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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:04,070 Authorities confirmed that Ms. Kim Na-bak of the beloved girl group, doLIVE, 2 00:00:04,137 --> 00:00:06,873 has been missing for some time. 3 00:00:06,940 --> 00:00:10,577 So you volunteered to look into the unprecedented kidnapping of an idol. 4 00:00:10,643 --> 00:00:13,580 You'll have to find all the hidden clues and uncover the truths 5 00:00:13,646 --> 00:00:15,181 to get to the bottom of this case 6 00:00:15,248 --> 00:00:18,318 and find the missing Kim Na-bak. 7 00:00:18,885 --> 00:00:19,986 THUS BEGAN THE INVESTIGATION 8 00:00:20,053 --> 00:00:21,821 The orange ones are for music shows. 9 00:00:22,622 --> 00:00:25,358 THE MONTHLY PLANNER DREW THE HEROES' SUSPICION 10 00:00:25,425 --> 00:00:26,426 Hey, just a second. 11 00:00:26,493 --> 00:00:28,028 -What is it? -We have a D. 12 00:00:28,094 --> 00:00:29,095 -That's what you see? -Yeah. 13 00:00:29,162 --> 00:00:30,730 -They must form an alphabet each. -It's an N! 14 00:00:30,797 --> 00:00:31,798 AN "N" FROM THE LESSONS 15 00:00:31,865 --> 00:00:32,866 We then get "dance." 16 00:00:32,932 --> 00:00:34,467 That's it. "Dance." 17 00:00:34,534 --> 00:00:35,869 Their first album was titled "Dance." 18 00:00:35,935 --> 00:00:37,303 "In the Water." 19 00:00:37,370 --> 00:00:38,805 -"In the Water." -Something must be there! 20 00:00:38,872 --> 00:00:40,073 COULD A CLUE BE IN THE WATER? 21 00:00:40,774 --> 00:00:42,108 -This is it. -Found it. 22 00:00:42,175 --> 00:00:44,377 THE HEROES INCHED CLOSER TO NA-BAK 23 00:00:44,444 --> 00:00:45,779 We have to find a code. 24 00:00:45,845 --> 00:00:46,846 HOWEVER, TRIALS FOLLOWED 25 00:00:46,913 --> 00:00:47,914 Confirm. 26 00:00:47,981 --> 00:00:50,417 THEY TACKLED ALL TASKS 27 00:00:50,483 --> 00:00:52,652 AND OVERCAME ALL OBSTACLES 28 00:00:53,219 --> 00:00:55,155 THE TEAM WAS ON A HOT STREAK! 29 00:00:55,221 --> 00:00:56,289 Go High Note was in fifth place. 30 00:00:56,356 --> 00:00:57,357 Na-bak took her spot. 31 00:00:57,424 --> 00:00:58,525 She was overtaken by Na-bak. 32 00:00:58,591 --> 00:01:00,894 -"Ghost singer"? -"Ghost singer contract." 33 00:01:00,960 --> 00:01:02,328 THEY WERE CLOSE TO SOLVING THE CASE 34 00:01:02,395 --> 00:01:03,930 Let's see what we can find here. 35 00:01:03,997 --> 00:01:06,399 BUT THE FINAL TASK STOPPED THEM 36 00:01:06,466 --> 00:01:08,168 It does feel like we're stuck here. 37 00:01:08,935 --> 00:01:11,171 -Is it this place? -Sae-ho! 38 00:01:11,237 --> 00:01:12,806 -The plastic surgery clinic. -Then, the pub. 39 00:01:12,872 --> 00:01:15,375 She went to the agency, the recording studio, and the pharmacy. 40 00:01:15,442 --> 00:01:17,077 -The stadium. -All the strokes might form a word. 41 00:01:17,143 --> 00:01:18,411 -It's a character. -That's a vowel. 42 00:01:18,478 --> 00:01:20,313 -So… -If we assemble all the letters… 43 00:01:20,380 --> 00:01:21,514 Wait… It's "basement"! 44 00:01:21,581 --> 00:01:22,882 The basement! 45 00:01:22,949 --> 00:01:24,784 KIM NA-BAK'S LAST KNOWN LOCATION 46 00:01:24,851 --> 00:01:27,854 The real deal is just about to begin. 47 00:01:27,921 --> 00:01:32,525 It has been confirmed that the place Kim Na-bak visited last was the basement. 48 00:01:32,592 --> 00:01:35,061 Now, you'll each take a turn to go down to the basement. 49 00:01:35,128 --> 00:01:38,364 You must find a hint each and return upstairs. 50 00:01:38,431 --> 00:01:39,699 Dang it. 51 00:01:39,766 --> 00:01:41,935 All five clues must be combined 52 00:01:42,001 --> 00:01:45,438 for you to find the missing Kim Na-bak. 53 00:01:45,505 --> 00:01:46,573 Bear that in mind. 54 00:01:46,639 --> 00:01:49,008 TO FIND KIM NA-BAK, THEY MUST FIND CLUES IN THE BASEMENT 55 00:01:49,576 --> 00:01:52,045 An assailant holding a knife doesn't scare me at all. 56 00:01:52,112 --> 00:01:54,180 But I flinch if someone charges at me yelling. 57 00:01:54,247 --> 00:01:56,349 It's supposed to be fine when you know it's all staged, 58 00:01:56,416 --> 00:01:57,817 but that's not the case for me. 59 00:01:57,884 --> 00:01:59,686 When we shot a similar episode for Beat Coin, 60 00:01:59,752 --> 00:02:01,488 a crew member brought a massive doll, remember? 61 00:02:01,554 --> 00:02:04,224 I greeted them while they were having a break with a vape. 62 00:02:04,290 --> 00:02:05,959 When I walked in, they greeted me. 63 00:02:06,025 --> 00:02:08,561 So I promised to overlook the vape, and we shook hands. 64 00:02:08,628 --> 00:02:10,230 When they later rushed at me on set, 65 00:02:10,296 --> 00:02:12,532 I knew who they were, but still hated the experience. 66 00:02:12,599 --> 00:02:13,733 That explains it all. 67 00:02:14,734 --> 00:02:16,369 Who wants to go downstairs first? 68 00:02:16,870 --> 00:02:18,705 We need our smart cookie to go later, 69 00:02:18,771 --> 00:02:20,106 so kick us off, Woo-young. 70 00:02:20,173 --> 00:02:21,608 -Go ahead, Woo-young. -I guess I could. 71 00:02:21,674 --> 00:02:23,643 Be honest. Are you sure you can go down there? 72 00:02:23,710 --> 00:02:25,678 Not really. I'm all about going up. 73 00:02:25,745 --> 00:02:27,647 -Here's an idea-- -Can one of you come with me? 74 00:02:27,714 --> 00:02:30,483 -I'll go after Woo-young. -Here he goes again. 75 00:02:30,550 --> 00:02:32,018 -Do I have to leave the house? -Yes. 76 00:02:32,085 --> 00:02:34,154 The basement here does creep me out too. 77 00:02:34,220 --> 00:02:35,555 Still, off you go, Woo-young. 78 00:02:35,622 --> 00:02:37,790 -Fine. I'll try to be brave. -Good. 79 00:02:37,857 --> 00:02:38,858 You can do this! 80 00:02:38,925 --> 00:02:42,162 -I guess I'll man up for today. -Good luck. 81 00:02:42,228 --> 00:02:43,830 -Go! -You've got this. 82 00:02:44,330 --> 00:02:46,866 Show us how brave you are, Woo-young. 83 00:02:47,901 --> 00:02:50,603 "WEAK HERO" DEPARTS FOR THE BASEMENT FIRST 84 00:02:50,670 --> 00:02:52,906 I simply hate a lodge like this one. 85 00:02:53,673 --> 00:02:56,809 THE OMINOUS VIBE IS PALPABLE EVEN FROM THE START 86 00:02:56,876 --> 00:02:58,711 Seriously, a lodge like this… 87 00:02:58,778 --> 00:03:01,381 I mean, why would a lodge like this one… 88 00:03:02,015 --> 00:03:03,016 Just… 89 00:03:03,082 --> 00:03:04,184 ALREADY LOST THE POWER OF SPEECH 90 00:03:04,250 --> 00:03:07,620 The concept of a lodge itself is the absolute worst. 91 00:03:08,821 --> 00:03:10,590 Can't you come with me, Director? 92 00:03:10,657 --> 00:03:13,293 You can take my camera with you. 93 00:03:13,359 --> 00:03:15,828 I seriously dislike a lodge like this. 94 00:03:15,895 --> 00:03:16,896 A BODYCAM AS A COMPANION 95 00:03:17,463 --> 00:03:20,266 Dang it. They got things set up again. 96 00:03:20,333 --> 00:03:21,768 FACES HIS OBJECT OF FEAR, THE LODGE 97 00:03:24,671 --> 00:03:28,875 THE EERIE ENERGY SWARMS IN THE STAIRWAY 98 00:03:32,845 --> 00:03:33,846 GROANS 99 00:03:36,849 --> 00:03:39,953 THE ENTRANCE TO THE BASEMENT 100 00:03:40,019 --> 00:03:41,754 So we're doing another summer horror episode? 101 00:03:41,821 --> 00:03:44,891 THE THREATENING BLUEISH LIGHT "WELCOMES" THE HERO 102 00:03:45,425 --> 00:03:47,760 VIEWER DISCRETION ADVISED TO THE PREGNANT, THE ELDERLY, AND THE INFIRM 103 00:03:47,827 --> 00:03:49,062 I'm so sorry. 104 00:03:49,562 --> 00:03:51,431 I beg of you… 105 00:03:52,465 --> 00:03:54,834 I'm just scared witless, that's all. 106 00:03:55,935 --> 00:03:57,704 A WAIL 107 00:03:57,770 --> 00:03:58,905 Dang it. 108 00:03:58,972 --> 00:04:00,540 MORE WAILING 109 00:04:02,742 --> 00:04:03,743 Come on. 110 00:04:03,810 --> 00:04:05,445 A NEWBORN'S CRY COMING FROM THE RESTROOM 111 00:04:06,779 --> 00:04:09,215 Seriously, come on. 112 00:04:10,583 --> 00:04:13,419 Why do I hear a baby crying in here? 113 00:04:13,486 --> 00:04:14,687 YOU CAN'T IGNORE A WAILING BABY 114 00:04:19,392 --> 00:04:21,160 Wait, that one's locked. 115 00:04:22,262 --> 00:04:23,263 This one too. 116 00:04:23,329 --> 00:04:24,330 NEIGHBORING DOORS ARE LOCKED 117 00:04:24,864 --> 00:04:26,733 Why do we have so many doors here? 118 00:04:28,434 --> 00:04:29,969 Cut me some slack, please. 119 00:04:34,007 --> 00:04:38,745 INSTEAD OF A BABY, A SPOOKY DOLL GREETS WOO-YOUNG 120 00:04:39,746 --> 00:04:41,247 THE BABY'S CRY WAS JUST A DECOY? 121 00:04:41,781 --> 00:04:44,851 For goodness' sake! 122 00:04:44,917 --> 00:04:46,753 IT'S JUST THE FIRST TASK, AND HE'S FED UP ALREADY 123 00:04:46,819 --> 00:04:48,087 I can't believe you people. 124 00:04:49,022 --> 00:04:50,156 Where's the hint? 125 00:04:50,857 --> 00:04:54,294 GINGERLY BEGINS TO SEARCH THE DOLL 126 00:04:54,360 --> 00:04:55,561 Damn it. 127 00:04:56,562 --> 00:04:58,298 THE NOTE AROUND ITS NECK ANNOUNCES THE NEXT MISSION 128 00:04:58,364 --> 00:05:00,033 "Go to the dance studio"? 129 00:05:00,933 --> 00:05:04,304 BARELY MANAGED TO LEARN THE NEXT MISSION 130 00:05:05,638 --> 00:05:09,142 THIS WAY TO THE DANCE STUDIO 131 00:05:09,208 --> 00:05:11,511 NEXT UP IS THAT ROOM, HUH? 132 00:05:12,412 --> 00:05:14,547 RIGHT HOOK, LEFT HOOK! 133 00:05:15,081 --> 00:05:17,283 COME AT ME, WORLD! 134 00:05:17,784 --> 00:05:20,353 APPROACHES THE STUDIO AFTER WASTING 30% OF HIS ENERGY 135 00:05:20,987 --> 00:05:22,422 Dang, it's spacious. 136 00:05:22,488 --> 00:05:23,556 Man… 137 00:05:24,390 --> 00:05:28,227 SECOND MISSION SITE DANCE STUDIO 138 00:05:29,128 --> 00:05:31,464 THE SUPPLIES ARE IN DISARRAY 139 00:05:31,998 --> 00:05:35,802 IT SEEMS TO HAVE BEEN ABANDONED LONG AGO FOR SOME UNKNOWN REASON 140 00:05:36,369 --> 00:05:39,605 WILL THIS PLACE GIVE WOO-YOUNG A HINT ABOUT NA-BAK'S LOCATION? 141 00:05:41,407 --> 00:05:43,409 Hold on. Let me tie up my shoelaces. 142 00:05:43,476 --> 00:05:46,412 Hey, give me a second here. I need to tie up my shoelaces quickly. 143 00:05:48,448 --> 00:05:50,216 I'm going to be brave today. 144 00:05:50,883 --> 00:05:52,618 I'm plucking up my courage. 145 00:06:04,897 --> 00:06:05,898 IT'S TAKING HIM AGES 146 00:06:05,965 --> 00:06:07,266 It's all good. 147 00:06:07,867 --> 00:06:09,035 It's all good, okay? 148 00:06:09,102 --> 00:06:10,670 BUT HE HASN'T RUN YET, AND THAT'S SOMETHING 149 00:06:10,737 --> 00:06:12,071 It's all good here. 150 00:06:15,408 --> 00:06:16,409 We're okay, right? 151 00:06:16,476 --> 00:06:17,477 IS THAT HIS WEAPON? 152 00:06:17,543 --> 00:06:19,412 WAIT 153 00:06:19,946 --> 00:06:21,247 Could it be in one of the lockers? 154 00:06:21,314 --> 00:06:23,950 COULD THE CLUE BE THERE? 155 00:06:24,450 --> 00:06:27,320 WOULD HE FIND THE HINT BEHIND THE FIRMLY SHUT DOORS? 156 00:06:28,821 --> 00:06:30,656 It took me five minutes already. 157 00:06:32,125 --> 00:06:33,159 Can it be here? 158 00:06:33,226 --> 00:06:34,293 CREEPS UP TO THE LOCKERS 159 00:06:35,528 --> 00:06:38,498 BRAVELY OPENS THE FIRST LOCKER 160 00:06:39,232 --> 00:06:43,302 ARE THOSE HANDS FROM A CORPSE? 161 00:06:43,836 --> 00:06:45,905 WHOEVER IT WAS, THEY HAD PRETTY HANDS 162 00:06:46,873 --> 00:06:48,975 VALIANTLY OPENS THE SECOND LOCKER 163 00:06:49,909 --> 00:06:52,845 ARE THOSE CHICKEN FEET? 164 00:06:52,912 --> 00:06:55,348 LET'S NOT FORGET ABOUT THOSE EERIE HAIR 165 00:06:55,915 --> 00:06:58,751 ALL THINGS CONSIDERED, HE ISN'T "WEAK HERO" BUT "COURAGEOUS HERO" 166 00:06:59,786 --> 00:07:01,220 I have to rise above today. 167 00:07:02,088 --> 00:07:03,523 IS HE REBRANDING AS THE TOUGH GUY? 168 00:07:03,589 --> 00:07:05,191 I have to rise above today. 169 00:07:05,258 --> 00:07:06,759 Today is the day I… 170 00:07:10,997 --> 00:07:12,064 Today is the day I… 171 00:07:12,832 --> 00:07:15,468 TODAY IS THE DAY "WEAK HERO" BECOMES "COWARDLY HERO" 172 00:07:16,035 --> 00:07:17,637 HE JUMPED FROM THIS POINT 173 00:07:17,703 --> 00:07:18,838 AND LANDED ON THIS POINT 174 00:07:19,405 --> 00:07:20,440 Shoot, my throat hurts. 175 00:07:20,940 --> 00:07:23,276 -What was that? -The hallway… 176 00:07:23,342 --> 00:07:24,677 Excuse me? 177 00:07:24,744 --> 00:07:25,912 Go to the hallway. 178 00:07:25,978 --> 00:07:26,979 DON'T MAKE ME REPEAT IT 179 00:07:27,046 --> 00:07:28,314 You want me to go this way? 180 00:07:28,381 --> 00:07:29,549 I was just here, no? 181 00:07:29,615 --> 00:07:31,017 I came from here. 182 00:07:32,018 --> 00:07:33,586 HELLO? 183 00:07:34,353 --> 00:07:35,788 SNEAKS A PEEK 184 00:07:35,855 --> 00:07:38,324 Goodness. It goes on forever. 185 00:07:38,858 --> 00:07:41,694 HE'S REACHED THE HALLWAY MS. GHOST POINTED TO 186 00:07:42,562 --> 00:07:45,298 Please, guys. Go easy on me just this once. 187 00:07:45,364 --> 00:07:46,499 I'm begging you. 188 00:07:46,999 --> 00:07:48,034 Is this it? 189 00:07:51,737 --> 00:07:54,574 A SAFE WITH A KEYPAD FOUND AT THE END OF THE HALLWAY 190 00:07:54,640 --> 00:07:58,010 "Press the passcode and the 'E' button." 191 00:07:58,077 --> 00:07:59,712 The passcode and the E button? 192 00:07:59,779 --> 00:08:02,248 BUT HE HAS NO LEADS ON THE PASSCODE 193 00:08:02,849 --> 00:08:03,850 THIS DOOR IS LOCKED 194 00:08:03,916 --> 00:08:05,117 Okay. 195 00:08:05,184 --> 00:08:06,786 IS THIS ONE LOCKED TOO? 196 00:08:06,853 --> 00:08:08,087 What's this? 197 00:08:08,154 --> 00:08:09,689 Is this supposed to open? 198 00:08:10,656 --> 00:08:11,657 A passcode, huh? 199 00:08:11,724 --> 00:08:13,459 THUD! 200 00:08:14,794 --> 00:08:16,496 HE WAS TRYING TO FIND A WAY TO OPEN THE DOOR 201 00:08:16,562 --> 00:08:19,165 WHEN A SUDDEN NOISE JOLTED HIM 202 00:08:21,868 --> 00:08:23,135 I mean, the passcode… 203 00:08:23,202 --> 00:08:24,704 CAN SOMEONE BE WAITING BEHIND THE DOOR? 204 00:08:25,338 --> 00:08:26,706 How do we find the code? 205 00:08:26,772 --> 00:08:29,208 THE LOCKED DOOR AND THE SAFE REMAIN A MYSTERY 206 00:08:31,010 --> 00:08:34,480 SUPPRESSING THE URGE TO RUN, WOO-YOUNG RETURNS TO THE HALLWAY 207 00:08:35,515 --> 00:08:38,518 I'M IN THE HALLWAY BECAUSE I WAS TOLD TO COME HERE 208 00:08:38,584 --> 00:08:41,387 BUT WHAT EXACTLY DO I HAVE TO DO HERE? 209 00:08:44,023 --> 00:08:46,659 A FIGURE SUDDENLY JUMPS AT WOO-YOUNG 210 00:08:46,726 --> 00:08:47,727 Darn it. 211 00:08:49,929 --> 00:08:52,865 THEIR BIG BULK AND WADDLING GAIT 212 00:08:52,932 --> 00:08:55,401 DEFINITELY SEEM FAMILIAR 213 00:08:57,169 --> 00:08:59,839 ISN'T THAT THE DINOSAUR FROM THE PREVIOUS SHOOT 214 00:08:59,906 --> 00:09:04,143 WHO VALIANTLY SACRIFICED THEMSELVES TO SECURE A PRESENT FOR SOOK? 215 00:09:05,278 --> 00:09:08,314 WAIT, BUT WHAT IS THIS DINOSAUR DOING IN THE BASEMENT? 216 00:09:08,915 --> 00:09:10,616 MAKES A RUN FOR IT ANYWAY 217 00:09:10,683 --> 00:09:12,084 THROWS A WEAPON AT THE DINOSAUR 218 00:09:12,151 --> 00:09:13,686 Dude. What's your deal? 219 00:09:13,753 --> 00:09:15,555 Tell me what you want! 220 00:09:15,621 --> 00:09:17,356 THE DINOSAUR HELD A MISSION CARD 221 00:09:17,423 --> 00:09:18,891 I have to go to the vocal training room? 222 00:09:18,958 --> 00:09:20,459 Where is this place, anyway? 223 00:09:21,127 --> 00:09:22,228 Can I get an autograph? 224 00:09:23,429 --> 00:09:26,332 WHO CHARGES AT A CELEBRITY TO ASK FOR AN AUTOGRAPH LIKE THAT? 225 00:09:26,399 --> 00:09:27,466 -My marker… -Are you okay? 226 00:09:27,533 --> 00:09:28,534 It must've flown away. 227 00:09:28,601 --> 00:09:29,802 Are you all right? 228 00:09:29,869 --> 00:09:31,470 -Where's my marker? -Where's this room? 229 00:09:32,138 --> 00:09:34,473 Are you okay? I'm sorry about chucking that chair. 230 00:09:35,107 --> 00:09:36,976 THE MARKER MUST'VE BEEN LOST THEN 231 00:09:37,610 --> 00:09:38,611 WIDE OPEN 232 00:09:38,678 --> 00:09:40,146 I'm here. 233 00:09:40,212 --> 00:09:42,315 STUMBLES INTO THE VOCAL TRAINING ROOM WHILE RUNNING AWAY 234 00:09:42,381 --> 00:09:44,650 I've reached my destination. I'm here… 235 00:09:45,217 --> 00:09:46,619 LEAVES WITHOUT HIS AUTOGRAPH 236 00:09:46,686 --> 00:09:48,220 Gosh, thank you for your trouble. 237 00:09:48,287 --> 00:09:50,022 I'm sorry about earlier. I didn't mean to. 238 00:09:50,089 --> 00:09:52,024 It's just that I got startled when you rushed in. 239 00:09:52,091 --> 00:09:54,527 HIS EXIT ISN'T AS IMPRESSIVE AS HIS DRAMATIC ENTRANCE 240 00:09:55,261 --> 00:09:57,196 It's just that I got startled when you rushed in. 241 00:09:57,263 --> 00:09:59,198 ENTERS THE VOCAL TRAINING ROOM AFTER THE APOLOGY 242 00:10:00,800 --> 00:10:01,934 Karaoke? 243 00:10:02,001 --> 00:10:03,302 THIRD MISSION SITE VOCAL TRAINING ROOM 244 00:10:03,369 --> 00:10:04,370 MISSION CARD 245 00:10:04,437 --> 00:10:05,805 Hold on. 246 00:10:05,871 --> 00:10:07,907 "Punch in 66782 and sing the song"? 247 00:10:09,175 --> 00:10:10,309 Dang, my voice, though. 248 00:10:10,376 --> 00:10:12,178 WILL HE BE ABLE TO SING AFTER SCREAMING SO MUCH? 249 00:10:13,512 --> 00:10:14,981 You want me to sing "Arirang"? 250 00:10:15,047 --> 00:10:16,515 "ARIRANG," THE FOLK SONG? 251 00:10:16,582 --> 00:10:20,820 YOU WANT ME TO SING "ARIRANG" AFTER BEING CHASED BY THE DINOSAUR? 252 00:10:21,320 --> 00:10:25,424 THIS FEELS LIKE A CHAOTIC DREAM AFTER AN ESPECIALLY LONG DAY 253 00:10:26,158 --> 00:10:28,427 All right. Let's calm down with the song. 254 00:10:30,029 --> 00:10:32,632 A SWIG OF COLD WATER 255 00:10:35,267 --> 00:10:36,969 SQUEAK 256 00:10:38,771 --> 00:10:41,907 UNBEKNOWNST TO WOO-YOUNG, THE DOOR CLOSES SHUT QUIETLY 257 00:10:42,642 --> 00:10:44,977 Arirang… 258 00:10:45,044 --> 00:10:47,179 FOR A HERO, HE'S NOT SO BRIGHT 259 00:10:47,246 --> 00:10:48,981 ENGROSSED IN THE SONG 260 00:10:49,048 --> 00:10:50,516 Arariyo 261 00:10:51,050 --> 00:10:53,586 You're going over the Arirang Hill… 262 00:10:53,653 --> 00:10:55,721 "DID I CLOSE THAT DOOR?" 263 00:10:56,255 --> 00:10:59,425 FOCUSES ON THE SINGING MISSION 264 00:10:59,492 --> 00:11:00,660 My love… 265 00:11:02,128 --> 00:11:03,562 JUST WHEN THINGS GET RELAXED 266 00:11:03,629 --> 00:11:07,299 THE ELECTRICITY GOES OUT TO CREATE THE SUSPENSE 267 00:11:07,366 --> 00:11:10,436 For goodness' sake, guys. You're really ticking me off! 268 00:11:10,936 --> 00:11:11,937 A SUDDEN KNOCK 269 00:11:12,004 --> 00:11:13,139 You're really ticking me off! 270 00:11:15,074 --> 00:11:18,077 THE "COWARDLY HERO" TURNS OUT TO BE A HIGH-JUMP HERO 271 00:11:18,577 --> 00:11:19,679 All right, fine. 272 00:11:19,745 --> 00:11:22,448 I got your message. My bad. 273 00:11:22,515 --> 00:11:25,117 I'm really regretting it. I mean it… 274 00:11:25,184 --> 00:11:27,453 WHAT TOOK YOU SO LONG? 275 00:11:27,520 --> 00:11:28,788 I apologize! 276 00:11:28,854 --> 00:11:30,356 I apologize! 277 00:11:30,423 --> 00:11:32,425 I made a mistake. 278 00:11:32,491 --> 00:11:33,492 My apologies. 279 00:11:33,559 --> 00:11:34,794 COMING THROUGH 280 00:11:34,860 --> 00:11:37,329 FORGET ABOUT THE MISSION! THIS HERO'S GOING TO RUN FOR IT 281 00:11:37,396 --> 00:11:39,565 I feel you. I'll take off. What do I do now? 282 00:11:39,632 --> 00:11:40,633 Just a second! 283 00:11:40,700 --> 00:11:42,702 What's this? Wait. 284 00:11:42,768 --> 00:11:43,803 What is this? 285 00:11:43,869 --> 00:11:45,671 MS. GHOST HANDS HIM SOMETHING AFTER THE CHASE 286 00:11:45,738 --> 00:11:46,972 Go up. 287 00:11:47,039 --> 00:11:49,141 -You want me to go up? -Go upstairs. 288 00:11:49,208 --> 00:11:52,078 THANK YOU AND GOODBYE 289 00:11:52,712 --> 00:11:54,914 I still think… I did pretty okay. 290 00:11:55,548 --> 00:11:56,582 I did it. 291 00:11:57,149 --> 00:11:59,652 LET ME GET BACK AND BRAG TO MY CASTMATES 292 00:12:00,586 --> 00:12:01,587 Here he comes. 293 00:12:02,254 --> 00:12:04,090 -I bet he failed. -He'll ask us to come with him. 294 00:12:04,156 --> 00:12:05,558 I did it all by myself! 295 00:12:05,624 --> 00:12:06,759 -You got the clue? -You did it! 296 00:12:06,826 --> 00:12:08,461 -I did it by myself. -What's the clue? 297 00:12:08,527 --> 00:12:09,528 A tambourine? 298 00:12:09,595 --> 00:12:11,464 What the… Why did I bring it with me? 299 00:12:12,098 --> 00:12:14,266 -Why did you bring it with you? -Look, it's number five. 300 00:12:14,333 --> 00:12:15,367 -My gosh. -I got my clue. 301 00:12:15,434 --> 00:12:17,203 Did they make you solve a quiz for it? 302 00:12:17,269 --> 00:12:19,205 Tell us. What's the vibe like down there? 303 00:12:19,805 --> 00:12:21,006 Compared to the Beat Coin episode… 304 00:12:21,607 --> 00:12:22,608 Well… 305 00:12:22,675 --> 00:12:24,510 THERE WAS A SIMILAR EPISODE IN BEAT COIN 306 00:12:24,577 --> 00:12:26,145 How should I put this? 307 00:12:26,212 --> 00:12:27,780 There are more physical interactions. 308 00:12:27,847 --> 00:12:28,848 So someone's down there? 309 00:12:28,914 --> 00:12:30,349 Come on, give it to us straight. 310 00:12:30,416 --> 00:12:31,951 -What did you do? -I suppose 311 00:12:32,017 --> 00:12:34,854 the whole point is to keep going. 312 00:12:34,920 --> 00:12:36,589 Keep on opening new doors. 313 00:12:36,655 --> 00:12:38,491 I got lost the last time. 314 00:12:38,557 --> 00:12:40,159 -Did you have to open a lot of doors? -Yeah. 315 00:12:40,226 --> 00:12:43,062 I'm sweating buckets here. Let me take off my wig. 316 00:12:44,463 --> 00:12:46,899 -Who wants to go next? -Me. 317 00:12:46,966 --> 00:12:48,100 -Or me. -I'm skittish, though. 318 00:12:48,167 --> 00:12:49,301 I could take my turn next. 319 00:12:50,936 --> 00:12:52,438 No, I'll go next. 320 00:12:52,938 --> 00:12:55,040 Practice your one-two combo before you go, Sook. 321 00:12:55,107 --> 00:12:56,742 ALL YOU CAN COUNT ON ARE YOUR TWO FISTS! 322 00:12:56,809 --> 00:12:58,010 Knock them down. 323 00:12:58,511 --> 00:12:59,979 HONG GIL-DONG HEADS TO THE BASEMENT SECOND 324 00:13:00,045 --> 00:13:01,380 Good luck! 325 00:13:01,447 --> 00:13:02,648 I'm sweating like crazy. 326 00:13:02,715 --> 00:13:04,683 I'm terrible with directions. 327 00:13:04,750 --> 00:13:06,519 COWARDLY AND HOPELESS AT DIRECTIONS 328 00:13:07,219 --> 00:13:09,488 Honestly, this isn't at all to my liking. 329 00:13:09,555 --> 00:13:10,556 WHINING FROM THE GET-GO 330 00:13:10,623 --> 00:13:12,324 This type of challenge terrifies me. 331 00:13:13,259 --> 00:13:15,094 DRAGGING HER FEET 332 00:13:17,163 --> 00:13:18,831 Shouldn't you use the landscape mode? 333 00:13:20,032 --> 00:13:23,636 THOUGH TERRIFIED, THIS HERO STILL PROVIDES GREAT FILMING TIPS 334 00:13:24,703 --> 00:13:27,640 Seriously though, I don't like basements. 335 00:13:29,475 --> 00:13:31,076 I don't like basements 336 00:13:31,143 --> 00:13:32,812 and the jump scares. 337 00:13:33,779 --> 00:13:35,314 I don't like hints either. 338 00:13:35,381 --> 00:13:37,716 Won't we be able to proceed without my clue? 339 00:13:40,252 --> 00:13:41,487 Do I have to go alone? 340 00:13:42,087 --> 00:13:43,789 Don't be like that. Come with me. 341 00:13:45,224 --> 00:13:48,093 LETTING THE CREW PUT A BODYCAM WITHOUT COMPLAINT 342 00:13:48,160 --> 00:13:49,595 It's not fastened down. 343 00:13:49,662 --> 00:13:50,663 Are the straps loose? 344 00:13:50,729 --> 00:13:51,964 Yeah, let me adjust them. 345 00:13:52,865 --> 00:13:55,801 MY FEELINGS ASIDE, WE NEED GOOD FOOTAGE 346 00:13:55,868 --> 00:13:57,303 Yeah, the bodycam is secure now. 347 00:13:57,369 --> 00:13:58,470 I'll be back, then. 348 00:13:58,537 --> 00:14:00,072 Dang it. 349 00:14:00,139 --> 00:14:02,007 Is this it? 350 00:14:02,074 --> 00:14:04,944 BACK TO WHINING 351 00:14:06,445 --> 00:14:10,449 THE VETERAN HERO OF THE SHOWBIZ INDUSTRY, HONG GIL-DONG, ENTERS THE BASEMENT 352 00:14:11,283 --> 00:14:13,118 Gosh, this is insane. 353 00:14:13,185 --> 00:14:14,220 SIGHING FROM THE GET-GO 354 00:14:14,286 --> 00:14:15,588 Why must I go through with this? 355 00:14:17,056 --> 00:14:19,725 Oh, shoot. Look at the color of the lights. 356 00:14:20,359 --> 00:14:23,762 CHECKS AGAIN FREAKED OUT 357 00:14:24,897 --> 00:14:26,332 This is driving me insane. 358 00:14:26,398 --> 00:14:28,400 Did they have to turn the lights blue? 359 00:14:29,969 --> 00:14:33,439 THE BASEMENT LOOKS DARKER FROM GIL-DONG'S POINT OF VIEW 360 00:14:33,939 --> 00:14:35,040 Don't do it. 361 00:14:35,741 --> 00:14:37,243 I'm warning you. 362 00:14:37,309 --> 00:14:38,310 A WAIL 363 00:14:38,377 --> 00:14:39,979 OH, HEAVENS… 364 00:14:40,546 --> 00:14:43,015 THE BASEMENT MISSION STARTS WITH A BABY'S WAIL 365 00:14:44,083 --> 00:14:45,651 Damn it. 366 00:14:46,685 --> 00:14:48,454 THIS IS TOO MUCH FOR THE INITIAL TRIAL 367 00:14:48,520 --> 00:14:49,655 Jeez. 368 00:14:51,991 --> 00:14:54,093 This is insane. 369 00:14:56,629 --> 00:15:00,733 SUPPRESSES HER FEAR AND ENTERS THE BATHROOM 370 00:15:01,700 --> 00:15:03,402 THE DOOR LEADING TO THE NEXT ROOM IS LOCKED 371 00:15:03,469 --> 00:15:04,770 The baby must be here. 372 00:15:05,871 --> 00:15:07,172 The baby must be here. 373 00:15:08,107 --> 00:15:09,341 ARE YOU HERE, LITTLE ONE? 374 00:15:09,942 --> 00:15:11,210 THERE ARE NO BABIES HERE 375 00:15:12,511 --> 00:15:13,846 Damn it! 376 00:15:14,480 --> 00:15:16,482 Seriously, don't do this. 377 00:15:16,982 --> 00:15:18,684 A LOUD WAIL 378 00:15:18,751 --> 00:15:21,186 Seriously, I'm this close to losing my wits. 379 00:15:22,955 --> 00:15:26,558 THE BABY'S WAIL DIDN'T STOP EVEN AFTER SHE OPENED THE DOOR 380 00:15:27,593 --> 00:15:30,029 SHOULD SHE OPEN THE FIRMLY SHUT DOOR ON THE LEFT SIDE? 381 00:15:30,529 --> 00:15:32,998 The whole point is to keep going. 382 00:15:33,065 --> 00:15:35,034 -Did you have to open a lot of doors? -Yeah. 383 00:15:35,601 --> 00:15:38,003 WOO-YOUNG CLEARLY SAID TO KEEP GOING 384 00:15:38,070 --> 00:15:41,407 HE DIDN'T OPEN THAT DOOR, THOUGH 385 00:15:41,907 --> 00:15:43,509 WILL THERE BE ANOTHER HINT BEHIND THE DOOR? 386 00:15:43,575 --> 00:15:44,710 JUST A LITTLE BIT… 387 00:15:46,912 --> 00:15:49,348 IS THERE REALLY A BABY GHOST? 388 00:15:50,316 --> 00:15:51,317 That doll. 389 00:15:51,984 --> 00:15:52,985 KIM YU-GYEONG, PRODUCER 390 00:15:53,052 --> 00:15:54,753 -That doll. -The what? 391 00:15:54,820 --> 00:15:56,322 LOOK AT THE DOLL IN THE BACK, NOT HERE 392 00:15:56,822 --> 00:15:59,658 TURNS OUT I DIDN'T HAVE TO CHECK THERE 393 00:16:00,426 --> 00:16:01,694 EMBARRASSED 394 00:16:01,760 --> 00:16:04,363 CRACKS UP 395 00:16:04,430 --> 00:16:07,499 I really panicked when that door slid open. 396 00:16:08,000 --> 00:16:11,236 OLD SAYINGS TEACH YOU TO FEAR PEOPLE MOST FOR A REASON 397 00:16:12,738 --> 00:16:14,139 I have to go to the dance studio? 398 00:16:14,673 --> 00:16:16,208 Where is the dance studio? 399 00:16:17,476 --> 00:16:19,478 SHE BARELY LEARNED THE NEXT MISSION 400 00:16:19,545 --> 00:16:21,046 Oh, please… 401 00:16:21,113 --> 00:16:22,114 Please… 402 00:16:22,848 --> 00:16:24,083 Please don't lunge at me. 403 00:16:24,149 --> 00:16:25,150 ENTERS THE DANCE STUDIO 404 00:16:26,685 --> 00:16:28,320 I'm losing my mind here. 405 00:16:28,854 --> 00:16:30,322 This is the worst… 406 00:16:30,389 --> 00:16:31,390 Don't do anything. 407 00:16:31,457 --> 00:16:32,825 Please don't try anything. 408 00:16:32,891 --> 00:16:34,727 I swear I'll… 409 00:16:35,995 --> 00:16:37,863 ON HIGH ALERT 410 00:16:37,930 --> 00:16:42,067 TIPTOEING AROUND 411 00:16:45,037 --> 00:16:47,373 SPOTS THE FIRMLY SHUT LOCKERS 412 00:16:47,906 --> 00:16:49,875 THOSE LOCKERS OBVIOUSLY HAVE TO BE OPENED 413 00:16:50,676 --> 00:16:52,478 BEGRUDGINGLY APPROACHES THEM 414 00:16:52,978 --> 00:16:54,847 HYPERVENTILATING 415 00:16:54,913 --> 00:16:56,315 NOTHING HAS BEEN DONE YET 416 00:16:56,382 --> 00:16:57,483 Don't do it. 417 00:16:59,418 --> 00:17:01,420 HOW WILL THIS HERO REACT AFTER OPENING THE LOCKERS? 418 00:17:05,057 --> 00:17:07,192 Damn it. Those crazy bastards. 419 00:17:07,259 --> 00:17:08,594 SHOOT, I'M ON CAMERA 420 00:17:09,094 --> 00:17:10,996 GETS IT TOGETHER AND OPENS THE SECOND LOCKER 421 00:17:11,063 --> 00:17:12,064 RED CHICKEN FEET 422 00:17:12,131 --> 00:17:13,365 Are you kidding me? 423 00:17:14,033 --> 00:17:15,434 Why put chicken feet in here? 424 00:17:16,502 --> 00:17:17,903 HERE COMES THE LOCKER GHOST 425 00:17:17,970 --> 00:17:19,772 Why put chicken feet in here? 426 00:17:19,838 --> 00:17:23,208 WE GOT YOU ON YOUR TOES AGAIN, DIDN'T WE? 427 00:17:24,176 --> 00:17:25,644 SOOK SLAMMED THE DOOR BY REFLEX 428 00:17:25,711 --> 00:17:27,913 DON'T YOU DARE, I HAVE A MESSAGE FOR YOU 429 00:17:27,980 --> 00:17:30,182 -Go to the hallway. -What? 430 00:17:30,249 --> 00:17:31,383 Go to the hallway. 431 00:17:31,450 --> 00:17:32,818 Goodness. 432 00:17:32,885 --> 00:17:33,886 THUMP 433 00:17:33,952 --> 00:17:34,953 Quickly. 434 00:17:35,020 --> 00:17:37,389 Dang it. Which way is it to this hallway anyway? 435 00:17:37,456 --> 00:17:40,125 I'm hopeless at directions, but you put me through this every time. 436 00:17:41,527 --> 00:17:43,796 SOOK STILL GOES IN THE DIRECTION MS. GHOST POINTED TO 437 00:17:43,862 --> 00:17:46,198 Why is it so complicated down here? 438 00:17:48,233 --> 00:17:49,535 A BANG SNAP GOES OFF 439 00:17:50,069 --> 00:17:51,070 Those rascals. 440 00:17:52,004 --> 00:17:53,439 Damn them all. 441 00:17:53,505 --> 00:17:55,541 SHE'S TOO FRIGHTENED TO SWALLOW THE CURSES 442 00:17:55,607 --> 00:17:57,409 Damn them all. 443 00:17:57,476 --> 00:17:59,678 WOULD SHE GIVE ME AN AUTOGRAPH IF SHE'S AS MAD AS SHE SOUNDS? 444 00:18:00,612 --> 00:18:04,917 STILL, I HAVE A JOB TO DO 445 00:18:05,250 --> 00:18:06,452 WHAT IS THAT NOW? 446 00:18:06,518 --> 00:18:07,519 Give me an autograph. 447 00:18:07,586 --> 00:18:09,254 PLEASE GIVE ME AN AUTOGRAPH 448 00:18:09,755 --> 00:18:10,756 What's with you, punk? 449 00:18:10,823 --> 00:18:12,124 Gosh, I'm so sorry. 450 00:18:12,191 --> 00:18:14,526 -Where's the vocal training room? -Here's a marker. 451 00:18:14,593 --> 00:18:16,929 -What was that? -Please give me an autograph. 452 00:18:16,995 --> 00:18:19,364 Did you have to charge at me to ask for an autograph? 453 00:18:22,067 --> 00:18:25,838 Where's the vocal training room? Can you give me a general direction? 454 00:18:26,405 --> 00:18:27,773 RUNS AWAY TO KEEP A SECRET 455 00:18:27,840 --> 00:18:29,341 That punk… He popped a bang snap too. 456 00:18:30,075 --> 00:18:32,144 Where is the vocal training room anyway? 457 00:18:33,112 --> 00:18:35,414 Oh, man. This is driving me nuts. 458 00:18:36,215 --> 00:18:37,449 Where is this place? 459 00:18:37,516 --> 00:18:38,550 FOUND IT 460 00:18:40,552 --> 00:18:42,287 I have a heart condition, you know. 461 00:18:43,489 --> 00:18:44,857 ENTERS THE FINAL CHALLENGE OF IT ALL 462 00:18:44,923 --> 00:18:47,292 Why does it look so ominous? 463 00:18:47,359 --> 00:18:48,360 Don't do it. 464 00:18:48,994 --> 00:18:50,062 Just don't. 465 00:18:50,129 --> 00:18:51,463 WHATEVER IT IS, PLEASE DON'T DO IT 466 00:18:51,964 --> 00:18:54,299 "Punch in 66782 and sing the song." 467 00:18:55,000 --> 00:18:56,401 What, "Arirang"? 468 00:18:57,402 --> 00:18:59,972 I GUESS THAT COULD HELP ME CALM DOWN 469 00:19:00,572 --> 00:19:03,909 THE SONG GOES GREAT WITH HER COSTUME 470 00:19:04,877 --> 00:19:06,211 CHECKS THE MIC 471 00:19:07,379 --> 00:19:09,448 LET US CLOSE THE DOOR FOR YOU, MA'AM 472 00:19:11,717 --> 00:19:14,887 THE DOOR IS CLOSED QUIETLY YET AGAIN WHILE THE MACHINE KEEPS THE HERO OCCUPIED 473 00:19:15,387 --> 00:19:16,989 Arirang 474 00:19:17,055 --> 00:19:18,957 Arirang 475 00:19:19,024 --> 00:19:20,025 Arariyo 476 00:19:20,092 --> 00:19:22,227 ADDS BLEATING SOUND EFFECT BY HERSELF 477 00:19:23,462 --> 00:19:25,230 You're going over… 478 00:19:25,297 --> 00:19:26,932 THE LIGHT GOES OFF 479 00:19:26,999 --> 00:19:28,433 JUST WHEN SHE LETS HER GUARD DOWN 480 00:19:28,500 --> 00:19:30,235 WE STRIKE AGAIN 481 00:19:30,302 --> 00:19:31,803 What's going on? 482 00:19:32,371 --> 00:19:33,372 IT'S TIME TO GO, SOOK 483 00:19:33,438 --> 00:19:35,073 Come on, turn the light back on. 484 00:19:36,208 --> 00:19:37,976 Jeez, I can't open that door. 485 00:19:39,011 --> 00:19:40,179 Dang it. 486 00:19:41,046 --> 00:19:42,347 WALKS IN HERSELF 487 00:19:42,414 --> 00:19:44,583 The light. Please turn it back on. 488 00:19:45,284 --> 00:19:46,418 SHE'S SUPPOSED TO SCREAM 489 00:19:46,485 --> 00:19:47,486 BUT MERELY HOLDS THE CLUE OUT 490 00:19:47,553 --> 00:19:48,554 Is it for me? 491 00:19:48,620 --> 00:19:49,621 YEAH 492 00:19:49,688 --> 00:19:50,689 Sorry about that. 493 00:19:52,291 --> 00:19:53,292 Is it for me? 494 00:19:53,358 --> 00:19:54,359 NO SCREAMING FOR THE COWARD 495 00:19:54,426 --> 00:19:55,827 Sorry about that. 496 00:19:55,894 --> 00:19:57,196 Go up. 497 00:19:57,262 --> 00:19:58,297 What? 498 00:19:58,363 --> 00:19:59,831 -Go up. -To where? 499 00:20:00,532 --> 00:20:01,700 Is it over now? 500 00:20:02,534 --> 00:20:03,902 -Go upstairs. -Okay. 501 00:20:04,403 --> 00:20:05,771 After you. 502 00:20:05,837 --> 00:20:07,105 YOU'RE BLOCKING MY WAY 503 00:20:07,739 --> 00:20:09,508 Jeez, I'm so sorry. 504 00:20:09,575 --> 00:20:11,476 But I can't handle this. 505 00:20:11,543 --> 00:20:13,045 Please go. Please. 506 00:20:13,111 --> 00:20:14,513 Enough fooling around, okay? 507 00:20:15,147 --> 00:20:16,448 It was my bad. 508 00:20:17,015 --> 00:20:18,083 Honestly… 509 00:20:18,150 --> 00:20:20,786 HONG GIL-DONG FINALLY CLEARS THE LAST TRIAL 510 00:20:20,852 --> 00:20:23,889 I hate to bother you again, but I'm terrible with directions, you see. 511 00:20:25,290 --> 00:20:27,025 Dang it. Where the heck am I? 512 00:20:28,160 --> 00:20:30,095 Dang it. Where the heck am I? 513 00:20:31,763 --> 00:20:34,733 CLUELESS SOOK 514 00:20:34,800 --> 00:20:36,001 I'm no good with directions. 515 00:20:36,068 --> 00:20:37,369 THIS WAY IS THE EXIT 516 00:20:38,337 --> 00:20:39,538 Oh, I ran this way. 517 00:20:40,038 --> 00:20:41,406 I turned this corner… 518 00:20:41,473 --> 00:20:45,143 DANCE STUDIO 519 00:20:45,210 --> 00:20:46,478 Don't do anything. 520 00:20:46,545 --> 00:20:48,146 PRO TIP FOR THE DIRECTIONALLY CHALLENGED 521 00:20:48,213 --> 00:20:50,949 RETRACE YOUR STEPS IF YOU DON'T KNOW WHERE THE EXIT IS 522 00:20:51,016 --> 00:20:52,551 Goodness. Don't try anything. 523 00:20:53,785 --> 00:20:55,887 Which way did I come in again? 524 00:20:55,954 --> 00:20:56,955 IT'S THIS WAY 525 00:20:57,022 --> 00:20:58,323 Probably here, right? 526 00:20:59,258 --> 00:21:01,226 Here it is. 527 00:21:01,293 --> 00:21:03,562 MAYBE WE SHOULD GIVE YOU A MAZE MISSION NEXT TIME 528 00:21:04,229 --> 00:21:05,230 She's back. 529 00:21:05,297 --> 00:21:06,298 HERE COMES SOOK 530 00:21:06,365 --> 00:21:08,367 -She looks super mad. -Dang it. 531 00:21:08,433 --> 00:21:09,701 What's the matter? 532 00:21:11,970 --> 00:21:13,305 Gosh, is that five or two? 533 00:21:13,372 --> 00:21:14,373 TAKE IT, IT'S NUMBER 5 534 00:21:14,439 --> 00:21:16,241 -It's five. -It's five again. 535 00:21:16,308 --> 00:21:18,043 -I'm so pissed. -What happened? 536 00:21:19,211 --> 00:21:20,345 You can't handle it, Sae-ho. 537 00:21:21,546 --> 00:21:22,614 Why do you say that? 538 00:21:22,681 --> 00:21:23,782 You can't go in there. 539 00:21:23,849 --> 00:21:25,617 THAT'S ALL I'M SAYING ON THE SUBJECT 540 00:21:25,684 --> 00:21:26,685 Why can't I go in there? 541 00:21:26,752 --> 00:21:27,953 Talk to me, Sook. 542 00:21:28,020 --> 00:21:29,121 You just can't. 543 00:21:29,187 --> 00:21:31,123 CRACKING UP 544 00:21:31,189 --> 00:21:32,291 Tell me why. 545 00:21:32,357 --> 00:21:35,227 WOO-YOUNG KNOWS WHAT'S UP WHILE SAE-HO IS CLUELESS 546 00:21:35,294 --> 00:21:36,461 WHY IS EVERYONE LAUGHING? 547 00:21:36,528 --> 00:21:37,596 What's the matter? 548 00:21:38,130 --> 00:21:39,197 DON'T EVEN TRY IT, SAE-HO 549 00:21:39,264 --> 00:21:41,199 -You have no hope. -But why? Tell me why, Sook. 550 00:21:42,901 --> 00:21:44,202 If she held a cigarette, 551 00:21:44,269 --> 00:21:45,504 -it'd look perfect. -Yeah? 552 00:21:46,972 --> 00:21:48,106 I'd love to slide a stick here. 553 00:21:48,173 --> 00:21:51,276 It feels like we need some smoke covering up Sook's face. 554 00:21:51,343 --> 00:21:52,644 I can only say… 555 00:21:53,578 --> 00:21:54,780 that it ticked me off. 556 00:21:55,514 --> 00:21:56,915 What's with the vibe downstairs? 557 00:21:56,982 --> 00:21:59,751 For me, the last part was the worst. 558 00:21:59,818 --> 00:22:01,320 It was so frightening. 559 00:22:01,386 --> 00:22:02,721 My heart is still racing. 560 00:22:02,788 --> 00:22:03,789 STILL THUMPING HARD 561 00:22:03,855 --> 00:22:06,625 Whatever they've got, those are mere setups. I'll be fine. 562 00:22:06,692 --> 00:22:08,060 PUTS UP A CALM FACADE 563 00:22:08,126 --> 00:22:11,029 I'm not talking about the setups. The general vibe is awful. 564 00:22:11,096 --> 00:22:12,097 And she's right. 565 00:22:12,164 --> 00:22:14,199 Isn't it super humid downstairs? 566 00:22:14,266 --> 00:22:17,569 I've been wondering what they must've done. 567 00:22:17,636 --> 00:22:19,871 When they come running… No, I shouldn't say that. 568 00:22:19,938 --> 00:22:22,274 If you ask me, the bathroom… 569 00:22:22,774 --> 00:22:23,775 Forget it. 570 00:22:23,842 --> 00:22:24,876 SO MANY QUESTIONS 571 00:22:24,943 --> 00:22:26,378 The… 572 00:22:26,445 --> 00:22:27,612 Just see for yourselves. 573 00:22:27,679 --> 00:22:30,349 FIRST-HAND EXPERIENCE WILL TELL YOU EVERYTHING 574 00:22:30,982 --> 00:22:31,983 PATS FOR COMFORT 575 00:22:32,050 --> 00:22:33,051 It's okay. 576 00:22:33,118 --> 00:22:34,286 After I pushed a chair… 577 00:22:34,853 --> 00:22:35,854 FLASHMAN GOES THIRD 578 00:22:35,921 --> 00:22:36,955 -I'll get going. -Good luck, Sae-ho. 579 00:22:37,022 --> 00:22:38,490 -Okay. -Sae-ho. 580 00:22:38,557 --> 00:22:39,558 I'LL BE RIGHT BACK 581 00:22:40,692 --> 00:22:42,227 Didn't I make it back earlier than Woo-young? 582 00:22:42,294 --> 00:22:44,296 Not really. You took long too. 583 00:22:44,363 --> 00:22:45,364 14 MINUTES VS. 13 MINUTES 584 00:22:46,398 --> 00:22:47,866 That stuff's too much for me. 585 00:22:47,933 --> 00:22:49,634 HOW LONG WILL FLASHMAN TAKE? 586 00:22:49,701 --> 00:22:51,303 Is it better than the Beat Coin shoot? 587 00:22:53,472 --> 00:22:56,808 THERE'S NO BETTER TEACHER THAN PERSONAL EXPERIENCE 588 00:22:57,476 --> 00:23:00,912 MARCHING ON LIKE A BRAVE SOLDIER 589 00:23:02,647 --> 00:23:04,783 Hold on. It looks so spooky. 590 00:23:04,850 --> 00:23:05,851 What should I do? 591 00:23:08,787 --> 00:23:10,622 All right! Settle down, everyone. 592 00:23:13,258 --> 00:23:14,259 I DARE YOU 593 00:23:14,326 --> 00:23:15,394 Come on out. 594 00:23:16,395 --> 00:23:17,996 FLINCHES 595 00:23:18,730 --> 00:23:20,399 THE MISSION FINALLY BEGINS 596 00:23:20,465 --> 00:23:21,466 Come on now. 597 00:23:22,768 --> 00:23:23,935 All right, then. 598 00:23:25,404 --> 00:23:26,605 Why are you crying? 599 00:23:26,671 --> 00:23:27,706 A LOUD WAIL 600 00:23:27,773 --> 00:23:28,974 I got… 601 00:23:30,342 --> 00:23:31,443 I got it, okay? 602 00:23:31,510 --> 00:23:33,612 WILL HE BE ABLE TO KEEP HIS COOL? 603 00:23:38,216 --> 00:23:40,118 Goodness. The dance studio, huh? 604 00:23:40,185 --> 00:23:41,653 That was intense. 605 00:23:42,154 --> 00:23:43,288 Jeez. 606 00:23:44,990 --> 00:23:46,491 Seriously, what was that? 607 00:23:46,558 --> 00:23:47,893 WHAT HAPPENED? HE'S NOT THE BRAVE TYPE 608 00:23:47,959 --> 00:23:49,461 Come on out. Come on. 609 00:23:49,528 --> 00:23:50,929 SO, DO I SCARE YOU? 610 00:23:50,996 --> 00:23:52,998 -Go to the hallway. -Come again? 611 00:23:53,064 --> 00:23:54,332 -Where was that? Hello. -The hallway. 612 00:23:54,399 --> 00:23:57,068 Jeez. My goodness. 613 00:23:57,135 --> 00:23:58,503 Thanks anyway. 614 00:23:58,570 --> 00:24:00,038 SHUTS THE DOOR TIGHTLY 615 00:24:01,606 --> 00:24:04,075 YOUR MARRIAGE CHANGED YOU, HUH? 616 00:24:04,142 --> 00:24:06,144 PROUD AND BRAVE 617 00:24:06,211 --> 00:24:07,479 I got it, okay? 618 00:24:07,546 --> 00:24:09,247 HE DID GET BETTER AT MANAGING DOORS TOO 619 00:24:09,314 --> 00:24:10,649 That was intense. 620 00:24:11,683 --> 00:24:14,219 THIS IS THE THIRD TIME HE'S SHUT THE DOOR SECURELY 621 00:24:16,855 --> 00:24:18,457 NEXT UP IS MR. DINOSAUR, THE CRAZED FAN 622 00:24:21,927 --> 00:24:22,928 An autograph, please. 623 00:24:24,262 --> 00:24:25,263 What's your name? 624 00:24:26,231 --> 00:24:27,466 Your name, please. 625 00:24:27,532 --> 00:24:28,733 "To. Mr. Dinosaur." 626 00:24:29,801 --> 00:24:31,837 FAILED TO SURPRISE HIM AND ONLY SECURED HIS AUTOGRAPH 627 00:24:31,903 --> 00:24:33,438 ONE MIGHT THINK YOU'RE ACTUALLY HIS FAN 628 00:24:34,973 --> 00:24:40,045 HOW WILL HE MANAGE THE VOCAL TRAINING ROOM MISSION? 629 00:24:40,679 --> 00:24:42,380 Arirang 630 00:24:42,447 --> 00:24:44,316 Arirang 631 00:24:44,382 --> 00:24:47,185 Arariyo 632 00:24:47,252 --> 00:24:48,453 REMAINS VIGILANT 633 00:24:49,287 --> 00:24:51,022 THIS IS THE CREW'S ROOM 634 00:24:51,089 --> 00:24:52,958 -You're choosing -This isn't ideal. 635 00:24:53,024 --> 00:24:55,227 -To leave me behind -We can't shut the door with him watching. 636 00:24:57,863 --> 00:25:02,567 REMAINS EVER SO VIGILANT AS IF HE IS PROTECTING HIS NEW FAMILY 637 00:25:02,634 --> 00:25:04,669 In less than four kilometers 638 00:25:06,471 --> 00:25:09,908 FINALLY, THIS IS THE CHANCE TO CLOSE THE DOOR 639 00:25:11,776 --> 00:25:12,811 KICKS IT OPEN 640 00:25:12,878 --> 00:25:14,179 DOES IT HAVE A CLOSING MECHANISM? 641 00:25:15,780 --> 00:25:17,115 THUD, THUD 642 00:25:17,182 --> 00:25:19,150 Come on. That's not cool. 643 00:25:20,585 --> 00:25:22,921 Come on. That's not cool. 644 00:25:22,988 --> 00:25:24,222 This isn't cool, I tell you. 645 00:25:24,990 --> 00:25:26,191 Come on now. 646 00:25:26,258 --> 00:25:27,592 HERO SCOLDS THE GHOST 647 00:25:27,659 --> 00:25:29,394 TAKES THE HINT BY FORCE 648 00:25:29,461 --> 00:25:31,229 Thanks. Can I go upstairs now? 649 00:25:31,296 --> 00:25:32,664 -Go up. -Okay. 650 00:25:34,366 --> 00:25:35,901 -Go upstairs. -Sure. 651 00:25:35,967 --> 00:25:38,003 GET UP THERE AND LET'S NOT MEET AGAIN 652 00:25:38,570 --> 00:25:40,872 COMES OUT AS BRAVE AS EVER IN JUST 6 MINUTES 653 00:25:40,939 --> 00:25:42,140 Dang it! 654 00:25:42,841 --> 00:25:46,011 IT SEEMS HE STILL HATED THE EXPERIENCE 655 00:25:46,077 --> 00:25:47,879 -He's back. -Here he is. 656 00:25:47,946 --> 00:25:49,714 FLASHMAN RETURNS AFTER FINISHING HIS ASSIGNMENT 657 00:25:49,781 --> 00:25:51,049 Goodness. 658 00:25:51,716 --> 00:25:53,785 WHY THE APPLAUSE AS IF HE HAD PULLED OFF AN EPIC TASK? 659 00:25:55,020 --> 00:25:56,521 WHY THE FORMAL GREETING? 660 00:25:56,588 --> 00:25:57,923 Good work. 661 00:25:57,989 --> 00:25:59,224 What number did you get? 662 00:25:59,791 --> 00:26:01,927 WHAT NUMBER DID FLASHMAN GET? 663 00:26:01,993 --> 00:26:03,128 It's seven. 664 00:26:03,795 --> 00:26:05,096 IT SEEMS THE CREW DID GET TO HIM 665 00:26:05,163 --> 00:26:07,165 THOUGH HE GRITTED HIS TEETH AND SOLDIERED ON 666 00:26:08,333 --> 00:26:09,834 My gosh, this is killing me. 667 00:26:09,901 --> 00:26:13,104 I get what you meant now. The whole vibe was really bad. 668 00:26:13,171 --> 00:26:15,574 I'll just go downstairs and get it over with. 669 00:26:15,640 --> 00:26:17,375 -Good luck, Jin-kyung. -See you soon. 670 00:26:17,442 --> 00:26:20,145 -Jin-kyung, try not to panic. -Got it, Sook. 671 00:26:20,211 --> 00:26:22,247 -Good luck with collecting the hint. -Okay. 672 00:26:25,584 --> 00:26:28,453 WONDER WOMAN ENTERS THE BASEMENT 673 00:26:31,723 --> 00:26:33,425 SHAKING LIKE A LEAF 674 00:26:34,960 --> 00:26:36,027 A WAIL 675 00:26:39,064 --> 00:26:40,532 SPOOKY WAILING COMING FROM THE BATHROOM 676 00:26:40,599 --> 00:26:41,600 Where do I go? 677 00:26:42,100 --> 00:26:43,134 TAKES A QUICK LOOK 678 00:26:45,937 --> 00:26:46,972 Give me a direction. 679 00:26:48,006 --> 00:26:49,007 Where should I go? 680 00:26:49,074 --> 00:26:50,308 -Can you hear the baby crying? -Yes. 681 00:26:50,375 --> 00:26:51,476 Head that way. 682 00:26:51,543 --> 00:26:53,612 I'm supposed to follow the sound of the baby? 683 00:26:53,678 --> 00:26:54,980 -To the bathroom? -Yes. 684 00:26:56,381 --> 00:26:58,750 I HAVE TO GET IN THERE? 685 00:26:59,284 --> 00:27:01,219 SHAKEN 686 00:27:01,286 --> 00:27:02,687 Why is that necessary? 687 00:27:02,754 --> 00:27:04,422 Because the baby is crying. 688 00:27:04,489 --> 00:27:06,992 -Excuse me? -The baby is crying in there. 689 00:27:07,058 --> 00:27:09,127 What if that kid is terrifying me? 690 00:27:09,194 --> 00:27:11,563 -I bet it's not a baby. -It is a baby. 691 00:27:11,630 --> 00:27:12,697 Are you sure? 692 00:27:12,764 --> 00:27:14,165 This is nuts. 693 00:27:15,233 --> 00:27:17,435 EVENTUALLY HEADS TO THE BATHROOM TO SOOTHE THE BABY 694 00:27:17,502 --> 00:27:19,170 EVEN A LOUDER WAIL 695 00:27:20,271 --> 00:27:21,439 Where's the sound coming from? 696 00:27:21,940 --> 00:27:22,941 IN HERE 697 00:27:23,008 --> 00:27:24,009 Where are you? 698 00:27:24,943 --> 00:27:25,944 Are you in here? 699 00:27:28,013 --> 00:27:29,014 HI THERE 700 00:27:29,080 --> 00:27:30,482 Oh, there you are. 701 00:27:31,049 --> 00:27:32,083 Are you in here? 702 00:27:33,952 --> 00:27:35,687 RUNS AWAY 703 00:27:35,754 --> 00:27:37,522 Seriously, you people. 704 00:27:38,223 --> 00:27:39,824 What's that? 705 00:27:39,891 --> 00:27:41,526 A sign hangs around its neck. 706 00:27:41,593 --> 00:27:43,895 It's just way too much for me. Come with me. 707 00:27:43,962 --> 00:27:45,397 -Why would I… -Please? 708 00:27:45,463 --> 00:27:47,832 -There's nothing to be scared of. -Really? 709 00:27:47,899 --> 00:27:49,501 OUR HERO IS A GRUMBLER 710 00:27:49,567 --> 00:27:51,069 Let's get it over with. 711 00:27:51,136 --> 00:27:53,204 Come on. You have something around your neck? 712 00:27:53,271 --> 00:27:55,240 You want me to go to the dance studio? 713 00:27:56,608 --> 00:27:57,709 Here it is. 714 00:27:57,776 --> 00:27:59,744 FOUND THE NEXT MISSION SITE AFTER MUCH COMPLAINING 715 00:28:00,345 --> 00:28:01,579 SPOOKED 716 00:28:02,847 --> 00:28:05,517 WELCOME TO THE DANCE STUDIO 717 00:28:06,251 --> 00:28:07,852 WHY IS EVERYTHING IN RED HERE? 718 00:28:07,919 --> 00:28:09,020 The dance studio. 719 00:28:09,988 --> 00:28:11,289 Why did they send me here? 720 00:28:11,356 --> 00:28:12,357 WHAT AM I SUPPOSED TO DO? 721 00:28:13,124 --> 00:28:15,126 SHE HAS TO OPEN THESE LOCKERS 722 00:28:15,193 --> 00:28:16,194 This place is… 723 00:28:17,996 --> 00:28:19,330 SPOTS THE LOCKERS 724 00:28:20,398 --> 00:28:22,200 PRETENDS NOT TO HAVE SEEN IT 725 00:28:22,801 --> 00:28:23,802 BLATANTLY IGNORES THEM 726 00:28:23,868 --> 00:28:24,869 Where's the next clue? 727 00:28:27,138 --> 00:28:28,606 It's not scary at all. 728 00:28:29,174 --> 00:28:30,608 Where am I supposed to find the code? 729 00:28:30,675 --> 00:28:32,410 A COP-OUT HERO 730 00:28:32,477 --> 00:28:33,611 The code… 731 00:28:33,678 --> 00:28:34,679 IGNORES THE LOCKERS 732 00:28:34,746 --> 00:28:35,747 AND RUNS AGAIN 733 00:28:35,814 --> 00:28:37,415 Where is this passcode? 734 00:28:37,482 --> 00:28:38,550 I'M CHOOSING NOT TO OPEN THEM 735 00:28:42,487 --> 00:28:43,488 MR. DINOSAUR ON STANDBY 736 00:28:43,555 --> 00:28:44,556 Excuse me. 737 00:28:44,622 --> 00:28:45,623 HE CAN'T BE SEEN YET! 738 00:28:47,692 --> 00:28:49,627 I need to… find the code. 739 00:28:50,462 --> 00:28:52,864 JUMPS IN AT THE SPEED OF LIGHT TO CUT HER OFF 740 00:28:53,364 --> 00:28:55,266 -What's the matter? -What did I just see? 741 00:28:55,333 --> 00:28:56,568 LET'S JUST LAUGH IT OFF 742 00:28:57,135 --> 00:28:58,603 -The passcode? -Where can I… 743 00:28:58,670 --> 00:29:00,038 find the passcode? 744 00:29:00,605 --> 00:29:02,040 -In the lockers. -What? 745 00:29:02,107 --> 00:29:03,108 In the lockers. 746 00:29:03,174 --> 00:29:04,409 But they won't open. 747 00:29:04,476 --> 00:29:05,477 They won't? 748 00:29:05,543 --> 00:29:07,979 -I couldn't open them. -They're unlocked. 749 00:29:08,880 --> 00:29:09,881 The lockers are right there, 750 00:29:09,948 --> 00:29:11,683 -behind the pillar. -I see. 751 00:29:11,750 --> 00:29:12,984 Go check them out. 752 00:29:15,520 --> 00:29:16,521 SNICKERS 753 00:29:16,588 --> 00:29:18,623 I just saw something hilarious. 754 00:29:19,290 --> 00:29:20,558 "SOMETHING HILARIOUS" 755 00:29:20,625 --> 00:29:21,893 IS SHE GONE NOW? 756 00:29:22,560 --> 00:29:24,162 The blue lockers. There they are. 757 00:29:24,229 --> 00:29:27,232 But no one told me I had to open these. 758 00:29:28,166 --> 00:29:29,801 SPOOKED 759 00:29:34,072 --> 00:29:35,206 Is something in here? 760 00:29:36,841 --> 00:29:38,810 SCARED STIFF, BUT MOVES ON TO THE NEXT ONE 761 00:29:39,677 --> 00:29:41,813 THE CLUE ISN'T HERE EITHER 762 00:29:43,848 --> 00:29:44,849 You startled me! 763 00:29:46,050 --> 00:29:47,051 A TERRIBLE BEING JUMPS OUT 764 00:29:47,118 --> 00:29:48,119 You startled me! 765 00:29:48,186 --> 00:29:49,854 -Go to the hallway. -What? 766 00:29:49,921 --> 00:29:52,323 -Go to the hallway. -You want me to go to the hallway? 767 00:29:52,891 --> 00:29:54,459 -Quickly… -Quickly? 768 00:29:54,526 --> 00:29:56,060 Get going! 769 00:29:57,428 --> 00:29:59,898 FINE, I WAS GOING TO LEAVE ANYWAY 770 00:30:01,099 --> 00:30:02,500 REACHES THE HALLWAY AFTER GHOST'S DISMISSAL 771 00:30:02,567 --> 00:30:03,568 Will I find it here? 772 00:30:05,103 --> 00:30:06,371 THIS IS THE HALLWAY… 773 00:30:07,739 --> 00:30:10,074 HER REUNION WITH MR. DINOSAUR IS IMMINENT 774 00:30:11,576 --> 00:30:13,011 RUSTLING SOUNDS 775 00:30:13,077 --> 00:30:14,479 What the… 776 00:30:14,979 --> 00:30:16,414 What is this? 777 00:30:16,481 --> 00:30:17,582 What do you want? 778 00:30:18,149 --> 00:30:19,584 FINALLY REUNITED WITH MR. DINOSAUR 779 00:30:20,285 --> 00:30:21,286 NICE TO SEE YOU AGAIN 780 00:30:21,352 --> 00:30:22,754 You startled me, dang it. 781 00:30:22,821 --> 00:30:24,055 An autograph, please. 782 00:30:25,390 --> 00:30:26,391 My goodness. 783 00:30:27,892 --> 00:30:28,960 You want an autograph? 784 00:30:30,128 --> 00:30:31,863 I have to go to the vocal training room? 785 00:30:31,930 --> 00:30:33,264 Where is it, anyway? 786 00:30:33,331 --> 00:30:34,866 RIGHT HERE 787 00:30:34,933 --> 00:30:36,067 Vocal training room… 788 00:30:36,134 --> 00:30:37,836 MR. DINOSAUR IS QUITE THE GENTLEMAN 789 00:30:40,438 --> 00:30:41,439 VOCAL TRAINING ROOM 790 00:30:41,506 --> 00:30:42,674 This is it. 791 00:30:44,776 --> 00:30:46,544 "Punch in 66782 and sing the song"? 792 00:30:47,178 --> 00:30:48,346 Six, six, seven, eight, two. 793 00:30:48,413 --> 00:30:50,715 YOU CAN COUNT ON HER TO TAKE ORDERS EVEN WHEN SHE'S SCARED 794 00:30:52,317 --> 00:30:54,252 SHE'S READY TO SING 795 00:31:01,459 --> 00:31:04,696 AT THAT MOMENT… 796 00:31:06,130 --> 00:31:08,967 THE DOOR CLOSES EVER SO SLOWLY 797 00:31:09,033 --> 00:31:11,102 Arirang 798 00:31:11,169 --> 00:31:13,238 Arirang 799 00:31:13,304 --> 00:31:15,106 Arariyo 800 00:31:15,173 --> 00:31:16,174 ENGROSSED IN THE SONG 801 00:31:17,475 --> 00:31:19,577 DID I CLOSE THE DOOR? 802 00:31:19,644 --> 00:31:21,746 BLACKOUT 803 00:31:22,480 --> 00:31:23,481 My gosh. 804 00:31:23,548 --> 00:31:24,549 THUD, THUD 805 00:31:26,284 --> 00:31:27,485 Are you for real? 806 00:31:28,686 --> 00:31:29,821 I can't believe you. 807 00:31:29,888 --> 00:31:30,889 What's the matter? 808 00:31:37,495 --> 00:31:38,529 HERE 809 00:31:38,596 --> 00:31:39,864 TAKE THIS 810 00:31:39,931 --> 00:31:41,132 Go up. 811 00:31:41,799 --> 00:31:42,800 You want me to go up? 812 00:31:43,601 --> 00:31:44,636 Where? On the couch? 813 00:31:45,803 --> 00:31:47,739 Take this and go upstairs. 814 00:31:47,805 --> 00:31:48,873 What is it? 815 00:31:48,940 --> 00:31:50,141 It's a hint. 816 00:31:50,208 --> 00:31:51,542 Oh, there it is. 817 00:31:51,609 --> 00:31:53,278 Dang it. Where is it? 818 00:31:53,344 --> 00:31:55,346 Where did it go? I dropped it, and it's gone. 819 00:31:56,147 --> 00:31:57,348 Where did it go? 820 00:31:57,949 --> 00:31:59,183 I dropped it. What should I do? 821 00:31:59,918 --> 00:32:01,286 Can you turn the light back on? 822 00:32:02,654 --> 00:32:03,655 TURNS THE LIGHT BACK ON 823 00:32:03,721 --> 00:32:04,722 Gosh, my heart. 824 00:32:05,390 --> 00:32:06,925 Where did it go? There it is. 825 00:32:07,492 --> 00:32:09,794 DO I HAVE TO PICK IT UP FOR HER? 826 00:32:09,861 --> 00:32:10,862 I'll be on my way. 827 00:32:10,929 --> 00:32:12,163 -Go upstairs. -I will. 828 00:32:12,897 --> 00:32:15,066 SHE LEFT THE KIND GHOST BEHIND… 829 00:32:15,133 --> 00:32:16,200 Goodness. 830 00:32:16,701 --> 00:32:18,836 …TO RUSH BACK TO HER COSTARS 831 00:32:18,903 --> 00:32:20,972 -I can see her now. -There she is. 832 00:32:21,039 --> 00:32:22,607 -Hey, Jin-kyung. -It wasn't so bad. 833 00:32:22,674 --> 00:32:23,908 -You're right. -It was okay. 834 00:32:23,975 --> 00:32:24,976 Great job. 835 00:32:25,043 --> 00:32:26,044 It was all right. 836 00:32:27,011 --> 00:32:28,179 Oh, it's number nine. 837 00:32:28,246 --> 00:32:29,480 -Is it six or nine? -It's six. 838 00:32:30,014 --> 00:32:31,916 We have five, five, seven, and six. 839 00:32:32,483 --> 00:32:33,484 Good luck, Woo-jae. 840 00:32:33,551 --> 00:32:35,186 This is Optimus Prime, moving out. 841 00:32:35,253 --> 00:32:36,888 You look drained already. 842 00:32:37,722 --> 00:32:40,692 OPTIMUS PRIME PREPARES TO LEAVE FOR HIS MISSION 843 00:32:40,758 --> 00:32:42,560 He's milking that outfit for all its worth. 844 00:32:42,627 --> 00:32:44,762 Doesn't it feel like we're watching a boy? 845 00:32:45,396 --> 00:32:47,031 His mom bought that costume for his birthday, 846 00:32:47,098 --> 00:32:48,866 and the kid insists on wearing it all the time. 847 00:32:49,500 --> 00:32:51,502 He'd even wear that to go hang out in the playground. 848 00:32:52,704 --> 00:32:54,372 NO ONE CAN STOP ME NOW 849 00:32:54,439 --> 00:32:55,440 Off you go. 850 00:32:56,007 --> 00:32:58,609 -Set a new record. -How cute. 851 00:32:58,676 --> 00:33:00,778 -Watch your step. -He's a ball of energy today. 852 00:33:01,646 --> 00:33:04,048 I should start acting now. 853 00:33:04,115 --> 00:33:06,050 For ghosts to hurt me, 854 00:33:06,551 --> 00:33:08,086 they'd have to make contact with me. 855 00:33:08,152 --> 00:33:10,521 -That means I can touch them too. -Of course. 856 00:33:10,588 --> 00:33:11,823 That's Newton's third law of motion. 857 00:33:11,889 --> 00:33:13,758 That means I can beat them up. 858 00:33:15,360 --> 00:33:16,961 WALKS UP WITH HANDS CLENCHED INTO FISTS 859 00:33:17,028 --> 00:33:19,097 MAKES A FUSS FOR SHOW 860 00:33:19,831 --> 00:33:22,367 I'M SO SCARED, HEH-HEH 861 00:33:23,034 --> 00:33:24,435 A WAIL 862 00:33:24,502 --> 00:33:25,770 A baby's crying. 863 00:33:27,171 --> 00:33:28,406 The kid is crying. 864 00:33:28,473 --> 00:33:29,807 I SHOULD GO SOOTHE THE LITTLE ONE 865 00:33:29,874 --> 00:33:31,509 Where's the mother? 866 00:33:31,576 --> 00:33:33,378 SOB, SOB 867 00:33:34,812 --> 00:33:36,714 WAIT FOR ME, I'M COMING 868 00:33:37,215 --> 00:33:38,816 WAH, WAH 869 00:33:39,617 --> 00:33:40,752 "Go to the dance studio"? 870 00:33:40,818 --> 00:33:42,053 THIS MANLY MAN ISN'T AFFECTED 871 00:33:42,120 --> 00:33:43,588 Where's the dance studio? 872 00:33:44,622 --> 00:33:46,524 Here it is. I found it. 873 00:33:46,591 --> 00:33:48,192 OVER-THE-TOP SILLY ACT 874 00:33:49,227 --> 00:33:51,629 THE GHOST MIGHT PUNCH HIM FOR BEING SO LOUD 875 00:33:52,897 --> 00:33:55,433 REACHED THE LOCKERS WHERE THE GHOST IS HIDING 876 00:33:56,234 --> 00:33:58,369 WILL HE BE ABLE TO REMAIN CALM UNLIKE HIS CASTMATES? 877 00:33:59,971 --> 00:34:01,706 HMM… 878 00:34:02,707 --> 00:34:03,941 GRINS 879 00:34:04,008 --> 00:34:05,009 HE'S CAUGHT ON 880 00:34:05,076 --> 00:34:06,411 Someone must be behind the lockers. 881 00:34:07,678 --> 00:34:11,182 SLOWLY CHECKS OUT THE BACK OF THE LOCKERS 882 00:34:12,083 --> 00:34:13,851 ASTUTE KIDS ARE THE WORST 883 00:34:13,918 --> 00:34:15,319 What on earth? 884 00:34:15,386 --> 00:34:16,654 I don't get it. No one's there. 885 00:34:16,721 --> 00:34:18,356 HOW DID THIS HAPPEN? 886 00:34:19,357 --> 00:34:22,593 THE GHOST BEHIND THE LOCKERS SOMEHOW DISAPPEARED? 887 00:34:22,660 --> 00:34:24,195 IS NO ONE HERE THEN? 888 00:34:24,962 --> 00:34:27,765 EVEN THE CREW MEMBERS DON'T KNOW WHERE THE GHOST WENT 889 00:34:29,367 --> 00:34:31,903 WHERE DID THE LOCKER GHOST DISAPPEAR TO? 890 00:34:33,337 --> 00:34:34,772 CAREFULLY OPENS UP A LOCKER 891 00:34:36,007 --> 00:34:37,208 WHAT ARE THOSE? 892 00:34:38,242 --> 00:34:39,544 Those are chicken feet. 893 00:34:40,478 --> 00:34:42,480 STARTS TO FEEL UNEASY 894 00:34:43,848 --> 00:34:45,316 My goodness. 895 00:34:46,551 --> 00:34:47,652 My goodness. 896 00:34:47,718 --> 00:34:48,786 Go to the hallway. 897 00:34:48,853 --> 00:34:49,921 What? 898 00:34:49,987 --> 00:34:51,055 Go to the hallway! 899 00:34:51,122 --> 00:34:52,123 The hallway? 900 00:34:52,757 --> 00:34:54,959 The hallway… By the way, you have such big eyes. 901 00:34:56,194 --> 00:34:57,995 THEY LOOK SO KIND TOO 902 00:34:58,062 --> 00:34:59,530 Can we chat for a bit? 903 00:34:59,597 --> 00:35:01,332 If a ghost appeared before me, 904 00:35:01,399 --> 00:35:03,534 I'd be super amazed. 905 00:35:03,601 --> 00:35:06,037 Their presence defies all logic of the scientific knowledge. 906 00:35:06,104 --> 00:35:07,805 I'd have to ask what their current status is, 907 00:35:07,872 --> 00:35:09,507 how long they've been dead, 908 00:35:09,574 --> 00:35:10,675 how they've come to pass, 909 00:35:10,741 --> 00:35:12,810 and if they're wearing what they wore when they died. 910 00:35:12,877 --> 00:35:15,379 Ask them about their current place of residence too. 911 00:35:15,446 --> 00:35:16,848 Can we chat for a bit? 912 00:35:16,914 --> 00:35:18,015 Go to the hallway. 913 00:35:18,649 --> 00:35:19,650 The hallway? 914 00:35:19,717 --> 00:35:21,119 You want me to go to the hallway? 915 00:35:21,185 --> 00:35:23,354 Hold on. Let's chat, okay? 916 00:35:24,522 --> 00:35:26,491 I couldn't see anyone behind the curtains. 917 00:35:26,557 --> 00:35:27,992 How are you hiding here? 918 00:35:28,926 --> 00:35:30,761 EVEN GHOSTS WOULD BE AMAZED 919 00:35:32,430 --> 00:35:33,531 POP, POP 920 00:35:33,598 --> 00:35:35,099 BANG SNAPS GOT YOUNG WOO-JAE EXCITED 921 00:35:35,800 --> 00:35:37,368 HE'LL RUN INTO MR. DINOSAUR SOON 922 00:35:38,769 --> 00:35:40,104 SOUND EFFECTS ON 923 00:35:42,507 --> 00:35:44,642 CHILDREN WOULD LOVE TO SEE MR. DINO GO AGAINST OPTIMUS PRIME 924 00:35:44,709 --> 00:35:46,444 IGNORES HIM 925 00:35:46,511 --> 00:35:47,945 STILL, MR. DINOSAUR TRAILS AFTER HIM 926 00:35:48,012 --> 00:35:49,180 Can I get an autograph? 927 00:35:49,981 --> 00:35:51,549 -You want my autograph? -Yes. 928 00:35:51,616 --> 00:35:52,917 What's your name, please? 929 00:35:52,984 --> 00:35:53,985 It's Seon-min. 930 00:35:54,051 --> 00:35:55,119 -Seon-min, correct? -Yes. 931 00:35:55,987 --> 00:35:57,655 "To. Seon-min." 932 00:35:57,722 --> 00:35:59,590 Thank you for your efforts. 933 00:36:01,192 --> 00:36:02,226 Here you go. 934 00:36:03,060 --> 00:36:04,228 "Go to the vocal training room"? 935 00:36:06,430 --> 00:36:08,699 MR. DINOSAUR TAKES OFF WITH THE AUTOGRAPH 936 00:36:11,402 --> 00:36:12,403 It's karaoke. 937 00:36:13,337 --> 00:36:14,338 SPOTS THE MISSION CARD 938 00:36:14,405 --> 00:36:15,573 The song for 66782? 939 00:36:17,575 --> 00:36:19,644 WHILE WOO-JAE PUNCHES IN THE NUMBER 940 00:36:19,710 --> 00:36:22,613 THE DOOR TO THE NEXT ROOM OPENS SLOWLY 941 00:36:24,081 --> 00:36:27,685 OBLIVIOUS, YOUNG WOO-JAE STARTS TO SING 942 00:36:28,486 --> 00:36:31,989 Arariyo 943 00:36:32,056 --> 00:36:33,891 MS. KIND GHOST CLOSES THE DOOR CAREFULLY 944 00:36:34,859 --> 00:36:37,295 USES ALL SORTS OF TECHNIQUES 945 00:36:37,795 --> 00:36:40,231 WAITING FOR THE RIGHT MOMENT 946 00:36:40,298 --> 00:36:43,434 My love, you're choosing to… 947 00:36:44,435 --> 00:36:45,836 IS ANYONE THERE? 948 00:36:48,839 --> 00:36:50,641 SHE'S DETERMINED TO SCARE HIM 949 00:36:52,176 --> 00:36:54,478 SHRIEKS 950 00:36:56,147 --> 00:36:57,381 What's this? Give it to me. 951 00:36:58,115 --> 00:36:59,217 You have something for me, no? 952 00:37:00,117 --> 00:37:01,485 THE HINT 953 00:37:02,453 --> 00:37:04,555 MISSED HIS HAND IN THE DARKNESS 954 00:37:05,790 --> 00:37:06,791 LOOKS FOR THE CLUE 955 00:37:06,857 --> 00:37:08,025 Are you looking for the hint? 956 00:37:09,026 --> 00:37:10,561 I wonder where it is. 957 00:37:11,429 --> 00:37:12,530 Help me find it. 958 00:37:13,297 --> 00:37:15,099 THE CLUE IS IMPORTANT, SO… 959 00:37:15,166 --> 00:37:16,901 -I found it. -Don't I scare you at all? 960 00:37:17,668 --> 00:37:18,669 You petrify me. 961 00:37:18,736 --> 00:37:19,870 -I do? -Yeah. 962 00:37:19,937 --> 00:37:20,938 FINALLY, A DECENT CHAT 963 00:37:21,505 --> 00:37:22,540 I think I got it. 964 00:37:23,174 --> 00:37:24,675 -Is this it? -Yes. 965 00:37:26,210 --> 00:37:27,645 Go up. 966 00:37:27,712 --> 00:37:28,779 I must say, 967 00:37:29,947 --> 00:37:32,416 it's not right to cut the song mid-verse. 968 00:37:32,483 --> 00:37:35,686 The polite thing to do is to let people finish the first verse. 969 00:37:35,753 --> 00:37:36,854 Go upstairs. 970 00:37:40,024 --> 00:37:42,093 RETURNS WHILE KICKING UP A DUST 971 00:37:42,159 --> 00:37:43,861 HE'S MAKING A FUSS AGAIN 972 00:37:45,229 --> 00:37:46,831 IT WAS SO SCARY, GUYS 973 00:37:46,897 --> 00:37:48,366 You're so annoying. 974 00:37:48,432 --> 00:37:49,800 Goodness. 975 00:37:49,867 --> 00:37:51,769 What I wouldn't do to smack him. 976 00:37:51,836 --> 00:37:54,171 I can't stand the sight of him. 977 00:37:54,772 --> 00:37:55,773 Give us your clue! 978 00:37:56,440 --> 00:37:57,842 Let's assemble them now. 979 00:37:57,908 --> 00:37:58,909 -Okay. -Let's do that. 980 00:37:58,976 --> 00:38:00,878 -It's purple. -Is it number one? 981 00:38:01,545 --> 00:38:04,548 THEY MUST RESCUE KIM NA-BAK WITH THE NUMBERS THEY FOUND 982 00:38:04,615 --> 00:38:05,983 What if… 983 00:38:06,484 --> 00:38:09,186 these form a passcode to the safe downstairs? 984 00:38:09,253 --> 00:38:11,689 When I gave it a shake, it made clunking sounds. 985 00:38:12,556 --> 00:38:14,625 AND LOCKED DOORS WERE BESIDE IT 986 00:38:14,692 --> 00:38:16,727 I guess we have to return to the basement. 987 00:38:16,794 --> 00:38:19,463 -It looks that way, but… -It'd take ages to find the right combo. 988 00:38:19,530 --> 00:38:20,698 Tell me about it. 989 00:38:21,499 --> 00:38:24,502 -We should sort it out-- -I bet they handed out the clues in order. 990 00:38:25,269 --> 00:38:27,338 -It'll be 55761. -That makes sense. 991 00:38:27,405 --> 00:38:29,006 They would've given us the clues in order. 992 00:38:29,073 --> 00:38:31,208 We didn't have to overthink things, then. 993 00:38:31,275 --> 00:38:32,643 YOU FOOLS 994 00:38:32,710 --> 00:38:35,079 -Five, five, seven, six, one. -That never occurred to me. 995 00:38:35,146 --> 00:38:37,148 -Let's pick up a number each… -Let's head downstairs. 996 00:38:37,214 --> 00:38:39,250 -Remember, the code is 55761. -Let's roll. 997 00:38:39,317 --> 00:38:40,851 -Let's go. -After you. 998 00:38:41,352 --> 00:38:42,853 Can Woo-jae go alone? 999 00:38:43,988 --> 00:38:46,257 WILL THE HEROES BE ABLE TO RESCUE KIM NA-BAK SAFELY? 1000 00:38:46,324 --> 00:38:47,325 Here it is. 1001 00:38:47,391 --> 00:38:48,559 -You meant this spot, right? -Yeah. 1002 00:38:48,626 --> 00:38:49,627 Right here. 1003 00:38:49,694 --> 00:38:50,695 -Here? -Yeah. 1004 00:38:50,761 --> 00:38:51,962 FEARLESS 1005 00:38:52,029 --> 00:38:53,230 SCARED 1006 00:38:54,165 --> 00:38:55,166 It's down at the end. 1007 00:38:55,232 --> 00:38:56,233 STILL LOCKED SAFE 1008 00:38:56,300 --> 00:38:59,203 What's with the basement anyway? 1009 00:38:59,770 --> 00:39:00,771 -Damn it. -What the… 1010 00:39:00,838 --> 00:39:01,839 YOUNG WOO-JAE'S EXCITED 1011 00:39:01,906 --> 00:39:02,907 The bang snaps. 1012 00:39:02,973 --> 00:39:04,608 Give it a rest, will you? 1013 00:39:04,675 --> 00:39:06,944 I'm popping them up so you won't get startled. 1014 00:39:07,778 --> 00:39:09,180 REACHED THE SAFE 1015 00:39:09,246 --> 00:39:10,581 Here we are. 1016 00:39:11,449 --> 00:39:13,117 -Shall I punch in the code? -Yeah. 1017 00:39:13,818 --> 00:39:15,052 It's 55761. 1018 00:39:17,188 --> 00:39:20,224 WILL THE HINTS FORM THE PASSCODE AS THEY EXPECT THEM TO? 1019 00:39:20,291 --> 00:39:21,292 That didn't work. 1020 00:39:21,792 --> 00:39:22,993 -What? -Did we get it wrong? 1021 00:39:23,060 --> 00:39:25,129 Maybe my number is nine instead of six. 1022 00:39:25,196 --> 00:39:26,731 Come again? You think your number is nine? 1023 00:39:26,797 --> 00:39:28,566 -I guess so. -Try 55791. 1024 00:39:29,400 --> 00:39:32,169 TRYING AGAIN WITH 55791 1025 00:39:32,236 --> 00:39:33,237 It worked! 1026 00:39:33,304 --> 00:39:34,305 That did it. 1027 00:39:34,372 --> 00:39:35,940 -It's now open. -Really? Let me see. 1028 00:39:36,006 --> 00:39:37,174 -How incredible. -What's in there? 1029 00:39:37,241 --> 00:39:38,509 There's something in here. 1030 00:39:38,576 --> 00:39:40,478 -Take it out. -Dang, I don't like this. 1031 00:39:42,046 --> 00:39:43,047 -Water. -I'm scared. 1032 00:39:43,114 --> 00:39:44,382 I can see some chocolate bars. 1033 00:39:44,448 --> 00:39:45,449 Those are my favorite. 1034 00:39:46,317 --> 00:39:47,585 AND A FLASHLIGHT? 1035 00:39:48,152 --> 00:39:49,153 -What's this? -Is that a key? 1036 00:39:49,220 --> 00:39:50,221 ISN'T IT TOO LATE FOR THIS? 1037 00:39:50,287 --> 00:39:51,789 It won't turn on. 1038 00:39:51,856 --> 00:39:54,191 -Hold on. Are they sending us out again? -Take everything out. 1039 00:39:54,258 --> 00:39:56,627 A FLASHLIGHT WITH BLUE LIGHT FOUND 1040 00:39:56,694 --> 00:39:57,995 Something fell off. It's a key. 1041 00:39:59,497 --> 00:40:00,731 A MYSTERIOUS KEY FOUND 1042 00:40:00,798 --> 00:40:03,134 Wait, is this what I think it is? 1043 00:40:03,200 --> 00:40:04,235 Try it on one of these doors. 1044 00:40:04,301 --> 00:40:05,536 Come on, Sook. 1045 00:40:06,904 --> 00:40:08,572 THE KEY WOULDN'T TURN 1046 00:40:08,639 --> 00:40:09,640 Use it on the other door. 1047 00:40:09,707 --> 00:40:11,776 MAYBE WE CHOSE THE WRONG DOOR? 1048 00:40:12,376 --> 00:40:13,811 A BUNDLE OF NERVES 1049 00:40:13,878 --> 00:40:15,112 Try turning it. 1050 00:40:15,179 --> 00:40:16,614 -It opened. -Na-bak must be here. 1051 00:40:16,680 --> 00:40:18,449 -She must be locked up in there. -Na-bak! 1052 00:40:19,083 --> 00:40:20,551 Hello? 1053 00:40:20,618 --> 00:40:21,719 Are you here, Ms. Kim? 1054 00:40:21,786 --> 00:40:22,787 Look, there's a closet. 1055 00:40:22,853 --> 00:40:24,021 -Here it is. -Look, a closet. 1056 00:40:24,088 --> 00:40:25,122 A CLOSET FOUND UPON ENTERING 1057 00:40:25,189 --> 00:40:26,690 She must be in there. 1058 00:40:26,757 --> 00:40:28,125 Right in this room. 1059 00:40:28,192 --> 00:40:29,527 She bought a closet. 1060 00:40:29,593 --> 00:40:30,928 A RECEIPT FROM GO HIGH NOTE'S DIARY 1061 00:40:30,995 --> 00:40:33,097 Na-bak could be stuck in some closet in this house. 1062 00:40:33,164 --> 00:40:34,398 Guys, come here. 1063 00:40:34,465 --> 00:40:36,467 -Ms. Kim. -Ms. Kim. 1064 00:40:37,067 --> 00:40:38,502 There must be someone there. 1065 00:40:39,236 --> 00:40:40,237 Look. 1066 00:40:40,304 --> 00:40:42,006 WE'LL SAVE YOU SOON, MS. KIM! 1067 00:40:44,475 --> 00:40:45,476 EMPTY 1068 00:40:45,543 --> 00:40:47,211 NO ONE'S THERE? 1069 00:40:47,278 --> 00:40:48,746 She might be in that room. 1070 00:40:48,813 --> 00:40:50,714 Woo-jae, let's check out that room. 1071 00:40:51,849 --> 00:40:53,584 -She must be in there. -Go on, Woo-jae. 1072 00:40:53,651 --> 00:40:54,685 BRAVE WOO-JAE IS THEIR CRUTCH 1073 00:40:55,986 --> 00:40:57,555 A PITCH-DARK ROOM OF MYSTERY 1074 00:40:57,621 --> 00:40:58,989 -Turn on the light. -Turn it on. 1075 00:40:59,056 --> 00:41:00,624 Maybe there's no lighting in here. 1076 00:41:00,691 --> 00:41:01,792 HERE'S THE SWITCH 1077 00:41:01,859 --> 00:41:03,127 They had the switch covered. 1078 00:41:03,194 --> 00:41:04,495 Maybe we're supposed to go in. 1079 00:41:04,562 --> 00:41:05,563 SO GET IN THERE, WOO-JAE 1080 00:41:05,629 --> 00:41:06,630 Do you see a closet there? 1081 00:41:07,131 --> 00:41:08,466 Give me that flashlight. 1082 00:41:08,532 --> 00:41:10,000 Tell us if there's a closet or not. 1083 00:41:10,868 --> 00:41:12,336 What's this place for anyway? 1084 00:41:13,037 --> 00:41:14,038 What's that? 1085 00:41:14,538 --> 00:41:15,539 What is this? 1086 00:41:15,606 --> 00:41:16,674 Look closely. 1087 00:41:16,740 --> 00:41:17,741 A MYSTERIOUS OBJECT FOUND! 1088 00:41:17,808 --> 00:41:18,809 If you ask me… 1089 00:41:18,876 --> 00:41:20,110 These are coat hangers. 1090 00:41:21,645 --> 00:41:23,113 It looks like a pile of trash. 1091 00:41:23,180 --> 00:41:25,382 -A closet should be here. -Did we come into the wrong room? 1092 00:41:25,449 --> 00:41:26,817 -No way. -But she has to be here. 1093 00:41:26,884 --> 00:41:28,853 Maybe we opened the wrong door. 1094 00:41:29,386 --> 00:41:30,454 HMM… 1095 00:41:30,521 --> 00:41:31,522 What? Look here. 1096 00:41:31,589 --> 00:41:33,624 "When will I see light again?" 1097 00:41:34,258 --> 00:41:35,960 Maybe she's locked away somewhere. 1098 00:41:37,461 --> 00:41:38,729 AND… 1099 00:41:40,431 --> 00:41:42,500 -Isn't that an arrow? -It is! 1100 00:41:43,067 --> 00:41:45,936 WHAT CAN THIS MEAN? 1101 00:41:47,738 --> 00:41:49,773 THEY RETURN TO THE ROOM THE ARROW IS POINTING TO 1102 00:41:49,840 --> 00:41:51,408 We might find another code here. 1103 00:41:51,475 --> 00:41:53,177 This isn't just a normal flashlight. 1104 00:41:53,244 --> 00:41:56,313 It sure isn't. Check out the ceiling. There you go. 1105 00:41:56,380 --> 00:42:00,718 What if there's a secret button that can reveal a hidden closet? 1106 00:42:00,784 --> 00:42:03,587 Perhaps there's a secret door somewhere. 1107 00:42:03,654 --> 00:42:04,989 The light came on. 1108 00:42:05,055 --> 00:42:06,090 LET'S LOOK FOR A SECRET SPACE 1109 00:42:06,156 --> 00:42:08,626 Don't turn on the light. They covered up the switch on purpose. 1110 00:42:09,493 --> 00:42:11,161 Look. There's a pattern down here. 1111 00:42:11,729 --> 00:42:13,497 -Where? -Maybe I'm mistaken. 1112 00:42:13,564 --> 00:42:16,000 -I don't think there's anything here. -Check this place too. 1113 00:42:16,066 --> 00:42:17,635 Shine the flashlight onto this wall. 1114 00:42:17,701 --> 00:42:19,637 -No, I don't think this is it. -Something might be here. 1115 00:42:19,703 --> 00:42:20,704 No. 1116 00:42:20,771 --> 00:42:22,773 But the arrow is clearly pointing to that room. 1117 00:42:22,840 --> 00:42:23,841 Where is the arrow? 1118 00:42:23,908 --> 00:42:25,543 -It does look like an arrow. -Down there. 1119 00:42:25,609 --> 00:42:27,711 AN ARROW TELLING THEM TO GO TO THE NEXT ROOM 1120 00:42:27,778 --> 00:42:30,014 WHAT IF IT'S A MISUNDERSTANDING? 1121 00:42:30,581 --> 00:42:32,082 Guys, look here. 1122 00:42:32,149 --> 00:42:34,618 This is well-organized, almost suspiciously so. 1123 00:42:34,685 --> 00:42:36,887 -Where do you mean? -Here in the closet, Sook. 1124 00:42:36,954 --> 00:42:37,955 WOO-YOUNG HAS DOUBTS HERE 1125 00:42:38,689 --> 00:42:39,990 -This place is… -Wait. I still-- 1126 00:42:40,057 --> 00:42:41,058 What the? 1127 00:42:41,759 --> 00:42:44,695 WHILING FEELING OUT THE WALL, HE'S NOTICED SOMETHING STRANGE 1128 00:42:44,762 --> 00:42:46,630 SLAP, SLAP 1129 00:42:46,697 --> 00:42:48,599 -Hey! -What's the matter? 1130 00:42:51,769 --> 00:42:53,304 -Dang. -Let's move the closet. 1131 00:42:53,370 --> 00:42:54,772 -What's up? -This is it. 1132 00:42:55,439 --> 00:42:56,440 Tell me. 1133 00:42:56,507 --> 00:42:58,709 Wait. This isn't just a false wall. 1134 00:42:58,776 --> 00:42:59,777 We can just take it off. 1135 00:42:59,843 --> 00:43:00,878 Let's rescue her quickly. 1136 00:43:00,945 --> 00:43:01,946 We have to hurry. 1137 00:43:02,012 --> 00:43:03,013 I can rip it open. 1138 00:43:03,080 --> 00:43:04,114 -You can? -Yeah. 1139 00:43:04,181 --> 00:43:05,482 -Tear it off. -Go ahead. 1140 00:43:05,549 --> 00:43:06,684 You do it. 1141 00:43:06,750 --> 00:43:07,751 THEY'RE ALL TOO AFRAID 1142 00:43:07,818 --> 00:43:10,054 IN THE END, THEY PRESSURE YOUNG WOO-JAE TO HANDLE THE TASK 1143 00:43:14,191 --> 00:43:16,226 THE WALLPAPER IS EASILY PEELED OFF 1144 00:43:16,293 --> 00:43:17,294 Someone's there. 1145 00:43:17,361 --> 00:43:18,462 Gosh, this is crazy. 1146 00:43:19,029 --> 00:43:20,631 -It's insane. -We found her. 1147 00:43:20,698 --> 00:43:22,800 -Someone's there. -My gosh! 1148 00:43:22,866 --> 00:43:24,668 -Right there. -It must be Na-bak. 1149 00:43:25,769 --> 00:43:26,804 Hey, Na-bak. 1150 00:43:28,205 --> 00:43:29,239 We found Na-bak! 1151 00:43:29,306 --> 00:43:31,175 -Ms. Kim! -We found her. 1152 00:43:31,742 --> 00:43:33,010 Na-bak is right here. 1153 00:43:33,077 --> 00:43:34,545 That was incredible, Woo-young. 1154 00:43:34,612 --> 00:43:37,581 Maybe the other room served as a hint to make us check all the walls. 1155 00:43:38,182 --> 00:43:40,684 Jin-kyung was right to knock on all the walls. 1156 00:43:40,751 --> 00:43:42,786 Ms. Kim, are you okay? Let's untie her. 1157 00:43:42,853 --> 00:43:43,854 Yeah, let's do that. 1158 00:43:44,488 --> 00:43:45,889 Great job hanging in there. 1159 00:43:45,956 --> 00:43:48,058 I'm sorry it took us so long. 1160 00:43:48,125 --> 00:43:50,194 Why didn't you get here earlier? I've been waiting for you. 1161 00:43:50,260 --> 00:43:51,261 This should do it. 1162 00:43:51,328 --> 00:43:54,231 I bet it'd drive you insane, being held in a place like this. 1163 00:43:54,732 --> 00:43:55,799 Ms. Kim. 1164 00:43:55,866 --> 00:43:57,968 THE PROLONGED CAPTIVITY HAS MADE KIM NA-BAK WEAK 1165 00:43:59,403 --> 00:44:01,572 -My gosh. -Are you okay, Ms. Kim? 1166 00:44:01,639 --> 00:44:04,241 The false wall idea was really neat. 1167 00:44:06,276 --> 00:44:07,745 -They used the same wallpaper. -Good work. 1168 00:44:07,811 --> 00:44:08,912 How meticulous. 1169 00:44:08,979 --> 00:44:10,347 THE NPCS HAVE COME OUT TO CELEBRATE 1170 00:44:10,414 --> 00:44:12,816 All right. We did it! 1171 00:44:13,550 --> 00:44:16,086 KIM NA-BAK FINALLY RETURNS TO HER TEAM, DOLIVE 1172 00:44:16,153 --> 00:44:17,655 Great job, everyone. 1173 00:44:17,721 --> 00:44:20,224 GHOSTS: CHOI YU-RI, KIM RO-HA DINOSAUR FAN: EOM SEON-MIN 1174 00:44:20,824 --> 00:44:23,527 Ms. Kim Na-bak of the idol group doLIVE 1175 00:44:23,594 --> 00:44:26,764 has been safely rescued after being missing for three days. 1176 00:44:26,830 --> 00:44:28,699 It has been confirmed 1177 00:44:28,766 --> 00:44:31,368 that Ms. Kim had been confined in the basement of her dorm. 1178 00:44:31,435 --> 00:44:35,239 The culprit, Go High Pitch, a former trainee of DRVR Entertainment, 1179 00:44:35,305 --> 00:44:36,940 tried to flee the scene, 1180 00:44:37,007 --> 00:44:38,509 but the police apprehended her. 1181 00:44:38,575 --> 00:44:42,579 According to Ms. Kim's statement, her rescuers were a group of superheroes. 1182 00:44:42,646 --> 00:44:47,284 But their identities remain undisclosed as they disappeared after her rescue. 1183 00:44:47,351 --> 00:44:49,553 Many fans of doLIVE and those in the showbiz industry 1184 00:44:49,620 --> 00:44:52,389 stated that they'll remember the unidentified group as true heroes 1185 00:44:52,456 --> 00:44:53,991 and praised them highly. 1186 00:44:54,058 --> 00:44:57,594 Could Ms. Kim's rescuers have been true superheroes? 1187 00:45:00,364 --> 00:45:03,667 HEROES DON'T PUSH ONESELF FORWARD 1188 00:45:03,734 --> 00:45:05,369 Let's go! 1189 00:45:06,837 --> 00:45:10,240 BUT IF SOMEONE IN NEED STRETCHED OUT THEIR HAND… 1190 00:45:12,309 --> 00:45:13,744 There he goes again. 1191 00:45:13,811 --> 00:45:15,179 THE HEROES MIGHT RETURN FOR THEM 1192 00:45:15,245 --> 00:45:17,214 Dang. I need to take a dump. 1193 00:45:17,281 --> 00:45:18,282 Me too. 1194 00:45:19,249 --> 00:45:23,253 THE HEROES WILL RETURN 1195 00:45:23,320 --> 00:45:25,589 Next episode on Screwballs… 1196 00:45:25,656 --> 00:45:26,657 To survive as characters 1197 00:45:26,724 --> 00:45:28,325 -from fairy tales. -A magical being of the lamp! 1198 00:45:28,392 --> 00:45:29,393 GENIE 1199 00:45:29,460 --> 00:45:30,694 PETER PAN 1200 00:45:30,761 --> 00:45:32,296 QUEEN OF HEARTS 1201 00:45:32,362 --> 00:45:33,630 CAPTAIN HOOK 1202 00:45:33,697 --> 00:45:35,399 AND THE GUARDIAN DEITY OF MOUNTAINS 1203 00:45:35,466 --> 00:45:37,668 CHARACTERS STRAIGHT FROM THE PICTURE BOOKS 1204 00:45:37,735 --> 00:45:39,236 Your task for the day 1205 00:45:39,303 --> 00:45:42,039 is to overcome various trials and hardships 1206 00:45:42,106 --> 00:45:43,941 to complete your own fairy tales. 1207 00:45:44,007 --> 00:45:45,209 -Three and nine over two? -Wrong. 1208 00:45:45,275 --> 00:45:47,044 Why can't I handle such a simple question? 1209 00:45:48,178 --> 00:45:49,179 Let's do this! 1210 00:45:49,246 --> 00:45:50,647 HARDSHIPS ARE MEANT TO BE OVERCOME 1211 00:45:50,714 --> 00:45:52,182 JUMPS TO HER FEET 1212 00:45:52,750 --> 00:45:55,853 I think this is the most extreme task in the history of Korean variety shows. 1213 00:45:56,920 --> 00:45:58,288 -Okay. -That is correct! 1214 00:45:59,089 --> 00:46:00,758 -It's a success! -Okay! 1215 00:46:00,824 --> 00:46:02,292 LET'S CREATE OUR UNIQUE STORY TOGETHER 1216 00:46:02,359 --> 00:46:03,827 AND YET… 1217 00:46:03,894 --> 00:46:05,863 THEY ARE WAY TOO IMMATURE 1218 00:46:05,929 --> 00:46:06,930 AND UNSUITABLE FOR CHILDREN 1219 00:46:06,997 --> 00:46:09,066 -What on earth? -A lizard in mating season. 1220 00:46:09,600 --> 00:46:10,701 It's a math quiz. 1221 00:46:11,935 --> 00:46:13,804 -We need the y-intercept. -White patterned rice cake? 1222 00:46:13,871 --> 00:46:15,572 -Patterned rice cake… -It tastes amazing. 1223 00:46:15,639 --> 00:46:18,041 -Totally. -The chewy texture makes it my favorite. 1224 00:46:18,108 --> 00:46:20,144 THEIR MATHEMATICAL UNDERSTANDING IS AT PRESCHOOL LEVEL 1225 00:46:20,210 --> 00:46:21,245 Mom and Dad, I love you! 1226 00:46:22,279 --> 00:46:23,280 CACKLING 1227 00:46:23,347 --> 00:46:25,182 WHEN YOUR COSTARS GIVE YOU A HARD TIME 1228 00:46:25,249 --> 00:46:27,918 RETALIATE INSTANTLY 1229 00:46:27,985 --> 00:46:29,386 You and your tricks. 1230 00:46:29,453 --> 00:46:32,756 EVEN THE MOST DRAMATIC SOAP OPERA WOULDN'T GO THIS FAR 1231 00:46:33,557 --> 00:46:35,959 WILL THIS BAND OF IMMATURE ADULTS 1232 00:46:36,026 --> 00:46:38,128 BE ABLE TO COMPLETE THEIR OWN FAIRY TALE? 1233 00:46:38,195 --> 00:46:40,464 This is a pure dumpster fire. 1234 00:46:42,566 --> 00:46:46,136 ENJOY THE HIGHLIGHTS AND THE BTS CLIPS ON STUDIO++'S YOUTUBE CHANNEL 1235 00:46:46,904 --> 00:46:50,874 "REBOOT" BY KYOUNGSEO (SCREWBALLS OST) 1236 00:47:17,868 --> 00:47:19,303 SCREWBALLS IN SEARCH OF LOST STEERING WHEELS 1237 00:47:19,369 --> 00:47:21,905 Subtitle translation by: Jeongwoo Kim 85026

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