All language subtitles for The Bold Type s03e08_English

- Previously,
on "The Bold Type."

- You worked for Pamela Dolan
as her assistant.

- Half my job was
carrying camera equipment.

The other half
was handing out NDAs.

- Would there be any chance
that you remember the models?

- It's my book tour itinerary.

Twenty-three cities
in eight weeks.

- That's a lot of cities.

- Hi, this is Sutton.

That was Julian Grant.

He just called to personally
welcome me into the seminar.

- To Sutton.
- Maybe I was feeling stuck.

- Because of me?
- Maybe.

- It is really hard to hear

that you're, like, the opposite
of a muse for someone.

This is the real me:
Heartbroken.

So now what?
- Now I kiss you.

[upbeat music]

[phone vibrates]

- [exhales]

[gentle music]

- What?
- I don't know.

I hope I don't
have a problem now.

- Huh?

- Well, we have an election
coming up, and I...

just can't get out of bed.

- Yeah, I get it.
But, you know, I am paying you.

So...
- Really?

I'm totally vulnerable
right now,

and that's what you say?
- Yeah.

As my campaign manager.
- Oh, as your campaign manager.

- Did I not mention that?
- No, you did leave that out.

- Oh.
- But you're right,

you're right.
- Hey.

♪

- Election's around the corner.
We got babies to kiss,

hands to shake,
un-woke to wake.

- Yeah.

- ♪ Don't say nothing,
nothing, nothing ♪

- Oh.

- ♪ Nothing at all

- So this is the first text
from Adena in how long?

- Five or six weeks?
Okay, yes.

After I sent Adena's
stuff back,

we were texting
a little bit.

You know, nothing major.
Just "Hi, how are you?"

- You were "tingering."
- What?

- Huh?
- Lingering in a relationship

via text.
I made it up.

Sorry, continue.
- Her text said

"Would really love
to see you."

What does that even mean?
- I don't know.

Maybe it could mean
she'd really love to see you.

- Naked.
- You know what's crazy is

I used to fantasize
about the moment

that I would finally
see Adena again.

You know, like, what she'd say,
and then what I'd say.

- How you would have
Michelle Obama arms

when you ran into her?
- Whatever, I just--

I fell so hard so fast.

Adena opened my eyes.

She taught me things
about myself,

and she was...

is incredible.

- She is.
- We know.

- Yeah.
- Which is why

you have to text her back
and say yes,

you'll meet her tonight.

- Actually, that's why
I just said that I can't.

- Really?
- Really.

I need to move on, and I just
can't with this right now.

- What did you say?
Let me see.

[groovy music]

"Work is so crazy, I can't.

"I'll text when
I come up for air.

Plain smiley face."
Great work.

- Thank you.
- I just have one addition.

- Yeah, if you could
just make one--

- You know what?
- I was gonna say you should--

- Don't, you're actually
touching it! Hey!

♪

- Go on the record
about Pamela Dolan?

What, just ignore
my nondisclosure?

That could cost me $40,000.
- We don't think it would.

People are starting to see
NDAs for what they really are.

- Evidence of abuse.

- And we have a little more.

♪

- I'm a model.
- A model who came out here

straight from Iowa
at 16 years old,

and was ordered by
the "Pamela Dolan"

to get into
freezing ocean waters.

You were in there so long
that you were hospitalized.

That's not normal.

- Pamela is so powerful.
Who's going to believe me?

- Well, what if it wasn't
just you?

What if we got other women
to break their NDAs with you?

- Like who?

- Well, I'd need to
get them to agree first

before I reveal
their names to you,

but I will call them,
and then I'll talk to you.

- Okay.

[groovy music]

♪

- So, some of you are taking
to design like a duck to water,

and some of you, well, not yet.

Look at it.
The stitching, it's impeccable,

thereby fulfilling
the theme of the piece.

Donnie, great job.

So you win this class's
Runway Prize.

Now, everyone else,
there's always next class.

[indistinct chatter]

- Hey, uh, Daphne, right?
- Yeah.

- I really liked your blouse.

Simple.
- Thanks.

Actually, I really
liked yours, too.

- Aw, thanks.
Julian Grant certainly didn't.

[both laugh]

- Yeah, well. that's because
he was blinded

by the $250-a-yard fabric

and the Gucci-grade sewing
machine that made it.

[groovy music]

♪

- The design class
is really great,

but I honestly get the vibe

that a lot of
these other students

don't even have day jobs.

- So they have plenty of time
for the assignments,

unlike the hardest-working
assistant in fashion.

- Yeah, and a lot of them

have professional quality
sewing machines, too.

It's fine, I enjoy being
the underfunded underdog.

That is why
I like the Phillies.

- Yeah, I've been meaning to
have a word

with you about that.

See, you live in Manhattan now,
and we're Yankees fans.

- You are, I'm not.

- [laughs]

Oh, I got it.
- It's okay.

I can get my salad,
and you can get your

carbonara-carpaccio.
- Sutton, you don't have to.

Let me get it.
- I'm Venmo-ing you right now.

[phone beeps]

Done.
Now you can get it.

- And all the air miles.

[upbeat music]

[computer beeps]

- Oh, Reynolds just
posted a video.

- Oh, has he got
his sleeves rolled up,

looking like he gives a shit?
- No.

Actually, it's an ad
about you.

- Kat Edison claims she's a
serious, legitimate candidate.

Well, this is
the real Kat Edison,

shown in all her unfiltered
social media posts.

Shot, selfies,
wild nights, tears.

- This is the real me.
Heartbroken.

- Take her word for it,
this is the real Kat Edison.

Paid for by the Committee
to Re-elect Lawrence Reynolds.

- Well, congratulations.
You're in politics now.

- Yeah.

[soft music]

- You okay?
- It's weird to--

- Yeah, because that's not
the real you.

That's a distorted version
of you

spliced together
for a hit piece.

Right?
- Right.

- Kat, seriously,
do not worry about it.

[soft music]

- Okay.
So what do we do?

- We hit back, but our way.

[groovy music]

♪

- So Jacqueline Carlyle
is coming here now?

You might want to
run a vacuum around.

- I did, twice.

Look, so, um,
we're chasing a big story--

- Say no more.
I will go out.

Maybe do a little bit
of light reading.

- Ryan's book?
- Yeah.

- So what do you think?

- It's great.
He's an evocative writer.

And, well, you know.

- What?
- Well, you read it, right?

- Of course I read it.
I got the first copy.

- I know it's fiction,
but the hook-ups,

the parties, the four-ways.
Whew.

[doorbell rings]

- That's my cue.
See you at work.

[groovy music]

- Hello?
- Hello, hi, is Jane here?

- She's coming.

♪

- If you all tell your stories
about Pamela together,

then the "she said/she said"

becomes
"she said/they all said."

- Yeah, and we all get sued
for breaking our NDA's.

- We don't think
that will happen.

If multiple voices
come forward,

then Pamela's going to be
ducking for cover,

trying to protecting her image.

- Speaking of image,
what about ours?

I mean,
won't we get smeared?

- Yeah, I can hear it now.
A bunch of whiny models.

- Not if we
break the story first,

get ahead of
the smear campaign.

- Jane will write the story,

and we will do
a top-shelf photo shoot.

- With what photographer?
- Yeah, good ones

might hesitate
to shoot something

that takes Pamela Dolan down.

- I promise...
We will take care of you.

- ♪ My ladies,
are you with me? ♪

- I'm in.
- Yeah, me too.

♪

- ♪ They say gotta give
and take but ♪

♪ This sound is my way,
and my way ♪

- Should we order dinner?

- [exhales]

Why don't you just say
what you really mean?

Do I want to work late?
- Oh, Red, you're working late.

- I know.
- I'm just curious

if you want to go hungry
while we do it.

- Oliver, can I see you
in my office for a minute?

- Sure.

Vegan tacos,
and no mystery queso.

- Copy that.

Hello, Jane.

- We're doing it.
- The Pamela Dolan story?

[gasps]

- We're going to blow
her abusive ass up

in the Fall issue.

The best part is
doing this piece

is going to put Jacqueline
back on top where she belongs.

- Jane, be careful.
- What?

- Your nipples are hard.

- You like it.

- [laughs]

- So a photographer
who can capture emotion,

but knows how to drink
a good cup of shut-up.

- We definitely
need discretion.

- That's going to be tough.
It's a small community.

They share lighting
and grips, and...

Okay, let's stop there.

- [laughs]

So we go outside
the community,

but it just has to
be someone that's good.

- Okay.

Well, here's one.
Adena El-Amin.

Um, her agent emailed me.
I think she lives in Paris,

but she's here
for a gallery opening.

That's Kat's ex, right?
- Yes.

- And as I recall,
Adena's very talented.

Gets political, and she shot

our body positivity
piece, right?

[groovy music]

- She did.
- Well.

Would she be good
for this?

Jane?

- Honestly...

♪

Yeah, yeah.
She would be perfect.

[phone clicking]

- And as soon
as Oliver said it,

I knew that Adena
kind of was perfect for it.

Are you okay?
- Yeah.

I mean, if Adena's perfect for
it, then you should use her.

And if I'm going move on,
I got to move on.

[phone buzzes]

I should go because
Tia's organized for a reporter

from "NY14" to do
a piece on me.

She said it was better to show
that I am

a female, kickass force
of nature than to, you know,

stoop to their level
and do a negative ad.

- Ah, I'm Sutton Brady,
and I approve this message.

- Great, see you guys later.
- Okay.

- And, hey, Jane.
It's really okay.

You should use Adena.
I'm fine.

♪

[both sigh]

- I know that we should leave,
but I just can't.

[phone buzzes]

Well, that dream died fast.

- Bye.

- Hey, you busy?
- I thought I was busy,

and then Oliver gave me
a shoot to style,

and I'm also working on
my design assignment for class,

so now, I'm really busy.

This is going to be
a jacket someday.

- Wow, so quick
fashion-related questions

since you are an expert.

There's this up and coming
young designer.

A real shooting star

who's in need of
a high-end sewing machine.

I'm just wondering,
will this model do the trick?

- Oh, my God, it's beautiful.
- Right?

- You want to buy this for me?
- For us.

- [gasps]

It's $2,500!
- It makes 27 different kinds

of buttonholes,
so that's a deal.

- You know, I actually
have a plan in place

to buy a new one.
- What?

- Yeah, I'm cutting
back on coffee

and also ride shares.

- Sutton, that could
take years.

Don't you need this
for your class now?

- Nah, I'm going to bring in
my old sewing machine

and use the simple stitch
as part of my signature design.

- I can't believe
you don't want this.

- Well, believe it, babe.

I have to get back to work.
- Oh.

[groovy music]

♪

- ♪ Woman, woman,
got a whole lot of nerve ♪

♪ She the flame in the fire

- Uh, Jane?

- Adena, hi.

- You look great.
- Thanks, you too.

Uh, do you want a coffee?
- No, no, no.

I'm good, thank you.
- So how long are you in town?

- Uh, three weeks.

I have a gallery opening
in Chelsea next week,

and then a few to scout.

Possible locations for
a new multimedia series.

- Wow, you're really busy.
- I am, yeah.

And this shoot
seems very important.

- The truth is, as soon as I
heard your name come up,

I knew you were perfect for it,

which was challenging for me,
because of...

- Kat.
- Yeah.

But I spoke with her about it,
and she's fine with it.

- How is Kat now?

- She's good,
she's really good.

- Okay.
I know she's been busy.

We haven't reconnected yet.

- Yeah, and "busy"
is an understatement.

I mean, she's killing it
at work.

She's running for city council.

She's kind of seeing someone.
- Oh.

Well, good.
I'm--I'm happy to hear that.

I want her to be happy, Jane.
- She is happy.

- So, um, we're shooting
these women at "Scarlet."

- Yes, I think
it's safer that way.

- Okay, I'd love to see
the backdrops, if possible.

[groovy music]

- Yeah, most of my job involves

interacting with
6 million people online.

- And that will help you
represent District One?

- Mm-hmm, yeah, I listen,
I hear the consensus,

and take appropriate action.

I think those will be
useful skills

when elected to City Council.

- I think we got it.
- Of course you got it.

She is it.
Thank you so much.

We should probably clear out.
It's still a place of business.

- All the best.
- Thank you.

Hey, this was a good idea.
- Yeah.

Not going negative in response?
- Yeah.

Showing me in the workplace,
letting people know

that I can handle
a leadership role.

- Yeah, it's very smart.

You have too much to offer
to go negative.

[elevator dings]

- Adena, hi.
- Kat, hi.

Your hair.
I love it.

- Oh, thanks.

This is Tia.
She's my campaign manager.

- Hi.
- Nice to meet you.

- This is Adena.
- Yeah, I've seen photos.

I'm going to catch up
with the guys,

and get in on the edit if
I can, so I'll see you later.

- Okay.

- So, I guess
you've been pretty busy.

- Yeah.
- You probably haven't

put down your phone in months.
- Nope.

- Well, running
for City Council.

It's--it's very impressive.
- Thanks.

Yeah, just "Vote for Kat."

That'll--that's got to
be better.

- You'll be great.
- Thank you.

Anyway--
- Yeah, we should--

- Yeah, it was good to see you.
- Yeah, you too.

- ♪ Oh, can you feel
the heat now ♪

- So you have a gallery show
coming up?

- Yeah, yeah, you should come.

If you can.
- Yeah, maybe.

- ♪ Can you feel
the heat now? ♪

- Bye.
- See you.

- [mouths]
I'm sorry.

- ♪ Can you feel
the heat now? ♪

♪

- Damn it.
- What happened?

- We ran into Adena.
Kat, I'm so sorry.

I thought that you were out
getting interviewed.

- Yeah, it's fine.
I just didn't expect, you know,

seeing her
to hurt this much, that's all.

- Why didn't you expect it?

- I just really thought
I was over her.

- Well, that was dumb.
- Kat, Adena's your first.

You'll get over her.
It'll just take time.

- Yeah, Jane's right.

Firsts are a totally
different thing.

I mean, the way you feel
about Adena,

I felt about Billy, who had an
"Ass, gas, or grass,

no one rides for free"
bumper sticker.

- [laughs]

He's the one that got away.
- Yeah.

What?

[somber music]

- I don't know, it's just--

I mean, you broke up
with Richard,

and then you went back, right?
- Yeah.

- So, yeah, I mean,
Adena is my first,

but what if she's my Richard?

♪

Maybe that's why seeing her
hurt so much.

Oh, my God.
This sucks.

See, this is why I didn't
do relationships for so long.

Screwing around
is so much easier.

- Yeah, it's a really,
really good option.

- [laughs]

- Hey, hang in there.
- You're going to be okay.

[soft music]

[all groan]

♪

- Hey.
- Hi.

It's a sewing machine.
- It is.

And I know I should've
told you about it when

I showed you the picture, but
you were just so against it.

- I still am.
- Which is why

I drew up a P&L document

detailing our liabilities
and assets.

I included everything from rent

to the fact that you drink
most of the orange juice.

That's 23.75 in your column.

But you did start to make
the coffee in the morning,

so that saves me $43 in lattes.

And everything
pretty much evens out

except for the 100 grand
you saved me in legal fees,

because I would have
married Jessica

and then gotten a divorce
if you hadn't come along.

So, you know, just trying
to keep everything fair.

- That is really something.

But I still can't accept it.

- [scoffs]

Sutton, I don't know
what to say.

- Don't say anything.
Just hug me,

and tell me that you get
how hard this is.

- But that's just it.
I don't get it.

Why won't you let me do this?
- Why are you so desperate

to buy me
a $2,500 sewing machine?

- I'm not desperate.
I'm just trying to help.

- I don't want help.
- And I don't know why.

I get that you don't want my
housekeeper to do your laundry,

but splitting
every single dinner check,

and making sure that you
pay your part of the groceries,

and not letting me
buy you a gift?

It doesn't feel like
you're just doing your part.

It feels like you're
keeping me at bay.

[tense music]

♪

- The timing wasn't great.
- Yeah.

That was some really bad
elevator luck, huh?

[groovy music]

Oh, you mean--
- Yeah.

Well, you know, what happened
between us was big for me.

- Yeah, me, too.

♪

But, you know, woman plans
and God laughs, right?

- Yeah, but why didn't you just
tell me Adena was back in town?

- Because things are great.
We're great, right?

- Yeah.
- I just didn't want it

to be a thing.
- So then was it a thing?

- ♪ And as you whisper
my name ♪

- I've never had an ex before,

so I'm kind of
still figuring it out,

and I assume that it's supposed
to feel weird and awkward

running into someone
in your work place

with your new boo.

- Who is your campaign manager.
- Yeah.

But the most important thing
is that

Adena and I didn't work.
We're done.

- Okay, well, then, uh...

I just have one question.

Is Adena a voter
in our district?

- No.
- Then I don't want to

talk about her anymore.

Cool?
- Okay.

[groovy music]

- "We're beasts.
Procreation machines

"put on the planet
to make more beasts,

"and we try to tie that
to emotion and love,

"because we're optimists,
but it's horseshit.

And ultimately,
it's doomed to fail."

Romantic.
- Okay, it's also fiction,

and if I could
get a hold of Ryan,

I would have him
explain that to you.

- Mm.

[knocking]

If I have to leave again,

we're going to
have to discuss my rent.

- Hello.
- Hi.

- I'm here to stitch and bitch.

And I think I should
still have a key.

- What are you doing here?
- Whatever I want.

- Wow.
- You know, and Richard,

he just wants to pay for rent,
and pay for dinner,

and pay for a sewing machine.
- What an asshole.

- I want to pay
for my own stuff.

- And where were you two
when I was broke

buying sushi on first dates?
- Buying our own sushi.

- Ah, boom!
- Touché.

But, Sutton, you and Richard
live together.

Can't he share
with the person he loves?

I mean, what's wrong with that?

- It just makes me feel
bought and paid for.

- Are you?

[groovy music]

- No.
- So if it's just

how you're feeling,
isn't that on you?

♪

- You know what, also,
I tried your fancy coffee.

It's...

it's not that good.
It's not that great.

It's pretty bad.
- Look, I get it.

I am simultaneously

Jeff the molester
and Ask Alex.

- Well, let me ask you
a question, "Jeff-lex."

- Ooh, whoa, too soon.

- If you were dating a woman
who was rich...

- Mm-hmm.

- Would you let her
pay for everything?

- Whoo, I mean,
that would be hard for me.

And it would hurt my ego
a little.

But yeah, if it made her happy.
Um, but this isn't about me.

The question is what works best
for you and Richard?

[groovy music]

♪

- Uh, no scrims, please.

It should feel like
sunlight exposing truth.

Just raw and revealing.
- Okay.

- I think we have the right
photographer in Adena.

- Anything else?
- No, we're good.

And there's still
a lot to do upstairs.

Thanks, Sutton.
- Yes, thank you.

So, I think if we just
move that--

Jane, is everything okay?
- No.

Ingrid just got a phone call.

Pamela Dolan's lawyers
are threatening to sue.

- Oh, the hack.

They got a hold of that email
with the recording you sent me.

[tense music]

- I think they're
going to back out.

[soft music]

- Ladies, I can empathize.

I was also the victim of abuse.

The circumstances
were different,

but like all of you,
I lived with my secret.

I thought by keeping it,
I was in control.

But then, I realized that
what I was actually doing

was surrendering my power.
My power to help other women.

You ladies are all so much
more powerful than you realize.

♪

Don't let Pamela Dolan
or anyone take that from you.

- That was amazing.
- Yeah.

- I could've used
a Jacqueline in my life.

Just having someone
like her to talk to.

I probably could have avoided
some pretty big mistakes.

- Are you talking about--
- We should get to it

before we miss the moment.

[dance music]

- ♪ I learned many things that
I could change so slightly ♪

♪ But why would I succumb
to something so unlike me? ♪

♪ I was always taught
to just be myself ♪

♪ Don't change for anyone

♪ I wanna love,
I don't wanna cry ♪

♪ Don't want these tears
inside my eyes, yeah ♪

♪ I just wanna
feel beautiful ♪

[vocalizing]

♪ I just wanna
feel beautiful ♪

♪

- Hey.

Um, I just
want to say thank you.

- Thank you
for hiring me, Jane.

It's stories like this that
change the world,

make it a better place
for the women after us.

- Before, when you were
talking about big mistakes,

what were you talking about?

- Well, I was talking about
a lot of things.

- Was one of them Kat?

- Yes.

- Why did you leave her
in Paris?

[soft music]

- [scoffs]

♪

That's a-a good question.

I was hoping I could
discuss it with her.

- She was really hurt
and confused.

She felt like
she was stifling you.

Like she wasn't inspiring.
- I know.

But that's not the truth.

You know, I was confused, too.

I was living in her house.
I couldn't travel anywhere.

I wasn't making any money
of my own for the first time.

That was really hard for me.

And I blamed her.

I made a mistake.

But it doesn't matter now.
She's happy.

And, um, she's seeing someone.

You know, thank you
for the opportunity, Jane.

I really hope the photos
do these women

and, of course,
your story justice.

I have to finish up.
- Yeah.

[somber music]

♪

- [exhales]

Yes, go!
Come on, you little bitch!

- How's it going?
- It's going.

- Cool, I just had
a conversation with Adena,

and I need to talk to somebody,

because I don't know
what to do.

- Yeah, don't tell me.
I don't have time.

I don't want to know.
- Adena just told me that

what happened
in Paris was a mistake.

[machine stops]

- What?
- I don't think

she's over Kat.
- Oh, my God.

What do we do?
Do we tell her?

- I don't know.
- You saw Kat.

She's not over Adena.
- I know.

But, I mean, I don't want
to blow things up

with her and Tia.
They seem so great.

- But what if Adena
is Kat's Richard?

I know he and I are in a bumpy
spot right now, but still,

I would want to know.
Wouldn't you?

Yeah.
- Ladies.

Come see what we have wrought.

- I'll deal with you later.

[upbeat music]

- These are powerful.

- You really captured
their spirit, Adena.

- Thank you.
It was a real honor.

- And we can worship beauty,
even money,

but no one should ever
have to suffer abuse.

- [clears throat]

- Oh, please, Red.
I treat you like a Fabergé egg.

- [laughs]

- Um, Jane, can I talk to you
for a second?

- Mm-hmm.

- You need to finish up
their written profiles quickly,

because now that Pamela Dolan
is on the trail,

we need to move up
our timeline,

get our ducks in a row,
because we are going to

bring Pamela in here,
we're going to

confront her with this,
and get a statement.

- Wow, um, okay.

Here we go.
- Yes, here we go.

All right.

- Is everything okay?
- Yeah, yeah, no.

It's just--it's a big day.
- Yeah.

Do we tell her?

[soft music]

♪

- Look at them.
I think we have to.

- Hey, what's up?
Was the shoot okay?

- Uh, yeah.
Adena was amazing.

- Okay.
I mean, I'm not surprised,

so what's up?

- Well, Adena talked to Jane
about you

and what happened in Paris.

- Oh.
What did she say?

- She said what happened
in Paris was a mistake.

I'm not even sure
she understands it,

but I don't think
she's over you, Kat.

- Uh...

[soft music]

Okay.
- I'm sorry, it's just, like,

with everything
you were saying--

- Yeah, we just--I mean,

we thought
that you should know,

even if all you get
out of it is closure.

♪

- Oh, this asymmetrical one
showed some imagination.

And the sleeve cuts
are innovative.

- Uh, I ran out of fabric.

- Necessity,
the mother of invention.

Ah, which brings us

to the primitive stitching
on this women's tuxedo jacket.

Look at that.
Ironic and witty.

So tonight's Runway Prize
goes to Sutton.

- Thank you.
- Mm-hmm.

Keep working hard.
Here's why.

As some of you may
already know,

I'm rolling out
my spring line soon,

and as part
of that fashion show,

this class is going to do
a little pre-show.

You'll show three
to four looks each.

Buyers will be there.

So if you want to jumpstart
your career,

that's where you could do it.
So that's it for tonight.

- [laughs]

- Look at you,
and I knew you when--

- Oh, please.

[phone rings]

- Oh, uh, sorry.
Hey, babe, just one sec.

Um, it's my boyfriend.

He's just going to want to know
what Julian said.

He was up all night
with me helping me.

- Oh, he helped you sew?
- Um, no.

more like helped with
the baby, fed me-type things.

Oh, sorry.

Hey, you will never guess
what he said.

He called it innovative.

[laughs]
Yeah.

No, babe, I couldn't
have done it without you.

What, no, don't do that.
Just wait for me.

Okay, well, I'm going
to be home soon.

Bye.

[groovy music]

- ♪ Give me a reason
and I'll fall in like ♪

♪ I'll fall all over
myself trying ♪

[phone beeps]

♪ I try until I build it up

♪ I pretend till
it's real enough ♪

♪ 'cause I was made
to act it out ♪

♪ I was made to
twist and shout, oh ♪

♪ I was made to be the one

♪ You thought you remembered
from the song ♪

- You okay?

- Yeah.

- [exhales]

Gustave Flaubert.
- What?

- Gustave Flaubert.
He wrote "Madame Bovary."

I was an English major.

It's this brilliant dive
inside of the mind

of a young French
peasant woman

written by a rich city dude.

- I still have so much
to learn about you.

- The point is,
maybe being a good writer

is the ability
to step outside of yourself.

Write from a point of view
that's not yours at all,

which Ryan does well.
I think I was just jealous.

- Well, you shouldn't be.

You are also a great writer,
"Jeff-lex."

- Still too soon.

- [laughs]

Yeah, no, you're right.

It's just--
since Ryan's been gone,

it's been really hard
for us to connect.

- [clears throat]

Also, didn't Madame Bovary
have an affair?

I was also an English major.

[groovy music]

- That wasn't my point.

♪

But, yeah, she did.

- Yeah, so it's "Kat with a K
on Election Day."

Yeah, we think it's cute, too.
All right, thanks, bye.

Okay, you ready to record
some robo-calls?

- Robo-calls.
- Uh-huh.

- Yeah.
"Are you a voter?"

That was lame.
- We have time.

It'll get there.
- Yeah.

Oh, hey, I think I'm going to
have to go home tonight.

The next couple days
are going to be insane,

and if I don't
water my plants,

I will officially be
a plant murderer

and I cannot have another

Election Day massacre
on my hands.

I do this every year.
- Yeah, I get it.

- Cool, thanks.

- Hey, you know
what I adore about you?

It's the fact that you
make this and us--

it's just--it's easy.

It's great.
- Thanks, babe.

Where is this thing?
I did so many drafts

[soft music]

- I-I just--
- You okay?

♪

Getting antsy?

I get it, we've been
working really hard.

We're in the home stretch.

- Yeah, home stretch.

[groovy music]

♪

- I got the Runway Prize.
- Wow.

What is it?

- I get to say
I got the Runway Prize.

- And you proved that you
could do it all by yourself.

- Yeah, I did.

But now, I'm wondering
if there's a better way.

You know, maybe I don't always
have to do it by myself.

[soft music]

I want this to work
for both of us.

The thing is,
I don't really have

a great example
of how that goes.

See, my mom would go
to the mailbox once a month,

hoping that there would be
a check in there from my dad.

♪

And whenever there wasn't one,

the look of panic
on her face...

And allowing you
to pay for things,

allowing myself to depend
on you, is hard for me.

- I don't know if you've
noticed or not,

but I depend on you too.

- Are you going to get
the P&L sheet out again?

- Do I need to?
- I think I got it.

You owe me $1 million.

[both laugh]

So, um...

is the sewing machine
still here?

- I haven't had a chance
to return it yet.

- Don't.
I'll take it.

And thank you.

[romantic music]

♪

- Kat.
- Hi.

- Hi.

I'm glad you called.
- Yeah.

Adena, look, I just started
seeing someone.

- I know.
- And she's great.

She's really great.
I'm happy.

- Then I'm happy you're happy.

- But, I...
I just, uh...

never really understood
what happened to us.

I thought about it a lot,

and maybe it means
I'm insecure or whatever,

but it tortured me.

- No, I get it.

- ♪ I'm tired
of just hiding away ♪

♪

♪ Wrestling my instincts

- Do you want to walk?

- ♪ To keep them at bay

- Yeah, let's walk.

- ♪ How much longer
I can keep it inside ♪

♪

♪ Can we work it out?

♪

♪ Can we work it out?

♪ Won't you
just open your eyes? ♪