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The year is 1924.
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James and Martha Peck of the prominent
Boston Pecks give birth to a son.
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Nicknamed Mr. Peck, the lad grows up
amidst Boston Brahmin society and is
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expected to join the family law firm
upon graduation from Yale.
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War breaks out.
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and Peck finds his calling running dance
marathons for the USO.
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Befriending luminaries like Dean Martin
and Jerry Lewis, he soon realizes his
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future lies in the entertainment world.
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He moves to Hollywood, and in 1948 opens
Mr.
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Peck's, not realizing the profound
influence his club will have on the next
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several generations of performers.
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For 40 years, Peck's is a showcase for
every big name who passes through town,
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as well as a launching pad for local
talent.
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Every night is New Year's Eve at the
club, as Mr. Peck plays host to the
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names in show business.
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Want to see a star?
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Don't look in the sky.
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Come to Peck's.
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Toadie Fields, Carol Burnett, Red Fox,
all entered Peck's a nobody and came out
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part of show business lore.
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Laughs, laughs, and more laughs emanated
from Peck's stage as the wine kept
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flowing and the party kept going.
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But there are some rough times.
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In 1956, the mayor shuts down Mr. Peck's
after mobster Sonny Galante is gunned
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down during a set by Joey Bishop.
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Then in 1962, Peck suffers a nervous
breakdown and joins a cult of Satanists
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think Red Buttons is the Antichrist.
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Red never forgives Mr. Peck, and their
feud becomes the stuff of Hollywood
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legends.
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Today, Peck's faces its toughest setback
of them all when billionaire
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industrialist Alan Trugman purchases the
property and threatens Peck with
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eviction.
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So tonight, comedy crusader Gary
Shandling, who hasn't forgotten his
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his one -man effort to save the comedy
club where he started, has rounded up
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some of the club's famous alumni for
this once -in -a -lifetime gala event,
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all -star benefit to save Mr.
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Peck's. I'm Arthur White, and ladies and
gentlemen, it's my privilege to
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introduce you to Gary Shandling. Thank
you, Arthur. I couldn't be more excited
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tonight to be doing this benefit for Mr.
Pax, because, you know, there have been
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a lot of firsts here at this nightclub.
This is the first place I performed, and
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this is the first time I've said that.
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So rather than...
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Just go on and on about Mr. Peck's and
what a wonderful place it is for new
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talent and old talent.
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Let's just go on and present to you the
first act that I ever saw here at Mr.
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Peck's, a wonderful, exciting plate
-spinning act, Carl and Ruth Carlson.
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This is the theme to Gary's show, the
theme to Gary's show. Gary called me up
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and asked if I would write a theme song.
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I'm almost halfway finished. How do you
like it so far? How do you like the
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theme to Gary's show?
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This is the theme to Gary's show. The
opening theme to Gary's show. This is
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music that you hear as you watch the
credits.
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We're almost in the part of where I
start to whistle. Then we'll watch a
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Sandling show.
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This is the theme to Gary's Sandling
show.
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Aren't they great? And you know, that's
the same music they used over 20 years
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ago. And Carl said, hey, if you ever get
a TV show, feel free.
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But it all works out because those are
my sticks.
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But hey, we're not here to talk about
that. We're here to talk about Mr.
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Peck.
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I'll never forget the first really good
pratfall I took. It was on Mr. Peck's
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stage. He'd forgotten to put the...
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phosphorescent tape at the lip of the
stage and I just took a hell of a fall
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into the audience and that was the
beginning of something great. I wouldn't
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all this if it weren't for that.
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I sued him for about 200 grand.
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That's why I have all this.
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Thank you, Mr. Peck.
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It's Gary Shandling's show presents his
all -star benefit to Dave Mr. Peck
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starring Steve Allen.
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Charlie Cullis, Chevy Chase, Dabney
Coleman, Paul the
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Poundstone, Father Guido Sarducci,
Lionel Sander, and of course, Gary
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Shandling.
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And, uh, thanks.
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Hey, look who just walked in, Father
Guido Sarducci.
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Hey, Father.
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Good to see you. Glad you could make it.
Hey, thanks. Hey, Gary, I got some bad
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news I got to tell you.
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Red Button just called.
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He's not coming.
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He's not coming. That's what I was
afraid of. He's not coming. He's not
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The whole night revolves around the Red
Button's Mr. Peck reunion, and now he's
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not coming? He's upset.
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He's upset.
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He's upset.
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He's upset.
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You know they not talk together for 20
years, Mr. Peck and Red Button?
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20 years. And then you call.
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He's mad. You know why you call him the
night of the show?
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You say, come on over. You should have
called him a couple weeks ago. I didn't
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even really call him. I just left a
message on his machine. I never talked
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him. Well, he's upset.
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He's really upset. He's upset. I
promised everyone that the Red Button's
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Peck reunion.
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Well, did you know Mr. Peck called Red
Button the Antichrist?
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Yeah. I know. I know. People don't like
that, Gary. No kidding.
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Right.
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You know, Mr. Peck is over it. He was
stressed out then. He was in a bad mood.
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And the whole thing's blown over for
him. Well, Red is still upset.
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No doubt about it.
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Hey, Gary.
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You think you could introduce me to
Steve Allen?
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Steve Allen?
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Right. He's out of there. You know, if
you could introduce me... Why don't you
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just go introduce yourself to Steve
Allen?
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I'm just out there. What are you so shy
about?
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I'm intimidated.
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He's a genius. You know, what am I going
to say? You know, he's written 36 ,000
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songs and 200 books.
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No, I don't think he's written 200
books. I think he's sold 200 books.
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That's good.
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I'll tell him that. I'll tell him you
said that.
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Now I've got something to say to him.
I'm glad I could help you out. Okay, now
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tell him that. All right.
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But all seriousness aside, we are here
tonight, there he is, to honor a man who
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we've grown really close to over the
last 40 years, I gotta tell you. He's
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a member of our own family, Mr. Bushel.
I mean, Mr.
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Penn.
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So really, and I...
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And I
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love your brother Gregory, I really do.
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At least he has a first name.
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What kind of a name is Mr.? Sounds like
you weren't very close to your mother.
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But this man has discovered so many
great young comics. I'm talking about
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like Lenny Placebo. Now, Lenny's not a
real comic, of course, but you wouldn't
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know that. You know, he's really quick.
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He's right.
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You wouldn't happen to know who manages
Steve. I don't know who manages Steve.
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Let's not talk about management right
now. What are you being so sensitive
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about? He's no conflict with you.
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I can't be. He's got great manners.
You've got great manners. Gary, Gary,
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Excuse me, when's Red Button's coming
on? I don't know when he's coming on,
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this is a great show just the way it is,
don't you think? Oh, well, but, Gary,
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Grant's really looking forward to seeing
his Uncle Red.
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Yeah, I mean, he once told me, a house
divided is a condominy.
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Gary, you love a condominy.
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I mean, that could be a vein that you
could mine for some reason.
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I can't believe you're telling me that.
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Why not?
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Because I don't tell you how to manage
someone. Don't tell me how to write
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comics. He says, watch Steve. He's going
to hit a bell soon.
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You know, Gary, all these other people
are really good performers, but I came
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see Red Buttons. Gary, don't shoot the
public.
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Okay. All right, let me go see.
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Let me go see what you're picking, Red.
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And now, ladies and gentlemen, here's
the man responsible for tonight's
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wonderful fiasco, Gary Stanley.
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forget to buy your St.
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Mr. Peck's t -shirts now. Baba, where's
Red?
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Yeah, Gary, bring on Red.
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Ladies and gentlemen, I think we all
want to know the answer to the musical
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question.
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Where's Red Button?
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Uh -oh. Uh -oh.
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Uh -oh.
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Hey, listen, could you do me a little
favor and go on next?
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I'm not going to follow Steve Allen.
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Oh, come on. Nobody can follow Steve
Allen. Why do you think the plate
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went first?
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Why do you think Springsteen won't let
Steve open for him anymore?
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You think it's so easy you follow Steve
Allen.
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Well, I could go on next.
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I wasn't really prepared to go on, but I
guess I could.
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All right, I'll go on.
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I don't have any...
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Jokes or anything?
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I didn't really know what was going on.
I'll go on. Go on.
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No, no, Alan.
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I'll come by soon.
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No, I'll follow Steve, Alan.
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Oh, thanks, Uncle Pat.
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Does the phrase pathetic wimp mean
anything to you?
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I always cry to get my way.
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I'm all right.
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I'm all right.
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Pretty much my crowd now.
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Now, do you have the words to the whole
song written down, or did you already
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know that?
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I actually, I had a hard time finding, I
have like a disease with directions to
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begin with, and I get like so lost that
I'll like start to cry, and no one can
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really help.
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I get, I like, I was driving, and I pull
over and ask directions, and people say
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stuff like, go north.
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Thank you very much. I can't tell left
from right without pretending to eat.
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Pop -Tarts a day.
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Kind of a health food nut, thank you
very much.
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I didn't mean to eat the whole box, you
know. I think, first of all, it comes in
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the box with a picture on the cover, you
know, and the tart is snapped in half,
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so you can see the cross -section with
all the rich taste of goodness right
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there.
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I'm only human, for Christ's sakes.
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00:12:11,200 --> 00:12:13,500
Then they come in with the three pouches
of two.
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And this is what happens to me. I open
the first pouch, and I eat one, and I
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00:12:16,760 --> 00:12:18,360
enjoy it very much as naturally I would.
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00:12:19,720 --> 00:12:23,040
And then I feel, well, I have to eat the
second one, or it will go stale.
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00:12:25,240 --> 00:12:28,700
Or, no, I've eaten two, and it's no
longer just a snack. It's a meal. I
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00:12:28,700 --> 00:12:29,700
may as well eat two more.
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00:12:31,140 --> 00:12:34,860
And then I feel like, well, hell, I
don't just want two Pop -Tarts hanging
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in a box.
200
00:12:37,520 --> 00:12:39,620
I ate the last two just to tidy up,
really.
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00:12:42,990 --> 00:12:46,230
anymore, Zetan. I've decided that
perhaps I'm bulimic and just keep
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00:12:46,230 --> 00:12:47,230
to purge.
203
00:12:51,230 --> 00:12:53,890
Do I seem nervous? Because I feel kind
of tense.
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00:12:54,110 --> 00:12:55,110
No.
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00:12:55,150 --> 00:12:56,150
Thank you very much.
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00:12:56,990 --> 00:13:02,290
I'm kind of jumpy to begin with. The
other night I was at home all by myself
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00:13:02,290 --> 00:13:05,210
all the lights went out and I freaked
out. I go, there's a guy in the
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00:13:05,250 --> 00:13:07,810
He flipped a switch. He's coming up to
kill me. That's all there is to it.
209
00:13:08,690 --> 00:13:11,090
And I looked out the window. I saw the
whole neighborhood was out.
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00:13:11,630 --> 00:13:15,110
I was kind of relieved because I
thought, maybe he'll start at the end of
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block.
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00:13:20,030 --> 00:13:23,910
She's very funny. You know, she reminds
me kind of of a young female red button.
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00:13:25,130 --> 00:13:27,710
It's not like I have a lot of money. I
don't have any money. I don't even have
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00:13:27,710 --> 00:13:30,190
savings account because I don't know my
mom's maiden name.
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00:13:32,690 --> 00:13:35,230
And apparently that's the key to the
whole thing right there.
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00:13:37,170 --> 00:13:39,930
I go in every few weeks and guess. I go,
geez, I don't know.
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00:13:42,319 --> 00:13:43,500
Jones. Okay, I'll come back.
218
00:13:46,160 --> 00:13:49,140
I have no money. I put my clothes in the
dry cleaners. I don't have enough money
219
00:13:49,140 --> 00:13:50,140
to get them out again.
220
00:13:50,780 --> 00:13:52,840
It's like they're in jail waiting on me
to spring them.
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00:13:54,440 --> 00:13:57,820
I gotta go in every so often and go,
well, could I just see the pants?
222
00:14:23,630 --> 00:14:25,450
the dry cleaners and then you forget so
you don't.
223
00:14:25,670 --> 00:14:27,930
You just drive them around a while and
bring them back in the house.
224
00:14:30,090 --> 00:14:33,050
And I'll wear them again like they
weren't dirty. They were bored.
225
00:14:35,190 --> 00:14:37,470
It was active wear. I just had to get
out. That's all.
226
00:14:41,050 --> 00:14:42,009
Hey, Gary.
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00:14:42,010 --> 00:14:46,170
Oh, hey, Dabney. How you doing? I'm
doing great. Great to see you. Really
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00:14:46,170 --> 00:14:47,690
talks. What are you doing here?
229
00:14:48,210 --> 00:14:51,710
I come here all the time. Is that right?
I didn't know you were a fan of comedy.
230
00:14:52,270 --> 00:14:53,270
Comedy? Yeah.
231
00:14:53,910 --> 00:14:54,749
No, no.
232
00:14:54,750 --> 00:14:56,190
No, I don't like comedy.
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00:14:56,430 --> 00:14:58,890
You know, comedy clubs for that matter.
Really?
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00:14:59,270 --> 00:15:03,090
Yeah, a bunch of guys standing up there
saying, look at me, look at me, aren't I
235
00:15:03,090 --> 00:15:04,090
funny?
236
00:15:05,170 --> 00:15:06,910
Right, right.
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00:15:07,890 --> 00:15:08,970
So why did you come here then?
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00:15:09,870 --> 00:15:13,770
Oh, I guess it goes back a few years
ago. Well, you know Billy Martin, don't
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00:15:13,770 --> 00:15:14,870
you, the baseball manager?
240
00:15:15,130 --> 00:15:19,110
Sure do, sure do. He brought me in here
the first time a few years ago, and we
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00:15:19,110 --> 00:15:20,110
used to come in here.
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00:15:20,620 --> 00:15:24,460
And if the guy was really bad upon us, I
mean, unfunny, we used to come to the
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00:15:24,460 --> 00:15:28,040
men's room here, hide behind that door
over there, get him, just beat the crap
244
00:15:28,040 --> 00:15:29,040
out of him.
245
00:15:31,440 --> 00:15:33,540
That went on. Yeah. Billy Martin, huh?
246
00:15:34,440 --> 00:15:35,820
Yeah. Great guy.
247
00:15:38,560 --> 00:15:39,560
Was there anything you need?
248
00:15:40,360 --> 00:15:41,360
Nothing in town.
249
00:15:42,220 --> 00:15:43,400
Nothing in town?
250
00:15:44,880 --> 00:15:48,740
Yeah, these things, these are great
inventions, aren't they? That's the
251
00:15:48,740 --> 00:15:49,740
thing for you. Anything else?
252
00:15:51,319 --> 00:15:53,120
Yep. It's about time for a peck's punch.
253
00:15:53,920 --> 00:15:56,560
Why don't you let me get you one? You
know, I get a performer's discount here.
254
00:15:56,560 --> 00:15:58,660
don't mean to throw it in your face, but
I can get you a couple for like... Hey,
255
00:15:58,720 --> 00:16:00,140
hey, relax, okay? I'll get my own.
256
00:16:02,100 --> 00:16:04,800
Here. You happy to throw this out for
you?
257
00:16:05,480 --> 00:16:06,480
Beats up comics.
258
00:16:06,780 --> 00:16:07,780
Great guy.
259
00:16:12,440 --> 00:16:13,440
Charlie. Oh.
260
00:16:13,560 --> 00:16:16,040
Charlie, are you all right? Yeah, are
you all right?
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00:16:16,460 --> 00:16:17,460
What?
262
00:16:17,580 --> 00:16:18,579
Dabney Coleman.
263
00:16:18,580 --> 00:16:23,050
Oh. He came and he... I said, hey,
Dabney, welcome to the Congress. I would
264
00:16:23,050 --> 00:16:25,950
to hear Sammy Davis. I figured, you
know... I can dig that, man.
265
00:16:26,230 --> 00:16:29,310
I don't believe this.
266
00:16:29,670 --> 00:16:32,770
That's not the half of it. I figured
maybe he likes Kissinger.
267
00:16:33,230 --> 00:16:36,010
I think that we should have peace in the
world.
268
00:16:37,290 --> 00:16:39,990
I don't understand what you're saying.
269
00:16:40,470 --> 00:16:45,190
That's not it. And then I said to him,
William F. Buckley, everybody... I said,
270
00:16:45,250 --> 00:16:47,390
Dabney... First of all...
271
00:16:49,020 --> 00:16:51,040
Who gave you a shot right over here?
272
00:16:51,320 --> 00:16:55,340
Jerry Lewis. I figured, rock -a -boy,
you're a baby.
273
00:16:55,800 --> 00:16:57,740
Bite on top of the head.
274
00:16:57,940 --> 00:16:59,060
Maybe he was right by then.
275
00:17:00,380 --> 00:17:05,720
I got suicidal the other night. I went
home, stood up on my couch, tied that
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00:17:05,720 --> 00:17:09,560
cord from my curtain around my neck,
jumped off the couch, and the curtains
277
00:17:09,560 --> 00:17:10,560
opened.
278
00:17:16,560 --> 00:17:19,920
I'd like to do a remake of that movie,
It's a Wonderful Life, where in the
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00:17:19,920 --> 00:17:23,640
beginning of the movie, I'm on the
bridge and I jump off and the angel
280
00:17:23,640 --> 00:17:26,020
me and shows me what life would have
been like without me.
281
00:17:26,319 --> 00:17:28,760
Only it turns out it really would have
been a whole lot better.
282
00:17:30,040 --> 00:17:31,980
And the angel is forced to apologize.
283
00:17:35,160 --> 00:17:38,560
Remember a few years ago, you'd like,
well, a couple years ago, I had never
284
00:17:38,560 --> 00:17:39,379
that movie.
285
00:17:39,380 --> 00:17:42,840
And it seems like this year at Christmas
time, there was an all It's a Wonderful
286
00:17:42,840 --> 00:17:43,840
Life station.
287
00:17:45,770 --> 00:17:47,550
We've seen more than enough of it at
this juncture.
288
00:17:47,850 --> 00:17:52,350
I am kind of suicidal. I did try carbon
monoxide one time.
289
00:17:52,890 --> 00:17:57,310
It wasn't really working because my
building has one of those big
290
00:17:57,310 --> 00:17:58,310
parking garages.
291
00:18:00,990 --> 00:18:04,710
I had to bring a box of snacks and some
books.
292
00:18:07,510 --> 00:18:10,590
People go by and tap on the window and
go, how's that suicide coming?
293
00:18:14,510 --> 00:18:15,750
Drazi earlier today.
294
00:18:17,250 --> 00:18:20,470
Listen, you guys have been a very, very
nice crowd. I want to thank you so much.
295
00:18:20,750 --> 00:18:21,750
Oh,
296
00:18:28,890 --> 00:18:31,810
I thought you were Daphne Coleman for a
second, Paula.
297
00:18:32,230 --> 00:18:33,830
Yeah, everybody was. Sorry, sorry.
298
00:18:34,170 --> 00:18:35,170
Good set.
299
00:18:35,290 --> 00:18:36,290
Good set.
300
00:18:37,790 --> 00:18:38,870
Mr. Pat's father.
301
00:18:39,130 --> 00:18:41,450
Jerry, did you hear that the crowd...
302
00:18:42,570 --> 00:18:46,470
It's as though Red Button has been under
some kind of a demonic spell or
303
00:18:46,470 --> 00:18:50,610
something. I feel terrible. It's all my
fault. One night I said a few things.
304
00:18:50,930 --> 00:18:52,590
Now Red will never talk to me again.
305
00:18:53,150 --> 00:18:55,410
Don't feel bad, Mr. Beck. The show's
still going great.
306
00:18:55,630 --> 00:18:58,610
It's nice of you to say, honey, but Red
was my closest friend.
307
00:18:59,330 --> 00:19:02,830
Why don't we just go over to Red's
house, get him, and bring him back over
308
00:19:03,070 --> 00:19:06,030
All right, but if his head starts
spinning around, I'm leaving.
309
00:19:06,790 --> 00:19:07,790
Okay?
310
00:19:10,010 --> 00:19:12,450
He said the same thing at Jerry
Mahoney's house.
311
00:19:15,030 --> 00:19:17,230
Without Mr. Peck, I'd be dead.
312
00:19:17,610 --> 00:19:21,030
I would have starved, shriveled up,
keeled over and died.
313
00:19:21,490 --> 00:19:22,730
Dead just like that.
314
00:19:23,430 --> 00:19:26,990
You see, there was a time when I
couldn't get work in this town. The
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00:19:26,990 --> 00:19:28,350
period, the blacklist.
316
00:19:28,710 --> 00:19:30,750
But Peck stuck his neck out for me.
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00:19:31,090 --> 00:19:35,250
He called me up and said, Hey, Lionel,
why don't you come over to my club and
318
00:19:35,250 --> 00:19:36,990
jam? So as Mr.
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00:19:37,190 --> 00:19:39,040
Peck's... that I did my first album.
320
00:19:41,280 --> 00:19:43,620
And I think that record is still my
favorite.
321
00:19:44,480 --> 00:19:45,820
You know how I love kids.
322
00:19:47,740 --> 00:19:49,880
Lost my partner, what do I do?
323
00:19:50,400 --> 00:19:52,420
Lost my partner, what do I do?
324
00:19:52,940 --> 00:19:54,980
Lost my partner, what do I do?
325
00:19:55,620 --> 00:19:57,480
Skipped to my loo, my darling.
326
00:19:58,560 --> 00:19:59,640
Good song, huh?
327
00:20:00,300 --> 00:20:01,360
Still holds up.
328
00:20:04,280 --> 00:20:05,680
This is Red Button's house.
329
00:20:06,310 --> 00:20:08,470
Right here. I thought it would be red.
330
00:20:08,750 --> 00:20:12,670
Oh, they don't make houses the same
color as the people's first name.
331
00:20:17,850 --> 00:20:20,890
Come on, let's go. He's not home. Would
you just give him a chance? Give them a
332
00:20:20,890 --> 00:20:22,370
chance. Button's residence.
333
00:20:22,830 --> 00:20:24,630
Hello? Is Red there?
334
00:20:25,130 --> 00:20:26,550
Is Red home? Who's this?
335
00:20:27,490 --> 00:20:31,930
Say Mr. Button. Show some respect. It's
not Mr. Button. It's Buttons. It's
336
00:20:31,930 --> 00:20:33,510
plural. It's Mr. Buttons.
337
00:20:33,970 --> 00:20:35,330
You mean like there's two of them?
338
00:20:36,169 --> 00:20:37,169
There's one.
339
00:20:37,170 --> 00:20:39,110
The man just has an F at the end of his
name.
340
00:20:40,590 --> 00:20:43,930
Is Mr. Buttons in? It's Gary Shandling
and Father Guido Sarducci.
341
00:20:44,310 --> 00:20:45,630
In reference to what?
342
00:20:47,130 --> 00:20:50,490
Well, we just wanted to talk to him for
a second about Mr. Peck's nightclub. I
343
00:20:50,490 --> 00:20:53,070
think he'd really want to talk to us
about it. We could just come in and see
344
00:20:53,070 --> 00:20:54,070
for just a split second.
345
00:20:54,310 --> 00:20:56,990
Red Buttons and Mr. Peck? Are you nuts?
346
00:20:57,350 --> 00:20:58,350
See, let's go.
347
00:20:58,390 --> 00:21:01,430
He doesn't want to... Just settle down.
Just settle down. Just settle down.
348
00:21:01,630 --> 00:21:02,650
Talk to us, Gary.
349
00:21:04,130 --> 00:21:05,230
We really have to...
350
00:21:05,480 --> 00:21:06,480
After it gets cold out here.
351
00:21:06,740 --> 00:21:07,980
All right, but make it fast.
352
00:21:08,360 --> 00:21:09,780
I'm going to wait out here, all right?
353
00:21:10,120 --> 00:21:12,920
I'm going to just wait out here. You're
not waiting out here. You're going in.
354
00:21:12,940 --> 00:21:14,000
You've come along this far.
355
00:21:14,540 --> 00:21:17,120
I can't believe you stood up the whole
way and waved at people.
356
00:21:18,720 --> 00:21:19,960
I didn't wave at everybody.
357
00:21:20,480 --> 00:21:21,480
We're in.
358
00:21:23,980 --> 00:21:29,960
Will Gary Shandling and Father Guido
Sarducci be able to convince Red Buttons
359
00:21:29,960 --> 00:21:34,480
forget that ugly incident of yesteryear
and come to the aid of Mr.
360
00:21:34,680 --> 00:21:36,400
Peck in his time of need?
361
00:21:37,420 --> 00:21:43,300
Well, the fans at Peck certainly hope
so. And why wouldn't they? Just listen
362
00:21:43,300 --> 00:21:46,140
them. They love Red, young and old
alike.
363
00:21:46,400 --> 00:21:47,259
Don't you?
364
00:21:47,260 --> 00:21:48,980
Of course you do.
365
00:21:49,180 --> 00:21:53,420
And that's why we've decided to continue
this saga next week.
366
00:21:53,930 --> 00:21:58,410
So perhaps all of you who are now ho -ho
-ing in your homes might get a chance
367
00:21:58,410 --> 00:21:59,410
to see Red.
368
00:22:00,070 --> 00:22:05,330
Sure, we'll show you the likes of Tony
Orlando and Dawn, and you'll enjoy them.
369
00:22:05,670 --> 00:22:06,990
Why wouldn't you?
370
00:22:07,910 --> 00:22:13,850
And you'll see the multi -talented Rob
Reiner sporting a brand new sweater.
371
00:22:15,310 --> 00:22:22,050
And the sensational juggling stylings
of, that's right, we've even got Michael
372
00:22:22,050 --> 00:22:23,050
Davis.
373
00:22:23,320 --> 00:22:26,860
But you want red. And Gary understands
that.
374
00:22:27,480 --> 00:22:28,820
Good luck, Gary.
375
00:23:23,720 --> 00:23:25,740
Hope you enjoyed. It's Gary Stanley
Show.
31922
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