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These are the user uploaded subtitles that are being translated: 1 00:00:04,810 --> 00:00:06,650 The year is 1924. 2 00:00:07,230 --> 00:00:11,350 James and Martha Peck of the prominent Boston Pecks give birth to a son. 3 00:00:11,770 --> 00:00:16,490 Nicknamed Mr. Peck, the lad grows up amidst Boston Brahmin society and is 4 00:00:16,490 --> 00:00:19,870 expected to join the family law firm upon graduation from Yale. 5 00:00:22,030 --> 00:00:23,330 War breaks out. 6 00:00:23,760 --> 00:00:27,120 and Peck finds his calling running dance marathons for the USO. 7 00:00:27,600 --> 00:00:32,380 Befriending luminaries like Dean Martin and Jerry Lewis, he soon realizes his 8 00:00:32,380 --> 00:00:34,820 future lies in the entertainment world. 9 00:00:35,140 --> 00:00:39,060 He moves to Hollywood, and in 1948 opens Mr. 10 00:00:39,360 --> 00:00:43,840 Peck's, not realizing the profound influence his club will have on the next 11 00:00:43,840 --> 00:00:45,780 several generations of performers. 12 00:00:46,650 --> 00:00:51,270 For 40 years, Peck's is a showcase for every big name who passes through town, 13 00:00:51,450 --> 00:00:54,150 as well as a launching pad for local talent. 14 00:00:54,630 --> 00:00:59,630 Every night is New Year's Eve at the club, as Mr. Peck plays host to the 15 00:00:59,630 --> 00:01:01,030 names in show business. 16 00:01:01,410 --> 00:01:02,510 Want to see a star? 17 00:01:02,750 --> 00:01:03,990 Don't look in the sky. 18 00:01:04,209 --> 00:01:05,590 Come to Peck's. 19 00:01:06,090 --> 00:01:12,930 Toadie Fields, Carol Burnett, Red Fox, all entered Peck's a nobody and came out 20 00:01:12,930 --> 00:01:14,710 part of show business lore. 21 00:01:15,530 --> 00:01:21,550 Laughs, laughs, and more laughs emanated from Peck's stage as the wine kept 22 00:01:21,550 --> 00:01:24,530 flowing and the party kept going. 23 00:01:27,310 --> 00:01:28,850 But there are some rough times. 24 00:01:29,110 --> 00:01:34,730 In 1956, the mayor shuts down Mr. Peck's after mobster Sonny Galante is gunned 25 00:01:34,730 --> 00:01:37,030 down during a set by Joey Bishop. 26 00:01:37,230 --> 00:01:42,670 Then in 1962, Peck suffers a nervous breakdown and joins a cult of Satanists 27 00:01:42,670 --> 00:01:44,990 think Red Buttons is the Antichrist. 28 00:01:45,250 --> 00:01:49,750 Red never forgives Mr. Peck, and their feud becomes the stuff of Hollywood 29 00:01:49,750 --> 00:01:50,750 legends. 30 00:01:51,820 --> 00:01:55,520 Today, Peck's faces its toughest setback of them all when billionaire 31 00:01:55,520 --> 00:01:59,800 industrialist Alan Trugman purchases the property and threatens Peck with 32 00:01:59,800 --> 00:02:00,800 eviction. 33 00:02:01,940 --> 00:02:07,140 So tonight, comedy crusader Gary Shandling, who hasn't forgotten his 34 00:02:07,140 --> 00:02:11,380 his one -man effort to save the comedy club where he started, has rounded up 35 00:02:11,380 --> 00:02:16,520 some of the club's famous alumni for this once -in -a -lifetime gala event, 36 00:02:16,520 --> 00:02:19,100 all -star benefit to save Mr. 37 00:02:19,320 --> 00:02:23,470 Peck's. I'm Arthur White, and ladies and gentlemen, it's my privilege to 38 00:02:23,470 --> 00:02:29,010 introduce you to Gary Shandling. Thank you, Arthur. I couldn't be more excited 39 00:02:29,010 --> 00:02:32,510 tonight to be doing this benefit for Mr. Pax, because, you know, there have been 40 00:02:32,510 --> 00:02:37,990 a lot of firsts here at this nightclub. This is the first place I performed, and 41 00:02:37,990 --> 00:02:39,510 this is the first time I've said that. 42 00:02:41,890 --> 00:02:43,230 So rather than... 43 00:02:44,090 --> 00:02:47,490 Just go on and on about Mr. Peck's and what a wonderful place it is for new 44 00:02:47,490 --> 00:02:48,610 talent and old talent. 45 00:02:48,830 --> 00:02:52,990 Let's just go on and present to you the first act that I ever saw here at Mr. 46 00:02:53,130 --> 00:02:58,690 Peck's, a wonderful, exciting plate -spinning act, Carl and Ruth Carlson. 47 00:03:02,510 --> 00:03:07,890 This is the theme to Gary's show, the theme to Gary's show. Gary called me up 48 00:03:07,890 --> 00:03:10,130 and asked if I would write a theme song. 49 00:03:10,700 --> 00:03:15,060 I'm almost halfway finished. How do you like it so far? How do you like the 50 00:03:15,060 --> 00:03:16,320 theme to Gary's show? 51 00:03:17,540 --> 00:03:22,080 This is the theme to Gary's show. The opening theme to Gary's show. This is 52 00:03:22,080 --> 00:03:25,040 music that you hear as you watch the credits. 53 00:03:25,360 --> 00:03:30,460 We're almost in the part of where I start to whistle. Then we'll watch a 54 00:03:30,460 --> 00:03:31,460 Sandling show. 55 00:03:34,920 --> 00:03:38,740 This is the theme to Gary's Sandling show. 56 00:03:50,220 --> 00:03:54,520 Aren't they great? And you know, that's the same music they used over 20 years 57 00:03:54,520 --> 00:03:58,900 ago. And Carl said, hey, if you ever get a TV show, feel free. 58 00:04:00,480 --> 00:04:03,660 But it all works out because those are my sticks. 59 00:04:05,480 --> 00:04:09,540 But hey, we're not here to talk about that. We're here to talk about Mr. 60 00:04:09,740 --> 00:04:10,740 Peck. 61 00:04:11,900 --> 00:04:16,399 I'll never forget the first really good pratfall I took. It was on Mr. Peck's 62 00:04:16,399 --> 00:04:17,839 stage. He'd forgotten to put the... 63 00:04:19,260 --> 00:04:22,700 phosphorescent tape at the lip of the stage and I just took a hell of a fall 64 00:04:22,700 --> 00:04:26,820 into the audience and that was the beginning of something great. I wouldn't 65 00:04:26,820 --> 00:04:27,900 all this if it weren't for that. 66 00:04:28,880 --> 00:04:32,100 I sued him for about 200 grand. 67 00:04:33,060 --> 00:04:34,060 That's why I have all this. 68 00:04:35,120 --> 00:04:36,120 Thank you, Mr. Peck. 69 00:04:39,860 --> 00:04:45,800 It's Gary Shandling's show presents his all -star benefit to Dave Mr. Peck 70 00:04:45,800 --> 00:04:48,360 starring Steve Allen. 71 00:04:49,000 --> 00:04:55,540 Charlie Cullis, Chevy Chase, Dabney Coleman, Paul the 72 00:04:55,540 --> 00:05:01,740 Poundstone, Father Guido Sarducci, Lionel Sander, and of course, Gary 73 00:05:01,740 --> 00:05:02,740 Shandling. 74 00:05:39,570 --> 00:05:43,790 And, uh, thanks. 75 00:05:44,970 --> 00:05:47,550 Hey, look who just walked in, Father Guido Sarducci. 76 00:05:48,190 --> 00:05:49,190 Hey, Father. 77 00:05:49,830 --> 00:05:53,890 Good to see you. Glad you could make it. Hey, thanks. Hey, Gary, I got some bad 78 00:05:53,890 --> 00:05:55,070 news I got to tell you. 79 00:05:55,790 --> 00:05:57,230 Red Button just called. 80 00:05:57,830 --> 00:05:58,830 He's not coming. 81 00:06:00,750 --> 00:06:04,190 He's not coming. That's what I was afraid of. He's not coming. He's not 82 00:06:04,190 --> 00:06:07,350 The whole night revolves around the Red Button's Mr. Peck reunion, and now he's 83 00:06:07,350 --> 00:06:08,510 not coming? He's upset. 84 00:06:09,070 --> 00:06:09,889 He's upset. 85 00:06:09,890 --> 00:06:10,769 He's upset. 86 00:06:10,770 --> 00:06:11,770 He's upset. 87 00:06:12,040 --> 00:06:15,280 You know they not talk together for 20 years, Mr. Peck and Red Button? 88 00:06:16,140 --> 00:06:17,740 20 years. And then you call. 89 00:06:18,000 --> 00:06:21,040 He's mad. You know why you call him the night of the show? 90 00:06:21,280 --> 00:06:23,640 You say, come on over. You should have called him a couple weeks ago. I didn't 91 00:06:23,640 --> 00:06:27,720 even really call him. I just left a message on his machine. I never talked 92 00:06:27,720 --> 00:06:29,580 him. Well, he's upset. 93 00:06:30,120 --> 00:06:33,600 He's really upset. He's upset. I promised everyone that the Red Button's 94 00:06:33,780 --> 00:06:34,559 Peck reunion. 95 00:06:34,560 --> 00:06:38,440 Well, did you know Mr. Peck called Red Button the Antichrist? 96 00:06:38,660 --> 00:06:42,130 Yeah. I know. I know. People don't like that, Gary. No kidding. 97 00:06:42,490 --> 00:06:43,490 Right. 98 00:06:44,030 --> 00:06:48,630 You know, Mr. Peck is over it. He was stressed out then. He was in a bad mood. 99 00:06:48,770 --> 00:06:51,790 And the whole thing's blown over for him. Well, Red is still upset. 100 00:06:52,330 --> 00:06:53,370 No doubt about it. 101 00:06:53,730 --> 00:06:54,730 Hey, Gary. 102 00:06:55,470 --> 00:06:57,690 You think you could introduce me to Steve Allen? 103 00:06:59,530 --> 00:07:00,409 Steve Allen? 104 00:07:00,410 --> 00:07:02,510 Right. He's out of there. You know, if you could introduce me... Why don't you 105 00:07:02,510 --> 00:07:04,330 just go introduce yourself to Steve Allen? 106 00:07:05,070 --> 00:07:07,010 I'm just out there. What are you so shy about? 107 00:07:07,230 --> 00:07:08,049 I'm intimidated. 108 00:07:08,050 --> 00:07:13,150 He's a genius. You know, what am I going to say? You know, he's written 36 ,000 109 00:07:13,150 --> 00:07:15,570 songs and 200 books. 110 00:07:16,030 --> 00:07:19,430 No, I don't think he's written 200 books. I think he's sold 200 books. 111 00:07:21,310 --> 00:07:22,029 That's good. 112 00:07:22,030 --> 00:07:23,750 I'll tell him that. I'll tell him you said that. 113 00:07:24,410 --> 00:07:28,010 Now I've got something to say to him. I'm glad I could help you out. Okay, now 114 00:07:28,010 --> 00:07:29,130 tell him that. All right. 115 00:07:32,900 --> 00:07:37,700 But all seriousness aside, we are here tonight, there he is, to honor a man who 116 00:07:37,700 --> 00:07:40,860 we've grown really close to over the last 40 years, I gotta tell you. He's 117 00:07:40,860 --> 00:07:43,880 a member of our own family, Mr. Bushel. I mean, Mr. 118 00:07:44,140 --> 00:07:45,140 Penn. 119 00:07:45,640 --> 00:07:46,900 So really, and I... 120 00:07:46,900 --> 00:07:53,720 And I 121 00:07:53,720 --> 00:07:55,340 love your brother Gregory, I really do. 122 00:07:55,780 --> 00:07:57,360 At least he has a first name. 123 00:07:57,620 --> 00:08:00,460 What kind of a name is Mr.? Sounds like you weren't very close to your mother. 124 00:08:02,000 --> 00:08:06,140 But this man has discovered so many great young comics. I'm talking about 125 00:08:06,140 --> 00:08:12,060 like Lenny Placebo. Now, Lenny's not a real comic, of course, but you wouldn't 126 00:08:12,060 --> 00:08:13,300 know that. You know, he's really quick. 127 00:08:14,060 --> 00:08:15,060 He's right. 128 00:08:15,340 --> 00:08:18,560 You wouldn't happen to know who manages Steve. I don't know who manages Steve. 129 00:08:18,840 --> 00:08:21,280 Let's not talk about management right now. What are you being so sensitive 130 00:08:21,280 --> 00:08:23,080 about? He's no conflict with you. 131 00:08:23,300 --> 00:08:26,820 I can't be. He's got great manners. You've got great manners. Gary, Gary, 132 00:08:28,060 --> 00:08:32,460 Excuse me, when's Red Button's coming on? I don't know when he's coming on, 133 00:08:32,460 --> 00:08:36,179 this is a great show just the way it is, don't you think? Oh, well, but, Gary, 134 00:08:36,340 --> 00:08:38,679 Grant's really looking forward to seeing his Uncle Red. 135 00:08:38,940 --> 00:08:43,179 Yeah, I mean, he once told me, a house divided is a condominy. 136 00:08:45,200 --> 00:08:46,720 Gary, you love a condominy. 137 00:08:47,340 --> 00:08:51,020 I mean, that could be a vein that you could mine for some reason. 138 00:08:51,880 --> 00:08:55,480 I can't believe you're telling me that. 139 00:08:56,300 --> 00:08:57,300 Why not? 140 00:08:57,760 --> 00:09:01,480 Because I don't tell you how to manage someone. Don't tell me how to write 141 00:09:01,480 --> 00:09:04,060 comics. He says, watch Steve. He's going to hit a bell soon. 142 00:09:04,280 --> 00:09:07,040 You know, Gary, all these other people are really good performers, but I came 143 00:09:07,040 --> 00:09:09,180 see Red Buttons. Gary, don't shoot the public. 144 00:09:09,560 --> 00:09:11,320 Okay. All right, let me go see. 145 00:09:11,600 --> 00:09:13,180 Let me go see what you're picking, Red. 146 00:09:15,280 --> 00:09:18,980 And now, ladies and gentlemen, here's the man responsible for tonight's 147 00:09:18,980 --> 00:09:20,860 wonderful fiasco, Gary Stanley. 148 00:09:31,560 --> 00:09:32,499 forget to buy your St. 149 00:09:32,500 --> 00:09:35,900 Mr. Peck's t -shirts now. Baba, where's Red? 150 00:09:36,280 --> 00:09:37,740 Yeah, Gary, bring on Red. 151 00:09:38,180 --> 00:09:41,820 Ladies and gentlemen, I think we all want to know the answer to the musical 152 00:09:41,820 --> 00:09:42,820 question. 153 00:09:43,300 --> 00:09:44,440 Where's Red Button? 154 00:09:46,320 --> 00:09:48,100 Uh -oh. Uh -oh. 155 00:09:48,480 --> 00:09:49,480 Uh -oh. 156 00:10:04,910 --> 00:10:08,270 Hey, listen, could you do me a little favor and go on next? 157 00:10:08,790 --> 00:10:10,330 I'm not going to follow Steve Allen. 158 00:10:10,550 --> 00:10:13,510 Oh, come on. Nobody can follow Steve Allen. Why do you think the plate 159 00:10:13,510 --> 00:10:14,249 went first? 160 00:10:14,250 --> 00:10:17,150 Why do you think Springsteen won't let Steve open for him anymore? 161 00:10:17,770 --> 00:10:19,770 You think it's so easy you follow Steve Allen. 162 00:10:21,270 --> 00:10:22,570 Well, I could go on next. 163 00:10:26,030 --> 00:10:28,550 I wasn't really prepared to go on, but I guess I could. 164 00:10:29,930 --> 00:10:31,450 All right, I'll go on. 165 00:10:32,850 --> 00:10:33,850 I don't have any... 166 00:10:34,170 --> 00:10:35,170 Jokes or anything? 167 00:10:36,490 --> 00:10:39,830 I didn't really know what was going on. I'll go on. Go on. 168 00:10:40,530 --> 00:10:41,870 No, no, Alan. 169 00:10:42,130 --> 00:10:43,130 I'll come by soon. 170 00:10:43,530 --> 00:10:45,710 No, I'll follow Steve, Alan. 171 00:10:45,950 --> 00:10:47,170 Oh, thanks, Uncle Pat. 172 00:10:48,630 --> 00:10:51,330 Does the phrase pathetic wimp mean anything to you? 173 00:10:53,830 --> 00:10:55,630 I always cry to get my way. 174 00:10:56,810 --> 00:10:57,810 I'm all right. 175 00:10:58,010 --> 00:10:59,010 I'm all right. 176 00:11:20,200 --> 00:11:21,440 Pretty much my crowd now. 177 00:11:21,780 --> 00:11:25,000 Now, do you have the words to the whole song written down, or did you already 178 00:11:25,000 --> 00:11:26,000 know that? 179 00:11:28,740 --> 00:11:33,280 I actually, I had a hard time finding, I have like a disease with directions to 180 00:11:33,280 --> 00:11:36,320 begin with, and I get like so lost that I'll like start to cry, and no one can 181 00:11:36,320 --> 00:11:36,959 really help. 182 00:11:36,960 --> 00:11:40,640 I get, I like, I was driving, and I pull over and ask directions, and people say 183 00:11:40,640 --> 00:11:41,660 stuff like, go north. 184 00:11:42,520 --> 00:11:46,180 Thank you very much. I can't tell left from right without pretending to eat. 185 00:11:50,320 --> 00:11:51,320 Pop -Tarts a day. 186 00:11:53,300 --> 00:11:55,360 Kind of a health food nut, thank you very much. 187 00:11:56,460 --> 00:11:59,840 I didn't mean to eat the whole box, you know. I think, first of all, it comes in 188 00:11:59,840 --> 00:12:03,000 the box with a picture on the cover, you know, and the tart is snapped in half, 189 00:12:03,080 --> 00:12:05,600 so you can see the cross -section with all the rich taste of goodness right 190 00:12:05,600 --> 00:12:06,600 there. 191 00:12:07,920 --> 00:12:09,680 I'm only human, for Christ's sakes. 192 00:12:11,200 --> 00:12:13,500 Then they come in with the three pouches of two. 193 00:12:14,000 --> 00:12:16,760 And this is what happens to me. I open the first pouch, and I eat one, and I 194 00:12:16,760 --> 00:12:18,360 enjoy it very much as naturally I would. 195 00:12:19,720 --> 00:12:23,040 And then I feel, well, I have to eat the second one, or it will go stale. 196 00:12:25,240 --> 00:12:28,700 Or, no, I've eaten two, and it's no longer just a snack. It's a meal. I 197 00:12:28,700 --> 00:12:29,700 may as well eat two more. 198 00:12:31,140 --> 00:12:34,860 And then I feel like, well, hell, I don't just want two Pop -Tarts hanging 199 00:12:34,860 --> 00:12:35,860 in a box. 200 00:12:37,520 --> 00:12:39,620 I ate the last two just to tidy up, really. 201 00:12:42,990 --> 00:12:46,230 anymore, Zetan. I've decided that perhaps I'm bulimic and just keep 202 00:12:46,230 --> 00:12:47,230 to purge. 203 00:12:51,230 --> 00:12:53,890 Do I seem nervous? Because I feel kind of tense. 204 00:12:54,110 --> 00:12:55,110 No. 205 00:12:55,150 --> 00:12:56,150 Thank you very much. 206 00:12:56,990 --> 00:13:02,290 I'm kind of jumpy to begin with. The other night I was at home all by myself 207 00:13:02,290 --> 00:13:05,210 all the lights went out and I freaked out. I go, there's a guy in the 208 00:13:05,250 --> 00:13:07,810 He flipped a switch. He's coming up to kill me. That's all there is to it. 209 00:13:08,690 --> 00:13:11,090 And I looked out the window. I saw the whole neighborhood was out. 210 00:13:11,630 --> 00:13:15,110 I was kind of relieved because I thought, maybe he'll start at the end of 211 00:13:15,110 --> 00:13:16,110 block. 212 00:13:20,030 --> 00:13:23,910 She's very funny. You know, she reminds me kind of of a young female red button. 213 00:13:25,130 --> 00:13:27,710 It's not like I have a lot of money. I don't have any money. I don't even have 214 00:13:27,710 --> 00:13:30,190 savings account because I don't know my mom's maiden name. 215 00:13:32,690 --> 00:13:35,230 And apparently that's the key to the whole thing right there. 216 00:13:37,170 --> 00:13:39,930 I go in every few weeks and guess. I go, geez, I don't know. 217 00:13:42,319 --> 00:13:43,500 Jones. Okay, I'll come back. 218 00:13:46,160 --> 00:13:49,140 I have no money. I put my clothes in the dry cleaners. I don't have enough money 219 00:13:49,140 --> 00:13:50,140 to get them out again. 220 00:13:50,780 --> 00:13:52,840 It's like they're in jail waiting on me to spring them. 221 00:13:54,440 --> 00:13:57,820 I gotta go in every so often and go, well, could I just see the pants? 222 00:14:23,630 --> 00:14:25,450 the dry cleaners and then you forget so you don't. 223 00:14:25,670 --> 00:14:27,930 You just drive them around a while and bring them back in the house. 224 00:14:30,090 --> 00:14:33,050 And I'll wear them again like they weren't dirty. They were bored. 225 00:14:35,190 --> 00:14:37,470 It was active wear. I just had to get out. That's all. 226 00:14:41,050 --> 00:14:42,009 Hey, Gary. 227 00:14:42,010 --> 00:14:46,170 Oh, hey, Dabney. How you doing? I'm doing great. Great to see you. Really 228 00:14:46,170 --> 00:14:47,690 talks. What are you doing here? 229 00:14:48,210 --> 00:14:51,710 I come here all the time. Is that right? I didn't know you were a fan of comedy. 230 00:14:52,270 --> 00:14:53,270 Comedy? Yeah. 231 00:14:53,910 --> 00:14:54,749 No, no. 232 00:14:54,750 --> 00:14:56,190 No, I don't like comedy. 233 00:14:56,430 --> 00:14:58,890 You know, comedy clubs for that matter. Really? 234 00:14:59,270 --> 00:15:03,090 Yeah, a bunch of guys standing up there saying, look at me, look at me, aren't I 235 00:15:03,090 --> 00:15:04,090 funny? 236 00:15:05,170 --> 00:15:06,910 Right, right. 237 00:15:07,890 --> 00:15:08,970 So why did you come here then? 238 00:15:09,870 --> 00:15:13,770 Oh, I guess it goes back a few years ago. Well, you know Billy Martin, don't 239 00:15:13,770 --> 00:15:14,870 you, the baseball manager? 240 00:15:15,130 --> 00:15:19,110 Sure do, sure do. He brought me in here the first time a few years ago, and we 241 00:15:19,110 --> 00:15:20,110 used to come in here. 242 00:15:20,620 --> 00:15:24,460 And if the guy was really bad upon us, I mean, unfunny, we used to come to the 243 00:15:24,460 --> 00:15:28,040 men's room here, hide behind that door over there, get him, just beat the crap 244 00:15:28,040 --> 00:15:29,040 out of him. 245 00:15:31,440 --> 00:15:33,540 That went on. Yeah. Billy Martin, huh? 246 00:15:34,440 --> 00:15:35,820 Yeah. Great guy. 247 00:15:38,560 --> 00:15:39,560 Was there anything you need? 248 00:15:40,360 --> 00:15:41,360 Nothing in town. 249 00:15:42,220 --> 00:15:43,400 Nothing in town? 250 00:15:44,880 --> 00:15:48,740 Yeah, these things, these are great inventions, aren't they? That's the 251 00:15:48,740 --> 00:15:49,740 thing for you. Anything else? 252 00:15:51,319 --> 00:15:53,120 Yep. It's about time for a peck's punch. 253 00:15:53,920 --> 00:15:56,560 Why don't you let me get you one? You know, I get a performer's discount here. 254 00:15:56,560 --> 00:15:58,660 don't mean to throw it in your face, but I can get you a couple for like... Hey, 255 00:15:58,720 --> 00:16:00,140 hey, relax, okay? I'll get my own. 256 00:16:02,100 --> 00:16:04,800 Here. You happy to throw this out for you? 257 00:16:05,480 --> 00:16:06,480 Beats up comics. 258 00:16:06,780 --> 00:16:07,780 Great guy. 259 00:16:12,440 --> 00:16:13,440 Charlie. Oh. 260 00:16:13,560 --> 00:16:16,040 Charlie, are you all right? Yeah, are you all right? 261 00:16:16,460 --> 00:16:17,460 What? 262 00:16:17,580 --> 00:16:18,579 Dabney Coleman. 263 00:16:18,580 --> 00:16:23,050 Oh. He came and he... I said, hey, Dabney, welcome to the Congress. I would 264 00:16:23,050 --> 00:16:25,950 to hear Sammy Davis. I figured, you know... I can dig that, man. 265 00:16:26,230 --> 00:16:29,310 I don't believe this. 266 00:16:29,670 --> 00:16:32,770 That's not the half of it. I figured maybe he likes Kissinger. 267 00:16:33,230 --> 00:16:36,010 I think that we should have peace in the world. 268 00:16:37,290 --> 00:16:39,990 I don't understand what you're saying. 269 00:16:40,470 --> 00:16:45,190 That's not it. And then I said to him, William F. Buckley, everybody... I said, 270 00:16:45,250 --> 00:16:47,390 Dabney... First of all... 271 00:16:49,020 --> 00:16:51,040 Who gave you a shot right over here? 272 00:16:51,320 --> 00:16:55,340 Jerry Lewis. I figured, rock -a -boy, you're a baby. 273 00:16:55,800 --> 00:16:57,740 Bite on top of the head. 274 00:16:57,940 --> 00:16:59,060 Maybe he was right by then. 275 00:17:00,380 --> 00:17:05,720 I got suicidal the other night. I went home, stood up on my couch, tied that 276 00:17:05,720 --> 00:17:09,560 cord from my curtain around my neck, jumped off the couch, and the curtains 277 00:17:09,560 --> 00:17:10,560 opened. 278 00:17:16,560 --> 00:17:19,920 I'd like to do a remake of that movie, It's a Wonderful Life, where in the 279 00:17:19,920 --> 00:17:23,640 beginning of the movie, I'm on the bridge and I jump off and the angel 280 00:17:23,640 --> 00:17:26,020 me and shows me what life would have been like without me. 281 00:17:26,319 --> 00:17:28,760 Only it turns out it really would have been a whole lot better. 282 00:17:30,040 --> 00:17:31,980 And the angel is forced to apologize. 283 00:17:35,160 --> 00:17:38,560 Remember a few years ago, you'd like, well, a couple years ago, I had never 284 00:17:38,560 --> 00:17:39,379 that movie. 285 00:17:39,380 --> 00:17:42,840 And it seems like this year at Christmas time, there was an all It's a Wonderful 286 00:17:42,840 --> 00:17:43,840 Life station. 287 00:17:45,770 --> 00:17:47,550 We've seen more than enough of it at this juncture. 288 00:17:47,850 --> 00:17:52,350 I am kind of suicidal. I did try carbon monoxide one time. 289 00:17:52,890 --> 00:17:57,310 It wasn't really working because my building has one of those big 290 00:17:57,310 --> 00:17:58,310 parking garages. 291 00:18:00,990 --> 00:18:04,710 I had to bring a box of snacks and some books. 292 00:18:07,510 --> 00:18:10,590 People go by and tap on the window and go, how's that suicide coming? 293 00:18:14,510 --> 00:18:15,750 Drazi earlier today. 294 00:18:17,250 --> 00:18:20,470 Listen, you guys have been a very, very nice crowd. I want to thank you so much. 295 00:18:20,750 --> 00:18:21,750 Oh, 296 00:18:28,890 --> 00:18:31,810 I thought you were Daphne Coleman for a second, Paula. 297 00:18:32,230 --> 00:18:33,830 Yeah, everybody was. Sorry, sorry. 298 00:18:34,170 --> 00:18:35,170 Good set. 299 00:18:35,290 --> 00:18:36,290 Good set. 300 00:18:37,790 --> 00:18:38,870 Mr. Pat's father. 301 00:18:39,130 --> 00:18:41,450 Jerry, did you hear that the crowd... 302 00:18:42,570 --> 00:18:46,470 It's as though Red Button has been under some kind of a demonic spell or 303 00:18:46,470 --> 00:18:50,610 something. I feel terrible. It's all my fault. One night I said a few things. 304 00:18:50,930 --> 00:18:52,590 Now Red will never talk to me again. 305 00:18:53,150 --> 00:18:55,410 Don't feel bad, Mr. Beck. The show's still going great. 306 00:18:55,630 --> 00:18:58,610 It's nice of you to say, honey, but Red was my closest friend. 307 00:18:59,330 --> 00:19:02,830 Why don't we just go over to Red's house, get him, and bring him back over 308 00:19:03,070 --> 00:19:06,030 All right, but if his head starts spinning around, I'm leaving. 309 00:19:06,790 --> 00:19:07,790 Okay? 310 00:19:10,010 --> 00:19:12,450 He said the same thing at Jerry Mahoney's house. 311 00:19:15,030 --> 00:19:17,230 Without Mr. Peck, I'd be dead. 312 00:19:17,610 --> 00:19:21,030 I would have starved, shriveled up, keeled over and died. 313 00:19:21,490 --> 00:19:22,730 Dead just like that. 314 00:19:23,430 --> 00:19:26,990 You see, there was a time when I couldn't get work in this town. The 315 00:19:26,990 --> 00:19:28,350 period, the blacklist. 316 00:19:28,710 --> 00:19:30,750 But Peck stuck his neck out for me. 317 00:19:31,090 --> 00:19:35,250 He called me up and said, Hey, Lionel, why don't you come over to my club and 318 00:19:35,250 --> 00:19:36,990 jam? So as Mr. 319 00:19:37,190 --> 00:19:39,040 Peck's... that I did my first album. 320 00:19:41,280 --> 00:19:43,620 And I think that record is still my favorite. 321 00:19:44,480 --> 00:19:45,820 You know how I love kids. 322 00:19:47,740 --> 00:19:49,880 Lost my partner, what do I do? 323 00:19:50,400 --> 00:19:52,420 Lost my partner, what do I do? 324 00:19:52,940 --> 00:19:54,980 Lost my partner, what do I do? 325 00:19:55,620 --> 00:19:57,480 Skipped to my loo, my darling. 326 00:19:58,560 --> 00:19:59,640 Good song, huh? 327 00:20:00,300 --> 00:20:01,360 Still holds up. 328 00:20:04,280 --> 00:20:05,680 This is Red Button's house. 329 00:20:06,310 --> 00:20:08,470 Right here. I thought it would be red. 330 00:20:08,750 --> 00:20:12,670 Oh, they don't make houses the same color as the people's first name. 331 00:20:17,850 --> 00:20:20,890 Come on, let's go. He's not home. Would you just give him a chance? Give them a 332 00:20:20,890 --> 00:20:22,370 chance. Button's residence. 333 00:20:22,830 --> 00:20:24,630 Hello? Is Red there? 334 00:20:25,130 --> 00:20:26,550 Is Red home? Who's this? 335 00:20:27,490 --> 00:20:31,930 Say Mr. Button. Show some respect. It's not Mr. Button. It's Buttons. It's 336 00:20:31,930 --> 00:20:33,510 plural. It's Mr. Buttons. 337 00:20:33,970 --> 00:20:35,330 You mean like there's two of them? 338 00:20:36,169 --> 00:20:37,169 There's one. 339 00:20:37,170 --> 00:20:39,110 The man just has an F at the end of his name. 340 00:20:40,590 --> 00:20:43,930 Is Mr. Buttons in? It's Gary Shandling and Father Guido Sarducci. 341 00:20:44,310 --> 00:20:45,630 In reference to what? 342 00:20:47,130 --> 00:20:50,490 Well, we just wanted to talk to him for a second about Mr. Peck's nightclub. I 343 00:20:50,490 --> 00:20:53,070 think he'd really want to talk to us about it. We could just come in and see 344 00:20:53,070 --> 00:20:54,070 for just a split second. 345 00:20:54,310 --> 00:20:56,990 Red Buttons and Mr. Peck? Are you nuts? 346 00:20:57,350 --> 00:20:58,350 See, let's go. 347 00:20:58,390 --> 00:21:01,430 He doesn't want to... Just settle down. Just settle down. Just settle down. 348 00:21:01,630 --> 00:21:02,650 Talk to us, Gary. 349 00:21:04,130 --> 00:21:05,230 We really have to... 350 00:21:05,480 --> 00:21:06,480 After it gets cold out here. 351 00:21:06,740 --> 00:21:07,980 All right, but make it fast. 352 00:21:08,360 --> 00:21:09,780 I'm going to wait out here, all right? 353 00:21:10,120 --> 00:21:12,920 I'm going to just wait out here. You're not waiting out here. You're going in. 354 00:21:12,940 --> 00:21:14,000 You've come along this far. 355 00:21:14,540 --> 00:21:17,120 I can't believe you stood up the whole way and waved at people. 356 00:21:18,720 --> 00:21:19,960 I didn't wave at everybody. 357 00:21:20,480 --> 00:21:21,480 We're in. 358 00:21:23,980 --> 00:21:29,960 Will Gary Shandling and Father Guido Sarducci be able to convince Red Buttons 359 00:21:29,960 --> 00:21:34,480 forget that ugly incident of yesteryear and come to the aid of Mr. 360 00:21:34,680 --> 00:21:36,400 Peck in his time of need? 361 00:21:37,420 --> 00:21:43,300 Well, the fans at Peck certainly hope so. And why wouldn't they? Just listen 362 00:21:43,300 --> 00:21:46,140 them. They love Red, young and old alike. 363 00:21:46,400 --> 00:21:47,259 Don't you? 364 00:21:47,260 --> 00:21:48,980 Of course you do. 365 00:21:49,180 --> 00:21:53,420 And that's why we've decided to continue this saga next week. 366 00:21:53,930 --> 00:21:58,410 So perhaps all of you who are now ho -ho -ing in your homes might get a chance 367 00:21:58,410 --> 00:21:59,410 to see Red. 368 00:22:00,070 --> 00:22:05,330 Sure, we'll show you the likes of Tony Orlando and Dawn, and you'll enjoy them. 369 00:22:05,670 --> 00:22:06,990 Why wouldn't you? 370 00:22:07,910 --> 00:22:13,850 And you'll see the multi -talented Rob Reiner sporting a brand new sweater. 371 00:22:15,310 --> 00:22:22,050 And the sensational juggling stylings of, that's right, we've even got Michael 372 00:22:22,050 --> 00:22:23,050 Davis. 373 00:22:23,320 --> 00:22:26,860 But you want red. And Gary understands that. 374 00:22:27,480 --> 00:22:28,820 Good luck, Gary. 375 00:23:23,720 --> 00:23:25,740 Hope you enjoyed. It's Gary Stanley Show. 31922

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