Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

[TELEPHONES RINGING]

[VOICES OVERLAPPING]

Woman: I'VE REALLY GOT TO GO.

Man: I LOVE YOU.

I LOVE YOU, TOO.

FINE.

TAKE CARE.

LOVE YOU.

I LOVE YOU.

WHEN SHALL I SEE YOU AGAIN?

[VOICES INDISTINCT]

Woman: THIS IS TERRIBLE.

Man: IT'LL ONLY BE 2 DAYS.

Woman: YEAH. LOVE YOU.

I LOVE YOU, TOO. THIS IS TERRIBLE.

IT'LL ONLY BE 2 DAYS.

YEAH. LOVE YOU.

I LOVE YOU, TOO.

Second man: 2 PIZZAS FOR DELIVERY.

Third man: WHAT KIND OF PIZZA?

UH, DO YOU DO--DO YOU DO STUFFED CRUST?

YEAH, STUFFED CRUST, THIN CRUST,

DEEP PAN...

YOU DO DO DEEP PAN.

Third man: 9, 12, 14-INCH?

Second man: UH, WHICH IS THE LARGE?

THE 14-INCH.

ALL RIGHT, UH, THE MEDIUM IS, UH, 12-INCH.

YES.

UH, YEAH, UH, UH...

[BEEP]

Woman: THERE'S SOME CHICKEN KIEVS IN THE FREEZER.

ALL YOU GOT TO DO IS HEAT THEM UP.

Man: WHAT SHALL I HAVE WITH IT?

THERE'S A HEART OF CABBAGE...

WHERE? WHERE'S THE CABBAGE?

[SIREN WAILING]

[VOICES OVERLAPPING]

STUFFED CRUSTY CRUST.

CHICKEN KIEVS IN THE FREEZER.

WHERE'S THE CABBAGE?

WHERE'S THE-- WHERE'S THE CABBAGE?

THIS IS TERRIBLE.

DEEP PAN.

I-I-I-I-I-I LOVE YOU.

CAB-CAB-CAB-CAB-CABBAGE.

THIS IS TERRIBLE.

THIS IS TERRIBLE.

CH-CH-CHICKEN KIEVS.

THIS IS TERRIBLE.

I LOVE YOU.

SHANNON, I THOUGHT YOU'D ALREADY GONE.

NO.

13-HOUR SHIFT THERE.

NOT BAD FOR A SUNDAY.

[SIREN]

WHAT'VE WE GOT?

A REALLY BAD R.T.A.

TRUCK PULLED OUT IN FRONT OF HIM.

EVERYTHING'S BROKEN. SHANNON--

SORRY, CLIVE. I'M OFF DUTY.

OK, CALL X-RAY, GET THE ANESTHETIST,

WE'RE GONNA GO STRAIGHT IN.

HEY, ANY CHANCE OF ANY HELP AROUND HERE?

I'LL NEED SOME FLUIDS!

I THOUGHT YOU WERE GOING FOR DINNER.

NAH, IT WAS JUST A PHASE.

BY THE WAY, HAPPY BIRTHDAY.

CHEERS.

HELLO? ALL CLEAR.

Radio: OVER.

GOT THAT, DANNY. THANK YOU.

COPY THAT.

ROGER. OVER.

ROGER.

[BEEPING]

Man: CAN'T BELIEVE IT.

THEY'VE GOT THE OLD-TYPE INFRARED SYSTEM.

NO TEMPERATURE MONITOR, NO MOVEMENT SENSOR.

HEH, THIS STUFF'S OUT OF THE ARK.

YES, THAT'S WHY WE'RE HERE.

CHILD'S PLAY.

WELL, THERE SHOULDN'T BE ANY PROBLEM

FOR YOU THEN, SHOULD IT?

YOU WANT ANCHOVIES?

YOU WANT--YOU WANT-- YOU WANT ANCHOVIES?

OH! OH, SO SORRY I'M LATE.

OH, THE TRAFFIC WAS HORRIBLE.

I AM STARVING!

I'M GONNA EAT TILL I FAINT.

JUST GONNA CHANGE. PROMISED I'D...

OH, THIS IS TERRIBLE.

DEEP PAN.

PA-PA-PA-PAN.

WHAT ARE YOU DOING?

IT'S JUST TAKE AWAY. YOU WANT SOME?

NO, WE'RE GOING OUT.

ARE WE?

[SNIFFS]

AHEM, RAY, IT'S MY BIRTHDAY.

OH, SHIT, I FORGOT. I'M SO DABBERED.

REMEMBERED EARLIER, THEN I FORGOT AGAIN.

WELL, OK, JUST GET YOUR COAT

AND LET'S GO ON NOW, THEN.

YEAH, I'M NOT REALLY HUNGRY RIGHT NOW.

YEAH, WELL, LET'S JUST HAVE A DRINK.

ANOTHER NIGHT, BABY. I'VE JUST--

I REALLY GOTTA WORK ON THIS FOR A MINUTE.

I'M RIGHT IN THE MIDDLE OF IT.

PIZZA PIZZA.

I LOVE YOU, TOO. RIGHT.

YEAH, RIGHT. OF COURSE, SORRY.

OF COURSE, WHAT COULD BE MORE IMPORTANT

THAN YOUR URBAN NOISE SYMPHONY INSTALLATION?

OOH, HERE WE GO.

THIS IS MY WORK HERE!

HELLO?

THIS IS MY LIFE.

PRECISELY!

YOU DON'T UNDERSTAND ANY OF THIS.

YOU JUST-- YOU DON'T GET IT.

WHAT?

NO, YOU KNOW, I'LL TELL YOU WHAT I DO GET.

I GET THAT YOU'D RATHER STAY IN HERE ALL BY YOURSELF,

EAVESDROPPING ON OTHER PEOPLE'S LIVES,

THAN ACTUALLY HAVING ONE WITH ME!

RIGHT?

YEAH, AND I WONDER WHY THAT IS?

THIS IS TERRIBLE.

IT'S ONLY GONNA BE 2 DAYS.

YEAH. LOVE YOU.

I LOVE YOU, TOO.

SHUT UP.

[AMERICAN ACCENT] YOU KNOW NOTHING OF DESPAIR.

MY DESPAIR FELL ON ME LIKE A SHROUD.

AND I STRUGGLED TO SHAKE IT OFF.

BUT IN VAIN.

BUT, GREEN EYES,

LET ME SHARE YOUR MISFORTUNE

AND TURN IT INTO OUR HEAVEN.

YOU BASTARD! UHH!

NOW I REALLY AM ALL ALONE.

[TAMBOURINE JINGLES]

HA HA HA HA HA!

[FAINT APPLAUSE]

WHAT A PIECE OF CRAP!

I THOUGHT IT WENT QUITE WELL.

REALLY? VERY GOOD.

IT WAS? Shannon: SURPRISE!

WHAT ARE YOU DOING HERE?

WELL, IT WAS YOUR LAST NIGHT.

THANK GOD.

I CAUGHT THE LAST BIT OF THE SHOW.

I THOUGHT THE END WAS REALLY--

PLEASE DON'T. OK.

WHAT ABOUT YOUR PLANS WITH RAY TONIGHT?

YEAH, I INSULTED HIS EQUIPMENT,

SO HE WENT OFF IN A HUFF.

HE DITCHED YOU ON YOUR BIRTHDAY?

YEAH.

WELL, I'M TAKING YOU OUT.

OH, NO, IT'S ALL RIGHT. WE DON'T HAVE TO--

ARE YOU KIDDING ME? IT'S YOUR BIRTHDAY.

OK.

Shannon: I'M NOT DRINKING THEM.

Frances: OK.

YOU'RE NOT GOING TO GET ME DRUNK?

NO PRESSURE. THEY'RE FOR ME.

JUST A BIRTHDAY PERRIER FOR MY FRIEND.

OH, FOR GOD'S SAKES.

* BURN, BABY, BURN

* BURN, BABY, BURN

* BURN, BABY, BURN

* BURN, BABY, BURN

IT'S MY BIRTHDAY!

I'M UNEMPLOYED!

ALL RIGHT, SWEETHEART.

BACK OFF.

* WHAT IS IT GOOD FOR?

* ABSOLUTELY * NOTHING

* SAY IT AGAIN, Y'ALL

Shannon: * RAY

Frances: * HUH!

* GOOD GOD

* WHAT IS HE GOOD FOR?

* ABSOLUTELY NOTHING *

* SAY IT AGAIN

I WILL. RAY...

PBBTH!

[LAUGHING]

* WHAT IS HE GOOD FOR?

* ABSOLUTELY NOTHING *

* SAY IT AGAIN

Danny: UH, THERE'S 2 GIRLS IN THE STREET. OVER.

GO ON, FART AGAIN.

[LAUGHING]

OUCH! OW! OW!

IT'S NOT FUNNY. GET IT OUT.

Shannon: I WANNA GET IT OUT.

GOD. EWW!

OHH...

ONE OF 'EM'S GOT HER SHOE STUCK.

AND THE OTHER ONE'S SORT OF, UH,

SHE'S HELPIN' HER TO PULL IT OUT.

I THINK THEY'RE DRUNK. OVER.

FASCINATING. WHAT COLOR'S HER DRESS?

Shannon: STAY STILL.

[TALKING INDISTINCTLY]

WELL, IT'S MORE LIKE, UM, A SKIRT

AND, UH, UH, A LITTLE TOP.

IT'S ALL RIGHT. SHE'S GOT IT OUT. OVER.

IT'S ALL CLEAR. OVER!

LISTEN! IF IT'S IMPORTANT, CALL IN.

OTHERWISE, SHUT UP!

COPY THAT. ROGER AND OUT.

WHY IS THAT RETARD ON THE JOB, ANYWAY?

CALL ME SENTIMENTAL,

BUT EVER SINCE HIS UNCLE GOT SHOT,

I'VE SORT OF FELT RESPONSIBLE.

YOU WERE RESPONSIBLE, GOVERNOR.

OBVIOUSLY, I DON'T--

I DON'T KNOW THE FULL CIRCUMSTANCES OF--

SO, LET'S HAVE A LITTLE

HEART-TO-HEART ABOUT IT, SHALL WE?

OVER A NICE BOTTLE OF CLARET?

OR SHALL WE GET ON WITH OUR JOB?

YOU'RE MY BEST FRIEND, SHARON.

SHANNON. SHANNON.

YOU KNOW, I CARE ABOUT YOU.

LISTEN TO ME.

YOU DESERVE TO BE HAPPY.

THANK YOU. YOU DO, YOU KNOW?

I JUST THINK THAT YOU SHOULD...

WHAT WAS I TALKING ABOUT?

RAY.

RAY.

RAY.

YOU GOTTA DUMP HIM.

I KNOW I DO. I KNOW, I KNOW.

SERIOUSLY, THERE'S TONS OF GUYS OUT THERE.

GORGEOUS GUYS WHO ARE ALSO NICE.

YEAH. YEAH.

I DON'T KNOW WHERE THEY ARE, BUT...

I KNOW. THEY'RE LIKE

THE ABDOMINABLE SNOWMAN, AREN'T THEY?

PEOPLE SAY THEY EXIST, BUT I'VE NOT ACTUALLY SEEN ONE.

OH.

MAYBE I'M DOOMED TO END UP

LIKE ONE OF THOSE OLD LADIES

SITTING ON PARK BENCHES WITH THEIR LEGS OPEN

SO YOU CAN SEE THEIR KNICKERS.

Woman, on telephone: HELLO, THIS IS KELLY.

YOU KNOW WHAT TO DO. AFTER THE BEEP.

[BEEP]

KELLY, PICK UP THE PHONE.

PICK UP THE PHONE, BABE.

YOU'RE ALWAYS DOING THIS.

WHAT'S GOING ON?

YOU SAID YOU'D BE THERE.

WHERE ARE YOU?

Kelly: HELLO?

WHAT EXACTLY DOES HE DO WITH ALL THIS STUFF?

WELL, APPARENTLY THEY'RE NOT RECORDINGS,

THEY ARE "FOUND DIGITAL SOUND SCULPTURES."

LOSER.

Danny: SO WHO YOU BEEN OUT WITH?

Kelly: MY FRIENDS, WHO DO YOU THINK?

JEALOUS BOYFRIEND. HMM.

SO WHO WAS THERE? WAS THAT MICKEY THERE?

WHAT? YOU KNOW, MICKEY.

THAT GIT WHO WORKS IN A CLUB--WHAT IS IT?

THE--THE MIXER.

MICKEY WAS THERE.

Kelly: WHY SHOULDN'T I GO OUT WITH MY FRIENDS, DANNY?

YOU'RE NEVER HERE.

Danny: IF YOU'RE SCREWING AROUND, KEL,

YOU'RE GONNA PAY FOR IT.

WANKER!

I-I MEAN IT.

SO WHAT YOU BEEN DOING, THEN? ROBBIN' ANOTHER...

Friend: WHAT'S THAT?

Shannon: THAT'S HIS PHONE NUMBER, I THINK.

HMM. WELL, WE'RE CALLING HIM.

NO! YES, WE ARE.

Shannon: NO, DON'T, YOU'RE DRUNK!

WE'RE GONNA TELL HIM WHAT AN ASSHOLE HE IS.

Danny: YEAH, 'CAUSE YOU KNOW WHY?

I'M WITH THE BIG BOYS NOW.

YOU KNOW WHO I'M WORKIN' WITH? MASON.

Kelly: YEAH, RIGHT.

Danny: THIS IS THE BIG ONE, KEL.

SECURITY DEPOSIT.

AFTER THIS, I WON'T NEED TO DO NO MORE.

I'LL BE OUT OF IT.

THAT'S WHAT YOU SAID BEFORE, DANNY.

YOU GOT 2 YEARS.

[SIREN]

Danny, on radio: POLICE, POLICE!

[SIREN]

Danny: COMIN' UP BOHEMIA ROAD.

Danny: TURNIN' INTO CHURCH STREET.

MY STREET!

I KNOW, I KNOW!

[SIREN]

Danny: HE'S IN MANDON STREET, COMING OUR WAY.

OH, NO. HE'S TURNING LEFT INTO OUR STREET.

HE'S COMIN' TOWARDS YOU.

HE'S COMIN' TO WALTER BANK.

IT'S GONE. IT'S ALL CLEAR.

OVER AND OUT.

THEY'RE ROBBING A BANK! MY GOD!

THEY'RE ROBBING A BANK!

WE DON'T KNOW THAT FOR SURE.

YES, WE DO. WE HEARD WHAT THEY SAID.

WE SAW THE POLICE CAR. IT ALL FITS.

WHAT FITS? ALL OF IT.

IT ALL FITS.

NOW WHERE ARE YOU GOING?

GOING TO THE POLICE.

WE'LL CATCH 'EM IN THE ACT,

AND WE'LL GET THE REWARD.

FRANCES, YOU'RE ABSOLUTELY PISSED.

I'M TOTALLY FOCUSED.

UHH! WHERE IS MY JACKET?

YOU'RE WEARING IT.

ALL RIGHT. OH, WAIT!

HOLD ON.

[RUMBLING]

[COMPUTER BEEPING]

Man: CAN I HAVE A DRUM ROLL, PLEASE,

LADIES AND GENTLEMEN?

IT MAY LOOK EASY...

AND IT IS.

YOU SURE IT WASN'T JUST KIDS MESSING ABOUT?

NO, NO, IT DID SOUND LIKE A BANK ROBBERY.

NOT YOU AGAIN, CHARLIE.

WHAT'S THIS?

I DON'T KNOW. I'VE NEVER SEEN IT BEFORE.

I'LL TELL HIM, GOD DAMN IT!

NO! YOU ARE DRUNK AND YOU ARE AN AMERICAN.

YOU'RE REALLY GONNA PISS HIM OFF. STOP IT!

AS SOON AS WE'VE GOT A SPARE CAR,

I'LL SEND SOMEONE DOWN.

FI--OK, FINE, OK. OK, LET'S GO.

[BRITISH ACCENT] I DEMAND YOU SEND

YOUR CONSTABLES TO INVESTIGATE!

LOOK, I'VE GOT MUGGINGS, STREET FIGHTS,

THE WHOLE WORKS GOING ON TONIGHT,

AND I'M NOT GONNA WASTE POLICE RESOURCES

ON SOME HALF-OVERHEARD PHONE CONVERSATION!

UHH! STOP IT, YOU--

TAKE A LOT OF DRUGS, DO YOU?

SOMEONE PLANTED THEM ON ME.

OK, TOP GUN, WE'RE MOVING OUT.

Danny, on radio: COPY THAT.

I'M GOING TO THE VAN NOW.

OVER AND OUT.

Man, on radio: YEAH, TRICKY ONE THAT FOR A MONDAY MORNING.

WELL, WE'LL BE GIVING YOU THE ANSWER LATER ON THE BEAT.

TIME IS COMING UP TO...

[BEEPING]

IT'S 8:00.

[SIGHS]

OH, SHIT!

OW!

ASPIRIN!

THE TOP SHELF OF THE CABINET.

NEXT TO THE Q-TIPS.

OH, GOD.

UHH.

OW.

AHH! OH! GOD!

OK, OK, OK.

CAPTAIN.

ONLY 10 SECONDS BEFORE THE PUMPKIN EXPLODES.

YEAH, FRANCES, NOW TRY IT WITH A FOREIGN ACCENT.

ALL RIGHT.

[SPANISH ACCENT] CAPTAIN.

ONLY 10 SECONDS BEFORE THE PUMPKIN EXPLODES.

[SIGHS] YEAH, IT'S A BIT RACIST.

Director: I'LL TELL YOU WHAT.

GIVE IT BAGS OF ENERGY.

CAPTAIN! ONLY 10 SECONDS

BEFORE THE PUMPKIN EXPLODES!

THAT'S GREAT. HANG ONTO THAT.

NOW, JUST DO IT TOTALLY LAID BACK.

CAPTAIN.

ONLY 10 SECONDS BEFORE THE PUMPKIN EXPLODES.

GREAT. HOLD ONTO THAT, TOO.

NOW, PUT THE TWO TOGETHER.

PUT THEM TOGETHER. YOU KNOW,

BAGS OF ENERGY, THROW THE BALL AWAY.

I'M--YOU KNOW WHAT?

I GUESS I JUST DON'T UNDERSTAND

WHAT AN ALIEN TOMATO SOUNDS LIKE REALLY.

SWEETHEART, WE'RE ALL IN THE DARK HERE, YOU KNOW.

I'VE GOT--I'M ON A JOURNEY HERE, TOO, DARLING.

UH-HUH.

PLASMA CUTTER...

SECURITY OVERRIDE SYSTEM...

HOLLOW-CORE, TITANIUM-TIPPED DRILL...

Detective: NOT EXACTLY UNDEREQUIPPED.

I SUPPOSE IT'S TOO MUCH TO EXPECT

THAT ANYBODY HEARD ANYTHING.

HMM. IT'S UNLIKELY.

NOT REALLY A RESIDENTIAL AREA.

THERE ARE SOME NICE LOFT CONVERSIONS, THOUGH.

GOOD PLACE TO BUY, ACTUALLY.

COUPLE OF YEARS,

PRICES WILL GO THROUGH THE ROOF.

YOU KNOW, IF YOU APPLIED

THE SAME METICULOUS RESEARCH TO BURGLARY INVESTIGATION,

WE MIGHT STAND A CHANCE OF SOLVING THIS.

Man: TREMAINE!

LOOKS LIKE IT'S ALL GONE TITS UP.

YOU REALIZE WE WERE ASKED

TO MAKE A SECURITY ASSESSMENT

OF THESE PREMISES LAST MONTH,

AND WE PASSED THEM OK.

I KNOW, CHIEF.

WHO'D HAVE THOUGHT THEY'D DO

A MISSION: IMPOSSIBLE ON IT?

WE'D HAVE THOUGHT THAT, McGILL.

IT'S OUR JOB TO THINK THAT.

WHO ELSE IS GONNA THINK THAT IF WE DON'T?

IT'S A BLOODY EMBARRASSMENT.

Ray: SHANNON! IT'S ME. I'M BACK.

WHAT'S GOING ON?

PACKED UP ALL YOUR STUFF.

WHY?

BECAUSE YOU'RE LEAVING.

IT'S OVER.

SINCE WHEN?

PROBABLY ABOUT 2 YEARS AGO.

YOU'RE JUST--YOU'RE JUST ANGRY ABOUT LAST NIGHT.

YOU'LL CALM DOWN BY TOMORROW.

NO.

TELL YOU WHAT,

I'LL RING YOU UP SO YOU CAN RECORD ME.

I'LL SAY, "RAY, IT'S FINISHED,"

AND THEN YOU CAN PLAY IT BACK

OVER AND OVER AGAIN UNTIL YOU GET IT.

YOU ARE SO NARROW-MINDED, DO YOU KNOW THAT?

YOU ARE AFRAID OF WHAT YOU DON'T UNDERSTAND.

RAY--RAY, IT'S VERY UNHEALTHY

TO HAVE YOUR HEAD SO FAR UP YOUR ARSE.

I'M A NURSE.

I KNOW THESE THINGS.

Ray: RIGHT.

OK.

FINE.

OW.

[FALLING DOWN THE STAIRS]

Shannon: RAY!

I FORGOT ONE.

[CRASH] OOH.

HOW'S THINGS, FRANCES?

THINGS ARE NOT GOOD, PAUL.

THINGS ARE NOT GOOD.

WHAT HAPPENED TO YOU?

Paul: I WAS DOING A PANTOMIME.

SNOW WHITE TRIPPED OVER A DWARF.

DON'T YOU SOMETIMES FEEL LIKE

WE'RE JUST WORTHLESS MAGGOTS

SIMPLY KILLING TIME

AS WE CRAWL TOWARD INEVITABLE DEATH?

WELL, THAT'S SHOWBIZ.

Woman on TV: AND THERE'LL BE MORE ON THAT STORY LATER.

NOW WE GO OVER TO JAMIE SPENCER,

WHO'S ACTUALLY IN HATTON GARDEN

AT THE SCENE OF THE GOLDMAX SECURITY ROBBERY.

THE POLICE ARE TODAY HUNTING A GANG

WHO CARRIED OUT A DARING RAID ON A BANK

HERE IN BECKWORTH STREET LAST NIGHT.

THE MONEY WAS STOLEN FROM GOLDMAX SECURITIES

HERE IN CENTRAL LONDON.

THE ROBBERS TUNNELED FROM THE CELLAR

OF THE NEIGHBORING BUILDING

DIRECTLY INTO THE BANK'S UNDERGROUND VAULTS.

THE POLICE SAY THE WHOLE OPERATION

MUST HAVE TAKEN MOST OF THE WEEKEND.

BECAUSE THE ROBBERS TARGETED SAFE DEPOSIT BOXES,

IT'S FAR FROM EASY TO ESTABLISH

EXACTLY HOW MUCH MONEY HAS BEEN STOLEN,

BUT I UNDERSTAND IT COULD BE

AT LEAST £10 MILLION.

UHH! OH, MY GOD!

SORRY, MR. WINTERS.

SORRY, SORRY. HEH.

OHH.

SEE YOU LATER, PAUL.

LOOK AT THAT.

Shannon: WHAT IS IT?

DANNY'S NUMBER!

SO?

DON'T YOU REALIZE WHAT'S HAPPENED?

CAN SHE HEAR ANYTHING?

NO, SHE'S UNCONSCIOUS.

GOOD. THE COPS HAVE NO CLUES

AND I HAVE THE NUMBER

OF ONE OF THE BANK ROBBERS ON MY HAND.

GOOD JOB YOUR STANDARDS OF HYGIENE ARE SO LOW.

YES, SEE? EVERYTHING FOR A REASON.

WHY DON'T YOU GO TO THE POLICE?

FORGET THE POLICE. WE TRIED THAT.

THEY BLEW IT.

I'VE GOT A BETTER IDEA. WE--

NOW, WHAT ARE YOU TALKING ABOUT?

RIGHT. GET THIS.

WE CALL THE ROBBERS.

WHY WOULD WE CALL THE ROBBERS?

WE CALL THE ROBBERS, WE TELL 'EM WE WANT SOME MONEY,

AND IF WE DON'T GET IT, WE'RE GOING TO THE COPS.

WHAT DO YOU THINK?

I THINK YOU'RE MAD.

AH, BUT IS IT MADNESS OR IS IT GENIUS?

PUT IT THIS WAY,

WE HAVE A SPECIAL PLACE HERE

FOR PEOPLE LIKE YOU.

SHANNON, COME ON.

IT'S CALLED THE LABURNHAM WARD.

IT'S SUCH A GREAT IDEA!

ONE WAS A BRUNETTE, THE OTHER WAS A BLONDE.

DYED BLONDE OR NATURAL?

HOW WOULD I KNOW?

YES. GOOD POINT.

ANYTHING ELSE?

THE BLONDE ONE WAS PRETTY.

THE OTHER ONE WAS QUITE ATTRACTIVE, TOO.

SO, WAS THE PRETTY ONE

MORE ATTRACTIVE THAN THE ATTRACTIVE ONE

OR WAS IT THE OTHER WAY AROUND?

LOOK, THERE WAS A FULL-SCALE RIOT IN HERE LAST NIGHT.

YELLING, SCREAMING, VOMIT UP THE WALLS.

I MEAN, WHAT DO YOU EXPECT?

Tremaine: ALL RIGHT, ALL RIGHT.

NOTHING ELSE?

THE BRUNETTE WAS WEARING

A BIG WATCH ON HER RIGHT WRIST.

LIKE A DIVER'S WATCH.

THAT'S ABOUT IT.

INTERESTING.

WELL, IT'S NOT MUCH, JUST A FEW CRUMBS,

BUT WE'RE GRATEFUL JUST THE SAME.

I KNOW.

Shannon: FRANCES, WHAT ARE YOU DOING HERE?

I TOLD YOU, I'M NOT GETTING INVOLVED.

Frances: COME ON!

NO! WHY?

I'M NOT GOING TO START STEALING MONEY.

I'M NOT A CRIMINAL.

OBVIOUSLY YOU'RE NOT A CRIMINAL.

THE MONEY WAS IN SAFETY DEPOSIT BOXES,

WHICH MEANS IT'S PROBABLY STOLEN

IN THE FIRST PLACE.

WE'D JUST BE RECYCLING IT.

GIVING IT A BETTER HOME.

IT'S NOT A PUPPY.

OH, COME ON, SHANNON. WILL YOU LOOK AT US?

I AM SINGLE AND UNEMPLOYED,

AND I CAN'T GET A CALLBACK

AS AN ALIEN TOMATO.

YOU SPEND EVERY DAY UP TO YOUR NECK

IN BLOOD AND VOMIT FOR VIRTUALLY NOTHING,

AND YOU WASTED THE BEST YEARS OF YOUR LIFE

ON A USELESS GUY.

FACE IT. YOU WAKE UP TOMORROW,

YOU'RE 50, FAT, ALONE, AND BROKE.

THANKS.

IT DOESN'T HAVE TO BE THAT WAY!

IF WE BOTH TAKE SOME CHANCES.

HOW GOOD WOULD SOME NEW CLOTHES FEEL?

OR YOU COULD TAKE A TRIP

AND I COULD GET A NEW CAR.

ALL RIGHT, LISTEN. SERIOUSLY.

ALL MATERIAL DESIRES ASIDE,

WE SHOULD BE LOOKING AT THIS THING

LIKE IT'S AN ADVENTURE, YOU KNOW?

I MEAN, ANYTHING TO GET US OUT OF THIS RUT.

MY CLOTHES ARE FINE.

I KNOW WHAT YOU'RE DOING,

AND IT'S NOT GONNA HAPPEN.

[SIGHS]

YOU COULD BUY SOMETHING FOR THE HOSPITAL.

HEART MACHINE OR INCUBATOR THING.

YOU KNOW, WITH THE VALVES AND THE...

TUBEY STUFF.

FOR ALL THE PREMATURE BABIES.

OH, FOR THE BABIES.

YEAH. A MINUTE AGO

YOU WERE TALKING ABOUT GETTING A NEW CAR.

ALL I'M SAYING IS HOSPITALS

NEVER HAVE ENOUGH MONEY, RIGHT?

YEAH, B--

SO THEORETICALLY

THIS PLACE GETS AN EXTRA 100 GRAND.

HOW MANY LIVES DOES THAT SAVE?

YOU'RE ABSOLUTELY RIGHT, MY DEAR. YOU TELL HER.

THERE. YOU SEE? THANKS.

SO YOU'D DO ALL THAT WITH THE MONEY?

YES. REALLY.

SOME OF IT.

MOST OF IT.

ONE LOUSY LITTLE PHONE CALL.

ALL RIGHT, WHAT EXACTLY WOULD YOU SAY?

WELL, I DON'T KNOW.

SOMETHING--YOU KNOW, SOMETHING LIKE,

"GIVE US YOUR MONEY OR YOU'RE IN BIG TROUBLE."

WHAT? THAT'S PATHETIC!

THEY WON'T BELIEVE YOU FOR A SECOND!

YEAH, ALL RIGHT.

EVERYONE WANTS TO DIRECT. WHAT ELSE?

WELL, YOU'RE GONNA HAVE TO SOUND REALLY HARD AND MEAN.

AND YOU'RE GONNA HAVE TO SOUND ENGLISH.

OH, WELL, YOU DO IT, THEN.

I CAN'T ACT. YOU'RE THE ACTRESS.

WHERE'S YOUR SELF-ESTEEM?

WHAT DO YOU MEAN, MY SELF-ESTEEM?

I'M AN ACTRESS.

[BRITISH ACCENT] NOW LISTEN, PAL.

WE KNOW YOU DONE THAT BANK JOB.

[AMERICAN ACCENT] IS IT BANK JOB

OR IS IT HEIST?

UM, UH, BLAG.

NO, I THINK THEY SAY BLAG.

[BRITISH ACCENT] WE KNOW YOU DONE

THAT BANK BLAG.

[AMERICAN ACCENT] NO, IT JUST DOESN'T

SOUND RIGHT. IT DOESN'T.

[BRITISH ACCENT] LISTEN TO ME, DANNY, YOU SLAG.

WHAT?

[AMERICAN ACCENT] THAT'S WHAT THEY SAY.

YOU SLAG. I DID THIS DRAMA WORKSHOP

IN WADSWORTH PRISON ONCE. THEY SAID IT ALL THE TIME.

OH. ALL RIGHT.

[BRITISH ACCENT] WE KNOW YOU DONE THAT BANK JOB,

AND IF YOU DON'T WANT US TO GO TO THE POLICE,

IT'S GONNA COST YOU--

[AMERICAN ACCENT] WHAT? WHAT'S IT GONNA COST 'EM?

OH, UM, A DEFIBRILLATOR'S 50 GRAND,

BUT, I MEAN, THEY'RE NOT GONNA PAY US THAT, ARE THEY?

THEY'VE GOT 10 MILLION.

THAT'S TRUE.

PLUS, WE NEED THE MERCEDES, A COUPLE OF PLANE TICKETS,

NEW LUGGAGE FOR VACATION--

OH, I NEED SOME JIMMY CHEWS,

THERE'S AN ADORABLE CARTIER WATCH I'VE HAD MY EYE ON, AND--

FRANCES, STOP.

ALL RIGHT. SO ALL THAT'S, WHAT? 100 GRAND?

HOW MUCH IS THAT? 150.

ROUND IT UP TO 200.

ALL RIGHT. ROUND IT UP TO 250.

YOU CAN'T KEEP ROUNDING IT UP.

OK, OK, OK.

[BRITISH ACCENT] NOW, LISTEN.

YOU'RE IN BIG TROUBLE, PAL.

WE WANT 300 GRAND. PAY UP OR--

[AMERICAN ACCENT] WHAT? WHAT, WHAT?

PAY UP OR I DON'T GET MY MERCEDES?

PAY UP OR WE'LL CRY.

NO, NO. PAY UP OR YOU'RE DEAD.

IT'S A BIT OF A CLICHÉ.

THAT'S A CLASSIC.

THERE'S NO EXTRA POINTS FOR ORIGINALITY.

I MEAN, WHAT? PAY UP

OR I'LL LOAD A DOZEN RATTLESNAKES IN A CANNON

AND FIRE 'EM IN YOUR ASS?

YEAH, LET'S STICK WITH DEAD.

ABSOLUTELY.

REMEMBER, YOU GOTTA BE FORCEFUL,

BUT RESTRAINED.

YOU HEAR ME, YOU FUCK?

FUCKING PIECE OF SHIT!

PAY UP OR YOU'LL BE FUCKING DEAD!

ALL RIGHT. GO EASY ON THE FUCKS.

IT SOUNDS LIKE YOU'VE GOT TOURETTE'S.

HOW MANY FUCKS, THEN?

I DON'T KNOW. 2, MAYBE 3 TOPS,

BUT, I MEAN, ONLY IF IT GETS HEAVY.

YOU HEAR ME, YOU MOTHERFUCKER?

MOTHERFUCKER'S TOO AMERICAN.

YOU FUCKER! THAT'S BETTER.

LITTLE FUCKER! BETTER.

[AMERICAN ACCENT] COCKSUCKER?

IT'S TOO MANY Ks.

AND IN A STRANGE SORT OF WAY,

IT'S ALSO A BIT TOO FRIENDLY,

KNOW WHAT I MEAN? I DO.

REMEMBER, YOU'VE GOT TO BE FORCEFUL

BUT DIGNIFIED.

DON'T STOOP TO THEIR LEVEL.

Frances: FORCEFUL AND DIGNIFIED.

Shannon: RIGHT.

FORCEFUL AND DIGNIFIED.

COME ON, FORCEFUL.

OH, IT STINKS OF PEE HERE. CAN YOU GET A MOVE ON?

ALL RIGHT!

[BRITISH ACCENT] DANNY!

YOU LISTEN TO ME, YOU ARSEHOLE.

WE KNOW YOU DONE THAT JOB.

WHAT?

I DON'T KNOW HIS LAST NAME.

[AMERICAN ACCENT] OH, OK. SORRY TO BOTHER YOU.

GREAT START.

WELL, IS THAT A 2 OR A 4?

RRR-RRR-RRR.

OH, WAIT. WAIT, WAIT, WAIT, WAIT, WAIT.

I JUST THOUGHT OF SOMETHING.

WHAT?

YOU'RE A WOMAN.

YEAH.

GUYS LIKE THAT WON'T TAKE ORDERS FROM WOMEN.

THEY JUST PULLED OFF

A MULTI-MILLION POUND BANK ROBBERY,

AND SOME WOMAN RINGS THEM UP

ASKING FOR £300,000.

I DON'T THINK THEY'RE GONNA TAKE YOU SERIOUSLY.

IT'S THE 21st CENTURY.

WOMEN ARE DOING EVERY KIND OF JOB.

WE CAN DO EXTORTION.

WHAT ARE YOU TRYING TO DO,

RAISE THEIR CONSCIOUSNESS OR GET THE MONEY?

IDEALLY, BOTH.

NO, NO. I'M SERIOUS.

I REALLY THINK IT NEEDS TO BE A BLOKE.

* I FEEL LIKE A KING

* YEAH

* 'CAUSE I JUST KISSED MY BABE *

GOD.

[CELL PHONE RINGS]

* SAID HONEY, IT DON'T MEAN A THING TO ME *

YEAH?

Frances: IS THAT DANNY?

YEAH, IT IS.

WE KNOW YOU DONE THAT JOB, DANNY.

WHAT?

THE GOLDMAX SECURITIES JOB.

WE KNOW IT WAS YOU.

WHO IS THIS?

NEVER MIND WHO THIS IS.

JUST LISTEN VERY CAREFULLY.

WE WANT 300 GRAND, OR WE'LL GO TO THE POLICE.

YOU MUST BE JOKING.

NO JOKE, DANNY.

YOU SLAG.

HOW DID YOU GET THIS NUMBER?

I LOOKED YOU UP IN THE BOOK.

UNDER "D" FOR DICKHEAD.

WHOEVER YOU ARE, YOU ARE DEAD MEAT.

WE'LL SEE WHO'S DEAD MEAT, PAL.

YOU MAKE THE DROP TOMORROW NIGHT.

YOU'LL BE HEARING FROM ME, YOU LITTLE TOSSER.

I'LL KILL YA!

YEAH, RIGHT.

300 BIG ONES, OR ELSE THE COPS'LL BE DOWN ON YOU

LIKE A TON OF--COPS. BRICKS.

BRICKS.

UP YOURS!

* ALL I EVER DO

* HUH

* IT'S LIKE THE TRIP IS ON *

GIRLFRIEND.

A PAIN IN THE ARSE.

* YEAH

ANY LUCK?

NO. I'VE HAD 6 PEOPLE AROUND NOW.

NOT A SINGLE OFFER.

MAYBE I SHOULD PUT A NEW KITCHEN IN.

I WASN'T TALKING ABOUT YOUR BASTARD FLAT.

OH.

FORENSICS HAVEN'T FOUND ANY PRINTS.

NO TRACES OF ANYTHING.

THE CUTTING EQUIPMENT WAS IMPORTED FROM BELGIUM

ON FALSE PAPERS,

SO IT'S ANOTHER DEAD END.

YES. WELL, THAT DEPENDS HOW YOU LOOK AT IT,

DOESN'T IT?

TRY THINKING LATERALLY.

ONE DEAD END COULD TURN INTO AN OPEN HIGHWAY.

ON THE OTHER HAND,

WE COULD ACTUALLY TRY FOLLOWING UP A CLUE.

THE DIVER'S WATCH. WHAT DO YOU THINK?

WHAT ABOUT SUB-AQUA CLUBS?

IT'S AN UNCLUTCHED STRAW.

MIGHT AS WELL GET OUT THERE AND CLUTCH IT.

RIGHT. WHERE DO WE GET THEM TO LEAVE THE MONEY?

DROP THE MONEY. I ALWAYS SAY "DROP."

DROP.

I DON'T KNOW.

WHAT ABOUT THAT BIG HYDRANGEA BUSH?

A BANK ROBBER IS NOT GONNA KNOW

WHAT A HYDRANGEA BUSH IS.

OH! IN THE JOHN.

YEAH, BUT THEY LOCK THEM AT NIGHT.

[KISS]

[BABY CRIES]

I'VE GOT IT.

WE HAVE 'EM BURY IT AT THE SAND PIT.

NO SAND. GOT STOLEN.

THEY STOLE THE SAND?

MM-HMM.

THAT'S JUST SICK.

I KNOW.

[WHISPERS] That's perfect.

[TELEPHONE RINGS]

[BRITISH ACCENT] Frances: IS THAT DANNY?

Danny: YEAH, IT IS.

3OO GRAND, CASH. STRETTON PARK.

FIRST BIN INSIDE THE NORTH GATE.

YOU LISTEN TO ME--

12:30 TONIGHT.

DROP THE 300 GRAND IN THE BIN AND NAFF OFF.

YOU'RE IN BIG TROUBLE, MATE.

YOU BE THERE, DIPSTICK, OR YOU'LL BE SORRY.

[HANGS UP]

YOU DO REALIZE

WE'VE GOT TO TAKE THIS BASTARD OUT, LIKE--

LIKE NOW.

DAN, I NEED TO SPEAK TO MAJOR MASON.

I'VE ALREADY SPOKE TO MASON.

HE SAID HE DOESN'T WANT A DISCUSSION ABOUT IT.

HE WANTS A NICE, CLEAN HIT.

FINISHED.

ALL RIGHT, ALL RIGHT.

IF THAT'S WHAT HE WANTS,

WE'LL DO IT.

YEAH.

Shannon: MY BUM'S GONE TO SLEEP.

OH, HE'S LATE.

[SIGHS]

WILL YOU KEEP STILL?

I'M DYING FOR A PEE.

YOU'LL HAVE TO WAIT.

I CAN'T.

YOU SHOULD HAVE GONE BEFORE WE CAME OUT.

IT'S JUST LIKE DEALING WITH A CHILD.

GOD, I AM BURSTING.

GO IN YOUR KNICKERS, THEN.

ALL RIGHT.

[SIGHS]

I CAN'T DO IT. I'M TOO WELL-TRAINED.

Shannon: HE'S NOT COMING, IS HE?

I HAVEN'T WET MYSELF SINCE I WAS 5.

IN SCHOOL.

WE WERE LEARNING ABOUT NIAGARA FALLS.

SHH! SHH!

IS THAT HIM?

I DON'T KNOW.

OH, IT'S HIM, ISN'T IT?

[WHISPERS] It's him. Come on.

Frances: COME ON. COME ON.

YES!

[WHISPERS] Oh, it can't be as easy as this.

Shannon: SHH! DON'T GO YET.

HE MIGHT BE WATCHING.

WAIT, WAIT, WAIT.

WHAT'S HE DOING?

Frances: HEY, DON'T LOOK IN THE BIN.

DON'T LOOK IN THE BIN.

SINCE WHEN DOES A BLOKE LIKE THAT

NOT LOOK IN THE BIN.

OH, GREAT.

WELL, NOW YOU'RE GONNA HAVE TO FIGHT HIM FOR IT.

OH, YEAH. THERE'S SOMEONE ELSE.

HAVEN'T THESE PEOPLE GOT HOMES TO GO TO?

AAH!

IT'S MASON!

WHAT THE HELL ARE YOU UP TO?

[HORN HONKS]

OH NO!

Frances: WAIT! WHERE ARE YOU GOING?

WE CAN'T JUST LEAVE HIM THERE.

OH. GOD. OH, HE'S ALIVE.

OH, MY GOD!

CAN YOU HEAR ME?

CAN YOU HEAR ME?

HE RAN RIGHT OUT IN FRONT OF ME.

I COULDN'T STOP.

I SAW EVERYTHING. I CALLED AN AMBULANCE.

BREATHE. JUST BREATHE GENTLY. COME ON.

IS HE DEAD?

COME ON! WAIT FOR THE AMBULANCE.

Driver: IT WASN'T MY FAULT.

NO. I SAW IT ALL. SOMEONE SHOT HIM.

[SIRENS]

Frances: BASTARDS!

COME ON.

WILL YOU WAIT?

WHAT HAPPENED?

HE'S GOT A BULLET IN THE SHOULDER.

THINK IT MISSED THE ARTERY, BUT HE'S UNRESPONSIVE.

POSSIBLE FRACTURED SKULL.

EMT: THANKS. WE'LL TAKE IT FROM HERE.

Female EMT: CAN YOU STAND BACK, PLEASE?

[INDISTINCT TALKING ON POLICE RADIOS]

[GAGGING]

OH, MY GOD.

OH, MY GOD. THEY SHOT THAT GUY.

DO YOU BELIEVE THEY SHOT THAT GUY?

YES, I BLOODY CAN BELIEVE THEY SHOT THAT GUY, FRANCES.

THEY'RE CRIMINALS.

THAT COULD HAVE BEEN US THERE,

LYING ON THE GROUND THERE,

BLEEDING TO DEATH.

IT ISN'T.

WE WERE LUCKY.

THAT POOR MAN WASN'T, THANKS TO YOU.

WHAT? WHAT THANKS TO ME?

WHAT?

HOW DID THIS SUDDENLY BECOME MY FAULT?

BECAUSE HE'S PROBABLY DYING.

YEAH, WELL, I DIDN'T KNOW ANYONE WAS GONNA GET HURT.

OH, I'M SORRY. THAT'S RIGHT.

BECAUSE IN YOUR WORLD, THEY DON'T, DO THEY?

IT'S ALL PRETEND.

PEOPLE GET SHOT AND THEY GET BLOWN UP

AND THEN THEY GET UP AND WALK AWAY AND THE CREDITS ROLL.

THIS IS REAL LIFE, FRANCES.

PEOPLE GET HURT AND THEY BLEED AND THEY REALLY DO DIE!

REALLY? WELL, TEACH ME MORE, FLORENCE NIGHTINGALE.

I DIDN'T KNOW THAT. ARE YOU KIDDING ME?

YOU THINK YOU'RE MORE IN TOUCH WITH REAL SUFFERING

BECAUSE--BECAUSE WHAT? BECAUSE YOU EMPTY BEDPANS

AND SOME PEOPLE VOMIT ALL OVER YOU?

COME ON! AND YOU KNOW WHAT?

IF YOU DIDN'T HANG OUT WITH ME,

YOUR LIFE WOULD BE EVEN MORE SAD

AND PATHETIC THAN IT ALREADY IS!

WHAT?

YEAH. YOU THINK I'M JEALOUS

OF YOUR SHOW BIZ SHIT?

YES, I DO.

WELL, FUCK YOU!

FUCK YOU, TOO!

OH, YOU KNOW SOMETHING ELSE?

WHY YOU NEVER GET ANY DECENT JOBS?

'CAUSE YOU CAN'T ACT!

[CAR DOOR SLAMS]

[ENGINE STARTS]

[HEAVY FOOTFALL]

SO, WHAT DID YOU THINK YOU WERE DOING, DANNY?

MR.-- SIT DOWN.

Danny: MR. MASON, I KNOW I SCREWED UP.

I WAS JUST TRYING TO SORT IT OUT.

OH, I SEE. SOMEONE TRIES TO BLACKMAIL US,

AND YOU SORT IT OUT BY GOING AND SHOOTING

SOMEONE COMPLETELY DIFFERENT.

NICE BIT OF NATURAL THINKING, YOU STUPID BASTARD.

Danny: I DIDN'T KNOW WHAT TO DO.

I THOUGHT YOU MIGHT BE PISSED OFF.

OH, NOW, YOU'D BE RIGHT THERE.

BUT NOW I'M WAY OFF THE SCALE OF PISSED OFF.

THERE ARE NO WORDS FOR WHAT I AM NOW.

UNDERSTANDABLY, MAJOR MASON.

AND WHAT ABOUT YOU, BARRY?

I WAS BADLY MISLED VIS A VIS YOUR AUTHORIZATION.

SO, HOW DID THIS BLOKE GET YOUR NUMBER?

I DON'T KNOW. I SWEAR TO YOU, I--I--

I DON'T KNOW.

I DON'T BELIEVE THIS IS HAPPENING.

GET HIM OUT OF HERE BEFORE I KILL HIM.

GIVE ME THAT PHONE!

YOU KEEP OUT OF TROUBLE,

OR I SWEAR, I WILL SHOOT YOU MYSELF.

COPY THAT. ROGER AND OUT.

[DOOR SHUTS]

ONE THING'S FOR SURE--

KERRIGAN WON'T BE HAPPY ABOUT THIS.

WELL, THANKS FOR POINTING OUT THE BLEEDING OBVIOUS.

McGill: NICE AREA.

NOT THE KIND OF PLACE YOU'D EXPECT A STREET SHOOTING.

Policeman: OK, KEEP BACK, PLEASE.

EXCUSE ME, SIR. THERE'S A GENTLEMAN BACK HERE,

THINKS HE MIGHT HAVE SEEN A FEW THINGS.

Witness: I LIVE AT NUMBER 43.

NOW, I SAW EVERYTHING.

APPARENTLY, 2 GIRLS WERE AT THE SCENE.

ONE BLONDE, ONE BRUNETTE.

QUITE ATTRACTIVE.

I'D SAY IT WAS A DRIVE-BY.

COULD BE RELATED TO DRUGS.

YES. I WOULDN'T ADVERTISE THAT IF I WERE YOU.

THE PRICES AROUND HERE COULD GO INTO FREEFALL.

THANK YOU.

SIR.

FAKE BUNDLES OF MONEY.

SO, WE GOT A DROP-OFF, A DOUBLE-CROSS,

AN AMBUSH, AND THEN WHAT?

THEN THEY SHOT A TRAMP.

COULD BE CONNECTED TO THE GOLDMAX JOB.

BLONDE, BRUNETTE.

BIT OF A COINCIDENCE.

MAYBE.

WHO ARE THESE WOMEN?

ALL RIGHT. KEEP ME ON THE FULL 10, THEN.

EXCUSE ME. COULD WE HAVE A WORD?

I'M DETECTIVE INSPECTOR TREMAINE.

THIS IS D.C. McGILL. HI.

HELLO. WHAT DO YOU WANT?

THAT YOUNG MAN IN THERE. HAS HE SAID ANYTHING?

LIKE WHAT?

TALKING IN HIS SLEEP, MUMBLED NAMES?

NO.

NO. HE'S, UM...

HE'S UNCONSCIOUS.

WELL, IF HE REGAINS HIS FACULTIES,

PERHAPS YOU COULD LET US KNOW.

OF COURSE.

THAT'S MY EXTENSION.

I'LL BE GETTING A DIRECT LINE SOON.

YES. WELL, THANKS FOR YOUR HELP.

McGILL: IF HE TALKS, ANY LITTLE THING...

YES. WELL, WE'D BETTER LET YOU GO.

NEVER KNOW.

COULD BE IMPORTANT. RIGHT.

DO YOU HAVE TO MAKE IT SO OBVIOUS

THAT YOU FANCY HER?

[STEADY BEEPING]

IS HE OK?

YEAH, HE'LL LIVE, JUST ABOUT.

THANK GOD.

WHAT'S THAT?

IT'S A PRESENT FOR YOU.

THANKS. IT'S HORRIBLE.

I KNOW.

I THOUGHT YOU WERE GONNA THROW IT AT ME,

SO I DIDN'T MAKE MUCH OF AN EFFORT.

I'M SORRY ABOUT WHAT I SAID.

YEAH. ME, TOO. I DIDN'T MEAN IT.

YOU WERE RIGHT ALL ALONG.

WE SHOULD HAVE NEVER BEEN INVOLVED.

I DON'T NEED A MERCEDES.

NO.

NO MORE PHONE CALLS, NO MORE SHOOTINGS.

LET'S PRETEND NONE OF THIS EVER HAPPENED.

WE'LL GO OUT AND WE'LL GET WRECKED,

AND EVERYTHING WILL BE LIKE IT WAS.

NO.

NO, 'CAUSE IT CAN'T BE, CAN IT?

I MEAN, WE'RE INVOLVED NOW, AREN'T WE?

NOTHING'S LIKE IT WAS.

[POMP AND CIRCUMSTANCE PLAYING]

[CELL PHONE RINGS]

[RING]

[RING]

[RING]

YEAH?

[BRITISH ACCENT] Frances: IS THAT DANNY?

WHO IS THIS?

WHERE'S DANNY?

DANNY'S NOT AVAILABLE. YOU TALK TO ME NOW.

OH, YEAH?

WELL, YOU DOUBLE-CROSSED US, PAL.

WE HAD A DEAL.

YOU'RE IN BIG TROUBLE.

I DON'T THINK SO.

HERE'S THE NEW DEAL.

YOU DON'T CALL AGAIN,

AND I DON'T COME AROUND AND KILL YOU, ALL RIGHT?

OH, YEAH? YEAH?

WELL, YOU LISTEN TO ME, YOU PRAT.

YOU BIG--PRAT. THE PRICE HAS GONE UP.

WE WANT HALF A MIL.

[MOUTHS "WHAT?"]

WELL, YOU CAN GET STUFFED.

YEAH? WELL, MAKE THAT A MILLION.

YOU WANT TO RAISE THE STAKES AGAIN,

YOU UGLY PIECE OF SHIT?

LISTEN TO ME, WHOEVER YOU ARE.

I'M GONNA FIND YOU,

AND I'M GONNA HURT YOU...A LOT.

SAVE THE BIG SCARY GANGSTER TALK, TWATHEAD.

JUST GET THAT MONEY READY OR ELSE.

ARE YOU THREATENING ME? WHO THE--

A MILLION QUID. ARE YOU MAD?

I KNOW. I'M SORRY. IT JUST CAME OUT.

WH-WHAT DID HE SAY?

HE'S NOT HAPPY.

HE'S DEFINITELY NOT HAPPY.

Man: THIS WAY.

MR. KERRIGAN IS EXPECTING YOU.

[MUSIC PLAYING]

* THE MORE I SEE YOU

* THE MORE I WANT YOU

* SOMEHOW THIS FEELING

* IT JUST GROWS AND GROWS

[MUSIC STOPS]

WHY DO I ALWAYS HAVE TO FIND OUT THINGS FOR MYSELF?

WASN'T WORTH BOTHERIN' YOU WITH, KERRIGAN.

I LIKE YOU, ALAN. THAT'S WHY I PUT YOU IN CHARGE.

BUT SOME JOKER KNOWS ABOUT OUR OPERATION

TRIES TO HIT ME FOR A MILLION QUID,

LOOKS LIKE THERE'S BEEN A BALLS-UP.

TALK TO ME.

DANNY WAS PROBABLY MOUTHING OFF SOMEWHERE.

THIS GUY OVERHEARD HIM.

IT'S JUST A CHANCER. I WOULDN'T WORRY ABOUT IT.

I AM WORRIED. I DON'T NEED THIS AGGRAVATION.

IT'S GIVIN' ME GYP.

LOOK AT THE STATE OF ME. I'M ALL TENSE.

I'M AGING PREMATURELY.

RUBBISH, BOSS.

WHO IS THIS TOERAG?

NO ONE WE KNOW.

HE'S GOT A WEIRD ACCENT.

HE SOUNDS A BIT LIKE A...

WELL, I DON'T KNOW WHAT HE SOUNDS LIKE.

DON'T KNOW WHO YOU'RE DEALING WITH THESE DAYS.

YOU GOT TURKS, RUSSIANS, KOSOVARS...

ALL MUSCLIN' IN.

I MEAN, WHO RUNS CRICKLEWOOD NOW, JULES?

THE ARMENIANS.

THERE YOU GO.

THE ARMENIANS.

I MEAN, WHERE THE BLEEDIN' HELL

DO THEY COME FROM?

ARMENIA, BOSS.

OH, GOOD BOY, YEAH.

AT LEAST SOMEONE KNOWS WHAT'S GOING ON.

I TOLD YOU,

I'LL SORT HIM OUT. DON'T WORRY.

DO NOT KEEP TELLING ME NOT TO WORRY!

WHO ARE THESE COWBOYS?

DON'T THEY KNOW WHO THE FUCK THEY'RE DEALING WITH?

GIVE ME A TOWEL.

I'LL FIND THEM, I'LL BRING 'EM IN--

LISTEN, I'M BORED WITH THIS SUBJECT.

I DO NOT WISH TO DEBATE ABOUT IT.

I WANT THEIR TESTICLES IN A JAR. GOT THAT?

GOT IT.

PISS OFF.

Frances: THAT'S IT.

DANNY'S PHONE'S BEEN CUT OFF.

GUESS WE'RE SCREWED.

Shannon: PROBABLY SHOULD HAVE DONE SOME MORE RESEARCH.

I MEAN, THERE MUST BE

A BLACKMAILING WEBSITE OR SOMETHING.

YEAH.

ALL RIGHT, ALL RIGHT.

LET'S JUST THINK ABOUT WHAT WE HAVE, OK?

WE'VE GOT 3 NAMES.

DANNY, KELLY, AND MASON.

WHEN WE HEARD THAT FIRST CALL,

DANNY MENTIONED ANOTHER NAME.

WHEN KELLY SAID SHE'D BEEN OUT

AND HE ASKED WHO WITH--

RIGHT. HE SAID SOMEBODY ELSE WAS THERE.

RIGHT.

MICKEY!

MICKEY. THAT'S IT.

AND HE WORKED IN A CLUB.

RIGHT. THE-- WHAT'S THE CLUB?

THE--THE--WHAT? THE--THE--

THE SOMETHING.

YEAH. THE SOMETHING.

ALL RIGHT. BUT, I MEAN, IT WAS LIKE, UM--

IT WAS SOMETHING YOU HAVE IN YOUR...KITCHEN?

LIKE, UH, THE SINK?

SINK, THE FRIDGE CLUB...

JUICER. BREAD BIN, BLENDER.

THE THING WITH THAT DIAL.

THAT--WHAT'S THAT?

THE--THE MIXER!

THAT'S IT! THE MIXER!

THAT'S IT! THAT'S EXACTLY IT!

Frances: OK, WHEN WE GO IN THE MIXER CLUB,

WE'RE GONNA DO THE GOOD COP-BAD COP THING.

Shannon: WHICH ONE AM I?

YOU'RE THE GOOD COP.

CAN'T I BE THE BAD COP?

NO. YOU'RE TOO NICE TO BE THE BAD COP.

OH.

[LOUD DANCE MUSIC PLAYING]

AHEM. AHEM.

EXCUSE ME. EXCUSE ME.

HI. EXCUSE ME.

HEY! HEY! HEY! COME HERE.

WHERE'S MICKEY?

ALL RIGHT. STAY CALM.

WE CAN DO THIS. WE'RE UNDERCOVER COPS.

MICKEY...

YEAH?

YOU FOUND ME.

DETECTIVE INSPECTOR McGILL.

THIS IS DETECTIVE WACHOWSKI.

WOULD YOU LIKE TO HAVE A LITTLE CHAT?

LOOK, I DON'T KNOW WHERE DANNY IS, ALL RIGHT?

WHY DON'T I BELIEVE YOU, SCUMBAG?

WHY ARE YOU PROTECTING THAT LOWLIFE?

WANT ME TO TAKE YOU DOWN TO THE STATION

AND BEAT IT OUT OF YOU?

LOOK, I'VE TOLD THE BOTH OF YOU.

I DON'T KNOW WHERE HE IS, AND I DON'T CARE WHERE HE IS.

LISTEN!

I KNOW WE LOOK LIKE GIRLIES...

WE CAN HURT YOU, MICKEY.

YOU EVER HAD A STILETTO

THROUGH THE BOLLOCKS?

OOH, COULD I--JUST A QUICK WORD.

DON'T MOVE!

WHAT ARE YOU DOING?

YOU'RE SUPPOSED TO BE THE GOOD COP.

I LIKE BEING THE BAD COP.

THERE CAN'T BE 2 BAD COPS.

SEE, IT DOESN'T WORK LIKE THAT.

NO, I KNOW WHAT I'M DOING.

I'VE GOT HIM ON THE ROPES, OK?

OH, CHRIST.

PILLS? TRIPS? SPEED?

I'M ALL SET, THANKS.

HOW 'BOUT A SHAG?

HOW 'BOUT A PUNCH IN THE MOUTH?

Shannon: OH, YOU'VE REALLY PISSED ME OFF NOW, MICKEY.

YOU KNOW WHAT I'M GONNA DO?

I'M GONNA CALL IN THE REST OF THE SQUAD,

THEY'RE GONNA COME DOWN HERE,

BUST THIS PLACE APART,

AND FIND HALF A KILO OF SMACK UP YOUR ARSE.

AND THERE'S A NEW GUY

WHO'S GONNA GET A REAL KICK

OUT OF PLANTING IT THERE.

HOW ABOUT THAT?

SOUNDS GOOD TO ME.

HEY, YOU COPY THAT?

W-W-W-WAIT--WAIT--WAIT!

LOOK--LOOK, I MIGHT HAVE AN ADDRESS.

Frances: SO HE'S A SCUMBAG LOWLIFE CRIMINAL

AND HE LIVES IN THE EAST END.

HMM. IS THAT COMPULSORY?

HAVE YOU EVER DONE A BURGLARY BEFORE?

NO, BUT--

WHAT IF HE COMES BACK WHILE WE'RE IN THERE?

CAN'T BE THAT DIFFICULT.

WE'D JUMP ON HIM AND BEAT HIM SENSELESS.

YEAH, WELL, AS LONG AS I KNOW.

OK, I THINK WE'RE ON.

[BUZZES]

Intercom: HELLO?

YES, IT'S MARTIN. OH, HI.

[DOOR BUZZES]

Frances: HI, THERE.

HI. HOW YOU DOING?

SHIT.

RUINED LIBRARY CARD, 2 CREDIT CARDS,

MY CASH POINT, AND MY VIDEO CLUB MEMBERSHIP.

I DON'T GET IT.

IT ALWAYS WORKED ON CHARLIE'S ANGELS.

CHRIST.

YOU CARRY THAT THING

AROUND WITH YOU ALL THE TIME?

UHH!

SHH!

[WHISPERING] OK, come on.

PAPERS, DIARIES, MONEY,

ANYTHING TO DO WITH MASON.

RIGHT, RIGHT, RIGHT.

[THUD] OW!

SHH! SHH! SHH! SHH!

OW!

[WHISPERING] Filofax.

Just take it!

Mason: DANNY?

[GASPS] YOU THERE?

No!

Frances: Shannon!

[CLICK CLICK]

WHO ARE YOU?

IF THE MONEY'S RIGHT,

I CAN BE WHOEVER YOU WANT ME TO BE.

WHO ARE YOU?

WHERE'S DANNY?

SAID HE'D BE RIGHT BACK.

HOPE HE REALIZES I CHARGE FOR WAITIN' TIME.

WHAT HAPPENED TO THE DOOR?

HEH. THE SHITHEAD LOST HIS KEYS.

DID HE?

SO, WHO ARE YOU, THEN?

THE MAN IN CHARGE?

MR. BIG?

I THINK YOU'D BETTER GO NOW.

GO WHERE?

HE HASN'T PAID ME YET.

Frances: YOU GUYS CRACK ME UP.

WHAT DO YOU THINK I DO THIS FOR? FUN?

OK. LET'S SAY HE PAYS YOU 100 QUID TO NOB HIM.

I'LL PAY YOU 50 QUID TO NOB OFF.

SEE YA.

FORGOT MY FILOFAX.

I'M GONNA GO, THEN. SEE YA. BYE.

[DOOR SHUTS]

[MAN SINGING IN SPANISH]

[MUSIC PLAYING ON TV]

[MAN SPEAKING SPANISH]

MR. MASON, WHAT ARE YOU DOING HERE?

I HAD ANOTHER CALL FROM OUR FRIEND.

GUESS WHAT?

NOW HE WANTS A MILLION QUID.

JESUS.

AND THE BASTARD OF IT IS,

NOW I'VE GOT THE OLD POOF ON ME BACK.

THAT'S A BLOODY UNCOMFORTABLE FEELING.

SO...

WHAT DO I DO WITH YOU, DANNY?

I'LL HELP YOU FIND HIM.

I CAN DO IT.

I-I'LL MAKE IT MY MAIN THING, YOU KNOW?

YOU REMIND ME OF YOUR UNCLE.

HE WAS CRAP AND ALL.

MR. MASON, PLEASE DON'T HURT ME.

I-I-I CAN DO IT.

I CAN DO IT! I WON'T REST.

AND I WON'T SLEEP UNTIL I NAIL HIM.

YOU DO THAT.

YOU GET OUT AND YOU ASK AROUND.

YOU SEE WHAT YOU CAN FIND OUT.

I WILL, ABSOLUTELY.

YOU CAN RELY ON ME. THANKS.

ON THE OTHER HAND...

FORGET IT.

Voices: SURPRISE! OH, MY!

WE'RE AT NIGEL'S! HELLO!

[MAN SPEAKING SPANISH ON TV]

DANNY. DANNY.

DANNY, CAN YOU HEAR ME?

HE'S BEEN SHOT,

SEVERE CHEST WOUND, INTERNAL HEMORRHAGING.

HE'S GOT A PULSE, BUT IT'S THREADY.

I'VE DONE EVERYTHING I CAN. JUST GET HERE.

DANNY ROBINSON.

CONVICTIONS FOR THEFT, BURGLARY,

ACCESSORY TO ROBBERY.

THE PLACE WAS RANSACKED.

HE WAS FOUND SHOT IN THE CHEST.

VERY SAD. WHAT'S IT GOT TO DO WITH US?

2 WOMEN WERE SEEN ENTERING THE FLAT.

DON'T TELL ME. ONE BLOND, ONE DARK.

YES. QUITE ATTRACTIVE.

THERE'S THAT WORD AGAIN.

NOW WE'RE GETTING SOMEWHERE.

WHOEVER THESE TWO ARE,

THEY'RE REALLY BEGINNING TO ANNOY ME.

[BEEPING]

Tremaine: CAN WE JUST ASK HIM SOME QUESTIONS?

Shannon: WELL, NO. I MEAN, HE'S IN A COMA.

HE CAN'T TALK.

HAS DANNY HAD ANY VISITORS?

McGill: LIKE 2 WOMEN?

A BLONDE AND A BRUNETTE?

NO. NO. NO.

NO, DEFINITELY NOT.

Tremaine: RIGHT.

THANKS VERY MUCH.

McGill: WELL, DO LET US KNOW

IF HE GETS ANY VISITORS, WON'T YOU?

AND, UH, YOU CAN GIVE ME A CALL...ANY TIME.

OH, I'VE AL--

YOU'VE ALREADY GIVEN HER A CARD.

BUT SHE MIGHT HAVE LOST IT.

MY GOD! AREN'T THERE ANY OTHER HOSPITALS

IN THIS CITY?

WE'RE THE SPECIALIST UNIT.

WE GET ALL THE GUNSHOTS.

ALL RIGHT, LOOK.

I FOUND MASON'S NUMBER IN HERE, OK?

AND A LOT OF OTHER NAMES.

LET'S TURN THIS OVER TO THE COPS.

THEY'LL FIND THESE GUYS IN 5 MINUTES.

LOOK, FORGET THE POLICE, OK?

WE'RE GONNA GET THESE BASTARDS OURSELVES.

AND I'LL TELL YOU SOMETHING.

WE BETTER DO IT SOON,

OR THEY'RE GONNA GET US.

[TELEPHONE RINGING]

YEAH?

Frances, in a deep voice: HELLO, MASON.

HOW DID YOU GET THIS NUMBER?

[BRITISH ACCENT] I LOOKED YOU UP IN THE PHONE BOOK.

UNDER "M" FOR MORON.

NOW LISTEN TO ME.

WE WANT OUR MILLION QUID

OR WE'LL GO TO THE FILTH AND YOU'LL GO DOWN.

DO WHAT YOU WANT. YOU'RE GETTING NOTHING.

HA! SO YOU LIKE HAVIN'

THE OLD POOF ON YOUR BACK, DO YOU?

WHAT DO YOU KNOW ABOUT KERRIGAN?

WE KNOW A LOT ABOUT KERRIGAN.

WE KNOW WHERE TO FIND HIM,

WE KNOW WHAT HE HAS FOR BREAKFAST,

AND WE KNOW HOW MANY PIECES OF PAPER HE USES

TO WIPE HIS BIG FAT KHYBER PASS.

I WANT A MEETING.

MEETING? NO MEETING.

IF THERE'S NO MEETING,

THEN THERE'S NO DEAL.

OI! YOU GET ONE MORE CHANCE, SUNSHINE.

THEN WE GO TO THE COPS.

[CLICK]

BUGGER. IT'S NOT WORKING, IS IT?

WE THREATEN HIM, HE TELLS US TO PISS OFF,

HE WANTS A MEETING, WE TELL HIM TO PISS OFF.

IT COULD GO ON FOR MONTHS!

WE'VE GOTTA UP THE STAKES.

WE DON'T HAVE ANY STAKES TO UP, DO WE?

DO WE?

[CELL PHONE BLIPS]

WHEREABOUTS IS IT?

DAVID, TAKE ME TO PARLIAMENT SQUARE.

WHAT THE HELL?

[BELL TOLLING]

Mason: I GRANT YOU, IT'S EMBARRASSING,

BUT IT'S OBVIOUSLY A BLUFF.

A BLUFF?

THEY PUT MY NAME ON A 40-FOOT POSTER

IN THE MIDDLE OF TOWN!

MY BLOODY NAME!

I KNOW. IT'S AN OUTRAGE!

OH, PUT THE BLOODY DRINK DOWN, WILL YOU?

THEY'LL BE DEAD BY TOMORROW.

Kerrigan: YOU SAID THAT BEFORE.

CORRECT ME IF I'M WRONG,

BUT THEY'RE STILL VERY MUCH A-FUCKING-LIVE!

LOOK, IT'S NOT JUST YOUR HEAD

ON THE BLOCK HERE, KERRIGAN.

IT'S ALL OF US.

EXACTLY. THERE'S DANNY.

HE'S PROBABLY BLABBIN' TO THE COPS RIGHT NOW.

HE WON'T TALK.

HE SHOULDN'T BE IN A POSITION TO TALK

IF YOU'D DONE YOUR JOB PROPERLY.

HE SHOULD BE AT THE BOTTOM OF THE RIVER.

YOU BE CAREFUL, KERRIGAN.

IF IT WASN'T FOR ME, THE WHEELS WOULD HAVE COME OFF

THIS ENTIRE OPERATION YEARS AGO.

NOBODY'S UNEXPENDABLE, MASON.

DON'T YOU THREATEN ME, OLD MAN.

'CAUSE RIGHT NOW I'M ALL YOU'VE GOT.

SO SHUT UP AND LISTEN.

THIS IS WHAT WE DO.

WHEN THEY GET IN TOUCH, WE AGREE TO PAY UP.

A MILLION QUID?

HAVE YOU GONE COMPLETELY TONTO?

DON'T BE STUPID! WE'RE NOT GOING TO PAY 'EM.

WE ARRANGE THE DROP,

WE FLUSH 'EM OUT IN THE OPEN,

AND WE KILL 'EM!

ALL RIGHT.

ALL RIGHT. DO IT.

Kerrigan: MASON!

ONE MORE COCK UP AND WE SAY GOOD-BYE.

WE'RE IN BUSINESS.

* STRANGE FEAR I AIN'T FELT FOR YEARS *

* THE BOY'S COMIN' AND I'M CLOSE TO TEARS *

* I CAN'T LET GO

* OF YOU NOW

* SKIPPIN' SCHOOL, GOTTA WALK FOR AIR *

* I JUST HAD TO GET OUT OF THERE *

* I'M ON OVERLOAD

WHOA!

* IN MY HEAD

* TRAIN COMES, AND I KNOW ITS DESTINATION *

* YEAH, YEAH, YEAH *

* IT'S A ONE-WAY TICKET

* TO A MAD, MAD SITUATION

* SITUATION

* TRAIN COMES, AND I KNOW ITS DESTINATION *

* I KNOW

* I KNOW

* IT'S A ONE-WAY TICKET

* TO A MAD, MAD SITUATION

* I KEEP ON THINKIN' BACK *

* IT'S A ONE-WAY TICKET

* TO A MAD, MAD SITUATION

* SITUATION

* TRAIN COMES, AND I KNOW ITS DESTINATION *

* I KNOW

* I KNOW

* IT'S A ONE-WAY TICKET

* TO A MAD, MAD SITUATION

* CAN I BE THIS SAD? *

[CELL PHONE RINGS]

YEAH, YEAH?

HELLO? YEAH, HE'S HERE.

I'M GETTING ON THE TRAIN NOW.

GOOD. JUST--JUST BE CAREFUL.

OK. GOOD LUCK.

[CELL PHONE RINGS]

[BRITISH ACCENT] MASON.

YEAH. LISTEN CAREFULLY.

GET A TICKET FOR THE NEXT TRAIN.

47 MINUTES PAST...

[STATIC] LEAV... OFF...PLAT...12.

Mason: YOU'RE CUTTING OUT.

OHH...

47...GOING...BI...

IS THAT BETTER? WHAT?

AHH, DAMN CELL PHONE!

[SQUEALING]

HELLO, HELLO, HELLO?

[UNINTELLIGIBLE SPEECH]

HELLO! MASON.

CAN YOU HEAR ME NOW?

JUST TELL ME WHICH TRAIN.

THE TRAIN TO BRIGHTON,

LEAVES AT 47 MINUTES PAST,

GET IN THE THIRD CARRIAGE FROM THE FRONT.

WHERE DO WE MEET?

I'LL CALL YOU WHEN YOU'RE ON THE TRAIN.

NO, WE'RE--

DON'T MISS IT.

[MOOING]

Frances: YOU GOTTA BE KIDDING ME.

COWS.

MOVE IT! MOVE IT, YOU DUMB--

OH, MOVE, MOVE, MOVE! MOVE!

SCRAM! HERE, HERE.

FETCH!

SHOO! SCRAM! GO! GO!

[CELL PHONE RINGS]

[BRITISH ACCENT] WHERE ARE YOU?

WHERE DO YOU THINK I AM? I'M ON THE TRAIN.

PAST GATWICK AIRPORT YET?

[SIGHS] HAVE WE PASSED GATWICK AIRPORT?

GATWICK? YEAH.

Shannon: Y-YES, WE HAVE...

PASSED IT...

YEAH.

THE NEXT STATION'S THREE BRIDGES.

TRAIN GOES OVER A BIG VIADUCT.

AS YOU PASS OVER IT,

THROW THE CASE OUT THE WINDOW

ON THE LEFT HAND SIDE OF THE TRAIN.

WHAT?

MAKE SURE IT GOES RIGHT OVER THE EDGE OF THE VIADUCT.

Mason: NOW, HOLD ON A MINUTE.

I HAVEN'T COME ALL THIS WAY TO START

CHUCKING MONEY ALL OVER THE PLACE. NOW--

YOU GOT THAT?

YEAH, JUST WAIT A MINUTE--

JUST DO IT!

HELLO?

HI! HOW ARE YOU?

I SAY, WHAT THE BLOODY HELL

DO YOU THINK YOU'RE DOING?

THIS IS PRIVATE LAND.

OH, 'CAUSE--YOU KNOW, I DIDN'T SEE A SIGN.

I DON'T NEED A SIGN.

YOU'RE NOT SUPPOSED TO BE HERE.

I WAS JUST ADMIRING YOUR COWS.

REALLY, UM...ARE THEY FRIESIANS?

IT DOESN'T MATTER WHAT THEY ARE!

WILL YOU JUST BUGGER OFF?

YOU KNOW WHAT?

I WILL BUGGER OFF, HAPPILY, IN JUST A FEW SECONDS.

YOU MISUNDERSTAND ME.

WHEN I SAY BUGGER OFF, I MEAN BUGGER OFF!

COME ON.

[FARMER YELLING]

GET OFF MY LAND NOW!

GIVE ME A BREAK! GIMME, LIKE, 5 MINUTES!

IF YOU DON'T GO NOW, I'M TELLING YOU--

YOU'LL DO WHAT? WHAT? WHAT? WHAT?

YOU'LL SHOOT ME? YOU'LL CUT OFF MY LEGS?

'CAUSE I'VE BEEN THERE BEFORE, PAL.

THAT'S IT. I'M CALLING THE POLICE!

TRIED THAT. DOESN'T WORK!

Mason: RIGHT.

THROW IT OUT. THROW IT OUT?

YEAH. MAKE SURE IT GOES RIGHT OVER THE SIDE.

OVER THE SIDE? WHAT ARE YOU,

A BLOODY PARROT? JUST DO IT!

COME OVER HERE, SNOOPING ALL OVER MY LAND,

YOU FRIGHTEN THE COWS...

Farmer: CHRIST!

WOW. THAT'S OK, THAT'S FOR ME.

OH, MY GOD!

SORRY ABOUT YOUR ROOF!

AAH!

YOU'RE NOT GOING ANYWHERE.

WAIT! I NEED 5 MINUTES!

AAH! AAH!

BASTARDS! MY GOD, ARE YOU OK?

WHAT THE BLOODY HELL WAS THAT?

YOU'LL LIVE.

[REVS ENGINE]

MOTHER!

[CELL PHONE RINGS]

YEAH?

Kerrigan: IT'S KERRIGAN.

OH, KERRIGAN.

I'VE BEEN ONTO MY MAN DOWN AT THE NICK.

HE SAYS THE POLICE ARE LOOKING FOR 2 WOMEN.

WHAT? THERE'S A BLOND ONE

AND A DARK ONE.

THAT PROZZY YOU SAW IN DANNY'S FLAT,

SHE WAS ONE OF THEM. HE WAS PROBABLY

SHOOTIN' HIS MOUTH OFF TO HER ONE NIGHT,

STARTED THE WHOLE THING OFF.

WHAT ABOUT THAT GUY WHO KEEPS PHONING?

MY BET IS HE'S THEIR PIMP TRYING HIS LUCK.

THEY'RE AMATEURS.

I KNEW IT.

OH, AND THE DARK ONE WEARS

A BIG WATCH ON HER RIGHT WRIST.

SORT OF DIVERS WATCH, LOT OF FANCY DIALS ON IT.

ANYTHING ELSE?

JUST I DON'T WANNA BE DOUBLE-CROSSED

BY A PAIR OF BLOODY TARTS.

IT'S BAD FOR MY IMAGE.

IT'S ALL UNDER CONTROL.

YOU KNOW WHAT YOU GOTTA DO.

COME ON. COME ON, COME ON.

[TRAIN WHISTLE BLOWS]

Conductor: WE ARE NOW APPROACHING HAYWARD'S HEATH

NEXT STOP, HAYWARD'S HEATH.

JUST ACT NORMALLY OR YOU'RE DEAD.

TICKETS, PLEASE.

I HAVEN'T GOT ONE. THERE WAS A QUEUE.

IT'S A CRIMINAL OFFENSE

TO TRAVEL WITHOUT A TICKET.

Frances: SHANNON!

BUT ON THIS OCCASION, I'LL TURN A BLIND EYE.

Frances: SHANNON! GET IN!

Shannon: JUST DRIVE!

OH, MY GOD!

THERE WAS A BOMB IN THE CASE.

A BOMB? A BOMB!

WANKERS!

THEY'RE NASTY, MEAN, HORRIBLE, VIOLENT WANKERS.

WE'VE BEEN GOING ABOUT THIS ALL WRONG.

THEY'RE TRYING TO KILL US.

WHY AREN'T WE TRYING TO KILL THEM?

[FOOTSTEPS]

[RINGS]

[BEEP]

Kerrigan: IT'S KERRIGAN.

REMEMBER I SAID ONE MORE COCK UP

AND WE SAY GOOD-BYE?

CALL ME.

[BEEP]

[BELL RINGS]

[GLASS BREAKING]

HELLO, MASON.

Frances: DAMN!

WHERE'S THE MONEY, MASON?

KISS MY ARSE.

JUST TELL US WHERE IT IS

AND WE'LL LET YOU GO.

ALL RIGHT. I'LL TELL YOU.

IT'S IN THE SAFE.

DID YOU FIND THE SAFE?

NO.

WELL, WHAT HAVE YOU BEEN DOING?

WHAT DO YOU MEAN WHAT HAVE I BEEN DOING?

WHAT DO YOU WANT ME TO DO, TEAR THE PLACE APART?

YOU BUNCH OF AMATEURS.

OH, YEAH? WELL, IF WE'RE THE AMATEURS,

HOW COME YOU'RE THE ONE WHO'S TIED UP?

[TELEPHONE RINGS]

[BEEP]

Kerrigan: IT'S KERRIGAN.

WHAT IS GOING ON, ALAN?

PICK UP THE PHONE!

HOPE YOU'RE NOT THINKING

OF GOING AWAY, ALA N. [BEEP]

HE SOUNDS A BIT UPSET.

Shannon: YEAH, MAYBE WE SHOULD

CALL HIM BACK.

SO CALL HIM. HE COMES AROUND,

YOU'RE DEAD. SUITS ME.

Mason: ADMIT IT.

YOU'RE OUT OF YOUR DEPTH.

SO WHAT NOW?

I COULD SHOOT YOU.

I'D BE SURE TO HIT SOMETHING

AT THIS RANGE, WOULDN'T I?

YOU HAVEN'T GOT THE GUTS.

[SIGHS]

ALL RIGHT. WHERE'S THE TOP MAN?

I WANNA TALK TO HIM.

[BRITISH ACCENT] YOU'LL FIND HIM UNDER "B"...

FOR BEHIND YOU.

SO IT REALLY IS JUST THE TWO OF YOU THEN, IS IT?

HA HA HA. YOU'VE MADE MY DAY.

SAFETY CATCH IS ON.

DEAR, OH, DEAR, IT'S NOT GOING VERY WELL, IS IT?

YOU THINK THIS IS FUNNY?

[LAUGHS]

DO YOU--DO YOU THINK THIS IS FUNNY?

YOU BLOODY LOWLIFE!

I'VE HAD ENOUGH OF THIS.

WHAT ARE YOU DOING?

Frances: WHAT ARE YOU DOING?

Shannon: INSULIN.

5 MILLIGRAMS AND YOU'RE GROGGY,

10 MILLIGRAMS AND YOU'RE DEAD.

YOU CAN'T BE SERIOUS.

OH, AND HE'S GETTING MORE THAN THAT.

WHOA, WHOA, WHOA, WHOA, WHOA!

ARE YOU CRAZY?

WHAT IS YOUR PROBLEM?

THIS HAS GONE FAR ENOUGH! COME ON!

ALL HE HAS TO DO IS TELL US

WHERE THE SAFE IS, BUT HE WON'T DO IT,

SO WHAT ARE WE GOING TO DO,

JUST LET HIM WALK OUT OF HERE?

SHANNON, IT'S NOT WORTH THIS!

OH! NOW YOU'VE USED MY REAL NAME.

NOW I AM GONNA HAVE TO KILL HIM.

WHAT IS HAPPENING?

WHAT'S HAPPENING TO YOU?

IT'S JUST MONEY. MY GOD!

IT DOESN'T MATTER!

EVERY DAY I SEE PEOPLE BEATEN, SHOT,

AND KILLED FOR MONEY.

I WATCH PEOPLE DIE BECAUSE THERE ISN'T

THE MONEY TO SAVE THEM.

MONEY MEANS LIFE OR DEATH.

SO IT DOES MATTER.

MATTERS A LOT.

I DON'T WANT ANY PART OF THIS.

HEY! WHAT?

THIS WAS YOUR BLOODY IDEA!

WHAT, YOU'RE LEAVING NOW

'CAUSE IT'S A BIT TOO SCARY FOR YOU?

YOU'RE TOO SCARY FOR ME! YOU!

LOOK AT YOURSELF! YOU'RE TOTALLY OUT OF CONTROL.

I'M LEAVING.

YOU'RE NOT GOING ANYWHERE.

OR WHAT?

WHAT? YOU'RE GONNA SHOOT ME?

YOU CAN'T SHOOT HIM!

GROW UP.

I WILL SHOOT YOU, FRANCES.

FUCK OFF!

WHAT?

UHH!

RIGHT. WHERE WERE WE?

KEEP AWAY FROM ME, YOU MAD BITCH!

OH, IT'S ALL RIGHT, MASON, IT'S ALL RIGHT.

IT'S A PAINLESS DEATH.

ARE YOU WORRIED THAT YOU'RE GOING TO GO TO HELL?

YOU SHOULD BE.

ALL RIGHT, ALL RIGHT, I'LL TELL YOU.

YOU KNOW SOMETHING? I DON'T TRUST YOU.

ISN'T THAT WEIRD?

NO! GOD!

RIGHT. NOW, THAT'S 5 MILLIGRAMS.

ENOUGH TO MAKE YOU FEEL A BIT SPACEY.

YOU WANT THE REST?

THE CABINET BEHIND THE CABINET.

ARE YOU SURE?

YES! YES!

[SIGHS]

I THINK THAT'S ENOUGH.

UHH!

YOU WON'T HAVE TO STAY HERE FOR LONG.

I'LL CALL THE POLICE

AND TELL THEM THE COMBINATION.

I'LL FIND YOU ONE DAY,

AND YOU'LL WISH YOU'D BEEN STRANGLED AT BIRTH.

OH, DON'T BE SO CHILDISH.

OOH, LET ME GET THAT OUT FOR YOU.

YOU IN A SPOT OF TROUBLE, GOVERNOR?

SO, HOW DO YOU FEEL NOW?

NOT SO BRAVE, EH?

NOT SO BLOODY CLEVER.

[BARRY ANSWERS TELEPHONE] MAJOR MASON'S RESIDENCE.

Mason: YOU THINK YOU CAN TAKE THINGS FROM ME.

MR. KERRIGAN, GOVERNOR.

IT'S A BAD LINE.

KERRIGAN.

YEAH, WE'VE GOT ALL THE MONEY.

SORRY. WHAT?

WHAT, NOW?

OK. OK.

YOU'RE LUCKY TO BE ALIVE

FOR THE MOMENT.

GET THE BAGS. WE'RE LEAVING.

HOLD ON, HOLD ON. KERRIGAN.

HE SAID, "BRING HER OVER."

Barry: YEAH?

HOW DID HE KNOW THERE'S ONLY ONE OF THEM?

WHAT ARE YOU TALKING ABOUT?

WHEN YOU CAME IN,

YOU DIDN'T NOTICE ANYTHING, DID YOU,

LIKE A DEAD BODY OR SOMETHING?

WHAT DO YOU MEAN?

Shannon: FRANCES! FRANCES!

OVER HERE!

OH, MY GOD! YOU COULD HAVE KILLED ME.

THERE WASN'T A LOT OF DANGER OF HITTING YOU.

THESE PEOPLE ARE GONNA BE SO SORRY.

IT WAS AN EXCELLENT DEATH BACK THERE, BY THE WAY.

NOT BAD FOR SOMEBODY WHO CAN'T ACT.

OH, YOU SHOULD HAVE HEARD MY KERRIGAN IMPRESSION.

[BRITISH ACCENT] RIGHT. I WANT HER ALIVE.

BRING HER OVER TO ME.

YOU SHOULD HAVE SAID, "BRING T HEM OVER," THOUGH.

Frances: YEAH, I KNOW, I KNOW.

AAH!

JESUS, WHAT'S ALL THIS?

HELP YOURSELF.

OW! OW!

YOU MISSED THE HOUSE.

I HAVEN'T GOT MY EYE IN YET.

WHO'S OUT THERE?

2 WOMEN IS WHO'S OUT THERE.

SHOOTING AT ME WITH MY OWN SODDING GUNS.

WHAT'S UP?

I DON'T KNOW. I FEEL SORT OF...

WE GOTTA GET OUT OF HERE.

YEAH, BUT THERE'S ANOTHER BAG OVER THERE.

WE'LL LEAVE THE OTHER BAG.

Shannon: NO. THERE'S ENOUGH MONEY IN THAT BAG

FOR A NEW CASUALTY UNIT.

Frances: YOU ARE SO--

ALL RIGHT. WE'LL GET THE BAG.

WHERE'S THE BAG?

Barry: IT'S OUT THERE.

GET IT.

Shannon: YOU GO AND GET IT. I'LL COVER YOU.

Frances: COVER ME? I'VE SEEN YOUR SHOOTING.

YOU NEEDN'T FEAR. I'LL USE THIS ONE.

JUST WAIT.

Shannon: UHH--AH! AH!

WHOA!

OH!

WH--OH!

[SQUEAKING]

Frances: SHANNON!

HEH HEH HEH!

HEH HEH HEH!

Shannon: BLOODY HELL.

COME ON!

THERE'S 4 OF THEM!

COME ON, GET IN! I AM!

I HIT ONE OF THEM. GOOD.

THAT'S THE IDEA.

LEFT FLANK, INCOMING!

SORRY. DIDN'T MEAN TO HIT YOU.

PUT PRESSURE ON THE WOUND. IT'LL STOP THE BLEEDING.

I'LL CALL AN AMBULANCE!

SERGEANT, TELL HQ WE'RE SURROUNDED!

THAT'S MY BLOODY CAR!

FALL BACK!

WE DID IT.

YEAH...WE DID.

McGill: WELL, I WONDER IF THIS IS ANOTHER DEAD END

OR AN OPEN HIGHWAY.

Tremaine: IT'S A ROUNDABOUT, McGILL.

TURN LEFT.

CHRIST ON A BIKE.

WHAT'S HAPPENED HERE?

DON'T KNOW.

WITH DAMAGE LIKE THAT, THOUGH,

I'D SAY IT'S KNOCKED A GOOD 20,000

OFF THE VALUE OF THE PROPERTY.

AH, BACK FOR MORE, YOU HEATHENS?

[CRASH]

[MUMBLES INCOHERENTLY]

ALL PRESENT AND CORRECT.

I'VE SEEN WORSE THAN THIS.

THINGS YOU WOULDN'T BELIEVE.

AH! HA!

THERE WERE 4 OF THE BITCHES.

[CREAKING]

FOUR OF THEM!

[CRASH]

BRR-RR-RR!

Barry: I NEED AN AMBULANCE!

I'VE BEEN SHOT.

BRR-RR-RR!

YOU.

ALL OF YOU.

I LIKE YOU.

MAN DOWN.

WHAT YOU HAVE HERE, McGILL,

IS A ROBBERY GONE BAD.

FLUSHED WITH SUCCESS,

THE GANG TURN ON EACH OTHER

LIKE HUNGRY DOGS.

GREED AND VAULTING AMBITION

WAS THEIR DOWNFALL.

WHAT'S THAT? HAMLET?

NO. I MADE IT UP MYSELF.

I FIND THAT CRIME SOMETIMES STIMULATES

MY CREATIVE JUICES.

HMM. YOU SHOULD WRITE IT DOWN.

YES. WHAT WAS IT AGAIN?

SCANNER, MONITORS, DEFIBRILLATOR, ECG?

WHAT ELSE YOU GOT IN THERE?

I DON'T KNOW, MATE.

SOMETHING CALLED AN MRI SCANNER.

ALL SORTS OF STUFF.

WHERE'D IT ALL COME FROM?

I DON'T KNOW, MATE. ALL I KNOW IS IT'S ALL PAID FOR.

ALL YOU GOT TO DO IS SIGN,

AND IT'S ALL YOURS.

Shannon: YOU ALL RIGHT?

I'M OK. I WASN'T SURE

ABOUT GIVING ALL THE MONEY TO THE HOSPITAL, BUT--

I THINK YOU'RE TAKING IT REALLY WELL.

I AM, AREN'T I?

MM-HMM.

FEEL KIND OF LIBERATED, ACTUALLY.

MAKE A MILLION, GIVE IT ALL AWAY.

WHAT THE HELL.

IT'S THE RIGHT THING TO DO.

YOU'RE RIGHT. I WOULDN'T BE ABLE TO LIVE WITH MYSELF

IF WE'D SAVED ANY OF IT.

OH, MY GOD.

OH, MY GOD.

IF YOU CAN'T LIVE WITH YOURSELF,

I'LL COMPLETELY UNDERSTAND.

YOU LIED TO ME.

I DID.

IT'S OK, 'CAUSE LOOK.

I SAVED JUST A LITTLE BIT, TOO.

JUST FOR FOOD AND GAS, YOU KNOW.

INCIDENTALS.

DON'T EXPLAIN.

OH, GOD.

[ENGINE STARTS] OH!

[BEEPS]

WHAT'S THIS?

A SCANNER.

REALLY?

WELL, YEAH. I MEAN, YOU NEVER KNOW.

Man on scanner: YOU ARE SO NEEDY, KEL.

YOU'RE SUFFOCATING ME. I--I--I CAN'T BREATHE.

I NEED MORE SPACE.

I--I FEEL TRAPPED.

LOOK, IF YOU KEEP A SONGBIRD IN A CAGE,

EVENTUALLY IT'LL DIE.

Shannon: WANKER!

* SISTERS ARE DOIN' IT FOR THEMSELVES *

* STANDIN' ON THEIR OWN TWO FEET *

* AND RINGIN' ON THEIR OWN BELLS *

* I SAID, SISTERS ARE DOIN' IT FOR THEMSELVES *

* NOW, IF THERE'S A SONG

* CELEBRATE

* THE CONSCIOUS LIBERATION OF THE FEMALE STATE *

* MOTHER'S DAUGHTER

* AND HER DAUGHTERS, TOO, YEAH *

* WOMAN TO WOMAN

* WE'LL SING IT WITH YOU

WHOO!

* CAN FEELINGS LAST?

* IT'S TIME TO EXPERIENCE

* GIRL

* WE GOT DOCTORS, LAWYERS

* POLITICIANS, TOO

* OOH-OOH

* THEY'LL BE BACK

* TAKE A LOOK AROUND

* CAN YOU SEE? CAN YOU SEE? *

* CAN YOU SEE THERE'S A WOMAN RIGHT NEXT TO YOU? *

* UH-HUH

* WE SAID, SISTERS ARE DOIN' IT FOR THEMSELVES *

* OH, YES, WE ARE

* STANDIN' ON OUR OWN TWO FEET *

* AND RINGIN' ON THEIR OWN BELLS *

* SISTERS ARE DOIN' IT FOR THEMSELVES *

[NEW SONG BEGINS]

* STEP

* KEEP ON

* STEP

* GOTTA KEEP ON

* STEP

* KEEP ON

* STEP

* I'VE BEEN THINKIN' ABOUT WHAT YOU SAID *

* YOU'RE BUSY LIVING SOMEONE ELSE'S LIFE *

* MM-HMM

* I'VE BEEN THINKIN' ABOUT WHAT TO DO *

* WHILE YOU'RE TRYING TO GET MINE *

* AND I'M DOIN' FINE

* TAKE MY HIGH HEELS

* YOU'RE A LOWLIFE

* KEEP ON STEPPIN'

* WATCH MY HIGH HEELS

* WALK OUT OF YOUR LIFE

* KEEP ON WALKIN'

* WALKIN' OUT THE DOOR

* OOH, IN TOO DEEP AND ABOVE MY HEAD *

* THERE'S NO TURNING BACK THIS TIME *

* I'M GOIN' ALL THE WAY

* GETTING UP TO YOU

* AND GIVE IT ALL I GOT

* I WON'T STOP

* WON'T STOP

* TAKE MY HIGH HEELS

* YOU'RE A LOWLIFE

* KEEP ON STEPPIN'

* OH, THIS IS MY LIFE *

* WATCH MY HIGH HEELS

* WALK OUT OF YOUR LIFE

* AND I'M WALKIN'

* STEP

* WALKIN' OUT THE DOOR

* OOH

* TAKE MY HIGH HEELS

* YOU DIRTY LOWLIFE

* KEEP ON STEPPIN'

* DIRTY LOWLIFE

* KEEP ON

* I GOT MY HIGH HEELS

* THIS IS MY LIFE

* AND I'M MOVIN'

* MOVIN' ON

* MOVIN' ON

* TAKE MY HIGH HEELS

* YOU DIRTY LOWLIFE

* I GOT MY IDEALS

* THIS IS MY LIFE

* I'LL DO WHAT I FEEL

* GET IT JUST FINE

* TAKE MY HIGH HEELS

* THIS IS MY LIFE

* OH

* OH, THERE'S A LOWLIFE

* UH-HUH

* YOU'RE TURNIN' ON ME

* GET OUT OF MY LIFE

* YOU DIRTY LOWLIFE

* YOU DIRTY LOWLIFE

* NO, 'CAUSE THIS IS MY LIFE *

* NO, NO

* OH

* YOU