Original subtitles

Downloaded from YTS.MX

[piano music]

♪ ♪

Official YIFY movies site: YTS.MX

[horn honks]

[glass clinking]

[paper rustling]

[engine rumbling]

- OH, SHIT.

[paper rustling]

UH...

[dramatic rock music]

♪ ♪

- ♪ LISTEN, BABY ♪

♪ YOU DRIVE ME INSANE ♪

♪ ♪

♪ DRIVE ME AROUND ♪

♪ IN YOUR MIDNIGHT TRAIN ♪

♪ ♪

♪ I WANT TO EAT YOU ♪

♪ LIKE YOU'RE SUGARCANE ♪

♪ ♪

♪ STIR ME UP ♪

♪ AND YOU FRY MY BRAIN ♪

♪ YEAH ♪

[music stops]

- OH.

FUCKING HELL.

OH, SHIT.

[tires whirring]

FUCK!

[tires squeal]

[neck pops]

[sighs]

[wind blowing softly]

[groans]

BUDDY, I TOLD YOU, I PASSED I-80

ABOUT TEN MINUTES AGO.

YOU KNOW, THERE'S... THERE'S

NOTHING ELSE AROUND.

SO HOW SOON CAN YOU GET HERE?

HELLO?

HE...

HELLO?

[phone beeps]

[brakes squeal]

[thud on window]

- HAVIN' A LITTLE PROBLEM?

[muffled rock music]

♪ ♪

[music stops]

[knock on window]

- MR. TAYLOR?

- BUTLER?

- YEAH, YOU MADE IT.

OH, MY GOSH.

I'M SO GLAD YOU'RE HERE.

SORRY ABOUT THAT.

- HELLO, I'M JOBY TAYLOR.

- GOOD TO KNOW YOU, MR. TAYLOR.

I'M BOB HAMILTON.

I REPRESENT MRS. TAYLOR.

- OKAY.

IT'S GOOD TO SEE YOU, CLAIRE.

HOW ARE YOU?

- MR. TAYLOR,

MY CLIENT REQUESTS THAT

THERE BE NO COMMUNICATION DURING

THE COURSE OF OUR SESSION.

SHE'S ONLY HERE FOR COURTESY'S

SAKE AND AT MY REQUEST.

PLEASE UNDERSTAND.

ALL RIGHT, AND WE WOULD LIKE

ALL DOCUMENTS TO BE SIGNED

AS SOON AS POSSIBLE.

IS THAT A PROBLEM FOR YOU,

MR. TAYLOR?

- NO, I DON'T THINK SO.

- ACTUALLY... ACTUALLY MY, UH...

MY CLIENT RESERVES THE RIGHT

TO CHECK AND... WELL, AND TO

DISCUSS ALL DOCUMENTS

IN A DUE, TIMELY FASHION.

HE'S JUST ARRIVED,

AND WE HAVEN'T HAD TIME

FOR COUNSEL YET.

- I UNDERSTAND, FRED.

- WHAT...

- MR. TAYLOR?

- YEAH.

YEAH, I NEED TO...

I HAVEN'T READ IT YET IN DETAIL.

UH, I'VE BEEN BUSY WORKING,

WORKING ON A...

- SO...

- NEW ALBUM.

AND I GUESS...

- SO WE CAN... WE CAN TALK ABOUT

THIS TOMORROW?

- TOMORROW?

I'VE GOT...

I CAN'T.

- ALL RIGHT, I UNDERSTAND.

UM, I DON'T THINK IT'S NECESSARY

FOR US TO MEET AGAIN TO SIGN,

DO YOU, FRED?

- UM, I DON'T KNOW.

- ISN'T THAT UP TO CLAIRE THEN?

- UH, I DON'T KNOW.

I DON'T...

- WE'RE BOTH ADULTS NOW,

RIGHT, CLAIRE?

WE CAN...

- FRED?

- WORK THIS OUT?

- FRED.

- I DON'T THINK SO.

- GOOD.

WELL, I THINK WE'RE WORKING

TOWARDS THE SAME GOAL HERE,

WHICH IS TO STAY OUT OF

THE COURT AND ALL THAT MESS.

- I DON'T KNOW ABOUT THAT.

- WELL, THIS HAS BEEN A VERY

AMICABLE PROCESS SO FAR.

I WANT TO THANK THE BOTH OF YOU.

- UM, ACTUALLY, MR. HAMILTON,

CAN I ASK YOU A QUESTION?

- THANK YOU, CLAIRE.

- SURE.

- THANKS FOR ANSWERING

MY QUESTION.

CLAIRE, IS THIS WHAT YOU WANT?

YOU WANT SOME GUY TELLING ME

EVERYTHING YOU WANT TO SAY?

CAN WE JUST TALK FOR ONE SECOND,

PLEASE?

CLAIRE, I WANT TO GET A CUP

OF COFFEE WITH YOU.

- COFFEE?

- MR. TAYLOR!

- CUP OF COFFEE, REALLY?

- MR. TAYLOR, PLEASE.

IF YOU HAVE ANY QUESTIONS OR

COMMENTS, YOU'RE TO DIRECT THEM

THROUGH YOUR ATTORNEY, AND HE

WILL DIRECT THEM TO ME PROPERLY.

- FRED, WOULD YOU ASK MY WIFE

IF SHE'D LIKE TO HAVE

A CUP OF COFFEE?

- WE'RE DONE.

- HE WOULD LIKE TO KNOW...

- I'M NOT GONNA HAVE

A CUP OF COFFEE WITH YOU.

[door clicks shut]

- [clears throat]

- HEY, CLAIRE.

CLAIRE. CLAIRE.

HEAR ME OUT, OKAY?

LOOK, I KNOW IT MUST BE HARD

FOR YOU TO SEE ME, BUT THIS

IS IMPORTANT FOR ME TOO.

COME ON.

WE DON'T HAVE TO BE LIKE THIS,

DO WE?

YOU KNOW, FOR ELLEN'S SAKE?

YOU LOOK GOOD.

I MEAN, DIFFERENT BUT GOOD.

- STOP, PLEASE.

- ANYWAY, I DON'T WANT YOU

TO BE ALL TENSE ABOUT ME

COMING HERE AND STUFF.

- I'M NOT TENSE.

I JUST WANT TO GET THIS

OVER WITH.

- I FE... LISTEN TO ME, I FELT

IT WAS IMPORTANT TO COME OUT

HERE AND SHOW YOU SOME RESPECT.

- THANK YOU.

- AND ELLEN.

- THANK YOU.

- AND NOT JUST DO IT

OVER THE MAIL AND SHIT.

I'M BEING TOTALLY SINCERE HERE.

LIKE, I DROVE ALL NIGHT

AFTER PLAYING A SHOW.

UH...

- THANK YOU FOR COMING

ALL THIS WAY.

IF YOU HAVE ANYTHING TO SAY

TO ME, TALK TO MY LAWYER.

- YOU FUCKIN' SERIOUS?

[engine turns over]

GET THE FUCK OUT OF HERE!

I DON'T EVEN WANT TO

TALK TO YOU!

[spits]

FUCKIN' CUNT.

[inhales sharply]

[sighs]

[ominous music]

♪ ♪

♪ ♪

[click]

[man speaking indistinctly]

[fly buzzing]

♪ ♪

[fly buzzes]

♪ ♪

[wind whistling faintly]

[muffled buzzing]

[ominous music intensifies]

♪ ♪

[buzzing]

[music and buzzing stop]

[muffled rock music]

♪ ♪

[music swells]

♪ ♪

[clattering]

[music stops]

- HEY!

[heavy metal music]

♪ ♪

HE'S GOOD.

[laughter]

YOU GOT IT.

[somber country music]

♪ ♪

[cow moos]

[phone ringing]

- YEAH.

[sighs]

[phone ringing]

OH, CHRIST.

HELLO?

- UH, YES, MR. TAYLOR?

- [coughs]

YEAH.

- BUTLER.

UM, JUST CHECKING TO SEE

HOW MUCH LONGER YOU'LL BE.

- HUH?

I DON'T, UH, TOTALLY UNDERSTAND

ALL THIS, UH, YOU KNOW,

LEGAL STUFF, AND I KIND OF

CRASHED LAST NIGHT.

- THAT'S OKAY.

UM, WELL, YOU KNOW... YOU KNOW,

BASICALLY IT JUST KIND OF COMES

DOWN TO... FOR THE SETTLEMENT

OF THE HOUSE, UH, YOU JUST

HAVE TO GIVE HER THE RIGHTS

TO THE CHILD, AND, UH,

THAT'S SIMPLE AS THAT.

- WAIT.

SAY THAT AGAIN?

- IT JUST BASICALLY BOILS DOWN

TO, UH, FOR THE SETTLEMENT OF

THE HOUSE, YOU JUST HAVE TO GIVE

UP THE RIGHTS TO THE CHILD,

AND THEN WE CAN SIGN

AND BE ON OUR WAY.

- UH, THAT DOESN'T MAKE

ANY SENSE.

I THOUGHT THAT WE'RE SPLITTING

EVERYTHING.

I GET HALF THE HOUSE.

I GET HALF THE KID.

- NO, UM, I MEAN, I THOUGHT...

I THOUGHT YOU KNEW THAT

THAT WAS A CONDITION FOR THE...

FOR THE 50/50 SETTLEMENT

ON THE HOUSE.

YOU KNOW, IN RETURN,

YOU MUST GIVE UP

LEGAL CUSTODY OF ELLEN AS...

- NO.

- HER BIOLOGICAL FATHER.

- NO, THAT'S NOT WHAT I THOUGHT

IT SAID IN THE DOCUMENT AT ALL.

THE SETTLEMENT IS ABOUT

GETTING MY SHARE OF THAT HOUSE

SHE'S LIVING IN, WHICH I LEGALLY

OWN HALF OF.

- WELL...

IT SAYS HERE THAT THEY NEVER

RECEIVED ANY PAYMENT FOR

THE MORTGAGE OR THAT YOU SENT

CHILD SUPPORT.

- WELL, YOU KNOW, I TRIED TO.

OKAY, I TRIED TO.

YOU KNOW, SHE DIDN'T COMPLAIN

OR SEND THE LAW AFTER ME

OR ANYTHING.

YOU... YOU'RE THE LAWYER.

ISN'T THERE SOMETHING

YOU CAN DO?

[keys jingle]

[clicks pen]

[cell phone beeps]

[huffs]

[lighter clicks]

[cell phone beeping]

HEY, CLAIRE.

IT'S JOBY.

UH, I NEED TO TALK TO YOU.

CALL ME BACK, PLEASE.

[ominous music]

♪ ♪

[papers rustling]

♪ ♪

♪ ♪

[dog barking]

I WANT TO SEE MY DAUGHTER,

ELLEN.

I WANT TO MEET HER,

JUST HER ALONE.

I WANT TO DO SOMETHING WITH HER.

- UH, WAIT.

UH, DO WHAT EXACTLY?

- I DON'T KNOW, MAN.

LIKE, HANG OUT.

LIKE, DO STUFF THAT A FATHER

AND DAUGHTER DO.

I MEAN, THIS IS TOTALLY UNFAIR.

LIKE, WHY DOES CLAIRE GET

EVERYTHING?

HEY, JAMES.

UH...

I HAD A...

I HAD A THING I HAD

TO TAKE CARE OF.

SORRY.

I SHOULD'VE...

- [indistinct]

- WHA...

AH, DUDE, I...

JAMES, I CAN'T MAKE IT TONIGHT,

ALL RIGHT?

I DON'T NEED THIS RIGHT NOW.

I HAVE SOMETHING IMPORTANT

THAT I'M TRYING TO TAKE CARE OF,

AND JUST RELAX, OKAY?

- [indistinct]

- NO, NO...

DUDE, DUDE, DUDE, DUDE, DUDE.

DUDE, DUDE, DUDE!

I'M NOT CALLING TO ARGUE

WITH YOU, OKAY?

I WANT TO TALK TO YOU.

ALL RIGHT?

I'VE BEEN THINKING ABOUT

THE TRACKS, AND, YOU KNOW,

I THINK WE GOT TO RETRACK

A LOT OF THIS STUFF, OKAY?

IT'S NOT... IT'S NOT WORKING.

- [indistinct]

- OKAY, OKAY, I KNOW.

I'M SORRY.

I'M GONNA GET SOME MONEY.

YOU GOT SOME FUCKIN'

ANGER ISSUES, OKAY?

SO JUST CALM DOWN.

WE GOT TO...

NO, LISTEN TO ME, MAN.

LISTEN TO ME.

YOU DON'T FUCKIN' LISTEN.

THIS IS UNBELIEVABLE.

I'M TRYING TO TELL YOU THAT

I HAVE SOME IDEAS, AND WE NEED

TO START RETRACKING AND...

AND TRYING TO ADD A LITTLE

MORE HEART TO THE SONGS, OKAY?

[stammering]

THEY SUCK, MAN.

TH... THEY'RE... THEY'RE,

YOU KNOW, LIKE...

THEY'RE... THEY'RE... THEY'RE

TOO SLEEK, AND, YOU KNOW,

IT'S NOT REAL SHIT.

WE NEED SOME REAL SHIT.

- [indistinct]

- YOU'RE DONE WITH ME, JAMES?

LISTEN TO YOURSELF.

YOU'RE NOTHING WITHOUT ME.

I'M THE FRONT MAN.

I'M THE FUCKING SINGER!

WHAT THE FUCK ARE YOU GONNA DO

WITHOUT ME?

I'M FUCKING JOBY TAYLOR!

I AM SNAKE TROUBLE!

I STARTED THIS FUCKING BAND!

YOU DON'T TALK TO ME THAT WAY!

YOU DON'T TALK TO ME LIKE THAT.

[phone beeps]

JAMES?

HELLO?

[phone snaps closed]

[upbeat music]

♪ ♪

HEY, BUTLER, IT'S JOBY.

CALL ME BACK, MAN.

FUCK...

[door handle rattling]

[thud]

[strumming melancholy melody]

♪ ♪

[humming]

♪ ♪

[mumbles]

[strumming]

♪ ♪

[humming]

♪ ♪

HMM.

♪ DA, DA-DA ♪

[hums]

[phone ringing]

- MR. TAYLOR.

- HEY.

WHAT HAVE YOU GOT FOR ME?

- UM, WELL, I HAVE SOME

BAD NEWS.

- YEAH.

- AND... AND GOOD NEWS.

WHAT WOULD YOU LIKE TO HEAR

FIRST?

- UH, BAD NEWS.

- OKAY.

SO I SPOKE WITH MR. HAMILTON

AND EXPLAINED YOUR SITUATION

AND WHAT YOU WANT.

- MM.

- AND HE SAID NO

TO YOUR REQUEST.

- OKAY.

- THERE'S MORE.

HE SURMISES THAT IF YOU

CONTINUE TO DRAG THIS ON,

BECAUSE, UM, YOU WERE SUPPOSED

TO SIGN TODAY AND, UH...

HE SAID IF YOU DON'T SIGN

BY TOMORROW, THEY WILL

TAKE YOU TO COURT.

- OKAY.

AND THAT, UH, AFFECTS

THE SETTLEMENT MONEY, RIGHT?

- THEN THERE'S NO SETTLEMENT

DEAL.

- OKAY, SO WHAT'S THE GOOD

NEWS?

- WELL, UM...

MY MOM WAS WONDERING IF YOU

CAN COME OVER FOR DINNER.

SHE MAKES THIS AWESOME LASAGNA,

AND, UH...

IT'S REALLY DELICIOUS.

[ominous music]

♪ ♪

[music stops]

[doorbell rings]

MR. TAYLOR,

THANK YOU FOR COMING.

UM, WELL, COME IN.

COME IN, PLEASE.

- HI, JOBY.

- HEY, HOW ARE YOU?

- GOOD.

AND YOU?

- GOOD.

- NICE TO MEET YOU.

THANK YOU, UH, FOR HAVING ME,

MRS. BUTLER.

- OH, PLEASE CALL ME MAURA.

MAKES ME SOUND MUCH YOUNGER.

- OKAY, MAURA.

- WHY DON'T YOU GO AHEAD

AND HAVE A SEAT?

- THANK YOU.

- IS THERE ANYTHING I CAN

HELP YOU WITH?

- WOULD YOU LIKE ANYTHING

TO DRINK?

JOBY?

- UH, YEAH.

OH, WATER'S FINE.

- CAN YOU GET THE WATER?

- SURE, YEAH.

- I HEAR YOU'RE A MUSICIAN,

JOBY.

- UH, YEAH, I AM.

- AND HOW LONG HAVE YOU BEEN

PLAYING?

- UH, WELL, FOR A BIT NOW.

I, UH, STARTED, I GUESS,

PROFESSIONALLY, UM,

SIX OR SEVEN YEARS NOW.

- AND WHAT DO YOU PLAY?

- UH, I PLAY THE GUITAR,

AND, UH...

I SING AND PLAY A LITTLE PIANO.

- SOUNDS INTERESTING.

- UH, YEAH, IT'S, UH...

IT'S FUN.

I LOVE IT.

- FRED, WOULD YOU GET

THE LASAGNA, PLEASE?

- OH, YEAH.

I'M SORRY.

- GO AHEAD AND HAVE A SEAT.

AND ARE YOU DATING?

- UH, YEAH.

YEAH, I'M... I'M DATING.

I HAVE A...

A GIRLFRIEND.

UM, THAT LOOKS REALLY GOOD.

- WHAT'S HER NAME?

- UH, SUSAN.

YEAH.

- AND WHAT IS SHE LIKE?

- MOM.

- UH, SHE'S SORT OF SPUNKY.

UH, THOSE ARE CUTE PICTURES

ON THE WALL, FRED.

- YES, THEY ARE VERY CUTE.

- RIGHT.

WELL, WE TOOK THOSE A LONG

TIME AGO.

ANYWAYS...

- WELL, SHALL WE START EATING

AND...

- ALL RIGHT.

UH, PLEASE.

HELP YOURSELF FIRST.

- OKAY, ALL RIGHT.

- HERE, PASS THE SALAD.

- THANK YOU.

- NOW, YOU'RE NOT A VEGETARIAN,

ARE YOU?

- NO.

- OKAY.

- NO.

- PERFECT, BECAUSE...

- GOOD.

- YEAH.

- IT'S NOT MUCH.

- WELL, IT'S, UH, NICE.

- SORRY ABOUT MY MOM.

SHE CAN BE A LITTLE NOSY.

- NO.

IT'S ALL RIGHT.

SHE SEEMED COOL.

SHE'S KIND OF CUTE.

BUTLER.

- YEAH, THAT'S RIGHT.

- SHIT, YOU HAVE THIS?

- YEAH, YEAH, YEAH.

I ACTUALLY JUST GOT THAT

AT A YARD SALE,

RIGHT AFTER I GOT THAT, UH,

INQUIRY FROM YOU, YOU KNOW.

IT'S FUNNY HOW THINGS LIKE THAT

HAPPEN.

- WOW, YEAH.

THIS IS, UM...

THIS IS OUR FIRST ALBUM.

- OH, YEAH?

- YEAH, SOME OF OUR BEST STUFF.

- YEAH.

NO, I REALLY LIKED IT.

THERE WAS THAT, UM...

OH, THAT ONE SONG.

UM, ROCKIN'...

WHAT'S THAT?

ROCKIN'...

ROCKIN' AWAY THE NIGHT.

YEAH, YEAH.

IT'S REALLY CATCHY.

IT WAS, LIKE, YOU CAN TOTALLY

SING ALONG WITH IT.

- YEAH, YEAH, EVERYBODY LOVES

THAT SONG.

PLAYED IT OVER AND OVER

TO DEATH.

- SHOULD WE PUT IT ON?

- NO.

- OH.

- IT'S ALL RIGHT.

- OKAY.

SO ARE YOU, LIKE, ANXIOUS

TO GET BACK HOME,

YOU KNOW, TO THE CITY,

AFTER YOU SIGN TOMORROW

AND EVERYTHING?

- HEY, YOU WANT TO GO

GET A BEER?

- YEAH.

YEAH, SURE.

LET ME GO TELL MY MOM.

[indistinct chatter]

[mid-tempo country music]

♪ ♪

- SO YOU'RE SURE YOU CAN'T

THINK OF A WAY TO WIN

THIS THING?

- NO.

[clears throat]

NOT UNLESS YOU CAN FIND

SOME, LIKE, EVIDENCE

AGAINST MRS. TAYLOR THAT

SUGGESTS THAT SHE'S A BAD MOM,

YOU KNOW, LIKE NEGLIGENCE OR

INCOMPETENCE OR DRUGS AND STUFF.

I DON'T KNOW.

BUT, UH, SHE JUST DOESN'T SEEM

LIKE THAT KIND OF PERSON.

- WELL, SHIT, MAN.

WHAT GOOD ARE YOU AS MY LAWYER

IF YOU CAN'T EVEN HELP ME?

DO YOU WANT ANOTHER BEER?

- OH, NO, I'M GOOD.

I CAN'T DRINK MORE THAN ONE.

- I'LL HAVE TWO SHOTS, PLEASE.

THANK YOU.

YOU SURE?

- YEP.

- HUH?

- I'M SURE.

- OKAY.

IT'S GOOD FOR YOU.

- YOU KNOW, MAYBE I WILL.

[clears throat]

SURE.

- WELL, ACTUALLY I KIND OF WANT

THIS ONE NOW MYSELF.

- OKAY, OKAY.

THAT'S FINE.

- YEAH.

ALL RIGHT.

I'M GOING OUT FOR A SMOKE.

[door opens and closes]

[door squeaks]

- CAN I BUM ONE?

OH, NO, NO, NO.

NO, NO.

I, UH... I JUST WANT TO HOLD IT.

YOU BEEN SMOKING FOR A LONG

TIME?

- I DON'T KNOW.

YEAH.

DON'T YOU START SMOKIN'.

HUH?

IT'S FUNNY HOW THINGS END UP.

IN THE BEGINNING, IT WAS CLAIRE

WHO DIDN'T WANT ELLEN, YOU KNOW?

I'M GOING INSIDE.

[heavy metal music]

♪ ♪

- ♪ IN THE STILL OF THE NIGHT ♪

♪ I HEAR THE WOLF HOWL, HONEY ♪

- WHAT BAND IS THIS?

I LIKE IT.

- ♪ IN THE STILL OF THE NIGHT ♪

♪ I FEEL MY HEART ♪

♪ BEATING HEAVY ♪

♪ TELLIN' ME I GOTTA HAVE MORE ♪

♪ ♪

♪ IN THE SHADOW OF NIGHT ♪

♪ I SEE THE FULL MOON RISE ♪

♪ TELLING ME WHAT'S IN STORE ♪

♪ MY HEART START ACHING ♪

♪ MY BODY START A-SHAKING ♪

♪ AND I CAN'T TAKE NO MORE ♪

♪ ♪

♪ NOW I JUST WANNA GET CLOSE ♪

♪ TO YOU ♪

♪ AND TASTE YOUR LOVE SO SWEET ♪

♪ AND I JUST WANNA MAKE LOVE ♪

♪ TO YOU ♪

♪ FEEL YOUR BODY HEAT ♪

♪ IN THE STILL OF THE NIGHT ♪

♪ ♪

♪ IN THE STILL OF THE NIGHT ♪

♪ ♪

♪ OVER HERE, BABY ♪

♪ ♪

♪ IN THE HEAT OF THE DAY ♪

♪ I HANG MY HEAD DOWN LOW ♪

♪ AND HIDE MY FACE ♪

♪ FROM THE SUN ♪

♪ THROUGH THE LIGHT OF THE DAY ♪

♪ UNTIL THE EVENING TIME ♪

♪ I'M WAITING FOR THE NIGHT ♪

♪ TO C-C-COME ♪

♪ OOH ♪

♪ BABY ♪

♪ ♪

♪ IN THE STILL OF THE NIGHT ♪

♪ IN THE COOL MOONLIGHT ♪

♪ I FEEL MY HEART IS ACHING ♪

♪ IN THE STILL OF THE NIGHT ♪

♪ ♪

♪ OOH, BABY ♪

♪ OOH, BABE ♪

♪ DON'T BE WORRIED ♪

♪ ♪

♪ COME CLOSER ♪

♪ NEED TO BE CLOSER ♪

♪ I CAN'T KEEP AWAY ♪

♪ CAN'T KEEP AWAY ♪

♪ OH, CAN'T KEEP AWAY ♪

♪ NO ♪

♪ ♪

♪ YOU GOTTA GIVE ME LOVE ♪

♪ GOTTA GIVE ME SOME LOVIN' ♪

♪ EVERY DAY ♪

- HEY.

YOU ALL RIGHT?

- ♪ CAN'T KEEP AWAY ♪

♪ ♪

- MR. TAYLOR?

- YEAH.

- YOU... YOU OKAY?

- YES, I'M FINE.

- ♪ OOH, BABY ♪

♪ OOH, OOH ♪

♪ OH ♪

- UM, SO I GOT TO GET GOING.

BUT I'LL SEE YOU

AT THE SIGNING TOMORROW, RIGHT?

[clears throat]

DO YOU WANT ME TO CALL YOU

A CAB?

- NO, I DON'T WANT YOU

TO CALL ME A FUCKING CAB.

I WANT YOU TO GO.

[laughing] JEEZ.

- OKAY.

I'LL SEE YOU TOMORROW?

- ♪ OOH ♪

♪ MAMA ♪

♪ ♪

♪ I JUST WANNA GET CLOSE ♪

♪ TO YOU ♪

♪ AND TASTE YOUR LOVE SO SWEET ♪

♪ AND I JUST WANNA MAKE LOVE ♪

♪ TO YOU ♪

♪ FEEL YOUR BODY HEAT ♪

♪ IN THE STILL OF THE NIGHT ♪

♪ OH, YEAH ♪

- [retching]

[spits]

[coughs]

[retches]

[coughs]

OH, GOD.

[moans]

[phone beeping]

[spits]

[spits]

HEY, CLAIRE.

IT'S JOBY.

LISTEN, I SWEAR TO GOD I DIDN'T

WANT TO GO DOWN THIS ROUTE,

BUT HERE GOES.

REMEMBER WHEN YOU DIDN'T WANT

ELLEN BUT I DID, AND IT WAS ME

WHO STOPPED YOU FROM ABORTING

HER?

DID YOU FORGET THAT?

WELL, IF YOU NEED A REMINDER,

I STILL HAVE THE PAPERWORK

FROM THE CLINIC IN CHICAGO,

AND I'M NOT AFRAID TO USE IT.

[ominous music]

♪ ♪

[phone ringing]

[weakly] HELLO.

[sighs]

HELLO?

- HELLO?

- IS THIS JOBY TAYLOR?

- YEAH.

WHO'S THIS?

- IT'S ELLEN.

- OH, SHIT.

I MEAN...

[thud]

HI.

HOW ARE YOU?

- FINE, THANKS.

MOM TOLD ME THAT YOU WANTED

TO SEE ME.

- YEAH, YES, I DO.

I WOULD LIKE TO SEE YOU.

I MEAN, IF THAT'S COOL WITH YOU.

- I THINK SO.

IS 10:00 OKAY?

- YEAH.

TODAY?

YEAH, THAT'S GREAT.

YEAH.

THAT'S GOOD FOR ME.

UH, SO, UM...

SHOULD I PICK YOU UP?

- HOLD ON.

LET ME GET MOM.

- OKAY.

[gearshift squeaks]

- HELLO, MR. TAYLOR.

COME ON IN.

TAKE YOUR SHOES OFF

FOR THE CARPETS.

[shoe thuds]

COME ON IN.

UM...

[clears throat]

WHY DON'T YOU SIT DOWN?

- YEAH.

- CLAIRE'S JUST GETTING ELLEN

READY.

SHE, UH, WANTED ME TO STATE

THE BOUNDARIES BEFORE

YOU AND ELLEN TAKE OFF.

SIT DOWN. SIT DOWN. SIT DOWN.

- YEAH, SURE, UH...

YOU KNOW, BUTLER ISN'T HERE.

IS THAT A PROBLEM?

- NO, NOT AT ALL.

I TOLD HIM ALL ABOUT THIS.

IT'S JUST A SIMPLE, FRIENDLY

FAMILY VISIT.

UH, CLAIRE MENTIONED SOME OLD

MEDICAL RECORD YOU MIGHT HAVE?

- YEAH, SORRY, I, UH...

FORGOT IT BACK IN CHICAGO.

- OH, WELL.

I'LL JUST TELL CLAIRE.

SO FOR YOUR VISIT WITH ELLEN

TODAY, UM...

RULE NUMBER ONE:

YOU ARE NOT ALLOWED TO DISCUSS

ANYTHING THAT WENT ON IN

THE PAST BETWEEN YOU AND CLAIRE.

NUMBER TWO:

YOU MUST ABSOLUTELY AVOID ANY

SITUATION WHICH MIGHT CAUSE HARM

TO ELLEN.

- WAIT, COME ON.

I'M NOT AN IDIOT.

I... WHAT'S THE MATTER WITH

CLAIRE?

- THREE:

YOU MAY NOT MAKE FUN OF MY

CLIENT IN ANY MANNER

IN FRONT OF ELLEN.

DO YOU AGREE TO THIS?

IT'S UP TO YOU.

- YES. YES.

I AGREE.

- GOOD.

ALL RIGHT, THEN.

YOU HAVE TWO HOURS.

- THAT'S IT?

- SHE HAS A PIANO LESSON

THIS AFTERNOON.

- HEY, ELLEN.

- HI.

- UH...

I'M JOBY.

UM, HOW... HOW ARE YOU?

- GOOD.

- WELL, GOOD.

DO YOU WANT TO, UH,

GO DO SOMETHING

FOR A LITTLE WHILE?

- SURE.

- OKAY, COOL.

YEAH.

UH...

- YOU BETTER GET GOING.

- YEAH, I'M GONNA GET

MY SHOES ON.

ALL RIGHT, THAT'S, UH, MY CAR.

SO, UH, YOU KNOW...

UH, WHERE DO YOU WANT TO GO?

WHAT DO YOU WANT TO DO?

- I DON'T KNOW.

- UM, IS THERE ANYWHERE

YOU WANT TO GO?

- NO.

- ALL RIGHT.

[engine turns over]

OH.

I, UH...

GOT YOU A PRESENT.

YOU CAN OPEN IT.

[paper tearing]

HEY.

IT'S, UM...

ABIGAIL.

- THANKS.

- UH, ALL RIGHT.

YOU'RE WELCOME.

UH...

YOU DON'T LIKE IT?

- IT'S OKAY.

- I CAN TELL YOU DON'T LIKE IT.

WHAT'S... WHAT'S WRONG WITH IT?

IT'S OKAY.

YOU CAN SAY.

IT'S... I WOULD LIKE TO KNOW.

COME ON, SAY IT.

- I ALREADY HAVE IT.

- OH, BUT YOU LIKE...

SO YOU LIKE DOLLS.

OKAY, WELL, THAT'S NOT SO BAD.

YOU ALREADY HAVE IT.

WELL, OKAY.

LET'S GO RETURN IT

AND PICK OUT A NEW ONE.

[playful instrumental music]

♪ ♪

♪ ♪

♪ ♪

♪ ♪

- I WANT THIS ONE.

- OKAY.

GREAT.

YEAH.

LET'S... LET'S EXCHANGE IT.

UH, SO, LIKE, HOW IS SCHOOL

GOING?

HUH?

IT'S OKAY?

IT'S GOOD?

I MEAN, DO YOU HAVE, LIKE,

SOME GOOD FRIENDS?

- YES.

- DO YOU LIKE ANY... CLASS?

- NO.

- NEITHER DID I.

IT'S OKAY.

ALL RIGHT, SO WE GOT SOMETHING

IN COMMON HERE.

MY FAVORITE CLASS WAS LUNCH.

RIGHT?

LUNCH AND RECESS.

THAT WAS THE BEST.

WHAT ABOUT ICE CREAM?

DO YOU LIKE ICE CREAM?

WHAT ABOUT, LIKE, UM, PONIES?

LITTLE GIRLS LIKE PONIES, RIGHT?

NO, YOU DON'T LIKE PONIES.

I MEAN, WHAT AM I SUPPOSED...

LIKE...

TELL ME WHAT YOU LIKE.

WHAT'S WRONG?

- WHY DIDN'T YOU COME TO SEE ME

BEFORE?

- UH...

WELL, I WAS, UM...

TOURING A LOT.

UH, I WAS TRAVELING.

I MOVED.

I WAS IN L.A. FOR A BIT.

AND, UH, I WANTED TO COME SEE

YOU, BUT THINGS WEREN'T SO GOOD

BETWEEN YOUR MOM AND I,

AND WE THOUGHT IT WAS THE BEST

FOR ALL OF US.

YOU SEE, I'M IN THIS BAND,

AND WE HAD A DEAL

WITH THIS RECORD COMPANY,

AND I COULDN'T GIVE THAT UP.

YOU KNOW?

I JUST WAS YOUNG AND STUPID.

AND I WANTED TO MAKE IT SO BAD.

- HAVE YOU MADE IT?

- YEAH, I THINK I'M REAL CLOSE.

UH, YEAH, FOR SURE.

SO, LIKE, UH...

WHY DON'T YOU LIKE ICE CREAM?

- I JUST DON'T.

- WHAT DO YOU LIKE?

- CUPCAKES.

I SHOULD HAVE GOT YOU A CUPCAKE.

[water running]

[paper rustling]

[paper rips]

HEY, ELLEN?

ELLEN, YOU IN THERE?

[clears throat]

HELLO?

ELLEN?

YOU NEED HELP WITH THAT?

- YES.

- THERE'S GOT TO BE, LIKE,

A PARK OR SOMETHING.

UH...

WHAT ABOUT, LIKE, GAMES?

- YEAH.

- LIKE, WHERE COULD WE PLAY

GAMES?

- I DON'T KNOW.

- JUST...

IS THERE...

BOWLING?

IS THERE A BOWLING ALLEY?

- YEAH, IN TOWN.

- REALLY?

- YEAH.

- DO YOU BOWL?

- YEAH.

- REALLY?

- YEAH.

- LET'S GO FIND THE BOWLING

ALLEY.

IN BUSINESS, BABY.

[pins clattering]

- DID YOU WRITE "ZERO"?

- TOUGH BREAK.

TOUGH BREAK, KID.

WHOO!

ALL RIGHT.

THERE YOU GO.

MAKE IT A GOOD ONE.

WAIT... WATCH IT.

WATCH IT.

- OH, NO!

- OH, COME ON.

- ONE.

- ALL RIGHT.

MAKE IT COUNT.

OH!

YOU KICKED ME.

- [laughing]

- WHOA!

WATCH THE LEATHER JACKET, KID!

COME ON.

[phone ringing]

KEEP SWINGING.

HEY.

YEAH, WE'RE HERE AT...

AT SOME SWING SET.

WE'RE HAVING FUN.

NOW?

ALL RIGHT.

- GOT TO GO?

- HEY, SO WE GOT TO GO BACK.

- BOO!

- YOU GOT A PIANO LESSON,

I GUESS.

THAT WAS FUN.

[dog barking in distance]

- DID I JUST HEAR A DOG?

- YOU DID HEAR A DOG.

[barking]

- [laughs]

- [barking]

- WHOEVER'S THE LAST ONE UP

IS A ROTTEN EGG.

- WHOA.

- [laughs]

- YOU ALL RIGHT?

- YEAH.

- ALL RIGHT, HEY, WAIT, WAIT.

COME ON, ELLEN, BE CAREFUL.

THERE'S A STREET HERE.

[cell phone ringing]

[phone snaps shut]

- WHO WAS THAT?

- NOBODY.

[sighs]

WELL, HEY, THAT WAS...

HEY, HEY, HEY, HEY.

I HAD FUN WITH YOU TODAY.

- ME TOO.

- OKAY.

WELL, THANK YOU FOR GIVING ME

THE CHANCE.

- YOU'RE WELCOME.

- CAN I WALK YOU TO THE DOOR?

HERE.

ALL RIGHT.

BYE.

- BYE.

[door closes]

[engine revs]

[ominous music]

♪ ♪

[music fades]

[playing softly]

[taps on window]

- ELLEN, IT'S ME.

HEY.

DON'T BE SCARED.

IT'S JUST ME.

I NEED TO ASK YOU SOMETHING

REALLY IMPORTANT, OKAY?

CAN YOU PLEASE OPEN THE WINDOW?

ELLEN, PLEASE DON'T...

ELLEN!

PLEASE.

OH...

THANKS.

WHOO.

IT'S COLD OUT THERE.

OH.

HEY.

- HI.

WHAT DO YOU WANT?

- NOTHING.

YOU KNOW, I WAS DRIVING AROUND

OUT THERE, AND I COULDN'T THINK

OF ANYWHERE TO GO.

SO I CAME HERE.

HEY, WHAT ARE YOU PLAYIN'?

- FUR ELISE.

- BEETHOVEN?

- YEAH.

- WOW.

YOU MUST BE PRETTY GOOD.

- NO.

- WELL, YOU KNOW, UH,

I PLAY PIANO TOO,

AND, UH, THAT PIECE WAS

REALLY HARD FOR ME TO LEARN.

- YEAH.

- WHAT IS IT?

- HEY...

SO I WANTED TO ASK YOU

HOW YOU FELT ABOUT ME.

I MEAN, WE DIDN'T REALLY GET

TO TALK ABOUT US,

OUR RELATIONSHIP OR ANYTHING.

- WELL...

I CAN'T CALL YOU "DAD."

- NO.

THAT'S NOT WHAT I MEAN.

UH...

I JUST WANT TO KNOW

HOW YOU FEEL ABOUT ME.

- YOU SEEM LIKE A NICE PERSON.

- YEAH?

- YEAH.

- WELL...

YOU KNOW...

I MEAN, WE COULD, LIKE...

UH, I MEAN, I DON'T KNOW

IF YOU WOULD LIKE IT

IF I WAS, UH, AROUND MORE,

AND WE WERE LIKE, UM...

WE WERE LIKE A FAMILY.

I MEAN, SHOULD I...

BE HERE?

- I DON'T KNOW.

MOM'S GETTING MARRIED.

SHE WANTS ME TO CALL HIM "DAD."

- HMM.

DON'T FEEL BAD FOR SAYING THAT.

THAT'S OKAY.

UH, I MEAN, I THINK IT'S GOOD

FOR...

I MEAN, HE'S COOL TO YOU

AND EVERYTHING, RIGHT?

- HE'S NICE.

- OKAY.

WELL...

LISTEN...

I WANT WHAT'S BEST FOR YOU.

DO YOU UNDERSTAND THAT?

- [softly] YEAH.

- THANK YOU.

- [whispering] YOU'RE WELCOME.

YOU'RE MAKING ME FEEL SAD.

- NO.

HEY, UH...

CAN YOU PLAY FOR ME BEFORE I GO?

- SURE.

[playing slowly]

♪ ♪

[stops]

- I'M READY TO GO.

LET'S SIGN.

- OH, OKAY.

LET'S GET YOU A PEN.

OKAY, THERE YOU GO.

HEY, I THINK IT ALL WORKED OUT

GREAT.

- JOBY!

[thud]

- OH, JESUS.

FU...

- [laughing] WHAT THE FUCK?

YOU'RE JUST, LIKE,

DRIVING ALONG.

WHAT THE FUCK?

BABY.

SURPRISE.

[door opens]

HI.

OW.

OH, MY GOD.

[giggles]

HOW ARE YOU?

- HEY.

HEY.

- [laughs]

SURPRISE.

ARE YOU OKAY?

- YEAH.

HOW'D YOU GET HERE?

- I TOOK A BUS.

I DON'T KNOW.

I MEAN, I COULDN'T GET AHOLD

OF YOU.

I WAS, LIKE... I WAS GONNA

SURPRISE YOU, AND I WAS LIKE,

"OH, MAYBE I SHOULD CALL HIM

IN CASE IT'S, LIKE, WEIRD,"

AND THEN... I DON'T KNOW.

WHAT'S WRONG?

- YEAH.

NO, I JUST, UH...

I JUST COULD HAVE BEEN GONE

OR...

YOU KNOW.

- I KNOW.

I WAS WORRIED.

I WAS, LIKE, ON THE BUS,

AND I COULDN'T GET AHOLD OF YOU,

AND I WAS, LIKE, KIND OF

FREAKING OUT.

- UH, YOU KNOW I TOLD YOU

NOT TO COME.

- I'M SORRY.

ARE YOU OKAY?

YOU SEEM, LIKE, NOT OKAY.

- YEAH.

NO, I'M FINE.

I'M FINE.

JUST TIRED.

LET'S GO IN.

- I THOUGHT WE COULD DRIVE BACK

TOGETHER.

- OKAY.

- IS YOUR PHONE EVEN ON?

YOU SHOULD CHECK IT.

YOUR VOICE MAIL IS ACTUALLY

FULL, 'CAUSE I LEFT YOU, LIKE,

80 MESSAGES.

- OKAY.

LET'S GO INSIDE.

- IT'S FINE.

DON'T FORGET THE LIGHTS.

YOU KNOW, I THOUGHT, YOU JUST,

LIKE, DISAPPEARED.

DON'T EVEN KNOW WHY YOU HAVE

THE PHONE.

JUST...

SO WHAT'S GOING ON NOW?

WHERE IS EVERYTHING AT?

- UH...

I JUST SIGNED.

SO THAT'S OVER.

- THAT'S GREAT.

WOW.

BABY.

I'M REALLY PROUD OF YOU.

I KNOW IT'S BEEN REALLY HARD.

I MEAN, I DON'T KNOW, BUT...

I CAN TELL.

- YEAH, WELL, I'M FINE.

I MEAN, I TOLD YOU YOU DIDN'T

HAVE TO COME.

- I KNOW, AND I WANTED

TO SURPRISE YOU.

THAT'S THE WHOLE POINT.

RIGHT?

I'M PROUD OF YOU, BABY.

JUST THINK ABOUT ALL THE THINGS

YOU CAN DO NOW.

[wind blowing]

- HEY, BABY.

BABY.

- [moans]

- I'M GOING OUT FOR

SOME SMOKES.

DO YOU NEED ANYTHING?

- HMM...

NO.

[lighter clicking]

[traffic rumbling in distance]

[truck engine rumbling]

HEY! HEY!

[door shuts]

[brooding rock music]

♪ ♪

- ♪ SORROW FOUND ME ♪

♪ WHEN I WAS YOUNG ♪

♪ SORROW WAITED, SORROW WON ♪

♪ SORROW ♪

♪ THEY PUT ME ON THE PILL ♪

♪ IT'S IN MY HONEY ♪

♪ IT'S IN MY MILK ♪

♪ DON'T LEAVE MY HYPER HEART ♪

♪ ALONE ♪

♪ ON THE WATER ♪

♪ COVER ME IN RAG AND BONE ♪

♪ SYMPATHY ♪

♪ 'CAUSE I DON'T WANNA ♪

♪ GET OVER YOU ♪

♪ I DON'T WANNA GET OVER YOU ♪

♪ ♪

♪ SORROW'S MY BODY ♪

♪ ON THE WAVES ♪

♪ SORROW'S A GIRL ♪

♪ INSIDE MY CAKE ♪

♪ I LIVE IN A CITY ♪

♪ SORROW BUILT ♪

♪ IT'S IN MY HONEY ♪

♪ IT'S IN MY MILK ♪

♪ DON'T LEAVE MY HYPER HEART ♪

♪ ALONE ♪

♪ ON THE WATER ♪

♪ COVER ME IN RAG AND BONE ♪

♪ SYMPATHY ♪

♪ 'CAUSE I DON'T WANNA ♪

♪ GET OVER YOU ♪

♪ I DON'T WANNA GET OVER YOU ♪

♪ ♪

- ♪ OOH ♪

♪ OOH ♪

- ♪ DON'T LEAVE ♪

♪ MY HYPER HEART ALONE ♪

♪ ON THE WATER ♪

♪ COVER ME IN RAG AND BONE ♪

♪ SYMPATHY ♪

♪ 'CAUSE I DON'T WANNA ♪

♪ GET OVER YOU ♪

- ♪ OOH ♪