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Good morning, ma'am.
Hi,
young man, young man,
I can't read the price here.
How much is it?
How much is it?
Please, I'm asking how much
it is,
ma'am. The price is this one up here?
This one isn't more expensive than this one.
This one is more expensive than this one. It's
more expensive. Ma'am, I'm just
an employee. I'm not the store owner.
No
employee to arrange the shelves and
serve the customers.
How much is this?
12.10
here.
12
here 10.
There you go.
Thank you, ma'am
quite a bit of shopping today, huh?
Yes my friend, she's my patient. She's coming
to have dinner with me.
That's nice. Look, it's falling here.
Here.
See you later, okay? See you later, Sue.
Ah.
Careful, aunt Nina.
What is it? Do you want to help me or put me
in a coffin?
Oh, what's that, aunt Nina? If I kill
you, I'll be in trouble.
Yesterday I already
Aunt Nina, my brothers and I have no
food at home.
Let me see here
a little sweet for him. Take this too.
Sweet of what?
Egg.
Thank you, aunt.
Look here.
This here.
Everything okay?
Hold this for me.
Just a moment.
Here it is
here
for your mom.
Okay
there.
Good afternoon.
Good afternoon.
Do you have any mail for me?
There's nothing, ma'am. Mrs. Mila,
thank you.
Nothing.
forward.
Water comes to embrace the aura of
attention in the
Oh.
Oh.
Ah.
Ah.
Well done.
Oh God, the oratory.
or
God made
we can reschedule our massage for
next week. I need to go to the
doctor tomorrow. I'm not feeling
well.
Complicated. You're complicated, woman.
Hi, dear. There's some trouble there at the
hospital, right? I just heard on the radio.
I'm sorry, but I won't be able to have dinner
at your house today. We'll arrange
another day, okay? A kiss.
It's going to end up causing problems.
You have problems.
You see? That's what you're hearing, people.
Wait, wait, wait.
The UN Population Fund criticized
today the lack of support from rich countries
in fighting world poverty. The report
on Brazil's social policy in the last
10 years, but criticized even the service
Hello.
Hello. Sorry. I'm late. Eh, I was used to
condominium meetings being at
night.
Ah, you're Mrs. Bibiana.
That's right, Mr. Osvaldo.
It's me, Osvaldo.
Nice to meet you.
Eh, Mrs. Bibiana, I just wanted to point out
that you miss
miss.
So, I wanted to point out that miss
is a tenant, so you won't have the right to
vote on certain items of our
meeting today. Okay?
Okay, Mr. Osvaldo. If things get
more intense, don't worry, I'll talk to
the owner and ask for a power of attorney
to be able to vote. So that's fine. The
first item today, ah yes, is about
the leak in the slab of apartment
100.
Ah, but we didn't sleep that
night, right? I didn't sleep with the shooting
here like this, bang bang, you know? I didn't sleep.
I had to hide under the
bed myself. I just arrived at the building.
The shooting only happened on the fifth floor. Was it
only on the fifth floor? Are you going to keep
that blank face?
I heard it too, Mrs. Bibiana. Everyone
heard it. Actually, it's impossible not to hear,
right?
I've been to the police station more than once.
My God, I've written letters to the
governor. I asked for compensation from the
state.
Nothing,
no help.
We have to join forces, you know?
Do you know how much your little
apartment is worth? But oh,
Mrs. Nina, are you proposing that
we who live facing the goal do
what? That we confront the drug dealers.
I want us to go to the authorities
and for the authorities to confront the criminals.
It happens, Mrs. Nina, that the authorities
don't live with a view of the favela, understand?
If we start making too much
noise, pretty soon those guys
will stop killing each other and start
targeting us. Mrs. Nina seems crazy, right? Who's
calling me crazy?
I'm crazy.
Wait, wait.
No, no, Mrs. Nina, please,
Leonardo, please. Oh Leonardo,
please, Mrs. Nina, look, let's stop
this discussion. Unfortunately this is
a problem we can't
solve. We can't, right? We can't. You know
why? Because
Leonardo is right. It's very
dangerous for us to mess with these
people.
It's obvious. Stay there, right? Your rear
sitting there glued to the chair, stay there.
A still target is easier to
hit.
Let's go
you rocked it in there.
I
rocked it, crushed it,
shut up those cowards.
I think it was the opposite.
Here, please.
Ciao. He.
I want to file a complaint.
Yes. Go ahead.
A complaint at the police station. Ma'am, here's
a card with phone number, address.
You go there and then if necessary
they'll forward it here.
I already called, went there, nothing. I'm here to
say the following, it's here, not there. This
type of thing is no longer there, it's here at the
battalion.
Uh-huh.
So please, for the love of God, go
there, you know? Sir, end this
thing that's increasing, please.
We work for this every day,
ma'am.
No, I don't see any of you there,
nobody. It's shooting everywhere,
you know? People getting hurt.
There are drugs here, drugs there, why
don't I see any of you. Nobody.
Who's the chief?
Commander, ma'am. It's Colonel
Contreiras, but he's on leave. Hm.
Well,
if the commander isn't commanding, who's
commanding in place of the
commander? My God, for the love of God.
It's Major Messias. Ma'am, can I
help you?
Major,
please. You see non-stop shooting?
You see non-stop drugs? It's
desperation. Nobody sleeps properly anymore
on our Misericórdia hill.
The law doesn't work just the way
we want it to. Ma'am, I can't go up
the hill and grab whoever's passing by
in front, put them in jail, because
you're bothered by neighborhood
noise.
Noise? Gunshots.
People often confuse
fireworks noise with gunshots, ma'am.
We need to have evident crime.
Evidence. We need to have evidence.
The evidence is there. There are gunshots. Parade of
weapons, you know? All kinds of rifles. It's
there.
What evidence do you want, sir?
Look, ma'am, if we mobilize
our people to chase after every
complaint we receive here, there's no
time left for anything else, understand?
Well, then you're not doing
your job.
We are doing our job,
ma'am.
Look, go take care of your life and we'll
take care of the crime in the neighborhood, agreed?
Each one in their own square, OK? You're
rude.
Excuse me,
sir
good morning, sir.
Okay,
no. Thank you.
You don't remember anything, right?
Strange.
Good afternoon.
Does all this film?
It films, yes it films. We have this
camera here, actually, look. It's
latest generation, right? It has several
speeds, including negative shutter
that increases light absorption.
It has timelapse with button touch and its
monitor is LED screen, which is
new on the market. I think you'll
really like this camera here.
What does it do?
It records video. Ma'am,
how much does
this one cost? It's on sale, it's R$999.
Oh, no.
But, look, we can pay in 10
installments on the store card. It's super simple
and quick to do.
But, look, if you want, we also have
this other one here, look, which is
inferior, but more affordable. It's
R$289.
Okay.
Where can I find super glue?
Ah, thank you. If you need anything,
just call me. Okay.
Okay.
Good afternoon. Hey, Valdir? Is it busy
today?
It's busy.
I feel like today's going to be my day,
huh.
I have no doubt. Excuse me.
Good afternoon, welcome.
Please,
I see today is your lucky day.
Welcome,
24.
Watch the step.
I can't believe it
89.
Want to try your luck, madam?
This here isn't legal.
25. Here inside everything is possible.
Would you like a spot, a card?
No,
I don't do that.
Please,
Mrs. Nina,
come. Stay here.
we'll talk later. Come. Don't stay there.
29. I'll call here.
Come on, camera.
1029
Ah,
when I did the
wh
of
mama
I am in my school
and in the poets of my
They are. First, I don't know how many
times
the world singing
between the sun burning me
and so
love
when
the dear.
that I can't sing anymore.
Yes.
And
that jumps
beside my worst and my youth
which I
will reach
fallen from a mama that
in my
my God.
My God!
My God!
Maria! Absolutely right.
Jesus from heaven.
Jesus.
Ah.
Good afternoon. I came to get the camera.
Ah, good.
It's 1099,
isn't it?
That's right. That's right.
That's right.
That's it. Come inside with me.
Follow me, please.
You can see through here, see?
Through this monitor
here.
That's it
I put it here.
Yes, you can see through here, look.
Through this little screen here.
Ah, yes. So I I I want to go out here.
The image appears, it appears here.
Go sit there.
Where's the milk?
It's fine, aunt.
Huh?
Ready. And
here for you is here.
Here, here.
I like this cup with flowers. You
painted it, right? I
I paint
too. You draw, you know? You
draw dogs.
I had one, but it died.
My mother says it got sick, but
I think they killed my dog.
Now she won't let me have another because
she says we have to buy food for
us. But if my father was here, he
would let me have another dog.
Son, your mother is right.
This is yours. Here
it is.
hmmmm...
Wow!
Ah!
of Jesus. Hallelujah. Hallelujah.
Jesus
Maria (mother of Jesus)
ahhhh
We can see everything there. Go.
What is this, ma'am?
Everything that is the proof you asked for,
okay?
You
are saying your request? It's recorded,
sacramentized.
Okay, people. Look,
I recorded everyone's face. You just
go there
and end this idea of grace. That's what
I ask.
Very well. Eh, I'll examine the
material you brought and we'll
call you. Hmm.
You won't look.
Ma'am, ma'am already.
Dona Josefina, right now I'm very
busy, but you can go home
calmly that I'll see what you
brought and Domingos will contact you.
Domingos, her phone number.
What's this? You won't look at this? I'll
wait. Yes,
no.
So, old man, please,
Dona Josefina,
I'm telling you that when I have
a break in work, I'll look.
What break, sir. But what is your
work is a break and the break is your
work. Please,
let me do my work in peace and
wait for Domingos to call, okay?
You
have no messages.
Okay.
So I took the money from his hand and
gave him a slap on his ear. You
messed with me trying to take my territory.
I'm small, but I'm not crazy.
Tian,
how is it that you hit your
colleague in the face? Don't do that, don't do that. The street is
for everyone. Stop that.
He's not my colleague, Tian. And you
don't know anything about having
marked territory on each corner. If we
don't take control of ours, we
become the corpse quickly.
Is everything okay there, Dona Nina?
Yes, everything's fine. Are you okay?
I'm great.
If you need anything, I'm here inside.
Okay. Thank you.
Good afternoon.
Good afternoon.
Go inside.
Ah,
you have no messages.
Police are worth nothing. Nothing.
I'm tired of this quarrel on the street.
Focus on studying.
Life won't give you anything, nothing for free
Nothing, nothing.
Now go.
I'm tired. Today I'm going to lie down for a while.
I have a headache.
Take this, here, for you.
Go and close the door.
Thank you, Tiano.
Okay.
Oh, good.
Sorry to bother you.
Is everything okay with you, Dona Nina?
Yes, I'm fine. Everything's fine.
Sorry for the intrusion, it's just that I got worried
about you bringing that boy
here inside your apartment
No it's not Mazinho (a famous football player).
I know the boy from
cocoa.
I'm calm, but nowadays we have to trust
Look, with open eyes
My mother used to say.
even more careful with these kids here in the neighborhood,
look ma'am,
they are much worse than you imagine
Saw him from the window, it's not one of those kids
For the love of God.
You're right.
The bullet entered my room.
Do you like to dance?
What's that?
Today there's a dance matinee at the bingo.
It just opened now that it turned.
Now yes, look. Come here.
In the dance we can
see.
Look here, look at this.
That's it.
A thousand hours have passed
of deceit
disillusionment,
your voice reviewing me.
Maybe, maybe, maybe.
Here
here, look.
Ah.
Go fuck yourself. Go fuck yourself. Go
fuck yourself son of a bitch
Let me go. I'll pay. fuck let me go,
son of a bitch. I'll pay. I'll
pay. Listen. Listen.
Listen. Listen to me.
Listen to me. Fuck
Go fuck yourself. Go fuck yourself. Go
fuck yourself
It's a call for help. It's from the battalion.
Yes. Please,
Mercy Hill.
There's a damn bandit with a
gun pointed at a woman's head.
Come here, come here, or this will
end badly.
This is the help I'm asking for.
Go fuck yourself. Oh my God, son of a
bitch
With battalion on the line. Is there someone out there
looking us? There's a golden snitch.
Thanks, brother.
Where's that bastard in this shit? Where's the
scumbag?
Show up, damn it! Where? Now nobody
wants to show up in this shit, huh? We
know everything, pig. Where?
Go to hell.
Let me go, let me go, son of a bitch! It's
because you're a coward. You're a dog, Carlos. You're
a fan. A loudmouth.
My God.
Showing up this shit. Go to hell.
Let me go, let me go, son of a bitch!
You are
you.
You guys there.
Look
here, solution, real solution. Ending
violence can't be done in the short
term. We need to change the political,
social, economic situation and we need
intelligence, we need serious
investigation, because trafficking doesn't
work alone. There's a network of
connections bringing increasingly
sophisticated weapons in there to the
favela. And the police is being
disadvantaged in this war.
I want my video tapes. I want
tapes.
I left them here two weeks ago.
Oh yes, of course.
You came back for my tapes?
No, ma'am. Everything's fine. They're
here. Just a minute.
I
this here what what
can I do anything else for
you, ma'am?
For me? Put this here in the trash, wherever
you want.
Yeah.
Ah.
I
wanted to speak with detective Laura. Laura
Torres.
Inspector Laura, right? She
What's your name, ma'am, do you have an appointment? No,
my name is Maria Josefina dos Santos.
Hmm.
I didn't make an appointment.
It's urgent. What I want to talk about is
urgent.
What's the urgency, Mrs. Josefina? Maybe I
can help you. Yes,
I wanted her to see this here,
all of this here.
I'm serious that this here is important.
I can't let it go with just anyone.
Yeah, no, it's not an offense.
It's just that I'm already fed up with so much
crime.
I understand, I understand, Mrs. Josefina.
But look, uh, unfortunately inspector
Laura is out of Rio until the end of the
week.
But this here is important.
Is this serious?
I understand. I understand. Look, if you
want, you can leave the
material here and then when she arrives she
can examine it.
That could work.
Give it to her,
okay.
Certainly. Certainly. Mrs. Josefina
can rest assured. Excuse me.
Well,
thank you.
Take care. Go with God.
Thank you very much.
You're welcome.
Crazy old lady. She's really crazy, huh,
man.
Dude, I ran into that lady there
just the other day, leaving the battalion there
in Copacabana.
The battalion.
Ah, she must be playing informant, right? The
amount of tapes, there's about 20 video tapes
in here.
Damn. Can I take those tapes there
to have a look?
No way, Flávio.
I have a feeling this could
be something.
My God, what is this?
All these girls with guns in their hands.
My God,
how is this possible?
Lots of drugs. Lots of drugs.
in this shit
again.
Now nobody wants to
take
me son of a bitch
Loudmouth. You're a fan, damn it. You're a fan.
This point here
is the liver, okay?
You need to eat better. Oh, I'm
trying, but Clea hasn't been coming. You
know I'm terrible at cooking.
It seems she has a problem with
sciatica, I don't know.
Clea doesn't live at the hospital.
Uh-huh.
My building is nearby. Tell her to come to
my house. I'll take care of her. I won't charge.
Tell her I won't charge.
Eh,
thank you,
Flávio Godói, Mrs. Josefina.
Very pleased to meet you,
Nina.
Nina, please.
You had a lot of courage to film
all this, to turn it in at the police station.
Just a moment,
you have to explain to me
how these tapes that I left in
confidence, right, to reach the detective.
How did this end up in your hands?
I'm a police reporter, the people there
know me.
Your report is serious, Mrs. Nina. It goes
beyond trafficking, suggests police
involvement. This has to be investigated,
son.
The police are criminals.
I call the police. The police call the
drug dealer.
This girl died in front of me.
She used to serve me at the market register.
Mrs. Nina, this could be front page
material.
What do you mean?
Front page material, a story on the
first page of the newspaper.
Oh,
you want to take the tapes to turn them into
newspaper news.
I'll try, Mrs. Nina, but first we
need to talk more, schedule a more
detailed interview for the story and
it's also important for me to see your
apartment. Do you mind?
No,
we can schedule the interview there.
Yes.
I didn't even offer you coffee.
I'll accept.
Oh, Mrs. Nina,
Clea from the hospital left this for
you earlier today.
Clea
is
you're around. Yesterday she couldn't even walk.
That's right. She's already back to work. Said
she's going to get a bunch of clients for
you here from the community.
Smells good.
Good evening, ma'am
please.
Excuse me.
Here or there or there. No, here.
Thank you.
I made some coffee for us,
okay?
Little step.
Take it there. Go there.
Thank you, aunt Nina. I'm going. Good night,
doctor.
Good night.
Hey, if you take too long to show up here again,
I'll give the cake to the doorman.
Don't worry, aunt Nina, I'll be back.
Who was the boy?
It's Marcinho, he lives here in the favela.
I like him. He carries my packages, he
helps me, you know?
The only visitor I have here
so far.
Thank you.
You're welcome.
Do you mind if I record?
No, be careful.
And your family of origin is from where, Mrs.
Nina?
My people are from Minas.
This apartment is your own, right?
Yes.
And when did you come to live
here on Misericórdia hill?
Oh, that's it.
Look, it was difficult,
but we have to have a roof, don't we?
Right.
I worked for years, but many, many
years with a rich family.
It was
us over there, we were rich.
They paid the down payment
here. You have no idea.
Here this hill was a forest,
woods.
The vegetation came in here, it seemed like
we had a garden inside the house.
Right.
I worked many years with this family.
Many years.
The boss lady had a massage therapist
for years. This massage therapist
took care of this boss lady.
I was there beside her
watching, watching.
I learned.
Yes.
You learned like that?
I learned. And me, look, when the massage therapist
didn't come, I would massage
It was
my boss lady.
Wow.
Want to see the window?
Yes, I do.
No, no. Quiet. Okay.
Come here. Come see.
Look at
this.
Kids playing with
They can't.
So many boys. Look there. Look there. Is
this possible?
What's that?
Come,
for the love of God.
Calm down, calm down, calm down. Oh,
we need to call an ambulance, ma'am
we need to call an ambulance.
Oh, oh,
I'm going to call an ambulance.
Call. Calm down, calm down.
I'm going to call an ambulance.
The surgery is finished. They managed to remove
the bullet.
It seems it didn't hit any vital
organs. The doctors say she's going to
recover.
Thank God.
Carlos Antônio.
That's her name.
Ma'am,
you're running a serious risk of death.
The hill is very close. Your living room is
almost inside the mouth. I know, I know, but
you write the story to help us
end this tragedy.
Go on, go on, help, please.
If I publish this story, you
die.
You
don't want to help me? Don't you?
It's your life that's at stake.
Yes, I know. We're here in the emergency room.
They try to kill me every day, you understand?
And you want to get out of the way, I'm going to
leave.
The guy lost with you, no.
Hey buddy, give me a little space here for
me
like this.
What nonsense is this that you're doing,
my son? Hm.
Like this
I'm better. I'm going home.
No,
you can't stand up, you're not going anywhere.
You won't be able to climb the hill.
You have to wait, okay?
I have to pay before my
sister comes home from work, otherwise I'm going to get
a lot of slaps in the face. If she doesn't find me.
Tell me. Tell me what's
happening. Tell me, tell me.
Nothing, boy.
I need to go.
[Expletive]
What do you want, Flávio? Tell me, For Sale or lease...
accept.
You can accept it.
You can come in, please.
Please.
Mrs. Nina,
nice to meet you.
Thank you.
Make yourself comfortable.
Anyway.
Thank you.
Flávio will follow our
conversation, right?
Yes.
For now everything is off the record. OK.
Mrs. Nina, I was impressed with
the tapes.
Indeed.
This is more than enough evidence
to open an investigation.
I'm also going to open an inquiry
about why your complaint wasn't
accepted before.
Now this means that you will
need protection.
I
this investigation
will stir up a hornet's nest of a size that
even I can't predict.
Apparently it's not just the people from the hill who
are involved in this story. But one
thing is certain,
you will be exposed and these people
don't mess around.
Do you understand
the gravity of the risk you're taking?
So let's go.
For me to detonate this operation,
I need to first guarantee your
safety, right?
And the only way to do this is for you
to enter the witness protection
program.
This means that you will
need to
change cities
and change your name
for quite some time.
Maybe for the rest of your life.
Do you understand?
You're saying that I have to
change my name, huh,
leave my house. Is that it.
Yes,
yes.
No, I'm not a criminal.
You want me to die so I don't die?!!!
Is that it.
Staying
means signing your death sentence.
I ate the bread the devil kneaded to have that house,
see?
I'm not a criminal, madam.
I won't change my name,
I won't change my house.
Thank you.
Stay there.
No,
no,
no, no. Uh.
Let's get in the van. Come on. What's this?
Get in already, old man.
For God's sake. Come on, son of a bitch
Get in the van, man.
Please, please.
Let's go. I'll kill you right here. Get in
the van, man.
Please,
let's go.
My God.
My God.
Look,
look,
come on, damn it. Please,
get in already, man.
The old lady here, Ru
won't
get in
no.
Get in, damn it. Let's go, damn it.
Come closer, boss.
All cracked up, I'm all locked up here
in the back. I'm hurt, I can't
walk, I can't get up.
What do you want me to do? Huh?
I want you to make me walk
like Jesus.
Wasn't it Jesus who made people walk? I think
it was.
No.
Come on, come.
I won't.
Let's go, old woman. Sit here on this
thing. Come on,
for God's sake. No,
come on, damn it.
Ouch, it feels like there's a needle here.
Son of a bitch,
damn it.
I'm just going to give you a message, huh, old woman. If
the redhead doesn't walk, the gun will sing.
You hear that, hey?
Ouch,
ouch.
Put water on top of the knee.
Hmm.
Seed position. Go seed position.
Sit. Sitting jo
what seed position is this? What's this
seed position story? And
you dragged me from my house to fix
you.
Do what I'm telling you. Go from here on
top of the knee. Go
there. Go there. That's it.
Bend the horn.
Bend the courage
the moment the man was arrested and taken
to the 12th police station here in Copacabana.
We return to the studio for the forecast.
Mrs. Nina, what do you know you're doing here?
I came to attend to a person here, okay?
It's 30 hours and only pays R$ 8.
Did you call Nina the massage?
Leave your message and I'll call back as soon as I
get home.
I'm going to get you.
Mrs. Nina, it's Flávio. Answer, please.
Running away won't solve anything.
You are continuing to run the risk of death.
Answer, please.
Moral kid, damn it. Are you going to keep
acting tough with me, man. Leonard,
what's up? A child.
I know, man. I'm talking right to him.
When the police arrive it'll be much
worse. That's right. What's this confusion?
Leave it alone. Leon is
solving it here, look.
Let go of the boy.
Let go of the boy. It's Marcinho.
I know him.
No, he knows him too. I'll tell
him that you know him.
I'm trying to explain, but he doesn't want
to understand.
No. Look here. Oh Mrs. Nina, this boy
was trying to enter the building high,
understand? You see his face here, look?
Kid is high on glue. Come
here, smell him. Come here, smell him
to see if you won't get dizzy.
Look, I already called. Police are coming.
What police? You called the police? Of course
I called. Call the police for
this.
Of course I called. The boy committed a
crime, you have to call the police.
It's bullshit.
Let go of this child, coward.
You're a brute. The boy is nothing, nothing,
nothing like that. He's not. I'm surprised at you,
aren't I, ma'am?
What? Ah, what? What? Just the other day
you complained to me that
I don't call the police and today this boy
committed a crime, an offense.
I call the police, you complain just the same?!
Do me a favor. Show her.
There.
He was stealing. Right, Mrs. Nina. Look,
you see this here? I found a jewel
in his pocket. You see?
This gold chain here, what is it?
What is this?
It's mine.
He came to bring it back to me. It's this here.
Right.
Calm down. Let go of the child. My God.
What is this? He knows it's mine.
I lost this here what? A week ago.
It's nothing valuable. You know I bought it
from a street vendor in Santa Clara. Coward is what you are.
Standing there showing off over
a boy this size.
He's coming with me. Mrs. Nina, you're not
going to let a criminal into our
building, for God's sake, right?
Who are you to forbid anyone
from entering this building. What's
this,
Mr. Joaldo, Mrs. Nina, you're not going to
to go in with this boy.
I'm going in with the boy, look.
I'm going in.
Okay, go, Bep.
Drink,
hold and drink.
This will clean you, okay?
Drink.
You have to drink.
Who should
I return this to? Tell me.
Do you want to eat something?
Dear God.
Ah, okay.
Wow, mom.
The day before yesterday something very,
very unpleasant happened
that put at risk the safety of
all of us here in the building.
A drugged street kid was intercepted at
the building's entrance by Leonardo, who
fortunately resolved the situation. But then
right after that, Mrs. Nina
took the kid to her apartment. But
the urgency is this,
Mrs. Nina.
What you did was serious, very
serious. And Leonardo explicitly said
not to bring this street kid
inside the building.
Exactly.
Whoever I want comes into my house.
Ah,
okay. Whoever I want.
Ah, but that's not possible.
That's not possible. What's this?
Lady. You keep demanding that we
confront drug trafficking and bring criminals
into the building.
Nina, what moral authority do you have?
Crim. Stop, stop with that. What criminal.
A child is a dangerous criminal. There's no
such thing. There's no such thing. You put
everyone's life here at risk. You
don't understand that.
Mrs. Nina, Mrs. Nina, understand something.
This building here, this building is neither
an orphanage nor a correctional
institute, okay? Well, what I wanted
to propose, actually, was an amendment to
the condominium bylaws, okay? It's
strictly forbidden for strangers to enter.
It doesn't matter who they are,
movers, service providers, doesn't matter
Without prior authorization from the building manager.
Perfect, sir,
so let's go,
let's open the vote.
Whoever agrees, please raise
your hand.
No, at the moment, I propose that instead
we dig a hole,
throw the kids in there and then cover them with
dirt, okay?
Bury them alive
indeed....
[crowd noise],
give me just a minute, please.
Ah,
how are you?
I'm fine.
Did you move?
Severino gave me the address of your
workplace here.
I couldn't even say goodbye to
you, right? Because after I left the
hospital, I couldn't go back
there.
You understand?
Where are you staying? I'm in a little boarding house
downtown until I can find a
better place.
It's simple, tidy,
but at least there's no gunfire and it's
much more peaceful.
Come to my house for coffee, come on.
Forgive me, Mrs. Nina.
When you move away from there,
invite me again.
I promise I'll come.
Okay.
Okay.
Would you like some water?
Yes.
Without ice.
Marcinho,
no, Marcinho, no.
Not that,
You called Nina the Masseuse.
Leave your message
and I'll call back as soon as I get home.
Mrs. Nina, it's Flávio again.
Dr. Laura suspended the investigation.
We need to talk. I'm very
worried.
Answer this phone, please. Mrs.
Nina.
Flávio,
I can't be expelled from my
home. I can't.
You're not being expelled.
It's a matter of ensuring your
safety, your peace.
Can I choose where to go?
I
yes.
Maybe somewhere near your
roots in the countryside.
My God.
You'll have a new house, a new
name.
I've been thinking that a very
beautiful and very fitting name for you would be
Vitoria.
I came from a horrible place,
horrible.
I saw my father dying in misery,
disinherited, because he married my mother.
I was a girl,
my God,
who grew up in misery.
I was made a domestic servant right away
to eat.
I was abused by my boss,
look.
Here it is
I'm here, look. My little daughter died
shortly after being born.
She was born
from this man's abuse.
No,
I'm not going anywhere in the world.
I'm not going. And I won't help criminals. It's over.
What is it?
Marcinho was caught tonight.
I found out from the police at the newsroom.
He was on Sequera Campos street selling
cocaine
to a group of tourists.
He's a minor
and will be released.
But the boy is in drug trafficking.
I thought you needed to know.
You have to understand. I need time
to sell that place, put money in my
pocket to eat, otherwise there's no money
to eat.
You're absolutely right, but we
don't have that time.
Your apartment won't be worth anything if
you're dead.
So, do your investigation, for
God's sake, and give me a little time to
sell that place.
Angel, come here, please.
Thank you, dear.
Hi. Hi, Laura.
Listen, we're going to reopen the
investigation, but no arrest warrant
should be executed while Mrs.
Nina is not safe, away from the
apartment. Understood? Okay, okay.
I'll notify the team then.
Mrs. Nina, expedite your side
and from now on you can no longer
film, understood? Nothing. Zero.
It's dangerous for you and dangerous for the
operation.
Taking note.
Selling apartment,
one bedroom
in Copacabana.
Contact
245
0379
or 8250379.
What I ask you, please, is
to highlight this ad,
please,
you'll give it prominence,
okay? Thank you.
get down
get down on the ground.
down.
Damn
bastard.
Hey punk, come here.
Son of a bitch
Oh.
Domingos, Domingos,
I need a favor. Go ahead, Flávio.
Man, I got cut off really bad,
leaving downtown now. A black car.
The license plate was D6 3985.
Can you check it out?
My buddy won't work. The system is down
.
And who's backing you up today?
Messias.
Messias?
Messias was transferred. He's not
here anymore. He went to Jacaré Paguá.
Really?
Ah,
and when was that?
Now, these past few days.
I see.
If you want, you can write down the
car's license plate here, and when the system comes back I
can try to take a look for you.
No, forget it. Thanks,
oh sir, here
I'm waiting for a visitor. So,
I'm the visitor myself, Mrs. José.
I want to buy your apartment.
I'm living far away now. I don't know if
you know, but I was transferred
to Jacaré Paguá.
I really miss Copacabana,
you know?
I love this view. Can I open the
blinds to see better?
Messias
Godói.
Are you the one who wants to buy the
apartment?
Are you friends?
Yeah, we know each other.
Rio de Janeiro is a quail's egg
indeed.
Mrs. Joséina, I don't want to take up
your time anymore. I'll think about the
apartment
you're looking for, ma'am.
Have a good day, both of you.
My God.
Stay home, Mrs. Nina, I'll go down
to the front desk to ask them not to
let anyone come up here.
Sit down. Calm down, come on. What? Calm down, Laura.
Hey,
Flávio, you're a reporter, you're not
police.
I don't have to give you a report of
all my steps.
Yes you do, yes you do, because my life
here is at stake and her life too.
We already offered protection to her. And
you, friend, if you're in the rain, you end up getting wet. It happens.
Things are getting very close here.
I can't open everything up to you. Understand?
No, I don't understand.
You know what I'm going to do?
I'm going to
publish this damn story because it's better protection.
You can't do that.
You'll ruin everything. Damn it
pay attention.
I'm not all-powerful. There are big fish
tangled up in this net.
I don't even want to know. I'm going to put
this shit in the fan.
Oh.
Talk, Rangel.
Judge issued 10 arrest warrants
and we're going into Misericórdia
now when dawn breaks.
Wait, Rangel. Mrs. Nina is still there
in the apartment. We had a deal.
Didn't you say you were going to publish the
story? I didn't say that. So we're going to
go all out too. Okay. Then get the
old lady out of there. Figure it out. The police will
do what they have to do.
Oh my God.
My God.
Mrs. Nina, answer, for God's sake. The
police are going into
Misericórdia now. These sons of bitches won't
respect the deal. You have
to leave home now.
I'm running there. Pack a bag
and I'll come get you.
Answer this phone.
Ah!
Let's go, let's go, let's go, let's go.
Let's go up.
Right.
Go, go, go. Damn it, but I
step on it, big car, step on it.
Damn it
passed, passed.
I'm looking for Mrs. Nina, is she
home. I'm calling and no one answers.
Oh man, she left early to walk.
But she hasn't come back yet. Things are
hot on the hill. She's probably killing
time somewhere until things cool down.
Hey, you take care too, okay?
Thanks,
You can't go back home,
partner.
Listen, Mrs. L.
Partner,
the boss of the hill knows about you.
He knows I know you and ordered me to
erase you, understand?
Let go.
Get out of here now.
Let go, for God's sake. Let go, sir. Let
go. You're not this. You're not this.
No.
Get out.
You're not this.
Get out. Go. Get out. Get lost. Go.
Get out, get out.
Lost, lost.
Get down, damn it
Let's go.
Major, a word here with us.
Major, major, excuse me. What was your
deal with the drug dealers, please?
Flávio, it's me, Flávio.
Mrs. Nina,
thank God.
What a scare.
Where are you?
It's a request I'm going to make of you. I
want you to come meet me
tomorrow at 8 at a little shop on
Rio Branco 56.
I also ask, please, send those
witness protection agents to
pick me up at that little shop,
okay?
Do this for me,
okay?
Ah,
ma'am, do you need to eat something?
No, thank you.
You are my friend.
My friend.
Thank you.
I want you to be well.
It's beautiful. Very beautiful.
Ah, it's very beautiful.
Come from my apartment.
Here's the key.
They're already there waiting for me.
Take care, my son.
Take care.
OK.
Thank you.
Vitoria!
Yeah.
27 criminal, including 9 police cops were arrested.
Loosely inspired by the literary work 'Dona Vitória da Paz' by Fábio Gusmão
Based on the life of Joana Zeferino da Paz.
Her true name and physical characteristics were only revealed after her death in 2023.
Joana Nunca de Janeiro
The End @
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