All language subtitles for Its Garry Shandlings s03e11 Save Mr Pecks 3

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (SoranĂ®)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,940 --> 00:00:06,680 The year is 1924. 2 00:00:07,260 --> 00:00:11,320 James and Martha Peck of the prominent Boston Pecks give birth to a son. 3 00:00:11,780 --> 00:00:16,460 Nicknamed Mr. Peck, the lad grows up amidst Boston Brahmin society and is 4 00:00:16,460 --> 00:00:19,860 expected to join the family law firm upon graduation from Yale. 5 00:00:22,080 --> 00:00:27,140 War breaks out, and Peck finds his calling running dance marathons for the 6 00:00:27,520 --> 00:00:32,360 Befriending luminaries like Dean Martin and Jerry Lewis, he soon realizes his 7 00:00:32,360 --> 00:00:34,780 future lies in the entertainment world. 8 00:00:35,100 --> 00:00:39,040 He moves to Hollywood and in 1948 opens Mr. 9 00:00:39,360 --> 00:00:43,800 Peck's, not realizing the profound influence his club will have on the next 10 00:00:43,800 --> 00:00:45,760 several generations of performers. 11 00:00:46,680 --> 00:00:51,260 For 40 years, Peck's is a showcase for every big name who passes through town, 12 00:00:51,440 --> 00:00:54,080 as well as a launching pad for local talent. 13 00:00:54,640 --> 00:00:57,940 Every night is New Year's Eve at the club, as Mr. 14 00:00:58,140 --> 00:01:01,040 Peck plays host to the biggest names in show business. 15 00:01:01,400 --> 00:01:02,500 Want to see a star? 16 00:01:02,840 --> 00:01:03,960 Don't look in the sky. 17 00:01:04,220 --> 00:01:05,560 Come to Peck's. 18 00:01:07,920 --> 00:01:09,480 But there are some rough times. 19 00:01:09,740 --> 00:01:15,360 In 1956, the mayor shuts down Mr. Peck's after mobster Sonny Galante is gunned 20 00:01:15,360 --> 00:01:17,660 down during a set by Joey Bishop. 21 00:01:17,860 --> 00:01:23,300 Then in 1962, Peck suffers a nervous breakdown and joins a cult of Satanists 22 00:01:23,300 --> 00:01:25,580 think Red Buttons is the Antichrist. 23 00:01:25,860 --> 00:01:30,360 Red never forgives Mr. Peck, and their feud becomes the stuff of Hollywood 24 00:01:30,360 --> 00:01:31,360 legends. 25 00:01:32,430 --> 00:01:36,150 Today, Peck's faces its toughest setback of them all when billionaire 26 00:01:36,150 --> 00:01:40,430 industrialist Alan Trugman purchases the property and threatens Peck with 27 00:01:40,430 --> 00:01:41,430 eviction. 28 00:01:42,860 --> 00:01:47,780 So tonight, comedy crusader Gary Shandling, who hasn't forgotten his 29 00:01:47,780 --> 00:01:52,000 his one -man effort to save the comedy club where he started, has rounded up 30 00:01:52,000 --> 00:01:57,460 some of the club's famous alumni for part two of this once -in -a -lifetime 31 00:01:57,460 --> 00:02:01,180 event, the all -star benefit to save Mr. 32 00:02:01,420 --> 00:02:06,860 Peck's. Will the club be saved? Will Gary succeed in his attempt to satisfy 33 00:02:06,860 --> 00:02:11,940 audience who've gone berserk with their desire to see a reunion between Mr. Peck 34 00:02:11,940 --> 00:02:17,280 and... his estranged friend Red Buttons. Doesn't Red have a nice house? I think 35 00:02:17,280 --> 00:02:23,000 so. And I also think you should stay tuned as... It's Gary Shandling's show 36 00:02:23,000 --> 00:02:26,740 presents his all -star benefit to Dave Mr. 37 00:02:26,980 --> 00:02:33,960 Peck. Starring Steve Allen, Michael Davis, Tony Orlando and 38 00:02:33,960 --> 00:02:35,900 Don Rob Reiner. 39 00:02:36,800 --> 00:02:42,260 Father Guido Saducci, Gary Shandling, and hopefully Red Buttons. 40 00:02:52,340 --> 00:02:57,540 Look, I save your breath. I won't have anything to do with Mr. Peck. He's 41 00:02:58,040 --> 00:03:00,940 I'll do his benefit when hell freezes over. 42 00:03:01,340 --> 00:03:02,900 It's cold in here. 43 00:03:05,320 --> 00:03:09,500 Hey, Red, you know, Mr. Peck, he's really broken up about all of this. He 44 00:03:09,500 --> 00:03:11,540 have given the world if he would have show up for Donald there. 45 00:03:11,820 --> 00:03:15,380 And his audience, they love you. He's right, Red. You know, there could be a 46 00:03:15,380 --> 00:03:17,580 riot, I think, if you don't show up. What is it, Red? 47 00:03:21,460 --> 00:03:22,460 It's a chloroform. 48 00:03:23,580 --> 00:03:26,200 He's out. I keep it in my car in case I have a date. 49 00:03:27,560 --> 00:03:28,740 Come on, let's change him. 50 00:03:29,000 --> 00:03:31,480 I'm not changing him. Okay, then you can shave him. 51 00:03:31,980 --> 00:03:33,020 Let's find his tuxedo. 52 00:03:33,760 --> 00:03:34,760 I've gained the razor. 53 00:03:37,220 --> 00:03:42,840 And now, ladies and gentlemen, a young crooner who began his career right here 54 00:03:42,840 --> 00:03:49,460 at my place. And two lovely ladies who began as ex -pets right here at my bar. 55 00:03:50,320 --> 00:03:55,680 Ladies and gentlemen, enjoy the musical notions of Tony Orlando and Don. 56 00:04:05,840 --> 00:04:08,800 Ladies and gentlemen, thank you very much. You know, I have a very special 57 00:04:08,800 --> 00:04:13,020 feeling for Mr. Peck's because it was right here where the girls and I first 58 00:04:13,020 --> 00:04:15,340 that little tune called Tie Yellow Ribbon Round. 59 00:04:15,680 --> 00:04:22,480 But you know, I have just too 60 00:04:22,480 --> 00:04:26,740 much respect for the integrity of that song to mess with the lyrics in any way. 61 00:04:26,820 --> 00:04:31,440 So tonight, instead, for Mr. Peck's, we have decided to do a special and 62 00:04:31,440 --> 00:04:34,340 different version of Knock Three Times. You ready for that? 63 00:04:37,690 --> 00:04:38,690 All right. 64 00:04:39,010 --> 00:04:40,010 Here, Tony. 65 00:04:42,430 --> 00:04:43,730 Hand together, folks. 66 00:04:47,610 --> 00:04:50,730 Hey, folks, can you hear me out there? 67 00:04:51,410 --> 00:04:56,270 Hex may be closing, but drug men been nosing around here. 68 00:04:58,730 --> 00:05:00,870 Shecky, Henny, Hope, and Brian. 69 00:05:02,080 --> 00:05:04,720 The doors, they sing like my fire. 70 00:05:05,480 --> 00:05:11,080 All these big winners were once just beginners here at X -Lakes. 71 00:05:12,000 --> 00:05:17,200 Everybody now knock three times on the table if you love X. 72 00:05:19,600 --> 00:05:24,280 Twice on the glass if you don't want to level. 73 00:05:25,870 --> 00:05:31,290 Listen to me now, not three times. If you're right, pack a big check. 74 00:05:33,650 --> 00:05:38,250 Get off your duck or over the door. 75 00:05:39,790 --> 00:05:40,790 Common action. 76 00:05:41,030 --> 00:05:42,030 Common action. 77 00:05:42,430 --> 00:05:46,190 We need the money. We need the money. We need the money. 78 00:05:46,450 --> 00:05:49,610 Jack's over here. Jack's over here. Jack's over here. 79 00:05:49,950 --> 00:05:54,830 Jack's over here. I've got the card. Everybody at this table. 80 00:05:55,760 --> 00:05:58,700 Lady, how about the sable? 81 00:05:59,540 --> 00:06:03,160 That means our hero just had zero. 82 00:06:03,680 --> 00:06:04,680 Hello. 83 00:06:06,040 --> 00:06:11,240 Everybody now knock three times if you're right. Pack a big check. 84 00:06:13,300 --> 00:06:15,140 Get off your duck. 85 00:06:15,760 --> 00:06:17,920 Cough over the door. 86 00:06:41,680 --> 00:06:42,700 I don't see you, Root. 87 00:06:43,540 --> 00:06:44,840 Tony Orlando, son. 88 00:06:50,940 --> 00:06:53,360 You want to go some more? 89 00:06:55,160 --> 00:06:59,000 Well, the heck with integrity. Let's just do a tie of yellow ribbon and on 90 00:06:59,000 --> 00:07:01,680 there as late as we can until Rhett gets here. Whatever. 91 00:07:13,230 --> 00:07:15,570 I think he's got a lot of change in his pockets or something. 92 00:07:20,630 --> 00:07:21,650 Where are we going to put him? 93 00:07:22,430 --> 00:07:28,330 Oh, my glasses. Here, you're going to put him on the front of the car. 94 00:07:29,030 --> 00:07:30,030 Back of the deer hunter? 95 00:07:31,330 --> 00:07:32,650 Put him on the front. 96 00:07:33,070 --> 00:07:35,430 I hope he'll be okay. Easy, watch the paint. 97 00:07:36,290 --> 00:07:37,630 I just washed this. 98 00:07:38,110 --> 00:07:40,970 Okay, get in the car. You'll be okay, Mr. Button. You're talking to his feet. 99 00:07:41,710 --> 00:07:43,250 You'll be okay, Mr. Button. 100 00:07:45,970 --> 00:07:49,310 Okay, ready? Hope you're gonna stand all right. Watch the dog. 101 00:07:50,250 --> 00:07:55,050 Oh, no. I didn't... Brad, put him back on. 102 00:07:55,370 --> 00:07:56,410 Put him back on. 103 00:07:57,130 --> 00:07:59,170 Blanket's gonna be a mess. He's gonna be mad. 104 00:08:05,900 --> 00:08:09,600 I've never been to Mr. Peck's. I don't know anybody who has been to Mr. Peck's. 105 00:08:09,660 --> 00:08:13,220 But if you have any money left over after you've donated it for worthwhile 106 00:08:13,220 --> 00:08:15,440 causes, maybe you'll throw a few dollars his way. 107 00:08:16,000 --> 00:08:19,560 And now be dazzled by the juggling notions of Michael Davis. 108 00:08:29,420 --> 00:08:30,480 Thank you very much. 109 00:08:30,900 --> 00:08:32,220 My name is Michael Davis. 110 00:08:33,700 --> 00:08:34,700 Thank you. 111 00:08:37,900 --> 00:08:41,280 I'd like to say what a great inconvenience it is for me to be here. 112 00:08:43,000 --> 00:08:48,200 Red, Red, you've got to wake up. You've got to wake up now. Red, Red, Red, come 113 00:08:48,200 --> 00:08:53,580 on, come on. Ho, ho, hee, hee, ho, ho, come on. Hey, Gary, father. 114 00:08:53,820 --> 00:08:54,559 Hey, Tony. 115 00:08:54,560 --> 00:08:55,419 Hey, Tony. 116 00:08:55,420 --> 00:08:56,420 It is Red. 117 00:08:57,000 --> 00:09:01,300 Tony, he can't talk tonight. He's resting. Yeah, really resting. Really 118 00:09:01,500 --> 00:09:02,500 He's out. 119 00:09:02,590 --> 00:09:05,390 He can go out. He can sleep like that before he goes on? 120 00:09:05,590 --> 00:09:08,210 Yeah. Yeah, I've never seen anything like it. I mean, I'm a nervous wreck 121 00:09:08,210 --> 00:09:09,089 I go on. 122 00:09:09,090 --> 00:09:10,090 That's amazing. 123 00:09:10,230 --> 00:09:12,250 You talk about a pro, huh, Father? He's a pro. 124 00:09:12,710 --> 00:09:15,650 Great set, Tony. Thank you. Thank you, Gary. 125 00:09:16,070 --> 00:09:19,250 That was great. Thanks, Father. Thanks a lot. Have a ball. See you later. 126 00:09:20,350 --> 00:09:23,270 Now I'd like to do my impression of juggling on a motorcycle. 127 00:09:41,230 --> 00:09:42,230 so it'll be like the best. 128 00:09:46,330 --> 00:09:47,510 The tiny ball. 129 00:09:49,910 --> 00:09:53,770 That is unusual. 130 00:09:56,210 --> 00:10:00,990 What I've learned to do is to spit this tiny ball high into the air and catch it 131 00:10:00,990 --> 00:10:01,990 with my mouth. 132 00:10:24,270 --> 00:10:25,270 I don't know. 133 00:10:27,130 --> 00:10:30,670 But why would anyone want to watch? 134 00:11:30,120 --> 00:11:31,120 Quickness. 135 00:11:31,760 --> 00:11:33,960 As I toss the two on the side, quickly snatching... 136 00:11:33,960 --> 00:11:40,620 Or I throw the one and I snatch him. 137 00:12:05,130 --> 00:12:06,130 Mostly this won't take long. 138 00:12:38,320 --> 00:12:39,099 This is great. 139 00:12:39,100 --> 00:12:40,480 Hi, man. This is great. Hey, Red. 140 00:12:40,780 --> 00:12:42,200 Hey. Hey, where am I? 141 00:12:42,600 --> 00:12:46,680 You're backstage at Mr. Peck's. Mr. Peck's? Yeah. Oh, yeah. Yeah, Mr. 142 00:12:46,780 --> 00:12:47,780 Yeah. 143 00:12:47,920 --> 00:12:48,920 How'd I get here? 144 00:12:48,940 --> 00:12:49,980 Derek flew up on you. 145 00:12:50,300 --> 00:12:54,020 What? It doesn't matter. All that matters is they're ready. They're ready 146 00:12:54,020 --> 00:12:57,600 you to go on. You look great. Look, you're in a tux, and you gotta go on. 147 00:12:57,600 --> 00:13:01,560 Who dressed me? Huh? Well, we both took turns. I don't like guys dressing me. 148 00:13:01,580 --> 00:13:04,760 Come on. What does it matter? I'm not going on. You gotta go on. What? I don't 149 00:13:04,760 --> 00:13:05,760 like this kind of stuff. 150 00:13:06,080 --> 00:13:09,420 I didn't go on that. time they chloroformed me at the Aladdin. You 151 00:13:09,420 --> 00:13:13,320 Aladdin? And I didn't go on when they slipped me a Mickey at Caesars, and I 152 00:13:13,320 --> 00:13:17,800 certainly did not go on when they hit me with that blackjack over the head at 153 00:13:17,800 --> 00:13:19,240 Caesars and I'm not through. 154 00:13:20,540 --> 00:13:21,580 All right. What happened? 155 00:13:22,300 --> 00:13:25,060 I also like that light bulb, period. Not again. 156 00:13:25,840 --> 00:13:29,380 Oh, man, what are we going to do? What a good shave I've given him. Did you see? 157 00:13:29,380 --> 00:13:31,300 Look at him. Look at him. What a mess. 158 00:13:31,700 --> 00:13:35,240 Thank you, and that, of course, was... 159 00:13:35,610 --> 00:13:37,650 Johnny Mercer's great song, Tambourine. 160 00:13:39,450 --> 00:13:43,630 And now, now here's a little song I wrote while I was playing the last one. 161 00:13:45,750 --> 00:13:46,750 What? 162 00:13:47,070 --> 00:13:48,070 Excuse me. 163 00:13:49,750 --> 00:13:50,810 You're kidding. Seriously? 164 00:13:51,090 --> 00:13:55,170 My God, I didn't think... Well, it worked out. I've just been informed by 165 00:13:55,170 --> 00:13:59,110 that the moment you've all been waiting for has arrived, believe it or not. Here 166 00:13:59,110 --> 00:14:00,110 he is. 167 00:14:01,330 --> 00:14:03,170 Yes! Red button! 168 00:14:27,340 --> 00:14:29,940 I saw him do this bit once before years ago at the Aladdin. 169 00:14:39,500 --> 00:14:41,640 Oh, isn't Red great? 170 00:14:42,340 --> 00:14:45,540 Really worth waiting for. Oh, yeah, you're going to be so creative, you 171 00:14:45,540 --> 00:14:46,660 know what's going to come out of him. 172 00:15:22,000 --> 00:15:23,000 this time. 173 00:15:24,520 --> 00:15:29,240 Yeah, let's... Well, good evening, ladies and gentlemen. 174 00:15:29,940 --> 00:15:34,640 Oh, my goodness. 175 00:15:35,380 --> 00:15:39,380 Well, ladies and gentlemen, you never have to ask me twice. 176 00:15:39,700 --> 00:15:44,670 When it comes to a benefit, all you have to do is ask... Ask me once to be there 177 00:15:44,670 --> 00:15:50,090 because this is my life and this is what I do. I don't do anything else. All you 178 00:15:50,090 --> 00:15:55,530 got to do is say, Red, it's a benefit. And I go because this is what I do. I 179 00:15:55,530 --> 00:15:57,670 don't do anything else. And it doesn't matter where. 180 00:15:58,170 --> 00:15:59,490 It doesn't matter where. 181 00:16:00,070 --> 00:16:01,750 I am there in Jerusalem. 182 00:16:01,950 --> 00:16:06,350 In Jerusalem, my friends, at a wailing wall rally to save the whales. 183 00:16:06,650 --> 00:16:07,650 I was there. 184 00:16:08,390 --> 00:16:12,570 I was wailing. I was rallying. I was walling. I was there. 185 00:16:13,100 --> 00:16:18,180 That's why I am here tonight in Nicaragua at the annual Up Yours Oliver 186 00:16:18,180 --> 00:16:19,300 Banana Picking Festival. 187 00:16:20,460 --> 00:16:24,260 I was picking. I was upping. I was lording. I was there. 188 00:16:24,540 --> 00:16:26,260 Oh, you damn right. 189 00:16:26,620 --> 00:16:27,620 I am out. 190 00:16:29,780 --> 00:16:34,900 That's my friends in Los Angeles at a middle finger freeway shooting jamboree. 191 00:16:35,960 --> 00:16:38,060 I was middling. I was fingering. 192 00:16:44,720 --> 00:16:48,800 at a small cocktail party for premature ejaculators. 193 00:16:50,940 --> 00:16:53,720 I was there. I left early, but I was there. 194 00:16:54,320 --> 00:16:56,400 And I was out. 195 00:16:56,700 --> 00:17:01,600 That's the way I am. I am always there. That's why I'm here tonight, to do this 196 00:17:01,600 --> 00:17:06,079 benefit. Not many people get a benefit. Some of the biggest people in the 197 00:17:06,079 --> 00:17:09,800 history of the world never, never had a benefit. 198 00:17:10,160 --> 00:17:14,619 I happen to have right here in my inside pocket, ladies and gentlemen, A small 199 00:17:14,619 --> 00:17:21,300 list of some of the biggies since the beginning of time who never, never had a 200 00:17:21,300 --> 00:17:22,300 benefit. 201 00:17:24,980 --> 00:17:25,980 Eve. 202 00:17:29,200 --> 00:17:32,940 Eve, who said to the serpent in the Garden of Eden, I could go for a little 203 00:17:32,940 --> 00:17:34,940 snack, but I don't know you for madam. 204 00:17:37,400 --> 00:17:39,460 Never, never had a benefit. 205 00:17:42,460 --> 00:17:46,560 Robin Givens, who said to Mike Tyson, you keep the belt, I'll keep the wallet. 206 00:17:48,340 --> 00:17:49,680 Never had a benefit. 207 00:17:50,660 --> 00:17:55,340 Dr. Spock, who said, never raise your hands to your kids. It leaves your groin 208 00:17:55,340 --> 00:17:56,340 unprotected. 209 00:18:00,660 --> 00:18:03,360 And last but not least, Gary Hart. 210 00:18:03,940 --> 00:18:08,180 Gary Hart, who said, no, she was not on my yacht. She was on my dinghy. 211 00:18:30,990 --> 00:18:31,990 You've been a great audience. 212 00:18:35,570 --> 00:18:40,590 I'd like to do for you right now an old -fashioned sketch, something that we 213 00:18:40,590 --> 00:18:42,970 used to do many, many years ago, but I can't do this myself. 214 00:18:43,290 --> 00:18:44,670 I've got to have some help. 215 00:18:45,250 --> 00:18:49,350 So, look, I'd like to have somebody up here. 216 00:18:50,510 --> 00:18:53,190 Unfortunately, there's nobody important in the audience. 217 00:18:54,510 --> 00:18:56,090 Sorry, Steve. Sorry, Tony. 218 00:18:57,420 --> 00:19:01,620 Can I have somebody up here to help me to do this sketch tonight? I think you 219 00:19:01,620 --> 00:19:03,780 might enjoy it. It's one of those, all about me. 220 00:19:04,980 --> 00:19:07,700 No, no, we need somebody who's alive to come up here. 221 00:19:11,080 --> 00:19:12,980 I'm only kidding, Mr. Peck. I'm only kidding. 222 00:19:13,260 --> 00:19:14,940 Red? Yes. I 223 00:19:14,940 --> 00:19:23,700 can't 224 00:19:23,700 --> 00:19:26,800 tell you how overwhelmed I am that you came here for me tonight. 225 00:19:27,310 --> 00:19:31,070 and how great it is to feel that you care. 226 00:19:31,370 --> 00:19:34,290 I want to apologize for calling you the Antichrist. 227 00:19:35,730 --> 00:19:38,450 I don't know what came over me, friends. 228 00:19:44,510 --> 00:19:51,330 Oh, my goodness. 229 00:19:51,670 --> 00:19:54,130 Oh, my goodness, the old hat. 230 00:19:54,490 --> 00:19:56,390 Okay, we're going to do it again. 231 00:19:57,120 --> 00:20:00,920 Mr. Peck, would you do a little joke with me? 232 00:20:01,380 --> 00:20:02,380 Well, if I must. 233 00:20:03,580 --> 00:20:06,680 Well, you don't have to be so enthusiastic about it. 234 00:20:10,240 --> 00:20:15,300 All right. All right. What do I do? Okay. I ask a question, and then you 235 00:20:15,300 --> 00:20:15,999 give up. 236 00:20:16,000 --> 00:20:20,420 What is it? And then I tell the punchline, and everybody laughs. 237 00:20:20,780 --> 00:20:23,280 Wait a minute. Is that all I say? I give up? What is it? 238 00:20:24,000 --> 00:20:25,000 Yeah, that's it. 239 00:20:25,350 --> 00:20:26,650 Well, I don't give up that easily. 240 00:20:28,510 --> 00:20:31,570 Oh, I don't give up that. You're the gutsy tenacious. 241 00:20:32,810 --> 00:20:34,770 Well, weren't Mr. Peck and Red Buttons great? 242 00:20:34,990 --> 00:20:35,990 Really? 243 00:20:38,450 --> 00:20:42,730 And, you know, they've been back there for hours just catching up on old times. 244 00:20:42,850 --> 00:20:46,610 And, gee, the benefit went great. You know, we raised enough money to keep Mr. 245 00:20:46,770 --> 00:20:51,710 Peck's going, I think, well into the 90s. And you, the studio audience, I 246 00:20:51,710 --> 00:20:52,870 to really thank you because... 247 00:20:53,280 --> 00:20:55,860 You probably aren't aware of this because it was a benefit tonight. We 248 00:20:55,860 --> 00:20:57,920 charging $1 ,000 a seat. 249 00:20:58,720 --> 00:21:02,940 And really, I want to thank most of you for staying throughout the whole show 250 00:21:02,940 --> 00:21:04,380 and forking up the money. 251 00:21:06,360 --> 00:21:12,100 And I enjoyed fixing this feud. You know, I have a certain warm feeling 252 00:21:12,180 --> 00:21:16,260 I think Jerry Lewis was right when he said what the world needs now is love, 253 00:21:16,300 --> 00:21:21,460 sweet love. And I hope more of our shows can be like... Father? 254 00:21:21,660 --> 00:21:22,619 I'm sorry. 255 00:21:22,620 --> 00:21:23,740 I interrupted you. I've got to go. 256 00:21:23,960 --> 00:21:26,540 Oh, you're going piano bar hopping with Steve Allen, aren't you? Right. 257 00:21:27,580 --> 00:21:28,580 I am. 258 00:21:29,180 --> 00:21:33,960 Well, if you're going to... You took the words out of my mouth. 259 00:21:34,200 --> 00:21:36,020 Oh, you had that look on your face. 260 00:21:36,520 --> 00:21:40,920 Hey, do you think Tony Orlando would mind if I asked Don to go with us? Give 261 00:21:40,920 --> 00:21:44,020 a shot. You seem to be doing good with Steve there. You got his autograph and 262 00:21:44,020 --> 00:21:44,659 everything. I think I'm good. 263 00:21:44,660 --> 00:21:48,000 Okay, I'll see you later. What is that a problem for? I've got to take Red 264 00:21:48,000 --> 00:21:49,000 Buttons home yet. 265 00:21:50,200 --> 00:21:52,960 I wouldn't use it that, though. You know, the show's over. Let him go home 266 00:21:52,960 --> 00:21:55,680 himself. You know, it's a waste of chloroform. It is a waste of chloroform, 267 00:21:55,760 --> 00:21:56,599 isn't it? 268 00:21:56,600 --> 00:21:59,820 Thanks, Father. Anyway, I gotta go. Have a good time. Okay. Good to see you. 269 00:21:59,840 --> 00:22:04,280 Good night. I don't want to interrupt you. I don't want to waste this. 270 00:22:05,020 --> 00:22:07,660 I'll just, uh... I'll tell you what. 271 00:22:08,060 --> 00:22:10,820 You at home, you probably have trouble sleeping after this show. 272 00:22:11,120 --> 00:22:14,360 There's no reason you need to stay after the show. After this is a rerun. So why 273 00:22:14,360 --> 00:22:17,920 don't you just put your face up to the TV and, uh, take a night. 274 00:22:18,270 --> 00:22:21,210 A little whiff, really. And good night. I'll see you next week. Okay? 275 00:22:21,970 --> 00:22:23,950 Listen to the closing theme. 276 00:23:26,250 --> 00:23:28,390 Hope you enjoyed it. Gary channeling show. 22534

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.