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1
00:00:04,265 --> 00:00:06,745
PICK A CARD.
ANY CARD.
2
00:00:06,832 --> 00:00:08,660
WHAT DOES THIS HAVE TO DO
WITH OUR PROPERTY-FRAUD SCAM?
3
00:00:08,747 --> 00:00:09,748
YOU'LL HAVE
THE WHOLE THING CRACKED
4
00:00:09,835 --> 00:00:10,749
BEFORE I CAN SAY "TA-DA."
5
00:00:10,836 --> 00:00:12,012
PICK A DEED.
[ SIGHS ]
6
00:00:13,100 --> 00:00:14,101
NOW WHAT?
7
00:00:14,188 --> 00:00:16,059
NOW I TAKE
THESE 51 DEEDS
8
00:00:16,146 --> 00:00:17,626
AND FIGURE OUT
WHICH ONE YOU TOOK.
9
00:00:17,713 --> 00:00:19,019
IT'S NOT MAGIC.
IT'S MATH.
10
00:00:19,106 --> 00:00:20,411
WE GO THROUGH
THE TITLE COMPANY'S RECORDS,
11
00:00:20,498 --> 00:00:21,499
MATCH THEM
WITH THE REALTOR'S,
12
00:00:21,586 --> 00:00:22,674
AND FIGURE OUT
WHICH ONE IS MISSING.
13
00:00:22,761 --> 00:00:23,675
TA-DA.
14
00:00:23,762 --> 00:00:25,112
NICE WORK.
15
00:00:25,199 --> 00:00:27,201
BUT HERE'S ANOTHER CASE
WE NEED TO MAKE DISAPPEAR.
16
00:00:27,288 --> 00:00:29,159
SELENA THOMAS.
MM.
17
00:00:29,246 --> 00:00:30,030
WHO'S SHE?
18
00:00:30,117 --> 00:00:31,857
DEVOTED SERIAL MONOGAMIST
19
00:00:31,944 --> 00:00:34,077
WHO MARRIES WEALTHY MEN
RIGHT BEFORE THEY DIE.
20
00:00:34,164 --> 00:00:35,078
A BLACK WIDOW.
21
00:00:35,165 --> 00:00:36,514
COULD BE.
22
00:00:36,601 --> 00:00:38,125
SHE HAS FOUR
RICH LATE HUSBANDS.
23
00:00:38,212 --> 00:00:39,735
SHE GETS AROUND.
24
00:00:39,822 --> 00:00:41,954
AND NOW SHE'S FINALLY
GETTING AROUND TO NEW YORK.
25
00:00:42,042 --> 00:00:43,695
QUITE THE QUEEN
OF HEARTS.
26
00:00:43,782 --> 00:00:44,740
CUTE.
27
00:00:44,827 --> 00:00:45,784
YOU LIKE THAT?
28
00:00:45,871 --> 00:00:47,047
MOVE IT, COPPERFIELD.
29
00:00:47,134 --> 00:00:48,744
THEIR DEATHS ARE LISTED
AS NATURAL --
30
00:00:48,831 --> 00:00:49,875
HEART ATTACK, EMBOLISM,
31
00:00:49,962 --> 00:00:51,747
SKYDIVING ACCIDENT.
32
00:00:51,834 --> 00:00:53,444
WHAT ABOUT THE FOURTH GUY?
33
00:00:53,531 --> 00:00:55,794
WE'RE WAITING ON THE L.A. BUREAU
TO SEND THEIR REPORT.
34
00:00:55,881 --> 00:00:57,709
FOUR HUSBANDS,
FOUR DEAD BODIES.
35
00:00:57,796 --> 00:01:00,364
WE THINK SHE'S KILLING THEM,
BUT WE DON'T KNOW WHY.
36
00:01:00,451 --> 00:01:02,192
THEY'RE NOT LEAVING HER
ALL THEIR MONEY?
37
00:01:02,279 --> 00:01:03,846
NOPE.
THAT'S WHAT YOU'D EXPECT.
38
00:01:03,933 --> 00:01:05,848
BUT SHE'S NOT COLLECTING ON
ANY OF THE INSURANCE PAYOFFS.
39
00:01:05,935 --> 00:01:07,458
WE FLAGGED HER NAME ON THIS.
40
00:01:07,545 --> 00:01:09,112
IT'S AN APPLICATION
41
00:01:09,199 --> 00:01:12,420
FOR THE MANHATTAN MILLIONAIRE
SOCIETY BACHELORS AUCTION.
42
00:01:12,507 --> 00:01:15,249
IF SHE'S GONNA BE AT
THIS AUCTION, THEN SO ARE WE.
43
00:01:15,336 --> 00:01:17,729
CLUB HAS THREE OPEN SLOTS
FOR ELIGIBLE MEN.
44
00:01:17,816 --> 00:01:19,688
THAT MEANS I NEED
THREE VOLUNTEERS.
45
00:01:19,775 --> 00:01:21,124
NEAL, RAISE YOUR HAND.
46
00:01:21,211 --> 00:01:23,474
DO I HAVE TO?
YES.
47
00:01:23,561 --> 00:01:25,868
THERE'S OUR FIRST
LUCKY BACHELOR.
48
00:01:25,955 --> 00:01:27,609
COME ON.
49
00:01:27,696 --> 00:01:30,438
WE'LL CREATE VERY IRRESISTIBLE
IDENTITIES FOR YOU GUYS.
50
00:01:30,525 --> 00:01:32,527
YEAH, THEN HOPE SHE DOESN'T
KILL HER LATEST BOY TOY
51
00:01:32,614 --> 00:01:33,615
BEFORE WE FIND THE MONEY.
52
00:01:33,702 --> 00:01:34,659
THAT'S A HAND.
53
00:01:34,746 --> 00:01:35,834
JONES IS NUMBER TWO.
54
00:01:35,921 --> 00:01:37,532
NO, PETER, I DIDN'T --ONE MORE.
55
00:01:37,619 --> 00:01:38,924
COME ON.
IT'S ONLY A COVER.
56
00:01:39,011 --> 00:01:40,143
WHO'S NUMBER THREE?
57
00:01:40,230 --> 00:01:42,363
HOW ABOUT YOU,PETER?
58
00:01:42,450 --> 00:01:44,060
I MEAN, YOU SEEM LIKE
THE MARRYING KIND, RIGHT?
59
00:01:44,147 --> 00:01:45,670
I AMMARRIED.
60
00:01:45,757 --> 00:01:47,150
HEY...
IT'S ONLY A COVER.
61
00:01:47,237 --> 00:01:49,021
BE NICE TO GIVE HER
SOME VARIETY.
62
00:01:49,109 --> 00:01:50,414
UNLESS --
GUYS, GUYS,
63
00:01:50,501 --> 00:01:51,459
UNLESS, YOU KNOW,
YOU NEED PERMISSION.
64
00:01:51,546 --> 00:01:52,503
[ ALL MURMURING ]
65
00:01:52,590 --> 00:01:54,505
I DON'T -- I DON'T --
NO, I --
66
00:01:54,592 --> 00:01:56,768
O-OKAY, FINE.
I'LL DO IT.
67
00:01:56,855 --> 00:01:57,813
ALL RIGHT.
68
00:01:57,900 --> 00:01:58,814
LET'S SET IT UP.
69
00:02:01,512 --> 00:02:02,948
ARE YOU SCARED
TO TELL ELIZABETH?
70
00:02:03,035 --> 00:02:04,776
TERRIFIED.
71
00:02:10,347 --> 00:02:11,957
MY ROLE IN
THE ASSIGNMENT'S MINIMAL.
72
00:02:12,044 --> 00:02:13,220
[ SIGHS ] RIGHT.
73
00:02:13,307 --> 00:02:14,786
YOU'RE PLAYING
PIECE OF MEAT NUMBER 2.
74
00:02:14,873 --> 00:02:16,048
YOU'RE GONNA FLIRT --
75
00:02:16,136 --> 00:02:17,789
TALK.
I'M GONNA TALKTO THEM.
76
00:02:17,876 --> 00:02:19,617
AND THEN YOU'RE GONNA WALK
ACROSS A STAGE
77
00:02:19,704 --> 00:02:21,228
WHILE THESE WOMEN
ARE BIDDING ON YOU.
78
00:02:21,315 --> 00:02:23,143
EL, MY CHANCES
OF BEING PICKED
79
00:02:23,230 --> 00:02:24,622
ARE SLIM TO NONE
BETWEEN NEAL AND --
80
00:02:24,709 --> 00:02:25,884
WAIT. HOLD ON.
81
00:02:25,971 --> 00:02:27,538
YOUR CHANCES
ARE NOTSLIM.
82
00:02:27,625 --> 00:02:29,236
HONEY, LOOK AT YOU.
83
00:02:29,323 --> 00:02:31,586
I'M HOLDING POOP.
84
00:02:31,673 --> 00:02:33,283
AND YOU LOOK DAMN SEXY
DOING IT.
85
00:02:33,370 --> 00:02:34,589
YOU KNOW WHAT?
WHAT?
86
00:02:34,676 --> 00:02:35,981
YOU'RE GONNA WIN
THIS THING.
87
00:02:36,068 --> 00:02:37,069
I AM?
YEAH.
88
00:02:37,157 --> 00:02:38,288
I'M GONNA
MAKE SURE OF IT.
89
00:02:38,375 --> 00:02:40,856
COME ON.
90
00:02:40,943 --> 00:02:42,640
WHAT'S THE GRAND PRIZE
ON THIS?
91
00:02:42,727 --> 00:02:44,338
I GET TO TAKE
A VERY LOVELY,
92
00:02:44,425 --> 00:02:46,340
VERY DANGEROUS WOMAN
OUT ON A DATE.
93
00:02:46,427 --> 00:02:49,038
HMM. IT'S NOTHING
YOU CAN'T HANDLE.
94
00:02:49,125 --> 00:02:50,822
THANKS TO YOU.
95
00:02:50,909 --> 00:02:53,521
UH, WE,ACTUALLY,
HAVE NEVER BEEN ON A DATE.
96
00:02:53,608 --> 00:02:55,131
PETER AND ELIZABETH'S
HOUSE.
97
00:02:55,218 --> 00:02:56,524
DINNER DATE.
NOT DATEDATE.
98
00:02:56,611 --> 00:02:57,481
DEFINE "DATEDATE."
99
00:02:57,568 --> 00:02:58,526
ONE-ON-ONE.
100
00:02:58,613 --> 00:02:59,527
WHAT ABOUT LUNCHES?
101
00:02:59,614 --> 00:03:00,832
LUNCH IS NOT ROMANTIC.
102
00:03:00,919 --> 00:03:02,051
LUNCH IS LUNCH.
103
00:03:02,138 --> 00:03:04,401
WE'VE NEVER BEEN
ON A REAL DATE.
104
00:03:04,488 --> 00:03:06,795
IT'S OKAY.
WHAT'S YOUR COVER?
105
00:03:06,882 --> 00:03:08,840
PLAYBOY SON
OF A TEXAS OIL TYCOON.
106
00:03:08,927 --> 00:03:10,190
OH, WELL!
107
00:03:10,277 --> 00:03:11,321
I LIKE THE ACCENT.
108
00:03:11,408 --> 00:03:13,454
I'M GLAD YOU DO, MA'AM.[ LAUGHS ]
109
00:03:13,541 --> 00:03:15,673
THERE'S GONNA BE
A VERY BIGPROBLEM, THOUGH.
110
00:03:15,760 --> 00:03:17,197
WHAT'S THAT?
111
00:03:17,284 --> 00:03:18,894
ALL THE WOMEN
ARE GONNA WANT YOU,
112
00:03:18,981 --> 00:03:20,809
SO WHAT HAPPENS
WHEN YOUR KILLER GETS OUTBID?
113
00:03:20,896 --> 00:03:23,246
I SEE YOUR POINT.
MM-HMM.
114
00:03:23,333 --> 00:03:25,248
YOU'RE GONNA HAVE TO THROW
YOUR MEETINGS
115
00:03:25,335 --> 00:03:26,728
WITH ALL
THE OTHER WOMEN.
116
00:03:26,815 --> 00:03:27,903
HOW DO I DO THAT?
117
00:03:27,990 --> 00:03:29,774
WELL, WE ARE VERYSHALLOW CREATURES,
118
00:03:29,861 --> 00:03:32,951
BUT THERE ARE THINGS THAT EVEN
BEAUTIFUL MEN LIKE YOU DO
119
00:03:33,038 --> 00:03:34,997
THAT DRIVE US NUTS.
120
00:03:35,084 --> 00:03:37,042
OH, YOU'RE GOOD.
121
00:03:37,129 --> 00:03:39,393
ALL RIGHT, HONEY,
LET'S GO OVER THIS AGAIN.
122
00:03:39,480 --> 00:03:40,524
YOU ARE...
123
00:03:40,611 --> 00:03:42,439
PETER WILLIAMS,
U.S. STEEL MAGNATE.
124
00:03:42,526 --> 00:03:45,094
MM. AND TELL ME MORE
ABOUT THE STEEL INDUSTRY.
125
00:03:45,181 --> 00:03:47,314
WELL, IT BEGAN
AS A FAMILY BUSINESS.
126
00:03:47,401 --> 00:03:48,663
BORING, BORING, BORING.BY THEN --
127
00:03:48,750 --> 00:03:49,664
WHAT DID WE DISCUSS?
128
00:03:49,751 --> 00:03:51,231
RIGHT.
129
00:03:51,318 --> 00:03:54,234
UH, YOU DON'T WANT TO HEAR
ABOUT WHAT I DO.
130
00:03:54,321 --> 00:03:56,845
I REALLY WANT TO KNOW MORE
ABOUT YOU.
131
00:03:56,932 --> 00:03:58,847
MM. AND WHY ARE YOU
STILL SINGLE?
132
00:03:58,934 --> 00:04:00,327
HAVEN'T FOUND
THE RIGHT WOMAN YET.
133
00:04:00,414 --> 00:04:02,198
MM. WHO MIGHT
THIS RIGHT WOMAN BE?
134
00:04:02,285 --> 00:04:05,201
OH, WELL,
SHE'S ABOUT 5'5",
135
00:04:05,288 --> 00:04:07,551
BRUNETTE, MOST BEAUTIFUL
BLUE EYES I'VE EVER SEEN,
136
00:04:07,638 --> 00:04:08,683
SMART AS A WHIP,
137
00:04:08,770 --> 00:04:09,727
AND GORGEOUS AS HELL.
138
00:04:09,814 --> 00:04:11,903
AWW. PERFECT.
139
00:04:11,990 --> 00:04:13,644
OKAY. REMEMBER,
THIS IS A CONVERSATION,
140
00:04:13,731 --> 00:04:15,080
NOT AN INTERROGATION,
141
00:04:15,167 --> 00:04:16,952
SO YOU GOT TO MOVE AWAY
FROM THE "WHERE ARE YOU FROMs"
142
00:04:17,039 --> 00:04:18,083
AND "WHAT DO YOU DOs,"
143
00:04:18,170 --> 00:04:19,041
AND, HONEY,
DON'T MAKE THAT FACE.
144
00:04:19,128 --> 00:04:20,695
WHAT FACE? THATFACE.
145
00:04:20,782 --> 00:04:22,044
OH.
RIGHT. YES.
146
00:04:22,131 --> 00:04:24,829
BE YOURSELF.
YOU'RE GONNA BE GREAT.
147
00:04:24,916 --> 00:04:25,874
OKAY.
148
00:04:25,961 --> 00:04:26,875
[ CHUCKLES ]
149
00:04:26,962 --> 00:04:27,876
THANKS, HON.
150
00:04:27,963 --> 00:04:29,051
BYE.
SEE YA.
151
00:04:36,145 --> 00:04:37,277
OH.
152
00:04:37,364 --> 00:04:38,626
HAVE WE, UH, MET?
153
00:04:38,713 --> 00:04:39,757
I DON'T BELIEVE WE HAVE.
154
00:04:39,844 --> 00:04:41,019
ARTHUR FORT, PASTRY BARON
155
00:04:41,106 --> 00:04:42,847
TO A MULTIMILLION-DOLLAR
DESSERT EMPIRE.
156
00:04:42,934 --> 00:04:44,327
LADIES LOVE THE SWEETS.
157
00:04:44,414 --> 00:04:46,024
Neal: YOU READY?
ARE YOU?
158
00:04:46,111 --> 00:04:48,200
GENTLEMEN,
WE ARE ABOUT TO BEGIN.
159
00:04:48,288 --> 00:04:49,419
I WILL MAKE THE ANNOUNCEMENT,
160
00:04:49,506 --> 00:04:51,639
AND WHEN I GIVE YOU
THE GO-AHEAD,
161
00:04:51,726 --> 00:04:54,119
YOU JUST TAKE YOUR PLACES
ON THE STAIRS, OKAY?
162
00:04:54,206 --> 00:04:57,209
GOOD LUCK.
163
00:04:57,297 --> 00:05:01,388
OKAY, LADIES, I HAVE ONLY
ONE QUESTION FOR YOU!
164
00:05:01,475 --> 00:05:05,000
ARE YOU READY TO MEET
YOUR MEN?
165
00:05:05,087 --> 00:05:08,960
[ CHEERS AND APPLAUSE ]
166
00:05:11,441 --> 00:05:13,269
[ WHISTLING, WOMEN
CHANTING "MEN! MEN! MEN!" ]
167
00:05:13,356 --> 00:05:15,010
[ CHUCKLES ]
168
00:05:15,097 --> 00:05:16,838
WHY DO I FEEL LIKE
I NEED A PIKE AND SWORD?
169
00:05:16,925 --> 00:05:19,667
FOR THOSE ABOUT TO DATE...
170
00:05:19,754 --> 00:05:21,277
WE SALUTE YOU.
171
00:05:40,035 --> 00:05:44,256
OKAY, LADIES, YOU'LL HAVE FIVE
MINUTES TO TALK TO EACH MAN.
172
00:05:44,344 --> 00:05:45,606
WHEN THE BELL SOUNDS...[ BELL TINKLES ]
173
00:05:45,693 --> 00:05:48,217
...YOU SIMPLY MOVE ON
TO THE NEXT.
174
00:05:48,304 --> 00:05:49,436
NOW, WHY DON'T YOU GO AHEAD
AND CHECK YOUR INVITATIONS
175
00:05:49,523 --> 00:05:50,698
FOR THE PROPER ROTATION.
176
00:05:50,785 --> 00:05:53,440
YOU EVER DONE ANYTHING
LIKE THIS BEFORE?
177
00:05:55,137 --> 00:05:56,443
YES.
178
00:05:56,530 --> 00:05:58,401
WHAT DO YOULOOK FOR?
179
00:05:58,488 --> 00:06:01,926
MM. TALL, DARK, AND HANDSOME
IS FINE WITH ME.
180
00:06:02,013 --> 00:06:04,625
YOU CAN ALSO TELL A LOT
ABOUT A MAN BY HIS SMILE,
181
00:06:04,712 --> 00:06:06,801
HOW CONFIDENT
OR COUNTERFEIT HE CAN BE.
182
00:06:06,888 --> 00:06:09,281
MM.SO WHAT'S YOUR PLAN?
183
00:06:09,369 --> 00:06:11,327
I'M GONNA BOMB EVERY MEETING
EXCEPT SELENA.
184
00:06:11,414 --> 00:06:13,198
MM. YOU'RE AFRAID
YOU'LL CAUSE A FRENZY.
185
00:06:13,285 --> 00:06:14,809
I'M NARROWING THE ODDS.
186
00:06:14,896 --> 00:06:16,332
WHAT'S YOUR APPROACH?
187
00:06:16,419 --> 00:06:18,160
I'M GOING FOR THE FRENZY.MM.
188
00:06:18,247 --> 00:06:20,380
I'M GONNA TRY TO CHARM
EVERY ONE OF THEM.
189
00:06:20,467 --> 00:06:21,685
I WANT GOOD WORD OF MOUTH.
190
00:06:21,772 --> 00:06:22,991
SURE.
191
00:06:23,078 --> 00:06:24,340
PETER.
192
00:06:24,427 --> 00:06:26,255
I'M GONNA MAINTAIN
EYE CONTACT
193
00:06:26,342 --> 00:06:28,126
AND REMEMBER
IT'S A CONVERSATION,
194
00:06:28,213 --> 00:06:29,345
NOT AN INTERROGATION.
195
00:06:29,432 --> 00:06:31,129
THAT'S ALL GOOD,
196
00:06:31,216 --> 00:06:32,435
BUT WHAT YOU WANT TO DO,
YOU WANT TO KEEP IT UP HERE
197
00:06:32,522 --> 00:06:33,741
WHEN YOU TALK, RIGHT?
198
00:06:33,828 --> 00:06:35,960
DOWN HERE, THIS IS ALL
SECOND-DATE TERRITORY.
199
00:06:36,047 --> 00:06:37,092
OKAY, SO BE YOURSELF.
200
00:06:37,179 --> 00:06:38,572
JUST BE YOURSELF UP HERE.
201
00:06:38,659 --> 00:06:40,356
AND IF YOU'RE HOLDING A DRINK,
KEEP IT IN YOUR LEFT HAND.
202
00:06:40,443 --> 00:06:41,749
THAT WAY, WHEN YOU SHAKE
HER HAND WITH YOUR RIGHT,
203
00:06:41,836 --> 00:06:42,532
YOUR FIRST TOUCH
WON'T BE COLD.
204
00:06:45,796 --> 00:06:48,103
YEAH, IT ISCOLD.
205
00:06:48,190 --> 00:06:49,757
Jameson:
ONE FINAL REMINDER --
206
00:06:49,844 --> 00:06:52,499
SOME OF THE MEN
HAVE BEEN KNOWN TO PROPOSE
207
00:06:52,586 --> 00:06:54,762
ON THE VERY NIGHT
OF THE AUCTION,
208
00:06:54,849 --> 00:06:56,981
SO, PLEASE, DON'T FORGET
TO CHECK THEIR POCKETS
209
00:06:57,068 --> 00:06:57,982
FOR ENGAGEMENT RINGS.
210
00:06:58,069 --> 00:07:01,682
OKAY, MILLIONAIRES,
211
00:07:01,769 --> 00:07:04,467
THE MOMENT ALL THESE BEAUTIFUL
LADIES HAVE BEEN WAITING FOR.
212
00:07:04,554 --> 00:07:08,340
ON YOUR MARKS, GET SET...
213
00:07:08,428 --> 00:07:09,603
DATE!
214
00:07:09,690 --> 00:07:12,649
[ CHEERS AND APPLAUSE ]
215
00:07:12,736 --> 00:07:15,043
[ INDISTINCT CONVERSATIONS ]
216
00:07:15,130 --> 00:07:17,045
HI. WHERE WERE YOU
BEFORE NEW YORK?
217
00:07:17,132 --> 00:07:18,481
CLEVELAND.
[ CHUCKLES ]
218
00:07:18,568 --> 00:07:20,701
FASCINATING.
219
00:07:20,788 --> 00:07:24,052
TELL ME MORE
ABOUT CLEVELAND.
220
00:07:24,139 --> 00:07:26,184
I-IT'S IN OHIO.
221
00:07:26,271 --> 00:07:28,012
[ BOTH LAUGH ]
222
00:07:28,099 --> 00:07:29,361
OH!
223
00:07:29,449 --> 00:07:30,406
OH!
224
00:07:30,493 --> 00:07:32,147
[ BELL TINKLES ]
225
00:07:32,234 --> 00:07:34,758
I MADE MY FIRST BATCH
OF CHOCOLATE-CHIP COOKIES
226
00:07:34,845 --> 00:07:36,630
WHEN I WAS 5 YEARS OLD.
227
00:07:36,717 --> 00:07:38,240
I'VE NEVER LOOKED BACK.
228
00:07:38,327 --> 00:07:40,982
YOU SEEM PASSIONATE
ABOUT PASTRY.
229
00:07:41,069 --> 00:07:42,462
MM.
230
00:07:42,549 --> 00:07:43,985
I'M PASSIONATE
IN EVERYTHING I DO.
231
00:07:44,072 --> 00:07:46,683
[ BELL TINKLES ]
232
00:07:46,770 --> 00:07:47,858
NOTHING COMPARES TO IT.
233
00:07:47,945 --> 00:07:48,946
HUNTING DEER?
234
00:07:49,033 --> 00:07:50,513
FAWNS, ACTUALLY --
THE BABIES.
235
00:07:50,600 --> 00:07:52,472
ARE YOU SERIOUS?
236
00:07:52,559 --> 00:07:54,038
YEAH, THERE'S A CERTAIN THRILL
IN THE KILL.
237
00:07:54,125 --> 00:07:55,649
AND --
OH. OH, ONE SECOND.[ CELL PHONE RINGS ]
238
00:07:55,736 --> 00:07:57,651
WHAT ARE YOU DOING?
239
00:07:57,738 --> 00:07:58,826
OH, HO.
HEY, BUDDY!
240
00:07:58,913 --> 00:08:00,175
WHAT'S UP?
241
00:08:00,262 --> 00:08:00,958
HOLD ON.
I'M ON A DATE.HAVE A NICE DAY.
242
00:08:01,045 --> 00:08:02,046
SAY HI.
243
00:08:02,133 --> 00:08:03,526
AND SWITCH.[ BELL TINKLES ]
244
00:08:03,613 --> 00:08:04,658
HOW ARE YOU?
245
00:08:04,745 --> 00:08:07,835
OH, I WANT TO HEAR MORE
ABOUT YOU.
246
00:08:07,922 --> 00:08:09,924
OKAY, UM, WELL --
247
00:08:10,011 --> 00:08:12,274
OH, IT'S GONNA BE COLD.
IT'S COLD, ISN'T IT?
248
00:08:12,361 --> 00:08:13,710
OH.
249
00:08:13,797 --> 00:08:15,625
SO, I SPOKE WITH SELENA.
DIDN'T GET MUCH.
250
00:08:15,712 --> 00:08:17,322
SHE LIKES
TALL, DARK, AND HANDSOME.
251
00:08:17,409 --> 00:08:18,672
WELL, HOW DARK
ARE WE TALKING?
252
00:08:18,759 --> 00:08:20,151
[ BELL TINKLES ]
253
00:08:20,238 --> 00:08:21,544
[ CLEARS THROAT ]
EXCUSE ME.
254
00:08:21,631 --> 00:08:22,850
ONE MORE MINUTE.
ONE MORE MINUTE.
255
00:08:22,937 --> 00:08:24,939
I'M LOOKING FOR THAT --
THE RIGHT PERSON.
256
00:08:25,026 --> 00:08:26,723
AND WHAT DOES
SHE LOOK LIKE?
257
00:08:28,812 --> 00:08:30,031
[ BELL TINKLES ]
258
00:08:30,118 --> 00:08:30,945
HI. HOW ARE YOU?AH, TSH, TSH, TSH!
259
00:08:31,032 --> 00:08:32,163
JUST ONE MORE MINUTE.
260
00:08:32,250 --> 00:08:33,164
I'M JUST CHECKING
THE MAVERICKS SCORE.
261
00:08:33,251 --> 00:08:35,297
THEY'RE LOSING AGAIN.
262
00:08:35,384 --> 00:08:36,559
[ CHUCKLES ]
IT'S NOT GOOD.
263
00:08:36,646 --> 00:08:39,170
SHE'S LOOKING FOR SOMEONE
SHE CAN MANIPULATE,
264
00:08:39,257 --> 00:08:40,868
SOMEONE WHO COMES ACROSS
AS SINCERE
265
00:08:40,955 --> 00:08:41,869
BUT LESS
THAN SELF-ASSURED.
266
00:08:41,956 --> 00:08:42,913
HOW AM I DOING?
267
00:08:43,000 --> 00:08:44,262
YOU'RE GREAT.
YEAH.
268
00:08:44,349 --> 00:08:45,873
BASICALLY, SHE WANTS SOMEONE
WITH AN HONEST SMILE.
269
00:08:45,960 --> 00:08:47,701
A SMILE.
270
00:08:47,788 --> 00:08:48,963
THE "HONEST" PART
WENT RIGHT BY YOU, HUH?
271
00:08:50,138 --> 00:08:52,009
[ BELL TINKLES ]
272
00:08:52,096 --> 00:08:54,490
PLEASED TO MEET YOU,
MISS...
273
00:08:54,577 --> 00:08:55,926
OH, CALL ME SELENA.
274
00:08:56,013 --> 00:08:57,319
MM. SELENA.
275
00:08:57,406 --> 00:08:58,363
MM-HMM.
276
00:08:58,450 --> 00:08:59,930
I'VE GOT TO ADMIT,
277
00:09:00,017 --> 00:09:03,238
YOU CAUGHT MY EYE THE MINUTE
I CAME DOWN THE STAIRS.
278
00:09:03,325 --> 00:09:05,936
OH. [ CHUCKLES ]
279
00:09:06,023 --> 00:09:07,155
THAT IS A LOVELY DRESS.
280
00:09:07,242 --> 00:09:08,504
OH, THANK YOU.
281
00:09:08,591 --> 00:09:10,114
GIRL HAS TO MAKE
AN IMPRESSION, RIGHT?
282
00:09:10,201 --> 00:09:11,333
OH, YOU DO.
OH.
283
00:09:11,420 --> 00:09:13,422
TELL ME A LITTLE
ABOUT YOURSELF.
284
00:09:13,509 --> 00:09:15,598
WELL, FORTUNATELY,
I'VE DONE WELL --
285
00:09:15,685 --> 00:09:18,601
WELL ENOUGH TO DEVOTE
THE MAJORITY OF MY TIME
286
00:09:18,688 --> 00:09:19,950
TO A FEW NONPROFITS.
287
00:09:20,037 --> 00:09:21,386
MM.
288
00:09:21,473 --> 00:09:23,563
ARE YOU...
INTO NONPROFITING?
289
00:09:23,650 --> 00:09:25,042
[ CHUCKLES ]
290
00:09:25,129 --> 00:09:26,478
WELL, WITH THE RIGHT PERSON,
ALWAYS.
291
00:09:26,566 --> 00:09:28,176
YEAH?
THAT'S NICE.
MM-HMM.
292
00:09:28,263 --> 00:09:29,612
AND SWITCH.[ BELL TINKLES ]
293
00:09:29,699 --> 00:09:31,309
WELL, UH, I HOPE
WE GET TO CONTINUE
294
00:09:31,396 --> 00:09:32,702
THIS CONVERSATION
ANOTHER TIME.
295
00:09:32,789 --> 00:09:34,051
YEAH, ME TOO.
ALL RIGHT.
296
00:09:34,138 --> 00:09:35,313
IT WAS A LITTLE TOO FAST.
297
00:09:35,400 --> 00:09:36,227
IT WAS LOVELY TO MEET YOU.
298
00:09:36,314 --> 00:09:37,272
GREAT TO MEET YOU.
299
00:09:37,359 --> 00:09:38,969
Peter: HI.
300
00:09:39,056 --> 00:09:40,884
HI.
I'M PETER.
301
00:09:40,971 --> 00:09:42,451
HI, PETER.
302
00:09:42,538 --> 00:09:44,235
YOU'RE VERY BEAUTIFUL.
303
00:09:44,322 --> 00:09:46,020
AW, THANK YOU.
304
00:09:48,413 --> 00:09:50,677
SO, WHY ARE YOU HERE,
PETER?
305
00:09:50,764 --> 00:09:54,942
TO FIND SOMEONE SPECIAL.
306
00:09:55,029 --> 00:09:57,205
MM-HMM.
307
00:09:58,728 --> 00:10:01,557
[ INDISTINCT CONVERSATIONS ]
308
00:10:01,644 --> 00:10:03,820
[ SIGHS ]
309
00:10:03,907 --> 00:10:05,517
BUT MOST OF THESE WOMEN
310
00:10:05,605 --> 00:10:08,216
ARE ONLY INTERESTED
IN SMALL TALK, SO...
311
00:10:08,303 --> 00:10:11,393
WELL, WHAT ARE YOU
INTERESTED IN?
312
00:10:14,048 --> 00:10:15,527
BEING CAUGHT OFF GUARD.
313
00:10:15,615 --> 00:10:17,704
HAVING A CONVERSATION
THAT --
314
00:10:17,791 --> 00:10:20,184
THAT GOES BEYOND
THE "WHAT DO YOU DO?"
315
00:10:20,271 --> 00:10:21,882
AND "WHERE ARE YOU FROM?"
316
00:10:21,969 --> 00:10:27,757
SELENA, THERE ARE A LOT
OF NICE GUYS HERE.
317
00:10:27,844 --> 00:10:31,239
I TRULY HOPE YOU FIND THE ONE
YOU'RE WAITING FOR.
318
00:10:33,589 --> 00:10:35,896
[ FOOTSTEPS DEPART ]
319
00:10:35,983 --> 00:10:38,072
SOLD FOR $8,000!
CONGRATULATIONS.
320
00:10:38,159 --> 00:10:39,247
[ CHEERS AND APPLAUSE ]
321
00:10:41,292 --> 00:10:44,426
NEXT UP IS MR. ARTHUR FORT,
322
00:10:44,513 --> 00:10:46,950
THE PASTRY BARON OF BROOKLYN.
323
00:10:47,037 --> 00:10:51,955
SHALL WE START THE BIDDING
AT $5,000?
324
00:10:52,042 --> 00:10:53,174
$5,000.
325
00:10:53,261 --> 00:10:54,958
$6,000.$7,000!
326
00:10:55,045 --> 00:10:56,046
HE SEEMED NICE.
327
00:10:56,133 --> 00:10:57,395
HE WAS CHARMING.
328
00:10:57,482 --> 00:10:58,658
BUT?
329
00:10:58,745 --> 00:11:00,355
A LITTLE TOOCHARMING.
330
00:11:00,442 --> 00:11:02,139
$11,000.
331
00:11:02,226 --> 00:11:03,314
Woman: WOW.
332
00:11:03,401 --> 00:11:05,839
SOLD FOR $11,000.
333
00:11:05,926 --> 00:11:07,492
[ APPLAUSE ]
334
00:11:07,579 --> 00:11:11,801
OUR NEXT BACHELOR
IS MR. NICHOLAS MUNROE.
335
00:11:11,888 --> 00:11:14,151
NICK HAS BEEN MAKING THE ROUNDS,
336
00:11:14,238 --> 00:11:15,936
BUT NOW HE'S READY
TO TAKE YOU LADIES
337
00:11:16,023 --> 00:11:18,982
ON THE DATE OF YOUR LIVES.
338
00:11:19,069 --> 00:11:21,245
SHALL WE START THE BIDDING
AT $5,000?
339
00:11:21,332 --> 00:11:23,813
DO I HEAR $5,000?
340
00:11:23,900 --> 00:11:25,032
HE'S GORGEOUS.
341
00:11:25,119 --> 00:11:26,033
HE'S YOUNG.
342
00:11:26,120 --> 00:11:29,906
DO I HEAR $3,000?
343
00:11:31,821 --> 00:11:33,954
WELL, YOU CAN GET HIM
AT A DISCOUNT.
344
00:11:34,041 --> 00:11:35,346
DON'T LET ME
STAND IN YOUR WAY.
345
00:11:35,433 --> 00:11:37,131
HMM.
346
00:11:37,218 --> 00:11:39,307
1,000 BUCKS?
347
00:11:39,394 --> 00:11:41,483
WELL...
348
00:11:42,832 --> 00:11:44,878
OKAY, SOLD!
349
00:11:44,965 --> 00:11:47,184
[ APPLAUSE ]
350
00:11:54,583 --> 00:11:55,671
WHAT HAPPENED?
351
00:11:55,758 --> 00:11:57,064
MY PLAN WORKED.
MM.
352
00:11:57,151 --> 00:11:58,587
TOOWELL.
353
00:11:58,674 --> 00:12:00,981
OUR NEXT BACHELOR
IS MR. PETER WILLIAMS.
354
00:12:01,068 --> 00:12:02,722
WE'LL START THE BIDDING AT --
355
00:12:02,809 --> 00:12:04,724
$15,000.[ WOMEN GASP ]
356
00:12:04,811 --> 00:12:07,770
WOW!
ANY OTHER BIDS?
357
00:12:07,857 --> 00:12:11,643
SOLD FOR $15,000
TO THE WOMAN IN RED!
358
00:12:21,653 --> 00:12:23,612
OKAY, $15,000 HASTO BE THE RECORD.
359
00:12:23,699 --> 00:12:25,135
NO.
HERE YOU GO, TEX.
360
00:12:25,222 --> 00:12:27,311
BUT IT WAS THE SECOND-HIGHEST
BID THEY'VE EVER HAD.
361
00:12:27,398 --> 00:12:28,486
SECOND?
362
00:12:28,573 --> 00:12:30,227
THERE WAS A KENNEDY
LAST YEAR.
363
00:12:30,314 --> 00:12:32,273
WAS IT ONE OF
THE GOOD-LOOKING ONES?
EH...
364
00:12:32,360 --> 00:12:34,144
GUYS, LET'S TALK
ABOUT WHAT'S NEXT.
365
00:12:34,231 --> 00:12:35,537
OKAY.
WHERE ARE YOU TAKING HER?
366
00:12:35,624 --> 00:12:36,930
NOWHERE.
367
00:12:37,017 --> 00:12:38,714
I'M GONNA GO TO HER PLACE,
DROP A BUG,
368
00:12:38,801 --> 00:12:40,150
PLANT A KEYLOGGER,
369
00:12:40,237 --> 00:12:41,586
AND FIGURE OUT
WHAT SHE HAS PLANNED.
370
00:12:41,673 --> 00:12:42,979
AND HOW SHE PLANS
TO MURDER YOU.
371
00:12:43,066 --> 00:12:45,199
THAT, AND HOW SHE'S ANGLING
FOR MY MONEY.
372
00:12:45,286 --> 00:12:46,722
IS THIS DATE
GONNA BE DANGEROUS?
373
00:12:46,809 --> 00:12:48,289
WHOA.
PETER IS NOT DATING HER.
374
00:12:48,376 --> 00:12:49,594
I'M OCCUPYING HER.
375
00:12:49,681 --> 00:12:52,380
I'LL HAVE AN ARREST WARRANT
BEFORE DESSERT.
376
00:12:53,816 --> 00:12:55,557
HMM.
377
00:12:57,733 --> 00:12:58,734
[ TELEPHONE RINGS ]
378
00:13:02,346 --> 00:13:03,478
THIS IS PETER.
379
00:13:03,565 --> 00:13:04,392
SELENA:
Hey, Peter.
380
00:13:04,479 --> 00:13:06,394
It's Selena.
381
00:13:06,481 --> 00:13:07,482
HEY!
GREAT TO HEAR FROM YOU.
382
00:13:07,569 --> 00:13:08,570
We still on for tonight?
383
00:13:08,657 --> 00:13:11,747
WE HAVE RESERVATIONS
FOR 8:00 P.M.
384
00:13:11,834 --> 00:13:13,096
AT THE GRIFFIN.
385
00:13:13,183 --> 00:13:14,576
IT'S DOWNTOWN.
386
00:13:14,663 --> 00:13:16,056
IT'S DELICIOUS.
IT'S...
387
00:13:16,143 --> 00:13:18,580
I'LL PICK YOU UP AT 7:00?
388
00:13:18,667 --> 00:13:19,711
No.
I'll meet you there.
389
00:13:19,799 --> 00:13:22,018
NO, NO, NO.
I-I-IT'S NO TROUBLE.
390
00:13:22,105 --> 00:13:25,892
No. The trouble is you
disagreeing with me.
391
00:13:25,979 --> 00:13:28,068
WELL, WHAT KIND OF GENTLEMAN
WOULD I BE
392
00:13:28,155 --> 00:13:30,374
IF I DIDN'T PICK YOU UP
ON OUR FIRST DATE?
393
00:13:30,461 --> 00:13:33,116
Peter,
I'll see you at 8:00.
394
00:13:33,203 --> 00:13:35,075
SEE YOU AT 8:00.
395
00:13:35,162 --> 00:13:36,467
[ Dial tone ]
396
00:13:36,554 --> 00:13:37,381
NO TRACE.
397
00:13:37,468 --> 00:13:39,166
UGH! GREAT!
398
00:13:39,253 --> 00:13:40,950
WE DON'T KNOW
WHERE SHE IS!
399
00:13:41,037 --> 00:13:42,386
IF I CAN'T PICK HER UP...
400
00:13:42,473 --> 00:13:43,779
YOU'LL HAVE TO
DROP HER OFF.
401
00:13:43,866 --> 00:13:44,954
YOU'RE GONNA HAVE TO
SEAL THE DEAL.
402
00:13:45,041 --> 00:13:48,131
NO -- NO, NO!
NO DEAL SEALING.
403
00:13:48,218 --> 00:13:49,263
YOU DON'T WANT HER
DUMPING YOU
404
00:13:49,350 --> 00:13:50,307
AND GOING AFTER
ANOTHER VICTIM.
405
00:13:50,394 --> 00:13:51,569
DIANA'S RIGHT.
406
00:13:51,656 --> 00:13:52,570
YOU NEED TO
IMPRESS HER ENOUGH
407
00:13:52,657 --> 00:13:53,876
THAT SHE WANTS TO
TAKE YOU HOME.
408
00:13:53,963 --> 00:13:55,922
ELIZABETH GOT ME
INTO THIS.
409
00:13:56,009 --> 00:13:56,923
YES, SHE DID.
410
00:13:57,010 --> 00:13:58,315
SO, TECHNICALLY,
IT'S OKAY.
411
00:13:58,402 --> 00:13:59,403
YEAH.
412
00:13:59,490 --> 00:14:01,101
OKAY.
413
00:14:01,188 --> 00:14:02,624
I'M GONNA CLOSE
THE DEAL.
414
00:14:10,893 --> 00:14:12,199
I'M ON POINT.
415
00:14:12,286 --> 00:14:14,114
TARGET'S NOT HERE.
416
00:14:14,201 --> 00:14:16,246
RELAX, COMMANDO.
IT IS JUST A DINNER.
417
00:14:16,333 --> 00:14:17,465
I GOT EYES ON SELENA.
418
00:14:17,552 --> 00:14:19,249
SHE'LL BE INSIDE
WITHIN A MINUTE.
419
00:14:19,336 --> 00:14:21,469
TARGET SIGHTED.
420
00:14:23,775 --> 00:14:25,255
YOU LOOK EVEN MORE
HANDSOME TONIGHT,
421
00:14:25,342 --> 00:14:26,300
IF THAT'S POSSIBLE.
422
00:14:26,387 --> 00:14:28,606
SO DO YOU.
423
00:14:28,693 --> 00:14:30,478
BEAUTIFUL.
[ CHUCKLES ]
424
00:14:30,565 --> 00:14:31,827
Shall we?
425
00:14:31,914 --> 00:14:33,873
YES.
426
00:14:33,960 --> 00:14:35,483
WONDER WHAT'S
ON THE MENU.
427
00:14:35,570 --> 00:14:36,571
THEIRS?
428
00:14:36,658 --> 00:14:38,312
OR OURS?
429
00:14:39,704 --> 00:14:41,532
OURS.
430
00:14:41,619 --> 00:14:43,186
IT'S A VERY NICE HALIBUT
WITH A MANGO CHUTNEY.
431
00:14:45,275 --> 00:14:47,147
WHY ARE YOU DOING THIS?
432
00:14:47,234 --> 00:14:49,932
YOU HELPED ME SAVE FACE
AT THE AUCTION.
433
00:14:50,019 --> 00:14:52,804
THE LEAST I CAN DO IS OFFER YOU
A DECENT MEAL.
434
00:14:52,892 --> 00:14:54,371
A CANDLE!
435
00:14:54,458 --> 00:14:55,372
ELECTRIC.
436
00:14:55,459 --> 00:14:56,765
[ LAUGHS ]
437
00:14:56,852 --> 00:14:57,940
SOMETHING TO DRINK?
438
00:14:58,027 --> 00:14:59,115
PLEASE.
439
00:14:59,202 --> 00:15:00,377
MAY I RECOMMEND
OUR MERLOT?
440
00:15:00,464 --> 00:15:02,684
A BOTTLE OF YOUR
VINO DEL DIABLO.
441
00:15:02,771 --> 00:15:04,468
HOW ADVENTUROUS.
442
00:15:04,555 --> 00:15:07,341
I'LL TAKE A RISK
ONCE IN A WHILE.
443
00:15:07,428 --> 00:15:08,690
LIKE THE AUCTION.
444
00:15:08,777 --> 00:15:09,778
LIKE YOU.
445
00:15:09,865 --> 00:15:11,519
OH, SO I'M A RISK?
446
00:15:11,606 --> 00:15:13,390
[ CHUCKLES ]
447
00:15:13,477 --> 00:15:16,480
I FEEL I DON'T NEED TO HIDE
ANYTHING FROM YOU.
448
00:15:16,567 --> 00:15:19,396
OH.
449
00:15:19,483 --> 00:15:21,529
MAYBE THAT WAS
A LITTLE TOO FORWARD.
450
00:15:21,616 --> 00:15:23,096
NO, PETER.
451
00:15:23,183 --> 00:15:25,272
THERE'S NOTHING MORE ATTRACTIVE
THAN THE TRUTH.
452
00:15:25,359 --> 00:15:26,316
MM.
453
00:15:26,403 --> 00:15:28,666
HE'S DOING GOOD.
454
00:15:28,753 --> 00:15:30,059
WELL, HE'S GONNA NEED
TO STEP IT UP
455
00:15:30,146 --> 00:15:31,452
IF HE WANTS AN INVITE BACK
TO HER PLACE.
456
00:15:31,539 --> 00:15:32,757
YOU EVER COOK LIKE THIS
FOR SARA?
457
00:15:32,844 --> 00:15:34,455
I THOUGHT ABOUT IT.
458
00:15:34,542 --> 00:15:36,718
WELL, DO MORE THAN THINK.
459
00:15:36,805 --> 00:15:39,590
INSURANCE INVESTIGATOR BARBIE
WOULD BE THOROUGHLY IMPRESSED.
460
00:15:39,677 --> 00:15:41,375
[ GLASSES CLINK ]
461
00:15:41,462 --> 00:15:42,811
[ GLASSES CLINK ]
462
00:15:42,898 --> 00:15:44,204
[ CHUCKLES ][ SLOW MUSIC PLAYS ]
463
00:15:44,291 --> 00:15:46,119
OH, I LOVE THIS SONG.
464
00:15:46,206 --> 00:15:47,816
OH, ME TOO.
465
00:15:47,903 --> 00:15:49,383
SHALL WE DANCE?
466
00:15:49,470 --> 00:15:51,080
OH, UH...
467
00:15:51,167 --> 00:15:52,560
YOU'VE BEEN ADVENTUROUS
WITH THE MERLOT.
468
00:15:52,647 --> 00:15:53,648
WHY STOP NOW?
469
00:15:53,735 --> 00:15:54,649
[ STAMMERS, CHUCKLES ]
470
00:15:54,736 --> 00:15:56,564
[ CLEARS THROAT ]
471
00:16:03,658 --> 00:16:06,922
[ TANGO PLAYS ]
472
00:16:07,009 --> 00:16:08,228
IS THAT A TANGO?
473
00:16:08,315 --> 00:16:09,359
WHOA, WHOA, WHOA, WHOA.
474
00:16:09,446 --> 00:16:11,013
PETER, PETER,
THERE ARE CERTAIN THINGS
475
00:16:11,100 --> 00:16:12,406
you cannot recover from.
476
00:16:14,408 --> 00:16:16,236
I CAN HANDLE THIS.
477
00:16:27,899 --> 00:16:29,423
I DON'T HEAR
ANY SCREAMING.
478
00:16:31,294 --> 00:16:33,601
[ MUSIC CONTINUES ]
479
00:16:43,350 --> 00:16:45,004
[ CHEERS AND APPLAUSE ]
480
00:16:55,797 --> 00:16:56,841
[ MUSIC ENDS ]
481
00:16:56,928 --> 00:16:58,626
[ CHEERS AND APPLAUSE ]
482
00:16:59,975 --> 00:17:02,586
LET'S GO BACK
TO MY APARTMENT SO THAT --
483
00:17:02,673 --> 00:17:04,327
[ FEEDBACK ]WHOA, WHOA, WHOA.
484
00:17:04,414 --> 00:17:05,633
DID YOU GET THAT?
485
00:17:05,720 --> 00:17:07,069
THE FIRST PART
LOUD AND CLEAR.
486
00:17:07,156 --> 00:17:08,984
THE SECOND?NEVER TO BE REPEATED.
487
00:17:09,071 --> 00:17:10,377
[ CHUCKLES ]
488
00:17:10,464 --> 00:17:12,727
NICE WORK, AGENT BURKE.
489
00:17:12,814 --> 00:17:14,250
PETER.
490
00:17:14,337 --> 00:17:16,731
REMIND ME TO THANK EL
FOR THE DANCE LESSONS.
491
00:17:16,818 --> 00:17:18,341
NEAL? NEAL?
492
00:17:18,428 --> 00:17:20,039
Neal?
493
00:17:20,126 --> 00:17:21,127
I DON'T THINK
HE CAN HEAR US.
494
00:17:21,214 --> 00:17:22,389
SHE MUST HAVE BLOWN
THE RECEIVER.
495
00:17:26,915 --> 00:17:29,178
Selena:
WHY DON'T YOU MAKE US A DRINK
496
00:17:29,265 --> 00:17:31,180
WHILE I CHANGE
AND PUT ON SOME MUSIC?
497
00:17:33,356 --> 00:17:35,315
IS SHE ACTUALLY SLIPPING
INTO SOMETHING MORE COMFORTABLE?
498
00:17:35,402 --> 00:17:36,272
MM-HMM.
499
00:17:36,359 --> 00:17:37,404
I DON'T LIKE THIS WOMAN.
500
00:17:37,491 --> 00:17:38,753
[ CELL PHONE RINGS ]
501
00:17:38,840 --> 00:17:40,233
HEY, JONES.
WHAT'S UP?
502
00:17:40,320 --> 00:17:43,236
COME ON, PETER.
PLANT THE BUG AND GET OUT.
503
00:17:43,323 --> 00:17:44,759
[ MID-TEMPO MUSIC PLAYS ]
504
00:17:44,846 --> 00:17:47,153
IF YOU CAN HEAR ME,
I DON'T SEE A COMPUTER,
505
00:17:47,240 --> 00:17:50,199
SO THE KEYLOGGER
ISN'T GONNA WORK.
506
00:17:55,726 --> 00:17:57,685
[ SIGHS ]
507
00:17:59,078 --> 00:18:02,603
I'M GOING FOR THE BUG PLANT
ON THE PURSE.
508
00:18:02,690 --> 00:18:03,560
THANKS, JONES.
509
00:18:03,647 --> 00:18:05,171
L.A.'s AUTOPSY CAME IN.
510
00:18:05,258 --> 00:18:07,695
SELENA'S FOURTH VICTIM DEAD
OF A STAB WOUND TO THE THROAT.
511
00:18:07,782 --> 00:18:09,523
STREET MUGGING.
512
00:18:09,610 --> 00:18:10,611
SELENA WAS
THE ONLY EYEWITNESS,
513
00:18:10,698 --> 00:18:11,655
AND THEY NEVER CAUGHT
THE ASSAILANT.
514
00:18:11,742 --> 00:18:12,656
WELL, THAT'S CONVENIENT.
515
00:18:12,743 --> 00:18:13,701
THE MURDER HAPPENED
516
00:18:13,788 --> 00:18:14,658
WHILE THEY WERE OUT
TO DINNER.
517
00:18:14,745 --> 00:18:16,095
MAYBE SHE IS
A SERIAL KILLER.
518
00:18:16,182 --> 00:18:17,400
OR HE CAUGHT ON
TO HER PLAN.
519
00:18:21,578 --> 00:18:22,536
MM.
520
00:18:22,623 --> 00:18:24,320
WHAT ARE YOU DOING?
521
00:18:24,407 --> 00:18:26,235
THOUGHT I SAW A BUG.
522
00:18:26,322 --> 00:18:28,498
I'LL CALL THE EXTERMINATOR
IN THE MORNING.
523
00:18:28,585 --> 00:18:30,196
HOW ABOUT THOSE DRINKS?
524
00:18:40,162 --> 00:18:41,424
LEMON?
525
00:18:41,511 --> 00:18:43,557
SURPRISE ME.
526
00:18:59,138 --> 00:19:00,269
PETER?
527
00:19:00,356 --> 00:19:01,357
YES.
528
00:19:02,837 --> 00:19:04,795
[ BOTH CHUCKLING ]
529
00:19:09,409 --> 00:19:11,280
OH! OH!
530
00:19:11,367 --> 00:19:14,153
OH, OH,
I JUST SPILLED IT ON ME.
OH!
531
00:19:14,240 --> 00:19:15,154
Oh, I'm so clumsy.
532
00:19:15,241 --> 00:19:16,372
HE NEEDS HELP.
533
00:19:16,459 --> 00:19:17,939
ALL RIGHT,
I'M GONNA CALL HIM.
534
00:19:18,026 --> 00:19:19,636
CAN YOU GENERATE
SOME SOUND EFFECTS?
535
00:19:19,723 --> 00:19:21,856
A STEEL MILL,
PEOPLE YELLING, SOMETHING.
536
00:19:21,943 --> 00:19:23,684
THE BUREAU CAN, AND I CAN PATCH
IT THROUGH TO THE CALL.
537
00:19:23,771 --> 00:19:25,207
YOU MIND
IF I USE YOUR BATHROOM?
538
00:19:25,294 --> 00:19:26,904
OH, NO,
I CAN HELP YOU WITH THAT.
539
00:19:26,991 --> 00:19:28,689
OH, NO, NO. THAT'S OKAY.
I --
540
00:19:28,776 --> 00:19:30,212
THESE BUTTONS ARE DIFFICULT.
LET ME --
541
00:19:30,299 --> 00:19:32,823
[ BOTH LAUGH ]
542
00:19:32,910 --> 00:19:34,956
UH, HERE,
LET ME GET THE --
543
00:19:35,043 --> 00:19:36,349
[ CELL PHONE RINGS ]OH, OH...
544
00:19:36,436 --> 00:19:37,872
NO, NO -- I CAN GET IT.
THAT'S NOT A PROBLEM.
545
00:19:37,959 --> 00:19:39,700
[ GASPS ]
546
00:19:39,787 --> 00:19:41,223
PETER WILLIAMS' PHONE.
547
00:19:41,310 --> 00:19:43,007
NEAL:
Where's Mr. Williams?
548
00:19:43,094 --> 00:19:45,184
WHO IS THIS?
YOU KNOW WHAT?[ Machinery grinding ]
549
00:19:45,271 --> 00:19:46,620
IT DOESN'T MATTER.
550
00:19:46,707 --> 00:19:49,057
We need him here, pronto.
551
00:19:49,144 --> 00:19:50,972
Hamilton mill is getting lit up
like a Christmas tree.
552
00:19:51,059 --> 00:19:53,017
We have an induction furnace
that is ready to blow.
553
00:19:53,104 --> 00:19:56,369
SOUNDS IMPORTANT.
554
00:19:56,456 --> 00:19:58,849
THIS IS WILLIAMS.
555
00:19:58,936 --> 00:20:00,634
HELLO, MR. WILLIAMS.
556
00:20:00,721 --> 00:20:03,463
I'M LOOKING FOR PHIL --
PHIL LANDERER.
557
00:20:03,550 --> 00:20:04,681
RIGHT.
558
00:20:04,768 --> 00:20:05,726
You know him?
559
00:20:05,813 --> 00:20:06,814
OKAY, ON MY WAY.
560
00:20:06,901 --> 00:20:09,208
WE'RE GOOD.
561
00:20:10,731 --> 00:20:13,037
SORRY.
I GOT TO HANDLE THIS.
562
00:20:13,124 --> 00:20:14,735
OH...
I KNOW IT.
563
00:20:14,822 --> 00:20:16,911
I KNOW.
SELENA, I HAD A GREAT TIME.
564
00:20:16,998 --> 00:20:18,434
I'LL MAKE IT UP TO YOU.
565
00:20:18,521 --> 00:20:20,480
OH, YOU'LL MAKE IT UP TO ME
TOMORROW NIGHT.
566
00:20:20,567 --> 00:20:22,177
MMM.
567
00:20:24,832 --> 00:20:27,400
[ BOTH CHUCKLE ]
568
00:20:27,487 --> 00:20:28,314
GOTTA GO.
YEAH.
569
00:20:31,447 --> 00:20:33,014
HMM.
570
00:20:37,845 --> 00:20:40,326
SELENA MADE A CALL
AFTER YOU LEFT.
571
00:20:40,413 --> 00:20:42,850
I'M PULLING UP THE AUDIO NOW.
HANG ON.
572
00:20:42,937 --> 00:20:45,156
Selena: IT'S ME.
573
00:20:45,244 --> 00:20:46,810
HE LEFT EARLY,
BUT I THINK I GOT TO HIM.
574
00:20:46,897 --> 00:20:47,768
Man:
DID YOU SPOOK HIM?
575
00:20:47,855 --> 00:20:49,596
NOT AT ALL.
576
00:20:49,683 --> 00:20:50,988
I'LL HAVE WILLIAMS
DOWN ON ONE KNEE
577
00:20:51,075 --> 00:20:52,512
BY THE END OF THE WEEK.
578
00:20:52,599 --> 00:20:55,210
AFTER THAT, YOU FINISH THE JOB, AND IT'S PAYDAY.
579
00:20:55,297 --> 00:20:57,343
SHE HAS A PARTNER.
580
00:20:57,430 --> 00:21:00,041
WHOEVER HER PARTNER IS,
THEY PROBABLY RUN THE ENDGAME.
581
00:21:00,128 --> 00:21:01,608
YOU'RE GONNA HAVE
TO KEEP SEEING HER.
582
00:21:01,695 --> 00:21:02,696
IS THERE ANOTHER OPTION?
583
00:21:02,783 --> 00:21:04,698
ANYONE?
584
00:21:04,785 --> 00:21:07,962
I'M SURE ELIZABETH WILL BE
COMPLETELY...SUPPORTIVE.
585
00:21:08,049 --> 00:21:09,355
MM-HMM.
586
00:21:09,442 --> 00:21:10,617
WE'LL FIND OUT
WHEN WE TALK TO HER.
587
00:21:10,704 --> 00:21:12,227
"WE"?
YES, WE.
588
00:21:12,314 --> 00:21:14,098
OH, COME ON.
589
00:21:14,185 --> 00:21:15,883
WHY DO YOU HAVE TO
SEE HER AGAIN?
590
00:21:15,970 --> 00:21:19,756
WE'VE RUN INTO
SOME...COMPLICATIONS, BUT --
591
00:21:19,843 --> 00:21:22,019
ELIZABETH, THIS --
THIS WOMAN IS A MURDERER.
592
00:21:22,106 --> 00:21:23,847
ANOTHER REASON
I DON'T LOVE THIS!
593
00:21:23,934 --> 00:21:25,153
SHE NEEDS TO BE TAKEN OUT.
594
00:21:25,240 --> 00:21:26,241
DOWN.
DOWN.
595
00:21:26,328 --> 00:21:27,590
SHE NEEDS TO BE
TAKEN DOWN.
596
00:21:27,677 --> 00:21:30,985
EL, I WANT THIS OVER WITH
MORE THAN ANYONE.
597
00:21:31,072 --> 00:21:34,205
IS SHE...ATTRACTIVE?
598
00:21:34,293 --> 00:21:36,033
NOT REALLY.DEFINE "ATTRACTIVE."
599
00:21:36,120 --> 00:21:37,383
YOU KNOW, I'M GONNA --
600
00:21:37,470 --> 00:21:38,949
I'M GONNA TAKE SATCHMO
FOR A WALK,
601
00:21:39,036 --> 00:21:39,950
GET A LITTLE AIR.
602
00:21:45,521 --> 00:21:47,349
BYE.
603
00:21:47,436 --> 00:21:48,611
SEE YA, HONEY.
604
00:21:50,831 --> 00:21:52,659
THAT WASN'T A COMPLETE
TRAIN WRECK.
605
00:21:52,746 --> 00:21:54,269
BUT THAT'S AS FAR
AS IT GOES.
606
00:21:54,356 --> 00:21:56,271
YOU'RE SEEING SELENA
AGAIN TONIGHT.
607
00:21:56,358 --> 00:21:57,620
WHAT'S YOUR PLAN?
608
00:21:57,707 --> 00:21:59,927
WELL, I'M GONNA TRY
TO GET TO HER CELL PHONE
609
00:22:00,014 --> 00:22:02,059
AND FIND OUT
WHO SHE'S TALKING WITH.
610
00:22:02,146 --> 00:22:03,583
THE SOONER THIS ENDS,
THE BETTER.
611
00:22:03,670 --> 00:22:05,454
THEN PROPOSE.
RIGHT. WHAT?
612
00:22:05,541 --> 00:22:07,326
WELL, YOU SAID YOU WANT
TO SPEED THINGS UP, RIGHT?
613
00:22:07,413 --> 00:22:08,805
YEAH.
NOTHING SAYS
"ENAMORED" LIKE --
614
00:22:08,892 --> 00:22:09,632
POLYGAMY?
615
00:22:09,719 --> 00:22:10,720
"MARRY ME."
NO!
616
00:22:10,807 --> 00:22:13,114
NO, THE CELL
IS A GOOD START.
617
00:22:13,201 --> 00:22:14,768
ALL RIGHT,
IT'S YOUR OPERATION.
618
00:22:14,855 --> 00:22:16,160
AND I'M NOT CHANGING IT.
619
00:22:16,247 --> 00:22:18,075
DIANA HAS ALREADY
PREPPED THE TEAM.
620
00:22:18,162 --> 00:22:19,816
SHE'S FOLLOWING ME
IN THE VAN.
621
00:22:19,903 --> 00:22:20,904
SOUNDS LIKE
YOU GOT IT COVERED.
622
00:22:20,991 --> 00:22:21,775
DO YOU MIND
IF I TAKE OFF?
623
00:22:21,862 --> 00:22:22,906
WHERE YOU GOING?
624
00:22:22,993 --> 00:22:24,255
SARA'S COMING
TO MY PLACE.
625
00:22:24,343 --> 00:22:25,648
YOU'RE NOT THE ONLY ONE
WITH DINNER PLANS.
626
00:22:28,825 --> 00:22:30,349
[ SIREN WAILS IN DISTANCE ]
627
00:22:30,436 --> 00:22:31,567
[ KNOCK ON DOOR ]
628
00:22:35,658 --> 00:22:37,704
HEY.
629
00:22:37,791 --> 00:22:39,270
HEY, I GOT YOUR MESSAGE.
IS EVERYTHING OKAY?
630
00:22:39,358 --> 00:22:40,968
I DON'T KNOW.
631
00:22:41,055 --> 00:22:42,448
YOU TELL ME.
632
00:22:45,712 --> 00:22:46,843
[ CHUCKLES ]
633
00:22:49,585 --> 00:22:52,066
YOU'RE TRYING
TO IMPRESS ME.
634
00:22:52,153 --> 00:22:55,330
WELL, LOOK, I KNOW YOU SAID
I DIDN'T HAVE TO, BUT...
635
00:22:55,417 --> 00:22:57,376
WHATEVER MAKES YOU
FEEL BETTER.
636
00:23:01,989 --> 00:23:04,557
WOW. LOOK AT YOU.
637
00:23:04,644 --> 00:23:06,341
NO PURSE?
NO.
638
00:23:06,428 --> 00:23:07,734
I WAS IN THE MOOD
FOR SOMETHING
639
00:23:07,821 --> 00:23:09,213
A LITTLE MORE
PRIVATE TONIGHT.
640
00:23:09,300 --> 00:23:10,389
LET'S GO TO YOUR PLACE.
641
00:23:10,476 --> 00:23:11,955
MY PLACE?
642
00:23:12,042 --> 00:23:13,914
MM-HMM.
643
00:23:14,001 --> 00:23:16,003
SURE. SOUNDS GOOD.
644
00:23:16,090 --> 00:23:17,700
OH, IT WILL BE.
645
00:23:24,794 --> 00:23:26,405
[ Dialing ]
646
00:23:26,492 --> 00:23:28,058
NEAL, CHANGE OF PLANS.
647
00:23:28,145 --> 00:23:31,105
YOU HAVE 15 MINUTES TO CLEAR OUT
OF YOUR APARTMENT,
648
00:23:31,192 --> 00:23:32,541
OR MY COVER'S BLOWN.
649
00:23:32,628 --> 00:23:34,587
I'M COMMANDEERING
YOUR DATE.
650
00:23:34,674 --> 00:23:37,328
[ CELL PHONE BUZZING ]
651
00:23:43,596 --> 00:23:46,425
IT'S VERY LOVELY
FOR A FIRST DATE.
652
00:23:46,512 --> 00:23:48,165
DON'T EXPECT THIS
EVERY TIME.
653
00:23:48,252 --> 00:23:49,689
OH, THERE'S GONNA BE
A SECOND DATE?
654
00:23:49,776 --> 00:23:50,820
GUY CAN HOPE.
655
00:23:50,907 --> 00:23:51,995
YEAH?
YEAH.
656
00:23:52,082 --> 00:23:53,344
I COULD BE TALKED
INTO IT.
657
00:23:53,432 --> 00:23:55,303
[ CELL PHONE BUZZING ]NEAL,
GO CHECK YOUR PHONE.
658
00:23:55,390 --> 00:23:56,391
THANK YOU.
YEP.
659
00:24:03,703 --> 00:24:05,313
[ SIGHS ]
WHO IS IT?
660
00:24:05,400 --> 00:24:07,315
WE GOT TO GET OUT
OF HERE RIGHT NOW.
661
00:24:07,402 --> 00:24:09,622
PETER'S UNDERCOVER.
HE'S COMING UP THE STAIRS.
662
00:24:09,709 --> 00:24:10,884
I'LL EXPLAIN EVERYTHING
LATER.
663
00:24:10,971 --> 00:24:12,538
NO, NO! NOT THAT WAY!
THE CLOSET.
664
00:24:12,625 --> 00:24:13,452
UH, NEW BOTTLE.
665
00:24:14,801 --> 00:24:16,106
[ CHUCKLES ]
666
00:24:16,193 --> 00:24:17,934
THROUGH THERE.
667
00:24:18,021 --> 00:24:20,241
[ PETER TALKING INDISTINCTLY ]I GOT IT, I GOT IT.
668
00:24:20,328 --> 00:24:22,548
SORRY.
669
00:24:22,635 --> 00:24:24,854
Sara:
OOH, GRAB ME A QUICHE.
670
00:24:24,941 --> 00:24:28,379
JUST LET ME MAKE SURE
WE'RE ALL SET.
671
00:24:32,688 --> 00:24:35,038
HERE WE ARE.
672
00:24:35,125 --> 00:24:36,518
[ GASPS ]
673
00:24:36,605 --> 00:24:38,564
AMAZING!
674
00:24:38,651 --> 00:24:40,348
HUH.
675
00:24:40,435 --> 00:24:42,045
OH, PETER,
YOU SHOULDN'T HAVE.
676
00:24:42,132 --> 00:24:44,526
[ CHUCKLES ]
SURPRISE.
677
00:24:44,613 --> 00:24:45,658
WHAT IS GOING ON?
678
00:24:45,745 --> 00:24:47,573
REMEMBER THAT CASE
I WAS WORKING ON?
679
00:24:47,660 --> 00:24:48,835
THE KILLER BRIDE?
680
00:24:48,922 --> 00:24:50,576
YEAH.
PETER'S DATING HER NOW.
681
00:24:50,663 --> 00:24:51,707
REALLY?
YEP.
682
00:24:51,794 --> 00:24:53,317
SO WHAT ARE WEDOING?
683
00:24:53,404 --> 00:24:56,103
THIS APARTMENT
WAS A BACKROOM SPEAKEASY.
684
00:24:56,190 --> 00:25:00,673
AND THIS WAS
THE OBSERVATION ROOM.
685
00:25:00,760 --> 00:25:02,979
OH, WOW.
Selena:
VERY ECLECTIC, RIGHT?
686
00:25:03,066 --> 00:25:05,939
PETER, YOU DIDN'T TELL ME
THAT YOU WERE AN ARTIST.
687
00:25:06,026 --> 00:25:07,244
I DABBLE.
688
00:25:07,331 --> 00:25:09,072
I WOULDN'T SAY
I'M ANY GOOD, THOUGH.
689
00:25:09,159 --> 00:25:10,683
OH, DON'T BE MODEST.
690
00:25:10,770 --> 00:25:12,989
YOU KNOW,
THIS MAY SOUND SILLY, BUT...
691
00:25:14,904 --> 00:25:16,515
...WOULD YOU DRAW ME?
692
00:25:16,602 --> 00:25:18,952
OH, I'M SURE
THAT WE COULD HAVE...
693
00:25:20,475 --> 00:25:22,346
YOU MEAN RIGHT NOW?
694
00:25:22,433 --> 00:25:24,044
YEAH. WHY NOT?
695
00:25:24,131 --> 00:25:26,873
I-IT WOULD TAKE TIME
TO DO IT RIGHT.
696
00:25:26,960 --> 00:25:28,962
WE HAVE ALL NIGHT.
697
00:25:29,049 --> 00:25:31,617
IT WOULDN'T
DO YOU JUSTICE.
698
00:25:31,704 --> 00:25:34,097
OH, BUT YOU WILL.
I WON'T TAKE NO FOR AN ANSWER.
699
00:25:34,184 --> 00:25:37,013
OKAY.
700
00:25:37,100 --> 00:25:38,928
BUT, UH...
701
00:25:39,015 --> 00:25:41,583
YOU SHOULD KNOW
THAT I'M EXPERIMENTING
702
00:25:41,670 --> 00:25:44,107
WITH SOME VERY, VERY
PRIMITIVE STYLES.
703
00:25:44,194 --> 00:25:45,500
OOH.
[ Chuckling ] YEAH.
704
00:25:47,720 --> 00:25:49,243
CANPETER DRAW?
705
00:25:49,330 --> 00:25:51,985
UNLESS SHE'S EXPECTING
A BREATHTAKING STICK FIGURE,
706
00:25:52,072 --> 00:25:52,986
HE'S IN TROUBLE.
707
00:25:53,073 --> 00:25:54,596
UH-HUH.
708
00:25:54,683 --> 00:25:56,076
DOES HE KNOW
THAT YOU'REHERE?
709
00:25:56,163 --> 00:25:57,904
UNFORTUNATELY, YES,
HE KNOWS ABOUT THIS ROOM.
710
00:25:57,991 --> 00:25:59,514
ALL RIGHT.
711
00:25:59,601 --> 00:26:01,734
[ SELENA SIGHS ]
712
00:26:01,821 --> 00:26:05,259
LET ME MAKE SURE
THE LIGHT IS RIGHT.
713
00:26:09,872 --> 00:26:12,919
OKAY. ALL RIGHT.
714
00:26:13,006 --> 00:26:15,008
HOLD THIS.
715
00:26:19,839 --> 00:26:22,624
THIS IS NOT HOW I SAW
THE NIGHT GOING, BY THE WAY.
716
00:26:22,711 --> 00:26:23,973
OH.
717
00:26:24,060 --> 00:26:26,367
I MEAN, ANY GUY
CAN MAKE A GIRL DINNER.
718
00:26:26,454 --> 00:26:28,064
ONLY YOUCOULD SKETCH
A BLACK WIDOW
719
00:26:28,151 --> 00:26:29,762
FROM A HIDDEN BACK ROOM.
720
00:26:29,849 --> 00:26:31,198
IS THE POSE OKAY?
721
00:26:31,285 --> 00:26:33,417
YES. THAT'S PERFECT.
OKAY.
722
00:26:33,504 --> 00:26:35,202
BUT, REMEMBER --
NO PEEKING.
723
00:26:35,289 --> 00:26:36,551
PETER, I HAVE TO ASK,
724
00:26:36,638 --> 00:26:38,509
HOW DID YOU...
725
00:26:38,597 --> 00:26:40,903
SET THIS...
ALL UP SO FAST?
726
00:26:40,990 --> 00:26:42,949
UM...
727
00:26:43,036 --> 00:26:46,517
HEY, DO YOURSELF A FAVOR.
728
00:26:46,605 --> 00:26:49,912
NEVER TRY TO SEND A GRAPPLING
HOOK THROUGH THE POST OFFICE.
729
00:26:52,306 --> 00:26:54,569
I-I MEAN, THAT IS, IF...
730
00:26:54,656 --> 00:26:57,746
YOU EVER NEEDED TO SEND...
A GRAPPLING HOOK, THAT IS.
731
00:26:57,833 --> 00:27:00,140
PERFECT TIMING.
732
00:27:00,227 --> 00:27:03,012
THIS IS MY...MAN --
HAVERSHAM.
733
00:27:03,099 --> 00:27:04,753
HE MADE THE ARRANGEMENTS.
734
00:27:04,840 --> 00:27:06,886
HAVERSHAM,
EVERYTHING IS PERFECT.
735
00:27:06,973 --> 00:27:07,974
THANK YOU.
736
00:27:08,061 --> 00:27:10,585
YOU MAY ENJOY
YOUR NIGHT OFF.
737
00:27:10,672 --> 00:27:12,456
SO SORRY TO INTERRUPT...
738
00:27:12,543 --> 00:27:15,155
SUCH A SUSPICIOUSLY
AMOROUS EVENING.
739
00:27:15,242 --> 00:27:17,287
HAVERSHAM, DO YOU MIND?
740
00:27:17,374 --> 00:27:19,812
I'LL NEED MY SUIT
FOR TOMORROW.
741
00:27:19,899 --> 00:27:22,553
A SUIT.
742
00:27:22,641 --> 00:27:24,338
YES.
743
00:27:24,425 --> 00:27:27,210
I'LL BE RIGHT BACK.
744
00:27:27,297 --> 00:27:28,647
GOOD.
745
00:27:28,734 --> 00:27:30,083
HOW HANDY.
746
00:27:30,170 --> 00:27:33,608
YES,
HE'S...ONE OF A KIND.
747
00:27:35,436 --> 00:27:37,656
I SHOULD HAVE KNOWN.
748
00:27:37,743 --> 00:27:39,222
FINISHED.
749
00:27:39,309 --> 00:27:40,789
IT LOOKS GOOD.
750
00:27:40,876 --> 00:27:42,965
HMM.
751
00:27:43,052 --> 00:27:44,140
SOMETHING'S MISSING.
752
00:27:46,055 --> 00:27:47,970
NEAL, ARE YOU SURE
YOU WANT TO DO THAT?
753
00:27:48,057 --> 00:27:50,103
WELL, PETER SAID HE WANTS
THIS CASE CLOSED FAST.
754
00:27:50,190 --> 00:27:51,452
THIS SHOULD HELP.
755
00:27:51,539 --> 00:27:53,019
OKAY, BUT PETER
IS GONNA BE REALLYMAD.
756
00:27:53,106 --> 00:27:54,498
BUT SHEWON'T.
757
00:27:54,585 --> 00:27:58,241
ALL RIGHT, MOZ, GET THIS TO HIM
WITHOUT HER SEEING.
758
00:27:58,328 --> 00:27:59,721
OH, SURE.
759
00:27:59,808 --> 00:28:01,810
I'LL HIDE IT UNDER
MY GARGANTUAN CLOWN SLEEVE.
760
00:28:01,897 --> 00:28:04,465
OH, COME HERE.
TRY THIS.
761
00:28:04,552 --> 00:28:06,380
OH, I'M MORE OF A SPRING.
762
00:28:06,467 --> 00:28:07,773
MOZ, WE DON'T HAVE TIME.
763
00:28:07,860 --> 00:28:10,776
OKAY. OH.
I GOT IT.
OKAY.
764
00:28:12,821 --> 00:28:14,127
[ SIGHS ]
765
00:28:16,869 --> 00:28:21,351
YOUR TURNCOAT
FOR TOMORROW, SIR.
766
00:28:21,438 --> 00:28:22,657
AH, YES.
THANK YOU.
767
00:28:22,744 --> 00:28:24,267
THAT IS EXACTLY
WHAT I NEEDED.
768
00:28:24,354 --> 00:28:25,616
MM.
769
00:28:27,575 --> 00:28:28,489
GOOD WORK, MOZ.
770
00:28:28,576 --> 00:28:30,404
OH, I'M GONNA NEED SOME...
771
00:28:30,491 --> 00:28:32,623
CASH FOR THE DRY-CLEANER.
772
00:28:32,711 --> 00:28:34,538
OF COURSE.
$50 SHOULD DO IT.
773
00:28:34,625 --> 00:28:37,541
DON'T KNOW WHAT I'D DO
WITHOUT YOU.
774
00:28:37,628 --> 00:28:39,630
OH, I MIGHT NEED MORE.
775
00:28:41,502 --> 00:28:42,721
AH. GOOD EVENING...
776
00:28:42,808 --> 00:28:44,200
YES.
...MADAM.
777
00:28:44,287 --> 00:28:46,637
IT'S GREAT TO MEET YOU...
HAVERSHAM.
778
00:28:46,725 --> 00:28:47,551
[ GIGGLES ]
779
00:28:51,468 --> 00:28:53,601
HE'S CURIOUS.
780
00:28:53,688 --> 00:28:56,604
VERY HIGH-FUNCTIONING,
CONSIDERING HIS CONDITION.
781
00:28:56,691 --> 00:28:59,215
OH.
782
00:28:59,302 --> 00:29:02,088
DONE.
783
00:29:02,175 --> 00:29:03,872
[ PETER CHUCKLES ]
784
00:29:03,959 --> 00:29:08,224
[ GASPS ] WOW!
THAT LOOKS AMAZING!
785
00:29:08,311 --> 00:29:11,271
YEAH, IT IS.
786
00:29:11,358 --> 00:29:12,751
PETER, WHAT'S THIS?
787
00:29:12,838 --> 00:29:13,882
OH, THAT?
788
00:29:16,058 --> 00:29:17,059
[ BREATHES SHAKILY ]
789
00:29:17,146 --> 00:29:20,410
I WANTED TONIGHT
TO BE SPECIAL.
790
00:29:20,497 --> 00:29:24,937
ARE YOU ASKING ME WHAT I THINK
YOU'RE ASKING ME?
791
00:29:25,024 --> 00:29:26,373
OH...
OH!
792
00:29:26,460 --> 00:29:28,027
PETER! YES.
793
00:29:28,114 --> 00:29:29,855
YES, YES.
794
00:29:32,248 --> 00:29:35,077
[ BOTH LAUGH ]
795
00:29:35,164 --> 00:29:37,340
BEST DATE EVER.
796
00:29:40,779 --> 00:29:42,302
SHE SAID YES?!
797
00:29:42,389 --> 00:29:45,044
YOU COULD LOOK AT THIS AS
ANOTHER VICTORY FOR TEAM BURKE.
798
00:29:45,131 --> 00:29:46,045
BUH.
799
00:29:46,132 --> 00:29:47,394
EH, EL,
800
00:29:47,481 --> 00:29:49,222
I'M PUTTING MY LIFE
AT RISK HERE.
801
00:29:49,309 --> 00:29:50,701
YES! YOU ARE.
802
00:29:50,789 --> 00:29:52,878
I MEAN, THIS WAS --
THIS WAS SUPPOSED TO BE A DATE,
803
00:29:52,965 --> 00:29:54,053
NOT A "SAVE THE DATE."
804
00:29:54,140 --> 00:29:55,750
THE INVESTIGATION'S
ALMOST OVER.
805
00:29:55,837 --> 00:29:57,534
YEAH, I RECALL HEARING THAT
AFTER THE FIRST DATE.
806
00:29:57,621 --> 00:29:58,971
NOW YOU'RE ENGAGED?
807
00:29:59,058 --> 00:30:02,278
ALL I NEED IS TO FIND OUT
WHO HER PARTNER IS.
808
00:30:02,365 --> 00:30:05,412
THAT MEANS CONTACTS,
FIGURING OUT WHO SHE'S CLOSE TO.
809
00:30:05,499 --> 00:30:07,196
MAYBE YOU NEED
A GUEST LIST.
810
00:30:07,283 --> 00:30:08,328
GUEST LIST?
811
00:30:08,415 --> 00:30:09,895
FOR THE WEDDING.
812
00:30:09,982 --> 00:30:12,680
YOU WANT TO WRAP UP
THIS CASE?
813
00:30:12,767 --> 00:30:13,899
YOU NEED
AN EVENT PLANNER.
814
00:30:18,207 --> 00:30:19,687
LOOK AT YOU TWO.
815
00:30:19,774 --> 00:30:21,907
PETER, YOU DIDN'T TELL ME
SHE WAS SO BEAUTIFUL.
816
00:30:21,994 --> 00:30:23,473
[ CHUCKLES ]
THANK YOU.
817
00:30:23,560 --> 00:30:25,084
MM, YOU'RE SO WELCOME.
818
00:30:25,171 --> 00:30:27,695
NOW, I WAS THINKING OF SETTING
YOU GUYS UP BY THE GAZEBO.
819
00:30:27,782 --> 00:30:29,523
OH. THAT SOUNDS GREAT.YEAH.
820
00:30:29,610 --> 00:30:31,568
I'LL NEED A HEAD COUNT TO MAKE
SURE WE HAVE ENOUGH ROOM.
821
00:30:31,655 --> 00:30:32,656
DID YOU BRING YOUR LISTS?
822
00:30:32,743 --> 00:30:34,745
SELENA,
FRIENDS AND FAMILY?
823
00:30:34,833 --> 00:30:36,704
OH, NO.
I'M NEW TO THE CITY.
824
00:30:36,791 --> 00:30:38,097
I DON'T KNOW
MANY PEOPLE HERE.
825
00:30:38,184 --> 00:30:41,187
PLUS, I HAVE ALL THE FAMILY
I NEED IN THIS MAN.
826
00:30:41,274 --> 00:30:42,101
[ CHUCKLES WEAKLY ]
827
00:30:43,929 --> 00:30:46,627
I UNDERSTAND.
YOU WANT TO KEEP IT SMALL.
828
00:30:46,714 --> 00:30:48,368
WEDDINGS CAN BE
SO CHAOTIC.
829
00:30:48,455 --> 00:30:49,760
IN THE END,
830
00:30:49,848 --> 00:30:52,241
YOU'RE MAKING A SCHEDULE
INSTEAD OF A-A MEMORY.
831
00:30:52,328 --> 00:30:53,939
SOUNDS LIKE
YOU'VE HAD EXPERIENCE.
832
00:30:54,026 --> 00:30:56,593
YOU KNOW, MY HUSBAND AND I
WANTED TO KEEP IT SMALL,
833
00:30:56,680 --> 00:30:58,421
BUT SOMEHOW OUR WEDDING
BALLOONED
834
00:30:58,508 --> 00:30:59,727
INTO THIS MASSIVE EVENT.
835
00:30:59,814 --> 00:31:01,860
YOU DIDN'T ENJOY IT?
836
00:31:01,947 --> 00:31:05,341
OH, IT WAS LOVELY.
IT WAS REALLY LOVELY.
837
00:31:05,428 --> 00:31:07,387
BUT I THINK
IF I WERE TO DO IT AGAIN,
838
00:31:07,474 --> 00:31:09,519
I'D KEEP IT A LITTLE MORE
INTIMATE, SIMPLE.
839
00:31:09,606 --> 00:31:11,043
JUST US.
840
00:31:11,130 --> 00:31:15,221
WELL, HOPEFULLY,
OURS WILL BE MORE SPECIAL.
841
00:31:15,308 --> 00:31:17,919
MM...WE...
HAVE TO GET GOING.
842
00:31:18,006 --> 00:31:20,617
WE HAVE RESERVATIONS FOR LUNCH
IN A HALF-HOUR.
843
00:31:20,704 --> 00:31:22,532
OH, PETER, DO YOU MIND IF I
BORROW SELENA FOR JUST A MOMENT?
844
00:31:22,619 --> 00:31:24,752
I WOULD LOVETO GO OVER
INVITATIONS WITH HER.
845
00:31:24,839 --> 00:31:26,580
SURE.
I'LL GO GET THE CAR.
846
00:31:26,667 --> 00:31:28,712
OKAY.
THANKS, HONEY.
847
00:31:28,799 --> 00:31:30,801
UM...
NOW THAT WE'RE ALONE,
848
00:31:30,889 --> 00:31:33,239
I WANTED TO ASK
YOU SOMETHING,
849
00:31:33,326 --> 00:31:35,502
AND I DIDN'T WANT TO DO IT
IN FRONT OF YOUR FIANCé.
850
00:31:35,589 --> 00:31:38,200
UM...HAVE YOU BEEN
MARRIED BEFORE?
851
00:31:38,287 --> 00:31:40,724
I HAVE.
852
00:31:40,811 --> 00:31:42,422
HOW MANY TIMES?
853
00:31:42,509 --> 00:31:43,858
WHAT BUSINESS
IS THAT OF YOURS?
854
00:31:43,945 --> 00:31:45,468
OH, I WAS JUST ASKING
TO MAKE SURE
855
00:31:45,555 --> 00:31:47,340
THAT YOU HAVE ALL
THE PROPER LEGAL DOCUMENTS
856
00:31:47,427 --> 00:31:48,602
FOR THE MARRIAGE LICENSE.
857
00:31:48,689 --> 00:31:50,952
THAT WAY, WE CAN AVOID
A LOT OF QUESTIONS.
858
00:31:51,039 --> 00:31:52,345
GREAT.
859
00:31:52,432 --> 00:31:54,216
I'LL HAVE MY LAWYER
SEND OVER THE PAPERS.
860
00:31:58,873 --> 00:32:01,136
OKAY.
SO, WE'LL BE IN TOUCH.
861
00:32:01,223 --> 00:32:02,485
THANK YOU SO MUCH.OKAY.
862
00:32:02,572 --> 00:32:03,747
READY?
863
00:32:03,834 --> 00:32:05,358
READY AS YOU ARE.
864
00:32:15,498 --> 00:32:17,109
[ ENGINE REVS, TIRES SCREECH ]
865
00:32:17,196 --> 00:32:18,284
Elizabeth: PETER!
866
00:32:22,941 --> 00:32:24,507
DID YOU, UH -- DID YOU GET
A LOOK AT THE LICENSE PLATE?
867
00:32:24,594 --> 00:32:25,944
UH, NO TAGS.
868
00:32:26,031 --> 00:32:27,510
ALL RIGHT,
THANK YOU VERY MUCH.
869
00:32:27,597 --> 00:32:29,121
I GOT IT FROM HERE.
870
00:32:29,208 --> 00:32:30,818
THANK YOU.
871
00:32:30,905 --> 00:32:33,560
WOW. THAT CAR
CAME OUT OF NOWHERE.
872
00:32:35,040 --> 00:32:37,868
YEAH.
873
00:32:37,956 --> 00:32:39,740
IF SHE HADN'T WARNED ME,
I --
874
00:32:39,827 --> 00:32:41,916
OH, I DON'T WANT
TO THINK ABOUT THAT.
875
00:32:42,003 --> 00:32:44,397
I-I DON'T KNOW WHAT I WOULD DO
IF ANYTHING HAPPENED TO YOU.
876
00:32:44,484 --> 00:32:46,965
AND IF SOMETHING DID?
877
00:32:47,052 --> 00:32:48,749
[ SIGHS ]
878
00:32:50,316 --> 00:32:51,839
HOW CLOSE WAS IT?
CLOSE.
879
00:32:51,926 --> 00:32:53,232
GOT MY HEART PUMPING.
880
00:32:53,319 --> 00:32:55,495
BUT THEN SELENA AND I
HAD ONE OF THOSE
881
00:32:55,582 --> 00:32:57,714
"SHOULD ANYTHING
EVER HAPPEN" CHATS.
882
00:32:57,801 --> 00:32:59,368
OH. THAT'S
A PRETTY GOOD SCAM.
883
00:32:59,455 --> 00:33:01,022
CAR NEARLY RUNS YOU DOWN,
884
00:33:01,109 --> 00:33:03,764
WHICH PROMPTS A DISCUSSION ABOUT
WHAT HAPPENS WHEN YOU'RE GONE?
885
00:33:03,851 --> 00:33:05,113
EXACTLY.
886
00:33:05,200 --> 00:33:06,985
SHE TOLD ME
IF WORSE COMES TO WORSE,
887
00:33:07,072 --> 00:33:08,595
SHE WOULDN'T WANT A DIME
OF MY MONEY.
888
00:33:08,682 --> 00:33:09,857
REALLY?
889
00:33:09,944 --> 00:33:11,685
SHE'D PREFER I LEAVE IT
TO CHARITY.
890
00:33:11,772 --> 00:33:12,903
ONE OF HER CHOOSING?
891
00:33:12,991 --> 00:33:16,342
I WENT THROUGH THE WILLS
OF HER VICTIMS.
892
00:33:16,429 --> 00:33:18,909
EACH ONE LEFT
A SIGNIFICANT CONTRIBUTION
893
00:33:18,997 --> 00:33:20,868
TO A CHARITABLE
ORGANIZATION.
894
00:33:20,955 --> 00:33:23,001
I'M GUESSING
THESE DON'T EXIST ANYMORE.
895
00:33:23,088 --> 00:33:24,567
NO.
SO WHERE'D THE MONEY GO?
896
00:33:24,654 --> 00:33:26,265
THIS MAY TELL US.
897
00:33:26,352 --> 00:33:28,397
WE GOT SOMETHING
FROM THE LEGAL PAPERS
898
00:33:28,484 --> 00:33:30,095
SELENA GAVE ELIZABETH.
899
00:33:30,182 --> 00:33:32,532
THE LAWYER'S NAME WAS A BOGUS
I.D. WE TRACKED TO THIS GUY.
900
00:33:32,619 --> 00:33:34,273
LOOK FAMILIAR?
901
00:33:34,360 --> 00:33:36,144
IT'S THE EMCEE
FROM THE AUCTION.GERALD JAMESON.
902
00:33:36,231 --> 00:33:38,146
YEAH, HE HOSTS
DATING EVENTS WORLDWIDE.
903
00:33:38,233 --> 00:33:40,322
NEVER STAYS IN ONE PLACE
FOR MORE THAN A YEAR.
904
00:33:40,409 --> 00:33:42,759
ALWAYS CHANGES THE NAME AND
CHARITY OF HIS LATEST AUCTION.
905
00:33:42,846 --> 00:33:44,152
THAT'S A GREAT SETUP.
906
00:33:44,239 --> 00:33:46,459
HE PUTS ON THESE AUCTIONS,
LINES UP THE SUITORS...
907
00:33:46,546 --> 00:33:47,460
SHE KNOCKS THEM DOWN.
908
00:33:47,547 --> 00:33:48,852
WE NEED A CONCRETE LINK
909
00:33:48,939 --> 00:33:50,724
BETWEEN THESE TWO
AND THE CHARITIES.
910
00:33:50,811 --> 00:33:52,247
I'LL TALK TO HIM.
911
00:33:52,334 --> 00:33:53,335
WHAT ARE YOU GONNA SAY?
912
00:33:53,422 --> 00:33:54,858
THAT MY DATE
DIDN'T WORK OUT.
913
00:33:54,945 --> 00:33:57,600
SHE WAS A NICE GIRL
WHO PREFERS...NICE GIRLS.
914
00:33:57,687 --> 00:34:00,255
I WAS GONNA SAY "BLONDES,"
BUT WE CAN RUN WITH THAT, TOO.
915
00:34:00,342 --> 00:34:02,170
SHOULD GIVE US ENOUGH TIME
TO CASE THE OFFICE.
916
00:34:02,257 --> 00:34:03,041
WHO IS "US"?
917
00:34:03,128 --> 00:34:05,304
WHY'D I ASK?
918
00:34:05,391 --> 00:34:07,567
ALL RIGHT,
WE'RE LOOKING FOR SAFES,
919
00:34:07,654 --> 00:34:10,222
VAULTS, AND LOCKED CABINETS --
KEEP AN EYE OUT.
920
00:34:10,309 --> 00:34:12,224
HEY, HEY.
GREAT TO SEE YOU AGAIN.
921
00:34:12,311 --> 00:34:15,227
AH, YES, MR. MUNROE.
HOW CAN I HELP YOU?
922
00:34:15,314 --> 00:34:17,316
WELL, I WAS JUST WONDERING
ABOUT YOUR NEXT EVENT.
923
00:34:17,403 --> 00:34:19,840
AH.
924
00:34:19,927 --> 00:34:23,365
I TAKE IT...
THINGS DIDN'T WORK OUT.
925
00:34:23,452 --> 00:34:25,324
WELL, YOU KNOW, SOME GUYS
PROPOSE ON THE FIRST DATE.
926
00:34:25,411 --> 00:34:26,629
SOME DON'T MAKE IT
TO THE SECOND.
927
00:34:26,716 --> 00:34:28,544
I SEE.
928
00:34:28,631 --> 00:34:31,069
AND WITH REGARDS TO YOUR
LITTLE FRIEND OVER THERE,
929
00:34:31,156 --> 00:34:32,896
WE HAVE A --
930
00:34:32,983 --> 00:34:35,290
A CERTAIN
HEIGHT REQUIREMENT.
931
00:34:35,377 --> 00:34:36,683
OH, NO, NO.
HE'S, UH --
932
00:34:36,770 --> 00:34:38,163
HE'S ALL SET
WITH THE LADIES.
933
00:34:38,250 --> 00:34:39,555
REALLY?
OH, YEAH.
934
00:34:39,642 --> 00:34:41,949
WELL, I'M SORRY TO SAY
MY NEXT EVENT
935
00:34:42,036 --> 00:34:44,604
WON'T BE FOR TWO MONTHS,
AND THAT'S IN FLORIDA.
936
00:34:44,691 --> 00:34:46,171
I LOVE THE SUNSHINE STATE.
937
00:34:46,258 --> 00:34:48,303
AM I STILL TALL ENOUGH TO FILL
OUT AN APPLICATION, OR...?
938
00:34:48,390 --> 00:34:49,783
[ Chuckling ]
YES, OF COURSE.
939
00:34:49,870 --> 00:34:51,045
I'LL GO GET IT
FROM THE BACK.
940
00:34:51,132 --> 00:34:53,178
[ CHUCKLES ]
941
00:34:57,530 --> 00:34:59,227
8414.
942
00:34:59,314 --> 00:35:01,186
STANDARD BANKS-SMITH
SECURITY SYSTEM,
943
00:35:01,273 --> 00:35:03,710
BUT IT'S GONNA BE HARD
TO GET IN HERE WITH
HIM HANGING AROUND.
944
00:35:03,797 --> 00:35:05,146
THEN WE WILL HAVE TO
GET TO IT LATER.
945
00:35:05,233 --> 00:35:06,321
AH.
946
00:35:06,408 --> 00:35:08,758
THERE YOU ARE.
947
00:35:08,845 --> 00:35:09,933
THANK YOU SO MUCH.
948
00:35:10,020 --> 00:35:10,934
ONE MORE THING.
949
00:35:11,021 --> 00:35:12,153
I LOVE THIS SPACE.
950
00:35:12,240 --> 00:35:13,459
DO -- DO YOU LOVE IT?
951
00:35:13,546 --> 00:35:15,504
YEAH.
HIGH CEILINGS!
952
00:35:15,591 --> 00:35:17,332
MM.
DO YOU RENT IT OUT?
953
00:35:17,419 --> 00:35:19,334
YES, IT IS POSSIBLE.
954
00:35:19,421 --> 00:35:20,814
MY FRIEND, MR. WILLIAMS --
955
00:35:20,901 --> 00:35:23,121
UH, WE ATTENDED
YOUR LAST AUCTION TOGETHER --
956
00:35:23,208 --> 00:35:24,600
OF COURSE, YES.
HE'S OUR BIG WINNER.
957
00:35:24,687 --> 00:35:26,994
YES, HE HAD BETTER LUCK
THAN I DID.
958
00:35:27,081 --> 00:35:28,430
AND HE ASKED ME
TO HELP HIM
959
00:35:28,517 --> 00:35:30,998
WITH A...CERTAIN
CELEBRATION.
960
00:35:31,085 --> 00:35:32,739
[ TECHNO MUSIC PLAYS ]
961
00:35:38,658 --> 00:35:39,572
Neal: PETER!
962
00:35:39,659 --> 00:35:41,182
OH.
963
00:35:41,269 --> 00:35:42,618
WELCOME TO
YOUR BACHELOR PARTY!
964
00:35:42,705 --> 00:35:44,011
CAN'T BELIEVE
YOU DID THIS.
965
00:35:44,098 --> 00:35:44,925
OH, YOU'RE WELCOME.
966
00:35:45,012 --> 00:35:46,753
NOT WHAT I MEANT.
COME ON.
967
00:35:46,840 --> 00:35:49,973
NOW WE HAVE THE ENTIRE NIGHT
TO GET INTO JAMESON'S OFFICE.
968
00:35:50,060 --> 00:35:52,454
THE HARVARD CREW IS ALL OVER
THE PLACE FOR BACKUP.
969
00:35:52,541 --> 00:35:53,673
THIS IS BUSINESS.
970
00:35:53,760 --> 00:35:55,414
IT IS NOT PLEASURE.
971
00:35:55,501 --> 00:35:57,764
WHAT IS HEDOING HERE?
972
00:35:57,851 --> 00:36:01,681
I LOVE
NATIONAL GEOGRAPHIC.
973
00:36:01,768 --> 00:36:04,814
"THE MATING HABITS OF MIDLEVEL
GOVERNMENT EMPLOYEES" --
974
00:36:04,901 --> 00:36:06,338
TOTALLY CAPTIVATING.
975
00:36:06,425 --> 00:36:08,383
WELL, I'M NOT ON DUTY.
I'M GOING TO GET A DRINK.
976
00:36:14,128 --> 00:36:15,564
THIS ANYTHING LIKE
YOUR FIRST ONE?
977
00:36:15,651 --> 00:36:16,609
NO.
WOW.
978
00:36:18,350 --> 00:36:20,395
PETER.
HMM.
979
00:36:22,484 --> 00:36:24,791
ALL RIGHT,
I'LL DISTRACT.
980
00:36:24,878 --> 00:36:25,792
YOU GET
IN THE RECORDS ROOM.
981
00:36:51,557 --> 00:36:53,385
GOT ANYTHING?
982
00:36:53,472 --> 00:36:54,821
NO.
983
00:36:58,651 --> 00:36:59,434
I'M GONNA GET A DRINK.
984
00:37:01,915 --> 00:37:03,482
NOTHING.
985
00:37:03,569 --> 00:37:04,700
GREAT.
986
00:37:04,787 --> 00:37:06,311
I DON'T KNOW
WHO'S GONNA KILL ME FIRST --
987
00:37:06,398 --> 00:37:07,834
MY WIFE OR MY FIANCéE.
988
00:37:07,921 --> 00:37:10,358
WHAT IF I TOLD YOU THERE'S A WAY
TO SPOOK YOUR LADY
989
00:37:10,445 --> 00:37:12,273
INTO LEADING US
STRAIGHT TO THE MONEY?
990
00:37:12,360 --> 00:37:14,319
HOW?
USE WHAT WE GOT.
991
00:37:14,406 --> 00:37:17,235
NEAL, WHAT WE'VE GOT
ARE STROBE LIGHTS, PROBIES,
992
00:37:17,322 --> 00:37:18,801
WOMEN, AND BOOZE.
993
00:37:18,888 --> 00:37:19,976
EXACTLY.
994
00:37:20,063 --> 00:37:21,151
HAVE A PROBIE
GRAB A CAMERA
995
00:37:21,239 --> 00:37:22,283
FROM THE
SURVEILLANCE TRUCK.
996
00:37:22,370 --> 00:37:23,893
WE'RE TAKING SHOTS.
997
00:37:23,980 --> 00:37:25,068
MR. JAMESON!
998
00:37:25,155 --> 00:37:26,461
COME ON,
JOIN US FOR A DRINK.
999
00:37:26,548 --> 00:37:28,855
OH, NO. NO, I REALLY NEED
TO KEEP AN EYE ON THE SPACE.
1000
00:37:28,942 --> 00:37:29,943
OH, COME ON.
I OWE YOU ONE.
1001
00:37:30,030 --> 00:37:31,466
WEOWE YOU ONE.
1002
00:37:31,553 --> 00:37:34,252
YES, NONE OF US WOULD BE HERE
IF IT WASN'T FOR YOU.
1003
00:37:34,339 --> 00:37:35,688
WELL,
IF YOU PUT IT THAT WAY,
1004
00:37:35,775 --> 00:37:37,211
I GUESS ONE LITTLE DRINK
WOULDN'T HURT.
1005
00:37:37,298 --> 00:37:38,212
ALL RIGHT.
1006
00:37:38,299 --> 00:37:40,301
GENTLEMEN, CHEERS.
1007
00:37:40,388 --> 00:37:41,563
CHEERS.CHEERS.
1008
00:37:41,650 --> 00:37:43,435
CONGRATULATIONS.
1009
00:37:43,522 --> 00:37:45,393
MMM!
1010
00:37:45,480 --> 00:37:46,960
AAH! THAT BURNS!
1011
00:37:47,047 --> 00:37:48,831
DELICIOUS. THANK YOU.
YOU GUYS HAVE FUN.
1012
00:37:48,918 --> 00:37:50,006
Neal: NO, NO, NO, NO.
HOLD ON.
1013
00:37:50,093 --> 00:37:52,400
BARTENDER,
ANOTHER ROUND?
1014
00:37:52,487 --> 00:37:54,184
NO, NO. NO, REALLY.COME ON. I DISAGREE.
1015
00:37:54,272 --> 00:37:56,274
THIS IS MY BEST FRIEND'S
BACHELOR PARTY.
1016
00:37:56,361 --> 00:37:58,363
LET'S MAKE IT...
1017
00:37:58,450 --> 00:37:59,407
A NIGHT TO REMEMBER.
1018
00:37:59,494 --> 00:38:00,365
MM-HMM!
1019
00:38:00,452 --> 00:38:02,018
CONGRATS.
THANKS.
1020
00:38:02,105 --> 00:38:03,977
HAVE A WONDERFUL LIFE.
1021
00:38:04,064 --> 00:38:05,239
MMM.
1022
00:38:05,326 --> 00:38:06,414
OKAY! OH, GOD!
1023
00:38:06,501 --> 00:38:07,850
YEAH,
THAT'S DELICIOUS.
1024
00:38:07,937 --> 00:38:09,765
YEAH, IT IS.ONE MORE.
NO, TOP SHELF.
1025
00:38:09,852 --> 00:38:11,245
AND CHEERS AGAIN.AND CHEERS AGAIN.
1026
00:38:11,332 --> 00:38:13,203
AAH! HA!
1027
00:38:13,291 --> 00:38:15,597
YOU KNOW, IT DOES GO DOWN EASY.
FOUR, FIVE, SIX TIMES...
1028
00:38:15,684 --> 00:38:16,990
YOU CAN BARELY TASTE IT.
1029
00:38:17,077 --> 00:38:18,687
YOU BEAT US ON THAT ONE!
1030
00:38:18,774 --> 00:38:19,862
MUCH HAPPINESS.
1031
00:38:19,949 --> 00:38:21,864
CHEERS.
CHEERS.
1032
00:38:21,951 --> 00:38:22,909
THANK YOU.
1033
00:38:26,216 --> 00:38:28,828
[ KNOCK ON DOOR ]
1034
00:38:28,915 --> 00:38:30,264
WHAT ARE YOU DOING HERE?
1035
00:38:30,351 --> 00:38:32,092
MISS THOMAS? WHAT CAN YOU
TELL ME ABOUT THIS MAN?
1036
00:38:32,179 --> 00:38:33,746
YOU'RE FBI?
1037
00:38:33,833 --> 00:38:36,139
I WAS UNDERCOVER AT
MR. JAMESON'S LAST FUNDRAISER.
1038
00:38:36,226 --> 00:38:38,054
WE BELIEVE HE HAD
ILLICIT FINANCIAL DEALINGS
1039
00:38:38,141 --> 00:38:39,099
PRIOR TO HIS DEATH.
1040
00:38:39,186 --> 00:38:40,143
HIS DEATH?
1041
00:38:40,230 --> 00:38:41,406
WHAT HAPPENED?
1042
00:38:41,493 --> 00:38:43,103
WE'RE WAITING
ON THE TOXICOLOGY REPORT.
1043
00:38:43,190 --> 00:38:45,279
I'M HERE BECAUSE I NEED
TO QUESTION EVERYONE
1044
00:38:45,366 --> 00:38:47,542
AFFILIATED WITH THE
SOCIETY HOUSE'S RECENT AUCTION.
1045
00:38:47,629 --> 00:38:50,763
I'M SORRY. UM...
1046
00:38:50,850 --> 00:38:53,113
THIS IS A SHOCK,
BUT I DON'T KNOW ANYTHING.
1047
00:38:55,420 --> 00:38:56,899
LOOKS LIKE DIANA GOT TO HER.
1048
00:38:56,986 --> 00:38:58,248
SHE'S HEADING
TOWARDS THE BANK.
1049
00:38:58,336 --> 00:38:59,989
SHE'LL BE CLEARING OUT THE MONEY
ANY MINUTE NOW.
1050
00:39:00,076 --> 00:39:03,384
GOOD. GIVE JAMESON
HIS WAKE-UP CALL.
1051
00:39:03,471 --> 00:39:05,430
[ Dialing ]
1052
00:39:05,517 --> 00:39:08,128
[ RINGTONE PLAYS
"SHAVE AND A HAIRCUT" ]
1053
00:39:18,138 --> 00:39:19,618
[ BEEPS ]
1054
00:39:33,196 --> 00:39:35,808
PETER,
YOU'RE ON STANDBY.
1055
00:39:40,769 --> 00:39:42,162
HEY!
1056
00:39:42,249 --> 00:39:43,511
I GOT A PING
FROM THE BANK.
1057
00:39:43,598 --> 00:39:44,947
WHY DID YOU DRAIN
OUR ACCOUNT?
1058
00:39:45,034 --> 00:39:46,732
WAIT A MINUTE.
THEY TOLD ME YOU WERE DEAD.
1059
00:39:46,819 --> 00:39:48,037
WHAT?
WHO TOLD YOU I WAS DEAD?
1060
00:39:48,124 --> 00:39:49,256
Peter: WE DID.
1061
00:39:49,343 --> 00:39:51,519
WAIT A MINUTE.
WHAT'S GOING ON?
1062
00:39:51,606 --> 00:39:53,086
YOU TWO
ARE UNDER ARREST.
1063
00:39:53,173 --> 00:39:54,696
WAIT A MINUTE.
YOU'RE FBI, TOO?
1064
00:39:54,783 --> 00:39:57,220
YEAH, LET'S JUST SAY
I'M THE ADVENTUROUS TYPE.
1065
00:39:57,307 --> 00:39:58,396
Neal:
UH, SPEAKING OF,
1066
00:39:58,483 --> 00:39:59,614
I THINK WE WERE ALL
1067
00:39:59,701 --> 00:40:01,224
A LITTLE ADVENTUROUS
LAST NIGHT.
1068
00:40:01,311 --> 00:40:02,922
FURTHER
INCRIMINATING EVIDENCE.
1069
00:40:03,009 --> 00:40:04,402
SHOULD WE GIVE HIM
A LITTLE SLIDE SHOW HERE?
1070
00:40:04,489 --> 00:40:05,359
Peter:
YEAH. YEAH.
1071
00:40:05,446 --> 00:40:07,100
HERE'S YOU
ON SHOT NUMBER EIGHT,
1072
00:40:07,187 --> 00:40:09,058
HAVING A GOOD TIME.
1073
00:40:09,145 --> 00:40:12,148
HERE'S YOU ON SHOT NUMBER 12
HAVING A GREAT TIME.
1074
00:40:12,235 --> 00:40:15,064
THIS IS WHEN YOU TOLD US
YOU HAD A BIG PAYDAY COMING UP.
1075
00:40:15,151 --> 00:40:16,718
GREAT. GOOD JOB.
1076
00:40:16,805 --> 00:40:18,285
AND THAT'S WHEN
YOU TOLD ME
1077
00:40:18,372 --> 00:40:20,679
I SHOULD ENJOY
THE HONEYMOON PHASE WHILE I CAN.
1078
00:40:20,766 --> 00:40:22,985
OH, HERE'S WHERE YOU SAID
YOU WERE TIRED
1079
00:40:23,072 --> 00:40:24,726
AND WANTED TO GO TO BED.
1080
00:40:24,813 --> 00:40:28,034
Neal:
SOMETHING ABOUT HAVING TO TIE UP
LOOSE ENDS IN THE MORNING.
1081
00:40:28,121 --> 00:40:29,775
THEY SAY THAT ALCOHOL'S
A TRUTH SERUM FOR SOME PEOPLE.
1082
00:40:29,862 --> 00:40:31,733
YOU ARE DEFINITELY ONE OF THEM,
MY FRIEND.
1083
00:40:31,820 --> 00:40:34,910
AND, IN CASE YOU WERE WONDERING,
WE GOT IT ALL ON TAPE.
1084
00:40:36,651 --> 00:40:38,436
PETER.
HMM.
1085
00:40:38,523 --> 00:40:40,699
I ACTUALLY THOUGHT
WE HAD SOMETHING.
1086
00:40:40,786 --> 00:40:42,440
[ CHUCKLES ]
IT WASN'T REAL.
1087
00:40:42,527 --> 00:40:43,484
NOT EVEN OUR TANGO?
1088
00:40:43,571 --> 00:40:45,486
OH.
MM.
1089
00:40:45,573 --> 00:40:48,184
YOU KNOW, THEY SAY
THAT BREAKING UP IS TOUGH.
1090
00:40:48,271 --> 00:40:50,709
FOR WHAT IT'S WORTH,
IT WASN'T ME.
1091
00:40:50,796 --> 00:40:51,753
IT WAS YOU.
1092
00:40:51,840 --> 00:40:54,016
PETER...
1093
00:40:57,019 --> 00:40:59,282
THAT'S A SHAME.
1094
00:40:59,369 --> 00:41:00,283
WOULD HAVE BEEN
A NICE WEDDING.
1095
00:41:00,370 --> 00:41:02,416
YEAH.
1096
00:41:02,503 --> 00:41:04,157
ELIZABETH ORDERED MOST
OF THE ARRANGEMENTS ALREADY.
1097
00:41:04,244 --> 00:41:05,593
I'M SURE SHE DID
A GREAT JOB.
1098
00:41:05,680 --> 00:41:07,029
IT'S TOO BAD WE'LL HAVE TO
SHIP THEM ALL BACK.
1099
00:41:07,116 --> 00:41:11,120
OR SHIP THEM
SOMEWHERE ELSE.
1100
00:41:11,207 --> 00:41:12,470
[ KNOCK ON DOOR ]
1101
00:41:14,254 --> 00:41:16,082
IS EVERYTHING OKAY?
1102
00:41:16,169 --> 00:41:17,910
PETER NEEDS
YOUR HELP RIGHT AWAY.
1103
00:41:17,997 --> 00:41:19,738
OKAY.
1104
00:41:26,222 --> 00:41:28,311
HONEY?
1105
00:41:28,398 --> 00:41:31,010
HEY, BEAUTIFUL.
1106
00:41:31,097 --> 00:41:32,490
WHAT IS THIS?
1107
00:41:32,577 --> 00:41:35,754
I'M SORRY FOR WHAT YOU
WENT THROUGH ON THIS ONE.
1108
00:41:35,841 --> 00:41:37,930
SO, TO MAKE IT UP TO YOU,
1109
00:41:38,017 --> 00:41:41,411
I'M GIVING YOU THE WEDDING
YOU ALWAYS WANTED.
1110
00:41:41,499 --> 00:41:44,632
SMALL, SIMPLE.
1111
00:41:44,719 --> 00:41:45,720
JUST US.
1112
00:41:51,987 --> 00:41:55,469
WILL YOU MARRY ME AGAIN?
1113
00:41:56,818 --> 00:41:58,298
YES.
1114
00:41:58,385 --> 00:42:00,692
AS MANY TIMES
AS YOU ASK.
1115
00:42:00,779 --> 00:42:02,737
[ CLEARS THROAT ]
1116
00:42:10,919 --> 00:42:12,138
PREACHER'S HERE.
1117
00:42:12,225 --> 00:42:13,487
THAT WAS FAST.
1118
00:42:13,574 --> 00:42:15,010
SORRY I'M LATE.
1119
00:42:15,097 --> 00:42:16,882
DON'T TELL ME
HE'S BEEN ORDAINED.
1120
00:42:16,969 --> 00:42:18,187
TWICE.
TAX DODGE?
1121
00:42:18,274 --> 00:42:19,841
OH, YEAH,
LIKE I PAY TAXES.
1122
00:42:19,928 --> 00:42:20,973
WILL YOU BEAR WITNESS?
1123
00:42:21,060 --> 00:42:22,496
OF COURSE.
1124
00:42:24,150 --> 00:42:26,674
DEARLY BELOVED,
WE ARE GATHERED HERE TODAY
1125
00:42:26,761 --> 00:42:30,286
TO CELEBRATE THE UNION
OF...SUIT
1126
00:42:30,373 --> 00:42:34,508
AND MRS. SUIT ONCE AGAIN.
70650
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