Original subtitles

DAWSON NARRATING: He is immortal, born in the

highlands of Scotland 400 years ago.

He is not alone.

There are others like him--

some good, some evil.

For centuries, he has battled the forces of darkness, with

holy ground his only refuge.

He cannot die, unless you take his head, and

with it, his power.

In the end, there can be only one.

He is Duncan MacLeod, the Highlander.

THEME SONG: Here we are, born to be kings.

We're the princes of the universe.

I am immortal.

I have inside me blood of kings.

Yeah!

Yeah!

I have no rival.

No man can be my equal.

Take me to the future of your world!

-She had herself tattooed and ankle chain.

Now, she doesn't come home all night.

What the hell is this all about?

-Rebellion.

-Against what?

I've been too damn good to her.

-She's 18, Craig.

She'll outgrow it.

-When?

Oh.

So she comes home.

[tires screech]

[loud radio music]

CRAIG [OFFSCREEN]: See what we have to deal with?

-Hey, Duncan.

What are you, the reinforcements?

-Nice car.

-Someone in this family had to join the 20th century.

[door opens]

-Where were you?

-Out.

-Why didn't you call?

-Steve didn't have a phone.

-Steve who?

-I didn't ask.

-You mean you spent the night with him, and you don't even

know his last name?

-Come on.

Chill, Michelle.

Your parents are worried.

Give them a break.

-They're not my parents.

CRAIG [OFFSCREEN]: You see what she always does?

-We don't deserve that.

-They're not.

And they won't tell me who is.

-You know what?

It's true.

I don't know who the hell you are!

-Michelle, why don't we go for a walk?

-She doesn't give a damn about anybody but herself.

-Like you do?

You make me sick!

-Don't talk to me like that!

-Yeah, right.

-Get in the house!

-Go to hell!

-Stop it!

-I'll go after her.

-Forget it.

If that's what she wants, let her go.

-What she wants is for you to stop her.

-I've had it.

She says I treat her like a kid, let her find out what

it's like to be out there on her own.

[loud radio music]

[tires screech]

-[sobs]

[tires screech]

-[gasp]

[tires screech]

[screams]

[clang]

[crash]

-Move it, let's go.

Clear the hallway.

-Clear the deck!

She's code blue!

ER STAFF [OFSCREEN]: --4, 5.

WOMAN [ON PA SYSTEM]: Code Blue.

Emergency station Alpha.

ER STAFF [OFSCREEN]: 1, 2--

WOMAN [ON PA SYSTEM]: Dr. Foster to ER, stat.

Dr. Foster--

ER STAFF [OFSCREEN]: --2, 3, 4, 5.

Pick it up on the table.

[monitor beeps]

ER STAFF [OFSCREEN]: Everybody, come on, let's go!

-Vitals?

ER STAFF [OFSCREEN]: --full arrest.

-OK, get her typed and crossed for six units.

I want blood and gases, stat.

300 joules.

[monitor beeps]

-Stand by, 5 milligrams epi.

ER STAFF [OFSCREEN]: Everyone stand clear.

-Clear?

ER STAFF [OFSCREEN]: Clear!

[jolt]

-Nothing.

[long beep]

-Epi.

Come on.

Come on.

Come on, girl.

Don't you die on me now.

OK, let's go again.

300 joules.

Ready?

-Ready.

-Clear?

-Clear.

[jolt]

-Come on.

-What's taking so long?

-It might be a good sign.

-I should have stopped her.

Why didn't I stop her?

-It happened.

It wasn't your fault, Craig.

-But she was so angry.

I never should have let her drive away like that.

WOMAN [ON PA SYSTEM]: Dr. Porter,

please call the Emergency.

Dr. Porter, please call Emergency.

-Nancy--

-No!

What's the name of the caterer we used for

Michelle's Sweet 16th?

If we're going to have a house full of people, we have

nothing to serve.

I don't know if I did the dishes.

-Your sister will handle all of that.

-Thank you.

-If there's anything you need--

-[gasps]

[gasping]

Huh?

[sobs]

Oh, what the--

what's going on?

Where--

-Put these on.

-Duncan?

Oh.

I was in a car.

I was really pissed.

-Just hurry.

-God.

I was flying in the car.

I've got a monster headache.

-Michell, come on!

-[gasping]

What the hell is this place?

-[ANGRILY] Will you get dressed?

-Whoa, hold up!

Time out!

That was the morgue!

-Will you keep it--

-I was in the morgue!

-[WHISPERS] Keep your voice down.

-Why?

-Because we're trying to sneak out of here.

-No, I mean, why was I in there?

-Don't worry, you're not dead.

-Oh, gee, thanks.

That explains it.

Duncan!

-In there!

-Why do I have to?

-Get in there and be quiet.

Not a word!

-Mr. MacLeod, isn't it?

-Oh, hello, Doctor.

-Hi.

How are you holding up?

-Oh, better, thanks.

-Good.

Your friends?

-Well, it's not easy for them.

-Yeah, I know.

It never is.

So, uh, is there anything I can help you with?

-No, no.

I'm fine.

Thanks.

-No, I mean, is there a reason that you're down here?

-Me?

-Yeah.

-No, yeah, well, actually, uh, I was looking for a friend.

-In the morgue?

-[chuckles]

-[chuckles]

-What the hell is going on?

You mean I'm never going to turn 19?

-You might get to see 1,000.

-Oh, man.

Oh.

You're serious?

You're telling me this is for real?

-I think you know it is.

-How long have you known?

-I knew this day would come since the first day I saw you

with your parents.

-You know what?

You know what?

I think I knew, too.

-You couldn't have.

-No, no, no, no.

I mean, um, the way you were always paying attention to me.

You're always watching me.

I thought something was going on.

-Now, you know.

-Oh, wow.

Oh, this is perfect.

[giggles]

So what happens next?

-I'll see you through it.

-Oh, I like that.

You and me, together forever.

-That's not how it works.

-You do know I've always had a thing for you since the first

day I saw you.

-You were 11 years old.

-I matured early.

[phone rings]

-Michelle--

[phone rings]

-MacLeod.

-Duncan, the hospital just called.

They can't find Michelle's body.

They lost her, for god's sake.

-Well, try not to worry, Craig.

She'll turn up.

CRAIG [ON PHONE]: How could that happen?

How could they be so incompetent?

-I'm sure it wasn't intentional.

CRAIG [ON PHONE]: Now, they want me to come down to the

morgue and look at Jane Does.

Look, I--

I haven't told Nancy.

And I don't want to leave her alone right now.

-I'll take care of it.

CRAIG [ON PHONE]: I hate to lay that on you.

MACLEOD [OFFSCREEN]: It's not a problem.

-Thank you, I'll check in with you later.

-Right.

What are you doing?

-What you're saying is I could down every bottle here, and it

wouldn't kill me, right?

-No, but you'll wish it did.

-I mean, I could basically do whatever I wanted to--

speed, smack, the whole candy store.

-You'll get the life you asked for.

-Yes, Duncan, but this one never ends.

And there's always time to start over.

-It's not as simple as that, Michelle.

We have to talk about this.

All of it.

-OK.

-When I get back.

-Where are you going?

-Your father asked me to go to the hospital.

They discovered your body missing.

-Well, I'm right here.

You don't have to go anywhere.

End of story, OK?

-I have to go because he asked me to.

-Oh, I guess, he's too broken up about it to do it himself.

-You can remember your parents however you want.

The truth is, they loved you.

-Well, can you just come back soon?

-I will.

Just lock the door and don't let anybody in.

-Why?

Are you expecting someone?

-No.

-Then why are you being so paranoid?

-It wasn't an accident that I found you.

Others might come looking.

-Wait a second, what others?

-I'll explain it later.

Just stay put.

-No.

-Stay put.

-Duncan?

-Mr. MacLeod, how did you get this job?

You're not the girl's father.

-Guess I'm a glutton for punishment.

-Well, I guess that makes two of us.

Or maybe you're just one hell of a good friend.

[radio music]

-Hey!

-[giggles]

[buzzing]

-[gasps]

[panting]

[gasp]

Is someone there?

-Lovely.

-You're like me, aren't you?

-Yes, you could say that.

-This thing I'm getting from you--

whatever it is, it's weird.

-You like it?

-It's like we're plugged in or something.

-Or something.

I like your voice.

-Michelle.

-Axel.

I like your freshness.

It's a wonderful thing to be new.

-Yeah, right.

-You know, Michelle, your world's about to change in

ways you've never dreamed of.

-I can handle it.

-And I can help you.

With me taking care of you, Michelle, the

times we could have--

-I don't need another teacher.

-Duncan MacLeod.

-You're a friend of his?

-We're acquainted.

-He is, like, out of control with this

"taking care of me" bit.

-Yes, he would be.

But whatever turns you on.

-I didn't say that.

-He's out?

Good.

So where should we go?

-He said to wait.

I really shouldn't go anywhere until he gets back.

-Oh, you're such a good little girl, Michelle.

Do you do everything you're told?

-No, I don't.

But I'm pretty new at this thing, and he's showing me the

ropes.

-Yes, I'll bet he is.

The choice is yours, Michelle.

You can either have a daddy or a partner.

-And why not both?

-Because I hate to share.

When you get bored at Duncan treating you like a

baby, I'll be around.

-How will I find you?

-You'll feel me.

-Damn it.

[buzzing]

[door closes]

-Where have you been?

I thought I told you to stay put.

-You have it, too.

I didn't notice it at the hospital before.

Everything was so messed up.

-Didn't notice what?

-I knew you were here.

I could feel you.

-Works both ways, Michelle.

-You mean it's part of the deal?

-One of the many, including doing what I tell you.

-Oh, come on, Duncan.

Don't be mad at me, OK?

I just went for a walk.

-Who'd you go with?

-Hm?

-You said I had it too.

Who did you mean?

-God, with the names.

You sound just like--

you sound just like Craig.

-Michelle.

-Axel.

His name's Axel.

[sighs]

We had this connection, you know?

I mean, it was really bizarre.

-He could have gotten you killed.

-Wait a second, I thought you said we were

supposed to live forever.

-What you felt, what we feel, is how we

recognize other Immortals.

How we prepare.

-For what?

-For combat to the death.

-Huh, been there, done that.

-Michelle, when another Immortal takes your pretty

little head, it'll happen again--

for good this time.

-Oh, so is that what you guys do?

Run around chopping each other's heads off?

-Until there's only one of us left alive.

-I don't think so.

-Michelle, I'm not your father. [SHOUTS] And this is

no fairy tale!

Now, you either learn the game or you die.

-[gasping]

[faint buzz]

-This is weird.

I mean, I've actually had a fantasy about this before.

[sighs]

I don't know.

Somehow the real thing--

shouldn't there be more?

-Don't sweat the past.

It's history.

-Right.

-I'm serious, Michelle.

Now, the real fantasy starts.

You and I can recreate ourselves over and over again.

You can be anyone you want, any time you want.

And I can show you how.

I want to show you how.

-Why?

-Because I want to see the world through your eyes.

-"Can we not guarantee that those who sleep in death will

also be raised?

For just as death has come by means of man, for just as

means and men all die from their union to Adam in the

same way the we will all be raised to life because of our

union with Christ. "

-I can't believe this is how it ends.

-It's not over.

This is a sham.

She's not there.

It's an empty box.

How can this be over when there's nothing to bury?

-It's not the body that matters, Nancy.

That's not what you remember.

It's her life.

That's what you loved.

That's what you're laying to rest.

-[sobs]

[buzzing]

WOMAN [OFFSCREEN]: [singing]

You are my honey, honeysuckle.

I am the bee.

I'd like to sip the honey sweet from those

red lips, you see.

I love you dearly, dearly.

And I want you to love me.

You are my honey, honeysuckle.

I am the bee.

[chatter]

-[singing]

I'd like to sip the honey sweet from those

red lips, you see.

I love you dearly, dearly--

[chatter]

-Oh, thank you, James.

[buzzing]

-We're in a public place.

-I won't harm you.

-But you are one of us.

-But no danger to you.

-Would you buy me a drink?

-Uh, Miss--

-Sharon.

You're very kind.

Maybe I could get to know you better.

We could be friends.

-As you said, we're in a public place.

-I have a room upstairs.

Number 36.

-Sharon, you're very nice, and you're very beautiful.

But I already have a date.

And I hate to keep a lady waiting.

-What's your name?

-Duncan MacLeod.

Now, I really must be going.

-Help me, please?

Before wa--

wasn't the truth.

Please.

There's a man, an Immortal.

And he's been following me.

-And?

-I never learned how to fight.

I don't even have a sword.

Please.

That's why I need your help.

He wants to kill me.

I know it.

-You could have asked without the games.

-I--

I didn't think you'd want to help me without getting

anything in return.

I guess I'm not very good at it.

-I'll help you, Sharon.

-Wha--

what about your date?

-She'll understand.

-[singing]

I am the bee.

[applause]

-I'll wait for you in my room.

-Yeah.

I will be there as soon as I can.

Excuse me.

Good evening, my dear.

You look lovely.

[buzzing]

[knocks on door]

MACLEOD [OFFSCREEN]: Hello, Sharon.

It's Duncan MacLeod.

SHARON [OFFSCREEN]: Come in.

-Sharon, what is this?

I told you you didn't have to do this.

[buzzing]

-Ahh!

[clang]

-Hello, Axel.

-I almost had you, Duncan.

-But you cheated.

-Well, you know what they say about love and war.

[clangs]

-Don't hurt him!

[clangs]

[thump]

-Aah!

[thuds]

-He doesn't look good.

There!

-You can't have her.

-I think that's up to Michelle.

And she's so innocent, so lovely.

-She has her whole life ahead of her.

-Yes, I know.

We'll be seeing each other again soon.

-"Although some have died, he then appeared to James, and

afterward to all the apostles.

Last of all, he also appeared to me, even though I am like

one who was born"--

-Not smart, Michelle.

-Haven't you ever wondered what your own funeral would be

like?

-They could have seen you.

I guess everyone needs to know they'll be missed.

-Mom, maybe.

Not him.

-I hope you live long enough to realize how wrong you

really are.

[car door slams]

-[sighs]

You know, I saw you and Axel.

Are you guys buds or something?

-Or something.

Michelle, I can't lock you in.

All I can do is to ask you to please stay away from him.

-You know, maybe you're the one I shouldn't be trusting.

-That's too easy.

-Well, I'm still here, aren't I?

Axel didn't cut off my head or yours.

-We were on holy ground.

-What's that?

-The only place we're safe.

-Whatever that means!

All I know is I don't feel like a little girl

when I'm with him.

-He's very clever that way.

-[whistling]

AXEL [OFSCREEN]: You were supposed to seduce him.

You were supposed to bring him here and put a smile on his

face.

-Don't hurt me, please.

-You were supposed to separate him from his sword and leave

the rest to me.

-Sorry.

-I'm trying to protect you, Sharon!

If I don't take his head, he'll gladly take ours.

Do you understand that?

Sharon, beautiful Sharon, I'm lost without you.

You were once so innocent, so lovely.

[buzzing]

-Thank you.

-I'm sorry.

-Apology accepted.

Goodbye.

-I need your help.

-Haven't we done this before?

-It wasn't my idea.

It was for Axel.

-Is that how it works?

You set them up, and Axel takes their heads?

-You weren't the first.

But you fought him.

You got away.

-So can you, if you want to.

-I don't think so.

After I became what I am, I would have gone mad if Axel

hadn't found me.

He showed me the world.

He taught me how to be.

-The only thing he taught you to be is bait.

There's much, much more to our lives than that.

There's a boat leaving for London at 3 o'clock.

I can get you on it.

-You'll come with me?

-No.

-Well, then who will protect me?

-You'll learn to protect yourself.

I'll arrange for someone to meet you, to teach you what

you need to know.

-You really mean it?

-Yes.

-People drift apart.

It happens.

He did love me once.

-Is that what he calls it?

-He took care of me.

He kept me alive.

-Don't make any excuses for him, Sharon.

You don't owe him anything.

-You don't know him.

-You're not going to change him.

I'll come for you at 2 o'clock.

-Fine.

I'll be here.

[woman screams]

[crackling]

[rumbling]

MICHELLE [OFFSCREEN]: This is too bizarre.

Duncan, people running around with swords, cutting heads

off, living forever.

Man, this is some bad acid-trip fairy tale.

-It's not a fairy tale.

And it won't seem so bad once you learn

to look after yourself.

-Or you know someone who will?

-I won't always be there.

-And who said I meant you?

-I'm serious.

-Well, so far, this immortality thing feels like

nothing but a bunch of rules.

-You'll get used to it.

But first, you're going to have to learn those rules.

Don't worry, you're going to have plenty of time for

everything.

There's so much for you to do, for you to see.

You can go to school.

You can go to Tibet.

-I can get in sword fights.

-When you're ready, that won't seem so strange.

[knocks on door]

CRAIG [OFFSCREEN]: Duncan?

-[WHISPERS] It's my dad.

-Office.

-[WHISPERS] It's my dad.

-Get down.

Hello, Craig.

Come in.

-I'm sorry to come so late.

I needed to talk.

I didn't want to bother Nancy.

-Hey, you know, I told you, any time, man.

Have a seat.

-She tells me that it wasn't my fault.

But that's a lie.

And we both know it.

-When these things happen, Craig,

people look for reasons.

They look for blame.

But there's no blame here.

You didn't drive her over that cliff.

-I didn't stop her.

And I always hated it when she'd ask who her real parents

were, not just because I didn't know, but because it

made me feel like I wasn't enough.

God knows I wasn't.

Look how she hated me in the end.

-It wasn't about hate.

It was about separation.

-Well, I just could not get through to her.

And I--

I lost it.

-Hey, I was there, remember?

Children fight with their parents all the time.

That's the way it is.

You weren't out of line.

She deserved it.

-You're not supposed to speak ill of the dead, you know.

-What?

Are we nominating Michelle for a sainthood here?

-That's what she liked about you.

You were honest with her.

I always pushed her too damn hard.

-She wasn't my daughter.

It was easy to stay objective.

-But she was just so much.

Everything she did, everything she felt was bigger.

I wanted her to do something with that, not just waste it.

Now, she'll never do anything.

It's all just gone.

[sniffs]

[sobs]

She died not realizing how much I loved her.

If I could just have her back, she could do

anything she wanted.

-Craig, I think you should go home to Nancy.

She needs you.

-You're right.

[sighs]

Thank you, Duncan.

Thank you for everything.

-I'll call you.

-Daddy.

-Michelle, don't.

-It's not fair.

-It's too late.

-[sobs]

Duncan, all this time I was so angry at them.

And it turns out that I was the one that has the--

the big secret.

-You didn't know.

-I know what a bitch I was.

-Stop it.

Stop it!

-But look at what I've done to him, and he still loves me.

Why would he?

-Because he's your father.

He understood what was going on under there.

-[sniffs]

-You're bright and you're beautiful.

You were the center of their universe.

-You mean that?

-Hey, I told you, you were special.

You don't think I would have hung around this long if I

didn't believe that?

-Thank you, Duncan.

Oh god, I needed to hear that.

I don't feel so scared now.

-Um, Michelle--

-Don't worry.

I know what I'm doing.

-Yeah, that's what scares me.

-What is this?

I thought you just said I was special?

-I'm your friend.

-It's not like I've never done it before, you know, Duncan.

-That's not what we're about.

-Yes.

Yes, it is.

-Michelle, I don't think this is a good idea.

-What?

-Me, teaching you.

-You need a better guide, someone closer to your own

perspective.

-Someone like Axel?

-Axel doesn't care about you.

-Well, at least, Axel doesn't treat me like a little kid.

He treats me like his equal.

-But you're not his equal, Michelle.

He may seem young and full of life, but inside, he's old.

He will use you and feed off you-- of your youth and your

excitement.

When Paris doesn't thrill you any longer or the pyramids

doesn't amaze you, he will put you out as bait.

-You're lying.

-No, he's done it before.

-Axel would love me.

-Even if he did, you need a teacher, not a lover.

-What do you know about what I need?

-I'll take you to a friend of mine.

You'll really like her.

-Her?

-We'll leave in the morning.

-You know, Duncan, that's a long time away.

-Don't you even think about it.

-You really are an old man.

-Go to sleep, Michelle.

-OK.

-Fine.

I'll use the couch.

-[sighs]

-It'll work out fine.

-Morning.

-You two are going to get along great.

Fill her up, would you?

-Oh, yeah.

I bet we'll really hit it off.

Me and some dried-up old teacher from St. Mary's School

of Sword Fighting and Manners.

-Not exactly.

Trust me, it's for the best.

-You know, Duncan, you really have a gift for taking the fun

out of eternal life.

-It'll get better.

-I sure hope so.

-No, I mean, your outlook.

-[chuckles]

Oops, almost slipped.

You were going to say "my attitude."

You know what, Duncan?

That is dad-speak.

And you're pretty lousy at that, too.

I got to go.

-Where?

-Do you want to come with me?

-Michelle, we're not enemies.

-Hey, baby, if you're looking for someone, I'm right here.

Oh, yeah.

Check this out.

Want to go for a ride?

Sounds good to me.

[motorcycle engine revs]

-Michelle!

[buzzing]

-My turn?

-This is so cool.

Living on a boat.

-It's all yours.

-For real?

-Mm-hm.

Have you ever seen Paris?

-Only in the movies.

-I know this great little hotel on the Seine.

You wouldn't believe the view from the bedroom.

And if we ever get bored of Paris, we'll sail south of the

Cap d'Antibes, and I'll feed you oysters.

And we'll make love under the stars.

Mm.

-[sighs]

You're going to spoil me.

-You deserve it.

And all you have to do is trust me to take care of

everything.

-So with all this traveling around, when are you going to

teach me how to use a sword?

-You won't need a sword.

You'll have me.

-Maybe you won't always be around.

I've broken up with boyfriends before, you know.

-I'm not exactly your everyday boyfriend.

What could you possibly want that I can't give you?

-Duncan said I needed to know how to fight.

And he was going to teach me how.

-Everything in its own time.

-So you'll teach me.

-All you need to know.

-OK, because Duncan said--

-Duncan's not here.

I am.

You're with me now.

You have to say goodbye to your past.

OK?

Hm?

-Where the hell are you, Michelle?

This is no joke.

MICHELLE [ON PHONE]: [sighs]

Look, don't flip out on me, OK?

I just called to say I'm sorry for running out on you like

that.

-All right.

You're forgiven.

Come home.

MICHELLE [ON PHONE]: I am home.

-Whatever line it is Axel used to convince you, that's

exactly what it is-- a line.

MICHELLE [ON PHONE]: I don't think so.

-All right, Michelle.

You don't have to come back here.

Just--

just don't stay with him.

-Look, Duncan, it's my life.

And I just called to say goodbye, OK?

And I'm sorry I was such a bitch to you.

At least, I'll be out of your hair.

-Just tell me where you are.

-Hey, Duncan.

Listen, we're down at Cape Schooner.

Why don't you come and say goodbye?

[buzzing]

-Duncan, hi.

I hope you're not going to try and talk me out of this.

You came to kill me?

-Don't be ridiculous.

-What's that for?

AXEL [OFFSCREEN]: It's for me.

Get back on board, Michelle.

-Look, guys, you don't have to do this over me.

-This isn't just about you, Michelle.

Did he tell you about Sharon and the others?

He protected them right up until the time he killed them.

-You think I'd do anything to hurt you?

-Do you think he would ever teach you to use a sword?

-Michelle!

-Don't listen to him.

Don't listen to me, listen to yourself.

-I'm out of here.

-I don't think so.

-Arrh!

[clangs]

-Yah!

You cheated again, Axel.

[clangs]

-Oh!

[clang]

-I don't need to cheat, Duncan.

[clangs]

[both grunting]

[clangs]

[thump]

-Your move.

[both yell]

[splash]

-Duncan!

[crackling]

[blast]

-Aagh!

[crackling]

[static noise]

MICHELLE [OFFSCREEN]: So that's it.

They'll never know.

-It could do more harm than good.

-Yeah, you're probably right.

God, my parents.

Why was I so angry?

-They're in your past now.

It's time for you to move into the future.

-I was hoping to do that with you.

[chuckles]

-She does remind me of someone.

I just can't remember who.

I think we'll get along just fine.

-That's what I'm afraid of.

-So where are we going?

-It's an old abbey.

You'll be safe there.

It's holy ground.

-Axel promises me Paris, and you're

sending me to a convent.

-He also didn't want to teach you how to use a sword.

-Oh, typical male sexist mindset.

-Mm-hm.

-Don't worry, there'll always be Paris.

-I think a convent's all she needs.

-So you two ever--

-Uh, that's none of your business.

-How was he?

-[chuckles]

We'll talk.

-Uh, no, you won't.

-Bye-bye, Duncan.

-Amanda!

THEME SONG: And here we are.

We're the princes of the universe.

Here we belong, fighting for survival.

We've come to be the rulers of your world!

I am immortal.

I have inside me blood of kings.

Yeah!

I have no rival.

No man can be my equal.

Take me to the future of your world!