> 00:02:46,164 WITH THE MURDER OF 34-YEAR-OLD DAYLE OKAZAKI, 38 00:02:46,233 --> 00:02:49,067 SLIPPING IN AND OUT OF HER HOUSE UNNOTICED, 39 00:02:49,135 --> 00:02:52,738 LIKE THE DARK DISCIPLE HE BELIEVES HE IS. 40 00:02:54,608 --> 00:02:56,942 THE ONE THING HE'S LEFT BEHIND 41 00:02:57,010 --> 00:02:59,912 IS A DISTURBING SATANIC SYMBOL. 42 00:03:02,616 --> 00:03:03,726 Katherine Ramsland: THIS IS A PERSON 43 00:03:03,750 --> 00:03:05,695 WHO SOMEHOW MANAGED TO GET IN AND OUT 44 00:03:05,719 --> 00:03:09,387 AS IF HE HAD SOME KIND OF SUPERNATURAL POWER. 45 00:03:09,456 --> 00:03:12,624 HE WAS SKILLED AT GETTING INTO HOMES, 46 00:03:12,693 --> 00:03:17,662 INCLUDING HOMES THAT HAD BURGLARY DEVICES, 47 00:03:17,731 --> 00:03:19,698 HOMES WHERE PEOPLE WERE ARMED. 48 00:03:21,235 --> 00:03:23,735 AND PEOPLE WERE VERY SCARED. 49 00:03:25,872 --> 00:03:28,640 Narrator: AND THEY HAVE EVERY REASON TO BE AFRAID. 50 00:03:30,377 --> 00:03:34,213 IN LESS THAN A YEAR, HE'S KILLED 12 PEOPLE. 51 00:03:35,582 --> 00:03:37,515 Man: THESE ARE HORRIBLE CRIMES. 52 00:03:37,584 --> 00:03:38,928 Reporter: SOME VICTIMS HAVE BEEN TORTURED 53 00:03:38,952 --> 00:03:41,419 AND LEFT WITH THEIR HANDS TIED BEHIND THEIR BACK. 54 00:03:41,488 --> 00:03:42,854 Man: SOME OF THE MOST GROTESQUE 55 00:03:42,922 --> 00:03:44,533 THAT THEY HAVE SEEN IN THEIR EXPERIENCE. 56 00:03:44,557 --> 00:03:46,658 Ramsland: HE WAS CERTAINLY ESCALATING. 57 00:03:46,660 --> 00:03:48,927 IT WAS CLEAR THAT IF THEY DIDN'T STOP HIM, 58 00:03:48,996 --> 00:03:51,930 THESE ATTACKS WERE GOING TO BE COMING MUCH MORE QUICKLY 59 00:03:51,998 --> 00:03:54,466 AND MUCH MORE CLOSE TOGETHER. 60 00:03:54,534 --> 00:03:55,778 Narrator: AND WHILE MOST SERIAL KILLERS 61 00:03:55,802 --> 00:03:58,069 TARGET A SPECIFIC TYPE OF VICTIM... 62 00:03:58,138 --> 00:03:59,304 [GUNSHOT] 63 00:03:59,372 --> 00:04:02,774 THE NIGHT STALKER IS GIVING POLICE NO PROFILE. 64 00:04:04,144 --> 00:04:06,611 Gil Carrillo: HE WAS HITTING AT RANDOM. 65 00:04:06,680 --> 00:04:09,615 UNLIKE OTHER SERIAL KILLERS THAT HIT A SPECIFIC TYPE PERSON 66 00:04:09,683 --> 00:04:11,049 OR CERTAIN LOCATION, 67 00:04:11,117 --> 00:04:12,951 HE WAS HITTING ALL OVER. 68 00:04:13,020 --> 00:04:16,121 AND THERE WAS CERTAINLY CONCERN FOR EVERYONE. 69 00:04:20,694 --> 00:04:22,828 Narrator: POLICE HAVE LITTLE TO GO ON. 70 00:04:25,232 --> 00:04:28,900 THE NIGHT STALKER IS AN EXPERT AT COVERING HIS TRACKS. 71 00:04:33,540 --> 00:04:38,276 Ramsland: THIS WAS A PERSON WHO WAS CLEARLY ORGANIZED. 72 00:04:38,345 --> 00:04:40,912 Narrator: HE HASN'T LEFT A DROP OF BLOOD, A HAIR, 73 00:04:40,980 --> 00:04:44,383 OR ANY OTHER CLUE AT ANY OF THE CRIME SCENES. 74 00:04:45,652 --> 00:04:48,119 BUT WHAT POLICE ARE MOST DESPERATE TO FIND 75 00:04:48,188 --> 00:04:51,389 IS THE ONE PIECE OF EVIDENCE THAT COULD ALMOST SURELY REVEAL 76 00:04:51,392 --> 00:04:53,892 THE NIGHT STALKER'S IDENTITY... 77 00:04:56,597 --> 00:04:58,497 A FINGERPRINT. 78 00:05:03,002 --> 00:05:04,469 FOR NEARLY A CENTURY, 79 00:05:04,538 --> 00:05:06,705 FINGERPRINTS HAVE BEEN THE GOLD STANDARD 80 00:05:06,773 --> 00:05:08,740 OF FORENSIC SCIENCE, 81 00:05:08,742 --> 00:05:10,542 AND FOR GOOD REASON. 82 00:05:12,245 --> 00:05:14,223 FINGERPRINTS ARE ONE OF THE EARLIEST FEATURES 83 00:05:14,247 --> 00:05:16,782 TO DEVELOP INSIDE THE WOMB. 84 00:05:18,485 --> 00:05:22,087 THE PRESSURE OF AMNIOTIC FLUID ACROSS THE SURFACE OF THE HANDS 85 00:05:22,155 --> 00:05:24,155 AND THE GROWTH RATE OF THE FINGERS 86 00:05:24,224 --> 00:05:28,160 INFLUENCES THE FORMATION OF PATTERNS ON THE FINGERTIPS. 87 00:05:29,896 --> 00:05:32,631 AND WITH SO MANY FACTORS IN PLAY... 88 00:05:34,301 --> 00:05:36,835 EVERYONE'S PRINTS ARE UNIQUE... 89 00:05:36,903 --> 00:05:38,948 Girls: DOUBLE, DOUBLE, APPLE, APPLE, DOUBLE, DOUBLE... 90 00:05:38,972 --> 00:05:41,439 Narrator: ...EVEN THOSE OF IDENTICAL TWINS. 91 00:05:41,442 --> 00:05:43,322 Girls: DOUBLE, DOUBLE, APPLESAUCE. 92 00:05:45,045 --> 00:05:46,378 Narrator: FINGERPRINTS LOCK IN 93 00:05:46,446 --> 00:05:49,314 AT ABOUT THE 24th WEEK OF DEVELOPMENT. 94 00:05:49,316 --> 00:05:53,385 AND WHILE THIS PATTERN OF HILLS AND VALLEYS GROWS OVER TIME, 95 00:05:53,453 --> 00:05:58,456 THE SHAPE ITSELF STAYS THE SAME FROM CRADLE TO GRAVE. 96 00:05:58,525 --> 00:06:00,605 WHILE THAT CONSISTENCY HAS MADE FINGERPRINTS 97 00:06:00,660 --> 00:06:02,794 A KEY TOOL FOR LAW ENFORCEMENT, 98 00:06:02,863 --> 00:06:07,332 THEIR ACTUAL EVOLUTIONARY PURPOSE IS FAR MORE BASIC... 99 00:06:07,334 --> 00:06:09,534 TO HELP US GRAB OBJECTS. 100 00:06:09,602 --> 00:06:10,847 John Vanderkolk: THE FUNCTION THEY SERVE 101 00:06:10,871 --> 00:06:12,937 IS SO WE CAN PICK UP THINGS. 102 00:06:12,940 --> 00:06:15,340 THE FRICTION OF THE THREE-DIMENSIONAL RIDGES 103 00:06:15,342 --> 00:06:17,743 ENABLES US TO EASILY PICK THINGS UP. 104 00:06:17,811 --> 00:06:19,889 Narrator: AND WHEN THESE BUMPY RIDGES ON OUR FINGERS 105 00:06:19,913 --> 00:06:22,347 MAKE CONTACT WITH SOMETHING, 106 00:06:22,415 --> 00:06:24,750 THEY LEAVE A LASTING IMPRESSION. 107 00:06:27,888 --> 00:06:31,590 FINGERPRINTS HAVE FASCINATED PEOPLE FOR CENTURIES. 108 00:06:35,962 --> 00:06:38,963 AS EARLY AS THE YEAR 220 B.C., 109 00:06:38,966 --> 00:06:41,232 THE ANCIENT CHINESE USED FINGERPRINTS 110 00:06:41,235 --> 00:06:43,701 TO SIGN LEGAL DOCUMENTS, 111 00:06:43,770 --> 00:06:48,907 WITHOUT REALIZING HOW INDIVIDUAL THESE MARKS TRULY WERE. 112 00:06:48,975 --> 00:06:52,644 THAT BREAKTHROUGH WOULDN'T COME FOR MORE THAN A THOUSAND YEARS. 113 00:06:54,047 --> 00:06:57,749 IN 1684, ENGLISH PHYSICIAN NEHEMIAH GREW 114 00:06:57,817 --> 00:07:00,185 LECTURED ABOUT THE FIRST SCIENTIFIC ANALYSIS 115 00:07:00,253 --> 00:07:03,555 OF THE RIDGES THAT APPEAR IN THE FINGERS AND PALMS. 116 00:07:05,024 --> 00:07:07,926 100 YEARS LATER, IN 1788, 117 00:07:07,928 --> 00:07:10,295 THE GERMAN ANATOMIST JOHANN MAYER 118 00:07:10,363 --> 00:07:11,930 WENT ONE STEP FURTHER, 119 00:07:11,932 --> 00:07:15,967 DECLARING THAT NO TWO PEOPLE HAVE THE SAME FINGERPRINTS. 120 00:07:17,271 --> 00:07:19,805 BUT IT WASN'T UNTIL THE LATE 19th CENTURY 121 00:07:19,873 --> 00:07:21,372 THAT THE SCIENCE OF FINGERPRINTS 122 00:07:21,441 --> 00:07:24,476 WOULD PLAY A CENTRAL ROLE IN A CRIMINAL INVESTIGATION 123 00:07:24,478 --> 00:07:26,645 FOR THE VERY FIRST TIME. 124 00:07:31,151 --> 00:07:33,552 JUNE 1892. 125 00:07:33,620 --> 00:07:38,356 THE VILLAGE OF NECOCHEA, NEAR BUENOS AIRES, ARGENTINA. 126 00:07:38,425 --> 00:07:42,060 POLICE ARE CALLED TO THE HOME OF A YOUNG MOTHER. 127 00:07:42,128 --> 00:07:45,697 A TERRIBLE TRAGEDY HAS TAKEN PLACE. 128 00:07:45,765 --> 00:07:48,833 D.P. Lyle: FRANCISCA ROJAS HAD TWO CHILDREN. 129 00:07:48,902 --> 00:07:54,172 SHE SAID THAT SHE CAME HOME FROM WORK AND SAW A MAN LEAVING, 130 00:07:54,240 --> 00:07:57,776 WENT INSIDE, AND FOUND HER TWO CHILDREN WERE KILLED. 131 00:08:00,046 --> 00:08:02,447 Narrator: AND FRANCISCA ROJAS TELLS POLICE 132 00:08:02,515 --> 00:08:06,584 SHE KNOWS EXACTLY WHO THE MAN WAS... 133 00:08:06,653 --> 00:08:10,121 HER LOVER, PEDRO VELASQUEZ. 134 00:08:10,190 --> 00:08:12,357 Lyle: SHE BASICALLY SAID 135 00:08:12,425 --> 00:08:14,392 THAT VELASQUEZ HAD IT IN FOR HER, 136 00:08:14,394 --> 00:08:17,795 THAT HE HAD THREATENED TO KILL HER CHILDREN 137 00:08:17,864 --> 00:08:19,998 IF SHE DIDN'T MARRY HIM. 138 00:08:22,268 --> 00:08:26,004 Narrator: POLICE WASTE NO TIME IN TRACKING DOWN VELASQUEZ. 139 00:08:28,174 --> 00:08:30,074 AND IN THIS ERA, 140 00:08:30,143 --> 00:08:34,079 THERE'S ONE TRIED AND TRUE METHOD FOR CLOSING A CASE... 141 00:08:40,053 --> 00:08:43,922 ...WORK THE SUSPECT OVER UNTIL HE CONFESSES. 142 00:08:45,559 --> 00:08:48,960 Lyle: AND THE QUESTIONS APPARENTLY WEREN'T VERY POLITE. 143 00:08:48,962 --> 00:08:50,962 THEY BEAT ON HIM. 144 00:08:53,633 --> 00:08:56,367 THEY TORTURED HIM. 145 00:08:56,436 --> 00:08:58,803 THAT WAS KIND OF THE, GENERALLY, THE WAY IT WAS. 146 00:08:58,871 --> 00:09:00,104 Narrator: FOR THREE DAYS, 147 00:09:00,173 --> 00:09:04,409 VELASQUEZ TAKES THE WORST THAT POLICE DISH OUT. 148 00:09:04,477 --> 00:09:06,578 Lyle: THEY EVEN WATERBOARDED HIM. 149 00:09:06,580 --> 00:09:08,057 THERE'S A THING THEY CALL SUBMARINING, 150 00:09:08,081 --> 00:09:10,649 WHERE THEY WOULD STICK YOU UNDER THE WATER. 151 00:09:12,218 --> 00:09:15,487 AND STILL HE WOULD NOT CONFESS TO THIS CRIME. 152 00:09:19,692 --> 00:09:21,459 Narrator: NOT EVEN CLOSE. 153 00:09:22,796 --> 00:09:26,197 WHICH LEAVES INSPECTOR EDUARDO ALVAREZ WONDERING, 154 00:09:26,266 --> 00:09:28,566 WHAT IF THERE'S SOME OTHER WAY TO DETERMINE 155 00:09:28,635 --> 00:09:31,135 WHETHER VELASQUEZ IS GUILTY... 156 00:09:31,138 --> 00:09:32,971 OR NOT? 157 00:09:33,039 --> 00:09:35,941 Lyle: HE DIDN'T LIKE THAT TYPE OF INTERROGATION, 158 00:09:36,009 --> 00:09:38,076 HE DIDN'T THINK IT WAS WORTHWHILE. 159 00:09:38,144 --> 00:09:40,311 AND HE WAS LOOKING FOR SOME OTHER METHOD 160 00:09:40,380 --> 00:09:42,747 TO PROVE OR DISPROVE 161 00:09:42,749 --> 00:09:46,418 THAT DOESN'T REQUIRE HITTING SOMEBODY IN THE HEAD. 162 00:09:53,694 --> 00:09:55,704 Pat Wertheim: ALVAREZ WENT TO THE CRIME SCENE, 163 00:09:55,728 --> 00:09:57,695 LOOKING FOR ANY EVIDENCE 164 00:09:57,698 --> 00:10:01,166 THAT MIGHT INDICATE WHAT HAD HAPPENED. 165 00:10:01,234 --> 00:10:03,702 Narrator: HE SEARCHES THE CRAMPED LIVING QUARTERS, 166 00:10:03,770 --> 00:10:07,639 LOOKING FOR ANY CLUE THAT POLICE MAY HAVE OVERLOOKED. 167 00:10:14,848 --> 00:10:16,681 HE FINDS NOTHING. 168 00:10:18,184 --> 00:10:19,851 UNTIL... 169 00:10:19,853 --> 00:10:23,421 HIS EYES ARE DRAWN TO THE FRAME OF THE DOOR. 170 00:10:26,459 --> 00:10:29,527 Lyle: WHAT HE FOUND WAS A BLOODY FINGERPRINT. 171 00:10:38,005 --> 00:10:39,170 HE HAD TALKED WITH ROJAS, 172 00:10:39,238 --> 00:10:41,117 AND SHE HAD SAID THAT WHEN SHE CAME THERE 173 00:10:41,141 --> 00:10:42,007 AND FOUND HER CHILDREN, 174 00:10:42,075 --> 00:10:43,675 SHE DID NOT TOUCH THE CHILDREN, 175 00:10:43,743 --> 00:10:45,254 SHE DIDN'T TOUCH ANYTHING IN THE HOUSE, 176 00:10:45,278 --> 00:10:46,811 SHE JUST FLED. 177 00:10:46,880 --> 00:10:49,347 Narrator: WHICH CAN ONLY MEAN ONE THING... 178 00:10:49,416 --> 00:10:53,151 Lyle: WHOEVER LEFT THIS PRINT WAS PROBABLY THE KILLER. 179 00:10:53,219 --> 00:10:58,156 Narrator: ALVAREZ IS NO ANATOMY EXPERT, BUT HE WONDERS, 180 00:10:58,158 --> 00:11:02,093 COULD HE MATCH THIS FINGERPRINT TO THE SUSPECT'S HAND? 181 00:11:02,161 --> 00:11:03,561 IT'S A REVOLUTIONARY IDEA. 182 00:11:03,629 --> 00:11:05,196 AND AT THIS MOMENT, 183 00:11:05,264 --> 00:11:08,400 IT'S IMPOSSIBLE TO KNOW IF IT WILL EVEN WORK. 184 00:11:10,203 --> 00:11:12,147 Wertheim: THERE WEREN'T ANY DEVELOPMENT TECHNIQUES, 185 00:11:12,171 --> 00:11:17,075 NO DUSTING, NO FINGERPRINT CAMERAS LIKE WE HAVE TODAY. 186 00:11:17,143 --> 00:11:20,411 AND SO HE DID THE BEST THING THAT HE COULD... 187 00:11:20,480 --> 00:11:23,314 HE CUT THE DOORFRAME OUT. 188 00:11:23,382 --> 00:11:25,784 Narrator: COMPARING A FINGERPRINT FROM A CRIME SCENE 189 00:11:25,852 --> 00:11:28,386 TO THAT OF A SUSPECT IN POLICE CUSTODY 190 00:11:28,454 --> 00:11:30,922 HAD NEVER BEEN DONE BEFORE... 191 00:11:30,990 --> 00:11:35,393 A REVOLUTIONARY IDEA WITH A SURPRISING OUTCOME. 192 00:11:38,631 --> 00:11:40,698 IN 19th CENTURY ARGENTINA, 193 00:11:40,767 --> 00:11:43,535 INSPECTOR EDUARDO ALVAREZ IS PUSHING THE LIMITS 194 00:11:43,603 --> 00:11:46,437 OF FORENSIC SCIENCE. 195 00:11:46,506 --> 00:11:47,805 HE HOPES TO PROVE 196 00:11:47,808 --> 00:11:50,942 WHETHER A MAN SUSPECTED OF MURDERING TWO YOUNG CHILDREN 197 00:11:51,010 --> 00:11:53,478 IS GUILTY OR NOT. 198 00:11:55,348 --> 00:11:56,681 AND HE'S GOING TO DO IT IN A WAY 199 00:11:56,749 --> 00:11:59,384 THAT NO ONE'S EVER DONE BEFORE... 200 00:12:01,187 --> 00:12:05,123 ...BY USING A BLOODY FINGERPRINT LEFT AT THE CRIME SCENE. 201 00:12:07,160 --> 00:12:09,961 Lyle: HE REALIZED THAT WHOEVER LEFT THIS PRINT THERE 202 00:12:09,963 --> 00:12:12,296 WAS THE KILLER, 203 00:12:12,365 --> 00:12:14,109 BECAUSE NO ONE HAD TOUCHED THE BODIES 204 00:12:14,133 --> 00:12:16,467 AND THE BLOOD AFTERWARDS. 205 00:12:16,536 --> 00:12:18,614 Narrator: WHILE ALVAREZ HAD THE CRITICAL INSIGHT 206 00:12:18,638 --> 00:12:20,705 THAT THIS COULD BE POSSIBLE, 207 00:12:20,773 --> 00:12:22,551 HE DOES NOT HAVE THE SCIENCE BACKGROUND 208 00:12:22,575 --> 00:12:25,309 TO TEST HIS THEORY. 209 00:12:25,312 --> 00:12:28,579 FORTUNATELY, HE KNOWS SOMEONE WHO DOES... 210 00:12:28,648 --> 00:12:32,183 HIS FRIEND AND MENTOR, JUAN VUCETICH. 211 00:12:32,251 --> 00:12:33,462 Lyle: VUCETICH WAS AN INTERESTING GUY, 212 00:12:33,486 --> 00:12:35,030 BECAUSE HE WAS NOT ONLY A POLICE OFFICER, 213 00:12:35,054 --> 00:12:36,454 HE WAS AN ANTHROPOLOGIST. 214 00:12:36,522 --> 00:12:37,822 SO HE WAS KIND OF AT THE NEXUS 215 00:12:37,890 --> 00:12:40,291 BETWEEN LAW ENFORCEMENT AND SCIENCE. 216 00:12:42,662 --> 00:12:46,164 Narrator: VUCETICH HAD BEEN STUDYING FINGERPRINTS FOR YEARS. 217 00:12:47,934 --> 00:12:50,334 Lyle: HE HAD UNDERSTOOD THAT THEY WERE INDIVIDUAL, 218 00:12:50,403 --> 00:12:51,781 THAT THEY DIDN'T CHANGE THROUGH LIFE, 219 00:12:51,805 --> 00:12:55,607 THAT THEY WERE VALUABLE PIECES OF INFORMATION FOR IDENTITY. 220 00:12:57,677 --> 00:12:59,944 Narrator: BUT THIS WAS SCIENTIFIC RESEARCH, 221 00:13:00,012 --> 00:13:02,680 NOT DETECTIVE WORK. 222 00:13:02,749 --> 00:13:05,316 Wertheim: THE POSSIBILITY HAD BEEN DISCUSSED HYPOTHETICALLY 223 00:13:05,384 --> 00:13:06,651 IN THE LITERATURE. 224 00:13:06,719 --> 00:13:08,686 HOWEVER, AT THAT POINT, 225 00:13:08,688 --> 00:13:13,224 FINGERPRINTS HAD NEVER BEEN USED BEFORE TO IDENTIFY A CRIMINAL. 226 00:13:13,226 --> 00:13:14,970 Narrator: AND THERE'S A PROBLEM... 227 00:13:14,994 --> 00:13:19,330 AT THIS TIME, NO TOOLS EXIST TO DO THIS TASK. 228 00:13:19,398 --> 00:13:21,966 THERE'S NO ESTABLISHED METHODOLOGY, 229 00:13:22,034 --> 00:13:24,202 NO EXAMPLE TO FOLLOW. 230 00:13:26,205 --> 00:13:28,125 THE MODERN METHOD FOR LIFTING PRINTS 231 00:13:28,174 --> 00:13:30,875 WAS DEVELOPED IN THE EARLY 20th CENTURY. 232 00:13:32,311 --> 00:13:35,379 THAT'S WHEN DETECTIVES BEGAN TO USE BLACK POWDER, 233 00:13:35,382 --> 00:13:38,850 A POLYMER THAT STICKS TO THE OILS LEFT BY THE FINGERS, 234 00:13:38,918 --> 00:13:42,420 BRINGING OUT THE FINER DETAILS OF A PRINT. 235 00:13:42,488 --> 00:13:45,389 THIS IMPRESSION COULD THEN BE COPIED ONTO A PIECE OF TAPE 236 00:13:45,392 --> 00:13:48,025 AND ANALYZED IN A LAB. 237 00:13:48,094 --> 00:13:50,929 IT'S A TECHNIQUE THAT'S STILL USED TODAY. 238 00:13:55,701 --> 00:13:58,336 BUT BACK THEN, ALVAREZ HAS ONLY ONE WAY 239 00:13:58,404 --> 00:14:01,205 TO USE THE PRINT AS EVIDENCE. 240 00:14:01,274 --> 00:14:04,041 THAT'S TO TAKE IT WITH HIM... 241 00:14:04,110 --> 00:14:05,677 LITERALLY. 242 00:14:08,281 --> 00:14:12,217 THE NEXT STEP IS TO TAKE A COPY OF THE SUSPECT'S FINGERPRINTS 243 00:14:12,285 --> 00:14:14,819 THE ONLY WAY THEY KNOW HOW. 244 00:14:18,291 --> 00:14:21,259 Wertheim: THE METHOD USED TO TAKE THE INKED FINGERPRINTS, 245 00:14:21,327 --> 00:14:23,361 FUNDAMENTALLY THE SAME AS WE USE TODAY... 246 00:14:23,429 --> 00:14:24,629 A THIN FILM OF INK, 247 00:14:24,631 --> 00:14:27,431 THE FINGER ROLLED ACROSS THE INKED SURFACE, 248 00:14:27,434 --> 00:14:29,567 AND THEN ROLLED ONTO A PIECE OF PAPER 249 00:14:29,569 --> 00:14:32,837 WITH BOXES FOR EACH FINGER SEPARATELY. 250 00:14:35,074 --> 00:14:36,641 Lyle: THEY TOOK ALL 10 DIGITS. 251 00:14:36,709 --> 00:14:38,609 WELL, ONLY ONE WAS IN PLAY, 252 00:14:38,678 --> 00:14:41,479 BECAUSE THEY HAD A SINGLE FINGERPRINT. 253 00:14:42,648 --> 00:14:43,948 SO WHAT THEY DO IS COMPARE IT 254 00:14:44,016 --> 00:14:48,386 WITH THE PRINT THAT WAS LEFT IN BLOOD ON THE DOORJAMB. 255 00:14:49,989 --> 00:14:54,659 Narrator: BUT HOW WILL THEY KNOW FOR SURE IF THE PRINTS MATCH UP? 256 00:14:54,727 --> 00:14:56,193 Lyle: WHAT THEY WERE LOOKING AT 257 00:14:56,262 --> 00:14:58,262 IS THE PATTERN OF WHAT WE CALL FRICTION RIDGES, 258 00:14:58,265 --> 00:15:00,731 AND THAT'S WHAT ALLOWS US TO GRASP AND HOLD STUFF. 259 00:15:00,800 --> 00:15:04,101 Narrator: BUT THE ARRANGEMENT OF THE FRICTION RIDGES IS COMPLEX. 260 00:15:04,170 --> 00:15:08,539 THERE ARE ALL KINDS OF LINES AND CIRCLES AND DOTS. 261 00:15:08,608 --> 00:15:10,341 SO VUCETICH COMES UP WITH A WAY 262 00:15:10,409 --> 00:15:13,945 TO SIMPLIFY THE CLASSIFICATION OF FINGERPRINTS, 263 00:15:14,013 --> 00:15:16,614 A METHOD THAT'S STILL IN USE TODAY. 264 00:15:18,285 --> 00:15:23,187 EACH FINGERPRINT IS DOMINATED BY ONE OF THREE PRIMARY PATTERNS. 265 00:15:24,457 --> 00:15:28,492 THE FIRST IS AN ARCH, WHICH IS LIKE A TENT. 266 00:15:28,561 --> 00:15:32,763 THE SECOND IS A LOOP, LIKE ONE MADE WITH A SHOESTRING. 267 00:15:32,832 --> 00:15:38,035 AND THE THIRD IS CALLED A WHORL, WHICH LOOKS LIKE A WHIRLPOOL. 268 00:15:38,038 --> 00:15:41,973 VUCETICH PROPOSED USING THESE PATTERNS AS A SORTING TOOL. 269 00:15:42,041 --> 00:15:44,442 IF TWO PRINTS PROVE TO BE DIFFERENT TYPES, 270 00:15:44,444 --> 00:15:47,211 THERE'S NO NEED TO LOOK ANY FURTHER. 271 00:15:47,279 --> 00:15:49,380 BUT IF THEY'RE IN THE SAME CATEGORY, 272 00:15:49,449 --> 00:15:51,849 THEN THEY'RE WORTH A CLOSER LOOK. 273 00:15:53,552 --> 00:15:54,785 AND IN THIS CASE, 274 00:15:54,854 --> 00:15:57,188 THE BLOODY PRINT AND VELAZQUEZ'S PRINT 275 00:15:57,256 --> 00:15:59,090 ARE BOTH ARCHES. 276 00:16:00,860 --> 00:16:02,994 SO VUCETICH GOES A STEP FURTHER 277 00:16:02,996 --> 00:16:06,430 AND BEGINS TO HONE IN ON THE SMALLER DETAILS. 278 00:16:09,469 --> 00:16:11,802 Wertheim: YOU LOOK AT THE INDIVIDUAL POINTS, 279 00:16:11,805 --> 00:16:14,305 THE ENDING RIDGES, THE SPLITTING RIDGES, 280 00:16:14,373 --> 00:16:16,941 THE DOTS THAT APPEAR. 281 00:16:17,009 --> 00:16:18,353 Narrator: RIDGE ENDINGS ARE PLACES 282 00:16:18,377 --> 00:16:20,411 WHERE THE RIDGES START AND STOP 283 00:16:20,479 --> 00:16:23,247 AS THEY FLOW THROUGH THE PATTERN. 284 00:16:23,315 --> 00:16:26,450 IN OTHER PLACES, A RIDGE WILL SPLIT IN TWO, 285 00:16:26,519 --> 00:16:30,221 ALSO KNOWN AS A BIFURCATION. 286 00:16:30,223 --> 00:16:31,956 A DOT IS A RIDGE 287 00:16:32,025 --> 00:16:35,760 THAT IS AS LONG AS IT IS WIDE. 288 00:16:35,828 --> 00:16:38,829 THE UNIQUE ARRANGEMENT OF THESE RIDGE CHARACTERISTICS 289 00:16:38,898 --> 00:16:42,133 CLEARLY DISTINGUISHES ONE PRINT FROM ANOTHER. 290 00:16:44,504 --> 00:16:47,839 VUCETICH SPENDS HOURS STUDYING THE TWO PRINTS, 291 00:16:47,907 --> 00:16:49,540 RIDGE BY RIDGE, 292 00:16:49,608 --> 00:16:54,912 TRYING TO MATCH DOTS, BIFURCATIONS AND RIDGE ENDINGS. 293 00:16:54,981 --> 00:16:56,625 HE'S LOOKING FOR THESE CHARACTERISTICS 294 00:16:56,649 --> 00:16:59,317 TO MATCH UP IN THE SAME LOCATION 295 00:16:59,385 --> 00:17:01,719 AND IN THE SAME ARRANGEMENT. 296 00:17:01,721 --> 00:17:03,254 BUT, THE MORE HE LOOKS, 297 00:17:03,322 --> 00:17:08,026 THE MORE HE REALIZES THE FINGERPRINTS DON'T MATCH. 298 00:17:09,328 --> 00:17:10,505 Wertheim: THIS FINGERPRINT IN BLOOD 299 00:17:10,529 --> 00:17:13,164 WAS NOT VELASQUEZ'S FINGERPRINT. 300 00:17:18,805 --> 00:17:21,605 Lyle: WELL, IF IT WASN'T HIS PRINT THERE IN THE BLOOD, 301 00:17:21,608 --> 00:17:25,042 THERE WAS NOTHING ELSE TO TIE HIM TO THAT CRIME SCENE. 302 00:17:25,111 --> 00:17:27,178 Narrator: THE POLICE ARE STUNNED. 303 00:17:27,246 --> 00:17:30,548 IF THE PRINT WASN'T LEFT THERE BY PEDRO VELASQUEZ, 304 00:17:30,550 --> 00:17:32,550 THEN WHOSE IS IT? 305 00:17:39,892 --> 00:17:43,861 BY 1985, FINGERPRINTS ARE A TRIED AND TRUE METHOD 306 00:17:43,929 --> 00:17:46,297 FOR IDENTIFYING KILLERS. 307 00:17:46,365 --> 00:17:49,333 AND FOR THE DETECTIVES ON THE TRAIL OF THE NIGHT STALKER, 308 00:17:49,401 --> 00:17:53,037 IT'S THE MOST POWERFUL TOOL IN THEIR FORENSIC ARSENAL. 309 00:17:55,141 --> 00:17:58,275 THE KILLER HAS LEFT BEHIND A LONG TRAIL OF VICTIMS 310 00:17:58,344 --> 00:18:00,644 ALL ACROSS LOS ANGELES. 311 00:18:00,713 --> 00:18:05,316 HE'S ATTACKED 23 PEOPLE, KILLING 13. 312 00:18:05,384 --> 00:18:08,086 BUT TEN ESCAPED WITH THEIR LIVES. 313 00:18:12,091 --> 00:18:17,261 AND THOSE SURVIVORS HELPED POLICE TO CREATE A SKETCH. 314 00:18:17,263 --> 00:18:19,730 THE MONSTER KNOWN AS THE NIGHT STALKER 315 00:18:19,798 --> 00:18:22,600 FINALLY HAS A FACE. 316 00:18:22,668 --> 00:18:25,002 Ramsland: HE WAS A TALL, WIRY GUY 317 00:18:25,071 --> 00:18:29,340 WITH LONGISH, DARK HAIR AND BAD TEETH, 318 00:18:29,408 --> 00:18:33,010 THAT WAS THE ONE THING PEOPLE REMEMBERED ABOUT HIM. 319 00:18:33,079 --> 00:18:37,548 Narrator: BUT HE STILL HASN'T LEFT BEHIND A SINGLE PRINT. 320 00:18:37,617 --> 00:18:39,884 AND EVEN IF POLICE DO GET A PRINT, 321 00:18:39,952 --> 00:18:41,085 IT COULD TAKE MONTHS 322 00:18:41,153 --> 00:18:44,222 TO COMPARE IT TO EVERY SINGLE PRINT ON FILE. 323 00:18:47,894 --> 00:18:49,293 THEN IN MID-AUGUST, 324 00:18:49,362 --> 00:18:52,864 AN ELDERLY MAN IS SHOT TO DEATH IN SAN FRANCISCO. 325 00:18:54,266 --> 00:18:57,034 THE MAN'S WIFE SURVIVES A VICIOUS BEATING, 326 00:18:57,036 --> 00:19:00,070 AND WHEN THE VICTIM SEES A SKETCH OF THE NIGHT STALKER, 327 00:19:00,139 --> 00:19:03,574 SHE POSITIVELY I.D.s HIM AS HER ATTACKER. 328 00:19:05,311 --> 00:19:08,679 THE NIGHT STALKER IS EXPANDING HIS KILL ZONE. 329 00:19:13,519 --> 00:19:17,455 NOW THE ENTIRE STATE OF CALIFORNIA IS ON HIGH ALERT. 330 00:19:20,726 --> 00:19:23,861 INVESTIGATORS PORE OVER EVERY CRIME SCENE, 331 00:19:23,863 --> 00:19:26,730 LOOKING FOR FRESH CLUES. 332 00:19:26,799 --> 00:19:30,467 UNTIL NOW, THE NIGHT STALKER HAS BEEN LUCKY. 333 00:19:30,536 --> 00:19:33,738 BUT HIS NEXT ATTACK WILL CHANGE EVERYTHING. 334 00:19:36,543 --> 00:19:41,078 AUGUST 25th, THE HOME OF BILL CARNS AND RENATA GUNTHER, 335 00:19:41,147 --> 00:19:43,981 JUST SOUTH OF LOS ANGELES. 336 00:19:44,049 --> 00:19:46,550 THEY'RE GETTING READY FOR A NIGHT OUT. 337 00:19:46,553 --> 00:19:48,786 THE NIGHT STALKER REMOVES A WINDOW SCREEN 338 00:19:48,854 --> 00:19:50,754 AND SLIPS INTO THE HOUSE, 339 00:19:50,823 --> 00:19:53,891 CLOSING IN ON THE UNSUSPECTING COUPLE. 340 00:19:53,893 --> 00:19:55,626 [GUNSHOT] 341 00:19:55,628 --> 00:19:58,696 THE KILLER SHOOTS BILL IN THE HEAD. 342 00:19:58,764 --> 00:20:01,999 THEN HE TURNS HIS ATTENTION TO RENATA, 343 00:20:02,067 --> 00:20:04,802 ORDERING HER TO SAY THAT SHE LOVES SATAN 344 00:20:04,870 --> 00:20:07,538 BEFORE SEXUALLY ASSAULTING HER. 345 00:20:13,980 --> 00:20:16,581 Carrillo: HE LEFT THEM FOR DEAD, BUT NEITHER ONE OF THEM DIED. 346 00:20:16,649 --> 00:20:19,116 Narrator: THE NIGHT STALKER FLEES WITH A WAD OF CASH 347 00:20:19,118 --> 00:20:21,218 AND A HANDFUL OF JEWELRY. 348 00:20:21,287 --> 00:20:24,322 RENATA IS TIED UP, BUT STILL CONSCIOUS. 349 00:20:24,390 --> 00:20:26,657 AND HER ATTACKER'S PARTING WORDS ARE, 350 00:20:26,725 --> 00:20:29,393 "TELL THEM THE NIGHT STALKER WAS HERE." 351 00:20:29,462 --> 00:20:31,495 BUT SHE'S GOING TO BE ABLE TO TELL POLICE 352 00:20:31,563 --> 00:20:33,864 SOMETHING MUCH MORE CRITICAL. 353 00:20:33,932 --> 00:20:36,066 Ramsland: SHE MANAGED TO GET TO A WINDOW 354 00:20:36,069 --> 00:20:39,103 TO SEE WHAT HE WAS DRIVING. 355 00:20:39,171 --> 00:20:41,905 Carrillo: THERE WAS A COLOR AND A MAKE AND MODEL OF THE VEHICLE 356 00:20:41,974 --> 00:20:43,708 WITH A LICENSE PLATE NUMBER. 357 00:20:46,679 --> 00:20:49,613 WE HAD PUT OUT THAT INFORMATION PUBLICLY 358 00:20:49,682 --> 00:20:52,917 THAT WE WERE LOOKING FOR A CAR, THAT PARTICULAR CAR. 359 00:20:54,386 --> 00:20:57,688 Narrator: TWO DAYS LATER, POLICE CATCH A HUGE BREAK. 360 00:21:02,795 --> 00:21:05,830 Carrillo: HE DUMPED THE CAR IN CENTER OF DOWNTOWN LOS ANGELES. 361 00:21:05,898 --> 00:21:07,364 IT WAS ON A STREET, 362 00:21:07,433 --> 00:21:09,300 AND IT WAS FOUND BY A PATROL VEHICLE. 363 00:21:09,302 --> 00:21:11,969 THEY CALLED IT IN, AND THERE IT WAS. 364 00:21:11,971 --> 00:21:15,273 Narrator: SUDDENLY, THE INVESTIGATION HAS NEW LIFE. 365 00:21:16,675 --> 00:21:18,242 Carrillo: HE HAD NOT LEFT PRINTS 366 00:21:18,244 --> 00:21:22,246 AT ANY OF THE OTHER MURDER LOCATIONS 367 00:21:22,315 --> 00:21:23,881 THAT WE HAD BEEN TO. 368 00:21:26,118 --> 00:21:28,252 Narrator: BUT THIS COULD BE DIFFERENT. 369 00:21:28,254 --> 00:21:31,388 WHEN INVESTIGATORS START SEARCHING THE CAR FOR PRINTS, 370 00:21:31,457 --> 00:21:35,326 THEY ARE LOOKING FOR TWO POSSIBILITIES... 371 00:21:35,394 --> 00:21:38,128 VISIBLE PRINTS, KNOWN AS PATENT PRINTS, 372 00:21:38,131 --> 00:21:40,597 SHOW UP EASILY IF A FINGER HAS TOUCHED SOMETHING 373 00:21:40,666 --> 00:21:43,534 LIKE BLOOD, DIRT OR GREASE. 374 00:21:43,602 --> 00:21:46,270 BUT HIDDEN PRINTS, KNOWN AS LATENT PRINTS, 375 00:21:46,272 --> 00:21:48,739 NEED TO BE DEVELOPED TO BE SEEN. 376 00:21:50,743 --> 00:21:52,109 AND THERE ARE SIMPLE TOOLS 377 00:21:52,177 --> 00:21:54,155 THAT CAN MAKE LATENT FINGERPRINTS APPEAR 378 00:21:54,179 --> 00:21:55,946 AS IF BY MAGIC... 379 00:21:57,149 --> 00:21:58,482 POWDERS. 380 00:22:01,287 --> 00:22:03,754 Vanderkolk: THE POWDERS ARE EXTREMELY DRY. 381 00:22:03,756 --> 00:22:07,758 SO BY APPLYING A BLACK POWDER TO THE SURFACE, 382 00:22:07,760 --> 00:22:10,361 THE DRY POWDER ADHERES TO MOISTURE. 383 00:22:10,429 --> 00:22:12,173 IT DOESN'T CARE WHAT THAT MOISTURE IS, 384 00:22:12,197 --> 00:22:15,232 IT CAN BE OIL, SWEAT, WATER, DOESN'T CARE. 385 00:22:16,902 --> 00:22:18,880 Glenn Langenburg: YOU ALSO NEEDED A WHITE POWDER TECHNIQUE 386 00:22:18,904 --> 00:22:21,639 TO DEVELOP LATENT PRINTS ON DARK BACKGROUNDS. 387 00:22:21,707 --> 00:22:25,476 AND SO THEY USED A TALCUM-BASED POWDER. 388 00:22:26,879 --> 00:22:29,914 Narrator: BLACK POWDER ON LIGHT SURFACES, 389 00:22:29,982 --> 00:22:33,384 AND WHITE POWDER ON DARK SURFACES. 390 00:22:33,452 --> 00:22:36,186 EACH SCENARIO CREATES A HIGH CONTRAST, 391 00:22:36,189 --> 00:22:38,655 MAKING THE PRINT VISIBLE. 392 00:22:38,724 --> 00:22:40,824 BUT HOW DO YOU CREATE A HIGH CONTRAST 393 00:22:40,893 --> 00:22:45,462 WHEN A SURFACE IS MULTICOLORED, LIKE SOME MAGAZINE COVERS, 394 00:22:45,531 --> 00:22:50,000 OR UNEVEN AND TEXTURED, LIKE A GRAIN OF WOOD? 395 00:22:50,068 --> 00:22:53,437 FOR THAT, EXPERTS CAN TURN TO FLUORESCENT POWDERS. 396 00:22:54,773 --> 00:22:56,874 FLUORESCENT POWDERS ARE APPLIED TO SURFACES, 397 00:22:56,876 --> 00:22:58,909 LIKE BLACK OR WHITE POWDERS. 398 00:23:00,345 --> 00:23:03,514 BUT IN ORDER TO SEE A PRINT WITH FLUORESCENT POWDERS, 399 00:23:03,582 --> 00:23:05,816 YOU NEED AN ULTRAVIOLET LIGHT SOURCE, 400 00:23:05,885 --> 00:23:07,418 WHICH SENDS WAVES OF COLOR 401 00:23:07,486 --> 00:23:10,454 THAT REFLECT OFF THE FLUORESCENT POWDER, 402 00:23:10,522 --> 00:23:13,657 MAKING ONLY THE PRINT GLOW. 403 00:23:13,725 --> 00:23:16,193 Wertheim: THE ADVANTAGE OF THE FLUORESCENT POWDER IS 404 00:23:16,261 --> 00:23:18,429 THAT EVEN A MINUTE AMOUNT WILL GLOW 405 00:23:18,497 --> 00:23:21,031 AND ALLOW PHOTOGRAPHY OF THE PRINT 406 00:23:21,100 --> 00:23:24,268 TO A DEGREE THAT MAKES IT READILY IDENTIFIABLE. 407 00:23:26,305 --> 00:23:28,772 Narrator: BUT EVERY POWDER TECHNIQUE THEY TRY 408 00:23:28,775 --> 00:23:30,808 REVEALS NOTHING. 409 00:23:34,046 --> 00:23:36,780 THE NIGHT STALKER HAS OUTSMARTED POLICE... 410 00:23:36,783 --> 00:23:39,016 AGAIN. 411 00:23:39,084 --> 00:23:41,919 IT'S NOW BEEN FOUR DAYS SINCE HIS LAST ATTACK, 412 00:23:41,987 --> 00:23:43,854 AND THE CLOCK IS TICKING. 413 00:23:43,856 --> 00:23:46,257 THIS PROLIFIC KILLER COULD STRIKE AGAIN, 414 00:23:46,325 --> 00:23:49,126 UNLESS POLICE FIND HIM FIRST. 415 00:23:57,636 --> 00:23:59,603 IN THE HUNT FOR THE NIGHT STALKER, 416 00:23:59,672 --> 00:24:02,139 COPS HAVE TWO CRITICAL CLUES... 417 00:24:02,208 --> 00:24:06,544 A SUSPECT SKETCH PROVIDED BY THE KILLER'S SURVIVING VICTIMS, 418 00:24:06,612 --> 00:24:08,523 AND A CAR THAT WAS DRIVEN BY THE KILLER 419 00:24:08,547 --> 00:24:10,547 FROM HIS LATEST CRIME SCENE 420 00:24:10,550 --> 00:24:14,285 AND FOUND ABANDONED IN A PARKING LOT FOUR DAYS LATER. 421 00:24:16,722 --> 00:24:21,492 FINGERPRINT EXPERTS HAVE BEEN SCOURING THE VEHICLE NONSTOP, 422 00:24:21,494 --> 00:24:25,129 BUT TRADITIONAL POWDERING METHODS HAVE YIELDED NO PRINTS. 423 00:24:27,499 --> 00:24:30,501 AND TIME IS RUNNING OUT. 424 00:24:30,569 --> 00:24:33,737 Langenburg: ONCE YOU DEPOSIT A LATENT PRINT RESIDUE, 425 00:24:33,805 --> 00:24:35,606 THE CLOCK IS TICKING 426 00:24:35,674 --> 00:24:37,875 FOR HOW LONG YOU HAVE TO DEVELOP IT. 427 00:24:37,943 --> 00:24:42,446 OVER TIME, AS THE RESIDUE EVAPORATES AND DEGRADES, 428 00:24:42,515 --> 00:24:45,382 YOU'RE LESS LIKELY TO BE ABLE TO DEVELOP A VISIBLE FINGERPRINT, 429 00:24:45,451 --> 00:24:48,151 A VIABLE FINGERPRINT TO IDENTIFY. 430 00:24:48,220 --> 00:24:49,786 Narrator: SO POLICE ARE ABOUT TO TURN 431 00:24:49,789 --> 00:24:55,659 TO A REVOLUTIONARY NEW DEVICE FOR DETECTING FINGERPRINTS... 432 00:24:55,728 --> 00:24:57,428 A LASER. 433 00:24:58,630 --> 00:25:01,598 LASERS, HIGHLY CONCENTRATED BEAMS OF LIGHT, 434 00:25:01,667 --> 00:25:04,735 WERE INVENTED IN 1960. 435 00:25:04,737 --> 00:25:06,737 BY THE LATE 1970s, 436 00:25:06,739 --> 00:25:10,107 THEY STARTED TO ENTER THE WORLD OF FINGERPRINT DETECTION. 437 00:25:11,744 --> 00:25:14,711 UNLIKE POWDERS, WHICH HAVE TO ATTACH TO MOISTURE, 438 00:25:14,780 --> 00:25:16,213 LIKE OIL OR SWEAT, 439 00:25:16,215 --> 00:25:19,816 TO MAKE A FINGERPRINT VISIBLE, 440 00:25:19,819 --> 00:25:23,354 A LASER DOESN'T NEED MOISTURE TO SEE A PRINT. 441 00:25:28,360 --> 00:25:30,160 WHEN THE BEAM HITS A SURFACE, 442 00:25:30,228 --> 00:25:32,696 THE LIGHT ILLUMINATES CERTAIN COMPOUNDS, 443 00:25:32,764 --> 00:25:34,698 LIKE SODIUM AND GLUCOSE, 444 00:25:34,766 --> 00:25:38,202 LEFT BEHIND WHEN FINGERPRINT RESIDUE DRIES UP. 445 00:25:40,272 --> 00:25:42,573 THE INTRODUCTION OF LASERS IN FINGERPRINTING 446 00:25:42,641 --> 00:25:44,375 WAS GROUNDBREAKING. 447 00:25:44,443 --> 00:25:46,810 BUT THEIR USAGE WAS LIMITED. 448 00:25:50,816 --> 00:25:53,450 Langenburg: THE FIRST LASERS WERE VERY LARGE AND CLUNKY, 449 00:25:53,519 --> 00:25:56,853 AND THEY NEEDED TO BE CHILLED APPROPRIATELY AND COOLED DOWN. 450 00:25:56,922 --> 00:25:59,323 THAT WASN'T VERY EFFECTIVE FOR CRIME SCENES, 451 00:25:59,325 --> 00:26:01,736 SO OFTEN THE EVIDENCE WOULD HAVE TO BE BROUGHT BACK TO THE LAB 452 00:26:01,760 --> 00:26:03,860 TO BE ANALYZED. 453 00:26:03,863 --> 00:26:05,462 Narrator: BY THE 1980s, 454 00:26:05,531 --> 00:26:08,498 PORTABLE, HANDHELD LASER SCANNERS WERE INVENTED 455 00:26:08,567 --> 00:26:10,801 THAT COULD BE CARRIED TO CRIME SCENES. 456 00:26:13,605 --> 00:26:16,373 USING THE LASER LIKE A FLASHLIGHT, 457 00:26:16,441 --> 00:26:20,344 INVESTIGATORS CAN CANVASS AN AREA WITH A SIX-INCH-WIDE BEAM 458 00:26:20,412 --> 00:26:21,979 LOOKING FOR PRINTS. 459 00:26:23,782 --> 00:26:27,084 AND IN 1985, THE ORANGE COUNTY SHERIFF'S DEPARTMENT 460 00:26:27,152 --> 00:26:30,754 HAD THE ONLY HANDHELD LASER ON THE WEST COAST. 461 00:26:30,822 --> 00:26:34,524 THEY'VE NEVER PUT IT INTO USE UNTIL NOW. 462 00:26:34,593 --> 00:26:36,126 AND THE NIGHT STALKER'S VEHICLE 463 00:26:36,194 --> 00:26:39,463 WILL MAKE FOR A VERY HIGH-PROFILE TEST CASE. 464 00:26:45,638 --> 00:26:47,904 AFTER SCANNING FOR HALF A DAY, 465 00:26:47,907 --> 00:26:50,574 THEY'RE ALMOST READY TO GIVE UP. 466 00:26:50,643 --> 00:26:53,176 BUT THEN... 467 00:26:53,245 --> 00:26:58,382 THE LASER FINALLY DOES WHAT TRADITIONAL POWDERING COULD NOT. 468 00:26:58,450 --> 00:27:01,352 IT DETECTS A PRINT ON THE REARVIEW MIRROR. 469 00:27:03,555 --> 00:27:06,657 THE NIGHT STALKER HAS MADE A CRITICAL MISTAKE. 470 00:27:06,725 --> 00:27:08,592 AND WITHOUT LASER TECHNOLOGY, 471 00:27:08,661 --> 00:27:11,728 HIS SLIP UP MAY HAVE GONE UNNOTICED. 472 00:27:11,797 --> 00:27:14,297 Carrillo: HE HAD FORGOTTEN AND FAILED TO CLEAN UP 473 00:27:14,366 --> 00:27:16,800 WHEN HE ADJUSTED THE MIRROR. 474 00:27:16,868 --> 00:27:20,471 Narrator: THAT PRINT COULD LEAD POLICE RIGHT TO HIM. 475 00:27:20,539 --> 00:27:23,507 Ramsland: IT WAS VERY CLEAR, DEFINITIVE EVIDENCE. 476 00:27:23,575 --> 00:27:24,852 Narrator: THIS IS A MAJOR BREAKTHROUGH 477 00:27:24,876 --> 00:27:26,576 IN THE INVESTIGATION, 478 00:27:26,645 --> 00:27:29,112 BUT THERE'S STILL A BIG JOB AHEAD... 479 00:27:29,181 --> 00:27:31,915 FINDING THE MAN WHO LEFT THAT PRINT. 480 00:27:34,653 --> 00:27:36,613 USING FINGERPRINTS TO CATCH A CRIMINAL 481 00:27:36,655 --> 00:27:41,825 IS STILL A REVOLUTIONARY IDEA IN 19th CENTURY ARGENTINA. 482 00:27:41,827 --> 00:27:45,662 FRANCISCA ROJAS'S TWO YOUNG CHILDREN HAVE BEEN MURDERED, 483 00:27:45,731 --> 00:27:48,765 AND SHE'S AIMED SUSPICION AT HER EX-LOVER. 484 00:27:48,768 --> 00:27:53,136 INSPECTOR EDUARDO ALVAREZ AND HIS MENTOR, JUAN VUCETICH, 485 00:27:53,205 --> 00:27:57,541 HAVE TURNED TO FINGERPRINTS TO SORT OUT THE TRUTH. 486 00:27:57,609 --> 00:27:59,276 THE PRINTS OF THEIR MAIN SUSPECT 487 00:27:59,344 --> 00:28:02,680 DON'T MATCH THE PRINT LEFT BEHIND AT THE SCENE. 488 00:28:04,383 --> 00:28:06,616 AND HORRIFYING AS IT MIGHT SEEM, 489 00:28:06,685 --> 00:28:09,453 THE ONLY OTHER PERSON THEY KNOW WAS AT THE SCENE 490 00:28:09,455 --> 00:28:13,824 IS THE MURDERED CHILDREN'S MOTHER, FRANCISCA ROJAS. 491 00:28:15,193 --> 00:28:16,626 Wertheim: MRS. ROJAS'S STATEMENT 492 00:28:16,695 --> 00:28:18,573 BASICALLY PUT ONLY TWO PEOPLE AT THE CRIME SCENE, 493 00:28:18,597 --> 00:28:20,263 HER AND VELASQUEZ, 494 00:28:20,266 --> 00:28:24,601 WHO SHE WAS ACCUSING OF THE MURDER OF HER TWO BABIES. 495 00:28:24,669 --> 00:28:26,803 Lyle: SINCE THERE WERE TWO PEOPLE INVOLVED IN THIS DANCE, 496 00:28:26,806 --> 00:28:28,706 WHO ELSE ARE YOU GOING TO TURN TO? 497 00:28:32,177 --> 00:28:34,544 Narrator: INVESTIGATORS BRING FRANCISCA ROJAS 498 00:28:34,547 --> 00:28:37,481 BACK IN FOR QUESTIONING. 499 00:28:37,483 --> 00:28:39,082 Lyle: BUT SHE STUCK TO HER STORY 500 00:28:39,085 --> 00:28:41,385 THAT SHE DIDN'T HAVE ANYTHING TO DO WITH IT. 501 00:28:42,687 --> 00:28:44,727 Narrator: ALL INSPECTOR ALVAREZ HAS TO DO 502 00:28:44,757 --> 00:28:46,557 TO KNOW IF SHE'S LYING 503 00:28:46,625 --> 00:28:50,160 IS COMPARE HER PRINT TO THE ONE FROM THE SCENE. 504 00:28:59,371 --> 00:29:02,306 Lyle: MRS. ROJAS HAD SAID, "VELASQUEZ DID IT, 505 00:29:02,374 --> 00:29:04,341 I SAW HIM RUN AWAY." 506 00:29:09,815 --> 00:29:13,450 Narrator: BUT THIS TIME, SCIENCE GETS THE FINAL SAY. 507 00:29:15,387 --> 00:29:17,821 AND WHEN THEY COMPARE THE PRINTS... 508 00:29:28,466 --> 00:29:30,768 THEY'RE A PERFECT MATCH. 509 00:29:34,372 --> 00:29:37,474 THIS MOTHER OF TWO KILLED HER OWN CHILDREN 510 00:29:37,542 --> 00:29:40,344 AND POINTED THE FINGER AT AN INNOCENT MAN, 511 00:29:40,412 --> 00:29:42,279 HER ONE-TIME BOYFRIEND. 512 00:29:42,347 --> 00:29:43,791 Lyle: THEY CONFRONTED HER WITH THIS EVIDENCE, 513 00:29:43,815 --> 00:29:47,317 AND THEY SAID, YOU KNOW, THIS PROVES THAT YOU ARE LYING. 514 00:29:48,487 --> 00:29:51,722 YOU DID HAVE CONTACT, IT IS YOUR PRINT. 515 00:29:54,493 --> 00:29:56,960 SO SHE CONFESSED TO THE CRIME. 516 00:29:59,698 --> 00:30:01,576 Narrator: FOR THE FIRST TIME EVER, 517 00:30:01,600 --> 00:30:05,803 POLICE USED FINGERPRINTS TO IDENTIFY A MURDER SUSPECT. 518 00:30:08,240 --> 00:30:12,543 AND THE KILLER TURNED OUT TO BE THE VICTIMS' OWN MOTHER. 519 00:30:13,745 --> 00:30:16,213 BUT THERE'S STILL ONE QUESTION... 520 00:30:16,281 --> 00:30:19,950 WHY WOULD MRS. ROJAS KILL HER OWN CHILDREN? 521 00:30:21,753 --> 00:30:24,621 IT TURNS OUT, THE MAN SHE ACCUSED OF THE MURDERS 522 00:30:24,689 --> 00:30:27,124 WAS NOT HER ONLY LOVER. 523 00:30:28,793 --> 00:30:30,527 SHE HAD ANOTHER ONE, 524 00:30:30,596 --> 00:30:33,564 AND SHE'D DO ANYTHING TO KEEP HIM. 525 00:30:36,135 --> 00:30:38,235 Lyle: THE TRUTH WAS, 526 00:30:38,303 --> 00:30:39,881 THE GENTLEMAN THAT SHE WAS SEEING 527 00:30:39,905 --> 00:30:42,606 SAID HE WOULD MARRY HER IF SHE DIDN'T HAVE CHILDREN. 528 00:30:42,674 --> 00:30:45,575 SO SHE KILLED HER CHILDREN SO SHE WOULDN'T BE ENCUMBERED, 529 00:30:45,644 --> 00:30:47,978 AND SHE CAN GO OFF WITH HER LOVER. 530 00:30:50,749 --> 00:30:52,594 Narrator: THANKS TO A SINGLE BLOODY PRINT, 531 00:30:52,618 --> 00:30:56,086 FRANCISCA ROJAS IS SENTENCED TO LIFE IN PRISON, 532 00:30:56,154 --> 00:30:59,122 AND A NEW ERA IN CRIME FIGHTING HAS BEGUN. 533 00:31:01,259 --> 00:31:04,161 JUAN VUCETICH REVOLUTIONIZED CRIME FIGHTING 534 00:31:04,229 --> 00:31:06,563 BY ESTABLISHING A SCIENTIFIC SYSTEM 535 00:31:06,565 --> 00:31:11,101 FOR COMPARING AND ANALYZING THE ARCHES, LOOPS AND WHORLS 536 00:31:11,103 --> 00:31:13,637 THAT MAKE UP A FINGERPRINT. 537 00:31:13,705 --> 00:31:15,605 HE WAS THE FIRST PERSON EVER 538 00:31:15,674 --> 00:31:17,594 TO MAKE A FINGERPRINT IDENTIFICATION 539 00:31:17,642 --> 00:31:19,709 IN A CRIMINAL CASE. 540 00:31:19,778 --> 00:31:22,712 Lyle: VUCETICH WENT ON TO PROMULGATE HIS BELIEFS 541 00:31:22,715 --> 00:31:25,115 AND PUSH HIS WHOLE SYSTEM. 542 00:31:25,183 --> 00:31:26,895 AND, INDEED, THROUGH MUCH OF THE WORLD, 543 00:31:26,919 --> 00:31:29,886 HIS SYSTEM WAS THE SYSTEM THAT TOOK HOLD 544 00:31:29,955 --> 00:31:33,523 AND IN MUCH OF THE WORLD IS STILL USED TODAY. 545 00:31:33,525 --> 00:31:35,102 Narrator: USED FOR THE FIRST TIME 546 00:31:35,126 --> 00:31:37,460 IN A SMALL TOWN IN ARGENTINA, 547 00:31:37,529 --> 00:31:39,896 FINGERPRINT IDENTIFICATION WOULD GO ON TO BECOME 548 00:31:39,965 --> 00:31:43,967 ONE OF THE MOST IMPORTANT FORENSIC TOOLS IN THE WORLD. 549 00:31:47,806 --> 00:31:50,607 ON AUGUST 21, 1911, 550 00:31:50,609 --> 00:31:53,677 THE MONA LISA IS STOLEN FROM THE LOUVRE. 551 00:31:53,679 --> 00:31:55,812 A SINGLE PRINT ON HER GLASS CASE 552 00:31:55,881 --> 00:32:00,350 LEADS POLICE TO ART THIEF VINCENZO PERUGIA. 553 00:32:00,352 --> 00:32:03,553 IN 1934, BANK ROBBER JOHN DILLINGER 554 00:32:03,622 --> 00:32:07,123 TRIES TO HAVE HIS FINGERPRINTS BURNED OFF WITH ACID. 555 00:32:07,192 --> 00:32:08,725 THE EFFORT FAILS, 556 00:32:08,793 --> 00:32:13,663 AND SOME RIDGES ARE STILL VISIBLE AFTER THE BURNS HEAL. 557 00:32:13,732 --> 00:32:16,833 AND IN 1963'S GREAT TRAIN ROBBERY, 558 00:32:16,901 --> 00:32:20,103 WHEN A GANG OF THIEVES STEAL OVER $7 MILLION 559 00:32:20,105 --> 00:32:22,339 FROM A BRITISH TRAIN, 560 00:32:22,407 --> 00:32:24,975 THEY ARE UNDONE BY A SLEW OF FINGERPRINTS 561 00:32:25,043 --> 00:32:27,477 FOUND ON SEVERAL SURFACES OF THEIR HIDEOUT. 562 00:32:29,614 --> 00:32:33,516 NOW, MOST CRIMINALS TAKE THE PRECAUTION OF WEARING GLOVES. 563 00:32:33,585 --> 00:32:34,784 BUT EVENTUALLY, 564 00:32:34,787 --> 00:32:39,155 EVEN THE MOST CAUTIOUS OF CRIMINALS SLIPS UP... 565 00:32:39,224 --> 00:32:42,926 EVEN THE SERIAL KILLER KNOWN AS THE NIGHT STALKER. 566 00:32:48,166 --> 00:32:49,466 IN LATE AUGUST, 567 00:32:49,534 --> 00:32:53,336 THE NIGHT STALKER HAS BEEN ON THE LOOSE FOR FIVE MONTHS, 568 00:32:53,339 --> 00:32:56,473 AND HE'S KILLED 13 VICTIMS. 569 00:32:56,541 --> 00:32:59,743 IT'S BEEN SEVERAL DAYS SINCE HIS LAST ATTACK, 570 00:32:59,811 --> 00:33:04,247 AND POLICE KNOW HE'S LIKELY TO STRIKE AGAIN AT ANY MOMENT. 571 00:33:04,315 --> 00:33:07,183 BUT NOW THEY HAVE THE KILLER'S FINGERPRINT, 572 00:33:07,252 --> 00:33:10,620 FOUND IN THE CAR HE ABANDONED AFTER HIS LAST SHOOTING. 573 00:33:17,929 --> 00:33:20,430 STILL, THERE ARE MORE THAN A MILLION FINGERPRINT CARDS 574 00:33:20,432 --> 00:33:23,700 ON FILE IN LOS ANGELES COUNTY ALONE. 575 00:33:25,770 --> 00:33:28,939 THERE'S CLOSE TO FIVE MILLION STATEWIDE. 576 00:33:31,243 --> 00:33:33,209 FINDING THE RIGHT MATCH BY HAND 577 00:33:33,278 --> 00:33:34,688 WILL BE LIKE LOOKING FOR A NEEDLE 578 00:33:34,712 --> 00:33:37,547 IN ONE VERY LARGE HAYSTACK. 579 00:33:39,851 --> 00:33:43,720 Ramsland: IT WOULD HAVE TAKEN A LONE DETECTIVE ABOUT 67 YEARS 580 00:33:43,788 --> 00:33:45,088 TO COMPARE THIS FINGERPRINT 581 00:33:45,156 --> 00:33:48,558 AGAINST ALL THE FINGERPRINT CARDS THAT THEY HAD. 582 00:33:51,296 --> 00:33:53,463 Narrator: FORTUNATELY, THEY DON'T HAVE TO. 583 00:33:53,531 --> 00:33:55,198 THE SCIENCE OF FINGERPRINTS 584 00:33:55,266 --> 00:33:58,701 IS ABOUT TO TAKE ANOTHER HUGE LEAP FORWARD... 585 00:33:58,770 --> 00:34:03,673 ONE THAT WILL SOMEDAY MAKE ALL THAT MANUAL LABOR OBSOLETE. 586 00:34:03,675 --> 00:34:08,445 Ramsland: THEY HAD JUST BROUGHT IN A COMPUTERIZED SYSTEM 587 00:34:08,513 --> 00:34:12,482 FOR LOOKING AT DIGITAL DATABASES OF FINGERPRINTS. 588 00:34:12,551 --> 00:34:16,319 Narrator: THE AUTOMATED FINGERPRINT IDENTIFICATION SYSTEM, OR AFIS, 589 00:34:16,387 --> 00:34:19,956 WILL CHANGE THE WAY THAT POLICE DEPARTMENTS TRACK PRINTS. 590 00:34:21,292 --> 00:34:22,492 WHILE THE CLASSIFICATION SYSTEM 591 00:34:22,494 --> 00:34:25,495 DEVISED BY JUAN VUCETICH 100 YEARS AGO 592 00:34:25,563 --> 00:34:30,634 RELIED SOLELY ON OBSERVATION AND SIFTING THROUGH PAPER RECORDS, 593 00:34:30,702 --> 00:34:34,604 AFIS KEEPS DIGITAL FILES OF OFFENDER FINGERPRINTS. 594 00:34:35,707 --> 00:34:37,307 IT CAN COMPARE UNKNOWN PRINTS 595 00:34:37,375 --> 00:34:40,577 AGAINST ALL KNOWN PRINTS IN ITS DATABASE 596 00:34:40,645 --> 00:34:42,645 IN A FRACTION OF THE TIME. 597 00:34:42,648 --> 00:34:45,048 Langenburg: INVESTIGATORS SUBMIT LATENT PRINTS TO US 598 00:34:45,050 --> 00:34:46,649 TYPICALLY IN THE FORM OF PHOTOGRAPHS 599 00:34:46,652 --> 00:34:49,519 OR THESE LATENT PRINT LIFTS. 600 00:34:49,587 --> 00:34:51,365 Narrator: ONCE THEY RECEIVE A PRINT, 601 00:34:51,389 --> 00:34:53,456 FORENSIC FINGERPRINT EXPERTS SCAN IT 602 00:34:53,459 --> 00:34:55,525 TO A CREATE A DIGITAL IMAGE. 603 00:34:55,593 --> 00:34:58,461 Wertheim: THE COMPUTER SEES THE RIDGES, IF YOU WILL, 604 00:34:58,530 --> 00:35:02,632 AND IT SEES THE RIDGE ENDINGS AND THE BIFURCATIONS. 605 00:35:02,700 --> 00:35:05,802 Narrator: THE COMPUTER THEN CREATES A MAP OR "CONSTELLATION" 606 00:35:05,870 --> 00:35:09,473 FROM THE RELATIVE POSITIONS OF ALL THESE POINTS. 607 00:35:09,541 --> 00:35:12,375 THEN IT SEARCHES FOR OTHER SIMILAR CONSTELLATIONS 608 00:35:12,443 --> 00:35:14,777 IN THE DATABASE. 609 00:35:14,846 --> 00:35:16,423 Langenburg: NOW WE COULD SEARCH A PRINT 610 00:35:16,447 --> 00:35:18,326 THAT HAD RETURNED FROM A CRIME SCENE 611 00:35:18,350 --> 00:35:20,683 WITHOUT ANY SUSPECT IN MIND WHATSOEVER. 612 00:35:20,686 --> 00:35:22,785 Narrator: THE AFIS CAN SEARCH A LATENT PRINT 613 00:35:22,854 --> 00:35:26,423 AGAINST MILLIONS OF POSSIBLE MATCHES. 614 00:35:26,491 --> 00:35:29,592 WHAT USED TO TAKE MONTHS, EVEN YEARS, 615 00:35:29,661 --> 00:35:32,195 CAN NOW BE DONE IN MOMENTS. 616 00:35:34,432 --> 00:35:36,410 Langenburg: IT RETURNS A LIST OF CANDIDATES, 617 00:35:36,434 --> 00:35:39,769 AND THE ANALYST MANUALLY GOES THROUGH AND MAKES THE MATCH. 618 00:35:41,173 --> 00:35:42,672 Narrator: BY THE MID 1990s, 619 00:35:42,740 --> 00:35:45,074 COMPUTERIZED FINGERPRINT MATCHING SYSTEMS 620 00:35:45,143 --> 00:35:48,044 WERE ESTABLISHED ALL OVER THE UNITED STATES. 621 00:35:48,046 --> 00:35:54,150 Wertheim: THE FBI HAS AROUND 70 MILLION SETS OF FINGERPRINTS, 622 00:35:54,219 --> 00:35:58,154 700 MILLION INDIVIDUAL FINGERPRINTS IN THEIR FILES. 623 00:35:58,223 --> 00:36:01,357 THEN THERE ARE FILES IN EACH STATE DATABASE. 624 00:36:01,426 --> 00:36:05,662 AND MANY OF THE LARGE CITIES HAVE THEIR OWN FILES. 625 00:36:05,730 --> 00:36:09,499 Narrator: TODAY, THERE'S EVEN AN INTERNATIONAL VERSION OF AFIS, 626 00:36:09,567 --> 00:36:12,602 AND POLICE ACROSS THE WORLD CAN ACCESS A NETWORK 627 00:36:12,671 --> 00:36:14,738 THAT WILL MATCH A PRINT IN ZIMBABWE 628 00:36:14,806 --> 00:36:17,340 WITH A SUSPECT IN KANSAS. 629 00:36:19,143 --> 00:36:22,812 IN 1985, AT THE HEIGHT OF THE NIGHT STALKER'S REIGN, 630 00:36:22,880 --> 00:36:26,449 THE SYSTEM IS STILL IN ITS INFANCY. 631 00:36:26,517 --> 00:36:29,686 BUT INVESTIGATORS ARE CONFIDENT AFIS WILL PRODUCE A MATCH 632 00:36:29,688 --> 00:36:33,256 TO THE PRINT THEY LIFTED FROM THE NIGHT STALKER'S VEHICLE. 633 00:36:34,792 --> 00:36:38,628 SURELY, THE MAN LEAVING A TRAIL OF BODIES THROUGHOUT CALIFORNIA 634 00:36:38,697 --> 00:36:41,631 HAS A LONG HISTORY OF HARD-CORE FELONIES. 635 00:36:44,436 --> 00:36:47,403 Carrillo: THAT PRINT WAS THEN SUBSEQUENTLY 636 00:36:47,472 --> 00:36:48,749 SENT TO THE DEPARTMENT OF JUSTICE 637 00:36:48,773 --> 00:36:50,974 IN SACRAMENTO, CALIFORNIA. 638 00:36:59,517 --> 00:37:02,318 HE WAS NOT IN THERE. 639 00:37:02,387 --> 00:37:05,822 Narrator: THE NIGHT STALKER IS NOT IN THE AFIS SYSTEM. 640 00:37:05,890 --> 00:37:07,257 BUT IT TURNS OUT, 641 00:37:07,325 --> 00:37:11,595 NOT EVERY TYPE OF CRIMINAL HAS BEEN ENTERED INTO THE DATABASE. 642 00:37:11,663 --> 00:37:13,730 Carrillo: BACK IN 1985, 643 00:37:13,732 --> 00:37:15,465 THE ENTIRE SYSTEM WAS NOT AUTOMATED, 644 00:37:15,467 --> 00:37:18,234 AND IT ONLY HAD FELONY CONVICTIONS 645 00:37:18,303 --> 00:37:21,271 IN ITS AUTOMATION FEATURES. 646 00:37:21,339 --> 00:37:24,140 ALL MISDEMEANORS HAD NOT BEEN LOADED AT THAT TIME. 647 00:37:24,209 --> 00:37:26,543 Narrator: INVESTIGATORS ARE STUNNED. 648 00:37:26,611 --> 00:37:27,844 THE NIGHT STALKER HAS SOMEHOW 649 00:37:27,912 --> 00:37:32,682 NEVER BEFORE BEEN CONVICTED OF A SERIOUS CRIME. 650 00:37:32,684 --> 00:37:34,295 Ramsland: IT'S LIKE YOU HAVE THE GUY, 651 00:37:34,319 --> 00:37:35,485 YOU KNOW EXACTLY WHO HE IS, 652 00:37:35,487 --> 00:37:37,231 BECAUSE YOU HAVE HIS FINGERPRINT, 653 00:37:37,255 --> 00:37:39,489 AND YET, YOU DON'T KNOW WHO HE IS, 654 00:37:39,557 --> 00:37:42,859 BECAUSE YOU DON'T HAVE ANYTHING TO MATCH THE PRINT AGAINST. 655 00:37:49,167 --> 00:37:53,036 Narrator: DETECTIVES FEEL LIKE THEY'RE BACK WHERE THEY STARTED. 656 00:37:53,104 --> 00:37:57,040 BUT THERE'S STILL ONE CHANCE TO NARROW DOWN THE FIELD... 657 00:37:57,108 --> 00:37:58,274 THE SKETCH CREATED 658 00:37:58,343 --> 00:38:01,611 BY THE NIGHT STALKER'S SURVIVING VICTIMS. 659 00:38:01,679 --> 00:38:05,348 POLICE SPREAD THE PICTURE OF THE NIGHT STALKER FAR AND WIDE, 660 00:38:05,416 --> 00:38:08,718 HOPING THE PUBLIC CAN HELP THEM BREAK THE CASE. 661 00:38:08,720 --> 00:38:10,520 [PHONE RINGS] 662 00:38:10,588 --> 00:38:14,157 Carrillo: WE STARTED GETTING FLOODS OF PHONE CALLS. 663 00:38:14,225 --> 00:38:16,326 THERE WERE TWO, MAYBE THREE, 664 00:38:16,394 --> 00:38:17,660 OUT OF THE THOUSANDS THAT WE RECEIVED 665 00:38:17,663 --> 00:38:19,762 THAT WERE VERY SIGNIFICANT. 666 00:38:19,831 --> 00:38:24,601 ONE WAS FROM AN INFORMANT THAT WE CONTINUED TO DEVELOP. 667 00:38:24,669 --> 00:38:27,137 Narrator: THE INFORMANT, A SMALL-TIME CROOK, 668 00:38:27,205 --> 00:38:29,539 BELIEVES THE SKETCH RESEMBLES A CAR THIEF 669 00:38:29,607 --> 00:38:34,077 HE KNOWS ON THE STREET AS "EL DESPEINADO." 670 00:38:34,145 --> 00:38:36,579 Carrillo: TRANSLATED INTO ENGLISH AS THE... 671 00:38:36,647 --> 00:38:38,592 IT'S A SLANG WORD FOR "THE UNKEMPT ONE," 672 00:38:38,616 --> 00:38:40,416 OR "THE UNCOMBED ONE," 673 00:38:40,485 --> 00:38:43,152 BECAUSE HE DID HAVE DISHEVELED HAIR. 674 00:38:43,155 --> 00:38:45,521 Narrator: THE INFORMANT THEN GOES ONE STEP FURTHER 675 00:38:45,590 --> 00:38:48,425 AND GIVES COPS HIS REAL NAME... 676 00:38:50,094 --> 00:38:52,062 RICHARD RAMIREZ. 677 00:38:56,501 --> 00:38:57,811 Carrillo: WE THEN SENT THAT INFORMATION ON 678 00:38:57,835 --> 00:39:01,170 TO THE DEPARTMENT OF JUSTICE IN SAN FRANCISCO, 679 00:39:01,173 --> 00:39:04,073 AND THEY MANUALLY SEARCHED THE NAME, 680 00:39:04,142 --> 00:39:06,543 AND THEY CAME UP WITH EIGHT OF THEM. 681 00:39:07,845 --> 00:39:09,723 Narrator: EIGHT MEN WITH CRIMINAL RECORDS 682 00:39:09,747 --> 00:39:12,081 NAMED RICHARD RAMIREZ, 683 00:39:12,150 --> 00:39:15,551 EIGHT POSSIBLE SUSPECTS OUT OF MILLIONS. 684 00:39:15,620 --> 00:39:18,722 BUT ARE ANY OF THEM REALLY THE NIGHT STALKER? 685 00:39:20,592 --> 00:39:23,193 THE FINGERPRINT CARDS FOR THE EIGHT SUSPECTS 686 00:39:23,261 --> 00:39:25,828 ARE MANUALLY PULLED FROM THE FILES. 687 00:39:25,897 --> 00:39:28,197 Carrillo: THEY COMPARED THE EIGHT 688 00:39:28,266 --> 00:39:31,667 TO THE FINGERPRINTS THEY HAD RECEIVED FROM ORANGE COUNTY. 689 00:39:31,736 --> 00:39:36,139 Narrator: AND THIS TIME, THERE IS AN EXACT MATCH. 690 00:39:36,207 --> 00:39:38,408 THE RICHARD RAMIREZ THEY'RE LOOKING FOR 691 00:39:38,476 --> 00:39:42,645 IS A 25-YEAR-OLD DRIFTER FROM EL PASO, TEXAS. 692 00:39:42,713 --> 00:39:46,549 RAMIREZ HAS A RECORD OF DRUG POSSESSION AND AUTO THEFT. 693 00:39:46,551 --> 00:39:49,185 HE'D EVEN SERVED A SHORT TIME BEHIND BARS 694 00:39:49,253 --> 00:39:51,187 ON A MISDEMEANOR CHARGE. 695 00:39:52,457 --> 00:39:56,793 HIS PRINTS HAD NOT YET BEEN LOADED INTO AFIS. 696 00:39:56,861 --> 00:40:02,298 Carrillo: WE IMMEDIATELY PULLED A BOOKING PHOTO ON MR. RAMIREZ. 697 00:40:02,300 --> 00:40:04,133 AT THREE O'CLOCK ON AUGUST 30th, 698 00:40:04,202 --> 00:40:06,235 I TOOK THAT PHOTO DOWN TO AN INFORMANT 699 00:40:06,304 --> 00:40:08,771 WHO SAID THAT'S THE MAN THAT I'VE BEEN TELLING YOU ABOUT, 700 00:40:08,840 --> 00:40:11,641 THAT'S THE GUY. 701 00:40:11,709 --> 00:40:14,243 Narrator: A SINGLE FINGERPRINT HAS HELPED POLICE 702 00:40:14,312 --> 00:40:17,380 MAKE A POSITIVE I.D. ON THE NIGHT STALKER. 703 00:40:17,382 --> 00:40:20,116 BUT THEY STILL DON'T KNOW WHERE TO FIND HIM. 704 00:40:20,184 --> 00:40:22,685 ON AUGUST 30, 1985, 705 00:40:22,753 --> 00:40:24,253 POLICE HOLD A PRESS CONFERENCE 706 00:40:24,322 --> 00:40:26,522 WHERE THEY REVEAL THE SUSPECT'S NAME PUBLICLY 707 00:40:26,591 --> 00:40:29,192 FOR THE FIRST TIME. 708 00:40:29,260 --> 00:40:31,127 THE NOOSE IS TIGHTENING. 709 00:40:31,196 --> 00:40:34,664 AND EVEN THE NIGHT STALKER HIMSELF CAN FEEL THE PRESSURE. 710 00:40:34,732 --> 00:40:36,210 Ramsland: HE SAW HIS MUG SHOT IN THE PAPER, 711 00:40:36,234 --> 00:40:39,402 AND THAT'S WHEN HE KNEW HE WAS IN TROUBLE. 712 00:40:40,638 --> 00:40:42,739 EVERYBODY HAD SEEN HIS PICTURE, 713 00:40:42,807 --> 00:40:46,742 EVERYONE KNEW THIS WAS THE GUY THE POLICE WERE LOOKING FOR. 714 00:40:46,745 --> 00:40:49,512 Narrator: AUGUST 31, 1985. 715 00:40:49,580 --> 00:40:52,181 WHILE RAMIREZ IS TRYING TO STEAL A CAR, 716 00:40:52,250 --> 00:40:53,749 A GROUP OF PEOPLE RECOGNIZE HIM 717 00:40:53,818 --> 00:40:56,752 AND ATTACK HIM IN THE MIDDLE OF A RESIDENTIAL STREET. 718 00:40:56,755 --> 00:40:59,823 Ramsland: ACTUALLY, THE POLICE PROBABLY SAVED HIS LIFE. 719 00:40:59,891 --> 00:41:02,425 Man: HE SAID SOMETHING IN SPANISH ABOUT, 720 00:41:02,493 --> 00:41:04,653 "I'M LUCKY THE COPS ARE COMING," OR SOMETHING, 721 00:41:04,696 --> 00:41:06,095 'CAUSE HE KNEW THAT WE WERE GONNA, 722 00:41:06,097 --> 00:41:08,564 EVERYBODY WAS GONNA FINISH HIM. 723 00:41:08,633 --> 00:41:10,099 Narrator: AFTER MORE THAN A YEAR, 724 00:41:10,101 --> 00:41:12,568 THE MANHUNT IS FINALLY OVER 725 00:41:12,637 --> 00:41:14,470 THANKS TO SOME KEY WITNESSES, 726 00:41:14,539 --> 00:41:15,572 AN ALERT PUBLIC, 727 00:41:15,640 --> 00:41:18,341 AND ONE STRAY FINGERPRINT. 728 00:41:18,409 --> 00:41:19,753 Carrillo: THERE WAS JUBILATION ALL OVER THE COUNTY, 729 00:41:19,777 --> 00:41:23,446 BECAUSE THERE WAS NO LONGER A REASON FOR FEAR. 730 00:41:23,515 --> 00:41:24,647 HE WAS IN CUSTODY. 731 00:41:24,649 --> 00:41:26,716 EVERYBODY WAS HAPPY. 732 00:41:26,784 --> 00:41:28,696 Narrator: POLICE INTERVIEWS WITH RAMIREZ 733 00:41:28,720 --> 00:41:31,521 REVEAL A DISTURBED CHILDHOOD, 734 00:41:31,589 --> 00:41:36,793 WHEN ONE CHILLING INCIDENT MAY HAVE MOLDED THE FUTURE KILLER. 735 00:41:36,861 --> 00:41:39,329 Ramsland: WHEN RAMIREZ WAS 13, 736 00:41:39,397 --> 00:41:43,566 A COUSIN OF HIS PICKED UP A GUN AND SHOT HIS WIFE... 737 00:41:43,634 --> 00:41:45,268 [GUNSHOT] 738 00:41:45,336 --> 00:41:47,470 ...RIGHT IN FRONT OF RAMIREZ. 739 00:41:47,539 --> 00:41:53,676 HE'S SPATTERED, ALMOST BAPTIZED IN THE BLOOD OF A MURDER VICTIM. 740 00:41:53,744 --> 00:41:58,014 Narrator: RAMIREZ TURNS TO DRUGS AND BEGINS TO PRACTICE SATANISM. 741 00:42:00,752 --> 00:42:03,286 HIS OBSESSION WITH SATAN GROWS TO THE POINT 742 00:42:03,354 --> 00:42:05,154 WHERE RAMIREZ BRANDS HIMSELF 743 00:42:05,222 --> 00:42:07,557 WITH ANOTHER KIND OF FINGERPRINT... 744 00:42:07,625 --> 00:42:09,492 A PENTAGRAM. 745 00:42:13,531 --> 00:42:16,399 Ramsland: HE THOUGHT THE MORE HE KILLED PEOPLE, 746 00:42:16,467 --> 00:42:20,369 THE MORE HE WAS SERVING SATAN, AND BEING A GOOD SERVANT, 747 00:42:20,438 --> 00:42:23,639 SATAN WAS NEVER GOING TO LET HIM GET CAUGHT. 748 00:42:23,642 --> 00:42:26,142 Narrator: IN SEPTEMBER OF 1989, 749 00:42:26,210 --> 00:42:28,578 RICHARD RAMIREZ IS TRIED AND CONVICTED 750 00:42:28,646 --> 00:42:32,548 OF 13 COUNTS OF MURDER, FIVE ATTEMPTED MURDERS, 751 00:42:32,617 --> 00:42:36,519 11 SEXUAL ASSAULTS, AND 14 BURGLARIES. 752 00:42:36,587 --> 00:42:39,088 HE IS SENTENCED TO DEATH. 753 00:42:41,192 --> 00:42:45,528 Ramsland: RAMIREZ WAS NOT REMORSEFUL IN ANY WAY. 754 00:42:45,530 --> 00:42:47,530 HE BASICALLY SAID, "BIG DEAL, 755 00:42:47,532 --> 00:42:50,400 DEATH ALWAYS WENT WITH THE TERRITORY." 756 00:42:51,569 --> 00:42:53,513 Narrator: RAMIREZ IS STILL ON DEATH ROW 757 00:42:53,537 --> 00:42:57,073 AWAITING EXECUTION IN SAN QUENTIN PRISON. 758 00:43:00,511 --> 00:43:02,078 FINGERPRINTS HELPED CLOSE THE BOOK 759 00:43:02,080 --> 00:43:03,813 ON THE INFAMOUS NIGHT STALKER. 760 00:43:03,881 --> 00:43:06,616 BUT EVEN IN THE AGE OF DNA PROFILING, 761 00:43:06,618 --> 00:43:09,685 THE CENTURY-OLD TECHNOLOGY OF FINGERPRINTING CRIME SCENES 762 00:43:09,688 --> 00:43:11,754 IS STILL RELEVANT. 763 00:43:11,822 --> 00:43:14,490 LIKE DNA, FINGERPRINTS ARE UTTERLY UNIQUE 764 00:43:14,559 --> 00:43:16,559 TO THE PERSON THEY CAME FROM, 765 00:43:16,627 --> 00:43:18,694 AND THE TECHNOLOGY FOR FINDING THOSE PRINTS 766 00:43:18,763 --> 00:43:21,164 IS GETTING BETTER ALL THE TIME. 767 00:43:21,232 --> 00:43:22,498 Langenburg: IN MORE MODERN TIMES, 768 00:43:22,500 --> 00:43:24,767 WE'VE BEEN MORE EFFICIENT IN HOW WE CAPTURE THEM. 769 00:43:24,836 --> 00:43:27,170 WE USE WHAT'S CALLED ELECTRONIC CAPTURE 770 00:43:27,238 --> 00:43:30,172 TO SCAN THE FINGERPRINTS, DIGITIZE THE FINGERPRINT, 771 00:43:30,241 --> 00:43:32,775 AND STORE IT INTO A REPOSITORY. 772 00:43:32,844 --> 00:43:34,388 Wertheim: IT'S GOTTEN TO THE POINT NOW 773 00:43:34,412 --> 00:43:37,179 WHERE FINGERPRINTS CAN BE CAPTURED DIGITALLY 774 00:43:37,182 --> 00:43:38,648 AT THE SCENE OF A CRIME, 775 00:43:38,716 --> 00:43:41,451 TRANSMITTED DIRECTLY TO THE POLICE DEPARTMENT, 776 00:43:41,519 --> 00:43:43,399 SEARCHED THROUGH AN AFIS DATABASE, 777 00:43:43,454 --> 00:43:46,622 AND IDENTIFIED BEFORE THE CRIME SCENE TECHNICIAN 778 00:43:46,691 --> 00:43:49,258 CAN EVEN PACK HIS FINGERPRINT KIT BACK UP 779 00:43:49,326 --> 00:43:51,327 AND GET BACK TO THE STATION. 780 00:43:53,064 --> 00:43:54,541 Narrator: TODAY'S FINGERPRINT SCANNERS 781 00:43:54,565 --> 00:43:56,485 CAN SEARCH AND COMPARE LATENT PRINTS 782 00:43:56,534 --> 00:43:59,535 MORE EFFECTIVELY THAN EVER BEFORE, 783 00:43:59,603 --> 00:44:02,672 ENHANCING THE CLARITY OF PARTIAL AND SMUDGED PRINTS 784 00:44:02,674 --> 00:44:06,809 TO CREATE CRYSTAL CLEAR DIGITAL IMAGES. 785 00:44:06,878 --> 00:44:09,712 THERE ARE ALSO NEW TECHNIQUES TO HELP POLICE FIND PRINTS 786 00:44:09,780 --> 00:44:12,481 ON SPENT BULLETS AND SHELL CASINGS, 787 00:44:12,550 --> 00:44:15,485 EVEN AFTER THEY'VE BEEN WIPED CLEAN. 788 00:44:15,553 --> 00:44:17,197 THIS TECHNIQUE WORKS BY DETECTING 789 00:44:17,221 --> 00:44:19,722 THE MINUTE TRACES OF CORROSION ON THE METAL 790 00:44:19,790 --> 00:44:22,925 CAUSED BY THE SALT IN THE SWEAT ON FINGERS. 791 00:44:25,096 --> 00:44:27,163 AND THE VERY LATEST TECHNOLOGY, 792 00:44:27,231 --> 00:44:28,631 FINGERPRINT IDENTIFICATION, 793 00:44:28,699 --> 00:44:31,167 WHICH COULD ONCE TAKE MONTHS BY HAND, 794 00:44:31,235 --> 00:44:35,238 CAN NOW BE DONE IN A FRACTION OF THE TIME. 795 00:44:35,306 --> 00:44:37,840 SOON, THE SCIENCE OF FINGERPRINTS WILL BECOME 796 00:44:37,908 --> 00:44:40,576 EVEN MORE SOPHISTICATED. 797 00:44:40,645 --> 00:44:43,345 Vanderkolk: I SEE THE FUTURE MAYBE EXPANDING BEYOND 798 00:44:43,414 --> 00:44:46,182 THE TRADITIONAL RIDGES OF THE PALMS, THE FINGERS. 799 00:44:46,184 --> 00:44:47,583 I SEE MANY MORE EXAMINERS USING 800 00:44:47,651 --> 00:44:49,786 THE CREASES OF THE WRISTS AND THE HAND, 801 00:44:49,854 --> 00:44:52,288 MAYBE THE ELBOW PRINTS, THINGS LIKE THAT. 802 00:44:52,356 --> 00:44:56,692 I SEE MORE SKIN IMPRESSIONS IN THE FUTURE. 803 00:44:56,761 --> 00:44:59,262 Narrator: BUT IT WILL ALWAYS COME BACK TO THIS, 804 00:44:59,330 --> 00:45:01,531 THESE WHORLS OF FLESH, 805 00:45:01,599 --> 00:45:05,501 FASHIONED IN THE WOMB AND CARRIED TO THE GRAVE. 806 00:45:05,569 --> 00:45:08,137 TODAY, EVEN THE SAVVIEST CRIMINALS 807 00:45:08,205 --> 00:45:10,606 STILL LEAVE THEIR FINGERPRINTS BEHIND, 808 00:45:10,675 --> 00:45:13,409 NEVER THINKING TWICE ABOUT CREATING A RECORD 809 00:45:13,411 --> 00:45:17,246 OF WHERE THEY'VE BEEN AND WHO THEY ARE... 810 00:45:18,883 --> 00:45:21,684 ...EVIDENCE THAT FORENSIC SCIENTISTS WILL USE 811 00:45:21,686 --> 00:45:24,186 TO CATCH THEM, 812 00:45:24,255 --> 00:45:27,123 FOR A LONG TIME TO COME. 64286

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