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All language subtitles for XXXX - The Thrilling Art Of Alfred Hitchcock

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,050 --> 00:00:07,530 Tales of this sort aren't interested in you when you come in, but when your time 2 00:00:07,530 --> 00:00:08,530 is up. 3 00:00:11,770 --> 00:00:12,770 Good evening. 4 00:00:13,030 --> 00:00:15,610 I have some news that will delight you. 5 00:00:16,170 --> 00:00:17,590 Murder is not dead. 6 00:00:17,850 --> 00:00:22,170 I do not refer to the ones splashed all over the front pages. 7 00:00:22,450 --> 00:00:24,550 Those are in such bad taste. 8 00:00:24,850 --> 00:00:29,430 I refer to those exquisite murders that have a touch of the bizarre. 9 00:00:30,160 --> 00:00:35,520 and which take fiendish ingenuity to soul. Those are alive and well. 10 00:00:35,980 --> 00:00:39,520 One will be presented for your shivering delight immediately. 11 00:00:47,960 --> 00:00:54,420 Hitchcock was a genius of a filmmaker, but way over on the dark side. 12 00:00:57,310 --> 00:01:02,130 Hitchcock was that master of suspense where he could slowly build the 13 00:01:02,190 --> 00:01:03,870 By the end of the movie you're sitting like this. 14 00:01:08,190 --> 00:01:11,970 His building of suspense gets in your blood and stays in your life. 15 00:01:26,440 --> 00:01:29,780 You knew when you went into a Hitchcock film that you were going to be 16 00:01:29,780 --> 00:01:30,780 entertained. 17 00:01:32,000 --> 00:01:38,320 All of his films are about murder and embezzlement and blackmail and 18 00:01:38,320 --> 00:01:41,080 assassination and you might be scared. 19 00:01:41,500 --> 00:01:45,960 On a few occasions you might be horrified, but you knew you were going 20 00:01:45,960 --> 00:01:46,960 entertained. 21 00:01:48,040 --> 00:01:50,260 Hitchcock's name was synonymous with something that was going to be very 22 00:01:50,260 --> 00:01:51,260 special. 23 00:01:59,530 --> 00:02:00,530 Not the wedding ring. 24 00:02:00,730 --> 00:02:03,230 No one does suspense like Hitchcock. 25 00:02:04,870 --> 00:02:06,070 His ideas work. 26 00:02:06,870 --> 00:02:08,169 They completely work. 27 00:02:09,210 --> 00:02:10,530 Turn out the light, he says. 28 00:02:10,830 --> 00:02:14,230 You really feel his personality in all the movies. 29 00:02:14,490 --> 00:02:19,770 In this house, the most dire, horrible events took place. 30 00:02:20,130 --> 00:02:22,470 He was sort of a family member. He sort of went to see his movie. 31 00:02:23,350 --> 00:02:24,490 The bathroom. 32 00:02:28,430 --> 00:02:30,590 The shower sequence in Psycho is unforgettable. 33 00:02:31,010 --> 00:02:32,010 It was just brilliant. 34 00:02:34,190 --> 00:02:36,270 I don't think I saw an audience react that way. 35 00:02:37,030 --> 00:02:40,290 In such excitement and such shock. 36 00:02:44,130 --> 00:02:47,010 It marked me for life. It was terrifying. 37 00:02:47,630 --> 00:02:53,190 All of Hitchcock's films are made with such craftsmanship that you get a sense 38 00:02:53,190 --> 00:02:56,970 of how it's done at the very highest level. 39 00:02:58,340 --> 00:03:02,980 Hitchcock was one of the most precise filmmakers that have ever lived. 40 00:03:04,700 --> 00:03:08,500 He devolved to a certain style. It was very sharp and clean. You got the 41 00:03:08,500 --> 00:03:10,160 of the picture, the essence of the story. 42 00:03:10,420 --> 00:03:15,120 There's a specificity that's almost unsurpassed. There's nothing sloppy at 43 00:03:15,120 --> 00:03:16,500 in Hitchcock. 44 00:03:18,640 --> 00:03:25,240 Suspense doesn't necessarily mean crime or murder or a brutal scene. I think 45 00:03:25,240 --> 00:03:26,940 there is just as much suspense. 46 00:03:27,690 --> 00:03:28,730 in a love scene. 47 00:03:30,810 --> 00:03:35,150 Hitchcock is a master at that. The sexual tension is absolutely electric. 48 00:03:41,650 --> 00:03:45,810 The beauty of Hitchcock's work is that the more subtle moments are even more 49 00:03:45,810 --> 00:03:47,050 powerful and more lasting. 50 00:03:48,070 --> 00:03:50,270 The quiet contributes to the tension. 51 00:03:52,410 --> 00:03:56,470 He understood the sense of what was unsettling, so he took the symbols of 52 00:03:56,470 --> 00:03:58,190 innocent. And threaten them. 53 00:04:00,430 --> 00:04:03,110 You get a sense of that innocence being corrupted. 54 00:04:04,130 --> 00:04:05,190 Being defiled. 55 00:04:07,250 --> 00:04:08,990 They're alive. They're human beings. 56 00:04:10,890 --> 00:04:11,890 Are they? 57 00:04:15,610 --> 00:04:17,550 I think you're the cause of all this. 58 00:04:18,970 --> 00:04:20,290 I think you're evil. 59 00:04:20,870 --> 00:04:21,870 Evil! 60 00:04:24,690 --> 00:04:25,810 You know what I think? 61 00:04:27,240 --> 00:04:34,220 I think that we're all in our private traps, clamped in them, and 62 00:04:34,220 --> 00:04:35,380 none of us can ever get out. 63 00:04:36,760 --> 00:04:42,240 We scratch and claw, but only at the air, only at each other. 64 00:04:43,400 --> 00:04:47,280 And for all of it, we never budge an inch. 4990