All language subtitles for Hitchcock s03e14 Final Performance.eng

Good evening.

Seems to have been a bit of an uproar.
rising here by a group that is long on

principles and short on marksmanship.

If you're disturbed by what they did to
the wall, just imagine what they did to

my shirt and my tie.

It's completely ruined.

The leader of a firing squad used to do
this at parties using a pair of

scissors. It is comforting to know he
has not lost his sense of humor.

Tonight's narrative is called Final
Performance.

Although whose performance, I shall let
you discover for yourself.

It begins in one minute.

You going to Rollins?

Oh, yeah. Yeah, get in.

Good. Oh,

it's cool in here.

How come it's so cool?

Air conditioning.

Oh.

Look, I want to warn you. I'm having
some trouble with my car.

I just hope I make it.

Where are you going? Just Rollins?

No, I'm going to Los Angeles.

Hollywood.

You're going to Hollywood?

Hey, listen, that's where I'm going. Is
it funny?

Hey, what's all this stuff? You moving
or something?

Yeah, I'm moving to Hollywood.

Oh, you in the movies or what?

No, I write for the movies.

Oh.

Hey, listen, would you mind driving me
all the way?

I mean, that's where I really want to
go, if you don't mind my company.

Well, it's still a good trip. I'll
probably have to stop.

Oh, that's all right. I can sleep
anywhere. What do you say?

About what?

About taking me to Hollywood.

Oh, you will, won't you?

Yeah.

Hey, what's your name?

Cliff.

Like, follow the clip.

Yeah, yeah, yeah, like follow the clip.

Oh, I'm Rosie.

Hi. Hi.

Hey, say, listen, um, if you do take me
to Hollywood, maybe you can introduce me

to some of them big stars, huh?

Come on, get out of there.

Turn around and put your hands up on the
car.

Hey, now look.

Don't give me no hard time.

Okay.

Let me see your license.

Now, look, Sheriff, I think you've made
a mistake.

If you'll just be quiet a minute, I'll
tell you about all you've done wrong.

Number one.

Come to our town back there, it's better
than 30 miles an hour.

Speed limit's 15.

That's 15 miles an hour right there.

Number two, you come through trail
enough loose smoke to contaminate the

state a while.

Number three, touch it real good.

Picking up that young girl there.

Trying to make off with her.

You know, not five minutes ago, she
flagged me down. I just gave her a lift.

She begged me for a ride. I'm going to
Hollywood. She begged me for a ride to

Hollywood. Ask her.

Go ahead, ask her.

Rosie, what you doing in there?

Well, uh... I was just out walking.

And, uh... That man... He, uh... He
drove his car up and he got out.

And he made me get in.

He made me get in his car.

Hey, what's the matter with you? Why
don't you tell him what happened? That's

enough.

Now, Rosie, you come on out there and go
up and get in my car, you hear?

Yes, sir, you're in serious trouble.

Now, you just get in your car, follow me
back to town.

Well, Sheriff, I didn't touch that girl,
and I was not speeding.

That's number four, Mr. Allen.

That's what this directs.

I sure hope you carry lots of money,
young man.

where she belongs, then I'll send a tow
truck after you. Huh?

Get into town. Stop by my office.

Just look for the car.

You remember, young fella.

I've got your driver's license.

You get right to work on it. I'm in a
hurry.

I know. You told me.

Stop around tomorrow.

I wonder if you could help me.

What do you want?

Well, who do I see about a room?

Me.

Star break down?

Yeah, how'd you know?

That's the only reason anybody stays
here unless the sheriff holds them up

speeding.

Well, I just let the guy from the gas
station win.

Yeah.

Yeah, he's doing me a big favor. He's
towing my car in for $35.

$35 just for towing.

Uh -huh.

Well, can I have a room?

Sure.

Where are you going?

Los Angeles.

What's your name?

Cliff Allen.

Any relation to Fred?

Fred? Allen.

Fred Allen.

Oh. Allen's a pretty common name.

I knew Fred Allen. I was on the same
field with him for five weeks in Philly.

Then again at Baltimore.

Oh. But you performed or what?

Rudolph the Great.

You ever hear of him?

Rudolph the Great.

No, I can't remember.

You know, you do look a little young.

You ever seen any vaudeville?

What else have you seen?

You must have seen me.

Sign here.

Uh -huh.

You got cash for the room?

How much?

Three dollars for the sink.

You want a sink?

Yes, sir.

Rosie, how'd you like to show Mr.

Allen up to Al Jolson?

I got all the cabins named after the
stars.

You're in the Al Jolson.

Would you rather be in the WC field?

I don't care.

I got it all cleaned up. Clean sheets.

Owls. There's a sink in there.

I dusted the other day.

Well, here.

Mr. Allen, Rosie will take you to the
cabin.

Oh.

Thank you.

What

are you

doing?

I was doing everything inside.

I'm sorry. I'm sorry about what I did,
but I had to.

Had to do what?

Why don't you just tell the sheriff the
truth?

Maybe it's not the truth. Oh, it is. I
do want to go to Hollywood, but if the

sheriff is dead, he'll tell Rudolph and
I'll never get out of here.

Rudolph?

He doesn't want me to go anywhere.

Oh, well, that's wonderful.

Boy, the sheriff tells him that lie of
yours.

You can't stay here.

I wouldn't have gotten you. I have no
choice.

Well, get your out of here, Ronald.
Sleep in a field, anything.

What are you doing here anyway? If you
work for him, why don't you just quit?

What are you, his daughter or something?

Well, it's... He looks after him.

But... Rosie, you don't give me any
reasons. You just... Rosie!

Like I said, yeah.

Rosie!

Come on back here.

No. Come on back here now.

No, you're going to hit me.

I ain't going to hit you.

I ain't going to touch you.

What took you so long?

Gee, I ain't going to touch you.

Please don't hit me. Oh, stop that. I
ain't hurting you.

What were you doing up there, talking to
that man?

I don't care if he does. All you had to
do was show him the cabin. Come right

back.

Oh, you had to dust. I ought to dust
you. That's what I ought to do.

You want that young fella to have a
quiet rest. Here, you keep away from

You and your truck drivers and your town
kids.

You got your eye out for all of them.

Picked up.

Yeah.

Yeah. You ever something to drink?

Come and come. We got good root beer
here. Fine.

Ah, you do look kind of young.

But I thought you might remember Rudolph
the Great.

Well, uh, I don't know, Rudolph.

Maybe I did see you.

Maybe I can refresh your memory.

Come with me.

Bring your drink along.

Come on.

What? Yeah.

What are you doing here?

Oh, that's a long story.

I come through here with a traveling
fare.

Closed down, and here I was.

Me and Maggie and Rosie.

Maggie and Rosie?

Yeah, Maggie was my wife.

She was the other half of the act.

You see, Rosie's folks died in a
heartless fire.

You remember that?

And for a while, we all kind of killed
Rosie.

And then County Fair closed down. I got
a job here cooking.

And I took over.

Maggie died the first year.

That was the end of the team.

That Rosie and I stayed on.

She's a big girl now.

We're going to get bookings as an act.

You know, another team.

We got a lot of routines we're working
on.

You ought to see them.

Well, they're not as good as my old act
used to be yet, but they're going to be.

You're a juggler.

No, no, that's just kid stuff.

Listen, I was next to closing 43 times.

That's some juggler's spot.

I had my specialty.

I'll show it to you.

But I can't show it to anybody,
understand?

Oh, sure.

Hey, did you see this one?

That's me and Will Rogers.

I got one in closing. It's out here
somewhere.

Maybe you saw me in the folly.

You'd remember me.

I don't think so. The last spot that I
saw was in New Jersey. New Jersey? I

played New Jersey. Clark and McCullough
was on the field with me. Bobby Clark.

I got a good notice there.

Maybe you'd like to see it. Rudolph the
Great.

Oh, no, you don't want to. No, I'd like
to.

Well, maybe later.

Maybe later.

That's not New Jersey.

Well, come on. Sit down.

You're going to Hollywood, huh?

I'll bet you're in the movie.

No, I just write. I write for
television.

Television? Yeah?

What do you write?

Well, I write for a series. You know,
it's on every week.

It's about the Navy.

The Navy?

Yeah.

I love to be a sailor. A sailor. A

sailor. You must love it.

Hey, you know what?

We're going to have a great time here,
you and me. You know that?

You're the first person to come through
here in a long while that remembers the

old days.

I got a lot to show you.

You ever hear Tasty at the back?
Rudolph?

Charlie said he wants to know how much
milk we need. Oh, all right, Rosie.

Hey, hey, come here. Come here.

There's Mr. Allen here.

He's a writer. Come here.

Yeah, he's very special. He's one of us.

Show business. We're all in the same big
family, aren't we?

And, Mr. Allen, I want you to know my
Rosie is very talented.

Well, that's nice.

Not only is she talented, she's pretty,
too, isn't she?

Yes, she is. Yeah, Mr. Allen, I want to
tell you something else.

I want you to treat Rosie very special.

Because a week from today, Rosie's going
to be 18.

And the day after she's 18, we're going
to be married.

Rosie gonna be my bride.

Alan, could you come here a minute?

It's just the man I want to see.

I'd like to ask you some advice.

How do you like that?

Oh, it's very pretty.

Maggie. It was Maggie's wedding dress.

And now it's going to be Rosie's.

Oh, that's nice.

Do you think it's all right for a man to
have his second wife married in his

first wife's wedding dress?

Well, I suppose it would be up to the
bride.

Well, I think it's a good idea,
especially since they know each other so

They're a lot alike, anyways.

I think it's a good idea.

Don't you?

Your wedding?

Yeah.

Now, Mr. Allen, let me ask you
something.

Suppose... Well, you were a married man.

Let's say, instead of being a writer,
you worked in a store. See? And your

worked in there, too.

See?

And every man that came into that store
kept looking at your wife.

Would you have any objections to that?

I don't know. She was really attractive.
I'd expect them to look at her.

Be flattered.

Oh, you would, would you?

Oh, well.

Suppose she starts going out with him.

I don't know.

It would depend on the circumstance.

I might forgive her.

Once.

It could be grounds for divorce.

Uh -huh.

Well, don't you think she deserves some
kind of punishment?

I'm afraid I really don't know what
you're talking about.

I'm talking about punishment.

Your wife couldn't keep from making eyes
at these other men?

What has this got to do with the wedding
dress? It's got a lot to do with the

wedding dress, Mr. Allen, a lot.

When she wore this dress, Maggie
promised her love, honor, and obey.

Right? Hmm?

Right? Yes, yes, right.

And that doesn't mean when the dress is
changed that the vows are off, too, does

it?

Right? Right.

Right.

You're in show business.

Well, and you know what I'm talking
about.

Opportunity comes at the strangest time.
So you wait. And you wait. And you

practice. And you're ready for it. You
don't run around like a chicken with its

head off just to satisfy some anxious
woman.

No. You wait.

You work.

In a diner like this even if necessary.

And you get ready for it.

And if you can't wait...

If you can't sit still, you can't stop
playing around with other men.

You don't deserve what you got, do you?

Well, do you?

Well, no.

No.

No, sir, Mr. Allen.

Because if you don't appreciate what you
got, you don't deserve any of it. I

tried to tell that to Maggie.

I tried.

No, let's go to Holland.

Get back on the circus.

We ain't got any contacts anymore
anyway.

She just...

Couldn't wait until I was ready.

Ah, too bad for her.

But I got my Rosie now.

She's gonna wait.

She's gonna wear this dress.

She's gonna love on her and obey.

Isn't she, Mr. Allen?

I'm sure she is.

Yeah, my Rosie's very pretty, isn't she?

Well, you know, I didn't think she...
Pretty, don't you? Yes, yes, I do. How

pretty? Well, it's a little hard to
describe. I'd say she's very pretty.

enough for you?

Yes, yes, pretty enough.

And spoken for, too.

Well, that's always the way, isn't it,
Mr. Allen?

I'm sure I wouldn't know.

Do you want any more advice?

I'm glad you like the dress.

Maybe you ought to see my specialty, eh?

I'd like to get some work done.

All right, all right. We'll put it off
till you got time.

You gotta have a look at it. Well, you
can say you saw Rudolph the Great.

You might want to tell your kids about
it sometime.

I never had kids, son.

I guess so.

So am I.

Good afternoon.

How are you doing, honey?

It's a little tight.

Let me help you.

Don't I look a little funny on me?

Oh, no.

You look beautiful on you, honey.

Wait till all the boys see you in that.
You're going to be a figure.

You think so?

Yeah. Rudolph, you think we're going to
get to Hollywood so they can see me for

the movie?

I don't see why not.

You said you were going to take me to
Hollywood.

And you said you were going to introduce
me to them big stars.

Yeah, I will. I will. I promise.

You know what?

Jack, Benny and me are old buddies.

All I have to do is call them on the
phone.

It'll do a lot for you.

Let's call him now.

Oh, honey, now you know I can't call him
from here.

But I'll do better than that. When we
get to Hollywood, I'll take you right

to the studio to meet him.

And George Burns, too.

Yeah, he's an old pal.

You'll get your television.

Well, uh... You... You said last year we
were gonna go, and then... And then

this summer... Oh, Rosie, honey.

You're so pretty in that new costume.

Yeah, you know, that's just for your big
number.

Well... We... We... We ain't left here
once.

We don't even get to go to Rome.

I'm gonna make you a big star. I know
just the people that do it.

I'd like to see you moving, Mom.

Oh, Rosie, you're such a pretty thing,
you know that?

And next week you're gonna be my bride.

You'll be prettier than you are now.

All the guys will look at you just like
you were on a stage.

I say, look at that girl.

Ain't that Rudolph a lucky guy?

He sure got himself some girl.

Oh, no.

What? I think he was.

Oh, no.

explain about everything and I wanted to
apologize.

What's the matter?

I thought I heard something.

What's up?

Rosie, what do you want?

Well, I... I just want you to help me,
that's all. You can see how it is, how

Rudolph wants to marry me.

That's why I want to go to Hollywood
and... And when the sheriff came, I had

tell that lie so he wouldn't tell on me.

You are going to Hollywood, really,
aren't you? Mm -hmm.

If I ever get out of this town.

Well, you just got to take me with you.

Rosie, I'm very sorry, but I really
think this is none of my business. I've

gotten myself into enough trouble for
one day.

It's against the law for me to take you
anywhere.

The law? The law is the law anyway.

The law says that if Rudolph promises to
take me to Hollywood, he's supposed to

take me. And Rudolph isn't going to go
anywhere.

And the law says that if I get married,
then I'm never going to get out of here.

Cliff, am I pretty?

I mean, forgetting what I got on.

Yes, yes, I'd say you were pretty.

Would you like to marry me?

No, dear.

Well, if you would like, Rudolph, and if
you know me along the time.

Then, uh, would you love me?

If I knew you.

And I liked you.

I loved what I knew.

Yes, I might like to marry you.

Well, uh, uh... What?

Well, if you took me to Hollywood, how
would you get to know me? Rosie.

Well, you said I was true. Rosie.

Come here.

Now, look, I don't want to apologize.

I do.

Maybe it was my fault in the first place
for stopping for you.

And maybe because of that, I have some
kind of an obligation.

I just can't do any more.

You've got to understand that.

Is that something you're working on for
Hollywood?

Mm -hmm.

Where are you going?

and tip your hat. One, two, three, four.

Turn around

and tip your hat and turn back and take
your bow.

All right, all right. You're getting it.

Yeah, you're getting it.

You're going to be fine.

Oh, never mind about that.

But one thing, honey.

Don't be always looking at me.

Give him that big smile.

Well, hello there, Mr. Allen.

Welcome to our theater.

We got our own little orphan here,
haven't we?

Yes, very nice.

Don't let me bother you.

No, you're just in time.

We're going to do our comedy pattern.

I thought maybe I'd get to see your
specialty act.

Well, maybe, maybe.

Maybe I could do a little... No!

I don't want to do it when I'm so out of
practice.

But I'll work on it for you. I promise.

You'll see it.

But now you watch Rudolph the Great and
Rosie.

We've been working on this.

You ready?

Rudolph the Great and Rosie.

Take it away.

Hey there, Rosie. What you got there?

I've got a cake.

Yeah?

Where are you going?

I'm taking my case to court.

Hey,

now there, Rosie. Where are you going
with that thing?

I'm taking my case to higher court.

Then we do a little see -thump, see
-thump, and a thump, see -thump, and a

Thank you. Thank you.

We've got some more, but right now we're
going to take a little break.

Just looking around.

Yeah, Mr. Allen, I built this all
myself.

We give shows to the town people in
here. People come from miles around.

You like our little number?

Yeah, yeah, it's fun.

Now, Mr. Allen, if I was you, I'd watch
myself.

What do you mean?

What do I mean?

The sheriff was talking to me earlier
tonight.

Yeah, told me a lot of interesting
things about you.

About picking Rosie up on the highway
and all that.

We straightened all that out.

I was just trying to help her. Now,
that's all right. I understand.

Rosie's a mighty pretty girl.

I figure a young fella like you thinks
an old trooper like me can't handle it

right. I understand.

Now, Mr. Allen, you and I ought to be
pretty good friends. We both got show

business in our blood.

And you're going to get your car fixed,
get right on out of here to Hollywood,

aren't you?

I hope so.

Now, Mr. Allen, Rosie and I appreciate
you being here.

We'd like you to feel right at home, so
any time you feel like talking, you come

around to me. We'll talk any time.

There's just one thing, Mr. Allen.

You keep away from Rosie.

Yeah.

Television has many ingenious devices to
keep time from passing too quickly and

pleasantly. One of these is the station
brick, after which, on with our story.

sitting there?

I've been waiting for the parts to
arrive from Roland.

You better get yourself fixed up at
Rudolph's and come back in about two

Two days?

Monday, if you're lucky. I cannot sit
around this town for two days.

Well, it's funny to keep you busy here.

Will Bullerton's going to show his home
movies over at the schoolhouse.

How about Rudolph?

I'm sure he can entertain you.

Mr. Davidson, you know Rudolph pretty
well, don't you?

Oh, sure.

Everybody knows him.

Did anything unusual ever happen up at
his place?

I don't know what you're talking about.

Well, I'm not too sure I do either.

Why are you talking about it then? I was
just wondering about Rudolph. He's a

very interesting character. I wondered
how well you knew him.

I never heard a man talking around in
circles the way you do.

Is that the way they talk in New York?

Have a cup of coffee? Sure.

I've been meaning to ask you something.

What's that?

Well, you've got to stay out here a
couple of days more.

I was thinking maybe you'd do me a
favor.

Huh?

Well, you write the television and all
that.

I thought maybe you could write
something for me and Rosie.

A new pattern to work into the routine,
you know.

I'm not really a comedy writer. Well,
I'm not really a comedy performer, but

you've got to be versatile.

Why don't you do your specialty?

Oh, I will. I will.

And I'll show it to you like I promised.

But I've got to have some new material
to roll me in.

Well, you could write something,
couldn't you?

I don't think so. I just don't write
comedy.

I'll pay for it. I'll pay you well.

No, I'm sorry.

Try with some young star out in
Hollywood.

Look, that is... You could do it. But
you think maybe I wouldn't be able to

that kind of stuff across.

Listen, if it wasn't for my versatility,
I'd be dead.

My best friend, Louie Boynton, he's got
this one routine, this one exact same

routine. He does it on the circuit for
15 years. 15 years he does this routine.

He makes a good living out of it.

He even goes on television and does the
same routine, and I'd wow him.

But that is it.

That is the end of the routine that is
curtains for Louie.

Everybody's seen his act. No more jobs.

Where are you going to find a routine
like that every day?

Times have changed.

What does that mean, times have changed?

Does that mean you're too good for me?

You young kids are too good for us.

We taught you.

We taught you everything you know about
show business.

Now your kids get behind a television
camera and times have changed.

Instead of building up a routine for
years and years, you gotta have a

bright young kids turning out stuff for
another hundred bright young kids to

say. You gotta have a man that stands up
with a sign that says laugh or applaud,

cheer, whatever you want. Now let me
tell you.

I still got what I had when I played the
circuit, and it worked.

It still worked.

I got my Rosie. I got my pretty little
Rosie.

And I got my specialty act.

And that's what made Rudolph great.

So you go ahead and sell your stuff to
some young fool off in Holland.

Rudolph. Go ahead.

Rudolph. Go ahead!

Rosie, what are you doing here?

Rudolph said you're leaving.

Oh, what am I going to do?

I'm going to be married next week and
you're going to be in Holland.

You've got to keep me with you. Rosie, I
told you.

You shouldn't come here.

It makes Rudolph mad. He just doesn't
understand.

He likes you very much. He doesn't
understand it when you talk to other

Well, if he doesn't understand me and if
you do, well, why can't I be with you?

Oh, it is. It is that simple, Cliff. It
is. It's that simple.

Cliff.

I'm afraid every time I'm near him.

Don't you understand?

I suppose so.

Please, help me.

Rosie!

Rosie!

Thanks for rehearsal.

What will it be?

Something cold.

Soda? A little beer.

No, we'll be fine.

Mr. Davis, I was wondering when I could
get my car.

Want it tonight?

Yes. Got the cash?

Well, I phoned the studio. They should
be wiring me some money.

When it comes, you'll bring it to me.

I ain't going no place.

I'd like to have it by tonight.

Good, huh?

You got the money for the traffic
ticket?

Oh, yeah. How much was that?

$35.

$35.

10, 20, 30, 1, 2, 3, 4, 5.

Okay. There's your license.

Thank you.

Do I get a receipt?

I don't give no receipts.

Rudolph, you'd best give me a piece of
that peach pie there, will you?

I'll give you a piece.

Got any more of that stuff?

Nothing else.

Well, Carl will be ready tonight, even
if you ain't.

Wants to take his root bearer out of
there, too, really.

Rosie's not working today?

I heard you rehearsing last night.

Yeah?

Rosie don't feel too good.

She's been working too hard.

Working on that routine.

She's sick.

In bed.

Rosie?

What's the matter?

Rosie, are you all right?

Why don't you answer me?

I thought you were Rudolph. What are you
doing with this dress?

I'm going to be married.

Rudolph gave it to me.

He told me to put it on and leave it on.

Rosie.

Rosie, I'm going to take you with me.

You are?

Oh, Cleo.

All right.

Now, now listen.

I want you to listen to me. I want you
to listen. Careful.

I'm going to get my card. It's going to
be tricky, but I think I can do it.

Now, can we meet soon?

I'll meet you anytime. I'll go right
now. No, no, no, no, no, no, no.

Yes, I'll pick up my car and I'll meet
you... I'll meet you at 8 o 'clock,

here. All right?

I won't bring very much. I'll just bring
a couple of pretty dresses. All right.

All right.

All right, now.

Get out of the dress.

And stay in the diamond.

I'll see you tonight.

Need a call.

Need a call.

Rosie. Looking for someone?

Uh, I was just looking for Rosie.

Yeah, well, I wanted to say goodbye to
her before I left.

Mr. Allen, if I know about your meeting,
Rosie told me.

She told you?

She also told me to tell you she's awful
sorry, but she ain't meeting you

tonight.

Why, what's the matter?

Where is she?

Down at the bar in rehearsal.

She told me to say goodbye to you for
her.

Well, I said it.

Didn't I?

Rudolph.

I don't know what's going on here, but
I'd like to see Rosie before I leave.

like her to tell me all of this.

I told you. I know what you told me.

I'm not so sure I believe you. I think
you'd better go.

I think I'd better see Rosie.

All right. If you insist, follow me.

I'm awful sorry about all this, Mr.
Allen.

You know, Rosie gets this way sometimes.

She reads all her movie magazines.

Gets all those foolish notions in her
head.

She starts telling silly things to
people.

Some young fella like you comes along
and believes them.

That's a shame.

It's embarrassing.

Sometimes, you know.

Rosie, someone here to talk to you.
Rosie, I'll speak.

You wait here.

Now, Rosie, you've done a terrible
thing.

I want you to tell Mr.

Allen... I want the real truth, Rosie.

You don't have to be afraid.

I'm not afraid.

Cliff, I'm sorry. I'm sorry I lied to
you.

Rosie, I've come to take you away.

Now.

Because Rudolph's here, you don't have
to retreat.

Come on, it's all right.

I can't. I love Rudolph. I really do.

You've hypnotized him.

No, mister, you're wrong.

Rosie, tell Mr. Allen how wrong he is.

He's telling the truth.

I love Rudolph.

You couldn't have told me all that.

You begged me.

Rosie, what are you?

I'm asking you for the last time. I'm
leaving. Now, if you meant what you

if you want me to help you, come with
me.

I'll protect you.

Cliff, I don't want to come.

Really. I belong here.

You do understand.

I don't understand.

Goodbye.

You did it, honey.

I did it for you.

You know that.

I know.

You've given me so much, and I want to
give to you and love you and be a good

wife. I will be.

Won't I, Rudolph?

Yes, my love.

Is that my goodnight kiss, Rudolph?

Yes, my love.

The chrism was of no avail to Rudolph
when he faced a judge several months

later. He is now talking to himself in
one of our larger chrisms.

I've run out of time, although there
seems to be some left for others.

One of these is the sponsor who is about
to give his final performance for

this week.

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