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1
00:00:05,973 --> 00:00:08,874
Narrator: MURDER IS
AS OLD AS TIME...
2
00:00:11,311 --> 00:00:14,613
...AND SO IS THE QUEST
TO FIND THE KILLERS.
3
00:00:18,051 --> 00:00:21,219
WHEN SLEUTHING MEETS SCIENCE,
4
00:00:21,288 --> 00:00:23,622
NEW FORENSIC TOOLS ARE BORN.
5
00:00:25,025 --> 00:00:26,825
IN 1892,
6
00:00:26,893 --> 00:00:29,928
THE HUNT FOR A CHILD KILLER
IN ARGENTINA
7
00:00:29,930 --> 00:00:34,600
FOREVER CHANGES THE WAY
POLICE I.D. KILLERS.
8
00:00:34,668 --> 00:00:36,134
Man: HE WENT TO THE CRIME SCENE
9
00:00:36,203 --> 00:00:38,203
LOOKING FOR ANY EVIDENCE
10
00:00:38,205 --> 00:00:41,106
THAT MIGHT INDICATE
WHAT HAD HAPPENED.
11
00:00:42,543 --> 00:00:44,042
Narrator: THE BREAKTHROUGH...
12
00:00:44,111 --> 00:00:46,845
FINGERPRINT IDENTIFICATION...
13
00:00:46,913 --> 00:00:50,482
A FOOLPROOF METHOD FOR
CONFIRMING A KILLER.
14
00:00:50,551 --> 00:00:53,218
Man: NO TWO PEOPLE HAVE EVER
HAD THE SAME FINGERPRINT.
15
00:00:54,354 --> 00:00:55,465
SO WHAT THEY WERE LOOKING AT
16
00:00:55,489 --> 00:00:57,756
IS THE PATTERN OF WHAT WE CALL
FRICTION RIDGES,
17
00:00:57,824 --> 00:01:00,426
AND THAT'S WHAT ALLOWS US
TO GRASP AND HOLD STUFF.
18
00:01:04,498 --> 00:01:06,765
Narrator: FINGERPRINTS BECOME
THE ULTIMATE EVIDENCE
19
00:01:06,767 --> 00:01:08,434
IN CRIME FIGHTING.
20
00:01:10,504 --> 00:01:11,770
BUT A CENTURY LATER,
21
00:01:11,838 --> 00:01:12,904
THEY'RE THE MISSING LINK
22
00:01:12,907 --> 00:01:16,108
IN A DESPERATE HUNT
FOR A SERIAL KILLER
23
00:01:16,176 --> 00:01:18,610
KNOWN AS THE NIGHT STALKER.
24
00:01:20,147 --> 00:01:22,614
Man: THERE WERE NO FINGERPRINTS
LEFT BEHIND.
25
00:01:22,682 --> 00:01:25,451
AND NOBODY IN CRIMINAL HISTORY
HAD EVER DONE THE THINGS
26
00:01:25,519 --> 00:01:27,986
THAT THIS ONE MAN WAS DOING.
27
00:01:53,780 --> 00:01:55,948
[CAR HORN HONKS]
28
00:01:58,953 --> 00:02:01,253
[HELICOPTER]
29
00:02:06,427 --> 00:02:08,960
Weatherman: CLEAR SKIES TONIGHT
WITH A LOW NEAR 70.
30
00:02:08,963 --> 00:02:10,362
INCREASING CLOUDINESS TOMORROW,
31
00:02:10,430 --> 00:02:14,299
STICKY AND HUMID
WITH A HIGH OF 96.
32
00:02:14,301 --> 00:02:16,702
Narrator: IN THE SPRING OF 1985,
33
00:02:16,770 --> 00:02:21,106
LOS ANGELES IS GRIPPED BY
A BLISTERING HEAT WAVE
34
00:02:21,175 --> 00:02:25,377
AND HELD HOSTAGE BY
A RUTHLESS SERIAL KILLER.
35
00:02:36,590 --> 00:02:38,323
[GUNSHOT]
36
00:02:39,259 --> 00:02:40,926
HE'S JUST STRUCK AGAIN
37
00:02:40,994 --> 00:02:46,164
WITH THE MURDER OF 34-YEAR-OLD
DAYLE OKAZAKI,
38
00:02:46,233 --> 00:02:49,067
SLIPPING IN AND OUT
OF HER HOUSE UNNOTICED,
39
00:02:49,135 --> 00:02:52,738
LIKE THE DARK DISCIPLE
HE BELIEVES HE IS.
40
00:02:54,608 --> 00:02:56,942
THE ONE THING HE'S LEFT BEHIND
41
00:02:57,010 --> 00:02:59,912
IS A DISTURBING
SATANIC SYMBOL.
42
00:03:02,616 --> 00:03:03,726
Katherine Ramsland:
THIS IS A PERSON
43
00:03:03,750 --> 00:03:05,695
WHO SOMEHOW MANAGED
TO GET IN AND OUT
44
00:03:05,719 --> 00:03:09,387
AS IF HE HAD SOME KIND OF
SUPERNATURAL POWER.
45
00:03:09,456 --> 00:03:12,624
HE WAS SKILLED AT
GETTING INTO HOMES,
46
00:03:12,693 --> 00:03:17,662
INCLUDING HOMES THAT
HAD BURGLARY DEVICES,
47
00:03:17,731 --> 00:03:19,698
HOMES WHERE PEOPLE WERE ARMED.
48
00:03:21,235 --> 00:03:23,735
AND PEOPLE WERE VERY SCARED.
49
00:03:25,872 --> 00:03:28,640
Narrator: AND THEY HAVE EVERY
REASON TO BE AFRAID.
50
00:03:30,377 --> 00:03:34,213
IN LESS THAN A YEAR,
HE'S KILLED 12 PEOPLE.
51
00:03:35,582 --> 00:03:37,515
Man: THESE ARE HORRIBLE CRIMES.
52
00:03:37,584 --> 00:03:38,928
Reporter: SOME VICTIMS
HAVE BEEN TORTURED
53
00:03:38,952 --> 00:03:41,419
AND LEFT WITH THEIR HANDS
TIED BEHIND THEIR BACK.
54
00:03:41,488 --> 00:03:42,854
Man: SOME OF THE MOST GROTESQUE
55
00:03:42,922 --> 00:03:44,533
THAT THEY HAVE SEEN
IN THEIR EXPERIENCE.
56
00:03:44,557 --> 00:03:46,658
Ramsland: HE WAS
CERTAINLY ESCALATING.
57
00:03:46,660 --> 00:03:48,927
IT WAS CLEAR THAT IF
THEY DIDN'T STOP HIM,
58
00:03:48,996 --> 00:03:51,930
THESE ATTACKS WERE GOING TO BE
COMING MUCH MORE QUICKLY
59
00:03:51,998 --> 00:03:54,466
AND MUCH MORE
CLOSE TOGETHER.
60
00:03:54,534 --> 00:03:55,778
Narrator: AND WHILE
MOST SERIAL KILLERS
61
00:03:55,802 --> 00:03:58,069
TARGET A SPECIFIC
TYPE OF VICTIM...
62
00:03:58,138 --> 00:03:59,304
[GUNSHOT]
63
00:03:59,372 --> 00:04:02,774
THE NIGHT STALKER IS GIVING
POLICE NO PROFILE.
64
00:04:04,144 --> 00:04:06,611
Gil Carrillo:
HE WAS HITTING AT RANDOM.
65
00:04:06,680 --> 00:04:09,615
UNLIKE OTHER SERIAL KILLERS THAT
HIT A SPECIFIC TYPE PERSON
66
00:04:09,683 --> 00:04:11,049
OR CERTAIN LOCATION,
67
00:04:11,117 --> 00:04:12,951
HE WAS HITTING ALL OVER.
68
00:04:13,020 --> 00:04:16,121
AND THERE WAS CERTAINLY CONCERN
FOR EVERYONE.
69
00:04:20,694 --> 00:04:22,828
Narrator: POLICE HAVE
LITTLE TO GO ON.
70
00:04:25,232 --> 00:04:28,900
THE NIGHT STALKER IS AN EXPERT
AT COVERING HIS TRACKS.
71
00:04:33,540 --> 00:04:38,276
Ramsland: THIS WAS A PERSON
WHO WAS CLEARLY ORGANIZED.
72
00:04:38,345 --> 00:04:40,912
Narrator: HE HASN'T LEFT
A DROP OF BLOOD, A HAIR,
73
00:04:40,980 --> 00:04:44,383
OR ANY OTHER CLUE
AT ANY OF THE CRIME SCENES.
74
00:04:45,652 --> 00:04:48,119
BUT WHAT POLICE ARE
MOST DESPERATE TO FIND
75
00:04:48,188 --> 00:04:51,389
IS THE ONE PIECE OF EVIDENCE
THAT COULD ALMOST SURELY REVEAL
76
00:04:51,392 --> 00:04:53,892
THE NIGHT STALKER'S IDENTITY...
77
00:04:56,597 --> 00:04:58,497
A FINGERPRINT.
78
00:05:03,002 --> 00:05:04,469
FOR NEARLY A CENTURY,
79
00:05:04,538 --> 00:05:06,705
FINGERPRINTS HAVE BEEN
THE GOLD STANDARD
80
00:05:06,773 --> 00:05:08,740
OF FORENSIC SCIENCE,
81
00:05:08,742 --> 00:05:10,542
AND FOR GOOD REASON.
82
00:05:12,245 --> 00:05:14,223
FINGERPRINTS ARE ONE OF
THE EARLIEST FEATURES
83
00:05:14,247 --> 00:05:16,782
TO DEVELOP INSIDE THE WOMB.
84
00:05:18,485 --> 00:05:22,087
THE PRESSURE OF AMNIOTIC FLUID
ACROSS THE SURFACE OF THE HANDS
85
00:05:22,155 --> 00:05:24,155
AND THE GROWTH RATE
OF THE FINGERS
86
00:05:24,224 --> 00:05:28,160
INFLUENCES THE FORMATION OF
PATTERNS ON THE FINGERTIPS.
87
00:05:29,896 --> 00:05:32,631
AND WITH SO MANY
FACTORS IN PLAY...
88
00:05:34,301 --> 00:05:36,835
EVERYONE'S PRINTS ARE UNIQUE...
89
00:05:36,903 --> 00:05:38,948
Girls: DOUBLE, DOUBLE,
APPLE, APPLE, DOUBLE, DOUBLE...
90
00:05:38,972 --> 00:05:41,439
Narrator: ...EVEN THOSE
OF IDENTICAL TWINS.
91
00:05:41,442 --> 00:05:43,322
Girls: DOUBLE, DOUBLE,
APPLESAUCE.
92
00:05:45,045 --> 00:05:46,378
Narrator: FINGERPRINTS LOCK IN
93
00:05:46,446 --> 00:05:49,314
AT ABOUT THE 24th WEEK
OF DEVELOPMENT.
94
00:05:49,316 --> 00:05:53,385
AND WHILE THIS PATTERN OF HILLS
AND VALLEYS GROWS OVER TIME,
95
00:05:53,453 --> 00:05:58,456
THE SHAPE ITSELF STAYS THE SAME
FROM CRADLE TO GRAVE.
96
00:05:58,525 --> 00:06:00,605
WHILE THAT CONSISTENCY
HAS MADE FINGERPRINTS
97
00:06:00,660 --> 00:06:02,794
A KEY TOOL FOR LAW ENFORCEMENT,
98
00:06:02,863 --> 00:06:07,332
THEIR ACTUAL EVOLUTIONARY
PURPOSE IS FAR MORE BASIC...
99
00:06:07,334 --> 00:06:09,534
TO HELP US GRAB OBJECTS.
100
00:06:09,602 --> 00:06:10,847
John Vanderkolk:
THE FUNCTION THEY SERVE
101
00:06:10,871 --> 00:06:12,937
IS SO WE CAN PICK UP THINGS.
102
00:06:12,940 --> 00:06:15,340
THE FRICTION OF
THE THREE-DIMENSIONAL RIDGES
103
00:06:15,342 --> 00:06:17,743
ENABLES US TO EASILY
PICK THINGS UP.
104
00:06:17,811 --> 00:06:19,889
Narrator: AND WHEN THESE
BUMPY RIDGES ON OUR FINGERS
105
00:06:19,913 --> 00:06:22,347
MAKE CONTACT WITH SOMETHING,
106
00:06:22,415 --> 00:06:24,750
THEY LEAVE A LASTING IMPRESSION.
107
00:06:27,888 --> 00:06:31,590
FINGERPRINTS HAVE FASCINATED
PEOPLE FOR CENTURIES.
108
00:06:35,962 --> 00:06:38,963
AS EARLY AS THE YEAR 220 B.C.,
109
00:06:38,966 --> 00:06:41,232
THE ANCIENT CHINESE
USED FINGERPRINTS
110
00:06:41,235 --> 00:06:43,701
TO SIGN LEGAL DOCUMENTS,
111
00:06:43,770 --> 00:06:48,907
WITHOUT REALIZING HOW INDIVIDUAL
THESE MARKS TRULY WERE.
112
00:06:48,975 --> 00:06:52,644
THAT BREAKTHROUGH WOULDN'T COME
FOR MORE THAN A THOUSAND YEARS.
113
00:06:54,047 --> 00:06:57,749
IN 1684, ENGLISH PHYSICIAN
NEHEMIAH GREW
114
00:06:57,817 --> 00:07:00,185
LECTURED ABOUT THE FIRST
SCIENTIFIC ANALYSIS
115
00:07:00,253 --> 00:07:03,555
OF THE RIDGES THAT APPEAR
IN THE FINGERS AND PALMS.
116
00:07:05,024 --> 00:07:07,926
100 YEARS LATER, IN 1788,
117
00:07:07,928 --> 00:07:10,295
THE GERMAN ANATOMIST
JOHANN MAYER
118
00:07:10,363 --> 00:07:11,930
WENT ONE STEP FURTHER,
119
00:07:11,932 --> 00:07:15,967
DECLARING THAT NO TWO PEOPLE
HAVE THE SAME FINGERPRINTS.
120
00:07:17,271 --> 00:07:19,805
BUT IT WASN'T UNTIL
THE LATE 19th CENTURY
121
00:07:19,873 --> 00:07:21,372
THAT THE SCIENCE OF FINGERPRINTS
122
00:07:21,441 --> 00:07:24,476
WOULD PLAY A CENTRAL ROLE
IN A CRIMINAL INVESTIGATION
123
00:07:24,478 --> 00:07:26,645
FOR THE VERY FIRST TIME.
124
00:07:31,151 --> 00:07:33,552
JUNE 1892.
125
00:07:33,620 --> 00:07:38,356
THE VILLAGE OF NECOCHEA,
NEAR BUENOS AIRES, ARGENTINA.
126
00:07:38,425 --> 00:07:42,060
POLICE ARE CALLED TO THE HOME
OF A YOUNG MOTHER.
127
00:07:42,128 --> 00:07:45,697
A TERRIBLE TRAGEDY
HAS TAKEN PLACE.
128
00:07:45,765 --> 00:07:48,833
D.P. Lyle: FRANCISCA ROJAS
HAD TWO CHILDREN.
129
00:07:48,902 --> 00:07:54,172
SHE SAID THAT SHE CAME HOME FROM
WORK AND SAW A MAN LEAVING,
130
00:07:54,240 --> 00:07:57,776
WENT INSIDE, AND FOUND
HER TWO CHILDREN WERE KILLED.
131
00:08:00,046 --> 00:08:02,447
Narrator: AND FRANCISCA ROJAS
TELLS POLICE
132
00:08:02,515 --> 00:08:06,584
SHE KNOWS EXACTLY
WHO THE MAN WAS...
133
00:08:06,653 --> 00:08:10,121
HER LOVER, PEDRO VELASQUEZ.
134
00:08:10,190 --> 00:08:12,357
Lyle: SHE BASICALLY SAID
135
00:08:12,425 --> 00:08:14,392
THAT VELASQUEZ
HAD IT IN FOR HER,
136
00:08:14,394 --> 00:08:17,795
THAT HE HAD THREATENED
TO KILL HER CHILDREN
137
00:08:17,864 --> 00:08:19,998
IF SHE DIDN'T MARRY HIM.
138
00:08:22,268 --> 00:08:26,004
Narrator: POLICE WASTE NO TIME
IN TRACKING DOWN VELASQUEZ.
139
00:08:28,174 --> 00:08:30,074
AND IN THIS ERA,
140
00:08:30,143 --> 00:08:34,079
THERE'S ONE TRIED AND TRUE
METHOD FOR CLOSING A CASE...
141
00:08:40,053 --> 00:08:43,922
...WORK THE SUSPECT OVER
UNTIL HE CONFESSES.
142
00:08:45,559 --> 00:08:48,960
Lyle: AND THE QUESTIONS
APPARENTLY WEREN'T VERY POLITE.
143
00:08:48,962 --> 00:08:50,962
THEY BEAT ON HIM.
144
00:08:53,633 --> 00:08:56,367
THEY TORTURED HIM.
145
00:08:56,436 --> 00:08:58,803
THAT WAS KIND OF THE,
GENERALLY, THE WAY IT WAS.
146
00:08:58,871 --> 00:09:00,104
Narrator: FOR THREE DAYS,
147
00:09:00,173 --> 00:09:04,409
VELASQUEZ TAKES THE WORST
THAT POLICE DISH OUT.
148
00:09:04,477 --> 00:09:06,578
Lyle: THEY EVEN
WATERBOARDED HIM.
149
00:09:06,580 --> 00:09:08,057
THERE'S A THING
THEY CALL SUBMARINING,
150
00:09:08,081 --> 00:09:10,649
WHERE THEY WOULD STICK YOU
UNDER THE WATER.
151
00:09:12,218 --> 00:09:15,487
AND STILL HE WOULD NOT
CONFESS TO THIS CRIME.
152
00:09:19,692 --> 00:09:21,459
Narrator: NOT EVEN CLOSE.
153
00:09:22,796 --> 00:09:26,197
WHICH LEAVES INSPECTOR
EDUARDO ALVAREZ WONDERING,
154
00:09:26,266 --> 00:09:28,566
WHAT IF THERE'S SOME OTHER WAY
TO DETERMINE
155
00:09:28,635 --> 00:09:31,135
WHETHER VELASQUEZ IS GUILTY...
156
00:09:31,138 --> 00:09:32,971
OR NOT?
157
00:09:33,039 --> 00:09:35,941
Lyle: HE DIDN'T LIKE THAT TYPE
OF INTERROGATION,
158
00:09:36,009 --> 00:09:38,076
HE DIDN'T THINK
IT WAS WORTHWHILE.
159
00:09:38,144 --> 00:09:40,311
AND HE WAS LOOKING
FOR SOME OTHER METHOD
160
00:09:40,380 --> 00:09:42,747
TO PROVE OR DISPROVE
161
00:09:42,749 --> 00:09:46,418
THAT DOESN'T REQUIRE HITTING
SOMEBODY IN THE HEAD.
162
00:09:53,694 --> 00:09:55,704
Pat Wertheim: ALVAREZ WENT
TO THE CRIME SCENE,
163
00:09:55,728 --> 00:09:57,695
LOOKING FOR ANY EVIDENCE
164
00:09:57,698 --> 00:10:01,166
THAT MIGHT INDICATE
WHAT HAD HAPPENED.
165
00:10:01,234 --> 00:10:03,702
Narrator: HE SEARCHES
THE CRAMPED LIVING QUARTERS,
166
00:10:03,770 --> 00:10:07,639
LOOKING FOR ANY CLUE THAT
POLICE MAY HAVE OVERLOOKED.
167
00:10:14,848 --> 00:10:16,681
HE FINDS NOTHING.
168
00:10:18,184 --> 00:10:19,851
UNTIL...
169
00:10:19,853 --> 00:10:23,421
HIS EYES ARE DRAWN
TO THE FRAME OF THE DOOR.
170
00:10:26,459 --> 00:10:29,527
Lyle: WHAT HE FOUND WAS
A BLOODY FINGERPRINT.
171
00:10:38,005 --> 00:10:39,170
HE HAD TALKED WITH ROJAS,
172
00:10:39,238 --> 00:10:41,117
AND SHE HAD SAID THAT
WHEN SHE CAME THERE
173
00:10:41,141 --> 00:10:42,007
AND FOUND HER CHILDREN,
174
00:10:42,075 --> 00:10:43,675
SHE DID NOT TOUCH THE CHILDREN,
175
00:10:43,743 --> 00:10:45,254
SHE DIDN'T TOUCH
ANYTHING IN THE HOUSE,
176
00:10:45,278 --> 00:10:46,811
SHE JUST FLED.
177
00:10:46,880 --> 00:10:49,347
Narrator: WHICH CAN ONLY MEAN
ONE THING...
178
00:10:49,416 --> 00:10:53,151
Lyle: WHOEVER LEFT THIS PRINT
WAS PROBABLY THE KILLER.
179
00:10:53,219 --> 00:10:58,156
Narrator: ALVAREZ IS NO
ANATOMY EXPERT, BUT HE WONDERS,
180
00:10:58,158 --> 00:11:02,093
COULD HE MATCH THIS FINGERPRINT
TO THE SUSPECT'S HAND?
181
00:11:02,161 --> 00:11:03,561
IT'S A REVOLUTIONARY IDEA.
182
00:11:03,629 --> 00:11:05,196
AND AT THIS MOMENT,
183
00:11:05,264 --> 00:11:08,400
IT'S IMPOSSIBLE TO KNOW
IF IT WILL EVEN WORK.
184
00:11:10,203 --> 00:11:12,147
Wertheim: THERE WEREN'T
ANY DEVELOPMENT TECHNIQUES,
185
00:11:12,171 --> 00:11:17,075
NO DUSTING, NO FINGERPRINT
CAMERAS LIKE WE HAVE TODAY.
186
00:11:17,143 --> 00:11:20,411
AND SO HE DID THE BEST THING
THAT HE COULD...
187
00:11:20,480 --> 00:11:23,314
HE CUT THE DOORFRAME OUT.
188
00:11:23,382 --> 00:11:25,784
Narrator: COMPARING
A FINGERPRINT FROM A CRIME SCENE
189
00:11:25,852 --> 00:11:28,386
TO THAT OF A SUSPECT
IN POLICE CUSTODY
190
00:11:28,454 --> 00:11:30,922
HAD NEVER BEEN DONE BEFORE...
191
00:11:30,990 --> 00:11:35,393
A REVOLUTIONARY IDEA WITH
A SURPRISING OUTCOME.
192
00:11:38,631 --> 00:11:40,698
IN 19th CENTURY ARGENTINA,
193
00:11:40,767 --> 00:11:43,535
INSPECTOR EDUARDO ALVAREZ
IS PUSHING THE LIMITS
194
00:11:43,603 --> 00:11:46,437
OF FORENSIC SCIENCE.
195
00:11:46,506 --> 00:11:47,805
HE HOPES TO PROVE
196
00:11:47,808 --> 00:11:50,942
WHETHER A MAN SUSPECTED OF
MURDERING TWO YOUNG CHILDREN
197
00:11:51,010 --> 00:11:53,478
IS GUILTY OR NOT.
198
00:11:55,348 --> 00:11:56,681
AND HE'S GOING TO DO IT IN A WAY
199
00:11:56,749 --> 00:11:59,384
THAT NO ONE'S EVER
DONE BEFORE...
200
00:12:01,187 --> 00:12:05,123
...BY USING A BLOODY FINGERPRINT
LEFT AT THE CRIME SCENE.
201
00:12:07,160 --> 00:12:09,961
Lyle: HE REALIZED THAT WHOEVER
LEFT THIS PRINT THERE
202
00:12:09,963 --> 00:12:12,296
WAS THE KILLER,
203
00:12:12,365 --> 00:12:14,109
BECAUSE NO ONE HAD
TOUCHED THE BODIES
204
00:12:14,133 --> 00:12:16,467
AND THE BLOOD AFTERWARDS.
205
00:12:16,536 --> 00:12:18,614
Narrator: WHILE ALVAREZ
HAD THE CRITICAL INSIGHT
206
00:12:18,638 --> 00:12:20,705
THAT THIS COULD BE POSSIBLE,
207
00:12:20,773 --> 00:12:22,551
HE DOES NOT HAVE
THE SCIENCE BACKGROUND
208
00:12:22,575 --> 00:12:25,309
TO TEST HIS THEORY.
209
00:12:25,312 --> 00:12:28,579
FORTUNATELY,
HE KNOWS SOMEONE WHO DOES...
210
00:12:28,648 --> 00:12:32,183
HIS FRIEND AND MENTOR,
JUAN VUCETICH.
211
00:12:32,251 --> 00:12:33,462
Lyle: VUCETICH WAS
AN INTERESTING GUY,
212
00:12:33,486 --> 00:12:35,030
BECAUSE HE WAS NOT ONLY
A POLICE OFFICER,
213
00:12:35,054 --> 00:12:36,454
HE WAS AN ANTHROPOLOGIST.
214
00:12:36,522 --> 00:12:37,822
SO HE WAS KIND OF AT THE NEXUS
215
00:12:37,890 --> 00:12:40,291
BETWEEN LAW ENFORCEMENT
AND SCIENCE.
216
00:12:42,662 --> 00:12:46,164
Narrator: VUCETICH HAD BEEN
STUDYING FINGERPRINTS FOR YEARS.
217
00:12:47,934 --> 00:12:50,334
Lyle: HE HAD UNDERSTOOD
THAT THEY WERE INDIVIDUAL,
218
00:12:50,403 --> 00:12:51,781
THAT THEY DIDN'T CHANGE
THROUGH LIFE,
219
00:12:51,805 --> 00:12:55,607
THAT THEY WERE VALUABLE PIECES
OF INFORMATION FOR IDENTITY.
220
00:12:57,677 --> 00:12:59,944
Narrator: BUT THIS WAS
SCIENTIFIC RESEARCH,
221
00:13:00,012 --> 00:13:02,680
NOT DETECTIVE WORK.
222
00:13:02,749 --> 00:13:05,316
Wertheim: THE POSSIBILITY HAD
BEEN DISCUSSED HYPOTHETICALLY
223
00:13:05,384 --> 00:13:06,651
IN THE LITERATURE.
224
00:13:06,719 --> 00:13:08,686
HOWEVER, AT THAT POINT,
225
00:13:08,688 --> 00:13:13,224
FINGERPRINTS HAD NEVER BEEN USED
BEFORE TO IDENTIFY A CRIMINAL.
226
00:13:13,226 --> 00:13:14,970
Narrator:
AND THERE'S A PROBLEM...
227
00:13:14,994 --> 00:13:19,330
AT THIS TIME, NO TOOLS EXIST
TO DO THIS TASK.
228
00:13:19,398 --> 00:13:21,966
THERE'S NO ESTABLISHED
METHODOLOGY,
229
00:13:22,034 --> 00:13:24,202
NO EXAMPLE TO FOLLOW.
230
00:13:26,205 --> 00:13:28,125
THE MODERN METHOD
FOR LIFTING PRINTS
231
00:13:28,174 --> 00:13:30,875
WAS DEVELOPED IN
THE EARLY 20th CENTURY.
232
00:13:32,311 --> 00:13:35,379
THAT'S WHEN DETECTIVES
BEGAN TO USE BLACK POWDER,
233
00:13:35,382 --> 00:13:38,850
A POLYMER THAT STICKS TO
THE OILS LEFT BY THE FINGERS,
234
00:13:38,918 --> 00:13:42,420
BRINGING OUT THE FINER DETAILS
OF A PRINT.
235
00:13:42,488 --> 00:13:45,389
THIS IMPRESSION COULD THEN BE
COPIED ONTO A PIECE OF TAPE
236
00:13:45,392 --> 00:13:48,025
AND ANALYZED IN A LAB.
237
00:13:48,094 --> 00:13:50,929
IT'S A TECHNIQUE
THAT'S STILL USED TODAY.
238
00:13:55,701 --> 00:13:58,336
BUT BACK THEN,
ALVAREZ HAS ONLY ONE WAY
239
00:13:58,404 --> 00:14:01,205
TO USE THE PRINT AS EVIDENCE.
240
00:14:01,274 --> 00:14:04,041
THAT'S TO TAKE IT WITH HIM...
241
00:14:04,110 --> 00:14:05,677
LITERALLY.
242
00:14:08,281 --> 00:14:12,217
THE NEXT STEP IS TO TAKE A COPY
OF THE SUSPECT'S FINGERPRINTS
243
00:14:12,285 --> 00:14:14,819
THE ONLY WAY THEY KNOW HOW.
244
00:14:18,291 --> 00:14:21,259
Wertheim: THE METHOD USED TO
TAKE THE INKED FINGERPRINTS,
245
00:14:21,327 --> 00:14:23,361
FUNDAMENTALLY THE SAME
AS WE USE TODAY...
246
00:14:23,429 --> 00:14:24,629
A THIN FILM OF INK,
247
00:14:24,631 --> 00:14:27,431
THE FINGER ROLLED ACROSS
THE INKED SURFACE,
248
00:14:27,434 --> 00:14:29,567
AND THEN ROLLED ONTO
A PIECE OF PAPER
249
00:14:29,569 --> 00:14:32,837
WITH BOXES FOR EACH FINGER
SEPARATELY.
250
00:14:35,074 --> 00:14:36,641
Lyle: THEY TOOK ALL 10 DIGITS.
251
00:14:36,709 --> 00:14:38,609
WELL, ONLY ONE WAS IN PLAY,
252
00:14:38,678 --> 00:14:41,479
BECAUSE THEY HAD
A SINGLE FINGERPRINT.
253
00:14:42,648 --> 00:14:43,948
SO WHAT THEY DO IS COMPARE IT
254
00:14:44,016 --> 00:14:48,386
WITH THE PRINT THAT WAS LEFT
IN BLOOD ON THE DOORJAMB.
255
00:14:49,989 --> 00:14:54,659
Narrator: BUT HOW WILL THEY KNOW
FOR SURE IF THE PRINTS MATCH UP?
256
00:14:54,727 --> 00:14:56,193
Lyle: WHAT THEY WERE LOOKING AT
257
00:14:56,262 --> 00:14:58,262
IS THE PATTERN OF WHAT WE CALL
FRICTION RIDGES,
258
00:14:58,265 --> 00:15:00,731
AND THAT'S WHAT ALLOWS US
TO GRASP AND HOLD STUFF.
259
00:15:00,800 --> 00:15:04,101
Narrator: BUT THE ARRANGEMENT OF
THE FRICTION RIDGES IS COMPLEX.
260
00:15:04,170 --> 00:15:08,539
THERE ARE ALL KINDS OF LINES
AND CIRCLES AND DOTS.
261
00:15:08,608 --> 00:15:10,341
SO VUCETICH COMES UP WITH A WAY
262
00:15:10,409 --> 00:15:13,945
TO SIMPLIFY THE CLASSIFICATION
OF FINGERPRINTS,
263
00:15:14,013 --> 00:15:16,614
A METHOD THAT'S STILL
IN USE TODAY.
264
00:15:18,285 --> 00:15:23,187
EACH FINGERPRINT IS DOMINATED BY
ONE OF THREE PRIMARY PATTERNS.
265
00:15:24,457 --> 00:15:28,492
THE FIRST IS AN ARCH,
WHICH IS LIKE A TENT.
266
00:15:28,561 --> 00:15:32,763
THE SECOND IS A LOOP,
LIKE ONE MADE WITH A SHOESTRING.
267
00:15:32,832 --> 00:15:38,035
AND THE THIRD IS CALLED A WHORL,
WHICH LOOKS LIKE A WHIRLPOOL.
268
00:15:38,038 --> 00:15:41,973
VUCETICH PROPOSED USING THESE
PATTERNS AS A SORTING TOOL.
269
00:15:42,041 --> 00:15:44,442
IF TWO PRINTS PROVE TO BE
DIFFERENT TYPES,
270
00:15:44,444 --> 00:15:47,211
THERE'S NO NEED
TO LOOK ANY FURTHER.
271
00:15:47,279 --> 00:15:49,380
BUT IF THEY'RE IN
THE SAME CATEGORY,
272
00:15:49,449 --> 00:15:51,849
THEN THEY'RE WORTH
A CLOSER LOOK.
273
00:15:53,552 --> 00:15:54,785
AND IN THIS CASE,
274
00:15:54,854 --> 00:15:57,188
THE BLOODY PRINT
AND VELAZQUEZ'S PRINT
275
00:15:57,256 --> 00:15:59,090
ARE BOTH ARCHES.
276
00:16:00,860 --> 00:16:02,994
SO VUCETICH GOES A STEP FURTHER
277
00:16:02,996 --> 00:16:06,430
AND BEGINS TO HONE IN
ON THE SMALLER DETAILS.
278
00:16:09,469 --> 00:16:11,802
Wertheim: YOU LOOK AT
THE INDIVIDUAL POINTS,
279
00:16:11,805 --> 00:16:14,305
THE ENDING RIDGES,
THE SPLITTING RIDGES,
280
00:16:14,373 --> 00:16:16,941
THE DOTS THAT APPEAR.
281
00:16:17,009 --> 00:16:18,353
Narrator: RIDGE ENDINGS
ARE PLACES
282
00:16:18,377 --> 00:16:20,411
WHERE THE RIDGES START AND STOP
283
00:16:20,479 --> 00:16:23,247
AS THEY FLOW THROUGH
THE PATTERN.
284
00:16:23,315 --> 00:16:26,450
IN OTHER PLACES,
A RIDGE WILL SPLIT IN TWO,
285
00:16:26,519 --> 00:16:30,221
ALSO KNOWN AS A BIFURCATION.
286
00:16:30,223 --> 00:16:31,956
A DOT IS A RIDGE
287
00:16:32,025 --> 00:16:35,760
THAT IS AS LONG
AS IT IS WIDE.
288
00:16:35,828 --> 00:16:38,829
THE UNIQUE ARRANGEMENT OF
THESE RIDGE CHARACTERISTICS
289
00:16:38,898 --> 00:16:42,133
CLEARLY DISTINGUISHES
ONE PRINT FROM ANOTHER.
290
00:16:44,504 --> 00:16:47,839
VUCETICH SPENDS HOURS
STUDYING THE TWO PRINTS,
291
00:16:47,907 --> 00:16:49,540
RIDGE BY RIDGE,
292
00:16:49,608 --> 00:16:54,912
TRYING TO MATCH DOTS,
BIFURCATIONS AND RIDGE ENDINGS.
293
00:16:54,981 --> 00:16:56,625
HE'S LOOKING FOR THESE
CHARACTERISTICS
294
00:16:56,649 --> 00:16:59,317
TO MATCH UP IN
THE SAME LOCATION
295
00:16:59,385 --> 00:17:01,719
AND IN THE SAME ARRANGEMENT.
296
00:17:01,721 --> 00:17:03,254
BUT, THE MORE HE LOOKS,
297
00:17:03,322 --> 00:17:08,026
THE MORE HE REALIZES
THE FINGERPRINTS DON'T MATCH.
298
00:17:09,328 --> 00:17:10,505
Wertheim: THIS FINGERPRINT
IN BLOOD
299
00:17:10,529 --> 00:17:13,164
WAS NOT VELASQUEZ'S FINGERPRINT.
300
00:17:18,805 --> 00:17:21,605
Lyle: WELL, IF IT WASN'T
HIS PRINT THERE IN THE BLOOD,
301
00:17:21,608 --> 00:17:25,042
THERE WAS NOTHING ELSE TO
TIE HIM TO THAT CRIME SCENE.
302
00:17:25,111 --> 00:17:27,178
Narrator:
THE POLICE ARE STUNNED.
303
00:17:27,246 --> 00:17:30,548
IF THE PRINT WASN'T LEFT THERE
BY PEDRO VELASQUEZ,
304
00:17:30,550 --> 00:17:32,550
THEN WHOSE IS IT?
305
00:17:39,892 --> 00:17:43,861
BY 1985, FINGERPRINTS ARE
A TRIED AND TRUE METHOD
306
00:17:43,929 --> 00:17:46,297
FOR IDENTIFYING KILLERS.
307
00:17:46,365 --> 00:17:49,333
AND FOR THE DETECTIVES ON
THE TRAIL OF THE NIGHT STALKER,
308
00:17:49,401 --> 00:17:53,037
IT'S THE MOST POWERFUL TOOL
IN THEIR FORENSIC ARSENAL.
309
00:17:55,141 --> 00:17:58,275
THE KILLER HAS LEFT BEHIND
A LONG TRAIL OF VICTIMS
310
00:17:58,344 --> 00:18:00,644
ALL ACROSS LOS ANGELES.
311
00:18:00,713 --> 00:18:05,316
HE'S ATTACKED 23 PEOPLE,
KILLING 13.
312
00:18:05,384 --> 00:18:08,086
BUT TEN ESCAPED
WITH THEIR LIVES.
313
00:18:12,091 --> 00:18:17,261
AND THOSE SURVIVORS HELPED
POLICE TO CREATE A SKETCH.
314
00:18:17,263 --> 00:18:19,730
THE MONSTER KNOWN AS
THE NIGHT STALKER
315
00:18:19,798 --> 00:18:22,600
FINALLY HAS A FACE.
316
00:18:22,668 --> 00:18:25,002
Ramsland: HE WAS A TALL,
WIRY GUY
317
00:18:25,071 --> 00:18:29,340
WITH LONGISH, DARK HAIR
AND BAD TEETH,
318
00:18:29,408 --> 00:18:33,010
THAT WAS THE ONE THING PEOPLE
REMEMBERED ABOUT HIM.
319
00:18:33,079 --> 00:18:37,548
Narrator: BUT HE STILL HASN'T
LEFT BEHIND A SINGLE PRINT.
320
00:18:37,617 --> 00:18:39,884
AND EVEN IF POLICE
DO GET A PRINT,
321
00:18:39,952 --> 00:18:41,085
IT COULD TAKE MONTHS
322
00:18:41,153 --> 00:18:44,222
TO COMPARE IT TO EVERY SINGLE
PRINT ON FILE.
323
00:18:47,894 --> 00:18:49,293
THEN IN MID-AUGUST,
324
00:18:49,362 --> 00:18:52,864
AN ELDERLY MAN IS SHOT TO DEATH
IN SAN FRANCISCO.
325
00:18:54,266 --> 00:18:57,034
THE MAN'S WIFE SURVIVES
A VICIOUS BEATING,
326
00:18:57,036 --> 00:19:00,070
AND WHEN THE VICTIM SEES
A SKETCH OF THE NIGHT STALKER,
327
00:19:00,139 --> 00:19:03,574
SHE POSITIVELY I.D.s HIM
AS HER ATTACKER.
328
00:19:05,311 --> 00:19:08,679
THE NIGHT STALKER IS
EXPANDING HIS KILL ZONE.
329
00:19:13,519 --> 00:19:17,455
NOW THE ENTIRE STATE OF
CALIFORNIA IS ON HIGH ALERT.
330
00:19:20,726 --> 00:19:23,861
INVESTIGATORS PORE OVER
EVERY CRIME SCENE,
331
00:19:23,863 --> 00:19:26,730
LOOKING FOR FRESH CLUES.
332
00:19:26,799 --> 00:19:30,467
UNTIL NOW, THE NIGHT STALKER
HAS BEEN LUCKY.
333
00:19:30,536 --> 00:19:33,738
BUT HIS NEXT ATTACK
WILL CHANGE EVERYTHING.
334
00:19:36,543 --> 00:19:41,078
AUGUST 25th, THE HOME OF
BILL CARNS AND RENATA GUNTHER,
335
00:19:41,147 --> 00:19:43,981
JUST SOUTH OF LOS ANGELES.
336
00:19:44,049 --> 00:19:46,550
THEY'RE GETTING READY
FOR A NIGHT OUT.
337
00:19:46,553 --> 00:19:48,786
THE NIGHT STALKER
REMOVES A WINDOW SCREEN
338
00:19:48,854 --> 00:19:50,754
AND SLIPS INTO THE HOUSE,
339
00:19:50,823 --> 00:19:53,891
CLOSING IN ON
THE UNSUSPECTING COUPLE.
340
00:19:53,893 --> 00:19:55,626
[GUNSHOT]
341
00:19:55,628 --> 00:19:58,696
THE KILLER SHOOTS
BILL IN THE HEAD.
342
00:19:58,764 --> 00:20:01,999
THEN HE TURNS HIS ATTENTION
TO RENATA,
343
00:20:02,067 --> 00:20:04,802
ORDERING HER TO SAY
THAT SHE LOVES SATAN
344
00:20:04,870 --> 00:20:07,538
BEFORE SEXUALLY ASSAULTING HER.
345
00:20:13,980 --> 00:20:16,581
Carrillo: HE LEFT THEM FOR DEAD,
BUT NEITHER ONE OF THEM DIED.
346
00:20:16,649 --> 00:20:19,116
Narrator: THE NIGHT STALKER
FLEES WITH A WAD OF CASH
347
00:20:19,118 --> 00:20:21,218
AND A HANDFUL OF JEWELRY.
348
00:20:21,287 --> 00:20:24,322
RENATA IS TIED UP,
BUT STILL CONSCIOUS.
349
00:20:24,390 --> 00:20:26,657
AND HER ATTACKER'S
PARTING WORDS ARE,
350
00:20:26,725 --> 00:20:29,393
"TELL THEM THE NIGHT STALKER
WAS HERE."
351
00:20:29,462 --> 00:20:31,495
BUT SHE'S GOING TO BE ABLE
TO TELL POLICE
352
00:20:31,563 --> 00:20:33,864
SOMETHING MUCH MORE CRITICAL.
353
00:20:33,932 --> 00:20:36,066
Ramsland: SHE MANAGED
TO GET TO A WINDOW
354
00:20:36,069 --> 00:20:39,103
TO SEE WHAT HE WAS DRIVING.
355
00:20:39,171 --> 00:20:41,905
Carrillo: THERE WAS A COLOR AND
A MAKE AND MODEL OF THE VEHICLE
356
00:20:41,974 --> 00:20:43,708
WITH A LICENSE PLATE NUMBER.
357
00:20:46,679 --> 00:20:49,613
WE HAD PUT OUT
THAT INFORMATION PUBLICLY
358
00:20:49,682 --> 00:20:52,917
THAT WE WERE LOOKING FOR A CAR,
THAT PARTICULAR CAR.
359
00:20:54,386 --> 00:20:57,688
Narrator: TWO DAYS LATER,
POLICE CATCH A HUGE BREAK.
360
00:21:02,795 --> 00:21:05,830
Carrillo: HE DUMPED THE CAR IN
CENTER OF DOWNTOWN LOS ANGELES.
361
00:21:05,898 --> 00:21:07,364
IT WAS ON A STREET,
362
00:21:07,433 --> 00:21:09,300
AND IT WAS FOUND
BY A PATROL VEHICLE.
363
00:21:09,302 --> 00:21:11,969
THEY CALLED IT IN,
AND THERE IT WAS.
364
00:21:11,971 --> 00:21:15,273
Narrator: SUDDENLY,
THE INVESTIGATION HAS NEW LIFE.
365
00:21:16,675 --> 00:21:18,242
Carrillo: HE HAD NOT LEFT PRINTS
366
00:21:18,244 --> 00:21:22,246
AT ANY OF THE OTHER
MURDER LOCATIONS
367
00:21:22,315 --> 00:21:23,881
THAT WE HAD BEEN TO.
368
00:21:26,118 --> 00:21:28,252
Narrator: BUT THIS
COULD BE DIFFERENT.
369
00:21:28,254 --> 00:21:31,388
WHEN INVESTIGATORS START
SEARCHING THE CAR FOR PRINTS,
370
00:21:31,457 --> 00:21:35,326
THEY ARE LOOKING FOR
TWO POSSIBILITIES...
371
00:21:35,394 --> 00:21:38,128
VISIBLE PRINTS,
KNOWN AS PATENT PRINTS,
372
00:21:38,131 --> 00:21:40,597
SHOW UP EASILY IF A FINGER
HAS TOUCHED SOMETHING
373
00:21:40,666 --> 00:21:43,534
LIKE BLOOD, DIRT OR GREASE.
374
00:21:43,602 --> 00:21:46,270
BUT HIDDEN PRINTS,
KNOWN AS LATENT PRINTS,
375
00:21:46,272 --> 00:21:48,739
NEED TO BE DEVELOPED
TO BE SEEN.
376
00:21:50,743 --> 00:21:52,109
AND THERE ARE SIMPLE TOOLS
377
00:21:52,177 --> 00:21:54,155
THAT CAN MAKE
LATENT FINGERPRINTS APPEAR
378
00:21:54,179 --> 00:21:55,946
AS IF BY MAGIC...
379
00:21:57,149 --> 00:21:58,482
POWDERS.
380
00:22:01,287 --> 00:22:03,754
Vanderkolk:
THE POWDERS ARE EXTREMELY DRY.
381
00:22:03,756 --> 00:22:07,758
SO BY APPLYING A BLACK POWDER
TO THE SURFACE,
382
00:22:07,760 --> 00:22:10,361
THE DRY POWDER
ADHERES TO MOISTURE.
383
00:22:10,429 --> 00:22:12,173
IT DOESN'T CARE WHAT
THAT MOISTURE IS,
384
00:22:12,197 --> 00:22:15,232
IT CAN BE OIL, SWEAT,
WATER, DOESN'T CARE.
385
00:22:16,902 --> 00:22:18,880
Glenn Langenburg: YOU ALSO
NEEDED A WHITE POWDER TECHNIQUE
386
00:22:18,904 --> 00:22:21,639
TO DEVELOP LATENT PRINTS
ON DARK BACKGROUNDS.
387
00:22:21,707 --> 00:22:25,476
AND SO THEY USED
A TALCUM-BASED POWDER.
388
00:22:26,879 --> 00:22:29,914
Narrator: BLACK POWDER
ON LIGHT SURFACES,
389
00:22:29,982 --> 00:22:33,384
AND WHITE POWDER
ON DARK SURFACES.
390
00:22:33,452 --> 00:22:36,186
EACH SCENARIO CREATES
A HIGH CONTRAST,
391
00:22:36,189 --> 00:22:38,655
MAKING THE PRINT VISIBLE.
392
00:22:38,724 --> 00:22:40,824
BUT HOW DO YOU CREATE
A HIGH CONTRAST
393
00:22:40,893 --> 00:22:45,462
WHEN A SURFACE IS MULTICOLORED,
LIKE SOME MAGAZINE COVERS,
394
00:22:45,531 --> 00:22:50,000
OR UNEVEN AND TEXTURED,
LIKE A GRAIN OF WOOD?
395
00:22:50,068 --> 00:22:53,437
FOR THAT, EXPERTS CAN TURN
TO FLUORESCENT POWDERS.
396
00:22:54,773 --> 00:22:56,874
FLUORESCENT POWDERS ARE
APPLIED TO SURFACES,
397
00:22:56,876 --> 00:22:58,909
LIKE BLACK OR WHITE POWDERS.
398
00:23:00,345 --> 00:23:03,514
BUT IN ORDER TO SEE A PRINT
WITH FLUORESCENT POWDERS,
399
00:23:03,582 --> 00:23:05,816
YOU NEED
AN ULTRAVIOLET LIGHT SOURCE,
400
00:23:05,885 --> 00:23:07,418
WHICH SENDS WAVES OF COLOR
401
00:23:07,486 --> 00:23:10,454
THAT REFLECT OFF
THE FLUORESCENT POWDER,
402
00:23:10,522 --> 00:23:13,657
MAKING ONLY THE PRINT GLOW.
403
00:23:13,725 --> 00:23:16,193
Wertheim: THE ADVANTAGE OF
THE FLUORESCENT POWDER IS
404
00:23:16,261 --> 00:23:18,429
THAT EVEN A MINUTE AMOUNT
WILL GLOW
405
00:23:18,497 --> 00:23:21,031
AND ALLOW PHOTOGRAPHY
OF THE PRINT
406
00:23:21,100 --> 00:23:24,268
TO A DEGREE THAT MAKES IT
READILY IDENTIFIABLE.
407
00:23:26,305 --> 00:23:28,772
Narrator: BUT EVERY
POWDER TECHNIQUE THEY TRY
408
00:23:28,775 --> 00:23:30,808
REVEALS NOTHING.
409
00:23:34,046 --> 00:23:36,780
THE NIGHT STALKER HAS
OUTSMARTED POLICE...
410
00:23:36,783 --> 00:23:39,016
AGAIN.
411
00:23:39,084 --> 00:23:41,919
IT'S NOW BEEN FOUR DAYS
SINCE HIS LAST ATTACK,
412
00:23:41,987 --> 00:23:43,854
AND THE CLOCK IS TICKING.
413
00:23:43,856 --> 00:23:46,257
THIS PROLIFIC KILLER
COULD STRIKE AGAIN,
414
00:23:46,325 --> 00:23:49,126
UNLESS POLICE FIND HIM FIRST.
415
00:23:57,636 --> 00:23:59,603
IN THE HUNT FOR
THE NIGHT STALKER,
416
00:23:59,672 --> 00:24:02,139
COPS HAVE TWO CRITICAL CLUES...
417
00:24:02,208 --> 00:24:06,544
A SUSPECT SKETCH PROVIDED BY
THE KILLER'S SURVIVING VICTIMS,
418
00:24:06,612 --> 00:24:08,523
AND A CAR THAT WAS
DRIVEN BY THE KILLER
419
00:24:08,547 --> 00:24:10,547
FROM HIS LATEST CRIME SCENE
420
00:24:10,550 --> 00:24:14,285
AND FOUND ABANDONED IN
A PARKING LOT FOUR DAYS LATER.
421
00:24:16,722 --> 00:24:21,492
FINGERPRINT EXPERTS HAVE BEEN
SCOURING THE VEHICLE NONSTOP,
422
00:24:21,494 --> 00:24:25,129
BUT TRADITIONAL POWDERING
METHODS HAVE YIELDED NO PRINTS.
423
00:24:27,499 --> 00:24:30,501
AND TIME IS RUNNING OUT.
424
00:24:30,569 --> 00:24:33,737
Langenburg: ONCE YOU DEPOSIT
A LATENT PRINT RESIDUE,
425
00:24:33,805 --> 00:24:35,606
THE CLOCK IS TICKING
426
00:24:35,674 --> 00:24:37,875
FOR HOW LONG YOU HAVE
TO DEVELOP IT.
427
00:24:37,943 --> 00:24:42,446
OVER TIME, AS THE RESIDUE
EVAPORATES AND DEGRADES,
428
00:24:42,515 --> 00:24:45,382
YOU'RE LESS LIKELY TO BE ABLE TO
DEVELOP A VISIBLE FINGERPRINT,
429
00:24:45,451 --> 00:24:48,151
A VIABLE FINGERPRINT
TO IDENTIFY.
430
00:24:48,220 --> 00:24:49,786
Narrator: SO POLICE
ARE ABOUT TO TURN
431
00:24:49,789 --> 00:24:55,659
TO A REVOLUTIONARY NEW DEVICE
FOR DETECTING FINGERPRINTS...
432
00:24:55,728 --> 00:24:57,428
A LASER.
433
00:24:58,630 --> 00:25:01,598
LASERS, HIGHLY CONCENTRATED
BEAMS OF LIGHT,
434
00:25:01,667 --> 00:25:04,735
WERE INVENTED IN 1960.
435
00:25:04,737 --> 00:25:06,737
BY THE LATE 1970s,
436
00:25:06,739 --> 00:25:10,107
THEY STARTED TO ENTER THE WORLD
OF FINGERPRINT DETECTION.
437
00:25:11,744 --> 00:25:14,711
UNLIKE POWDERS, WHICH HAVE
TO ATTACH TO MOISTURE,
438
00:25:14,780 --> 00:25:16,213
LIKE OIL OR SWEAT,
439
00:25:16,215 --> 00:25:19,816
TO MAKE A FINGERPRINT VISIBLE,
440
00:25:19,819 --> 00:25:23,354
A LASER DOESN'T NEED MOISTURE
TO SEE A PRINT.
441
00:25:28,360 --> 00:25:30,160
WHEN THE BEAM HITS A SURFACE,
442
00:25:30,228 --> 00:25:32,696
THE LIGHT ILLUMINATES
CERTAIN COMPOUNDS,
443
00:25:32,764 --> 00:25:34,698
LIKE SODIUM AND GLUCOSE,
444
00:25:34,766 --> 00:25:38,202
LEFT BEHIND WHEN
FINGERPRINT RESIDUE DRIES UP.
445
00:25:40,272 --> 00:25:42,573
THE INTRODUCTION OF LASERS
IN FINGERPRINTING
446
00:25:42,641 --> 00:25:44,375
WAS GROUNDBREAKING.
447
00:25:44,443 --> 00:25:46,810
BUT THEIR USAGE WAS LIMITED.
448
00:25:50,816 --> 00:25:53,450
Langenburg: THE FIRST LASERS
WERE VERY LARGE AND CLUNKY,
449
00:25:53,519 --> 00:25:56,853
AND THEY NEEDED TO BE CHILLED
APPROPRIATELY AND COOLED DOWN.
450
00:25:56,922 --> 00:25:59,323
THAT WASN'T VERY EFFECTIVE
FOR CRIME SCENES,
451
00:25:59,325 --> 00:26:01,736
SO OFTEN THE EVIDENCE WOULD HAVE
TO BE BROUGHT BACK TO THE LAB
452
00:26:01,760 --> 00:26:03,860
TO BE ANALYZED.
453
00:26:03,863 --> 00:26:05,462
Narrator: BY THE 1980s,
454
00:26:05,531 --> 00:26:08,498
PORTABLE, HANDHELD
LASER SCANNERS WERE INVENTED
455
00:26:08,567 --> 00:26:10,801
THAT COULD BE CARRIED
TO CRIME SCENES.
456
00:26:13,605 --> 00:26:16,373
USING THE LASER
LIKE A FLASHLIGHT,
457
00:26:16,441 --> 00:26:20,344
INVESTIGATORS CAN CANVASS AN
AREA WITH A SIX-INCH-WIDE BEAM
458
00:26:20,412 --> 00:26:21,979
LOOKING FOR PRINTS.
459
00:26:23,782 --> 00:26:27,084
AND IN 1985, THE ORANGE COUNTY
SHERIFF'S DEPARTMENT
460
00:26:27,152 --> 00:26:30,754
HAD THE ONLY HANDHELD LASER
ON THE WEST COAST.
461
00:26:30,822 --> 00:26:34,524
THEY'VE NEVER PUT IT INTO USE
UNTIL NOW.
462
00:26:34,593 --> 00:26:36,126
AND THE NIGHT STALKER'S VEHICLE
463
00:26:36,194 --> 00:26:39,463
WILL MAKE FOR A VERY
HIGH-PROFILE TEST CASE.
464
00:26:45,638 --> 00:26:47,904
AFTER SCANNING FOR HALF A DAY,
465
00:26:47,907 --> 00:26:50,574
THEY'RE ALMOST READY
TO GIVE UP.
466
00:26:50,643 --> 00:26:53,176
BUT THEN...
467
00:26:53,245 --> 00:26:58,382
THE LASER FINALLY DOES WHAT
TRADITIONAL POWDERING COULD NOT.
468
00:26:58,450 --> 00:27:01,352
IT DETECTS A PRINT
ON THE REARVIEW MIRROR.
469
00:27:03,555 --> 00:27:06,657
THE NIGHT STALKER HAS
MADE A CRITICAL MISTAKE.
470
00:27:06,725 --> 00:27:08,592
AND WITHOUT LASER TECHNOLOGY,
471
00:27:08,661 --> 00:27:11,728
HIS SLIP UP MAY HAVE
GONE UNNOTICED.
472
00:27:11,797 --> 00:27:14,297
Carrillo: HE HAD FORGOTTEN
AND FAILED TO CLEAN UP
473
00:27:14,366 --> 00:27:16,800
WHEN HE ADJUSTED THE MIRROR.
474
00:27:16,868 --> 00:27:20,471
Narrator: THAT PRINT COULD LEAD
POLICE RIGHT TO HIM.
475
00:27:20,539 --> 00:27:23,507
Ramsland: IT WAS VERY CLEAR,
DEFINITIVE EVIDENCE.
476
00:27:23,575 --> 00:27:24,852
Narrator: THIS IS
A MAJOR BREAKTHROUGH
477
00:27:24,876 --> 00:27:26,576
IN THE INVESTIGATION,
478
00:27:26,645 --> 00:27:29,112
BUT THERE'S STILL
A BIG JOB AHEAD...
479
00:27:29,181 --> 00:27:31,915
FINDING THE MAN
WHO LEFT THAT PRINT.
480
00:27:34,653 --> 00:27:36,613
USING FINGERPRINTS
TO CATCH A CRIMINAL
481
00:27:36,655 --> 00:27:41,825
IS STILL A REVOLUTIONARY IDEA
IN 19th CENTURY ARGENTINA.
482
00:27:41,827 --> 00:27:45,662
FRANCISCA ROJAS'S TWO YOUNG
CHILDREN HAVE BEEN MURDERED,
483
00:27:45,731 --> 00:27:48,765
AND SHE'S AIMED SUSPICION
AT HER EX-LOVER.
484
00:27:48,768 --> 00:27:53,136
INSPECTOR EDUARDO ALVAREZ AND
HIS MENTOR, JUAN VUCETICH,
485
00:27:53,205 --> 00:27:57,541
HAVE TURNED TO FINGERPRINTS
TO SORT OUT THE TRUTH.
486
00:27:57,609 --> 00:27:59,276
THE PRINTS OF THEIR MAIN SUSPECT
487
00:27:59,344 --> 00:28:02,680
DON'T MATCH THE PRINT
LEFT BEHIND AT THE SCENE.
488
00:28:04,383 --> 00:28:06,616
AND HORRIFYING AS IT MIGHT SEEM,
489
00:28:06,685 --> 00:28:09,453
THE ONLY OTHER PERSON
THEY KNOW WAS AT THE SCENE
490
00:28:09,455 --> 00:28:13,824
IS THE MURDERED CHILDREN'S
MOTHER, FRANCISCA ROJAS.
491
00:28:15,193 --> 00:28:16,626
Wertheim: MRS. ROJAS'S STATEMENT
492
00:28:16,695 --> 00:28:18,573
BASICALLY PUT ONLY TWO PEOPLE
AT THE CRIME SCENE,
493
00:28:18,597 --> 00:28:20,263
HER AND VELASQUEZ,
494
00:28:20,266 --> 00:28:24,601
WHO SHE WAS ACCUSING OF
THE MURDER OF HER TWO BABIES.
495
00:28:24,669 --> 00:28:26,803
Lyle: SINCE THERE WERE TWO
PEOPLE INVOLVED IN THIS DANCE,
496
00:28:26,806 --> 00:28:28,706
WHO ELSE ARE YOU
GOING TO TURN TO?
497
00:28:32,177 --> 00:28:34,544
Narrator: INVESTIGATORS
BRING FRANCISCA ROJAS
498
00:28:34,547 --> 00:28:37,481
BACK IN FOR QUESTIONING.
499
00:28:37,483 --> 00:28:39,082
Lyle: BUT SHE STUCK TO HER STORY
500
00:28:39,085 --> 00:28:41,385
THAT SHE DIDN'T HAVE
ANYTHING TO DO WITH IT.
501
00:28:42,687 --> 00:28:44,727
Narrator: ALL INSPECTOR ALVAREZ
HAS TO DO
502
00:28:44,757 --> 00:28:46,557
TO KNOW IF SHE'S LYING
503
00:28:46,625 --> 00:28:50,160
IS COMPARE HER PRINT
TO THE ONE FROM THE SCENE.
504
00:28:59,371 --> 00:29:02,306
Lyle: MRS. ROJAS HAD SAID,
"VELASQUEZ DID IT,
505
00:29:02,374 --> 00:29:04,341
I SAW HIM RUN AWAY."
506
00:29:09,815 --> 00:29:13,450
Narrator: BUT THIS TIME,
SCIENCE GETS THE FINAL SAY.
507
00:29:15,387 --> 00:29:17,821
AND WHEN THEY COMPARE
THE PRINTS...
508
00:29:28,466 --> 00:29:30,768
THEY'RE A PERFECT MATCH.
509
00:29:34,372 --> 00:29:37,474
THIS MOTHER OF TWO
KILLED HER OWN CHILDREN
510
00:29:37,542 --> 00:29:40,344
AND POINTED THE FINGER
AT AN INNOCENT MAN,
511
00:29:40,412 --> 00:29:42,279
HER ONE-TIME BOYFRIEND.
512
00:29:42,347 --> 00:29:43,791
Lyle: THEY CONFRONTED HER
WITH THIS EVIDENCE,
513
00:29:43,815 --> 00:29:47,317
AND THEY SAID, YOU KNOW,
THIS PROVES THAT YOU ARE LYING.
514
00:29:48,487 --> 00:29:51,722
YOU DID HAVE CONTACT,
IT IS YOUR PRINT.
515
00:29:54,493 --> 00:29:56,960
SO SHE CONFESSED TO THE CRIME.
516
00:29:59,698 --> 00:30:01,576
Narrator:
FOR THE FIRST TIME EVER,
517
00:30:01,600 --> 00:30:05,803
POLICE USED FINGERPRINTS TO
IDENTIFY A MURDER SUSPECT.
518
00:30:08,240 --> 00:30:12,543
AND THE KILLER TURNED OUT TO BE
THE VICTIMS' OWN MOTHER.
519
00:30:13,745 --> 00:30:16,213
BUT THERE'S STILL ONE QUESTION...
520
00:30:16,281 --> 00:30:19,950
WHY WOULD MRS. ROJAS
KILL HER OWN CHILDREN?
521
00:30:21,753 --> 00:30:24,621
IT TURNS OUT, THE MAN
SHE ACCUSED OF THE MURDERS
522
00:30:24,689 --> 00:30:27,124
WAS NOT HER ONLY LOVER.
523
00:30:28,793 --> 00:30:30,527
SHE HAD ANOTHER ONE,
524
00:30:30,596 --> 00:30:33,564
AND SHE'D DO ANYTHING
TO KEEP HIM.
525
00:30:36,135 --> 00:30:38,235
Lyle: THE TRUTH WAS,
526
00:30:38,303 --> 00:30:39,881
THE GENTLEMAN THAT
SHE WAS SEEING
527
00:30:39,905 --> 00:30:42,606
SAID HE WOULD MARRY HER
IF SHE DIDN'T HAVE CHILDREN.
528
00:30:42,674 --> 00:30:45,575
SO SHE KILLED HER CHILDREN
SO SHE WOULDN'T BE ENCUMBERED,
529
00:30:45,644 --> 00:30:47,978
AND SHE CAN GO OFF
WITH HER LOVER.
530
00:30:50,749 --> 00:30:52,594
Narrator: THANKS TO
A SINGLE BLOODY PRINT,
531
00:30:52,618 --> 00:30:56,086
FRANCISCA ROJAS IS SENTENCED
TO LIFE IN PRISON,
532
00:30:56,154 --> 00:30:59,122
AND A NEW ERA IN CRIME FIGHTING
HAS BEGUN.
533
00:31:01,259 --> 00:31:04,161
JUAN VUCETICH REVOLUTIONIZED
CRIME FIGHTING
534
00:31:04,229 --> 00:31:06,563
BY ESTABLISHING
A SCIENTIFIC SYSTEM
535
00:31:06,565 --> 00:31:11,101
FOR COMPARING AND ANALYZING
THE ARCHES, LOOPS AND WHORLS
536
00:31:11,103 --> 00:31:13,637
THAT MAKE UP A FINGERPRINT.
537
00:31:13,705 --> 00:31:15,605
HE WAS THE FIRST PERSON EVER
538
00:31:15,674 --> 00:31:17,594
TO MAKE A FINGERPRINT
IDENTIFICATION
539
00:31:17,642 --> 00:31:19,709
IN A CRIMINAL CASE.
540
00:31:19,778 --> 00:31:22,712
Lyle: VUCETICH WENT ON
TO PROMULGATE HIS BELIEFS
541
00:31:22,715 --> 00:31:25,115
AND PUSH HIS WHOLE SYSTEM.
542
00:31:25,183 --> 00:31:26,895
AND, INDEED, THROUGH
MUCH OF THE WORLD,
543
00:31:26,919 --> 00:31:29,886
HIS SYSTEM WAS THE SYSTEM
THAT TOOK HOLD
544
00:31:29,955 --> 00:31:33,523
AND IN MUCH OF THE WORLD
IS STILL USED TODAY.
545
00:31:33,525 --> 00:31:35,102
Narrator: USED FOR
THE FIRST TIME
546
00:31:35,126 --> 00:31:37,460
IN A SMALL TOWN
IN ARGENTINA,
547
00:31:37,529 --> 00:31:39,896
FINGERPRINT IDENTIFICATION
WOULD GO ON TO BECOME
548
00:31:39,965 --> 00:31:43,967
ONE OF THE MOST IMPORTANT
FORENSIC TOOLS IN THE WORLD.
549
00:31:47,806 --> 00:31:50,607
ON AUGUST 21, 1911,
550
00:31:50,609 --> 00:31:53,677
THE MONA LISA IS STOLEN
FROM THE LOUVRE.
551
00:31:53,679 --> 00:31:55,812
A SINGLE PRINT ON HER GLASS CASE
552
00:31:55,881 --> 00:32:00,350
LEADS POLICE TO ART THIEF
VINCENZO PERUGIA.
553
00:32:00,352 --> 00:32:03,553
IN 1934, BANK ROBBER
JOHN DILLINGER
554
00:32:03,622 --> 00:32:07,123
TRIES TO HAVE HIS FINGERPRINTS
BURNED OFF WITH ACID.
555
00:32:07,192 --> 00:32:08,725
THE EFFORT FAILS,
556
00:32:08,793 --> 00:32:13,663
AND SOME RIDGES ARE STILL
VISIBLE AFTER THE BURNS HEAL.
557
00:32:13,732 --> 00:32:16,833
AND IN 1963'S
GREAT TRAIN ROBBERY,
558
00:32:16,901 --> 00:32:20,103
WHEN A GANG OF THIEVES
STEAL OVER $7 MILLION
559
00:32:20,105 --> 00:32:22,339
FROM A BRITISH TRAIN,
560
00:32:22,407 --> 00:32:24,975
THEY ARE UNDONE BY
A SLEW OF FINGERPRINTS
561
00:32:25,043 --> 00:32:27,477
FOUND ON SEVERAL SURFACES
OF THEIR HIDEOUT.
562
00:32:29,614 --> 00:32:33,516
NOW, MOST CRIMINALS TAKE THE
PRECAUTION OF WEARING GLOVES.
563
00:32:33,585 --> 00:32:34,784
BUT EVENTUALLY,
564
00:32:34,787 --> 00:32:39,155
EVEN THE MOST CAUTIOUS OF
CRIMINALS SLIPS UP...
565
00:32:39,224 --> 00:32:42,926
EVEN THE SERIAL KILLER
KNOWN AS THE NIGHT STALKER.
566
00:32:48,166 --> 00:32:49,466
IN LATE AUGUST,
567
00:32:49,534 --> 00:32:53,336
THE NIGHT STALKER HAS BEEN
ON THE LOOSE FOR FIVE MONTHS,
568
00:32:53,339 --> 00:32:56,473
AND HE'S KILLED 13 VICTIMS.
569
00:32:56,541 --> 00:32:59,743
IT'S BEEN SEVERAL DAYS
SINCE HIS LAST ATTACK,
570
00:32:59,811 --> 00:33:04,247
AND POLICE KNOW HE'S LIKELY
TO STRIKE AGAIN AT ANY MOMENT.
571
00:33:04,315 --> 00:33:07,183
BUT NOW THEY HAVE
THE KILLER'S FINGERPRINT,
572
00:33:07,252 --> 00:33:10,620
FOUND IN THE CAR HE ABANDONED
AFTER HIS LAST SHOOTING.
573
00:33:17,929 --> 00:33:20,430
STILL, THERE ARE MORE THAN
A MILLION FINGERPRINT CARDS
574
00:33:20,432 --> 00:33:23,700
ON FILE IN LOS ANGELES COUNTY
ALONE.
575
00:33:25,770 --> 00:33:28,939
THERE'S CLOSE TO
FIVE MILLION STATEWIDE.
576
00:33:31,243 --> 00:33:33,209
FINDING THE RIGHT MATCH BY HAND
577
00:33:33,278 --> 00:33:34,688
WILL BE LIKE LOOKING
FOR A NEEDLE
578
00:33:34,712 --> 00:33:37,547
IN ONE VERY LARGE HAYSTACK.
579
00:33:39,851 --> 00:33:43,720
Ramsland: IT WOULD HAVE TAKEN
A LONE DETECTIVE ABOUT 67 YEARS
580
00:33:43,788 --> 00:33:45,088
TO COMPARE THIS FINGERPRINT
581
00:33:45,156 --> 00:33:48,558
AGAINST ALL THE FINGERPRINT
CARDS THAT THEY HAD.
582
00:33:51,296 --> 00:33:53,463
Narrator: FORTUNATELY,
THEY DON'T HAVE TO.
583
00:33:53,531 --> 00:33:55,198
THE SCIENCE OF FINGERPRINTS
584
00:33:55,266 --> 00:33:58,701
IS ABOUT TO TAKE ANOTHER
HUGE LEAP FORWARD...
585
00:33:58,770 --> 00:34:03,673
ONE THAT WILL SOMEDAY MAKE
ALL THAT MANUAL LABOR OBSOLETE.
586
00:34:03,675 --> 00:34:08,445
Ramsland: THEY HAD JUST
BROUGHT IN A COMPUTERIZED SYSTEM
587
00:34:08,513 --> 00:34:12,482
FOR LOOKING AT DIGITAL DATABASES
OF FINGERPRINTS.
588
00:34:12,551 --> 00:34:16,319
Narrator:
THE AUTOMATED FINGERPRINT
IDENTIFICATION SYSTEM, OR AFIS,
589
00:34:16,387 --> 00:34:19,956
WILL CHANGE THE WAY THAT
POLICE DEPARTMENTS TRACK PRINTS.
590
00:34:21,292 --> 00:34:22,492
WHILE THE CLASSIFICATION SYSTEM
591
00:34:22,494 --> 00:34:25,495
DEVISED BY JUAN VUCETICH
100 YEARS AGO
592
00:34:25,563 --> 00:34:30,634
RELIED SOLELY ON OBSERVATION AND
SIFTING THROUGH PAPER RECORDS,
593
00:34:30,702 --> 00:34:34,604
AFIS KEEPS DIGITAL FILES
OF OFFENDER FINGERPRINTS.
594
00:34:35,707 --> 00:34:37,307
IT CAN COMPARE UNKNOWN PRINTS
595
00:34:37,375 --> 00:34:40,577
AGAINST ALL KNOWN PRINTS
IN ITS DATABASE
596
00:34:40,645 --> 00:34:42,645
IN A FRACTION OF THE TIME.
597
00:34:42,648 --> 00:34:45,048
Langenburg: INVESTIGATORS SUBMIT
LATENT PRINTS TO US
598
00:34:45,050 --> 00:34:46,649
TYPICALLY IN THE FORM
OF PHOTOGRAPHS
599
00:34:46,652 --> 00:34:49,519
OR THESE LATENT PRINT LIFTS.
600
00:34:49,587 --> 00:34:51,365
Narrator: ONCE THEY RECEIVE
A PRINT,
601
00:34:51,389 --> 00:34:53,456
FORENSIC FINGERPRINT EXPERTS
SCAN IT
602
00:34:53,459 --> 00:34:55,525
TO A CREATE A DIGITAL IMAGE.
603
00:34:55,593 --> 00:34:58,461
Wertheim: THE COMPUTER SEES
THE RIDGES, IF YOU WILL,
604
00:34:58,530 --> 00:35:02,632
AND IT SEES THE RIDGE ENDINGS
AND THE BIFURCATIONS.
605
00:35:02,700 --> 00:35:05,802
Narrator: THE COMPUTER THEN
CREATES A MAP OR "CONSTELLATION"
606
00:35:05,870 --> 00:35:09,473
FROM THE RELATIVE POSITIONS
OF ALL THESE POINTS.
607
00:35:09,541 --> 00:35:12,375
THEN IT SEARCHES FOR OTHER
SIMILAR CONSTELLATIONS
608
00:35:12,443 --> 00:35:14,777
IN THE DATABASE.
609
00:35:14,846 --> 00:35:16,423
Langenburg: NOW WE COULD
SEARCH A PRINT
610
00:35:16,447 --> 00:35:18,326
THAT HAD RETURNED
FROM A CRIME SCENE
611
00:35:18,350 --> 00:35:20,683
WITHOUT ANY SUSPECT IN MIND
WHATSOEVER.
612
00:35:20,686 --> 00:35:22,785
Narrator: THE AFIS CAN
SEARCH A LATENT PRINT
613
00:35:22,854 --> 00:35:26,423
AGAINST MILLIONS OF
POSSIBLE MATCHES.
614
00:35:26,491 --> 00:35:29,592
WHAT USED TO TAKE MONTHS,
EVEN YEARS,
615
00:35:29,661 --> 00:35:32,195
CAN NOW BE DONE IN MOMENTS.
616
00:35:34,432 --> 00:35:36,410
Langenburg: IT RETURNS
A LIST OF CANDIDATES,
617
00:35:36,434 --> 00:35:39,769
AND THE ANALYST MANUALLY GOES
THROUGH AND MAKES THE MATCH.
618
00:35:41,173 --> 00:35:42,672
Narrator: BY THE MID 1990s,
619
00:35:42,740 --> 00:35:45,074
COMPUTERIZED FINGERPRINT
MATCHING SYSTEMS
620
00:35:45,143 --> 00:35:48,044
WERE ESTABLISHED ALL OVER
THE UNITED STATES.
621
00:35:48,046 --> 00:35:54,150
Wertheim: THE FBI HAS AROUND
70 MILLION SETS OF FINGERPRINTS,
622
00:35:54,219 --> 00:35:58,154
700 MILLION INDIVIDUAL
FINGERPRINTS IN THEIR FILES.
623
00:35:58,223 --> 00:36:01,357
THEN THERE ARE FILES
IN EACH STATE DATABASE.
624
00:36:01,426 --> 00:36:05,662
AND MANY OF THE LARGE CITIES
HAVE THEIR OWN FILES.
625
00:36:05,730 --> 00:36:09,499
Narrator: TODAY, THERE'S EVEN AN
INTERNATIONAL VERSION OF AFIS,
626
00:36:09,567 --> 00:36:12,602
AND POLICE ACROSS THE WORLD
CAN ACCESS A NETWORK
627
00:36:12,671 --> 00:36:14,738
THAT WILL MATCH
A PRINT IN ZIMBABWE
628
00:36:14,806 --> 00:36:17,340
WITH A SUSPECT IN KANSAS.
629
00:36:19,143 --> 00:36:22,812
IN 1985, AT THE HEIGHT OF
THE NIGHT STALKER'S REIGN,
630
00:36:22,880 --> 00:36:26,449
THE SYSTEM IS STILL
IN ITS INFANCY.
631
00:36:26,517 --> 00:36:29,686
BUT INVESTIGATORS ARE CONFIDENT
AFIS WILL PRODUCE A MATCH
632
00:36:29,688 --> 00:36:33,256
TO THE PRINT THEY LIFTED FROM
THE NIGHT STALKER'S VEHICLE.
633
00:36:34,792 --> 00:36:38,628
SURELY, THE MAN LEAVING A TRAIL
OF BODIES THROUGHOUT CALIFORNIA
634
00:36:38,697 --> 00:36:41,631
HAS A LONG HISTORY
OF HARD-CORE FELONIES.
635
00:36:44,436 --> 00:36:47,403
Carrillo: THAT PRINT
WAS THEN SUBSEQUENTLY
636
00:36:47,472 --> 00:36:48,749
SENT TO
THE DEPARTMENT OF JUSTICE
637
00:36:48,773 --> 00:36:50,974
IN SACRAMENTO, CALIFORNIA.
638
00:36:59,517 --> 00:37:02,318
HE WAS NOT IN THERE.
639
00:37:02,387 --> 00:37:05,822
Narrator: THE NIGHT STALKER
IS NOT IN THE AFIS SYSTEM.
640
00:37:05,890 --> 00:37:07,257
BUT IT TURNS OUT,
641
00:37:07,325 --> 00:37:11,595
NOT EVERY TYPE OF CRIMINAL HAS
BEEN ENTERED INTO THE DATABASE.
642
00:37:11,663 --> 00:37:13,730
Carrillo: BACK IN 1985,
643
00:37:13,732 --> 00:37:15,465
THE ENTIRE SYSTEM
WAS NOT AUTOMATED,
644
00:37:15,467 --> 00:37:18,234
AND IT ONLY HAD
FELONY CONVICTIONS
645
00:37:18,303 --> 00:37:21,271
IN ITS AUTOMATION FEATURES.
646
00:37:21,339 --> 00:37:24,140
ALL MISDEMEANORS HAD NOT
BEEN LOADED AT THAT TIME.
647
00:37:24,209 --> 00:37:26,543
Narrator:
INVESTIGATORS ARE STUNNED.
648
00:37:26,611 --> 00:37:27,844
THE NIGHT STALKER HAS SOMEHOW
649
00:37:27,912 --> 00:37:32,682
NEVER BEFORE BEEN CONVICTED
OF A SERIOUS CRIME.
650
00:37:32,684 --> 00:37:34,295
Ramsland: IT'S LIKE
YOU HAVE THE GUY,
651
00:37:34,319 --> 00:37:35,485
YOU KNOW EXACTLY WHO HE IS,
652
00:37:35,487 --> 00:37:37,231
BECAUSE YOU HAVE
HIS FINGERPRINT,
653
00:37:37,255 --> 00:37:39,489
AND YET, YOU DON'T KNOW
WHO HE IS,
654
00:37:39,557 --> 00:37:42,859
BECAUSE YOU DON'T HAVE ANYTHING
TO MATCH THE PRINT AGAINST.
655
00:37:49,167 --> 00:37:53,036
Narrator: DETECTIVES FEEL LIKE
THEY'RE BACK WHERE THEY STARTED.
656
00:37:53,104 --> 00:37:57,040
BUT THERE'S STILL ONE CHANCE
TO NARROW DOWN THE FIELD...
657
00:37:57,108 --> 00:37:58,274
THE SKETCH CREATED
658
00:37:58,343 --> 00:38:01,611
BY THE NIGHT STALKER'S
SURVIVING VICTIMS.
659
00:38:01,679 --> 00:38:05,348
POLICE SPREAD THE PICTURE OF
THE NIGHT STALKER FAR AND WIDE,
660
00:38:05,416 --> 00:38:08,718
HOPING THE PUBLIC CAN HELP THEM
BREAK THE CASE.
661
00:38:08,720 --> 00:38:10,520
[PHONE RINGS]
662
00:38:10,588 --> 00:38:14,157
Carrillo: WE STARTED GETTING
FLOODS OF PHONE CALLS.
663
00:38:14,225 --> 00:38:16,326
THERE WERE TWO, MAYBE THREE,
664
00:38:16,394 --> 00:38:17,660
OUT OF THE THOUSANDS
THAT WE RECEIVED
665
00:38:17,663 --> 00:38:19,762
THAT WERE VERY SIGNIFICANT.
666
00:38:19,831 --> 00:38:24,601
ONE WAS FROM AN INFORMANT
THAT WE CONTINUED TO DEVELOP.
667
00:38:24,669 --> 00:38:27,137
Narrator: THE INFORMANT,
A SMALL-TIME CROOK,
668
00:38:27,205 --> 00:38:29,539
BELIEVES THE SKETCH
RESEMBLES A CAR THIEF
669
00:38:29,607 --> 00:38:34,077
HE KNOWS ON THE STREET
AS "EL DESPEINADO."
670
00:38:34,145 --> 00:38:36,579
Carrillo: TRANSLATED INTO
ENGLISH AS THE...
671
00:38:36,647 --> 00:38:38,592
IT'S A SLANG WORD FOR
"THE UNKEMPT ONE,"
672
00:38:38,616 --> 00:38:40,416
OR "THE UNCOMBED ONE,"
673
00:38:40,485 --> 00:38:43,152
BECAUSE HE DID HAVE
DISHEVELED HAIR.
674
00:38:43,155 --> 00:38:45,521
Narrator: THE INFORMANT
THEN GOES ONE STEP FURTHER
675
00:38:45,590 --> 00:38:48,425
AND GIVES COPS HIS REAL NAME...
676
00:38:50,094 --> 00:38:52,062
RICHARD RAMIREZ.
677
00:38:56,501 --> 00:38:57,811
Carrillo: WE THEN SENT
THAT INFORMATION ON
678
00:38:57,835 --> 00:39:01,170
TO THE DEPARTMENT OF JUSTICE
IN SAN FRANCISCO,
679
00:39:01,173 --> 00:39:04,073
AND THEY MANUALLY
SEARCHED THE NAME,
680
00:39:04,142 --> 00:39:06,543
AND THEY CAME UP WITH
EIGHT OF THEM.
681
00:39:07,845 --> 00:39:09,723
Narrator: EIGHT MEN WITH
CRIMINAL RECORDS
682
00:39:09,747 --> 00:39:12,081
NAMED RICHARD RAMIREZ,
683
00:39:12,150 --> 00:39:15,551
EIGHT POSSIBLE SUSPECTS
OUT OF MILLIONS.
684
00:39:15,620 --> 00:39:18,722
BUT ARE ANY OF THEM REALLY
THE NIGHT STALKER?
685
00:39:20,592 --> 00:39:23,193
THE FINGERPRINT CARDS
FOR THE EIGHT SUSPECTS
686
00:39:23,261 --> 00:39:25,828
ARE MANUALLY PULLED
FROM THE FILES.
687
00:39:25,897 --> 00:39:28,197
Carrillo: THEY COMPARED
THE EIGHT
688
00:39:28,266 --> 00:39:31,667
TO THE FINGERPRINTS THEY HAD
RECEIVED FROM ORANGE COUNTY.
689
00:39:31,736 --> 00:39:36,139
Narrator: AND THIS TIME,
THERE IS AN EXACT MATCH.
690
00:39:36,207 --> 00:39:38,408
THE RICHARD RAMIREZ
THEY'RE LOOKING FOR
691
00:39:38,476 --> 00:39:42,645
IS A 25-YEAR-OLD DRIFTER
FROM EL PASO, TEXAS.
692
00:39:42,713 --> 00:39:46,549
RAMIREZ HAS A RECORD OF
DRUG POSSESSION AND AUTO THEFT.
693
00:39:46,551 --> 00:39:49,185
HE'D EVEN SERVED
A SHORT TIME BEHIND BARS
694
00:39:49,253 --> 00:39:51,187
ON A MISDEMEANOR CHARGE.
695
00:39:52,457 --> 00:39:56,793
HIS PRINTS HAD NOT YET
BEEN LOADED INTO AFIS.
696
00:39:56,861 --> 00:40:02,298
Carrillo: WE IMMEDIATELY PULLED
A BOOKING PHOTO ON MR. RAMIREZ.
697
00:40:02,300 --> 00:40:04,133
AT THREE O'CLOCK ON AUGUST 30th,
698
00:40:04,202 --> 00:40:06,235
I TOOK THAT PHOTO DOWN
TO AN INFORMANT
699
00:40:06,304 --> 00:40:08,771
WHO SAID THAT'S THE MAN THAT
I'VE BEEN TELLING YOU ABOUT,
700
00:40:08,840 --> 00:40:11,641
THAT'S THE GUY.
701
00:40:11,709 --> 00:40:14,243
Narrator: A SINGLE FINGERPRINT
HAS HELPED POLICE
702
00:40:14,312 --> 00:40:17,380
MAKE A POSITIVE I.D.
ON THE NIGHT STALKER.
703
00:40:17,382 --> 00:40:20,116
BUT THEY STILL DON'T KNOW
WHERE TO FIND HIM.
704
00:40:20,184 --> 00:40:22,685
ON AUGUST 30, 1985,
705
00:40:22,753 --> 00:40:24,253
POLICE HOLD A PRESS CONFERENCE
706
00:40:24,322 --> 00:40:26,522
WHERE THEY REVEAL
THE SUSPECT'S NAME PUBLICLY
707
00:40:26,591 --> 00:40:29,192
FOR THE FIRST TIME.
708
00:40:29,260 --> 00:40:31,127
THE NOOSE IS TIGHTENING.
709
00:40:31,196 --> 00:40:34,664
AND EVEN THE NIGHT STALKER
HIMSELF CAN FEEL THE PRESSURE.
710
00:40:34,732 --> 00:40:36,210
Ramsland: HE SAW HIS MUG SHOT
IN THE PAPER,
711
00:40:36,234 --> 00:40:39,402
AND THAT'S WHEN HE KNEW
HE WAS IN TROUBLE.
712
00:40:40,638 --> 00:40:42,739
EVERYBODY HAD SEEN HIS PICTURE,
713
00:40:42,807 --> 00:40:46,742
EVERYONE KNEW THIS WAS THE GUY
THE POLICE WERE LOOKING FOR.
714
00:40:46,745 --> 00:40:49,512
Narrator: AUGUST 31, 1985.
715
00:40:49,580 --> 00:40:52,181
WHILE RAMIREZ IS TRYING
TO STEAL A CAR,
716
00:40:52,250 --> 00:40:53,749
A GROUP OF PEOPLE RECOGNIZE HIM
717
00:40:53,818 --> 00:40:56,752
AND ATTACK HIM IN THE MIDDLE
OF A RESIDENTIAL STREET.
718
00:40:56,755 --> 00:40:59,823
Ramsland: ACTUALLY, THE POLICE
PROBABLY SAVED HIS LIFE.
719
00:40:59,891 --> 00:41:02,425
Man: HE SAID SOMETHING
IN SPANISH ABOUT,
720
00:41:02,493 --> 00:41:04,653
"I'M LUCKY THE COPS ARE COMING,"
OR SOMETHING,
721
00:41:04,696 --> 00:41:06,095
'CAUSE HE KNEW THAT
WE WERE GONNA,
722
00:41:06,097 --> 00:41:08,564
EVERYBODY WAS GONNA FINISH HIM.
723
00:41:08,633 --> 00:41:10,099
Narrator:
AFTER MORE THAN A YEAR,
724
00:41:10,101 --> 00:41:12,568
THE MANHUNT IS FINALLY OVER
725
00:41:12,637 --> 00:41:14,470
THANKS TO SOME KEY WITNESSES,
726
00:41:14,539 --> 00:41:15,572
AN ALERT PUBLIC,
727
00:41:15,640 --> 00:41:18,341
AND ONE STRAY FINGERPRINT.
728
00:41:18,409 --> 00:41:19,753
Carrillo: THERE WAS JUBILATION
ALL OVER THE COUNTY,
729
00:41:19,777 --> 00:41:23,446
BECAUSE THERE WAS NO LONGER
A REASON FOR FEAR.
730
00:41:23,515 --> 00:41:24,647
HE WAS IN CUSTODY.
731
00:41:24,649 --> 00:41:26,716
EVERYBODY WAS HAPPY.
732
00:41:26,784 --> 00:41:28,696
Narrator: POLICE INTERVIEWS
WITH RAMIREZ
733
00:41:28,720 --> 00:41:31,521
REVEAL A DISTURBED CHILDHOOD,
734
00:41:31,589 --> 00:41:36,793
WHEN ONE CHILLING INCIDENT MAY
HAVE MOLDED THE FUTURE KILLER.
735
00:41:36,861 --> 00:41:39,329
Ramsland: WHEN RAMIREZ WAS 13,
736
00:41:39,397 --> 00:41:43,566
A COUSIN OF HIS PICKED UP A GUN
AND SHOT HIS WIFE...
737
00:41:43,634 --> 00:41:45,268
[GUNSHOT]
738
00:41:45,336 --> 00:41:47,470
...RIGHT IN FRONT OF RAMIREZ.
739
00:41:47,539 --> 00:41:53,676
HE'S SPATTERED, ALMOST BAPTIZED
IN THE BLOOD OF A MURDER VICTIM.
740
00:41:53,744 --> 00:41:58,014
Narrator: RAMIREZ TURNS TO DRUGS
AND BEGINS TO PRACTICE SATANISM.
741
00:42:00,752 --> 00:42:03,286
HIS OBSESSION WITH SATAN
GROWS TO THE POINT
742
00:42:03,354 --> 00:42:05,154
WHERE RAMIREZ BRANDS HIMSELF
743
00:42:05,222 --> 00:42:07,557
WITH ANOTHER KIND
OF FINGERPRINT...
744
00:42:07,625 --> 00:42:09,492
A PENTAGRAM.
745
00:42:13,531 --> 00:42:16,399
Ramsland: HE THOUGHT
THE MORE HE KILLED PEOPLE,
746
00:42:16,467 --> 00:42:20,369
THE MORE HE WAS SERVING SATAN,
AND BEING A GOOD SERVANT,
747
00:42:20,438 --> 00:42:23,639
SATAN WAS NEVER GOING TO
LET HIM GET CAUGHT.
748
00:42:23,642 --> 00:42:26,142
Narrator: IN SEPTEMBER OF 1989,
749
00:42:26,210 --> 00:42:28,578
RICHARD RAMIREZ IS
TRIED AND CONVICTED
750
00:42:28,646 --> 00:42:32,548
OF 13 COUNTS OF MURDER,
FIVE ATTEMPTED MURDERS,
751
00:42:32,617 --> 00:42:36,519
11 SEXUAL ASSAULTS,
AND 14 BURGLARIES.
752
00:42:36,587 --> 00:42:39,088
HE IS SENTENCED TO DEATH.
753
00:42:41,192 --> 00:42:45,528
Ramsland: RAMIREZ WAS NOT
REMORSEFUL IN ANY WAY.
754
00:42:45,530 --> 00:42:47,530
HE BASICALLY SAID, "BIG DEAL,
755
00:42:47,532 --> 00:42:50,400
DEATH ALWAYS WENT
WITH THE TERRITORY."
756
00:42:51,569 --> 00:42:53,513
Narrator: RAMIREZ IS
STILL ON DEATH ROW
757
00:42:53,537 --> 00:42:57,073
AWAITING EXECUTION
IN SAN QUENTIN PRISON.
758
00:43:00,511 --> 00:43:02,078
FINGERPRINTS HELPED
CLOSE THE BOOK
759
00:43:02,080 --> 00:43:03,813
ON THE INFAMOUS NIGHT STALKER.
760
00:43:03,881 --> 00:43:06,616
BUT EVEN IN THE AGE
OF DNA PROFILING,
761
00:43:06,618 --> 00:43:09,685
THE CENTURY-OLD TECHNOLOGY OF
FINGERPRINTING CRIME SCENES
762
00:43:09,688 --> 00:43:11,754
IS STILL RELEVANT.
763
00:43:11,822 --> 00:43:14,490
LIKE DNA, FINGERPRINTS ARE
UTTERLY UNIQUE
764
00:43:14,559 --> 00:43:16,559
TO THE PERSON THEY CAME FROM,
765
00:43:16,627 --> 00:43:18,694
AND THE TECHNOLOGY FOR
FINDING THOSE PRINTS
766
00:43:18,763 --> 00:43:21,164
IS GETTING BETTER ALL THE TIME.
767
00:43:21,232 --> 00:43:22,498
Langenburg:
IN MORE MODERN TIMES,
768
00:43:22,500 --> 00:43:24,767
WE'VE BEEN MORE EFFICIENT
IN HOW WE CAPTURE THEM.
769
00:43:24,836 --> 00:43:27,170
WE USE WHAT'S CALLED
ELECTRONIC CAPTURE
770
00:43:27,238 --> 00:43:30,172
TO SCAN THE FINGERPRINTS,
DIGITIZE THE FINGERPRINT,
771
00:43:30,241 --> 00:43:32,775
AND STORE IT INTO A REPOSITORY.
772
00:43:32,844 --> 00:43:34,388
Wertheim: IT'S GOTTEN
TO THE POINT NOW
773
00:43:34,412 --> 00:43:37,179
WHERE FINGERPRINTS CAN BE
CAPTURED DIGITALLY
774
00:43:37,182 --> 00:43:38,648
AT THE SCENE OF A CRIME,
775
00:43:38,716 --> 00:43:41,451
TRANSMITTED DIRECTLY TO
THE POLICE DEPARTMENT,
776
00:43:41,519 --> 00:43:43,399
SEARCHED THROUGH
AN AFIS DATABASE,
777
00:43:43,454 --> 00:43:46,622
AND IDENTIFIED BEFORE
THE CRIME SCENE TECHNICIAN
778
00:43:46,691 --> 00:43:49,258
CAN EVEN PACK
HIS FINGERPRINT KIT BACK UP
779
00:43:49,326 --> 00:43:51,327
AND GET BACK TO THE STATION.
780
00:43:53,064 --> 00:43:54,541
Narrator:
TODAY'S FINGERPRINT SCANNERS
781
00:43:54,565 --> 00:43:56,485
CAN SEARCH AND COMPARE
LATENT PRINTS
782
00:43:56,534 --> 00:43:59,535
MORE EFFECTIVELY
THAN EVER BEFORE,
783
00:43:59,603 --> 00:44:02,672
ENHANCING THE CLARITY OF
PARTIAL AND SMUDGED PRINTS
784
00:44:02,674 --> 00:44:06,809
TO CREATE CRYSTAL CLEAR
DIGITAL IMAGES.
785
00:44:06,878 --> 00:44:09,712
THERE ARE ALSO NEW TECHNIQUES
TO HELP POLICE FIND PRINTS
786
00:44:09,780 --> 00:44:12,481
ON SPENT BULLETS
AND SHELL CASINGS,
787
00:44:12,550 --> 00:44:15,485
EVEN AFTER
THEY'VE BEEN WIPED CLEAN.
788
00:44:15,553 --> 00:44:17,197
THIS TECHNIQUE WORKS
BY DETECTING
789
00:44:17,221 --> 00:44:19,722
THE MINUTE TRACES OF CORROSION
ON THE METAL
790
00:44:19,790 --> 00:44:22,925
CAUSED BY THE SALT
IN THE SWEAT ON FINGERS.
791
00:44:25,096 --> 00:44:27,163
AND THE VERY LATEST TECHNOLOGY,
792
00:44:27,231 --> 00:44:28,631
FINGERPRINT IDENTIFICATION,
793
00:44:28,699 --> 00:44:31,167
WHICH COULD ONCE
TAKE MONTHS BY HAND,
794
00:44:31,235 --> 00:44:35,238
CAN NOW BE DONE IN
A FRACTION OF THE TIME.
795
00:44:35,306 --> 00:44:37,840
SOON, THE SCIENCE OF
FINGERPRINTS WILL BECOME
796
00:44:37,908 --> 00:44:40,576
EVEN MORE SOPHISTICATED.
797
00:44:40,645 --> 00:44:43,345
Vanderkolk: I SEE THE FUTURE
MAYBE EXPANDING BEYOND
798
00:44:43,414 --> 00:44:46,182
THE TRADITIONAL RIDGES OF
THE PALMS, THE FINGERS.
799
00:44:46,184 --> 00:44:47,583
I SEE MANY MORE EXAMINERS USING
800
00:44:47,651 --> 00:44:49,786
THE CREASES OF THE WRISTS
AND THE HAND,
801
00:44:49,854 --> 00:44:52,288
MAYBE THE ELBOW PRINTS,
THINGS LIKE THAT.
802
00:44:52,356 --> 00:44:56,692
I SEE MORE SKIN IMPRESSIONS
IN THE FUTURE.
803
00:44:56,761 --> 00:44:59,262
Narrator: BUT IT WILL ALWAYS
COME BACK TO THIS,
804
00:44:59,330 --> 00:45:01,531
THESE WHORLS OF FLESH,
805
00:45:01,599 --> 00:45:05,501
FASHIONED IN THE WOMB
AND CARRIED TO THE GRAVE.
806
00:45:05,569 --> 00:45:08,137
TODAY, EVEN
THE SAVVIEST CRIMINALS
807
00:45:08,205 --> 00:45:10,606
STILL LEAVE
THEIR FINGERPRINTS BEHIND,
808
00:45:10,675 --> 00:45:13,409
NEVER THINKING TWICE ABOUT
CREATING A RECORD
809
00:45:13,411 --> 00:45:17,246
OF WHERE THEY'VE BEEN
AND WHO THEY ARE...
810
00:45:18,883 --> 00:45:21,684
...EVIDENCE THAT FORENSIC
SCIENTISTS WILL USE
811
00:45:21,686 --> 00:45:24,186
TO CATCH THEM,
812
00:45:24,255 --> 00:45:27,123
FOR A LONG TIME TO COME.
64286
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