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All right, we're going to meet our next
guest.
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He's originally from Tucson, Arizona.
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He doesn't like women who are pretty and
know it and use it to hurt him.
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He's a wonderful comedian. He says he
looks like Gary Shandling, and sure
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00:00:19,060 --> 00:00:20,820
enough, he does. It's Gary Shandling.
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Let's say hello.
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On the surface, a man could be vain,
insecure, indecisive, or maybe even a
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little whiny.
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But I don't care about that.
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Underneath, he could very well be the
greatest man that ever lived.
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All right.
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Well, now you've all met Gary and you
know a little bit about him. You've seen
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his three choices. Now Gary's going to
tell us who he picked. Well, I would
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been nuts not to pick Angelica.
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Any romance on this day?
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Well...
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Tell him. You can tell him. You tell
him.
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No. Oh, you go ahead.
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A little bit. Yeah, Chuck, there was a
little bit of rumbling.
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I beg your pardon? There was a little
bit of rumbling. Well, just tell me a
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little about it. Well, I welded the car
door shut.
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Oh, that's great. Have a seat there.
Just make yourself at home. And I
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You two suppose you'll be going out on a
second date together?
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I guess that's all the time we have for
today. I'm Chuck Woolery. I hope all
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your dates go as well as this one. It
looks like we made a perfect match here.
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Maybe one of the best.
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This is a first. Welcome to Gary and
Angelica's show.
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That's right.
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Bang.
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You know, it's not just my show anymore.
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Because in last week's show, Angelica
and I met on the Love Connection. And
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saw that clip.
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And then... Don't applaud for
everything, really.
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And then she moved in in last week's
show. I'm explaining all this because I
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know we have no regular viewers.
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And now she's here living with me.
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Hi.
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See, we're sharing the monologue now.
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So, uh, anyway, I know what you're
probably thinking. Oh, great, he's got
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another Yoko Ono on his hand.
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00:03:15,160 --> 00:03:20,940
Gary's, you know, you know, protesting
the war and doing the show naked from
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bed.
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Which really isn't a bad idea for a
variety special. But really, I don't
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you to be concerned. I'm going to be
wearing the same beautiful outfits that
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you're used to seeing in the original
It's Gary Shandling show.
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And we're going to have...
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Just as much fun around here as we've
always had. And if you don't believe me,
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why don't you take a look at these
pictures of what the week's been like
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you listen to the new opening theme.
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It's Gary and Angelica's show. Gary and
Angelica's show. Gary called me up and
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told me that he had a girlfriend.
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I hear she's really pretty and things
are going great. But Gary wants a new
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theme for this show.
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Gary and Angelica's show. Gary and
Angelica's show. Gary put me on the spot
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think of something different.
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I think I'll keep the part of where I
start to whistle. That's always seemed
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work so well before.
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So now it's Gary and Angelica's show.
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First of all, I'd like to say, don't you
think I look good in a dress, quite
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frankly?
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Thank you.
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And it was a fun week, wasn't it, honey?
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Mm -hmm.
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What? Yes.
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What's wrong? You're a little quiet,
Anne.
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Um, I guess I'm just a little
intimidated by all your friends, Gary.
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Oh, you mean the audience?
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Yes. Well, you know, you can be
comfortable.
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They're just as afraid of you as you are
of them.
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Why don't you just say something nice?
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Don't you remember I told you Pete was
coming over? No.
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Hey. Hey, Gare. What's going on?
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Hey, Angelica.
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Oh, it's Angelica, Pete.
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Why don't you tell everybody where we're
going?
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Come on.
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Oh, give it a try. You got to get used
to it.
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be the best one.
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Is she great or what?
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Come on.
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Okay.
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Um... Don't worry about me, Gary. I'll
be fine. You sure?
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Yes. Okay. Well, if you need anything,
there's, uh, some emergency jokes in the
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freezer. I want... I want... Okay, and
if you want to use the flashback booth
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any time dissolves, you feel free. No, I
don't. Okay.
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Miss you.
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Miss you, Cherry Will.
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Bye, my little teddy webby. Bye.
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Honey.
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Honey. What? Honey.
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I don't think you want to be vacuuming.
It ruins the reception at home for the
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people watching.
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Oh. Okay.
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I didn't know that, Gary. That's okay.
It gets all snowy and everything.
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Oh, okay. There's no way you would, my
little stone pony.
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Bye, my little...
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little Eskimo pie.
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Basketball.
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Is Gary around?
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No, he went with Peter to play some
basketball.
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00:09:05,980 --> 00:09:06,980
Oh, that's too bad.
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00:09:09,740 --> 00:09:13,720
Say, before he left, did he mention my
musical number?
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00:09:14,380 --> 00:09:15,380
No.
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00:09:16,140 --> 00:09:21,720
Well, you see, traditionally on the
show, I come over and clown around with
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a little bit, and then I sing a song.
Sort of like Crazy Guggenheim on the old
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Gleason show.
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Really? Well, if it's a tradition.
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Everybody, please enjoy the music of
Leonard Smith.
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I'm going to go to the pier and get some
dinner. Oh, the pier.
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I have a friend who went to the pier
once. Good old Charlie.
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00:09:42,960 --> 00:09:44,540
Actually, it's sort of a sad story.
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00:09:46,340 --> 00:09:51,700
Well, let me tell you the story of a man
named Charlie on a tragic and fateful
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day. He put ten cents in his pocket,
kissed his wife and family, went to ride
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the MTA.
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Well, did he ever return?
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returned, and his fate is still
unlearned. Poor old Charlie, he may ride
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beneath the streets of Boston. He's the
man who never returned.
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She's from his Gary and Angelica show.
She's my favorite on that show. Me too.
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Hey, Gare, these are the lads. Jack Vess
and, of course, Al.
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We've been together since the old coffee
house days.
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00:12:10,320 --> 00:12:12,140
Leonard, what the heck is going on?
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Well, Angelica said we could sing on the
show Honest. Oh, she did? She said,
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yeah.
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00:12:19,840 --> 00:12:20,840
Leonard,
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you guys, you've got to get your guys
out of here, okay? Magic Johnson's
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over to teach us calligraphy. Magic
Johnson from the Lakers?
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00:12:31,150 --> 00:12:33,330
No, Magic Johnson from the Ice Capades.
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00:12:34,650 --> 00:12:38,530
Just get him out. I'm serious. We did.
Pete and I bumped into Magic Johnson.
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He's coming over to teach us
calligraphy. You know, that fancy
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great at it. I know it sounds odd.
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00:12:43,030 --> 00:12:45,270
He did. Have you ever seen Kareem's
wedding invitations?
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Magic did them. They're unbelievable.
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00:12:48,810 --> 00:12:49,810
Really.
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00:12:50,770 --> 00:12:53,850
By the way, where's Angelica? Oh, Gary,
she went out to the pier to get some
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food. You see, she's throwing a clambake
for the whole audience.
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Clambake? Yeah.
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00:13:00,970 --> 00:13:01,970
Yeah, sounds good.
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00:13:07,290 --> 00:13:08,290
Yeah.
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00:13:09,690 --> 00:13:12,130
You're pretty happy about this.
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00:13:12,930 --> 00:13:13,930
Yeah.
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00:13:14,310 --> 00:13:20,070
You know, don't you think it's taking
advantage a little bit of somebody who's
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new to the show?
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Making them cook.
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00:13:22,290 --> 00:13:23,510
Why don't you have them clean your
seats?
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00:13:23,790 --> 00:13:25,570
Why don't you have them come up and
clean your seats?
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00:13:26,390 --> 00:13:29,850
You know, you're a bad, bad audience.
That's all I have to say. Bad audience.
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00:13:29,930 --> 00:13:30,930
Bad, bad, bad.
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00:13:32,490 --> 00:13:35,810
Okay, you're a good audience, but you
did a bad, bad, bad thing. Really.
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a bad audience.
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Bad. No, bad. Bad.
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00:13:41,110 --> 00:13:46,070
Hang down your head, studio audience.
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Hang down your head and cry.
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Hang down your head, studio audience.
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00:14:21,100 --> 00:14:22,100
Damn it, Hugh.
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And the rear axle's bent.
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Got to realign all four wheels and, oh,
yeah, rewire the entire electrical
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system. Oh, Nancy, what a mess.
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00:14:33,300 --> 00:14:34,720
Oh, now, come on.
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00:14:35,040 --> 00:14:37,880
There's worse auto messes. Geez.
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00:14:38,080 --> 00:14:42,400
Well, I'll tell you about a worse one.
It happened to me. Yeah, sure, 78. I
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out of Daytona. Oh, what a mess.
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00:14:44,860 --> 00:14:49,440
Look at that four -car wheel smacked
into the wall, burst into flames. I'll
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you. Talk about your method.
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00:14:52,020 --> 00:14:57,260
Thanks a lot for trying to cheer me up,
Nance, but I wasn't just talking about
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cars. Life with Gary is a whole lot
stranger than I ever thought it would
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00:15:05,980 --> 00:15:10,240
Well, maybe it would help you to think
about Diane Fossey. What?
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00:15:11,040 --> 00:15:15,340
You know, that naturalist who lived with
the apes for about, oh, what, ten
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years? Sure.
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Similar kind of situation.
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Yeah, and she stuck it out. I'll tell
you, she stuck in there, and eventually
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she really ended up enjoying herself.
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Quite a bit.
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Sure. Yeah.
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Well,
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I'd better get back under that car. I'll
tell you, I got about six hours worth
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of work. Would you mind handing me my
three -quarter box rent?
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00:15:38,560 --> 00:15:40,600
Yeah, this is great. Thanks. You're
welcome.
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Six hours.
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What am I going to do for six hours?
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Oh, I know.
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I'll do one of Gary's time tricks and
make it six hours later.
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00:16:26,920 --> 00:16:32,800
Okay, I have my speedball pen, and I got
my India ink, and
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00:16:32,800 --> 00:16:39,500
we have our rice paper, and so we're all
set for our calligraphy lesson.
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00:16:40,000 --> 00:16:41,420
Honey, I'm home.
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00:16:41,920 --> 00:16:42,920
Oh, hi, honey.
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00:16:48,060 --> 00:16:50,780
I'm glad you're here. You're just in
time for the calligraphy lesson. Magic
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00:16:50,780 --> 00:16:51,780
Johnson's coming over.
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00:16:52,020 --> 00:16:54,720
Gary, I have some terrible...
189
00:16:55,560 --> 00:16:56,560
Oh, what is it, honey?
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00:16:56,960 --> 00:16:58,280
I... Oh,
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00:16:59,040 --> 00:17:01,500
I don't want to tell you. You're going
to be really mad.
192
00:17:01,840 --> 00:17:03,260
No, I won't. Tell me.
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00:17:04,140 --> 00:17:08,619
The two things you love the most fell
off the Santa Monica Pier today.
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00:17:09,200 --> 00:17:11,180
The ski ball and the corndog stand?
195
00:17:11,579 --> 00:17:12,800
No, Gary.
196
00:17:13,339 --> 00:17:14,579
Me and your car.
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00:17:14,980 --> 00:17:16,480
I had an accident.
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00:17:16,819 --> 00:17:21,380
Oh, honey, are you okay? Yes, I'm all
right, but are you sure you're not mad?
199
00:17:21,740 --> 00:17:24,960
Oh, of course not. The car's just a
material thing.
200
00:17:25,310 --> 00:17:27,990
Did you think I was gonna yell at you
like Ricky Ricardo or something?
201
00:18:02,670 --> 00:18:05,270
Keep dribbling magic number 32.
202
00:18:06,630 --> 00:18:11,650
Oh, honey, because you did a six -hour
time thingy, we missed Magic Johnson.
203
00:18:45,450 --> 00:18:49,010
on my show. I mean, and it looks like I
didn't get here a minute too soon.
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00:18:49,310 --> 00:18:51,090
Hey, you don't happen to know any
calligraphy, do you?
205
00:18:51,530 --> 00:18:52,530
No, I don't.
206
00:18:52,630 --> 00:18:53,770
Magic Johnson does.
207
00:18:54,870 --> 00:18:58,370
Now, listen, why don't we go over here
and sit on the couch, and you can tell
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00:18:58,370 --> 00:19:01,090
what's been going on in your life since
we saw you last. Come on over.
209
00:19:01,790 --> 00:19:05,750
Well, you know, that's really nice of
you, Chuck. You know, we moved in
210
00:19:05,750 --> 00:19:08,590
since we saw you. You moved in together?
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00:19:09,110 --> 00:19:14,270
Yes. Gee, that's a little sudden, don't
you think? Well, I think so, Chuck.
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00:19:14,760 --> 00:19:19,000
I mean, I didn't know that living with
Gary was going to be so hard.
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00:19:19,560 --> 00:19:23,660
First of all, there's this audience
that's here all the time.
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00:19:27,560 --> 00:19:31,860
And they're a really nice audience, but
you've got to think of clever things to
215
00:19:31,860 --> 00:19:33,160
say to them all the time.
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00:19:33,500 --> 00:19:34,780
That must be hard for you.
217
00:19:35,020 --> 00:19:38,760
Yeah, it is. But I thought I'd be nice
and try to fix them some clams.
218
00:19:48,590 --> 00:19:49,590
hot -headed Cuban.
219
00:19:51,350 --> 00:19:53,090
I'm so sorry, honey.
220
00:19:53,370 --> 00:19:55,550
Oh, I'm sorry, too, Gary.
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00:19:56,530 --> 00:19:59,150
I love you. I love you very much. I love
you.
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00:19:59,570 --> 00:20:03,890
But I don't think I was ready for the
responsibilities of moving in here with
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00:20:03,890 --> 00:20:07,250
you. Yeah. Gary, what do you think about
that? I don't think I'm ready for the
224
00:20:07,250 --> 00:20:08,830
responsibilities either, Chuck.
225
00:20:09,170 --> 00:20:11,430
Yeah. Could I offer you a suggestion?
226
00:20:11,910 --> 00:20:14,710
Sure. If anybody knows about love, it's
you.
227
00:20:17,640 --> 00:20:19,020
And Bob Eubanks. He will.
228
00:20:20,940 --> 00:20:21,940
Listen,
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00:20:22,440 --> 00:20:25,860
why don't you kind of just step back
from this relationship a little bit.
230
00:20:26,100 --> 00:20:27,460
Give it a little time.
231
00:20:27,960 --> 00:20:31,780
You know, start dating again. In fact,
if you start dating again, we'll even
232
00:20:31,780 --> 00:20:32,840
pick up the tab for the day.
233
00:20:35,920 --> 00:20:37,380
Hey, really? What do you think?
234
00:20:37,680 --> 00:20:38,820
Well, I don't know, Gary.
235
00:20:39,520 --> 00:20:41,220
I think it'd be great.
236
00:20:41,540 --> 00:20:46,060
Maybe it would be a good idea after the
show. Okay. Not when the show's on.
237
00:20:47,040 --> 00:20:50,020
Great. We'll see each other when the
show's not on. We'll go on that date.
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00:20:50,120 --> 00:20:54,600
Great. That's a good idea. Listen, I got
some... Here's 23 bucks. You guys go
239
00:20:54,600 --> 00:20:55,600
out and have a supper. Great.
240
00:20:58,440 --> 00:20:59,440
Thanks, Chuck.
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00:20:59,560 --> 00:21:02,040
20, 21, 22, 23.
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00:21:02,280 --> 00:21:04,900
Wow, this is going to be our best date
ever.
243
00:21:07,820 --> 00:21:08,820
Thank you.
244
00:21:09,080 --> 00:21:11,540
Hey, I think we learned a lot of things
tonight.
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00:21:12,720 --> 00:21:14,880
First of all, Chuck doesn't, you know...
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00:21:15,110 --> 00:21:19,730
dump his contestants like other game
show hosts who you know they probably
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00:21:19,730 --> 00:21:23,450
see him again and second of all i think
we learned that if you have a tv show
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00:21:23,450 --> 00:21:27,610
you got to be really really
conscientious about the relationships
249
00:21:27,610 --> 00:21:31,270
involved in because there's a real
responsibility there that's why i hope
250
00:21:31,270 --> 00:21:35,030
rather never really moves in with a girl
it would really muck up the cbs evening
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00:21:35,030 --> 00:21:39,270
news you know and um i'll be seeing uh
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00:21:40,080 --> 00:21:44,780
You know, Angelica went out when we're
not on the show, and so you'll probably
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00:21:44,780 --> 00:21:47,000
just have to read about it in one of
those magazines.
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00:21:48,000 --> 00:21:49,940
You know, like Boy's Life or something.
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00:21:51,700 --> 00:21:55,280
And I guess I'll see you all next week,
okay?
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00:21:56,140 --> 00:21:57,140
Bye, everybody.
257
00:23:30,360 --> 00:23:32,540
Hope you enjoyed. It's Gary Sandlin
Show.
21316
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