Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
3
00:00:11,885 --> 00:00:14,435
[WATER TRICKLING]
4
00:01:40,555 --> 00:01:43,225
[THUNDER]
5
00:02:21,895 --> 00:02:24,475
[CHURCH BELLS RINGING]
6
00:02:30,655 --> 00:02:32,445
NOW, FAIR HIPPOLYTA,
7
00:02:32,525 --> 00:02:35,155
OUR NUPTIAL HOUR
DRAWS ON APACE;
8
00:02:35,235 --> 00:02:38,495
4 HAPPY DAYS
BRING IN ANOTHER MOON:
9
00:02:39,705 --> 00:02:40,455
BUT, O, METHINKS,
10
00:02:40,535 --> 00:02:43,495
HOW SLOW
THIS OLD MOON WANES!
11
00:02:43,585 --> 00:02:44,625
SHE LINGERS MY DESIRES,
12
00:02:44,705 --> 00:02:46,415
LIKE TO A STEP-DAME
OR A DOWAGER
13
00:02:46,505 --> 00:02:48,665
LONG WITHERING OUT
A YOUNG MAN'S REVENUE.
14
00:02:48,755 --> 00:02:52,585
4 DAYS WILL QUICKLY
STEEP THEMSELVES IN NIGHT;
15
00:02:52,675 --> 00:02:56,425
4 NIGHTS WILL QUICKLY
DREAM AWAY THE TIME;
16
00:02:56,515 --> 00:02:57,675
AND THEN THE MOON,
17
00:02:57,765 --> 00:03:00,385
LIKE TO A SILVER BOW
NEW-BENT IN HEAVEN,
18
00:03:00,475 --> 00:03:04,555
SHALL BEHOLD THE NIGHT
OF OUR SOLEMNITIES.
19
00:03:05,065 --> 00:03:06,065
Man: GO, PHILOSTRATE,
20
00:03:06,145 --> 00:03:07,495
STIR UP THE ATHENIAN
YOUTH TO MERRIMENTS;
21
00:03:07,525 --> 00:03:10,275
AWAKE THE PERT AND NIMBLE
SPIRIT OF MIRTH;
22
00:03:10,355 --> 00:03:12,105
TURN MELANCHOLY FORTH
TO FUNERALS;
23
00:03:12,195 --> 00:03:15,575
THE PALE COMPANION
IS NOT FOR OUR POMP.
24
00:03:16,575 --> 00:03:18,865
HIPPOLYTA, I WOO'D THEE
WITH MY SWORD,
25
00:03:18,945 --> 00:03:21,415
AND WON THY LOVE,
DOING THEE INJURIES;
26
00:03:21,495 --> 00:03:23,205
BUT I WILL WED THEE
IN ANOTHER KEY,
27
00:03:23,285 --> 00:03:27,295
WITH POMP, WITH TRIUMPH,
AND WITH REVELLING.
28
00:03:27,375 --> 00:03:28,875
HAPPY BE THESEUS,
OUR RENOWNED DUKE!
29
00:03:28,955 --> 00:03:32,925
Theseus: THANKS, GOOD EGEUS:
WHAT'S THE NEWS WITH THEE?
30
00:03:33,385 --> 00:03:34,775
FULL OF VEXATION COME I,
WITH COMPLAINT
31
00:03:34,795 --> 00:03:37,095
AGAINST MY CHILD,
MY DAUGHTER HERMIA.
32
00:03:37,175 --> 00:03:39,345
STAND FORTH, DEMETRIUS.
MY NOBLE LORD,
33
00:03:39,425 --> 00:03:42,725
THIS MAN HATH MY CONSENT
TO MARRY HER.
34
00:03:42,805 --> 00:03:44,685
STAND FORTH, LYSANDER:
35
00:03:44,765 --> 00:03:49,525
THIS MAN HATH WITCH'D
THE BOSOM OF MY CHILD;
36
00:03:49,605 --> 00:03:51,105
AND, MY GRACIOUS DUKE,
BE IT SO
37
00:03:51,185 --> 00:03:52,545
SHE WILL NOT
HERE BEFORE YOUR GRACE
38
00:03:52,565 --> 00:03:54,445
CONSENT TO MARRY
WITH DEMETRIUS,
39
00:03:54,525 --> 00:03:57,485
I BEG THE ANCIENT PRIVILEGE
OF ATHENS,
40
00:03:57,575 --> 00:04:00,495
AS SHE IS MINE,
I MAY DISPOSE OF HER:
41
00:04:00,575 --> 00:04:02,705
WHICH SHALL BE EITHER
TO THIS GENTLEMAN
42
00:04:02,785 --> 00:04:04,245
OR TO HER DEATH,
43
00:04:04,325 --> 00:04:05,955
ACCORDING TO OUR LAW
44
00:04:06,035 --> 00:04:08,955
IMMEDIATELY PROVIDED
IN THAT CASE.
45
00:04:09,625 --> 00:04:11,465
WHAT SAY YOU, HERMIA?
46
00:04:11,545 --> 00:04:12,965
BE ADVISED FAIR MAID:
47
00:04:13,045 --> 00:04:16,635
TO YOU YOUR FATHER
SHOULD BE AS A GOD;
48
00:04:19,055 --> 00:04:21,845
I KNOW NOT BY WHAT POWER
I AM MADE BOLD,
49
00:04:21,925 --> 00:04:23,385
BUT I BESEECH YOUR GRACE
THAT I MAY
50
00:04:23,475 --> 00:04:26,185
KNOW THE WORST THAT MAY
BEFALL ME IN THIS CASE,
51
00:04:26,265 --> 00:04:29,645
IF I REFUSE
TO WED DEMETRIUS.
52
00:04:29,725 --> 00:04:31,645
EITHER TO DIE THE DEATH
53
00:04:31,735 --> 00:04:36,485
OR TO ABJURE FOR EVER
THE SOCIETY OF MEN.
54
00:04:36,565 --> 00:04:40,575
THEREFORE, FAIR HERMIA,
QUESTION YOUR DESIRES;
55
00:04:40,655 --> 00:04:44,285
KNOW OF YOUR YOUTH,
EXAMINE WELL YOUR BLOOD,
56
00:04:44,365 --> 00:04:47,375
WHETHER, IF YOU YIELD NOT
TO YOUR FATHER'S CHOICE,
57
00:04:47,455 --> 00:04:50,295
YOU CAN ENDURE
THE LIVERY OF A NUN,
58
00:04:50,375 --> 00:04:53,375
FOR AYE TO BE
IN SHADY CLOISTER MEW'D,
59
00:04:53,465 --> 00:04:56,715
TO LIVE A BARREN SISTER
ALL YOUR LIFE,
60
00:04:56,795 --> 00:05:01,465
CHANTING FAINT HYMNS
TO THE COLD, FRUITLESS MOON.
61
00:05:01,885 --> 00:05:04,765
THRICE-BLESSED THEY
THAT MASTER SO THEIR BLOOD,
62
00:05:04,845 --> 00:05:07,645
TO UNDERGO SUCH
MAIDEN PILGRIMAGE;
63
00:05:07,725 --> 00:05:11,105
BUT EARTHLIER HAPPY
IS THE ROSE DISTILL'D,
64
00:05:11,185 --> 00:05:14,775
THAN THAT WHICH WITHERING
ON THE VIRGIN THORN GROWS,
65
00:05:14,855 --> 00:05:19,235
LIVES AND DIES
IN SINGLE BLESSEDNESS.
66
00:05:19,655 --> 00:05:23,785
SO WILL I GROW, SO LIVE,
SO DIE, MY LORD,
67
00:05:23,865 --> 00:05:26,615
ERE I WILL YIELD
MY VIRGIN PATENT
68
00:05:26,705 --> 00:05:27,995
UP UNTO HIS LORDSHIP,
69
00:05:28,075 --> 00:05:30,995
WHOSE UNWISHED YOKE
MY SOUL CONSENTS
70
00:05:31,085 --> 00:05:33,455
NOT TO GIVE SOVEREIGNTY.
71
00:05:33,545 --> 00:05:34,625
RELENT, SWEET HERMIA:
72
00:05:34,705 --> 00:05:37,545
AND, LYSANDER,
YIELD THY CRAZED TITLE
73
00:05:37,625 --> 00:05:38,625
TO MY CERTAIN RIGHT.
74
00:05:38,675 --> 00:05:39,855
YOU HAVE HER FATHER'S
LOVE, DEMETRIUS;
75
00:05:39,885 --> 00:05:43,005
LET ME HAVE HERMIA'S:
DO YOU MARRY HIM.
76
00:05:43,095 --> 00:05:44,595
SCORNFUL LYSANDER!
77
00:05:44,675 --> 00:05:45,675
TRUE, HE HATH
MY LOVE.
78
00:05:45,725 --> 00:05:47,845
I AM, MY LORD,
AS WELL DERIVED AS HE,
79
00:05:47,935 --> 00:05:49,225
AS WELL POSSESS'D;
80
00:05:49,305 --> 00:05:50,935
MY LOVE IS MORE THAN HIS;
81
00:05:51,015 --> 00:05:54,275
AND, WHICH IS MORE THAN
ALL THESE BOASTS CAN BE,
82
00:05:54,355 --> 00:05:56,855
I AM BELOVED
OF BEAUTEOUS HERMIA:
83
00:05:56,945 --> 00:05:59,605
WHY SHOULD NOT I THEN
PROSECUTE MY RIGHT?
84
00:05:59,695 --> 00:06:01,275
DEMETRIUS, I'll AVOUCH IT
TO HIS HEAD,
85
00:06:01,365 --> 00:06:05,245
MADE LOVE TO NEDAR'S DAUGHTER,
HELENA, AND WON HER SOUL, ;
86
00:06:05,325 --> 00:06:09,825
AND SHE, SWEET LADY,
DOTES, DEVOUTLY DOTES,
87
00:06:09,915 --> 00:06:12,085
DOTES IN IDOLATRY,
88
00:06:12,165 --> 00:06:15,665
UPON THIS SPOTTED
AND INCONSTANT MAN.
89
00:06:15,755 --> 00:06:18,295
I MUST CONFESS THAT
I HAVE HEARD SO MUCH,
90
00:06:18,375 --> 00:06:20,835
AND WITH DEMETRIUS THOUGHT
TO HAVE SPOKE THEREOF;
91
00:06:20,925 --> 00:06:23,465
BUT, BEING OVER-FULL
OF SELF-AFFAIRS,
92
00:06:23,555 --> 00:06:25,675
MY MIND DID LOSE IT.
93
00:06:25,765 --> 00:06:29,685
BUT, DEMETRIUS, COME;
AND COME, EGEUS;
94
00:06:29,765 --> 00:06:30,845
YOU SHALL GO WITH ME,
95
00:06:30,935 --> 00:06:34,065
I HAVE SOME PRIVATE
SCHOOLING FOR YOU BOTH.
96
00:06:34,145 --> 00:06:35,185
FOR YOU, FAIR HERMIA,
97
00:06:35,275 --> 00:06:37,395
LOOK YOU ARM YOURSELF
TO FIT YOUR FANCIES
98
00:06:37,485 --> 00:06:38,645
TO YOUR FATHER'S WILL, ;
99
00:06:38,735 --> 00:06:41,195
OR ELSE THE LAW OF ATHENS
YIELDS YOU UP...
100
00:06:41,275 --> 00:06:43,065
WHICH BY NO MEANS
WE MAY EXTENUATE...
101
00:06:43,155 --> 00:06:46,945
TO DEATH, OR TO AVOW
OF SINGLE LIFE.
102
00:06:48,575 --> 00:06:50,705
COME, MY HIPPOLYTA:
103
00:06:52,785 --> 00:06:54,495
WHAT CHEER, MY LOVE?
104
00:06:54,585 --> 00:06:55,915
DEMETRIUS AND EGEUS,
GO ALONG:
105
00:06:55,995 --> 00:06:58,545
I MUST EMPLOY YOU IN SOME
BUSINESS AGAINST OUR NUPTIAL
106
00:06:58,625 --> 00:06:59,815
AND CONFER WITH YOU
OF SOMETHING
107
00:06:59,835 --> 00:07:01,425
NEARLY THAT
CONCERNS YOURSELVES.
108
00:07:01,505 --> 00:07:04,755
Egeus: WITH DUTY AND DESIRE
WE FOLLOW YOU.
109
00:07:08,425 --> 00:07:11,725
HOW NOW,
MY LOVE! WHY IS YOUR CHEEK SO PALE?
110
00:07:11,805 --> 00:07:14,805
HOW CHANCE THE ROSES
THERE DO FADE SO FAST?
111
00:07:14,895 --> 00:07:15,935
BELIKE FOR WANT OF RAIN,
112
00:07:16,015 --> 00:07:18,355
WHICH I COULD
WELL BETEEM THEM
113
00:07:18,435 --> 00:07:23,155
FROM THE TEMPEST OF MY EYES.
114
00:07:23,235 --> 00:07:26,325
AY ME! FOR AUGHT THAT
I COULD EVER READ,
115
00:07:26,405 --> 00:07:29,785
COULD EVER HEAR
BY TALE OR HISTORY,
116
00:07:29,865 --> 00:07:33,875
THE COURSE OF TRUE LOVE
NEVER DID RUN SMOOTH;
117
00:07:33,955 --> 00:07:35,385
BUT, EITHER IT WAS
DIFFERENT IN BLOOD...
118
00:07:35,415 --> 00:07:38,545
O CROSS! TOO HIGH
TO BE ENTHRALL'D TO LOW.
119
00:07:38,625 --> 00:07:40,795
OR ELSE MISGRAFFED
IN RESPECT OF YEARS...
120
00:07:40,875 --> 00:07:43,675
O SPITE! TOO OLD
TO BE ENGAGED TO YOUNG.
121
00:07:43,755 --> 00:07:45,715
OR ELSE IT STOOD UPON
THE CHOICE OF FRIENDS...
122
00:07:45,795 --> 00:07:48,765
O HELL! TO CHOOSE LOVE
BY ANOTHER'S EYES.
123
00:07:48,845 --> 00:07:51,885
OR, IF THERE WERE
A SYMPATHY IN CHOICE,
124
00:07:51,975 --> 00:07:55,355
WAR, DEATH, OR SICKNESS
DID LAY SIEGE TO IT,
125
00:07:55,435 --> 00:07:57,935
MAKING IT MOMENTANY
AS A SOUND,
126
00:07:58,015 --> 00:08:00,485
SWIFT AS A SHADOW,
SHORT AS ANY DREAM, ;
127
00:08:00,565 --> 00:08:03,815
BRIEF AS THE LIGHTNING IN
THE COLLIED NIGHT, THAT, IN A SPLEEN,
128
00:08:03,905 --> 00:08:06,365
UNFOLDS BOTH
HEAVEN AND EARTH,
129
00:08:06,445 --> 00:08:10,365
AND ERE A MAN HATH POWER
TO SAY 'BEHOLD!
130
00:08:10,445 --> 00:08:13,365
THE JAWS OF DARKNESS
DO DEVOUR IT UP:
131
00:08:13,455 --> 00:08:17,835
SO QUICK BRIGHT THINGS
COME TO CONFUSION.
132
00:08:20,795 --> 00:08:24,085
IF THEN TRUE LOVERS
HAVE BEEN EVER CROSS'D,
133
00:08:24,175 --> 00:08:26,965
IT STANDS AS AN EDICT
IN DESTINY:
134
00:08:27,045 --> 00:08:29,805
THEN LET US TEACH
OUR TRIAL PATIENCE,
135
00:08:29,885 --> 00:08:31,765
BECAUSE IT IS
A CUSTOMARY CROSS,
136
00:08:31,845 --> 00:08:34,975
AS DUE TO LOVE AS THOUGHTS
AND DREAMS AND SIGHS,
137
00:08:35,055 --> 00:08:38,395
WISHES AND TEARS,
POOR FANCY'S FOLLOWERS.
138
00:08:38,475 --> 00:08:39,515
A GOOD PERSUASION:
139
00:08:39,605 --> 00:08:41,985
THEREFORE, HEAR ME,
HERMIA.
140
00:08:42,065 --> 00:08:42,985
I HAVE A WIDOW AUNT,
141
00:08:43,065 --> 00:08:45,105
A DOWAGER
OF GREAT REVENUE,
142
00:08:45,195 --> 00:08:46,815
AND SHE HATH NO CHILD:
143
00:08:46,905 --> 00:08:49,865
FROM ATHENS IS HER HOUSE
REMOTE 7 LEAGUES;
144
00:08:49,945 --> 00:08:53,195
AND SHE RESPECTS ME
AS HER ONLY SON.
145
00:08:53,285 --> 00:08:58,875
THERE, GENTLE HERMIA,
MAY I MARRY THEE;
146
00:08:58,955 --> 00:09:01,755
AND TO THAT PLACE
THE SHARP ATHENIAN LAW
147
00:09:01,835 --> 00:09:02,875
CANNOT PURSUE US.
148
00:09:02,955 --> 00:09:04,085
IF THOU LOVEST ME THEN,
149
00:09:04,165 --> 00:09:07,005
STEAL FORTH THY FATHER'S
HOUSE TO-MORROW NIGHT;
150
00:09:07,085 --> 00:09:08,085
AND IN THE WOOD,
151
00:09:08,135 --> 00:09:09,135
A LEAGUE
WITHOUT THE TOWN,
152
00:09:09,215 --> 00:09:10,845
WHERE I DID MEET THEE
ONCE WITH HELENA,
153
00:09:10,925 --> 00:09:13,925
TO DO OBSERVANCE
TO A MORN OF MAY,
154
00:09:14,015 --> 00:09:15,805
THERE WILL I STAY
FOR THEE.
155
00:09:15,885 --> 00:09:17,845
MY GOOD LYSANDER!
156
00:09:18,555 --> 00:09:21,815
I SWEAR TO THEE,
BY CUPID'S STRONGEST BOW,
157
00:09:21,895 --> 00:09:24,435
BY HIS BEST ARROW
WITH THE GOLDEN HEAD,
158
00:09:24,525 --> 00:09:26,775
BY THE SIMPLICITY
OF VENUS' DOVES,
159
00:09:26,855 --> 00:09:30,075
BY THAT WHICH KNITTETH SOULS
AND PROSPERS LOVES,
160
00:09:30,155 --> 00:09:33,865
BY ALL THE VOWS THAT
EVER MEN HAVE BROKE,
161
00:09:33,945 --> 00:09:36,075
IN NUMBER MORE THAN EVER
WOMEN SPOKE,
162
00:09:36,155 --> 00:09:39,495
IN THAT SAME PLACE
THOU HAST APPOINTED ME,
163
00:09:39,575 --> 00:09:42,585
TO-MORROW TRULY
WILL I MEET WITH THEE.
164
00:09:42,665 --> 00:09:44,505
KEEP PROMISE, LOVE.
165
00:09:45,125 --> 00:09:46,465
LOOK, HERE COMES HELENA.
166
00:09:46,545 --> 00:09:49,385
GOD SPEED FAIR HELENA!
WHITHER AWAY?
167
00:09:49,465 --> 00:09:54,675
CALL YOU ME FAIR?
THAT FAIR AGAIN UNSAY.
168
00:09:54,765 --> 00:10:00,305
DEMETRIUS LOVES YOUR FAIR:
O HAPPY FAIR!
169
00:10:00,395 --> 00:10:02,065
YOUR EYES ARE LODE-STARS;
170
00:10:02,145 --> 00:10:04,185
AND YOUR TONGUE'S
SWEET AIR MORE TUNEABLE
171
00:10:04,275 --> 00:10:05,395
THAN LARK TO SHEPHERD'S EAR,
172
00:10:05,485 --> 00:10:08,855
WHEN WHEAT IS GREEN,
WHEN HAWTHORN BUDS APPEAR.
173
00:10:08,945 --> 00:10:12,525
SICKNESS IS CATCHING:
O, WERE FAVOR SO,
174
00:10:12,615 --> 00:10:15,825
YOURS WOULD I CATCH,
FAIR HERMIA, ERE I GO;
175
00:10:15,905 --> 00:10:19,415
MY EAR SHOULD CATCH YOUR VOICE,
MY EYE YOUR EYE,
176
00:10:19,495 --> 00:10:22,915
MY TONGUE SHOULD CATCH
YOUR TONGUE'S SWEET MELODY.
177
00:10:22,995 --> 00:10:27,505
WERE THE WORLD MINE,
DEMETRIUS BEING BATED,
178
00:10:27,585 --> 00:10:31,085
THE REST I'D GIVE
TO BE TO YOU TRANSLATED.
179
00:10:31,175 --> 00:10:35,215
O, TEACH ME HOW YOU LOOK,
AND WITH WHAT ART
180
00:10:35,305 --> 00:10:37,925
YOU SWAY THE MOTION OF
DEMETRIUS' HEART.
181
00:10:38,015 --> 00:10:43,105
TAKE COMFORT: HE NO MORE
SHALL SEE MY FACE;
182
00:10:43,185 --> 00:10:45,895
LYSANDER AND MYSELF
WILL FLY THIS PLACE.
183
00:10:45,975 --> 00:10:50,735
HELEN, TO YOU OUR MINDS
WE WILL UNFOLD:
184
00:10:50,815 --> 00:10:53,315
TO-MORROW NIGHT,
WHEN PHOEBE DOTH BEHOLD
185
00:10:53,405 --> 00:10:55,865
HER SILVER VISAGE
IN THE WATERY GLASS,
186
00:10:55,945 --> 00:10:58,365
DECKING WITH LIQUID PEARL
THE BLADED GRASS,
187
00:10:58,445 --> 00:11:01,915
A TIME THAT LOVERS' FLIGHTS
DOTH STILL CONCEAL,
188
00:11:01,995 --> 00:11:04,915
THROUGH ATHENS' GATES
HAVE WE DEVISED TO STEAL.
189
00:11:04,995 --> 00:11:07,125
AND IN THE WOOD,
WHERE OFTEN YOU AND I
190
00:11:07,205 --> 00:11:09,965
UPON FAINT PRIMROSE-BEDS
WERE WONT TO LIE,
191
00:11:10,045 --> 00:11:13,255
EMPTYING OUR BOSOMS
OF THEIR COUNSEL SWEET,
192
00:11:13,335 --> 00:11:17,765
THERE MY LYSANDER
AND MYSELF SHALL MEET;
193
00:11:17,845 --> 00:11:21,975
FAREWELL, SWEET PLAYFELLOW:
PRAY THOU FOR US;
194
00:11:22,055 --> 00:11:25,395
AND GOOD LUCK
GRANT THEE THY DEMETRIUS!
195
00:11:27,065 --> 00:11:30,395
KEEP WORD, LYSANDER:
WE MUST STARVE OUR SIGHT
196
00:11:30,485 --> 00:11:35,365
FROM LOVERS' FOOD
TILL MORROW DEEP MIDNIGHT.
197
00:11:35,445 --> 00:11:37,195
I WILL, MY HERMIA.
198
00:11:38,865 --> 00:11:41,785
HELENA, ADIEU:
199
00:11:41,865 --> 00:11:46,335
AS YOU ON HIM,
DEMETRIUS DOTE ON YOU!
200
00:11:53,175 --> 00:11:56,925
HOW HAPPY SOME O'ER
OTHER SOME CAN BE!
201
00:11:58,005 --> 00:12:01,675
THROUGH ATHENS I AM
THOUGHT AS FAIR AS SHE.
202
00:12:02,095 --> 00:12:03,305
BUT WHAT OF THAT?
203
00:12:03,385 --> 00:12:05,725
DEMETRIUS THINKS NOT SO;
204
00:12:05,805 --> 00:12:08,395
HE WILL NOT KNOW WHAT ALL
BUT HE DO KNOW:
205
00:12:08,475 --> 00:12:11,605
AND AS HE ERRS, DOTING ON
HERMIA'S EYES,
206
00:12:11,685 --> 00:12:15,105
SO I, ADMIRING OF HIS QUALITIES:
207
00:12:15,195 --> 00:12:18,735
THINGS BASE AND VILE,
HOLDING NO QUANTITY,
208
00:12:18,825 --> 00:12:22,745
LOVE CAN TRANSPOSE
TO FORM AND DIGNITY:
209
00:12:22,825 --> 00:12:27,035
LOVE LOOKS NOT WITH THE EYES,
BUT WITH THE MIND;
210
00:12:27,125 --> 00:12:30,045
AND THEREFORE IS
WING'D CUPID PAINTED BLIND:
211
00:12:30,125 --> 00:12:33,675
AS WAGGISH BOYS IN GAME
THEMSELVES FORSWEAR,
212
00:12:33,755 --> 00:12:38,545
SO THE BOY LOVE
IS PERJURED EVERY WHERE:
213
00:12:38,635 --> 00:12:41,215
FOR ERE DEMETRIUS
LOOK'D ON HERMIA'S EYNE,
214
00:12:41,305 --> 00:12:45,845
HE HAIL'D DOWN OATHS
THAT HE WAS ONLY MINE;
215
00:12:45,935 --> 00:12:50,475
AND WHEN THIS HAIL
SOME HEAT FROM HERMIA FELT,
216
00:12:50,565 --> 00:12:57,565
SO HE DISSOLVED,
AND SHOWERS OF OATHS DID MELT.
217
00:12:59,115 --> 00:13:02,285
I WILL GO TELL HIM
OF FAIR HERMIA'S FLIGHT:
218
00:13:02,365 --> 00:13:07,245
THEN TO THE WOOD WILL HE
TO-MORROW NIGHT PURSUE HER;
219
00:13:07,325 --> 00:13:11,045
AND FOR THIS INTELLIGENCE
IF I HAVE THANKS,
220
00:13:11,125 --> 00:13:13,875
IT IS A DEAR EXPENSE:
221
00:13:13,965 --> 00:13:17,505
BUT HEREIN MEAN I
TO ENRICH MY PAIN,
222
00:13:17,585 --> 00:13:22,095
TO HAVE HIS SIGHT
THITHER AND BACK AGAIN.
223
00:13:22,175 --> 00:13:25,135
[SPLASHING]
224
00:13:25,225 --> 00:13:28,185
IS ALL OUR COMPANY HERE?
225
00:13:30,605 --> 00:13:32,815
[BUG BUZZING]
226
00:13:32,895 --> 00:13:34,895
YOU WERE BEST TO CALL
THEM GENERALLY,
227
00:13:34,985 --> 00:13:38,105
MAN BY MAN,
ACCORDING TO THE SCRIP.
228
00:13:38,195 --> 00:13:41,075
HERE IS THE SCROLL
OF EVERY MAN'S NAME,
229
00:13:41,155 --> 00:13:43,905
WHICH IS THOUGHT FIT,
THROUGH ALL ATHENS,
230
00:13:43,995 --> 00:13:45,285
TO PLAY IN OUR INTERLUDE
231
00:13:45,365 --> 00:13:46,955
BEFORE THE DUKE
AND THE DUCHESS,
232
00:13:47,035 --> 00:13:50,535
ON HIS WEDDING-DAY
AT NIGHT.
233
00:13:50,625 --> 00:13:52,205
FIRST,
GOOD PETER QUINCE,
234
00:13:52,295 --> 00:13:54,835
SAY WHAT THE PLAY
TREATS ON,
235
00:13:54,915 --> 00:13:56,755
THEN READ THE NAMES
OF THE ACTORS,
236
00:13:56,835 --> 00:13:58,425
AND SO GROW TO A POINT.
237
00:13:58,505 --> 00:14:01,635
MARRY, OUR PLAY IS,
THE MOST LAMENTABLE COMEDY,
238
00:14:01,715 --> 00:14:06,515
AND MOST CRUEL DEATH
OF PYRAMUS AND THISBY.
239
00:14:06,595 --> 00:14:10,095
A VERY GOOD PIECE OF WORK,
I ASSURE YOU, AND A MERRY.
240
00:14:10,185 --> 00:14:11,355
NOW, GOOD PETER QUINCE,
241
00:14:11,435 --> 00:14:15,145
CALL FORTH THE ACTORS
BY THE SCROLL.
242
00:14:15,225 --> 00:14:18,145
MASTERS, SPREAD YOURSELVES.
243
00:14:19,235 --> 00:14:21,115
ANSWER AS I CALL YOU.
244
00:14:21,195 --> 00:14:22,945
NICK BOTTOM, THE WEAVER.
245
00:14:23,025 --> 00:14:23,945
READY.
246
00:14:24,035 --> 00:14:26,075
NAME WHAT PART I AM FOR,
AND PROCEED.
247
00:14:26,155 --> 00:14:29,075
YOU, NICK BOTTOM,
ARE SET DOWN FOR PYRAMUS.
248
00:14:29,165 --> 00:14:31,125
WHAT IS PYRAMUS?
A LOVER, OR A TYRANT?
249
00:14:31,205 --> 00:14:35,545
A LOVER, THAT KILLS HIMSELF
MOST GALLANT FOR LOVE.
250
00:14:35,625 --> 00:14:37,165
THAT WILL ASK SOME TEARS
251
00:14:37,255 --> 00:14:39,465
IN THE TRUE PERFORMING
OF IT:
252
00:14:39,545 --> 00:14:43,465
IF 1 DO IT,
LET THE AUDIENCE LOOK TO THEIR EYES;
253
00:14:43,545 --> 00:14:45,765
I WILL MOVE STORMS,
254
00:14:45,845 --> 00:14:48,305
I WILL CONDOLE
IN SOME MEASURE.
255
00:14:48,385 --> 00:14:49,385
TO THE REST.:
256
00:14:49,475 --> 00:14:52,105
YET MY CHIEF HUMOR IS FOR A TYRANT: FR...
257
00:14:52,185 --> 00:14:53,355
I COULD
PLAY ERCLES RARELY,
258
00:14:53,435 --> 00:14:57,235
OR A PART TO TEAR A CAT
IN, TO MAKE ALL SPLIT.
259
00:14:57,315 --> 00:15:00,985
THE RAGING ROCKS
AND SHIVERING SHOCKS
260
00:15:01,065 --> 00:15:03,485
SHALL BREAK THE LOCKS
OF PRISON GATES;
261
00:15:03,565 --> 00:15:07,995
AND PHIBBUS' CAR
SHALL SHINE FROM FAR
262
00:15:08,075 --> 00:15:13,415
AND MAKE AND MAR
THE FOOLISH FATES.
263
00:15:13,495 --> 00:15:15,245
THIS WAS LOFTY!
264
00:15:15,335 --> 00:15:17,125
NOW NAME THE REST
OF THE PLAYERS.
265
00:15:17,205 --> 00:15:19,795
THIS IS ERCLES'
VEIN, A TYRANT'S VEIN; FR...
266
00:15:19,875 --> 00:15:23,335
A LOVER
IS MORE CONDOLING.
267
00:15:23,925 --> 00:15:26,885
FRANCIS FLUTE,
THE BELLOWS-MENDER.
268
00:15:27,305 --> 00:15:28,215
HERE, PETER QUINCE.
269
00:15:28,305 --> 00:15:29,925
FLUTE, YOU MUST
TAKE THISBY ON YOU.
270
00:15:30,015 --> 00:15:32,225
WHAT IS THISBY?
A WANDERING KNIGHT?
271
00:15:32,305 --> 00:15:36,895
IT IS THE LADY
THAT PYRAMUS MUST LOVE.
272
00:15:37,525 --> 00:15:40,235
NAY, FAITH, LET ME NOT
PLAY A WOMAN;
273
00:15:40,315 --> 00:15:42,275
I HAVE A BEARD COMING.
274
00:15:43,275 --> 00:15:44,365
[SPUTTERS]
275
00:15:44,445 --> 00:15:46,405
THAT'S ALL ONE:
YOU SHALL PLAY IT IN A MASK,
276
00:15:46,485 --> 00:15:48,325
AND YOU MAY SPEAK
AS SMALL AS YOU WILL.
277
00:15:48,405 --> 00:15:52,865
AN I MAY HIDE MY FACE,
LET ME PLAY THISBY TOO.
278
00:15:53,955 --> 00:15:56,245
I'll SPEAK IN A MONSTROUS LITTLE VOICE.
279
00:15:56,335 --> 00:15:57,165
'THISNE, THISNE;'
280
00:15:57,245 --> 00:16:00,255
'AH, PYRAMUS,
MY LOVER DEAR!
281
00:16:00,335 --> 00:16:03,425
THY THISBY DEAR,
AND LADY DEARY'
282
00:16:03,505 --> 00:16:05,255
NO, NO;
YOU MUST PLAY PYRAMUS:
283
00:16:05,335 --> 00:16:07,305
AND, FLUTE, YOU THISBY.
284
00:16:07,635 --> 00:16:09,175
WELL, PROCEED.
285
00:16:10,265 --> 00:16:12,555
ROBIN STARVELING,
THE TAILOR.
286
00:16:12,635 --> 00:16:13,805
HERE, PETER QUINCE.
287
00:16:13,895 --> 00:16:17,355
ROBIN STARVELING, YOU MUST
PLAY THISBY'S MOTHER.
288
00:16:18,725 --> 00:16:20,895
TOM SNOUT, THE TINKER.
289
00:16:22,735 --> 00:16:23,855
HERE, PETER QUINCE.
290
00:16:23,945 --> 00:16:27,485
YOU, PYRAMUS' FATHER:
MYSELF, THISBY'S FATHER:
291
00:16:27,575 --> 00:16:30,075
SNUG, THE JOINER;
YOU, THE LION'S PART:
292
00:16:30,155 --> 00:16:34,115
AND, I HOPE,
HERE IS A PLAY FITTED.
293
00:16:38,955 --> 00:16:42,875
HAVE YOU
THE LION'S PART WRITTEN?
294
00:16:42,965 --> 00:16:45,465
PRAY, IF IT BE, GIVE IT ME,
295
00:16:45,545 --> 00:16:48,095
FOR I AM SLOW OF STUDY.
296
00:16:48,175 --> 00:16:49,385
YOU MAY
DO IT EXTEMPORE,
297
00:16:49,465 --> 00:16:50,885
FOR IT IS NOTHING
BUT ROARING.
298
00:16:50,965 --> 00:16:53,225
Bottom: LET ME PLAY
THE LION TOO:
299
00:16:53,305 --> 00:16:54,345
I WILL ROAR,
SO THAT I WILL
300
00:16:54,435 --> 00:16:55,895
DO ANY MAN'S HEART
GOOD TO HEAR ME;
301
00:16:55,975 --> 00:16:57,685
I WILL ROAR, THAT I WILL MAKE THE DUKE SAY
302
00:16:57,765 --> 00:17:01,475
'LET HIM ROAR AGAIN,
LET HIM ROAR AGAIN.'
303
00:17:01,565 --> 00:17:03,395
[ROARS]
304
00:17:03,485 --> 00:17:04,625
AN YOU SHOULD
DO IT TOO TERRIBLY,
305
00:17:04,645 --> 00:17:06,905
YOU WOULD FRIGHT
THE DUCHESS AND THE LADIES,
306
00:17:06,985 --> 00:17:07,905
THAT THEY WOULD SHRIEK;
307
00:17:07,985 --> 00:17:09,825
AND THAT WERE ENOUGH
TO HANG US ALL.
308
00:17:09,905 --> 00:17:11,235
ALL THAT WOULD HANG US...
309
00:17:11,325 --> 00:17:12,245
[ALL TALKING AT ONCE]
310
00:17:12,325 --> 00:17:14,285
EVERY MOTHER'S SON.
311
00:17:14,365 --> 00:17:15,535
THAT WOULD HANG US.
312
00:17:15,615 --> 00:17:18,245
I GRANT YOU, FRIENDS,
IF WE SHOULD
313
00:17:18,325 --> 00:17:19,345
FRIGHT THE LADIES
OUT OF THEIR WITS,
314
00:17:19,375 --> 00:17:20,685
THEY WOULD HAVE
NO MORE DISCRETION
315
00:17:20,705 --> 00:17:21,915
BUT TO HANG US:
BUT I WILL
316
00:17:21,995 --> 00:17:24,965
AGGRAVATE MY VOICE
SO THAT I WILL ROAR YOU
317
00:17:25,045 --> 00:17:27,425
AS GENTLY AS ANY
SUCKING DOVE;
318
00:17:27,505 --> 00:17:30,345
I WILL ROAR YOU AN
'TWERE ANY NIGHTINGALE.
319
00:17:30,425 --> 00:17:33,765
OOOHOOOOOH!
320
00:17:33,845 --> 00:17:37,475
YOU CAN PLAY NO PART
BUT PYRAMUS.
321
00:17:37,555 --> 00:17:39,355
[CLATTERING]
322
00:17:39,435 --> 00:17:41,645
[CHICKENS CLUCKING]
323
00:17:41,725 --> 00:17:43,725
FOR PYRAMUS IS
A SWEET-FACED MAN;
324
00:17:43,815 --> 00:17:48,155
A PROPER MAN,
AS ONE SHALL SEE IN A SUMMER'S DAY;
325
00:17:48,235 --> 00:17:51,365
A MOST LOVELY
GENTLEMAN-LIKE MAN:
326
00:17:51,445 --> 00:17:55,785
THEREFORE YOU MUST
NEEDS PLAY PYRAMUS.
327
00:17:56,495 --> 00:17:59,995
WELL, I WILL
UNDERTAKE IT.
328
00:18:00,075 --> 00:18:02,335
WHAT BEARD WERE I
BEST TO PLAY IT IN?
329
00:18:02,415 --> 00:18:03,875
WHY, WHAT YOU WILL.
330
00:18:03,955 --> 00:18:05,585
[CHICKENS CLUCKING]
331
00:18:05,665 --> 00:18:06,835
I WILL DISCHARGE IT IN EITHER
332
00:18:06,915 --> 00:18:10,085
YOUR STRAW-COLOR BEARD,
YOUR ORANGE-TAWNY BEARD,
333
00:18:10,175 --> 00:18:11,465
YOUR PURPLE-IN-GRAIN BEARD,
334
00:18:11,545 --> 00:18:13,525
OR YOUR FRENCH-CROWN-COLOR
BEARD, YOUR PERFECT YELLOW.
335
00:18:13,555 --> 00:18:16,175
SOME OF YOUR FRENCH CROWNS
HAVE NO HAIR AT ALL,
336
00:18:16,265 --> 00:18:18,595
AND THEN YOU WILL
PLAY BARE-FACED.
337
00:18:19,515 --> 00:18:21,685
[LAUGHTER]
338
00:18:21,765 --> 00:18:25,895
BUT, MASTERS,
HERE ARE YOUR PARTS:
339
00:18:25,985 --> 00:18:29,355
AND I AM TO ENTREAT YOU,
REQUEST YOU AND DESIRE YOU,
340
00:18:29,445 --> 00:18:31,115
TO CON THEM
BY TO-MORROW NIGHT;
341
00:18:31,195 --> 00:18:32,445
AND MEET ME
IN THE PALACE WOOD,
342
00:18:32,525 --> 00:18:35,825
A MILE WITHOUT THE TOWN,
BY MOONLIGHT;
343
00:18:35,905 --> 00:18:38,995
THERE WILL WE REHEARSE,
FOR IF WE MEET IN THE CITY,
344
00:18:39,075 --> 00:18:40,365
WE SHALL BE
DOGGED WITH COMPANY,
345
00:18:40,455 --> 00:18:41,665
AND OUR DEVICES KNOWN.
346
00:18:41,745 --> 00:18:44,995
IN THE MEANTIME I WILL DRAW
A BILL OF PROPERTIES,
347
00:18:45,085 --> 00:18:46,255
SUCH AS OUR PLAY WANTS.
348
00:18:46,335 --> 00:18:47,585
I PRAY YOU, FAIL ME NOT.
349
00:18:47,665 --> 00:18:49,585
WE WILL MEET, ;
AND THERE WE MAY REHEARSE
350
00:18:49,675 --> 00:18:52,045
MOST OBSCENELY AND COURAGEOUSLY.
351
00:18:52,135 --> 00:18:55,465
TAKE PAINS;
BE PERFECT: ADIEU.
352
00:18:55,555 --> 00:18:58,555
AT THE DUKE'S OAK
WE MEET.
353
00:18:58,635 --> 00:19:01,395
ENOUGH; HOLD OR CUT
BOW-STRINGS.
354
00:19:01,475 --> 00:19:04,315
[CHICKENS CLUCKING]
355
00:19:19,495 --> 00:19:22,035
[SPLASH]
[SPITTING]
356
00:19:22,115 --> 00:19:24,375
HOW NOW, SPIRIT!
WHITHER WANDER YOU?
357
00:19:24,455 --> 00:19:26,475
OVER HILL, OVER DALE,
THOROUGH BUSH, THOROUGH BRIER,
358
00:19:26,495 --> 00:19:29,375
OVER PARK, OVER PALE,
THOROUGH FLOOD, THOROUGH FIRE,
359
00:19:29,465 --> 00:19:30,625
I DO WANDER EVERYWHERE,
360
00:19:30,715 --> 00:19:33,425
SWIFTER THAN
THE MOON'S SPHERE;
361
00:19:33,505 --> 00:19:35,295
AND I SERVE THE FAIRY QUEEN,
362
00:19:35,385 --> 00:19:39,175
OH... TO DEW HER ORBS UPON THE GREEN.
363
00:19:39,265 --> 00:19:41,685
THE COWSLIPS TALL
HER PENSIONERS BE:
364
00:19:41,765 --> 00:19:44,305
IN THEIR GOLD COATS
SPOTS YOU SEE;
365
00:19:44,395 --> 00:19:46,645
THOSE BE RUBIES,
FAIRY FAVORS,
366
00:19:46,725 --> 00:19:49,645
IN THOSE FRECKLES
LIVE THEIR SAVORS:
367
00:19:49,735 --> 00:19:51,605
I MUST GO SEEK
SOME DEWDROPS HERE
368
00:19:51,695 --> 00:19:53,565
AND HANG A PEARL
IN EVERY COWSLIP'S EAR.
369
00:19:53,655 --> 00:19:56,325
FAREWELL,
THOU LOB OF SPIRITS; I'll BE GONE:
370
00:19:56,405 --> 00:19:58,445
OUR QUEEN AND ALL HER ELVES
COME HERE ANON.
371
00:19:58,535 --> 00:20:00,785
THE KING DOTH KEEP HIS
REVELS HERE TO-NIGHT:
372
00:20:00,865 --> 00:20:03,115
TAKE HEED THE QUEEN COME
NOT WITHIN HIS SIGHT;
373
00:20:03,205 --> 00:20:04,875
FOR OBERON IS PASSING
FELL AND WRATH,
374
00:20:04,955 --> 00:20:06,185
BECAUSE THAT SHE
AS HER ATTENDANT
375
00:20:06,205 --> 00:20:08,995
HATH A LOVELY BOY,
STOLEN FROM AN INDIAN KING;
376
00:20:09,085 --> 00:20:11,215
SHE NEVER HAD SO SWEET
A CHANGELING;
377
00:20:11,295 --> 00:20:12,395
AND JEALOUS OBERON
WOULD HAVE
378
00:20:12,425 --> 00:20:13,585
THE CHILD KNIGHT
OF HIS TRAIN,
379
00:20:13,625 --> 00:20:15,085
TO TRACE
THE FORESTS WILD;
380
00:20:15,175 --> 00:20:17,885
BUT SHE PERFORCE
WITHHOLDS THE LOVED BOY,
381
00:20:17,965 --> 00:20:19,005
CROWNS HIM WITH FLOWERS
382
00:20:19,095 --> 00:20:21,095
AND MAKES HIM
ALL HER JOY:
383
00:20:21,175 --> 00:20:23,225
AND NOW THEY NEVER MEET
IN GROVE OR GREEN,
384
00:20:23,305 --> 00:20:26,435
BY FOUNTAIN CLEAR,
OR SPANGLED STARLIGHT SHEEN,
385
00:20:26,515 --> 00:20:27,815
BUT, THEY DO SQUARE,
[GASP]
386
00:20:27,895 --> 00:20:29,475
THAT ALL THEIR ELVES
FOR FEAR
387
00:20:29,565 --> 00:20:32,695
CREEP INTO ACORN-CUPS
AND HIDE THEM THERE.
388
00:20:32,775 --> 00:20:35,525
EITHER I MISTAKE YOUR SHAPE
AND MAKING QUITE,
389
00:20:35,605 --> 00:20:38,655
OR ELSE YOU ARE THAT
SHREWD AND KNAVISH SPRITE
390
00:20:38,735 --> 00:20:40,155
CALL'D ROBIN GOODFELLOW:
391
00:20:40,235 --> 00:20:43,655
ARE NOT YOU HE THAT FRIGHTS
THE MAIDENS OF THE VILLAGERY;
392
00:20:43,745 --> 00:20:47,125
THOSE THAT HOBGOBLIN
CALL YOU AND SWEET PUCK,
393
00:20:47,205 --> 00:20:50,585
YOU DO THEIR WORK, AND THEY
SHALL HAVE GOOD LUCK:
394
00:20:50,665 --> 00:20:51,455
ARE NOT YOU HE?
395
00:20:51,545 --> 00:20:52,545
THOU SPEAK'ST ARIGHT;
396
00:20:52,625 --> 00:20:55,585
I AM THAT MERRY WANDERER
OF THE NIGHT.
397
00:20:55,675 --> 00:20:57,715
I JEST TO OBERON
AND MAKE HIM SMILE
398
00:20:57,795 --> 00:21:00,765
WHEN I A FAT AND BEAN-FED HORSE BEGUILE,
399
00:21:00,845 --> 00:21:02,515
NEIGHING IN LIKENESS
OF A FILLY FOAL.:
400
00:21:02,595 --> 00:21:04,975
AND SOMETIME LURK I
IN A GOSSIP'S BOWL,
401
00:21:05,055 --> 00:21:07,145
IN VERY LIKENESS
OF A ROASTED CRAB,
402
00:21:07,225 --> 00:21:09,145
AND WHEN SHE DRINKS,
AGAINST HER LIPS I BOB
403
00:21:09,225 --> 00:21:12,605
AND ON HER WITHER'D
DEWLAP POUR THE ALE.
404
00:21:12,685 --> 00:21:15,525
THE WISEST AUNT, TELLING
THE SADDEST TALE,
405
00:21:15,605 --> 00:21:17,525
SOMETIME FOR 3-FOOT
STOOL MISTAKETH ME;
406
00:21:17,615 --> 00:21:20,615
THEN SLIP I FROM HER
BUM, DOWN TOPPLES SHE,
407
00:21:20,695 --> 00:21:23,405
AND 'TAILOR' CRIES,
AND FALLS INTO A COUGH;
408
00:21:23,495 --> 00:21:26,075
AND THEN THE WHOLE
QUIRE HOLD THEIR HIPS AND LAUGH,
409
00:21:26,165 --> 00:21:27,955
AND WAXEN IN
THEIR MIRTH AND NEEZE
410
00:21:28,035 --> 00:21:31,995
AND SWEAR A MERRIER HOUR
WAS NEVER WASTED THERE.
411
00:21:32,085 --> 00:21:34,965
[SNARLS]
BUT, ROOM, FAIRY!
412
00:21:35,045 --> 00:21:36,175
HERE COMES OBERON.
413
00:21:36,255 --> 00:21:38,585
AND HERE MY MISTRESS.
WOULD THAT HE WERE GONE!
414
00:21:38,675 --> 00:21:39,755
[BIRDS SQUAWKING]
415
00:21:39,845 --> 00:21:42,425
[THUNDER]
416
00:21:49,975 --> 00:21:53,975
ILL MET BY MOONLIGHT,
PROUD TITANIA.
417
00:21:54,065 --> 00:21:55,565
WHAT, JEALOUS OBERON!
418
00:21:55,645 --> 00:21:58,605
FAIRIES, SKIP HENCE:
I HAVE FORSWORN HIS BED AND COMPANY.
419
00:21:58,695 --> 00:22:02,695
TARRY, RASH WANTON:
AM NOT I THY LORD?
420
00:22:02,785 --> 00:22:04,905
THEN I MUST BE THY LADY:
421
00:22:04,995 --> 00:22:07,615
BUT I KNOW WHEN THOU HAST
STOLEN AWAY FROM FAIRY LAND,
422
00:22:07,705 --> 00:22:10,535
AND IN THE SHAPE OF CORIN
SAT ALL DAY,
423
00:22:10,625 --> 00:22:11,625
PLAYING ON PIPES OF CORN
424
00:22:11,705 --> 00:22:14,625
AND VERSING LOVE
TO AMOROUS PHILLIDA.
425
00:22:14,705 --> 00:22:15,705
WHY ART THOU HERE,
426
00:22:15,755 --> 00:22:17,835
COME FROM THE FARTHEST
STEPPE OF INDIA?
427
00:22:17,925 --> 00:22:19,795
BUT THAT, FORSOOTH,
THE BOUNCING AMAZON,
428
00:22:19,885 --> 00:22:23,635
YOUR BUSKIN'D MISTRESS
AND YOUR WARRIOR LOVE,
429
00:22:23,715 --> 00:22:25,425
TO THESEUS MUST BE WEDDED,
430
00:22:25,515 --> 00:22:26,805
AND YOU COME
TO GIVE THEIR BED
431
00:22:26,885 --> 00:22:28,225
JOY AND PROSPERITY.
432
00:22:28,305 --> 00:22:30,595
HOW CANST THOU THUS
FOR SHAME, TITANIA,
433
00:22:30,685 --> 00:22:32,435
GLANCE AT MY CREDIT
WITH HIPPOLYTA,
434
00:22:32,515 --> 00:22:34,435
KNOWING I KNOW
THY LOVE TO THESEUS?
435
00:22:34,525 --> 00:22:36,335
DIDST THOU NOT LEAD HIM
THROUGH THE GLIMMERING NIGHT
436
00:22:36,355 --> 00:22:37,635
FROM PERIGENIA,
WHOM HE RAVISHED?
437
00:22:37,695 --> 00:22:40,445
AND MAKE HIM WITH FAIR
AEGLE BREAK HIS FAITH,
438
00:22:40,525 --> 00:22:42,275
WITH ARIADNE
AND ANTIOPA?
439
00:22:42,365 --> 00:22:45,825
THESE ARE THE FORGERIES
OF JEALOUSY:
440
00:22:45,905 --> 00:22:48,655
AND NEVER, SINCE THE MIDDLE
SUMMER'S SPRING,
441
00:22:48,745 --> 00:22:50,875
MET WE ON HILL,
IN DALE, FOREST OR MEAD,
442
00:22:50,955 --> 00:22:52,875
BY PAVED FOUNTAIN
OR BY RUSHY BROOK,
443
00:22:52,955 --> 00:22:54,795
OR IN THE BEACHED MARGENT
OF THE SEA,
444
00:22:54,875 --> 00:22:58,295
TO DANCE OUR RINGLETS
TO THE WHISTLING WIND,
445
00:22:58,375 --> 00:22:59,675
BUT WITH THY BRAWLS
446
00:22:59,755 --> 00:23:03,135
THOU HAST DISTURB'D
OUR SPORT.
447
00:23:03,675 --> 00:23:05,055
THEREFORE THE WINDS,
PIPING TO US
448
00:23:05,135 --> 00:23:06,675
IN VAIN, AS IN REVENGE,
449
00:23:06,765 --> 00:23:09,845
HAVE SUCK'D UP FROM THE SEA
CONTAGIOUS FOGS;
450
00:23:09,935 --> 00:23:12,475
WHICH FALLING IN THE LAND
HAVE EVERY PELTING RIVER
451
00:23:12,555 --> 00:23:17,645
MADE SO PROUD THAT THEY HAVE
OVERBORNE THEIR CONTINENTS:
452
00:23:17,735 --> 00:23:21,605
THE OX HATH THEREFORE
STRETCH'D HIS YOKE IN VAIN,
453
00:23:21,695 --> 00:23:23,905
THE PLOUGHMAN LOST HIS SWEAT,
454
00:23:23,985 --> 00:23:25,615
AND THE GREEN CORN
HATH ROTTED
455
00:23:25,695 --> 00:23:28,075
ERE HIS YOUTH
ATTAIN'D A BEARD;
456
00:23:28,155 --> 00:23:31,665
THE FOLD STANDS EMPTY
IN THE DROWNED FIELD,
457
00:23:31,745 --> 00:23:35,705
AND CROWS ARE FATTED
WITH THE MURRION FLOCK;
458
00:23:35,785 --> 00:23:39,505
THE NINE MEN'S MORRIS
IS FILL'D UP WITH MUD,
459
00:23:39,585 --> 00:23:41,755
AND THE QUAINT MAZES
IN THE WANTON GREEN
460
00:23:41,835 --> 00:23:46,635
FOR LACK OF TREAD
ARE UNDISTINGUISHABLE:
461
00:23:46,715 --> 00:23:50,225
THE HUMAN MORTALS
WANT THEIR WINTER HERE;
462
00:23:50,305 --> 00:23:54,095
NO NIGHT IS NOW
WITH HYMN OR CAROL BLEST:
463
00:23:54,185 --> 00:23:57,685
THEREFORE THE MOON,
THE GOVERNESS OF FLOODS,
464
00:23:57,775 --> 00:24:01,565
PALE IN HER ANGER,
WASHES ALL THE AIR,
465
00:24:01,645 --> 00:24:04,735
THAT RHEUMATIC DISEASES
DO ABOUND:
466
00:24:04,815 --> 00:24:06,365
AND THOROUGH
THIS DISTEMPERATURE
467
00:24:06,445 --> 00:24:11,155
WE SEE THE SEASONS ALTER:
468
00:24:11,245 --> 00:24:16,335
HOARY-HEADED FROSTS FAR IN
THE FRESH LAP OF THE CRIMSON ROSE,
469
00:24:16,415 --> 00:24:20,125
AND ON OLD HIEMS'
THIN AND ICY CROWN
470
00:24:20,205 --> 00:24:23,835
AN ODOROUS CHAPLET
OF SWEET SUMMER BUDS
471
00:24:23,925 --> 00:24:26,715
IS, AS IN MOCKERY, SET:
472
00:24:26,795 --> 00:24:29,675
THE SPRING, THE SUMMER,
473
00:24:29,765 --> 00:24:31,765
THE CHILDING AUTUMN,
ANGRY WINTER,
474
00:24:31,845 --> 00:24:34,845
CHANGE THEIR WONTED LIVERIES,
475
00:24:34,935 --> 00:24:36,975
AND THE MAZED WORLD,
476
00:24:37,055 --> 00:24:37,855
BY THEIR INCREASE,
477
00:24:37,935 --> 00:24:43,735
NOW KNOWS NOT
WHICH IS WHICH:
478
00:24:43,815 --> 00:24:44,975
AND THIS SAME
PROGENY OF EVILS
479
00:24:45,025 --> 00:24:47,775
COMES FROM OUR DEBATE,
FROM OUR DISSENSION;
480
00:24:47,865 --> 00:24:49,365
WE ARE THEIR PARENTS
AND ORIGINAL.
481
00:24:49,445 --> 00:24:52,955
DO YOU AMEND IT THEN;
IT LIES IN YOU:
482
00:24:53,035 --> 00:24:55,785
WHY SHOULD TITANIA
CROSS HER OBERON?
483
00:24:55,865 --> 00:24:57,745
I DO BUT BEG A LITTLE
CHANGELING BOY,
484
00:24:57,835 --> 00:24:58,875
TO BE MY HENCHMAN.
485
00:24:58,955 --> 00:25:00,745
SET YOUR HEART AT REST:
486
00:25:00,835 --> 00:25:04,795
THE FAIRY LAND BUYS
NOT THE CHILD OF ME.
487
00:25:05,965 --> 00:25:08,755
HIS MOTHER WAS A VOTARESS
OF MY ORDER:
488
00:25:08,845 --> 00:25:11,595
AND, IN THE SPICED
INDIAN AIR, BY NIGHT,
489
00:25:11,675 --> 00:25:14,385
FULL OFTEN HATH SHE
GOSSIP'D BY MY SIDE,
490
00:25:14,475 --> 00:25:17,225
AND SAT WITH ME
ON NEPTUNE'S YELLOW SANDS,
491
00:25:17,305 --> 00:25:20,395
MARKING THE EMBARKED TRADERS
ON THE FLOOD,
492
00:25:20,475 --> 00:25:25,395
WHEN WE HAVE LAUGH'D
TO SEE THE SAILS CONCEIVE
493
00:25:25,485 --> 00:25:28,235
AND GROW BIG-BELLIED
WITH THE WANTON WIND;
494
00:25:28,315 --> 00:25:32,195
WHICH SHE, WITH PRETTY AND WITH
SWIMMING GAIT FOLLOWING...
495
00:25:32,285 --> 00:25:34,825
HER WOMB THEN RICH
WITH MY YOUNG SQUIRE...
496
00:25:34,905 --> 00:25:37,825
WOULD IMITATE,
AND SAIL UPON THE LAND,
497
00:25:37,915 --> 00:25:40,665
TO FETCH ME TRIFLES,
AND RETURN AGAIN,
498
00:25:40,745 --> 00:25:45,665
AS FROM A VOYAGE,
RICH WITH MERCHANDISE.
499
00:25:47,085 --> 00:25:51,215
BUT SHE, BEING MORTAL,
OF THAT BOY DID DIE;
500
00:25:51,305 --> 00:25:53,925
AND FOR HER SAKE
DO I REAR UP HER BOY,
501
00:25:54,015 --> 00:25:56,845
AND FOR HER SAKE
I WILL NOT PART WITH HIM.
502
00:25:56,935 --> 00:25:59,645
HOW LONG WITHIN THIS
WOOD INTEND YOU STAY?
503
00:25:59,725 --> 00:26:04,435
PERCHANCE TILL AFTER
THESEUS' WEDDING-DAY.
504
00:26:04,525 --> 00:26:06,235
IF YOU WILL PATIENTLY
DANCE IN OUR ROUND
505
00:26:06,315 --> 00:26:09,445
AND SEE OUR MOONLIGHT REVELS,
GO WITH US;
506
00:26:09,525 --> 00:26:11,445
IF NOT, SHUN ME,
507
00:26:11,525 --> 00:26:13,865
AND I WILL
SPARE YOUR HAUNTS.
508
00:26:13,945 --> 00:26:16,995
GIVE ME THAT BOY, AND I
WILL GO WITH THEE.
509
00:26:17,075 --> 00:26:18,785
NOT FOR THY
FAIRY KINGDOM.
510
00:26:18,865 --> 00:26:20,875
FAIRIES, AWAY!
WE SHALL CHIDE DOWNRIGHT,
511
00:26:20,955 --> 00:26:22,165
IF I LONGER STAY.
512
00:26:22,245 --> 00:26:23,875
[LAUGHTER]
513
00:26:31,345 --> 00:26:32,345
WELL, GO THY WAY:
514
00:26:32,385 --> 00:26:33,805
THOU SHALT NOT FROM THIS GROVE
515
00:26:33,885 --> 00:26:37,135
TILL I TORMENT THEE
FOR THIS INJURY.
516
00:26:37,555 --> 00:26:39,385
MY GENTLE PUCK, COME HITHER.
517
00:26:39,475 --> 00:26:40,725
[PANTING]
518
00:26:40,805 --> 00:26:42,745
THOU REMEMBEREST SINCE
ONCE I SAT UPON A PROMONTORY,
519
00:26:42,765 --> 00:26:45,185
AND HEARD A MERMAID
ON A DOLPHIN'S BACK
520
00:26:45,275 --> 00:26:47,895
UTTERING SUCH DULCET
AND HARMONIOUS BREATH
521
00:26:47,985 --> 00:26:51,065
THAT THE RUDE SEA
GREW CIVIL AT HER SONG
522
00:26:51,155 --> 00:26:51,945
AND CERTAIN STARS
523
00:26:52,025 --> 00:26:53,945
SHOT MADLY
FROM THEIR SPHERES,
524
00:26:54,025 --> 00:26:56,035
TO HEAR
THE SEA-MAID'S MUSIC.
525
00:26:56,115 --> 00:26:56,825
I REMEMBER.
526
00:26:56,905 --> 00:26:58,205
THAT VERY TIME I SAW,
527
00:26:58,285 --> 00:26:59,955
BUT THOU COULDST NOT,
528
00:27:00,035 --> 00:27:03,205
FLYING BETWEEN
THE COLD MOON AND THE EARTH,
529
00:27:03,285 --> 00:27:04,835
CUPID ALL ARM'D:
530
00:27:04,915 --> 00:27:09,085
A CERTAIN AIM HE TOOK AT
A FAIR VESTAL THRONED BY THE WEST,
531
00:27:09,165 --> 00:27:11,925
AND LOOSED
HIS LOVE-SHAFT SMARTLY FROM HIS BOW,
532
00:27:12,005 --> 00:27:16,305
AS IT SHOULD PIERCE
100,000 HEARTS;
533
00:27:16,385 --> 00:27:18,975
BUT I MIGHT SEE YOUNG
CUPID'S FIERY SHAFT
534
00:27:19,055 --> 00:27:22,895
QUENCH'D IN THE CHASTE
BEAMS OF THE WATERY MOON,
535
00:27:22,975 --> 00:27:25,315
AND THE IMPERIAL
VOTARESS PASSED ON,
536
00:27:25,395 --> 00:27:29,565
IN MAIDEN MEDITATION,
FANCY-FREE.
537
00:27:30,025 --> 00:27:32,105
YET MARK'D I WHERE
THE BOLT OF CUPID FELL:
538
00:27:32,195 --> 00:27:34,945
IT FELL UPON A LITTLE
WESTERN FLOWER,
539
00:27:35,025 --> 00:27:36,025
BEFORE MILK-WHITE,
540
00:27:36,075 --> 00:27:37,995
NOW PURPLE
WITH LOVE'S WOUND,
541
00:27:38,075 --> 00:27:41,325
AND MAIDENS CALL IT
LOVE-IN-IDLENESS.
542
00:27:41,415 --> 00:27:43,915
FETCH ME THAT FLOWER;
THE HERB I SHEW'D THEE ONCE:
543
00:27:43,995 --> 00:27:45,995
THE JUICE OF IT ON
SLEEPING EYE-LIDS LAID
544
00:27:46,085 --> 00:27:48,875
WILL MAKE OR MAN
OR WOMAN MADLY DOTE UPON
545
00:27:48,955 --> 00:27:50,315
THE NEXT LIVE CREATURE
THAT IT SEES.
546
00:27:50,335 --> 00:27:52,335
FETCH ME THIS HERB;
AND BE THOU HERE AGAIN
547
00:27:52,425 --> 00:27:53,815
ERE THE LEVIATHAN
CAN SWIM A LEAGUE.
548
00:27:53,835 --> 00:27:57,175
I'll PUT A GIRDLE ROUND ABOUT
THE EARTH IN 40 MINUTES.
549
00:27:57,255 --> 00:28:00,555
HAVING ONCE THIS JUICE,
I'll WATCH TITANIA WHEN SHE IS ASLEEP,
550
00:28:00,635 --> 00:28:02,935
AND DROP THE LIQUOR OF IT
IN HER EYES.
551
00:28:03,015 --> 00:28:05,145
THE NEXT THING THEN
SHE WAKING LOOKS UPON,
552
00:28:05,225 --> 00:28:06,815
BE IT ON LION, BEAR, OR WOLF,
553
00:28:06,895 --> 00:28:09,565
OR BULL, ON MEDDLING MONKEY,
OR ON BUSY APE,
554
00:28:09,645 --> 00:28:13,155
SHE SHALL PURSUE IT
WITH THE SOUL OF LOVE:
555
00:28:13,235 --> 00:28:15,775
AND ERE I TAKE THIS CHARM
FROM OFF HER SIGHT,
556
00:28:15,865 --> 00:28:18,115
AS I CAN TAKE IT
WITH ANOTHER HERB,
557
00:28:18,195 --> 00:28:20,945
I'll MAKE HER RENDER UP
HER PAGE TO ME.
558
00:28:21,035 --> 00:28:22,155
[TWEETING]
559
00:28:22,245 --> 00:28:23,495
BUT WHO COMES HERE?
560
00:28:23,575 --> 00:28:26,165
I AM INVISIBLE; AND I WILL
OVERHEAR THEIR CONFERENCE.
561
00:28:26,245 --> 00:28:28,835
I LOVE THEE NOT,
THEREFORE PURSUE ME NOT.
562
00:28:28,915 --> 00:28:31,165
WHERE IS LYSANDER
AND FAIR HERMIA?
563
00:28:31,255 --> 00:28:33,715
THE ONE I'll SLAY,
THE OTHER SLAYETH ME.
564
00:28:33,795 --> 00:28:36,175
THOU TOLD'ST ME THEY WERE
STOLEN UNTO THIS WOOD;
565
00:28:36,255 --> 00:28:38,805
AND HERE AM I,
AND WODE WITHIN THIS WOOD,
566
00:28:38,885 --> 00:28:41,055
BECAUSE I CANNOT
MEET MY HERMIA.
567
00:28:41,135 --> 00:28:43,845
HENCE, GET THEE GONE,
AND FOLLOW ME NO MORE.
568
00:28:43,935 --> 00:28:46,145
I AM YOUR SPANIEL;
569
00:28:46,225 --> 00:28:48,015
AND, DEMETRIUS,
THE MORE YOU BEAT ME,
570
00:28:48,105 --> 00:28:48,975
I WILL FAWN ON YOU:
571
00:28:49,065 --> 00:28:51,025
USE ME BUT AS
YOUR SPANIEL,
572
00:28:51,105 --> 00:28:53,815
SPURN ME, STRIKE ME,
NEGLECT ME, LOSE ME;
573
00:28:53,895 --> 00:28:56,985
ONLY GIVE ME LEAVE,
UNWORTHY AS I AM,
574
00:28:57,065 --> 00:28:58,155
TO FOLLOW YOU.
575
00:28:58,235 --> 00:29:00,535
WHAT WORSER PLACE CAN I
BEG IN YOUR LOVE...
576
00:29:00,615 --> 00:29:02,535
AND YET A PLACE OF
HIGH RESPECT WITH ME...
577
00:29:02,615 --> 00:29:05,615
THAN TO BE USED
AS YOU USE YOUR DOG?
578
00:29:05,705 --> 00:29:07,875
TEMPT NOT TOO MUCH
THE HATRED OF MY SPIRIT;
579
00:29:07,955 --> 00:29:10,875
FOR I AM SICK WHEN
I DO LOOK ON THEE.
580
00:29:10,955 --> 00:29:14,125
AND I AM SICK WHEN
I LOOK NOT ON YOU.
581
00:29:15,625 --> 00:29:18,635
YOU DO IMPEACH
YOUR MODESTY TOO MUCH,
582
00:29:18,715 --> 00:29:21,215
TO LEAVE THE CITY
AND COMMIT YOURSELF
583
00:29:21,305 --> 00:29:24,265
INTO THE HANDS OF ONE
THAT LOVES YOU NOT;
584
00:29:24,345 --> 00:29:26,645
TO TRUST THE OPPORTUNITY
OF NIGHT
585
00:29:26,725 --> 00:29:28,895
AND THE ILL COUNSEL
OF A DESERT PLACE
586
00:29:28,975 --> 00:29:33,525
WITH THE RICH WORTH
OF YOUR VIRGINITY.
587
00:29:35,945 --> 00:29:37,105
YOUR VIRTUE
IS MY PRIVILEGE:
588
00:29:37,195 --> 00:29:42,865
FOR THAT IT IS NOT NIGHT
WHEN I DO SEE YOUR FACE,
589
00:29:42,945 --> 00:29:45,365
THEREFORE I THINK
I AM NOT IN THE NIGHT;
590
00:29:45,455 --> 00:29:48,075
NOR DOTH THIS WOOD
LACK WORLDS OF COMPANY,
591
00:29:48,165 --> 00:29:51,795
FOR YOU IN MY RESPECT
ARE ALL THE WORLD:
592
00:29:51,875 --> 00:29:54,875
THEN HOW CAN IT BE SAID
I AM ALONE,
593
00:29:54,965 --> 00:29:58,135
WHEN ALL THE WORLD
IS HERE TO LOOK ON ME?
594
00:29:59,175 --> 00:30:00,855
I'll RUN FROM THEE
AND HIDE ME IN THE BRAKES,
595
00:30:00,885 --> 00:30:03,215
AND LEAVE THEE TO
THE MERCY OF WILD BEASTS.
596
00:30:03,305 --> 00:30:07,095
THE WILDEST HATH NOT
SUCH A HEART AS YOU.
597
00:30:10,805 --> 00:30:11,895
Demetrius: OH, I WILL NOT
598
00:30:11,975 --> 00:30:15,105
STAY THY QUESTIONS;
LET ME GO:
599
00:30:15,185 --> 00:30:16,545
OR, IF THOU FOLLOW ME,
DO NOT BELIEVE
600
00:30:16,565 --> 00:30:18,275
BUT I SHALL DO THEE
MISCHIEF IN THE WOOD.
601
00:30:18,355 --> 00:30:19,695
AY, IN THE TEMPLE,
IN THE TOWN,
602
00:30:19,775 --> 00:30:22,525
THE FIELD,
YOU DO ME MISCHIEF.
603
00:30:24,325 --> 00:30:26,115
FIE, DEMETRIUS!
604
00:30:26,195 --> 00:30:29,915
YOUR WRONGS DO SET
A SCANDAL ON MY SEX:
605
00:30:29,995 --> 00:30:33,705
WE CANNOT FIGHT FOR
LOVE, AS MEN MAY DO;
606
00:30:33,795 --> 00:30:39,045
WE SHOULD BE WOOD
AND WERE NOT MADE TO WOO.
607
00:30:44,005 --> 00:30:45,515
I'll FOLLOW THEE
608
00:30:45,595 --> 00:30:47,925
AND MAKE A HEAVEN
OF HELL,
609
00:30:48,015 --> 00:30:51,975
TO DIE UPON THE HAND
I LOVE SO WELL.
610
00:30:52,515 --> 00:30:56,185
FARE THEE WELL, NYMPH:
611
00:30:56,275 --> 00:30:57,525
ERE HE DO LEAVE THIS GROVE,
612
00:30:57,605 --> 00:31:01,315
THOU SHALT FLY HIM
AND HE SHALL SEEK THY LOVE.
613
00:31:01,405 --> 00:31:04,525
WELCOME, WANDERER.
HAST THOU THE FLOWER THERE?
614
00:31:04,615 --> 00:31:06,655
AY, THERE IT IS.
615
00:31:06,745 --> 00:31:08,825
I PRAY THEE, GIVE IT ME.
616
00:31:11,375 --> 00:31:14,455
I KNOW A BANK WHERE
THE WILD THYME BLOWS,
617
00:31:14,535 --> 00:31:17,585
WHERE OXLIPS
AND THE NODDING VIOLET GROWS,
618
00:31:17,665 --> 00:31:21,465
QUITE OVER-CANOPIED
WITH LUSCIOUS WOODBINE,
619
00:31:21,545 --> 00:31:26,425
WITH SWEET MUSK-ROSES
AND WITH EGLANTINE:
620
00:31:27,175 --> 00:31:30,095
THERE SLEEPS TITANIA
SOMETIME OF THE NIGHT,
621
00:31:30,185 --> 00:31:33,605
LULL'D IN THESE FLOWERS
WITH DANCES AND DELIGHT;
622
00:31:33,685 --> 00:31:37,895
AND THERE THE SNAKE
THROWS HER ENAMELL'D SKIN,
623
00:31:37,975 --> 00:31:42,235
WEED WIDE ENOUGH
TO WRAP A FAIRY IN:
624
00:31:43,195 --> 00:31:46,275
AND WITH THE JUICE OF THIS
I'll STREAK HER EYES,
625
00:31:46,365 --> 00:31:50,155
AND MAKE HER FULL
OF HATEFUL FANTASIES.
626
00:31:50,245 --> 00:31:52,325
TAKE THOU SOME OF IT,
AND SEEK THROUGH THIS GROVE:
627
00:31:52,415 --> 00:31:56,245
A SWEET ATHENIAN LADY IS IN
LOVE WITH A DISDAINFUL YOUTH:
628
00:31:56,335 --> 00:31:57,835
ANOINT HIS EYES;
BUT DO IT WHEN
629
00:31:57,915 --> 00:32:00,335
THE NEXT THING HE ESPIES
MAY BE THE LADY:
630
00:32:00,415 --> 00:32:01,335
THOU SHALT KNOW THE MAN
631
00:32:01,425 --> 00:32:03,425
BY THE ATHENIAN GARMENTS
HE HATH ON.
632
00:32:03,505 --> 00:32:04,845
EFFECT IT WITH SOME CARE,
633
00:32:04,925 --> 00:32:07,055
THAT HE MAY PROVE
MORE FOND ON HER
634
00:32:07,135 --> 00:32:08,265
THAN SHE UPON HER LOVE:
635
00:32:08,345 --> 00:32:10,595
AND LOOK THOU MEET ME
ERE THE FIRST COCK CROW.
636
00:32:10,675 --> 00:32:14,265
FEAR NOT, MY LORD,
YOUR SERVANT SHALL DO SO.
637
00:32:19,225 --> 00:32:21,395
COME, NOW A ROUNDEL
AND A FAIRY SONG;
638
00:32:21,485 --> 00:32:24,155
THEN, FOR THE THIRD PART
OF A MINUTE, HENCE;
639
00:32:24,235 --> 00:32:26,825
SOME TO KILL CANKERS
IN THE MUSK-ROSE BUDS,
640
00:32:26,905 --> 00:32:29,235
SOME WAR WITH RERE-MICE
FOR THEIR LEATHERN WINGS,
641
00:32:29,325 --> 00:32:32,365
TO MAKE MY
SMALL ELVES COATS,
642
00:32:32,455 --> 00:32:34,245
AND SOME KEEP BACK
THE CLAMOROUS OWL
643
00:32:34,325 --> 00:32:40,295
THAT NIGHTLY HOOTS AND WONDERS
AT OUR QUAINT SPIRITS.
644
00:32:40,375 --> 00:32:42,625
SING ME NOW ASLEEP;
645
00:32:42,715 --> 00:32:47,425
THEN TO YOUR OFFICES
AND LET ME REST.
646
00:32:47,505 --> 00:32:50,385
[PLAYING UPBEAT TUNE]
647
00:32:50,465 --> 00:32:52,845
♪ YOU SPOTTED SNAKES
WITH DOUBLE TONGUE ♪
648
00:32:52,925 --> 00:32:54,555
♪ THORNY HEDGEHOGS,
BE NOT SEEN; ♪
649
00:32:54,635 --> 00:32:56,895
♪ NEWTS AND BLIND-WORMS,
DO NO WRONG ♪
650
00:32:56,975 --> 00:33:01,225
♪ COME NOT NEAR
OUR FAIRY QUEEN ♪
651
00:33:01,315 --> 00:33:05,655
♪ PHILOMEL, WITH MELODY ♪
652
00:33:05,735 --> 00:33:09,445
♪ SING IN OUR SWEET LULLABY; ♪
653
00:33:09,525 --> 00:33:16,535
♪ LULLA, LULLA, LULLABY,
LULLA, LULLA, LULLABY: ♪
654
00:33:18,285 --> 00:33:23,125
♪ NEVER HARM,
NOR SPELL NOR CHARM ♪
655
00:33:23,215 --> 00:33:29,255
♪ COME OUR LOVELY LADY NIGH; ♪
656
00:33:29,345 --> 00:33:36,345
♪ SO, GOOD NIGHT, GOOD NIGHT,
GOOD NIGHT WITH LULLABY ♪
657
00:33:37,895 --> 00:33:44,895
♪ LULLA, LULLA, LULLABY ♪
658
00:33:46,485 --> 00:33:48,485
♪ WEAVING SPIDERS,
COME NOT HERE; ♪
659
00:33:48,565 --> 00:33:50,485
♪ HENCE, YOU LONG-LEGG'D
SPINNERS, HENCE! ♪
660
00:33:50,575 --> 00:33:53,115
♪ BEETLES BLACK,
APPROACH NOT NEAR; ♪
661
00:33:53,195 --> 00:33:57,415
♪ WORM NOR SNAIL,
DO NO OFFENCE ♪
662
00:33:57,495 --> 00:34:01,495
♪ PHILOMEL, WITH MELODY ♪
663
00:34:01,585 --> 00:34:05,505
♪ SING IN OUR SWEET LULLABY; ♪
664
00:34:05,585 --> 00:34:12,595
♪ LULLA, LULLA, LULLABY,
LULLA, LULLA, LULLABY: ♪
665
00:34:14,595 --> 00:34:19,645
♪ NEVER HARM,
NOR SPELL NOR CHARM ♪
666
00:34:19,725 --> 00:34:26,145
♪ COME OUR LOVELY LADY NIGH; ♪
667
00:34:26,235 --> 00:34:33,235
♪ SO, GOOD NIGHT, GOOD NIGHT,
GOOD NIGHT WITH LULLABY ♪
668
00:34:34,735 --> 00:34:41,745
♪ LULLA, LULLA, LULLABY ♪
669
00:34:45,085 --> 00:34:47,215
HENCE, AWAY!
NOW ALL IS WELL:
670
00:34:47,295 --> 00:34:50,045
ONE ALOOF STAND SENTINEL.
671
00:35:10,275 --> 00:35:12,905
WHAT THOU SEEST
WHEN THOU DOST WAKE,
672
00:35:12,985 --> 00:35:14,985
DO IT FOR
THY TRUE-LOVE TAKE,
673
00:35:15,075 --> 00:35:17,405
LOVE AND LANGUISH
FOR HIS SAKE:
674
00:35:17,495 --> 00:35:19,785
BE IT OUNCE,
OR CAT, OR BEAR,
675
00:35:19,865 --> 00:35:22,325
PARD, OR BOAR
WITH BRISTLED HAIR,
676
00:35:22,415 --> 00:35:24,585
IN THY EYE
THAT SHALL APPEAR
677
00:35:24,665 --> 00:35:28,205
WHEN THOU WAKEST,
IT IS THY DEAR:
678
00:35:28,295 --> 00:35:32,465
WAKE WHEN SOME
VILE THING IS NEAR.
679
00:35:40,305 --> 00:35:42,935
FAIR LOVE, YOU FAINT
WITH WANDERING IN THE WOOD;
680
00:35:43,015 --> 00:35:45,475
AND TO SPEAK TROTH,
I HAVE FORGOT OUR WAY:
681
00:35:45,565 --> 00:35:47,395
WE'LL REST US, HERMIA,
IF YOU THINK IT GOOD,
682
00:35:47,475 --> 00:35:49,735
AND TARRY FOR
THE COMFORT OF THE DAY.
683
00:35:49,815 --> 00:35:52,855
BE IT SO, LYSANDER:
FIND YOU OUT A BED;
684
00:35:52,945 --> 00:35:56,485
FOR I UPON THIS BANK
WILL REST MY HEAD.
685
00:36:00,705 --> 00:36:03,245
ONE TURF SHALL SERVE
AS PILLOW FOR US BOTH;
686
00:36:03,325 --> 00:36:07,835
ONE HEART, ONE BED,
TWO BOSOMS AND ONE TROTH.
687
00:36:07,915 --> 00:36:10,255
NAY, GOOD LYSANDER;
FOR MY SAKE, MY DEAR,
688
00:36:10,335 --> 00:36:12,505
LIE FURTHER OFF YET,
DO NOT LIE SO NEAR.
689
00:36:12,585 --> 00:36:15,465
♪ , TAKE THE SENSE, SWEET,
OF MY INNOCENCE! ♪
690
00:36:15,545 --> 00:36:17,965
LOVE TAKES THE MEANING
IN LOVE'S CONFERENCE.
691
00:36:18,055 --> 00:36:19,675
I MEAN, THAT MY HEART
UNTO YOURS IS KNIT
692
00:36:19,765 --> 00:36:22,475
SO THAT BUT ONE HEART
WE CAN MAKE OF IT;
693
00:36:22,555 --> 00:36:24,265
TWO BOSOMS INTERCHAINED
WITH AN OATH;
694
00:36:24,345 --> 00:36:26,435
SO THEN TWO BOSOMS
AND A SINGLE TROTH.
695
00:36:26,515 --> 00:36:29,065
THEN BY YOUR SIDE
NO BED-ROOM ME DENY;
696
00:36:29,145 --> 00:36:32,275
FOR LYING SO, HERMIA,
I DO NOT LIE.
697
00:36:32,355 --> 00:36:34,485
LYSANDER RIDDLES
VERY PRETTILY:
698
00:36:34,565 --> 00:36:37,075
NOW MUCH BESHREW
MY MANNERS AND MY PRIDE,
699
00:36:37,155 --> 00:36:40,655
IF HERMIA MEANT TO SAY
LYSANDER LIED.
700
00:36:40,745 --> 00:36:43,115
BUT, GENTLE FRIEND,
FOR LOVE AND COURTESY
701
00:36:43,205 --> 00:36:46,665
LIE FURTHER OFF;
IN HUMAN MODESTY,
702
00:36:46,745 --> 00:36:48,455
SUCH SEPARATION
AS MAY WELL BE SAID
703
00:36:48,545 --> 00:36:51,455
BECOMES A VIRTUOUS
BACHELOR AND A MAID,
704
00:36:51,545 --> 00:36:55,885
SO FAR BE DISTANT; AND,
GOOD NIGHT, SWEET FRIEND:
705
00:36:55,965 --> 00:37:00,845
THY LOVE NE'ER ALTER
TILL THY SWEET LIFE END!
706
00:37:01,885 --> 00:37:07,015
AMEN, AMEN, TO THAT
FAIR PRAYER, SAY I;
707
00:37:07,105 --> 00:37:10,395
AND SO END LIFE
WHEN I END LOYALTY!
708
00:37:12,735 --> 00:37:14,565
HERE IS MY BED:
709
00:37:18,525 --> 00:37:20,155
SLEEP GIVE THEE
ALL HIS REST!
710
00:37:20,235 --> 00:37:24,995
WITH HALF THAT WISH
THE WISHER'S EYES BE PRESS'D!
711
00:37:35,335 --> 00:37:37,045
THROUGH THE FOREST HAVE I GONE.
712
00:37:37,135 --> 00:37:38,545
BUT ATHENIAN FOUND I NONE,
713
00:37:38,635 --> 00:37:40,175
ON WHOSE EYES I MIGHT APPROVE
714
00:37:40,255 --> 00:37:44,765
THIS FLOWER'S FORCE
IN STIRRING LOVE.
715
00:37:47,145 --> 00:37:50,395
NIGHT AND SILENCE.
716
00:37:52,855 --> 00:37:54,185
WHO IS HERE?
717
00:37:54,275 --> 00:37:58,405
WEEDS OF ATHENS HE DOTH WEAR:
718
00:37:58,485 --> 00:37:59,945
THIS IS HE,
MY MASTER SAID,
719
00:38:00,025 --> 00:38:01,985
DESPISED THE ATHENIAN MAID;
720
00:38:02,075 --> 00:38:04,945
AND HERE THE MAIDEN,
SLEEPING SOUND,
721
00:38:05,035 --> 00:38:08,665
ON THE DANK
AND DIRTY GROUND.
722
00:38:08,745 --> 00:38:09,745
PRETTY SOUL!
723
00:38:09,825 --> 00:38:12,545
SHE DURST NOT LIE
NEAR THIS LACK-LOVE,
724
00:38:12,625 --> 00:38:15,375
THIS KILL-COURTESY.
725
00:38:15,465 --> 00:38:18,505
CHURL, UPON THY EYES
I THROW
726
00:38:18,585 --> 00:38:21,715
ALL THE POWER
THIS CHARM DOTH OWE.
727
00:38:21,805 --> 00:38:23,385
WHEN THOU WAKEST,
LET LOVE FORBID
728
00:38:23,465 --> 00:38:25,675
SLEEP HIS SEAT
ON THY EYELID:
729
00:38:25,765 --> 00:38:28,185
SO AWAKE WHEN I AM GONE;
730
00:38:28,265 --> 00:38:30,645
FOR I MUST NOW TO OBERON.
731
00:38:33,065 --> 00:38:36,395
[BREATHING HEAVILY]
732
00:38:36,485 --> 00:38:39,405
STAY, THOUGH THOU KILL ME,
SWEET DEMETRIUS.
733
00:38:39,485 --> 00:38:42,405
I CHARGE THEE, HENCE,
AND DO NOT HAUNT ME THUS.
734
00:38:42,485 --> 00:38:44,825
O WILT THOU DARKLING LEAVE ME? DO NOT SO.
735
00:38:44,905 --> 00:38:47,865
STAY, ON THY PERIL:
I ALONE WILL GO.
736
00:38:48,865 --> 00:38:52,585
O, I AM OUT OF BREATH
IN THIS FOND CHASE!
737
00:38:52,665 --> 00:38:56,125
THE MORE MY PRAYER,
THE LESSER IS MY GRACE.
738
00:38:56,205 --> 00:38:59,795
HAPPY IS HERMIA,
WHERESOE'ER SHE LIES;
739
00:38:59,875 --> 00:39:03,595
FOR SHE HATH BLESSED
AND ATTRACTIVE EYES.
740
00:39:04,675 --> 00:39:09,225
HOW CAME HER EYES SO BRIGHT?
741
00:39:09,305 --> 00:39:10,845
NOT WITH SALT TEARS:
IF SO, MY EYES
742
00:39:10,935 --> 00:39:13,645
ARE OFTENER WASH'D THAN HERS.
[SNIFFLES]
743
00:39:13,725 --> 00:39:18,025
NO, NO, I AM AS UGLY AS A BEAR;
744
00:39:18,105 --> 00:39:20,025
FOR BEASTS THAT MEET ME
RUN AWAY FOR FEAR:
745
00:39:20,105 --> 00:39:22,025
THEREFORE NO MARVEL
THOUGH DEMETRIUS DO,
746
00:39:22,115 --> 00:39:25,485
AS A MONSTER FLY
MY PRESENCE THUS.
747
00:39:25,905 --> 00:39:28,285
[GASP]
BUT WHO IS HERE?
748
00:39:28,745 --> 00:39:30,705
LYSANDER!
749
00:39:32,875 --> 00:39:34,785
ON THE GROUND!
750
00:39:34,875 --> 00:39:35,955
DEAD? OR ASLEEP?
751
00:39:36,045 --> 00:39:37,875
I SEE NO BLOOD,
NO WOUND.
752
00:39:37,955 --> 00:39:41,465
LYSANDER IF YOU LIVE, GOOD SIR, AWAKE.
753
00:39:41,545 --> 00:39:45,805
AND RUN THROUGH FIRE
I WILL FOR THY SWEET SAKE.
754
00:39:46,715 --> 00:39:48,595
TRANSPARENT HELENA!
755
00:39:48,675 --> 00:39:49,805
NATURE SHOWS ART,
756
00:39:49,885 --> 00:39:52,975
THAT THROUGH THY BOSOM
MAKES ME SEE THY HEART.
757
00:39:53,055 --> 00:39:54,765
WHERE IS DEMETRIUS?
758
00:39:54,855 --> 00:39:56,855
O, HOW FIT A WORD
IS THAT VILE NAME
759
00:39:56,935 --> 00:39:58,185
TO PERISH ON MY SWORD!
760
00:39:58,275 --> 00:40:00,775
DO NOT SAY SO, LYSANDER;
SAY NOT SO
761
00:40:00,855 --> 00:40:03,485
WHAT THOUGH HE LOVE YOUR HERMIA? LORD,
WHAT THOUGH?
762
00:40:03,565 --> 00:40:06,985
YET HERMIA STILL
LOVES YOU: THEN BE CONTENT.
763
00:40:07,075 --> 00:40:08,075
CONTENT WITH HERMIA!
764
00:40:08,155 --> 00:40:10,285
NO; I DO REPENT
THE TEDIOUS MINUTES
765
00:40:10,365 --> 00:40:11,785
I WITH HER HAVE SPENT.
766
00:40:11,865 --> 00:40:14,285
NOT HERMIA
BUT HELENA I LOVE:
767
00:40:14,375 --> 00:40:17,705
WHO WILL NOT CHANGE
A RAVEN FOR A DOVE?
768
00:40:19,755 --> 00:40:24,005
WHEREFORE WAS I TO THIS
KEEN MOCKERY BORN?
769
00:40:24,085 --> 00:40:27,755
WHEN AT YOUR HANDS DID I
DESERVE THIS SCORN?
770
00:40:27,845 --> 00:40:29,215
GOOD TROTH,
YOU DO ME WRONG,
771
00:40:29,305 --> 00:40:32,725
GOOD SOOTH, YOU DO,
IN SUCH DISDAINFUL MANNER ME TO WOO.
772
00:40:32,805 --> 00:40:35,015
BUT FARE YOU WELL.:
773
00:40:35,095 --> 00:40:36,185
PERFORCE I MUST CONFESS
774
00:40:36,265 --> 00:40:39,775
I THOUGHT YOU LORD OF
MORE TRUE GENTLENESS.
775
00:40:40,435 --> 00:40:43,355
O, THAT A LADY,
OF ONE MAN REFUSED.
776
00:40:43,445 --> 00:40:47,275
SHOULD OF ANOTHER
THEREFORE BE ABUSED!
777
00:40:50,035 --> 00:40:53,575
SHE SEES NOT HERMIA.
HERMIA, SLEEP THOU THERE:
778
00:40:53,665 --> 00:40:56,325
AND NEVER MAYST THOU
COME LYSANDER NEAR!
779
00:40:56,415 --> 00:40:58,165
FOR AS A SURFEIT
OF THE SWEETEST THINGS
780
00:40:58,245 --> 00:41:00,705
THE DEEPEST LOATHING
TO THE STOMACH BRINGS,
781
00:41:00,795 --> 00:41:02,545
OR AS THE HERESIES
THAT MEN DO LEAVE
782
00:41:02,625 --> 00:41:04,755
ARE HATED MOST OF THOSE
THEY DID DECEIVE,
783
00:41:04,835 --> 00:41:07,795
SO THOU, MY SURFEIT
AND MY HERESY,
784
00:41:07,885 --> 00:41:12,345
OF ALL BE HATED,
BUT THE MOST OF ME!
785
00:41:12,425 --> 00:41:15,935
AND, ALL MY POWERS,
ADDRESS YOUR LOVE AND MIGHT
786
00:41:16,015 --> 00:41:20,895
TO HONOR HELEN
AND TO BE HER KNIGHT!
787
00:41:26,155 --> 00:41:27,565
HELP ME, LYSANDER, HELP ME!
788
00:41:27,655 --> 00:41:32,405
DO THY BEST TO PLUCK THIS
CRAWLING SERPENT FROM MY BREAST!
789
00:41:35,495 --> 00:41:38,665
AY ME, FOR PITY!
WHAT A DREAM WAS HERE!
790
00:41:39,085 --> 00:41:44,215
LYSANDER, LOOK HOW
I DO QUAKE WITH FEAR:
791
00:41:44,295 --> 00:41:47,585
METHOUGHT A SERPENT
EAT MY HEART AWAY,
792
00:41:47,675 --> 00:41:51,385
AND YOU SAT SMILING
AT HIS CRUEL PRAY.
793
00:41:51,465 --> 00:41:53,265
LYSANDER!
794
00:41:57,095 --> 00:41:58,805
WHAT, REMOVED?
795
00:42:00,265 --> 00:42:02,815
LYSANDER! LORD!
796
00:42:02,895 --> 00:42:04,645
WHAT, OUT OF HEARING?
797
00:42:05,065 --> 00:42:07,655
GONE? NO SOUND, NO WORD?
798
00:42:08,695 --> 00:42:10,865
ALACK, WHERE ARE YOU?
799
00:42:10,945 --> 00:42:13,865
SPEAK, AN IF YOU HEAR;
800
00:42:14,495 --> 00:42:18,745
SPEAK, OF ALL LOVES!
I SWOON ALMOST WITH FEAR.
801
00:42:21,085 --> 00:42:22,585
NO?
802
00:42:23,915 --> 00:42:27,045
THEN I WELL PERCEIVE
YOU ALL NOT NIGH
803
00:42:27,835 --> 00:42:32,095
EITHER DEATH OR YOU
I'll FIND IMMEDIATELY.
804
00:42:40,935 --> 00:42:42,225
ARE WE ALL MET?
805
00:42:42,315 --> 00:42:43,645
PAT, PAT; AND HERE'S
806
00:42:43,725 --> 00:42:45,565
A MARVELOUS
CONVENIENT PLACE
807
00:42:45,645 --> 00:42:46,815
FOR OUR REHEARSAL.
808
00:42:46,895 --> 00:42:49,815
THIS GREEN PLOT
SHALL BE OUR STAGE,
809
00:42:49,905 --> 00:42:52,945
THIS HAWTHORN-BRAKE
OUR TIRING-HOUSE;
810
00:42:53,025 --> 00:42:54,445
AND WE WILL
DO IT IN ACTION
811
00:42:54,535 --> 00:42:56,365
AS WE WILL DO IT
BEFORE THE DUKE.
812
00:42:56,445 --> 00:42:57,705
PETER QUINCE...
813
00:42:57,785 --> 00:42:59,075
WHAT SAYEST THOU,
BULLY BOTTOM?
814
00:42:59,165 --> 00:43:02,995
THERE ARE THINGS IN THIS
COMEDY OF PYRAMUS AND THISBY
815
00:43:03,085 --> 00:43:04,875
THAT WILL NEVER PLEASE.
816
00:43:04,955 --> 00:43:07,915
FIRST, PYRAMUS MUST DRAW
A SWORD TO KILL HIMSELF;
817
00:43:08,005 --> 00:43:10,965
WHICH THE LADIES
CANNOT ABIDE.
818
00:43:11,045 --> 00:43:12,885
HOW ANSWER YOU THAT?
819
00:43:13,885 --> 00:43:17,225
BY'R LAKIN,
A PARLOUS FEAR.
820
00:43:20,685 --> 00:43:23,305
I BELIEVE WE MUST
LEAVE THE KILLING OUT,
821
00:43:23,395 --> 00:43:24,475
WHEN ALL IS DONE.
822
00:43:24,565 --> 00:43:26,275
NOT A WHIT:
823
00:43:26,355 --> 00:43:28,855
I HAVE A DEVICE
TO MAKE ALL WELL.
824
00:43:28,945 --> 00:43:32,865
WRITE ME A PROLOGUE;
AND LET THE PROLOGUE SEEM TO SAY,
825
00:43:32,945 --> 00:43:34,825
WE WILL DO NO HARM
WITH OUR SWORDS,
826
00:43:34,905 --> 00:43:36,905
AND THAT PYRAMUS
IS NOT KILLED INDEED:;
827
00:43:36,985 --> 00:43:38,825
AND, FOR THE MORE
BETTER ASSURANCE,
828
00:43:38,905 --> 00:43:40,075
TELL THEM THAT
I, PYRAMUS,
829
00:43:40,155 --> 00:43:42,875
AM NOT PYRAMUS,
BUT BOTTOM THE WEAVER:
830
00:43:42,955 --> 00:43:45,165
THIS WILL PUT THEM
OUT OF FEAR.
831
00:43:45,495 --> 00:43:47,045
WELL, WE WILL HAVE
SUCH A PROLOGUE;
832
00:43:47,125 --> 00:43:48,475
AND IT SHALL BE
WRITTEN IN 8 AND 6.
833
00:43:48,505 --> 00:43:51,755
NO, MAKE IT TWO MORE;
LET IT BE WRITTEN IN 8 AND 8.
834
00:43:52,965 --> 00:43:59,765
WILL NOT THE LADIES
BE AFEARD OF THE LION?
835
00:44:02,595 --> 00:44:04,555
I FEAR IT,
I PROMISE YOU.
836
00:44:04,645 --> 00:44:07,435
MASTERS, YOU OUGHT
TO CONSIDER WITH YOURSELVES:
837
00:44:07,525 --> 00:44:09,735
TO BRING IN...
GOD SHIELD US!
838
00:44:09,815 --> 00:44:13,525
A LION AMONG LADIES,
IS A MOST DREADFUL THING;
839
00:44:13,605 --> 00:44:16,155
FOR THERE IS NOT
A MORE FEARFUL WILD-FOWL
840
00:44:16,235 --> 00:44:18,115
THAN YOUR LION LIVING;
841
00:44:18,195 --> 00:44:20,195
AND WE OUGHT TO LOOK TO 'T.
842
00:44:21,995 --> 00:44:29,005
THEREFORE ANOTHER PROLOGUE
MUST TELL HE IS NOT A LION.
843
00:44:30,455 --> 00:44:33,925
NAY, YOU MUST
NAME HIS NAME,
844
00:44:34,005 --> 00:44:38,675
AND HALF HIS FACE MUST BE
SEEN THROUGH THE LION'S NECK:
845
00:44:38,755 --> 00:44:39,985
AND HE HIMSELF
MUST SPEAK THROUGH,
846
00:44:40,015 --> 00:44:41,675
SAYING THUS, OR TO
THE SAME DEFECT...
847
00:44:41,765 --> 00:44:45,265
"LADIES'... OR 'FAIR-LADIES...
I WOULD WISH YOU, ;
848
00:44:45,345 --> 00:44:46,555
...OR 'I WOULD
REQUEST YOU, '
849
00:44:46,645 --> 00:44:47,765
...OR 'I WOULD
ENTREAT YOU...
850
00:44:47,855 --> 00:44:51,145
NOT TO FEAR, NOT TO TREMBLE:
MY LIFE FOR YOURS.
851
00:44:51,235 --> 00:44:54,565
IF YOU THINK
I COME HITHER AS A LION,
852
00:44:54,655 --> 00:44:56,365
IT WERE PITY OF MY LIFE:
853
00:44:56,445 --> 00:44:57,945
NO, I AM NO SUCH THING;
854
00:44:58,025 --> 00:44:59,405
I AM A MAN
AS OTHER MEN ARE; ♪
855
00:44:59,485 --> 00:45:00,845
AND THERE INDEED
LET HIM NAME HIS NAME,
856
00:45:00,865 --> 00:45:02,905
AND TELL THEM PLAINLY
HE IS SNUG THE JOINER.
857
00:45:02,995 --> 00:45:04,995
WELL IT SHALL BE SO.
858
00:45:05,665 --> 00:45:08,085
BUT THERE IS
TWO HARD THINGS;
859
00:45:08,165 --> 00:45:10,705
THAT IS,
TO BRING THE MOONLIGHT INTO A CHAMBER, ;
860
00:45:10,795 --> 00:45:16,045
FOR, YOU KNOW,
PYRAMUS AND THISBY MEET BY MOONLIGHT.
861
00:45:17,505 --> 00:45:22,385
DOTH THE MOON SHINE THAT NIGHT
WE PLAY OUR PLAY?
862
00:45:22,475 --> 00:45:24,155
A CALENDAR, A CALENDAR!
LOOK IN THE ALMANAC, ;
863
00:45:24,185 --> 00:45:26,185
FIND OUT MOONSHINE,
FIND OUT MOONSHINE.
864
00:45:26,265 --> 00:45:28,855
YES, IT DOTH SHINE
THAT NIGHT.
865
00:45:29,225 --> 00:45:30,935
WHY, THEN MAY YOU
LEAVE A CASEMENT
866
00:45:31,025 --> 00:45:32,985
OF THE GREAT CHAMBER WINDOW,
WHERE WE PLAY, OPEN,
867
00:45:33,065 --> 00:45:35,655
AND THE MOON MAY SHINE IN
AT THE CASEMENT.
868
00:45:35,735 --> 00:45:38,525
AY; OR ELSE
ONE MUST COME IN
869
00:45:38,615 --> 00:45:40,615
WITH A BUSH OF THORNS AND A LANTHORN,
870
00:45:40,695 --> 00:45:43,865
AND SAY HE COMES TO DISFIGURE, OR PRESENT,
871
00:45:43,955 --> 00:45:46,575
THE PERSON
OF MOONSHINE.
872
00:45:49,245 --> 00:45:50,875
THEN, THERE IS
ANOTHER THING:
873
00:45:50,955 --> 00:45:52,045
WE MUST HAVE A WALL
874
00:45:52,125 --> 00:45:53,125
IN THE GREAT
CHAMBER;
875
00:45:53,205 --> 00:45:56,675
FOR PYRAMUS AND THISBY SAYS THE STORY,
876
00:45:56,755 --> 00:46:00,675
DID TALK THROUGH
THE CHINK OF A WALL.
877
00:46:02,715 --> 00:46:06,515
YOU CAN NEVER BRING IN A WALL.
878
00:46:08,515 --> 00:46:10,475
WHAT SAY YOU, BOTTOM?
879
00:46:10,555 --> 00:46:14,105
SOME MAN OR OTHER
MUST PRESENT WALL.:
880
00:46:14,185 --> 00:46:18,485
AND LET HIM HAVE SOME PLASTER,
OR SOME LOAM,
881
00:46:18,565 --> 00:46:22,445
OR SOME ROUGH-CAST ABOUT HIM,
TO SIGNIFY WALL, ;
882
00:46:22,535 --> 00:46:25,115
AND LET HIM HOLD
HIS FINGERS THUS,
883
00:46:25,195 --> 00:46:28,455
AND THROUGH THAT CRANNY
SHALL PYRAMUS AND THISBY WHISPER.
884
00:46:28,535 --> 00:46:31,455
IF THAT MAY BE,
THEN ALL IS WELL.
885
00:46:31,535 --> 00:46:35,125
COME, SIT DOWN,
EVERY MOTHER'S SON,
886
00:46:35,205 --> 00:46:37,045
AND REHEARSE
YOUR PARTS.
887
00:46:37,125 --> 00:46:38,505
PYRAMUS, YOU BEGIN:
888
00:46:38,585 --> 00:46:39,925
WHEN YOU HAVE SPOKEN
YOUR SPEECH,
889
00:46:40,005 --> 00:46:41,005
ENTER INTO
THAT BRAKE:
890
00:46:41,045 --> 00:46:44,135
AND SO EVERY ONE ACCORDING TO HIS CUE.
891
00:46:46,765 --> 00:46:49,055
WHAT HEMPEN HOME-SPUNS
HAVE WE SWAGGERING HERE,
892
00:46:49,145 --> 00:46:52,515
SO NEAR THE CRADLE
OF OUR FAIRY QUEEN?
893
00:46:53,145 --> 00:46:55,685
WHAT, A PLAY TOWARD!
894
00:46:55,775 --> 00:46:56,775
I'll BE AN AUDITOR;
895
00:46:56,815 --> 00:46:59,735
AN ACTOR TOO, PERHAPS,
IF I SEE CAUSE.
896
00:47:00,195 --> 00:47:02,275
SPEAK, PYRAMUS.
897
00:47:02,365 --> 00:47:04,535
THISBY, STAND FORTH.
898
00:47:05,575 --> 00:47:09,915
THISBY, THE FLOWERS OF
ODIOUS SAVORS SWEET...
899
00:47:09,995 --> 00:47:10,915
Quince: ODORS.
900
00:47:10,995 --> 00:47:13,875
EH?
ODORS.
901
00:47:18,125 --> 00:47:22,345
...ODORS SAVORS SWEET:
902
00:47:24,255 --> 00:47:29,135
SO HATH THY BREATH,
MY DEAREST THISBY DEAR.
903
00:47:29,225 --> 00:47:31,725
BUT HARK, A VOICE!
904
00:47:31,805 --> 00:47:33,515
STAY THOU
BUT HERE AWHILE,
905
00:47:33,605 --> 00:47:37,065
AND BY AND BY I WILL
TO THEE APPEAR.
906
00:47:37,145 --> 00:47:40,565
A STRANGER PYRAMUS THAN E'ER PLAYED HERE.
907
00:47:49,205 --> 00:47:50,745
MUST I SPEAK NOW?
908
00:47:50,825 --> 00:47:51,995
AY, MARRY, MUST YOU, ;
909
00:47:52,075 --> 00:47:53,535
FOR YOU MUST
UNDERSTAND HE GOES
910
00:47:53,625 --> 00:47:55,585
BUT TO SEE A NOISE
THAT HE HEARD,
911
00:47:55,665 --> 00:47:57,835
AND IS TO COME AGAIN.
912
00:47:58,455 --> 00:48:01,755
MOST RADIANT PYRAMUS,
MOST LILY-WHITE OF HUE,
913
00:48:01,835 --> 00:48:04,755
OF COLOR LIKE THE RED ROSE
ON TRIUMPHANT BRIER,
914
00:48:04,845 --> 00:48:07,555
MOST BRISKY JUVENAL
AND EKE MOST LOVELY JEW,
915
00:48:07,635 --> 00:48:10,175
AS TRUE AS TRUEST HORSE
THAT YET WOULD NEVER TIRE,
916
00:48:10,265 --> 00:48:12,975
I'll MEET THEE, PYRAMUS,
AT NINNY'S TOMB.
917
00:48:13,055 --> 00:48:15,855
'NINUS' TOMB, ' MAN:
918
00:48:16,315 --> 00:48:19,105
WHY, YOU MUST NOT
SPEAK THAT YET, ;
919
00:48:19,185 --> 00:48:21,275
THAT YOU ANSWER
TO PYRAMUS:
920
00:48:21,355 --> 00:48:23,275
YOU SPEAK ALL YOUR PART
AT ONCE,
921
00:48:23,355 --> 00:48:24,695
CUES AND ALL.
922
00:48:24,775 --> 00:48:26,405
[LAUGHS]
923
00:48:26,485 --> 00:48:30,115
PYRAMUS ENTER:
YOUR CUE IS PAST, ;
924
00:48:30,195 --> 00:48:31,405
IT IS, 'NEVER TIRE.'
925
00:48:31,495 --> 00:48:35,285
AS TRUE AS TRUEST HORSE,
THAT YET WOULD NEVER TIRE.
926
00:48:39,205 --> 00:48:43,425
IF I WERE FAIR, THISBY,
I WERE ONLY THINE.
927
00:48:43,505 --> 00:48:48,005
Quince: O MONSTROUS!
O STRANGE!
928
00:48:48,095 --> 00:48:50,305
WE ARE HAUNTED.
929
00:48:50,385 --> 00:48:54,975
PRAY, MASTERS!
FLY, MASTERS!
930
00:48:56,515 --> 00:48:57,645
HELP!
HELP!
931
00:48:57,725 --> 00:49:00,275
I'll FOLLOW YOU, I'll LEAD YOU
ABOUT A ROUND,
932
00:49:00,355 --> 00:49:02,295
THROUGH BOG, THROUGH BUSH,
THROUGH BRAKE, THROUGH BRIER:
933
00:49:02,315 --> 00:49:04,815
SOMETIME A HORSE I'll BE,
SOMETIME A HOUND, A HOG,
934
00:49:04,905 --> 00:49:06,195
A HEADLESS BEAR,
SOMETIME A FIRE;
935
00:49:06,275 --> 00:49:08,135
AND NEIGH, AND BARK, AND GRUNT,
AND ROAR, AND BURN,
936
00:49:08,155 --> 00:49:11,075
LIKE HORSE, HOUND, HOG, BEAR,
FIRE, AT EVERY TURN.
937
00:49:11,155 --> 00:49:12,865
WHY DO THEY RUN AWAY?
938
00:49:12,955 --> 00:49:17,075
THIS IS A KNAVERY OF THEM
TO MAKE ME AFEARD.
939
00:49:23,335 --> 00:49:27,295
O BOTTOM,
THOU ART CHANGED!
940
00:49:27,635 --> 00:49:29,215
WHAT DO I SEE
ON THEE?
941
00:49:29,305 --> 00:49:30,885
WHAT DO YOU SEE?
942
00:49:30,965 --> 00:49:34,595
YOU SEE AN ASSHEAD
OF YOUR OWN, DO YOU?
943
00:49:38,305 --> 00:49:41,435
BLESS THEE, BOTTOM!
BLESS THEE!
944
00:49:41,525 --> 00:49:44,145
THOU ART TRANSLATED.
945
00:49:45,565 --> 00:49:50,445
I SEE THEIR KNAVERY:
THIS IS TO MAKE AN ASS OF ME;
946
00:49:50,525 --> 00:49:52,115
TO FRIGHT ME, IF THEY COULD.
947
00:49:52,195 --> 00:49:55,655
BUT I WILL NOT STIR FROM
THIS PLACE, DO WHAT THEY CAN:
948
00:49:55,745 --> 00:49:59,455
I WILL WALK UP AND DOWN HERE,
AND I WILL SING,
949
00:49:59,535 --> 00:50:03,045
THAT THEY SHALL HEAR
I AM NOT AFRAID.
950
00:50:04,215 --> 00:50:11,215
♪ THE OUSEL COCK
SO BLACK OF HUE ♪
951
00:50:12,175 --> 00:50:17,895
♪ WITH ORANGE-TAWNY BILL ♪
952
00:50:17,975 --> 00:50:24,985
♪ THE THROSTLE WITH
HIS NOTE SO TRUE ♪
953
00:50:29,565 --> 00:50:34,445
♪ THE WREN WITH
LITTLE QUILL... ♪
954
00:50:36,205 --> 00:50:40,245
WHAT ANGEL WAKES ME
FROM MY FLOWERY BED?
955
00:50:40,325 --> 00:50:47,335
♪ THE FINCH, THE SPARROW
AND THE LARK ♪
956
00:50:49,425 --> 00:50:55,175
♪ THE PLAIN-SONG
CUCKOO GRAY ♪
957
00:50:55,265 --> 00:51:02,265
♪ WHOSE NOTE FULL
MANY A MAN DOTH MARK ♪
958
00:51:02,355 --> 00:51:05,145
♪ AND DARES NOT ANSWER NAY... ♪
959
00:51:05,225 --> 00:51:08,065
[BRAYING]
960
00:51:08,145 --> 00:51:11,275
I PRAY THEE, GENTLE
MORTAL, SING AGAIN:
961
00:51:11,655 --> 00:51:14,945
MINE EAR IS MUCH
ENAMOR'D OF THY NOTE;
962
00:51:15,035 --> 00:51:19,865
SO IS MINE EYE
ENTHRALLED TO THY SHAPE;
963
00:51:19,955 --> 00:51:21,285
AND THY FAIR
VIRTUE'S FORCE
964
00:51:21,375 --> 00:51:24,415
PERFORCE DOTH MOVE ME
ON THE FIRST VIEW
965
00:51:24,495 --> 00:51:29,045
TO SAY, TO SWEAR,
I LOVE THEE.
966
00:51:29,585 --> 00:51:34,215
METHINKS, MISTRESS,
YOU SHOULD HAVE LITTLE REASON FOR THAT:
967
00:51:34,305 --> 00:51:35,675
AND YET, TO SAY THE TRUTH,
968
00:51:35,755 --> 00:51:39,015
REASON AND LOVE KEEP LITTLE
COMPANY TOGETHER NOW-A-DAYS;
969
00:51:39,095 --> 00:51:41,395
THE MORE THE PITY
THAT SOME HONEST NEIGHBORS
970
00:51:41,475 --> 00:51:42,975
WILL NOT MAKE THEM FRIENDS.
971
00:51:43,055 --> 00:51:45,355
[LAUGHS]
972
00:51:45,435 --> 00:51:48,435
NAY, I CAN GLEEK
UPON OCCASION.
973
00:51:48,525 --> 00:51:49,525
[KISS]
974
00:51:49,565 --> 00:51:53,905
THOU ART AS WISE
AS THOU ART BEAUTIFUL.
975
00:51:53,985 --> 00:51:55,155
NOT SO, NEITHER:
976
00:51:55,235 --> 00:51:58,575
BUT IF I HAD WIT ENOUGH
TO GET OUT OF THIS WOOD,
977
00:51:58,655 --> 00:52:01,995
I HAVE ENOUGH
TO SERVE MINE OWN TURN.
978
00:52:02,075 --> 00:52:04,785
[STAMMERING, BRAYING]
979
00:52:04,875 --> 00:52:07,545
OUT OF THIS WOOD
DO NOT DESIRE TO GO:
980
00:52:07,625 --> 00:52:08,915
[BRAYING]
981
00:52:09,005 --> 00:52:12,835
THOU SHALT REMAIN HERE,
WHETHER THOU WILT OR NO.
982
00:52:12,925 --> 00:52:15,425
I AM A SPIRIT
OF NO COMMON RATE;
983
00:52:15,505 --> 00:52:19,215
THE SUMMER STILL DOTH
TEND UPON MY STATE;
984
00:52:19,305 --> 00:52:21,555
AND I DO LOVE THEE:
985
00:52:22,305 --> 00:52:23,435
THEREFORE, GO WITH ME;
986
00:52:23,515 --> 00:52:25,355
I'll GIVE THEE FAIRIES
TO ATTEND ON THEE,
987
00:52:25,435 --> 00:52:27,205
AND THEY SHALL FETCH
THEE JEWELS FROM THE DEEP,
988
00:52:27,225 --> 00:52:31,025
AND SING WHILE THOU ON
PRESSED FLOWERS DOST SLEEP;
989
00:52:31,105 --> 00:52:34,445
AND I WILL PURGE
THY MORTAL GROSSNESS SO
990
00:52:34,525 --> 00:52:36,825
THAT THOU SHALT
LIKE AN AIRY SPIRIT GO.
991
00:52:36,905 --> 00:52:39,235
PEASEBLOSSOM! COBWEB!
MOTH! AND MUSTARDSEED!
992
00:52:39,325 --> 00:52:40,245
READY.
AND I
993
00:52:40,325 --> 00:52:41,035
AND I
AND I
994
00:52:41,115 --> 00:52:43,455
All: WHERE SHALL WE GO?
995
00:52:43,535 --> 00:52:47,165
BE KIND AND COURTEOUS
TO THIS GENTLEMAN;
996
00:52:47,245 --> 00:52:49,625
HOP IN HIS WALKS
AND GAMBOL IN HIS EYES;
997
00:52:49,705 --> 00:52:51,625
FEED HIM WITH APRICOCKS
AND DEWBERRIES,
998
00:52:51,715 --> 00:52:55,635
WITH PURPLE GRAPES,
GREEN FIGS, AND MULBERRIES;
999
00:52:55,715 --> 00:52:58,555
THE HONEY-BAGS STEAL
FROM THE HUMBLE-BEES,
1000
00:52:58,635 --> 00:53:01,425
AND FOR NIGHT-TAPERS
CROP THEIR WAXEN THIGHS
1001
00:53:01,515 --> 00:53:05,055
AND LIGHT THEM AT
THE FIERY GLOW-WORM'S EYES,
1002
00:53:05,145 --> 00:53:10,275
TO HAVE MY LOVE TO BED
AND TO ARISE;
1003
00:53:10,355 --> 00:53:13,195
AND PLUCK THE WINGS
FROM PAINTED BUTTERFLIES
1004
00:53:13,275 --> 00:53:17,275
TO FAN THE MOONBEAMS
FROM HIS SLEEPING EYES:
1005
00:53:17,365 --> 00:53:19,575
NOD TO HIM, ELVES,
AND DO HIM COURTESIES.
1006
00:53:19,655 --> 00:53:20,485
HAIL, MORTAL!
1007
00:53:20,575 --> 00:53:21,695
HAIL!
HAIL!
1008
00:53:21,785 --> 00:53:22,705
HAIL!
1009
00:53:22,785 --> 00:53:27,575
I CRY YOUR WORSHIP'S
MERCY, HEARTILY:
1010
00:53:27,665 --> 00:53:30,125
I BESEECH YOUR WORSHIP'S NAME.
1011
00:53:30,205 --> 00:53:31,505
COBWEB.
1012
00:53:31,585 --> 00:53:34,125
I SHALL DESIRE YOU
OF MORE ACQUAINTANCE,
1013
00:53:34,215 --> 00:53:35,505
GOOD MASTER COBWEB:
1014
00:53:35,585 --> 00:53:39,845
IF 1 CUT MY FINGER,
I SHALL MAKE BOLD WITH YOU.
1015
00:53:41,175 --> 00:53:43,225
YOUR NAME, HONEST GENTLEMAN?
1016
00:53:43,305 --> 00:53:44,805
PEASEBLOSSOM.
1017
00:53:44,885 --> 00:53:46,595
[LAUGHS]
1018
00:53:46,685 --> 00:53:50,475
I PRAY YOU, COMMEND ME TO MISTRESS SQUASH,
YOUR MOTHER,
1019
00:53:50,565 --> 00:53:54,315
AND TO MASTER PEASCOD,
YOUR FATHER.
1020
00:53:54,395 --> 00:53:55,485
[LAUGHS]
1021
00:53:55,565 --> 00:53:58,735
GOOD MASTER PEASEBLOSSOM,
I SHALL DESIRE YOU
1022
00:53:58,815 --> 00:54:01,535
OF MORE ACQUAINTANCE TOO.
1023
00:54:02,405 --> 00:54:04,535
YOUR NAME,
I BESEECH YOU, SIR?
1024
00:54:04,615 --> 00:54:05,905
MUSTARDSEED.
1025
00:54:05,995 --> 00:54:10,535
GOOD MASTER MUSTARDSEED,
I KNOW YOUR PATIENCE WELL.:
1026
00:54:10,625 --> 00:54:14,545
THAT SAME COWARDLY,
GIANT-LIKE OX-BEEF
1027
00:54:14,625 --> 00:54:18,135
HATH DEVOURED MANY A GENTLEMAN
OF YOUR HOUSE:
1028
00:54:18,215 --> 00:54:23,595
I PROMISE YOU YOUR KINDRED
HAD MADE MY EYES WATER ERE NOW.
1029
00:54:23,675 --> 00:54:25,015
[GIGGLES]
1030
00:54:25,095 --> 00:54:30,355
I DESIRE YOUR MORE ACQUAINTANCE,
GOOD MASTER MUSTARDSEED.
1031
00:54:30,435 --> 00:54:34,605
[LAUGHS]
1032
00:54:34,685 --> 00:54:38,405
COME, WAIT UPON HIM;
LEAD HIM TO MY BOWER.
1033
00:54:38,485 --> 00:54:41,525
THE MOON METHINKS
LOOKS WITH A WATERY EYE;
1034
00:54:41,615 --> 00:54:45,785
AND WHEN SHE WEEPS,
WEEPS EVERY LITTLE FLOWER,
1035
00:54:45,865 --> 00:54:50,535
LAMENTING SOME
ENFORCED CHASTITY.
1036
00:54:50,625 --> 00:54:53,045
[BRAYING]
1037
00:54:56,255 --> 00:55:01,505
TIE UP MY LOVE'S TONGUE
BRING HIM SILENTLY.
1038
00:55:01,595 --> 00:55:04,005
[BRAYING]
1039
00:55:39,505 --> 00:55:41,835
I WONDER IF TITANIA BE AWAKED;
1040
00:55:41,925 --> 00:55:45,005
THEN, WHAT IT WAS THAT
NEXT CAME IN HER EYE,
1041
00:55:45,095 --> 00:55:48,425
THAT SHE MUST DOTE ON
IN EXTREMITY.
1042
00:55:48,515 --> 00:55:51,225
HERE COMES MY MESSENGER.
HOW NOW, MAD SPIRIT!
1043
00:55:51,305 --> 00:55:54,355
WHAT NIGHT-RULE NOW
ABOUT THIS HAUNTED GROVE?
1044
00:55:54,435 --> 00:55:57,435
MY MISTRESS WITH
A MONSTER IS IN LOVE.
1045
00:55:57,525 --> 00:55:59,235
NEAR TO HER CLOSE
AND CONSECRATED BOWER,
1046
00:55:59,315 --> 00:56:01,485
WHILE SHE WAS IN HER
DULL AND SLEEPING HOUR,
1047
00:56:01,565 --> 00:56:03,655
A CREW OF PATCHES,
RUDE MECHANICALS,
1048
00:56:03,735 --> 00:56:05,335
THAT WORK FOR BREAD
UPON ATHENIAN STALLS,
1049
00:56:05,365 --> 00:56:07,035
WERE MET TOGETHER
TO REHEARSE A PLAY
1050
00:56:07,115 --> 00:56:09,615
INTENDED FOR GREAT
THESEUS' NUPTIAL-DAY.
1051
00:56:09,705 --> 00:56:11,345
THE SHALLOWEST
THICK-SKIN OF THAT BARREN SORT,
1052
00:56:11,365 --> 00:56:14,495
WHO PYRAMUS PRESENTED,
IN THEIR SPORT FORSOOK HIS SCENE
1053
00:56:14,585 --> 00:56:15,585
AND ENTER'D IN A BRAKE
1054
00:56:15,625 --> 00:56:17,665
WHEN I DID HIM
AT THIS ADVANTAGE TAKE,
1055
00:56:17,745 --> 00:56:20,625
AN ASS'S NOLE
I FIXED ON HIS HEAD:
1056
00:56:20,715 --> 00:56:23,045
ANON HIS THISBE
MUST BE ANSWERED,
1057
00:56:23,135 --> 00:56:25,465
WHEN IN THAT MOMENT,
SO IT CAME TO PASS,
1058
00:56:25,545 --> 00:56:31,885
TITANIA WAKED AND
STRAIGHTWAY LOVED AN ASS.
1059
00:56:33,595 --> 00:56:36,765
THIS FALLS OUT BETTER
THAN I COULD DEVISE.
1060
00:56:36,855 --> 00:56:38,975
BUT HAST THOU YET LATCH'D
THE ATHENIAN'S EYES
1061
00:56:39,065 --> 00:56:40,705
WITH THE LOVE-JUICE,
AS I DID BID THEE DO?
1062
00:56:40,775 --> 00:56:42,455
I TOOK HIM SLEEPING...
THAT IS FINISH'D TOO...
1063
00:56:42,485 --> 00:56:43,845
AND THE ATHENIAN WOMAN
BY HIS SIDE:
1064
00:56:43,905 --> 00:56:45,865
THAT, WHEN HE WAKED, OF
FORCE SHE MUST BE EYED.
1065
00:56:45,945 --> 00:56:48,655
STAND CLOSE: THIS IS
THE SAME ATHENIAN.
1066
00:56:48,735 --> 00:56:53,115
THIS IS THE WOMAN,
BUT NOT THIS THE MAN.
1067
00:56:55,825 --> 00:56:57,705
O, WHY REBUKE YOU HIM
THAT LOVES YOU SO?
1068
00:56:57,785 --> 00:56:59,665
LAY BREATH SO BITTER
ON YOUR BITTER FOE.
1069
00:56:59,755 --> 00:57:02,505
NOW I BUT CHIDE; BUT
I SHOULD USE THEE WORSE,
1070
00:57:02,585 --> 00:57:06,135
FOR THOU, I FEAR,
HAST GIVEN ME CAUSE TO CURSE,
1071
00:57:06,215 --> 00:57:09,305
IF THOU HAST SLAIN
LYSANDER IN HIS SLEEP,
1072
00:57:09,385 --> 00:57:12,765
BEING O'ER SHOES IN BLOOD,
PLUNGE IN THE DEEP,
1073
00:57:12,845 --> 00:57:14,975
AND KILL ME TOO.
1074
00:57:16,095 --> 00:57:20,975
THE SUN WAS NOT SO
TRUE UNTO THE DAY AS HE TO ME:
1075
00:57:21,735 --> 00:57:25,235
WOULD HE HAVE STOLEN AWAY
FROM SLEEPING HERMIA?
1076
00:57:25,315 --> 00:57:28,115
IT CANNOT BE BUT THOU
HAST MURDER'D HIM;
1077
00:57:28,195 --> 00:57:30,905
SO SHOULD A MURDERER LOOK,
SO DEAD, SO GRIM.
1078
00:57:30,985 --> 00:57:33,865
SO SHOULD THE MURDER'D
LOOK, AND SO SHOULD I,
1079
00:57:33,955 --> 00:57:36,575
PIERCED THROUGH
THE HEART WITH YOUR STERN CRUELTY:
1080
00:57:36,665 --> 00:57:38,915
YET YOU, THE MURDERER,
LOOK AS BRIGHT, AS CLEAR,
1081
00:57:38,995 --> 00:57:41,165
AS YONDER VENUS IN HER
GLIMMERING SPHERE.
1082
00:57:41,245 --> 00:57:44,335
WHAT'S THIS TO MY LYSANDER? WHERE IS HE?
1083
00:57:44,415 --> 00:57:47,585
AH, GOOD DEMETRIUS,
WILT THOU GIVE HIM ME?
1084
00:57:47,675 --> 00:57:50,255
I HAD RATHER GIVE
HIS CARCASS TO MY HOUNDS.
1085
00:57:50,345 --> 00:57:52,715
OUT, DOG!
OUT, CUR!
1086
00:57:52,805 --> 00:57:54,095
[SPLASH]
[GASP]
1087
00:57:54,175 --> 00:57:57,345
THOU DRIVEST ME PAST
THE BOUNDS OF MAIDEN'S PATIENCE.
1088
00:57:57,435 --> 00:57:58,725
HAST THOU SLAIN HIM, THEN?
1089
00:57:58,805 --> 00:58:00,855
HENCEFORTH BE NEVER
NUMBER'D AMONG MEN!
1090
00:58:00,935 --> 00:58:03,065
YOU SPEND YOUR PASSION
ON A MISPRISED MOOD:
1091
00:58:03,145 --> 00:58:04,945
I AM NOT GUILTY
OF LYSANDER'S BLOOD;
1092
00:58:05,025 --> 00:58:06,945
NOR IS HE DEAD, FOR AUGHT THAT I CAN TELL.
1093
00:58:07,025 --> 00:58:08,945
I PRAY THEE, TELL ME THEN
THAT HE IS WELL.
1094
00:58:09,025 --> 00:58:11,155
AN IF I COULD,
WHAT SHOULD I GET THEREFORE?
1095
00:58:11,235 --> 00:58:13,575
A PRIVILEGE NEVER
TO SEE ME MORE.
1096
00:58:13,655 --> 00:58:15,575
AND FROM THY
HATED PRESENCE PART I SO:
1097
00:58:15,655 --> 00:58:18,995
SEE ME NO MORE, WHETHER HE BE DEAD OR NO.
1098
00:58:24,255 --> 00:58:27,965
THERE IS NO FOLLOWING HER
IN THIS FIERCE VEIN:
1099
00:58:28,045 --> 00:58:31,845
HERE THEREFORE FOR A WHILE
I WILL REMAIN.
1100
00:58:32,465 --> 00:58:34,805
[YAWNS]
1101
00:58:38,845 --> 00:58:41,975
[LAUGHS]
WHAT HAST THOU DONE?
1102
00:58:42,065 --> 00:58:43,275
THOU HAST MISTAKEN QUITE
1103
00:58:43,355 --> 00:58:46,985
AND LAID THE LOVE-JUICE
ON SOME TRUE-LOVE'S SIGHT:
1104
00:58:47,065 --> 00:58:49,985
ABOUT THE WOOD GO
SWIFTER THAN THE WIND,
1105
00:58:50,065 --> 00:58:53,195
AND HELENA OF ATHENS
LOOK THOU FIND:
1106
00:58:53,285 --> 00:58:56,825
ALL FANCY-SICK SHE IS
AND PALE OF CHEER,
1107
00:58:56,905 --> 00:58:57,995
WITH SIGHS OF LOVE,
1108
00:58:58,075 --> 00:59:00,415
THAT COSTS
THE FRESH BLOOD DEAR:
1109
00:59:00,495 --> 00:59:03,795
BY SOME ILLUSION
SEE THOU BRING HER HERE:
1110
00:59:03,875 --> 00:59:07,125
I'll CHARM HIS EYES
AGAINST SHE DO APPEAR.
1111
00:59:07,215 --> 00:59:08,925
1 GO, 1 GO;
LOOK HOW 1 GO,
1112
00:59:09,005 --> 00:59:11,965
SWIFTER THAN ARROW
FROM THE TARTAR'S BOW.
1113
00:59:13,135 --> 00:59:15,885
FLOWER OF THIS PURPLE DYE,
1114
00:59:15,965 --> 00:59:17,885
HIT WITH CUPID'S ARCHERY,
1115
00:59:17,975 --> 00:59:20,935
SINK IN APPLE OF HIS EYE.
1116
00:59:21,015 --> 00:59:23,145
WHEN HIS LOVE HE DOTH ESPY,
1117
00:59:23,225 --> 00:59:25,935
LET HER SHINE AS GLORIOUSLY
1118
00:59:26,025 --> 00:59:28,645
AS THE VENUS OF THE SKY.
1119
00:59:28,735 --> 00:59:31,355
WHEN THOU WAKEST,
IF SHE BE BY,
1120
00:59:31,445 --> 00:59:34,155
BEG OF HER FOR REMEDY.
1121
00:59:34,235 --> 00:59:36,865
CAPTAIN OF OUR FAIRY BAND,
HELENA IS HERE AT HAND;
1122
00:59:36,945 --> 00:59:38,285
AND THE YOUTH, MISTOOK BY ME,
1123
00:59:38,365 --> 00:59:40,365
PLEADING FOR A LOVER'S FEE.
1124
00:59:40,455 --> 00:59:42,575
SHALL WE THEIR
FOND PAGEANT SEE?
1125
00:59:42,665 --> 00:59:46,455
LORD, WHAT FOOLS
THESE MORTALS BE!
1126
00:59:46,545 --> 00:59:48,165
STAND ASIDE:
THE NOISE THEY MAKE
1127
00:59:48,255 --> 00:59:49,585
WILL CAUSE DEMETRIUS
TO AWAKE.
1128
00:59:49,665 --> 00:59:50,875
THEN WILL TWO AT ONCE
WOO ONE;
1129
00:59:50,965 --> 00:59:52,885
THAT MUST NEEDS
BE SPORT ALONE;
1130
00:59:52,965 --> 00:59:54,505
AND THOSE THINGS
DO BEST PLEASE ME
1131
00:59:54,595 --> 00:59:56,885
THAT BEFAL PREPOSTEROUSLY.
1132
01:00:03,935 --> 01:00:06,935
WHY SHOULD YOU THINK
THAT I SHOULD WOO IN SCORN?
1133
01:00:07,025 --> 01:00:09,815
SCORN AND DERISION
NEVER COME IN TEARS:
1134
01:00:09,895 --> 01:00:12,905
LOOK, WHEN I VOW, I WEEP;
AND VOWS SO BORN,
1135
01:00:12,985 --> 01:00:15,615
IN THEIR NATIVITY
ALL TRUTH APPEARS.
1136
01:00:15,695 --> 01:00:17,735
HOW CAN THESE THINGS IN ME
SEEM SCORN TO YOU,
1137
01:00:17,825 --> 01:00:20,495
BEARING THE BADGE OF FAITH,
TO PROVE THEM TRUE?
1138
01:00:20,575 --> 01:00:24,835
YOU DO ADVANCE YOUR CUNNING
MORE AND MORE.
1139
01:00:24,915 --> 01:00:29,755
WHEN TRUTH KILLS TRUTH,
O DEVILISH-HOLY FRAY!
1140
01:00:29,835 --> 01:00:33,085
THESE VOWS ARE HERMIA'S:
WILL YOU GIVE THEM O'ER?
1141
01:00:33,175 --> 01:00:35,755
WEIGH OATH WITH OATH,
AND YOU WILL NOTHING WEIGH:
1142
01:00:35,845 --> 01:00:37,715
YOUR VOWS TO HER AND ME,
PUT IN TWO SCALES,
1143
01:00:37,805 --> 01:00:40,095
WILL EVEN WEIGH,
AND BOTH AS LIGHT AS TALES.
1144
01:00:40,175 --> 01:00:41,885
I HAD NO JUDGMENT
WHEN TO HER I SWORE.
1145
01:00:41,975 --> 01:00:44,225
NOR NONE, IN MY MIND,
NOW YOU GIVE HER O'ER.
1146
01:00:44,305 --> 01:00:46,725
DEMETRIUS LOVES HER,
AND HE LOVES NOT YOU.
1147
01:00:46,815 --> 01:00:51,565
O HELENA, GODDESS,
NYMPH, PERFECT, DIVINE!
1148
01:00:51,645 --> 01:00:57,405
TO WHAT, MY LOVE,
SHALL I COMPARE THINE EYNE?
1149
01:00:59,155 --> 01:01:02,785
CRYSTAL IS MUDDY. O,
HOW RIPE IN SHOW THY LIPS,
1150
01:01:02,865 --> 01:01:05,875
THOSE KISSING CHERRIES,
TEMPTING GROW!
1151
01:01:05,955 --> 01:01:08,335
WHEN THOU HOLD'ST UP
THY HAND:
1152
01:01:08,415 --> 01:01:09,165
O, LET ME KISS
1153
01:01:09,245 --> 01:01:12,085
THIS PRINCESS
OF PURE WHITE,
1154
01:01:12,165 --> 01:01:14,585
THIS SEAL OF BLISS!
1155
01:01:22,135 --> 01:01:27,765
O SPITE! O HELL!
I SEE YOU ALL ARE BENT
1156
01:01:27,855 --> 01:01:30,975
TO SET AGAINST ME
FOR YOUR MERRIMENT.
1157
01:01:31,065 --> 01:01:34,195
IF YOU WERE MEN,
AS MEN YOU ARE IN SHOW,
1158
01:01:34,275 --> 01:01:36,355
YOU WOULD NOT USE
A GENTLE LADY SO;
1159
01:01:36,445 --> 01:01:40,945
TO VOW, AND SWEAR,
AND SUPERPRAISE MY PARTS,
1160
01:01:41,035 --> 01:01:43,575
WHEN I AM SURE YOU HATE ME
WITH YOUR HEARTS.
1161
01:01:43,655 --> 01:01:46,415
YOU BOTH ARE RIVALS,
AND LOVE HERMIA;
1162
01:01:46,495 --> 01:01:48,785
AND NOW BOTH RIVALS,
TO MOCK HELENA:
1163
01:01:48,875 --> 01:01:52,125
A TRIM EXPLOIT,
A MANLY ENTERPRISE,
1164
01:01:52,205 --> 01:01:53,965
TO CONJURE TEARS UP
IN A POOR MAID'S EYES
1165
01:01:54,045 --> 01:01:56,125
WITH YOUR DERISION!
1166
01:01:56,215 --> 01:01:59,175
NONE OF NOBLE SORT
WOULD SO OFFEND A VIRGIN,
1167
01:01:59,255 --> 01:02:01,005
AND EXTORT
A POOR SOUL'S PATIENCE,
1168
01:02:01,095 --> 01:02:02,515
ALL TO MAKE YOU SPORT.
1169
01:02:02,595 --> 01:02:05,015
YOU ARE UNKIND, DEMETRIUS;
BE NOT SO;
1170
01:02:05,095 --> 01:02:07,185
FOR YOU LOVE HERMIA;
THIS YOU KNOW I KNOW:
1171
01:02:07,265 --> 01:02:09,305
AND HERE, WITH ALL GOOD WILL,
WITH ALL MY HEART,
1172
01:02:09,395 --> 01:02:11,725
IN HERMIA'S LOVE
I YIELD YOU UP MY PART;
1173
01:02:11,815 --> 01:02:13,395
AND YOURS OF HELENA
TO ME BEQUEATH,
1174
01:02:13,485 --> 01:02:15,195
WHOM I DO LOVE
AND WILL DO TILL MY DEATH.
1175
01:02:15,275 --> 01:02:17,105
NEVER DID MOCKERS
WASTE MORE IDLE BREATH.
1176
01:02:17,195 --> 01:02:19,315
LYSANDER, KEEP THY HERMIA; I WILL NONE:
1177
01:02:19,405 --> 01:02:21,325
IF E'ER I LOVED HER,
ALL THAT LOVE IS GONE.
1178
01:02:21,405 --> 01:02:25,325
MY HEART TO HER BUT
AS GUEST-WISE SOJOURN'D,
1179
01:02:25,405 --> 01:02:28,115
AND NOW TO HELEN
IS IT HOME RETURN'D,
1180
01:02:28,205 --> 01:02:29,035
THERE TO REMAIN.
1181
01:02:29,125 --> 01:02:30,205
HELEN, IT IS NOT SO.
1182
01:02:30,285 --> 01:02:32,415
DISPARAGE NOT THE FAITH
THOU DOST NOT KNOW,
1183
01:02:32,495 --> 01:02:34,005
LEST, TO THY PERIL,
THOU ABY IT DEAR.
1184
01:02:34,085 --> 01:02:35,295
[RUSTLING]
1185
01:02:35,375 --> 01:02:39,505
LOOK, WHERE THY LOVE COMES;
YONDER IS THY DEAR.
1186
01:02:41,175 --> 01:02:42,175
DARK NIGHT,
1187
01:02:42,215 --> 01:02:43,275
THAT FROM THE EYE
HIS FUNCTION TAKES,
1188
01:02:43,305 --> 01:02:45,265
THE EAR MORE QUICK
OF APPREHENSION MAKES;
1189
01:02:45,345 --> 01:02:47,765
THOU ART NOT BY MINE EYE,
LYSANDER, FOUND;
1190
01:02:47,845 --> 01:02:50,765
MINE EAR, I THANK IT,
BROUGHT ME TO THY SOUND
1191
01:02:50,855 --> 01:02:54,685
BUT WHY UNKINDLY
DIDST THOU LEAVE ME SO?
1192
01:02:54,775 --> 01:02:57,485
WHY SHOULD HE STAY,
WHOM LOVE DOTH PRESS TO GO?
1193
01:02:57,565 --> 01:02:59,905
Hermia: WHAT LOVE COULD
PRESS LYSANDER FROM MY SIDE?
1194
01:02:59,985 --> 01:03:03,695
LYSANDER'S LOVE,
THAT WOULD NOT LET HIM BIDE,
1195
01:03:03,785 --> 01:03:06,035
FAIR HELENA, WHO MORE ENGILDS THE NIGHT
1196
01:03:06,115 --> 01:03:09,995
THAN ALL YON FIERY OES
AND EYES OF LIGHT.
1197
01:03:10,075 --> 01:03:10,875
WHY SEEK'ST THOU ME?
1198
01:03:10,955 --> 01:03:12,055
COULD NOT THIS
MAKE THEE KNOW,
1199
01:03:12,085 --> 01:03:14,085
THE HATE I BEAR THEE
MADE ME LEAVE THEE SO?
1200
01:03:14,165 --> 01:03:15,375
YOU SPEAK NOT
AS YOU THINK:
1201
01:03:15,455 --> 01:03:16,375
IT CANNOT BE.
1202
01:03:16,455 --> 01:03:20,045
LO, SHE IS ONE
OF THIS CONFEDERACY!
1203
01:03:20,135 --> 01:03:23,675
NOW I PERCEIVE THEY HAVE
CONJOIN'D ALL THREE
1204
01:03:23,755 --> 01:03:27,095
TO FASHION THIS FALSE SPORT,
IN SPITE OF ME.
1205
01:03:27,175 --> 01:03:32,725
INJURIOUS HERMIA!
MOST UNGRATEFUL MAID!
1206
01:03:32,805 --> 01:03:34,065
HAVE YOU CONSPIRED,
1207
01:03:34,145 --> 01:03:35,315
HAVE YOU
WITH THESE CONTRIVED
1208
01:03:35,395 --> 01:03:39,065
TO BAIT ME
WITH THIS FOUL DERISION?
1209
01:03:39,145 --> 01:03:42,275
IS ALL THE COUNSEL
THAT WE TWO HAVE SHARED,
1210
01:03:42,365 --> 01:03:43,115
THE SISTERS' VOWS,
1211
01:03:43,195 --> 01:03:44,575
THE HOURS THAT
WE HAVE SPENT,
1212
01:03:44,655 --> 01:03:47,905
WHEN WE HAVE CHID
THE HASTY-FOOTED TIME FOR PARTING US,
1213
01:03:47,995 --> 01:03:50,915
O, IS IT ALL FORGOT?
1214
01:03:50,995 --> 01:03:56,495
ALL SCHOOL-DAYS' FRIENDSHIP,
CHILDHOOD INNOCENCE?
1215
01:03:56,585 --> 01:03:59,085
WE, HERMIA,
LIKE TWO ARTIFICIAL GODS,
1216
01:03:59,165 --> 01:04:03,045
HAVE WITH OUR NEEDLES
CREATED BOTH ONE FLOWER,
1217
01:04:03,135 --> 01:04:05,925
BOTH ON ONE SAMPLER,
SITTING ON ONE CUSHION,
1218
01:04:06,005 --> 01:04:08,725
BOTH WARBLING OF ONE SONG,
1219
01:04:08,805 --> 01:04:10,435
BOTH IN ONE KEY,
1220
01:04:10,515 --> 01:04:13,935
AS IF OUR HANDS, OUR SIDES,
VOICES AND MINDS,
1221
01:04:14,015 --> 01:04:15,975
HAD BEEN INCORPORATE.
1222
01:04:16,065 --> 01:04:17,565
SO WE GREW TOGETHER,
1223
01:04:17,645 --> 01:04:19,525
LIKE TO A DOUBLE CHERRY,
SEEMING PARTED,
1224
01:04:19,605 --> 01:04:22,065
BUT YET AN UNION
IN PARTITION;
1225
01:04:22,155 --> 01:04:25,365
TWO LOVELY BERRIES
MOULDED ON ONE STEM;
1226
01:04:25,445 --> 01:04:28,365
SO, WITH TWO SEEMING BODIES,
BUT ONE HEART;
1227
01:04:28,445 --> 01:04:31,955
TWO OF THE FIRST,
LIKE COATS IN HERALDRY,
1228
01:04:32,035 --> 01:04:36,875
DUE BUT TO ONE AND CROWNED
WITH ONE CREST.
1229
01:04:36,955 --> 01:04:40,295
AND WILL YOU RENT
OUR ANCIENT LOVE ASUNDER,
1230
01:04:40,375 --> 01:04:43,755
TO JOIN WITH MEN IN SCORNING
YOUR POOR FRIEND?
1231
01:04:43,835 --> 01:04:46,215
IT IS NOT FRIENDLY,
'TIS NOT MAIDENLY:
1232
01:04:46,295 --> 01:04:49,345
OUR SEX, AS WELL AS I,
MAY CHIDE YOU FOR IT,
1233
01:04:49,425 --> 01:04:51,175
THOUGH I ALONE
DO FEEL THE INJURY.
1234
01:04:51,265 --> 01:04:54,765
I AM AMAZED AT
YOUR PASSIONATE WORDS.
1235
01:04:54,845 --> 01:04:55,685
I SCORN YOU NOT:
1236
01:04:55,765 --> 01:04:58,105
IT SEEMS THAT
YOU SCORN ME.
1237
01:04:58,185 --> 01:05:01,025
HAVE YOU NOT SET LYSANDER,
AS IN SCORN,
1238
01:05:01,105 --> 01:05:03,105
TO FOLLOW ME
AND PRAISE MY EYES AND FACE?
1239
01:05:03,195 --> 01:05:05,195
AND MADE YOUR OTHER LOVE,
DEMETRIUS,
1240
01:05:05,275 --> 01:05:07,195
WHO EVEN BUT NOW
DID SPURN ME WITH HIS FOOT,
1241
01:05:07,275 --> 01:05:10,325
TO CALL ME GODDESS, NYMPH,
DIVINE AND RARE,
1242
01:05:10,405 --> 01:05:15,205
PRECIOUS, CELESTIAL?
1243
01:05:15,285 --> 01:05:17,495
WHAT THOUGH I BE
NOT SO IN GRACE AS YOU,
1244
01:05:17,585 --> 01:05:22,165
SO HUNG UPON WITH LOVE,
SO FORTUNATE,
1245
01:05:22,255 --> 01:05:25,635
BUT MISERABLE MOST,
TO LOVE UNLOVED?
1246
01:05:25,715 --> 01:05:28,215
THIS YOU SHOULD PITY
RATHER THAN DESPISE.
1247
01:05:28,295 --> 01:05:31,215
I UNDERSTAND NOT
WHAT YOU MEAN BY THIS.
1248
01:05:31,305 --> 01:05:35,185
AY, DO, PERSEVER,
COUNTERFEIT SAD LOOKS,
1249
01:05:35,265 --> 01:05:38,015
MAKE MOUTHS UPON ME
WHEN I TURN MY BACK;
1250
01:05:38,105 --> 01:05:40,315
WINK EACH AT OTHER;
HOLD THE SWEET JEST UP:
1251
01:05:40,395 --> 01:05:44,735
THIS SPORT, WELL CARRIED,
SHALL BE CHRONICLED.
1252
01:05:44,815 --> 01:05:46,865
IF YOU HAVE ANY PITY,
GRACE, OR MANNERS,
1253
01:05:46,945 --> 01:05:49,445
YOU WOULD NOT MAKE ME
SUCH AN ARGUMENT.
1254
01:05:49,525 --> 01:05:55,415
BUT FARE YE WELL.:
'TIS PARTLY MINE OWN FAULT;
1255
01:05:55,495 --> 01:06:00,245
WHICH DEATH OR ABSENCE
SOON SHALL REMEDY.
1256
01:06:00,335 --> 01:06:02,255
STAY, GENTLE HELENA;
HEAR MY EXCUSE:
1257
01:06:02,335 --> 01:06:04,755
MY LOVE, MY LIFE,
MY SOUL, FAIR HELENA!
1258
01:06:04,835 --> 01:06:05,835
O EXCELLENT!
1259
01:06:05,925 --> 01:06:07,425
SWEET,
DO NOT SCORN HER SO.
1260
01:06:07,505 --> 01:06:10,675
HELEN, I LOVE THEE;
BY MY LIFE, I DO:
1261
01:06:10,755 --> 01:06:12,315
I SWEAR BY THAT WHICH
I WILL LOSE FOR THEE,
1262
01:06:12,345 --> 01:06:14,425
TO PROVE HIM FALSE THAT
SAYS I LOVE THEE NOT.
1263
01:06:14,515 --> 01:06:16,225
I SAY I LOVE THEE
MORE THAN HE CAN DO.
1264
01:06:16,305 --> 01:06:18,645
IF THOU SAY SO, WITHDRAW,
AND PROVE IT TOO.
1265
01:06:18,725 --> 01:06:19,605
QUICK, COME!
1266
01:06:19,685 --> 01:06:22,225
LYSANDER,
WHERETO TENDS ALL THIS?
1267
01:06:22,315 --> 01:06:25,065
AWAY, YOU ETHIOPE!
1268
01:06:25,145 --> 01:06:26,485
NO, NO, SIR:
SEEM TO BREAK LOOSE;
1269
01:06:26,565 --> 01:06:27,655
TAKE ON AS YOU WOULD
FOLLOW,
1270
01:06:27,735 --> 01:06:30,655
BUT YET COME NOT: YOU ARE A TAME MAN, GO!
1271
01:06:30,735 --> 01:06:32,485
HANG OFF, THOU CAT,
THOU BURR!
1272
01:06:32,575 --> 01:06:33,655
VILE THING, LET LOOSE,
1273
01:06:33,745 --> 01:06:35,465
OR I WILL SHAKE THEE
FROM ME LIKE A SERPENT!
1274
01:06:35,535 --> 01:06:38,285
WHY ARE YOU GROWN SO RUDE?
1275
01:06:38,365 --> 01:06:41,455
WHAT CHANGE IS THIS?
SWEET LOVE...
1276
01:06:41,535 --> 01:06:46,085
THY LOVE!
OUT, TAWNY TARTAR, OUT!
1277
01:06:46,165 --> 01:06:49,465
OUT, LOATHED MEDICINE!
O HATED POTION, HENCE!
1278
01:06:49,545 --> 01:06:50,675
DO YOU NOT JEST?
1279
01:06:50,755 --> 01:06:52,305
YES, SOOTH;
AND SO DO YOU.
1280
01:06:52,385 --> 01:06:54,215
DEMETRIUS, I WILL KEEP
MY WORD WITH THEE.
1281
01:06:54,305 --> 01:06:55,525
Demetrius: I WOULD
I HAD YOUR BOND,
1282
01:06:55,555 --> 01:06:57,135
FOR I PERCEIVE A WEAK BOND HOLDS YOU:
1283
01:06:57,225 --> 01:06:58,435
I'll NOT TRUST YOUR WORD.
1284
01:06:58,515 --> 01:07:02,475
WHAT, SHOULD I HURT HER,
STRIKE HER, KILL HER DEAD?
1285
01:07:02,565 --> 01:07:05,105
ALTHOUGH I HATE HER,
I'll NOT HARM HER SO.
1286
01:07:05,185 --> 01:07:09,355
WHAT, CAN YOU DO ME
GREATER HARM THAN HATE?
1287
01:07:09,445 --> 01:07:16,495
HATE ME! WHEREFORE?
O ME! WHAT NEWS, MY LOVE!
1288
01:07:16,575 --> 01:07:21,325
AM NOT I HERMIA?
ARE NOT YOU LYSANDER?
1289
01:07:21,415 --> 01:07:24,705
I AM AS FAIR NOW
AS I WAS EREWHILE.
1290
01:07:24,795 --> 01:07:28,715
SINCE NIGHT YOU LOVED ME;
1291
01:07:28,795 --> 01:07:30,425
YET SINCE
NIGHT YOU LEFT ME:
1292
01:07:30,505 --> 01:07:33,295
WHY, THEN YOU LEFT ME...
O, THE GODS FORBID!
1293
01:07:33,385 --> 01:07:35,845
IN EARNEST, SHALL I SAY?
1294
01:07:35,925 --> 01:07:37,345
AY, BY MY LIFE;
1295
01:07:37,425 --> 01:07:40,515
AND NEVER DID DESIRE
TO SEE THEE MORE.
1296
01:07:40,595 --> 01:07:41,975
THEREFORE
BE OUT OF HOPE,
1297
01:07:42,055 --> 01:07:43,435
OF QUESTION OR DOUBT;
1298
01:07:43,515 --> 01:07:44,725
'TIS CERTAIN,
NOTHING TRUER;
1299
01:07:44,815 --> 01:07:49,025
'TIS NO JEST THAT I DO
HATE THEE AND LOVE HELENA.
1300
01:07:53,445 --> 01:07:57,865
O ME! YOU JUGGLER!
YOU CANKER-BLOSSOM!
1301
01:07:57,945 --> 01:08:01,205
YOU THIEF OF LOVE! WHAT,
HAVE YOU COME BY NIGHT
1302
01:08:01,285 --> 01:08:03,535
AND STOLEN MY LOVE'S
HEART FROM HIM?
1303
01:08:03,625 --> 01:08:04,745
FINE, 'FAITH!
1304
01:08:04,835 --> 01:08:08,505
HAVE YOU NO MODESTY,
NO MAIDEN SHAME,
1305
01:08:08,585 --> 01:08:10,045
NO TOUCH OF BASHFULNESS?
1306
01:08:10,125 --> 01:08:13,385
WHAT, WILL YOU TEAR IMPATIENT
ANSWERS FROM MY GENTLE TONGUE?
1307
01:08:13,465 --> 01:08:18,385
FIE, FIE! YOU COUNTERFEIT,
YOU PUPPET, YOU!
1308
01:08:18,465 --> 01:08:20,175
PUPPET?!
1309
01:08:20,265 --> 01:08:23,185
WHY SO? AY,
THAT WAY GOES THE GAME.
1310
01:08:23,265 --> 01:08:25,975
NOW I PERCEIVE THAT
SHE HATH MADE COMPARE
1311
01:08:26,065 --> 01:08:27,395
BETWEEN OUR STATURES;
1312
01:08:27,475 --> 01:08:28,895
SHE HATH
URGED HER HEIGHT;
1313
01:08:28,985 --> 01:08:32,565
AND WITH HER PERSONAGE,
HER TALL PERSONAGE,
1314
01:08:32,655 --> 01:08:33,445
HER HEIGHT, FORSOOTH,
1315
01:08:33,525 --> 01:08:36,615
SHE HATH PREVAIL'D
WITH HIM.
1316
01:08:36,695 --> 01:08:38,785
AND ARE YOU GROWN
SO HIGH IN HIS ESTEEM;
1317
01:08:38,865 --> 01:08:41,405
BECAUSE I AM SO DWARFISH
AND SO LOW?
1318
01:08:41,495 --> 01:08:45,035
HOW LOW AM I,
THOU PAINTED MAYPOLE?
1319
01:08:45,125 --> 01:08:45,995
SPEAK;
1320
01:08:46,085 --> 01:08:48,795
HOW LOW AM 1?
I AM NOT YET SO LOW
1321
01:08:48,875 --> 01:08:51,415
BUT THAT MY NAILS CAN
REACH UNTO THINE EYES.
1322
01:08:51,505 --> 01:08:52,545
[HELENA SCREAMS]
1323
01:08:52,625 --> 01:08:54,105
I PRAY YOU, THOUGH YOU
MOCK ME, GENTLEMEN,
1324
01:08:54,135 --> 01:08:56,795
LET HER NOT HURT ME:
I WAS NEVER CURST;
1325
01:08:56,885 --> 01:08:58,595
I HAVE NO GIFT AT ALL
IN SHREWISHNESS;
1326
01:08:58,675 --> 01:09:00,595
I AM A RIGHT MAID
FOR MY COWARDICE:
1327
01:09:00,675 --> 01:09:03,385
LET HER NOT STRIKE ME.
YOU PERHAPS MAY THINK,
1328
01:09:03,475 --> 01:09:05,395
BECAUSE SHE IS SOMETHING
LOWER THAN MYSELF,
1329
01:09:05,475 --> 01:09:06,935
THAT I CAN MATCH HER.
1330
01:09:07,015 --> 01:09:09,565
LOWER! HARK, AGAIN.
1331
01:09:09,645 --> 01:09:15,565
GOOD HERMIA, DO NOT BE
SO BITTER WITH ME.
1332
01:09:15,655 --> 01:09:17,485
I EVERMORE
DID LOVE YOU, HERMIA,
1333
01:09:17,575 --> 01:09:18,655
DID EVER
KEEP YOUR COUNSELS,
1334
01:09:18,735 --> 01:09:20,075
NEVER WRONG'D YOU;
1335
01:09:20,155 --> 01:09:22,655
SAVE THAT,
IN LOVE UNTO DEMETRIUS,
1336
01:09:22,745 --> 01:09:25,285
I TOLD HIM OF YOUR STEALTH UNTO THIS WOOD.
1337
01:09:25,375 --> 01:09:29,045
HE FOLLOW'D YOU;
FOR LOVE I FOLLOW'D HIM;
1338
01:09:29,125 --> 01:09:31,505
BUT HE HATH CHID ME
HENCE AND THREATEN'D ME
1339
01:09:31,585 --> 01:09:34,755
TO SPURN ME, STRIKE ME,
NAY, TO KILL ME TOO:
1340
01:09:34,835 --> 01:09:38,965
AND NOW, SO YOU WILL
LET ME QUIET GO,
1341
01:09:39,055 --> 01:09:41,265
TO ATHENS WILL I BEAR
MY FOLLY BACK
1342
01:09:41,345 --> 01:09:43,385
AND FOLLOW YOU
NO FURTHER.
1343
01:09:44,935 --> 01:09:46,435
LET ME GO:
1344
01:09:46,515 --> 01:09:49,265
YOU SEE HOW SIMPLE
AND HOW FOND I AM.
1345
01:09:49,355 --> 01:09:54,485
WHY, GET YOU GONE:
WHO IS'T THAT HINDERS YOU?
1346
01:09:54,565 --> 01:09:57,445
A FOOLISH HEART, THAT I LEAVE HERE BEHIND.
1347
01:09:57,525 --> 01:09:59,275
WHAT, WITH LYSANDER?
1348
01:09:59,365 --> 01:10:01,445
WITH DEMETRIUS!
1349
01:10:01,535 --> 01:10:02,365
BE NOT AFRAID;
1350
01:10:02,445 --> 01:10:03,685
SHE SHALL NOT
HARM THEE, HELENA.
1351
01:10:03,745 --> 01:10:04,925
NO, SIR, SHE SHALL NOT,
THOUGH YOU TAKE HER PART.
1352
01:10:04,955 --> 01:10:08,125
OH, WHEN SHE'S ANGRY,
SHE IS KEEN AND SHREWD!
1353
01:10:08,205 --> 01:10:10,625
SHE WAS A VIXEN WHEN SHE WENT TO SCHOOL;
1354
01:10:10,705 --> 01:10:12,915
AND THOUGH SHE BE BUT LITTLE,
SHE IS FIERCE.
1355
01:10:13,005 --> 01:10:16,585
'LITTLE'
AGAIN! NOTHING BUT 'LOW' AND 'LITTLE"
1356
01:10:16,675 --> 01:10:19,505
WHY WILL YOU SUFFER HER
TO FLOUT ME THUS?
1357
01:10:19,595 --> 01:10:22,135
LET ME COME TO HER!
1358
01:10:22,215 --> 01:10:24,805
GET YOU GONE,
YOU DWARF;
1359
01:10:24,885 --> 01:10:28,095
YOU MINIMUS, OF HINDERING KNOT-GRASS MADE;
1360
01:10:28,185 --> 01:10:30,475
YOU BEAD, YOU ACORN.
1361
01:10:30,565 --> 01:10:32,435
[SOBBING]
1362
01:10:32,525 --> 01:10:33,785
YOU ARE TOO OFFICIOUS
IN HER BEHALF
1363
01:10:33,815 --> 01:10:34,815
THAT SCORNS
YOUR SERVICES.
1364
01:10:34,895 --> 01:10:36,735
LET HER ALONE:
SPEAK NOT OF HELENA;
1365
01:10:36,815 --> 01:10:39,115
TAKE NOT HER PART;
FOR, IF THOU DOST INTEND
1366
01:10:39,195 --> 01:10:41,235
NEVER SO LITTLE
SHOW OF LOVE TO HER,
1367
01:10:41,325 --> 01:10:42,535
THOU SHALT ABY IT.
1368
01:10:42,615 --> 01:10:43,815
Lysander:
NOW SHE HOLDS ME NOT;
1369
01:10:43,865 --> 01:10:46,535
NOW FOLLOW, IF THOU DAREST,
TO TRY WHOSE RIGHT,
1370
01:10:46,615 --> 01:10:49,245
OF THINE OR MINE,
IS MOST IN HELENA.
1371
01:10:49,325 --> 01:10:50,325
Demetrius: FOLLOW!
1372
01:10:50,375 --> 01:10:53,375
NAY, I'll GO WITH THEE,
CHEEK BY JOWL.
1373
01:10:58,255 --> 01:11:00,755
[BIRD SQUAWKS]
1374
01:11:08,265 --> 01:11:14,065
YOU, MISTRESS,
ALL THIS COIL IS 'LONG OF YOU:
1375
01:11:14,145 --> 01:11:15,645
NAY, GO NOT BACK.
1376
01:11:15,735 --> 01:11:17,485
I WILL NOT TRUST YOU,
AYE,
1377
01:11:17,565 --> 01:11:19,735
NOR LONGER STAY
IN YOUR CURST COMPANY.
1378
01:11:19,815 --> 01:11:22,525
YOUR HANDS THAN MINE
ARE QUICKER FOR A FRAY,
1379
01:11:22,615 --> 01:11:27,205
MY LEGS ARE LONGER
THOUGH, TO RUN AWAY.
1380
01:11:30,285 --> 01:11:34,245
I AM AMAZED,
AND KNOW NOT WHAT TO SAY.
1381
01:11:37,715 --> 01:11:39,475
THIS IS THY NEGLIGENCE:
STILL THOU MISTAKEST,
1382
01:11:39,505 --> 01:11:41,025
OR ELSE COMMITT'ST
THY KNAVERIES WILFULLY.
1383
01:11:41,045 --> 01:11:42,885
BELIEVE ME, KING OF SHADOWS, I MISTOOK.
1384
01:11:42,965 --> 01:11:44,565
DID NOT YOU TELL ME
I SHOULD KNOW THE MAN
1385
01:11:44,595 --> 01:11:46,215
BY THE ATHENIAN GARMENTS
BE HAD ON?
1386
01:11:46,305 --> 01:11:47,975
AND SO FAR BLAMELESS
PROVES MY ENTERPRISE,
1387
01:11:48,055 --> 01:11:50,185
THAT I HAVE 'NOINTED
AN ATHENIAN'S EYES;
1388
01:11:50,265 --> 01:11:51,765
AND SO FAR AM I GLAD
IT SO DID SORT
1389
01:11:51,845 --> 01:11:54,605
AS THIS THEIR JANGLING
I ESTEEM A SPORT.
1390
01:11:55,265 --> 01:11:57,565
THOU SEE'ST THESE LOVERS
SEEK A PLACE TO FIGHT:
1391
01:11:57,645 --> 01:11:59,895
HIE THEREFORE, ROBIN,
OVERCAST THE NIGHT;
1392
01:11:59,985 --> 01:12:01,405
THE STARRY WELKIN
COVER THOU ANON
1393
01:12:01,485 --> 01:12:03,655
WITH DROOPING FOG
AS BLACK AS ACHERON,
1394
01:12:03,735 --> 01:12:05,195
AND LEAD THESE
TESTY RIVALS SO ASTRAY
1395
01:12:05,275 --> 01:12:07,575
AS ONE COME NOT
WITHIN THE OTHER'S WAY.
1396
01:12:07,655 --> 01:12:09,785
LIKE TO LYSANDER
SOMETIME FRAME THY TONGUE,
1397
01:12:09,865 --> 01:12:12,035
THEN STIR DEMETRIUS UP
WITH BITTER WRONG;
1398
01:12:12,115 --> 01:12:13,625
AND SOMETIME RAIL
THOU LIKE DEMETRIUS;
1399
01:12:13,705 --> 01:12:15,465
AND FROM EACH OTHER
LOOK THOU LEAD THEM THUS,
1400
01:12:15,495 --> 01:12:18,545
TILL O'ER THEIR BROWS
DEATH-COUNTERFEITING SLEEP
1401
01:12:18,625 --> 01:12:21,795
WITH LEADEN LEGS
AND BATTY WINGS DOTH CREEP:
1402
01:12:21,875 --> 01:12:25,805
THEN CRUSH THIS HERB
INTO LYSANDER'S EYE;
1403
01:12:25,885 --> 01:12:27,595
WHOSE LIQUOR HATH
THIS VIRTUOUS PROPERTY,
1404
01:12:27,675 --> 01:12:29,805
TO TAKE FROM THENCE
ALL ERROR WITH HIS MIGHT,
1405
01:12:29,885 --> 01:12:33,475
AND MAKE HIS EYEBALLS
ROLL WITH WONTED SIGHT.
1406
01:12:33,555 --> 01:12:36,435
WHEN THEY NEXT WAKE,
ALL THIS DERISION
1407
01:12:36,515 --> 01:12:39,685
SHALL SEEM A DREAM
AND FRUITLESS VISION,
1408
01:12:39,775 --> 01:12:41,645
AND BACK TO ATHENS
SHALL THE LOVERS WEND,
1409
01:12:41,735 --> 01:12:46,025
WITH LEAGUE WHOSE DATE
TILL DEATH SHALL NEVER END.
1410
01:12:46,115 --> 01:12:48,615
WHILES I IN THIS AFFAIR
DO THEE EMPLOY,
1411
01:12:48,695 --> 01:12:53,665
I'll TO MY QUEEN
AND BEG HER INDIAN BOY;
1412
01:12:53,745 --> 01:12:56,665
AND THEN 1 WILL
HER CHARMED EYE RELEASE
1413
01:12:56,745 --> 01:12:59,585
FROM MONSTER'S VIEW,
1414
01:12:59,665 --> 01:13:04,545
AND ALL THINGS SHALL BE PEACE.
1415
01:13:06,885 --> 01:13:07,675
MY FAIRY LORD,
1416
01:13:07,755 --> 01:13:09,055
THIS MUST BE DONE
WITH HASTE,
1417
01:13:09,135 --> 01:13:12,385
FOR NIGHT'S SWIFT
DRAGONS CUT THE CLOUDS FULL FAST,
1418
01:13:12,475 --> 01:13:14,805
AND YONDER SHINES
AURORA'S HARBINGER;
1419
01:13:14,895 --> 01:13:16,185
AT WHOSE APPROACH,
GHOSTS,
1420
01:13:16,265 --> 01:13:17,765
WANDERING
HERE AND THERE,
1421
01:13:17,855 --> 01:13:20,895
TROOP HOME
TO CHURCHYARDS:
1422
01:13:20,985 --> 01:13:22,025
DAMNED SPIRITS ALL,
1423
01:13:22,105 --> 01:13:24,195
THAT IN CROSSWAYS
AND FLOODS HAVE BURIAL,
1424
01:13:24,275 --> 01:13:25,665
ALREADY TO THEIR WORMY
BEDS ARE GONE;
1425
01:13:25,695 --> 01:13:29,195
FOR FEAR LEST DAY SHOULD
LOOK THEIR SHAMES UPON,
1426
01:13:29,285 --> 01:13:30,405
THEY WILLFULLY THEMSELVES
1427
01:13:30,485 --> 01:13:32,495
EXILE FROM LIGHT
1428
01:13:32,575 --> 01:13:33,995
AND MUST FOR AYE CONSORT
1429
01:13:34,075 --> 01:13:36,705
WITH BLACK-BROW'D NIGHT.
1430
01:13:36,785 --> 01:13:40,545
BUT WE ARE SPIRITS
OF ANOTHER SORT:
1431
01:13:40,625 --> 01:13:42,875
I WITH THE MORNING'S LOVE
HAVE OFT MADE SPORT,
1432
01:13:42,965 --> 01:13:45,635
AND, LIKE A FORESTER,
THE GROVES MAY TREAD,
1433
01:13:45,715 --> 01:13:48,675
EVEN TILL THE EASTERN GATE,
ALL FIERY-RED,
1434
01:13:48,755 --> 01:13:51,925
OPENING ON NEPTUNE
WITH FAIR BLESSED BEAMS,
1435
01:13:52,015 --> 01:13:58,515
TURNS INTO YELLOW GOLD
HIS SALT GREEN STREAMS.
1436
01:13:58,605 --> 01:14:01,565
BUT, NOTWITHSTANDING, HASTE;
MAKE NO DELAY:
1437
01:14:01,645 --> 01:14:04,735
WE MAY EFFECT THIS BUSINESS
YET ERE DAY.
1438
01:14:05,235 --> 01:14:08,315
UP AND DOWN, UP AND DOWN,
I WILL LEAD THEM UP AND DOWN:
1439
01:14:08,405 --> 01:14:10,325
I AM FEAR'D IN FIELD AND TOWN:
1440
01:14:10,405 --> 01:14:12,575
GOBLIN, LEAD THEM UP AND DOWN.
1441
01:14:12,655 --> 01:14:14,955
HERE COMES ONE.
1442
01:14:20,955 --> 01:14:23,665
WHERE ART THOU,
PROUD DEMETRIUS? SPEAK THOU NOW.
1443
01:14:23,755 --> 01:14:24,815
[IMITATING DEMETRIUS]
HERE, VILLAIN;
1444
01:14:24,835 --> 01:14:26,465
DRAWN AND READY.
WHERE ART THOU?
1445
01:14:26,545 --> 01:14:27,645
I WILL BE
WITH THEE STRAIGHT.
1446
01:14:27,675 --> 01:14:30,135
FOLLOW ME, THEN,
TO PLAINER GROUND.
1447
01:14:30,215 --> 01:14:31,315
Demetrius:
LYSANDER! SPEAK AGAIN:
1448
01:14:31,345 --> 01:14:33,765
THOU RUNAWAY, THOU COWARD, ART THOU FLED?
1449
01:14:33,845 --> 01:14:37,725
SPEAK! IN SOME BUSH?
WHERE DOST THOU HIDE THY HEAD?
1450
01:14:37,805 --> 01:14:38,725
[IMITATING LYSANDER]
THOU COWARD,
1451
01:14:38,805 --> 01:14:39,995
ART THOU BRAGGING
TO THE STARS,
1452
01:14:40,015 --> 01:14:41,935
TELLING THE BUSHES THAT
THOU LOOK'ST FOR WARS,
1453
01:14:42,015 --> 01:14:43,015
AND WILT NOT COME??
1454
01:14:43,065 --> 01:14:45,145
COME, RECREANT;
COME, THOU CHILD;
1455
01:14:45,235 --> 01:14:46,565
I'll WHIP THEE WITH A ROD:
1456
01:14:46,645 --> 01:14:49,565
HE IS DEFILED THAT
DRAWS A SWORD ON THEE.
1457
01:14:49,655 --> 01:14:50,695
YEA, ART THOU THERE?
1458
01:14:50,775 --> 01:14:54,695
FOLLOW MY VOICE:
WE'LL TRY NO MANHOOD HERE.
1459
01:14:56,865 --> 01:15:00,745
HE GOES BEFORE ME
AND STILL DARES ME ON:
1460
01:15:00,835 --> 01:15:03,705
WHEN I COME WHERE HE CALLS,
THEN HE IS GONE.
1461
01:15:03,795 --> 01:15:05,435
THE VILLAIN IS MUCH
LIGHTER-HEEL'D THAN I:
1462
01:15:05,455 --> 01:15:09,585
I FOLLOW'D FAST,
BUT FASTER HE DID FLY;
1463
01:15:09,675 --> 01:15:13,755
BUT FALLEN AM I
IN DARK UNEVEN WAY,
1464
01:15:13,845 --> 01:15:15,975
AND HERE WILL REST ME.
1465
01:15:16,055 --> 01:15:17,805
COME, THOU GENTLE DAY!
1466
01:15:17,885 --> 01:15:20,765
FOR IF BUT ONCE
THOU SHOW ME THY GREY LIGHT,
1467
01:15:20,855 --> 01:15:25,735
I'll FIND DEMETRIUS
AND REVENGE THIS SPITE.
1468
01:15:30,485 --> 01:15:31,585
Lysander's voice:
HO, HO, HO!
1469
01:15:31,615 --> 01:15:33,405
COWARD,
WHY COMEST THOU NOT?
1470
01:15:33,485 --> 01:15:35,445
ABIDE ME, IF THOU DAREST; FOR WELL I WOT
1471
01:15:35,535 --> 01:15:36,845
THOU RUNN'ST BEFORE ME,
SHIFTING EVERY PLACE,
1472
01:15:36,865 --> 01:15:40,245
AND DAREST NOT STAND,
NOR LOOK ME IN THE FACE.
1473
01:15:40,325 --> 01:15:41,535
WHERE ART THOU NOW?
1474
01:15:41,625 --> 01:15:43,785
[IMITATING LYSANDER]
COME HITHER: I AM HERE.
1475
01:15:43,875 --> 01:15:46,005
NAY, THEN,
THOU MOCK'ST ME.
1476
01:15:46,085 --> 01:15:47,005
THOU SHALT
BUY THIS DEAR,
1477
01:15:47,085 --> 01:15:50,005
IF EVER I THY FACE
BY DAYLIGHT SEE:
1478
01:15:50,085 --> 01:15:52,255
NOW, GO THY WAY.
1479
01:15:54,095 --> 01:15:55,135
FAINTNESS CONSTRAINETH ME
1480
01:15:55,215 --> 01:15:58,305
TO MEASURE OUT MY LENGTH
ON THIS COLD BED.
1481
01:15:59,135 --> 01:16:02,935
BY DAY'S APPROACH
LOOK TO BE VISITED.
1482
01:16:07,145 --> 01:16:11,905
Helena: O WEARY NIGHT,
O LONG AND TEDIOUS NIGHT,
1483
01:16:11,985 --> 01:16:16,785
ABATE THY HOURS!
SHINE COMFORTS FROM THE EAST,
1484
01:16:16,865 --> 01:16:18,995
THAT I MAY BACK
TO ATHENS BY DAYLIGHT,
1485
01:16:19,075 --> 01:16:23,915
FROM THESE THAT
MY POOR COMPANY DETEST:
1486
01:16:27,335 --> 01:16:31,715
AND SLEEP, THAT SOMETIMES
SHUTS UP SORROW'S EYE,
1487
01:16:31,795 --> 01:16:35,925
STEAL ME AWHILE
FROM MINE OWN COMPANY.
1488
01:16:43,015 --> 01:16:44,895
YET BUT THREE? COME ONE MORE;
1489
01:16:44,975 --> 01:16:48,895
TWO OF BOTH KINDS MAKES UP FOUR.
1490
01:16:48,975 --> 01:16:50,945
[HERMIA SOBBING]
1491
01:16:51,025 --> 01:16:53,695
HERE SHE COMES,
CURST AND SAD:
1492
01:16:53,775 --> 01:16:55,065
CUPID IS A KNAVISH LAD,
1493
01:16:55,155 --> 01:16:58,325
THUS TO MAKE
POOR FEMALES MAD.
1494
01:16:58,405 --> 01:17:01,535
NEVER SO WEARY,
NEVER SO IN WOE,
1495
01:17:01,615 --> 01:17:05,075
BEDABBLED WITH THE DEW
AND TORN WITH BRIERS,
1496
01:17:05,165 --> 01:17:07,875
I CAN NO FURTHER CRAWL,
NO FURTHER GO;
1497
01:17:07,955 --> 01:17:11,915
MY LEGS WILL KEEP NO PACE
WITH MY DESIRES.
1498
01:17:14,425 --> 01:17:18,345
HERE WILL I REST ME
TILL THE BREAK OF DAY.
1499
01:17:18,425 --> 01:17:23,265
HEAVENS SHIELD LYSANDER,
IF THEY MEAN A FRAY!
1500
01:17:32,235 --> 01:17:36,445
ON THE GROUND
SLEEP SOUND:
1501
01:17:36,525 --> 01:17:38,445
I'll APPLY TO YOUR EYE,
1502
01:17:38,525 --> 01:17:41,575
GENTLE LOVER, REMEDY.
1503
01:17:43,205 --> 01:17:44,785
WHEN THOU WAKEST,
THOU TAKEST
1504
01:17:44,865 --> 01:17:46,375
TRUE DELIGHT
IN THE SIGHT
1505
01:17:46,455 --> 01:17:48,535
OF THY FORMER
LADY'S EYE:
1506
01:17:48,625 --> 01:17:49,785
AND THE COUNTRY
PROVERB KNOWN,
1507
01:17:49,835 --> 01:17:51,955
THAT EVERY MAN
SHOULD TAKE HIS OWN,
1508
01:17:52,045 --> 01:17:54,965
IN YOUR WAKING
SHALL BE SHOWN:
1509
01:17:55,045 --> 01:17:58,175
JACK SHALL HAVE JILL, ;
NOUGHT SHALL GO ILL;
1510
01:17:58,255 --> 01:18:01,345
THE MAN SHALL HAVE
HIS MARE AGAIN,
1511
01:18:01,425 --> 01:18:04,725
AND ALL SHALL BE WELL. HA!
1512
01:18:12,355 --> 01:18:18,365
COME, SIT THEE DOWN
UPON THIS FLOWERY BED,
1513
01:18:18,445 --> 01:18:22,575
WHILE I THY AMIABLE
CHEEKS DO COY,
1514
01:18:22,655 --> 01:18:27,495
AND STICK MUSK-ROSES
IN THY SLEEK SMOOTH HEAD,
1515
01:18:27,575 --> 01:18:34,585
AND KISS THY FAIR LARGE EARS,
MY GENTLE JOY.
1516
01:18:36,465 --> 01:18:38,585
WHERE'S PEASEBLOSSOM?
1517
01:18:38,675 --> 01:18:39,465
READY.
1518
01:18:39,545 --> 01:18:42,305
SCRATCH MY HEAD,
PEASEBLOSSOM.
1519
01:18:42,385 --> 01:18:44,095
OHH.
1520
01:18:44,175 --> 01:18:46,935
WHERE'S
MOUNSIEUR COBWEB?
1521
01:18:47,015 --> 01:18:47,895
READY.
1522
01:18:47,975 --> 01:18:49,305
MOUNSIEUR COBWEB,
GOOD MOUNSIEUR,
1523
01:18:49,395 --> 01:18:50,975
GET YOU YOUR WEAPONS
IN YOUR HAND,
1524
01:18:51,065 --> 01:18:53,225
AND KILL ME
A RED-HIPPED HUMBLE-BEE
1525
01:18:53,315 --> 01:18:54,605
ON THE TOP OF A THISTLE;
1526
01:18:54,685 --> 01:18:59,025
AND, GOOD MOUNSIEUR,
BRING ME THE HONEY-BAG.
1527
01:18:59,105 --> 01:19:00,025
DO NOT FRET YOURSELF
1528
01:19:00,115 --> 01:19:02,195
TOO MUCH IN THE ACTION,
MOUNSIEUR;
1529
01:19:02,275 --> 01:19:03,195
AND, GOOD MOUNSIEUR,
1530
01:19:03,285 --> 01:19:07,075
HAVE A CARE
THE HONEY-BAG BREAK NOT;
1531
01:19:07,155 --> 01:19:09,245
I WOULD BE LOATH
TO HAVE YOU OVERFLOWN
1532
01:19:09,325 --> 01:19:11,625
WITH A HONEY-BAG,
SIGNIOR.
1533
01:19:11,705 --> 01:19:14,085
[LAUGHTER]
1534
01:19:15,755 --> 01:19:17,335
WHERE'S
MOUNSIEUR MUSTARDSEED?
1535
01:19:17,415 --> 01:19:18,425
READY.
1536
01:19:18,505 --> 01:19:20,215
GIVE ME YOUR NEAF,
MOUNSIEUR MUSTARDSEED.
1537
01:19:20,295 --> 01:19:21,215
O PRAY YOU,
1538
01:19:21,295 --> 01:19:23,215
LEAVE YOUR COURTESY,
GOOD MOUNSIEUR.
1539
01:19:23,305 --> 01:19:24,215
WHAT'S YOUR WILL?
1540
01:19:24,305 --> 01:19:25,305
NOTHING, MOUNSIEUR,
1541
01:19:25,345 --> 01:19:29,225
BUT TO HELP CAVALERY
COBWEB TO SCRATCH.
1542
01:19:29,305 --> 01:19:31,225
I MUST TO THE BARBER'S,
MONSIEUR;
1543
01:19:31,305 --> 01:19:36,185
FOR METHINKS I AM
MARVELLOUS HAIRY ABOUT THE FACE;
1544
01:19:36,275 --> 01:19:37,855
AND I AM
SUCH A TENDER ASS,
1545
01:19:37,945 --> 01:19:40,105
THAT IF MY HAIR
DO BUT TICKLE ME,
1546
01:19:40,195 --> 01:19:41,655
I MUST SCRATCH.
1547
01:19:41,735 --> 01:19:44,075
[GROANING]
1548
01:19:47,575 --> 01:19:50,865
WHAT, WILT THOU HEAR SOME MUSIC,
MY SWEET LOVE?
1549
01:19:50,955 --> 01:19:52,785
I HAVE A REASONABLE
GOOD EAR IN MUSIC.
1550
01:19:52,875 --> 01:19:56,045
LET'S HAVE
THE TONGS AND THE BONES.
1551
01:19:56,125 --> 01:19:57,255
OR SAY, SWEET LOVE,
1552
01:19:57,335 --> 01:19:59,125
WHAT THOU DESIREST
TO EAT.
1553
01:19:59,215 --> 01:20:01,045
TRULY,
A PECK OF PROVENDER:
1554
01:20:01,135 --> 01:20:04,045
I COULD MUNCH
YOUR GOOD DRY OATS.
1555
01:20:04,135 --> 01:20:08,095
METHINKS I HAVE A GREAT DESIRE
TO A BOTTLE OF HAY:
1556
01:20:08,175 --> 01:20:12,475
GOOD HAY, SWEET HAY,
HATH NO FELLOW.
1557
01:20:12,555 --> 01:20:13,555
I HAVE
A VENTURSOME FAIRY
1558
01:20:13,605 --> 01:20:15,065
THAT SHALL SEEK
THE SQUIRREL'S HOARD,
1559
01:20:15,145 --> 01:20:16,475
AND FETCH THEE NEW NUTS.
1560
01:20:16,565 --> 01:20:21,105
I HAD RATHER HAVE A HANDFUL
OR TWO OF DRIED PEAS.
1561
01:20:21,195 --> 01:20:22,025
BUT, I PRAY YOU,
1562
01:20:22,105 --> 01:20:24,905
LET NONE OF
YOUR PEOPLE STIR ME:
1563
01:20:24,985 --> 01:20:30,535
I HAVE AN EXPOSITION
OF SLEEP COME UPON ME.
1564
01:20:37,835 --> 01:20:39,165
SLEEP THOU,
1565
01:20:39,255 --> 01:20:42,925
AND I WILL WIND THEE
IN MY ARMS.
1566
01:20:43,005 --> 01:20:48,715
SO DOTH THE WOODBINE
THE SWEET HONEYSUCKLE GENTLY ENTWIST;
1567
01:20:48,805 --> 01:20:55,805
THE FEMALE IVY SO ENRINGS
THE BARKY FINGERS OF THE ELM.
1568
01:20:56,065 --> 01:21:03,065
O, HOW I LOVE THEE!
HOW I DOTE ON THEE!
1569
01:21:08,655 --> 01:21:10,535
Oberon:
WELCOME, GOOD ROBIN.
1570
01:21:10,615 --> 01:21:14,165
SEE'ST THOU
THIS SWEET SIGHT?
1571
01:21:14,245 --> 01:21:17,335
HER DOTAGE NOW
I DO BEGIN TO PITY:
1572
01:21:17,415 --> 01:21:19,125
FOR, MEETING HER
OF LATE BEHIND THE WOOD,
1573
01:21:19,205 --> 01:21:23,125
SEEKING SWEET FAVOURS
FROM THIS HATEFUL FOOL,
1574
01:21:23,215 --> 01:21:25,465
I DID UPBRAID HER
AND FALL OUT WITH HER;
1575
01:21:25,545 --> 01:21:27,965
FOR SHE HIS HAIRY TEMPLES
THEN HAD ROUNDED
1576
01:21:28,055 --> 01:21:31,555
WITH A CORONET OF FRESH
AND FRAGRANT FLOWERS;
1577
01:21:31,635 --> 01:21:34,305
AND THAT SAME DEW,
WHICH SOMETIME ON THE BUDS
1578
01:21:34,395 --> 01:21:37,475
WAS WONT TO SWELL
LIKE ROUND AND ORIENT PEARLS,
1579
01:21:37,555 --> 01:21:40,975
STOOD NOW WITHIN
THE PRETTY FLOWERETS' EYES
1580
01:21:41,065 --> 01:21:45,985
LIKE TEARS THAT DID
THEIR OWN DISGRACE BEWAIL.
1581
01:21:46,065 --> 01:21:47,775
WHEN I HAD AT MY PLEASURE
TAUNTED HER
1582
01:21:47,865 --> 01:21:51,245
AND SHE IN MILD TERMS
BEGG'D MY PATIENCE,
1583
01:21:51,325 --> 01:21:54,365
I THEN DID ASK OF HER HER
CHANGELING CHILD;
1584
01:21:54,455 --> 01:21:58,995
WHICH STRAIGHT SHE GAVE ME,
AND HER FAIRY SENT
1585
01:21:59,085 --> 01:22:05,215
TO BEAR HIM TO MY BOWER
IN FAIRY LAND.
1586
01:22:05,295 --> 01:22:06,645
AND NOW I HAVE THE BOY,
I WILL UNDO
1587
01:22:06,675 --> 01:22:08,595
THIS HATEFUL IMPERFECTION
OF HER EYES:
1588
01:22:08,675 --> 01:22:11,305
AND, GENTLE PUCK,
TAKE THIS TRANSFORMED SCALP
1589
01:22:11,385 --> 01:22:14,055
FROM OFF THE HEAD
OF THIS ATHENIAN SWAIN;
1590
01:22:14,135 --> 01:22:15,595
THAT, HE AWAKING
WHEN THE OTHER DO,
1591
01:22:15,685 --> 01:22:17,855
MAY ALL TO ATHENS
BACK AGAIN REPAIR
1592
01:22:17,935 --> 01:22:21,225
AND THINK NO MORE
OF THIS NIGHT'S ACCIDENTS
1593
01:22:21,315 --> 01:22:25,395
BUT AS THE FIERCE
VEXATION OF A DREAM.
1594
01:22:25,485 --> 01:22:30,275
BUT FIRST I WILL RELEASE
THE FAIRY QUEEN.
1595
01:22:31,535 --> 01:22:33,615
BE AS THOU
WAST WONT TO BE;
1596
01:22:33,695 --> 01:22:36,075
SEE AS THOU
WAST WONT TO SEE:
1597
01:22:36,165 --> 01:22:38,665
DIAN'S BUD
O'ER CUPID'S FLOWER
1598
01:22:38,745 --> 01:22:40,875
HATH SUCH FORCE
AND BLESSED POWER.
1599
01:22:40,955 --> 01:22:46,795
NOW, MY TITANIA;
WAKE YOU, MY SWEET QUEEN.
1600
01:22:50,345 --> 01:22:51,425
MY OBERON!
1601
01:22:51,505 --> 01:22:55,305
WHAT VISIONS
HAVE I SEEN!
1602
01:22:57,435 --> 01:23:02,855
METHOUGHT I WAS
ENAMOUR'D OF AN ASS.
1603
01:23:02,935 --> 01:23:04,395
THERE LIES YOUR LOVE.
1604
01:23:04,485 --> 01:23:06,065
HOW CAME THESE
THINGS TO PASS?
1605
01:23:06,145 --> 01:23:08,655
O, HOW MINE EYES DO
LOATHE HIS VISAGE NOW!
1606
01:23:08,735 --> 01:23:13,405
SILENCE AWHILE.
ROBIN, TAKE OFF THIS HEAD.
1607
01:23:15,285 --> 01:23:18,415
Oberon:
TITANIA, MUSIC CALL;
1608
01:23:18,495 --> 01:23:20,705
AND STRIKE MORE DEAD
THAN COMMON SLEEP
1609
01:23:20,785 --> 01:23:24,915
OF ALL THESE FIVE
THE SENSE.
1610
01:23:26,665 --> 01:23:31,085
MUSIC, HO! MUSIC,
SUCH AS CHARMETH SLEEP!
1611
01:23:31,175 --> 01:23:32,175
NOW,
WHEN THOU WAKEST,
1612
01:23:32,215 --> 01:23:35,675
WITH THINE OWN
FOOL'S EYES PEEP.
1613
01:23:35,765 --> 01:23:42,765
SOUND, MUSIC! COME,
MY QUEEN, TAKE HANDS WITH ME,
1614
01:23:44,395 --> 01:23:49,065
AND ROCK THE GROUND
WHEREON THESE SLEEPERS BE.
1615
01:24:54,885 --> 01:24:58,425
NOW THOU AND I
ARE NEW IN AMITY,
1616
01:24:58,515 --> 01:24:59,805
AND WILL
TO-MORROW MIDNIGHT
1617
01:24:59,885 --> 01:25:04,975
SOLEMNLY DANCE IN DUKE THESEUS'
HOUSE TRIUMPHANTLY,
1618
01:25:05,055 --> 01:25:08,815
AND BLESS IT
TO ALL FAIR POSTERITY:
1619
01:25:08,895 --> 01:25:12,605
THERE SHALL THE PAIRS OF
FAITHFUL LOVERS BE WEDDED,
1620
01:25:12,695 --> 01:25:15,025
WITH THESEUS,
ALL IN JOLLITY.
1621
01:25:15,115 --> 01:25:16,235
FAIRY KING,
ATTEND, AND MARK:
1622
01:25:16,275 --> 01:25:18,195
I DO HEAR
THE MORNING LARK.
1623
01:25:18,285 --> 01:25:19,485
THEN, MY QUEEN,
IN SILENCE SAD,
1624
01:25:19,535 --> 01:25:20,825
TRIP WE AFTER
THE NIGHT'S SHADE:
1625
01:25:20,905 --> 01:25:22,205
WE THE GLOBE
CAN COMPASS SOON,
1626
01:25:22,285 --> 01:25:23,465
SWIFTER THAN
THE WANDERING MOON.
1627
01:25:23,495 --> 01:25:24,555
COME, MY LORD,
AND IN OUR FLIGHT
1628
01:25:24,575 --> 01:25:25,915
TELL ME HOW
IT CAME THIS NIGHT
1629
01:25:25,995 --> 01:25:27,455
THAT I SLEEPING
HERE WAS FOUND
1630
01:25:27,535 --> 01:25:30,045
WITH THESE MORTALS
ON THE GROUND.
1631
01:25:31,875 --> 01:25:34,585
[BARKING]
1632
01:25:34,675 --> 01:25:37,345
[HORNS BLARING]
1633
01:25:37,425 --> 01:25:39,385
GO, ONE OF YOU,
FIND OUT THE FORESTER;
1634
01:25:39,465 --> 01:25:41,475
FOR NOW OUR OBSERVATION
IS PERFORM'D;
1635
01:25:41,555 --> 01:25:44,435
AND SINCE WE HAVE
THE VAWARD OF THE DAY,
1636
01:25:44,515 --> 01:25:48,015
MY LOVE SHALL HEAR
THE MUSIC OF MY HOUNDS.
1637
01:25:48,105 --> 01:25:50,025
UNCOUPLE IN THE WESTERN
VALLEY; LET THEM GO:
1638
01:25:50,105 --> 01:25:51,815
DISPATCH, I SAY,
AND FIND THE FORESTER.
1639
01:25:51,895 --> 01:25:55,065
WE WILL, FAIR QUEEN, UP
TO THE MOUNTAIN'S TOP,
1640
01:25:55,155 --> 01:25:56,615
AND MARK THE MUSICAL
CONFUSION
1641
01:25:56,695 --> 01:25:59,365
OF HOUNDS AND ECHO
IN CONJUNCTION.
1642
01:25:59,445 --> 01:26:01,035
I WAS WITH HERCULES
AND CADMUS ONCE,
1643
01:26:01,115 --> 01:26:06,165
WHEN IN A WOOD OF CRETE
THEY BAY'D THE BEAR WITH HOUNDS OF SPARTA:
1644
01:26:06,245 --> 01:26:08,835
NEVER DID I HEAR
SUCH GALLANT CHIDING:
1645
01:26:08,915 --> 01:26:11,625
FOR, BESIDES THE GROVES,
THE SKIES, THE FOUNTAINS,
1646
01:26:11,705 --> 01:26:16,465
EVERY REGION NEAR SEEM'D
ALL ONE MUTUAL CRY:
1647
01:26:16,545 --> 01:26:19,595
I NEVER HEARD SO
MUSICAL A DISCORD,
1648
01:26:19,675 --> 01:26:21,255
SUCH SWEET THUNDER.
1649
01:26:21,345 --> 01:26:24,475
MY HOUNDS ARE BRED
OUT OF THE SPARTAN KIND,
1650
01:26:24,555 --> 01:26:26,135
SO FLEW'D, SO SANDED,
1651
01:26:26,225 --> 01:26:30,515
AND THEIR HEADS ARE HUNG WITH
EARS THAT SWEEP AWAY THE MORNING DEW, ;
1652
01:26:30,605 --> 01:26:32,185
CROOK-KNEE'D,
AND DEW-LAPP'D
1653
01:26:32,275 --> 01:26:34,275
LIKE THESSALIAN BULLS;
1654
01:26:34,355 --> 01:26:36,485
SLOW IN PURSUIT,
1655
01:26:36,565 --> 01:26:38,865
BUT MATCH'D IN MOUTH
LIKE BELLS,
1656
01:26:38,945 --> 01:26:39,945
EACH UNDER EACH.
1657
01:26:40,025 --> 01:26:42,655
A CRY MORE TUNABLE
WAS NEVER HOLLA'D TO,
1658
01:26:42,735 --> 01:26:43,865
NOR CHEER'D WITH HORN,
1659
01:26:43,945 --> 01:26:47,075
IN CRETE, IN SPARTA,
NOR IN THESSALY:
1660
01:26:47,165 --> 01:26:49,495
JUDGE WHEN YOU HEAR.
1661
01:26:51,745 --> 01:26:53,585
BUT, SOFT!
1662
01:26:53,665 --> 01:26:56,505
WHAT NYMPHS ARE THESE?
1663
01:26:57,085 --> 01:27:02,135
MY LORD, THIS IS MY
DAUGHTER HERE ASLEEP;
1664
01:27:02,215 --> 01:27:06,555
AND THIS, LYSANDER;
THIS DEMETRIUS IS;
1665
01:27:06,635 --> 01:27:09,515
THIS HELENA,
OLD NEDAR'S HELENA:
1666
01:27:09,595 --> 01:27:13,645
I WONDER OF THEIR
BEING HERE TOGETHER.
1667
01:27:13,725 --> 01:27:18,105
NO DOUBT THEY ROSE UP EARLY
TO OBSERVE THE RITE OF MAY,
1668
01:27:18,195 --> 01:27:19,525
AND HEARING OUR INTENT,
1669
01:27:19,605 --> 01:27:22,365
CAME HERE IN GRACE
OUR SOLEMNITY.
1670
01:27:22,445 --> 01:27:24,445
BUT SPEAK, EGEUS;
IS NOT THIS THE DAY
1671
01:27:24,535 --> 01:27:26,705
THAT HERMIA SHOULD GIVE
ANSWER OF HER CHOICE?
1672
01:27:26,785 --> 01:27:28,575
IT IS, MY LORD.
1673
01:27:28,665 --> 01:27:32,455
GO, BID THE HUNTSMEN WAKE
THEM WITH THEIR HORNS.
1674
01:27:33,205 --> 01:27:36,295
[HORNS PLAYING]
1675
01:27:52,725 --> 01:27:54,355
GOOD MORROW, FRIENDS.
1676
01:27:54,435 --> 01:27:57,185
SAINT VALENTINE IS PAST.
1677
01:27:59,275 --> 01:28:02,485
BEGIN THESE WOOD-BIRDS
BUT TO COUPLE NOW?
1678
01:28:02,565 --> 01:28:03,775
PARDON, MY LORD.
1679
01:28:03,865 --> 01:28:05,865
I PRAY YOU ALL, STAND UP.
1680
01:28:05,945 --> 01:28:08,405
I KNOW YOU TWO
ARE RIVAL ENEMIES:
1681
01:28:08,495 --> 01:28:11,625
HOW COMES THIS GENTLE
CONCORD IN THE WORLD,
1682
01:28:11,705 --> 01:28:13,745
THAT HATRED IS SO FAR
FROM JEALOUSY,
1683
01:28:13,835 --> 01:28:16,755
TO SLEEP BY HATE,
AND FEAR NO ENMITY?
1684
01:28:16,835 --> 01:28:20,715
MY LORD, I SHALL
REPLY AMAZEDLY,
1685
01:28:20,795 --> 01:28:22,755
HALF SLEEP, HALF WAKING:
1686
01:28:22,835 --> 01:28:23,755
BUT AS YET, I SWEAR,
1687
01:28:23,845 --> 01:28:26,425
I CANNOT TRULY SAY
HOW I CAME HERE;
1688
01:28:26,515 --> 01:28:30,185
BUT, AS I THINK...
FOR TRULY WOULD I SPEAK,
1689
01:28:30,265 --> 01:28:32,595
AND NOW DO I BETHINK ME,
SO IT IS...
1690
01:28:32,685 --> 01:28:34,305
I CAME WITH HERMIA HITHER:
1691
01:28:34,395 --> 01:28:36,395
OUR INTENT WAS TO BE GONE
FROM ATHENS,
1692
01:28:36,475 --> 01:28:39,185
WHERE WE MIGHT, WITHOUT
THE PERIL OF THE ATHENIAN LAW...
1693
01:28:39,275 --> 01:28:41,565
ENOUGH, ENOUGH, MY LORD;
YOU HAVE ENOUGH:
1694
01:28:41,655 --> 01:28:44,615
I BEG THE LAW,
THE LAW, UPON HIS HEAD.
1695
01:28:44,695 --> 01:28:45,985
THEY WOULD HAVE
STOLEN AWAY;
1696
01:28:46,075 --> 01:28:46,985
THEY WOULD, DEMETRIUS,
1697
01:28:47,075 --> 01:28:48,745
THEREBY TO HAVE
DEFEATED YOU AND ME.
1698
01:28:48,825 --> 01:28:50,585
BUT, MY GOOD LORD,
I WOT NOT BY WHAT POWER...
1699
01:28:50,655 --> 01:28:54,995
BUT BY SOME POWER IT IS...
MY LOVE TO HERMIA,
1700
01:28:55,085 --> 01:28:56,285
MELTED AS THE SNOW,
1701
01:28:56,375 --> 01:29:00,545
SEEMS TO ME NOW AS THE
REMEMBRANCE OF AN IDLE GAUD
1702
01:29:00,625 --> 01:29:03,425
WHICH IN MY CHILDHOOD
I DID DOTE UPON;
1703
01:29:03,505 --> 01:29:05,845
AND ALL THE FAITH,
THE VIRTUE OF MY HEART,
1704
01:29:05,925 --> 01:29:08,425
THE OBJECT AND
THE PLEASURE OF MINE EYE,
1705
01:29:08,515 --> 01:29:11,135
IS ONLY HELENA.
1706
01:29:11,225 --> 01:29:14,435
TO HER, MY LORD, WAS I
BETROTH'D ERE I SAW HERMIA:
1707
01:29:14,515 --> 01:29:17,015
BUT, LIKE IN SICKNESS,
DID I LOATHE THIS FOOD;
1708
01:29:17,105 --> 01:29:20,275
BUT, AS IN HEALTH,
COME TO MY NATURAL TASTE,
1709
01:29:20,355 --> 01:29:27,445
NOW I DO WISH IT,
LOVE IT, LONG FOR IT,
1710
01:29:27,525 --> 01:29:30,035
AND WILL FOR EVERMORE
BE TRUE TO IT.
1711
01:29:30,115 --> 01:29:32,615
FAIR LOVERS,
YOU ARE FORTUNATELY MET.:
1712
01:29:32,705 --> 01:29:35,745
OF THIS DISCOURSE WE
MORE WILL HEAR ANON.
1713
01:29:35,825 --> 01:29:38,665
EGEUS, I WILL OVERBEAR
YOUR WILL;
1714
01:29:38,745 --> 01:29:40,705
FOR IN THE TEMPLE
BY AND BY WITH US
1715
01:29:40,795 --> 01:29:44,295
THESE COUPLES SHALL
ETERNALLY BE KNIT.
1716
01:29:46,045 --> 01:29:48,635
AND, FOR THE MORNING
NOW IS SOMETHING WORN,
1717
01:29:48,715 --> 01:29:51,675
OUR PURPOSED HUNTING
SHALL BE SET ASIDE.
1718
01:29:51,765 --> 01:29:54,975
AWAY WITH US TO ATHENS;
THREE AND THREE,
1719
01:29:55,055 --> 01:29:59,065
WE'LL HOLD A FEAST
IN GREAT SOLEMNITY.
1720
01:29:59,145 --> 01:30:01,605
COME, HIPPOLYTA.
1721
01:30:05,485 --> 01:30:07,655
THESE THINGS SEEM SMALL
AND UNDISTINGUISHABLE,
1722
01:30:07,735 --> 01:30:10,485
LIKE FAR-OFF MOUNTAINS
TURNED INTO CLOUDS.
1723
01:30:10,575 --> 01:30:13,075
METHINKS I SEE THESE
THINGS WITH PARTED EYE,
1724
01:30:13,155 --> 01:30:14,785
WHEN EVERY THING
SEEMS DOUBLE.
1725
01:30:14,865 --> 01:30:16,665
SO METHINKS:
1726
01:30:16,745 --> 01:30:19,665
AND I HAVE FOUND
DEMETRIUS LIKE A JEWEL,
1727
01:30:19,745 --> 01:30:22,705
MINE OWN,
AND NOT MINE OWN.
1728
01:30:22,795 --> 01:30:23,975
ARE YOU SURE
THAT WE ARE AWAKE?
1729
01:30:24,005 --> 01:30:26,545
IT SEEMS TO ME THAT YET WE SLEEP,
WE DREAM.
1730
01:30:26,635 --> 01:30:27,855
DO NOT YOU THINK
THE DUKE WAS HERE,
1731
01:30:27,885 --> 01:30:28,925
AND BID US
FOLLOW HIM?
1732
01:30:29,005 --> 01:30:30,095
YEA; AND MY FATHER.
1733
01:30:30,175 --> 01:30:31,175
AND HIPPOLYTA.
1734
01:30:31,255 --> 01:30:32,775
AND HE DID BID US
FOLLOW TO THE TEMPLE.
1735
01:30:32,805 --> 01:30:34,305
WHY, THEN, WE ARE AWAKE:
1736
01:30:34,385 --> 01:30:35,725
LET'S FOLLOW HIM
1737
01:30:35,805 --> 01:30:40,605
AND BY THE WAY LET US
RECOUNT OUR DREAMS.
1738
01:30:43,815 --> 01:30:49,695
WHEN MY CUE COMES,
CALL ME, AND I WILL ANSWER:
1739
01:30:49,775 --> 01:30:54,785
MY NEXT IS, "MOST FAIR PYRAMUS."
1740
01:31:05,795 --> 01:31:07,755
HEIGH-HO!
1741
01:31:08,965 --> 01:31:10,755
PETER QUINCE!
1742
01:31:12,255 --> 01:31:15,385
FLUTE, THE BELLOWS-MENDER!
1743
01:31:16,225 --> 01:31:18,185
SNOUT, THE TINKER!
1744
01:31:23,015 --> 01:31:27,605
STARVELING!
1745
01:31:29,025 --> 01:31:31,365
GOD'S MY LIFE, STOLEN HENCE,
1746
01:31:31,445 --> 01:31:34,615
AND LEFT ME ASLEEP!
1747
01:31:35,865 --> 01:31:39,785
I HAVE HAD A MOST RARE VISION.
1748
01:31:39,865 --> 01:31:41,955
I HAVE HAD A DREAM,
1749
01:31:42,035 --> 01:31:46,375
PAST THE WIT OF MAN TO SAY
WHAT DREAM IT WAS:
1750
01:31:46,455 --> 01:31:47,455
MAN IS BUT AN ASS,
1751
01:31:47,505 --> 01:31:52,385
IF HE GO ABOUT TO EXPOUND
THIS DREAM.
1752
01:31:52,465 --> 01:31:55,015
METHOUGHT I WAS...
1753
01:31:56,055 --> 01:31:59,015
THERE IS NO MAN CAN TELL WHAT.
1754
01:32:00,055 --> 01:32:04,015
METHOUGHT I WAS...
1755
01:32:05,185 --> 01:32:10,445
AND METHOUGHT I HAD...
1756
01:32:12,485 --> 01:32:13,675
BUT MAN IS BUT A PATCHED FOOL,
1757
01:32:13,695 --> 01:32:16,035
IF HE WILL OFFER TO SAY
WHAT METHOUGHT I HAD.
1758
01:32:16,115 --> 01:32:20,245
THE EYE OF MAN HATH NOT HEARD,
THE EAR OF MAN HATH NOT SEEN,
1759
01:32:20,325 --> 01:32:24,455
MAN'S HAND IS NOT ABLE TO TASTE,
HIS TONGUE TO CONCEIVE,
1760
01:32:24,535 --> 01:32:25,995
NOR HIS HEART TO REPORT,
1761
01:32:26,085 --> 01:32:27,545
WHAT MY DREAM WAS.
1762
01:32:27,625 --> 01:32:31,045
I WILL GET PETER QUINCE TO WRITE
A BALLAD OF THIS DREAM:
1763
01:32:31,125 --> 01:32:33,005
IT SHALL BE CALLED
BOTTOM'S DREAM,
1764
01:32:33,085 --> 01:32:34,675
BECAUSE IT HATH NO BOTTOM;
1765
01:32:34,755 --> 01:32:38,015
AND I WILL SING IT IN
THE LATTER END OF A PLAY,
1766
01:32:38,095 --> 01:32:39,135
BEFORE THE DUKE:
1767
01:32:39,225 --> 01:32:42,345
PERADVENTURE, TO MAKE IT
THE MORE GRACIOUS,
1768
01:32:42,435 --> 01:32:45,815
I WILL SING IT AT HER DEATH.
1769
01:32:54,985 --> 01:32:59,245
'TS STRANGE, MY THESEUS,
THAT THESE LOVERS SPEAK OF.
1770
01:32:59,325 --> 01:33:01,915
MORE STRANGE THAN TRUE.
1771
01:33:01,995 --> 01:33:04,875
I NEVER MAY BELIEVE
THESE ANTIQUE FABLES,
1772
01:33:04,955 --> 01:33:07,165
NOR THESE FAIRY TOYS.
1773
01:33:07,245 --> 01:33:10,255
LOVERS AND MADMEN HAVE
SUCH SEETHING BRAINS,
1774
01:33:10,335 --> 01:33:11,875
SUCH SHAPING FANTASIES,
1775
01:33:11,965 --> 01:33:16,595
THAT APPREHEND MORE THAN
COOL REASON EVER COMPREHENDS.
1776
01:33:16,675 --> 01:33:21,265
THE LUNATIC, THE LOVER,
AND THE POET
1777
01:33:21,345 --> 01:33:23,305
ARE OF IMAGINATION
ALL COMPACT.:
1778
01:33:23,385 --> 01:33:26,935
ONE SEES MORE DEVILS
THAN VAST HELL CAN HOLD,
1779
01:33:27,015 --> 01:33:31,525
THAT IS, THE MADMAN:
THE LOVER, ALL AS FRANTIC,
1780
01:33:31,605 --> 01:33:35,315
SEES HELEN'S BEAUTY
IN A BROW OF EGYPT:
1781
01:33:35,405 --> 01:33:39,405
THE POET'S EYE,
IN A FINE FRENZY ROLLING,
1782
01:33:39,485 --> 01:33:41,285
DOTH GLANCE FROM
HEAVEN TO EARTH,
1783
01:33:41,365 --> 01:33:42,905
FROM EARTH TO HEAVEN;
1784
01:33:42,995 --> 01:33:47,705
AND AS IMAGINATION BODIES FORTH
THE FORMS OF THINGS UNKNOWN,
1785
01:33:47,785 --> 01:33:51,295
THE POET'S PEN
TURNS THEM TO SHAPES
1786
01:33:51,375 --> 01:33:57,925
AND GIVES TO AIRY NOTHING
A LOCAL HABITATION AND A NAME.
1787
01:33:58,005 --> 01:34:00,215
SUCH TRICKS HATH
STRONG IMAGINATION,
1788
01:34:00,305 --> 01:34:03,055
THAT IF IT WOULD BUT
APPREHEND SOME JOY,
1789
01:34:03,135 --> 01:34:06,095
IT COMPREHENDS SOME
BRINGER OF THAT JOY;
1790
01:34:06,185 --> 01:34:09,315
OR IN THE NIGHT,
IMAGINING SOME FEAR,
1791
01:34:09,395 --> 01:34:14,065
HOW EASY IS A BUSH
SUPPOSED A BEAR!
1792
01:34:14,145 --> 01:34:16,525
BUT ALL THE STORY
OF THE NIGHT TOLD OVER,
1793
01:34:16,605 --> 01:34:19,865
AND ALL THEIR MINDS
TRANSFIGURED SO TOGETHER,
1794
01:34:19,945 --> 01:34:22,995
MORE WITNESSETH
THAN FANCY'S IMAGES
1795
01:34:23,075 --> 01:34:26,915
AND GROWS TO SOMETHING
OF GREAT CONSTANCY;
1796
01:34:26,995 --> 01:34:31,165
BUT, HOWSOEVER,
STRANGE AND ADMIRABLE.
1797
01:34:31,875 --> 01:34:38,005
[DOGS BARKING]
1798
01:34:38,635 --> 01:34:40,345
HAVE YOU SENT
TO BOTTOM'S HOUSE?
1799
01:34:40,425 --> 01:34:41,965
IS HE COME HOME YET?
1800
01:34:42,055 --> 01:34:44,805
HE CANNOT BE HEARD OF.
1801
01:34:44,885 --> 01:34:48,805
OUT OF DOUBT
HE IS TRANSPORTED.
1802
01:34:49,435 --> 01:34:52,025
IF HE COME NOT, THEN
THE PLAY IS MARRED:
1803
01:34:52,105 --> 01:34:54,985
IT GOES NOT FORWARD,
DOTH IT?
1804
01:34:55,065 --> 01:34:57,355
IT IS NOT POSSIBLE:
1805
01:34:57,445 --> 01:34:59,365
YOU HAVE NOT A MAN
IN ALL ATHENS
1806
01:34:59,445 --> 01:35:01,985
ABLE TO DISCHARGE
PYRAMUS BUT HE.
1807
01:35:02,075 --> 01:35:03,575
NO, HE HATH SIMPLY
THE BEST WIT
1808
01:35:03,655 --> 01:35:05,365
OF ANY HANDICRAFT
MAN IN ATHENS.
1809
01:35:05,455 --> 01:35:07,365
YEA, AND THE BEST
PERSON, TOO;
1810
01:35:07,455 --> 01:35:11,785
AND HE IS A VERY
PARAMOUR FOR A SWEET VOICE.
1811
01:35:11,875 --> 01:35:13,625
YOU MUST SAY "PARAGON":
1812
01:35:13,705 --> 01:35:16,085
A PARAMOUR IS,
GOD BLESS US,
1813
01:35:16,165 --> 01:35:18,045
A THING OF NAUGHT.
1814
01:35:21,215 --> 01:35:24,175
MASTERS, THE DUKE IS
COMING FROM THE TEMPLE,
1815
01:35:24,265 --> 01:35:28,095
AND THERE IS TWO OR 3 LORDS
AND LADIES MORE MARRIED:
1816
01:35:28,185 --> 01:35:34,935
IF OUR SPORT HAD GONE FORWARD,
WE HAD ALL BEEN MADE MEN.
1817
01:35:37,895 --> 01:35:42,445
O SWEET BULLY BOTTOM!
1818
01:35:42,525 --> 01:35:46,405
THUS HATH HE LOST
SIXPENCE A DAY DURING HIS LIFE;
1819
01:35:46,495 --> 01:35:50,035
HE COULD NOT HAVE 'SCAPED SIXPENCE A DAY:
1820
01:35:50,115 --> 01:35:53,205
AND THE DUKE HAD NOT
GIVEN HIM SIXPENCE A DAY
1821
01:35:53,285 --> 01:35:57,335
FOR PLAYING PYRAMUS,
I'll BE HANGED;
1822
01:35:57,415 --> 01:35:58,835
HE WOULD HAVE
DESERVED IT:
1823
01:35:58,925 --> 01:36:02,215
SIXPENCE A DAY IN
PYRAMUS, OR NOTHING.
1824
01:36:02,295 --> 01:36:04,885
[DOGS HOWLING]
1825
01:36:04,965 --> 01:36:09,635
Bottom: WHERE ARE THESE LADS?
WHERE ARE THESE HEARTS?
1826
01:36:09,725 --> 01:36:11,475
BOTTOM!
BOTTOM!
1827
01:36:11,555 --> 01:36:13,105
BOTTOM!
1828
01:36:14,315 --> 01:36:18,105
O MOST COURAGEOUS DAY!
O MOST HAPPY HOUR!
1829
01:36:18,185 --> 01:36:21,155
MASTERS, I AM TO
DISCOURSE WONDERS:
1830
01:36:21,235 --> 01:36:22,235
BUT ASK ME NOT WHAT;
1831
01:36:22,315 --> 01:36:24,075
FOR IF I TELL YOU,
I AM NO TRUE ATHENIAN.
1832
01:36:24,155 --> 01:36:27,115
I WILL TELL YOU EVERY THING,
RIGHT AS IT FELL OUT.
1833
01:36:27,195 --> 01:36:29,495
LET US HEAR,
SWEET BOTTOM.
1834
01:36:32,995 --> 01:36:34,285
NOT A WORD OF ME.
1835
01:36:34,375 --> 01:36:36,355
ALL THAT I WILL TELL YOU IS
THAT THE DUKE HATH DINED.
1836
01:36:36,375 --> 01:36:38,515
GET YOUR APPAREL TOGETHER,
GOOD STRINGS TO YOUR BEARDS,
1837
01:36:38,545 --> 01:36:41,215
NEW RIBBONS TO YOUR PUMPS;
MEET PRESENTLY AT THE PALACE;
1838
01:36:41,295 --> 01:36:42,545
EVERY MAN LOOK O'ER HIS PART;
1839
01:36:42,635 --> 01:36:45,885
FOR THE SHORT AND THE LONG IS,
OUR PLAY IS PREFERRED.
1840
01:36:45,965 --> 01:36:49,175
IN ANY CASE, LET THISBY
HAVE CLEAN LINEN;
1841
01:36:49,265 --> 01:36:51,595
AND LET NOT HIM THAT PLAYS
THE LION PAIR HIS NAILS,
1842
01:36:51,685 --> 01:36:54,475
FOR THEY SHALL HANG OUT
FOR THE LION'S CLAWS.
1843
01:36:54,555 --> 01:36:56,315
AND, MOST DEAR ACTORS,
1844
01:36:56,395 --> 01:36:58,475
EAT NO ONIONS NOR GARLIC,
1845
01:36:58,565 --> 01:37:00,185
FOR WE ARE TO UTTER
SWEET BREATH;
1846
01:37:00,275 --> 01:37:02,275
AND I DO NOT DOUBT
BUT TO HEAR THEM SAY,
1847
01:37:02,355 --> 01:37:03,695
IT IS A SWEET COMEDY.
1848
01:37:03,775 --> 01:37:07,155
NO MORE WORDS:
AWAY! GO, AWAY!
1849
01:37:09,035 --> 01:37:10,135
Theseus: COME NOW;
WHAT MASQUES,
1850
01:37:10,155 --> 01:37:11,745
WHAT DANCES
SHALL WE HAVE,
1851
01:37:11,825 --> 01:37:14,125
TO WEAR AWAY THIS
LONG AGE OF 3 HOURS
1852
01:37:14,205 --> 01:37:16,125
BETWEEN OUR AFTER-SUPPER
AND BED-TIME?
1853
01:37:16,205 --> 01:37:19,085
WHERE IS OUR USUAL
MANAGER OF MIRTH?
1854
01:37:19,165 --> 01:37:20,545
WHAT REVELS ARE IN HAND?
1855
01:37:20,625 --> 01:37:25,505
IS THERE NO PLAY TO EASE
THE ANGUISH OF A TORTURING HOUR?
1856
01:37:25,595 --> 01:37:26,595
CALL PHILOSTRATE.
1857
01:37:26,635 --> 01:37:28,055
HERE,
MIGHTY THESEUS.
1858
01:37:28,135 --> 01:37:30,345
SAY, WHAT ABRIDGEMENT
HAVE YOU FOR THIS EVENING?
1859
01:37:30,425 --> 01:37:33,135
THERE IS A BRIEF HOW
MANY SPORTS ARE RIPE:
1860
01:37:33,225 --> 01:37:37,145
MAKE CHOICE OF
WHICH YOUR HIGHNESS WILL SEE FIRST.
1861
01:37:37,225 --> 01:37:38,395
"THE BATTLE
WITH THE CENTAURS,
1862
01:37:38,475 --> 01:37:42,105
"TO BE SUNG BY
AN ATHENIAN EUNUCH TO THE HARP."
1863
01:37:42,195 --> 01:37:43,445
WE'LL NONE OF THAT:
1864
01:37:43,525 --> 01:37:45,105
THAT HAVE I TOLD MY LOVE,
1865
01:37:45,195 --> 01:37:48,155
IN GLORY OF MY
KINSMAN HERCULES.
1866
01:37:48,235 --> 01:37:52,205
"A TEDIOUS BRIEF SCENE OF
YOUNG PYRAMUS AND HIS LOVE THISBE;
1867
01:37:52,285 --> 01:37:53,285
VERY TRAGICAL MIRTH."
1868
01:37:53,325 --> 01:37:55,115
MERRY AND TRAGICAL!
TEDIOUS AND BRIEF!
1869
01:37:55,205 --> 01:37:58,375
THAT IS, HOT ICE AND
WONDROUS STRANGE SNOW.
1870
01:37:58,455 --> 01:38:01,165
HOW SHALL WE FIND THE
CONCORD OF THIS DISCORD?"
1871
01:38:01,255 --> 01:38:02,255
A PLAY THERE IS,
MY LORD,
1872
01:38:02,335 --> 01:38:03,375
SOME 10 WORDS LONG,
1873
01:38:03,465 --> 01:38:05,335
WHICH IS AS BRIEF
AS I HAVE KNOWN A PLAY, ;
1874
01:38:05,425 --> 01:38:08,545
BUT BY 10 WORDS,
MY LORD, IT IS TOO LONG,
1875
01:38:08,635 --> 01:38:10,215
WHICH MAKES IT TEDIOUS;
1876
01:38:10,305 --> 01:38:13,885
FOR IN ALL THE PLAY THERE IS
NOT ONE WORD APT, ONE PLAYER FITTED.
1877
01:38:13,975 --> 01:38:15,185
WHAT ARE THEY
THAT DO PLAY IT?
1878
01:38:15,265 --> 01:38:17,145
HARD-HANDED MEN THAT
WORK IN ATHENS HERE,
1879
01:38:17,225 --> 01:38:20,185
WHICH NEVER LABOUR'D
IN THEIR MINDS TILL NOW,
1880
01:38:20,265 --> 01:38:23,565
AND NOW HAVE TOIL'D
THEIR UNBREATHED MEMORIES
1881
01:38:23,645 --> 01:38:26,565
WITH THIS SAME PLAY,
AGAINST YOUR NUPTIAL.
1882
01:38:26,655 --> 01:38:28,115
AND WE WILL HEAR IT.
1883
01:38:28,195 --> 01:38:29,275
NO, MY NOBLE LORD.
1884
01:38:29,365 --> 01:38:31,905
I LOVE NOT TO SEE
WRETCHEDNESS O'ER CHARGED
1885
01:38:31,985 --> 01:38:33,905
AND DUTY IN HIS
SERVICE PERISHING.
1886
01:38:33,995 --> 01:38:36,115
WHY, GENTLE SWEET,
YOU SHALL SEE NO SUCH THING.
1887
01:38:36,205 --> 01:38:38,325
FOR NEVER ANYTHING
CAN BE AMISS,
1888
01:38:38,415 --> 01:38:41,045
WHEN SIMPLENESS
AND DUTY TENDER IT.
1889
01:38:41,125 --> 01:38:41,995
GO, BRING THEM IN:
1890
01:38:42,085 --> 01:38:44,545
AND TAKE YOUR PLACES,
LADIES.
1891
01:38:48,795 --> 01:38:52,425
Philostrate: SO PLEASE YOUR GRACE,
THE PROLOGUE IS ADDRESS'D.
1892
01:38:52,515 --> 01:38:54,635
LET HIM APPROACH.
1893
01:39:11,445 --> 01:39:15,035
GENTLES, PERCHANCE YOU
WONDER AT THIS SHOW;
1894
01:39:15,115 --> 01:39:19,625
BUT WONDER ON, TILL TRUTH
MAKE ALL THINGS PLAIN.
1895
01:39:19,705 --> 01:39:22,835
THIS MAN IS PYRAMUS,
IF YOU WOULD KNOW;
1896
01:39:22,915 --> 01:39:28,835
THIS BEAUTEOUS LADY
THISBY IS CERTAIN.
1897
01:39:28,925 --> 01:39:32,635
THIS MAN, WITH LIME
AND ROUGH-CAST,
1898
01:39:32,715 --> 01:39:35,425
DOTH PRESENT WALL,
1899
01:39:35,515 --> 01:39:40,095
THAT VILE WALL WHICH
DID THESE LOVERS SUNDER;
1900
01:39:40,185 --> 01:39:43,265
AND THROUGH WALL'S CHINK,
POOR SOULS,
1901
01:39:43,355 --> 01:39:45,985
THEY ARE CONTENT
TO WHISPER.
1902
01:39:46,065 --> 01:39:50,235
AT THE WHICH
LET NO MAN WONDER.
1903
01:39:50,315 --> 01:39:54,785
THIS MAN, WITH LANTHORN,
DOG, AND BUSH OF THORNS,
1904
01:39:54,865 --> 01:39:58,455
PRESENTETH MOONSHINE;
FOR, IF YOU WILL KNOW,
1905
01:39:58,535 --> 01:40:02,665
BY MOONSHINE DID THESE
LOVERS THINK NO SCORN
1906
01:40:02,745 --> 01:40:08,665
TO MEET AT NINUS' TOMB,
THERE, THERE TO WOO.
1907
01:40:08,755 --> 01:40:13,715
THIS GRISLY BEAST,
WHICH LION HIGHT BY NAME,
1908
01:40:13,795 --> 01:40:15,925
THE TRUSTY THISBY,
COMING FIRST BY NIGHT,
1909
01:40:16,015 --> 01:40:18,675
DID SCARE AWAY,
OR RATHER DID AFFRIGHT;
1910
01:40:18,765 --> 01:40:21,895
AND, AS SHE FLED,
HER MANTLE SHE DID FALL,
1911
01:40:21,975 --> 01:40:27,685
WHICH LION VILE WITH BLOODY
MOUTH DID STAIN.
1912
01:40:27,775 --> 01:40:31,405
ANON COMES PYRAMUS,
SWEET YOUTH AND TALL,
1913
01:40:31,485 --> 01:40:35,825
AND FINDS HIS TRUSTY
THISBY'S MANTLE SLAIN:
1914
01:40:35,905 --> 01:40:40,325
WHEREAT, WITH BLADE,
WITH BLOODY BLAMEFUL BLADE,
1915
01:40:40,405 --> 01:40:46,165
HE BRAVELY BROACH'D IS
BOILING BLOODY BREAST...
1916
01:40:50,465 --> 01:40:55,925
AND THISBY, TARRYING
IN MULBERRY SHADE,
1917
01:40:56,005 --> 01:41:00,635
HIS DAGGER DREW, AND DIED.
1918
01:41:00,725 --> 01:41:01,935
FOR ALL THE REST,
1919
01:41:02,015 --> 01:41:04,645
LET LION, MOONSHINE,
WALL, AND LOVERS TWAIN
1920
01:41:04,725 --> 01:41:09,275
AT LARGE DISCOURSE,
WHILE HERE THEY DO REMAIN.
1921
01:41:22,955 --> 01:41:24,495
I WONDER IF THE LION
BE TO SPEAK.
1922
01:41:24,575 --> 01:41:25,875
NO WONDER, MY LORD:
1923
01:41:25,955 --> 01:41:29,335
ONE LION MAY,
WHEN MANY ASSES DO.
1924
01:41:41,515 --> 01:41:45,685
IN THIS SAME INTERLUDE
IT DOTH BEFALL
1925
01:41:45,765 --> 01:41:52,775
THAT I, ONE SNOUT BY NAME,
PRESENT A WALL.
1926
01:42:01,575 --> 01:42:06,995
AND SUCH A WALL,
AS I WOULD HAVE YOU THINK,
1927
01:42:07,075 --> 01:42:13,215
THAT HAD IN IT
A CRANNIED HOLE OR CHINK,
1928
01:42:13,295 --> 01:42:19,595
THROUGH WHICH THE LOVERS,
PYRAMUS AND THISBY,
1929
01:42:19,675 --> 01:42:26,435
DID WHISPER OFTEN VERY SECRETLY.
1930
01:42:28,805 --> 01:42:35,815
THIS LOAM, THIS ROUGH-CAST
AND THIS STONE DOTH SHOW
1931
01:42:36,025 --> 01:42:39,485
THAT I AM THAT SAME WALL;
1932
01:42:39,575 --> 01:42:42,075
THE TRUTH IS SO:
1933
01:42:44,535 --> 01:42:51,545
AND THIS THE CRANNY IS,
RIGHT AND SINISTER...
1934
01:42:57,545 --> 01:43:02,885
THROUGH WHICH THE FEARFUL
LOVERS ARE TO WHI... WHISPER.
1935
01:43:04,135 --> 01:43:06,435
WOULD YOU DESIRE LIME
AND HAIR TO SPEAK BETTER?
1936
01:43:06,515 --> 01:43:07,595
IT IS THE WITTIEST
PARTITION
1937
01:43:07,685 --> 01:43:09,475
THAT EVER I HEARD
DISCOURSE, MY LORD.
1938
01:43:09,555 --> 01:43:11,645
PYRAMUS DRAWS NEAR
THE WALL: SILENCE!
1939
01:43:11,725 --> 01:43:14,275
O GRIM-LOOK'D NIGHT!
1940
01:43:14,355 --> 01:43:17,315
O NIGHT WITH HUE
SO BLACK!
1941
01:43:17,405 --> 01:43:21,655
O NIGHT, WHICH EVER
ART WHEN DAY IS NOT!
1942
01:43:21,735 --> 01:43:25,075
O NIGHT, O NIGHT!
1943
01:43:25,155 --> 01:43:27,665
ALACK, ALACK, ALACK,
1944
01:43:27,745 --> 01:43:31,455
I FEAR MY THISBY'S
PROMISE IS FORGOT!
1945
01:43:31,535 --> 01:43:37,125
AND THOU, O WALL,
O SWEET, O LOVELY WALL,
1946
01:43:37,215 --> 01:43:42,345
THAT STAND'ST BETWEEN
HER FATHER'S GROUND AND MINE!
1947
01:43:42,425 --> 01:43:49,435
THOU WALL, O WALL,
O SWEET AND LOVELY WALL,
1948
01:43:50,095 --> 01:43:51,895
SHOW ME THY CHINK,
1949
01:43:51,975 --> 01:43:57,065
TO BLINK THROUGH
WITH MINE EYNE!
1950
01:44:01,405 --> 01:44:04,905
THANKS, COURTEOUS WALL.:
1951
01:44:04,985 --> 01:44:08,825
JOVE SHIELD THEE WELL
FOR THIS!
1952
01:44:08,905 --> 01:44:13,535
BUT WHAT SEE 1?
NO THISBY DO I SEE.
1953
01:44:13,625 --> 01:44:18,465
O WICKED WALL, THROUGH
WHOM I SEE NO BLISS!
1954
01:44:18,545 --> 01:44:22,335
CURSED BE THY STONES
FOR THUS DECEIVING ME!
1955
01:44:22,425 --> 01:44:25,595
THE WALL, METHINKS,
BEING SENSIBLE, SHOULD CURSE AGAIN.
1956
01:44:25,675 --> 01:44:27,675
NO, IN TRUTH, SIR,
HE SHOULD NOT.
1957
01:44:27,765 --> 01:44:30,385
"DECEIVING ME"
IS THISBY'S CUE:
1958
01:44:30,475 --> 01:44:31,515
SHE IS TO ENTER NOW,
1959
01:44:31,595 --> 01:44:33,185
AND I AM TO SPY HER
THROUGH THE WALL.
1960
01:44:33,265 --> 01:44:37,605
YOU SHALL SEE, IT WILL
FALL PAT AS I TOLD YOU.
1961
01:44:37,685 --> 01:44:39,815
YONDER SHE COMES.
1962
01:44:40,275 --> 01:44:44,195
O WALL, FULL OFTEN
HAST THOU HEARD MY MOANS,
1963
01:44:44,275 --> 01:44:46,735
FOR PARTING MY FAIR
PYRAMUS AND ME!
1964
01:44:46,825 --> 01:44:49,785
MY CHERRY LIPS HAVE
OFTEN KISS'D THY STONES,
1965
01:44:49,865 --> 01:44:54,165
THY STONES WITH LIME
AND HAIR KNIT UP IN THEE.
1966
01:44:54,245 --> 01:44:56,165
I SEE A VOICE:
1967
01:44:56,245 --> 01:44:57,875
NOW WILL I TO THE CHINK,
1968
01:44:57,955 --> 01:45:01,965
TO SPY AN I CAN HEAR
MY THISBY'S FACE.
1969
01:45:02,045 --> 01:45:03,755
THISBY!
1970
01:45:03,835 --> 01:45:06,305
MY LOVE THOU ART,
MY LOVE I THINK.
1971
01:45:06,385 --> 01:45:09,385
THINK WHAT THOU WILT,
I AM THY LOVER'S GRACE;
1972
01:45:09,475 --> 01:45:12,225
AND, LIKE LIMANDER,
AM I TRUSTY STILL.
1973
01:45:12,305 --> 01:45:14,555
AND I LIKE HELEN,
TILL THE FATES ME KILL.
1974
01:45:14,645 --> 01:45:16,975
NOT SHAFALUS TO
PROCRUS WAS SO TRUE.
1975
01:45:17,065 --> 01:45:18,775
AS SHAFALUS TO PROCRUS,
1 TO YOU.
1976
01:45:18,855 --> 01:45:23,235
O KISS ME THROUGH THE
HOLE OF THIS VILE WALL!
1977
01:45:29,195 --> 01:45:34,035
I KISS THE WALL'S HOLE,
NOT YOUR LIPS AT ALL.
1978
01:45:39,295 --> 01:45:42,215
WILT THOU AT NINNY'S
TOMB MEET ME STRAIGHTWAY?
1979
01:45:42,295 --> 01:45:46,465
'TIDE LIFE, 'TIDE DEATH,
I COME WITHOUT DELAY.
1980
01:45:54,135 --> 01:46:00,645
THUS HAVE I, WALL,
MY PART DISCHARGED SO;
1981
01:46:00,725 --> 01:46:07,735
AND, BEING DONE,
THUS WALL AWAY DOTH GO.
1982
01:46:08,115 --> 01:46:10,075
[APPLAUSE]
1983
01:46:11,245 --> 01:46:14,365
NOW IS THE MURAL DOWN
BETWEEN THE TWO NEIGHBORS.
1984
01:46:14,455 --> 01:46:15,665
NO REMEDY, MY LORD,
1985
01:46:15,745 --> 01:46:17,785
WHEN WALLS ARE SO
WILLFUL TO HEAR WITHOUT WARNING.
1986
01:46:17,875 --> 01:46:21,455
THIS IS THE SILLIEST
STUFF THAT EVER I HEARD.
1987
01:46:21,545 --> 01:46:24,505
THE BEST IN THIS KIND
ARE BUT SHADOWS;
1988
01:46:24,585 --> 01:46:25,755
AND THE WORST
ARE NO WORSE,
1989
01:46:25,835 --> 01:46:27,045
IF IMAGINATION
AMEND THEM.
1990
01:46:27,135 --> 01:46:31,095
IT MUST BE YOUR IMAGINATION
THEN, AND NOT THEIRS.
1991
01:46:31,715 --> 01:46:33,845
IF WE IMAGINE
NO WORSE OF THEM
1992
01:46:33,925 --> 01:46:35,475
THAN THEY OF THEMSELVES,
1993
01:46:35,555 --> 01:46:38,435
THEY MAY PASS
FOR EXCELLENT MEN.
1994
01:46:39,055 --> 01:46:40,975
HERE COME TWO
NOBLE BEASTS IN,
1995
01:46:41,065 --> 01:46:44,235
A MAN AND A LION.
1996
01:46:45,985 --> 01:46:49,065
[QUIETLY] YOU, LADIES,
1997
01:46:49,155 --> 01:46:52,285
YOU, WHOSE GENTLE HEARTS
DO FEAR
1998
01:46:52,365 --> 01:46:57,205
THE SMALLEST MONSTROUS MOUSE
THAT CREEPS ON FLOOR,
1999
01:46:57,285 --> 01:47:01,665
MAY NOW PERCHANCE
BOTH QUAKE AND TREMBLE HERE,
2000
01:47:01,745 --> 01:47:06,715
WHEN LION ROUGH
IN WILDEST RAGE DOTH ROAR.
2001
01:47:06,795 --> 01:47:08,795
[ROARS LOUDLY]
2002
01:47:09,795 --> 01:47:13,345
THEN KNOW THAT I,
ONE SNUG THE JOINER,
2003
01:47:13,425 --> 01:47:16,515
AM A LION-FELL,
NOR ELSE NO LION'S DAM;
2004
01:47:16,595 --> 01:47:18,555
FOR, IF I SHOULD
AS LION COME IN STRIFE
2005
01:47:18,645 --> 01:47:21,855
INTO THIS PLACE, 'TWERE
PITY ON MY LIFE.
2006
01:47:21,935 --> 01:47:23,735
A VERY GENTLE BEAST,
AND OF A GOOD CONSCIENCE.
2007
01:47:23,815 --> 01:47:27,355
THE VERY BEST AT A BEAST,
MY LORD, THAT E'ER I SAW.
2008
01:47:27,445 --> 01:47:29,775
LET US HEARKEN TO THE MOON.
2009
01:47:31,825 --> 01:47:34,905
THIS LANTHORN DOTH
THE HORNED MOON PRESENT...
2010
01:47:34,995 --> 01:47:37,785
HE SHOULD HAVE WORN
THE HORNS ON HIS HEAD.
2011
01:47:39,535 --> 01:47:42,245
THIS LANTHORN DOTH
THE HORNED MOON PRESENT;
2012
01:47:42,335 --> 01:47:44,915
MYSELF THE MAN IN
THE MOON DO SEEM TO BE.
2013
01:47:45,005 --> 01:47:46,875
THIS IS THE GREATEST
ERROR OF ALL THE REST:
2014
01:47:46,965 --> 01:47:48,395
THE MAN SHOULD BE PUT
INTO THE LANTHORN.
2015
01:47:48,425 --> 01:47:49,605
HOW IS IT ELSE
THE MANI' THE MOON?
2016
01:47:49,635 --> 01:47:50,985
HE DARES NOT COME THERE
FOR THE CANDLE;
2017
01:47:51,005 --> 01:47:53,755
FOR, YOU SEE,
IT IS ALREADY IN SNUFF.
2018
01:47:53,845 --> 01:47:56,765
[WOMAN LAUGHING]
2019
01:47:56,845 --> 01:47:59,895
I AM AWEARY OF THIS MOON:
WOULD HE WOULD CHANGE!
2020
01:47:59,975 --> 01:48:01,935
IT APPEARS, BY HIS SMALL
LIGHT OF DISCRETION,
2021
01:48:02,015 --> 01:48:04,355
THAT HE IS IN THE WANE;
BUT YET, IN COURTESY,
2022
01:48:04,435 --> 01:48:06,735
IN ALL REASON,
WE MUST STAY THE TIME.
2023
01:48:06,815 --> 01:48:08,735
PROCEED, MOON.
2024
01:48:08,815 --> 01:48:10,155
WELL, ALL THAT I HAVE TO SAY
2025
01:48:10,235 --> 01:48:12,565
IS TO TELL YOU THAT
THE LANTHORN IS THE MOON;
2026
01:48:12,655 --> 01:48:16,365
I, THE MAN IN THE MOON;
THIS THORN-BUSH, MY THORN-BUSH;
2027
01:48:16,445 --> 01:48:18,955
AND THIS DOG, MY DOG.
2028
01:48:19,035 --> 01:48:21,165
BUT, SILENCE!
HERE COMES THISBE.
2029
01:48:21,245 --> 01:48:28,255
THIS IS OLD NINNY'S TOMB.
WHERE IS MY LOVE?
2030
01:48:28,835 --> 01:48:30,625
[ROARING]
2031
01:48:30,715 --> 01:48:32,175
OH!
2032
01:48:32,255 --> 01:48:34,215
[ROARING]
2033
01:48:48,815 --> 01:48:50,605
Demetrius:
WELL ROARED, LION!
2034
01:48:50,695 --> 01:48:51,815
WELL RUN, THISBE.
2035
01:48:51,905 --> 01:48:52,905
WELL SHONE, MOON.
2036
01:48:52,985 --> 01:48:54,775
TRULY, THE MOON SHINES
WITH A GOOD GRACE.
2037
01:48:54,865 --> 01:48:56,905
Theseus:
WELL MOUSED, LION.
2038
01:48:56,985 --> 01:48:58,995
AND THEN CAME
PYRAMUS.
2039
01:48:59,075 --> 01:48:59,785
[AUDIENCE CHEERS]
2040
01:48:59,865 --> 01:49:01,825
AND SO THE LION VANISHED.
2041
01:49:01,915 --> 01:49:07,665
SWEET MOON, I THANK THEE
FOR THY SUNNY BEAMS.
2042
01:49:11,625 --> 01:49:16,845
I THANK THEE, MOON,
FOR SHINING NOW SO BRIGHT;
2043
01:49:16,925 --> 01:49:22,765
FOR, BY THY GRACIOUS,
GOLDEN, GLITTERING GLEAMS...
2044
01:49:22,845 --> 01:49:25,645
[AUDIENCE CHEERS]
2045
01:49:25,725 --> 01:49:29,935
I TRUST TO TAKE
OF TRUEST THISBY SIGHT.
2046
01:49:30,025 --> 01:49:33,655
BUT STAY, O SPITE!
2047
01:49:33,735 --> 01:49:39,865
BUT MARK, POOR KNIGHT,
WHAT DREADFUL DOLE IS HERE!
2048
01:49:39,945 --> 01:49:44,075
EYES, DO YOU SEE?
HOW CAN IT BE?
2049
01:49:44,165 --> 01:49:47,585
O DAINTY DUCK! O DEAR!
2050
01:49:47,665 --> 01:49:53,375
HER MANTLE GOOD,
WHAT, STAIN'D WITH BLOOD!
2051
01:49:53,465 --> 01:49:55,885
APPROACH, YE FURIES FELL!
2052
01:49:55,965 --> 01:49:59,925
O FATES, COME, COME,
CUT THREAD AND THRUM;
2053
01:50:00,015 --> 01:50:04,515
QUAIL, CRUSH, CONCLUDE,
AND QUELL!
2054
01:50:04,595 --> 01:50:06,105
[AUDIENCE CHEERS]
2055
01:50:06,185 --> 01:50:09,065
THIS PASSION, AND THE
DEATH OF A DEAR FRIEND,
2056
01:50:09,145 --> 01:50:10,725
WOULD GO NEAR TO MAKE
A MAN LOOK SAD.
2057
01:50:10,815 --> 01:50:13,895
BESHREW MY HEART,
BUT I PITY THE MAN.
2058
01:50:14,985 --> 01:50:21,285
O WHEREFORE, NATURE,
DIDST THOU LIONS FRAME?
2059
01:50:21,365 --> 01:50:26,825
SINCE LION VILE HATH
HERE DEFLOWER'D MY DEAR:
2060
01:50:26,915 --> 01:50:27,995
DEVOURED!
2061
01:50:28,085 --> 01:50:33,715
WHICH IS... NO, NO...
WHICH WAS THE FAIREST DAME
2062
01:50:33,795 --> 01:50:36,505
THAT LIVED, THAT LOVED,
THAT LIKED,
2063
01:50:36,585 --> 01:50:39,295
THAT LOOK'D WITH CHEER.
2064
01:50:39,385 --> 01:50:40,925
COME, TEARS, CONFOUND;
2065
01:50:41,005 --> 01:50:47,435
OUT, SWORD, AND WOUND
THE PAP OF PYRAMUS;
2066
01:50:47,515 --> 01:50:51,645
AY, THAT LEFT PAP,
WHERE HEART DOTH HOP:
2067
01:50:51,725 --> 01:50:56,945
THUS DIE I,
THUS, THUS, THUS.
2068
01:50:57,025 --> 01:50:59,945
[GROANING]
2069
01:51:00,025 --> 01:51:02,995
[APPLAUSE]
2070
01:51:04,405 --> 01:51:08,915
NOW AM I DEAD,
NOW AM I FLED;
2071
01:51:08,995 --> 01:51:11,665
MY SOUL IS IN THE SKY:
2072
01:51:11,745 --> 01:51:15,085
TONGUE, LOSE THY LIGHT;
2073
01:51:15,165 --> 01:51:19,925
MOON TAKE THY FLIGHT:
2074
01:51:20,005 --> 01:51:22,135
SO, DIE...
2075
01:51:22,215 --> 01:51:24,135
[GROANS]
2076
01:51:24,215 --> 01:51:25,135
DIE...
2077
01:51:25,225 --> 01:51:27,555
[GROANS]
2078
01:51:27,635 --> 01:51:28,555
DIE...
2079
01:51:28,645 --> 01:51:31,145
[GROANS]
2080
01:51:31,225 --> 01:51:32,565
DIE...
2081
01:51:32,645 --> 01:51:34,985
[GROANS]
2082
01:51:35,065 --> 01:51:36,355
DIE.
2083
01:51:36,445 --> 01:51:41,025
[GROANS]
2084
01:51:49,245 --> 01:51:52,375
WITH THE HELP OF A SURGEON
HE MIGHT YET RECOVER,
2085
01:51:52,455 --> 01:51:54,125
AND PROVE AN ASS.
2086
01:51:56,255 --> 01:51:57,925
HOW CHANCE MOONSHINE IS GONE
2087
01:51:58,005 --> 01:52:00,175
BEFORE THISBE COMES
BACK AND FINDS HER LOVER?
2088
01:52:00,255 --> 01:52:02,175
SHE WILL FIND HIM
BY STARLIGHT.
2089
01:52:02,255 --> 01:52:03,055
HERE SHE COMES;
2090
01:52:03,135 --> 01:52:05,135
AND HER PASSION
ENDS THE PLAY.
2091
01:52:05,215 --> 01:52:07,055
I HOPE SHE WILL BE BRIEF.
2092
01:52:07,135 --> 01:52:10,515
SHE HATH SPIED HIM ALREADY
WITH THOSE SWEET EYES.
2093
01:52:10,595 --> 01:52:16,935
ASLEEP, MY LOVE?
WHAT, DEAD, MY DOVE?
2094
01:52:17,025 --> 01:52:21,525
O PYRAMUS, ARISE!
SPEAK, SPEAK. QUITE DUMB?
2095
01:52:21,615 --> 01:52:26,195
DEAD, DEAD? A TOMB
MUST COVER THY SWEET EYES.
2096
01:52:26,285 --> 01:52:32,075
THESE LILY LIPS,
THIS CHERRY NOSE,
2097
01:52:32,165 --> 01:52:38,165
THESE YELLOW COWSLIP CHEEKS,
ARE GONE, ARE GONE:
2098
01:52:38,255 --> 01:52:44,465
LOVERS, MAKE MOAN:
HIS EYES WERE GREEN AS LEEKS.
2099
01:52:44,545 --> 01:52:47,095
O SISTERS 3,
COME, COME TO ME,
2100
01:52:47,175 --> 01:52:49,975
WITH HANDS AS PALE AS MILK;
LAY THEM IN GORE,
2101
01:52:50,055 --> 01:52:53,645
SINCE YOU HAVE SHORE
WITH SHEARS HIS THREAD OF SILK.
2102
01:52:53,725 --> 01:52:58,185
TONGUE, NOT A WORD:
COME, TRUSTY SWORD;
2103
01:52:58,275 --> 01:53:02,105
COME, BLADE,
MY BREAST IMBRUE...
2104
01:53:07,235 --> 01:53:10,495
AND, FAREWELL, FRIENDS;
THUS THISBY ENDS:
2105
01:53:10,575 --> 01:53:13,125
ADIEU, ADIEU, ADIEU.
2106
01:53:18,165 --> 01:53:21,045
MOONSHINE AND LION ARE
LEFT TO BURY THE DEAD.
2107
01:53:21,125 --> 01:53:22,255
AY, AND WALL, TOO.
2108
01:53:22,335 --> 01:53:23,425
NO, I ASSURE YOU;
2109
01:53:23,505 --> 01:53:26,005
THE WALL IS DOWN THAT
PARTED THEIR FATHERS.
2110
01:53:26,095 --> 01:53:27,485
WILL IT PLEASE YOU
TO SEE THE EPILOGUE,
2111
01:53:27,505 --> 01:53:31,135
OR TO HEAR A BERGOMASK DANCE
BETWEEN TWO OF OUR COMPANY?
2112
01:53:31,685 --> 01:53:33,225
NO EPILOGUE, I PRAY YOU;
2113
01:53:33,305 --> 01:53:35,225
FOR YOUR PLAY NEEDS
NO EXCUSE.
2114
01:53:35,305 --> 01:53:37,145
NEVER EXCUSE;
2115
01:53:37,225 --> 01:53:38,605
FOR WHEN THE PLAYERS
ARE ALL DEAD,
2116
01:53:38,685 --> 01:53:40,145
THERE NEEDS NONE
TO BE BLAMED.
2117
01:53:40,235 --> 01:53:41,605
MARRY, IF HE THAT WRIT IT
2118
01:53:41,695 --> 01:53:44,105
HAD PLAYED PYRAMUS AND
HANGED HIMSELF IN THISBE'S GARTER,
2119
01:53:44,195 --> 01:53:45,815
IT WOULD HAVE BEEN
A FINE TRAGEDY.
2120
01:53:45,905 --> 01:53:47,075
[THESEUS LAUGHS]
2121
01:53:47,155 --> 01:53:53,535
AND SO IT IS, TRULY;
AND VERY NOTABLY DISCHARGED.
2122
01:53:53,915 --> 01:53:59,705
BUT COME, YOUR BERGOMASK:
LET YOUR EPILOGUE ALONE.
2123
01:53:59,795 --> 01:54:04,335
[SINGING GIBBERISH]
2124
01:54:35,245 --> 01:54:37,785
[CLOCK CHIMING]
2125
01:54:41,415 --> 01:54:45,875
THE IRON TONGUE OF MIDNIGHT
HATH TOLD TWELVE:
2126
01:54:45,965 --> 01:54:51,175
LOVERS, TO BED;
'TIS ALMOST FAIRY TIME.
2127
01:54:51,255 --> 01:54:53,265
I FEAR WE SHALL OUT-SLEEP
THE COMING MORN
2128
01:54:53,345 --> 01:54:56,345
AS MUCH AS WE THIS NIGHT
HAVE OVERWATCH'D.
2129
01:54:56,435 --> 01:54:59,265
THIS PALPABLE-GROSS PLAY
HATH WELL BEGUILED
2130
01:54:59,355 --> 01:55:04,275
THE HEAVY GAIT OF NIGHT.
SWEET FRIENDS, TO BED.
2131
01:55:04,355 --> 01:55:06,905
A FORTNIGHT HOLD
WE THIS SOLEMNITY,
2132
01:55:06,985 --> 01:55:10,735
IN NIGHTLY REVELS
AND NEW JOLLITY.
2133
01:55:57,535 --> 01:56:03,085
NOW THE HUNGRY LION ROARS,
AND THE WOLF BEHOWLS THE MOON;
2134
01:56:03,165 --> 01:56:05,255
WHILST THE HEAVY
PLOUGHMAN SNORES,
2135
01:56:05,335 --> 01:56:08,255
ALL WITH WEARY TASK FORDONE.
2136
01:56:08,335 --> 01:56:10,545
NOW THE WASTED BRANDS DO GLOW,
2137
01:56:10,635 --> 01:56:12,345
WHILST THE SCREECH-OWL,
SCREECHING LOUD,
2138
01:56:12,425 --> 01:56:18,185
PUTS THE WRETCH THAT LIES IN WOE
IN REMEMBRANCE OF A SHROUD.
2139
01:56:18,265 --> 01:56:22,055
NOW IT IS THE TIME OF NIGHT
THAT THE GRAVES ALL GAPING WIDE,
2140
01:56:22,145 --> 01:56:24,065
EVERY ONE LETS FORTH HIS SPRITE,
2141
01:56:24,145 --> 01:56:26,985
IN THE CHURCH-WAY PATHS
TO GLIDE:
2142
01:56:27,065 --> 01:56:29,315
AND WE FAIRIES, THAT DO RUN
BY THE TRIPLE HECATE'S TEAM,
2143
01:56:29,395 --> 01:56:32,695
FROM THE PRESENCE OF THE SUN,
FOLLOWING DARKNESS LIKE A DREAM,
2144
01:56:32,775 --> 01:56:35,575
NOW ARE FROLIC:
2145
01:56:35,655 --> 01:56:41,115
NOT A MOUSE SHALL DISTURB
THIS HALLOW'D HOUSE:
2146
01:56:42,325 --> 01:56:43,455
I AM SENT WITH BROOM BEFORE,
2147
01:56:43,535 --> 01:56:46,335
TO SWEEP THE DUST
BEHIND THE DOOR.
2148
01:56:57,095 --> 01:56:58,805
THROUGH THE HOUSE GIVE
GATHERING LIGHT,
2149
01:56:58,885 --> 01:57:00,385
BY THE DEAD
AND DROWSY FIRE:
2150
01:57:00,475 --> 01:57:01,685
EVERY ELF
AND FAIRY SPRITE
2151
01:57:01,765 --> 01:57:03,265
HOP AS LIGHT AS BIRD
FROM BRIER;
2152
01:57:03,355 --> 01:57:04,725
AND THIS DITTY,
AFTER ME,
2153
01:57:04,805 --> 01:57:06,105
SING AND DANCE IT
TRIPPINGLY.
2154
01:57:06,185 --> 01:57:07,605
FIRST, REHEARSE
YOUR SONG BY ROTE
2155
01:57:07,685 --> 01:57:09,355
TO EACH WORD
A WARBLING NOTE:
2156
01:57:09,435 --> 01:57:10,695
HAND IN HAND,
WITH FAIRY GRACE,
2157
01:57:10,775 --> 01:57:14,735
WILL WE SING,
AND BLESS THIS PLACE.
2158
01:57:15,905 --> 01:57:20,285
♪ PHILOMEL, WITH MELODY ♪
2159
01:57:20,365 --> 01:57:25,535
♪ SING IN OUR SWEET LULLABY ♪
2160
01:57:29,415 --> 01:57:32,505
♪ SO GOOD NIGHT, GOOD NIGHT ♪
2161
01:57:32,585 --> 01:57:38,175
♪ GOOD NIGHT WITH LULLABY ♪
2162
01:57:38,265 --> 01:57:45,265
♪ LULLA, LULLA, LULLABY ♪
2163
01:57:48,475 --> 01:57:49,855
NOW, UNTIL
THE BREAK OF DAY,
2164
01:57:49,935 --> 01:57:51,775
THROUGH THIS HOUSE
EACH FAIRY STRAY.
2165
01:57:51,855 --> 01:57:53,525
TO THE BEST BRIDE-BED
WILL WE,
2166
01:57:53,605 --> 01:57:55,735
WHICH BY US
SHALL BLESSED BE;
2167
01:57:55,815 --> 01:57:57,325
AND THE ISSUE
THERE CREATE
2168
01:57:57,405 --> 01:57:59,075
EVER SHALL BE FORTUNATE.
2169
01:57:59,155 --> 01:58:00,535
SO SHALL ALL
THE COUPLES 3
2170
01:58:00,615 --> 01:58:02,495
EVER TRUE IN LOVING BE;
2171
01:58:02,575 --> 01:58:04,165
AND THE BLOTS
OF NATURE'S HAND
2172
01:58:04,245 --> 01:58:06,165
SHALL NOT IN
THEIR ISSUE STAND;
2173
01:58:06,245 --> 01:58:08,455
NEVER MOLE, HARE LIP,
NOR SCAR,
2174
01:58:08,545 --> 01:58:09,545
NOR MARK PRODIGIOUS,
2175
01:58:09,585 --> 01:58:11,455
SUCH AS ARE
DESPISED IN NATIVITY,
2176
01:58:11,545 --> 01:58:14,295
SHALL UPON
THEIR CHILDREN BE.
2177
01:58:14,375 --> 01:58:18,465
WITH THIS FIELD-DEW
CONSECRATE,
2178
01:58:18,555 --> 01:58:20,385
EVERY FAIRY
TAKE HIS GAIT;
2179
01:58:20,465 --> 01:58:22,175
AND EACH SEVERAL
CHAMBER BLESS,
2180
01:58:22,265 --> 01:58:25,765
THROUGH THIS PALACE,
WITH SWEET PEACE;
2181
01:58:25,845 --> 01:58:27,805
AND THE OWNER
OF IT BLEST
2182
01:58:27,895 --> 01:58:30,565
EVER SHALL
IN SAFETY REST.
2183
01:58:30,645 --> 01:58:33,185
TRIP AWAY; MAKE NO STAY;
2184
01:58:33,275 --> 01:58:36,445
MEET ME ALL
BY BREAK OF DAY.
2185
01:58:50,335 --> 01:58:51,245
IF WE SHADOWS HAVE OFFENDED,
2186
01:58:51,335 --> 01:58:52,835
THINK BUT THIS,
AND ALL IS MENDED,
2187
01:58:52,915 --> 01:58:55,545
THAT YOU HAVE BUT SLUMBER'D HERE
WHILE THESE VISIONS DID APPEAR.
2188
01:58:55,625 --> 01:58:58,005
AND THIS WEAK AND IDLE THEME,
NO MORE YIELDING BUT A DREAM,
2189
01:58:58,085 --> 01:59:01,055
GENTLES, DO NOT REPREHEND:
IF YOU PARDON, WE WILL MEND:
2190
01:59:01,135 --> 01:59:03,385
AND, AS I AM AN HONEST PUCK,
IF WE HAVE UNEARNED LUCK
2191
01:59:03,475 --> 01:59:05,225
NOW TO 'SCAPE
THE SERPENT'S TONGUE,
2192
01:59:05,305 --> 01:59:06,595
WE WILL MAKE AMENDS ERE LONG;
2193
01:59:06,685 --> 01:59:09,435
ELSE THE PUCK A LIAR CALL, ;
SO, GOOD NIGHT UNTO YOU ALL.
2194
01:59:09,515 --> 01:59:11,015
GIVE ME YOUR HANDS,
IF WE BE FRIENDS,
2195
01:59:11,105 --> 01:59:13,485
AND ROBIN SHALL RESTORE AMENDS.
155881
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.