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(RUMBLING)
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00:00:43,759 --> 00:00:48,759
Subtitles by explosiveskull
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WOMAN ON WALKIE: Hello?
4
00:01:03,065 --> 00:01:03,798
Anybody?
5
00:01:08,636 --> 00:01:09,637
Please.
6
00:01:11,706 --> 00:01:12,705
SECOND WOMAN: Hey.
7
00:01:12,707 --> 00:01:14,040
WOMAN ON WALKIE: Please.
8
00:01:14,042 --> 00:01:16,642
SECOND WOMAN:
Did you hear that?
9
00:01:16,644 --> 00:01:17,745
What is that?
10
00:01:22,950 --> 00:01:25,153
MAN: Pass it over here.
11
00:01:30,491 --> 00:01:31,957
Hello?
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00:01:31,959 --> 00:01:33,592
WOMAN ON WALKIE: Oh my god.
13
00:01:33,594 --> 00:01:35,561
Oh my god, can you hear me?
14
00:01:35,563 --> 00:01:39,167
(UNSETTLING STRING MUSIC)
15
00:01:51,479 --> 00:01:55,681
PRIEST: But keep this
woman, oh King of kings,
16
00:01:55,683 --> 00:01:57,785
beneath thy almighty wings.
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00:01:59,019 --> 00:02:01,789
Oh God, the spirit
of all our joys,
18
00:02:03,991 --> 00:02:08,861
the cause of our delights, the
glory of our darkest nights,
19
00:02:08,863 --> 00:02:11,832
and the comfort of
times like these.
20
00:02:21,509 --> 00:02:24,378
(SOFT PIANO MUSIC)
21
00:03:12,893 --> 00:03:14,695
Strange, isn't it?
22
00:03:17,698 --> 00:03:19,667
Everybody's always smiling.
23
00:03:22,368 --> 00:03:24,736
I keep just waiting
for her to walk in
24
00:03:24,738 --> 00:03:27,041
and stop all this nonsense.
25
00:03:29,677 --> 00:03:30,709
(COUGHING)
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00:03:30,711 --> 00:03:32,913
(HEAVING)
27
00:03:57,738 --> 00:03:59,740
It's Aubrey, isn't it?
28
00:04:01,609 --> 00:04:03,075
Aubrey Parker, right?
29
00:04:03,077 --> 00:04:04,475
From Spirit 105 AM.
30
00:04:04,477 --> 00:04:05,811
- I remember you.
- I remember you.
31
00:04:05,813 --> 00:04:08,381
I didn't know you knew Grace.
32
00:04:21,729 --> 00:04:22,930
WOMAN: Hey.
33
00:04:24,098 --> 00:04:24,899
Hey.
34
00:04:28,102 --> 00:04:30,969
I don't know how he does it.
35
00:04:30,971 --> 00:04:32,072
Mark, I mean.
36
00:04:33,606 --> 00:04:35,908
I don't know how he puts
up with all the consoling.
37
00:04:35,910 --> 00:04:37,811
I couldn't handle it.
38
00:04:38,812 --> 00:04:41,079
I didn't know
what to say to him.
39
00:04:41,081 --> 00:04:42,082
I just left.
40
00:04:44,651 --> 00:04:46,452
He looked right at me.
41
00:04:48,956 --> 00:04:53,526
I'm Alice, once of Grace's
English cousins, obviously.
42
00:04:54,627 --> 00:04:56,429
AUBREY: I'm Aubrey.
43
00:04:57,764 --> 00:04:58,966
You're Aubrey?
44
00:05:01,302 --> 00:05:05,670
God, I don't think I ever
had a conversation with Grace
45
00:05:05,672 --> 00:05:07,840
where you weren't mentioned.
46
00:05:11,811 --> 00:05:12,947
You escaping?
47
00:05:15,815 --> 00:05:16,681
Yeah.
48
00:05:16,683 --> 00:05:18,150
Yeah.
49
00:05:18,152 --> 00:05:22,356
I have a flight in the
morning that I gotta catch.
50
00:05:23,556 --> 00:05:26,891
Your speech was
really beautiful.
51
00:05:26,893 --> 00:05:29,997
I love hearing about
grown ups as kids.
52
00:05:30,965 --> 00:05:33,298
(CAR BEEPING)
53
00:05:33,300 --> 00:05:35,069
Well, you should go.
54
00:05:38,838 --> 00:05:39,872
Yeah.
55
00:05:43,643 --> 00:05:47,745
I'm sorry to ask,
did you get her letter?
56
00:05:47,747 --> 00:05:50,082
She was obsessed with this song.
57
00:05:50,084 --> 00:05:52,917
She kept playing it
over and over again.
58
00:05:52,919 --> 00:05:55,519
It seemed to be
something that helped.
59
00:05:55,521 --> 00:05:57,322
She'd take her
walks, and the music,
60
00:05:57,324 --> 00:06:01,393
she kept saying, "Aubrey
would understand.
61
00:06:01,395 --> 00:06:02,994
"Aubrey would get it."
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00:06:02,996 --> 00:06:06,367
(INTRIGUING STRING MUSIC)
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00:06:56,049 --> 00:06:58,318
(JINGLING)
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00:09:04,510 --> 00:09:07,413
(SOFT PIANO MUSIC)
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00:09:48,221 --> 00:09:52,124
I still don't know
how you drank this shit.
66
00:09:56,062 --> 00:09:59,665
(MYSTERIOUS STRING MUSIC)
67
00:10:10,076 --> 00:10:11,110
Oh, fuck.
68
00:11:04,896 --> 00:11:05,665
Hungry?
69
00:11:59,217 --> 00:12:00,251
Hey, Bellini.
70
00:12:01,721 --> 00:12:03,388
No bitey bitey, okay?
71
00:13:06,117 --> 00:13:06,852
Perv.
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00:14:09,214 --> 00:14:12,317
(QUIRKY INDIE MUSIC)
73
00:14:18,156 --> 00:14:20,356
♪ At your house
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00:14:20,358 --> 00:14:25,363
♪ The smell of our still living
human bodies and oven gas ♪
75
00:14:26,498 --> 00:14:29,064
♪ You pray to nothing out loud
76
00:14:29,066 --> 00:14:32,268
♪ Two first names
and an ampersand ♪
77
00:14:32,270 --> 00:14:36,037
♪ Embroidered proudly
on a kitchen towel ♪
78
00:14:36,039 --> 00:14:39,876
♪ You're a beautiful
and violent word ♪
79
00:14:39,878 --> 00:14:43,379
♪ With the skinny neck
of a Chinese bird ♪
80
00:14:43,381 --> 00:14:47,183
♪ In a fading ancient painting
81
00:14:47,185 --> 00:14:50,051
♪ And if you're in
heaven waiting ♪
82
00:14:50,053 --> 00:14:52,020
♪ You made it there fighting
83
00:14:52,022 --> 00:14:53,623
♪ The tightest kite string
84
00:14:53,625 --> 00:14:57,793
♪ In a bad storm
with lightning ♪
85
00:14:57,795 --> 00:15:02,298
♪ And now these few presidents
86
00:15:02,300 --> 00:15:06,034
♪ Frowning in my pocket
87
00:15:06,036 --> 00:15:09,372
♪ Can persuade no god
88
00:15:09,374 --> 00:15:13,809
♪ To let me let you off
89
00:15:13,811 --> 00:15:16,946
♪ Even though I haven't
seen you in years ♪
90
00:15:16,948 --> 00:15:21,886
♪ Yours is a funeral I'd
fly to from anywhere ♪
91
00:15:24,656 --> 00:15:28,558
♪ My crooked Chinese
fingers groped ♪
92
00:15:28,560 --> 00:15:32,430
♪ The machinery of your throat
93
00:15:46,511 --> 00:15:49,313
(STATIC CLICKING)
94
00:16:15,172 --> 00:16:15,974
Hello?
95
00:16:23,547 --> 00:16:24,616
Hello?
96
00:16:26,851 --> 00:16:28,987
My name is Aubrey Parker.
97
00:16:31,188 --> 00:16:34,792
And I broke into my
dead friend's apartment.
98
00:16:36,060 --> 00:16:37,729
Who the fuck are you?
99
00:16:48,472 --> 00:16:50,340
Who are you talking to?
100
00:17:08,492 --> 00:17:11,261
(SWITCH CLICKING)
101
00:17:23,707 --> 00:17:26,410
(RADIO STATIC)
102
00:17:31,381 --> 00:17:34,284
(SOFT PIANO MUSIC)
103
00:18:18,062 --> 00:18:20,230
(PANTING)
104
00:18:32,909 --> 00:18:36,313
(BUILDING STRING MUSIC)
105
00:18:56,967 --> 00:18:59,469
(LOUD CRASH)
106
00:19:35,806 --> 00:19:38,375
(PHONE DIALING)
107
00:19:49,753 --> 00:19:51,052
Hey, mom.
108
00:19:51,054 --> 00:19:53,755
MOM: Aubrey, I didn't
recognize the number.
109
00:19:53,757 --> 00:19:54,856
AUBREY: Yeah.
110
00:19:54,858 --> 00:19:56,057
MOM: Honey.
111
00:19:56,059 --> 00:19:57,859
AUBREY: How's your night?
112
00:19:57,861 --> 00:19:58,760
MOM: Are you okay?
113
00:19:58,762 --> 00:19:59,729
How did it go?
114
00:20:01,231 --> 00:20:02,697
AUBREY: It went.
115
00:20:02,699 --> 00:20:04,032
MOM: Was Edward there?
116
00:20:04,034 --> 00:20:06,366
Did you get to speak with him?
117
00:20:06,368 --> 00:20:07,268
AUBREY: No.
118
00:20:07,270 --> 00:20:09,403
MOM: Oh, honey, I'm sorry.
119
00:20:09,405 --> 00:20:10,738
Look, I think...
120
00:20:10,740 --> 00:20:11,539
Do you remember...
121
00:20:11,541 --> 00:20:12,339
We're the ones...
122
00:20:12,341 --> 00:20:13,107
are going to...
123
00:20:13,109 --> 00:20:13,908
Okay?
124
00:20:13,910 --> 00:20:15,375
(GARBLED SPEECH)
125
00:20:15,377 --> 00:20:17,045
AUBREY: I think
you're cracking up, mom.
126
00:20:17,047 --> 00:20:18,746
MOM: Honey.
127
00:20:18,748 --> 00:20:20,380
Baby, I wish you were here.
128
00:20:20,382 --> 00:20:22,283
I wish you could just fly...
129
00:20:22,285 --> 00:20:23,084
For the holidays...
130
00:20:23,086 --> 00:20:23,885
It's so...
131
00:20:23,887 --> 00:20:24,686
AUBREY: Yeah.
132
00:20:24,688 --> 00:20:26,688
MOM: Time zone.
133
00:20:26,690 --> 00:20:28,056
Sweetie?
134
00:20:28,058 --> 00:20:28,790
AUBREY: Well, I just
wanted to hear your voice.
135
00:20:28,792 --> 00:20:29,858
MOM: Wait a minute.
136
00:20:29,860 --> 00:20:30,758
I'm...
137
00:20:30,760 --> 00:20:31,793
Honey, I can't hear you...
138
00:20:31,795 --> 00:20:34,295
(GARBLED SPEECH)
139
00:20:34,297 --> 00:20:36,430
AUBREY: Mom,
I can't hear you.
140
00:20:36,432 --> 00:20:38,233
MOM: Listen,
make sure you get...
141
00:20:38,235 --> 00:20:39,566
Okay?
142
00:20:39,568 --> 00:20:40,367
Happy New...
143
00:20:40,369 --> 00:20:41,137
Baby.
144
00:20:42,873 --> 00:20:44,808
AUBREY: Happy New Year.
145
00:20:48,645 --> 00:20:51,114
(RADIO TUNING)
146
00:20:54,217 --> 00:20:55,917
(CASUAL OLDIES MUSIC)
147
00:20:55,919 --> 00:20:57,752
RADIO DJ: Now, let's take
a little trip back in time,
148
00:20:57,754 --> 00:21:00,587
just you and me, Nate Fowles,
149
00:21:00,589 --> 00:21:02,957
on this beautiful
crispy New Year's Eve
150
00:21:02,959 --> 00:21:06,460
right here in the
mountains on Sparrow 103.
151
00:21:06,462 --> 00:21:07,996
(WAVES CRASHING)
152
00:21:07,998 --> 00:21:10,999
♪ Do everything I do
153
00:21:11,001 --> 00:21:15,972
♪ That's how much I love you
154
00:21:16,907 --> 00:21:19,941
♪ I want you to be with me
155
00:21:19,943 --> 00:21:22,609
♪ Baby while we're young
156
00:21:22,611 --> 00:21:25,847
♪ Till our final
fling is flung ♪
157
00:21:25,849 --> 00:21:29,585
♪ That's how much I love you
158
00:21:34,657 --> 00:21:36,925
(RADIO TUNING)
159
00:21:36,927 --> 00:21:39,863
(RELAXED INDIE MUSIC)
160
00:21:54,010 --> 00:21:59,015
♪ Can you feel the wind?
161
00:22:02,785 --> 00:22:07,991
♪ Of Venus on your skin?
162
00:22:12,628 --> 00:22:17,566
♪ Can you taste the crush?
163
00:22:21,004 --> 00:22:24,840
♪ From sunsets dying blush?
164
00:22:26,009 --> 00:22:28,677
(WAVES CRASHING)
165
00:22:29,678 --> 00:22:32,382
(EERIE CHIRRING)
166
00:22:37,486 --> 00:22:39,855
(SOFT CRYING)
167
00:22:45,561 --> 00:22:46,893
Edward.
168
00:22:46,895 --> 00:22:49,865
(UNEASY STRING MUSIC)
169
00:23:09,952 --> 00:23:10,917
What the...
170
00:23:10,919 --> 00:23:13,589
(DOOR CLOSING)
171
00:23:34,043 --> 00:23:36,379
(SLAMMING)
172
00:24:38,941 --> 00:24:41,977
(CURIOUS STRING MUSIC)
173
00:25:15,177 --> 00:25:17,379
(POURING)
174
00:25:29,057 --> 00:25:32,027
(MOTOR RATTLING)
175
00:25:39,001 --> 00:25:41,870
(TIRES SCREECHING)
176
00:25:58,520 --> 00:25:59,521
Hello?
177
00:26:01,023 --> 00:26:02,057
Hello?
178
00:26:09,398 --> 00:26:11,699
(POUNDING)
179
00:26:12,700 --> 00:26:13,701
Hey!
180
00:26:15,237 --> 00:26:18,307
(FRENETIC STRING MUSIC)
181
00:27:32,281 --> 00:27:34,549
(GROWLING)
182
00:27:43,224 --> 00:27:45,991
(UNSETTLING STRING MUSIC)
183
00:27:45,993 --> 00:27:50,465
(POUNDING)
(GROWLING)
184
00:28:02,243 --> 00:28:05,212
(GLASS CRACKING)
185
00:28:13,321 --> 00:28:15,323
MAN ON WALKIE: Aubrey.
186
00:28:16,357 --> 00:28:18,157
Aubrey.
(POUNDING)
187
00:28:18,159 --> 00:28:21,994
Aubrey, can you hear me?
(GLASS CRACKING)
188
00:28:21,996 --> 00:28:23,929
Can you hear me, Aubrey?
189
00:28:23,931 --> 00:28:24,733
Aubrey?
190
00:28:25,667 --> 00:28:27,068
Can you hear me?
191
00:28:28,369 --> 00:28:29,268
Yes.
192
00:28:29,270 --> 00:28:30,770
Yes, yes, I can hear you.
193
00:28:30,772 --> 00:28:32,004
MAN ON WALKIE:
Listen to me carefully
194
00:28:32,006 --> 00:28:33,272
and do exactly as I say.
195
00:28:33,274 --> 00:28:35,240
I don't know what
the fuck is going on.
196
00:28:35,242 --> 00:28:36,576
MAN ON WALKIE:
Close your eyes.
197
00:28:36,578 --> 00:28:39,679
Take the walkie and
face it toward the door.
198
00:28:39,681 --> 00:28:40,946
What?
199
00:28:40,948 --> 00:28:43,849
MAN ON WALKIE: Face
it toward the door.
200
00:28:43,851 --> 00:28:45,184
Okay.
201
00:28:45,186 --> 00:28:46,187
Fuck.
202
00:28:49,857 --> 00:28:51,090
MAN ON WALKIE: Stand up.
203
00:28:51,092 --> 00:28:52,625
(POUNDING)
204
00:28:52,627 --> 00:28:53,628
Stand up.
205
00:28:56,931 --> 00:28:58,765
(POUNDING)
206
00:28:58,767 --> 00:29:00,099
Walk toward the door.
207
00:29:00,101 --> 00:29:02,470
Aubrey, keep your eyes closed.
208
00:29:03,739 --> 00:29:06,205
(POUNDING)
209
00:29:06,207 --> 00:29:07,875
Walk toward the door.
210
00:29:10,044 --> 00:29:12,044
(POUNDING)
211
00:29:12,046 --> 00:29:14,315
(GROWLING)
212
00:29:20,321 --> 00:29:22,990
(GLASS CRACKING)
213
00:29:27,128 --> 00:29:31,599
(POUNDING)
(GROWLING)
214
00:29:32,566 --> 00:29:34,299
(GLASS SHATTERING)
215
00:29:34,301 --> 00:29:37,004
(EERIE CHIRRING)
216
00:30:02,463 --> 00:30:04,532
Well, that's encouraging.
217
00:30:05,867 --> 00:30:06,868
What is?
218
00:30:07,935 --> 00:30:09,268
MAN ON WALKIE:
You want to live.
219
00:30:09,270 --> 00:30:11,472
(PANTING)
220
00:30:17,378 --> 00:30:18,446
What?
221
00:30:19,880 --> 00:30:22,881
What the fuck is going on?
222
00:30:22,883 --> 00:30:24,216
MAN ON WALKIE: You're
going to want to go
223
00:30:24,218 --> 00:30:26,787
back upstairs now,
and lock the door.
224
00:30:39,667 --> 00:30:42,303
It's going to be okay, Aubrey.
225
00:30:43,504 --> 00:30:45,571
How do you know my name?
226
00:30:45,573 --> 00:30:48,140
MAN ON WALKIE: I knew Grace.
227
00:30:48,142 --> 00:30:50,409
Now, I need you not
to be scared, Aubrey.
228
00:30:50,411 --> 00:30:52,411
I need you not to panic.
229
00:30:52,413 --> 00:30:53,846
I know exactly
how you're feeling
230
00:30:53,848 --> 00:30:57,216
but we can help each
other, I promise you.
231
00:30:57,218 --> 00:30:58,484
I think there's a way
out of this, Aubrey.
232
00:30:58,486 --> 00:31:00,488
Hey, stop saying my name.
233
00:31:04,057 --> 00:31:05,357
How did you do that?
234
00:31:05,359 --> 00:31:06,158
MAN ON WALKIE: Do what?
235
00:31:06,160 --> 00:31:07,392
Before, in the diner.
236
00:31:07,394 --> 00:31:08,727
It was like a
signal or something.
237
00:31:08,729 --> 00:31:11,830
You did some kind of signal
and you made it leave.
238
00:31:11,832 --> 00:31:13,665
MAN ON WALKIE:
It was the signal.
239
00:31:13,667 --> 00:31:15,334
It caused all of this.
240
00:31:15,336 --> 00:31:16,935
Would you just tell me
what the fuck is going on?
241
00:31:16,937 --> 00:31:17,736
MAN ON WALKIE: Do
you have to understand
242
00:31:17,738 --> 00:31:19,103
everything to accept it?
243
00:31:19,105 --> 00:31:20,839
You're not
answering my question!
244
00:31:20,841 --> 00:31:22,441
MAN ON WALKIE: That's because
you're not listening yet.
245
00:31:22,443 --> 00:31:23,542
Okay, well, what did you mean
246
00:31:23,544 --> 00:31:26,712
when you said that we
could help each other?
247
00:31:26,714 --> 00:31:27,746
MAN ON WALKIE: The
final part of the signal
248
00:31:27,748 --> 00:31:29,915
was transmitted last night.
249
00:31:29,917 --> 00:31:34,386
It caused all of this,
the snow, the monoliths.
250
00:31:34,388 --> 00:31:36,557
Look, Grace found something.
251
00:31:38,392 --> 00:31:40,759
It's in the apartment with you.
252
00:31:40,761 --> 00:31:42,463
What do you mean?
253
00:31:44,431 --> 00:31:46,398
What did she find?
254
00:31:46,400 --> 00:31:51,405
MAN ON WALKIE: She left
it for you, the first part.
255
00:31:52,473 --> 00:31:53,472
Hey, there are people out there,
256
00:31:53,474 --> 00:31:54,773
and I think that
they need our help.
257
00:31:54,775 --> 00:31:56,240
MAN ON WALKIE: You
can't help them, Aubrey.
258
00:31:56,242 --> 00:31:59,545
- But they need our help!
- Stop, Aubrey.
259
00:31:59,547 --> 00:32:02,383
(DISTANT GUNSHOTS)
260
00:32:04,919 --> 00:32:06,718
What the fuck is happening?
261
00:32:06,720 --> 00:32:09,220
What the fuck is happening?!
262
00:32:09,222 --> 00:32:11,790
MAN ON WALKIE: I need to go.
263
00:32:11,792 --> 00:32:13,492
Please don't go.
264
00:32:13,494 --> 00:32:17,462
Please don't go, please
don't go, please don't go.
265
00:32:17,464 --> 00:32:18,499
Please don't go.
266
00:32:31,612 --> 00:32:32,646
Maybe I'm dead.
267
00:33:02,943 --> 00:33:06,546
(MYSTERIOUS STRING MUSIC)
268
00:33:55,662 --> 00:33:57,762
GRACE: This makes me
cringe talking into this,
269
00:33:57,764 --> 00:34:00,564
listening to my stupid voice.
270
00:34:00,566 --> 00:34:02,934
You were always so much
better at this than me.
271
00:34:02,936 --> 00:34:05,937
Anyways, I'm not sure when
I'm sending this to you,
272
00:34:05,939 --> 00:34:08,572
if I send this to you.
273
00:34:08,574 --> 00:34:11,709
But, I figure you'll
be the only one
274
00:34:11,711 --> 00:34:14,880
to take this remotely seriously.
275
00:34:14,882 --> 00:34:19,719
I trust you to help me, or to
tell me I'm being an idiot.
276
00:34:22,422 --> 00:34:25,425
Someone found
something, this group.
277
00:34:26,526 --> 00:34:29,527
They uncovered some signal.
278
00:34:29,529 --> 00:34:31,896
It was buried in a
radio transmission
279
00:34:31,898 --> 00:34:34,933
and there have been
others, I mean before.
280
00:34:34,935 --> 00:34:38,769
We started to find them in
all sorts of transmissions.
281
00:34:38,771 --> 00:34:40,304
It's what I've been working on.
282
00:34:40,306 --> 00:34:41,739
I'm trying to help them.
283
00:34:41,741 --> 00:34:46,746
It started as just fun,
conspiracy bullshit, you know.
284
00:34:47,880 --> 00:34:49,749
Oh, Aubrey, there's
a correlation
285
00:34:51,417 --> 00:34:55,720
between events, disasters,
natural disasters.
286
00:34:55,722 --> 00:34:57,655
The patterns repeat.
287
00:34:57,657 --> 00:35:00,991
They seem to form a chain of
signals that link together
288
00:35:00,993 --> 00:35:04,430
in a loop, but we're
missing one: seven.
289
00:35:06,133 --> 00:35:09,635
We have the rest, or
I have the rest and ..
290
00:35:11,171 --> 00:35:14,805
I mean, we think the signal
is only dangerous fragmented,
291
00:35:14,807 --> 00:35:18,176
like computer code,
in pieces it corrupts,
292
00:35:18,178 --> 00:35:20,480
but put it all together...
293
00:35:21,581 --> 00:35:23,080
There are people after it.
294
00:35:23,082 --> 00:35:24,749
It's all fucked up, Aubrey,
295
00:35:24,751 --> 00:35:27,019
and I'm a little scared...
296
00:35:28,087 --> 00:35:29,088
and excited.
297
00:35:31,290 --> 00:35:34,091
I'm hiding the rest
of the tapes, okay?
298
00:35:34,093 --> 00:35:36,260
Where we used to go.
299
00:35:36,262 --> 00:35:38,629
You'll figure it out.
300
00:35:38,631 --> 00:35:39,632
I hope.
301
00:35:41,300 --> 00:35:43,601
I buried each signal in songs.
302
00:35:43,603 --> 00:35:45,336
It seemed apt.
303
00:35:45,338 --> 00:35:47,972
I hope you enjoy them at least.
304
00:35:47,974 --> 00:35:50,040
It's been a while since we made
305
00:35:50,042 --> 00:35:52,645
each other mix tapes, hasn't it?
306
00:35:53,980 --> 00:35:54,981
I miss it.
307
00:35:56,015 --> 00:36:00,050
If nothing else, it'll
make a great mix tape
308
00:36:00,052 --> 00:36:02,887
for the next road trip we take.
309
00:36:02,889 --> 00:36:05,656
I feel stupid talking to
you like this right now.
310
00:36:05,658 --> 00:36:06,626
Where are you?
311
00:36:08,528 --> 00:36:11,731
You should ring me
more often, stupid.
312
00:36:13,666 --> 00:36:14,865
I have to go back
to the hospital
313
00:36:14,867 --> 00:36:16,667
tomorrow for some more tests.
314
00:36:16,669 --> 00:36:19,572
(SOFT STRING MUSIC)
315
00:36:20,540 --> 00:36:22,675
It's the strangest thing,
316
00:36:23,643 --> 00:36:26,712
not being able to
trust your own body.
317
00:36:29,248 --> 00:36:30,650
I need to get out.
318
00:36:35,555 --> 00:36:37,723
But it feels good, you know?
319
00:36:39,058 --> 00:36:40,560
To have a secret.
320
00:36:50,870 --> 00:36:53,773
(SOFT PIANO MUSIC)
321
00:37:12,925 --> 00:37:16,093
♪ I'm with the racehorse
322
00:37:16,095 --> 00:37:21,033
♪ And I don't know what to do
323
00:37:22,802 --> 00:37:26,303
♪ It keeps breaking fences
324
00:37:26,305 --> 00:37:31,310
♪ With its teeth
325
00:37:33,246 --> 00:37:36,780
♪ I can feel their eyes
326
00:37:36,782 --> 00:37:40,617
♪ They burn my neck
327
00:37:40,619 --> 00:37:43,289
(EERIE CHIRRING)
328
00:38:17,789 --> 00:38:21,093
(UNSETTLING STRING MUSIC)
329
00:38:50,990 --> 00:38:53,558
(CURIOUS MUSIC)
330
00:40:15,374 --> 00:40:18,143
MAN ON WALKIE:
Aubrey, pick up.
331
00:40:20,145 --> 00:40:21,811
You left me.
332
00:40:21,813 --> 00:40:23,579
MAN ON WALKIE: I had to.
333
00:40:23,581 --> 00:40:25,715
You had to see for yourself.
334
00:40:25,717 --> 00:40:27,451
You played the signal, right?
335
00:40:27,453 --> 00:40:29,752
You have to be careful.
336
00:40:29,754 --> 00:40:31,422
The signal is very powerful.
337
00:40:31,424 --> 00:40:33,058
It opens doorways.
338
00:40:34,059 --> 00:40:36,493
I think the creatures...
339
00:40:36,495 --> 00:40:38,261
I think they came through
one of these doorways,
340
00:40:38,263 --> 00:40:40,263
but they also seem scared of it.
341
00:40:40,265 --> 00:40:42,433
Is everyone gone?
342
00:40:42,435 --> 00:40:43,467
MAN ON WALKIE: Or hiding.
343
00:40:43,469 --> 00:40:44,569
I don't know.
344
00:40:46,104 --> 00:40:47,105
My mom?
345
00:40:51,776 --> 00:40:52,577
My dad?
346
00:40:58,283 --> 00:41:00,183
How come you're alive?
347
00:41:00,185 --> 00:41:01,284
MAN ON WALKIE: I told you.
348
00:41:01,286 --> 00:41:02,585
I knew Grace.
349
00:41:02,587 --> 00:41:04,954
We were helping each other.
350
00:41:04,956 --> 00:41:07,759
But she's dead now, isn't she?
351
00:41:09,861 --> 00:41:11,961
Tell me what you think it is.
352
00:41:11,963 --> 00:41:15,498
MAN ON WALKIE: I don't know
exactly, but we have ideas.
353
00:41:15,500 --> 00:41:16,999
The signal might be
a natural pattern,
354
00:41:17,001 --> 00:41:21,104
something older than us,
something necessary, repeating.
355
00:41:21,106 --> 00:41:24,440
It could be manmade,
a new kind of warfare,
356
00:41:24,442 --> 00:41:26,042
something we don't
know about yet.
357
00:41:26,044 --> 00:41:27,345
It could be...
358
00:41:28,546 --> 00:41:30,046
just coincidental, a pattern
359
00:41:30,048 --> 00:41:33,118
simply because we
want to see one.
360
00:41:35,854 --> 00:41:38,688
Tell me what you
really think it is.
361
00:41:38,690 --> 00:41:41,624
MAN ON WALKIE: What if
it isn't random, the signal?
362
00:41:41,626 --> 00:41:44,026
Transmitting for decades
buried in our transmissions,
363
00:41:44,028 --> 00:41:47,866
repeating, looping,
echoing the same pieces,
364
00:41:50,068 --> 00:41:52,668
waiting to transmit
in the right order
365
00:41:52,670 --> 00:41:54,671
to make a chain of code.
366
00:41:56,207 --> 00:41:57,240
Maybe all science doesn't need
367
00:41:57,242 --> 00:42:00,009
to be based on the same systems.
368
00:42:00,011 --> 00:42:01,544
Maybe there is something,
something out there,
369
00:42:01,546 --> 00:42:05,014
that uses sound waves as the
foundation of its science,
370
00:42:05,016 --> 00:42:07,750
sound waves used not
just for communication,
371
00:42:07,752 --> 00:42:11,053
but for interaction,
for warfare,
372
00:42:11,055 --> 00:42:13,258
for exploration, for travel,
373
00:42:15,692 --> 00:42:17,362
for opening doorways.
374
00:42:18,396 --> 00:42:20,198
What if the signal...
375
00:42:24,002 --> 00:42:26,035
is them trying to
come across to us?
376
00:42:26,037 --> 00:42:28,540
(UNEASY MUSIC)
377
00:42:35,079 --> 00:42:37,413
When I first came
here I didn't know
378
00:42:37,415 --> 00:42:41,419
what I was looking for
or what I was hoping for,
379
00:42:45,190 --> 00:42:48,024
but you know what
used to be my dream?
380
00:42:48,026 --> 00:42:50,861
My absolute favorite fantasy...
381
00:42:52,030 --> 00:42:55,531
was for everyone
to just disappear,
382
00:42:55,533 --> 00:42:59,404
for the world to just be
devoid of distraction,
383
00:43:01,206 --> 00:43:03,474
empty shells of empty lives,
384
00:43:04,708 --> 00:43:05,776
empty cities,
385
00:43:07,478 --> 00:43:08,646
empty streets,
386
00:43:11,216 --> 00:43:12,116
just trees...
387
00:43:14,118 --> 00:43:15,119
and brick.
388
00:43:17,788 --> 00:43:22,093
Grace said that she trusted
me to decide what to do.
389
00:43:23,228 --> 00:43:25,161
MAN ON WALKIE: Aubrey.
390
00:43:25,163 --> 00:43:26,231
Aubrey?
391
00:43:27,165 --> 00:43:29,131
Aubrey, you have to help.
392
00:43:29,133 --> 00:43:31,234
We have to stop it.
393
00:43:31,236 --> 00:43:32,270
Aubrey!
394
00:43:33,137 --> 00:43:35,072
Aubrey, listen to me!
395
00:43:36,241 --> 00:43:37,242
Aubrey!
396
00:43:39,444 --> 00:43:41,945
(CLATTERING)
397
00:43:50,154 --> 00:43:52,622
You might think that being in
this forced close proximity
398
00:43:52,624 --> 00:43:55,090
means that we're going
to become great friends.
399
00:43:55,092 --> 00:43:56,461
Don't count on it.
400
00:44:11,309 --> 00:44:16,314
The home for everyone is to
him his castle and fortress,
401
00:44:17,814 --> 00:44:20,652
as well for his defense
against injury and violence,
402
00:44:22,786 --> 00:44:24,154
as for his repose.
403
00:44:32,229 --> 00:44:37,234
I wonder if the world still
exists if I choose to ignore it.
404
00:45:48,472 --> 00:45:51,408
(SOFT PIANO MUSIC)
405
00:47:02,345 --> 00:47:06,448
Whenever I find myself
growing grim about the mouth;
406
00:47:06,450 --> 00:47:10,819
whenever it is a damp,
drizzly November in my soul;
407
00:47:10,821 --> 00:47:12,353
whenever I find
myself involuntarily
408
00:47:12,355 --> 00:47:15,023
pausing before
coffin warehouses,
409
00:47:15,025 --> 00:47:18,526
and bringing up the rear
of every funeral I meet;
410
00:47:18,528 --> 00:47:23,467
I account it is high time to
get to sea as soon as I can.
411
00:47:32,876 --> 00:47:35,545
(WAVES CRASHING)
412
00:48:12,516 --> 00:48:15,084
(JARRING BANG)
413
00:48:17,420 --> 00:48:20,089
(TAPE WARPING)
414
00:48:21,958 --> 00:48:24,193
(PANTING)
415
00:49:04,935 --> 00:49:06,734
It's official.
416
00:49:06,736 --> 00:49:08,337
We're out of food.
417
00:49:09,573 --> 00:49:11,508
We're almost out of water,
418
00:49:13,009 --> 00:49:17,246
and sooner or later we're
going to run out of batteries.
419
00:49:20,349 --> 00:49:22,519
I'm open to any suggestions.
420
00:49:27,456 --> 00:49:28,491
Yeah.
421
00:49:29,693 --> 00:49:31,493
Maybe I don't want to.
422
00:49:34,798 --> 00:49:35,964
Oh, fuck you.
423
00:49:35,966 --> 00:49:38,100
I'm allowed to be scared.
424
00:49:42,338 --> 00:49:43,138
Yeah.
425
00:49:46,710 --> 00:49:47,811
Yeah, I know.
426
00:49:52,448 --> 00:49:55,551
(SOFT PIANO MUSIC)
427
00:50:02,993 --> 00:50:04,859
GRACE: This makes me
cringe talking into this,
428
00:50:04,861 --> 00:50:07,862
listening to my stupid voice.
429
00:50:07,864 --> 00:50:10,163
You were always so much
better at this than me.
430
00:50:10,165 --> 00:50:13,233
Anyways, I'm not sure when
I'm sending this to you,
431
00:50:13,235 --> 00:50:15,569
if I send this to you.
432
00:50:15,571 --> 00:50:18,538
But I figure you'll
be the only one
433
00:50:18,540 --> 00:50:21,843
to take this remotely seriously.
434
00:50:21,845 --> 00:50:25,481
I trust... (TAPE WINDING)
435
00:50:31,420 --> 00:50:33,220
The patterns repeat.
436
00:50:33,222 --> 00:50:34,756
They seem to form
a chain of signals
437
00:50:34,758 --> 00:50:37,892
that link together in a loop,
438
00:50:37,894 --> 00:50:40,429
but we're missing one: seven.
439
00:50:41,697 --> 00:50:45,267
We have the rest, or I
have the rest and...
440
00:50:46,502 --> 00:50:48,669
I mean, we think the
signal is only dangerous...
441
00:50:48,671 --> 00:50:51,371
(TAPE WINDING)
442
00:50:51,373 --> 00:50:52,874
And excited.
443
00:50:52,876 --> 00:50:57,011
So, I'm hiding the rest
of the tapes, okay?
444
00:50:57,013 --> 00:50:59,080
Where we used to go.
445
00:50:59,082 --> 00:51:01,381
You'll figure it out.
446
00:51:01,383 --> 00:51:02,384
I hope.
447
00:51:04,186 --> 00:51:06,520
I've buried each
signal in songs.
448
00:51:06,522 --> 00:51:08,122
It seemed apt.
449
00:51:08,124 --> 00:51:11,591
I hope you enjoy them at least.
450
00:51:11,593 --> 00:51:15,029
She kept listening to
it over and over again.
451
00:51:15,031 --> 00:51:16,099
On her walks.
452
00:51:17,700 --> 00:51:18,600
Around town.
453
00:51:19,936 --> 00:51:22,369
You built something.
454
00:51:22,371 --> 00:51:23,637
You built something, didn't you?
455
00:51:23,639 --> 00:51:28,577
Something that could recognize
the signal, and it did,
456
00:51:29,411 --> 00:51:30,546
the night that I arrived.
457
00:51:32,648 --> 00:51:37,653
Seven tapes, one you gave me,
seven you hadn't finished yet.
458
00:51:38,787 --> 00:51:40,923
That was the final piece.
459
00:51:45,161 --> 00:51:48,164
(SOFT STRING MUSIC)
460
00:52:10,853 --> 00:52:11,820
Okay, Grace.
461
00:52:13,756 --> 00:52:15,158
You get one chance.
462
00:52:16,959 --> 00:52:17,958
Let's try it your way.
463
00:52:17,960 --> 00:52:21,330
(VIGOROUS STRING MUSIC)
464
00:52:29,805 --> 00:52:33,809
So we can protect ourselves,
only if we have to.
465
00:53:17,686 --> 00:53:21,256
(UPBEAT ELECTRONIC MUSIC)
466
00:53:25,027 --> 00:53:28,094
♪ The supervisor guy turns
off the factory lights ♪
467
00:53:28,096 --> 00:53:32,768
♪ So the robots have
to work in the dark ♪
468
00:53:39,440 --> 00:53:43,610
♪ And there's a car load of
kids with beer and cigarettes ♪
469
00:53:43,612 --> 00:53:48,617
♪ Burning out and doin'
lawn jobs in the park. ♪
470
00:53:54,022 --> 00:53:58,124
♪ And there's a shitty limousine
parked in front of the bar ♪
471
00:53:58,126 --> 00:54:03,131
♪ It never got to drive
any movie stars. ♪
472
00:54:04,633 --> 00:54:07,033
♪ But the guy in the
drivers seat don't care ♪
473
00:54:07,035 --> 00:54:12,040
♪ With his weird cologne
and his magic hair ♪
474
00:54:15,476 --> 00:54:17,646
(RUSTING)
475
00:54:42,637 --> 00:54:45,740
(ANXIOUS STRING MUSIC)
476
00:55:26,114 --> 00:55:28,951
(CURIOUS MUSIC)
477
00:55:48,569 --> 00:55:51,239
(FAINT GROWLING)
478
00:56:12,860 --> 00:56:15,930
(TENSE STRING MUSIC)
479
00:56:33,881 --> 00:56:36,218
(GROWLING)
480
00:56:49,364 --> 00:56:53,400
(POUNDING)
♪ There's a house on the lake
481
00:56:53,402 --> 00:56:56,035
(POUNDING)
♪ There's a house on the lake
482
00:56:56,037 --> 00:57:01,042
(POUNDING)
♪ Why don't you come down
483
00:57:02,209 --> 00:57:04,810
(POUNDING)
♪ There's a house on the lake
484
00:57:04,812 --> 00:57:06,145
(POUNDING)
♪ I hope you'll come down
485
00:57:06,147 --> 00:57:09,748
♪ There's a house on the lake
486
00:57:09,750 --> 00:57:12,084
♪ There's a house on the lake
487
00:57:12,086 --> 00:57:13,585
♪ I hope you come down
488
00:57:13,587 --> 00:57:16,489
♪ There's a house on the lake
489
00:57:16,491 --> 00:57:19,925
♪ There's a house on the lake
490
00:57:19,927 --> 00:57:23,062
♪ I could be the
last true survivor ♪
491
00:57:23,064 --> 00:57:26,098
♪ I'll drive you out of
town and I'll show ya ♪
492
00:57:26,100 --> 00:57:29,469
♪ We're both country bound
493
00:57:29,471 --> 00:57:33,105
♪ We're both country bound
494
00:57:33,107 --> 00:57:34,640
♪ Nothing's what it seems
495
00:57:34,642 --> 00:57:36,443
♪ We are confusion
496
00:57:36,445 --> 00:57:37,943
♪ Lost behind the scenes
497
00:57:37,945 --> 00:57:42,581
♪ As we hold on to
what we almost had ♪
498
00:57:42,583 --> 00:57:46,151
♪ I miss what we once had
499
00:57:46,153 --> 00:57:49,621
♪ There's a house on the lake
500
00:57:49,623 --> 00:57:51,623
♪ There's a house on the lake
501
00:57:51,625 --> 00:57:52,925
♪ I hope you come down
502
00:57:52,927 --> 00:57:56,128
♪ There's a house on the lake
503
00:57:56,130 --> 00:57:59,532
♪ There's a house on the lake
504
00:57:59,534 --> 00:58:02,768
♪ Take the corner slow
please be careful ♪
505
00:58:02,770 --> 00:58:05,637
♪ The conversation's
cold as we check to ♪
506
00:58:05,639 --> 00:58:10,644
♪ This hotel vacancy,
a hotel vacancy ♪
507
00:58:12,847 --> 00:58:14,012
♪ There's a house on the lake
508
00:58:14,014 --> 00:58:16,048
♪ Where life is simple
509
00:58:16,050 --> 00:58:17,816
♪ There's a house on the lake
510
00:58:17,818 --> 00:58:21,019
♪ Where we'll have
all the time ♪
511
00:58:21,021 --> 00:58:24,658
♪ We'll have so much time
512
00:58:25,493 --> 00:58:28,896
(ENERGETIC GUITAR SOLO)
513
00:59:09,170 --> 00:59:14,175
♪ We fall
514
00:59:15,910 --> 00:59:19,211
♪ We have time
515
00:59:19,213 --> 00:59:22,047
♪ So much time
516
00:59:22,049 --> 00:59:25,617
♪ As we lay broken down
517
00:59:25,619 --> 00:59:29,421
♪ I think of all the
things to tell you ♪
518
00:59:29,423 --> 00:59:33,025
♪ As we lay in frozen ground
519
00:59:33,027 --> 00:59:38,032
♪ A fallen chance for
us to pull through ♪
520
00:59:38,798 --> 00:59:42,100
♪ Let's go
521
00:59:42,102 --> 00:59:45,604
♪ Let's go
522
00:59:45,606 --> 00:59:49,274
♪ Let's go
523
00:59:49,276 --> 00:59:51,709
♪ Let's go home
524
00:59:51,711 --> 00:59:54,814
(INTENSE ROCK MUSIC)
525
01:00:07,094 --> 01:00:08,128
Wake up!
526
01:02:16,289 --> 01:02:19,258
(PROJECTOR WHIRRING)
527
01:03:03,403 --> 01:03:06,305
(SOFT PIANO MUSIC)
528
01:04:22,013 --> 01:04:24,684
(WAVES CRASHING)
529
01:04:26,252 --> 01:04:28,421
(LOUD BANG)
530
01:04:49,242 --> 01:04:51,744
(LOW GROWLING)
531
01:05:31,584 --> 01:05:36,554
Want to know the saddest thing
about everybody being gone?
532
01:05:36,556 --> 01:05:38,724
Everybody being dead I mean.
533
01:05:41,394 --> 01:05:43,094
All the lost stories.
534
01:05:43,930 --> 01:05:45,563
People are going to die anyways,
535
01:05:45,565 --> 01:05:48,133
but their stories don't have to.
536
01:05:50,436 --> 01:05:53,005
(DOLEFUL MUSIC)
537
01:06:28,206 --> 01:06:31,142
(GLASS SHATTERING)
538
01:07:07,345 --> 01:07:10,348
(BREATHING HEAVILY)
539
01:07:12,818 --> 01:07:14,018
(LOUD BANG)
540
01:07:14,020 --> 01:07:17,656
(UNSETTLING STRING MUSIC)
541
01:08:03,702 --> 01:08:07,572
(SERENE ELECTRIC GUITAR MUSIC)
542
01:09:19,677 --> 01:09:20,645
GRACE: Hey.
543
01:09:26,217 --> 01:09:27,218
Hey.
544
01:09:28,953 --> 01:09:31,356
GRACE: How have you been?
545
01:09:34,559 --> 01:09:36,461
I have these dreams...
546
01:09:37,962 --> 01:09:41,731
where you talk to me,
like you're still here.
547
01:09:41,733 --> 01:09:43,468
GRACE: I'm here.
548
01:09:44,636 --> 01:09:46,004
How have you been?
549
01:09:48,573 --> 01:09:51,576
I can't feel my
fingers sometimes.
550
01:09:52,811 --> 01:09:55,046
It's called disassociation.
551
01:09:56,214 --> 01:09:58,714
You're pulling away
from the world.
552
01:09:58,716 --> 01:09:59,751
Why?
553
01:10:02,487 --> 01:10:04,887
Because I can't
forgive myself.
554
01:10:04,889 --> 01:10:06,591
GRACE: What for?
555
01:10:08,425 --> 01:10:09,559
AUBREY: Is this real?
556
01:10:09,561 --> 01:10:11,663
GRACE: I'm dead, stupid.
557
01:10:13,231 --> 01:10:17,836
I mean all this, everything
that's happening, is it real?
558
01:10:19,504 --> 01:10:22,705
GRACE: Do you
want it to be real?
559
01:10:22,707 --> 01:10:24,907
I didn't want to
leave the apartment.
560
01:10:24,909 --> 01:10:25,910
Why?
561
01:10:27,879 --> 01:10:30,880
Because I didn't
want you to be gone.
562
01:10:30,882 --> 01:10:31,747
GRACE: But I am gone.
563
01:10:31,749 --> 01:10:33,117
I can't do that.
564
01:10:34,118 --> 01:10:37,220
I don't think I can do that.
565
01:10:37,222 --> 01:10:39,789
You have to do
what makes you happy.
566
01:10:39,791 --> 01:10:43,358
If you're not happy, you
can't make anybody else happy.
567
01:10:43,360 --> 01:10:44,727
- I told you that before.
- I don't believe that.
568
01:10:44,729 --> 01:10:45,962
I think that you're wrong.
569
01:10:45,964 --> 01:10:46,729
Well, you're
not dead, are you?
570
01:10:46,731 --> 01:10:48,465
So what do you know?
571
01:10:49,801 --> 01:10:54,404
What if making someone else
happy is what makes you happy?
572
01:10:57,709 --> 01:11:00,309
GRACE: Why haven't
you taken it off?
573
01:11:00,311 --> 01:11:01,744
AUBREY: I can't.
574
01:11:01,746 --> 01:11:02,714
Why?
575
01:11:04,749 --> 01:11:09,721
Because it's a reminder
of everything bad I've done,
576
01:11:10,955 --> 01:11:13,923
of how much that I
have to make up for.
577
01:11:13,925 --> 01:11:16,125
GRACE: But you can't
make up for it, can you?
578
01:11:16,127 --> 01:11:17,459
No.
579
01:11:17,461 --> 01:11:18,761
GRACE: So what
are you going to do?
580
01:11:18,763 --> 01:11:20,162
I don't know.
581
01:11:20,164 --> 01:11:21,764
Can you tell me?
582
01:11:21,766 --> 01:11:23,732
Can you please tell me?
583
01:11:23,734 --> 01:11:26,002
GRACE: Be happy.
584
01:11:26,004 --> 01:11:27,005
I can't.
585
01:11:28,006 --> 01:11:29,638
I'm suffocated.
586
01:11:29,640 --> 01:11:30,842
You cheated.
587
01:11:37,248 --> 01:11:38,580
I cheated.
588
01:11:38,582 --> 01:11:41,750
GRACE: You have
to live with that.
589
01:11:41,752 --> 01:11:43,754
You have to confront it.
590
01:11:47,859 --> 01:11:48,825
Stop...
591
01:11:49,760 --> 01:11:50,727
hiding.
592
01:11:53,764 --> 01:11:57,133
I can still remember
the sound of the waves
593
01:11:57,135 --> 01:11:59,137
and the sand on my palm.
594
01:12:00,537 --> 01:12:02,939
GRACE: We're just people,
595
01:12:02,941 --> 01:12:06,275
wandering around,
bumping into each other.
596
01:12:06,277 --> 01:12:07,245
No.
597
01:12:08,346 --> 01:12:09,513
No, we aren't.
598
01:12:11,448 --> 01:12:13,515
So what are you going to do?
599
01:12:13,517 --> 01:12:15,552
I'm going to stay here.
600
01:12:16,520 --> 01:12:19,155
And I'm going to never leave.
601
01:12:19,157 --> 01:12:20,857
Sounds like a plan.
602
01:12:29,200 --> 01:12:30,500
I'm so sorry.
603
01:12:31,568 --> 01:12:33,037
GRACE: For what?
604
01:12:35,239 --> 01:12:37,874
For not being there for you.
605
01:12:42,045 --> 01:12:43,878
When you...
606
01:12:43,880 --> 01:12:45,350
When you needed me.
607
01:12:46,650 --> 01:12:49,153
You were always there for me.
608
01:12:51,922 --> 01:12:54,923
I wasn't fucking
there for you,
609
01:12:54,925 --> 01:12:58,927
and I should have been
there for you and I wasn't.
610
01:12:58,929 --> 01:12:59,830
I'm so sorry.
611
01:13:01,765 --> 01:13:03,732
I didn't know.
612
01:13:03,734 --> 01:13:04,935
I didn't know.
613
01:13:05,869 --> 01:13:07,205
Yes, you did.
614
01:13:09,039 --> 01:13:10,574
Please forgive me.
615
01:13:16,046 --> 01:13:17,881
I just want to go home.
616
01:13:19,049 --> 01:13:20,951
I just want to go home.
617
01:14:07,831 --> 01:14:11,301
(RELAXED ELECTRONIC MUSIC)
618
01:14:21,178 --> 01:14:23,914
(RAIN FALLING)
619
01:14:27,784 --> 01:14:30,488
(EERIE CHIRRING)
620
01:14:47,938 --> 01:14:52,943
(ENERGETIC ROCK MUSIC)
(EERIE CHIRRING)
621
01:15:20,137 --> 01:15:22,973
(ENERGETIC DRUMMING)
622
01:16:01,178 --> 01:16:04,047
(FAINT CONVERSATION)
623
01:16:30,806 --> 01:16:33,709
(GROUP CONVERSING)
624
01:17:26,095 --> 01:17:29,666
(OVERLAPPING CONVERSATIONS)
625
01:17:34,271 --> 01:17:36,271
Yeah, no, that's
actually true though.
626
01:17:36,273 --> 01:17:38,171
Yeah, that's a very accurate
drawing right there.
627
01:17:38,173 --> 01:17:39,206
(LOUD SCRAPING)
628
01:17:39,208 --> 01:17:42,211
(BREATHING HEAVILY)
629
01:18:00,296 --> 01:18:03,299
(SOFT STRING MUSIC)
630
01:18:24,186 --> 01:18:27,089
(EERIE CHIRRING)
631
01:19:01,223 --> 01:19:04,226
(TENSE STING MUSIC)
632
01:19:22,878 --> 01:19:25,581
(GARBLED SPEECH)
633
01:19:45,267 --> 01:19:47,336
(CRYING)
634
01:19:51,407 --> 01:19:53,877
(WHIMPERING)
635
01:21:16,758 --> 01:21:20,061
(COUGHING AND SPITTING)
636
01:21:43,752 --> 01:21:45,919
(SOFT PIANO MUSIC)
637
01:21:45,921 --> 01:21:48,557
Let's go on a walk, Bellini.
638
01:22:19,655 --> 01:22:21,990
(GROWLING)
639
01:22:41,476 --> 01:22:43,779
(SNARLING)
640
01:24:17,571 --> 01:24:20,205
This is ridiculous,
that you're here.
641
01:24:20,207 --> 01:24:21,273
You know that right?
642
01:24:21,275 --> 01:24:22,710
It's ridiculous.
643
01:24:26,714 --> 01:24:28,884
Just ash, dirt, fucking ash.
644
01:24:38,526 --> 01:24:39,892
If you can hear me I'm
guessing that you already know
645
01:24:39,894 --> 01:24:44,532
everything that's happened,
so I'm not going to bore you.
646
01:24:53,774 --> 01:24:57,311
(EMOTIONAL STRING MUSIC)
647
01:26:05,646 --> 01:26:06,645
I got the message.
648
01:26:06,647 --> 01:26:07,648
Don't worry.
649
01:26:40,815 --> 01:26:41,782
Okay.
650
01:27:23,356 --> 01:27:27,391
RADIO DJ: Welcome back
to Sparrow 103, your local...
651
01:27:27,393 --> 01:27:28,361
Fuck.
652
01:27:29,562 --> 01:27:30,530
Oh, fuck.
653
01:27:49,415 --> 01:27:52,552
(MOVING PIANO MUSIC)
654
01:28:14,341 --> 01:28:18,176
♪ There's a house on the lake
655
01:28:18,178 --> 01:28:20,611
♪ There's a house on the lake
656
01:28:20,613 --> 01:28:23,416
♪ Why don't you...
657
01:28:26,753 --> 01:28:30,590
(OFF-BEAT ELECTRONIC MUSIC)
658
01:28:31,791 --> 01:28:34,458
(PEACEFUL GUITAR MUSIC)
659
01:28:34,460 --> 01:28:36,794
(QUIRKY INDIE MUSIC)
660
01:28:36,796 --> 01:28:41,801
(RELAXED GUITAR MUSIC)
(EERIE CHIRRING)
661
01:28:57,684 --> 01:29:00,387
(EERIE CHIRRING)
662
01:29:10,397 --> 01:29:11,365
Hello?
663
01:29:17,037 --> 01:29:18,004
Hello?
664
01:29:24,677 --> 01:29:26,746
My name is Aubrey Parker,
665
01:29:28,415 --> 01:29:29,383
and...
666
01:29:31,517 --> 01:29:34,921
I think I might be
the last person left.
667
01:29:36,656 --> 01:29:37,824
I don't know...
668
01:29:40,026 --> 01:29:42,827
I don't know if I
did anything to fix
669
01:29:42,829 --> 01:29:45,332
what's going to happen, but...
670
01:29:46,933 --> 01:29:49,068
I really hope that I did.
671
01:29:52,872 --> 01:29:53,840
So...
672
01:29:55,041 --> 01:29:57,844
If there's anybody
else out there,
673
01:30:01,114 --> 01:30:03,950
now's the time to say something.
674
01:30:08,021 --> 01:30:08,988
Hello?
675
01:30:10,923 --> 01:30:11,958
Anybody?
676
01:30:16,929 --> 01:30:17,930
Please.
677
01:30:21,067 --> 01:30:22,068
Please.
678
01:30:34,947 --> 01:30:37,882
(WALKIE CRACKLING)
679
01:30:37,884 --> 01:30:39,384
MAN ON WALKIE: Hello?
680
01:30:39,386 --> 01:30:41,085
Oh my god!
681
01:30:41,087 --> 01:30:43,087
Oh my god, can you hear me?
682
01:30:43,089 --> 01:30:43,988
MAN ON WALKIE: Yes.
683
01:30:43,990 --> 01:30:45,556
- We can hear you.
- Holy shit!
684
01:30:45,558 --> 01:30:47,091
MAN ON WALKIE: Are you okay?
685
01:30:47,093 --> 01:30:48,592
- Are you okay?
- Yeah, no, I'm safe.
686
01:30:48,594 --> 01:30:50,161
I'm safe, I'm at
the radio station.
687
01:30:50,163 --> 01:30:51,463
Did you say we?
688
01:30:51,465 --> 01:30:53,998
MAN ON WALKIE:
There's a few of us.
689
01:30:54,000 --> 01:30:57,301
Why would you think
you were alone?
690
01:30:57,303 --> 01:31:00,439
Well, I just, I
thought that I'd been
691
01:31:00,441 --> 01:31:01,906
alone this entire time.
692
01:31:01,908 --> 01:31:03,607
I didn't realize.
693
01:31:03,609 --> 01:31:04,909
MAN ON WALKIE: Why are
you at the radio station?
694
01:31:04,911 --> 01:31:06,243
Wait, how do I know
that you're real?
695
01:31:06,245 --> 01:31:08,112
MAN ON WALKIE: We're real.
696
01:31:08,114 --> 01:31:09,914
I figured it
out, I stopped it.
697
01:31:09,916 --> 01:31:11,115
MAN ON WALKIE:
Figured what out?
698
01:31:11,117 --> 01:31:12,349
The signal?
699
01:31:12,351 --> 01:31:14,652
You know about the signal?
700
01:31:14,654 --> 01:31:16,454
MAN ON WALKIE:
We know about it.
701
01:31:16,456 --> 01:31:17,788
Well, yeah.
702
01:31:17,790 --> 01:31:19,023
I found all the pieces
and I put them together.
703
01:31:19,025 --> 01:31:21,158
I sent the reply
so it's okay now.
704
01:31:21,160 --> 01:31:23,029
I closed all the doors.
705
01:31:27,800 --> 01:31:31,302
MAN ON WALKIE: So you
took the message they sent,
706
01:31:31,304 --> 01:31:34,140
the one that caused all of this,
707
01:31:35,108 --> 01:31:38,144
you put it back
together for them,
708
01:31:38,978 --> 01:31:40,980
not knowing what it was,
709
01:31:42,949 --> 01:31:43,950
what it did,
710
01:31:46,018 --> 01:31:46,953
and you...
711
01:31:48,321 --> 01:31:50,022
and you sent it back?
712
01:31:55,561 --> 01:31:58,131
You shouldn't have done that.
713
01:32:03,002 --> 01:32:05,037
You didn't close the doors.
714
01:32:08,841 --> 01:32:09,976
You opened them.
715
01:32:13,513 --> 01:32:14,514
Aubrey.
716
01:32:17,150 --> 01:32:18,151
Aubrey.
717
01:32:20,987 --> 01:32:21,988
Pick up!
718
01:32:23,089 --> 01:32:24,056
Aubrey!
719
01:32:25,525 --> 01:32:26,492
Aubrey!
720
01:32:28,427 --> 01:32:31,328
She's at the radio station!
721
01:32:31,330 --> 01:32:34,200
(SOFT VOCAL MUSIC)
722
01:35:14,926 --> 01:35:18,196
(EUPHORIC VOCAL MUSIC)
723
01:35:58,799 --> 01:36:03,799
Subtitles by explosiveskull
724
01:37:19,350 --> 01:37:22,454
(DYNAMIC GUITAR MUSIC)
725
01:37:31,796 --> 01:37:34,797
♪ Idiot job 203
726
01:37:34,799 --> 01:37:37,667
♪ Newspapers shoot
their letters at me ♪
727
01:37:37,669 --> 01:37:42,674
♪ I'm alone at last
with every other me ♪
728
01:37:44,542 --> 01:37:47,343
♪ Guardian help me angel shoot
729
01:37:47,345 --> 01:37:52,013
♪ All you ghosts stand by
and salute and explain ♪
730
01:37:52,015 --> 01:37:54,917
♪ Why is everything
so locked up ♪
731
01:37:54,919 --> 01:37:59,924
♪ Why is everything
so locked up ♪
732
01:38:03,895 --> 01:38:07,897
♪ Why is everything
so locked up ♪
733
01:38:07,899 --> 01:38:12,002
♪ Why is everything
so locked up ♪
734
01:38:23,381 --> 01:38:28,083
♪ I don't blame it
on the front row ♪
735
01:38:28,085 --> 01:38:31,521
♪ Don't blame it on
the ruling class ♪
736
01:38:31,523 --> 01:38:34,222
♪ 'Cause I know they stay
737
01:38:34,224 --> 01:38:37,593
♪ Like all the
cars in New York ♪
738
01:38:37,595 --> 01:38:40,897
♪ Like all the
lights on New Year ♪
739
01:38:40,899 --> 01:38:44,567
♪ Like all these
gloomy planets ♪
740
01:38:44,569 --> 01:38:46,802
♪ I know they stay
741
01:38:46,804 --> 01:38:50,373
♪ Don't blame it
on the signals ♪
742
01:38:50,375 --> 01:38:53,876
♪ Don't blame it one
the steering wheel ♪
743
01:38:53,878 --> 01:38:56,979
♪ Don't blame it
on the logbooks ♪
744
01:38:56,981 --> 01:38:59,582
♪ 'Cause I know they stray
745
01:38:59,584 --> 01:39:03,419
♪ Like all the
cars in New York ♪
746
01:39:03,421 --> 01:39:06,455
♪ Like all the
lights on New Year ♪
747
01:39:06,457 --> 01:39:10,091
♪ Like all these
gloomy planets ♪
748
01:39:10,093 --> 01:39:13,796
♪ I know they stay
749
01:39:13,798 --> 01:39:15,934
♪ Anyway
49848
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
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