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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:11,885 --> 00:00:14,435 [WATER TRICKLING] 4 00:01:40,555 --> 00:01:43,225 [THUNDER] 5 00:02:21,895 --> 00:02:24,475 [CHURCH BELLS RINGING] 6 00:02:30,655 --> 00:02:32,445 NOW, FAIR HIPPOLYTA, 7 00:02:32,525 --> 00:02:35,155 OUR NUPTIAL HOUR DRAWS ON APACE; 8 00:02:35,235 --> 00:02:38,495 4 HAPPY DAYS BRING IN ANOTHER MOON: 9 00:02:39,705 --> 00:02:40,455 BUT, O, METHINKS, 10 00:02:40,535 --> 00:02:43,495 HOW SLOW THIS OLD MOON WANES! 11 00:02:43,585 --> 00:02:44,625 SHE LINGERS MY DESIRES, 12 00:02:44,705 --> 00:02:46,415 LIKE TO A STEP-DAME OR A DOWAGER 13 00:02:46,505 --> 00:02:48,665 LONG WITHERING OUT A YOUNG MAN'S REVENUE. 14 00:02:48,755 --> 00:02:52,585 4 DAYS WILL QUICKLY STEEP THEMSELVES IN NIGHT; 15 00:02:52,675 --> 00:02:56,425 4 NIGHTS WILL QUICKLY DREAM AWAY THE TIME; 16 00:02:56,515 --> 00:02:57,675 AND THEN THE MOON, 17 00:02:57,765 --> 00:03:00,385 LIKE TO A SILVER BOW NEW-BENT IN HEAVEN, 18 00:03:00,475 --> 00:03:04,555 SHALL BEHOLD THE NIGHT OF OUR SOLEMNITIES. 19 00:03:05,065 --> 00:03:06,065 Man: GO, PHILOSTRATE, 20 00:03:06,145 --> 00:03:07,495 STIR UP THE ATHENIAN YOUTH TO MERRIMENTS; 21 00:03:07,525 --> 00:03:10,275 AWAKE THE PERT AND NIMBLE SPIRIT OF MIRTH; 22 00:03:10,355 --> 00:03:12,105 TURN MELANCHOLY FORTH TO FUNERALS; 23 00:03:12,195 --> 00:03:15,575 THE PALE COMPANION IS NOT FOR OUR POMP. 24 00:03:16,575 --> 00:03:18,865 HIPPOLYTA, I WOO'D THEE WITH MY SWORD, 25 00:03:18,945 --> 00:03:21,415 AND WON THY LOVE, DOING THEE INJURIES; 26 00:03:21,495 --> 00:03:23,205 BUT I WILL WED THEE IN ANOTHER KEY, 27 00:03:23,285 --> 00:03:27,295 WITH POMP, WITH TRIUMPH, AND WITH REVELLING. 28 00:03:27,375 --> 00:03:28,875 HAPPY BE THESEUS, OUR RENOWNED DUKE! 29 00:03:28,955 --> 00:03:32,925 Theseus: THANKS, GOOD EGEUS: WHAT'S THE NEWS WITH THEE? 30 00:03:33,385 --> 00:03:34,775 FULL OF VEXATION COME I, WITH COMPLAINT 31 00:03:34,795 --> 00:03:37,095 AGAINST MY CHILD, MY DAUGHTER HERMIA. 32 00:03:37,175 --> 00:03:39,345 STAND FORTH, DEMETRIUS. MY NOBLE LORD, 33 00:03:39,425 --> 00:03:42,725 THIS MAN HATH MY CONSENT TO MARRY HER. 34 00:03:42,805 --> 00:03:44,685 STAND FORTH, LYSANDER: 35 00:03:44,765 --> 00:03:49,525 THIS MAN HATH WITCH'D THE BOSOM OF MY CHILD; 36 00:03:49,605 --> 00:03:51,105 AND, MY GRACIOUS DUKE, BE IT SO 37 00:03:51,185 --> 00:03:52,545 SHE WILL NOT HERE BEFORE YOUR GRACE 38 00:03:52,565 --> 00:03:54,445 CONSENT TO MARRY WITH DEMETRIUS, 39 00:03:54,525 --> 00:03:57,485 I BEG THE ANCIENT PRIVILEGE OF ATHENS, 40 00:03:57,575 --> 00:04:00,495 AS SHE IS MINE, I MAY DISPOSE OF HER: 41 00:04:00,575 --> 00:04:02,705 WHICH SHALL BE EITHER TO THIS GENTLEMAN 42 00:04:02,785 --> 00:04:04,245 OR TO HER DEATH, 43 00:04:04,325 --> 00:04:05,955 ACCORDING TO OUR LAW 44 00:04:06,035 --> 00:04:08,955 IMMEDIATELY PROVIDED IN THAT CASE. 45 00:04:09,625 --> 00:04:11,465 WHAT SAY YOU, HERMIA? 46 00:04:11,545 --> 00:04:12,965 BE ADVISED FAIR MAID: 47 00:04:13,045 --> 00:04:16,635 TO YOU YOUR FATHER SHOULD BE AS A GOD; 48 00:04:19,055 --> 00:04:21,845 I KNOW NOT BY WHAT POWER I AM MADE BOLD, 49 00:04:21,925 --> 00:04:23,385 BUT I BESEECH YOUR GRACE THAT I MAY 50 00:04:23,475 --> 00:04:26,185 KNOW THE WORST THAT MAY BEFALL ME IN THIS CASE, 51 00:04:26,265 --> 00:04:29,645 IF I REFUSE TO WED DEMETRIUS. 52 00:04:29,725 --> 00:04:31,645 EITHER TO DIE THE DEATH 53 00:04:31,735 --> 00:04:36,485 OR TO ABJURE FOR EVER THE SOCIETY OF MEN. 54 00:04:36,565 --> 00:04:40,575 THEREFORE, FAIR HERMIA, QUESTION YOUR DESIRES; 55 00:04:40,655 --> 00:04:44,285 KNOW OF YOUR YOUTH, EXAMINE WELL YOUR BLOOD, 56 00:04:44,365 --> 00:04:47,375 WHETHER, IF YOU YIELD NOT TO YOUR FATHER'S CHOICE, 57 00:04:47,455 --> 00:04:50,295 YOU CAN ENDURE THE LIVERY OF A NUN, 58 00:04:50,375 --> 00:04:53,375 FOR AYE TO BE IN SHADY CLOISTER MEW'D, 59 00:04:53,465 --> 00:04:56,715 TO LIVE A BARREN SISTER ALL YOUR LIFE, 60 00:04:56,795 --> 00:05:01,465 CHANTING FAINT HYMNS TO THE COLD, FRUITLESS MOON. 61 00:05:01,885 --> 00:05:04,765 THRICE-BLESSED THEY THAT MASTER SO THEIR BLOOD, 62 00:05:04,845 --> 00:05:07,645 TO UNDERGO SUCH MAIDEN PILGRIMAGE; 63 00:05:07,725 --> 00:05:11,105 BUT EARTHLIER HAPPY IS THE ROSE DISTILL'D, 64 00:05:11,185 --> 00:05:14,775 THAN THAT WHICH WITHERING ON THE VIRGIN THORN GROWS, 65 00:05:14,855 --> 00:05:19,235 LIVES AND DIES IN SINGLE BLESSEDNESS. 66 00:05:19,655 --> 00:05:23,785 SO WILL I GROW, SO LIVE, SO DIE, MY LORD, 67 00:05:23,865 --> 00:05:26,615 ERE I WILL YIELD MY VIRGIN PATENT 68 00:05:26,705 --> 00:05:27,995 UP UNTO HIS LORDSHIP, 69 00:05:28,075 --> 00:05:30,995 WHOSE UNWISHED YOKE MY SOUL CONSENTS 70 00:05:31,085 --> 00:05:33,455 NOT TO GIVE SOVEREIGNTY. 71 00:05:33,545 --> 00:05:34,625 RELENT, SWEET HERMIA: 72 00:05:34,705 --> 00:05:37,545 AND, LYSANDER, YIELD THY CRAZED TITLE 73 00:05:37,625 --> 00:05:38,625 TO MY CERTAIN RIGHT. 74 00:05:38,675 --> 00:05:39,855 YOU HAVE HER FATHER'S LOVE, DEMETRIUS; 75 00:05:39,885 --> 00:05:43,005 LET ME HAVE HERMIA'S: DO YOU MARRY HIM. 76 00:05:43,095 --> 00:05:44,595 SCORNFUL LYSANDER! 77 00:05:44,675 --> 00:05:45,675 TRUE, HE HATH MY LOVE. 78 00:05:45,725 --> 00:05:47,845 I AM, MY LORD, AS WELL DERIVED AS HE, 79 00:05:47,935 --> 00:05:49,225 AS WELL POSSESS'D; 80 00:05:49,305 --> 00:05:50,935 MY LOVE IS MORE THAN HIS; 81 00:05:51,015 --> 00:05:54,275 AND, WHICH IS MORE THAN ALL THESE BOASTS CAN BE, 82 00:05:54,355 --> 00:05:56,855 I AM BELOVED OF BEAUTEOUS HERMIA: 83 00:05:56,945 --> 00:05:59,605 WHY SHOULD NOT I THEN PROSECUTE MY RIGHT? 84 00:05:59,695 --> 00:06:01,275 DEMETRIUS, I'll AVOUCH IT TO HIS HEAD, 85 00:06:01,365 --> 00:06:05,245 MADE LOVE TO NEDAR'S DAUGHTER, HELENA, AND WON HER SOUL, ; 86 00:06:05,325 --> 00:06:09,825 AND SHE, SWEET LADY, DOTES, DEVOUTLY DOTES, 87 00:06:09,915 --> 00:06:12,085 DOTES IN IDOLATRY, 88 00:06:12,165 --> 00:06:15,665 UPON THIS SPOTTED AND INCONSTANT MAN. 89 00:06:15,755 --> 00:06:18,295 I MUST CONFESS THAT I HAVE HEARD SO MUCH, 90 00:06:18,375 --> 00:06:20,835 AND WITH DEMETRIUS THOUGHT TO HAVE SPOKE THEREOF; 91 00:06:20,925 --> 00:06:23,465 BUT, BEING OVER-FULL OF SELF-AFFAIRS, 92 00:06:23,555 --> 00:06:25,675 MY MIND DID LOSE IT. 93 00:06:25,765 --> 00:06:29,685 BUT, DEMETRIUS, COME; AND COME, EGEUS; 94 00:06:29,765 --> 00:06:30,845 YOU SHALL GO WITH ME, 95 00:06:30,935 --> 00:06:34,065 I HAVE SOME PRIVATE SCHOOLING FOR YOU BOTH. 96 00:06:34,145 --> 00:06:35,185 FOR YOU, FAIR HERMIA, 97 00:06:35,275 --> 00:06:37,395 LOOK YOU ARM YOURSELF TO FIT YOUR FANCIES 98 00:06:37,485 --> 00:06:38,645 TO YOUR FATHER'S WILL, ; 99 00:06:38,735 --> 00:06:41,195 OR ELSE THE LAW OF ATHENS YIELDS YOU UP... 100 00:06:41,275 --> 00:06:43,065 WHICH BY NO MEANS WE MAY EXTENUATE... 101 00:06:43,155 --> 00:06:46,945 TO DEATH, OR TO AVOW OF SINGLE LIFE. 102 00:06:48,575 --> 00:06:50,705 COME, MY HIPPOLYTA: 103 00:06:52,785 --> 00:06:54,495 WHAT CHEER, MY LOVE? 104 00:06:54,585 --> 00:06:55,915 DEMETRIUS AND EGEUS, GO ALONG: 105 00:06:55,995 --> 00:06:58,545 I MUST EMPLOY YOU IN SOME BUSINESS AGAINST OUR NUPTIAL 106 00:06:58,625 --> 00:06:59,815 AND CONFER WITH YOU OF SOMETHING 107 00:06:59,835 --> 00:07:01,425 NEARLY THAT CONCERNS YOURSELVES. 108 00:07:01,505 --> 00:07:04,755 Egeus: WITH DUTY AND DESIRE WE FOLLOW YOU. 109 00:07:08,425 --> 00:07:11,725 HOW NOW, MY LOVE! WHY IS YOUR CHEEK SO PALE? 110 00:07:11,805 --> 00:07:14,805 HOW CHANCE THE ROSES THERE DO FADE SO FAST? 111 00:07:14,895 --> 00:07:15,935 BELIKE FOR WANT OF RAIN, 112 00:07:16,015 --> 00:07:18,355 WHICH I COULD WELL BETEEM THEM 113 00:07:18,435 --> 00:07:23,155 FROM THE TEMPEST OF MY EYES. 114 00:07:23,235 --> 00:07:26,325 AY ME! FOR AUGHT THAT I COULD EVER READ, 115 00:07:26,405 --> 00:07:29,785 COULD EVER HEAR BY TALE OR HISTORY, 116 00:07:29,865 --> 00:07:33,875 THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH; 117 00:07:33,955 --> 00:07:35,385 BUT, EITHER IT WAS DIFFERENT IN BLOOD... 118 00:07:35,415 --> 00:07:38,545 O CROSS! TOO HIGH TO BE ENTHRALL'D TO LOW. 119 00:07:38,625 --> 00:07:40,795 OR ELSE MISGRAFFED IN RESPECT OF YEARS... 120 00:07:40,875 --> 00:07:43,675 O SPITE! TOO OLD TO BE ENGAGED TO YOUNG. 121 00:07:43,755 --> 00:07:45,715 OR ELSE IT STOOD UPON THE CHOICE OF FRIENDS... 122 00:07:45,795 --> 00:07:48,765 O HELL! TO CHOOSE LOVE BY ANOTHER'S EYES. 123 00:07:48,845 --> 00:07:51,885 OR, IF THERE WERE A SYMPATHY IN CHOICE, 124 00:07:51,975 --> 00:07:55,355 WAR, DEATH, OR SICKNESS DID LAY SIEGE TO IT, 125 00:07:55,435 --> 00:07:57,935 MAKING IT MOMENTANY AS A SOUND, 126 00:07:58,015 --> 00:08:00,485 SWIFT AS A SHADOW, SHORT AS ANY DREAM, ; 127 00:08:00,565 --> 00:08:03,815 BRIEF AS THE LIGHTNING IN THE COLLIED NIGHT, THAT, IN A SPLEEN, 128 00:08:03,905 --> 00:08:06,365 UNFOLDS BOTH HEAVEN AND EARTH, 129 00:08:06,445 --> 00:08:10,365 AND ERE A MAN HATH POWER TO SAY 'BEHOLD! 130 00:08:10,445 --> 00:08:13,365 THE JAWS OF DARKNESS DO DEVOUR IT UP: 131 00:08:13,455 --> 00:08:17,835 SO QUICK BRIGHT THINGS COME TO CONFUSION. 132 00:08:20,795 --> 00:08:24,085 IF THEN TRUE LOVERS HAVE BEEN EVER CROSS'D, 133 00:08:24,175 --> 00:08:26,965 IT STANDS AS AN EDICT IN DESTINY: 134 00:08:27,045 --> 00:08:29,805 THEN LET US TEACH OUR TRIAL PATIENCE, 135 00:08:29,885 --> 00:08:31,765 BECAUSE IT IS A CUSTOMARY CROSS, 136 00:08:31,845 --> 00:08:34,975 AS DUE TO LOVE AS THOUGHTS AND DREAMS AND SIGHS, 137 00:08:35,055 --> 00:08:38,395 WISHES AND TEARS, POOR FANCY'S FOLLOWERS. 138 00:08:38,475 --> 00:08:39,515 A GOOD PERSUASION: 139 00:08:39,605 --> 00:08:41,985 THEREFORE, HEAR ME, HERMIA. 140 00:08:42,065 --> 00:08:42,985 I HAVE A WIDOW AUNT, 141 00:08:43,065 --> 00:08:45,105 A DOWAGER OF GREAT REVENUE, 142 00:08:45,195 --> 00:08:46,815 AND SHE HATH NO CHILD: 143 00:08:46,905 --> 00:08:49,865 FROM ATHENS IS HER HOUSE REMOTE 7 LEAGUES; 144 00:08:49,945 --> 00:08:53,195 AND SHE RESPECTS ME AS HER ONLY SON. 145 00:08:53,285 --> 00:08:58,875 THERE, GENTLE HERMIA, MAY I MARRY THEE; 146 00:08:58,955 --> 00:09:01,755 AND TO THAT PLACE THE SHARP ATHENIAN LAW 147 00:09:01,835 --> 00:09:02,875 CANNOT PURSUE US. 148 00:09:02,955 --> 00:09:04,085 IF THOU LOVEST ME THEN, 149 00:09:04,165 --> 00:09:07,005 STEAL FORTH THY FATHER'S HOUSE TO-MORROW NIGHT; 150 00:09:07,085 --> 00:09:08,085 AND IN THE WOOD, 151 00:09:08,135 --> 00:09:09,135 A LEAGUE WITHOUT THE TOWN, 152 00:09:09,215 --> 00:09:10,845 WHERE I DID MEET THEE ONCE WITH HELENA, 153 00:09:10,925 --> 00:09:13,925 TO DO OBSERVANCE TO A MORN OF MAY, 154 00:09:14,015 --> 00:09:15,805 THERE WILL I STAY FOR THEE. 155 00:09:15,885 --> 00:09:17,845 MY GOOD LYSANDER! 156 00:09:18,555 --> 00:09:21,815 I SWEAR TO THEE, BY CUPID'S STRONGEST BOW, 157 00:09:21,895 --> 00:09:24,435 BY HIS BEST ARROW WITH THE GOLDEN HEAD, 158 00:09:24,525 --> 00:09:26,775 BY THE SIMPLICITY OF VENUS' DOVES, 159 00:09:26,855 --> 00:09:30,075 BY THAT WHICH KNITTETH SOULS AND PROSPERS LOVES, 160 00:09:30,155 --> 00:09:33,865 BY ALL THE VOWS THAT EVER MEN HAVE BROKE, 161 00:09:33,945 --> 00:09:36,075 IN NUMBER MORE THAN EVER WOMEN SPOKE, 162 00:09:36,155 --> 00:09:39,495 IN THAT SAME PLACE THOU HAST APPOINTED ME, 163 00:09:39,575 --> 00:09:42,585 TO-MORROW TRULY WILL I MEET WITH THEE. 164 00:09:42,665 --> 00:09:44,505 KEEP PROMISE, LOVE. 165 00:09:45,125 --> 00:09:46,465 LOOK, HERE COMES HELENA. 166 00:09:46,545 --> 00:09:49,385 GOD SPEED FAIR HELENA! WHITHER AWAY? 167 00:09:49,465 --> 00:09:54,675 CALL YOU ME FAIR? THAT FAIR AGAIN UNSAY. 168 00:09:54,765 --> 00:10:00,305 DEMETRIUS LOVES YOUR FAIR: O HAPPY FAIR! 169 00:10:00,395 --> 00:10:02,065 YOUR EYES ARE LODE-STARS; 170 00:10:02,145 --> 00:10:04,185 AND YOUR TONGUE'S SWEET AIR MORE TUNEABLE 171 00:10:04,275 --> 00:10:05,395 THAN LARK TO SHEPHERD'S EAR, 172 00:10:05,485 --> 00:10:08,855 WHEN WHEAT IS GREEN, WHEN HAWTHORN BUDS APPEAR. 173 00:10:08,945 --> 00:10:12,525 SICKNESS IS CATCHING: O, WERE FAVOR SO, 174 00:10:12,615 --> 00:10:15,825 YOURS WOULD I CATCH, FAIR HERMIA, ERE I GO; 175 00:10:15,905 --> 00:10:19,415 MY EAR SHOULD CATCH YOUR VOICE, MY EYE YOUR EYE, 176 00:10:19,495 --> 00:10:22,915 MY TONGUE SHOULD CATCH YOUR TONGUE'S SWEET MELODY. 177 00:10:22,995 --> 00:10:27,505 WERE THE WORLD MINE, DEMETRIUS BEING BATED, 178 00:10:27,585 --> 00:10:31,085 THE REST I'D GIVE TO BE TO YOU TRANSLATED. 179 00:10:31,175 --> 00:10:35,215 O, TEACH ME HOW YOU LOOK, AND WITH WHAT ART 180 00:10:35,305 --> 00:10:37,925 YOU SWAY THE MOTION OF DEMETRIUS' HEART. 181 00:10:38,015 --> 00:10:43,105 TAKE COMFORT: HE NO MORE SHALL SEE MY FACE; 182 00:10:43,185 --> 00:10:45,895 LYSANDER AND MYSELF WILL FLY THIS PLACE. 183 00:10:45,975 --> 00:10:50,735 HELEN, TO YOU OUR MINDS WE WILL UNFOLD: 184 00:10:50,815 --> 00:10:53,315 TO-MORROW NIGHT, WHEN PHOEBE DOTH BEHOLD 185 00:10:53,405 --> 00:10:55,865 HER SILVER VISAGE IN THE WATERY GLASS, 186 00:10:55,945 --> 00:10:58,365 DECKING WITH LIQUID PEARL THE BLADED GRASS, 187 00:10:58,445 --> 00:11:01,915 A TIME THAT LOVERS' FLIGHTS DOTH STILL CONCEAL, 188 00:11:01,995 --> 00:11:04,915 THROUGH ATHENS' GATES HAVE WE DEVISED TO STEAL. 189 00:11:04,995 --> 00:11:07,125 AND IN THE WOOD, WHERE OFTEN YOU AND I 190 00:11:07,205 --> 00:11:09,965 UPON FAINT PRIMROSE-BEDS WERE WONT TO LIE, 191 00:11:10,045 --> 00:11:13,255 EMPTYING OUR BOSOMS OF THEIR COUNSEL SWEET, 192 00:11:13,335 --> 00:11:17,765 THERE MY LYSANDER AND MYSELF SHALL MEET; 193 00:11:17,845 --> 00:11:21,975 FAREWELL, SWEET PLAYFELLOW: PRAY THOU FOR US; 194 00:11:22,055 --> 00:11:25,395 AND GOOD LUCK GRANT THEE THY DEMETRIUS! 195 00:11:27,065 --> 00:11:30,395 KEEP WORD, LYSANDER: WE MUST STARVE OUR SIGHT 196 00:11:30,485 --> 00:11:35,365 FROM LOVERS' FOOD TILL MORROW DEEP MIDNIGHT. 197 00:11:35,445 --> 00:11:37,195 I WILL, MY HERMIA. 198 00:11:38,865 --> 00:11:41,785 HELENA, ADIEU: 199 00:11:41,865 --> 00:11:46,335 AS YOU ON HIM, DEMETRIUS DOTE ON YOU! 200 00:11:53,175 --> 00:11:56,925 HOW HAPPY SOME O'ER OTHER SOME CAN BE! 201 00:11:58,005 --> 00:12:01,675 THROUGH ATHENS I AM THOUGHT AS FAIR AS SHE. 202 00:12:02,095 --> 00:12:03,305 BUT WHAT OF THAT? 203 00:12:03,385 --> 00:12:05,725 DEMETRIUS THINKS NOT SO; 204 00:12:05,805 --> 00:12:08,395 HE WILL NOT KNOW WHAT ALL BUT HE DO KNOW: 205 00:12:08,475 --> 00:12:11,605 AND AS HE ERRS, DOTING ON HERMIA'S EYES, 206 00:12:11,685 --> 00:12:15,105 SO I, ADMIRING OF HIS QUALITIES: 207 00:12:15,195 --> 00:12:18,735 THINGS BASE AND VILE, HOLDING NO QUANTITY, 208 00:12:18,825 --> 00:12:22,745 LOVE CAN TRANSPOSE TO FORM AND DIGNITY: 209 00:12:22,825 --> 00:12:27,035 LOVE LOOKS NOT WITH THE EYES, BUT WITH THE MIND; 210 00:12:27,125 --> 00:12:30,045 AND THEREFORE IS WING'D CUPID PAINTED BLIND: 211 00:12:30,125 --> 00:12:33,675 AS WAGGISH BOYS IN GAME THEMSELVES FORSWEAR, 212 00:12:33,755 --> 00:12:38,545 SO THE BOY LOVE IS PERJURED EVERY WHERE: 213 00:12:38,635 --> 00:12:41,215 FOR ERE DEMETRIUS LOOK'D ON HERMIA'S EYNE, 214 00:12:41,305 --> 00:12:45,845 HE HAIL'D DOWN OATHS THAT HE WAS ONLY MINE; 215 00:12:45,935 --> 00:12:50,475 AND WHEN THIS HAIL SOME HEAT FROM HERMIA FELT, 216 00:12:50,565 --> 00:12:57,565 SO HE DISSOLVED, AND SHOWERS OF OATHS DID MELT. 217 00:12:59,115 --> 00:13:02,285 I WILL GO TELL HIM OF FAIR HERMIA'S FLIGHT: 218 00:13:02,365 --> 00:13:07,245 THEN TO THE WOOD WILL HE TO-MORROW NIGHT PURSUE HER; 219 00:13:07,325 --> 00:13:11,045 AND FOR THIS INTELLIGENCE IF I HAVE THANKS, 220 00:13:11,125 --> 00:13:13,875 IT IS A DEAR EXPENSE: 221 00:13:13,965 --> 00:13:17,505 BUT HEREIN MEAN I TO ENRICH MY PAIN, 222 00:13:17,585 --> 00:13:22,095 TO HAVE HIS SIGHT THITHER AND BACK AGAIN. 223 00:13:22,175 --> 00:13:25,135 [SPLASHING] 224 00:13:25,225 --> 00:13:28,185 IS ALL OUR COMPANY HERE? 225 00:13:30,605 --> 00:13:32,815 [BUG BUZZING] 226 00:13:32,895 --> 00:13:34,895 YOU WERE BEST TO CALL THEM GENERALLY, 227 00:13:34,985 --> 00:13:38,105 MAN BY MAN, ACCORDING TO THE SCRIP. 228 00:13:38,195 --> 00:13:41,075 HERE IS THE SCROLL OF EVERY MAN'S NAME, 229 00:13:41,155 --> 00:13:43,905 WHICH IS THOUGHT FIT, THROUGH ALL ATHENS, 230 00:13:43,995 --> 00:13:45,285 TO PLAY IN OUR INTERLUDE 231 00:13:45,365 --> 00:13:46,955 BEFORE THE DUKE AND THE DUCHESS, 232 00:13:47,035 --> 00:13:50,535 ON HIS WEDDING-DAY AT NIGHT. 233 00:13:50,625 --> 00:13:52,205 FIRST, GOOD PETER QUINCE, 234 00:13:52,295 --> 00:13:54,835 SAY WHAT THE PLAY TREATS ON, 235 00:13:54,915 --> 00:13:56,755 THEN READ THE NAMES OF THE ACTORS, 236 00:13:56,835 --> 00:13:58,425 AND SO GROW TO A POINT. 237 00:13:58,505 --> 00:14:01,635 MARRY, OUR PLAY IS, THE MOST LAMENTABLE COMEDY, 238 00:14:01,715 --> 00:14:06,515 AND MOST CRUEL DEATH OF PYRAMUS AND THISBY. 239 00:14:06,595 --> 00:14:10,095 A VERY GOOD PIECE OF WORK, I ASSURE YOU, AND A MERRY. 240 00:14:10,185 --> 00:14:11,355 NOW, GOOD PETER QUINCE, 241 00:14:11,435 --> 00:14:15,145 CALL FORTH THE ACTORS BY THE SCROLL. 242 00:14:15,225 --> 00:14:18,145 MASTERS, SPREAD YOURSELVES. 243 00:14:19,235 --> 00:14:21,115 ANSWER AS I CALL YOU. 244 00:14:21,195 --> 00:14:22,945 NICK BOTTOM, THE WEAVER. 245 00:14:23,025 --> 00:14:23,945 READY. 246 00:14:24,035 --> 00:14:26,075 NAME WHAT PART I AM FOR, AND PROCEED. 247 00:14:26,155 --> 00:14:29,075 YOU, NICK BOTTOM, ARE SET DOWN FOR PYRAMUS. 248 00:14:29,165 --> 00:14:31,125 WHAT IS PYRAMUS? A LOVER, OR A TYRANT? 249 00:14:31,205 --> 00:14:35,545 A LOVER, THAT KILLS HIMSELF MOST GALLANT FOR LOVE. 250 00:14:35,625 --> 00:14:37,165 THAT WILL ASK SOME TEARS 251 00:14:37,255 --> 00:14:39,465 IN THE TRUE PERFORMING OF IT: 252 00:14:39,545 --> 00:14:43,465 IF 1 DO IT, LET THE AUDIENCE LOOK TO THEIR EYES; 253 00:14:43,545 --> 00:14:45,765 I WILL MOVE STORMS, 254 00:14:45,845 --> 00:14:48,305 I WILL CONDOLE IN SOME MEASURE. 255 00:14:48,385 --> 00:14:49,385 TO THE REST.: 256 00:14:49,475 --> 00:14:52,105 YET MY CHIEF HUMOR IS FOR A TYRANT: FR... 257 00:14:52,185 --> 00:14:53,355 I COULD PLAY ERCLES RARELY, 258 00:14:53,435 --> 00:14:57,235 OR A PART TO TEAR A CAT IN, TO MAKE ALL SPLIT. 259 00:14:57,315 --> 00:15:00,985 THE RAGING ROCKS AND SHIVERING SHOCKS 260 00:15:01,065 --> 00:15:03,485 SHALL BREAK THE LOCKS OF PRISON GATES; 261 00:15:03,565 --> 00:15:07,995 AND PHIBBUS' CAR SHALL SHINE FROM FAR 262 00:15:08,075 --> 00:15:13,415 AND MAKE AND MAR THE FOOLISH FATES. 263 00:15:13,495 --> 00:15:15,245 THIS WAS LOFTY! 264 00:15:15,335 --> 00:15:17,125 NOW NAME THE REST OF THE PLAYERS. 265 00:15:17,205 --> 00:15:19,795 THIS IS ERCLES' VEIN, A TYRANT'S VEIN; FR... 266 00:15:19,875 --> 00:15:23,335 A LOVER IS MORE CONDOLING. 267 00:15:23,925 --> 00:15:26,885 FRANCIS FLUTE, THE BELLOWS-MENDER. 268 00:15:27,305 --> 00:15:28,215 HERE, PETER QUINCE. 269 00:15:28,305 --> 00:15:29,925 FLUTE, YOU MUST TAKE THISBY ON YOU. 270 00:15:30,015 --> 00:15:32,225 WHAT IS THISBY? A WANDERING KNIGHT? 271 00:15:32,305 --> 00:15:36,895 IT IS THE LADY THAT PYRAMUS MUST LOVE. 272 00:15:37,525 --> 00:15:40,235 NAY, FAITH, LET ME NOT PLAY A WOMAN; 273 00:15:40,315 --> 00:15:42,275 I HAVE A BEARD COMING. 274 00:15:43,275 --> 00:15:44,365 [SPUTTERS] 275 00:15:44,445 --> 00:15:46,405 THAT'S ALL ONE: YOU SHALL PLAY IT IN A MASK, 276 00:15:46,485 --> 00:15:48,325 AND YOU MAY SPEAK AS SMALL AS YOU WILL. 277 00:15:48,405 --> 00:15:52,865 AN I MAY HIDE MY FACE, LET ME PLAY THISBY TOO. 278 00:15:53,955 --> 00:15:56,245 I'll SPEAK IN A MONSTROUS LITTLE VOICE. 279 00:15:56,335 --> 00:15:57,165 'THISNE, THISNE;' 280 00:15:57,245 --> 00:16:00,255 'AH, PYRAMUS, MY LOVER DEAR! 281 00:16:00,335 --> 00:16:03,425 THY THISBY DEAR, AND LADY DEARY' 282 00:16:03,505 --> 00:16:05,255 NO, NO; YOU MUST PLAY PYRAMUS: 283 00:16:05,335 --> 00:16:07,305 AND, FLUTE, YOU THISBY. 284 00:16:07,635 --> 00:16:09,175 WELL, PROCEED. 285 00:16:10,265 --> 00:16:12,555 ROBIN STARVELING, THE TAILOR. 286 00:16:12,635 --> 00:16:13,805 HERE, PETER QUINCE. 287 00:16:13,895 --> 00:16:17,355 ROBIN STARVELING, YOU MUST PLAY THISBY'S MOTHER. 288 00:16:18,725 --> 00:16:20,895 TOM SNOUT, THE TINKER. 289 00:16:22,735 --> 00:16:23,855 HERE, PETER QUINCE. 290 00:16:23,945 --> 00:16:27,485 YOU, PYRAMUS' FATHER: MYSELF, THISBY'S FATHER: 291 00:16:27,575 --> 00:16:30,075 SNUG, THE JOINER; YOU, THE LION'S PART: 292 00:16:30,155 --> 00:16:34,115 AND, I HOPE, HERE IS A PLAY FITTED. 293 00:16:38,955 --> 00:16:42,875 HAVE YOU THE LION'S PART WRITTEN? 294 00:16:42,965 --> 00:16:45,465 PRAY, IF IT BE, GIVE IT ME, 295 00:16:45,545 --> 00:16:48,095 FOR I AM SLOW OF STUDY. 296 00:16:48,175 --> 00:16:49,385 YOU MAY DO IT EXTEMPORE, 297 00:16:49,465 --> 00:16:50,885 FOR IT IS NOTHING BUT ROARING. 298 00:16:50,965 --> 00:16:53,225 Bottom: LET ME PLAY THE LION TOO: 299 00:16:53,305 --> 00:16:54,345 I WILL ROAR, SO THAT I WILL 300 00:16:54,435 --> 00:16:55,895 DO ANY MAN'S HEART GOOD TO HEAR ME; 301 00:16:55,975 --> 00:16:57,685 I WILL ROAR, THAT I WILL MAKE THE DUKE SAY 302 00:16:57,765 --> 00:17:01,475 'LET HIM ROAR AGAIN, LET HIM ROAR AGAIN.' 303 00:17:01,565 --> 00:17:03,395 [ROARS] 304 00:17:03,485 --> 00:17:04,625 AN YOU SHOULD DO IT TOO TERRIBLY, 305 00:17:04,645 --> 00:17:06,905 YOU WOULD FRIGHT THE DUCHESS AND THE LADIES, 306 00:17:06,985 --> 00:17:07,905 THAT THEY WOULD SHRIEK; 307 00:17:07,985 --> 00:17:09,825 AND THAT WERE ENOUGH TO HANG US ALL. 308 00:17:09,905 --> 00:17:11,235 ALL THAT WOULD HANG US... 309 00:17:11,325 --> 00:17:12,245 [ALL TALKING AT ONCE] 310 00:17:12,325 --> 00:17:14,285 EVERY MOTHER'S SON. 311 00:17:14,365 --> 00:17:15,535 THAT WOULD HANG US. 312 00:17:15,615 --> 00:17:18,245 I GRANT YOU, FRIENDS, IF WE SHOULD 313 00:17:18,325 --> 00:17:19,345 FRIGHT THE LADIES OUT OF THEIR WITS, 314 00:17:19,375 --> 00:17:20,685 THEY WOULD HAVE NO MORE DISCRETION 315 00:17:20,705 --> 00:17:21,915 BUT TO HANG US: BUT I WILL 316 00:17:21,995 --> 00:17:24,965 AGGRAVATE MY VOICE SO THAT I WILL ROAR YOU 317 00:17:25,045 --> 00:17:27,425 AS GENTLY AS ANY SUCKING DOVE; 318 00:17:27,505 --> 00:17:30,345 I WILL ROAR YOU AN 'TWERE ANY NIGHTINGALE. 319 00:17:30,425 --> 00:17:33,765 OOOHOOOOOH! 320 00:17:33,845 --> 00:17:37,475 YOU CAN PLAY NO PART BUT PYRAMUS. 321 00:17:37,555 --> 00:17:39,355 [CLATTERING] 322 00:17:39,435 --> 00:17:41,645 [CHICKENS CLUCKING] 323 00:17:41,725 --> 00:17:43,725 FOR PYRAMUS IS A SWEET-FACED MAN; 324 00:17:43,815 --> 00:17:48,155 A PROPER MAN, AS ONE SHALL SEE IN A SUMMER'S DAY; 325 00:17:48,235 --> 00:17:51,365 A MOST LOVELY GENTLEMAN-LIKE MAN: 326 00:17:51,445 --> 00:17:55,785 THEREFORE YOU MUST NEEDS PLAY PYRAMUS. 327 00:17:56,495 --> 00:17:59,995 WELL, I WILL UNDERTAKE IT. 328 00:18:00,075 --> 00:18:02,335 WHAT BEARD WERE I BEST TO PLAY IT IN? 329 00:18:02,415 --> 00:18:03,875 WHY, WHAT YOU WILL. 330 00:18:03,955 --> 00:18:05,585 [CHICKENS CLUCKING] 331 00:18:05,665 --> 00:18:06,835 I WILL DISCHARGE IT IN EITHER 332 00:18:06,915 --> 00:18:10,085 YOUR STRAW-COLOR BEARD, YOUR ORANGE-TAWNY BEARD, 333 00:18:10,175 --> 00:18:11,465 YOUR PURPLE-IN-GRAIN BEARD, 334 00:18:11,545 --> 00:18:13,525 OR YOUR FRENCH-CROWN-COLOR BEARD, YOUR PERFECT YELLOW. 335 00:18:13,555 --> 00:18:16,175 SOME OF YOUR FRENCH CROWNS HAVE NO HAIR AT ALL, 336 00:18:16,265 --> 00:18:18,595 AND THEN YOU WILL PLAY BARE-FACED. 337 00:18:19,515 --> 00:18:21,685 [LAUGHTER] 338 00:18:21,765 --> 00:18:25,895 BUT, MASTERS, HERE ARE YOUR PARTS: 339 00:18:25,985 --> 00:18:29,355 AND I AM TO ENTREAT YOU, REQUEST YOU AND DESIRE YOU, 340 00:18:29,445 --> 00:18:31,115 TO CON THEM BY TO-MORROW NIGHT; 341 00:18:31,195 --> 00:18:32,445 AND MEET ME IN THE PALACE WOOD, 342 00:18:32,525 --> 00:18:35,825 A MILE WITHOUT THE TOWN, BY MOONLIGHT; 343 00:18:35,905 --> 00:18:38,995 THERE WILL WE REHEARSE, FOR IF WE MEET IN THE CITY, 344 00:18:39,075 --> 00:18:40,365 WE SHALL BE DOGGED WITH COMPANY, 345 00:18:40,455 --> 00:18:41,665 AND OUR DEVICES KNOWN. 346 00:18:41,745 --> 00:18:44,995 IN THE MEANTIME I WILL DRAW A BILL OF PROPERTIES, 347 00:18:45,085 --> 00:18:46,255 SUCH AS OUR PLAY WANTS. 348 00:18:46,335 --> 00:18:47,585 I PRAY YOU, FAIL ME NOT. 349 00:18:47,665 --> 00:18:49,585 WE WILL MEET, ; AND THERE WE MAY REHEARSE 350 00:18:49,675 --> 00:18:52,045 MOST OBSCENELY AND COURAGEOUSLY. 351 00:18:52,135 --> 00:18:55,465 TAKE PAINS; BE PERFECT: ADIEU. 352 00:18:55,555 --> 00:18:58,555 AT THE DUKE'S OAK WE MEET. 353 00:18:58,635 --> 00:19:01,395 ENOUGH; HOLD OR CUT BOW-STRINGS. 354 00:19:01,475 --> 00:19:04,315 [CHICKENS CLUCKING] 355 00:19:19,495 --> 00:19:22,035 [SPLASH] [SPITTING] 356 00:19:22,115 --> 00:19:24,375 HOW NOW, SPIRIT! WHITHER WANDER YOU? 357 00:19:24,455 --> 00:19:26,475 OVER HILL, OVER DALE, THOROUGH BUSH, THOROUGH BRIER, 358 00:19:26,495 --> 00:19:29,375 OVER PARK, OVER PALE, THOROUGH FLOOD, THOROUGH FIRE, 359 00:19:29,465 --> 00:19:30,625 I DO WANDER EVERYWHERE, 360 00:19:30,715 --> 00:19:33,425 SWIFTER THAN THE MOON'S SPHERE; 361 00:19:33,505 --> 00:19:35,295 AND I SERVE THE FAIRY QUEEN, 362 00:19:35,385 --> 00:19:39,175 OH... TO DEW HER ORBS UPON THE GREEN. 363 00:19:39,265 --> 00:19:41,685 THE COWSLIPS TALL HER PENSIONERS BE: 364 00:19:41,765 --> 00:19:44,305 IN THEIR GOLD COATS SPOTS YOU SEE; 365 00:19:44,395 --> 00:19:46,645 THOSE BE RUBIES, FAIRY FAVORS, 366 00:19:46,725 --> 00:19:49,645 IN THOSE FRECKLES LIVE THEIR SAVORS: 367 00:19:49,735 --> 00:19:51,605 I MUST GO SEEK SOME DEWDROPS HERE 368 00:19:51,695 --> 00:19:53,565 AND HANG A PEARL IN EVERY COWSLIP'S EAR. 369 00:19:53,655 --> 00:19:56,325 FAREWELL, THOU LOB OF SPIRITS; I'll BE GONE: 370 00:19:56,405 --> 00:19:58,445 OUR QUEEN AND ALL HER ELVES COME HERE ANON. 371 00:19:58,535 --> 00:20:00,785 THE KING DOTH KEEP HIS REVELS HERE TO-NIGHT: 372 00:20:00,865 --> 00:20:03,115 TAKE HEED THE QUEEN COME NOT WITHIN HIS SIGHT; 373 00:20:03,205 --> 00:20:04,875 FOR OBERON IS PASSING FELL AND WRATH, 374 00:20:04,955 --> 00:20:06,185 BECAUSE THAT SHE AS HER ATTENDANT 375 00:20:06,205 --> 00:20:08,995 HATH A LOVELY BOY, STOLEN FROM AN INDIAN KING; 376 00:20:09,085 --> 00:20:11,215 SHE NEVER HAD SO SWEET A CHANGELING; 377 00:20:11,295 --> 00:20:12,395 AND JEALOUS OBERON WOULD HAVE 378 00:20:12,425 --> 00:20:13,585 THE CHILD KNIGHT OF HIS TRAIN, 379 00:20:13,625 --> 00:20:15,085 TO TRACE THE FORESTS WILD; 380 00:20:15,175 --> 00:20:17,885 BUT SHE PERFORCE WITHHOLDS THE LOVED BOY, 381 00:20:17,965 --> 00:20:19,005 CROWNS HIM WITH FLOWERS 382 00:20:19,095 --> 00:20:21,095 AND MAKES HIM ALL HER JOY: 383 00:20:21,175 --> 00:20:23,225 AND NOW THEY NEVER MEET IN GROVE OR GREEN, 384 00:20:23,305 --> 00:20:26,435 BY FOUNTAIN CLEAR, OR SPANGLED STARLIGHT SHEEN, 385 00:20:26,515 --> 00:20:27,815 BUT, THEY DO SQUARE, [GASP] 386 00:20:27,895 --> 00:20:29,475 THAT ALL THEIR ELVES FOR FEAR 387 00:20:29,565 --> 00:20:32,695 CREEP INTO ACORN-CUPS AND HIDE THEM THERE. 388 00:20:32,775 --> 00:20:35,525 EITHER I MISTAKE YOUR SHAPE AND MAKING QUITE, 389 00:20:35,605 --> 00:20:38,655 OR ELSE YOU ARE THAT SHREWD AND KNAVISH SPRITE 390 00:20:38,735 --> 00:20:40,155 CALL'D ROBIN GOODFELLOW: 391 00:20:40,235 --> 00:20:43,655 ARE NOT YOU HE THAT FRIGHTS THE MAIDENS OF THE VILLAGERY; 392 00:20:43,745 --> 00:20:47,125 THOSE THAT HOBGOBLIN CALL YOU AND SWEET PUCK, 393 00:20:47,205 --> 00:20:50,585 YOU DO THEIR WORK, AND THEY SHALL HAVE GOOD LUCK: 394 00:20:50,665 --> 00:20:51,455 ARE NOT YOU HE? 395 00:20:51,545 --> 00:20:52,545 THOU SPEAK'ST ARIGHT; 396 00:20:52,625 --> 00:20:55,585 I AM THAT MERRY WANDERER OF THE NIGHT. 397 00:20:55,675 --> 00:20:57,715 I JEST TO OBERON AND MAKE HIM SMILE 398 00:20:57,795 --> 00:21:00,765 WHEN I A FAT AND BEAN-FED HORSE BEGUILE, 399 00:21:00,845 --> 00:21:02,515 NEIGHING IN LIKENESS OF A FILLY FOAL.: 400 00:21:02,595 --> 00:21:04,975 AND SOMETIME LURK I IN A GOSSIP'S BOWL, 401 00:21:05,055 --> 00:21:07,145 IN VERY LIKENESS OF A ROASTED CRAB, 402 00:21:07,225 --> 00:21:09,145 AND WHEN SHE DRINKS, AGAINST HER LIPS I BOB 403 00:21:09,225 --> 00:21:12,605 AND ON HER WITHER'D DEWLAP POUR THE ALE. 404 00:21:12,685 --> 00:21:15,525 THE WISEST AUNT, TELLING THE SADDEST TALE, 405 00:21:15,605 --> 00:21:17,525 SOMETIME FOR 3-FOOT STOOL MISTAKETH ME; 406 00:21:17,615 --> 00:21:20,615 THEN SLIP I FROM HER BUM, DOWN TOPPLES SHE, 407 00:21:20,695 --> 00:21:23,405 AND 'TAILOR' CRIES, AND FALLS INTO A COUGH; 408 00:21:23,495 --> 00:21:26,075 AND THEN THE WHOLE QUIRE HOLD THEIR HIPS AND LAUGH, 409 00:21:26,165 --> 00:21:27,955 AND WAXEN IN THEIR MIRTH AND NEEZE 410 00:21:28,035 --> 00:21:31,995 AND SWEAR A MERRIER HOUR WAS NEVER WASTED THERE. 411 00:21:32,085 --> 00:21:34,965 [SNARLS] BUT, ROOM, FAIRY! 412 00:21:35,045 --> 00:21:36,175 HERE COMES OBERON. 413 00:21:36,255 --> 00:21:38,585 AND HERE MY MISTRESS. WOULD THAT HE WERE GONE! 414 00:21:38,675 --> 00:21:39,755 [BIRDS SQUAWKING] 415 00:21:39,845 --> 00:21:42,425 [THUNDER] 416 00:21:49,975 --> 00:21:53,975 ILL MET BY MOONLIGHT, PROUD TITANIA. 417 00:21:54,065 --> 00:21:55,565 WHAT, JEALOUS OBERON! 418 00:21:55,645 --> 00:21:58,605 FAIRIES, SKIP HENCE: I HAVE FORSWORN HIS BED AND COMPANY. 419 00:21:58,695 --> 00:22:02,695 TARRY, RASH WANTON: AM NOT I THY LORD? 420 00:22:02,785 --> 00:22:04,905 THEN I MUST BE THY LADY: 421 00:22:04,995 --> 00:22:07,615 BUT I KNOW WHEN THOU HAST STOLEN AWAY FROM FAIRY LAND, 422 00:22:07,705 --> 00:22:10,535 AND IN THE SHAPE OF CORIN SAT ALL DAY, 423 00:22:10,625 --> 00:22:11,625 PLAYING ON PIPES OF CORN 424 00:22:11,705 --> 00:22:14,625 AND VERSING LOVE TO AMOROUS PHILLIDA. 425 00:22:14,705 --> 00:22:15,705 WHY ART THOU HERE, 426 00:22:15,755 --> 00:22:17,835 COME FROM THE FARTHEST STEPPE OF INDIA? 427 00:22:17,925 --> 00:22:19,795 BUT THAT, FORSOOTH, THE BOUNCING AMAZON, 428 00:22:19,885 --> 00:22:23,635 YOUR BUSKIN'D MISTRESS AND YOUR WARRIOR LOVE, 429 00:22:23,715 --> 00:22:25,425 TO THESEUS MUST BE WEDDED, 430 00:22:25,515 --> 00:22:26,805 AND YOU COME TO GIVE THEIR BED 431 00:22:26,885 --> 00:22:28,225 JOY AND PROSPERITY. 432 00:22:28,305 --> 00:22:30,595 HOW CANST THOU THUS FOR SHAME, TITANIA, 433 00:22:30,685 --> 00:22:32,435 GLANCE AT MY CREDIT WITH HIPPOLYTA, 434 00:22:32,515 --> 00:22:34,435 KNOWING I KNOW THY LOVE TO THESEUS? 435 00:22:34,525 --> 00:22:36,335 DIDST THOU NOT LEAD HIM THROUGH THE GLIMMERING NIGHT 436 00:22:36,355 --> 00:22:37,635 FROM PERIGENIA, WHOM HE RAVISHED? 437 00:22:37,695 --> 00:22:40,445 AND MAKE HIM WITH FAIR AEGLE BREAK HIS FAITH, 438 00:22:40,525 --> 00:22:42,275 WITH ARIADNE AND ANTIOPA? 439 00:22:42,365 --> 00:22:45,825 THESE ARE THE FORGERIES OF JEALOUSY: 440 00:22:45,905 --> 00:22:48,655 AND NEVER, SINCE THE MIDDLE SUMMER'S SPRING, 441 00:22:48,745 --> 00:22:50,875 MET WE ON HILL, IN DALE, FOREST OR MEAD, 442 00:22:50,955 --> 00:22:52,875 BY PAVED FOUNTAIN OR BY RUSHY BROOK, 443 00:22:52,955 --> 00:22:54,795 OR IN THE BEACHED MARGENT OF THE SEA, 444 00:22:54,875 --> 00:22:58,295 TO DANCE OUR RINGLETS TO THE WHISTLING WIND, 445 00:22:58,375 --> 00:22:59,675 BUT WITH THY BRAWLS 446 00:22:59,755 --> 00:23:03,135 THOU HAST DISTURB'D OUR SPORT. 447 00:23:03,675 --> 00:23:05,055 THEREFORE THE WINDS, PIPING TO US 448 00:23:05,135 --> 00:23:06,675 IN VAIN, AS IN REVENGE, 449 00:23:06,765 --> 00:23:09,845 HAVE SUCK'D UP FROM THE SEA CONTAGIOUS FOGS; 450 00:23:09,935 --> 00:23:12,475 WHICH FALLING IN THE LAND HAVE EVERY PELTING RIVER 451 00:23:12,555 --> 00:23:17,645 MADE SO PROUD THAT THEY HAVE OVERBORNE THEIR CONTINENTS: 452 00:23:17,735 --> 00:23:21,605 THE OX HATH THEREFORE STRETCH'D HIS YOKE IN VAIN, 453 00:23:21,695 --> 00:23:23,905 THE PLOUGHMAN LOST HIS SWEAT, 454 00:23:23,985 --> 00:23:25,615 AND THE GREEN CORN HATH ROTTED 455 00:23:25,695 --> 00:23:28,075 ERE HIS YOUTH ATTAIN'D A BEARD; 456 00:23:28,155 --> 00:23:31,665 THE FOLD STANDS EMPTY IN THE DROWNED FIELD, 457 00:23:31,745 --> 00:23:35,705 AND CROWS ARE FATTED WITH THE MURRION FLOCK; 458 00:23:35,785 --> 00:23:39,505 THE NINE MEN'S MORRIS IS FILL'D UP WITH MUD, 459 00:23:39,585 --> 00:23:41,755 AND THE QUAINT MAZES IN THE WANTON GREEN 460 00:23:41,835 --> 00:23:46,635 FOR LACK OF TREAD ARE UNDISTINGUISHABLE: 461 00:23:46,715 --> 00:23:50,225 THE HUMAN MORTALS WANT THEIR WINTER HERE; 462 00:23:50,305 --> 00:23:54,095 NO NIGHT IS NOW WITH HYMN OR CAROL BLEST: 463 00:23:54,185 --> 00:23:57,685 THEREFORE THE MOON, THE GOVERNESS OF FLOODS, 464 00:23:57,775 --> 00:24:01,565 PALE IN HER ANGER, WASHES ALL THE AIR, 465 00:24:01,645 --> 00:24:04,735 THAT RHEUMATIC DISEASES DO ABOUND: 466 00:24:04,815 --> 00:24:06,365 AND THOROUGH THIS DISTEMPERATURE 467 00:24:06,445 --> 00:24:11,155 WE SEE THE SEASONS ALTER: 468 00:24:11,245 --> 00:24:16,335 HOARY-HEADED FROSTS FAR IN THE FRESH LAP OF THE CRIMSON ROSE, 469 00:24:16,415 --> 00:24:20,125 AND ON OLD HIEMS' THIN AND ICY CROWN 470 00:24:20,205 --> 00:24:23,835 AN ODOROUS CHAPLET OF SWEET SUMMER BUDS 471 00:24:23,925 --> 00:24:26,715 IS, AS IN MOCKERY, SET: 472 00:24:26,795 --> 00:24:29,675 THE SPRING, THE SUMMER, 473 00:24:29,765 --> 00:24:31,765 THE CHILDING AUTUMN, ANGRY WINTER, 474 00:24:31,845 --> 00:24:34,845 CHANGE THEIR WONTED LIVERIES, 475 00:24:34,935 --> 00:24:36,975 AND THE MAZED WORLD, 476 00:24:37,055 --> 00:24:37,855 BY THEIR INCREASE, 477 00:24:37,935 --> 00:24:43,735 NOW KNOWS NOT WHICH IS WHICH: 478 00:24:43,815 --> 00:24:44,975 AND THIS SAME PROGENY OF EVILS 479 00:24:45,025 --> 00:24:47,775 COMES FROM OUR DEBATE, FROM OUR DISSENSION; 480 00:24:47,865 --> 00:24:49,365 WE ARE THEIR PARENTS AND ORIGINAL. 481 00:24:49,445 --> 00:24:52,955 DO YOU AMEND IT THEN; IT LIES IN YOU: 482 00:24:53,035 --> 00:24:55,785 WHY SHOULD TITANIA CROSS HER OBERON? 483 00:24:55,865 --> 00:24:57,745 I DO BUT BEG A LITTLE CHANGELING BOY, 484 00:24:57,835 --> 00:24:58,875 TO BE MY HENCHMAN. 485 00:24:58,955 --> 00:25:00,745 SET YOUR HEART AT REST: 486 00:25:00,835 --> 00:25:04,795 THE FAIRY LAND BUYS NOT THE CHILD OF ME. 487 00:25:05,965 --> 00:25:08,755 HIS MOTHER WAS A VOTARESS OF MY ORDER: 488 00:25:08,845 --> 00:25:11,595 AND, IN THE SPICED INDIAN AIR, BY NIGHT, 489 00:25:11,675 --> 00:25:14,385 FULL OFTEN HATH SHE GOSSIP'D BY MY SIDE, 490 00:25:14,475 --> 00:25:17,225 AND SAT WITH ME ON NEPTUNE'S YELLOW SANDS, 491 00:25:17,305 --> 00:25:20,395 MARKING THE EMBARKED TRADERS ON THE FLOOD, 492 00:25:20,475 --> 00:25:25,395 WHEN WE HAVE LAUGH'D TO SEE THE SAILS CONCEIVE 493 00:25:25,485 --> 00:25:28,235 AND GROW BIG-BELLIED WITH THE WANTON WIND; 494 00:25:28,315 --> 00:25:32,195 WHICH SHE, WITH PRETTY AND WITH SWIMMING GAIT FOLLOWING... 495 00:25:32,285 --> 00:25:34,825 HER WOMB THEN RICH WITH MY YOUNG SQUIRE... 496 00:25:34,905 --> 00:25:37,825 WOULD IMITATE, AND SAIL UPON THE LAND, 497 00:25:37,915 --> 00:25:40,665 TO FETCH ME TRIFLES, AND RETURN AGAIN, 498 00:25:40,745 --> 00:25:45,665 AS FROM A VOYAGE, RICH WITH MERCHANDISE. 499 00:25:47,085 --> 00:25:51,215 BUT SHE, BEING MORTAL, OF THAT BOY DID DIE; 500 00:25:51,305 --> 00:25:53,925 AND FOR HER SAKE DO I REAR UP HER BOY, 501 00:25:54,015 --> 00:25:56,845 AND FOR HER SAKE I WILL NOT PART WITH HIM. 502 00:25:56,935 --> 00:25:59,645 HOW LONG WITHIN THIS WOOD INTEND YOU STAY? 503 00:25:59,725 --> 00:26:04,435 PERCHANCE TILL AFTER THESEUS' WEDDING-DAY. 504 00:26:04,525 --> 00:26:06,235 IF YOU WILL PATIENTLY DANCE IN OUR ROUND 505 00:26:06,315 --> 00:26:09,445 AND SEE OUR MOONLIGHT REVELS, GO WITH US; 506 00:26:09,525 --> 00:26:11,445 IF NOT, SHUN ME, 507 00:26:11,525 --> 00:26:13,865 AND I WILL SPARE YOUR HAUNTS. 508 00:26:13,945 --> 00:26:16,995 GIVE ME THAT BOY, AND I WILL GO WITH THEE. 509 00:26:17,075 --> 00:26:18,785 NOT FOR THY FAIRY KINGDOM. 510 00:26:18,865 --> 00:26:20,875 FAIRIES, AWAY! WE SHALL CHIDE DOWNRIGHT, 511 00:26:20,955 --> 00:26:22,165 IF I LONGER STAY. 512 00:26:22,245 --> 00:26:23,875 [LAUGHTER] 513 00:26:31,345 --> 00:26:32,345 WELL, GO THY WAY: 514 00:26:32,385 --> 00:26:33,805 THOU SHALT NOT FROM THIS GROVE 515 00:26:33,885 --> 00:26:37,135 TILL I TORMENT THEE FOR THIS INJURY. 516 00:26:37,555 --> 00:26:39,385 MY GENTLE PUCK, COME HITHER. 517 00:26:39,475 --> 00:26:40,725 [PANTING] 518 00:26:40,805 --> 00:26:42,745 THOU REMEMBEREST SINCE ONCE I SAT UPON A PROMONTORY, 519 00:26:42,765 --> 00:26:45,185 AND HEARD A MERMAID ON A DOLPHIN'S BACK 520 00:26:45,275 --> 00:26:47,895 UTTERING SUCH DULCET AND HARMONIOUS BREATH 521 00:26:47,985 --> 00:26:51,065 THAT THE RUDE SEA GREW CIVIL AT HER SONG 522 00:26:51,155 --> 00:26:51,945 AND CERTAIN STARS 523 00:26:52,025 --> 00:26:53,945 SHOT MADLY FROM THEIR SPHERES, 524 00:26:54,025 --> 00:26:56,035 TO HEAR THE SEA-MAID'S MUSIC. 525 00:26:56,115 --> 00:26:56,825 I REMEMBER. 526 00:26:56,905 --> 00:26:58,205 THAT VERY TIME I SAW, 527 00:26:58,285 --> 00:26:59,955 BUT THOU COULDST NOT, 528 00:27:00,035 --> 00:27:03,205 FLYING BETWEEN THE COLD MOON AND THE EARTH, 529 00:27:03,285 --> 00:27:04,835 CUPID ALL ARM'D: 530 00:27:04,915 --> 00:27:09,085 A CERTAIN AIM HE TOOK AT A FAIR VESTAL THRONED BY THE WEST, 531 00:27:09,165 --> 00:27:11,925 AND LOOSED HIS LOVE-SHAFT SMARTLY FROM HIS BOW, 532 00:27:12,005 --> 00:27:16,305 AS IT SHOULD PIERCE 100,000 HEARTS; 533 00:27:16,385 --> 00:27:18,975 BUT I MIGHT SEE YOUNG CUPID'S FIERY SHAFT 534 00:27:19,055 --> 00:27:22,895 QUENCH'D IN THE CHASTE BEAMS OF THE WATERY MOON, 535 00:27:22,975 --> 00:27:25,315 AND THE IMPERIAL VOTARESS PASSED ON, 536 00:27:25,395 --> 00:27:29,565 IN MAIDEN MEDITATION, FANCY-FREE. 537 00:27:30,025 --> 00:27:32,105 YET MARK'D I WHERE THE BOLT OF CUPID FELL: 538 00:27:32,195 --> 00:27:34,945 IT FELL UPON A LITTLE WESTERN FLOWER, 539 00:27:35,025 --> 00:27:36,025 BEFORE MILK-WHITE, 540 00:27:36,075 --> 00:27:37,995 NOW PURPLE WITH LOVE'S WOUND, 541 00:27:38,075 --> 00:27:41,325 AND MAIDENS CALL IT LOVE-IN-IDLENESS. 542 00:27:41,415 --> 00:27:43,915 FETCH ME THAT FLOWER; THE HERB I SHEW'D THEE ONCE: 543 00:27:43,995 --> 00:27:45,995 THE JUICE OF IT ON SLEEPING EYE-LIDS LAID 544 00:27:46,085 --> 00:27:48,875 WILL MAKE OR MAN OR WOMAN MADLY DOTE UPON 545 00:27:48,955 --> 00:27:50,315 THE NEXT LIVE CREATURE THAT IT SEES. 546 00:27:50,335 --> 00:27:52,335 FETCH ME THIS HERB; AND BE THOU HERE AGAIN 547 00:27:52,425 --> 00:27:53,815 ERE THE LEVIATHAN CAN SWIM A LEAGUE. 548 00:27:53,835 --> 00:27:57,175 I'll PUT A GIRDLE ROUND ABOUT THE EARTH IN 40 MINUTES. 549 00:27:57,255 --> 00:28:00,555 HAVING ONCE THIS JUICE, I'll WATCH TITANIA WHEN SHE IS ASLEEP, 550 00:28:00,635 --> 00:28:02,935 AND DROP THE LIQUOR OF IT IN HER EYES. 551 00:28:03,015 --> 00:28:05,145 THE NEXT THING THEN SHE WAKING LOOKS UPON, 552 00:28:05,225 --> 00:28:06,815 BE IT ON LION, BEAR, OR WOLF, 553 00:28:06,895 --> 00:28:09,565 OR BULL, ON MEDDLING MONKEY, OR ON BUSY APE, 554 00:28:09,645 --> 00:28:13,155 SHE SHALL PURSUE IT WITH THE SOUL OF LOVE: 555 00:28:13,235 --> 00:28:15,775 AND ERE I TAKE THIS CHARM FROM OFF HER SIGHT, 556 00:28:15,865 --> 00:28:18,115 AS I CAN TAKE IT WITH ANOTHER HERB, 557 00:28:18,195 --> 00:28:20,945 I'll MAKE HER RENDER UP HER PAGE TO ME. 558 00:28:21,035 --> 00:28:22,155 [TWEETING] 559 00:28:22,245 --> 00:28:23,495 BUT WHO COMES HERE? 560 00:28:23,575 --> 00:28:26,165 I AM INVISIBLE; AND I WILL OVERHEAR THEIR CONFERENCE. 561 00:28:26,245 --> 00:28:28,835 I LOVE THEE NOT, THEREFORE PURSUE ME NOT. 562 00:28:28,915 --> 00:28:31,165 WHERE IS LYSANDER AND FAIR HERMIA? 563 00:28:31,255 --> 00:28:33,715 THE ONE I'll SLAY, THE OTHER SLAYETH ME. 564 00:28:33,795 --> 00:28:36,175 THOU TOLD'ST ME THEY WERE STOLEN UNTO THIS WOOD; 565 00:28:36,255 --> 00:28:38,805 AND HERE AM I, AND WODE WITHIN THIS WOOD, 566 00:28:38,885 --> 00:28:41,055 BECAUSE I CANNOT MEET MY HERMIA. 567 00:28:41,135 --> 00:28:43,845 HENCE, GET THEE GONE, AND FOLLOW ME NO MORE. 568 00:28:43,935 --> 00:28:46,145 I AM YOUR SPANIEL; 569 00:28:46,225 --> 00:28:48,015 AND, DEMETRIUS, THE MORE YOU BEAT ME, 570 00:28:48,105 --> 00:28:48,975 I WILL FAWN ON YOU: 571 00:28:49,065 --> 00:28:51,025 USE ME BUT AS YOUR SPANIEL, 572 00:28:51,105 --> 00:28:53,815 SPURN ME, STRIKE ME, NEGLECT ME, LOSE ME; 573 00:28:53,895 --> 00:28:56,985 ONLY GIVE ME LEAVE, UNWORTHY AS I AM, 574 00:28:57,065 --> 00:28:58,155 TO FOLLOW YOU. 575 00:28:58,235 --> 00:29:00,535 WHAT WORSER PLACE CAN I BEG IN YOUR LOVE... 576 00:29:00,615 --> 00:29:02,535 AND YET A PLACE OF HIGH RESPECT WITH ME... 577 00:29:02,615 --> 00:29:05,615 THAN TO BE USED AS YOU USE YOUR DOG? 578 00:29:05,705 --> 00:29:07,875 TEMPT NOT TOO MUCH THE HATRED OF MY SPIRIT; 579 00:29:07,955 --> 00:29:10,875 FOR I AM SICK WHEN I DO LOOK ON THEE. 580 00:29:10,955 --> 00:29:14,125 AND I AM SICK WHEN I LOOK NOT ON YOU. 581 00:29:15,625 --> 00:29:18,635 YOU DO IMPEACH YOUR MODESTY TOO MUCH, 582 00:29:18,715 --> 00:29:21,215 TO LEAVE THE CITY AND COMMIT YOURSELF 583 00:29:21,305 --> 00:29:24,265 INTO THE HANDS OF ONE THAT LOVES YOU NOT; 584 00:29:24,345 --> 00:29:26,645 TO TRUST THE OPPORTUNITY OF NIGHT 585 00:29:26,725 --> 00:29:28,895 AND THE ILL COUNSEL OF A DESERT PLACE 586 00:29:28,975 --> 00:29:33,525 WITH THE RICH WORTH OF YOUR VIRGINITY. 587 00:29:35,945 --> 00:29:37,105 YOUR VIRTUE IS MY PRIVILEGE: 588 00:29:37,195 --> 00:29:42,865 FOR THAT IT IS NOT NIGHT WHEN I DO SEE YOUR FACE, 589 00:29:42,945 --> 00:29:45,365 THEREFORE I THINK I AM NOT IN THE NIGHT; 590 00:29:45,455 --> 00:29:48,075 NOR DOTH THIS WOOD LACK WORLDS OF COMPANY, 591 00:29:48,165 --> 00:29:51,795 FOR YOU IN MY RESPECT ARE ALL THE WORLD: 592 00:29:51,875 --> 00:29:54,875 THEN HOW CAN IT BE SAID I AM ALONE, 593 00:29:54,965 --> 00:29:58,135 WHEN ALL THE WORLD IS HERE TO LOOK ON ME? 594 00:29:59,175 --> 00:30:00,855 I'll RUN FROM THEE AND HIDE ME IN THE BRAKES, 595 00:30:00,885 --> 00:30:03,215 AND LEAVE THEE TO THE MERCY OF WILD BEASTS. 596 00:30:03,305 --> 00:30:07,095 THE WILDEST HATH NOT SUCH A HEART AS YOU. 597 00:30:10,805 --> 00:30:11,895 Demetrius: OH, I WILL NOT 598 00:30:11,975 --> 00:30:15,105 STAY THY QUESTIONS; LET ME GO: 599 00:30:15,185 --> 00:30:16,545 OR, IF THOU FOLLOW ME, DO NOT BELIEVE 600 00:30:16,565 --> 00:30:18,275 BUT I SHALL DO THEE MISCHIEF IN THE WOOD. 601 00:30:18,355 --> 00:30:19,695 AY, IN THE TEMPLE, IN THE TOWN, 602 00:30:19,775 --> 00:30:22,525 THE FIELD, YOU DO ME MISCHIEF. 603 00:30:24,325 --> 00:30:26,115 FIE, DEMETRIUS! 604 00:30:26,195 --> 00:30:29,915 YOUR WRONGS DO SET A SCANDAL ON MY SEX: 605 00:30:29,995 --> 00:30:33,705 WE CANNOT FIGHT FOR LOVE, AS MEN MAY DO; 606 00:30:33,795 --> 00:30:39,045 WE SHOULD BE WOOD AND WERE NOT MADE TO WOO. 607 00:30:44,005 --> 00:30:45,515 I'll FOLLOW THEE 608 00:30:45,595 --> 00:30:47,925 AND MAKE A HEAVEN OF HELL, 609 00:30:48,015 --> 00:30:51,975 TO DIE UPON THE HAND I LOVE SO WELL. 610 00:30:52,515 --> 00:30:56,185 FARE THEE WELL, NYMPH: 611 00:30:56,275 --> 00:30:57,525 ERE HE DO LEAVE THIS GROVE, 612 00:30:57,605 --> 00:31:01,315 THOU SHALT FLY HIM AND HE SHALL SEEK THY LOVE. 613 00:31:01,405 --> 00:31:04,525 WELCOME, WANDERER. HAST THOU THE FLOWER THERE? 614 00:31:04,615 --> 00:31:06,655 AY, THERE IT IS. 615 00:31:06,745 --> 00:31:08,825 I PRAY THEE, GIVE IT ME. 616 00:31:11,375 --> 00:31:14,455 I KNOW A BANK WHERE THE WILD THYME BLOWS, 617 00:31:14,535 --> 00:31:17,585 WHERE OXLIPS AND THE NODDING VIOLET GROWS, 618 00:31:17,665 --> 00:31:21,465 QUITE OVER-CANOPIED WITH LUSCIOUS WOODBINE, 619 00:31:21,545 --> 00:31:26,425 WITH SWEET MUSK-ROSES AND WITH EGLANTINE: 620 00:31:27,175 --> 00:31:30,095 THERE SLEEPS TITANIA SOMETIME OF THE NIGHT, 621 00:31:30,185 --> 00:31:33,605 LULL'D IN THESE FLOWERS WITH DANCES AND DELIGHT; 622 00:31:33,685 --> 00:31:37,895 AND THERE THE SNAKE THROWS HER ENAMELL'D SKIN, 623 00:31:37,975 --> 00:31:42,235 WEED WIDE ENOUGH TO WRAP A FAIRY IN: 624 00:31:43,195 --> 00:31:46,275 AND WITH THE JUICE OF THIS I'll STREAK HER EYES, 625 00:31:46,365 --> 00:31:50,155 AND MAKE HER FULL OF HATEFUL FANTASIES. 626 00:31:50,245 --> 00:31:52,325 TAKE THOU SOME OF IT, AND SEEK THROUGH THIS GROVE: 627 00:31:52,415 --> 00:31:56,245 A SWEET ATHENIAN LADY IS IN LOVE WITH A DISDAINFUL YOUTH: 628 00:31:56,335 --> 00:31:57,835 ANOINT HIS EYES; BUT DO IT WHEN 629 00:31:57,915 --> 00:32:00,335 THE NEXT THING HE ESPIES MAY BE THE LADY: 630 00:32:00,415 --> 00:32:01,335 THOU SHALT KNOW THE MAN 631 00:32:01,425 --> 00:32:03,425 BY THE ATHENIAN GARMENTS HE HATH ON. 632 00:32:03,505 --> 00:32:04,845 EFFECT IT WITH SOME CARE, 633 00:32:04,925 --> 00:32:07,055 THAT HE MAY PROVE MORE FOND ON HER 634 00:32:07,135 --> 00:32:08,265 THAN SHE UPON HER LOVE: 635 00:32:08,345 --> 00:32:10,595 AND LOOK THOU MEET ME ERE THE FIRST COCK CROW. 636 00:32:10,675 --> 00:32:14,265 FEAR NOT, MY LORD, YOUR SERVANT SHALL DO SO. 637 00:32:19,225 --> 00:32:21,395 COME, NOW A ROUNDEL AND A FAIRY SONG; 638 00:32:21,485 --> 00:32:24,155 THEN, FOR THE THIRD PART OF A MINUTE, HENCE; 639 00:32:24,235 --> 00:32:26,825 SOME TO KILL CANKERS IN THE MUSK-ROSE BUDS, 640 00:32:26,905 --> 00:32:29,235 SOME WAR WITH RERE-MICE FOR THEIR LEATHERN WINGS, 641 00:32:29,325 --> 00:32:32,365 TO MAKE MY SMALL ELVES COATS, 642 00:32:32,455 --> 00:32:34,245 AND SOME KEEP BACK THE CLAMOROUS OWL 643 00:32:34,325 --> 00:32:40,295 THAT NIGHTLY HOOTS AND WONDERS AT OUR QUAINT SPIRITS. 644 00:32:40,375 --> 00:32:42,625 SING ME NOW ASLEEP; 645 00:32:42,715 --> 00:32:47,425 THEN TO YOUR OFFICES AND LET ME REST. 646 00:32:47,505 --> 00:32:50,385 [PLAYING UPBEAT TUNE] 647 00:32:50,465 --> 00:32:52,845 ♪ YOU SPOTTED SNAKES WITH DOUBLE TONGUE ♪ 648 00:32:52,925 --> 00:32:54,555 ♪ THORNY HEDGEHOGS, BE NOT SEEN; ♪ 649 00:32:54,635 --> 00:32:56,895 ♪ NEWTS AND BLIND-WORMS, DO NO WRONG ♪ 650 00:32:56,975 --> 00:33:01,225 ♪ COME NOT NEAR OUR FAIRY QUEEN ♪ 651 00:33:01,315 --> 00:33:05,655 ♪ PHILOMEL, WITH MELODY ♪ 652 00:33:05,735 --> 00:33:09,445 ♪ SING IN OUR SWEET LULLABY; ♪ 653 00:33:09,525 --> 00:33:16,535 ♪ LULLA, LULLA, LULLABY, LULLA, LULLA, LULLABY: ♪ 654 00:33:18,285 --> 00:33:23,125 ♪ NEVER HARM, NOR SPELL NOR CHARM ♪ 655 00:33:23,215 --> 00:33:29,255 ♪ COME OUR LOVELY LADY NIGH; ♪ 656 00:33:29,345 --> 00:33:36,345 ♪ SO, GOOD NIGHT, GOOD NIGHT, GOOD NIGHT WITH LULLABY ♪ 657 00:33:37,895 --> 00:33:44,895 ♪ LULLA, LULLA, LULLABY ♪ 658 00:33:46,485 --> 00:33:48,485 ♪ WEAVING SPIDERS, COME NOT HERE; ♪ 659 00:33:48,565 --> 00:33:50,485 ♪ HENCE, YOU LONG-LEGG'D SPINNERS, HENCE! ♪ 660 00:33:50,575 --> 00:33:53,115 ♪ BEETLES BLACK, APPROACH NOT NEAR; ♪ 661 00:33:53,195 --> 00:33:57,415 ♪ WORM NOR SNAIL, DO NO OFFENCE ♪ 662 00:33:57,495 --> 00:34:01,495 ♪ PHILOMEL, WITH MELODY ♪ 663 00:34:01,585 --> 00:34:05,505 ♪ SING IN OUR SWEET LULLABY; ♪ 664 00:34:05,585 --> 00:34:12,595 ♪ LULLA, LULLA, LULLABY, LULLA, LULLA, LULLABY: ♪ 665 00:34:14,595 --> 00:34:19,645 ♪ NEVER HARM, NOR SPELL NOR CHARM ♪ 666 00:34:19,725 --> 00:34:26,145 ♪ COME OUR LOVELY LADY NIGH; ♪ 667 00:34:26,235 --> 00:34:33,235 ♪ SO, GOOD NIGHT, GOOD NIGHT, GOOD NIGHT WITH LULLABY ♪ 668 00:34:34,735 --> 00:34:41,745 ♪ LULLA, LULLA, LULLABY ♪ 669 00:34:45,085 --> 00:34:47,215 HENCE, AWAY! NOW ALL IS WELL: 670 00:34:47,295 --> 00:34:50,045 ONE ALOOF STAND SENTINEL. 671 00:35:10,275 --> 00:35:12,905 WHAT THOU SEEST WHEN THOU DOST WAKE, 672 00:35:12,985 --> 00:35:14,985 DO IT FOR THY TRUE-LOVE TAKE, 673 00:35:15,075 --> 00:35:17,405 LOVE AND LANGUISH FOR HIS SAKE: 674 00:35:17,495 --> 00:35:19,785 BE IT OUNCE, OR CAT, OR BEAR, 675 00:35:19,865 --> 00:35:22,325 PARD, OR BOAR WITH BRISTLED HAIR, 676 00:35:22,415 --> 00:35:24,585 IN THY EYE THAT SHALL APPEAR 677 00:35:24,665 --> 00:35:28,205 WHEN THOU WAKEST, IT IS THY DEAR: 678 00:35:28,295 --> 00:35:32,465 WAKE WHEN SOME VILE THING IS NEAR. 679 00:35:40,305 --> 00:35:42,935 FAIR LOVE, YOU FAINT WITH WANDERING IN THE WOOD; 680 00:35:43,015 --> 00:35:45,475 AND TO SPEAK TROTH, I HAVE FORGOT OUR WAY: 681 00:35:45,565 --> 00:35:47,395 WE'LL REST US, HERMIA, IF YOU THINK IT GOOD, 682 00:35:47,475 --> 00:35:49,735 AND TARRY FOR THE COMFORT OF THE DAY. 683 00:35:49,815 --> 00:35:52,855 BE IT SO, LYSANDER: FIND YOU OUT A BED; 684 00:35:52,945 --> 00:35:56,485 FOR I UPON THIS BANK WILL REST MY HEAD. 685 00:36:00,705 --> 00:36:03,245 ONE TURF SHALL SERVE AS PILLOW FOR US BOTH; 686 00:36:03,325 --> 00:36:07,835 ONE HEART, ONE BED, TWO BOSOMS AND ONE TROTH. 687 00:36:07,915 --> 00:36:10,255 NAY, GOOD LYSANDER; FOR MY SAKE, MY DEAR, 688 00:36:10,335 --> 00:36:12,505 LIE FURTHER OFF YET, DO NOT LIE SO NEAR. 689 00:36:12,585 --> 00:36:15,465 ♪ , TAKE THE SENSE, SWEET, OF MY INNOCENCE! ♪ 690 00:36:15,545 --> 00:36:17,965 LOVE TAKES THE MEANING IN LOVE'S CONFERENCE. 691 00:36:18,055 --> 00:36:19,675 I MEAN, THAT MY HEART UNTO YOURS IS KNIT 692 00:36:19,765 --> 00:36:22,475 SO THAT BUT ONE HEART WE CAN MAKE OF IT; 693 00:36:22,555 --> 00:36:24,265 TWO BOSOMS INTERCHAINED WITH AN OATH; 694 00:36:24,345 --> 00:36:26,435 SO THEN TWO BOSOMS AND A SINGLE TROTH. 695 00:36:26,515 --> 00:36:29,065 THEN BY YOUR SIDE NO BED-ROOM ME DENY; 696 00:36:29,145 --> 00:36:32,275 FOR LYING SO, HERMIA, I DO NOT LIE. 697 00:36:32,355 --> 00:36:34,485 LYSANDER RIDDLES VERY PRETTILY: 698 00:36:34,565 --> 00:36:37,075 NOW MUCH BESHREW MY MANNERS AND MY PRIDE, 699 00:36:37,155 --> 00:36:40,655 IF HERMIA MEANT TO SAY LYSANDER LIED. 700 00:36:40,745 --> 00:36:43,115 BUT, GENTLE FRIEND, FOR LOVE AND COURTESY 701 00:36:43,205 --> 00:36:46,665 LIE FURTHER OFF; IN HUMAN MODESTY, 702 00:36:46,745 --> 00:36:48,455 SUCH SEPARATION AS MAY WELL BE SAID 703 00:36:48,545 --> 00:36:51,455 BECOMES A VIRTUOUS BACHELOR AND A MAID, 704 00:36:51,545 --> 00:36:55,885 SO FAR BE DISTANT; AND, GOOD NIGHT, SWEET FRIEND: 705 00:36:55,965 --> 00:37:00,845 THY LOVE NE'ER ALTER TILL THY SWEET LIFE END! 706 00:37:01,885 --> 00:37:07,015 AMEN, AMEN, TO THAT FAIR PRAYER, SAY I; 707 00:37:07,105 --> 00:37:10,395 AND SO END LIFE WHEN I END LOYALTY! 708 00:37:12,735 --> 00:37:14,565 HERE IS MY BED: 709 00:37:18,525 --> 00:37:20,155 SLEEP GIVE THEE ALL HIS REST! 710 00:37:20,235 --> 00:37:24,995 WITH HALF THAT WISH THE WISHER'S EYES BE PRESS'D! 711 00:37:35,335 --> 00:37:37,045 THROUGH THE FOREST HAVE I GONE. 712 00:37:37,135 --> 00:37:38,545 BUT ATHENIAN FOUND I NONE, 713 00:37:38,635 --> 00:37:40,175 ON WHOSE EYES I MIGHT APPROVE 714 00:37:40,255 --> 00:37:44,765 THIS FLOWER'S FORCE IN STIRRING LOVE. 715 00:37:47,145 --> 00:37:50,395 NIGHT AND SILENCE. 716 00:37:52,855 --> 00:37:54,185 WHO IS HERE? 717 00:37:54,275 --> 00:37:58,405 WEEDS OF ATHENS HE DOTH WEAR: 718 00:37:58,485 --> 00:37:59,945 THIS IS HE, MY MASTER SAID, 719 00:38:00,025 --> 00:38:01,985 DESPISED THE ATHENIAN MAID; 720 00:38:02,075 --> 00:38:04,945 AND HERE THE MAIDEN, SLEEPING SOUND, 721 00:38:05,035 --> 00:38:08,665 ON THE DANK AND DIRTY GROUND. 722 00:38:08,745 --> 00:38:09,745 PRETTY SOUL! 723 00:38:09,825 --> 00:38:12,545 SHE DURST NOT LIE NEAR THIS LACK-LOVE, 724 00:38:12,625 --> 00:38:15,375 THIS KILL-COURTESY. 725 00:38:15,465 --> 00:38:18,505 CHURL, UPON THY EYES I THROW 726 00:38:18,585 --> 00:38:21,715 ALL THE POWER THIS CHARM DOTH OWE. 727 00:38:21,805 --> 00:38:23,385 WHEN THOU WAKEST, LET LOVE FORBID 728 00:38:23,465 --> 00:38:25,675 SLEEP HIS SEAT ON THY EYELID: 729 00:38:25,765 --> 00:38:28,185 SO AWAKE WHEN I AM GONE; 730 00:38:28,265 --> 00:38:30,645 FOR I MUST NOW TO OBERON. 731 00:38:33,065 --> 00:38:36,395 [BREATHING HEAVILY] 732 00:38:36,485 --> 00:38:39,405 STAY, THOUGH THOU KILL ME, SWEET DEMETRIUS. 733 00:38:39,485 --> 00:38:42,405 I CHARGE THEE, HENCE, AND DO NOT HAUNT ME THUS. 734 00:38:42,485 --> 00:38:44,825 O WILT THOU DARKLING LEAVE ME? DO NOT SO. 735 00:38:44,905 --> 00:38:47,865 STAY, ON THY PERIL: I ALONE WILL GO. 736 00:38:48,865 --> 00:38:52,585 O, I AM OUT OF BREATH IN THIS FOND CHASE! 737 00:38:52,665 --> 00:38:56,125 THE MORE MY PRAYER, THE LESSER IS MY GRACE. 738 00:38:56,205 --> 00:38:59,795 HAPPY IS HERMIA, WHERESOE'ER SHE LIES; 739 00:38:59,875 --> 00:39:03,595 FOR SHE HATH BLESSED AND ATTRACTIVE EYES. 740 00:39:04,675 --> 00:39:09,225 HOW CAME HER EYES SO BRIGHT? 741 00:39:09,305 --> 00:39:10,845 NOT WITH SALT TEARS: IF SO, MY EYES 742 00:39:10,935 --> 00:39:13,645 ARE OFTENER WASH'D THAN HERS. [SNIFFLES] 743 00:39:13,725 --> 00:39:18,025 NO, NO, I AM AS UGLY AS A BEAR; 744 00:39:18,105 --> 00:39:20,025 FOR BEASTS THAT MEET ME RUN AWAY FOR FEAR: 745 00:39:20,105 --> 00:39:22,025 THEREFORE NO MARVEL THOUGH DEMETRIUS DO, 746 00:39:22,115 --> 00:39:25,485 AS A MONSTER FLY MY PRESENCE THUS. 747 00:39:25,905 --> 00:39:28,285 [GASP] BUT WHO IS HERE? 748 00:39:28,745 --> 00:39:30,705 LYSANDER! 749 00:39:32,875 --> 00:39:34,785 ON THE GROUND! 750 00:39:34,875 --> 00:39:35,955 DEAD? OR ASLEEP? 751 00:39:36,045 --> 00:39:37,875 I SEE NO BLOOD, NO WOUND. 752 00:39:37,955 --> 00:39:41,465 LYSANDER IF YOU LIVE, GOOD SIR, AWAKE. 753 00:39:41,545 --> 00:39:45,805 AND RUN THROUGH FIRE I WILL FOR THY SWEET SAKE. 754 00:39:46,715 --> 00:39:48,595 TRANSPARENT HELENA! 755 00:39:48,675 --> 00:39:49,805 NATURE SHOWS ART, 756 00:39:49,885 --> 00:39:52,975 THAT THROUGH THY BOSOM MAKES ME SEE THY HEART. 757 00:39:53,055 --> 00:39:54,765 WHERE IS DEMETRIUS? 758 00:39:54,855 --> 00:39:56,855 O, HOW FIT A WORD IS THAT VILE NAME 759 00:39:56,935 --> 00:39:58,185 TO PERISH ON MY SWORD! 760 00:39:58,275 --> 00:40:00,775 DO NOT SAY SO, LYSANDER; SAY NOT SO 761 00:40:00,855 --> 00:40:03,485 WHAT THOUGH HE LOVE YOUR HERMIA? LORD, WHAT THOUGH? 762 00:40:03,565 --> 00:40:06,985 YET HERMIA STILL LOVES YOU: THEN BE CONTENT. 763 00:40:07,075 --> 00:40:08,075 CONTENT WITH HERMIA! 764 00:40:08,155 --> 00:40:10,285 NO; I DO REPENT THE TEDIOUS MINUTES 765 00:40:10,365 --> 00:40:11,785 I WITH HER HAVE SPENT. 766 00:40:11,865 --> 00:40:14,285 NOT HERMIA BUT HELENA I LOVE: 767 00:40:14,375 --> 00:40:17,705 WHO WILL NOT CHANGE A RAVEN FOR A DOVE? 768 00:40:19,755 --> 00:40:24,005 WHEREFORE WAS I TO THIS KEEN MOCKERY BORN? 769 00:40:24,085 --> 00:40:27,755 WHEN AT YOUR HANDS DID I DESERVE THIS SCORN? 770 00:40:27,845 --> 00:40:29,215 GOOD TROTH, YOU DO ME WRONG, 771 00:40:29,305 --> 00:40:32,725 GOOD SOOTH, YOU DO, IN SUCH DISDAINFUL MANNER ME TO WOO. 772 00:40:32,805 --> 00:40:35,015 BUT FARE YOU WELL.: 773 00:40:35,095 --> 00:40:36,185 PERFORCE I MUST CONFESS 774 00:40:36,265 --> 00:40:39,775 I THOUGHT YOU LORD OF MORE TRUE GENTLENESS. 775 00:40:40,435 --> 00:40:43,355 O, THAT A LADY, OF ONE MAN REFUSED. 776 00:40:43,445 --> 00:40:47,275 SHOULD OF ANOTHER THEREFORE BE ABUSED! 777 00:40:50,035 --> 00:40:53,575 SHE SEES NOT HERMIA. HERMIA, SLEEP THOU THERE: 778 00:40:53,665 --> 00:40:56,325 AND NEVER MAYST THOU COME LYSANDER NEAR! 779 00:40:56,415 --> 00:40:58,165 FOR AS A SURFEIT OF THE SWEETEST THINGS 780 00:40:58,245 --> 00:41:00,705 THE DEEPEST LOATHING TO THE STOMACH BRINGS, 781 00:41:00,795 --> 00:41:02,545 OR AS THE HERESIES THAT MEN DO LEAVE 782 00:41:02,625 --> 00:41:04,755 ARE HATED MOST OF THOSE THEY DID DECEIVE, 783 00:41:04,835 --> 00:41:07,795 SO THOU, MY SURFEIT AND MY HERESY, 784 00:41:07,885 --> 00:41:12,345 OF ALL BE HATED, BUT THE MOST OF ME! 785 00:41:12,425 --> 00:41:15,935 AND, ALL MY POWERS, ADDRESS YOUR LOVE AND MIGHT 786 00:41:16,015 --> 00:41:20,895 TO HONOR HELEN AND TO BE HER KNIGHT! 787 00:41:26,155 --> 00:41:27,565 HELP ME, LYSANDER, HELP ME! 788 00:41:27,655 --> 00:41:32,405 DO THY BEST TO PLUCK THIS CRAWLING SERPENT FROM MY BREAST! 789 00:41:35,495 --> 00:41:38,665 AY ME, FOR PITY! WHAT A DREAM WAS HERE! 790 00:41:39,085 --> 00:41:44,215 LYSANDER, LOOK HOW I DO QUAKE WITH FEAR: 791 00:41:44,295 --> 00:41:47,585 METHOUGHT A SERPENT EAT MY HEART AWAY, 792 00:41:47,675 --> 00:41:51,385 AND YOU SAT SMILING AT HIS CRUEL PRAY. 793 00:41:51,465 --> 00:41:53,265 LYSANDER! 794 00:41:57,095 --> 00:41:58,805 WHAT, REMOVED? 795 00:42:00,265 --> 00:42:02,815 LYSANDER! LORD! 796 00:42:02,895 --> 00:42:04,645 WHAT, OUT OF HEARING? 797 00:42:05,065 --> 00:42:07,655 GONE? NO SOUND, NO WORD? 798 00:42:08,695 --> 00:42:10,865 ALACK, WHERE ARE YOU? 799 00:42:10,945 --> 00:42:13,865 SPEAK, AN IF YOU HEAR; 800 00:42:14,495 --> 00:42:18,745 SPEAK, OF ALL LOVES! I SWOON ALMOST WITH FEAR. 801 00:42:21,085 --> 00:42:22,585 NO? 802 00:42:23,915 --> 00:42:27,045 THEN I WELL PERCEIVE YOU ALL NOT NIGH 803 00:42:27,835 --> 00:42:32,095 EITHER DEATH OR YOU I'll FIND IMMEDIATELY. 804 00:42:40,935 --> 00:42:42,225 ARE WE ALL MET? 805 00:42:42,315 --> 00:42:43,645 PAT, PAT; AND HERE'S 806 00:42:43,725 --> 00:42:45,565 A MARVELOUS CONVENIENT PLACE 807 00:42:45,645 --> 00:42:46,815 FOR OUR REHEARSAL. 808 00:42:46,895 --> 00:42:49,815 THIS GREEN PLOT SHALL BE OUR STAGE, 809 00:42:49,905 --> 00:42:52,945 THIS HAWTHORN-BRAKE OUR TIRING-HOUSE; 810 00:42:53,025 --> 00:42:54,445 AND WE WILL DO IT IN ACTION 811 00:42:54,535 --> 00:42:56,365 AS WE WILL DO IT BEFORE THE DUKE. 812 00:42:56,445 --> 00:42:57,705 PETER QUINCE... 813 00:42:57,785 --> 00:42:59,075 WHAT SAYEST THOU, BULLY BOTTOM? 814 00:42:59,165 --> 00:43:02,995 THERE ARE THINGS IN THIS COMEDY OF PYRAMUS AND THISBY 815 00:43:03,085 --> 00:43:04,875 THAT WILL NEVER PLEASE. 816 00:43:04,955 --> 00:43:07,915 FIRST, PYRAMUS MUST DRAW A SWORD TO KILL HIMSELF; 817 00:43:08,005 --> 00:43:10,965 WHICH THE LADIES CANNOT ABIDE. 818 00:43:11,045 --> 00:43:12,885 HOW ANSWER YOU THAT? 819 00:43:13,885 --> 00:43:17,225 BY'R LAKIN, A PARLOUS FEAR. 820 00:43:20,685 --> 00:43:23,305 I BELIEVE WE MUST LEAVE THE KILLING OUT, 821 00:43:23,395 --> 00:43:24,475 WHEN ALL IS DONE. 822 00:43:24,565 --> 00:43:26,275 NOT A WHIT: 823 00:43:26,355 --> 00:43:28,855 I HAVE A DEVICE TO MAKE ALL WELL. 824 00:43:28,945 --> 00:43:32,865 WRITE ME A PROLOGUE; AND LET THE PROLOGUE SEEM TO SAY, 825 00:43:32,945 --> 00:43:34,825 WE WILL DO NO HARM WITH OUR SWORDS, 826 00:43:34,905 --> 00:43:36,905 AND THAT PYRAMUS IS NOT KILLED INDEED:; 827 00:43:36,985 --> 00:43:38,825 AND, FOR THE MORE BETTER ASSURANCE, 828 00:43:38,905 --> 00:43:40,075 TELL THEM THAT I, PYRAMUS, 829 00:43:40,155 --> 00:43:42,875 AM NOT PYRAMUS, BUT BOTTOM THE WEAVER: 830 00:43:42,955 --> 00:43:45,165 THIS WILL PUT THEM OUT OF FEAR. 831 00:43:45,495 --> 00:43:47,045 WELL, WE WILL HAVE SUCH A PROLOGUE; 832 00:43:47,125 --> 00:43:48,475 AND IT SHALL BE WRITTEN IN 8 AND 6. 833 00:43:48,505 --> 00:43:51,755 NO, MAKE IT TWO MORE; LET IT BE WRITTEN IN 8 AND 8. 834 00:43:52,965 --> 00:43:59,765 WILL NOT THE LADIES BE AFEARD OF THE LION? 835 00:44:02,595 --> 00:44:04,555 I FEAR IT, I PROMISE YOU. 836 00:44:04,645 --> 00:44:07,435 MASTERS, YOU OUGHT TO CONSIDER WITH YOURSELVES: 837 00:44:07,525 --> 00:44:09,735 TO BRING IN... GOD SHIELD US! 838 00:44:09,815 --> 00:44:13,525 A LION AMONG LADIES, IS A MOST DREADFUL THING; 839 00:44:13,605 --> 00:44:16,155 FOR THERE IS NOT A MORE FEARFUL WILD-FOWL 840 00:44:16,235 --> 00:44:18,115 THAN YOUR LION LIVING; 841 00:44:18,195 --> 00:44:20,195 AND WE OUGHT TO LOOK TO 'T. 842 00:44:21,995 --> 00:44:29,005 THEREFORE ANOTHER PROLOGUE MUST TELL HE IS NOT A LION. 843 00:44:30,455 --> 00:44:33,925 NAY, YOU MUST NAME HIS NAME, 844 00:44:34,005 --> 00:44:38,675 AND HALF HIS FACE MUST BE SEEN THROUGH THE LION'S NECK: 845 00:44:38,755 --> 00:44:39,985 AND HE HIMSELF MUST SPEAK THROUGH, 846 00:44:40,015 --> 00:44:41,675 SAYING THUS, OR TO THE SAME DEFECT... 847 00:44:41,765 --> 00:44:45,265 "LADIES'... OR 'FAIR-LADIES... I WOULD WISH YOU, ; 848 00:44:45,345 --> 00:44:46,555 ...OR 'I WOULD REQUEST YOU, ' 849 00:44:46,645 --> 00:44:47,765 ...OR 'I WOULD ENTREAT YOU... 850 00:44:47,855 --> 00:44:51,145 NOT TO FEAR, NOT TO TREMBLE: MY LIFE FOR YOURS. 851 00:44:51,235 --> 00:44:54,565 IF YOU THINK I COME HITHER AS A LION, 852 00:44:54,655 --> 00:44:56,365 IT WERE PITY OF MY LIFE: 853 00:44:56,445 --> 00:44:57,945 NO, I AM NO SUCH THING; 854 00:44:58,025 --> 00:44:59,405 I AM A MAN AS OTHER MEN ARE; ♪ 855 00:44:59,485 --> 00:45:00,845 AND THERE INDEED LET HIM NAME HIS NAME, 856 00:45:00,865 --> 00:45:02,905 AND TELL THEM PLAINLY HE IS SNUG THE JOINER. 857 00:45:02,995 --> 00:45:04,995 WELL IT SHALL BE SO. 858 00:45:05,665 --> 00:45:08,085 BUT THERE IS TWO HARD THINGS; 859 00:45:08,165 --> 00:45:10,705 THAT IS, TO BRING THE MOONLIGHT INTO A CHAMBER, ; 860 00:45:10,795 --> 00:45:16,045 FOR, YOU KNOW, PYRAMUS AND THISBY MEET BY MOONLIGHT. 861 00:45:17,505 --> 00:45:22,385 DOTH THE MOON SHINE THAT NIGHT WE PLAY OUR PLAY? 862 00:45:22,475 --> 00:45:24,155 A CALENDAR, A CALENDAR! LOOK IN THE ALMANAC, ; 863 00:45:24,185 --> 00:45:26,185 FIND OUT MOONSHINE, FIND OUT MOONSHINE. 864 00:45:26,265 --> 00:45:28,855 YES, IT DOTH SHINE THAT NIGHT. 865 00:45:29,225 --> 00:45:30,935 WHY, THEN MAY YOU LEAVE A CASEMENT 866 00:45:31,025 --> 00:45:32,985 OF THE GREAT CHAMBER WINDOW, WHERE WE PLAY, OPEN, 867 00:45:33,065 --> 00:45:35,655 AND THE MOON MAY SHINE IN AT THE CASEMENT. 868 00:45:35,735 --> 00:45:38,525 AY; OR ELSE ONE MUST COME IN 869 00:45:38,615 --> 00:45:40,615 WITH A BUSH OF THORNS AND A LANTHORN, 870 00:45:40,695 --> 00:45:43,865 AND SAY HE COMES TO DISFIGURE, OR PRESENT, 871 00:45:43,955 --> 00:45:46,575 THE PERSON OF MOONSHINE. 872 00:45:49,245 --> 00:45:50,875 THEN, THERE IS ANOTHER THING: 873 00:45:50,955 --> 00:45:52,045 WE MUST HAVE A WALL 874 00:45:52,125 --> 00:45:53,125 IN THE GREAT CHAMBER; 875 00:45:53,205 --> 00:45:56,675 FOR PYRAMUS AND THISBY SAYS THE STORY, 876 00:45:56,755 --> 00:46:00,675 DID TALK THROUGH THE CHINK OF A WALL. 877 00:46:02,715 --> 00:46:06,515 YOU CAN NEVER BRING IN A WALL. 878 00:46:08,515 --> 00:46:10,475 WHAT SAY YOU, BOTTOM? 879 00:46:10,555 --> 00:46:14,105 SOME MAN OR OTHER MUST PRESENT WALL.: 880 00:46:14,185 --> 00:46:18,485 AND LET HIM HAVE SOME PLASTER, OR SOME LOAM, 881 00:46:18,565 --> 00:46:22,445 OR SOME ROUGH-CAST ABOUT HIM, TO SIGNIFY WALL, ; 882 00:46:22,535 --> 00:46:25,115 AND LET HIM HOLD HIS FINGERS THUS, 883 00:46:25,195 --> 00:46:28,455 AND THROUGH THAT CRANNY SHALL PYRAMUS AND THISBY WHISPER. 884 00:46:28,535 --> 00:46:31,455 IF THAT MAY BE, THEN ALL IS WELL. 885 00:46:31,535 --> 00:46:35,125 COME, SIT DOWN, EVERY MOTHER'S SON, 886 00:46:35,205 --> 00:46:37,045 AND REHEARSE YOUR PARTS. 887 00:46:37,125 --> 00:46:38,505 PYRAMUS, YOU BEGIN: 888 00:46:38,585 --> 00:46:39,925 WHEN YOU HAVE SPOKEN YOUR SPEECH, 889 00:46:40,005 --> 00:46:41,005 ENTER INTO THAT BRAKE: 890 00:46:41,045 --> 00:46:44,135 AND SO EVERY ONE ACCORDING TO HIS CUE. 891 00:46:46,765 --> 00:46:49,055 WHAT HEMPEN HOME-SPUNS HAVE WE SWAGGERING HERE, 892 00:46:49,145 --> 00:46:52,515 SO NEAR THE CRADLE OF OUR FAIRY QUEEN? 893 00:46:53,145 --> 00:46:55,685 WHAT, A PLAY TOWARD! 894 00:46:55,775 --> 00:46:56,775 I'll BE AN AUDITOR; 895 00:46:56,815 --> 00:46:59,735 AN ACTOR TOO, PERHAPS, IF I SEE CAUSE. 896 00:47:00,195 --> 00:47:02,275 SPEAK, PYRAMUS. 897 00:47:02,365 --> 00:47:04,535 THISBY, STAND FORTH. 898 00:47:05,575 --> 00:47:09,915 THISBY, THE FLOWERS OF ODIOUS SAVORS SWEET... 899 00:47:09,995 --> 00:47:10,915 Quince: ODORS. 900 00:47:10,995 --> 00:47:13,875 EH? ODORS. 901 00:47:18,125 --> 00:47:22,345 ...ODORS SAVORS SWEET: 902 00:47:24,255 --> 00:47:29,135 SO HATH THY BREATH, MY DEAREST THISBY DEAR. 903 00:47:29,225 --> 00:47:31,725 BUT HARK, A VOICE! 904 00:47:31,805 --> 00:47:33,515 STAY THOU BUT HERE AWHILE, 905 00:47:33,605 --> 00:47:37,065 AND BY AND BY I WILL TO THEE APPEAR. 906 00:47:37,145 --> 00:47:40,565 A STRANGER PYRAMUS THAN E'ER PLAYED HERE. 907 00:47:49,205 --> 00:47:50,745 MUST I SPEAK NOW? 908 00:47:50,825 --> 00:47:51,995 AY, MARRY, MUST YOU, ; 909 00:47:52,075 --> 00:47:53,535 FOR YOU MUST UNDERSTAND HE GOES 910 00:47:53,625 --> 00:47:55,585 BUT TO SEE A NOISE THAT HE HEARD, 911 00:47:55,665 --> 00:47:57,835 AND IS TO COME AGAIN. 912 00:47:58,455 --> 00:48:01,755 MOST RADIANT PYRAMUS, MOST LILY-WHITE OF HUE, 913 00:48:01,835 --> 00:48:04,755 OF COLOR LIKE THE RED ROSE ON TRIUMPHANT BRIER, 914 00:48:04,845 --> 00:48:07,555 MOST BRISKY JUVENAL AND EKE MOST LOVELY JEW, 915 00:48:07,635 --> 00:48:10,175 AS TRUE AS TRUEST HORSE THAT YET WOULD NEVER TIRE, 916 00:48:10,265 --> 00:48:12,975 I'll MEET THEE, PYRAMUS, AT NINNY'S TOMB. 917 00:48:13,055 --> 00:48:15,855 'NINUS' TOMB, ' MAN: 918 00:48:16,315 --> 00:48:19,105 WHY, YOU MUST NOT SPEAK THAT YET, ; 919 00:48:19,185 --> 00:48:21,275 THAT YOU ANSWER TO PYRAMUS: 920 00:48:21,355 --> 00:48:23,275 YOU SPEAK ALL YOUR PART AT ONCE, 921 00:48:23,355 --> 00:48:24,695 CUES AND ALL. 922 00:48:24,775 --> 00:48:26,405 [LAUGHS] 923 00:48:26,485 --> 00:48:30,115 PYRAMUS ENTER: YOUR CUE IS PAST, ; 924 00:48:30,195 --> 00:48:31,405 IT IS, 'NEVER TIRE.' 925 00:48:31,495 --> 00:48:35,285 AS TRUE AS TRUEST HORSE, THAT YET WOULD NEVER TIRE. 926 00:48:39,205 --> 00:48:43,425 IF I WERE FAIR, THISBY, I WERE ONLY THINE. 927 00:48:43,505 --> 00:48:48,005 Quince: O MONSTROUS! O STRANGE! 928 00:48:48,095 --> 00:48:50,305 WE ARE HAUNTED. 929 00:48:50,385 --> 00:48:54,975 PRAY, MASTERS! FLY, MASTERS! 930 00:48:56,515 --> 00:48:57,645 HELP! HELP! 931 00:48:57,725 --> 00:49:00,275 I'll FOLLOW YOU, I'll LEAD YOU ABOUT A ROUND, 932 00:49:00,355 --> 00:49:02,295 THROUGH BOG, THROUGH BUSH, THROUGH BRAKE, THROUGH BRIER: 933 00:49:02,315 --> 00:49:04,815 SOMETIME A HORSE I'll BE, SOMETIME A HOUND, A HOG, 934 00:49:04,905 --> 00:49:06,195 A HEADLESS BEAR, SOMETIME A FIRE; 935 00:49:06,275 --> 00:49:08,135 AND NEIGH, AND BARK, AND GRUNT, AND ROAR, AND BURN, 936 00:49:08,155 --> 00:49:11,075 LIKE HORSE, HOUND, HOG, BEAR, FIRE, AT EVERY TURN. 937 00:49:11,155 --> 00:49:12,865 WHY DO THEY RUN AWAY? 938 00:49:12,955 --> 00:49:17,075 THIS IS A KNAVERY OF THEM TO MAKE ME AFEARD. 939 00:49:23,335 --> 00:49:27,295 O BOTTOM, THOU ART CHANGED! 940 00:49:27,635 --> 00:49:29,215 WHAT DO I SEE ON THEE? 941 00:49:29,305 --> 00:49:30,885 WHAT DO YOU SEE? 942 00:49:30,965 --> 00:49:34,595 YOU SEE AN ASSHEAD OF YOUR OWN, DO YOU? 943 00:49:38,305 --> 00:49:41,435 BLESS THEE, BOTTOM! BLESS THEE! 944 00:49:41,525 --> 00:49:44,145 THOU ART TRANSLATED. 945 00:49:45,565 --> 00:49:50,445 I SEE THEIR KNAVERY: THIS IS TO MAKE AN ASS OF ME; 946 00:49:50,525 --> 00:49:52,115 TO FRIGHT ME, IF THEY COULD. 947 00:49:52,195 --> 00:49:55,655 BUT I WILL NOT STIR FROM THIS PLACE, DO WHAT THEY CAN: 948 00:49:55,745 --> 00:49:59,455 I WILL WALK UP AND DOWN HERE, AND I WILL SING, 949 00:49:59,535 --> 00:50:03,045 THAT THEY SHALL HEAR I AM NOT AFRAID. 950 00:50:04,215 --> 00:50:11,215 ♪ THE OUSEL COCK SO BLACK OF HUE ♪ 951 00:50:12,175 --> 00:50:17,895 ♪ WITH ORANGE-TAWNY BILL ♪ 952 00:50:17,975 --> 00:50:24,985 ♪ THE THROSTLE WITH HIS NOTE SO TRUE ♪ 953 00:50:29,565 --> 00:50:34,445 ♪ THE WREN WITH LITTLE QUILL... ♪ 954 00:50:36,205 --> 00:50:40,245 WHAT ANGEL WAKES ME FROM MY FLOWERY BED? 955 00:50:40,325 --> 00:50:47,335 ♪ THE FINCH, THE SPARROW AND THE LARK ♪ 956 00:50:49,425 --> 00:50:55,175 ♪ THE PLAIN-SONG CUCKOO GRAY ♪ 957 00:50:55,265 --> 00:51:02,265 ♪ WHOSE NOTE FULL MANY A MAN DOTH MARK ♪ 958 00:51:02,355 --> 00:51:05,145 ♪ AND DARES NOT ANSWER NAY... ♪ 959 00:51:05,225 --> 00:51:08,065 [BRAYING] 960 00:51:08,145 --> 00:51:11,275 I PRAY THEE, GENTLE MORTAL, SING AGAIN: 961 00:51:11,655 --> 00:51:14,945 MINE EAR IS MUCH ENAMOR'D OF THY NOTE; 962 00:51:15,035 --> 00:51:19,865 SO IS MINE EYE ENTHRALLED TO THY SHAPE; 963 00:51:19,955 --> 00:51:21,285 AND THY FAIR VIRTUE'S FORCE 964 00:51:21,375 --> 00:51:24,415 PERFORCE DOTH MOVE ME ON THE FIRST VIEW 965 00:51:24,495 --> 00:51:29,045 TO SAY, TO SWEAR, I LOVE THEE. 966 00:51:29,585 --> 00:51:34,215 METHINKS, MISTRESS, YOU SHOULD HAVE LITTLE REASON FOR THAT: 967 00:51:34,305 --> 00:51:35,675 AND YET, TO SAY THE TRUTH, 968 00:51:35,755 --> 00:51:39,015 REASON AND LOVE KEEP LITTLE COMPANY TOGETHER NOW-A-DAYS; 969 00:51:39,095 --> 00:51:41,395 THE MORE THE PITY THAT SOME HONEST NEIGHBORS 970 00:51:41,475 --> 00:51:42,975 WILL NOT MAKE THEM FRIENDS. 971 00:51:43,055 --> 00:51:45,355 [LAUGHS] 972 00:51:45,435 --> 00:51:48,435 NAY, I CAN GLEEK UPON OCCASION. 973 00:51:48,525 --> 00:51:49,525 [KISS] 974 00:51:49,565 --> 00:51:53,905 THOU ART AS WISE AS THOU ART BEAUTIFUL. 975 00:51:53,985 --> 00:51:55,155 NOT SO, NEITHER: 976 00:51:55,235 --> 00:51:58,575 BUT IF I HAD WIT ENOUGH TO GET OUT OF THIS WOOD, 977 00:51:58,655 --> 00:52:01,995 I HAVE ENOUGH TO SERVE MINE OWN TURN. 978 00:52:02,075 --> 00:52:04,785 [STAMMERING, BRAYING] 979 00:52:04,875 --> 00:52:07,545 OUT OF THIS WOOD DO NOT DESIRE TO GO: 980 00:52:07,625 --> 00:52:08,915 [BRAYING] 981 00:52:09,005 --> 00:52:12,835 THOU SHALT REMAIN HERE, WHETHER THOU WILT OR NO. 982 00:52:12,925 --> 00:52:15,425 I AM A SPIRIT OF NO COMMON RATE; 983 00:52:15,505 --> 00:52:19,215 THE SUMMER STILL DOTH TEND UPON MY STATE; 984 00:52:19,305 --> 00:52:21,555 AND I DO LOVE THEE: 985 00:52:22,305 --> 00:52:23,435 THEREFORE, GO WITH ME; 986 00:52:23,515 --> 00:52:25,355 I'll GIVE THEE FAIRIES TO ATTEND ON THEE, 987 00:52:25,435 --> 00:52:27,205 AND THEY SHALL FETCH THEE JEWELS FROM THE DEEP, 988 00:52:27,225 --> 00:52:31,025 AND SING WHILE THOU ON PRESSED FLOWERS DOST SLEEP; 989 00:52:31,105 --> 00:52:34,445 AND I WILL PURGE THY MORTAL GROSSNESS SO 990 00:52:34,525 --> 00:52:36,825 THAT THOU SHALT LIKE AN AIRY SPIRIT GO. 991 00:52:36,905 --> 00:52:39,235 PEASEBLOSSOM! COBWEB! MOTH! AND MUSTARDSEED! 992 00:52:39,325 --> 00:52:40,245 READY. AND I 993 00:52:40,325 --> 00:52:41,035 AND I AND I 994 00:52:41,115 --> 00:52:43,455 All: WHERE SHALL WE GO? 995 00:52:43,535 --> 00:52:47,165 BE KIND AND COURTEOUS TO THIS GENTLEMAN; 996 00:52:47,245 --> 00:52:49,625 HOP IN HIS WALKS AND GAMBOL IN HIS EYES; 997 00:52:49,705 --> 00:52:51,625 FEED HIM WITH APRICOCKS AND DEWBERRIES, 998 00:52:51,715 --> 00:52:55,635 WITH PURPLE GRAPES, GREEN FIGS, AND MULBERRIES; 999 00:52:55,715 --> 00:52:58,555 THE HONEY-BAGS STEAL FROM THE HUMBLE-BEES, 1000 00:52:58,635 --> 00:53:01,425 AND FOR NIGHT-TAPERS CROP THEIR WAXEN THIGHS 1001 00:53:01,515 --> 00:53:05,055 AND LIGHT THEM AT THE FIERY GLOW-WORM'S EYES, 1002 00:53:05,145 --> 00:53:10,275 TO HAVE MY LOVE TO BED AND TO ARISE; 1003 00:53:10,355 --> 00:53:13,195 AND PLUCK THE WINGS FROM PAINTED BUTTERFLIES 1004 00:53:13,275 --> 00:53:17,275 TO FAN THE MOONBEAMS FROM HIS SLEEPING EYES: 1005 00:53:17,365 --> 00:53:19,575 NOD TO HIM, ELVES, AND DO HIM COURTESIES. 1006 00:53:19,655 --> 00:53:20,485 HAIL, MORTAL! 1007 00:53:20,575 --> 00:53:21,695 HAIL! HAIL! 1008 00:53:21,785 --> 00:53:22,705 HAIL! 1009 00:53:22,785 --> 00:53:27,575 I CRY YOUR WORSHIP'S MERCY, HEARTILY: 1010 00:53:27,665 --> 00:53:30,125 I BESEECH YOUR WORSHIP'S NAME. 1011 00:53:30,205 --> 00:53:31,505 COBWEB. 1012 00:53:31,585 --> 00:53:34,125 I SHALL DESIRE YOU OF MORE ACQUAINTANCE, 1013 00:53:34,215 --> 00:53:35,505 GOOD MASTER COBWEB: 1014 00:53:35,585 --> 00:53:39,845 IF 1 CUT MY FINGER, I SHALL MAKE BOLD WITH YOU. 1015 00:53:41,175 --> 00:53:43,225 YOUR NAME, HONEST GENTLEMAN? 1016 00:53:43,305 --> 00:53:44,805 PEASEBLOSSOM. 1017 00:53:44,885 --> 00:53:46,595 [LAUGHS] 1018 00:53:46,685 --> 00:53:50,475 I PRAY YOU, COMMEND ME TO MISTRESS SQUASH, YOUR MOTHER, 1019 00:53:50,565 --> 00:53:54,315 AND TO MASTER PEASCOD, YOUR FATHER. 1020 00:53:54,395 --> 00:53:55,485 [LAUGHS] 1021 00:53:55,565 --> 00:53:58,735 GOOD MASTER PEASEBLOSSOM, I SHALL DESIRE YOU 1022 00:53:58,815 --> 00:54:01,535 OF MORE ACQUAINTANCE TOO. 1023 00:54:02,405 --> 00:54:04,535 YOUR NAME, I BESEECH YOU, SIR? 1024 00:54:04,615 --> 00:54:05,905 MUSTARDSEED. 1025 00:54:05,995 --> 00:54:10,535 GOOD MASTER MUSTARDSEED, I KNOW YOUR PATIENCE WELL.: 1026 00:54:10,625 --> 00:54:14,545 THAT SAME COWARDLY, GIANT-LIKE OX-BEEF 1027 00:54:14,625 --> 00:54:18,135 HATH DEVOURED MANY A GENTLEMAN OF YOUR HOUSE: 1028 00:54:18,215 --> 00:54:23,595 I PROMISE YOU YOUR KINDRED HAD MADE MY EYES WATER ERE NOW. 1029 00:54:23,675 --> 00:54:25,015 [GIGGLES] 1030 00:54:25,095 --> 00:54:30,355 I DESIRE YOUR MORE ACQUAINTANCE, GOOD MASTER MUSTARDSEED. 1031 00:54:30,435 --> 00:54:34,605 [LAUGHS] 1032 00:54:34,685 --> 00:54:38,405 COME, WAIT UPON HIM; LEAD HIM TO MY BOWER. 1033 00:54:38,485 --> 00:54:41,525 THE MOON METHINKS LOOKS WITH A WATERY EYE; 1034 00:54:41,615 --> 00:54:45,785 AND WHEN SHE WEEPS, WEEPS EVERY LITTLE FLOWER, 1035 00:54:45,865 --> 00:54:50,535 LAMENTING SOME ENFORCED CHASTITY. 1036 00:54:50,625 --> 00:54:53,045 [BRAYING] 1037 00:54:56,255 --> 00:55:01,505 TIE UP MY LOVE'S TONGUE BRING HIM SILENTLY. 1038 00:55:01,595 --> 00:55:04,005 [BRAYING] 1039 00:55:39,505 --> 00:55:41,835 I WONDER IF TITANIA BE AWAKED; 1040 00:55:41,925 --> 00:55:45,005 THEN, WHAT IT WAS THAT NEXT CAME IN HER EYE, 1041 00:55:45,095 --> 00:55:48,425 THAT SHE MUST DOTE ON IN EXTREMITY. 1042 00:55:48,515 --> 00:55:51,225 HERE COMES MY MESSENGER. HOW NOW, MAD SPIRIT! 1043 00:55:51,305 --> 00:55:54,355 WHAT NIGHT-RULE NOW ABOUT THIS HAUNTED GROVE? 1044 00:55:54,435 --> 00:55:57,435 MY MISTRESS WITH A MONSTER IS IN LOVE. 1045 00:55:57,525 --> 00:55:59,235 NEAR TO HER CLOSE AND CONSECRATED BOWER, 1046 00:55:59,315 --> 00:56:01,485 WHILE SHE WAS IN HER DULL AND SLEEPING HOUR, 1047 00:56:01,565 --> 00:56:03,655 A CREW OF PATCHES, RUDE MECHANICALS, 1048 00:56:03,735 --> 00:56:05,335 THAT WORK FOR BREAD UPON ATHENIAN STALLS, 1049 00:56:05,365 --> 00:56:07,035 WERE MET TOGETHER TO REHEARSE A PLAY 1050 00:56:07,115 --> 00:56:09,615 INTENDED FOR GREAT THESEUS' NUPTIAL-DAY. 1051 00:56:09,705 --> 00:56:11,345 THE SHALLOWEST THICK-SKIN OF THAT BARREN SORT, 1052 00:56:11,365 --> 00:56:14,495 WHO PYRAMUS PRESENTED, IN THEIR SPORT FORSOOK HIS SCENE 1053 00:56:14,585 --> 00:56:15,585 AND ENTER'D IN A BRAKE 1054 00:56:15,625 --> 00:56:17,665 WHEN I DID HIM AT THIS ADVANTAGE TAKE, 1055 00:56:17,745 --> 00:56:20,625 AN ASS'S NOLE I FIXED ON HIS HEAD: 1056 00:56:20,715 --> 00:56:23,045 ANON HIS THISBE MUST BE ANSWERED, 1057 00:56:23,135 --> 00:56:25,465 WHEN IN THAT MOMENT, SO IT CAME TO PASS, 1058 00:56:25,545 --> 00:56:31,885 TITANIA WAKED AND STRAIGHTWAY LOVED AN ASS. 1059 00:56:33,595 --> 00:56:36,765 THIS FALLS OUT BETTER THAN I COULD DEVISE. 1060 00:56:36,855 --> 00:56:38,975 BUT HAST THOU YET LATCH'D THE ATHENIAN'S EYES 1061 00:56:39,065 --> 00:56:40,705 WITH THE LOVE-JUICE, AS I DID BID THEE DO? 1062 00:56:40,775 --> 00:56:42,455 I TOOK HIM SLEEPING... THAT IS FINISH'D TOO... 1063 00:56:42,485 --> 00:56:43,845 AND THE ATHENIAN WOMAN BY HIS SIDE: 1064 00:56:43,905 --> 00:56:45,865 THAT, WHEN HE WAKED, OF FORCE SHE MUST BE EYED. 1065 00:56:45,945 --> 00:56:48,655 STAND CLOSE: THIS IS THE SAME ATHENIAN. 1066 00:56:48,735 --> 00:56:53,115 THIS IS THE WOMAN, BUT NOT THIS THE MAN. 1067 00:56:55,825 --> 00:56:57,705 O, WHY REBUKE YOU HIM THAT LOVES YOU SO? 1068 00:56:57,785 --> 00:56:59,665 LAY BREATH SO BITTER ON YOUR BITTER FOE. 1069 00:56:59,755 --> 00:57:02,505 NOW I BUT CHIDE; BUT I SHOULD USE THEE WORSE, 1070 00:57:02,585 --> 00:57:06,135 FOR THOU, I FEAR, HAST GIVEN ME CAUSE TO CURSE, 1071 00:57:06,215 --> 00:57:09,305 IF THOU HAST SLAIN LYSANDER IN HIS SLEEP, 1072 00:57:09,385 --> 00:57:12,765 BEING O'ER SHOES IN BLOOD, PLUNGE IN THE DEEP, 1073 00:57:12,845 --> 00:57:14,975 AND KILL ME TOO. 1074 00:57:16,095 --> 00:57:20,975 THE SUN WAS NOT SO TRUE UNTO THE DAY AS HE TO ME: 1075 00:57:21,735 --> 00:57:25,235 WOULD HE HAVE STOLEN AWAY FROM SLEEPING HERMIA? 1076 00:57:25,315 --> 00:57:28,115 IT CANNOT BE BUT THOU HAST MURDER'D HIM; 1077 00:57:28,195 --> 00:57:30,905 SO SHOULD A MURDERER LOOK, SO DEAD, SO GRIM. 1078 00:57:30,985 --> 00:57:33,865 SO SHOULD THE MURDER'D LOOK, AND SO SHOULD I, 1079 00:57:33,955 --> 00:57:36,575 PIERCED THROUGH THE HEART WITH YOUR STERN CRUELTY: 1080 00:57:36,665 --> 00:57:38,915 YET YOU, THE MURDERER, LOOK AS BRIGHT, AS CLEAR, 1081 00:57:38,995 --> 00:57:41,165 AS YONDER VENUS IN HER GLIMMERING SPHERE. 1082 00:57:41,245 --> 00:57:44,335 WHAT'S THIS TO MY LYSANDER? WHERE IS HE? 1083 00:57:44,415 --> 00:57:47,585 AH, GOOD DEMETRIUS, WILT THOU GIVE HIM ME? 1084 00:57:47,675 --> 00:57:50,255 I HAD RATHER GIVE HIS CARCASS TO MY HOUNDS. 1085 00:57:50,345 --> 00:57:52,715 OUT, DOG! OUT, CUR! 1086 00:57:52,805 --> 00:57:54,095 [SPLASH] [GASP] 1087 00:57:54,175 --> 00:57:57,345 THOU DRIVEST ME PAST THE BOUNDS OF MAIDEN'S PATIENCE. 1088 00:57:57,435 --> 00:57:58,725 HAST THOU SLAIN HIM, THEN? 1089 00:57:58,805 --> 00:58:00,855 HENCEFORTH BE NEVER NUMBER'D AMONG MEN! 1090 00:58:00,935 --> 00:58:03,065 YOU SPEND YOUR PASSION ON A MISPRISED MOOD: 1091 00:58:03,145 --> 00:58:04,945 I AM NOT GUILTY OF LYSANDER'S BLOOD; 1092 00:58:05,025 --> 00:58:06,945 NOR IS HE DEAD, FOR AUGHT THAT I CAN TELL. 1093 00:58:07,025 --> 00:58:08,945 I PRAY THEE, TELL ME THEN THAT HE IS WELL. 1094 00:58:09,025 --> 00:58:11,155 AN IF I COULD, WHAT SHOULD I GET THEREFORE? 1095 00:58:11,235 --> 00:58:13,575 A PRIVILEGE NEVER TO SEE ME MORE. 1096 00:58:13,655 --> 00:58:15,575 AND FROM THY HATED PRESENCE PART I SO: 1097 00:58:15,655 --> 00:58:18,995 SEE ME NO MORE, WHETHER HE BE DEAD OR NO. 1098 00:58:24,255 --> 00:58:27,965 THERE IS NO FOLLOWING HER IN THIS FIERCE VEIN: 1099 00:58:28,045 --> 00:58:31,845 HERE THEREFORE FOR A WHILE I WILL REMAIN. 1100 00:58:32,465 --> 00:58:34,805 [YAWNS] 1101 00:58:38,845 --> 00:58:41,975 [LAUGHS] WHAT HAST THOU DONE? 1102 00:58:42,065 --> 00:58:43,275 THOU HAST MISTAKEN QUITE 1103 00:58:43,355 --> 00:58:46,985 AND LAID THE LOVE-JUICE ON SOME TRUE-LOVE'S SIGHT: 1104 00:58:47,065 --> 00:58:49,985 ABOUT THE WOOD GO SWIFTER THAN THE WIND, 1105 00:58:50,065 --> 00:58:53,195 AND HELENA OF ATHENS LOOK THOU FIND: 1106 00:58:53,285 --> 00:58:56,825 ALL FANCY-SICK SHE IS AND PALE OF CHEER, 1107 00:58:56,905 --> 00:58:57,995 WITH SIGHS OF LOVE, 1108 00:58:58,075 --> 00:59:00,415 THAT COSTS THE FRESH BLOOD DEAR: 1109 00:59:00,495 --> 00:59:03,795 BY SOME ILLUSION SEE THOU BRING HER HERE: 1110 00:59:03,875 --> 00:59:07,125 I'll CHARM HIS EYES AGAINST SHE DO APPEAR. 1111 00:59:07,215 --> 00:59:08,925 1 GO, 1 GO; LOOK HOW 1 GO, 1112 00:59:09,005 --> 00:59:11,965 SWIFTER THAN ARROW FROM THE TARTAR'S BOW. 1113 00:59:13,135 --> 00:59:15,885 FLOWER OF THIS PURPLE DYE, 1114 00:59:15,965 --> 00:59:17,885 HIT WITH CUPID'S ARCHERY, 1115 00:59:17,975 --> 00:59:20,935 SINK IN APPLE OF HIS EYE. 1116 00:59:21,015 --> 00:59:23,145 WHEN HIS LOVE HE DOTH ESPY, 1117 00:59:23,225 --> 00:59:25,935 LET HER SHINE AS GLORIOUSLY 1118 00:59:26,025 --> 00:59:28,645 AS THE VENUS OF THE SKY. 1119 00:59:28,735 --> 00:59:31,355 WHEN THOU WAKEST, IF SHE BE BY, 1120 00:59:31,445 --> 00:59:34,155 BEG OF HER FOR REMEDY. 1121 00:59:34,235 --> 00:59:36,865 CAPTAIN OF OUR FAIRY BAND, HELENA IS HERE AT HAND; 1122 00:59:36,945 --> 00:59:38,285 AND THE YOUTH, MISTOOK BY ME, 1123 00:59:38,365 --> 00:59:40,365 PLEADING FOR A LOVER'S FEE. 1124 00:59:40,455 --> 00:59:42,575 SHALL WE THEIR FOND PAGEANT SEE? 1125 00:59:42,665 --> 00:59:46,455 LORD, WHAT FOOLS THESE MORTALS BE! 1126 00:59:46,545 --> 00:59:48,165 STAND ASIDE: THE NOISE THEY MAKE 1127 00:59:48,255 --> 00:59:49,585 WILL CAUSE DEMETRIUS TO AWAKE. 1128 00:59:49,665 --> 00:59:50,875 THEN WILL TWO AT ONCE WOO ONE; 1129 00:59:50,965 --> 00:59:52,885 THAT MUST NEEDS BE SPORT ALONE; 1130 00:59:52,965 --> 00:59:54,505 AND THOSE THINGS DO BEST PLEASE ME 1131 00:59:54,595 --> 00:59:56,885 THAT BEFAL PREPOSTEROUSLY. 1132 01:00:03,935 --> 01:00:06,935 WHY SHOULD YOU THINK THAT I SHOULD WOO IN SCORN? 1133 01:00:07,025 --> 01:00:09,815 SCORN AND DERISION NEVER COME IN TEARS: 1134 01:00:09,895 --> 01:00:12,905 LOOK, WHEN I VOW, I WEEP; AND VOWS SO BORN, 1135 01:00:12,985 --> 01:00:15,615 IN THEIR NATIVITY ALL TRUTH APPEARS. 1136 01:00:15,695 --> 01:00:17,735 HOW CAN THESE THINGS IN ME SEEM SCORN TO YOU, 1137 01:00:17,825 --> 01:00:20,495 BEARING THE BADGE OF FAITH, TO PROVE THEM TRUE? 1138 01:00:20,575 --> 01:00:24,835 YOU DO ADVANCE YOUR CUNNING MORE AND MORE. 1139 01:00:24,915 --> 01:00:29,755 WHEN TRUTH KILLS TRUTH, O DEVILISH-HOLY FRAY! 1140 01:00:29,835 --> 01:00:33,085 THESE VOWS ARE HERMIA'S: WILL YOU GIVE THEM O'ER? 1141 01:00:33,175 --> 01:00:35,755 WEIGH OATH WITH OATH, AND YOU WILL NOTHING WEIGH: 1142 01:00:35,845 --> 01:00:37,715 YOUR VOWS TO HER AND ME, PUT IN TWO SCALES, 1143 01:00:37,805 --> 01:00:40,095 WILL EVEN WEIGH, AND BOTH AS LIGHT AS TALES. 1144 01:00:40,175 --> 01:00:41,885 I HAD NO JUDGMENT WHEN TO HER I SWORE. 1145 01:00:41,975 --> 01:00:44,225 NOR NONE, IN MY MIND, NOW YOU GIVE HER O'ER. 1146 01:00:44,305 --> 01:00:46,725 DEMETRIUS LOVES HER, AND HE LOVES NOT YOU. 1147 01:00:46,815 --> 01:00:51,565 O HELENA, GODDESS, NYMPH, PERFECT, DIVINE! 1148 01:00:51,645 --> 01:00:57,405 TO WHAT, MY LOVE, SHALL I COMPARE THINE EYNE? 1149 01:00:59,155 --> 01:01:02,785 CRYSTAL IS MUDDY. O, HOW RIPE IN SHOW THY LIPS, 1150 01:01:02,865 --> 01:01:05,875 THOSE KISSING CHERRIES, TEMPTING GROW! 1151 01:01:05,955 --> 01:01:08,335 WHEN THOU HOLD'ST UP THY HAND: 1152 01:01:08,415 --> 01:01:09,165 O, LET ME KISS 1153 01:01:09,245 --> 01:01:12,085 THIS PRINCESS OF PURE WHITE, 1154 01:01:12,165 --> 01:01:14,585 THIS SEAL OF BLISS! 1155 01:01:22,135 --> 01:01:27,765 O SPITE! O HELL! I SEE YOU ALL ARE BENT 1156 01:01:27,855 --> 01:01:30,975 TO SET AGAINST ME FOR YOUR MERRIMENT. 1157 01:01:31,065 --> 01:01:34,195 IF YOU WERE MEN, AS MEN YOU ARE IN SHOW, 1158 01:01:34,275 --> 01:01:36,355 YOU WOULD NOT USE A GENTLE LADY SO; 1159 01:01:36,445 --> 01:01:40,945 TO VOW, AND SWEAR, AND SUPERPRAISE MY PARTS, 1160 01:01:41,035 --> 01:01:43,575 WHEN I AM SURE YOU HATE ME WITH YOUR HEARTS. 1161 01:01:43,655 --> 01:01:46,415 YOU BOTH ARE RIVALS, AND LOVE HERMIA; 1162 01:01:46,495 --> 01:01:48,785 AND NOW BOTH RIVALS, TO MOCK HELENA: 1163 01:01:48,875 --> 01:01:52,125 A TRIM EXPLOIT, A MANLY ENTERPRISE, 1164 01:01:52,205 --> 01:01:53,965 TO CONJURE TEARS UP IN A POOR MAID'S EYES 1165 01:01:54,045 --> 01:01:56,125 WITH YOUR DERISION! 1166 01:01:56,215 --> 01:01:59,175 NONE OF NOBLE SORT WOULD SO OFFEND A VIRGIN, 1167 01:01:59,255 --> 01:02:01,005 AND EXTORT A POOR SOUL'S PATIENCE, 1168 01:02:01,095 --> 01:02:02,515 ALL TO MAKE YOU SPORT. 1169 01:02:02,595 --> 01:02:05,015 YOU ARE UNKIND, DEMETRIUS; BE NOT SO; 1170 01:02:05,095 --> 01:02:07,185 FOR YOU LOVE HERMIA; THIS YOU KNOW I KNOW: 1171 01:02:07,265 --> 01:02:09,305 AND HERE, WITH ALL GOOD WILL, WITH ALL MY HEART, 1172 01:02:09,395 --> 01:02:11,725 IN HERMIA'S LOVE I YIELD YOU UP MY PART; 1173 01:02:11,815 --> 01:02:13,395 AND YOURS OF HELENA TO ME BEQUEATH, 1174 01:02:13,485 --> 01:02:15,195 WHOM I DO LOVE AND WILL DO TILL MY DEATH. 1175 01:02:15,275 --> 01:02:17,105 NEVER DID MOCKERS WASTE MORE IDLE BREATH. 1176 01:02:17,195 --> 01:02:19,315 LYSANDER, KEEP THY HERMIA; I WILL NONE: 1177 01:02:19,405 --> 01:02:21,325 IF E'ER I LOVED HER, ALL THAT LOVE IS GONE. 1178 01:02:21,405 --> 01:02:25,325 MY HEART TO HER BUT AS GUEST-WISE SOJOURN'D, 1179 01:02:25,405 --> 01:02:28,115 AND NOW TO HELEN IS IT HOME RETURN'D, 1180 01:02:28,205 --> 01:02:29,035 THERE TO REMAIN. 1181 01:02:29,125 --> 01:02:30,205 HELEN, IT IS NOT SO. 1182 01:02:30,285 --> 01:02:32,415 DISPARAGE NOT THE FAITH THOU DOST NOT KNOW, 1183 01:02:32,495 --> 01:02:34,005 LEST, TO THY PERIL, THOU ABY IT DEAR. 1184 01:02:34,085 --> 01:02:35,295 [RUSTLING] 1185 01:02:35,375 --> 01:02:39,505 LOOK, WHERE THY LOVE COMES; YONDER IS THY DEAR. 1186 01:02:41,175 --> 01:02:42,175 DARK NIGHT, 1187 01:02:42,215 --> 01:02:43,275 THAT FROM THE EYE HIS FUNCTION TAKES, 1188 01:02:43,305 --> 01:02:45,265 THE EAR MORE QUICK OF APPREHENSION MAKES; 1189 01:02:45,345 --> 01:02:47,765 THOU ART NOT BY MINE EYE, LYSANDER, FOUND; 1190 01:02:47,845 --> 01:02:50,765 MINE EAR, I THANK IT, BROUGHT ME TO THY SOUND 1191 01:02:50,855 --> 01:02:54,685 BUT WHY UNKINDLY DIDST THOU LEAVE ME SO? 1192 01:02:54,775 --> 01:02:57,485 WHY SHOULD HE STAY, WHOM LOVE DOTH PRESS TO GO? 1193 01:02:57,565 --> 01:02:59,905 Hermia: WHAT LOVE COULD PRESS LYSANDER FROM MY SIDE? 1194 01:02:59,985 --> 01:03:03,695 LYSANDER'S LOVE, THAT WOULD NOT LET HIM BIDE, 1195 01:03:03,785 --> 01:03:06,035 FAIR HELENA, WHO MORE ENGILDS THE NIGHT 1196 01:03:06,115 --> 01:03:09,995 THAN ALL YON FIERY OES AND EYES OF LIGHT. 1197 01:03:10,075 --> 01:03:10,875 WHY SEEK'ST THOU ME? 1198 01:03:10,955 --> 01:03:12,055 COULD NOT THIS MAKE THEE KNOW, 1199 01:03:12,085 --> 01:03:14,085 THE HATE I BEAR THEE MADE ME LEAVE THEE SO? 1200 01:03:14,165 --> 01:03:15,375 YOU SPEAK NOT AS YOU THINK: 1201 01:03:15,455 --> 01:03:16,375 IT CANNOT BE. 1202 01:03:16,455 --> 01:03:20,045 LO, SHE IS ONE OF THIS CONFEDERACY! 1203 01:03:20,135 --> 01:03:23,675 NOW I PERCEIVE THEY HAVE CONJOIN'D ALL THREE 1204 01:03:23,755 --> 01:03:27,095 TO FASHION THIS FALSE SPORT, IN SPITE OF ME. 1205 01:03:27,175 --> 01:03:32,725 INJURIOUS HERMIA! MOST UNGRATEFUL MAID! 1206 01:03:32,805 --> 01:03:34,065 HAVE YOU CONSPIRED, 1207 01:03:34,145 --> 01:03:35,315 HAVE YOU WITH THESE CONTRIVED 1208 01:03:35,395 --> 01:03:39,065 TO BAIT ME WITH THIS FOUL DERISION? 1209 01:03:39,145 --> 01:03:42,275 IS ALL THE COUNSEL THAT WE TWO HAVE SHARED, 1210 01:03:42,365 --> 01:03:43,115 THE SISTERS' VOWS, 1211 01:03:43,195 --> 01:03:44,575 THE HOURS THAT WE HAVE SPENT, 1212 01:03:44,655 --> 01:03:47,905 WHEN WE HAVE CHID THE HASTY-FOOTED TIME FOR PARTING US, 1213 01:03:47,995 --> 01:03:50,915 O, IS IT ALL FORGOT? 1214 01:03:50,995 --> 01:03:56,495 ALL SCHOOL-DAYS' FRIENDSHIP, CHILDHOOD INNOCENCE? 1215 01:03:56,585 --> 01:03:59,085 WE, HERMIA, LIKE TWO ARTIFICIAL GODS, 1216 01:03:59,165 --> 01:04:03,045 HAVE WITH OUR NEEDLES CREATED BOTH ONE FLOWER, 1217 01:04:03,135 --> 01:04:05,925 BOTH ON ONE SAMPLER, SITTING ON ONE CUSHION, 1218 01:04:06,005 --> 01:04:08,725 BOTH WARBLING OF ONE SONG, 1219 01:04:08,805 --> 01:04:10,435 BOTH IN ONE KEY, 1220 01:04:10,515 --> 01:04:13,935 AS IF OUR HANDS, OUR SIDES, VOICES AND MINDS, 1221 01:04:14,015 --> 01:04:15,975 HAD BEEN INCORPORATE. 1222 01:04:16,065 --> 01:04:17,565 SO WE GREW TOGETHER, 1223 01:04:17,645 --> 01:04:19,525 LIKE TO A DOUBLE CHERRY, SEEMING PARTED, 1224 01:04:19,605 --> 01:04:22,065 BUT YET AN UNION IN PARTITION; 1225 01:04:22,155 --> 01:04:25,365 TWO LOVELY BERRIES MOULDED ON ONE STEM; 1226 01:04:25,445 --> 01:04:28,365 SO, WITH TWO SEEMING BODIES, BUT ONE HEART; 1227 01:04:28,445 --> 01:04:31,955 TWO OF THE FIRST, LIKE COATS IN HERALDRY, 1228 01:04:32,035 --> 01:04:36,875 DUE BUT TO ONE AND CROWNED WITH ONE CREST. 1229 01:04:36,955 --> 01:04:40,295 AND WILL YOU RENT OUR ANCIENT LOVE ASUNDER, 1230 01:04:40,375 --> 01:04:43,755 TO JOIN WITH MEN IN SCORNING YOUR POOR FRIEND? 1231 01:04:43,835 --> 01:04:46,215 IT IS NOT FRIENDLY, 'TIS NOT MAIDENLY: 1232 01:04:46,295 --> 01:04:49,345 OUR SEX, AS WELL AS I, MAY CHIDE YOU FOR IT, 1233 01:04:49,425 --> 01:04:51,175 THOUGH I ALONE DO FEEL THE INJURY. 1234 01:04:51,265 --> 01:04:54,765 I AM AMAZED AT YOUR PASSIONATE WORDS. 1235 01:04:54,845 --> 01:04:55,685 I SCORN YOU NOT: 1236 01:04:55,765 --> 01:04:58,105 IT SEEMS THAT YOU SCORN ME. 1237 01:04:58,185 --> 01:05:01,025 HAVE YOU NOT SET LYSANDER, AS IN SCORN, 1238 01:05:01,105 --> 01:05:03,105 TO FOLLOW ME AND PRAISE MY EYES AND FACE? 1239 01:05:03,195 --> 01:05:05,195 AND MADE YOUR OTHER LOVE, DEMETRIUS, 1240 01:05:05,275 --> 01:05:07,195 WHO EVEN BUT NOW DID SPURN ME WITH HIS FOOT, 1241 01:05:07,275 --> 01:05:10,325 TO CALL ME GODDESS, NYMPH, DIVINE AND RARE, 1242 01:05:10,405 --> 01:05:15,205 PRECIOUS, CELESTIAL? 1243 01:05:15,285 --> 01:05:17,495 WHAT THOUGH I BE NOT SO IN GRACE AS YOU, 1244 01:05:17,585 --> 01:05:22,165 SO HUNG UPON WITH LOVE, SO FORTUNATE, 1245 01:05:22,255 --> 01:05:25,635 BUT MISERABLE MOST, TO LOVE UNLOVED? 1246 01:05:25,715 --> 01:05:28,215 THIS YOU SHOULD PITY RATHER THAN DESPISE. 1247 01:05:28,295 --> 01:05:31,215 I UNDERSTAND NOT WHAT YOU MEAN BY THIS. 1248 01:05:31,305 --> 01:05:35,185 AY, DO, PERSEVER, COUNTERFEIT SAD LOOKS, 1249 01:05:35,265 --> 01:05:38,015 MAKE MOUTHS UPON ME WHEN I TURN MY BACK; 1250 01:05:38,105 --> 01:05:40,315 WINK EACH AT OTHER; HOLD THE SWEET JEST UP: 1251 01:05:40,395 --> 01:05:44,735 THIS SPORT, WELL CARRIED, SHALL BE CHRONICLED. 1252 01:05:44,815 --> 01:05:46,865 IF YOU HAVE ANY PITY, GRACE, OR MANNERS, 1253 01:05:46,945 --> 01:05:49,445 YOU WOULD NOT MAKE ME SUCH AN ARGUMENT. 1254 01:05:49,525 --> 01:05:55,415 BUT FARE YE WELL.: 'TIS PARTLY MINE OWN FAULT; 1255 01:05:55,495 --> 01:06:00,245 WHICH DEATH OR ABSENCE SOON SHALL REMEDY. 1256 01:06:00,335 --> 01:06:02,255 STAY, GENTLE HELENA; HEAR MY EXCUSE: 1257 01:06:02,335 --> 01:06:04,755 MY LOVE, MY LIFE, MY SOUL, FAIR HELENA! 1258 01:06:04,835 --> 01:06:05,835 O EXCELLENT! 1259 01:06:05,925 --> 01:06:07,425 SWEET, DO NOT SCORN HER SO. 1260 01:06:07,505 --> 01:06:10,675 HELEN, I LOVE THEE; BY MY LIFE, I DO: 1261 01:06:10,755 --> 01:06:12,315 I SWEAR BY THAT WHICH I WILL LOSE FOR THEE, 1262 01:06:12,345 --> 01:06:14,425 TO PROVE HIM FALSE THAT SAYS I LOVE THEE NOT. 1263 01:06:14,515 --> 01:06:16,225 I SAY I LOVE THEE MORE THAN HE CAN DO. 1264 01:06:16,305 --> 01:06:18,645 IF THOU SAY SO, WITHDRAW, AND PROVE IT TOO. 1265 01:06:18,725 --> 01:06:19,605 QUICK, COME! 1266 01:06:19,685 --> 01:06:22,225 LYSANDER, WHERETO TENDS ALL THIS? 1267 01:06:22,315 --> 01:06:25,065 AWAY, YOU ETHIOPE! 1268 01:06:25,145 --> 01:06:26,485 NO, NO, SIR: SEEM TO BREAK LOOSE; 1269 01:06:26,565 --> 01:06:27,655 TAKE ON AS YOU WOULD FOLLOW, 1270 01:06:27,735 --> 01:06:30,655 BUT YET COME NOT: YOU ARE A TAME MAN, GO! 1271 01:06:30,735 --> 01:06:32,485 HANG OFF, THOU CAT, THOU BURR! 1272 01:06:32,575 --> 01:06:33,655 VILE THING, LET LOOSE, 1273 01:06:33,745 --> 01:06:35,465 OR I WILL SHAKE THEE FROM ME LIKE A SERPENT! 1274 01:06:35,535 --> 01:06:38,285 WHY ARE YOU GROWN SO RUDE? 1275 01:06:38,365 --> 01:06:41,455 WHAT CHANGE IS THIS? SWEET LOVE... 1276 01:06:41,535 --> 01:06:46,085 THY LOVE! OUT, TAWNY TARTAR, OUT! 1277 01:06:46,165 --> 01:06:49,465 OUT, LOATHED MEDICINE! O HATED POTION, HENCE! 1278 01:06:49,545 --> 01:06:50,675 DO YOU NOT JEST? 1279 01:06:50,755 --> 01:06:52,305 YES, SOOTH; AND SO DO YOU. 1280 01:06:52,385 --> 01:06:54,215 DEMETRIUS, I WILL KEEP MY WORD WITH THEE. 1281 01:06:54,305 --> 01:06:55,525 Demetrius: I WOULD I HAD YOUR BOND, 1282 01:06:55,555 --> 01:06:57,135 FOR I PERCEIVE A WEAK BOND HOLDS YOU: 1283 01:06:57,225 --> 01:06:58,435 I'll NOT TRUST YOUR WORD. 1284 01:06:58,515 --> 01:07:02,475 WHAT, SHOULD I HURT HER, STRIKE HER, KILL HER DEAD? 1285 01:07:02,565 --> 01:07:05,105 ALTHOUGH I HATE HER, I'll NOT HARM HER SO. 1286 01:07:05,185 --> 01:07:09,355 WHAT, CAN YOU DO ME GREATER HARM THAN HATE? 1287 01:07:09,445 --> 01:07:16,495 HATE ME! WHEREFORE? O ME! WHAT NEWS, MY LOVE! 1288 01:07:16,575 --> 01:07:21,325 AM NOT I HERMIA? ARE NOT YOU LYSANDER? 1289 01:07:21,415 --> 01:07:24,705 I AM AS FAIR NOW AS I WAS EREWHILE. 1290 01:07:24,795 --> 01:07:28,715 SINCE NIGHT YOU LOVED ME; 1291 01:07:28,795 --> 01:07:30,425 YET SINCE NIGHT YOU LEFT ME: 1292 01:07:30,505 --> 01:07:33,295 WHY, THEN YOU LEFT ME... O, THE GODS FORBID! 1293 01:07:33,385 --> 01:07:35,845 IN EARNEST, SHALL I SAY? 1294 01:07:35,925 --> 01:07:37,345 AY, BY MY LIFE; 1295 01:07:37,425 --> 01:07:40,515 AND NEVER DID DESIRE TO SEE THEE MORE. 1296 01:07:40,595 --> 01:07:41,975 THEREFORE BE OUT OF HOPE, 1297 01:07:42,055 --> 01:07:43,435 OF QUESTION OR DOUBT; 1298 01:07:43,515 --> 01:07:44,725 'TIS CERTAIN, NOTHING TRUER; 1299 01:07:44,815 --> 01:07:49,025 'TIS NO JEST THAT I DO HATE THEE AND LOVE HELENA. 1300 01:07:53,445 --> 01:07:57,865 O ME! YOU JUGGLER! YOU CANKER-BLOSSOM! 1301 01:07:57,945 --> 01:08:01,205 YOU THIEF OF LOVE! WHAT, HAVE YOU COME BY NIGHT 1302 01:08:01,285 --> 01:08:03,535 AND STOLEN MY LOVE'S HEART FROM HIM? 1303 01:08:03,625 --> 01:08:04,745 FINE, 'FAITH! 1304 01:08:04,835 --> 01:08:08,505 HAVE YOU NO MODESTY, NO MAIDEN SHAME, 1305 01:08:08,585 --> 01:08:10,045 NO TOUCH OF BASHFULNESS? 1306 01:08:10,125 --> 01:08:13,385 WHAT, WILL YOU TEAR IMPATIENT ANSWERS FROM MY GENTLE TONGUE? 1307 01:08:13,465 --> 01:08:18,385 FIE, FIE! YOU COUNTERFEIT, YOU PUPPET, YOU! 1308 01:08:18,465 --> 01:08:20,175 PUPPET?! 1309 01:08:20,265 --> 01:08:23,185 WHY SO? AY, THAT WAY GOES THE GAME. 1310 01:08:23,265 --> 01:08:25,975 NOW I PERCEIVE THAT SHE HATH MADE COMPARE 1311 01:08:26,065 --> 01:08:27,395 BETWEEN OUR STATURES; 1312 01:08:27,475 --> 01:08:28,895 SHE HATH URGED HER HEIGHT; 1313 01:08:28,985 --> 01:08:32,565 AND WITH HER PERSONAGE, HER TALL PERSONAGE, 1314 01:08:32,655 --> 01:08:33,445 HER HEIGHT, FORSOOTH, 1315 01:08:33,525 --> 01:08:36,615 SHE HATH PREVAIL'D WITH HIM. 1316 01:08:36,695 --> 01:08:38,785 AND ARE YOU GROWN SO HIGH IN HIS ESTEEM; 1317 01:08:38,865 --> 01:08:41,405 BECAUSE I AM SO DWARFISH AND SO LOW? 1318 01:08:41,495 --> 01:08:45,035 HOW LOW AM I, THOU PAINTED MAYPOLE? 1319 01:08:45,125 --> 01:08:45,995 SPEAK; 1320 01:08:46,085 --> 01:08:48,795 HOW LOW AM 1? I AM NOT YET SO LOW 1321 01:08:48,875 --> 01:08:51,415 BUT THAT MY NAILS CAN REACH UNTO THINE EYES. 1322 01:08:51,505 --> 01:08:52,545 [HELENA SCREAMS] 1323 01:08:52,625 --> 01:08:54,105 I PRAY YOU, THOUGH YOU MOCK ME, GENTLEMEN, 1324 01:08:54,135 --> 01:08:56,795 LET HER NOT HURT ME: I WAS NEVER CURST; 1325 01:08:56,885 --> 01:08:58,595 I HAVE NO GIFT AT ALL IN SHREWISHNESS; 1326 01:08:58,675 --> 01:09:00,595 I AM A RIGHT MAID FOR MY COWARDICE: 1327 01:09:00,675 --> 01:09:03,385 LET HER NOT STRIKE ME. YOU PERHAPS MAY THINK, 1328 01:09:03,475 --> 01:09:05,395 BECAUSE SHE IS SOMETHING LOWER THAN MYSELF, 1329 01:09:05,475 --> 01:09:06,935 THAT I CAN MATCH HER. 1330 01:09:07,015 --> 01:09:09,565 LOWER! HARK, AGAIN. 1331 01:09:09,645 --> 01:09:15,565 GOOD HERMIA, DO NOT BE SO BITTER WITH ME. 1332 01:09:15,655 --> 01:09:17,485 I EVERMORE DID LOVE YOU, HERMIA, 1333 01:09:17,575 --> 01:09:18,655 DID EVER KEEP YOUR COUNSELS, 1334 01:09:18,735 --> 01:09:20,075 NEVER WRONG'D YOU; 1335 01:09:20,155 --> 01:09:22,655 SAVE THAT, IN LOVE UNTO DEMETRIUS, 1336 01:09:22,745 --> 01:09:25,285 I TOLD HIM OF YOUR STEALTH UNTO THIS WOOD. 1337 01:09:25,375 --> 01:09:29,045 HE FOLLOW'D YOU; FOR LOVE I FOLLOW'D HIM; 1338 01:09:29,125 --> 01:09:31,505 BUT HE HATH CHID ME HENCE AND THREATEN'D ME 1339 01:09:31,585 --> 01:09:34,755 TO SPURN ME, STRIKE ME, NAY, TO KILL ME TOO: 1340 01:09:34,835 --> 01:09:38,965 AND NOW, SO YOU WILL LET ME QUIET GO, 1341 01:09:39,055 --> 01:09:41,265 TO ATHENS WILL I BEAR MY FOLLY BACK 1342 01:09:41,345 --> 01:09:43,385 AND FOLLOW YOU NO FURTHER. 1343 01:09:44,935 --> 01:09:46,435 LET ME GO: 1344 01:09:46,515 --> 01:09:49,265 YOU SEE HOW SIMPLE AND HOW FOND I AM. 1345 01:09:49,355 --> 01:09:54,485 WHY, GET YOU GONE: WHO IS'T THAT HINDERS YOU? 1346 01:09:54,565 --> 01:09:57,445 A FOOLISH HEART, THAT I LEAVE HERE BEHIND. 1347 01:09:57,525 --> 01:09:59,275 WHAT, WITH LYSANDER? 1348 01:09:59,365 --> 01:10:01,445 WITH DEMETRIUS! 1349 01:10:01,535 --> 01:10:02,365 BE NOT AFRAID; 1350 01:10:02,445 --> 01:10:03,685 SHE SHALL NOT HARM THEE, HELENA. 1351 01:10:03,745 --> 01:10:04,925 NO, SIR, SHE SHALL NOT, THOUGH YOU TAKE HER PART. 1352 01:10:04,955 --> 01:10:08,125 OH, WHEN SHE'S ANGRY, SHE IS KEEN AND SHREWD! 1353 01:10:08,205 --> 01:10:10,625 SHE WAS A VIXEN WHEN SHE WENT TO SCHOOL; 1354 01:10:10,705 --> 01:10:12,915 AND THOUGH SHE BE BUT LITTLE, SHE IS FIERCE. 1355 01:10:13,005 --> 01:10:16,585 'LITTLE' AGAIN! NOTHING BUT 'LOW' AND 'LITTLE" 1356 01:10:16,675 --> 01:10:19,505 WHY WILL YOU SUFFER HER TO FLOUT ME THUS? 1357 01:10:19,595 --> 01:10:22,135 LET ME COME TO HER! 1358 01:10:22,215 --> 01:10:24,805 GET YOU GONE, YOU DWARF; 1359 01:10:24,885 --> 01:10:28,095 YOU MINIMUS, OF HINDERING KNOT-GRASS MADE; 1360 01:10:28,185 --> 01:10:30,475 YOU BEAD, YOU ACORN. 1361 01:10:30,565 --> 01:10:32,435 [SOBBING] 1362 01:10:32,525 --> 01:10:33,785 YOU ARE TOO OFFICIOUS IN HER BEHALF 1363 01:10:33,815 --> 01:10:34,815 THAT SCORNS YOUR SERVICES. 1364 01:10:34,895 --> 01:10:36,735 LET HER ALONE: SPEAK NOT OF HELENA; 1365 01:10:36,815 --> 01:10:39,115 TAKE NOT HER PART; FOR, IF THOU DOST INTEND 1366 01:10:39,195 --> 01:10:41,235 NEVER SO LITTLE SHOW OF LOVE TO HER, 1367 01:10:41,325 --> 01:10:42,535 THOU SHALT ABY IT. 1368 01:10:42,615 --> 01:10:43,815 Lysander: NOW SHE HOLDS ME NOT; 1369 01:10:43,865 --> 01:10:46,535 NOW FOLLOW, IF THOU DAREST, TO TRY WHOSE RIGHT, 1370 01:10:46,615 --> 01:10:49,245 OF THINE OR MINE, IS MOST IN HELENA. 1371 01:10:49,325 --> 01:10:50,325 Demetrius: FOLLOW! 1372 01:10:50,375 --> 01:10:53,375 NAY, I'll GO WITH THEE, CHEEK BY JOWL. 1373 01:10:58,255 --> 01:11:00,755 [BIRD SQUAWKS] 1374 01:11:08,265 --> 01:11:14,065 YOU, MISTRESS, ALL THIS COIL IS 'LONG OF YOU: 1375 01:11:14,145 --> 01:11:15,645 NAY, GO NOT BACK. 1376 01:11:15,735 --> 01:11:17,485 I WILL NOT TRUST YOU, AYE, 1377 01:11:17,565 --> 01:11:19,735 NOR LONGER STAY IN YOUR CURST COMPANY. 1378 01:11:19,815 --> 01:11:22,525 YOUR HANDS THAN MINE ARE QUICKER FOR A FRAY, 1379 01:11:22,615 --> 01:11:27,205 MY LEGS ARE LONGER THOUGH, TO RUN AWAY. 1380 01:11:30,285 --> 01:11:34,245 I AM AMAZED, AND KNOW NOT WHAT TO SAY. 1381 01:11:37,715 --> 01:11:39,475 THIS IS THY NEGLIGENCE: STILL THOU MISTAKEST, 1382 01:11:39,505 --> 01:11:41,025 OR ELSE COMMITT'ST THY KNAVERIES WILFULLY. 1383 01:11:41,045 --> 01:11:42,885 BELIEVE ME, KING OF SHADOWS, I MISTOOK. 1384 01:11:42,965 --> 01:11:44,565 DID NOT YOU TELL ME I SHOULD KNOW THE MAN 1385 01:11:44,595 --> 01:11:46,215 BY THE ATHENIAN GARMENTS BE HAD ON? 1386 01:11:46,305 --> 01:11:47,975 AND SO FAR BLAMELESS PROVES MY ENTERPRISE, 1387 01:11:48,055 --> 01:11:50,185 THAT I HAVE 'NOINTED AN ATHENIAN'S EYES; 1388 01:11:50,265 --> 01:11:51,765 AND SO FAR AM I GLAD IT SO DID SORT 1389 01:11:51,845 --> 01:11:54,605 AS THIS THEIR JANGLING I ESTEEM A SPORT. 1390 01:11:55,265 --> 01:11:57,565 THOU SEE'ST THESE LOVERS SEEK A PLACE TO FIGHT: 1391 01:11:57,645 --> 01:11:59,895 HIE THEREFORE, ROBIN, OVERCAST THE NIGHT; 1392 01:11:59,985 --> 01:12:01,405 THE STARRY WELKIN COVER THOU ANON 1393 01:12:01,485 --> 01:12:03,655 WITH DROOPING FOG AS BLACK AS ACHERON, 1394 01:12:03,735 --> 01:12:05,195 AND LEAD THESE TESTY RIVALS SO ASTRAY 1395 01:12:05,275 --> 01:12:07,575 AS ONE COME NOT WITHIN THE OTHER'S WAY. 1396 01:12:07,655 --> 01:12:09,785 LIKE TO LYSANDER SOMETIME FRAME THY TONGUE, 1397 01:12:09,865 --> 01:12:12,035 THEN STIR DEMETRIUS UP WITH BITTER WRONG; 1398 01:12:12,115 --> 01:12:13,625 AND SOMETIME RAIL THOU LIKE DEMETRIUS; 1399 01:12:13,705 --> 01:12:15,465 AND FROM EACH OTHER LOOK THOU LEAD THEM THUS, 1400 01:12:15,495 --> 01:12:18,545 TILL O'ER THEIR BROWS DEATH-COUNTERFEITING SLEEP 1401 01:12:18,625 --> 01:12:21,795 WITH LEADEN LEGS AND BATTY WINGS DOTH CREEP: 1402 01:12:21,875 --> 01:12:25,805 THEN CRUSH THIS HERB INTO LYSANDER'S EYE; 1403 01:12:25,885 --> 01:12:27,595 WHOSE LIQUOR HATH THIS VIRTUOUS PROPERTY, 1404 01:12:27,675 --> 01:12:29,805 TO TAKE FROM THENCE ALL ERROR WITH HIS MIGHT, 1405 01:12:29,885 --> 01:12:33,475 AND MAKE HIS EYEBALLS ROLL WITH WONTED SIGHT. 1406 01:12:33,555 --> 01:12:36,435 WHEN THEY NEXT WAKE, ALL THIS DERISION 1407 01:12:36,515 --> 01:12:39,685 SHALL SEEM A DREAM AND FRUITLESS VISION, 1408 01:12:39,775 --> 01:12:41,645 AND BACK TO ATHENS SHALL THE LOVERS WEND, 1409 01:12:41,735 --> 01:12:46,025 WITH LEAGUE WHOSE DATE TILL DEATH SHALL NEVER END. 1410 01:12:46,115 --> 01:12:48,615 WHILES I IN THIS AFFAIR DO THEE EMPLOY, 1411 01:12:48,695 --> 01:12:53,665 I'll TO MY QUEEN AND BEG HER INDIAN BOY; 1412 01:12:53,745 --> 01:12:56,665 AND THEN 1 WILL HER CHARMED EYE RELEASE 1413 01:12:56,745 --> 01:12:59,585 FROM MONSTER'S VIEW, 1414 01:12:59,665 --> 01:13:04,545 AND ALL THINGS SHALL BE PEACE. 1415 01:13:06,885 --> 01:13:07,675 MY FAIRY LORD, 1416 01:13:07,755 --> 01:13:09,055 THIS MUST BE DONE WITH HASTE, 1417 01:13:09,135 --> 01:13:12,385 FOR NIGHT'S SWIFT DRAGONS CUT THE CLOUDS FULL FAST, 1418 01:13:12,475 --> 01:13:14,805 AND YONDER SHINES AURORA'S HARBINGER; 1419 01:13:14,895 --> 01:13:16,185 AT WHOSE APPROACH, GHOSTS, 1420 01:13:16,265 --> 01:13:17,765 WANDERING HERE AND THERE, 1421 01:13:17,855 --> 01:13:20,895 TROOP HOME TO CHURCHYARDS: 1422 01:13:20,985 --> 01:13:22,025 DAMNED SPIRITS ALL, 1423 01:13:22,105 --> 01:13:24,195 THAT IN CROSSWAYS AND FLOODS HAVE BURIAL, 1424 01:13:24,275 --> 01:13:25,665 ALREADY TO THEIR WORMY BEDS ARE GONE; 1425 01:13:25,695 --> 01:13:29,195 FOR FEAR LEST DAY SHOULD LOOK THEIR SHAMES UPON, 1426 01:13:29,285 --> 01:13:30,405 THEY WILLFULLY THEMSELVES 1427 01:13:30,485 --> 01:13:32,495 EXILE FROM LIGHT 1428 01:13:32,575 --> 01:13:33,995 AND MUST FOR AYE CONSORT 1429 01:13:34,075 --> 01:13:36,705 WITH BLACK-BROW'D NIGHT. 1430 01:13:36,785 --> 01:13:40,545 BUT WE ARE SPIRITS OF ANOTHER SORT: 1431 01:13:40,625 --> 01:13:42,875 I WITH THE MORNING'S LOVE HAVE OFT MADE SPORT, 1432 01:13:42,965 --> 01:13:45,635 AND, LIKE A FORESTER, THE GROVES MAY TREAD, 1433 01:13:45,715 --> 01:13:48,675 EVEN TILL THE EASTERN GATE, ALL FIERY-RED, 1434 01:13:48,755 --> 01:13:51,925 OPENING ON NEPTUNE WITH FAIR BLESSED BEAMS, 1435 01:13:52,015 --> 01:13:58,515 TURNS INTO YELLOW GOLD HIS SALT GREEN STREAMS. 1436 01:13:58,605 --> 01:14:01,565 BUT, NOTWITHSTANDING, HASTE; MAKE NO DELAY: 1437 01:14:01,645 --> 01:14:04,735 WE MAY EFFECT THIS BUSINESS YET ERE DAY. 1438 01:14:05,235 --> 01:14:08,315 UP AND DOWN, UP AND DOWN, I WILL LEAD THEM UP AND DOWN: 1439 01:14:08,405 --> 01:14:10,325 I AM FEAR'D IN FIELD AND TOWN: 1440 01:14:10,405 --> 01:14:12,575 GOBLIN, LEAD THEM UP AND DOWN. 1441 01:14:12,655 --> 01:14:14,955 HERE COMES ONE. 1442 01:14:20,955 --> 01:14:23,665 WHERE ART THOU, PROUD DEMETRIUS? SPEAK THOU NOW. 1443 01:14:23,755 --> 01:14:24,815 [IMITATING DEMETRIUS] HERE, VILLAIN; 1444 01:14:24,835 --> 01:14:26,465 DRAWN AND READY. WHERE ART THOU? 1445 01:14:26,545 --> 01:14:27,645 I WILL BE WITH THEE STRAIGHT. 1446 01:14:27,675 --> 01:14:30,135 FOLLOW ME, THEN, TO PLAINER GROUND. 1447 01:14:30,215 --> 01:14:31,315 Demetrius: LYSANDER! SPEAK AGAIN: 1448 01:14:31,345 --> 01:14:33,765 THOU RUNAWAY, THOU COWARD, ART THOU FLED? 1449 01:14:33,845 --> 01:14:37,725 SPEAK! IN SOME BUSH? WHERE DOST THOU HIDE THY HEAD? 1450 01:14:37,805 --> 01:14:38,725 [IMITATING LYSANDER] THOU COWARD, 1451 01:14:38,805 --> 01:14:39,995 ART THOU BRAGGING TO THE STARS, 1452 01:14:40,015 --> 01:14:41,935 TELLING THE BUSHES THAT THOU LOOK'ST FOR WARS, 1453 01:14:42,015 --> 01:14:43,015 AND WILT NOT COME?? 1454 01:14:43,065 --> 01:14:45,145 COME, RECREANT; COME, THOU CHILD; 1455 01:14:45,235 --> 01:14:46,565 I'll WHIP THEE WITH A ROD: 1456 01:14:46,645 --> 01:14:49,565 HE IS DEFILED THAT DRAWS A SWORD ON THEE. 1457 01:14:49,655 --> 01:14:50,695 YEA, ART THOU THERE? 1458 01:14:50,775 --> 01:14:54,695 FOLLOW MY VOICE: WE'LL TRY NO MANHOOD HERE. 1459 01:14:56,865 --> 01:15:00,745 HE GOES BEFORE ME AND STILL DARES ME ON: 1460 01:15:00,835 --> 01:15:03,705 WHEN I COME WHERE HE CALLS, THEN HE IS GONE. 1461 01:15:03,795 --> 01:15:05,435 THE VILLAIN IS MUCH LIGHTER-HEEL'D THAN I: 1462 01:15:05,455 --> 01:15:09,585 I FOLLOW'D FAST, BUT FASTER HE DID FLY; 1463 01:15:09,675 --> 01:15:13,755 BUT FALLEN AM I IN DARK UNEVEN WAY, 1464 01:15:13,845 --> 01:15:15,975 AND HERE WILL REST ME. 1465 01:15:16,055 --> 01:15:17,805 COME, THOU GENTLE DAY! 1466 01:15:17,885 --> 01:15:20,765 FOR IF BUT ONCE THOU SHOW ME THY GREY LIGHT, 1467 01:15:20,855 --> 01:15:25,735 I'll FIND DEMETRIUS AND REVENGE THIS SPITE. 1468 01:15:30,485 --> 01:15:31,585 Lysander's voice: HO, HO, HO! 1469 01:15:31,615 --> 01:15:33,405 COWARD, WHY COMEST THOU NOT? 1470 01:15:33,485 --> 01:15:35,445 ABIDE ME, IF THOU DAREST; FOR WELL I WOT 1471 01:15:35,535 --> 01:15:36,845 THOU RUNN'ST BEFORE ME, SHIFTING EVERY PLACE, 1472 01:15:36,865 --> 01:15:40,245 AND DAREST NOT STAND, NOR LOOK ME IN THE FACE. 1473 01:15:40,325 --> 01:15:41,535 WHERE ART THOU NOW? 1474 01:15:41,625 --> 01:15:43,785 [IMITATING LYSANDER] COME HITHER: I AM HERE. 1475 01:15:43,875 --> 01:15:46,005 NAY, THEN, THOU MOCK'ST ME. 1476 01:15:46,085 --> 01:15:47,005 THOU SHALT BUY THIS DEAR, 1477 01:15:47,085 --> 01:15:50,005 IF EVER I THY FACE BY DAYLIGHT SEE: 1478 01:15:50,085 --> 01:15:52,255 NOW, GO THY WAY. 1479 01:15:54,095 --> 01:15:55,135 FAINTNESS CONSTRAINETH ME 1480 01:15:55,215 --> 01:15:58,305 TO MEASURE OUT MY LENGTH ON THIS COLD BED. 1481 01:15:59,135 --> 01:16:02,935 BY DAY'S APPROACH LOOK TO BE VISITED. 1482 01:16:07,145 --> 01:16:11,905 Helena: O WEARY NIGHT, O LONG AND TEDIOUS NIGHT, 1483 01:16:11,985 --> 01:16:16,785 ABATE THY HOURS! SHINE COMFORTS FROM THE EAST, 1484 01:16:16,865 --> 01:16:18,995 THAT I MAY BACK TO ATHENS BY DAYLIGHT, 1485 01:16:19,075 --> 01:16:23,915 FROM THESE THAT MY POOR COMPANY DETEST: 1486 01:16:27,335 --> 01:16:31,715 AND SLEEP, THAT SOMETIMES SHUTS UP SORROW'S EYE, 1487 01:16:31,795 --> 01:16:35,925 STEAL ME AWHILE FROM MINE OWN COMPANY. 1488 01:16:43,015 --> 01:16:44,895 YET BUT THREE? COME ONE MORE; 1489 01:16:44,975 --> 01:16:48,895 TWO OF BOTH KINDS MAKES UP FOUR. 1490 01:16:48,975 --> 01:16:50,945 [HERMIA SOBBING] 1491 01:16:51,025 --> 01:16:53,695 HERE SHE COMES, CURST AND SAD: 1492 01:16:53,775 --> 01:16:55,065 CUPID IS A KNAVISH LAD, 1493 01:16:55,155 --> 01:16:58,325 THUS TO MAKE POOR FEMALES MAD. 1494 01:16:58,405 --> 01:17:01,535 NEVER SO WEARY, NEVER SO IN WOE, 1495 01:17:01,615 --> 01:17:05,075 BEDABBLED WITH THE DEW AND TORN WITH BRIERS, 1496 01:17:05,165 --> 01:17:07,875 I CAN NO FURTHER CRAWL, NO FURTHER GO; 1497 01:17:07,955 --> 01:17:11,915 MY LEGS WILL KEEP NO PACE WITH MY DESIRES. 1498 01:17:14,425 --> 01:17:18,345 HERE WILL I REST ME TILL THE BREAK OF DAY. 1499 01:17:18,425 --> 01:17:23,265 HEAVENS SHIELD LYSANDER, IF THEY MEAN A FRAY! 1500 01:17:32,235 --> 01:17:36,445 ON THE GROUND SLEEP SOUND: 1501 01:17:36,525 --> 01:17:38,445 I'll APPLY TO YOUR EYE, 1502 01:17:38,525 --> 01:17:41,575 GENTLE LOVER, REMEDY. 1503 01:17:43,205 --> 01:17:44,785 WHEN THOU WAKEST, THOU TAKEST 1504 01:17:44,865 --> 01:17:46,375 TRUE DELIGHT IN THE SIGHT 1505 01:17:46,455 --> 01:17:48,535 OF THY FORMER LADY'S EYE: 1506 01:17:48,625 --> 01:17:49,785 AND THE COUNTRY PROVERB KNOWN, 1507 01:17:49,835 --> 01:17:51,955 THAT EVERY MAN SHOULD TAKE HIS OWN, 1508 01:17:52,045 --> 01:17:54,965 IN YOUR WAKING SHALL BE SHOWN: 1509 01:17:55,045 --> 01:17:58,175 JACK SHALL HAVE JILL, ; NOUGHT SHALL GO ILL; 1510 01:17:58,255 --> 01:18:01,345 THE MAN SHALL HAVE HIS MARE AGAIN, 1511 01:18:01,425 --> 01:18:04,725 AND ALL SHALL BE WELL. HA! 1512 01:18:12,355 --> 01:18:18,365 COME, SIT THEE DOWN UPON THIS FLOWERY BED, 1513 01:18:18,445 --> 01:18:22,575 WHILE I THY AMIABLE CHEEKS DO COY, 1514 01:18:22,655 --> 01:18:27,495 AND STICK MUSK-ROSES IN THY SLEEK SMOOTH HEAD, 1515 01:18:27,575 --> 01:18:34,585 AND KISS THY FAIR LARGE EARS, MY GENTLE JOY. 1516 01:18:36,465 --> 01:18:38,585 WHERE'S PEASEBLOSSOM? 1517 01:18:38,675 --> 01:18:39,465 READY. 1518 01:18:39,545 --> 01:18:42,305 SCRATCH MY HEAD, PEASEBLOSSOM. 1519 01:18:42,385 --> 01:18:44,095 OHH. 1520 01:18:44,175 --> 01:18:46,935 WHERE'S MOUNSIEUR COBWEB? 1521 01:18:47,015 --> 01:18:47,895 READY. 1522 01:18:47,975 --> 01:18:49,305 MOUNSIEUR COBWEB, GOOD MOUNSIEUR, 1523 01:18:49,395 --> 01:18:50,975 GET YOU YOUR WEAPONS IN YOUR HAND, 1524 01:18:51,065 --> 01:18:53,225 AND KILL ME A RED-HIPPED HUMBLE-BEE 1525 01:18:53,315 --> 01:18:54,605 ON THE TOP OF A THISTLE; 1526 01:18:54,685 --> 01:18:59,025 AND, GOOD MOUNSIEUR, BRING ME THE HONEY-BAG. 1527 01:18:59,105 --> 01:19:00,025 DO NOT FRET YOURSELF 1528 01:19:00,115 --> 01:19:02,195 TOO MUCH IN THE ACTION, MOUNSIEUR; 1529 01:19:02,275 --> 01:19:03,195 AND, GOOD MOUNSIEUR, 1530 01:19:03,285 --> 01:19:07,075 HAVE A CARE THE HONEY-BAG BREAK NOT; 1531 01:19:07,155 --> 01:19:09,245 I WOULD BE LOATH TO HAVE YOU OVERFLOWN 1532 01:19:09,325 --> 01:19:11,625 WITH A HONEY-BAG, SIGNIOR. 1533 01:19:11,705 --> 01:19:14,085 [LAUGHTER] 1534 01:19:15,755 --> 01:19:17,335 WHERE'S MOUNSIEUR MUSTARDSEED? 1535 01:19:17,415 --> 01:19:18,425 READY. 1536 01:19:18,505 --> 01:19:20,215 GIVE ME YOUR NEAF, MOUNSIEUR MUSTARDSEED. 1537 01:19:20,295 --> 01:19:21,215 O PRAY YOU, 1538 01:19:21,295 --> 01:19:23,215 LEAVE YOUR COURTESY, GOOD MOUNSIEUR. 1539 01:19:23,305 --> 01:19:24,215 WHAT'S YOUR WILL? 1540 01:19:24,305 --> 01:19:25,305 NOTHING, MOUNSIEUR, 1541 01:19:25,345 --> 01:19:29,225 BUT TO HELP CAVALERY COBWEB TO SCRATCH. 1542 01:19:29,305 --> 01:19:31,225 I MUST TO THE BARBER'S, MONSIEUR; 1543 01:19:31,305 --> 01:19:36,185 FOR METHINKS I AM MARVELLOUS HAIRY ABOUT THE FACE; 1544 01:19:36,275 --> 01:19:37,855 AND I AM SUCH A TENDER ASS, 1545 01:19:37,945 --> 01:19:40,105 THAT IF MY HAIR DO BUT TICKLE ME, 1546 01:19:40,195 --> 01:19:41,655 I MUST SCRATCH. 1547 01:19:41,735 --> 01:19:44,075 [GROANING] 1548 01:19:47,575 --> 01:19:50,865 WHAT, WILT THOU HEAR SOME MUSIC, MY SWEET LOVE? 1549 01:19:50,955 --> 01:19:52,785 I HAVE A REASONABLE GOOD EAR IN MUSIC. 1550 01:19:52,875 --> 01:19:56,045 LET'S HAVE THE TONGS AND THE BONES. 1551 01:19:56,125 --> 01:19:57,255 OR SAY, SWEET LOVE, 1552 01:19:57,335 --> 01:19:59,125 WHAT THOU DESIREST TO EAT. 1553 01:19:59,215 --> 01:20:01,045 TRULY, A PECK OF PROVENDER: 1554 01:20:01,135 --> 01:20:04,045 I COULD MUNCH YOUR GOOD DRY OATS. 1555 01:20:04,135 --> 01:20:08,095 METHINKS I HAVE A GREAT DESIRE TO A BOTTLE OF HAY: 1556 01:20:08,175 --> 01:20:12,475 GOOD HAY, SWEET HAY, HATH NO FELLOW. 1557 01:20:12,555 --> 01:20:13,555 I HAVE A VENTURSOME FAIRY 1558 01:20:13,605 --> 01:20:15,065 THAT SHALL SEEK THE SQUIRREL'S HOARD, 1559 01:20:15,145 --> 01:20:16,475 AND FETCH THEE NEW NUTS. 1560 01:20:16,565 --> 01:20:21,105 I HAD RATHER HAVE A HANDFUL OR TWO OF DRIED PEAS. 1561 01:20:21,195 --> 01:20:22,025 BUT, I PRAY YOU, 1562 01:20:22,105 --> 01:20:24,905 LET NONE OF YOUR PEOPLE STIR ME: 1563 01:20:24,985 --> 01:20:30,535 I HAVE AN EXPOSITION OF SLEEP COME UPON ME. 1564 01:20:37,835 --> 01:20:39,165 SLEEP THOU, 1565 01:20:39,255 --> 01:20:42,925 AND I WILL WIND THEE IN MY ARMS. 1566 01:20:43,005 --> 01:20:48,715 SO DOTH THE WOODBINE THE SWEET HONEYSUCKLE GENTLY ENTWIST; 1567 01:20:48,805 --> 01:20:55,805 THE FEMALE IVY SO ENRINGS THE BARKY FINGERS OF THE ELM. 1568 01:20:56,065 --> 01:21:03,065 O, HOW I LOVE THEE! HOW I DOTE ON THEE! 1569 01:21:08,655 --> 01:21:10,535 Oberon: WELCOME, GOOD ROBIN. 1570 01:21:10,615 --> 01:21:14,165 SEE'ST THOU THIS SWEET SIGHT? 1571 01:21:14,245 --> 01:21:17,335 HER DOTAGE NOW I DO BEGIN TO PITY: 1572 01:21:17,415 --> 01:21:19,125 FOR, MEETING HER OF LATE BEHIND THE WOOD, 1573 01:21:19,205 --> 01:21:23,125 SEEKING SWEET FAVOURS FROM THIS HATEFUL FOOL, 1574 01:21:23,215 --> 01:21:25,465 I DID UPBRAID HER AND FALL OUT WITH HER; 1575 01:21:25,545 --> 01:21:27,965 FOR SHE HIS HAIRY TEMPLES THEN HAD ROUNDED 1576 01:21:28,055 --> 01:21:31,555 WITH A CORONET OF FRESH AND FRAGRANT FLOWERS; 1577 01:21:31,635 --> 01:21:34,305 AND THAT SAME DEW, WHICH SOMETIME ON THE BUDS 1578 01:21:34,395 --> 01:21:37,475 WAS WONT TO SWELL LIKE ROUND AND ORIENT PEARLS, 1579 01:21:37,555 --> 01:21:40,975 STOOD NOW WITHIN THE PRETTY FLOWERETS' EYES 1580 01:21:41,065 --> 01:21:45,985 LIKE TEARS THAT DID THEIR OWN DISGRACE BEWAIL. 1581 01:21:46,065 --> 01:21:47,775 WHEN I HAD AT MY PLEASURE TAUNTED HER 1582 01:21:47,865 --> 01:21:51,245 AND SHE IN MILD TERMS BEGG'D MY PATIENCE, 1583 01:21:51,325 --> 01:21:54,365 I THEN DID ASK OF HER HER CHANGELING CHILD; 1584 01:21:54,455 --> 01:21:58,995 WHICH STRAIGHT SHE GAVE ME, AND HER FAIRY SENT 1585 01:21:59,085 --> 01:22:05,215 TO BEAR HIM TO MY BOWER IN FAIRY LAND. 1586 01:22:05,295 --> 01:22:06,645 AND NOW I HAVE THE BOY, I WILL UNDO 1587 01:22:06,675 --> 01:22:08,595 THIS HATEFUL IMPERFECTION OF HER EYES: 1588 01:22:08,675 --> 01:22:11,305 AND, GENTLE PUCK, TAKE THIS TRANSFORMED SCALP 1589 01:22:11,385 --> 01:22:14,055 FROM OFF THE HEAD OF THIS ATHENIAN SWAIN; 1590 01:22:14,135 --> 01:22:15,595 THAT, HE AWAKING WHEN THE OTHER DO, 1591 01:22:15,685 --> 01:22:17,855 MAY ALL TO ATHENS BACK AGAIN REPAIR 1592 01:22:17,935 --> 01:22:21,225 AND THINK NO MORE OF THIS NIGHT'S ACCIDENTS 1593 01:22:21,315 --> 01:22:25,395 BUT AS THE FIERCE VEXATION OF A DREAM. 1594 01:22:25,485 --> 01:22:30,275 BUT FIRST I WILL RELEASE THE FAIRY QUEEN. 1595 01:22:31,535 --> 01:22:33,615 BE AS THOU WAST WONT TO BE; 1596 01:22:33,695 --> 01:22:36,075 SEE AS THOU WAST WONT TO SEE: 1597 01:22:36,165 --> 01:22:38,665 DIAN'S BUD O'ER CUPID'S FLOWER 1598 01:22:38,745 --> 01:22:40,875 HATH SUCH FORCE AND BLESSED POWER. 1599 01:22:40,955 --> 01:22:46,795 NOW, MY TITANIA; WAKE YOU, MY SWEET QUEEN. 1600 01:22:50,345 --> 01:22:51,425 MY OBERON! 1601 01:22:51,505 --> 01:22:55,305 WHAT VISIONS HAVE I SEEN! 1602 01:22:57,435 --> 01:23:02,855 METHOUGHT I WAS ENAMOUR'D OF AN ASS. 1603 01:23:02,935 --> 01:23:04,395 THERE LIES YOUR LOVE. 1604 01:23:04,485 --> 01:23:06,065 HOW CAME THESE THINGS TO PASS? 1605 01:23:06,145 --> 01:23:08,655 O, HOW MINE EYES DO LOATHE HIS VISAGE NOW! 1606 01:23:08,735 --> 01:23:13,405 SILENCE AWHILE. ROBIN, TAKE OFF THIS HEAD. 1607 01:23:15,285 --> 01:23:18,415 Oberon: TITANIA, MUSIC CALL; 1608 01:23:18,495 --> 01:23:20,705 AND STRIKE MORE DEAD THAN COMMON SLEEP 1609 01:23:20,785 --> 01:23:24,915 OF ALL THESE FIVE THE SENSE. 1610 01:23:26,665 --> 01:23:31,085 MUSIC, HO! MUSIC, SUCH AS CHARMETH SLEEP! 1611 01:23:31,175 --> 01:23:32,175 NOW, WHEN THOU WAKEST, 1612 01:23:32,215 --> 01:23:35,675 WITH THINE OWN FOOL'S EYES PEEP. 1613 01:23:35,765 --> 01:23:42,765 SOUND, MUSIC! COME, MY QUEEN, TAKE HANDS WITH ME, 1614 01:23:44,395 --> 01:23:49,065 AND ROCK THE GROUND WHEREON THESE SLEEPERS BE. 1615 01:24:54,885 --> 01:24:58,425 NOW THOU AND I ARE NEW IN AMITY, 1616 01:24:58,515 --> 01:24:59,805 AND WILL TO-MORROW MIDNIGHT 1617 01:24:59,885 --> 01:25:04,975 SOLEMNLY DANCE IN DUKE THESEUS' HOUSE TRIUMPHANTLY, 1618 01:25:05,055 --> 01:25:08,815 AND BLESS IT TO ALL FAIR POSTERITY: 1619 01:25:08,895 --> 01:25:12,605 THERE SHALL THE PAIRS OF FAITHFUL LOVERS BE WEDDED, 1620 01:25:12,695 --> 01:25:15,025 WITH THESEUS, ALL IN JOLLITY. 1621 01:25:15,115 --> 01:25:16,235 FAIRY KING, ATTEND, AND MARK: 1622 01:25:16,275 --> 01:25:18,195 I DO HEAR THE MORNING LARK. 1623 01:25:18,285 --> 01:25:19,485 THEN, MY QUEEN, IN SILENCE SAD, 1624 01:25:19,535 --> 01:25:20,825 TRIP WE AFTER THE NIGHT'S SHADE: 1625 01:25:20,905 --> 01:25:22,205 WE THE GLOBE CAN COMPASS SOON, 1626 01:25:22,285 --> 01:25:23,465 SWIFTER THAN THE WANDERING MOON. 1627 01:25:23,495 --> 01:25:24,555 COME, MY LORD, AND IN OUR FLIGHT 1628 01:25:24,575 --> 01:25:25,915 TELL ME HOW IT CAME THIS NIGHT 1629 01:25:25,995 --> 01:25:27,455 THAT I SLEEPING HERE WAS FOUND 1630 01:25:27,535 --> 01:25:30,045 WITH THESE MORTALS ON THE GROUND. 1631 01:25:31,875 --> 01:25:34,585 [BARKING] 1632 01:25:34,675 --> 01:25:37,345 [HORNS BLARING] 1633 01:25:37,425 --> 01:25:39,385 GO, ONE OF YOU, FIND OUT THE FORESTER; 1634 01:25:39,465 --> 01:25:41,475 FOR NOW OUR OBSERVATION IS PERFORM'D; 1635 01:25:41,555 --> 01:25:44,435 AND SINCE WE HAVE THE VAWARD OF THE DAY, 1636 01:25:44,515 --> 01:25:48,015 MY LOVE SHALL HEAR THE MUSIC OF MY HOUNDS. 1637 01:25:48,105 --> 01:25:50,025 UNCOUPLE IN THE WESTERN VALLEY; LET THEM GO: 1638 01:25:50,105 --> 01:25:51,815 DISPATCH, I SAY, AND FIND THE FORESTER. 1639 01:25:51,895 --> 01:25:55,065 WE WILL, FAIR QUEEN, UP TO THE MOUNTAIN'S TOP, 1640 01:25:55,155 --> 01:25:56,615 AND MARK THE MUSICAL CONFUSION 1641 01:25:56,695 --> 01:25:59,365 OF HOUNDS AND ECHO IN CONJUNCTION. 1642 01:25:59,445 --> 01:26:01,035 I WAS WITH HERCULES AND CADMUS ONCE, 1643 01:26:01,115 --> 01:26:06,165 WHEN IN A WOOD OF CRETE THEY BAY'D THE BEAR WITH HOUNDS OF SPARTA: 1644 01:26:06,245 --> 01:26:08,835 NEVER DID I HEAR SUCH GALLANT CHIDING: 1645 01:26:08,915 --> 01:26:11,625 FOR, BESIDES THE GROVES, THE SKIES, THE FOUNTAINS, 1646 01:26:11,705 --> 01:26:16,465 EVERY REGION NEAR SEEM'D ALL ONE MUTUAL CRY: 1647 01:26:16,545 --> 01:26:19,595 I NEVER HEARD SO MUSICAL A DISCORD, 1648 01:26:19,675 --> 01:26:21,255 SUCH SWEET THUNDER. 1649 01:26:21,345 --> 01:26:24,475 MY HOUNDS ARE BRED OUT OF THE SPARTAN KIND, 1650 01:26:24,555 --> 01:26:26,135 SO FLEW'D, SO SANDED, 1651 01:26:26,225 --> 01:26:30,515 AND THEIR HEADS ARE HUNG WITH EARS THAT SWEEP AWAY THE MORNING DEW, ; 1652 01:26:30,605 --> 01:26:32,185 CROOK-KNEE'D, AND DEW-LAPP'D 1653 01:26:32,275 --> 01:26:34,275 LIKE THESSALIAN BULLS; 1654 01:26:34,355 --> 01:26:36,485 SLOW IN PURSUIT, 1655 01:26:36,565 --> 01:26:38,865 BUT MATCH'D IN MOUTH LIKE BELLS, 1656 01:26:38,945 --> 01:26:39,945 EACH UNDER EACH. 1657 01:26:40,025 --> 01:26:42,655 A CRY MORE TUNABLE WAS NEVER HOLLA'D TO, 1658 01:26:42,735 --> 01:26:43,865 NOR CHEER'D WITH HORN, 1659 01:26:43,945 --> 01:26:47,075 IN CRETE, IN SPARTA, NOR IN THESSALY: 1660 01:26:47,165 --> 01:26:49,495 JUDGE WHEN YOU HEAR. 1661 01:26:51,745 --> 01:26:53,585 BUT, SOFT! 1662 01:26:53,665 --> 01:26:56,505 WHAT NYMPHS ARE THESE? 1663 01:26:57,085 --> 01:27:02,135 MY LORD, THIS IS MY DAUGHTER HERE ASLEEP; 1664 01:27:02,215 --> 01:27:06,555 AND THIS, LYSANDER; THIS DEMETRIUS IS; 1665 01:27:06,635 --> 01:27:09,515 THIS HELENA, OLD NEDAR'S HELENA: 1666 01:27:09,595 --> 01:27:13,645 I WONDER OF THEIR BEING HERE TOGETHER. 1667 01:27:13,725 --> 01:27:18,105 NO DOUBT THEY ROSE UP EARLY TO OBSERVE THE RITE OF MAY, 1668 01:27:18,195 --> 01:27:19,525 AND HEARING OUR INTENT, 1669 01:27:19,605 --> 01:27:22,365 CAME HERE IN GRACE OUR SOLEMNITY. 1670 01:27:22,445 --> 01:27:24,445 BUT SPEAK, EGEUS; IS NOT THIS THE DAY 1671 01:27:24,535 --> 01:27:26,705 THAT HERMIA SHOULD GIVE ANSWER OF HER CHOICE? 1672 01:27:26,785 --> 01:27:28,575 IT IS, MY LORD. 1673 01:27:28,665 --> 01:27:32,455 GO, BID THE HUNTSMEN WAKE THEM WITH THEIR HORNS. 1674 01:27:33,205 --> 01:27:36,295 [HORNS PLAYING] 1675 01:27:52,725 --> 01:27:54,355 GOOD MORROW, FRIENDS. 1676 01:27:54,435 --> 01:27:57,185 SAINT VALENTINE IS PAST. 1677 01:27:59,275 --> 01:28:02,485 BEGIN THESE WOOD-BIRDS BUT TO COUPLE NOW? 1678 01:28:02,565 --> 01:28:03,775 PARDON, MY LORD. 1679 01:28:03,865 --> 01:28:05,865 I PRAY YOU ALL, STAND UP. 1680 01:28:05,945 --> 01:28:08,405 I KNOW YOU TWO ARE RIVAL ENEMIES: 1681 01:28:08,495 --> 01:28:11,625 HOW COMES THIS GENTLE CONCORD IN THE WORLD, 1682 01:28:11,705 --> 01:28:13,745 THAT HATRED IS SO FAR FROM JEALOUSY, 1683 01:28:13,835 --> 01:28:16,755 TO SLEEP BY HATE, AND FEAR NO ENMITY? 1684 01:28:16,835 --> 01:28:20,715 MY LORD, I SHALL REPLY AMAZEDLY, 1685 01:28:20,795 --> 01:28:22,755 HALF SLEEP, HALF WAKING: 1686 01:28:22,835 --> 01:28:23,755 BUT AS YET, I SWEAR, 1687 01:28:23,845 --> 01:28:26,425 I CANNOT TRULY SAY HOW I CAME HERE; 1688 01:28:26,515 --> 01:28:30,185 BUT, AS I THINK... FOR TRULY WOULD I SPEAK, 1689 01:28:30,265 --> 01:28:32,595 AND NOW DO I BETHINK ME, SO IT IS... 1690 01:28:32,685 --> 01:28:34,305 I CAME WITH HERMIA HITHER: 1691 01:28:34,395 --> 01:28:36,395 OUR INTENT WAS TO BE GONE FROM ATHENS, 1692 01:28:36,475 --> 01:28:39,185 WHERE WE MIGHT, WITHOUT THE PERIL OF THE ATHENIAN LAW... 1693 01:28:39,275 --> 01:28:41,565 ENOUGH, ENOUGH, MY LORD; YOU HAVE ENOUGH: 1694 01:28:41,655 --> 01:28:44,615 I BEG THE LAW, THE LAW, UPON HIS HEAD. 1695 01:28:44,695 --> 01:28:45,985 THEY WOULD HAVE STOLEN AWAY; 1696 01:28:46,075 --> 01:28:46,985 THEY WOULD, DEMETRIUS, 1697 01:28:47,075 --> 01:28:48,745 THEREBY TO HAVE DEFEATED YOU AND ME. 1698 01:28:48,825 --> 01:28:50,585 BUT, MY GOOD LORD, I WOT NOT BY WHAT POWER... 1699 01:28:50,655 --> 01:28:54,995 BUT BY SOME POWER IT IS... MY LOVE TO HERMIA, 1700 01:28:55,085 --> 01:28:56,285 MELTED AS THE SNOW, 1701 01:28:56,375 --> 01:29:00,545 SEEMS TO ME NOW AS THE REMEMBRANCE OF AN IDLE GAUD 1702 01:29:00,625 --> 01:29:03,425 WHICH IN MY CHILDHOOD I DID DOTE UPON; 1703 01:29:03,505 --> 01:29:05,845 AND ALL THE FAITH, THE VIRTUE OF MY HEART, 1704 01:29:05,925 --> 01:29:08,425 THE OBJECT AND THE PLEASURE OF MINE EYE, 1705 01:29:08,515 --> 01:29:11,135 IS ONLY HELENA. 1706 01:29:11,225 --> 01:29:14,435 TO HER, MY LORD, WAS I BETROTH'D ERE I SAW HERMIA: 1707 01:29:14,515 --> 01:29:17,015 BUT, LIKE IN SICKNESS, DID I LOATHE THIS FOOD; 1708 01:29:17,105 --> 01:29:20,275 BUT, AS IN HEALTH, COME TO MY NATURAL TASTE, 1709 01:29:20,355 --> 01:29:27,445 NOW I DO WISH IT, LOVE IT, LONG FOR IT, 1710 01:29:27,525 --> 01:29:30,035 AND WILL FOR EVERMORE BE TRUE TO IT. 1711 01:29:30,115 --> 01:29:32,615 FAIR LOVERS, YOU ARE FORTUNATELY MET.: 1712 01:29:32,705 --> 01:29:35,745 OF THIS DISCOURSE WE MORE WILL HEAR ANON. 1713 01:29:35,825 --> 01:29:38,665 EGEUS, I WILL OVERBEAR YOUR WILL; 1714 01:29:38,745 --> 01:29:40,705 FOR IN THE TEMPLE BY AND BY WITH US 1715 01:29:40,795 --> 01:29:44,295 THESE COUPLES SHALL ETERNALLY BE KNIT. 1716 01:29:46,045 --> 01:29:48,635 AND, FOR THE MORNING NOW IS SOMETHING WORN, 1717 01:29:48,715 --> 01:29:51,675 OUR PURPOSED HUNTING SHALL BE SET ASIDE. 1718 01:29:51,765 --> 01:29:54,975 AWAY WITH US TO ATHENS; THREE AND THREE, 1719 01:29:55,055 --> 01:29:59,065 WE'LL HOLD A FEAST IN GREAT SOLEMNITY. 1720 01:29:59,145 --> 01:30:01,605 COME, HIPPOLYTA. 1721 01:30:05,485 --> 01:30:07,655 THESE THINGS SEEM SMALL AND UNDISTINGUISHABLE, 1722 01:30:07,735 --> 01:30:10,485 LIKE FAR-OFF MOUNTAINS TURNED INTO CLOUDS. 1723 01:30:10,575 --> 01:30:13,075 METHINKS I SEE THESE THINGS WITH PARTED EYE, 1724 01:30:13,155 --> 01:30:14,785 WHEN EVERY THING SEEMS DOUBLE. 1725 01:30:14,865 --> 01:30:16,665 SO METHINKS: 1726 01:30:16,745 --> 01:30:19,665 AND I HAVE FOUND DEMETRIUS LIKE A JEWEL, 1727 01:30:19,745 --> 01:30:22,705 MINE OWN, AND NOT MINE OWN. 1728 01:30:22,795 --> 01:30:23,975 ARE YOU SURE THAT WE ARE AWAKE? 1729 01:30:24,005 --> 01:30:26,545 IT SEEMS TO ME THAT YET WE SLEEP, WE DREAM. 1730 01:30:26,635 --> 01:30:27,855 DO NOT YOU THINK THE DUKE WAS HERE, 1731 01:30:27,885 --> 01:30:28,925 AND BID US FOLLOW HIM? 1732 01:30:29,005 --> 01:30:30,095 YEA; AND MY FATHER. 1733 01:30:30,175 --> 01:30:31,175 AND HIPPOLYTA. 1734 01:30:31,255 --> 01:30:32,775 AND HE DID BID US FOLLOW TO THE TEMPLE. 1735 01:30:32,805 --> 01:30:34,305 WHY, THEN, WE ARE AWAKE: 1736 01:30:34,385 --> 01:30:35,725 LET'S FOLLOW HIM 1737 01:30:35,805 --> 01:30:40,605 AND BY THE WAY LET US RECOUNT OUR DREAMS. 1738 01:30:43,815 --> 01:30:49,695 WHEN MY CUE COMES, CALL ME, AND I WILL ANSWER: 1739 01:30:49,775 --> 01:30:54,785 MY NEXT IS, "MOST FAIR PYRAMUS." 1740 01:31:05,795 --> 01:31:07,755 HEIGH-HO! 1741 01:31:08,965 --> 01:31:10,755 PETER QUINCE! 1742 01:31:12,255 --> 01:31:15,385 FLUTE, THE BELLOWS-MENDER! 1743 01:31:16,225 --> 01:31:18,185 SNOUT, THE TINKER! 1744 01:31:23,015 --> 01:31:27,605 STARVELING! 1745 01:31:29,025 --> 01:31:31,365 GOD'S MY LIFE, STOLEN HENCE, 1746 01:31:31,445 --> 01:31:34,615 AND LEFT ME ASLEEP! 1747 01:31:35,865 --> 01:31:39,785 I HAVE HAD A MOST RARE VISION. 1748 01:31:39,865 --> 01:31:41,955 I HAVE HAD A DREAM, 1749 01:31:42,035 --> 01:31:46,375 PAST THE WIT OF MAN TO SAY WHAT DREAM IT WAS: 1750 01:31:46,455 --> 01:31:47,455 MAN IS BUT AN ASS, 1751 01:31:47,505 --> 01:31:52,385 IF HE GO ABOUT TO EXPOUND THIS DREAM. 1752 01:31:52,465 --> 01:31:55,015 METHOUGHT I WAS... 1753 01:31:56,055 --> 01:31:59,015 THERE IS NO MAN CAN TELL WHAT. 1754 01:32:00,055 --> 01:32:04,015 METHOUGHT I WAS... 1755 01:32:05,185 --> 01:32:10,445 AND METHOUGHT I HAD... 1756 01:32:12,485 --> 01:32:13,675 BUT MAN IS BUT A PATCHED FOOL, 1757 01:32:13,695 --> 01:32:16,035 IF HE WILL OFFER TO SAY WHAT METHOUGHT I HAD. 1758 01:32:16,115 --> 01:32:20,245 THE EYE OF MAN HATH NOT HEARD, THE EAR OF MAN HATH NOT SEEN, 1759 01:32:20,325 --> 01:32:24,455 MAN'S HAND IS NOT ABLE TO TASTE, HIS TONGUE TO CONCEIVE, 1760 01:32:24,535 --> 01:32:25,995 NOR HIS HEART TO REPORT, 1761 01:32:26,085 --> 01:32:27,545 WHAT MY DREAM WAS. 1762 01:32:27,625 --> 01:32:31,045 I WILL GET PETER QUINCE TO WRITE A BALLAD OF THIS DREAM: 1763 01:32:31,125 --> 01:32:33,005 IT SHALL BE CALLED BOTTOM'S DREAM, 1764 01:32:33,085 --> 01:32:34,675 BECAUSE IT HATH NO BOTTOM; 1765 01:32:34,755 --> 01:32:38,015 AND I WILL SING IT IN THE LATTER END OF A PLAY, 1766 01:32:38,095 --> 01:32:39,135 BEFORE THE DUKE: 1767 01:32:39,225 --> 01:32:42,345 PERADVENTURE, TO MAKE IT THE MORE GRACIOUS, 1768 01:32:42,435 --> 01:32:45,815 I WILL SING IT AT HER DEATH. 1769 01:32:54,985 --> 01:32:59,245 'TS STRANGE, MY THESEUS, THAT THESE LOVERS SPEAK OF. 1770 01:32:59,325 --> 01:33:01,915 MORE STRANGE THAN TRUE. 1771 01:33:01,995 --> 01:33:04,875 I NEVER MAY BELIEVE THESE ANTIQUE FABLES, 1772 01:33:04,955 --> 01:33:07,165 NOR THESE FAIRY TOYS. 1773 01:33:07,245 --> 01:33:10,255 LOVERS AND MADMEN HAVE SUCH SEETHING BRAINS, 1774 01:33:10,335 --> 01:33:11,875 SUCH SHAPING FANTASIES, 1775 01:33:11,965 --> 01:33:16,595 THAT APPREHEND MORE THAN COOL REASON EVER COMPREHENDS. 1776 01:33:16,675 --> 01:33:21,265 THE LUNATIC, THE LOVER, AND THE POET 1777 01:33:21,345 --> 01:33:23,305 ARE OF IMAGINATION ALL COMPACT.: 1778 01:33:23,385 --> 01:33:26,935 ONE SEES MORE DEVILS THAN VAST HELL CAN HOLD, 1779 01:33:27,015 --> 01:33:31,525 THAT IS, THE MADMAN: THE LOVER, ALL AS FRANTIC, 1780 01:33:31,605 --> 01:33:35,315 SEES HELEN'S BEAUTY IN A BROW OF EGYPT: 1781 01:33:35,405 --> 01:33:39,405 THE POET'S EYE, IN A FINE FRENZY ROLLING, 1782 01:33:39,485 --> 01:33:41,285 DOTH GLANCE FROM HEAVEN TO EARTH, 1783 01:33:41,365 --> 01:33:42,905 FROM EARTH TO HEAVEN; 1784 01:33:42,995 --> 01:33:47,705 AND AS IMAGINATION BODIES FORTH THE FORMS OF THINGS UNKNOWN, 1785 01:33:47,785 --> 01:33:51,295 THE POET'S PEN TURNS THEM TO SHAPES 1786 01:33:51,375 --> 01:33:57,925 AND GIVES TO AIRY NOTHING A LOCAL HABITATION AND A NAME. 1787 01:33:58,005 --> 01:34:00,215 SUCH TRICKS HATH STRONG IMAGINATION, 1788 01:34:00,305 --> 01:34:03,055 THAT IF IT WOULD BUT APPREHEND SOME JOY, 1789 01:34:03,135 --> 01:34:06,095 IT COMPREHENDS SOME BRINGER OF THAT JOY; 1790 01:34:06,185 --> 01:34:09,315 OR IN THE NIGHT, IMAGINING SOME FEAR, 1791 01:34:09,395 --> 01:34:14,065 HOW EASY IS A BUSH SUPPOSED A BEAR! 1792 01:34:14,145 --> 01:34:16,525 BUT ALL THE STORY OF THE NIGHT TOLD OVER, 1793 01:34:16,605 --> 01:34:19,865 AND ALL THEIR MINDS TRANSFIGURED SO TOGETHER, 1794 01:34:19,945 --> 01:34:22,995 MORE WITNESSETH THAN FANCY'S IMAGES 1795 01:34:23,075 --> 01:34:26,915 AND GROWS TO SOMETHING OF GREAT CONSTANCY; 1796 01:34:26,995 --> 01:34:31,165 BUT, HOWSOEVER, STRANGE AND ADMIRABLE. 1797 01:34:31,875 --> 01:34:38,005 [DOGS BARKING] 1798 01:34:38,635 --> 01:34:40,345 HAVE YOU SENT TO BOTTOM'S HOUSE? 1799 01:34:40,425 --> 01:34:41,965 IS HE COME HOME YET? 1800 01:34:42,055 --> 01:34:44,805 HE CANNOT BE HEARD OF. 1801 01:34:44,885 --> 01:34:48,805 OUT OF DOUBT HE IS TRANSPORTED. 1802 01:34:49,435 --> 01:34:52,025 IF HE COME NOT, THEN THE PLAY IS MARRED: 1803 01:34:52,105 --> 01:34:54,985 IT GOES NOT FORWARD, DOTH IT? 1804 01:34:55,065 --> 01:34:57,355 IT IS NOT POSSIBLE: 1805 01:34:57,445 --> 01:34:59,365 YOU HAVE NOT A MAN IN ALL ATHENS 1806 01:34:59,445 --> 01:35:01,985 ABLE TO DISCHARGE PYRAMUS BUT HE. 1807 01:35:02,075 --> 01:35:03,575 NO, HE HATH SIMPLY THE BEST WIT 1808 01:35:03,655 --> 01:35:05,365 OF ANY HANDICRAFT MAN IN ATHENS. 1809 01:35:05,455 --> 01:35:07,365 YEA, AND THE BEST PERSON, TOO; 1810 01:35:07,455 --> 01:35:11,785 AND HE IS A VERY PARAMOUR FOR A SWEET VOICE. 1811 01:35:11,875 --> 01:35:13,625 YOU MUST SAY "PARAGON": 1812 01:35:13,705 --> 01:35:16,085 A PARAMOUR IS, GOD BLESS US, 1813 01:35:16,165 --> 01:35:18,045 A THING OF NAUGHT. 1814 01:35:21,215 --> 01:35:24,175 MASTERS, THE DUKE IS COMING FROM THE TEMPLE, 1815 01:35:24,265 --> 01:35:28,095 AND THERE IS TWO OR 3 LORDS AND LADIES MORE MARRIED: 1816 01:35:28,185 --> 01:35:34,935 IF OUR SPORT HAD GONE FORWARD, WE HAD ALL BEEN MADE MEN. 1817 01:35:37,895 --> 01:35:42,445 O SWEET BULLY BOTTOM! 1818 01:35:42,525 --> 01:35:46,405 THUS HATH HE LOST SIXPENCE A DAY DURING HIS LIFE; 1819 01:35:46,495 --> 01:35:50,035 HE COULD NOT HAVE 'SCAPED SIXPENCE A DAY: 1820 01:35:50,115 --> 01:35:53,205 AND THE DUKE HAD NOT GIVEN HIM SIXPENCE A DAY 1821 01:35:53,285 --> 01:35:57,335 FOR PLAYING PYRAMUS, I'll BE HANGED; 1822 01:35:57,415 --> 01:35:58,835 HE WOULD HAVE DESERVED IT: 1823 01:35:58,925 --> 01:36:02,215 SIXPENCE A DAY IN PYRAMUS, OR NOTHING. 1824 01:36:02,295 --> 01:36:04,885 [DOGS HOWLING] 1825 01:36:04,965 --> 01:36:09,635 Bottom: WHERE ARE THESE LADS? WHERE ARE THESE HEARTS? 1826 01:36:09,725 --> 01:36:11,475 BOTTOM! BOTTOM! 1827 01:36:11,555 --> 01:36:13,105 BOTTOM! 1828 01:36:14,315 --> 01:36:18,105 O MOST COURAGEOUS DAY! O MOST HAPPY HOUR! 1829 01:36:18,185 --> 01:36:21,155 MASTERS, I AM TO DISCOURSE WONDERS: 1830 01:36:21,235 --> 01:36:22,235 BUT ASK ME NOT WHAT; 1831 01:36:22,315 --> 01:36:24,075 FOR IF I TELL YOU, I AM NO TRUE ATHENIAN. 1832 01:36:24,155 --> 01:36:27,115 I WILL TELL YOU EVERY THING, RIGHT AS IT FELL OUT. 1833 01:36:27,195 --> 01:36:29,495 LET US HEAR, SWEET BOTTOM. 1834 01:36:32,995 --> 01:36:34,285 NOT A WORD OF ME. 1835 01:36:34,375 --> 01:36:36,355 ALL THAT I WILL TELL YOU IS THAT THE DUKE HATH DINED. 1836 01:36:36,375 --> 01:36:38,515 GET YOUR APPAREL TOGETHER, GOOD STRINGS TO YOUR BEARDS, 1837 01:36:38,545 --> 01:36:41,215 NEW RIBBONS TO YOUR PUMPS; MEET PRESENTLY AT THE PALACE; 1838 01:36:41,295 --> 01:36:42,545 EVERY MAN LOOK O'ER HIS PART; 1839 01:36:42,635 --> 01:36:45,885 FOR THE SHORT AND THE LONG IS, OUR PLAY IS PREFERRED. 1840 01:36:45,965 --> 01:36:49,175 IN ANY CASE, LET THISBY HAVE CLEAN LINEN; 1841 01:36:49,265 --> 01:36:51,595 AND LET NOT HIM THAT PLAYS THE LION PAIR HIS NAILS, 1842 01:36:51,685 --> 01:36:54,475 FOR THEY SHALL HANG OUT FOR THE LION'S CLAWS. 1843 01:36:54,555 --> 01:36:56,315 AND, MOST DEAR ACTORS, 1844 01:36:56,395 --> 01:36:58,475 EAT NO ONIONS NOR GARLIC, 1845 01:36:58,565 --> 01:37:00,185 FOR WE ARE TO UTTER SWEET BREATH; 1846 01:37:00,275 --> 01:37:02,275 AND I DO NOT DOUBT BUT TO HEAR THEM SAY, 1847 01:37:02,355 --> 01:37:03,695 IT IS A SWEET COMEDY. 1848 01:37:03,775 --> 01:37:07,155 NO MORE WORDS: AWAY! GO, AWAY! 1849 01:37:09,035 --> 01:37:10,135 Theseus: COME NOW; WHAT MASQUES, 1850 01:37:10,155 --> 01:37:11,745 WHAT DANCES SHALL WE HAVE, 1851 01:37:11,825 --> 01:37:14,125 TO WEAR AWAY THIS LONG AGE OF 3 HOURS 1852 01:37:14,205 --> 01:37:16,125 BETWEEN OUR AFTER-SUPPER AND BED-TIME? 1853 01:37:16,205 --> 01:37:19,085 WHERE IS OUR USUAL MANAGER OF MIRTH? 1854 01:37:19,165 --> 01:37:20,545 WHAT REVELS ARE IN HAND? 1855 01:37:20,625 --> 01:37:25,505 IS THERE NO PLAY TO EASE THE ANGUISH OF A TORTURING HOUR? 1856 01:37:25,595 --> 01:37:26,595 CALL PHILOSTRATE. 1857 01:37:26,635 --> 01:37:28,055 HERE, MIGHTY THESEUS. 1858 01:37:28,135 --> 01:37:30,345 SAY, WHAT ABRIDGEMENT HAVE YOU FOR THIS EVENING? 1859 01:37:30,425 --> 01:37:33,135 THERE IS A BRIEF HOW MANY SPORTS ARE RIPE: 1860 01:37:33,225 --> 01:37:37,145 MAKE CHOICE OF WHICH YOUR HIGHNESS WILL SEE FIRST. 1861 01:37:37,225 --> 01:37:38,395 "THE BATTLE WITH THE CENTAURS, 1862 01:37:38,475 --> 01:37:42,105 "TO BE SUNG BY AN ATHENIAN EUNUCH TO THE HARP." 1863 01:37:42,195 --> 01:37:43,445 WE'LL NONE OF THAT: 1864 01:37:43,525 --> 01:37:45,105 THAT HAVE I TOLD MY LOVE, 1865 01:37:45,195 --> 01:37:48,155 IN GLORY OF MY KINSMAN HERCULES. 1866 01:37:48,235 --> 01:37:52,205 "A TEDIOUS BRIEF SCENE OF YOUNG PYRAMUS AND HIS LOVE THISBE; 1867 01:37:52,285 --> 01:37:53,285 VERY TRAGICAL MIRTH." 1868 01:37:53,325 --> 01:37:55,115 MERRY AND TRAGICAL! TEDIOUS AND BRIEF! 1869 01:37:55,205 --> 01:37:58,375 THAT IS, HOT ICE AND WONDROUS STRANGE SNOW. 1870 01:37:58,455 --> 01:38:01,165 HOW SHALL WE FIND THE CONCORD OF THIS DISCORD?" 1871 01:38:01,255 --> 01:38:02,255 A PLAY THERE IS, MY LORD, 1872 01:38:02,335 --> 01:38:03,375 SOME 10 WORDS LONG, 1873 01:38:03,465 --> 01:38:05,335 WHICH IS AS BRIEF AS I HAVE KNOWN A PLAY, ; 1874 01:38:05,425 --> 01:38:08,545 BUT BY 10 WORDS, MY LORD, IT IS TOO LONG, 1875 01:38:08,635 --> 01:38:10,215 WHICH MAKES IT TEDIOUS; 1876 01:38:10,305 --> 01:38:13,885 FOR IN ALL THE PLAY THERE IS NOT ONE WORD APT, ONE PLAYER FITTED. 1877 01:38:13,975 --> 01:38:15,185 WHAT ARE THEY THAT DO PLAY IT? 1878 01:38:15,265 --> 01:38:17,145 HARD-HANDED MEN THAT WORK IN ATHENS HERE, 1879 01:38:17,225 --> 01:38:20,185 WHICH NEVER LABOUR'D IN THEIR MINDS TILL NOW, 1880 01:38:20,265 --> 01:38:23,565 AND NOW HAVE TOIL'D THEIR UNBREATHED MEMORIES 1881 01:38:23,645 --> 01:38:26,565 WITH THIS SAME PLAY, AGAINST YOUR NUPTIAL. 1882 01:38:26,655 --> 01:38:28,115 AND WE WILL HEAR IT. 1883 01:38:28,195 --> 01:38:29,275 NO, MY NOBLE LORD. 1884 01:38:29,365 --> 01:38:31,905 I LOVE NOT TO SEE WRETCHEDNESS O'ER CHARGED 1885 01:38:31,985 --> 01:38:33,905 AND DUTY IN HIS SERVICE PERISHING. 1886 01:38:33,995 --> 01:38:36,115 WHY, GENTLE SWEET, YOU SHALL SEE NO SUCH THING. 1887 01:38:36,205 --> 01:38:38,325 FOR NEVER ANYTHING CAN BE AMISS, 1888 01:38:38,415 --> 01:38:41,045 WHEN SIMPLENESS AND DUTY TENDER IT. 1889 01:38:41,125 --> 01:38:41,995 GO, BRING THEM IN: 1890 01:38:42,085 --> 01:38:44,545 AND TAKE YOUR PLACES, LADIES. 1891 01:38:48,795 --> 01:38:52,425 Philostrate: SO PLEASE YOUR GRACE, THE PROLOGUE IS ADDRESS'D. 1892 01:38:52,515 --> 01:38:54,635 LET HIM APPROACH. 1893 01:39:11,445 --> 01:39:15,035 GENTLES, PERCHANCE YOU WONDER AT THIS SHOW; 1894 01:39:15,115 --> 01:39:19,625 BUT WONDER ON, TILL TRUTH MAKE ALL THINGS PLAIN. 1895 01:39:19,705 --> 01:39:22,835 THIS MAN IS PYRAMUS, IF YOU WOULD KNOW; 1896 01:39:22,915 --> 01:39:28,835 THIS BEAUTEOUS LADY THISBY IS CERTAIN. 1897 01:39:28,925 --> 01:39:32,635 THIS MAN, WITH LIME AND ROUGH-CAST, 1898 01:39:32,715 --> 01:39:35,425 DOTH PRESENT WALL, 1899 01:39:35,515 --> 01:39:40,095 THAT VILE WALL WHICH DID THESE LOVERS SUNDER; 1900 01:39:40,185 --> 01:39:43,265 AND THROUGH WALL'S CHINK, POOR SOULS, 1901 01:39:43,355 --> 01:39:45,985 THEY ARE CONTENT TO WHISPER. 1902 01:39:46,065 --> 01:39:50,235 AT THE WHICH LET NO MAN WONDER. 1903 01:39:50,315 --> 01:39:54,785 THIS MAN, WITH LANTHORN, DOG, AND BUSH OF THORNS, 1904 01:39:54,865 --> 01:39:58,455 PRESENTETH MOONSHINE; FOR, IF YOU WILL KNOW, 1905 01:39:58,535 --> 01:40:02,665 BY MOONSHINE DID THESE LOVERS THINK NO SCORN 1906 01:40:02,745 --> 01:40:08,665 TO MEET AT NINUS' TOMB, THERE, THERE TO WOO. 1907 01:40:08,755 --> 01:40:13,715 THIS GRISLY BEAST, WHICH LION HIGHT BY NAME, 1908 01:40:13,795 --> 01:40:15,925 THE TRUSTY THISBY, COMING FIRST BY NIGHT, 1909 01:40:16,015 --> 01:40:18,675 DID SCARE AWAY, OR RATHER DID AFFRIGHT; 1910 01:40:18,765 --> 01:40:21,895 AND, AS SHE FLED, HER MANTLE SHE DID FALL, 1911 01:40:21,975 --> 01:40:27,685 WHICH LION VILE WITH BLOODY MOUTH DID STAIN. 1912 01:40:27,775 --> 01:40:31,405 ANON COMES PYRAMUS, SWEET YOUTH AND TALL, 1913 01:40:31,485 --> 01:40:35,825 AND FINDS HIS TRUSTY THISBY'S MANTLE SLAIN: 1914 01:40:35,905 --> 01:40:40,325 WHEREAT, WITH BLADE, WITH BLOODY BLAMEFUL BLADE, 1915 01:40:40,405 --> 01:40:46,165 HE BRAVELY BROACH'D IS BOILING BLOODY BREAST... 1916 01:40:50,465 --> 01:40:55,925 AND THISBY, TARRYING IN MULBERRY SHADE, 1917 01:40:56,005 --> 01:41:00,635 HIS DAGGER DREW, AND DIED. 1918 01:41:00,725 --> 01:41:01,935 FOR ALL THE REST, 1919 01:41:02,015 --> 01:41:04,645 LET LION, MOONSHINE, WALL, AND LOVERS TWAIN 1920 01:41:04,725 --> 01:41:09,275 AT LARGE DISCOURSE, WHILE HERE THEY DO REMAIN. 1921 01:41:22,955 --> 01:41:24,495 I WONDER IF THE LION BE TO SPEAK. 1922 01:41:24,575 --> 01:41:25,875 NO WONDER, MY LORD: 1923 01:41:25,955 --> 01:41:29,335 ONE LION MAY, WHEN MANY ASSES DO. 1924 01:41:41,515 --> 01:41:45,685 IN THIS SAME INTERLUDE IT DOTH BEFALL 1925 01:41:45,765 --> 01:41:52,775 THAT I, ONE SNOUT BY NAME, PRESENT A WALL. 1926 01:42:01,575 --> 01:42:06,995 AND SUCH A WALL, AS I WOULD HAVE YOU THINK, 1927 01:42:07,075 --> 01:42:13,215 THAT HAD IN IT A CRANNIED HOLE OR CHINK, 1928 01:42:13,295 --> 01:42:19,595 THROUGH WHICH THE LOVERS, PYRAMUS AND THISBY, 1929 01:42:19,675 --> 01:42:26,435 DID WHISPER OFTEN VERY SECRETLY. 1930 01:42:28,805 --> 01:42:35,815 THIS LOAM, THIS ROUGH-CAST AND THIS STONE DOTH SHOW 1931 01:42:36,025 --> 01:42:39,485 THAT I AM THAT SAME WALL; 1932 01:42:39,575 --> 01:42:42,075 THE TRUTH IS SO: 1933 01:42:44,535 --> 01:42:51,545 AND THIS THE CRANNY IS, RIGHT AND SINISTER... 1934 01:42:57,545 --> 01:43:02,885 THROUGH WHICH THE FEARFUL LOVERS ARE TO WHI... WHISPER. 1935 01:43:04,135 --> 01:43:06,435 WOULD YOU DESIRE LIME AND HAIR TO SPEAK BETTER? 1936 01:43:06,515 --> 01:43:07,595 IT IS THE WITTIEST PARTITION 1937 01:43:07,685 --> 01:43:09,475 THAT EVER I HEARD DISCOURSE, MY LORD. 1938 01:43:09,555 --> 01:43:11,645 PYRAMUS DRAWS NEAR THE WALL: SILENCE! 1939 01:43:11,725 --> 01:43:14,275 O GRIM-LOOK'D NIGHT! 1940 01:43:14,355 --> 01:43:17,315 O NIGHT WITH HUE SO BLACK! 1941 01:43:17,405 --> 01:43:21,655 O NIGHT, WHICH EVER ART WHEN DAY IS NOT! 1942 01:43:21,735 --> 01:43:25,075 O NIGHT, O NIGHT! 1943 01:43:25,155 --> 01:43:27,665 ALACK, ALACK, ALACK, 1944 01:43:27,745 --> 01:43:31,455 I FEAR MY THISBY'S PROMISE IS FORGOT! 1945 01:43:31,535 --> 01:43:37,125 AND THOU, O WALL, O SWEET, O LOVELY WALL, 1946 01:43:37,215 --> 01:43:42,345 THAT STAND'ST BETWEEN HER FATHER'S GROUND AND MINE! 1947 01:43:42,425 --> 01:43:49,435 THOU WALL, O WALL, O SWEET AND LOVELY WALL, 1948 01:43:50,095 --> 01:43:51,895 SHOW ME THY CHINK, 1949 01:43:51,975 --> 01:43:57,065 TO BLINK THROUGH WITH MINE EYNE! 1950 01:44:01,405 --> 01:44:04,905 THANKS, COURTEOUS WALL.: 1951 01:44:04,985 --> 01:44:08,825 JOVE SHIELD THEE WELL FOR THIS! 1952 01:44:08,905 --> 01:44:13,535 BUT WHAT SEE 1? NO THISBY DO I SEE. 1953 01:44:13,625 --> 01:44:18,465 O WICKED WALL, THROUGH WHOM I SEE NO BLISS! 1954 01:44:18,545 --> 01:44:22,335 CURSED BE THY STONES FOR THUS DECEIVING ME! 1955 01:44:22,425 --> 01:44:25,595 THE WALL, METHINKS, BEING SENSIBLE, SHOULD CURSE AGAIN. 1956 01:44:25,675 --> 01:44:27,675 NO, IN TRUTH, SIR, HE SHOULD NOT. 1957 01:44:27,765 --> 01:44:30,385 "DECEIVING ME" IS THISBY'S CUE: 1958 01:44:30,475 --> 01:44:31,515 SHE IS TO ENTER NOW, 1959 01:44:31,595 --> 01:44:33,185 AND I AM TO SPY HER THROUGH THE WALL. 1960 01:44:33,265 --> 01:44:37,605 YOU SHALL SEE, IT WILL FALL PAT AS I TOLD YOU. 1961 01:44:37,685 --> 01:44:39,815 YONDER SHE COMES. 1962 01:44:40,275 --> 01:44:44,195 O WALL, FULL OFTEN HAST THOU HEARD MY MOANS, 1963 01:44:44,275 --> 01:44:46,735 FOR PARTING MY FAIR PYRAMUS AND ME! 1964 01:44:46,825 --> 01:44:49,785 MY CHERRY LIPS HAVE OFTEN KISS'D THY STONES, 1965 01:44:49,865 --> 01:44:54,165 THY STONES WITH LIME AND HAIR KNIT UP IN THEE. 1966 01:44:54,245 --> 01:44:56,165 I SEE A VOICE: 1967 01:44:56,245 --> 01:44:57,875 NOW WILL I TO THE CHINK, 1968 01:44:57,955 --> 01:45:01,965 TO SPY AN I CAN HEAR MY THISBY'S FACE. 1969 01:45:02,045 --> 01:45:03,755 THISBY! 1970 01:45:03,835 --> 01:45:06,305 MY LOVE THOU ART, MY LOVE I THINK. 1971 01:45:06,385 --> 01:45:09,385 THINK WHAT THOU WILT, I AM THY LOVER'S GRACE; 1972 01:45:09,475 --> 01:45:12,225 AND, LIKE LIMANDER, AM I TRUSTY STILL. 1973 01:45:12,305 --> 01:45:14,555 AND I LIKE HELEN, TILL THE FATES ME KILL. 1974 01:45:14,645 --> 01:45:16,975 NOT SHAFALUS TO PROCRUS WAS SO TRUE. 1975 01:45:17,065 --> 01:45:18,775 AS SHAFALUS TO PROCRUS, 1 TO YOU. 1976 01:45:18,855 --> 01:45:23,235 O KISS ME THROUGH THE HOLE OF THIS VILE WALL! 1977 01:45:29,195 --> 01:45:34,035 I KISS THE WALL'S HOLE, NOT YOUR LIPS AT ALL. 1978 01:45:39,295 --> 01:45:42,215 WILT THOU AT NINNY'S TOMB MEET ME STRAIGHTWAY? 1979 01:45:42,295 --> 01:45:46,465 'TIDE LIFE, 'TIDE DEATH, I COME WITHOUT DELAY. 1980 01:45:54,135 --> 01:46:00,645 THUS HAVE I, WALL, MY PART DISCHARGED SO; 1981 01:46:00,725 --> 01:46:07,735 AND, BEING DONE, THUS WALL AWAY DOTH GO. 1982 01:46:08,115 --> 01:46:10,075 [APPLAUSE] 1983 01:46:11,245 --> 01:46:14,365 NOW IS THE MURAL DOWN BETWEEN THE TWO NEIGHBORS. 1984 01:46:14,455 --> 01:46:15,665 NO REMEDY, MY LORD, 1985 01:46:15,745 --> 01:46:17,785 WHEN WALLS ARE SO WILLFUL TO HEAR WITHOUT WARNING. 1986 01:46:17,875 --> 01:46:21,455 THIS IS THE SILLIEST STUFF THAT EVER I HEARD. 1987 01:46:21,545 --> 01:46:24,505 THE BEST IN THIS KIND ARE BUT SHADOWS; 1988 01:46:24,585 --> 01:46:25,755 AND THE WORST ARE NO WORSE, 1989 01:46:25,835 --> 01:46:27,045 IF IMAGINATION AMEND THEM. 1990 01:46:27,135 --> 01:46:31,095 IT MUST BE YOUR IMAGINATION THEN, AND NOT THEIRS. 1991 01:46:31,715 --> 01:46:33,845 IF WE IMAGINE NO WORSE OF THEM 1992 01:46:33,925 --> 01:46:35,475 THAN THEY OF THEMSELVES, 1993 01:46:35,555 --> 01:46:38,435 THEY MAY PASS FOR EXCELLENT MEN. 1994 01:46:39,055 --> 01:46:40,975 HERE COME TWO NOBLE BEASTS IN, 1995 01:46:41,065 --> 01:46:44,235 A MAN AND A LION. 1996 01:46:45,985 --> 01:46:49,065 [QUIETLY] YOU, LADIES, 1997 01:46:49,155 --> 01:46:52,285 YOU, WHOSE GENTLE HEARTS DO FEAR 1998 01:46:52,365 --> 01:46:57,205 THE SMALLEST MONSTROUS MOUSE THAT CREEPS ON FLOOR, 1999 01:46:57,285 --> 01:47:01,665 MAY NOW PERCHANCE BOTH QUAKE AND TREMBLE HERE, 2000 01:47:01,745 --> 01:47:06,715 WHEN LION ROUGH IN WILDEST RAGE DOTH ROAR. 2001 01:47:06,795 --> 01:47:08,795 [ROARS LOUDLY] 2002 01:47:09,795 --> 01:47:13,345 THEN KNOW THAT I, ONE SNUG THE JOINER, 2003 01:47:13,425 --> 01:47:16,515 AM A LION-FELL, NOR ELSE NO LION'S DAM; 2004 01:47:16,595 --> 01:47:18,555 FOR, IF I SHOULD AS LION COME IN STRIFE 2005 01:47:18,645 --> 01:47:21,855 INTO THIS PLACE, 'TWERE PITY ON MY LIFE. 2006 01:47:21,935 --> 01:47:23,735 A VERY GENTLE BEAST, AND OF A GOOD CONSCIENCE. 2007 01:47:23,815 --> 01:47:27,355 THE VERY BEST AT A BEAST, MY LORD, THAT E'ER I SAW. 2008 01:47:27,445 --> 01:47:29,775 LET US HEARKEN TO THE MOON. 2009 01:47:31,825 --> 01:47:34,905 THIS LANTHORN DOTH THE HORNED MOON PRESENT... 2010 01:47:34,995 --> 01:47:37,785 HE SHOULD HAVE WORN THE HORNS ON HIS HEAD. 2011 01:47:39,535 --> 01:47:42,245 THIS LANTHORN DOTH THE HORNED MOON PRESENT; 2012 01:47:42,335 --> 01:47:44,915 MYSELF THE MAN IN THE MOON DO SEEM TO BE. 2013 01:47:45,005 --> 01:47:46,875 THIS IS THE GREATEST ERROR OF ALL THE REST: 2014 01:47:46,965 --> 01:47:48,395 THE MAN SHOULD BE PUT INTO THE LANTHORN. 2015 01:47:48,425 --> 01:47:49,605 HOW IS IT ELSE THE MANI' THE MOON? 2016 01:47:49,635 --> 01:47:50,985 HE DARES NOT COME THERE FOR THE CANDLE; 2017 01:47:51,005 --> 01:47:53,755 FOR, YOU SEE, IT IS ALREADY IN SNUFF. 2018 01:47:53,845 --> 01:47:56,765 [WOMAN LAUGHING] 2019 01:47:56,845 --> 01:47:59,895 I AM AWEARY OF THIS MOON: WOULD HE WOULD CHANGE! 2020 01:47:59,975 --> 01:48:01,935 IT APPEARS, BY HIS SMALL LIGHT OF DISCRETION, 2021 01:48:02,015 --> 01:48:04,355 THAT HE IS IN THE WANE; BUT YET, IN COURTESY, 2022 01:48:04,435 --> 01:48:06,735 IN ALL REASON, WE MUST STAY THE TIME. 2023 01:48:06,815 --> 01:48:08,735 PROCEED, MOON. 2024 01:48:08,815 --> 01:48:10,155 WELL, ALL THAT I HAVE TO SAY 2025 01:48:10,235 --> 01:48:12,565 IS TO TELL YOU THAT THE LANTHORN IS THE MOON; 2026 01:48:12,655 --> 01:48:16,365 I, THE MAN IN THE MOON; THIS THORN-BUSH, MY THORN-BUSH; 2027 01:48:16,445 --> 01:48:18,955 AND THIS DOG, MY DOG. 2028 01:48:19,035 --> 01:48:21,165 BUT, SILENCE! HERE COMES THISBE. 2029 01:48:21,245 --> 01:48:28,255 THIS IS OLD NINNY'S TOMB. WHERE IS MY LOVE? 2030 01:48:28,835 --> 01:48:30,625 [ROARING] 2031 01:48:30,715 --> 01:48:32,175 OH! 2032 01:48:32,255 --> 01:48:34,215 [ROARING] 2033 01:48:48,815 --> 01:48:50,605 Demetrius: WELL ROARED, LION! 2034 01:48:50,695 --> 01:48:51,815 WELL RUN, THISBE. 2035 01:48:51,905 --> 01:48:52,905 WELL SHONE, MOON. 2036 01:48:52,985 --> 01:48:54,775 TRULY, THE MOON SHINES WITH A GOOD GRACE. 2037 01:48:54,865 --> 01:48:56,905 Theseus: WELL MOUSED, LION. 2038 01:48:56,985 --> 01:48:58,995 AND THEN CAME PYRAMUS. 2039 01:48:59,075 --> 01:48:59,785 [AUDIENCE CHEERS] 2040 01:48:59,865 --> 01:49:01,825 AND SO THE LION VANISHED. 2041 01:49:01,915 --> 01:49:07,665 SWEET MOON, I THANK THEE FOR THY SUNNY BEAMS. 2042 01:49:11,625 --> 01:49:16,845 I THANK THEE, MOON, FOR SHINING NOW SO BRIGHT; 2043 01:49:16,925 --> 01:49:22,765 FOR, BY THY GRACIOUS, GOLDEN, GLITTERING GLEAMS... 2044 01:49:22,845 --> 01:49:25,645 [AUDIENCE CHEERS] 2045 01:49:25,725 --> 01:49:29,935 I TRUST TO TAKE OF TRUEST THISBY SIGHT. 2046 01:49:30,025 --> 01:49:33,655 BUT STAY, O SPITE! 2047 01:49:33,735 --> 01:49:39,865 BUT MARK, POOR KNIGHT, WHAT DREADFUL DOLE IS HERE! 2048 01:49:39,945 --> 01:49:44,075 EYES, DO YOU SEE? HOW CAN IT BE? 2049 01:49:44,165 --> 01:49:47,585 O DAINTY DUCK! O DEAR! 2050 01:49:47,665 --> 01:49:53,375 HER MANTLE GOOD, WHAT, STAIN'D WITH BLOOD! 2051 01:49:53,465 --> 01:49:55,885 APPROACH, YE FURIES FELL! 2052 01:49:55,965 --> 01:49:59,925 O FATES, COME, COME, CUT THREAD AND THRUM; 2053 01:50:00,015 --> 01:50:04,515 QUAIL, CRUSH, CONCLUDE, AND QUELL! 2054 01:50:04,595 --> 01:50:06,105 [AUDIENCE CHEERS] 2055 01:50:06,185 --> 01:50:09,065 THIS PASSION, AND THE DEATH OF A DEAR FRIEND, 2056 01:50:09,145 --> 01:50:10,725 WOULD GO NEAR TO MAKE A MAN LOOK SAD. 2057 01:50:10,815 --> 01:50:13,895 BESHREW MY HEART, BUT I PITY THE MAN. 2058 01:50:14,985 --> 01:50:21,285 O WHEREFORE, NATURE, DIDST THOU LIONS FRAME? 2059 01:50:21,365 --> 01:50:26,825 SINCE LION VILE HATH HERE DEFLOWER'D MY DEAR: 2060 01:50:26,915 --> 01:50:27,995 DEVOURED! 2061 01:50:28,085 --> 01:50:33,715 WHICH IS... NO, NO... WHICH WAS THE FAIREST DAME 2062 01:50:33,795 --> 01:50:36,505 THAT LIVED, THAT LOVED, THAT LIKED, 2063 01:50:36,585 --> 01:50:39,295 THAT LOOK'D WITH CHEER. 2064 01:50:39,385 --> 01:50:40,925 COME, TEARS, CONFOUND; 2065 01:50:41,005 --> 01:50:47,435 OUT, SWORD, AND WOUND THE PAP OF PYRAMUS; 2066 01:50:47,515 --> 01:50:51,645 AY, THAT LEFT PAP, WHERE HEART DOTH HOP: 2067 01:50:51,725 --> 01:50:56,945 THUS DIE I, THUS, THUS, THUS. 2068 01:50:57,025 --> 01:50:59,945 [GROANING] 2069 01:51:00,025 --> 01:51:02,995 [APPLAUSE] 2070 01:51:04,405 --> 01:51:08,915 NOW AM I DEAD, NOW AM I FLED; 2071 01:51:08,995 --> 01:51:11,665 MY SOUL IS IN THE SKY: 2072 01:51:11,745 --> 01:51:15,085 TONGUE, LOSE THY LIGHT; 2073 01:51:15,165 --> 01:51:19,925 MOON TAKE THY FLIGHT: 2074 01:51:20,005 --> 01:51:22,135 SO, DIE... 2075 01:51:22,215 --> 01:51:24,135 [GROANS] 2076 01:51:24,215 --> 01:51:25,135 DIE... 2077 01:51:25,225 --> 01:51:27,555 [GROANS] 2078 01:51:27,635 --> 01:51:28,555 DIE... 2079 01:51:28,645 --> 01:51:31,145 [GROANS] 2080 01:51:31,225 --> 01:51:32,565 DIE... 2081 01:51:32,645 --> 01:51:34,985 [GROANS] 2082 01:51:35,065 --> 01:51:36,355 DIE. 2083 01:51:36,445 --> 01:51:41,025 [GROANS] 2084 01:51:49,245 --> 01:51:52,375 WITH THE HELP OF A SURGEON HE MIGHT YET RECOVER, 2085 01:51:52,455 --> 01:51:54,125 AND PROVE AN ASS. 2086 01:51:56,255 --> 01:51:57,925 HOW CHANCE MOONSHINE IS GONE 2087 01:51:58,005 --> 01:52:00,175 BEFORE THISBE COMES BACK AND FINDS HER LOVER? 2088 01:52:00,255 --> 01:52:02,175 SHE WILL FIND HIM BY STARLIGHT. 2089 01:52:02,255 --> 01:52:03,055 HERE SHE COMES; 2090 01:52:03,135 --> 01:52:05,135 AND HER PASSION ENDS THE PLAY. 2091 01:52:05,215 --> 01:52:07,055 I HOPE SHE WILL BE BRIEF. 2092 01:52:07,135 --> 01:52:10,515 SHE HATH SPIED HIM ALREADY WITH THOSE SWEET EYES. 2093 01:52:10,595 --> 01:52:16,935 ASLEEP, MY LOVE? WHAT, DEAD, MY DOVE? 2094 01:52:17,025 --> 01:52:21,525 O PYRAMUS, ARISE! SPEAK, SPEAK. QUITE DUMB? 2095 01:52:21,615 --> 01:52:26,195 DEAD, DEAD? A TOMB MUST COVER THY SWEET EYES. 2096 01:52:26,285 --> 01:52:32,075 THESE LILY LIPS, THIS CHERRY NOSE, 2097 01:52:32,165 --> 01:52:38,165 THESE YELLOW COWSLIP CHEEKS, ARE GONE, ARE GONE: 2098 01:52:38,255 --> 01:52:44,465 LOVERS, MAKE MOAN: HIS EYES WERE GREEN AS LEEKS. 2099 01:52:44,545 --> 01:52:47,095 O SISTERS 3, COME, COME TO ME, 2100 01:52:47,175 --> 01:52:49,975 WITH HANDS AS PALE AS MILK; LAY THEM IN GORE, 2101 01:52:50,055 --> 01:52:53,645 SINCE YOU HAVE SHORE WITH SHEARS HIS THREAD OF SILK. 2102 01:52:53,725 --> 01:52:58,185 TONGUE, NOT A WORD: COME, TRUSTY SWORD; 2103 01:52:58,275 --> 01:53:02,105 COME, BLADE, MY BREAST IMBRUE... 2104 01:53:07,235 --> 01:53:10,495 AND, FAREWELL, FRIENDS; THUS THISBY ENDS: 2105 01:53:10,575 --> 01:53:13,125 ADIEU, ADIEU, ADIEU. 2106 01:53:18,165 --> 01:53:21,045 MOONSHINE AND LION ARE LEFT TO BURY THE DEAD. 2107 01:53:21,125 --> 01:53:22,255 AY, AND WALL, TOO. 2108 01:53:22,335 --> 01:53:23,425 NO, I ASSURE YOU; 2109 01:53:23,505 --> 01:53:26,005 THE WALL IS DOWN THAT PARTED THEIR FATHERS. 2110 01:53:26,095 --> 01:53:27,485 WILL IT PLEASE YOU TO SEE THE EPILOGUE, 2111 01:53:27,505 --> 01:53:31,135 OR TO HEAR A BERGOMASK DANCE BETWEEN TWO OF OUR COMPANY? 2112 01:53:31,685 --> 01:53:33,225 NO EPILOGUE, I PRAY YOU; 2113 01:53:33,305 --> 01:53:35,225 FOR YOUR PLAY NEEDS NO EXCUSE. 2114 01:53:35,305 --> 01:53:37,145 NEVER EXCUSE; 2115 01:53:37,225 --> 01:53:38,605 FOR WHEN THE PLAYERS ARE ALL DEAD, 2116 01:53:38,685 --> 01:53:40,145 THERE NEEDS NONE TO BE BLAMED. 2117 01:53:40,235 --> 01:53:41,605 MARRY, IF HE THAT WRIT IT 2118 01:53:41,695 --> 01:53:44,105 HAD PLAYED PYRAMUS AND HANGED HIMSELF IN THISBE'S GARTER, 2119 01:53:44,195 --> 01:53:45,815 IT WOULD HAVE BEEN A FINE TRAGEDY. 2120 01:53:45,905 --> 01:53:47,075 [THESEUS LAUGHS] 2121 01:53:47,155 --> 01:53:53,535 AND SO IT IS, TRULY; AND VERY NOTABLY DISCHARGED. 2122 01:53:53,915 --> 01:53:59,705 BUT COME, YOUR BERGOMASK: LET YOUR EPILOGUE ALONE. 2123 01:53:59,795 --> 01:54:04,335 [SINGING GIBBERISH] 2124 01:54:35,245 --> 01:54:37,785 [CLOCK CHIMING] 2125 01:54:41,415 --> 01:54:45,875 THE IRON TONGUE OF MIDNIGHT HATH TOLD TWELVE: 2126 01:54:45,965 --> 01:54:51,175 LOVERS, TO BED; 'TIS ALMOST FAIRY TIME. 2127 01:54:51,255 --> 01:54:53,265 I FEAR WE SHALL OUT-SLEEP THE COMING MORN 2128 01:54:53,345 --> 01:54:56,345 AS MUCH AS WE THIS NIGHT HAVE OVERWATCH'D. 2129 01:54:56,435 --> 01:54:59,265 THIS PALPABLE-GROSS PLAY HATH WELL BEGUILED 2130 01:54:59,355 --> 01:55:04,275 THE HEAVY GAIT OF NIGHT. SWEET FRIENDS, TO BED. 2131 01:55:04,355 --> 01:55:06,905 A FORTNIGHT HOLD WE THIS SOLEMNITY, 2132 01:55:06,985 --> 01:55:10,735 IN NIGHTLY REVELS AND NEW JOLLITY. 2133 01:55:57,535 --> 01:56:03,085 NOW THE HUNGRY LION ROARS, AND THE WOLF BEHOWLS THE MOON; 2134 01:56:03,165 --> 01:56:05,255 WHILST THE HEAVY PLOUGHMAN SNORES, 2135 01:56:05,335 --> 01:56:08,255 ALL WITH WEARY TASK FORDONE. 2136 01:56:08,335 --> 01:56:10,545 NOW THE WASTED BRANDS DO GLOW, 2137 01:56:10,635 --> 01:56:12,345 WHILST THE SCREECH-OWL, SCREECHING LOUD, 2138 01:56:12,425 --> 01:56:18,185 PUTS THE WRETCH THAT LIES IN WOE IN REMEMBRANCE OF A SHROUD. 2139 01:56:18,265 --> 01:56:22,055 NOW IT IS THE TIME OF NIGHT THAT THE GRAVES ALL GAPING WIDE, 2140 01:56:22,145 --> 01:56:24,065 EVERY ONE LETS FORTH HIS SPRITE, 2141 01:56:24,145 --> 01:56:26,985 IN THE CHURCH-WAY PATHS TO GLIDE: 2142 01:56:27,065 --> 01:56:29,315 AND WE FAIRIES, THAT DO RUN BY THE TRIPLE HECATE'S TEAM, 2143 01:56:29,395 --> 01:56:32,695 FROM THE PRESENCE OF THE SUN, FOLLOWING DARKNESS LIKE A DREAM, 2144 01:56:32,775 --> 01:56:35,575 NOW ARE FROLIC: 2145 01:56:35,655 --> 01:56:41,115 NOT A MOUSE SHALL DISTURB THIS HALLOW'D HOUSE: 2146 01:56:42,325 --> 01:56:43,455 I AM SENT WITH BROOM BEFORE, 2147 01:56:43,535 --> 01:56:46,335 TO SWEEP THE DUST BEHIND THE DOOR. 2148 01:56:57,095 --> 01:56:58,805 THROUGH THE HOUSE GIVE GATHERING LIGHT, 2149 01:56:58,885 --> 01:57:00,385 BY THE DEAD AND DROWSY FIRE: 2150 01:57:00,475 --> 01:57:01,685 EVERY ELF AND FAIRY SPRITE 2151 01:57:01,765 --> 01:57:03,265 HOP AS LIGHT AS BIRD FROM BRIER; 2152 01:57:03,355 --> 01:57:04,725 AND THIS DITTY, AFTER ME, 2153 01:57:04,805 --> 01:57:06,105 SING AND DANCE IT TRIPPINGLY. 2154 01:57:06,185 --> 01:57:07,605 FIRST, REHEARSE YOUR SONG BY ROTE 2155 01:57:07,685 --> 01:57:09,355 TO EACH WORD A WARBLING NOTE: 2156 01:57:09,435 --> 01:57:10,695 HAND IN HAND, WITH FAIRY GRACE, 2157 01:57:10,775 --> 01:57:14,735 WILL WE SING, AND BLESS THIS PLACE. 2158 01:57:15,905 --> 01:57:20,285 ♪ PHILOMEL, WITH MELODY ♪ 2159 01:57:20,365 --> 01:57:25,535 ♪ SING IN OUR SWEET LULLABY ♪ 2160 01:57:29,415 --> 01:57:32,505 ♪ SO GOOD NIGHT, GOOD NIGHT ♪ 2161 01:57:32,585 --> 01:57:38,175 ♪ GOOD NIGHT WITH LULLABY ♪ 2162 01:57:38,265 --> 01:57:45,265 ♪ LULLA, LULLA, LULLABY ♪ 2163 01:57:48,475 --> 01:57:49,855 NOW, UNTIL THE BREAK OF DAY, 2164 01:57:49,935 --> 01:57:51,775 THROUGH THIS HOUSE EACH FAIRY STRAY. 2165 01:57:51,855 --> 01:57:53,525 TO THE BEST BRIDE-BED WILL WE, 2166 01:57:53,605 --> 01:57:55,735 WHICH BY US SHALL BLESSED BE; 2167 01:57:55,815 --> 01:57:57,325 AND THE ISSUE THERE CREATE 2168 01:57:57,405 --> 01:57:59,075 EVER SHALL BE FORTUNATE. 2169 01:57:59,155 --> 01:58:00,535 SO SHALL ALL THE COUPLES 3 2170 01:58:00,615 --> 01:58:02,495 EVER TRUE IN LOVING BE; 2171 01:58:02,575 --> 01:58:04,165 AND THE BLOTS OF NATURE'S HAND 2172 01:58:04,245 --> 01:58:06,165 SHALL NOT IN THEIR ISSUE STAND; 2173 01:58:06,245 --> 01:58:08,455 NEVER MOLE, HARE LIP, NOR SCAR, 2174 01:58:08,545 --> 01:58:09,545 NOR MARK PRODIGIOUS, 2175 01:58:09,585 --> 01:58:11,455 SUCH AS ARE DESPISED IN NATIVITY, 2176 01:58:11,545 --> 01:58:14,295 SHALL UPON THEIR CHILDREN BE. 2177 01:58:14,375 --> 01:58:18,465 WITH THIS FIELD-DEW CONSECRATE, 2178 01:58:18,555 --> 01:58:20,385 EVERY FAIRY TAKE HIS GAIT; 2179 01:58:20,465 --> 01:58:22,175 AND EACH SEVERAL CHAMBER BLESS, 2180 01:58:22,265 --> 01:58:25,765 THROUGH THIS PALACE, WITH SWEET PEACE; 2181 01:58:25,845 --> 01:58:27,805 AND THE OWNER OF IT BLEST 2182 01:58:27,895 --> 01:58:30,565 EVER SHALL IN SAFETY REST. 2183 01:58:30,645 --> 01:58:33,185 TRIP AWAY; MAKE NO STAY; 2184 01:58:33,275 --> 01:58:36,445 MEET ME ALL BY BREAK OF DAY. 2185 01:58:50,335 --> 01:58:51,245 IF WE SHADOWS HAVE OFFENDED, 2186 01:58:51,335 --> 01:58:52,835 THINK BUT THIS, AND ALL IS MENDED, 2187 01:58:52,915 --> 01:58:55,545 THAT YOU HAVE BUT SLUMBER'D HERE WHILE THESE VISIONS DID APPEAR. 2188 01:58:55,625 --> 01:58:58,005 AND THIS WEAK AND IDLE THEME, NO MORE YIELDING BUT A DREAM, 2189 01:58:58,085 --> 01:59:01,055 GENTLES, DO NOT REPREHEND: IF YOU PARDON, WE WILL MEND: 2190 01:59:01,135 --> 01:59:03,385 AND, AS I AM AN HONEST PUCK, IF WE HAVE UNEARNED LUCK 2191 01:59:03,475 --> 01:59:05,225 NOW TO 'SCAPE THE SERPENT'S TONGUE, 2192 01:59:05,305 --> 01:59:06,595 WE WILL MAKE AMENDS ERE LONG; 2193 01:59:06,685 --> 01:59:09,435 ELSE THE PUCK A LIAR CALL, ; SO, GOOD NIGHT UNTO YOU ALL. 2194 01:59:09,515 --> 01:59:11,015 GIVE ME YOUR HANDS, IF WE BE FRIENDS, 2195 01:59:11,105 --> 01:59:13,485 AND ROBIN SHALL RESTORE AMENDS. 155881

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