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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,080 --> 00:00:03,080 Warning, what you're about to witness can be dangerous. 2 00:00:03,640 --> 00:00:05,220 Attempting it can result in death. 3 00:00:05,720 --> 00:00:06,860 Don't try this at home. 4 00:00:08,420 --> 00:00:10,140 On this episode of Believe. 5 00:00:12,500 --> 00:00:15,040 It's driving me crazy. I want to know how you did it. 6 00:00:16,920 --> 00:00:19,680 I've been inspired by the movie Lord of Illusions. 7 00:00:20,220 --> 00:00:25,560 I want those swords to fall inches away from me. Sounds to me a lot like Russian 8 00:00:25,560 --> 00:00:27,480 roulette. I'd be applied to the ultimate table of death. 9 00:00:27,700 --> 00:00:28,980 There are almost too many variables. 10 00:00:31,019 --> 00:00:32,220 Pull it. 11 00:00:33,460 --> 00:00:34,960 I'm done. I'm done. 12 00:00:35,180 --> 00:00:38,360 If I'm successful, I will reveal my prediction. 13 00:00:39,040 --> 00:00:43,200 And if I'm not, things went horribly wrong. 14 00:00:43,960 --> 00:00:45,560 Take your hand off five. 15 00:01:16,170 --> 00:01:17,410 Chris Angel, believe. 16 00:01:19,150 --> 00:01:20,150 What don't you like? 17 00:01:28,990 --> 00:01:29,990 TV, 18 00:01:34,450 --> 00:01:35,450 is that okay? 19 00:01:35,670 --> 00:01:36,790 Check it out. 20 00:01:40,550 --> 00:01:44,510 What I want you to do is I want you to think of 21 00:01:46,010 --> 00:01:48,710 Something that you're fearful of. Something that you don't like. 22 00:01:49,030 --> 00:01:50,570 Imagine that right now, okay? 23 00:01:50,850 --> 00:01:53,210 Easy. You got it? Yep. Okay, good. 24 00:01:54,510 --> 00:01:56,110 Mice. Mice. 25 00:01:57,830 --> 00:01:59,010 I'm a little off. 26 00:02:00,090 --> 00:02:02,630 I'm a little off because I got a mouth. 27 00:02:06,290 --> 00:02:11,690 Write down something that you don't like. Something that, you know... 28 00:02:11,910 --> 00:02:16,590 that you're fearful of, you know, that makes you nervous, that bugs you. 29 00:02:16,890 --> 00:02:17,890 You know what I mean? 30 00:02:18,090 --> 00:02:19,430 Write something down. Go ahead. 31 00:02:20,010 --> 00:02:21,010 Write it down. 32 00:02:21,150 --> 00:02:22,149 Write it down. 33 00:02:22,150 --> 00:02:24,510 I want you to see there's nothing in the bag whatsoever. 34 00:02:25,230 --> 00:02:26,230 Completely empty. 35 00:02:26,630 --> 00:02:28,570 Write it down. Write it down. Good. 36 00:02:31,510 --> 00:02:35,710 Good. I want you to pull that up. And I want you just to drop it right here. 37 00:02:35,710 --> 00:02:38,530 Just drop it right into the bag. Right over there. Just drop it into your bag. 38 00:02:39,799 --> 00:02:43,060 Let go of it. Let go of it. What did you write down? 39 00:02:44,520 --> 00:02:45,940 Crickets. Crickets. 40 00:02:46,520 --> 00:02:47,520 Crickets. 41 00:02:47,860 --> 00:02:49,120 What the f***? 42 00:02:52,800 --> 00:02:58,120 You should have wrote down money. 43 00:03:10,570 --> 00:03:14,950 Hey, Chris. Horror films are a great example of how images can affect your 44 00:03:14,950 --> 00:03:16,490 and tap your greatest fears. 45 00:03:16,830 --> 00:03:20,930 Clive Barker directed Hellraiser and Lord of Illusions. And I just had a 46 00:03:20,930 --> 00:03:24,970 conversation with Clive that challenged me to attempt a death -defying test of 47 00:03:24,970 --> 00:03:27,370 my own ability to make the ultimate prediction. 48 00:03:27,770 --> 00:03:28,850 Check this out. 49 00:03:29,170 --> 00:03:30,650 I'll just let it speak for itself. 50 00:03:30,970 --> 00:03:33,990 Lord of Illusions is a fantastic meditation. 51 00:03:34,880 --> 00:03:35,880 on magic. 52 00:03:35,960 --> 00:03:40,840 Nowhere in my wildest dreams that one day there would be a body demonstration 53 00:03:40,840 --> 00:03:45,520 that took this whole idea of magic into the real world. 54 00:03:46,180 --> 00:03:49,780 It just didn't occur to me that anybody would ever be able to do that. 55 00:03:50,440 --> 00:03:54,820 Well, there is somebody. There's Chris Angel. He's our Lord of Illusions. 56 00:03:55,340 --> 00:04:02,340 Now, let me explain the genesis of where this is all coming from. Now, 57 00:04:02,340 --> 00:04:08,180 when the movie came out, I saw one scene that just was this very strong, 58 00:04:08,400 --> 00:04:10,440 powerful tableau. 59 00:04:10,920 --> 00:04:15,060 Swords hanging and essentially this round pentagram. 60 00:04:16,060 --> 00:04:20,700 And it was the magician, the main character, laying on it. And these 61 00:04:20,700 --> 00:04:27,600 falling, actually penetrating his 62 00:04:27,600 --> 00:04:30,960 body, impaling him right into his shoulder. It was crazy. 63 00:04:31,690 --> 00:04:36,910 But I talked to Clive about this, and he's never given permission to bring any 64 00:04:36,910 --> 00:04:41,150 of his things to life. And he said, Chris, I'd love to see you do it. 65 00:04:41,470 --> 00:04:46,150 I figured let's go to a place that would have, you know, literally thousands of 66 00:04:46,150 --> 00:04:47,150 people outside. 67 00:04:48,010 --> 00:04:52,370 that would be able to view this at any angle. They would be able to shoot it on 68 00:04:52,370 --> 00:04:55,930 their phones. Are we talking about an arena, a public square, a desert? 69 00:04:56,150 --> 00:04:59,570 What are we looking at here? I'm looking at anything that can hold lots of 70 00:04:59,570 --> 00:05:03,530 people that want to come and do this completely for real. 71 00:05:05,170 --> 00:05:11,710 How can I take this and maybe create a scenario that I'm avoiding getting hit 72 00:05:11,710 --> 00:05:12,710 with the swords? 73 00:05:12,790 --> 00:05:13,790 It's a prediction. 74 00:05:14,010 --> 00:05:19,200 If I am wrong, There will be a sword that will literally impel me. 75 00:05:21,140 --> 00:05:24,560 What are you predicting? And how are you predicting? I'm predicting the sequence 76 00:05:24,560 --> 00:05:27,080 of the swords dropping. 77 00:05:27,460 --> 00:05:30,400 You have basically the audience yell out the numbers. 78 00:05:30,820 --> 00:05:34,340 You predicted what order they would say they're going to fall in. All right. 79 00:05:34,340 --> 00:05:35,340 You've got that prediction. 80 00:05:35,460 --> 00:05:39,320 If I have somebody yell out six numbers, I'll know the sequence of that. And 81 00:05:39,320 --> 00:05:43,000 I'll know right away if I nailed it or not. Now, if I nailed it. 82 00:05:43,480 --> 00:05:44,480 I'm golden, right? 83 00:05:44,660 --> 00:05:48,840 Yeah, but what if your sequence of numbers is wrong? But then I influence. 84 00:05:49,180 --> 00:05:51,440 Then I use the power of influence. 85 00:05:52,240 --> 00:05:55,860 But then that's my out. But you're dealing with real people. No, but that 86 00:05:55,860 --> 00:05:59,780 out. With a card trick, it's wrong, it's wrong. No big deal. With this, it's 87 00:05:59,780 --> 00:06:03,000 wrong. You've got a sword going through your heart. Totally different. It's like 88 00:06:03,000 --> 00:06:04,700 the ultimate table of death. 89 00:06:05,900 --> 00:06:10,980 I'm thinking all the swords are razor sharp. And I want those swords to fall. 90 00:06:11,420 --> 00:06:15,700 inches away from me. Depending on how high it is, we're going to get it to 91 00:06:15,700 --> 00:06:16,880 hard and fast too. 92 00:06:17,180 --> 00:06:20,480 I'm here to learn from Chris, but the one thing I'm learning right now is that 93 00:06:20,480 --> 00:06:22,260 he may be in over his head on this one. 94 00:06:22,540 --> 00:06:26,480 We got to take into consideration because it's outside, wind, right? 95 00:06:26,720 --> 00:06:28,200 Okay, and what about safety? 96 00:06:28,460 --> 00:06:29,900 We need a hospital close by. 97 00:06:30,160 --> 00:06:33,340 No, you just get a paramedic. No, we need a surgeon on set. 98 00:06:34,280 --> 00:06:35,239 I'm serious. 99 00:06:35,240 --> 00:06:38,940 I'm going to make a prediction and then influence people to make sure my 100 00:06:38,940 --> 00:06:40,040 prediction is correct. 101 00:06:40,760 --> 00:06:44,980 Jesse's job is to do the research to be sure that we're duplicating exactly what 102 00:06:44,980 --> 00:06:49,940 Clive did in Lord of Illusions. And John and Doug need to build the system and 103 00:06:49,940 --> 00:06:50,940 keep me alive. 104 00:06:51,460 --> 00:06:53,020 Alright guys, are we good? Great. 105 00:06:53,700 --> 00:06:56,160 This demonstration features six suspended swords. 106 00:06:56,460 --> 00:06:58,760 One death sword will be aimed at Chris's heart. 107 00:06:59,280 --> 00:07:02,180 Random spectators will determine the order the swords will fall. 108 00:07:02,720 --> 00:07:06,540 This will predict the order two days prior to the demonstration and must be 109 00:07:06,540 --> 00:07:08,420 correct to avoid being impaled to the heart. 110 00:07:09,170 --> 00:07:11,070 Category of magic, mentalism. 111 00:07:16,030 --> 00:07:19,090 Can I see somebody? Yeah, definitely. We'll grab down for you. 112 00:07:19,690 --> 00:07:20,690 This is nice. 113 00:07:21,150 --> 00:07:23,010 We've been tracked as a crowd. Yeah. 114 00:07:25,710 --> 00:07:27,750 You don't mind helping me, do you? No, not at all. 115 00:07:28,890 --> 00:07:33,150 All of you have to make a deal with me right now, even though you don't know 116 00:07:33,230 --> 00:07:38,110 You remain focused and keeping your sword rigid and straight. 117 00:07:39,330 --> 00:07:40,430 Don't let go. 118 00:07:41,050 --> 00:07:42,190 Deal? Deal. 119 00:07:42,590 --> 00:07:43,590 Okay. 120 00:07:44,430 --> 00:07:45,430 I need a girl. 121 00:07:46,070 --> 00:07:47,710 Which one of you three want to help me? 122 00:07:48,210 --> 00:07:49,210 Not me. 123 00:07:50,870 --> 00:07:52,110 Hi, dear. You want to help me? 124 00:07:52,670 --> 00:07:53,670 What's your name? 125 00:07:53,710 --> 00:07:54,710 Tara. Tara? 126 00:07:54,990 --> 00:07:56,450 Okay, you're going to come right over here, huh? 127 00:07:56,690 --> 00:07:58,350 Come over here, all right? 128 00:07:59,790 --> 00:08:01,710 And you're going to help me, dude. Come over here, man. 129 00:08:02,050 --> 00:08:03,610 Put your hands out like this. 130 00:08:04,740 --> 00:08:09,220 She might fall back to you. Can you catch her? Yeah. Can you do that? No 131 00:08:09,220 --> 00:08:10,940 problem. Okay. Dog to spot. 132 00:08:11,200 --> 00:08:14,940 Make sure as well. You're just going to relax, okay? If you don't fall back, 133 00:08:14,960 --> 00:08:15,739 it's okay. 134 00:08:15,740 --> 00:08:17,740 If you feel you want to fall back, you're safe. 135 00:08:18,140 --> 00:08:22,200 This is all based in trust. Even though we're all strangers, we're going to 136 00:08:22,200 --> 00:08:24,420 trust each other. Is that correct, everybody? Yes? 137 00:08:24,680 --> 00:08:25,680 Yes. 138 00:08:25,880 --> 00:08:29,920 Just completely relax. Forget about where you are. Just breathe in through 139 00:08:29,920 --> 00:08:30,920 nose. 140 00:08:31,360 --> 00:08:32,360 Now through your mouth. 141 00:08:33,159 --> 00:08:34,419 It's completely relaxed itself. 142 00:08:35,740 --> 00:08:37,059 It's relaxed itself. 143 00:08:38,240 --> 00:08:40,140 It's completely relaxed itself. 144 00:08:48,480 --> 00:08:52,680 Bring her up and bring her around. 145 00:08:54,240 --> 00:08:58,460 Just like this. Guys, keep your swords. Everybody keep your swords nice and 146 00:08:58,460 --> 00:08:59,860 rigid. Keep your swords. 147 00:09:00,320 --> 00:09:02,420 Nice and rigid. Nice and rigid. 148 00:09:03,340 --> 00:09:04,480 Nice and rigid. 149 00:09:04,980 --> 00:09:05,980 Whoa. 150 00:09:06,880 --> 00:09:08,080 Everybody hold. 151 00:09:08,940 --> 00:09:09,940 Everybody hold. 152 00:09:15,120 --> 00:09:16,120 Oh, gosh. 153 00:09:16,540 --> 00:09:17,540 Whoa. 154 00:09:49,950 --> 00:09:51,890 Relax yourself. Relax. 155 00:10:33,520 --> 00:10:36,380 Just break down the order of illusions for me. He's going to predict the order 156 00:10:36,380 --> 00:10:37,700 the swords are going to fall. 157 00:10:37,920 --> 00:10:41,180 And he's going to have them tied in a very specific order. 158 00:10:41,400 --> 00:10:45,940 He knows exactly in his mind which rope is going to be last. And that one is 159 00:10:45,940 --> 00:10:47,260 going to be tied to the heart sword. 160 00:11:04,040 --> 00:11:05,040 It's the popcorn girl. 161 00:11:05,220 --> 00:11:06,360 Hi. Hey, Chris. 162 00:11:06,620 --> 00:11:08,780 Nice to see you. Nice to see you. Kristen. Hi. 163 00:11:09,260 --> 00:11:10,720 Kristen is an amazing magician. 164 00:11:11,120 --> 00:11:14,460 I'm actually grooming her to join my live touring show, Whimsical. 165 00:11:14,780 --> 00:11:19,360 One day, she'll get her own shot. But right now, as my apprentice, it's her 166 00:11:19,360 --> 00:11:22,340 to watch and learn. Colonel, show us the goods. The colonels. 167 00:11:23,360 --> 00:11:25,940 Yeah, I'm going to show you. They have the best colonels here. All right. 168 00:11:26,560 --> 00:11:28,020 Look at it. Look at this. 169 00:11:28,380 --> 00:11:31,680 It's just beautiful specimens right over here. Take a good look at that. 170 00:11:31,960 --> 00:11:32,960 As a matter of fact. 171 00:11:33,440 --> 00:11:35,680 I want an eight blast of that. 172 00:11:36,180 --> 00:11:37,240 I don't have a stove. 173 00:11:37,680 --> 00:11:44,460 Yeah, uh -huh. I don't have a stove. No, this is great because we're going to do 174 00:11:44,460 --> 00:11:46,020 something for you. Okay. Watch. 175 00:11:46,620 --> 00:11:51,000 Pick a kernel. You pick a kernel. You're the popcorn girl. Pick a kernel, any 176 00:11:51,000 --> 00:11:52,640 kernel. Any kernel. Right there, watch. 177 00:11:52,900 --> 00:11:53,900 I want you to see this. 178 00:11:53,940 --> 00:11:57,400 This kernel is going up my nose. Oh, Chris. 179 00:11:58,540 --> 00:12:00,320 Oh, yeah. 180 00:12:02,510 --> 00:12:03,570 It may not have any flavor. 181 00:12:04,910 --> 00:12:06,350 Kristen, that's really disgusting. 182 00:12:06,850 --> 00:12:07,850 What are you doing? 183 00:12:09,150 --> 00:12:10,150 Watch her. 184 00:12:10,450 --> 00:12:11,450 Is she moving? 185 00:12:12,150 --> 00:12:13,150 Oh. 186 00:12:13,470 --> 00:12:14,470 Not. 187 00:12:15,390 --> 00:12:16,390 That. 188 00:12:18,450 --> 00:12:21,070 Oh, wow. 189 00:12:28,470 --> 00:12:29,550 Got the table. 190 00:12:30,030 --> 00:12:33,470 All right. This has the logo on it where the swords are going to be and the pins 191 00:12:33,470 --> 00:12:35,190 that hold his body into place. Okay. 192 00:12:35,410 --> 00:12:39,910 With Lord of Illusions, Chris plans to make a prediction so he's not stabbed 193 00:12:39,910 --> 00:12:41,130 through the heart with a death sword. 194 00:12:42,010 --> 00:12:45,530 My job is to make sure the swords are completely accurate when they fall. 195 00:12:45,770 --> 00:12:48,150 The rig is a 16 -foot truss system. 196 00:12:48,390 --> 00:12:51,590 Each sword will be connected to a rope that passes through a pulley. 197 00:12:54,010 --> 00:12:55,190 One, two, three. 198 00:12:57,110 --> 00:12:58,110 Go ahead up. 199 00:13:00,520 --> 00:13:06,240 We should do something to keep that line up. It looks like this, and it'll 200 00:13:06,240 --> 00:13:08,680 actually fall straighter here. 201 00:13:09,760 --> 00:13:10,760 Okay, up. 202 00:13:13,000 --> 00:13:14,100 That's perfect. 203 00:13:14,380 --> 00:13:15,380 That's perfect. 204 00:13:15,500 --> 00:13:20,180 When Chris attempts this demonstration, he'll be lying flat on his back on a 205 00:13:20,180 --> 00:13:21,180 table of death. 206 00:13:21,220 --> 00:13:25,740 There's not a whole lot that's safe about dropping six 30 -pound swords 207 00:13:25,740 --> 00:13:26,729 human body. 208 00:13:26,730 --> 00:13:30,650 But we'll do whatever we can here at the Magic Factory to limit the margin of 209 00:13:30,650 --> 00:13:31,650 error. 210 00:13:33,810 --> 00:13:40,790 I always get asked to do magic, 211 00:13:40,850 --> 00:13:44,130 and I never know what I'm going to do until I'm in the moment. Hi. 212 00:13:44,970 --> 00:13:48,270 How are you? Good. All right, let's try something. 213 00:13:49,050 --> 00:13:52,090 I want you to touch a chip, any chip you'd like. 214 00:13:52,870 --> 00:13:54,250 Aren't the chips awesome, by the way? 215 00:13:54,470 --> 00:13:55,209 They are. 216 00:13:55,210 --> 00:13:56,210 Touch a chip. 217 00:13:59,550 --> 00:14:01,230 Okay, put it in my hand. 218 00:14:01,490 --> 00:14:04,530 I want you to see this side of the chip and the other side of the chip. 219 00:14:04,730 --> 00:14:11,450 All right, now this is what we're going to do. I want you to name for me a 220 00:14:11,450 --> 00:14:13,190 figure, a celebrity. 221 00:14:14,370 --> 00:14:18,410 It could be somebody dead or alive. It could be Mother Teresa or I don't care. 222 00:14:18,410 --> 00:14:22,850 want you to name for me the first thing. Trust your instincts. 223 00:14:23,870 --> 00:14:24,870 Who? 224 00:14:24,960 --> 00:14:26,180 What are you thinking of? Tell me. 225 00:14:29,380 --> 00:14:30,800 Jesus. Jesus. 226 00:14:31,000 --> 00:14:32,000 Yeah, it worked. 227 00:14:32,080 --> 00:14:33,080 Okay. 228 00:14:33,780 --> 00:14:35,100 I want you to watch this. 229 00:14:35,460 --> 00:14:38,040 I want you to allow that image in your mind of Jesus. 230 00:14:38,260 --> 00:14:43,000 I want you to visualize what you think Jesus looks like, what's been depicted 231 00:14:43,000 --> 00:14:46,380 Jesus. I want it to burn in your mind, to burn in your mind. 232 00:14:47,300 --> 00:14:48,300 Watch. 233 00:14:49,560 --> 00:14:50,560 Oh, my God. 234 00:15:25,380 --> 00:15:31,380 I brought the chips out I know that they were not like special chips. 235 00:15:31,620 --> 00:15:32,820 It was so cool. 236 00:15:33,100 --> 00:15:36,520 The face on the chip, it wasn't there before. It was just playing. He showed 237 00:15:36,520 --> 00:15:37,319 both sides. 238 00:15:37,320 --> 00:15:39,060 Oh, my God. No way. 239 00:15:39,520 --> 00:15:42,600 That face on the chip, it was real. I screamed. 240 00:15:42,880 --> 00:15:45,560 I was like, you know. Oh, my gosh. It was amazing. 241 00:15:49,740 --> 00:15:54,780 My demonstration based on Clyde Barker's movie, Lord of Illusions, is only 12 242 00:15:54,780 --> 00:15:55,780 days away. 243 00:15:56,330 --> 00:16:00,430 And right now, I want to see how far along John and Doug are with 244 00:16:02,090 --> 00:16:08,970 I need to be sure that what was in that movie and 245 00:16:08,970 --> 00:16:12,690 what's in my mind has translated here to the magic factory. 246 00:16:15,790 --> 00:16:21,650 If the wind is five miles an hour, how does that affect the dynamics of the 247 00:16:21,650 --> 00:16:22,650 sword falling? 248 00:16:22,780 --> 00:16:23,780 It will blow them. 249 00:16:24,000 --> 00:16:25,520 That's our only concern. 250 00:16:25,760 --> 00:16:30,500 Well, that's the concern of Mother Nature. How do you put that into the 251 00:16:30,500 --> 00:16:31,500 equation? 252 00:16:32,000 --> 00:16:33,420 I don't know if we can. 253 00:16:33,800 --> 00:16:36,820 The variables keep stacking up against Chris when it comes to this 254 00:16:36,820 --> 00:16:40,320 demonstration. Spiro better factor this in when he's locking in the location. 255 00:16:40,900 --> 00:16:42,280 Here's the other thing, too. 256 00:16:42,480 --> 00:16:46,820 There's no movement. You know, these help keep you registered to the table so 257 00:16:46,820 --> 00:16:51,240 that you don't get hit. But if one of these does drop cord, you can't, you 258 00:16:51,240 --> 00:16:52,240 have time to move. 259 00:16:53,070 --> 00:16:54,410 Blow some big -ass fans. 260 00:16:54,770 --> 00:16:59,170 And test the wind that you're generating from the fan, and then see how it 261 00:16:59,170 --> 00:17:00,170 affects that. 262 00:17:00,230 --> 00:17:03,910 The wind in Vegas can be unpredictable, especially at night. 263 00:17:04,190 --> 00:17:08,970 We've got to get Spiro to find a location that can protect us from the 264 00:17:08,970 --> 00:17:10,589 don't need another layer of danger. 265 00:17:11,069 --> 00:17:12,410 How much do they weigh at Thorpe? 266 00:17:13,280 --> 00:17:17,319 These are probably a good 25, 30 pounds. And we've had to add weight, and we 267 00:17:17,319 --> 00:17:20,760 might even add more. Well, the more weight you add, the safer it makes it as 268 00:17:20,760 --> 00:17:23,839 as the wind, but then it makes it more dangerous because then it's going to go 269 00:17:23,839 --> 00:17:24,559 through you. 270 00:17:24,560 --> 00:17:25,900 Everything has a price. 271 00:17:26,280 --> 00:17:28,540 Chris's life is really on the line with this one. 272 00:17:28,740 --> 00:17:30,520 It feels like there are almost too many variables. 273 00:17:31,080 --> 00:17:35,980 Exactly. If I'm wrong with my prediction and I get hurt, that's one thing, okay? 274 00:17:36,040 --> 00:17:39,720 I accept that. But if I'm right and I get hurt, then I'll be pissed. 275 00:17:40,830 --> 00:17:45,330 I mean, there are so many factors that are going into it that it can really get 276 00:17:45,330 --> 00:17:46,109 messed up. 277 00:17:46,110 --> 00:17:49,410 You know, when you're doing stunts in a movie, there are people that have gotten 278 00:17:49,410 --> 00:17:53,170 killed. Look at Brandon Lee, you know. That was the scene that was set up. You 279 00:17:53,170 --> 00:17:58,370 know, it was prop and the prop killed him. This is something from a movie, but 280 00:17:58,370 --> 00:18:02,830 I'm really doing in a real environment, in one take. 281 00:18:03,250 --> 00:18:05,490 So we can't have variables. 282 00:18:09,200 --> 00:18:12,180 I'm going to give it the option to change your mind. If not, I'm through. 283 00:18:12,400 --> 00:18:13,400 Do it. 284 00:18:14,060 --> 00:18:15,340 I'm done. I'm done. 285 00:18:20,500 --> 00:18:24,460 Magic is a mental game, whether it's an illusion, an escape, or trying to 286 00:18:24,460 --> 00:18:25,780 influence somebody's mind. 287 00:18:26,620 --> 00:18:30,880 Eli Roth directed Cabin Fever and Hostile and is a master of horror and 288 00:18:30,880 --> 00:18:31,880 in his own right. 289 00:18:32,380 --> 00:18:37,020 Tonight, I'll see if he can identify whether I'm actually making a prediction 290 00:18:37,020 --> 00:18:38,020 if I'm not. 291 00:18:38,380 --> 00:18:42,840 You know, you have a twisted mind because of what you do. It tells me a 292 00:18:42,840 --> 00:18:47,360 I wanted to try something with your mind, and check it out. I have some 293 00:18:47,360 --> 00:18:49,020 with different colors. 294 00:18:49,240 --> 00:18:54,120 I want you to see we have a blue one, we have a green one, and we have a red 295 00:18:54,120 --> 00:18:54,939 one, okay? 296 00:18:54,940 --> 00:18:59,780 Now, I want you just to think of one, but tell me when you have one, but don't 297 00:18:59,780 --> 00:19:01,440 let me influence you in any way, okay? 298 00:19:02,200 --> 00:19:03,800 Do you have a color in your mind? 299 00:19:04,410 --> 00:19:05,269 I do. 300 00:19:05,270 --> 00:19:08,270 What is the color that you're thinking of? I'm thinking of blue. 301 00:19:08,670 --> 00:19:10,830 Blue. Now, I want you to see, it's very interesting. 302 00:19:11,050 --> 00:19:14,730 You could have picked red, right? You could have picked green. 303 00:19:15,110 --> 00:19:19,890 But you picked blue. And I, honestly, I have not asked you to pick blue. This is 304 00:19:19,890 --> 00:19:21,750 not set up in any way. Is that true? 305 00:19:21,950 --> 00:19:25,330 That's completely true. And obviously, people would think because it's me, I'm 306 00:19:25,330 --> 00:19:26,490 going to pick red because of blood. 307 00:19:26,850 --> 00:19:30,590 So, I wanted to pick what was, you know, the not obvious color. But no, there's 308 00:19:30,590 --> 00:19:32,730 absolutely no influence whatsoever. 309 00:19:32,970 --> 00:19:33,970 Well, this is what's crazy. Crazy. 310 00:19:34,270 --> 00:19:38,130 Let me show you. I want you to turn over the blue card because I knew you were 311 00:19:38,130 --> 00:19:41,970 going to pick the blue card. I felt it before I met you. And I wrote something 312 00:19:41,970 --> 00:19:46,230 on that one card and only that card. Check it out. Turn over the blue card. 313 00:19:47,650 --> 00:19:48,670 Look at what it says. 314 00:19:50,850 --> 00:19:52,610 You will choose this blue card. 315 00:19:59,800 --> 00:20:03,640 It's hard to freak me out, but I'm genuinely stumped. It's driving me 316 00:20:03,640 --> 00:20:06,960 want to know how you did it. It's all about the presentation. And you know 317 00:20:06,960 --> 00:20:09,800 about movies, right? Of course. It's all how you set the person up 318 00:20:09,800 --> 00:20:11,020 psychologically, right? 319 00:20:11,540 --> 00:20:14,380 Basically, you have three different outs. 320 00:20:14,600 --> 00:20:21,580 In other words, no matter what card they select, you have three different ways 321 00:20:21,580 --> 00:20:23,520 to have the same conclusion. 322 00:20:23,840 --> 00:20:27,500 So you pick blue on the back of the blue card. I wrote that. 323 00:20:28,200 --> 00:20:29,200 Right there. 324 00:20:29,340 --> 00:20:35,600 If you would have selected green inside the envelope, I had a prediction 325 00:20:35,600 --> 00:20:39,800 written. So I would have never showed this. You would have said green. I would 326 00:20:39,800 --> 00:20:41,680 have said inside the envelope, I have a prediction. 327 00:20:42,520 --> 00:20:43,520 Look what it says. 328 00:20:43,740 --> 00:20:49,440 You will choose the green card. Yes. Now, if you didn't pick the green and 329 00:20:49,440 --> 00:20:51,720 selected the red, I would have said. 330 00:20:52,520 --> 00:20:57,320 Isn't it very interesting? I wrote one thing and only one thing on the 331 00:20:57,380 --> 00:21:03,160 Turn it over and bam, you will choose the red card right over there. It's as 332 00:21:03,160 --> 00:21:04,300 simple as that. 333 00:21:05,980 --> 00:21:08,200 That was awesome. That's a great track. 334 00:21:14,440 --> 00:21:20,740 How many miles per hour on the day of is it going to take for us to cancel this 335 00:21:20,740 --> 00:21:21,740 thing? 336 00:21:21,850 --> 00:21:27,610 I'm going to blow air 5 miles an hour, 10 miles an hour, 15, to see what the 337 00:21:27,610 --> 00:21:31,530 effects are on the blades. Because the thing we don't want is once these things 338 00:21:31,530 --> 00:21:35,570 erupt, if they veer at all, and we drop them, we're going to fall out of the 339 00:21:35,570 --> 00:21:38,810 zone. And I'm going to spear them, and we can't have that. 340 00:21:39,050 --> 00:21:43,190 Chris was inspired by Clive Barker's movie, Lord of Illusion, to create the 341 00:21:43,190 --> 00:21:45,010 ultimate game of Russian roulette. 342 00:21:46,170 --> 00:21:49,990 Chris will predict the order of the sword that random audience members will 343 00:21:49,990 --> 00:21:53,040 choose. to avoid being impaled through the heart. 344 00:21:58,080 --> 00:22:00,920 I'm getting about 10 miles an hour right there. 345 00:22:02,420 --> 00:22:04,860 See how much closer that got to the table? 346 00:22:05,580 --> 00:22:11,700 About 15 miles an hour wind speed. I can tell you right now, I'm not going for 347 00:22:11,700 --> 00:22:14,160 that. If I drop this, I'm going to skew him. 348 00:22:14,480 --> 00:22:17,380 We're definitely going to need to find a location that protects us from the 349 00:22:17,380 --> 00:22:21,710 wind. I'm recording information to help Spiro on his scout with Banaszczak. Pray 350 00:22:21,710 --> 00:22:24,290 for zero win. That's what I want. Zero win. Okay. 351 00:22:30,650 --> 00:22:34,250 So, look, I think this will work here. All right. I mean, the awesome thing is, 352 00:22:34,290 --> 00:22:37,070 look at all these people. I know. I know. This is awesome. You don't have to 353 00:22:37,070 --> 00:22:38,070 worry about wrangling anybody. 354 00:22:38,330 --> 00:22:41,390 We're going to have this trust system. We're going to set it up. We need a good 355 00:22:41,390 --> 00:22:46,330 23 feet across either way from here. How much wind can we go with if we have to 356 00:22:46,330 --> 00:22:47,330 go with any? 357 00:22:47,550 --> 00:22:48,750 Five miles an hour tops. 358 00:22:49,110 --> 00:22:51,330 Is it about 2 .3? 359 00:22:51,530 --> 00:22:52,550 Yeah. So this is perfect. 360 00:22:52,870 --> 00:22:56,230 It's sort of an enclosure, too. Think about it. Let's lock it down and let's 361 00:22:56,230 --> 00:22:57,230 it. 362 00:23:01,090 --> 00:23:03,650 I think we've gotten all the friction out of the lines. They're all falling 363 00:23:03,650 --> 00:23:04,650 pretty good. 364 00:23:04,910 --> 00:23:08,710 I just want to run through this one more time and see that we're all cool. All 365 00:23:08,710 --> 00:23:10,290 right. So we're going to take the plates. 366 00:23:10,790 --> 00:23:12,110 It goes around with them. 367 00:23:12,780 --> 00:23:17,040 They're all picked random, and then they just... I'm just going to pick a number 368 00:23:17,040 --> 00:23:18,620 here. Up here. 369 00:23:19,740 --> 00:23:20,740 There. 370 00:23:21,740 --> 00:23:24,720 All right, first one. He's laying on the table. 371 00:23:24,940 --> 00:23:26,140 All right, so first one here. 372 00:23:26,500 --> 00:23:27,720 Hold it. Ready. 373 00:23:29,760 --> 00:23:30,760 Uh -oh. 374 00:23:31,140 --> 00:23:33,640 That sword locked up. That's not good. 375 00:23:33,920 --> 00:23:37,240 What's happening here is one of the ropes is getting caught up in its 376 00:23:37,380 --> 00:23:39,980 It's easy enough to fix by entangling them. 377 00:23:40,440 --> 00:23:43,960 But we've got to make sure that all the snags are worked out before showtime. 378 00:23:44,220 --> 00:23:47,080 All right, so I'm going to go one first. Ready and go. 379 00:23:49,520 --> 00:23:50,520 Go. 380 00:23:51,360 --> 00:23:54,340 In this case, the death sword was number one and would have killed Chris. 381 00:23:54,600 --> 00:23:58,080 So it's vital that Chris makes the correct prediction or he's dead. 382 00:23:58,560 --> 00:24:00,420 The only X factor is the wind. 383 00:24:00,760 --> 00:24:03,280 If it's too windy, any sword could kill him. 384 00:24:03,660 --> 00:24:08,240 We've got the systems to respond. You pull a line, a sword falls down. 385 00:24:08,240 --> 00:24:09,760 order it's going to be in. 386 00:24:10,270 --> 00:24:13,750 that's decided by, you know, do you call it fate? 387 00:24:14,390 --> 00:24:17,390 I mean, there's no prayer there. 388 00:24:23,890 --> 00:24:27,190 And how are you deciding which one is going to be the death sort? 389 00:24:27,430 --> 00:24:32,130 Is it the last one that's left? My premonition is that it's going to be 390 00:24:32,570 --> 00:24:36,910 And at the end, if I'm feeling like whoever is helping me from the audience 391 00:24:36,910 --> 00:24:40,330 like, you know, I feel that might not be correct. 392 00:24:40,530 --> 00:24:43,190 I'm going to give it the option. You want to change your mind? 393 00:24:43,450 --> 00:24:44,450 Yeah. 394 00:24:45,530 --> 00:24:50,090 As someone who has performed mentalism for 20 plus years, I'm really concerned 395 00:24:50,090 --> 00:24:53,830 about the amount of opportunities that Chris has introduced for something to go 396 00:24:53,830 --> 00:24:54,830 wrong. 397 00:24:59,050 --> 00:25:01,150 Are we going? Yes, I'm doing this. Go. 398 00:25:02,190 --> 00:25:06,290 I have the confidence in my ability, but I don't have the confidence in these 399 00:25:06,290 --> 00:25:09,790 pulleys. The rope is constantly getting snagged in them. 400 00:25:10,190 --> 00:25:17,050 Pull number one. I want you to go to number 401 00:25:17,050 --> 00:25:18,050 two. 402 00:25:18,730 --> 00:25:21,790 Are we really doing this? Yes, I'm doing this. Go. 403 00:25:22,030 --> 00:25:25,670 Do you feel that that's correct? Should you change your mind? 404 00:25:26,490 --> 00:25:27,610 I don't. Bandit check. 405 00:25:28,330 --> 00:25:29,330 I'm not doing it. 406 00:25:30,520 --> 00:25:32,360 Yeah, I, yeah, okay. 407 00:25:32,720 --> 00:25:35,840 You sure you shouldn't change your mind? Yeah. You feel it? Yeah. 408 00:25:36,580 --> 00:25:40,120 Kristen's been on the magic team for about a year. Chris knows Kristen much 409 00:25:40,120 --> 00:25:41,400 better than she even knows herself. 410 00:25:41,760 --> 00:25:45,060 So much so that he's going to be able to influence her without even realizing 411 00:25:45,060 --> 00:25:49,320 it. And that experience is going to make her a much better mentalist. Good. 412 00:25:49,680 --> 00:25:50,680 Do it. 413 00:25:53,660 --> 00:25:54,900 I'm done. I'm done. 414 00:25:55,260 --> 00:25:58,180 If he wants someone to pull the next lever, he's going to have to find 415 00:25:58,180 --> 00:25:59,180 else to do it. 416 00:26:01,520 --> 00:26:02,520 Coming up. 417 00:26:03,320 --> 00:26:06,740 If I'm successful, I will reveal my prediction. 418 00:26:07,340 --> 00:26:08,780 And if I'm not, 419 00:26:09,860 --> 00:26:11,600 things went horribly wrong. 420 00:26:14,280 --> 00:26:16,640 Okay. That's it, right? That's it, good? 421 00:26:18,220 --> 00:26:19,220 Yeah. 422 00:26:21,160 --> 00:26:24,140 It's a great day for dropping swords. 423 00:26:24,820 --> 00:26:25,820 Yeah, man. 424 00:26:36,080 --> 00:26:40,180 I'm formulating my prediction because ultimately it's not my team that's under 425 00:26:40,180 --> 00:26:40,899 the swords. 426 00:26:40,900 --> 00:26:43,540 It's my life on the line with Lord of Illusions. 427 00:26:52,000 --> 00:26:56,760 With Lord of Illusions, I must predict the order the swords will fall. But 428 00:26:56,760 --> 00:26:59,520 now, I'm going to practice my method on total strangers. 429 00:27:06,250 --> 00:27:07,250 What's up, guys? 430 00:27:07,910 --> 00:27:09,030 Gals, how are you? 431 00:27:09,330 --> 00:27:13,390 I want to try something with you because I'm going to be doing a demonstration 432 00:27:13,390 --> 00:27:17,090 that literally puts my life on the line. And before I do that, I'm just trying 433 00:27:17,090 --> 00:27:21,170 to put myself through a series of tests because what my whole thing is is about 434 00:27:21,170 --> 00:27:25,850 studying human behavior, mannerism, how you're playing the game. That tells me a 435 00:27:25,850 --> 00:27:29,550 lot about your individuality. Now, I've never met any of you before. Is that 436 00:27:29,550 --> 00:27:30,790 true? Honestly. 437 00:27:31,090 --> 00:27:32,090 Okay. 438 00:27:32,330 --> 00:27:33,229 What's your name? 439 00:27:33,230 --> 00:27:34,990 Angel. Angel. What's up, man? 440 00:27:35,800 --> 00:27:37,980 I knew I was going to meet you. Come over here. 441 00:27:39,440 --> 00:27:41,880 You're going to watch it. You're going to be the witness, all right? 442 00:27:42,920 --> 00:27:46,940 I have a letter over here that I just wrote while I was watching you play the 443 00:27:46,940 --> 00:27:50,720 game. You can hold on to the letter. Just keep it in your hand. Keep it like 444 00:27:50,720 --> 00:27:51,780 this so everybody can see it, okay? 445 00:27:52,240 --> 00:27:53,380 Not planned, am I correct? 446 00:27:54,900 --> 00:27:55,759 All right. 447 00:27:55,760 --> 00:28:02,320 So all of you are going to use your right hand to write any letter you want. 448 00:28:03,270 --> 00:28:04,270 on your left hand. 449 00:28:04,430 --> 00:28:07,890 When you're done, close your fist and turn back around. 450 00:28:08,350 --> 00:28:09,350 Do it now, please. 451 00:28:09,570 --> 00:28:10,670 Any letter you like. 452 00:28:10,970 --> 00:28:11,929 Any letter. 453 00:28:11,930 --> 00:28:15,850 Write it really large, your fingers facing up. Write it large, as large as 454 00:28:15,850 --> 00:28:16,850 possibly can. 455 00:28:17,350 --> 00:28:21,090 Good. You changed your mind, didn't you? You were going with something else and 456 00:28:21,090 --> 00:28:22,090 you changed it? 457 00:28:23,050 --> 00:28:25,250 You did. Don't lie to me, man. I know what you're thinking. 458 00:28:26,240 --> 00:28:29,760 Honestly, I had a vision of this, and this is what I'm going off of. As a 459 00:28:29,760 --> 00:28:33,600 of fact, let's go with what I feel. If you want to change the position you're 460 00:28:33,600 --> 00:28:34,820 in, do it now. 461 00:28:35,580 --> 00:28:37,820 Wherever you want to go, just go there now. 462 00:28:40,380 --> 00:28:42,320 You can stay where you are. It doesn't matter. 463 00:28:42,900 --> 00:28:45,120 Has everything been completely fair and at random? 464 00:28:46,400 --> 00:28:51,160 Good. I want you each to take a left hand, keep it closed, and bring it 465 00:28:51,240 --> 00:28:53,360 I want you to touch each left hand. 466 00:28:54,679 --> 00:28:56,460 So make a line. Take your hand. 467 00:28:56,660 --> 00:29:00,420 Put your hand out. Touch your hand. Create a line. Come closer. Come closer. 468 00:29:00,600 --> 00:29:01,600 Come closer. 469 00:29:01,820 --> 00:29:02,699 Come closer. 470 00:29:02,700 --> 00:29:03,800 Just create a line. 471 00:29:04,580 --> 00:29:05,940 Okay? Good. 472 00:29:06,640 --> 00:29:08,580 Now, keep it just like that. 473 00:29:09,000 --> 00:29:12,380 I wrote something down. I want you to see. 474 00:29:12,860 --> 00:29:17,100 I have not. You held it the entire time, right? Check it out. I'm going to read 475 00:29:17,100 --> 00:29:21,880 you what I wrote. I wrote, when I said letter, I was talking about. 476 00:29:22,350 --> 00:29:27,370 What is in this letter, each letter will form the word 477 00:29:27,370 --> 00:29:30,150 believe. 478 00:29:31,310 --> 00:29:32,310 Right there. 479 00:29:34,430 --> 00:29:40,170 I want you to open up your hand first, then your hand, then your hand, then 480 00:29:40,170 --> 00:29:42,050 hand. Go, go, go, go. 481 00:29:44,450 --> 00:29:48,190 Now turn your hands around and look at me. What the hell? 482 00:29:48,390 --> 00:29:50,570 No way. 483 00:29:54,739 --> 00:29:59,300 I really almost switched. I was going to write a different letter. And then I 484 00:29:59,300 --> 00:30:01,900 decided to go with an E. The craziest thing I've ever seen. 485 00:30:02,220 --> 00:30:05,080 Easily. That was real. That messed me up. 486 00:30:13,240 --> 00:30:19,400 If something happens with Chris, seriously, people, move out of the way 487 00:30:19,400 --> 00:30:20,400 him get to him immediately. 488 00:30:30,820 --> 00:30:34,920 When people hear Chris is performing, they show up in the thousands. 489 00:30:38,680 --> 00:30:42,300 Ladies and gentlemen, I welcome you to Lord of Illusions. 490 00:30:55,150 --> 00:31:01,690 For first off, a lady to help me out with this. Now, I'm looking around for a 491 00:31:01,690 --> 00:31:02,690 woman. 492 00:31:03,630 --> 00:31:04,630 How about you? 493 00:31:04,850 --> 00:31:05,970 What is your name? 494 00:31:06,270 --> 00:31:10,330 Barbara. Barbara, can you come over on this side? Can we get Barbara over here? 495 00:31:10,390 --> 00:31:13,570 You're going to help me. Give a nice round of applause for Barbara, ladies 496 00:31:13,570 --> 00:31:14,570 gentlemen. 497 00:31:14,750 --> 00:31:15,750 Yes. 498 00:31:16,090 --> 00:31:18,970 Now, Barbara, have we ever met before? 499 00:31:19,290 --> 00:31:24,320 No. And that is the God's honest truth, ladies and gentlemen. I have not met her 500 00:31:24,320 --> 00:31:25,780 in my entire life. 501 00:31:25,980 --> 00:31:31,480 We have a chest right over here, ladies and gentlemen. That chest contains a 502 00:31:31,480 --> 00:31:37,920 premonition that I had days ago. About six numbers in a specific sequence. 503 00:31:38,020 --> 00:31:42,140 And I placed it in that chest. The key for the chest is in my pocket. 504 00:31:43,360 --> 00:31:46,660 If I'm successful, I will reveal my prediction. 505 00:31:47,400 --> 00:31:48,780 And if I'm not... 506 00:31:49,840 --> 00:31:51,580 Things went horribly wrong. 507 00:31:55,980 --> 00:32:02,520 Barbara will release each of those pins, releasing this sword and hopefully not 508 00:32:02,520 --> 00:32:04,840 penetrating my heart. 509 00:32:06,760 --> 00:32:11,380 Chris made his prediction two days ago as to the order of the swords and which 510 00:32:11,380 --> 00:32:14,000 sword would be the death sword, the last sword to be pulled. 511 00:32:14,520 --> 00:32:17,500 Barbara's going to take that ball and she's going to toss it. it out there to 512 00:32:17,500 --> 00:32:21,080 you. Each person who catches the ball will choose one number between one and 513 00:32:21,080 --> 00:32:24,480 six, and that will determine the order of how the swords fall. 514 00:32:24,700 --> 00:32:26,100 Now take that ball. 515 00:32:26,300 --> 00:32:27,740 Give it a nice toss, Barbara. 516 00:32:28,420 --> 00:32:33,780 Sir, I want you to yell out a number for me between one and six. Three. Three. 517 00:32:33,900 --> 00:32:38,660 Okay. We are going to place it on the pin rail. We will put number three right 518 00:32:38,660 --> 00:32:39,660 there. 519 00:32:40,000 --> 00:32:45,760 So that would be the first line, but now it's going to be the third line. Do we 520 00:32:45,760 --> 00:32:46,890 all understand? stand each other. 521 00:32:47,650 --> 00:32:52,050 Now, sir, I want you to take that ball and you toss it completely at random. If 522 00:32:52,050 --> 00:32:57,570 you catch it, sir, yell out a number between one and six, but do not pick 523 00:32:59,790 --> 00:33:00,790 Sir, 524 00:33:01,550 --> 00:33:05,190 give it a nice far touch so people at home see that this is not the end. Right 525 00:33:05,190 --> 00:33:12,070 over here, sir, I want you to yell out a number, either one, six, four, or two. 526 00:33:13,190 --> 00:33:15,550 Sir, take that ball and toss it. 527 00:33:16,110 --> 00:33:17,510 At random, doesn't matter where. 528 00:33:17,990 --> 00:33:22,090 Sir, yell out a number for me, either two, six, or one. 529 00:33:22,790 --> 00:33:23,950 Six. Six. 530 00:33:24,550 --> 00:33:28,830 Now we have three, five, four, six. Now toss it as far as you can. Nice far 531 00:33:28,830 --> 00:33:32,810 toss. There it is. There it is. Get it, girl. There she is. Did you pick a 532 00:33:32,810 --> 00:33:33,509 number yet? 533 00:33:33,510 --> 00:33:36,110 No. It's one or two. Which one would you like? 534 00:33:37,030 --> 00:33:43,010 One. So by default, we only have one number left, so we'll place that last. 535 00:33:43,850 --> 00:33:48,450 So whatever happens, you are not responsible for it. Okay, thank you. 536 00:34:11,010 --> 00:34:13,210 Coming up. Take your hand off five. 537 00:34:26,139 --> 00:34:27,139 Wow, 538 00:34:32,600 --> 00:34:35,420 you see the swords moving, ladies and gentlemen? That is the win. That is what 539 00:34:35,420 --> 00:34:36,420 I'm concerned about. 540 00:34:37,239 --> 00:34:39,420 Barbara, take your finger and put it on number one. 541 00:34:41,040 --> 00:34:42,040 Got it. 542 00:34:42,580 --> 00:34:43,870 Barbara. Yeah. 543 00:34:45,610 --> 00:34:48,250 Pull that pin out, number one, and drop it to the floor. Do it now. 544 00:34:51,090 --> 00:34:52,090 I did. 545 00:34:55,409 --> 00:34:58,430 We don't know if it barely caught or if it's really jammed. 546 00:34:58,850 --> 00:35:01,550 It may be a hairpin trigger that could go off at any moment. 547 00:35:04,430 --> 00:35:05,430 I don't like this. 548 00:35:06,010 --> 00:35:07,150 I don't like this at all. 549 00:35:07,570 --> 00:35:11,130 This is exactly what happened in the run -through when the rope got snagged. 550 00:35:11,600 --> 00:35:13,660 But this time, Chris was underneath it. 551 00:35:13,880 --> 00:35:17,140 The worst thing that could happen to me, if that sword could get kinked up like 552 00:35:17,140 --> 00:35:22,020 that, and then it comes down, and then it just comes down, stops, it swings, 553 00:35:22,020 --> 00:35:23,020 then it releases. 554 00:35:26,640 --> 00:35:33,420 This is one stunt, you do not want anything, and I mean anything to go 555 00:35:33,420 --> 00:35:36,900 even a situation like this, because it's just not good. 556 00:35:37,320 --> 00:35:40,220 And it's getting windier. Look at the swords, how they're shaking right now. 557 00:35:44,010 --> 00:35:48,170 The jacketing on the rope is stuck on the pulley again. So now we've got to 558 00:35:48,170 --> 00:35:52,650 in there, fix the rope, lubricate the pulley before the crowd starts to 559 00:35:52,650 --> 00:35:53,990 or Chris has his second thoughts. 560 00:35:54,330 --> 00:35:55,330 You don't have to do it. 561 00:35:55,590 --> 00:35:56,590 No, I got to do it. 562 00:36:02,650 --> 00:36:06,770 Now that the guys have fixed the rigging, it's up to Chris to regain his 563 00:36:11,630 --> 00:36:13,550 Put your finger on number one. 564 00:36:15,910 --> 00:36:16,910 Got it. 565 00:36:17,250 --> 00:36:19,850 Barbara, pull one. Pull it and drop it on the ground. 566 00:36:24,290 --> 00:36:26,130 Barbara, put your finger on number two. 567 00:36:26,890 --> 00:36:27,890 Got it. 568 00:36:28,830 --> 00:36:29,830 Barbara. 569 00:36:30,650 --> 00:36:32,590 Yes. Pull number two now. 570 00:36:38,030 --> 00:36:40,510 Barbara, go to number three. Put your finger on three. 571 00:36:49,770 --> 00:36:51,130 This is really scary watching this. 572 00:36:53,590 --> 00:36:55,170 Barbara, put your finger on number four. 573 00:36:55,950 --> 00:37:00,310 As we do this, the odds get more in the favor of me getting stabbed. 574 00:37:03,570 --> 00:37:04,770 Pull it, Barbara. Four. 575 00:37:08,030 --> 00:37:10,330 Barbara, there are two swords above me. 576 00:37:11,190 --> 00:37:12,670 There's five and six. 577 00:37:13,390 --> 00:37:17,930 I want you to take your finger, and I want you just to touch the top of the 578 00:37:17,930 --> 00:37:18,930 of five. 579 00:37:21,260 --> 00:37:22,260 Now touch six. 580 00:37:23,180 --> 00:37:24,180 Got it. 581 00:37:24,340 --> 00:37:26,720 Listen to your inner voice. I trust you, Barbara. 582 00:37:26,940 --> 00:37:27,980 Do you believe in faith? 583 00:37:28,540 --> 00:37:29,540 Yes, I do. 584 00:37:29,660 --> 00:37:33,420 You can change your mind. What are you feeling, five or six, Barbara? 585 00:37:33,660 --> 00:37:34,660 I feel six. 586 00:37:35,260 --> 00:37:36,360 Six? Yes. 587 00:37:37,940 --> 00:37:39,420 Do you really feel that, Barbara? 588 00:37:39,640 --> 00:37:40,578 I feel it. 589 00:37:40,580 --> 00:37:43,480 Typically, people don't change their minds, but I'm going to have to go with 590 00:37:43,480 --> 00:37:46,080 you, Barbara. Take your hand off five. Take it. 591 00:38:09,710 --> 00:38:14,150 When the death sword fell, I'm like, what the hell happened? We tested this 592 00:38:14,150 --> 00:38:15,150 thing. 593 00:38:17,690 --> 00:38:23,750 Give me a microphone. 594 00:38:24,870 --> 00:38:28,510 Ladies and gentlemen, let me show you my prediction. 595 00:38:29,030 --> 00:38:30,750 Bring down the chest for me, please. 596 00:38:31,650 --> 00:38:34,190 Bring it all the way down. I want you to see this honestly, folks. 597 00:38:38,480 --> 00:38:39,480 is still right, Barbara. 598 00:38:39,800 --> 00:38:42,760 I'm going to open it up right now. Look, I want you to see everybody that this 599 00:38:42,760 --> 00:38:43,760 is completely fair. 600 00:38:44,020 --> 00:38:47,540 Now, Barbara, I'm going to reach inside. I'm going to grab the prediction and 601 00:38:47,540 --> 00:38:51,060 you are going to carry it right over there to those numbers. Come right over 602 00:38:51,060 --> 00:38:52,060 here. 603 00:38:52,100 --> 00:38:53,620 And I want you to open it up. 604 00:38:54,000 --> 00:38:55,420 We have the first number. 605 00:38:55,740 --> 00:38:56,740 We have three. 606 00:38:57,320 --> 00:38:59,720 And I want you to show here. I want you to hold the mic. Let me show everybody. 607 00:39:06,600 --> 00:39:09,580 Ladies and gentlemen, check this out. Our number was what? Three, five, four, 608 00:39:09,640 --> 00:39:10,800 six, one, two. 609 00:39:11,320 --> 00:39:17,320 We have three right there. First position, three. Then we have a five, 610 00:39:17,660 --> 00:39:19,140 six, one, two. 611 00:39:35,400 --> 00:39:38,140 master at cheating death. He's done it time and time again. 612 00:39:38,360 --> 00:39:42,880 There's always an X factor, and there's always that day when your number will 613 00:39:42,880 --> 00:39:43,880 come up. 614 00:39:49,440 --> 00:39:53,460 The only way I can call last night's demonstration a success is because I'm 615 00:39:53,460 --> 00:39:56,880 alive. Otherwise, it was a complete and utter disaster. 616 00:39:57,740 --> 00:40:01,040 There was only 20 seconds between life and death. 617 00:40:04,990 --> 00:40:09,290 I'm doing my job and then somebody else hasn't done the due diligence. 618 00:40:09,670 --> 00:40:13,370 That's inexcusable. We shouldn't be in this situation anymore. 619 00:40:15,150 --> 00:40:17,450 Seriously. That was scary. 49432

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