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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,890 --> 00:00:12,150 to meet the Reverend. That hoochie get out. 2 00:00:12,650 --> 00:00:13,710 Oh, cute shoes. 3 00:00:15,210 --> 00:00:17,610 Why are you tripping, Mama? He's just a man. 4 00:00:17,950 --> 00:00:19,950 Uh -uh. A man of the cloth. 5 00:00:20,270 --> 00:00:22,530 Well, I should hope so. I don't want to see him naked. 6 00:00:24,630 --> 00:00:25,790 Something's still missing. 7 00:00:26,170 --> 00:00:27,690 Oh, I almost forgot. 8 00:00:49,550 --> 00:00:52,310 reverends from my church just arrived in town and he wants to meet with the 9 00:00:52,310 --> 00:00:56,110 board members. Well, I passed on a good reverend. I got places to go and men to 10 00:00:56,110 --> 00:00:57,110 meet. 11 00:00:59,810 --> 00:01:00,970 Oh, well, hello. 12 00:01:01,590 --> 00:01:02,890 What are you selling today? 13 00:01:03,650 --> 00:01:04,650 Salvation. 14 00:01:04,830 --> 00:01:05,830 I'm Reverend Wright. 15 00:01:07,490 --> 00:01:08,890 Well, come on in, Reverend. 16 00:01:09,210 --> 00:01:10,590 We've been waiting for you. 17 00:01:54,280 --> 00:01:55,098 you, Nikki Parker? 18 00:01:55,100 --> 00:01:56,240 If you want me to be. 19 00:01:58,120 --> 00:01:59,920 Reverend Wright, I'm Nikki Parker. 20 00:02:00,140 --> 00:02:03,720 Oh, Sister Parker, it's a pleasure to meet you. Same here. 21 00:02:03,940 --> 00:02:05,340 I'd like you to meet my friend. 22 00:02:05,640 --> 00:02:06,740 Hi, I'm available. 23 00:02:06,980 --> 00:02:08,800 I mean, I'm in jail. 24 00:02:09,020 --> 00:02:10,440 Won't you have a seat? Thank you. 25 00:02:11,500 --> 00:02:13,240 I thought you were leaving. 26 00:02:13,600 --> 00:02:16,340 You know me, I can never get too much religion. 27 00:02:26,760 --> 00:02:29,280 Can I get you a little something, some grape juice, some crackers? 28 00:02:29,640 --> 00:02:31,040 What, no holy water? 29 00:02:32,860 --> 00:02:34,540 Holy water. 30 00:02:39,880 --> 00:02:42,980 So, Reverend, is there a Mrs. Reverend? 31 00:02:43,220 --> 00:02:46,160 No, I haven't been blessed to meet the right woman yet. 32 00:02:46,380 --> 00:02:49,140 But I'm working on it, everything in God's time. 33 00:02:49,420 --> 00:02:51,880 And he's always right on time. 34 00:02:56,360 --> 00:02:57,360 preacher man. 35 00:02:57,520 --> 00:02:58,520 Hi. 36 00:02:59,460 --> 00:03:01,240 I'm the stuffy old preacher man. 37 00:03:01,980 --> 00:03:04,660 Oh, forgive me, Father, but you are cute. 38 00:03:06,740 --> 00:03:07,740 Ladies, please. 39 00:03:08,480 --> 00:03:13,740 Uh, I'm here because I need some help spicing up Mount Zion's annual King Day 40 00:03:13,740 --> 00:03:14,740 Gospel Fest. 41 00:03:14,840 --> 00:03:17,120 Well, we need to start with our choir director. 42 00:03:17,560 --> 00:03:20,620 I mean, Sister Hanson, she's not trying to have any new flavor up in there. 43 00:03:21,000 --> 00:03:24,200 Well, you know, Sister Hanson did mention to me that she's ready to 44 00:03:24,620 --> 00:03:26,580 Mama, why don't you take over the choir? 45 00:03:27,820 --> 00:03:29,220 Only if you promise to sing. 46 00:03:29,460 --> 00:03:30,580 Trust shut me up. 47 00:03:31,440 --> 00:03:34,680 I'm telling you, Reverend Wright, see, people come to church to hear good 48 00:03:34,800 --> 00:03:37,600 And with my pudding singing, she'll have them dancing in the house. 49 00:03:38,140 --> 00:03:39,460 Praise the Lord. 50 00:03:39,680 --> 00:03:41,160 See, that's what I'm talking about. 51 00:03:41,680 --> 00:03:42,800 Well, thank you, ladies. 52 00:03:43,220 --> 00:03:44,400 How can I help, Rev? 53 00:03:47,100 --> 00:03:49,620 I'm almost afraid to ask, but... 54 00:03:50,280 --> 00:03:51,440 Do you have any talents? 55 00:03:51,680 --> 00:03:56,340 Oh, I have plenty. Perhaps we can discuss them over dinner tonight. 56 00:03:56,760 --> 00:03:59,540 Uh, well, uh... Angel, why don't you join our choir? 57 00:03:59,860 --> 00:04:02,100 Yeah, put some of that hot air to good use. 58 00:04:02,580 --> 00:04:03,920 Now, that's a good idea. 59 00:04:04,440 --> 00:04:05,440 Bless you. 60 00:04:05,640 --> 00:04:07,800 Okay, well, we'll see you all at church. 61 00:04:12,340 --> 00:04:13,980 All right, I need everyone to listen up. 62 00:04:14,320 --> 00:04:17,920 Now, we have just two short weeks to rehearse for the concert. 63 00:04:18,390 --> 00:04:21,769 So I need everyone to come ready not to sing, but to sang. 64 00:04:22,330 --> 00:04:23,770 All right? 65 00:04:24,070 --> 00:04:25,070 Gertie, E -flat. 66 00:04:29,610 --> 00:04:32,170 Is that E -flat? I don't know. 67 00:04:33,610 --> 00:04:36,990 What kind of organist are you, Gertie? The kind that don't know E -flat. 68 00:04:38,350 --> 00:04:40,790 Now, you do your little job and let me do mine. 69 00:04:41,070 --> 00:04:44,350 Well, obviously, you don't know your job because that's not E -flat. I am an 70 00:04:44,350 --> 00:04:46,170 artiste and I play by ear. 71 00:04:46,390 --> 00:04:47,390 Then you... 72 00:04:56,390 --> 00:04:58,210 He and I were just having a little intense fellowship. 73 00:04:58,750 --> 00:05:01,650 I was about to lay hands on Sister Gail. 74 00:05:04,830 --> 00:05:08,910 So these must be the new members you told me about. Yes, Reverend Wright, I'd 75 00:05:08,910 --> 00:05:10,010 like you to meet Stevie and T. 76 00:05:10,710 --> 00:05:17,630 I want to thank you all for your hard work and commitment to the 77 00:05:17,630 --> 00:05:20,310 church. I'm going to let Sister Parker carry on. 78 00:05:20,930 --> 00:05:21,829 Dinner tonight? 79 00:05:21,830 --> 00:05:22,830 Eight o 'clock. 80 00:05:25,900 --> 00:05:27,760 You having dinner with the Reverend again? 81 00:05:28,500 --> 00:05:32,380 Ain't that the fifth time this week? No, it's the sixth, and it's strictly 82 00:05:32,380 --> 00:05:34,840 business. More like funny business. 83 00:05:35,400 --> 00:05:37,540 No, more like none of your business. 84 00:05:40,000 --> 00:05:41,000 Besides, 85 00:05:41,500 --> 00:05:43,600 I don't want Reverend Wright. I got a man. 86 00:05:43,900 --> 00:05:44,900 Who? 87 00:05:47,620 --> 00:05:48,660 The professor. 88 00:05:49,220 --> 00:05:51,360 Now, if you church him to finish... 89 00:05:56,490 --> 00:05:57,490 solos this year. 90 00:05:58,910 --> 00:06:01,970 Uh, Rufus, go get yourself some water. 91 00:06:06,730 --> 00:06:10,650 Kim's our soloist. Now go on, baby, sing Mama's favorite song. 92 00:06:11,430 --> 00:06:14,710 Shake your booty on my... Ow! 93 00:06:15,050 --> 00:06:16,050 Ow! 94 00:06:16,550 --> 00:06:17,550 Ow! 95 00:06:18,570 --> 00:06:20,110 Stop that, boy! 96 00:06:21,350 --> 00:06:24,510 Oh, uh, bless it a shit. 97 00:06:50,380 --> 00:06:53,700 Your boy Chucky told me that you were moving to L .A. to pastor this church, 98 00:06:53,700 --> 00:06:55,840 I said, Reggie, pretty boy? 99 00:06:57,260 --> 00:07:01,700 Well, hey, man, what can I say? When the Lord knocks, you've got to open the 100 00:07:01,700 --> 00:07:04,060 door. Because he's coming in anyway. 101 00:07:05,680 --> 00:07:09,140 Oh, man, I'm so happy for you. So, how's things going? 102 00:07:09,400 --> 00:07:13,440 Oh, terrific, terrific. I'm just trying to pump some new life into the church. 103 00:07:14,400 --> 00:07:19,460 Hey, can you still sing like you used to back in the day? Can Kobe dunk? 104 00:07:20,690 --> 00:07:24,330 Well, that's good, because this choir sure could use a good baritone. 105 00:07:24,650 --> 00:07:31,230 Choir? Yeah, no, Reg. We have some fine single sisters here. 106 00:07:32,650 --> 00:07:33,650 Yeah? 107 00:07:34,230 --> 00:07:35,950 Well, then you got your new baritone. 108 00:07:37,330 --> 00:07:39,610 Good. Let me introduce you to the new choir director. 109 00:08:11,440 --> 00:08:16,200 About the choir thing, I... No, no, no, no, no. A promise is a promise. Sister 110 00:08:16,200 --> 00:08:19,640 Parker, Stan has agreed to be in the choir. 111 00:08:20,200 --> 00:08:23,540 Hallelujah! You stand right here where Mama can see you, boo. 112 00:08:24,660 --> 00:08:26,220 Oh, no, she didn't. 113 00:08:27,620 --> 00:08:28,620 Stan, 114 00:08:30,340 --> 00:08:32,419 I'm going to leave you in Sister Parker's good hands. 115 00:08:32,780 --> 00:08:37,159 Good hands, good arms, good lips, good God. 116 00:08:44,750 --> 00:08:47,710 just hooked me up with three tickets for the OutKast concert tonight. 117 00:08:47,950 --> 00:08:48,950 Y 'all want to go? 118 00:08:49,610 --> 00:08:51,050 Kim, what about choir rehearsal? 119 00:08:51,310 --> 00:08:52,410 What about rehearsal? 120 00:08:52,670 --> 00:08:53,670 We're professionals. 121 00:08:54,230 --> 00:08:56,650 Besides, I feel a cold coming off. 122 00:08:57,250 --> 00:08:58,250 Don't you? 123 00:08:59,770 --> 00:09:01,550 See, now you're messing with the Lord. 124 00:09:01,770 --> 00:09:03,510 For my luck, I get struck by lightning. 125 00:09:03,790 --> 00:09:04,790 Here, Nikki. 126 00:09:06,550 --> 00:09:07,550 Hey, guys. 127 00:09:07,830 --> 00:09:10,270 Here's some more music y 'all need to memorize about tonight's rehearsal. 128 00:09:16,780 --> 00:09:19,240 I've never felt better. Kim's the only one that's sick. 129 00:09:20,340 --> 00:09:22,540 Oh, no, baby. Without you, there's no concert. 130 00:09:22,820 --> 00:09:26,880 Look, I need you to go home, rub some Vicks on your feet, and put on some tube 131 00:09:26,880 --> 00:09:28,900 socks, and get in the bed. Okay, Mama. 132 00:09:34,660 --> 00:09:40,860 Reverend Wright, this is the third night our business dinners have lasted past 133 00:09:40,860 --> 00:09:44,320 midnight. Well, maybe one of these nights we'll actually talk business. 134 00:09:50,540 --> 00:09:51,540 time we spend together. 135 00:09:51,920 --> 00:09:52,920 Me too. 136 00:09:53,340 --> 00:09:54,400 You're really something. 137 00:09:55,460 --> 00:09:57,620 Never met anyone quite like you. 138 00:09:57,980 --> 00:09:59,940 Oh, thank you. 139 00:10:03,800 --> 00:10:05,540 Well, good night. 140 00:10:05,820 --> 00:10:06,820 Night. 141 00:11:03,150 --> 00:11:04,150 Soloist. 142 00:12:42,250 --> 00:12:43,250 piece of pie. 143 00:12:44,270 --> 00:12:45,270 Not that. 144 00:12:47,370 --> 00:12:52,010 I had a dream that I was doing naughty things with Reverend Wright. 145 00:13:20,400 --> 00:13:21,640 I've been wrestling with all day. 146 00:13:21,920 --> 00:13:22,920 What is it? 147 00:13:23,760 --> 00:13:27,260 Well, not the kind of thing that you ask over the telephone. 148 00:13:27,620 --> 00:13:28,620 Can I come over? 149 00:13:29,380 --> 00:13:32,340 Now? Well, it's kind of late. 150 00:13:32,580 --> 00:13:36,360 Yeah, I know, I know, but I really want to do this before I change my mind. 151 00:13:37,220 --> 00:13:39,220 Well, um, okay. 152 00:13:39,860 --> 00:13:40,860 Bye. 153 00:13:42,540 --> 00:13:43,860 That was Reverend Wright. 154 00:13:44,420 --> 00:13:45,480 He's coming over. 155 00:13:46,060 --> 00:13:47,280 Coming over for what? 156 00:13:49,450 --> 00:13:51,230 asked me something and it couldn't wait. 157 00:13:51,930 --> 00:13:53,650 You think I've been sending the wrong message? 158 00:13:54,010 --> 00:13:56,050 I know I have, but it hasn't worked for me. 159 00:13:58,050 --> 00:13:59,350 What do you think he wants? 160 00:13:59,810 --> 00:14:01,370 Well, let's see. 161 00:14:01,670 --> 00:14:03,890 He spends all his time with you. 162 00:14:04,190 --> 00:14:06,970 He won't pay anybody else any attention. 163 00:14:07,770 --> 00:14:11,130 And he said he's looking for a wife. 164 00:14:12,030 --> 00:14:13,590 And what are you trying to say? 165 00:14:14,070 --> 00:14:16,410 I'm pretty sure he took a vow against booty calls. 166 00:14:18,250 --> 00:14:21,770 So my guess is he probably wants to pop the question. 167 00:14:29,110 --> 00:14:30,110 Hey, 168 00:14:35,290 --> 00:14:36,089 Reverend Wright. 169 00:14:36,090 --> 00:14:37,090 Mr. Parker. 170 00:14:38,010 --> 00:14:39,070 May I come in? 171 00:14:39,450 --> 00:14:40,450 Why? 172 00:14:41,290 --> 00:14:43,330 Because it's polite. 173 00:14:44,090 --> 00:14:45,130 Oh, okay. 174 00:14:53,710 --> 00:14:55,830 nervous. I've never done anything like this before. 175 00:14:56,130 --> 00:14:57,570 Then why don't you go home and practice? 176 00:14:59,510 --> 00:15:02,650 I'm trying to find the right words to tell you. 177 00:15:02,910 --> 00:15:04,230 Well, when you find them, call me. 178 00:15:05,470 --> 00:15:06,730 Wait, wait. 179 00:15:07,630 --> 00:15:08,630 I found them. 180 00:15:18,410 --> 00:15:20,710 Nikki Parker, will you? No, I won't. 181 00:15:29,450 --> 00:15:34,490 I'm down here on my knee to beg you to give Kim another chance and let her back 182 00:15:34,490 --> 00:15:35,490 in the choir. 183 00:15:40,450 --> 00:15:45,610 Her voice is a gift from God to be used as a blessing to his kingdom. 184 00:15:46,550 --> 00:15:47,910 But she lied to me. 185 00:15:50,370 --> 00:15:51,370 Wait a minute. 186 00:15:52,310 --> 00:15:55,770 You mean you haven't been having naughty thoughts about me? 187 00:15:57,510 --> 00:15:58,550 Sister Parker. 188 00:16:00,660 --> 00:16:04,200 Anyway, we don't need Kim in the choir. We sound great. 189 00:16:04,840 --> 00:16:07,320 Okay, let me give it to you straight. 190 00:16:08,180 --> 00:16:10,940 People have been talking about your singing. 191 00:16:11,260 --> 00:16:12,500 Oh, is that good, huh? 192 00:16:13,840 --> 00:16:14,840 No. 193 00:16:15,220 --> 00:16:17,220 I have heard you myself. 194 00:16:19,380 --> 00:16:25,980 Sister Parker, you have been blessed with many talents, but 195 00:16:25,980 --> 00:16:27,960 singing ain't one of them. 196 00:16:32,680 --> 00:16:33,299 Hello, Kim. 197 00:16:33,300 --> 00:16:34,300 Hello. 198 00:16:34,720 --> 00:16:36,900 Well, I guess I should say goodnight. 199 00:16:37,320 --> 00:16:38,320 Thanks for coming by. 200 00:16:39,900 --> 00:16:40,900 Think about it. 201 00:16:43,320 --> 00:16:44,320 Goodnight, Kim. 202 00:16:44,500 --> 00:16:45,500 Goodnight. 203 00:16:47,940 --> 00:16:51,080 Look, Puddin', I know I was a little hard on you, but I just... No, Mama. 204 00:16:51,700 --> 00:16:52,920 I lied to you. 205 00:16:53,120 --> 00:16:54,120 And I'm sorry. 206 00:16:54,420 --> 00:16:56,740 I was selfish and thoughtless. 207 00:16:56,960 --> 00:16:58,300 Where do I get that from? 208 00:17:00,360 --> 00:17:01,360 Your daddy. 209 00:17:06,030 --> 00:17:11,770 Well, apparently, one or 20 people have been complaining about my singing. 210 00:17:12,150 --> 00:17:16,430 No. They're just jealous. 211 00:17:16,849 --> 00:17:20,310 Now, even though I know I can sing, you can show enough sang. 212 00:17:21,569 --> 00:17:25,109 And you should be blessing the church with your voice. I can use my other 213 00:17:25,109 --> 00:17:27,550 talents. So I'm back in the choir? 214 00:17:28,210 --> 00:17:34,400 Yes. But the next time you put outcast before Jesus, I'm going to cast you out 215 00:17:34,400 --> 00:17:35,400 of this house. 216 00:17:36,580 --> 00:17:40,240 What about DMX? Girl, don't play with me. 217 00:17:50,040 --> 00:17:51,040 Come here. 218 00:17:51,880 --> 00:17:52,880 Come here. 219 00:17:52,900 --> 00:17:55,920 This is so exciting. My first gospel concert. 220 00:17:56,640 --> 00:17:57,940 Oh, I'm so nervous. 221 00:17:58,140 --> 00:17:59,140 Hold me, Professor. 222 00:18:08,040 --> 00:18:11,960 Good evening, brothers and sisters. Thank you all for coming out and 223 00:18:11,960 --> 00:18:14,620 Mount Zion's annual King Day Gospel Fest. 224 00:18:19,260 --> 00:18:23,660 Now, tonight, I have a little surprise for you. 225 00:18:23,880 --> 00:18:28,320 Because you see, my good friend, Brother Fred Hammond, is in the house. 226 00:18:35,310 --> 00:18:41,930 Because he owes me a favor, I have talked him into performing a 227 00:18:41,930 --> 00:18:43,590 song with our choir. 228 00:18:51,090 --> 00:18:52,130 Come over here. 229 00:18:52,410 --> 00:18:53,410 Get back. 230 00:18:54,090 --> 00:18:58,930 Thank you, Reverend Wright. 231 00:18:59,430 --> 00:19:02,130 If you're blessed in here, let me hear you say amen. 232 00:19:02,410 --> 00:19:03,410 Amen! 233 00:19:06,540 --> 00:19:08,520 You know his eyes on the spare round? Yeah, quite well. 234 00:19:09,620 --> 00:19:12,600 Here we go. E flat. 235 00:19:13,300 --> 00:19:16,440 D flat. 236 00:19:16,840 --> 00:19:17,840 Work with me, Fred. 16520