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1
00:00:04,940 --> 00:00:06,680
The year is 1924.
2
00:00:07,260 --> 00:00:11,320
James and Martha Peck of the prominent
Boston Pecks give birth to a son.
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00:00:11,780 --> 00:00:16,460
Nicknamed Mr. Peck, the lad grows up
amidst Boston Brahmin society and is
4
00:00:16,460 --> 00:00:19,860
expected to join the family law firm
upon graduation from Yale.
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00:00:22,080 --> 00:00:27,140
War breaks out, and Peck finds his
calling running dance marathons for the
6
00:00:27,520 --> 00:00:32,360
Befriending luminaries like Dean Martin
and Jerry Lewis, he soon realizes his
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00:00:32,360 --> 00:00:34,780
future lies in the entertainment world.
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00:00:35,100 --> 00:00:39,040
He moves to Hollywood and in 1948 opens
Mr.
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00:00:39,360 --> 00:00:43,800
Peck's, not realizing the profound
influence his club will have on the next
10
00:00:43,800 --> 00:00:45,760
several generations of performers.
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00:00:46,680 --> 00:00:51,260
For 40 years, Peck's is a showcase for
every big name who passes through town,
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00:00:51,440 --> 00:00:54,080
as well as a launching pad for local
talent.
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00:00:54,640 --> 00:00:57,940
Every night is New Year's Eve at the
club, as Mr.
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00:00:58,140 --> 00:01:01,040
Peck plays host to the biggest names in
show business.
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00:01:01,400 --> 00:01:02,500
Want to see a star?
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00:01:02,840 --> 00:01:03,960
Don't look in the sky.
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00:01:04,220 --> 00:01:05,560
Come to Peck's.
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00:01:07,920 --> 00:01:09,480
But there are some rough times.
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00:01:09,740 --> 00:01:15,360
In 1956, the mayor shuts down Mr. Peck's
after mobster Sonny Galante is gunned
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00:01:15,360 --> 00:01:17,660
down during a set by Joey Bishop.
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00:01:17,860 --> 00:01:23,300
Then in 1962, Peck suffers a nervous
breakdown and joins a cult of Satanists
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00:01:23,300 --> 00:01:25,580
think Red Buttons is the Antichrist.
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00:01:25,860 --> 00:01:30,360
Red never forgives Mr. Peck, and their
feud becomes the stuff of Hollywood
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00:01:30,360 --> 00:01:31,360
legends.
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00:01:32,430 --> 00:01:36,150
Today, Peck's faces its toughest setback
of them all when billionaire
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00:01:36,150 --> 00:01:40,430
industrialist Alan Trugman purchases the
property and threatens Peck with
27
00:01:40,430 --> 00:01:41,430
eviction.
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00:01:42,860 --> 00:01:47,780
So tonight, comedy crusader Gary
Shandling, who hasn't forgotten his
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00:01:47,780 --> 00:01:52,000
his one -man effort to save the comedy
club where he started, has rounded up
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00:01:52,000 --> 00:01:57,460
some of the club's famous alumni for
part two of this once -in -a -lifetime
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00:01:57,460 --> 00:02:01,180
event, the all -star benefit to save Mr.
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Peck's. Will the club be saved? Will
Gary succeed in his attempt to satisfy
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00:02:06,860 --> 00:02:11,940
audience who've gone berserk with their
desire to see a reunion between Mr. Peck
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and... his estranged friend Red Buttons.
Doesn't Red have a nice house? I think
35
00:02:17,280 --> 00:02:23,000
so. And I also think you should stay
tuned as... It's Gary Shandling's show
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00:02:23,000 --> 00:02:26,740
presents his all -star benefit to Dave
Mr.
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00:02:26,980 --> 00:02:33,960
Peck. Starring Steve Allen, Michael
Davis, Tony Orlando and
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00:02:33,960 --> 00:02:35,900
Don Rob Reiner.
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00:02:36,800 --> 00:02:42,260
Father Guido Saducci, Gary Shandling,
and hopefully Red Buttons.
40
00:02:52,340 --> 00:02:57,540
Look, I save your breath. I won't have
anything to do with Mr. Peck. He's
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00:02:58,040 --> 00:03:00,940
I'll do his benefit when hell freezes
over.
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00:03:01,340 --> 00:03:02,900
It's cold in here.
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00:03:05,320 --> 00:03:09,500
Hey, Red, you know, Mr. Peck, he's
really broken up about all of this. He
44
00:03:09,500 --> 00:03:11,540
have given the world if he would have
show up for Donald there.
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00:03:11,820 --> 00:03:15,380
And his audience, they love you. He's
right, Red. You know, there could be a
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00:03:15,380 --> 00:03:17,580
riot, I think, if you don't show up.
What is it, Red?
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00:03:21,460 --> 00:03:22,460
It's a chloroform.
48
00:03:23,580 --> 00:03:26,200
He's out. I keep it in my car in case I
have a date.
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00:03:27,560 --> 00:03:28,740
Come on, let's change him.
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00:03:29,000 --> 00:03:31,480
I'm not changing him. Okay, then you can
shave him.
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00:03:31,980 --> 00:03:33,020
Let's find his tuxedo.
52
00:03:33,760 --> 00:03:34,760
I've gained the razor.
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00:03:37,220 --> 00:03:42,840
And now, ladies and gentlemen, a young
crooner who began his career right here
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at my place. And two lovely ladies who
began as ex -pets right here at my bar.
55
00:03:50,320 --> 00:03:55,680
Ladies and gentlemen, enjoy the musical
notions of Tony Orlando and Don.
56
00:04:05,840 --> 00:04:08,800
Ladies and gentlemen, thank you very
much. You know, I have a very special
57
00:04:08,800 --> 00:04:13,020
feeling for Mr. Peck's because it was
right here where the girls and I first
58
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that little tune called Tie Yellow
Ribbon Round.
59
00:04:15,680 --> 00:04:22,480
But you know, I have just too
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00:04:22,480 --> 00:04:26,740
much respect for the integrity of that
song to mess with the lyrics in any way.
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00:04:26,820 --> 00:04:31,440
So tonight, instead, for Mr. Peck's, we
have decided to do a special and
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00:04:31,440 --> 00:04:34,340
different version of Knock Three Times.
You ready for that?
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00:04:37,690 --> 00:04:38,690
All right.
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00:04:39,010 --> 00:04:40,010
Here, Tony.
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00:04:42,430 --> 00:04:43,730
Hand together, folks.
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00:04:47,610 --> 00:04:50,730
Hey, folks, can you hear me out there?
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00:04:51,410 --> 00:04:56,270
Hex may be closing, but drug men been
nosing around here.
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00:04:58,730 --> 00:05:00,870
Shecky, Henny, Hope, and Brian.
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00:05:02,080 --> 00:05:04,720
The doors, they sing like my fire.
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00:05:05,480 --> 00:05:11,080
All these big winners were once just
beginners here at X -Lakes.
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00:05:12,000 --> 00:05:17,200
Everybody now knock three times on the
table if you love X.
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00:05:19,600 --> 00:05:24,280
Twice on the glass if you don't want to
level.
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00:05:25,870 --> 00:05:31,290
Listen to me now, not three times. If
you're right, pack a big check.
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00:05:33,650 --> 00:05:38,250
Get off your duck or over the door.
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Common action.
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Common action.
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We need the money. We need the money. We
need the money.
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Jack's over here. Jack's over here.
Jack's over here.
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Jack's over here. I've got the card.
Everybody at this table.
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00:05:55,760 --> 00:05:58,700
Lady, how about the sable?
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That means our hero just had zero.
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Hello.
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Everybody now knock three times if
you're right. Pack a big check.
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Get off your duck.
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Cough over the door.
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00:06:41,680 --> 00:06:42,700
I don't see you, Root.
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00:06:43,540 --> 00:06:44,840
Tony Orlando, son.
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00:06:50,940 --> 00:06:53,360
You want to go some more?
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00:06:55,160 --> 00:06:59,000
Well, the heck with integrity. Let's
just do a tie of yellow ribbon and on
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00:06:59,000 --> 00:07:01,680
there as late as we can until Rhett gets
here. Whatever.
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00:07:13,230 --> 00:07:15,570
I think he's got a lot of change in his
pockets or something.
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00:07:20,630 --> 00:07:21,650
Where are we going to put him?
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00:07:22,430 --> 00:07:28,330
Oh, my glasses. Here, you're going to
put him on the front of the car.
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00:07:29,030 --> 00:07:30,030
Back of the deer hunter?
95
00:07:31,330 --> 00:07:32,650
Put him on the front.
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00:07:33,070 --> 00:07:35,430
I hope he'll be okay. Easy, watch the
paint.
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00:07:36,290 --> 00:07:37,630
I just washed this.
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00:07:38,110 --> 00:07:40,970
Okay, get in the car. You'll be okay,
Mr. Button. You're talking to his feet.
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00:07:41,710 --> 00:07:43,250
You'll be okay, Mr. Button.
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00:07:45,970 --> 00:07:49,310
Okay, ready? Hope you're gonna stand all
right. Watch the dog.
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00:07:50,250 --> 00:07:55,050
Oh, no. I didn't... Brad, put him back
on.
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Put him back on.
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Blanket's gonna be a mess. He's gonna be
mad.
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00:08:05,900 --> 00:08:09,600
I've never been to Mr. Peck's. I don't
know anybody who has been to Mr. Peck's.
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00:08:09,660 --> 00:08:13,220
But if you have any money left over
after you've donated it for worthwhile
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00:08:13,220 --> 00:08:15,440
causes, maybe you'll throw a few dollars
his way.
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00:08:16,000 --> 00:08:19,560
And now be dazzled by the juggling
notions of Michael Davis.
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00:08:29,420 --> 00:08:30,480
Thank you very much.
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My name is Michael Davis.
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Thank you.
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00:08:37,900 --> 00:08:41,280
I'd like to say what a great
inconvenience it is for me to be here.
112
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Red, Red, you've got to wake up. You've
got to wake up now. Red, Red, Red, come
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on, come on. Ho, ho, hee, hee, ho, ho,
come on. Hey, Gary, father.
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Hey, Tony.
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00:08:54,560 --> 00:08:55,419
Hey, Tony.
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It is Red.
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Tony, he can't talk tonight. He's
resting. Yeah, really resting. Really
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He's out.
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00:09:02,590 --> 00:09:05,390
He can go out. He can sleep like that
before he goes on?
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00:09:05,590 --> 00:09:08,210
Yeah. Yeah, I've never seen anything
like it. I mean, I'm a nervous wreck
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I go on.
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That's amazing.
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You talk about a pro, huh, Father? He's
a pro.
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Great set, Tony. Thank you. Thank you,
Gary.
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That was great. Thanks, Father. Thanks a
lot. Have a ball. See you later.
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Now I'd like to do my impression of
juggling on a motorcycle.
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so it'll be like the best.
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The tiny ball.
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That is unusual.
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What I've learned to do is to spit this
tiny ball high into the air and catch it
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with my mouth.
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I don't know.
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But why would anyone want to watch?
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Quickness.
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As I toss the two on the side, quickly
snatching...
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Or I throw the one and I snatch him.
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00:12:05,130 --> 00:12:06,130
Mostly this won't take long.
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00:12:38,320 --> 00:12:39,099
This is great.
139
00:12:39,100 --> 00:12:40,480
Hi, man. This is great. Hey, Red.
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00:12:40,780 --> 00:12:42,200
Hey. Hey, where am I?
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You're backstage at Mr. Peck's. Mr.
Peck's? Yeah. Oh, yeah. Yeah, Mr.
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Yeah.
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How'd I get here?
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Derek flew up on you.
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What? It doesn't matter. All that
matters is they're ready. They're ready
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00:12:54,020 --> 00:12:57,600
you to go on. You look great. Look,
you're in a tux, and you gotta go on.
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Who dressed me? Huh? Well, we both took
turns. I don't like guys dressing me.
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Come on. What does it matter? I'm not
going on. You gotta go on. What? I don't
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like this kind of stuff.
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00:13:06,080 --> 00:13:09,420
I didn't go on that. time they
chloroformed me at the Aladdin. You
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Aladdin? And I didn't go on when they
slipped me a Mickey at Caesars, and I
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certainly did not go on when they hit me
with that blackjack over the head at
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Caesars and I'm not through.
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All right. What happened?
155
00:13:22,300 --> 00:13:25,060
I also like that light bulb, period. Not
again.
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00:13:25,840 --> 00:13:29,380
Oh, man, what are we going to do? What a
good shave I've given him. Did you see?
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Look at him. Look at him. What a mess.
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Thank you, and that, of course, was...
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Johnny Mercer's great song, Tambourine.
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And now, now here's a little song I
wrote while I was playing the last one.
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What?
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Excuse me.
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You're kidding. Seriously?
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My God, I didn't think... Well, it
worked out. I've just been informed by
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that the moment you've all been waiting
for has arrived, believe it or not. Here
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he is.
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Yes! Red button!
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00:14:27,340 --> 00:14:29,940
I saw him do this bit once before years
ago at the Aladdin.
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Oh, isn't Red great?
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Really worth waiting for. Oh, yeah,
you're going to be so creative, you
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know what's going to come out of him.
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this time.
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Yeah, let's... Well, good evening,
ladies and gentlemen.
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Oh, my goodness.
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Well, ladies and gentlemen, you never
have to ask me twice.
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When it comes to a benefit, all you have
to do is ask... Ask me once to be there
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because this is my life and this is what
I do. I don't do anything else. All you
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got to do is say, Red, it's a benefit.
And I go because this is what I do. I
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don't do anything else. And it doesn't
matter where.
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It doesn't matter where.
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I am there in Jerusalem.
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In Jerusalem, my friends, at a wailing
wall rally to save the whales.
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I was there.
184
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I was wailing. I was rallying. I was
walling. I was there.
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00:16:13,100 --> 00:16:18,180
That's why I am here tonight in
Nicaragua at the annual Up Yours Oliver
186
00:16:18,180 --> 00:16:19,300
Banana Picking Festival.
187
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I was picking. I was upping. I was
lording. I was there.
188
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Oh, you damn right.
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I am out.
190
00:16:29,780 --> 00:16:34,900
That's my friends in Los Angeles at a
middle finger freeway shooting jamboree.
191
00:16:35,960 --> 00:16:38,060
I was middling. I was fingering.
192
00:16:44,720 --> 00:16:48,800
at a small cocktail party for premature
ejaculators.
193
00:16:50,940 --> 00:16:53,720
I was there. I left early, but I was
there.
194
00:16:54,320 --> 00:16:56,400
And I was out.
195
00:16:56,700 --> 00:17:01,600
That's the way I am. I am always there.
That's why I'm here tonight, to do this
196
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benefit. Not many people get a benefit.
Some of the biggest people in the
197
00:17:06,079 --> 00:17:09,800
history of the world never, never had a
benefit.
198
00:17:10,160 --> 00:17:14,619
I happen to have right here in my inside
pocket, ladies and gentlemen, A small
199
00:17:14,619 --> 00:17:21,300
list of some of the biggies since the
beginning of time who never, never had a
200
00:17:21,300 --> 00:17:22,300
benefit.
201
00:17:24,980 --> 00:17:25,980
Eve.
202
00:17:29,200 --> 00:17:32,940
Eve, who said to the serpent in the
Garden of Eden, I could go for a little
203
00:17:32,940 --> 00:17:34,940
snack, but I don't know you for madam.
204
00:17:37,400 --> 00:17:39,460
Never, never had a benefit.
205
00:17:42,460 --> 00:17:46,560
Robin Givens, who said to Mike Tyson,
you keep the belt, I'll keep the wallet.
206
00:17:48,340 --> 00:17:49,680
Never had a benefit.
207
00:17:50,660 --> 00:17:55,340
Dr. Spock, who said, never raise your
hands to your kids. It leaves your groin
208
00:17:55,340 --> 00:17:56,340
unprotected.
209
00:18:00,660 --> 00:18:03,360
And last but not least, Gary Hart.
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Gary Hart, who said, no, she was not on
my yacht. She was on my dinghy.
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You've been a great audience.
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00:18:35,570 --> 00:18:40,590
I'd like to do for you right now an old
-fashioned sketch, something that we
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used to do many, many years ago, but I
can't do this myself.
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00:18:43,290 --> 00:18:44,670
I've got to have some help.
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00:18:45,250 --> 00:18:49,350
So, look, I'd like to have somebody up
here.
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00:18:50,510 --> 00:18:53,190
Unfortunately, there's nobody important
in the audience.
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00:18:54,510 --> 00:18:56,090
Sorry, Steve. Sorry, Tony.
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00:18:57,420 --> 00:19:01,620
Can I have somebody up here to help me
to do this sketch tonight? I think you
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00:19:01,620 --> 00:19:03,780
might enjoy it. It's one of those, all
about me.
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00:19:04,980 --> 00:19:07,700
No, no, we need somebody who's alive to
come up here.
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00:19:11,080 --> 00:19:12,980
I'm only kidding, Mr. Peck. I'm only
kidding.
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00:19:13,260 --> 00:19:14,940
Red? Yes. I
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00:19:14,940 --> 00:19:23,700
can't
224
00:19:23,700 --> 00:19:26,800
tell you how overwhelmed I am that you
came here for me tonight.
225
00:19:27,310 --> 00:19:31,070
and how great it is to feel that you
care.
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00:19:31,370 --> 00:19:34,290
I want to apologize for calling you the
Antichrist.
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00:19:35,730 --> 00:19:38,450
I don't know what came over me, friends.
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00:19:44,510 --> 00:19:51,330
Oh, my goodness.
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00:19:51,670 --> 00:19:54,130
Oh, my goodness, the old hat.
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00:19:54,490 --> 00:19:56,390
Okay, we're going to do it again.
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00:19:57,120 --> 00:20:00,920
Mr. Peck, would you do a little joke
with me?
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00:20:01,380 --> 00:20:02,380
Well, if I must.
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00:20:03,580 --> 00:20:06,680
Well, you don't have to be so
enthusiastic about it.
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00:20:10,240 --> 00:20:15,300
All right. All right. What do I do?
Okay. I ask a question, and then you
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00:20:15,300 --> 00:20:15,999
give up.
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00:20:16,000 --> 00:20:20,420
What is it? And then I tell the
punchline, and everybody laughs.
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00:20:20,780 --> 00:20:23,280
Wait a minute. Is that all I say? I give
up? What is it?
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00:20:24,000 --> 00:20:25,000
Yeah, that's it.
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00:20:25,350 --> 00:20:26,650
Well, I don't give up that easily.
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00:20:28,510 --> 00:20:31,570
Oh, I don't give up that. You're the
gutsy tenacious.
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00:20:32,810 --> 00:20:34,770
Well, weren't Mr. Peck and Red Buttons
great?
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00:20:34,990 --> 00:20:35,990
Really?
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00:20:38,450 --> 00:20:42,730
And, you know, they've been back there
for hours just catching up on old times.
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00:20:42,850 --> 00:20:46,610
And, gee, the benefit went great. You
know, we raised enough money to keep Mr.
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00:20:46,770 --> 00:20:51,710
Peck's going, I think, well into the
90s. And you, the studio audience, I
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00:20:51,710 --> 00:20:52,870
to really thank you because...
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00:20:53,280 --> 00:20:55,860
You probably aren't aware of this
because it was a benefit tonight. We
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00:20:55,860 --> 00:20:57,920
charging $1 ,000 a seat.
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00:20:58,720 --> 00:21:02,940
And really, I want to thank most of you
for staying throughout the whole show
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00:21:02,940 --> 00:21:04,380
and forking up the money.
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00:21:06,360 --> 00:21:12,100
And I enjoyed fixing this feud. You
know, I have a certain warm feeling
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00:21:12,180 --> 00:21:16,260
I think Jerry Lewis was right when he
said what the world needs now is love,
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00:21:16,300 --> 00:21:21,460
sweet love. And I hope more of our shows
can be like... Father?
254
00:21:21,660 --> 00:21:22,619
I'm sorry.
255
00:21:22,620 --> 00:21:23,740
I interrupted you. I've got to go.
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00:21:23,960 --> 00:21:26,540
Oh, you're going piano bar hopping with
Steve Allen, aren't you? Right.
257
00:21:27,580 --> 00:21:28,580
I am.
258
00:21:29,180 --> 00:21:33,960
Well, if you're going to... You took the
words out of my mouth.
259
00:21:34,200 --> 00:21:36,020
Oh, you had that look on your face.
260
00:21:36,520 --> 00:21:40,920
Hey, do you think Tony Orlando would
mind if I asked Don to go with us? Give
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00:21:40,920 --> 00:21:44,020
a shot. You seem to be doing good with
Steve there. You got his autograph and
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00:21:44,020 --> 00:21:44,659
everything. I think I'm good.
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00:21:44,660 --> 00:21:48,000
Okay, I'll see you later. What is that a
problem for? I've got to take Red
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00:21:48,000 --> 00:21:49,000
Buttons home yet.
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00:21:50,200 --> 00:21:52,960
I wouldn't use it that, though. You
know, the show's over. Let him go home
266
00:21:52,960 --> 00:21:55,680
himself. You know, it's a waste of
chloroform. It is a waste of chloroform,
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00:21:55,760 --> 00:21:56,599
isn't it?
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00:21:56,600 --> 00:21:59,820
Thanks, Father. Anyway, I gotta go. Have
a good time. Okay. Good to see you.
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00:21:59,840 --> 00:22:04,280
Good night. I don't want to interrupt
you. I don't want to waste this.
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00:22:05,020 --> 00:22:07,660
I'll just, uh... I'll tell you what.
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00:22:08,060 --> 00:22:10,820
You at home, you probably have trouble
sleeping after this show.
272
00:22:11,120 --> 00:22:14,360
There's no reason you need to stay after
the show. After this is a rerun. So why
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00:22:14,360 --> 00:22:17,920
don't you just put your face up to the
TV and, uh, take a night.
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00:22:18,270 --> 00:22:21,210
A little whiff, really. And good night.
I'll see you next week. Okay?
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00:22:21,970 --> 00:22:23,950
Listen to the closing theme.
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00:23:26,250 --> 00:23:28,390
Hope you enjoyed it. Gary channeling
show.
22534
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