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{\an1}NARRATOR: This program was
made possible in part by
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{\an1}contributions to your PBS
Station from Viewers Like You.
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Thank you.
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♪ ♪
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♪ ♪
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♪ ♪
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{\an1}ANNOUNCER: PBS is proud to
present: WICKED in Concert.
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{\an1}Join Hosts Kristin Chenoweth
and Idina Menzel for a
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{\an1}celebration of the
music of Wicked.
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{\an1}Featuring performances
by Mario Cantone,
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{\an1}Gavin Creel, Ariana DeBose,
Cynthia Erivo,
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{\an1}Stephanie Hsu, Rita Moreno,
Jennifer Nettles,
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{\an1}Alex Newell, Isaac Powell,
Amber Riley,
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Gabrielle Ruiz, and Ali Stroker.
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{\an1}♪ BACKGROUND: Oh ♪
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♪ Aah ♪
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♪ Aah ♪
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♪ ♪
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{\an8}♪ Good news! ♪
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{\an8}♪ She's dead! ♪
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{\an7}♪ The Witch of the
West is dead! ♪
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{\an7}♪ The wickedest
witch there ever was ♪
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{\an1}♪ The enemy of all of
us here in Oz is dead! ♪
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♪ Good news! ♪
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♪ Good news! ♪
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♪ Wicked! ♪
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♪ Wicked! ♪
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♪ Wicked! ♪
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{\an7}CHENOWETH: It's good
to see us, isn't it?
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{\an7}MENZEL: Yes,
Kristin, it certainly is!
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{\an1}And, for good reason!
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{\an1}We are thrilled, we're so
thrilled to be celebrating the
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{\an1}music and magic of the
Broadway sensation that is
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{\an1}the musical, Wicked.
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{\an1}A show that really
changed us both,
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for the better.
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{\an1}Thank you to Luke Frazier and
the American Pops Orchestra
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{\an1}for that thrillifying overture,
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welcoming all of us back to Oz.
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{\an1}I'll never forget the first
time I heard those songs.
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{\an1}No big orchestra,
no sets or costumes,
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{\an1}just the raw incredible music
and lyrics of Stephen Schwartz
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{\an1}and the inventive and
deeply moving script by
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Winnie Holzman.
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{\an1}That experience was
life-changing for me,
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{\an1}and for countless others.
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{\an1}KRISTIN: Wicked is adapted
from the remarkable novel by
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{\an1}Gregory Maguire and looks at
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{\an1}what happened in
the Land of Oz...
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{\an1}but from a
different perspective.
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{\an1}Long before Dorothy arrived,
there was another young woman,
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{\an1}born with emerald-green
skin, she was smart,
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{\an1}oh, she was fiery,
she was misunderstood,
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{\an1}possessing an
extraordinary talent and
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{\an1}a burning sense of justice.
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My kind of kid.
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{\an1}At school, she meets a
bubbly blonde who is
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{\an1}exceptionally popular
and whose life has been
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{\an1}totally and utterly perfect.
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{\an1}They are opposite in every way.
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{\an1}Now, the initial rivalry
between these young women
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{\an1}turns into the unlikeliest
of friendships...
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{\an1}until the world decides to cast
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{\an1}one as "good," and the
other one as "wicked."
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{\an1}Sound like a familiar story?
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{\an1}But Wicked turns
that story on its head.
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{\an1}We fall in love with an
outsider who learns that what
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{\an1}makes her different
actually makes her
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{\an1}magical and stronger.
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{\an1}We gain deep respect for a
popular girl who learns that
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{\an1}doing good is actually more
important than being liked.
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{\an1}Wicked demands that we see
past the surface, past looks,
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{\an1}past color, in determining
what is good or bad.
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{\an1}IDINA: Yep, that message
is even more relevant and
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{\an1}meaningful today than
when we opened at the
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{\an1}Gershwin Theatre in 2003.
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{\an1}As the story begins, our
feisty heroines have entered
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{\an1}the harrowed halls and
vine-draped walls of
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{\an1}Shiz University and have been
accidentally selected to
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{\an1}become roommates...
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{\an1}and, let's just say
neither of them is
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{\an1}thrilled with the arrangement.
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{\an1}Here to ask
"What Is This Feeling?",
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{\an1}please welcome Gabrielle Ruiz
and Amber Riley.
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{\an8}♪ ♪
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{\an7}♪ RILEY: What is this feeling,
so sudden and new? ♪
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{\an7}♪ RUIZ: I felt the moment
I laid eyes on you ♪
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{\an7}♪ RILEY: My pulse is rushing ♪
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{\an1}♪ RUIZ: My head is reeling ♪
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{\an1}♪ RILEY: My face is flushing ♪
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{\an1}♪ BOTH: What is this feeling,
fervid as a flame? ♪
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{\an1}♪ Does it have a name? ♪
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♪ Yes! ♪
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♪ Loathing ♪
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{\an1}♪ Unadulterated loathing ♪
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{\an1}♪ RILEY: For your face ♪
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{\an1}♪ RUIZ: Your voice ♪
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{\an1}♪ RILEY: Your clothing ♪
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{\an1}♪ BOTH: Let's just say
I loathe it all! ♪
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{\an1}♪ Ev'ry little trait,
however small ♪
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{\an1}♪ Makes my very flesh
begin to crawl ♪
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{\an1}♪ With simple, utter loathing! ♪
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{\an1}♪ There's a strange exhilaration
in such total detestation ♪
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♪ It's so pure!
So strong! ♪
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{\an1}♪ Though I do admit
it came on fast ♪
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{\an1}♪ still I do believe
that it can last ♪
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{\an1}♪ And I will be loathing,
loathing you ♪
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{\an1}♪ My whole life long! ♪
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{\an1}♪ BACKGROUND: Dear Galinda,
you are just too good! ♪
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{\an1}♪ How do you stand it? ♪
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{\an1}♪ I don't think I could! ♪
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{\an1}♪ She's a terror! ♪
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{\an1}♪ She's a tartar! ♪
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{\an1}♪ We don't mean to show
a bias, but Galinda ♪
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{\an1}♪ You're a martyr! ♪
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♪ RILEY: Well ♪
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{\an1}♪ These things are
sent to try us! ♪
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{\an1}♪ BACKGROUND: Poor Galinda,
forced to reside with ♪
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{\an1}♪ Someone so disgusticified! ♪
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{\an1}♪ We just want to tell you:
we're all on your side! ♪
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{\an1}♪ We share your ♪
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♪ Loathing! ♪
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{\an1}♪ BOTH: What is this feeling,
so sudden and new? ♪
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{\an1}♪ I felt the moment
I laid eyes on you ♪
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{\an1}♪ My pulse is rushing ♪
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{\an1}♪ My head is reeling ♪
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{\an1}♪ BACKGROUND: We loathe it all ♪
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{\an1}♪ BOTH: Oh, what is
this feeling? ♪
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{\an1}♪ Does it have a name? ♪
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♪ Yes ♪
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♪ Ahh ♪
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♪ Loathing! ♪
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{\an1}♪ There's a
strange exhilaration ♪
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{\an1}♪ In such total detestation ♪
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{\an1}♪ So pure, so strong ♪
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{\an1}♪ Though I do admit
it came on fast ♪
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{\an1}♪ Still I do believe
that it can last ♪
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{\an1}♪ And I will be loathing,
for forever ♪
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♪ Loathing ♪
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{\an1}♪ Truly, deeply loathing you ♪
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{\an1}♪ My whole life long! ♪
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RUIZ: Hey Amber!
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RILEY: What?
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RUIZ: Boo!
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RILEY: HA!
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{\an7}RUIZ: I've had so much fun.
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{\an7}We got to sing
"What is This Feeling" and
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{\an7}she, I've looked up to her
for so long and have been
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{\an1}such a fan of her
from the red carpet.
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{\an1}I've never been able to
perform with her so we had
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{\an1}that chance today.
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{\an1}I think what
connects the audience is,
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{\an7}you can relate to both of
the characters that are so
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{\an7}polar opposite 'cause
I think we have both
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{\an7}Glinda and Elphaba in us.
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{\an1}And when you can craft
characters like that,
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{\an1}that have such a
crazy difference,
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{\an1}and they have such equal love
for each other by the end.
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{\an1}We all can relate
to that, I think.
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{\an7}MENZEL: Wicked has
become a true phenomenon.
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{\an7}It's been seen by over 60
million people worldwide,
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{\an7}and is now the fifth
longest-running show in
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{\an7}Broadway history.
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{\an7}There are countless tours and
productions all over the world
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{\an1}and the West End production in
London is now celebrating its
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{\an1}15th anniversary.
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{\an7}CHENOWETH: And, can we talk
about the community and family
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{\an7}that this show has
inspired and created?
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{\an7}A Universe of Wicked love.
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{\an1}We really want to take this
moment to thank all of the
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{\an1}fans who have been with us
on this marvelous mystical
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{\an1}journey these past,
um, 18 years.
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{\an1}It's not just the story of
how the scarecrow became a
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{\an1}scarecrow or how the
twister arrived in Oz.
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No, no, no.
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{\an1}It's a far deeper journey.
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{\an1}It's about the friendship
between women defying the
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{\an1}limited and limiting roles the
world has carved out for them.
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{\an1}Now, despite the conflict
with her roommate and
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{\an1}meanness from her peers,
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{\an1}Elphaba finally feels that her
future could be unlimited.
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{\an1}Inspired by an
encouraging Headmistress,
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{\an1}Madame Morrible, Elphaba has a
vision like a prophecy about
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{\an1}what she truly wants
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{\an1}in a world that
never seems to want her.
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{\an1}Here to dream about
"The Wizard and I,"
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{\an1}it is an honor to introduce
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{\an1}West Side Story's Ariana DeBose,
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00:10:43,943 --> 00:10:48,876
{\an1}alongside Emmy, Grammy,
Oscar, and Tony winner, wow!
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Ms. Rita Moreno.
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{\an7}♪ MORENO: Many years
I have waited ♪
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{\an7}♪ For a gift like
yours to appear ♪
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{\an7}♪ Why, I predict the Wizard ♪
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{\an1}♪ Might make you his
Magic Grand Vizier! ♪
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{\an1}♪ My dear, my dear, I'll
write at once to the Wizard ♪
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{\an1}♪ Tell him of you in advance ♪
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{\an1}♪ With a talent
like yours, dear ♪
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{\an1}♪ It is a definish chance ♪
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{\an1}♪ If you work as you should,
you'll be making ♪
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♪ Good ♪
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{\an7}♪ DEBOSE: Did that
really just happen? ♪
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{\an7}♪ Have I actually understood? ♪
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{\an7}♪ This weird quirk I've tried to
suppress or hide is a talent? ♪
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{\an1}♪ That could help me
meet the Wizard!
♪
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{\an1}♪ If I make good ♪
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{\an1}♪ So, I'll make good ♪
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{\an1}♪ When I meet the Wizard,
once I prove my worth ♪
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{\an1}♪ Then I meet the Wizard ♪
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{\an1}♪ What I've waited for since ♪
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♪ Since birth! ♪
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{\an1}♪ And with all his
Wizard wisdom ♪
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{\an1}♪ By my looks, he
won't be blinded ♪
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{\an1}♪ Do you think the
Wizard is dumb? ♪
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{\an1}♪ Or like Munchkins,
so small-minded? ♪
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00:12:37,943 --> 00:12:39,109
♪ No! ♪
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{\an1}♪ He'll say to me: "I
see who you truly are: ♪
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♪ A girl on whom
I can rely!" ♪
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{\an1}♪ And that's how we'll begin ♪
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{\an1}♪ The Wizard and I ♪
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{\an1}♪ Once I'm with the Wizard ♪
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{\an1}♪ My whole life will change ♪
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{\an1}♪ 'Cuz when you're
with the Wizard ♪
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♪ No one thinks
you're strange ♪
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00:13:08,543 --> 00:13:11,609
{\an1}♪ No father is
not proud of you ♪
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00:13:11,643 --> 00:13:15,043
{\an1}♪ No sister acts ashamed ♪
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{\an1}♪ And all of Oz
has to love you ♪
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00:13:18,343 --> 00:13:19,743
{\an1}♪ When by the Wizard ♪
228
00:13:19,776 --> 00:13:21,676
{\an1}♪ You're acclaimed ♪
229
00:13:21,709 --> 00:13:25,143
{\an1}♪ And this gift or this
curse I have inside ♪
230
00:13:25,176 --> 00:13:28,176
{\an1}♪ Maybe at last I'll know why ♪
231
00:13:28,209 --> 00:13:30,943
{\an1}♪ When we are hand in hand ♪
232
00:13:30,976 --> 00:13:34,876
{\an1}♪ The Wizard and I! ♪
233
00:13:35,843 --> 00:13:37,209
{\an1}♪
And one day, he'll
say to me: ♪
234
00:13:37,243 --> 00:13:41,343
{\an1}♪ "Elphaba, a girl who
is so superior ♪
235
00:13:42,176 --> 00:13:45,943
{\an1}♪ Shouldn't a girl
who's so good inside ♪
236
00:13:45,976 --> 00:13:48,709
{\an1}♪ Have a matching exterior? ♪
237
00:13:48,743 --> 00:13:53,643
{\an1}♪ So since folks here to an
absurd degree seem fixated on ♪
238
00:13:53,676 --> 00:13:59,576
{\an1}♪ Your verdigris, would
it be all right by you ♪
239
00:13:59,609 --> 00:14:06,076
{\an1}♪ If I degreenify you?" ♪
240
00:14:06,109 --> 00:14:09,609
{\an1}♪ And of course that's
not important to me ♪
241
00:14:09,643 --> 00:14:11,243
{\an1}♪ "All right, why not?" ♪
242
00:14:11,276 --> 00:14:12,943
♪ I'll reply ♪
243
00:14:12,976 --> 00:14:19,376
{\an1}♪ And, what a pair we'll
be the Wizard and I! ♪
244
00:14:19,409 --> 00:14:22,076
{\an1}♪ Yes, what a pair we'll be ♪
245
00:14:22,109 --> 00:14:25,909
{\an1}♪ The Wizard and ♪
246
00:14:28,209 --> 00:14:31,576
♪ Unlimited ♪
247
00:14:31,609 --> 00:14:36,143
{\an1}♪ My future is unlimited ♪
248
00:14:36,176 --> 00:14:40,876
{\an1}♪ And I've just had a
vision almost like a prophecy ♪
249
00:14:40,909 --> 00:14:46,043
{\an1}♪ I know, it sounds
truly crazy ♪
250
00:14:46,076 --> 00:14:50,076
{\an1}♪ And true the vision's hazy ♪
251
00:14:50,109 --> 00:14:51,809
♪ But I swear ♪
252
00:14:51,843 --> 00:14:57,843
{\an1}♪ Someday there'll be a
celebration throughout Oz ♪
253
00:14:57,876 --> 00:15:03,943
{\an1}♪ That's all to do with me! ♪
254
00:15:08,776 --> 00:15:12,643
{\an1}♪ And I'll stand
there with the Wizard ♪
255
00:15:12,676 --> 00:15:16,443
{\an1}♪ Feeling things
I've never felt ♪
256
00:15:16,476 --> 00:15:20,243
{\an1}♪ And though I'd never
show it, I'd be so happy ♪
257
00:15:20,276 --> 00:15:22,776
{\an1}♪ I could melt! ♪
258
00:15:22,809 --> 00:15:25,576
{\an1}♪ And so it will be for
the rest of my life ♪
259
00:15:25,609 --> 00:15:28,976
{\an1}♪ And I'll want
nothing else till I die! ♪
260
00:15:29,009 --> 00:15:31,809
{\an1}♪ Held in such high esteem ♪
261
00:15:31,843 --> 00:15:35,409
{\an1}♪ When people see
me they will scream ♪
262
00:15:35,443 --> 00:15:41,109
{\an1}♪ For half of
Oz's fav'rite team ♪
263
00:15:41,143 --> 00:15:47,776
{\an1}♪ The Wizard and I! ♪♪♪
264
00:15:55,809 --> 00:15:59,176
{\an7}MORENO: This is not
easy music to sing.
265
00:15:59,209 --> 00:16:02,843
{\an7}This is difficult, and how our
beautiful leads manage to make
266
00:16:02,876 --> 00:16:06,809
{\an7}it look as though it's second
nature is just a thrill.
267
00:16:07,476 --> 00:16:09,219
{\an7}DEBOSE: I don't think
there's a woman in the world,
268
00:16:09,243 --> 00:16:11,409
{\an7}or anyone who has
sung this song,
269
00:16:11,443 --> 00:16:13,509
{\an7}and not had
absolute butterflies.
270
00:16:13,543 --> 00:16:16,076
{\an7}It's a tour de
force piece, I think,
271
00:16:16,109 --> 00:16:18,809
{\an1}and you have to be a
real skilled vocalist,
272
00:16:18,843 --> 00:16:21,109
{\an1}and have so much heart
and passion in your acting,
273
00:16:21,143 --> 00:16:24,409
{\an1}and it's a real journey that
you get to go on and I feel
274
00:16:24,443 --> 00:16:27,809
{\an1}very fortunate to have gotten
to sing an incredible song by
275
00:16:27,843 --> 00:16:31,343
{\an1}Stephen Schwartz, hello?
276
00:16:32,509 --> 00:16:33,852
{\an7}MENZEL: Tonight we celebrate
the thrilling score
277
00:16:33,876 --> 00:16:35,376
{\an7}by Stephen Schwartz.
278
00:16:35,409 --> 00:16:38,243
{\an7}Performed with special
original arrangements that are
279
00:16:38,276 --> 00:16:41,276
{\an7}being heard tonight
for the first time,
280
00:16:41,309 --> 00:16:43,009
{\an7}a unique introduction
to the musical for
281
00:16:43,043 --> 00:16:44,943
{\an7}anyone who has never seen it,
282
00:16:44,976 --> 00:16:47,176
{\an1}and a celebration
for its millions of fans
283
00:16:47,209 --> 00:16:49,043
{\an1}around the world.
284
00:16:50,076 --> 00:16:52,243
{\an7}SCHWARTZ: It's been fun
and exciting for me how so
285
00:16:52,276 --> 00:16:55,509
{\an7}many people over the years
have done reimaginings of the
286
00:16:55,543 --> 00:16:57,276
{\an7}songs from Wicked,
287
00:16:57,309 --> 00:17:00,009
{\an7}with new arrangements and
new interpretations.
288
00:17:00,043 --> 00:17:03,843
{\an1}Here's a cool mashup of the
things some of these singers
289
00:17:03,876 --> 00:17:06,009
{\an1}and arrangers have done.
290
00:17:06,043 --> 00:17:07,709
{\an1}I hope you enjoy it.
291
00:17:07,976 --> 00:17:14,043
{\an7}♪ BOTH: I'd sooner
buy defying gravity ♪
292
00:17:14,976 --> 00:17:21,143
{\an7}♪ Kiss me goodbye,
I'm defying gravity ♪
293
00:17:21,176 --> 00:17:26,409
{\an1}♪ And you can't pull me down ♪
294
00:17:26,776 --> 00:17:28,152
{\an7}♪ BURNS: Would it be
alright by you? ♪
295
00:17:28,176 --> 00:17:30,276
{\an7}♪ COTT: Would it be
alright by you? ♪
296
00:17:30,309 --> 00:17:31,685
{\an7}♪ BURNS: By your side
dancing through life! ♪
297
00:17:31,709 --> 00:17:35,509
{\an7}♪ COTT: And I'll stand there
with the Wizard feeling things ♪
298
00:17:35,543 --> 00:17:38,676
{\an7}♪ I've never felt ♪
299
00:17:38,709 --> 00:17:41,343
{\an1}♪ BOTH: And though
I'd never show it ♪
300
00:17:41,376 --> 00:17:44,909
{\an1}♪ I'd be so happy
I could melt ♪
301
00:17:45,443 --> 00:17:49,376
{\an7}♪ BOTH: Blithe smile,
lithe limb ♪
302
00:17:49,409 --> 00:17:53,676
{\an7}♪ She who's winsome,
she wins him ♪
303
00:17:53,709 --> 00:17:58,209
{\an8}♪ Gold hair with
a gentle curl ♪
304
00:17:58,243 --> 00:18:03,076
{\an1}♪ That's the girl he chose ♪
305
00:18:03,109 --> 00:18:07,176
{\an1}♪ And heaven knows ♪
306
00:18:07,909 --> 00:18:12,076
{\an1}♪ I'm not that girl ♪
307
00:18:13,843 --> 00:18:17,009
{\an7}♪ ASHFORD: They
call me Wonderful ♪
308
00:18:17,043 --> 00:18:19,476
{\an7}♪ So I am Wonderful ♪
309
00:18:19,509 --> 00:18:25,109
{\an7}♪ In fact it's so much who I
am it's part of my name! ♪
310
00:18:25,809 --> 00:18:31,743
{\an1}♪ And with my help,
you can be the same ♪
311
00:18:32,376 --> 00:18:34,009
{\an7}♪ GROUP: Oh loathing ♪
312
00:18:34,043 --> 00:18:36,709
{\an7}♪ Unadulterated loathing ♪
313
00:18:36,743 --> 00:18:39,576
{\an7}♪ For your face, your
voice, your clothing ♪
314
00:18:39,609 --> 00:18:43,109
{\an7}♪ Let's just say
I loathe it all! ♪
315
00:18:43,143 --> 00:18:44,843
{\an7}♪ TVEIT: They were popular! ♪
316
00:18:44,876 --> 00:18:45,976
{\an8}♪ Please! ♪
317
00:18:46,009 --> 00:18:48,376
{\an7}♪ It's all about popular ♪
318
00:18:48,409 --> 00:18:51,976
{\an7}♪ It's not about aptitude,
it's the way you're viewed ♪
319
00:18:52,009 --> 00:18:55,176
{\an7}♪ So it's very shrewd to be ♪
320
00:18:55,209 --> 00:18:58,676
{\an7}♪ Very very popular like me ♪
321
00:18:58,876 --> 00:19:02,843
{\an7}♪ BOTH: Every moment ♪
322
00:19:02,876 --> 00:19:06,976
{\an7}♪ As long as you're mine ♪
323
00:19:07,009 --> 00:19:12,876
{\an7}♪ I'll wake up my body ♪
324
00:19:12,909 --> 00:19:16,443
♪ And make up
for lost time ♪
325
00:19:16,476 --> 00:19:19,509
{\an7}♪ BOTH: And nobody
in all of Oz ♪
326
00:19:19,543 --> 00:19:23,009
{\an7}♪ No Wizard that
there is or was ♪
327
00:19:23,043 --> 00:19:29,676
{\an7}♪ Is ever gonna bring me down ♪
328
00:19:33,043 --> 00:19:39,609
{\an7}♪ Bring me down ♪♪♪
329
00:19:49,443 --> 00:19:52,109
{\an4}Harmonized confections
about a villainized young
330
00:19:52,143 --> 00:19:54,776
{\an5}woman sung by a swankified cast.
331
00:19:54,809 --> 00:19:59,276
{\an4}It may seem like sorcery
is at work, but thank OZ,
332
00:19:59,309 --> 00:20:00,443
{\an5}it's not.
333
00:20:00,476 --> 00:20:03,176
{\an4}Viewers like YOU have come
together to manifest this
334
00:20:03,209 --> 00:20:06,676
{\an5}production of Wicked in Concert!
335
00:20:06,709 --> 00:20:09,176
{\an4}What's magical is really
thinking about this show
336
00:20:09,209 --> 00:20:11,809
{\an4}from a different angle and
saying, how can we make
337
00:20:11,843 --> 00:20:14,509
{\an5}this more open,
more inclusive and
338
00:20:14,543 --> 00:20:17,009
{\an4}representative of so many
styles of singers and
339
00:20:17,043 --> 00:20:18,176
{\an5}music?
340
00:20:18,209 --> 00:20:21,909
{\an4}And we have an incredible
coven of singers and music
341
00:20:21,943 --> 00:20:24,343
{\an4}still to come as we
celebrate this beautiful
342
00:20:24,376 --> 00:20:27,643
{\an4}story of friendship and
empowerment and finding
343
00:20:27,676 --> 00:20:29,043
{\an5}your truth.
344
00:20:29,076 --> 00:20:33,309
{\an5}Something has changed within me.
345
00:20:33,343 --> 00:20:41,343
{\an4}Something is not the same.
346
00:20:43,443 --> 00:20:48,176
{\an4}When I meet the Wizard,
once I prove my worth...
347
00:20:49,276 --> 00:20:51,409
{\an4}At PBS, everyone has a
part to play, including
348
00:20:51,443 --> 00:20:52,843
{\an5}you.
349
00:20:52,876 --> 00:20:55,343
{\an4}Become a member of the
PBS family by going to
350
00:20:55,376 --> 00:20:59,143
{\an4}pbs.org/donate and show
your applause for the
351
00:20:59,176 --> 00:21:03,009
{\an4}incredible performances
you find right here with
352
00:21:03,043 --> 00:21:04,809
{\an4}your contribution.
353
00:21:04,843 --> 00:21:06,276
{\an4}You want to do this?
354
00:21:06,309 --> 00:21:08,443
{\an4}You don't have to be a
Grand Vizier to have an
355
00:21:08,476 --> 00:21:09,843
{\an5}impact.
356
00:21:09,876 --> 00:21:12,409
{\an4}Just a few dollars a month
can make a big difference.
357
00:21:12,443 --> 00:21:14,876
{\an4}Because the mission of PBS
is to give everyone access
358
00:21:14,909 --> 00:21:17,209
{\an5}to the arts.
359
00:21:17,243 --> 00:21:19,909
{\an4}It's for the public, made
possible by the public.
360
00:21:19,943 --> 00:21:25,609
{\an4}When you really think
about it, PBS is laying
361
00:21:25,643 --> 00:21:27,709
{\an5}such a beautiful
foundation for young
362
00:21:27,743 --> 00:21:29,509
{\an4}people to find their
way to the arts.
363
00:21:29,543 --> 00:21:31,443
{\an4}And I think that's
really exciting.
364
00:21:31,476 --> 00:21:33,343
{\an4}I mean, I'm very grateful.
365
00:21:33,376 --> 00:21:36,276
{\an4}Individual donations from
citizens just like you
366
00:21:36,309 --> 00:21:38,152
{\an4}make up the lion's share
of income to your local
367
00:21:38,176 --> 00:21:39,576
{\an5}station.
368
00:21:39,609 --> 00:21:42,143
{\an4}Now is the time to show
your "graditution" for
369
00:21:42,176 --> 00:21:44,643
{\an4}this unique Wicked
experience and the many
370
00:21:44,676 --> 00:21:47,809
{\an4}more events you can look
forward to all year long.
371
00:21:47,843 --> 00:21:55,843
{\an4}Unlimited, my future
is unlimited...
372
00:21:58,443 --> 00:22:02,209
{\an4}Visit pbs.org/donate
and sign up as a monthly
373
00:22:02,243 --> 00:22:03,676
{\an5}sustainer.
374
00:22:03,709 --> 00:22:07,243
{\an4}When you do, you can take
advantage PBS Passport, a
375
00:22:08,209 --> 00:22:10,443
{\an4}terrific member benefit
that lets you stream PBS
376
00:22:10,476 --> 00:22:12,943
{\an4}performances, dramas,
and much more.
377
00:22:12,976 --> 00:22:16,643
{\an4}Including this memorable
reimagining of Wicked.
378
00:22:16,676 --> 00:22:19,509
{\an4}Plus, you'll help make
even more theater, music
379
00:22:19,543 --> 00:22:22,309
{\an4}and art programs available
for everyone in our
380
00:22:22,343 --> 00:22:25,276
{\an4}community to enjoy.
381
00:22:25,309 --> 00:22:29,209
{\an4}You'll be making good.
382
00:22:34,876 --> 00:22:36,743
{\an8}POWELL: It feels
really exciting,
383
00:22:36,776 --> 00:22:38,219
{\an7}Wicked is, uh, the musical
that made me fall in love with
384
00:22:38,243 --> 00:22:41,776
{\an7}musicals, um, when I
was in seventh grade.
385
00:22:42,809 --> 00:22:45,609
{\an7}And, uh, so to be
singing this song,
386
00:22:45,643 --> 00:22:47,909
{\an7}in this capacity,
with this group and
387
00:22:47,943 --> 00:22:48,876
{\an7}this incredible orchestra,
388
00:22:48,909 --> 00:22:51,776
{\an7}it's just a...
a full circle moment,
389
00:22:51,809 --> 00:22:54,343
{\an7}a little dream
come true for sure.
390
00:22:55,343 --> 00:22:58,043
{\an7}♪ The trouble with schools
is they always try to ♪
391
00:22:58,076 --> 00:23:02,143
{\an7}♪ Teach the wrong lesson ♪
392
00:23:02,976 --> 00:23:08,243
{\an7}♪ Believe me, I've been kicked
out of enough of them to know ♪
393
00:23:10,176 --> 00:23:13,576
{\an1}♪ They want you to become
less callow, less shallow ♪
394
00:23:13,609 --> 00:23:18,176
{\an1}♪ But I say, "Why
invite stressin? ♪
395
00:23:18,209 --> 00:23:23,643
{\an1}♪ Stop studying strife and
learn to live ♪
396
00:23:23,676 --> 00:23:29,976
{\an1}♪ 'The unexamined life'..." ♪
397
00:23:34,576 --> 00:23:36,176
{\an1}♪ Dancing through life ♪
398
00:23:36,209 --> 00:23:38,143
{\an1}♪ Skimming the surface ♪
399
00:23:38,176 --> 00:23:42,376
♪ Gliding where
turf is smooth ♪
400
00:23:42,409 --> 00:23:45,943
{\an1}♪ Life's more painless
for the brainless ♪
401
00:23:45,976 --> 00:23:49,943
{\an1}♪ Why think too hard
when it's so soothing? ♪
402
00:23:49,976 --> 00:23:51,576
{\an1}♪ Dancing through life ♪
403
00:23:51,609 --> 00:23:54,409
{\an1}♪ No need to tough it
when you can ♪
404
00:23:54,443 --> 00:23:57,643
{\an1}♪ Slough it off as I do ♪
405
00:23:57,676 --> 00:24:01,243
{\an1}♪ Nothing matters, but
knowing nothing matters ♪
406
00:24:01,276 --> 00:24:07,476
{\an1}♪ It's just life so
keep dancing through ♪
407
00:24:09,009 --> 00:24:10,809
{\an1}♪ Dancing through life ♪
408
00:24:10,843 --> 00:24:12,676
{\an1}♪ Swaying and sweeping ♪
409
00:24:12,709 --> 00:24:15,109
{\an1}♪ And always keeping cool ♪
410
00:24:15,143 --> 00:24:16,643
{\an1}♪ BACKGROUND: Ba ba ba da ♪
411
00:24:16,676 --> 00:24:18,609
{\an1}♪ POWELL: Life is fraught-less ♪
412
00:24:18,643 --> 00:24:20,643
♪ When you're
thoughtless ♪
413
00:24:20,676 --> 00:24:24,376
{\an1}♪ Those who don't try
never look foolish ♪
414
00:24:24,409 --> 00:24:26,043
{\an1}♪ Dancing through life ♪
415
00:24:26,076 --> 00:24:27,809
{\an1}♪ Mindless and careless ♪
416
00:24:27,843 --> 00:24:31,909
{\an1}♪ Make sure you're where
less trouble is rife ♪
417
00:24:31,943 --> 00:24:33,376
{\an1}♪ Woes are fleeting ♪
418
00:24:33,409 --> 00:24:35,276
{\an1}♪ Blows are glancing ♪
419
00:24:35,309 --> 00:24:38,743
{\an1}♪ When you're dancing ♪
420
00:24:38,776 --> 00:24:44,709
♪ Through life ♪
421
00:24:49,876 --> 00:24:54,843
♪ ♪
422
00:24:54,876 --> 00:24:58,509
{\an1}♪ Let's go down to
the Ozdust Ballroom ♪
423
00:24:58,543 --> 00:25:02,409
{\an1}♪ We'll meet there
later tonight ♪
424
00:25:02,443 --> 00:25:05,743
{\an1}♪ We can dance
till it's light ♪
425
00:25:05,776 --> 00:25:08,109
{\an1}♪ Find the prettiest girl ♪
426
00:25:08,143 --> 00:25:10,309
{\an1}♪ Give her a whirl ♪
427
00:25:10,343 --> 00:25:11,709
{\an1}♪ Right on down ♪
428
00:25:11,743 --> 00:25:13,943
{\an1}♪ To the Ozdust Ballroom ♪
429
00:25:13,976 --> 00:25:17,876
{\an1}♪ Come on follow me ♪
430
00:25:17,909 --> 00:25:21,709
{\an1}♪ You'll be
happy to be there ♪
431
00:25:21,743 --> 00:25:25,176
{\an1}♪ BACKGROUND: Dancing through
life down at the Ozdust ♪
432
00:25:25,609 --> 00:25:29,243
{\an1}♪ POWELL: Only because
dust is what we come to ♪
433
00:25:29,276 --> 00:25:33,143
{\an1}♪ Nothing matters, but knowing
nothing matters ♪
434
00:25:33,176 --> 00:25:35,476
{\an1}♪ it's just life ♪
435
00:25:35,509 --> 00:25:38,876
{\an1}♪ It's just life ♪
436
00:25:38,909 --> 00:25:44,776
{\an1}♪ So keep dancing through ♪♪♪
437
00:25:49,376 --> 00:25:52,443
{\an7}MENZEL: We just heard from the
genuinely self-absorbed and
438
00:25:52,476 --> 00:25:54,176
{\an7}deeply shallow Fiyero,
439
00:25:54,209 --> 00:25:58,176
{\an7}gorgeously sung by
Broadway's Isaac Powell.
440
00:25:58,209 --> 00:26:01,809
{\an7}Fiyero was a serious party boy
and made it his life's work to
441
00:26:01,843 --> 00:26:05,243
{\an1}bring the party to every
school he flunked out of.
442
00:26:06,043 --> 00:26:08,152
{\an1}It's not surprising that both
Glinda and Elphaba develop
443
00:26:08,176 --> 00:26:10,076
{\an1}feelings for this wild seductive
444
00:26:10,109 --> 00:26:12,243
{\an1}happy-go-lucky Prince.
445
00:26:12,276 --> 00:26:15,176
{\an1}The bubbly Glinda, with her
effervescent charm and
446
00:26:15,209 --> 00:26:17,743
{\an1}totally impossible
adorable ways,
447
00:26:17,776 --> 00:26:20,476
{\an1}of course beats Elphaba
to his affections.
448
00:26:20,509 --> 00:26:23,276
{\an1}Sadly, this loss is not
new for our Green Girl,
449
00:26:23,309 --> 00:26:26,076
{\an1}who is no stranger to rejection.
450
00:26:26,109 --> 00:26:28,443
{\an1}Performing "I'm Not That Girl,"
451
00:26:28,476 --> 00:26:30,143
{\an1}I'm overjoyed to introduce
452
00:26:30,176 --> 00:26:32,943
{\an1}one of the stars of
The Marvelous Mrs. Maisel,
453
00:26:32,976 --> 00:26:35,176
Stephanie Hsu.
454
00:26:36,876 --> 00:26:43,343
♪ ♪
455
00:26:54,976 --> 00:27:00,443
{\an7}♪ BACKGROUND: Ooh, ooh ♪
456
00:27:07,776 --> 00:27:13,276
{\an1}♪ HSU: Hands touch, eyes meet ♪
457
00:27:13,676 --> 00:27:18,309
{\an1}♪ Sudden silence, sudden heat ♪
458
00:27:19,476 --> 00:27:25,276
{\an1}♪ Hearts leap in a giddy whirl ♪
459
00:27:25,943 --> 00:27:31,209
{\an1}♪ He could be that boy ♪
460
00:27:31,943 --> 00:27:35,943
{\an1}♪ But I'm not that girl ♪
461
00:27:37,176 --> 00:27:43,409
{\an1}♪ Don't dream too far ♪
462
00:27:43,443 --> 00:27:48,109
{\an1}♪ Don't lose sight
of who you are ♪
463
00:27:48,476 --> 00:27:53,676
{\an1}♪ Don't remember
that rush of joy ♪
464
00:27:54,709 --> 00:27:59,309
{\an1}♪ He could be that boy ♪
465
00:28:00,643 --> 00:28:05,343
{\an1}♪ I'm not that girl ♪
466
00:28:05,376 --> 00:28:09,309
{\an1}♪ Ev'ry so often we
long to steal ♪
467
00:28:09,343 --> 00:28:12,343
{\an1}♪ To the land of
What Might Have Been ♪
468
00:28:13,343 --> 00:28:17,943
{\an1}♪ But that doesn't
soften the ache we feel ♪
469
00:28:17,976 --> 00:28:22,176
{\an1}♪ When reality sets back in ♪
470
00:28:24,009 --> 00:28:28,776
{\an1}♪ Blithe smile, lithe limb ♪
471
00:28:30,576 --> 00:28:35,076
{\an1}♪ She who's winsome,
she wins him ♪
472
00:28:35,909 --> 00:28:41,876
{\an1}♪ Gold hair with a gentle curl ♪
473
00:28:41,909 --> 00:28:46,643
{\an1}♪ That's the girl he chose ♪
474
00:28:47,709 --> 00:28:51,409
{\an1}♪ And heaven knows ♪
475
00:28:53,809 --> 00:28:57,943
{\an1}♪ I'm not that girl ♪
476
00:29:08,609 --> 00:29:11,143
♪ Don't wish ♪
477
00:29:11,176 --> 00:29:13,643
♪ Don't start ♪
478
00:29:13,676 --> 00:29:19,509
{\an1}♪ Wishing only
wounds the heart ♪
479
00:29:20,543 --> 00:29:22,509
{\an1}♪ I wasn't born ♪
480
00:29:22,543 --> 00:29:26,409
{\an1}♪ For the rose and pearl ♪
481
00:29:26,443 --> 00:29:32,576
{\an1}♪ There's a girl I know ♪
482
00:29:32,609 --> 00:29:36,509
{\an1}♪ He loves her so ♪
483
00:29:38,976 --> 00:29:44,476
{\an1}♪ I'm not that girl... ♪
484
00:29:54,709 --> 00:29:57,309
{\an7}HSU: I think the music is
really just quite beautiful.
485
00:29:57,343 --> 00:30:00,509
{\an7}And certainly when Wicked
came out it was just,
486
00:30:00,543 --> 00:30:03,676
{\an7}you hadn't really seen two
female leads that way,
487
00:30:03,709 --> 00:30:06,509
{\an1}and so I just remember
that being really empowering.
488
00:30:06,543 --> 00:30:09,176
And even singing this song, um,
489
00:30:09,209 --> 00:30:11,409
{\an1}with the orchestra, with a band,
490
00:30:11,443 --> 00:30:15,009
{\an1}I just, can really hear all
the instruments in a way that
491
00:30:15,043 --> 00:30:19,109
{\an1}really makes me appreciate um
the music that much deeper.
492
00:30:20,109 --> 00:30:21,943
{\an7}LEE: I just wanna
tell you that I am a
493
00:30:21,976 --> 00:30:23,709
{\an7}Rodgers & Hammerstein baby.
494
00:30:23,743 --> 00:30:26,176
{\an7}And then there is
Stephen Schwartz.
495
00:30:26,209 --> 00:30:27,243
You know.
496
00:30:27,276 --> 00:30:28,509
Godspell.
497
00:30:28,543 --> 00:30:30,009
Pippin.
498
00:30:30,043 --> 00:30:30,909
Working.
499
00:30:30,943 --> 00:30:32,409
{\an8}Wicked.
500
00:30:32,443 --> 00:30:34,276
{\an7}And seeing the show
changed, you know,
501
00:30:34,309 --> 00:30:36,276
{\an7}has changed me also.
502
00:30:36,309 --> 00:30:38,976
{\an7}Because, you know, when you're
used to those classic icons,
503
00:30:39,009 --> 00:30:44,009
{\an7}and then you see Wicked,
you go 'wow.'
504
00:30:44,043 --> 00:30:47,176
{\an1}You know, we're into
the next century!
505
00:30:48,043 --> 00:30:49,585
{\an7}KRISTIN Now, not everything
is going wrong for
506
00:30:49,609 --> 00:30:51,243
{\an7}our favorite duo.
507
00:30:51,276 --> 00:30:54,743
{\an7}In fact, after a night of
festivating and fun at
508
00:30:54,776 --> 00:30:57,909
{\an7}The Ozdust Ballroom, the
roommates are actually
509
00:30:57,943 --> 00:31:02,209
{\an7}starting to become,
dare I say, friends?
510
00:31:03,276 --> 00:31:06,576
{\an1}Much to her chagrin,
Elphaba even agrees to be
511
00:31:06,609 --> 00:31:09,809
{\an1}"Ga-lindafied" with a
late-night makeover.
512
00:31:09,843 --> 00:31:13,643
{\an1}Armed with wit, charm, and
maybe even a little magic of
513
00:31:13,676 --> 00:31:17,309
{\an1}her own, Galinda tries to give
our Green Beauty some of her
514
00:31:17,343 --> 00:31:19,676
{\an1}own natural confidence.
515
00:31:19,709 --> 00:31:23,943
{\an1}Here to perform a song close
to my heart, toss toss,
516
00:31:23,976 --> 00:31:27,876
{\an1}I'm bursting with pride to
inform you that Alex Newell
517
00:31:27,909 --> 00:31:31,309
{\an1}has decided to make
you his new project.
518
00:31:31,343 --> 00:31:33,243
Get ready!
519
00:31:35,109 --> 00:31:38,743
{\an7}♪ NEWELL: Whenever I see someone
less fortunate than I: ♪
520
00:31:38,776 --> 00:31:41,009
{\an7}♪ And let's face it, who isn't ♪
521
00:31:41,043 --> 00:31:43,876
{\an7}♪ Less fortunate than I? ♪
522
00:31:43,909 --> 00:31:47,009
{\an7}♪ My tender heart
tends to start to bleed ♪
523
00:31:47,043 --> 00:31:48,976
{\an1}♪ And when someone
needs a makeover ♪
524
00:31:49,009 --> 00:31:51,176
{\an1}♪ I simply have to
take over; I know ♪
525
00:31:51,209 --> 00:31:56,376
{\an1}♪ I know exactly
what they need! ♪
526
00:31:56,409 --> 00:32:00,409
{\an1}♪ And even in your case ♪
527
00:32:01,076 --> 00:32:05,276
{\an1}♪ Though it's the toughest
case I've yet to face ♪
528
00:32:05,309 --> 00:32:09,909
{\an1}♪ Don't worry,
I'm determined to succeed ♪
529
00:32:09,943 --> 00:32:15,743
{\an1}♪ Follow my lead
and yes, indeed ♪
530
00:32:15,776 --> 00:32:21,643
♪ You will be ♪
531
00:32:21,676 --> 00:32:23,676
♪ Popular ♪
532
00:32:23,709 --> 00:32:26,343
{\an1}♪ You're gonna be popular! ♪
533
00:32:26,376 --> 00:32:29,576
{\an1}♪ I'll teach you the proper
ploys when you talk to boys ♪
534
00:32:29,609 --> 00:32:31,609
{\an1}♪ Little ways to
flirt and flounce ♪
535
00:32:31,643 --> 00:32:33,309
{\an1}♪ I'll show you
what shoes to wear ♪
536
00:32:33,343 --> 00:32:35,243
{\an1}♪ How to fix your hair ♪
537
00:32:35,276 --> 00:32:37,443
{\an1}♪ Ev'rything that
really counts ♪
538
00:32:37,476 --> 00:32:39,343
{\an1}♪ To be popular! ♪
539
00:32:39,376 --> 00:32:41,909
{\an1}♪ I'll help you be popular! ♪
540
00:32:41,943 --> 00:32:43,676
{\an1}♪ You'll hang with
the right cohorts ♪
541
00:32:43,709 --> 00:32:45,209
{\an1}♪ You'll be good at sports ♪
542
00:32:45,243 --> 00:32:47,743
{\an1}♪ Know the slang
you've got to know ♪
543
00:32:47,776 --> 00:32:52,809
{\an1}♪ So let's start 'cause you've
got an awful long way to go! ♪
544
00:32:53,976 --> 00:32:56,209
{\an1}♪ Don't be offended by
my frank analysis! ♪
545
00:32:56,243 --> 00:32:58,643
{\an1}♪ Think of it as
personality dialysis ♪
546
00:32:58,676 --> 00:33:01,143
{\an1}♪ Now that I've
chosen to become a pal ♪
547
00:33:01,176 --> 00:33:04,076
{\an1}♪ A sister and adviser,
there's nobody wiser ♪
548
00:33:04,109 --> 00:33:06,876
{\an1}♪ Not when it
comes to popular ♪
549
00:33:06,909 --> 00:33:09,576
{\an1}♪ I know about popular! ♪
550
00:33:09,609 --> 00:33:13,143
{\an1}♪ And with an assist from
me to be who you'll be ♪
551
00:33:13,176 --> 00:33:15,743
{\an1}♪ Instead of dreary
who-you-were... are ♪
552
00:33:15,776 --> 00:33:18,209
{\an1}♪ There's nothing that can
stop you from becoming ♪
553
00:33:18,243 --> 00:33:20,776
{\an1}♪ Popu-ler... lar ♪
554
00:33:20,809 --> 00:33:26,676
♪ La la la la ♪
555
00:33:26,709 --> 00:33:30,143
{\an1}♪ We're gonna make
you popular! ♪
556
00:33:30,176 --> 00:33:31,076
♪ Ha! ♪
557
00:33:31,109 --> 00:33:32,109
♪ Ha! ♪
558
00:33:32,143 --> 00:33:34,243
{\an1}♪ When I see
depressing creatures ♪
559
00:33:34,276 --> 00:33:36,843
{\an1}♪ With unprepossessing
features ♪
560
00:33:36,876 --> 00:33:42,243
{\an1}♪ I remind them on
their own we have to think of ♪
561
00:33:42,276 --> 00:33:44,609
{\an1}♪ Celebrated heads
of state or ♪
562
00:33:44,643 --> 00:33:47,376
{\an1}♪ 'Specially great
communicators ♪
563
00:33:47,409 --> 00:33:49,909
{\an1}♪ Did they have
brains or knowledge? ♪
564
00:33:49,943 --> 00:33:51,943
{\an1}♪ Don't make me laugh! ♪
565
00:33:51,976 --> 00:33:53,509
{\an1}♪ They were popular ♪
566
00:33:53,543 --> 00:33:54,543
♪ Please! ♪
567
00:33:54,576 --> 00:33:56,776
{\an1}♪ It's all about popular! ♪
568
00:33:56,809 --> 00:34:00,009
{\an1}♪ It's not about aptitude,
it's the way you're viewed ♪
569
00:34:00,043 --> 00:34:02,976
{\an1}♪ So it's very shrewd to be ♪
570
00:34:03,009 --> 00:34:06,876
{\an1}♪ Very, very popular like me! ♪
571
00:34:06,909 --> 00:34:08,076
♪ Ha ha! ♪
572
00:34:10,609 --> 00:34:16,643
{\an1}♪ And though you
protest your disinterest ♪
573
00:34:16,676 --> 00:34:20,843
{\an1}♪ I know clandestinely ♪
574
00:34:21,943 --> 00:34:26,509
{\an1}♪ You're gonna grin and bear
it, your new-found popularity ♪
575
00:34:26,543 --> 00:34:28,276
♪ Ha! ♪
576
00:34:28,309 --> 00:34:32,276
♪ La la la la ♪
577
00:34:32,309 --> 00:34:33,809
{\an1}♪ You'll be popular! ♪
578
00:34:33,843 --> 00:34:40,443
{\an1}♪ Just not quite
as popular as me! ♪♪♪
579
00:34:53,476 --> 00:34:55,843
{\an4}For just a tick-tock of
the dragon clock, allow us
580
00:34:55,876 --> 00:34:59,676
{\an4}to expound a moment on
a very popular perk, PBS
581
00:34:59,709 --> 00:35:00,709
{\an5}Passport!
582
00:35:00,976 --> 00:35:04,143
{\an4}PBS Passport is a benefit
of membership that gives
583
00:35:04,176 --> 00:35:08,009
{\an4}you extended access to
beloved dramas, mysteries,
584
00:35:08,043 --> 00:35:09,276
{\an5}and so much more.
585
00:35:10,776 --> 00:35:13,509
{\an5}With a qualifying
donation, you can enjoy an
586
00:35:13,543 --> 00:35:16,276
{\an4}incredible collection
of PBS programs that are
587
00:35:16,309 --> 00:35:19,143
{\an4}available to stream on
your computer, or through
588
00:35:19,176 --> 00:35:21,876
{\an4}the PBS app on your phone,
tablet, or streaming
589
00:35:21,909 --> 00:35:22,676
{\an5}device.
590
00:35:22,709 --> 00:35:24,643
{\an5}Including this amazing concert!
591
00:35:25,709 --> 00:35:28,509
{\an4}All it takes is just a
visit to pbs.org/donate
592
00:35:28,543 --> 00:35:31,676
{\an4}for your PBS Passport
experience to begin.
593
00:35:31,976 --> 00:35:34,376
{\an5}Plus, you'll be
supporting educational
594
00:35:34,409 --> 00:35:37,409
{\an4}programming used in and
outside the classroom,
595
00:35:37,443 --> 00:35:40,976
{\an4}longform journalism that's
always free and available
596
00:35:41,009 --> 00:35:44,109
{\an4}to the public, and
of course, arts and
597
00:35:44,143 --> 00:35:47,109
{\an4}cultural performances you
look forward to all year
598
00:35:47,143 --> 00:35:48,143
{\an5}long.
599
00:35:48,176 --> 00:35:52,809
{\an4}The adrenaline, there's
nothing like that.
600
00:35:54,743 --> 00:35:57,676
{\an4}Step off the sidelines,
into the front lines.
601
00:35:59,409 --> 00:36:00,276
{\an4}Are you ready for it?
602
00:36:00,309 --> 00:36:01,176
{\an5}Here we go.
603
00:36:01,209 --> 00:36:02,285
{\an5}You've been waiting for it...
604
00:36:02,309 --> 00:36:03,709
{\an4}it's a nothing like it.
605
00:36:03,743 --> 00:36:04,743
{\an5}Are you nervous?
606
00:36:04,776 --> 00:36:07,276
{\an4}Well of course not.
607
00:36:07,309 --> 00:36:08,043
{\an5}Haha.
608
00:36:08,076 --> 00:36:08,976
{\an5}What!
609
00:36:09,009 --> 00:36:10,176
{\an4}Show 'em what we got.
610
00:36:10,209 --> 00:36:13,109
{\an5}Ready or not, comin' in hot.
611
00:36:13,943 --> 00:36:15,043
{\an4}Show 'em what we got.
612
00:36:15,076 --> 00:36:16,652
{\an4}Anytime you want to get
really good at something,
613
00:36:16,676 --> 00:36:21,943
{\an5}you have to get
obsessed with it.
614
00:36:21,976 --> 00:36:23,976
{\an4}It wasn't that I felt like
doing it, I needed to do
615
00:36:24,643 --> 00:36:26,276
{\an5}it.
616
00:36:26,309 --> 00:36:32,776
{\an4}It's more of like an
emotion than anything.
617
00:36:32,809 --> 00:36:35,509
{\an5}We were pushing the limits.
618
00:36:35,543 --> 00:36:37,776
{\an5}People were just, oh my gosh...
619
00:36:37,809 --> 00:36:39,676
{\an5}They'd never seen
anything like it.
620
00:36:39,709 --> 00:36:43,043
{\an4}Show 'em what we got.
621
00:36:43,076 --> 00:36:47,009
{\an4}Tell me when darling.
622
00:36:47,043 --> 00:36:50,309
{\an4}Show 'em what we got.
623
00:36:50,343 --> 00:36:52,409
{\an4}I found out what musical
theater was, I feel a
624
00:36:52,443 --> 00:36:55,543
{\an4}little late and it was
because of PBS that I was
625
00:36:55,576 --> 00:36:58,009
{\an4}able to see some of
my favorite musicals.
626
00:36:58,043 --> 00:36:59,509
{\an4}It was everything for me.
627
00:36:59,543 --> 00:37:01,476
{\an5}The magic of musical theater.
628
00:37:01,509 --> 00:37:03,709
{\an4}It's your financial
donation that helps bring
629
00:37:03,743 --> 00:37:06,276
{\an4}the magic of musical
theater into your home and
630
00:37:06,309 --> 00:37:13,809
{\an5}to share with the
whole community.
631
00:37:13,843 --> 00:37:16,276
{\an4}When I was given the offer
and asked to do this, I
632
00:37:16,309 --> 00:37:18,976
{\an4}was like, PBS is awesome.
633
00:37:19,009 --> 00:37:20,519
{\an4}I really, genuinely
thought that, I thought
634
00:37:20,543 --> 00:37:23,543
{\an4}that... there is just
so much information and
635
00:37:23,576 --> 00:37:27,909
{\an4}journalism that PBS offers
that I really appreciate.
636
00:37:27,943 --> 00:37:31,443
{\an4}Different perspectives and
deeper understanding...
637
00:37:31,476 --> 00:37:33,976
{\an4}that's what Wicked
and PBS are all about.
638
00:37:34,009 --> 00:37:39,309
{\an4}Whether it's through music
and performance programs,
639
00:37:39,343 --> 00:37:42,209
{\an4}insightful documentaries
or awe-inspiring Nature
640
00:37:42,243 --> 00:37:45,476
{\an4}and Science shows, PBS
gives us a stronger
641
00:37:45,509 --> 00:37:47,143
{\an4}connection to our world.
642
00:37:48,576 --> 00:37:50,876
{\an4}And that is all possible
because of viewers who
643
00:37:50,909 --> 00:37:52,876
{\an5}become members.
644
00:37:52,909 --> 00:37:55,476
{\an4}Now it's your turn to
visit pbs.org/donate and
645
00:37:55,509 --> 00:37:58,909
{\an4}support your local
station as a member.
646
00:37:58,943 --> 00:38:01,709
{\an4}And remember, with a
qualifying donation you
647
00:38:01,743 --> 00:38:04,443
{\an4}can start your very,
very popular PBS Passport
648
00:38:04,476 --> 00:38:06,009
{\an5}experience.
649
00:38:07,509 --> 00:38:10,743
{\an5}La la, la la!
650
00:38:10,776 --> 00:38:11,909
{\an4}You'll be popular.
651
00:38:11,943 --> 00:38:19,943
{\an5}Just not quite as popular as me!
652
00:38:23,943 --> 00:38:26,243
{\an4}Is there a program you'd
like to watch again?
653
00:38:26,276 --> 00:38:27,852
{\an4}Maybe a performance you
didn't get a chance to
654
00:38:27,876 --> 00:38:29,076
{\an5}see?
655
00:38:29,109 --> 00:38:31,409
{\an4}Well now you can with
PBS Passport, a terrific
656
00:38:31,443 --> 00:38:33,443
{\an4}member benefit that lets
you stream more than a
657
00:38:33,476 --> 00:38:35,676
{\an4}thousand hours of PBS and
local programming on your
658
00:38:35,709 --> 00:38:37,909
{\an4}computer or through the
PBS app on your phone,
659
00:38:37,943 --> 00:38:40,376
{\an5}tablet, smart TV,
or streaming device.
660
00:38:40,409 --> 00:38:42,109
{\an4}All your favorites
wherever, whenever you
661
00:38:42,143 --> 00:38:43,176
{\an5}want.
662
00:38:43,209 --> 00:38:46,243
{\an4}And with your qualifying
contribution you'll help
663
00:38:46,276 --> 00:38:47,919
{\an4}make the great programs
on this station possible.
664
00:38:47,943 --> 00:38:51,409
{\an4}So, go online and get
your PBS Passport today.
665
00:38:55,276 --> 00:38:56,576
{\an7}NEWELL: Pop. I did it.
666
00:38:56,609 --> 00:38:58,309
{\an8}Yay. I loved it!
667
00:38:58,343 --> 00:39:00,609
{\an1}You know, I've sung
Wicked through and back,
668
00:39:00,643 --> 00:39:02,676
{\an7}and I know it and
I love it, but um,
669
00:39:02,709 --> 00:39:05,376
{\an7}it's the first time that
I've ever had to sing "Popular".
670
00:39:05,409 --> 00:39:06,819
{\an7}They said "We want you
to sing 'Popular',"
671
00:39:06,843 --> 00:39:08,643
{\an7}and I was just like
'okay. I'll do it.'
672
00:39:11,943 --> 00:39:18,409
♪ ♪
673
00:39:22,209 --> 00:39:28,743
{\an8}♪ ♪
674
00:39:31,976 --> 00:39:38,476
♪ ♪
675
00:39:43,576 --> 00:39:48,676
♪ ♪
676
00:39:50,776 --> 00:39:52,676
{\an1}♪ CANTONE: I never
asked for this ♪
677
00:39:52,709 --> 00:39:55,609
{\an1}♪ Or planned it in advance ♪
678
00:39:55,643 --> 00:40:01,209
{\an1}♪ I was merely blown here
by the winds of chance ♪
679
00:40:02,609 --> 00:40:06,476
{\an1}♪ I never saw myself as
a Solomon or Socrates ♪
680
00:40:06,909 --> 00:40:08,776
{\an1}♪ I knew who I was ♪
681
00:40:08,809 --> 00:40:13,409
{\an1}♪ One of your dime a dozen
Mediocrities ♪
682
00:40:14,443 --> 00:40:16,376
{\an1}♪ Then suddenly I'm here! ♪
683
00:40:16,409 --> 00:40:19,576
{\an1}♪ Respected, worshipped, even ♪
684
00:40:19,609 --> 00:40:25,909
{\an1}♪ Just because the folks in Oz
needed someone to believe in ♪
685
00:40:26,643 --> 00:40:31,076
{\an1}♪ Does it surprise
you I got hooked ♪
686
00:40:31,109 --> 00:40:35,509
{\an1}♪ And all too soon? ♪
687
00:40:35,976 --> 00:40:38,343
{\an1}♪ What can I say? ♪
688
00:40:38,376 --> 00:40:42,076
{\an1}♪ I got carried away ♪
689
00:40:42,109 --> 00:40:48,143
{\an1}♪ And not just by a balloon ♪
690
00:40:51,909 --> 00:40:54,743
♪ Wonderful ♪
691
00:40:54,776 --> 00:40:58,076
{\an1}♪ They called me "Wonderful" ♪
692
00:40:58,109 --> 00:41:03,043
{\an1}♪ So I said
"Wonderful, if you insist!" ♪
693
00:41:04,676 --> 00:41:08,476
{\an1}♪ I will be "Wonderful" ♪
694
00:41:08,509 --> 00:41:12,876
{\an1}♪ And they said "Wonderful" ♪
695
00:41:12,909 --> 00:41:17,143
{\an1}♪ Believe me, it's
hard to resist! ♪
696
00:41:17,176 --> 00:41:21,309
{\an1}♪ 'Cause it feels wonderful ♪
697
00:41:21,343 --> 00:41:23,976
{\an1}♪ They think I'm wonderful ♪
698
00:41:24,009 --> 00:41:26,443
{\an1}♪ Hey, look who's wonderful ♪
699
00:41:26,476 --> 00:41:28,976
{\an1}♪ This corn-fed hick ♪
700
00:41:29,009 --> 00:41:31,376
{\an1}♪ Who said, "It might be keen ♪
701
00:41:31,409 --> 00:41:34,176
{\an1}♪ To build a town of green ♪
702
00:41:34,209 --> 00:41:38,409
{\an1}♪ And a wonderful
road of yellow brick!" ♪
703
00:41:44,409 --> 00:41:50,976
♪ ♪
704
00:41:54,743 --> 00:41:58,776
{\an1}♪ A man's called a
traitor or liberator ♪
705
00:41:58,809 --> 00:42:02,276
{\an1}♪ A rich man's a thief
or philanthropist ♪
706
00:42:03,276 --> 00:42:07,343
{\an1}♪ Is one a crusader
or ruthless invader? ♪
707
00:42:07,376 --> 00:42:11,609
{\an1}♪ It's all in which
label is able to persist ♪
708
00:42:12,109 --> 00:42:14,009
{\an1}♪ There are
precious few at ease ♪
709
00:42:14,043 --> 00:42:16,176
{\an1}♪ With moral ambiguities ♪
710
00:42:16,209 --> 00:42:19,643
{\an1}♪ So we act as though
they don't exist ♪
711
00:42:19,676 --> 00:42:23,776
{\an1}♪ They call me "Wonderful" ♪
712
00:42:23,809 --> 00:42:25,843
{\an1}♪ So I am wonderful ♪
713
00:42:25,876 --> 00:42:28,343
{\an1}♪ In fact, it's so
much who I am ♪
714
00:42:28,376 --> 00:42:30,743
{\an1}♪ It's part of my name! ♪
715
00:42:30,776 --> 00:42:34,509
{\an1}♪ And with my help,
you can be the same ♪
716
00:42:35,243 --> 00:42:40,476
{\an1}♪ At long, long last
receive your due long overdue ♪
717
00:42:40,943 --> 00:42:44,843
♪ Elphaba ♪
718
00:42:44,876 --> 00:42:51,509
{\an1}♪ The most celebrated
are the rehabilitated ♪
719
00:42:51,976 --> 00:42:58,609
{\an1}♪ There'll be such
a whoop-de-doo ♪
720
00:42:59,743 --> 00:43:03,243
{\an1}♪ A celebration throughout Oz ♪
721
00:43:03,276 --> 00:43:09,276
{\an1}♪ That's all to do with you ♪
722
00:43:10,909 --> 00:43:13,076
♪ Wonderful ♪
723
00:43:13,109 --> 00:43:15,409
{\an1}♪ They'll call you wonderful ♪
724
00:43:15,443 --> 00:43:17,476
{\an1}♪ It does sound wonderful ♪
725
00:43:17,509 --> 00:43:19,709
{\an1}♪ Trust me, it's fun ♪
726
00:43:19,743 --> 00:43:21,776
{\an1}♪ When you are wonderful ♪
727
00:43:21,809 --> 00:43:24,309
{\an1}♪ It would be wonderful ♪
728
00:43:24,343 --> 00:43:26,676
{\an1}♪ Wonderful, wonderful ♪
729
00:43:26,709 --> 00:43:31,676
{\an1}♪ One! Two! And ♪
730
00:43:31,709 --> 00:43:35,209
♪ Ha ha ha ha! ♪
731
00:43:36,809 --> 00:43:43,176
♪ ♪
732
00:43:45,109 --> 00:43:46,419
{\an7}CANTONE: I'll never forget
the first time I saw it,
733
00:43:46,443 --> 00:43:49,309
{\an7}it was quite large and
beautiful, and moving,
734
00:43:49,343 --> 00:43:51,209
{\an8}very moving.
735
00:43:51,243 --> 00:43:53,509
{\an7}Um, I love the show.
736
00:43:53,543 --> 00:43:56,909
{\an1}I think it's gorgeous,
and it's a phenomenon!
737
00:43:56,943 --> 00:43:58,776
{\an1}People are obsessed with it!
738
00:43:58,809 --> 00:44:00,343
{\an1}It's like The Beatles!
739
00:44:00,376 --> 00:44:02,643
{\an1}It's pretty crazy.
740
00:44:02,676 --> 00:44:04,843
{\an8}CHENOWETH: Now,
as we all know,
741
00:44:04,876 --> 00:44:07,009
{\an7}not everything is what it seems.
742
00:44:07,043 --> 00:44:09,476
{\an7}It's a theme here, I think.
743
00:44:09,509 --> 00:44:12,076
{\an7}And, the things that at
first seem wonderful,
744
00:44:12,109 --> 00:44:15,043
{\an7}are sometimes just the opposite.
745
00:44:15,076 --> 00:44:17,076
As we just heard
from the Wizard,
746
00:44:17,109 --> 00:44:19,909
{\an1}he doesn't believe it's
lying so much as...
747
00:44:19,943 --> 00:44:23,609
{\an1}looking at things another way.
748
00:44:23,643 --> 00:44:28,009
{\an1}Glinda is now a public figure
and engaged to the new
749
00:44:28,043 --> 00:44:30,809
{\an1}Captain of the Guard, Fiyero.
750
00:44:30,843 --> 00:44:33,509
{\an1}She is expected
to be encouraging,
751
00:44:33,543 --> 00:44:37,709
{\an1}uplifting and keep Oz
happy even if she resorts
752
00:44:37,743 --> 00:44:41,676
{\an1}on occasion to the
sharing of fake news.
753
00:44:42,543 --> 00:44:44,343
{\an1}At her engagement announcement,
754
00:44:44,376 --> 00:44:47,476
{\an1}she allows herself a
moment to pause and ask:
755
00:44:47,509 --> 00:44:50,209
{\an1}is it worth getting what
she's always wanted,
756
00:44:50,243 --> 00:44:53,543
{\an1}even if it brings
harm to others?
757
00:44:53,576 --> 00:44:56,209
{\an1}Should she continue
to smile and wave,
758
00:44:56,243 --> 00:44:59,276
{\an1}or do what she knows is right?
759
00:44:59,309 --> 00:45:00,643
{\an7}ERIVO: This song is really...
760
00:45:00,676 --> 00:45:01,852
{\an7}I think it's
actually quite special,
761
00:45:01,876 --> 00:45:03,143
{\an7}because of its meaning.
762
00:45:03,176 --> 00:45:05,609
{\an7}The idea that getting
everything you want isn't
763
00:45:05,643 --> 00:45:08,043
{\an7}necessarily the
indication for happiness.
764
00:45:08,076 --> 00:45:10,509
{\an1}That there's more to
happiness than that,
765
00:45:10,543 --> 00:45:12,476
{\an1}than material things, I suppose.
766
00:45:12,509 --> 00:45:14,443
{\an1}Um, and it's a lovely sing.
767
00:45:14,476 --> 00:45:15,976
{\an1}It feels a little
bit like a lullaby,
768
00:45:16,009 --> 00:45:17,209
which I love.
769
00:45:24,309 --> 00:45:28,476
{\an7}♪ ERIVO: I couldn't be happier ♪
770
00:45:29,243 --> 00:45:33,743
{\an7}♪ No, I couldn't be happier ♪
771
00:45:34,609 --> 00:45:40,076
{\an1}♪ Though it is, I admit,
the tiniest bit ♪
772
00:45:40,109 --> 00:45:43,743
{\an1}♪ Unlike I anticipated ♪
773
00:45:46,309 --> 00:45:51,576
{\an1}♪ But I couldn't be happier ♪
774
00:45:51,609 --> 00:45:56,176
{\an1}♪ Simply couldn't be happier ♪
775
00:45:57,009 --> 00:46:00,009
{\an1}♪ Well, not 'simply...' ♪
776
00:46:00,043 --> 00:46:03,543
{\an1}♪ 'Cause getting your dreams,
it's strange ♪
777
00:46:03,576 --> 00:46:09,276
{\an1}♪ But it seems a little,
well, complicated ♪
778
00:46:11,276 --> 00:46:15,809
♪ There's a kind
of a sort of ♪
779
00:46:15,843 --> 00:46:18,309
♪ Cost ♪
780
00:46:18,343 --> 00:46:23,609
{\an1}♪ There's a couple
of things get ♪
781
00:46:23,643 --> 00:46:25,876
♪ Lost ♪
782
00:46:25,909 --> 00:46:31,943
{\an1}♪ There are bridges you cross
you didn't know you crossed ♪
783
00:46:31,976 --> 00:46:38,609
{\an1}♪ Until you crossed ♪
784
00:46:39,676 --> 00:46:44,376
{\an1}♪ And if that joy,
that thrill ♪
785
00:46:45,209 --> 00:46:50,609
{\an1}♪ Doesn't thrill like
you think it will ♪
786
00:46:51,709 --> 00:46:58,176
{\an1}♪ Still, with this
perfect finale ♪
787
00:46:58,209 --> 00:47:02,876
{\an1}♪ The cheers and the ballyhoo ♪
788
00:47:02,909 --> 00:47:08,309
{\an1}♪ Who wouldn't be happier? ♪
789
00:47:08,343 --> 00:47:13,576
{\an1}♪ So I couldn't be happier ♪
790
00:47:14,009 --> 00:47:19,643
{\an1}♪ Because happy is
what happens ♪
791
00:47:19,676 --> 00:47:25,709
{\an1}♪ When all your
dreams come true ♪
792
00:47:31,443 --> 00:47:38,043
♪ ♪
793
00:47:46,876 --> 00:47:52,809
{\an1}♪ And who wouldn't be happier? ♪
794
00:47:52,843 --> 00:47:57,943
{\an1}♪ So I couldn't be happier ♪
795
00:47:57,976 --> 00:48:03,776
{\an1}♪ Because happy
is what happens ♪
796
00:48:03,809 --> 00:48:10,143
{\an1}♪ When all your
dreams come true ♪
797
00:48:11,109 --> 00:48:15,043
{\an1}♪ Well, isn't it? ♪
798
00:48:16,043 --> 00:48:20,676
{\an1}♪
Happy is what
happens when your ♪
799
00:48:20,709 --> 00:48:24,209
♪ Dreams ♪
800
00:48:24,243 --> 00:48:27,776
♪ Come ♪
801
00:48:27,809 --> 00:48:34,443
♪ True ♪
802
00:48:43,676 --> 00:48:44,943
{\an7}ERIVO: I love this music.
803
00:48:44,976 --> 00:48:47,443
{\an7}I used to sneak away, uh,
when I was at drama school,
804
00:48:47,476 --> 00:48:50,143
{\an7}with a friend of mine who
used to play the piano for me,
805
00:48:50,176 --> 00:48:54,343
{\an7}and we would sing the
score of Wicked together.
806
00:48:54,376 --> 00:48:57,676
{\an1}So, I was doing that
before I'd even seen the show.
807
00:48:58,909 --> 00:49:00,785
{\an7}MENZEL: Just like Glinda,
Elphaba now finds herself
808
00:49:00,809 --> 00:49:02,776
{\an7}at a crossroads and
must choose between
809
00:49:02,809 --> 00:49:05,343
{\an8}what is easy and what is right.
810
00:49:05,376 --> 00:49:07,176
{\an7}Without the Wizard on her side,
811
00:49:07,209 --> 00:49:08,819
{\an7}she knows that taking
the right path means
812
00:49:08,843 --> 00:49:10,709
{\an8}standing alone.
813
00:49:10,743 --> 00:49:12,909
{\an1}Oz has begun to
see her as Wicked,
814
00:49:12,943 --> 00:49:15,743
{\an1}and Glinda begs her to
apologize and make good.
815
00:49:15,776 --> 00:49:17,976
{\an1}But at what cost?
816
00:49:18,009 --> 00:49:19,709
{\an1}This next song has become
a kind of anthem
817
00:49:19,743 --> 00:49:21,643
{\an1}for the disempowered.
818
00:49:21,676 --> 00:49:24,343
{\an1}It was the honor of my life to
be able to originate this song
819
00:49:24,376 --> 00:49:26,876
{\an1}and I've been humbled by the
countless stories from fans
820
00:49:26,909 --> 00:49:30,009
{\an1}all over the world who've
been inspired by its message.
821
00:49:30,543 --> 00:49:32,552
{\an7}POWELL: The music is so
beautiful and so striking and
822
00:49:32,576 --> 00:49:37,109
{\an7}powerful, and I think that a
lot of people find themselves
823
00:49:37,143 --> 00:49:39,076
{\an7}identifying with Elphaba.
824
00:49:39,109 --> 00:49:40,952
{\an7}I think everybody knows
what it feels like to be that
825
00:49:40,976 --> 00:49:44,443
{\an1}outsider who longs to be part
of something and feels like
826
00:49:44,476 --> 00:49:46,976
{\an1}that thing that is unique
about them is actually what's
827
00:49:47,009 --> 00:49:48,209
{\an1}holding them back.
828
00:49:48,243 --> 00:49:50,485
{\an1}But I think we often find in
life that that's actually what
829
00:49:50,509 --> 00:49:54,143
{\an1}sets us apart and
makes us different.
830
00:49:54,176 --> 00:49:55,385
MENZEL: We have
all experienced,
831
00:49:55,409 --> 00:49:58,276
{\an1}or will experience, a moment
in our lives where we need to
832
00:49:58,309 --> 00:50:02,476
{\an1}"Defy Gravity" and find the
strength to stand up for what
833
00:50:02,509 --> 00:50:04,809
{\an1}we believe in most.
834
00:50:04,843 --> 00:50:07,843
{\an1}It's an honor to pass the torch
to the stunningly talented,
835
00:50:07,876 --> 00:50:11,209
{\an1}Olivier Award-winning
actress Amber Riley.
836
00:50:11,943 --> 00:50:14,843
{\an7}RILEY: When they originally
asked me to be a part of this
837
00:50:14,876 --> 00:50:16,785
{\an7}I was like "Oh my God, they're
not going to ask me to do
838
00:50:16,809 --> 00:50:19,209
{\an7}'Defying Gravity',
they're going to have
839
00:50:19,243 --> 00:50:20,676
{\an7}some big Broadway star do it".
840
00:50:20,709 --> 00:50:22,019
{\an1}And then they were like
"Oh it's 'Defying Gravity'!"
841
00:50:22,043 --> 00:50:23,409
{\an1}I was so excited,
842
00:50:23,443 --> 00:50:25,609
{\an1}cause it's my favorite
song from the show.
843
00:50:25,643 --> 00:50:28,876
{\an1}There's a special class of
singers that gets to play
844
00:50:28,909 --> 00:50:31,243
{\an1}those amazing
roles and it's really,
845
00:50:31,276 --> 00:50:34,443
{\an1}kind of like an
honor to be able to,
846
00:50:34,476 --> 00:50:37,443
{\an1}kind of step into their shoes,
at least for one night,
847
00:50:37,476 --> 00:50:39,143
{\an1}I get to do that.
848
00:50:40,676 --> 00:50:43,443
{\an7}♪ MORENO: Citizens of Oz! ♪
849
00:50:43,476 --> 00:50:47,243
{\an7}♪ There is an enemy who
must be found and captured ♪
850
00:50:47,276 --> 00:50:50,009
{\an7}♪ Believe nothing she says ♪
851
00:50:50,043 --> 00:50:53,009
{\an7}♪ She, she is evil ♪
852
00:50:53,043 --> 00:50:57,409
{\an1}♪ Her green skin is but an
outward manifestorium ♪
853
00:50:57,443 --> 00:51:01,009
♪ Of her twisted
nature, this ♪
854
00:51:01,043 --> 00:51:03,643
♪ Distortion ♪
855
00:51:03,676 --> 00:51:06,209
{\an1}♪ This Repulsion ♪
856
00:51:06,243 --> 00:51:09,409
{\an1}♪ This Wicked Witch ♪
857
00:51:12,209 --> 00:51:17,309
{\an7}♪ RILEY: Something has
changed within me ♪
858
00:51:17,343 --> 00:51:21,909
{\an7}♪ Something is not the same ♪
859
00:51:23,376 --> 00:51:28,209
{\an1}♪ I'm through with playing by ♪
860
00:51:28,243 --> 00:51:33,143
{\an1}♪ The rules of
someone else's game ♪
861
00:51:35,143 --> 00:51:39,876
{\an1}♪ Too late for
second guessing ♪
862
00:51:39,909 --> 00:51:45,509
♪ Too late to go
back to sleep ♪
863
00:51:47,276 --> 00:51:51,809
{\an1}♪ It's time to
trust my instincts ♪
864
00:51:51,843 --> 00:51:58,176
{\an1}♪ Close my eyes and leap ♪
865
00:51:58,709 --> 00:52:04,743
{\an1}♪ It's time to try
defying gravity ♪
866
00:52:04,776 --> 00:52:10,876
{\an1}♪ I think I'll try
defying gravity ♪
867
00:52:10,909 --> 00:52:15,376
{\an1}♪ And you won't pull me down ♪
868
00:52:19,609 --> 00:52:22,809
{\an1}♪ I'm through accepting limits ♪
869
00:52:22,843 --> 00:52:26,009
{\an1}♪ 'Cause someone
says they're so ♪
870
00:52:26,043 --> 00:52:28,976
{\an1}♪ Some things I cannot change ♪
871
00:52:29,009 --> 00:52:32,676
{\an1}♪ But till I try
I'll never know ♪
872
00:52:32,709 --> 00:52:35,876
{\an1}♪ Too long I've been afraid of ♪
873
00:52:35,909 --> 00:52:39,409
{\an1}♪ Losing love I
guess I've lost ♪
874
00:52:39,443 --> 00:52:41,576
{\an1}♪ Well, if that's love ♪
875
00:52:41,609 --> 00:52:45,909
{\an1}♪ It comes at much
too high a cost ♪
876
00:52:45,943 --> 00:52:52,143
{\an1}♪ I'd sooner buy
defying gravity ♪
877
00:52:52,176 --> 00:52:54,876
{\an1}♪ Kiss me goodbye ♪
878
00:52:54,909 --> 00:52:58,409
{\an1}♪ I'm defying gravity ♪
879
00:52:58,443 --> 00:53:03,009
{\an1}♪ And you can't pull me down ♪
880
00:53:05,209 --> 00:53:08,976
♪ Unlimited ♪
881
00:53:09,009 --> 00:53:13,309
{\an1}♪ My future is unlimited ♪
882
00:53:13,343 --> 00:53:18,343
{\an1}♪ And I just saw a vision
almost like a prophecy ♪
883
00:53:18,376 --> 00:53:23,576
{\an1}♪ I know it sounds
truly crazy ♪
884
00:53:24,309 --> 00:53:28,009
{\an1}♪ And true the vision's hazy ♪
885
00:53:28,043 --> 00:53:33,509
{\an1}♪ But I swear
someday I'll be ♪
886
00:53:33,543 --> 00:53:37,709
{\an1}♪ Up in the sky ♪
887
00:53:37,743 --> 00:53:41,243
{\an1}♪ Defying gravity ♪
888
00:53:41,276 --> 00:53:47,009
{\an1}♪ I'm flying high,
defying gravity ♪
889
00:53:47,043 --> 00:53:51,743
{\an1}♪ And you won't pull me down ♪
890
00:53:57,443 --> 00:54:01,009
{\an1}♪ So if you care to find me ♪
891
00:54:01,043 --> 00:54:04,576
{\an1}♪ Look to the Western sky ♪
892
00:54:04,609 --> 00:54:07,343
{\an1}♪ As someone told me lately: ♪
893
00:54:07,376 --> 00:54:11,743
{\an1}♪ Ev'ryone deserves
a chance to fly! ♪
894
00:54:11,776 --> 00:54:14,709
{\an1}♪ And if I'm flying solo ♪
895
00:54:14,743 --> 00:54:18,009
{\an1}♪ At least I'm flying free ♪
896
00:54:18,043 --> 00:54:20,276
{\an1}♪ To those who'd ground me ♪
897
00:54:20,309 --> 00:54:24,409
{\an1}♪ Take a message back from me ♪
898
00:54:24,443 --> 00:54:30,476
{\an1}♪ Tell them how I'm
defying gravity ♪
899
00:54:30,509 --> 00:54:36,276
{\an1}♪ I'm flying high
defying gravity ♪
900
00:54:36,309 --> 00:54:40,909
♪ And I'll catch
them in renown ♪
901
00:54:43,043 --> 00:54:46,809
{\an1}♪ And nobody in all of Oz ♪
902
00:54:46,843 --> 00:54:50,943
{\an1}♪ No Wizard that
there is or was ♪
903
00:54:50,976 --> 00:54:55,543
{\an1}♪ Is ever gonna bring ♪
904
00:54:55,576 --> 00:55:02,243
♪ Me down ♪
905
00:55:06,743 --> 00:55:12,309
♪ Ooh-ah! ♪♪♪
906
00:55:23,309 --> 00:55:24,885
{\an4}We'll return to Oz in
two or three shakes of a
907
00:55:24,909 --> 00:55:27,409
{\an4}spotted lamb's tail, but
right now we'd like to
908
00:55:27,443 --> 00:55:30,543
{\an4}take a moment to applaud
our perfect performers and
909
00:55:30,576 --> 00:55:34,376
{\an4}encourage you to go online
to PBS.org/donate and make
910
00:55:34,409 --> 00:55:35,409
{\an5}a financial gift!
911
00:55:35,709 --> 00:55:38,476
{\an4}It's your support that
makes incredible concerts
912
00:55:38,509 --> 00:55:40,109
{\an4}like this one possible.
913
00:55:40,143 --> 00:55:42,143
{\an4}Without it this entire
show would've been
914
00:55:42,176 --> 00:55:43,909
{\an5}performed by the Lollipop Guild.
915
00:55:43,943 --> 00:55:47,009
{\an4}So please, let the
stars guide you to
916
00:55:47,043 --> 00:55:51,676
{\an4}pbs.org/donate so you can
keep the magic of music in
917
00:55:51,709 --> 00:55:52,876
{\an5}your life.
918
00:55:52,909 --> 00:55:55,543
{\an4}Take flight and show your
love for this singular
919
00:55:55,576 --> 00:56:03,443
{\an5}sensational show.
920
00:56:03,476 --> 00:56:07,576
{\an4}I think this show about
two friends who lose their
921
00:56:09,209 --> 00:56:10,976
{\an4}way and find their way
back to each other is
922
00:56:11,009 --> 00:56:12,509
{\an5}really special.
923
00:56:12,543 --> 00:56:14,009
{\an4}The nostalgia of, uh.
924
00:56:14,043 --> 00:56:16,443
{\an4}The Wizard of Oz, but
seeing it from the
925
00:56:16,476 --> 00:56:18,676
{\an4}beginning, I guess that
the idea of having an
926
00:56:18,709 --> 00:56:23,743
{\an4}origin story that leads
to that for me was really
927
00:56:23,776 --> 00:56:26,143
{\an5}clever.
928
00:56:26,176 --> 00:56:30,243
{\an4}And that you got to
humanize someone who was
929
00:56:30,276 --> 00:56:32,743
{\an4}often seen as the villain
and I just came away
930
00:56:32,776 --> 00:56:35,209
{\an4}thinking, uh, what a
wonderful message to send
931
00:56:35,243 --> 00:56:37,476
{\an4}to people that things
aren't always as they
932
00:56:37,509 --> 00:56:38,943
{\an5}seem.
933
00:56:38,976 --> 00:56:41,343
{\an4}And there's always a
reason for why people have
934
00:56:41,376 --> 00:56:43,416
{\an4}gotten to where they have
gotten to and that there's
935
00:56:43,443 --> 00:56:45,976
{\an4}probably kindness where
you don't think it is.
936
00:56:46,009 --> 00:56:53,143
{\an4}I'm through accepting
limits 'Cause someone says
937
00:56:53,176 --> 00:56:55,209
{\an4}they're so Some things I
cannot change But 'til I
938
00:56:56,309 --> 00:56:58,643
{\an4}try, I'll never know!
939
00:57:00,676 --> 00:57:03,409
{\an4}And why not try making a
monthly gift to your PBS
940
00:57:03,443 --> 00:57:05,343
{\an4}station as a sustainer.
941
00:57:05,376 --> 00:57:07,709
{\an4}Becoming a sustainer is
easy, convenient, and
942
00:57:07,743 --> 00:57:09,709
{\an4}lowers your chances
of encountering flying
943
00:57:09,743 --> 00:57:11,209
{\an5}monkeys.
944
00:57:11,243 --> 00:57:13,376
{\an4}Just simply set the amount
that works best for you
945
00:57:13,409 --> 00:57:14,676
{\an5}and that's it!
946
00:57:15,909 --> 00:57:17,743
{\an4}Being a sustainer means
that you know you're
947
00:57:17,776 --> 00:57:20,276
{\an4}supporting great shows
on PBS year-round.
948
00:57:20,309 --> 00:57:21,852
{\an4}Whether it's a beloved
Broadway classic, a
949
00:57:21,876 --> 00:57:24,609
{\an4}breathtaking drama,
or a mind-expanding
950
00:57:24,643 --> 00:57:27,009
{\an5}documentary.
951
00:57:27,043 --> 00:57:29,743
{\an4}You can rest assured that
you have helped make it
952
00:57:29,776 --> 00:57:31,109
{\an5}all possible.
953
00:57:31,143 --> 00:57:33,876
{\an4}And as a sustaining member
at a qualifying level, you
954
00:57:33,909 --> 00:57:37,076
{\an4}can enjoy the benefit
of PBS Passport.?
955
00:57:37,109 --> 00:57:40,143
{\an4}PBS Passport unlocks a
digital library of more
956
00:57:40,176 --> 00:57:42,209
{\an4}than a thousand hours
of great programming
957
00:57:42,243 --> 00:57:44,909
{\an4}including this up-lifting
concert, which you can
958
00:57:44,943 --> 00:57:46,409
{\an5}have the freedom
to enjoy on your
959
00:57:46,443 --> 00:57:48,776
{\an4}computer, phone, or
digital media player.
960
00:57:50,076 --> 00:57:51,976
{\an4}What's the best thing
about a passport?
961
00:57:52,009 --> 00:57:53,576
{\an5}Freedom.
962
00:57:53,609 --> 00:57:55,052
{\an4}You know you can grab
it and go someplace
963
00:57:55,076 --> 00:57:58,376
{\an4}inspiring, someplace
romantic, someplace
964
00:57:58,409 --> 00:58:00,376
{\an5}unexpected.
965
00:58:00,409 --> 00:58:03,243
{\an4}When you support your PBS
station, you can enjoy PBS
966
00:58:03,276 --> 00:58:06,376
{\an4}Passport, a member benefit
that lets you stream Great
967
00:58:06,409 --> 00:58:07,643
{\an5}Performances...
968
00:58:07,676 --> 00:58:08,743
{\an4}How dare you William!
969
00:58:08,776 --> 00:58:10,809
{\an4}Masterpiece, all your
favorites, when and where
970
00:58:10,843 --> 00:58:11,843
{\an5}you want them.
971
00:58:11,876 --> 00:58:13,976
{\an5}Oh my...
972
00:58:14,009 --> 00:58:16,643
{\an4}Go online to make a
qualifying contribution.
973
00:58:16,676 --> 00:58:19,643
{\an5}And away you go.
974
00:58:19,676 --> 00:58:20,743
{\an5}So, don't delay!
975
00:58:21,776 --> 00:58:24,409
{\an5}There are only so
many minutes in a day.
976
00:58:24,443 --> 00:58:26,843
{\an5}Take this one to
pbs.org/donate and you
977
00:58:26,876 --> 00:58:29,409
{\an5}know... donate!
978
00:58:29,443 --> 00:58:31,709
{\an4}Think about how PBS has
been there for you and
979
00:58:31,743 --> 00:58:35,009
{\an5}your family through the years.
980
00:58:35,043 --> 00:58:37,676
{\an4}Growing up, it was PBS.
981
00:58:37,709 --> 00:58:40,076
{\an5}Mr. Rogers and
Sesame Street.
982
00:58:40,109 --> 00:58:42,443
{\an4}I spent a lot of time
watching PBS, uh, during
983
00:58:42,476 --> 00:58:44,976
{\an5}the lockdown.
984
00:58:45,009 --> 00:58:48,409
{\an4}And even when I'm not
locked down, I watch it.
985
00:58:48,443 --> 00:58:51,876
{\an4}And where else can you
see Broadway shows and
986
00:58:51,909 --> 00:58:53,209
{\an4}concerts and great
documentaries?
987
00:58:53,243 --> 00:58:55,976
{\an5}I am a PBS kid.
988
00:58:56,009 --> 00:58:57,729
{\an4}I used to watch PBS
Kids when I was younger.
989
00:58:58,409 --> 00:58:59,985
{\an4}I am from California, I
grew up in Los Angeles
990
00:59:00,009 --> 00:59:02,176
{\an5}California, more
specifically in centrally
991
00:59:02,209 --> 00:59:04,609
{\an4}Compton, California and
the way that I got to
992
00:59:04,643 --> 00:59:07,243
{\an4}escape and see musical
theater and watch plays
993
00:59:07,276 --> 00:59:09,343
{\an5}was on PBS.
994
00:59:09,376 --> 00:59:10,876
{\an4}My pulse is rushing.
995
00:59:10,909 --> 00:59:12,343
{\an4}My head is reeling.
996
00:59:12,376 --> 00:59:13,376
{\an5}We loathe it all.
997
00:59:13,409 --> 00:59:14,209
{\an5}Oh!
998
00:59:14,243 --> 00:59:15,576
{\an4}What is this feeling?
999
00:59:15,609 --> 00:59:17,485
{\an4}As PBS has been here for
you and your loved ones,
1000
00:59:17,509 --> 00:59:22,276
{\an4}now is your chance to be
here for your PBS station.
1001
00:59:22,309 --> 00:59:24,809
{\an4}We're about to return to
our journey through Wicked
1002
00:59:24,843 --> 00:59:27,709
{\an5}in Concert, so if
you've already gone to
1003
00:59:27,743 --> 00:59:30,809
{\an4}pbs.org/donate, we can't
thank you enough for your
1004
00:59:30,843 --> 00:59:32,909
{\an5}generosity.
1005
00:59:32,943 --> 00:59:35,209
{\an4}And if you haven't yet,
fly on over there now and
1006
00:59:35,243 --> 00:59:36,976
{\an4}make a contribution.
1007
00:59:37,743 --> 00:59:40,343
{\an4}And don't forget, the
best way you can support
1008
00:59:40,376 --> 00:59:42,185
{\an4}concerts like this one and
all the other incredible
1009
00:59:42,209 --> 00:59:44,076
{\an4}programming on PBS is
by becoming a sustainer.
1010
00:59:47,609 --> 00:59:50,509
{\an4}Your monthly gift makes
all the difference and
1011
00:59:50,543 --> 00:59:52,143
{\an4}it's easy, convenient,
and affordable!
1012
00:59:53,043 --> 00:59:54,176
{\an5}Don't wait.
1013
00:59:54,209 --> 00:59:56,309
{\an4}Go to PBS.org/donate
right now!
1014
00:59:56,343 --> 00:59:57,343
{\an5}Cut!
1015
00:59:59,109 --> 01:00:01,376
{\an7}CHENOWETH: And now, a
stunning rendition of
1016
01:00:01,409 --> 01:00:04,009
{\an7}the song "As Long
As You're Mine."
1017
01:00:07,843 --> 01:00:12,176
♪ ♪
1018
01:00:13,376 --> 01:00:16,476
{\an8}♪ STROKER: Mm ♪
1019
01:00:16,509 --> 01:00:20,543
{\an8}♪ Ooh ♪
1020
01:00:21,576 --> 01:00:27,776
{\an7}♪ Kiss me too fiercely,
hold me too tight ♪
1021
01:00:27,809 --> 01:00:31,509
{\an1}♪ I need help believing ♪
1022
01:00:31,543 --> 01:00:37,009
{\an1}♪ You're with me tonight ♪
1023
01:00:37,043 --> 01:00:43,609
{\an1}♪ My wildest dreamings
could not foresee ♪
1024
01:00:43,976 --> 01:00:47,743
{\an1}♪ Lying beside you ♪
1025
01:00:47,776 --> 01:00:51,676
{\an1}♪ With you wanting me ♪
1026
01:00:51,709 --> 01:00:55,876
{\an1}♪ And just for this moment ♪
1027
01:00:55,909 --> 01:01:00,076
{\an1}♪ As long as you're mine ♪
1028
01:01:00,109 --> 01:01:05,143
{\an1}♪ I've lost all resistance ♪
1029
01:01:05,176 --> 01:01:08,376
{\an1}♪ And crossed some border line ♪
1030
01:01:08,409 --> 01:01:11,943
{\an1}♪ And if it turns out ♪
1031
01:01:11,976 --> 01:01:16,676
{\an1}♪ It's over too fast ♪
1032
01:01:17,243 --> 01:01:23,876
{\an1}♪ I'll make every
last moment last ♪
1033
01:01:24,676 --> 01:01:30,343
{\an1}♪ As long as you're mine ♪
1034
01:01:34,643 --> 01:01:38,443
{\an1}♪ CREEL: Maybe I'm brainless ♪
1035
01:01:38,476 --> 01:01:41,209
{\an1}♪ Maybe I'm wise ♪
1036
01:01:41,243 --> 01:01:44,643
{\an1}♪ But you've got me seeing ♪
1037
01:01:44,676 --> 01:01:49,509
{\an1}♪ Through different eyes ♪
1038
01:01:50,409 --> 01:01:54,376
{\an1}♪ Somehow I've fallen ♪
1039
01:01:54,409 --> 01:01:57,176
{\an1}♪ Under your spell ♪
1040
01:01:57,209 --> 01:02:00,743
{\an1}♪ And somehow I'm feeling ♪
1041
01:02:00,776 --> 01:02:05,043
{\an1}♪ It's up that I fell ♪
1042
01:02:05,376 --> 01:02:08,943
{\an1}♪ BOTH: Every moment ♪
1043
01:02:08,976 --> 01:02:12,909
{\an1}♪ As long as you're mine ♪
1044
01:02:12,943 --> 01:02:17,309
{\an1}♪ I'll wake up my body ♪
1045
01:02:17,743 --> 01:02:21,109
{\an1}♪ And make up for lost time ♪
1046
01:02:21,143 --> 01:02:24,576
{\an1}♪ CREEL: Say
there's no future ♪
1047
01:02:24,609 --> 01:02:29,876
{\an1}♪ For us as a pair ♪
1048
01:02:30,643 --> 01:02:35,209
{\an1}♪ BOTH: And though I may know ♪
1049
01:02:35,243 --> 01:02:38,576
♪ I don't care ♪
1050
01:02:38,609 --> 01:02:42,209
{\an1}♪ Just for this moment ♪
1051
01:02:42,243 --> 01:02:46,276
{\an1}♪ As long as you're mine ♪
1052
01:02:46,309 --> 01:02:50,643
{\an1}♪ Come be how you want to ♪
1053
01:02:50,676 --> 01:02:54,443
{\an1}♪ And see how bright we shine ♪
1054
01:02:54,476 --> 01:02:58,276
{\an1}♪ Borrow the moonlight ♪
1055
01:02:58,309 --> 01:03:04,976
{\an1}♪ Until it is through ♪
1056
01:03:07,576 --> 01:03:11,109
{\an1}♪ And know I'll be here ♪
1057
01:03:11,143 --> 01:03:17,476
♪ Holding you ♪
1058
01:03:18,676 --> 01:03:25,243
{\an1}♪ As long as you're mine ♪
1059
01:03:28,243 --> 01:03:34,876
♪ Mine ♪♪♪
1060
01:03:39,376 --> 01:03:42,376
{\an7}STROKER: The music of
Stephen Schwartz is the
1061
01:03:42,409 --> 01:03:46,076
{\an7}best music to sing.
1062
01:03:46,109 --> 01:03:51,276
{\an7}It's so satisfying, it has
this incredible rock beat,
1063
01:03:51,309 --> 01:03:56,709
{\an1}and for a female voice, he
writes right in the pocket so
1064
01:03:56,743 --> 01:04:00,409
{\an1}you really get to sing,
like, your favorite notes.
1065
01:04:00,443 --> 01:04:04,343
{\an1}And the music is so
catchy and I just love
1066
01:04:04,376 --> 01:04:07,076
every single one
of his musicals.
1067
01:04:07,109 --> 01:04:09,476
{\an7}CREEL: I was one of the lucky
actors in New York City to get
1068
01:04:09,509 --> 01:04:11,943
{\an7}to do two workshops of Wicked.
1069
01:04:11,976 --> 01:04:16,743
{\an7}And I remember sitting in the
workshop, Sutton Foster and I
1070
01:04:16,776 --> 01:04:19,976
{\an1}were actually both in it at
the time, and hearing the
1071
01:04:20,009 --> 01:04:22,476
{\an1}music for the first time, and
watching Idina stand up and
1072
01:04:22,509 --> 01:04:23,976
{\an1}sing "Defying Gravity" and
1073
01:04:24,009 --> 01:04:26,576
{\an1}Kristin sing "For Good" with her
1074
01:04:26,609 --> 01:04:29,943
{\an1}and it just, it was, I felt
like I was part of history.
1075
01:04:29,976 --> 01:04:31,485
{\an1}I felt like I was watching
something that was
1076
01:04:31,509 --> 01:04:33,576
{\an1}gonna be historic.
1077
01:04:33,609 --> 01:04:35,376
{\an7}MENZEL: Cyclones
appearing out of the blue,
1078
01:04:35,409 --> 01:04:39,809
{\an7}falling houses, small dogs,
and roads of yellow brick:
1079
01:04:39,843 --> 01:04:42,809
{\an7}all seem to keep pushing
Elphaba further and further
1080
01:04:42,843 --> 01:04:44,743
{\an7}from those she loves and
1081
01:04:44,776 --> 01:04:47,709
{\an1}from the good she is trying
to do in this world.
1082
01:04:47,743 --> 01:04:50,009
{\an1}It's only when someone near
to both witches is in grave
1083
01:04:50,043 --> 01:04:53,076
{\an1}danger, that Elphaba is
compelled to activate the
1084
01:04:53,109 --> 01:04:56,209
{\an1}magic she has always had inside.
1085
01:04:56,243 --> 01:04:58,176
{\an1}But, is she using it for
good or losing sight of
1086
01:04:58,209 --> 01:05:00,443
{\an1}what matters most?
1087
01:05:00,476 --> 01:05:03,576
{\an1}Here to ask if "No Good Deed"
goes unpunished,
1088
01:05:03,609 --> 01:05:05,709
{\an1}please welcome my dear friend,
1089
01:05:05,743 --> 01:05:08,709
{\an1}Grammy Award winner
Jennifer Nettles.
1090
01:05:13,809 --> 01:05:16,343
{\an7}♪ NETTLES: Let his
flesh not be torn ♪
1091
01:05:16,376 --> 01:05:20,509
{\an7}♪ Let his blood leave no stain ♪
1092
01:05:20,543 --> 01:05:27,143
{\an7}♪ Though they beat him,
let him feel no pain ♪
1093
01:05:32,643 --> 01:05:34,576
{\an1}♪ Let his bones never break ♪
1094
01:05:34,609 --> 01:05:38,276
{\an1}♪ And however they
try to destroy him ♪
1095
01:05:38,309 --> 01:05:43,509
{\an1}♪ Let him never die ♪
1096
01:05:43,843 --> 01:05:49,843
{\an1}♪ Let him never die ♪
1097
01:05:50,243 --> 01:05:54,943
{\an1}♪ No good deed goes unpunished ♪
1098
01:05:54,976 --> 01:05:59,276
{\an1}♪ No act of charity
goes unresented ♪
1099
01:05:59,309 --> 01:06:04,176
{\an1}♪ No good deed
goes unpunished ♪
1100
01:06:04,209 --> 01:06:07,543
{\an1}♪ No good deed will I
be doing from now on ♪
1101
01:06:07,576 --> 01:06:09,676
{\an1}♪ That's my new creed ♪
1102
01:06:09,709 --> 01:06:13,643
{\an1}♪ My road of good intentions led
where such roads always lead ♪
1103
01:06:13,676 --> 01:06:17,443
♪ No good deed ♪
1104
01:06:17,476 --> 01:06:22,776
{\an1}♪ Goes unpunished! ♪
1105
01:06:23,576 --> 01:06:25,609
{\an1}♪ What good is this chanting? ♪
1106
01:06:25,643 --> 01:06:27,509
{\an1}♪ I don't even know
what I'm reading ♪
1107
01:06:27,543 --> 01:06:31,876
{\an1}♪ I don't even know which
trick I ought to try ♪
1108
01:06:32,676 --> 01:06:34,809
{\an1}♪ Fiyero, where are you? ♪
1109
01:06:34,843 --> 01:06:37,209
{\an1}♪ Already dead or bleeding? ♪
1110
01:06:37,243 --> 01:06:39,343
{\an1}♪ One more disaster I can add ♪
1111
01:06:39,376 --> 01:06:45,409
{\an1}♪ To my generous supply ♪
1112
01:06:46,809 --> 01:06:51,409
{\an1}♪ No good deed goes unpunished ♪
1113
01:06:51,443 --> 01:06:55,809
{\an1}♪ No act of charity
goes unresented ♪
1114
01:06:55,843 --> 01:07:00,776
{\an1}♪ No good deed
goes unpunished ♪
1115
01:07:00,809 --> 01:07:04,176
{\an1}♪ No good deed will I
be doing from now on ♪
1116
01:07:04,209 --> 01:07:05,909
{\an1}♪ That's my new creed ♪
1117
01:07:05,943 --> 01:07:10,143
{\an1}♪ My road of good intentions led
where such roads always lead ♪
1118
01:07:10,176 --> 01:07:14,009
♪ No good deed ♪
1119
01:07:14,043 --> 01:07:19,176
{\an1}♪ Goes unpunished! ♪
1120
01:07:20,176 --> 01:07:23,743
{\an1}♪ One question haunts
and hurts, too much ♪
1121
01:07:23,776 --> 01:07:25,476
{\an1}♪ Too much to mention: ♪
1122
01:07:25,509 --> 01:07:29,909
{\an1}♪ Was I really seeking good or
just seeking attention? ♪
1123
01:07:29,943 --> 01:07:32,009
{\an1}♪ Is that all good deeds are ♪
1124
01:07:32,043 --> 01:07:34,743
{\an1}♪ When looked at with
an ice cold eye? ♪
1125
01:07:34,776 --> 01:07:36,909
♪ If that's all
good deeds are ♪
1126
01:07:36,943 --> 01:07:41,409
♪ Maybe that's
the reason why ♪
1127
01:07:41,443 --> 01:07:46,043
{\an1}♪ No good deed goes unpunished ♪
1128
01:07:46,076 --> 01:07:50,709
{\an1}♪ No act of charity
goes unresented ♪
1129
01:07:50,743 --> 01:07:55,543
{\an1}♪ No good deed goes unpunished ♪
1130
01:07:55,843 --> 01:08:00,609
{\an1}♪ All helpful urges
should be circumvented ♪
1131
01:08:00,643 --> 01:08:05,209
{\an1}♪ Sure, I meant well, well
look at what well meant did ♪
1132
01:08:05,243 --> 01:08:09,343
{\an1}♪ Alright, enough, so be it,
so be it then: ♪
1133
01:08:09,376 --> 01:08:11,976
{\an1}♪ I promise no good deed ♪
1134
01:08:12,009 --> 01:08:14,443
{\an1}♪ Will I attempt to do again ♪
1135
01:08:14,476 --> 01:08:16,943
♪ No good deed ♪
1136
01:08:16,976 --> 01:08:21,976
♪ Will I do ♪
1137
01:08:22,009 --> 01:08:28,209
♪ Again! ♪♪♪
1138
01:08:37,076 --> 01:08:40,243
{\an7}FRAZIER: YOU KNOW, I THINK
WHAT STEPHEN IS ABLE TO DO,
1139
01:08:40,276 --> 01:08:43,976
{\an7}IS HE CAPTURES THE RANGE OF
HUMAN EMOTION IN HIS MUSIC.
1140
01:08:44,009 --> 01:08:46,276
{\an8}IT'S NEVER JUST
SUPERFICIAL, UH,
1141
01:08:46,309 --> 01:08:49,009
{\an7}IT'S NEVER JUST
ANGST, IT'S EVERYTHING.
1142
01:08:49,043 --> 01:08:51,909
{\an1}AND WHAT I LOVE IS, IS, WHEN
EVERYONE WATCHES THE SHOW,
1143
01:08:51,943 --> 01:08:54,076
{\an1}THEY'RE GOING TO HEAR
THOSE REALLY SENSITIVE TENDER
1144
01:08:54,109 --> 01:08:56,209
{\an1}MOMENTS, THEY'RE GOING TO
HEAR THAT FULL OUT SOUND,
1145
01:08:56,243 --> 01:08:57,485
{\an7}YOU KNOW, WHEN WE'RE WORKING
WITH THE MUSICIANS
1146
01:08:57,509 --> 01:08:58,576
{\an7}I KEPT TELLING THEM
1147
01:08:58,609 --> 01:08:59,976
{\an7}'LET'S GET EARTHY HERE, ' OR
1148
01:09:00,009 --> 01:09:02,143
{\an7}'LET'S GET RIGHT UP
IN THE CLOUDS HERE, '
1149
01:09:02,176 --> 01:09:04,143
{\an7}YOU KNOW, AND YOU REALLY
GET THAT WHOLE RANGE.
1150
01:09:04,176 --> 01:09:05,909
{\an1}AND THAT'S WHAT HE
DOES IN ALL OF HIS MUSIC.
1151
01:09:05,943 --> 01:09:08,243
{\an1}IT'S THAT TOTAL EXPERIENCE.
1152
01:09:08,276 --> 01:09:10,109
{\an7}CREEL: I THINK THERE'S
SOMETHING ABOUT
1153
01:09:10,143 --> 01:09:15,243
{\an7}STEPHEN SCHWARTZ AND HIS
WRITING THAT GIVES PERMISSION
1154
01:09:15,276 --> 01:09:21,609
{\an7}TO AN ACTOR TO, I DON'T KNOW,
DIG DEEPER, DELVE FARTHER.
1155
01:09:22,109 --> 01:09:23,943
{\an1}THERE'S JUST
SOMETHING SO HUMAN,
1156
01:09:23,976 --> 01:09:29,876
{\an1}AND YET, RELATABLE, AND YET
MAGICAL ALL AT THE SAME TIME.
1157
01:09:30,776 --> 01:09:32,009
{\an1}POWELL: IT'S INCREDIBLE.
1158
01:09:32,043 --> 01:09:33,543
{\an1}I LOVE
STEPHEN SCHWARTZ'S MUSIC.
1159
01:09:33,576 --> 01:09:37,109
{\an7}ONE OF MY FIRST REAL FUN ROLES
THAT I GOT TO DO WAS PIPPIN,
1160
01:09:37,143 --> 01:09:40,543
{\an7}SO I HAVE A REALLY BIG SOFT
SPOT FOR STEPHEN SCHWARTZ.
1161
01:09:40,576 --> 01:09:42,909
{\an7}AND WICKED, BEING THE FIRST
MUSICAL THAT MADE ME FALL IN
1162
01:09:42,943 --> 01:09:46,309
{\an1}LOVE WITH MUSICALS, I JUST,
I HOOK INTO HIS MELODIES
1163
01:09:46,343 --> 01:09:49,076
{\an1}AND HIS LYRICS, HE'S
JUST EXTRAORDINARY.
1164
01:09:50,076 --> 01:09:52,909
{\an7}STROKER: THE FIRST TIME I
HEARD WICKED I WENT OUT AND
1165
01:09:52,943 --> 01:09:57,143
{\an7}BOUGHT THE SOUNDTRACK ON
A CD AT BARNES AND NOBLE,
1166
01:09:57,176 --> 01:10:01,543
{\an7}AND LISTENED TO THE
ENTIRE SHOW IN MY ROOM,
1167
01:10:01,576 --> 01:10:05,276
{\an1}OVER AND OVER AGAIN UNTIL
I KNEW EVERY SINGLE WORD.
1168
01:10:06,476 --> 01:10:07,743
{\an8}FRAZIER: WHEN I
WAS GROWING UP,
1169
01:10:07,776 --> 01:10:10,209
{\an7}I LISTENED TO THE SOUNDTRACK
TO WICKED SO MANY TIMES I
1170
01:10:10,243 --> 01:10:12,743
{\an7}THINK I RUINED THE CD,
WHEN WE STILL HAD CDS!
1171
01:10:12,776 --> 01:10:15,376
{\an7}AND I REALLY, WHEN I HAD
THE CHANCE TO GET TO
1172
01:10:15,409 --> 01:10:17,443
{\an7}REIMAGINE THIS WITH
STEPHEN SCHWARTZ'S BLESSING,
1173
01:10:17,476 --> 01:10:19,376
{\an1}WHICH, TALK
ABOUT AN HONOR, UH,
1174
01:10:19,409 --> 01:10:22,209
{\an1}I SAID 'WE HAVE TO DO THIS.
WE HAVE TO MAKE THIS HAPPEN.'
1175
01:10:22,909 --> 01:10:24,585
{\an7}LEE: THERE'S NOTHING LIKE
MUSIC FOR ITS SOUL.
1176
01:10:24,609 --> 01:10:26,676
{\an7}AND THAT IS STEPHEN SCHWARTZ.
1177
01:10:26,709 --> 01:10:33,876
{\an7}HIS MUSIC REALLY
CHANGES YOU, AND IT SINGS.
1178
01:10:36,509 --> 01:10:38,585
{\an7}CHENOWETH: THE TABLES HAVE
NOW TURNED AND GLINDA FINDS
1179
01:10:38,609 --> 01:10:42,843
{\an7}HERSELF IN UNFAMILIAR TERRITORY:
SHE DIDN'T GET HER WAY.
1180
01:10:44,309 --> 01:10:47,143
{\an7}ELPHABA AND FIYERO HAVE
JOURNEYED DEEP INTO OZ
1181
01:10:47,176 --> 01:10:49,843
{\an1}TO TRY TO FIGHT THE INJUSTICE
THAT THEY HAVE WITNESSED AND
1182
01:10:49,876 --> 01:10:54,709
{\an1}GLINDA REFLECTS ON HER OWN
SITUATION, ALL BY HERSELF,
1183
01:10:54,743 --> 01:10:58,376
IN THE DESERTED
PALACE HALLWAY.
1184
01:10:58,409 --> 01:11:01,743
{\an1}TO PERFORM THE REPRISE OF
"I'M NOT THAT GIRL,"
1185
01:11:01,776 --> 01:11:06,209
{\an1}WE'D LOVE TO WELCOME BACK THE
EXTRAORDINARY GABRIELLE RUIZ.
1186
01:11:11,343 --> 01:11:17,776
♪ ♪
1187
01:11:20,309 --> 01:11:21,909
{\an7}♪ RUIZ: Don't wish ♪
1188
01:11:21,943 --> 01:11:24,843
{\an8}♪ Don't start ♪
1189
01:11:24,876 --> 01:11:29,943
{\an7}♪ Wishing only
wounds the heart ♪
1190
01:11:37,176 --> 01:11:43,243
{\an1}♪ There's a girl I know ♪
1191
01:11:43,276 --> 01:11:48,243
{\an1}♪ He loves her so ♪
1192
01:11:50,409 --> 01:11:57,043
{\an1}♪ I'm not that girl ♪♪♪
1193
01:12:05,709 --> 01:12:08,043
{\an7}CHENOWETH: Elphaba now
understands that doing good
1194
01:12:08,076 --> 01:12:12,309
{\an7}can often require some
incredible sacrifices.
1195
01:12:13,143 --> 01:12:16,776
{\an7}Glinda seeks out her friend in
the far reaches of Oz to make
1196
01:12:16,809 --> 01:12:20,409
{\an1}amends and finally stand up
for what she knew was right
1197
01:12:20,443 --> 01:12:22,909
all along.
1198
01:12:22,943 --> 01:12:26,976
{\an1}She truly becomes
Glinda, The Good.
1199
01:12:28,376 --> 01:12:29,785
{\an7}RILEY: I think it's
an amazing story,
1200
01:12:29,809 --> 01:12:32,043
{\an8}the story of..
1201
01:12:32,076 --> 01:12:34,309
{\an7}sometimes you gotta dig a
little deeper to find the
1202
01:12:34,343 --> 01:12:36,243
{\an7}goodness in someone,
1203
01:12:36,276 --> 01:12:39,443
{\an7}and you can't really judge
a book by its cover.
1204
01:12:39,476 --> 01:12:41,476
{\an1}The friendship
between Glinda and Elphaba,
1205
01:12:41,509 --> 01:12:44,509
{\an1}is, it's a beautiful,
it's a beautiful friendship.
1206
01:12:44,876 --> 01:12:47,309
{\an7}DEBOSE: I think the
magic of Wicked is that,
1207
01:12:47,343 --> 01:12:50,043
{\an7}number one, it's driven
by two powerhouse females,
1208
01:12:50,076 --> 01:12:53,076
{\an7}who go on this wild
and beautiful journey,
1209
01:12:53,109 --> 01:12:56,309
{\an7}understanding what true
friendship really means,
1210
01:12:56,343 --> 01:12:59,609
{\an1}and what it means to
support each other,
1211
01:12:59,643 --> 01:13:02,776
{\an1}even when it may not mean
that you get to stay
1212
01:13:02,809 --> 01:13:04,443
{\an1}in each other's lives.
1213
01:13:04,476 --> 01:13:08,143
{\an1}Like, it's a very very
interesting complex story.
1214
01:13:08,409 --> 01:13:14,609
{\an7}ERIVO: I think this show about
two friends who lose their way
1215
01:13:14,643 --> 01:13:17,809
{\an7}and find their way back to
each other is really special,
1216
01:13:17,843 --> 01:13:20,843
{\an7}so I love this music because I
think it's really wonderful to
1217
01:13:20,876 --> 01:13:23,009
sing as well.
1218
01:13:23,043 --> 01:13:25,509
{\an7}MENZEL: These women come
to understand that true
1219
01:13:25,543 --> 01:13:28,076
{\an7}friendship is a bumpy and
sometimes confusing road,
1220
01:13:28,109 --> 01:13:31,643
{\an8}but really worth it in the end.
1221
01:13:31,676 --> 01:13:33,485
{\an7}Despite all their differences,
they have learned so much
1222
01:13:33,509 --> 01:13:34,876
{\an7}from one another.
1223
01:13:34,909 --> 01:13:36,985
{\an1}And they can finally admit
that they love and respect
1224
01:13:37,009 --> 01:13:40,243
{\an1}each other for
these differences.
1225
01:13:40,276 --> 01:13:42,809
{\an1}CHENOWETH: Fellow Ozians, we
may not all come and go by
1226
01:13:42,843 --> 01:13:45,909
{\an1}bubble, or by broom,
1227
01:13:45,943 --> 01:13:49,643
{\an1}but we can fly into
each other's hearts
1228
01:13:49,676 --> 01:13:51,276
{\an1}and leave lasting memories,
1229
01:13:51,309 --> 01:13:56,143
{\an1}impressions and friendships
that change us for the better.
1230
01:13:58,009 --> 01:14:00,376
{\an1}Even through frightening times,
1231
01:14:00,409 --> 01:14:03,676
{\an1}there is always an
opportunity to try to help,
1232
01:14:03,709 --> 01:14:07,476
to serve and be good, and now,
1233
01:14:07,509 --> 01:14:09,643
{\an1}we couldn't be happier to
share this very special
1234
01:14:09,676 --> 01:14:12,676
{\an1}performance with all of you.
1235
01:14:14,876 --> 01:14:18,676
{\an1}Just two friends, us,
sharing this incredible,
1236
01:14:18,709 --> 01:14:23,876
{\an1}magical music and message
that stands the test of time.
1237
01:14:29,343 --> 01:14:35,909
♪ ♪
1238
01:14:41,776 --> 01:14:45,176
{\an7}♪ CHENOWETH: I've
heard it said ♪
1239
01:14:45,209 --> 01:14:51,576
{\an7}♪ That people come into
our lives for a reason ♪
1240
01:14:51,609 --> 01:14:55,443
{\an1}♪ Bringing
something we must learn ♪
1241
01:14:55,476 --> 01:14:58,543
{\an1}♪ And we are led ♪
1242
01:14:58,576 --> 01:15:02,643
{\an1}♪ To those who help
us most to grow ♪
1243
01:15:02,676 --> 01:15:05,643
{\an1}♪ If we let them ♪
1244
01:15:05,676 --> 01:15:09,809
{\an1}♪ And we help them in return ♪
1245
01:15:09,843 --> 01:15:15,376
{\an1}♪ Well, I don't know if
I believe that's true ♪
1246
01:15:16,109 --> 01:15:19,643
♪ But I know I'm
who I am today ♪
1247
01:15:19,676 --> 01:15:24,409
{\an1}♪ Because I knew you ♪
1248
01:15:24,843 --> 01:15:28,143
{\an1}♪ Like a comet
pulled from orbit ♪
1249
01:15:28,176 --> 01:15:31,309
{\an1}♪ As it passes the sun ♪
1250
01:15:31,343 --> 01:15:35,043
{\an1}♪ Like a stream that
meets a boulder ♪
1251
01:15:35,076 --> 01:15:38,909
{\an1}♪ Halfway through the wood ♪
1252
01:15:38,943 --> 01:15:45,476
{\an1}♪ Who can say if I've been
changed for the better? ♪
1253
01:15:45,776 --> 01:15:46,643
♪ But ♪
1254
01:15:46,676 --> 01:15:50,843
{\an1}♪ Because I knew you ♪
1255
01:15:52,576 --> 01:15:58,543
{\an1}♪ I have been changed ♪
1256
01:15:58,576 --> 01:16:02,609
♪ For good ♪
1257
01:16:04,309 --> 01:16:07,443
{\an1}♪ MENZEL: It well may be ♪
1258
01:16:07,476 --> 01:16:10,943
{\an1}♪ That we will
never meet again ♪
1259
01:16:10,976 --> 01:16:13,509
{\an1}♪ In this lifetime ♪
1260
01:16:13,543 --> 01:16:16,709
{\an1}♪ So let me say before we part ♪
1261
01:16:16,743 --> 01:16:19,676
{\an1}♪ So much of me ♪
1262
01:16:19,709 --> 01:16:23,176
{\an1}♪ Is made of what
I've learned from you ♪
1263
01:16:23,209 --> 01:16:26,743
{\an1}♪ You'll be with me ♪
1264
01:16:26,776 --> 01:16:30,443
{\an1}♪ Like a handprint on my heart ♪
1265
01:16:30,476 --> 01:16:35,976
{\an1}♪ And now whatever
way our stories end ♪
1266
01:16:36,009 --> 01:16:39,143
{\an1}♪ I know you have
re-written mine ♪
1267
01:16:39,176 --> 01:16:43,776
{\an1}♪ By being my friend ♪
1268
01:16:43,809 --> 01:16:47,043
{\an1}♪ Like a ship blown
from its mooring ♪
1269
01:16:47,076 --> 01:16:50,143
{\an1}♪ By a wind off the sea ♪
1270
01:16:50,176 --> 01:16:53,443
{\an1}♪ Like a seed
dropped by a skybird ♪
1271
01:16:53,476 --> 01:16:56,976
{\an1}♪ In a distant wood ♪
1272
01:16:57,009 --> 01:17:02,976
{\an1}♪ Who can say if I've been
changed for the better? ♪
1273
01:17:03,509 --> 01:17:04,676
♪ But ♪
1274
01:17:04,709 --> 01:17:06,776
{\an1}♪ Because I knew you ♪
1275
01:17:06,809 --> 01:17:09,543
{\an1}♪ CHENOWETH:
Because I knew you ♪
1276
01:17:09,576 --> 01:17:14,909
{\an1}♪ BOTH: I have been
changed for good ♪
1277
01:17:14,943 --> 01:17:17,509
{\an1}♪ MENZEL: And just
to clear the air ♪
1278
01:17:17,543 --> 01:17:20,076
{\an1}♪ I ask forgiveness ♪
1279
01:17:20,109 --> 01:17:24,176
{\an1}♪ For the things I've
done you blame me for ♪
1280
01:17:24,209 --> 01:17:25,809
{\an1}♪ CHENOWETH: But then ♪
1281
01:17:25,843 --> 01:17:29,876
{\an1}♪ I guess we know
there's blame to share ♪
1282
01:17:29,909 --> 01:17:36,576
{\an1}♪ BOTH: And none of it
seems to matter anymore ♪
1283
01:17:37,143 --> 01:17:39,276
{\an1}♪ CHENOWETH: Like a comet
pulled from orbit ♪
1284
01:17:39,309 --> 01:17:40,552
{\an1}♪ MENZEL: Like a ship blown
from its mooring ♪
1285
01:17:40,576 --> 01:17:42,343
{\an1}♪ CHENOWETH: As it
passes a sun ♪
1286
01:17:42,376 --> 01:17:43,843
{\an1}♪ MENZEL: By a wind
off the sea ♪
1287
01:17:43,876 --> 01:17:45,352
{\an1}♪ CHENOWETH: Like a stream
that meets a boulder ♪
1288
01:17:45,376 --> 01:17:47,409
{\an1}♪ MENZEL: Like a seed
dropped by a bird ♪
1289
01:17:47,443 --> 01:17:48,452
{\an1}♪ CHENOWETH: Halfway
through the wood ♪
1290
01:17:48,476 --> 01:17:50,709
{\an1}♪ MENZEL: In the wood ♪
1291
01:17:50,743 --> 01:17:55,709
{\an1}♪ BOTH: Who can say
if I've been ♪
1292
01:17:55,743 --> 01:17:59,343
{\an1}♪ Changed for the better? ♪
1293
01:18:00,476 --> 01:18:07,143
{\an1}♪ I do believe I have been
changed for the better ♪
1294
01:18:09,409 --> 01:18:13,509
{\an1}♪ CHENOWETH: And
because I knew you ♪
1295
01:18:14,076 --> 01:18:17,376
{\an1}♪ MENZEL: Because I knew you ♪
1296
01:18:18,843 --> 01:18:23,976
{\an1}♪ BOTH: Because I knew you ♪
1297
01:18:24,743 --> 01:18:31,376
{\an1}♪ I have been changed ♪
1298
01:18:37,343 --> 01:18:42,876
♪ For good ♪♪♪
1299
01:18:56,776 --> 01:18:58,176
{\an5}Symbols.
1300
01:18:58,209 --> 01:19:00,343
{\an4}A simple image can
convey so much.
1301
01:19:00,376 --> 01:19:02,809
{\an5}What does this
symbol mean to you?
1302
01:19:04,043 --> 01:19:05,743
{\an5}Does it remind you of childhood?
1303
01:19:05,776 --> 01:19:07,809
{\an5}Welcome again to
this neighborhood.
1304
01:19:07,843 --> 01:19:10,376
{\an4}One of the best inventions
ever was the book.
1305
01:19:11,709 --> 01:19:15,043
{\an4}Or maybe the theater?
1306
01:19:15,076 --> 01:19:19,509
{\an4}It's a new life for me.
1307
01:19:19,543 --> 01:19:23,743
{\an4}Though I do admit, it
came on fast, still I do
1308
01:19:23,776 --> 01:19:26,143
{\an4}believe that it can last.
1309
01:19:26,176 --> 01:19:33,509
{\an4}And I will be loahing,
loathing you my whole life
1310
01:19:33,543 --> 01:19:41,543
{\an5}long.
1311
01:19:43,743 --> 01:19:46,309
{\an4}Of all the many things PBS
means to you, you mean the
1312
01:19:46,343 --> 01:19:48,809
{\an5}world to PBS.
1313
01:19:48,843 --> 01:19:50,676
{\an4}I think the simplest
way to say it is a world
1314
01:19:50,709 --> 01:19:53,643
{\an4}without PBS is not a
world worth living in.
1315
01:19:53,676 --> 01:19:56,343
{\an4}That's just the end,
that's it right there.
1316
01:19:56,376 --> 01:19:58,709
{\an5}I grew up on PBS.
1317
01:19:58,743 --> 01:20:00,052
{\an4}I grew up watching
children's television when
1318
01:20:00,076 --> 01:20:01,509
{\an5}I was a kid.
1319
01:20:01,543 --> 01:20:03,209
{\an4}I grew up watching
Great Performances.
1320
01:20:03,243 --> 01:20:05,743
{\an4}The reason I'm in musical
theater is because of PBS,
1321
01:20:05,776 --> 01:20:08,476
{\an4}watching the Sondheim
celebration at Carnegie
1322
01:20:08,509 --> 01:20:10,476
{\an5}Hall in 1991.
1323
01:20:10,509 --> 01:20:12,609
{\an4}Obsessively watching Patti
LuPone sing 'Being Alive'
1324
01:20:12,643 --> 01:20:15,376
{\an4}over and over and over
again is the reason I'm in
1325
01:20:15,409 --> 01:20:18,409
{\an5}musical theater.
1326
01:20:18,443 --> 01:20:20,509
{\an4}Without PBS, I would
not be here today.
1327
01:20:20,543 --> 01:20:24,209
{\an4}So, I thank you PBS.
1328
01:20:24,243 --> 01:20:26,576
{\an4}Because without you,
there would be no PBS.
1329
01:20:26,609 --> 01:20:28,743
{\an4}Now is your chance to help
PBS continue its mission
1330
01:20:28,776 --> 01:20:33,109
{\an4}by going to pbs.org/donate
and making a donation now.
1331
01:20:33,143 --> 01:20:36,576
{\an4}Wicked has already been
an inspiration for so many
1332
01:20:36,609 --> 01:20:38,009
{\an4}people across the world.
1333
01:20:38,043 --> 01:20:40,043
{\an4}With its life-affirming
theme of standing in your
1334
01:20:40,076 --> 01:20:41,143
{\an5}truth.
1335
01:20:41,176 --> 01:20:42,652
{\an4}How many more will be
inspired by seeing this
1336
01:20:42,676 --> 01:20:43,876
{\an4}memorable concert?
1337
01:20:43,909 --> 01:20:46,509
{\an4}Your donation helps
sustain the PBS legacy for
1338
01:20:46,543 --> 01:20:48,376
{\an5}both you and future generations.
1339
01:20:48,409 --> 01:20:49,443
{\an5}Don't wait!
1340
01:20:49,476 --> 01:20:52,609
{\an4}Take this moment to go
online and do some good.
1341
01:20:52,643 --> 01:20:54,652
{\an4}And as a sustaining member
of your local PBS station,
1342
01:20:54,676 --> 01:20:57,043
{\an4}you'll know you are
doing good with a monthly
1343
01:20:57,076 --> 01:20:59,243
{\an4}donation of support.
1344
01:20:59,276 --> 01:21:02,209
{\an4}Go to PBS.org/donate and
become a sustainer right
1345
01:21:02,243 --> 01:21:03,543
{\an5}now.
1346
01:21:03,576 --> 01:21:05,676
{\an4}Then the next time
you tune-in to see a
1347
01:21:05,709 --> 01:21:08,209
{\an4}theatrical performance or
documentary you'll know
1348
01:21:08,243 --> 01:21:11,876
{\an4}you are helping to change
us all for the better.
1349
01:21:11,909 --> 01:21:14,709
{\an4}It is so important to
support PBS because they
1350
01:21:14,743 --> 01:21:18,343
{\an4}provide such important
content for so many people
1351
01:21:18,376 --> 01:21:25,076
{\an4}to see and their education
is vital to young people,
1352
01:21:25,109 --> 01:21:28,943
{\an4}and I'm so glad to be
a part of this special.
1353
01:21:28,976 --> 01:21:31,976
{\an4}All right enough so be it.
1354
01:21:32,009 --> 01:21:35,076
{\an5}So be it then.
1355
01:21:35,109 --> 01:21:38,909
{\an4}I promise no good deed
Will I attempt to do again
1356
01:21:40,043 --> 01:21:42,143
{\an5}No good deed will I do again!
1357
01:21:56,509 --> 01:21:59,609
{\an5}While we all can
occasionally relate to
1358
01:21:59,643 --> 01:22:02,209
{\an4}this sentiment, supporting
PBS is in fact a good deed
1359
01:22:02,243 --> 01:22:03,643
{\an4}that goes unpunished.
1360
01:22:04,409 --> 01:22:06,309
{\an4}Actually, becoming a
member of your PBS station
1361
01:22:06,343 --> 01:22:08,209
{\an5}is a good deed
that gets rewarded.
1362
01:22:08,243 --> 01:22:10,243
{\an4}Not only with the warm
bubbly feeling you get
1363
01:22:10,276 --> 01:22:12,876
{\an4}knowing you're doing good,
but as an added benefit of
1364
01:22:12,909 --> 01:22:15,609
{\an4}membership you also
have PBS Passport!
1365
01:22:15,643 --> 01:22:18,143
{\an4}You can return to this
special concert and
1366
01:22:18,176 --> 01:22:19,685
{\an4}discover more incredible
performances whenever and
1367
01:22:19,709 --> 01:22:21,576
{\an4}wherever you want.
1368
01:22:22,609 --> 01:22:25,409
{\an4}Is there a program you'd
like to watch again?
1369
01:22:25,443 --> 01:22:26,852
{\an4}Maybe a concert you didn't
get a chance to see?
1370
01:22:26,876 --> 01:22:29,843
{\an4}Well now you can with
PBS Passport, a terrific
1371
01:22:29,876 --> 01:22:31,716
{\an4}member benefit that lets
you stream more than a
1372
01:22:31,743 --> 01:22:34,209
{\an4}thousand hours of PBS and
local programming on your
1373
01:22:34,243 --> 01:22:36,909
{\an4}computer or through the
PBS app on your phone,
1374
01:22:36,943 --> 01:22:39,076
{\an5}tablet, smart TV,
or streaming device.
1375
01:22:39,109 --> 01:22:40,843
{\an4}All your favorites
wherever, whenever you
1376
01:22:40,876 --> 01:22:42,043
{\an5}want.
1377
01:22:42,076 --> 01:22:43,819
{\an4}And with your qualifying
contribution you'll help
1378
01:22:43,843 --> 01:22:45,876
{\an4}make the great programs
on this station possible.
1379
01:22:45,909 --> 01:22:48,943
{\an4}So, go online and get
your PBS Passport today.
1380
01:22:53,443 --> 01:22:56,143
{\an4}This is your last chance
to show your appreciation
1381
01:22:56,176 --> 01:22:58,176
{\an4}for this incredible
experience and the many
1382
01:22:58,209 --> 01:23:00,743
{\an4}more you find on PBS.
1383
01:23:00,776 --> 01:23:04,376
{\an4}Visit pbs.org/donate now
and become a member of
1384
01:23:04,409 --> 01:23:06,876
{\an5}your local PBS
station right now.
1385
01:23:06,909 --> 01:23:08,176
{\an5}Thank you.
1386
01:23:10,843 --> 01:23:18,843
{\an4}...I'm changed for good.
1387
01:23:27,776 --> 01:23:30,643
♪ ♪
1388
01:23:30,676 --> 01:23:35,009
{\an1}♪ BACKGROUND: GOOD NEWS! ♪
1389
01:23:35,043 --> 01:23:39,343
♪ SHE'S DEAD! ♪
1390
01:23:39,376 --> 01:23:40,876
{\an1}♪ THE WITCH OF THE
WEST IS DEAD! ♪
1391
01:23:40,909 --> 01:23:42,976
{\an1}♪ THE WICKEDEST
WITCH THERE EVER WAS ♪
1392
01:23:43,009 --> 01:23:48,276
{\an1}♪ THE ENEMY OF ALL OF
US HERE IN OZ IS DEAD! ♪
1393
01:23:49,776 --> 01:23:53,709
♪ GOOD NEWS! ♪
1394
01:23:54,709 --> 01:23:59,343
♪ GOOD NEWS! ♪
1395
01:23:59,376 --> 01:24:07,309
♪ ♪
1396
01:24:07,343 --> 01:24:10,509
♪ ♪
1397
01:24:10,543 --> 01:24:12,343
♪ WICKED! ♪
1398
01:24:14,343 --> 01:24:16,509
♪ WICKED! ♪
1399
01:24:18,376 --> 01:24:21,976
♪ WICKED! ♪♪♪
1400
01:24:27,243 --> 01:24:29,176
{\an1}THIS PROGRAM WAS
MADE POSSIBLE IN PART BY
1401
01:24:29,209 --> 01:24:33,609
{\an1}CONTRIBUTIONS TO YOUR PBS
STATION FROM VIEWERS LIKE YOU.
1402
01:24:33,643 --> 01:24:35,109
THANK YOU.
109617
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