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All language subtitles for The Three Stooges (1935) - S02E03 - Pop Goes the Easel

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:57,290 --> 00:00:58,670 Bridge expert, huh? Yeah. 2 00:00:58,910 --> 00:01:00,950 What would you do if you held the queen alone? 3 00:01:02,210 --> 00:01:03,210 That all depends. 4 00:01:03,890 --> 00:01:04,890 Depends on what? 5 00:01:05,650 --> 00:01:07,390 When the king is expected home. 6 00:01:08,490 --> 00:01:09,610 Wise guy, huh? 7 00:01:09,810 --> 00:01:11,030 No, bridge expert. 8 00:01:24,360 --> 00:01:26,880 My good man, how long have you been starving? 9 00:01:27,260 --> 00:01:31,260 Mister, I haven't tasted food for three days. You haven't? No. 10 00:01:31,820 --> 00:01:35,780 Well, I wouldn't worry about it. It still tastes the same. 11 00:01:48,320 --> 00:01:49,320 Hey, buddy. 12 00:01:49,580 --> 00:01:50,640 We gotta... No. 13 00:01:50,880 --> 00:01:52,240 Go get yourself a sign. 14 00:01:53,000 --> 00:01:54,040 Hey, I like that low light. 15 00:01:59,280 --> 00:02:00,980 Do you want to become my social secretary? 16 00:02:01,900 --> 00:02:03,180 Oh, lady, and how? 17 00:02:03,760 --> 00:02:05,500 Then how do you spell Chrysanthemum? 18 00:02:07,320 --> 00:02:08,098 Hiya, Professor. 19 00:02:08,100 --> 00:02:09,100 How are you? 20 00:02:09,479 --> 00:02:10,479 This is Miss... 21 00:02:10,479 --> 00:02:20,280 You're 22 00:02:20,280 --> 00:02:21,280 a social secretary? 23 00:02:21,640 --> 00:02:22,640 Yes, ma 'am. 24 00:02:22,650 --> 00:02:25,430 You're just the man I'm looking for. Step right in. Thank you. 25 00:02:33,890 --> 00:02:34,890 They threw a bomb. 26 00:02:41,570 --> 00:02:42,570 What's the matter? 27 00:02:42,710 --> 00:02:44,210 How do you spell chrysanthemum? 28 00:02:45,890 --> 00:02:46,890 Oh, ignorant, eh? 29 00:02:48,810 --> 00:02:49,810 How do you spell it? 30 00:02:50,010 --> 00:02:51,970 C -H -R -Y -S -A -M -T -H -E -M -U -M? 31 00:02:52,830 --> 00:02:54,130 Why wasn't you here a minute ago? 32 00:02:57,230 --> 00:02:58,230 Now listen, you mugs. 33 00:02:58,830 --> 00:03:01,610 People ain't gonna give us a job. We gotta go out and get it. 34 00:03:02,510 --> 00:03:03,830 Now my idea is this. 35 00:03:04,590 --> 00:03:05,890 You see that store over there? 36 00:03:06,630 --> 00:03:08,010 Each one of us grab a broom. 37 00:03:08,210 --> 00:03:11,730 We go out and sweep in front of the place, see? The boss comes out, sees 38 00:03:11,730 --> 00:03:14,770 conscientious guys, and offers us a job. It's simple. 39 00:03:15,130 --> 00:03:16,130 Get gone. 40 00:04:17,959 --> 00:04:18,799 The man used to draw. 41 00:04:18,800 --> 00:04:21,459 Yeah, sure, he drew 20 years with one stroke of the pen. 42 00:04:27,880 --> 00:04:29,740 He's coming. Quick, the overcoat. 43 00:04:41,580 --> 00:04:42,580 Oh, there you are. 44 00:04:43,620 --> 00:04:45,980 Oh, I'm awfully sorry to have kept you waiting. 45 00:04:46,490 --> 00:04:48,130 Oh, that's all right. We just got here ourselves. 46 00:04:48,550 --> 00:04:50,790 How long have you been students? Oh, we're just beginners. 47 00:04:51,350 --> 00:04:53,790 Well, shall we start on September morn? 48 00:04:54,030 --> 00:04:55,390 No, let's start right now. 49 00:04:55,890 --> 00:04:56,890 Spread out. 50 00:04:57,050 --> 00:04:58,450 I'll see if everything's ready. 51 00:04:59,650 --> 00:05:01,430 You know, I think I'm going to like this place. 52 00:05:03,450 --> 00:05:04,550 Oh, sacre. 53 00:05:06,190 --> 00:05:08,330 Do this. What is the matter with this? 54 00:05:09,150 --> 00:05:10,170 Ah, it is gone. 55 00:05:11,330 --> 00:05:14,310 Oh, there it is again. What shall I do? 56 00:05:17,570 --> 00:05:21,150 What's the matter, Rembrandt? My painting, it is finished, gentlemen, but 57 00:05:21,150 --> 00:05:23,450 cannot erase this spot. What shall I do? 58 00:05:23,710 --> 00:05:25,050 Why don't you send it to a clinic? 59 00:05:25,530 --> 00:05:27,810 Gentlemen, I am an artist. 60 00:05:28,430 --> 00:05:29,990 I am an artist, too. 61 00:05:30,450 --> 00:05:31,590 Oh, a pair of drawers. 62 00:05:36,210 --> 00:05:42,710 Wait a minute. 63 00:05:43,250 --> 00:05:46,590 Here, I know what's the matter. You haven't got enough anacana penicillin. 64 00:05:51,240 --> 00:05:52,240 Very nice, Dean. 65 00:05:52,940 --> 00:05:56,020 What that needs is a mixture of enol plus anisine and percolan. 66 00:05:56,460 --> 00:06:03,400 Oh, monsieur, you did it. How can 67 00:06:03,400 --> 00:06:09,700 I ever... There it is again. Oh, my beautiful painting, Sunlight on the 68 00:06:09,860 --> 00:06:13,000 They are waiting for it. Well, don't worry about it. They'll get it. 69 00:06:18,540 --> 00:06:20,820 and sunlight on the brook, but it's now midnight on the ocean. 70 00:06:21,160 --> 00:06:23,620 I lost a fortune. 71 00:06:23,960 --> 00:06:27,320 Don't worry. You know the old saying, easel come, easel go. 72 00:06:28,760 --> 00:06:29,860 See that? Yeah. 73 00:06:31,840 --> 00:06:32,840 Easel out of here. 74 00:06:36,660 --> 00:06:39,160 Anytime you get in another spot, Remnant, just call on us. 75 00:06:40,300 --> 00:06:47,120 The professor wants the first sketch to be the hunt. Will you get me the hawk? 76 00:06:47,450 --> 00:06:48,429 Give her the bird. 77 00:06:48,430 --> 00:06:52,250 The bird, the bird. 78 00:06:55,510 --> 00:06:57,910 Excuse him, lady. The heel has no soul. 79 00:06:59,150 --> 00:07:00,270 Now, here's the idea. 80 00:07:00,590 --> 00:07:04,650 You hold the hawk in one hand, and you are listening to the distant call of the 81 00:07:04,650 --> 00:07:09,330 hunting horn. I think we'd best release the bird, and in its place, overhead, 82 00:07:09,570 --> 00:07:12,550 you discover a group of flying grouts. Now then. 83 00:07:18,000 --> 00:07:19,000 I don't see any grouse. 84 00:07:22,280 --> 00:07:23,280 See any now? 85 00:07:23,320 --> 00:07:24,320 No. 86 00:07:25,740 --> 00:07:26,740 See any now? 87 00:07:26,760 --> 00:07:27,760 No. 88 00:07:28,860 --> 00:07:30,340 Look at the grouse. 89 00:07:31,920 --> 00:07:34,780 Wait a minute. You guys got the wrong idea. Pardon me, miss. 90 00:07:35,500 --> 00:07:36,680 Here's a way you should do it. 91 00:07:39,880 --> 00:07:41,360 I think you ought to move back. 92 00:07:42,620 --> 00:07:43,620 How's that? 93 00:07:44,300 --> 00:07:45,420 Back a little further, please. 94 00:07:48,080 --> 00:07:49,080 One more step. 95 00:07:52,180 --> 00:07:53,320 Help! Help! 96 00:07:53,660 --> 00:07:55,260 I think you took one step too much. 97 00:07:59,920 --> 00:08:00,920 Help! 98 00:08:06,240 --> 00:08:07,240 How's that? 99 00:08:07,280 --> 00:08:08,760 Oh, always clowning, eh? 100 00:08:39,789 --> 00:08:40,789 The rules. 101 00:08:42,490 --> 00:08:45,190 I christen thee Sarsaparilla. 102 00:08:45,830 --> 00:08:48,450 Look at the gross. 103 00:09:09,610 --> 00:09:12,050 Did you see three suspicious -looking characters around here? 104 00:09:12,390 --> 00:09:17,930 Oh, pardon me, you're French. 105 00:09:18,670 --> 00:09:19,670 What? 106 00:09:21,710 --> 00:09:28,670 Maybe you can tell 107 00:09:28,670 --> 00:09:29,670 me something. 108 00:09:41,160 --> 00:09:43,160 Hey, buddy, what kind of language is that? 109 00:09:49,200 --> 00:09:50,880 Oh, deaf and dumb. 110 00:09:51,120 --> 00:09:52,120 Certainly. 111 00:09:53,880 --> 00:09:55,620 I ain't get those guys yet. 112 00:09:58,160 --> 00:10:05,040 Okay, boys. Yes, I told him. We sure got rid of that flat foot. 113 00:10:06,000 --> 00:10:07,000 Good morning. 114 00:10:07,060 --> 00:10:08,320 I'm Professor Fuller. 115 00:10:08,950 --> 00:10:11,390 Oh, we've been using some of your brushes. 116 00:10:11,670 --> 00:10:13,590 I don't believe I've ever met you. 117 00:10:13,970 --> 00:10:16,530 They're the three new students we were expecting this morning. 118 00:10:17,090 --> 00:10:23,810 Oh. Now, boys, to become great artists, you must start from the bottom up. Yes, 119 00:10:23,830 --> 00:10:24,830 yes, yes. 120 00:10:24,850 --> 00:10:27,250 So you may begin by painting this floor. 121 00:10:29,310 --> 00:10:33,010 Say, if he thinks I'm going to paint this floor, I hope you drop dead. 122 00:10:33,330 --> 00:10:34,330 Who, me? 123 00:10:39,760 --> 00:10:40,760 You ain't got long to live, son. 124 00:10:41,400 --> 00:10:47,380 Hey, what's the idea of the two brushes? 125 00:10:47,660 --> 00:10:48,660 I'm in a hurry. 126 00:10:48,840 --> 00:10:49,840 Well, get going. 127 00:10:51,020 --> 00:10:52,620 I can get around the corners with this. 128 00:10:52,860 --> 00:10:53,860 But look what I got. 129 00:10:54,840 --> 00:10:56,280 What do you expect to do with that? 130 00:10:56,580 --> 00:10:57,580 Paint the cracks. 131 00:11:00,900 --> 00:11:01,900 Here. 132 00:11:02,080 --> 00:11:04,060 Go ahead and paint them. Get going. 133 00:11:19,760 --> 00:11:20,760 Pick out two. 134 00:11:20,820 --> 00:11:21,820 One, two. 135 00:11:22,200 --> 00:11:24,520 Break it up. Get to work. Get busy here. 136 00:11:31,020 --> 00:11:35,060 Hey, how are we going to get out of here without ruining this paint job? 137 00:12:15,490 --> 00:12:17,950 handsome. I'm glad you come up to see me. 138 00:12:21,530 --> 00:12:26,370 Those are my cigarettes. 139 00:12:27,910 --> 00:12:29,350 It's the agate, Cray. 140 00:12:29,690 --> 00:12:30,690 It's the agate. 141 00:12:34,070 --> 00:12:35,870 What are you talking about? Oh, a man. 142 00:12:36,110 --> 00:12:37,450 Oh, hello, dear. How are you? 143 00:12:38,190 --> 00:12:39,730 This is my sister, Cramet. 144 00:12:40,230 --> 00:12:42,610 And this is my mother. 145 00:12:53,550 --> 00:12:54,950 gorgeous mass of muscle. 146 00:12:55,870 --> 00:12:58,270 Oh, Mother, I'm going to tell Father on you. 147 00:13:00,370 --> 00:13:02,790 The children are always clowning. 148 00:13:03,490 --> 00:13:04,530 Oh, Mother. 149 00:13:25,450 --> 00:13:26,450 You just look around. 150 00:13:28,330 --> 00:13:29,330 Oh, it is. 151 00:13:47,730 --> 00:13:48,730 He's gone. 152 00:13:49,970 --> 00:13:50,970 Look, 153 00:13:51,870 --> 00:13:52,870 we made something. 154 00:13:55,850 --> 00:13:56,850 I don't see his face. 155 00:13:58,070 --> 00:13:59,170 He's got his back turned. 156 00:13:59,570 --> 00:14:00,970 How? And how? 157 00:14:06,410 --> 00:14:09,250 Wait a minute. I'll show you guys a picture. What is a picture? 158 00:14:10,710 --> 00:14:11,710 Watch this. 159 00:14:21,670 --> 00:14:24,210 Gee, I'm sorry, Moe. It was an accident. It won't happen again. 160 00:14:25,420 --> 00:14:26,039 You sure? 161 00:14:26,040 --> 00:14:27,040 I'm positive. 162 00:14:31,780 --> 00:14:36,900 You're the cause of this. 163 00:14:37,300 --> 00:14:38,320 What about it? 164 00:14:46,860 --> 00:14:48,580 Here's a flower for your hat, madam. 165 00:14:51,960 --> 00:14:53,380 Here's mud in your eye, mister. 166 00:14:58,030 --> 00:15:01,550 I don't know. Never mind. Let bygones be bygones. 167 00:15:01,750 --> 00:15:05,510 Okay. I'll show you guys a picture. What is a picture? Watch me. 168 00:15:15,930 --> 00:15:17,490 Oh, bygones, eh? 169 00:15:17,730 --> 00:15:18,730 Yeah. 170 00:15:21,590 --> 00:15:24,630 Who the... Oh, you're starting again, eh? 171 00:16:09,550 --> 00:16:10,550 Thank you, Papa. 172 00:16:39,760 --> 00:16:40,760 I'm in. 173 00:16:43,980 --> 00:16:45,140 I said come in. 174 00:17:44,810 --> 00:17:45,810 You did. 11350