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WIND BLOWING
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00:00:55,840 --> 00:00:57,840
A HAUNTING, ERRIE CHOIR STRIKES UP
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00:00:59,200 --> 00:01:01,520
MAN: Once upon a time,
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00:01:01,600 --> 00:01:05,280
in the heart
of the British countryside,
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00:01:05,360 --> 00:01:10,560
there lived a fair maiden,
who, try as she might,
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00:01:10,640 --> 00:01:14,640
could not fit
into the world around her.
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00:01:16,920 --> 00:01:18,920
Wherever she would turn,
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00:01:19,000 --> 00:01:22,600
a great darkness would follow.
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00:01:27,840 --> 00:01:32,080
Then one night,
she had a strange dream,
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00:01:32,160 --> 00:01:36,520
and was told that
the answers to all her problems
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00:01:36,600 --> 00:01:40,400
lay within the land around her.
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00:01:51,120 --> 00:01:55,240
She was told,
"The truth was in the soil".
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00:01:55,920 --> 00:01:58,320
DEEP, CHORAL CHANTING
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00:02:17,800 --> 00:02:21,400
A LONE, WISTFUL VIOLIN PLAYS
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00:03:01,960 --> 00:03:06,880
AN ETHEREAL CHANTING IS HEARD,
FILLED WITH THE PROMISE OF SPRING
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00:03:52,840 --> 00:03:56,280
MAN: This is the Britain
we have all inherited.
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00:03:56,360 --> 00:03:59,040
A land of incomparable beauty.
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00:04:01,640 --> 00:04:04,600
Our fathers and grandfathers,
and their forefathers,
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00:04:04,680 --> 00:04:07,200
have modified that beauty
by adding the fruits
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00:04:07,280 --> 00:04:10,440
of their craftsmanship
and their husbandry,
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00:04:10,520 --> 00:04:12,240
to leave in our keeping
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00:04:12,320 --> 00:04:15,320
the countries
we know and love so well.
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00:04:16,840 --> 00:04:20,120
A WARM, SUBLIME VIOLIN PLAYS
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00:04:24,640 --> 00:04:26,640
STREAM WATER RIPPLES
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00:04:37,440 --> 00:04:41,000
HORNS JOIN THE ENSEMBLE
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00:05:08,280 --> 00:05:11,880
AS THE MUSIC DIES OUT,
ONLY THE WIND REMAINS
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00:05:19,680 --> 00:05:21,280
STALKS OF WHEAT RUSTLE
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00:05:23,560 --> 00:05:26,160
CHEERFUL, PLEASANT MUSIC
STRIKES UP ONCE AGAIN
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00:06:06,480 --> 00:06:08,920
AN UPBEAT, SPIRITED FLUTE PLAYS
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00:06:21,080 --> 00:06:23,920
MAN: Early in the morning,
villagers go to work on the farms.
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00:06:25,120 --> 00:06:27,280
And the milkman starts his rounds.
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00:06:28,280 --> 00:06:29,480
As regular as clockwork,
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00:06:29,560 --> 00:06:31,440
the postman arrives
with the letters.
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00:06:32,320 --> 00:06:35,320
And the children,
just as punctually, go to school.
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00:06:37,960 --> 00:06:40,560
The mothers and womenfolk
do their shopping.
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00:06:41,640 --> 00:06:43,320
But there's always time for a chat
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00:06:43,400 --> 00:06:45,960
before getting down
to the day's housework.
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00:06:52,000 --> 00:06:53,880
The cows have given
their morning milk
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00:06:53,960 --> 00:06:56,280
and are on their way
back to the fields.
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00:07:19,000 --> 00:07:20,880
MAN: It's a country
which for centuries
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00:07:20,960 --> 00:07:23,360
has enjoyed a special fame,
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00:07:23,440 --> 00:07:25,640
and there's nowhere else
like it in on Earth.
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00:07:27,880 --> 00:07:29,680
ORGAN MUSIC
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00:07:34,640 --> 00:07:42,040
MUSIC: JERUSALEM
♪And did those feet in ancient time
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00:07:42,120 --> 00:07:47,960
♪Walk upon
England's mountains green
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00:07:48,640 --> 00:07:55,600
♪And was the holy Lamb of God
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00:07:55,680 --> 00:08:01,520
♪On England's
pleasant pastures seen!
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00:08:02,600 --> 00:08:08,880
♪And did the Countenance Divine
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00:08:09,560 --> 00:08:15,840
♪Shine forth upon
our clouded hills?
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00:08:16,720 --> 00:08:23,720
♪And was Jerusalem builded here
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00:08:23,800 --> 00:08:31,240
♪Among those dark Satanic mills?♪
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00:08:38,760 --> 00:08:40,760
ORGAN MUSIC BECOMES DISTORTED
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00:08:40,840 --> 00:08:43,240
SOUND OF A SCYTHE CUTTING
ORGAN MUSIC ABRUPTLY ENDS
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00:08:47,280 --> 00:08:50,960
SOUND OF ROTATING SCYTHES
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00:09:00,360 --> 00:09:02,160
A HAUNTING, ERRIE CHOIR STRIKES UP
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00:09:21,560 --> 00:09:24,160
GIRL: Curiouser and curiouser...
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00:09:26,000 --> 00:09:27,600
GIRL SIGHS
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00:09:33,400 --> 00:09:37,040
AN OMINOUS DRUMBEAT SOUNDS
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00:10:11,280 --> 00:10:13,520
GIRL WHISPERS:
Bring me my bow of burning gold.
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00:10:14,400 --> 00:10:17,080
Bring me my arrow of desire.
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00:10:17,160 --> 00:10:20,240
Bring me my spear, O clouds unfold.
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00:10:20,320 --> 00:10:23,000
Bring me my chariot of fire.
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00:10:23,080 --> 00:10:25,680
I will not cease from mental fight.
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00:10:25,760 --> 00:10:28,800
Nor shall my sword
sleep in my hand.
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00:10:28,880 --> 00:10:31,800
'Till we have built Jerusalem.
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00:10:31,880 --> 00:10:34,680
In England's green
and pleasant land.
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00:12:35,120 --> 00:12:39,240
MAN: One, two, three, four, five,
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00:12:39,320 --> 00:12:43,200
six, seven, eight, nine, ten...
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00:12:43,280 --> 00:12:50,120
70, 71, 72, 73, 74, 75, 76...
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00:12:50,200 --> 00:12:51,440
...79, 80!
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00:12:51,520 --> 00:12:54,120
There it is! About 80 foot.
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00:13:00,000 --> 00:13:03,000
A HAUNTING, ERRIE CHOIR STRIKES UP
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00:13:11,440 --> 00:13:13,440
MAN: It's a country
which for centuries
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00:13:13,520 --> 00:13:15,520
has enjoyed a special fame.
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00:13:16,800 --> 00:13:19,400
And there's nowhere else
like it on Earth.
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00:13:26,680 --> 00:13:29,200
For a thousand years,
these valleys have had a secret
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00:13:29,280 --> 00:13:31,760
which no-one else has shared.
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00:13:32,800 --> 00:13:35,480
AN OMINOUS DRUMBEAT SOUNDS
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00:13:46,440 --> 00:13:48,280
SOMEONE TAKING A DEEP BREATH
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00:13:51,760 --> 00:13:53,960
FUTURISTIC, PROGRESSIVE SYNTH
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00:15:09,080 --> 00:15:12,600
WOMAN: Deep in the land
comes another truth.
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00:15:13,480 --> 00:15:15,720
A different truth.
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00:15:15,800 --> 00:15:17,600
A secret past.
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00:15:19,440 --> 00:15:21,040
A hidden history.
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00:15:30,600 --> 00:15:34,920
OTHERWORLDY ORCHESTRAL CHANTING
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00:16:01,880 --> 00:16:05,680
UNNERVING SOUNDS
SCATTERED THROUGH THE CHANTS
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00:16:21,920 --> 00:16:24,520
WOMAN: A land of great magic.
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00:16:27,120 --> 00:16:29,800
A land of great mystery.
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00:16:51,320 --> 00:16:54,320
A WARM, EMBRACING GUITAR PLAYS
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00:18:06,280 --> 00:18:07,440
UNINTELLIGIBLE WORDS
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00:19:20,560 --> 00:19:23,960
A BRIEF GASP IS HEARD
SYNTH REACHES CRESCENDO AND DIES
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00:19:30,600 --> 00:19:34,000
A HAUNTING, ERRIE CHOIR STRIKES UP
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00:19:52,240 --> 00:19:54,800
AN OMINOUS DRUMBEAT SOUNDS
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00:19:58,840 --> 00:20:00,120
HEAVY BREATHING
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00:20:03,240 --> 00:20:06,160
WOMEN SINGING A LOCAL FOLK SONG
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00:20:34,280 --> 00:20:39,280
MAN: In 1346, a French man-of-war
appeared off Stepper Point.
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00:20:39,360 --> 00:20:42,040
The women of Padstow,
dressed in red cloaks,
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00:20:42,120 --> 00:20:44,720
marched out along the cliffs
to the beating of drums
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00:20:44,800 --> 00:20:47,240
with a great horse at their head.
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00:20:48,120 --> 00:20:52,000
The sailors, seeing what appeared
to be an army headed by the devil,
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00:20:52,080 --> 00:20:55,040
the snapping,
biting beast of Padstow,
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00:20:55,120 --> 00:20:57,520
upped anchor and sailed away.
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00:21:00,360 --> 00:21:02,960
HEAVY, OPPRESSIVE SYNTH BEGINS
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00:21:13,760 --> 00:21:16,440
MAN: All over Britain,
many still take part
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00:21:16,520 --> 00:21:18,920
in these otherworldly rituals.
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00:21:20,120 --> 00:21:23,000
A return to a time
when we were connected to the land.
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00:21:25,320 --> 00:21:27,280
A time we were connected
to each other.
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00:22:49,760 --> 00:22:52,760
OBSCURE ELETRONIC RHYTHM
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00:23:02,400 --> 00:23:04,480
BASS BEGINS TO BUILD
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00:23:23,960 --> 00:23:25,680
MAN: I don't know
how to describe it.
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00:23:25,760 --> 00:23:27,920
The feeling is excitement, tension.
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00:23:28,000 --> 00:23:32,120
I'm a grown man but I feel like a...
Well, like a child, excited.
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00:23:37,600 --> 00:23:40,840
♪Under a strange sky
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00:23:40,920 --> 00:23:44,000
♪My mother loved me
in another tongue
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00:23:44,960 --> 00:23:47,920
♪It was a tongue
that could never lie♪
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00:23:59,720 --> 00:24:02,440
TRADITIONAL PADSTOW FOLK SONG
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00:25:18,920 --> 00:25:21,480
CHURCH BELL RINGING
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00:25:21,560 --> 00:25:24,040
CHILDREN BANGING DRUMS
AND SINGING
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00:25:27,040 --> 00:25:31,120
CHILDREN SINGING
OSS OSS WEE OSS, A FOLK SONG
122
00:25:31,200 --> 00:25:36,040
ADULTS SINGING
♪Unite and unite, and let us all unite
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00:25:36,120 --> 00:25:40,600
♪For summer is acome unto day
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00:25:40,680 --> 00:25:43,480
♪And whither we are going
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00:25:43,560 --> 00:25:45,880
♪We all will unite
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00:25:45,960 --> 00:25:51,640
♪In the merry morning of May
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00:25:51,720 --> 00:25:53,480
♪The young men of Padstow...♪
128
00:25:53,560 --> 00:25:56,120
HEAVY, DYSTOPIAN SYNTH DRONE
129
00:26:36,200 --> 00:26:38,960
MELANCHOLY ACOUSTIC GUITAR MELODY
130
00:26:53,200 --> 00:26:55,880
HEAVY BREATHING
131
00:27:01,560 --> 00:27:05,800
MAN: Confronted with some
of man's basic fears,
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00:27:05,880 --> 00:27:09,080
a member of the coven
looks into a mirror
133
00:27:09,160 --> 00:27:10,680
and sees the future.
134
00:27:11,440 --> 00:27:14,560
AN OMINOUS DRUMBEAT SOUNDS
135
00:27:27,080 --> 00:27:29,440
BIRDS CHIRPING IN THE TREES
136
00:27:33,680 --> 00:27:35,680
SOUNDS OF THE FOREST
137
00:27:38,640 --> 00:27:40,720
MAN: When life gets
a bit cluttered and hairy,
138
00:27:40,800 --> 00:27:45,440
I like to come here in the evening,
when the air is clean and cold.
139
00:27:47,000 --> 00:27:52,000
And at once I'm aware
of the whole tapestry of life,
140
00:27:52,080 --> 00:27:53,880
I'm a very wealthy man indeed.
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00:27:53,960 --> 00:28:02,680
MUSIC: LOWLANDS
♪I dreamed a dream, the other night
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00:28:04,320 --> 00:28:07,080
♪Lowlands
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00:28:07,160 --> 00:28:16,000
♪Lowlands away, my John
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00:28:18,080 --> 00:28:26,480
♪I dreamed a dream, the other night
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00:28:27,280 --> 00:28:31,880
♪My lowlands away♪
146
00:28:55,000 --> 00:28:57,400
MAN: I believe that
all forms of life are sacred,
147
00:28:58,080 --> 00:29:00,160
from a nettle to a man.
148
00:29:01,760 --> 00:29:04,880
At present, of course,
man is the overlord.
149
00:29:04,960 --> 00:29:09,880
He is overconfident,
overindustrious, and he's over fed.
150
00:29:10,400 --> 00:29:13,680
The sooner we stop
worshipping man in God's image,
151
00:29:13,760 --> 00:29:17,120
the sooner we can get back
to a proper affinity,
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00:29:17,200 --> 00:29:20,800
a relationship with the land
on which we so much depend.
153
00:29:22,280 --> 00:29:27,040
We need a new humility.
A reverence for the environment.
154
00:29:27,120 --> 00:29:31,040
MUSIC: LOWLANDS
♪He was green and wet
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00:29:31,120 --> 00:29:36,120
♪With weeds so cold
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00:29:36,200 --> 00:29:42,200
♪My lowlands away♪
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00:29:44,360 --> 00:29:45,880
BIRDS CHIRPING
158
00:30:07,800 --> 00:30:10,280
REPORTER: Russell,
why do you go around with Victor?
159
00:30:10,360 --> 00:30:12,240
'Cus he's a right comic.
160
00:30:12,320 --> 00:30:13,760
REPORTER: In what way?
161
00:30:13,840 --> 00:30:15,640
He's always doing daft things.
162
00:30:17,080 --> 00:30:19,440
REPORTER: Does your mum know
what you get up to?
163
00:30:19,520 --> 00:30:20,720
- No.
- Ma mam does.
164
00:30:20,800 --> 00:30:23,360
She will do wi' you lot
showing this on't telly!
165
00:30:24,240 --> 00:30:26,280
SWAGGERING GUITAR
STEADY ROCK DRUMBEAT
166
00:30:39,760 --> 00:30:42,880
MAN 1: The Earth shall be made
of common treasury of livelihood
167
00:30:42,960 --> 00:30:44,320
to the whole of mankind.
168
00:30:44,400 --> 00:30:46,800
MAN 2: This is the Britain
we have all inherited.
169
00:30:46,880 --> 00:30:49,160
MAN 1:
For action is the life of all,
170
00:30:49,240 --> 00:30:51,360
and if you do not act,
you do nothing.
171
00:30:51,440 --> 00:30:53,800
MAN 2:
A land of incomparable beauty.
172
00:30:53,880 --> 00:30:55,520
MAN 1: That we may work
in righteousness
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00:30:55,600 --> 00:30:57,320
and lay the foundation
of making the Earth
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00:30:57,400 --> 00:30:59,880
a common treasury for all,
both rich and poor.
175
00:31:01,920 --> 00:31:05,320
Everyone that is born in the land
may be fed by the Earth.
176
00:31:07,400 --> 00:31:08,840
But all as one man,
177
00:31:09,320 --> 00:31:11,920
working together
and feeding together.
178
00:31:19,880 --> 00:31:22,920
MAN: The ministers who preach up
the law of the scriptures,
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00:31:23,000 --> 00:31:25,360
lay claim to heaven
after they are dead,
180
00:31:26,040 --> 00:31:29,080
and yet they require
their heaven in this world too.
181
00:31:29,920 --> 00:31:31,640
And yet they tell the poor people
182
00:31:31,720 --> 00:31:34,320
that they must be content
with their poverty
183
00:31:34,400 --> 00:31:36,800
and they shall have
their heaven hereafter.
184
00:31:38,200 --> 00:31:40,800
But why may we not
have our heaven here?
185
00:31:43,680 --> 00:31:51,360
MUSIC: ANNE BRIGGS
♪Oh, my babe, don't you know
186
00:31:51,440 --> 00:31:59,680
♪The time's come for me to go
187
00:32:01,720 --> 00:32:09,240
♪Tomorrow comes like yesterday
188
00:32:10,120 --> 00:32:19,520
♪The autumn fades our love away
189
00:32:20,520 --> 00:32:24,520
♪Oh, my babe, don't you know...♪
190
00:32:25,320 --> 00:32:27,160
MAN:
This summer, I'm sort of feeling
191
00:32:27,240 --> 00:32:30,000
there's a lot of comradery
between people.
192
00:32:31,400 --> 00:32:33,600
We should actually
reward ourselves,
193
00:32:33,680 --> 00:32:37,360
and not be so quick to tear down
the good things that we have.
194
00:32:39,160 --> 00:32:46,480
MUSIC: ANNE BRIGGS
♪Don't you think of me no more?
195
00:32:47,160 --> 00:32:55,600
♪I'm going to some foreign shore♪
196
00:32:56,960 --> 00:33:00,320
WOMAN: Some people want
to sit about and be together.
197
00:33:00,400 --> 00:33:03,240
Far as I can detect,
they don't do anything very much
198
00:33:03,320 --> 00:33:07,160
until life catches up with them
and they have to do something.
199
00:33:08,400 --> 00:33:10,560
You can't just do things
when you feel like it.
200
00:33:10,640 --> 00:33:12,680
You plant the spuds
when they need planting
201
00:33:12,760 --> 00:33:14,880
if you want to eat
potatoes that year.
202
00:33:14,960 --> 00:33:18,880
And so with all the other crops,
so with many other activities.
203
00:33:18,960 --> 00:33:21,600
Some of the very young I think...
204
00:33:22,280 --> 00:33:23,920
SIGHS
...wanting freedom,
205
00:33:24,000 --> 00:33:26,040
perhaps want freedom
from that necessity.
206
00:33:26,920 --> 00:33:29,160
I find that life
would be extremely dull
207
00:33:29,240 --> 00:33:31,560
if one didn't have
some necessities of this sort,
208
00:33:31,640 --> 00:33:35,400
but the sense of achievement
comes from recognising them
209
00:33:35,480 --> 00:33:36,560
and coping with them.
210
00:33:37,240 --> 00:33:39,000
AGITATED, PSYCHEDELIC SYNTH
211
00:33:57,560 --> 00:34:00,480
REPORTER: And the flower in your...
- Yes, I'm a hippie, sir.
212
00:34:00,560 --> 00:34:02,640
- Are you?
- Yes. I believe in love.
213
00:34:02,720 --> 00:34:03,920
- Do you?
- Yes.
214
00:34:04,000 --> 00:34:05,720
To what extent?
215
00:34:07,760 --> 00:34:08,560
GIGGLES
216
00:34:08,640 --> 00:34:11,120
When you say you believe in love,
what does this mean?
217
00:34:11,200 --> 00:34:13,640
Well, I love everybody, sir.
I love you. I love her.
218
00:34:13,720 --> 00:34:14,800
I love that lady there.
219
00:34:14,880 --> 00:34:16,800
How do you demonstrate
these feelings?
220
00:34:16,880 --> 00:34:18,440
By wearing a flower?
221
00:34:18,520 --> 00:34:21,160
No, by doing
psychedelic freakouts now and again.
222
00:34:22,040 --> 00:34:24,840
ELECTRONIC RAVE BEAT
223
00:34:44,920 --> 00:34:46,600
MAN: A member of the coven
224
00:34:46,680 --> 00:34:49,880
looks into a mirror
and sees the future.
225
00:34:52,240 --> 00:34:55,280
Pass through darkness to the light.
226
00:34:56,240 --> 00:34:59,840
If you take
but one step in this path...
227
00:35:01,640 --> 00:35:04,680
...this path is beyond life.
228
00:35:04,760 --> 00:35:06,440
And death.
229
00:35:08,520 --> 00:35:09,840
♪Noise flies high♪
230
00:35:09,920 --> 00:35:11,920
MAN: Death and resurrection.
231
00:35:12,000 --> 00:35:14,040
♪No-one there to see it♪
232
00:35:20,360 --> 00:35:22,760
♪Noise flies high♪
233
00:35:46,080 --> 00:35:48,920
MAN: We realise
the completely illusory nature
234
00:35:49,000 --> 00:35:51,080
of the beings that we think we are.
235
00:35:52,280 --> 00:35:56,480
And get back again
to the beings that we really are.
236
00:36:15,680 --> 00:36:18,200
YOUNG WOMAN:
You get tingles all over your body,
237
00:36:18,280 --> 00:36:22,520
and you feel like you're away
from really horrible things,
238
00:36:22,600 --> 00:36:25,760
like hate and fear and aggression.
239
00:36:26,640 --> 00:36:29,720
You get rushes in your head,
like, big rushes,
240
00:36:29,800 --> 00:36:33,560
and you feel love and empathy
towards everybody.
241
00:36:38,960 --> 00:36:40,600
♪No-one there to see it♪
242
00:36:56,200 --> 00:36:58,720
MAN:
And the moral of it is, 'tis love.
243
00:36:58,800 --> 00:37:01,800
'Tis love that makes
the world go round.
244
00:37:03,640 --> 00:37:06,320
SOUND OF RUSHING WIND
245
00:37:06,400 --> 00:37:08,560
SOUND OF A CYMBAL BEING STRUCK
246
00:37:10,680 --> 00:37:12,960
DEEP, TIBETAN-LIKE OM CHANTING
247
00:38:23,560 --> 00:38:25,320
SOUND OF A TIN WHISTLE
248
00:38:25,400 --> 00:38:27,200
MAN: A glimpse of heaven.
249
00:38:28,840 --> 00:38:32,040
But this was only
part of the story.
250
00:38:33,320 --> 00:38:36,240
To find our salvation,
251
00:38:36,320 --> 00:38:40,960
she had to understand
the whole truth of this land.
252
00:38:57,600 --> 00:38:59,400
A HAUNTING, ERRIE CHOIR STRIKES UP
253
00:39:14,520 --> 00:39:17,840
MAN: The Earth shall be made
a common treasury of livelihood
254
00:39:17,920 --> 00:39:19,520
to the whole of mankind.
255
00:39:20,240 --> 00:39:22,320
But all as one man,
256
00:39:22,400 --> 00:39:25,000
working together
and feeding together.
257
00:39:33,840 --> 00:39:35,400
You are trespassing.
258
00:39:35,480 --> 00:39:38,240
I have a warrant for your dispersal
from the council of state.
259
00:39:38,320 --> 00:39:40,320
VIOLENT SHOUTING
260
00:39:57,280 --> 00:39:59,160
WOMEN SCREAMING
261
00:40:00,280 --> 00:40:01,960
SOUNDS OF A STRUGGLE
262
00:40:13,560 --> 00:40:16,040
MAN: And I want to tell you that
263
00:40:16,120 --> 00:40:20,520
these socialist theories
just don't work.
264
00:40:23,600 --> 00:40:26,120
The majority
of the people of this country
265
00:40:26,200 --> 00:40:30,360
are sensible
and practical-minded.
266
00:40:34,240 --> 00:40:37,920
They want to restore
individual liberty to our people,
267
00:40:38,480 --> 00:40:42,560
and to give
free enterprise to our trade.
268
00:40:44,320 --> 00:40:47,760
SOUNG OF EARTH BEING CHURNED
RUMBLING OF AN ENGINE
269
00:40:51,720 --> 00:40:54,120
MELANCHOLY PIANO MELODY
270
00:41:16,320 --> 00:41:19,440
MAN 1: Derelict land
overgrown with brambles and thorns
271
00:41:19,520 --> 00:41:20,960
was put to good use.
272
00:41:21,040 --> 00:41:24,360
Special mechanical scythes
mowed down dense undergrowth
273
00:41:24,440 --> 00:41:26,760
and prepared the way for the plough.
274
00:41:31,640 --> 00:41:34,320
MAN 2: I have to watch
the market all the time.
275
00:41:34,400 --> 00:41:36,800
Try to balance supply and demand.
276
00:42:41,400 --> 00:42:42,800
EXPLOSION
277
00:42:43,720 --> 00:42:46,320
SOUND OF TREES BEING FELLED
TRACTOR MOTOR HUMMING
278
00:42:48,400 --> 00:42:49,400
EXPLOSION
279
00:42:50,840 --> 00:42:53,960
TRACTOR MOTOR HUMMING
280
00:43:01,240 --> 00:43:03,760
MECHANICAL SAW WHIRRING
281
00:43:10,160 --> 00:43:13,200
HELICOPTER BLADES BEATING
282
00:43:25,680 --> 00:43:28,920
THE ROAR OF EARTH COLLAPSING
283
00:43:36,760 --> 00:43:39,680
BURNING WOOD CRACKLING
284
00:43:45,480 --> 00:43:48,680
MAN: What are we going to say?
That we let it happen?
285
00:43:48,760 --> 00:43:50,880
That we let them
destroy the landscape?
286
00:44:01,960 --> 00:44:04,720
HEAVY RAIN FALLS
287
00:44:04,800 --> 00:44:07,000
A BELL CHIMES
288
00:44:24,000 --> 00:44:26,000
A HAUNTING, ERRIE CHOIR STRIKES UP
289
00:44:31,480 --> 00:44:35,280
MAN: No-one knew that
a shadow had fallen on the land.
290
00:44:38,080 --> 00:44:40,880
DEMONIC HISSING AND CLICKING
291
00:44:42,040 --> 00:44:44,520
WOMAN:
Say your prayers, little girl.
292
00:44:45,960 --> 00:44:49,880
AN OMINOUS DRUMBEAT SOUNDS
293
00:44:54,200 --> 00:44:56,720
REPORTER: What would you
be expecting him to do?
294
00:44:58,200 --> 00:45:00,000
Protect my property.
295
00:45:00,080 --> 00:45:05,160
With 25 claws and one pair of teeth.
296
00:45:05,760 --> 00:45:07,560
Are you and your staff
and your family
297
00:45:07,640 --> 00:45:09,960
not as much at risk
from a wild puma...
298
00:45:10,040 --> 00:45:12,160
I have absolute control over him.
299
00:45:12,960 --> 00:45:14,560
PUMA GROWLS
300
00:45:21,600 --> 00:45:23,600
BIRDS CHIRPING
301
00:45:26,280 --> 00:45:28,560
MEN SHOUTING
CRACK OF A RIDING CROP
302
00:45:36,240 --> 00:45:38,320
UNSETTLING MUSIC
303
00:45:39,400 --> 00:45:41,480
MAN: The English countryside.
304
00:45:41,560 --> 00:45:44,040
All the trees in full leaf.
305
00:45:44,120 --> 00:45:46,720
How rich and full of plenty
it all seems.
306
00:45:50,640 --> 00:45:53,040
MAN PRACTISING HUNTING CRIES
307
00:45:59,240 --> 00:46:02,520
MAN PRACTISING HUNTING BUGLE
308
00:46:09,840 --> 00:46:11,640
MAN PRACTISING HUNTING CRIES
309
00:46:22,640 --> 00:46:25,280
FOX HUNTER:
The thrill of hunting a wild animal
310
00:46:25,360 --> 00:46:27,600
is something basic
to man's interest.
311
00:46:29,720 --> 00:46:32,920
A golden thread
running through the countryside.
312
00:46:33,000 --> 00:46:36,600
MAN PRACTISING HUNTING CRIES
313
00:46:36,680 --> 00:46:40,280
MAN PRACTISING HUNTING BUGLE
314
00:46:40,360 --> 00:46:42,200
MAN PRACTISING HUNTING CRIES
315
00:46:44,280 --> 00:46:46,880
ERRIE ATOMOSPHERIC MUSIC
ELECTRONIC BEAT
316
00:46:47,600 --> 00:46:50,400
MAN SHOUTING
317
00:46:55,280 --> 00:46:58,920
WILD BIRD SONG
318
00:46:59,000 --> 00:47:01,640
WOMAN: They have such characters.
319
00:47:01,720 --> 00:47:05,080
And altogether,
just a very good all-round pet.
320
00:47:06,080 --> 00:47:07,960
Aren't you? Good girl.
321
00:47:08,440 --> 00:47:10,240
HEAVY DRUM AND BASS SEQUENCE
322
00:47:20,480 --> 00:47:22,680
REPORTER GRUNTING
323
00:47:22,760 --> 00:47:24,240
Fantastic! I'm up.
324
00:47:24,320 --> 00:47:26,720
Right...
Just take it easy!
325
00:47:36,480 --> 00:47:40,080
MAN: You have a few drinks
and, you know, let yourself go.
326
00:48:05,000 --> 00:48:06,880
EERIE WHISTLING
327
00:48:06,960 --> 00:48:09,600
MAN: That's a good girl.
Come on.
328
00:48:14,800 --> 00:48:16,840
Watch yourself!
329
00:48:16,960 --> 00:48:19,160
HORSE WHINNYING
MEN SHOUTING
330
00:48:25,000 --> 00:48:28,320
DOG HOWLING
331
00:48:28,400 --> 00:48:31,040
DOGS BARKING
332
00:48:40,880 --> 00:48:42,400
GUNSHOTS
333
00:48:55,760 --> 00:48:59,480
MAN: Blinded by self-interest,
they started to turn on each other.
334
00:49:00,760 --> 00:49:02,280
Only the strongest would survive.
335
00:49:05,200 --> 00:49:06,320
DOGS BARKING
336
00:49:46,280 --> 00:49:47,680
Leave me alone!
337
00:49:54,000 --> 00:49:56,480
DOGS BARKING AND HOWLING
IN THE FAR DISTANCE
338
00:49:57,440 --> 00:49:59,040
A GONG-LIKE SOUND RINGS OUT
339
00:50:03,480 --> 00:50:06,120
MAN: What it would really need here
is a group of friends,
340
00:50:06,200 --> 00:50:08,360
people who were friends
before they came here,
341
00:50:08,440 --> 00:50:10,440
and knew they could
get along together.
342
00:50:11,480 --> 00:50:13,080
What it's been up until now is,
343
00:50:13,160 --> 00:50:15,520
people like myself,
who are usually loners,
344
00:50:15,600 --> 00:50:19,120
individuals
with their own ideas.
345
00:50:19,200 --> 00:50:20,160
We all come here,
346
00:50:20,240 --> 00:50:22,560
but when we get here,
we have to live together.
347
00:50:23,800 --> 00:50:24,920
Like a family.
348
00:50:25,960 --> 00:50:28,160
It doesn't work,
and it hasn't worked.
349
00:50:30,560 --> 00:50:33,960
SOUND OF TOY TRUMPET
350
00:50:45,160 --> 00:50:47,080
WOMAN:
"Wicked child", cried the witch.
351
00:50:49,080 --> 00:50:52,040
They carried the girl off
to the endless desert
352
00:50:52,120 --> 00:50:54,480
and left her to look after herself.
353
00:50:55,960 --> 00:50:58,280
EERIE CHOIR
354
00:50:59,560 --> 00:51:02,440
CHILDREN CHANTING
IN AN UNKNOWN TONGUE
355
00:51:04,160 --> 00:51:07,360
AN OMINOUS DRUMBEAT SOUNDS
356
00:51:15,800 --> 00:51:18,000
DOGS BARKING
357
00:51:25,520 --> 00:51:28,200
MAN: There's not
very much sense of community.
358
00:51:28,280 --> 00:51:30,640
We don't need to call on
a neighbour for anything.
359
00:51:32,400 --> 00:51:36,200
And live very, I think, solitary,
quite lonely lives, I think.
360
00:52:08,240 --> 00:52:10,880
A DISTANT VOICE SINGS
IN THE DISTANCE
361
00:52:19,560 --> 00:52:21,920
THE WIND BLOWS
THE GRASS RUSTLES
362
00:52:23,480 --> 00:52:25,400
MAN: They say
he struggled with the grass
363
00:52:25,480 --> 00:52:28,320
as long as he had
any strength left.
364
00:52:40,840 --> 00:52:42,760
GUNSHOT
365
00:52:56,840 --> 00:52:59,920
CRICKETS CHIRPING
NOCTURAL BIRD SOUNDS
366
00:53:03,600 --> 00:53:05,840
MAN: It's a country
which for centuries
367
00:53:05,920 --> 00:53:07,720
has enjoyed a special fame.
368
00:53:07,800 --> 00:53:09,840
And there's nowhere else
like it on Earth.
369
00:53:16,440 --> 00:53:17,800
BOY CRIES OUT
370
00:53:21,160 --> 00:53:22,920
BOY: Daddy! Daddy!
371
00:53:32,400 --> 00:53:35,080
MAN: For a thousand years,
these valleys have had a secret
372
00:53:35,160 --> 00:53:37,160
which no-one else has shared.
373
00:53:50,320 --> 00:53:52,760
MELODY OF JERUSALEM, DISTORTED
374
00:53:52,840 --> 00:53:55,880
MAN: Every corner of the village
is a reminder of a bygone age.
375
00:54:01,360 --> 00:54:04,720
WOMAN: What was the truth
of the British countryside?
376
00:54:08,240 --> 00:54:09,720
MAN: What is this land?
377
00:54:25,120 --> 00:54:27,800
MAN: For those
with an image of the countryside
378
00:54:27,880 --> 00:54:30,400
as being somehow related
to Merry England,
379
00:54:30,480 --> 00:54:33,840
the presence of those
who are impoverished
380
00:54:33,920 --> 00:54:36,720
and underprivileged
is a real threat.
381
00:54:49,040 --> 00:54:51,320
MONSTROUS ROARING
382
00:54:53,040 --> 00:54:54,120
GIRL SCREAMING
383
00:54:54,200 --> 00:54:55,360
GIRL: Mummy!
384
00:54:55,440 --> 00:54:56,960
GIRL CRYING
385
00:54:57,040 --> 00:55:00,480
Mummy! Help! Mummy!
386
00:55:00,560 --> 00:55:02,920
GIRL SCREAMING:
Mummy!
387
00:55:04,120 --> 00:55:06,400
AN OMINOUS DRUMBEAT SOUNDS
388
00:55:33,400 --> 00:55:36,200
MAN: The earth shall be made
a common treasury of livelihood
389
00:55:36,280 --> 00:55:40,040
to the whole of mankind,
but all as one man,
390
00:55:40,120 --> 00:55:42,080
working together
and feeding together.
391
00:55:43,480 --> 00:55:46,240
ELECTRIC GUITAR
AND SOMBRE ORGAN MUSIC
392
00:56:19,480 --> 00:56:21,360
MAN: It was built in struggle,
393
00:56:21,440 --> 00:56:24,320
through the collective struggle
of the communities,
394
00:56:24,400 --> 00:56:26,160
that it is only through
the mobilizing
395
00:56:26,240 --> 00:56:28,520
of the whole working class.
396
00:56:28,600 --> 00:56:31,160
For all the communities,
397
00:56:31,240 --> 00:56:32,960
put them under workers' control,
398
00:56:33,040 --> 00:56:35,880
run the industry
for the working class,
399
00:56:35,960 --> 00:56:37,200
and by the working class.
400
00:57:00,120 --> 00:57:03,320
BOY: They thought I was paralyzed,
but I ended up with a twisted neck.
401
00:57:03,400 --> 00:57:05,520
And my mate,
he broke his knee in 12 places.
402
00:57:05,600 --> 00:57:06,800
REPORTER:
But you're back this year?
403
00:57:06,880 --> 00:57:07,920
Yeah.
404
00:57:08,000 --> 00:57:10,800
My mate ain't coming back though.
He said, “Fuck that!”
405
00:57:10,880 --> 00:57:14,400
MUSIC: MY BONNY BOY
♪Well, up the long alley
406
00:57:14,480 --> 00:57:18,280
♪And down the green valley
407
00:57:18,360 --> 00:57:25,280
♪Like one that was troubled in mind
408
00:57:25,360 --> 00:57:29,120
♪I hollered and I whooped
409
00:57:29,200 --> 00:57:34,760
♪And I played upon my flute
410
00:57:34,840 --> 00:57:42,560
♪But no bonny boy could I find♪
411
00:57:42,640 --> 00:57:44,600
MAN: With the surging
spirit of revenge,
412
00:57:44,680 --> 00:57:47,920
and the courage
never to submit or yield.
413
00:57:48,000 --> 00:57:54,400
MUSIC: MY BONNY BOY
♪But no bonny boy could I find
414
00:57:55,520 --> 00:58:04,360
♪Well, the girl who's the joy
of my own bonny boy
415
00:58:04,440 --> 00:58:10,160
♪Let her make of him
all that she can
416
00:58:11,040 --> 00:58:14,920
♪And whether he loves me
417
00:58:15,000 --> 00:58:19,240
♪Or whether he don't
418
00:58:19,320 --> 00:58:27,240
♪I'll walk with that boy
now and then
419
00:58:27,320 --> 00:58:33,680
♪I'll walk with that boy
now and then♪
420
00:58:38,520 --> 00:58:40,720
A FRIGID, COLD WIND BLOWS
421
00:58:46,720 --> 00:58:49,400
ERRIE CHANTING
422
00:59:08,800 --> 00:59:11,920
OM CHANTING
423
00:59:14,160 --> 00:59:19,520
UNINTELLIGIBLE WORDS
424
00:59:49,040 --> 00:59:52,680
MAN: We pray that this
may then turn into all men,
425
00:59:52,760 --> 00:59:58,120
so that they may have
some small glimpse of themselves,
426
00:59:58,200 --> 01:00:02,600
and that this glimpse,
even though but dimly seen,
427
01:00:02,680 --> 01:00:05,240
might be forever a monument
428
01:00:05,320 --> 01:00:07,920
at the crossroads
of their inspiration.
429
01:00:09,560 --> 01:00:14,560
O Mighty God,
there will be no barriers now.
430
01:00:15,960 --> 01:00:18,960
Blessed are they who heal
431
01:00:19,040 --> 01:00:22,840
in these days
of great pain and suffering.
432
01:00:30,280 --> 01:00:33,480
Thy will, O Para Brahma, be done!
433
01:00:53,440 --> 01:00:55,120
MAN: A story of change,
434
01:00:55,600 --> 01:00:59,000
of people moving off the land
and away from the country.
435
01:01:00,520 --> 01:01:03,400
EERIE CHOIR
436
01:01:43,680 --> 01:01:46,280
MAN: The poor moved out.
The rich moved in.
437
01:01:48,200 --> 01:01:50,040
A place now only for the wealthy.
438
01:01:57,480 --> 01:02:01,320
MAN: What do you think
this slice of loveliness is worth?
439
01:02:01,400 --> 01:02:03,200
WOMAN: Oh, this is lovely.
440
01:03:00,880 --> 01:03:03,520
REPORTER: If we hadn't got
any wild animals or birds,
441
01:03:03,600 --> 01:03:04,800
would it worry you?
442
01:03:04,880 --> 01:03:05,840
No, not at all.
443
01:03:05,920 --> 01:03:08,040
You'd be prepared
to see a bare countryside
444
01:03:08,120 --> 01:03:09,280
with no wildlife at all?
445
01:03:09,360 --> 01:03:10,360
Yes, yes. Wouldn't bother me.
446
01:03:29,600 --> 01:03:32,680
Now, these children here
447
01:03:32,760 --> 01:03:36,920
are getting
artificial ultraviolet radiation
448
01:03:37,000 --> 01:03:40,600
in order to protect them
from rickets.
449
01:03:41,640 --> 01:03:44,400
It may be as good as real sunlight.
450
01:03:55,800 --> 01:03:57,200
WOMAN: You could buy it.
451
01:03:57,280 --> 01:03:59,320
You could buy it.
452
01:04:01,040 --> 01:04:02,800
IMPOSING INDUSTRIAL SOUNDTRACK
453
01:04:17,760 --> 01:04:19,640
MAN: In the United Kingdom,
454
01:04:19,720 --> 01:04:23,520
a crisis of great dimensions
is in the making...
455
01:04:25,200 --> 01:04:28,080
...which, if it were allowed
to run its course,
456
01:04:28,160 --> 01:04:29,680
would shake the world,
457
01:04:29,760 --> 01:04:33,360
and make our own position
highly vulnerable
458
01:04:33,440 --> 01:04:35,080
and precariously isolated.
459
01:04:42,080 --> 01:04:43,280
WOMAN: To dream of a place
460
01:04:43,360 --> 01:04:46,240
where heaven
could exist on Earth...
461
01:04:49,200 --> 01:04:50,800
A utopia.
462
01:05:03,840 --> 01:05:06,960
MAN: Think of that grain
as a speck of dust
463
01:05:07,040 --> 01:05:11,360
in the sands of time,
on the beach of infinity.
464
01:05:19,600 --> 01:05:22,120
YOUTH: I love everybody, sir.
I love you, I love her...
465
01:05:36,680 --> 01:05:38,880
MAN: There seems to be
a numbness with us.
466
01:05:38,960 --> 01:05:40,920
We seem to have lost
the ability to resent,
467
01:05:41,000 --> 01:05:44,160
to be indignant, to fight.
468
01:05:46,320 --> 01:05:49,000
MAN: Once a thing is lost,
it's difficult to bring it back.
469
01:05:54,960 --> 01:05:59,400
WOMAN: While the cancer of fear
and hate eats away at his heart,
470
01:05:59,480 --> 01:06:03,280
at last he looks round at his work,
and gives a start.
471
01:06:04,160 --> 01:06:06,120
For the mighty cage is complete,
472
01:06:06,600 --> 01:06:08,880
and he too is inside.
473
01:06:15,400 --> 01:06:17,880
MAN: No wonder we feel
cut off from everything,
474
01:06:17,960 --> 01:06:20,040
alienated,
frightened of life and death...
475
01:06:22,720 --> 01:06:24,640
MAN: And you are driven by time.
476
01:06:26,400 --> 01:06:28,680
Time is money.
Time is of the essence.
477
01:06:29,560 --> 01:06:33,000
Because there's this feeling,
you've got to make that deadline.
478
01:06:33,080 --> 01:06:35,240
There's something there
you've got to get to.
479
01:06:35,320 --> 01:06:38,880
WOMAN: Come on, Britain!
Wake up! Shape up!
480
01:06:38,960 --> 01:06:40,400
And stretch up!
481
01:06:42,480 --> 01:06:44,360
MAN 1:
Dunno. It was all over his face.
482
01:06:44,440 --> 01:06:45,240
MAN 2: Blood?
483
01:06:45,320 --> 01:06:48,040
Yeah, blood all over his face.
484
01:07:05,160 --> 01:07:07,000
MAN SCREAMING
485
01:07:15,960 --> 01:07:17,360
WOMAN: Blood.
486
01:07:18,960 --> 01:07:22,760
Penetrate to the blood-deep rhythm.
487
01:07:24,320 --> 01:07:26,320
MAN: She was alone.
488
01:07:26,400 --> 01:07:29,120
Completely alone.
489
01:07:29,200 --> 01:07:31,400
A HAUNTING, ERRIE CHOIR STRIKES UP
490
01:07:33,720 --> 01:07:36,800
AN OMINOUS DRUMBEAT SOUNDS
491
01:07:46,320 --> 01:07:50,000
REPORTER: It's quite obvious that
Sherry is still very much your pet?
492
01:07:50,080 --> 01:07:52,680
MRS LEVERIDGE: Oh, yes, she is...
493
01:07:52,760 --> 01:07:56,320
She's still the same to me
as she always was.
494
01:07:56,400 --> 01:07:59,880
It seems a bit odd seeing you
brushing and combing her.
495
01:07:59,960 --> 01:08:00,960
Oh, yes?
496
01:08:01,040 --> 01:08:05,000
Oh well, I always do it,
every morning.
497
01:08:05,080 --> 01:08:06,600
Brush her and comb her.
498
01:08:06,680 --> 01:08:11,480
And I bath her
once every three months.
499
01:08:13,200 --> 01:08:16,400
To me, she's still Sherry.
500
01:08:17,360 --> 01:08:18,560
Yes...
501
01:08:22,840 --> 01:08:25,920
He brought her in a chest.
502
01:08:26,000 --> 01:08:28,320
And for a bit,
503
01:08:28,400 --> 01:08:32,400
I couldn't really bear
to see him pull her out.
504
01:08:32,480 --> 01:08:36,440
Of course,
it brought tears to my eyes.
505
01:08:36,520 --> 01:08:40,320
But afterwards,
I soon got over it.
506
01:08:40,400 --> 01:08:42,920
- You lay her by the fire and...
- That's right, yes.
507
01:08:43,000 --> 01:08:45,840
Where she always lay.
508
01:08:45,920 --> 01:08:46,920
Yes...
509
01:08:51,880 --> 01:08:55,080
LAMENTING VIOLIN MUSIC
510
01:10:32,400 --> 01:10:34,080
WOMAN: Please, I didn't mean it.
511
01:10:34,160 --> 01:10:36,800
I don't mean it.
Don't let it happen.
512
01:10:39,440 --> 01:10:42,520
It's thinking about horrible things
that makes them happen.
513
01:10:46,720 --> 01:10:51,920
If I wanted to, I could fill
this little room with ghosts.
514
01:11:00,040 --> 01:11:02,480
EERIE NOISES
A HEART BEATING
515
01:11:12,480 --> 01:11:14,960
MAN: The setting of beauty
was of great importance.
516
01:11:15,040 --> 01:11:17,360
The rose walks
and the extensive lawns
517
01:11:17,440 --> 01:11:20,960
were all part of the plan
to heal a troubled mind.
518
01:11:29,640 --> 01:11:32,560
GIRL: The trees were going to burn.
Don't let the leaves burn.
519
01:11:33,400 --> 01:11:34,800
Burn me instead.
520
01:11:39,880 --> 01:11:42,640
MAN: People who have lost
their grip on life,
521
01:11:42,720 --> 01:11:44,520
lost all sense of security,
522
01:11:44,600 --> 01:11:47,520
they are alone,
shut up within themselves,
523
01:11:48,280 --> 01:11:50,320
at prey
to all their anxieties and fears,
524
01:11:51,960 --> 01:11:53,840
and, in some cases, going down.
525
01:12:29,240 --> 01:12:33,240
MAN WHISPERS:
The end of everything.
526
01:13:06,640 --> 01:13:09,840
AN UNSEEN PERSON
TAKING DEEP BREATHS
527
01:13:33,600 --> 01:13:35,600
WOMAN: The truth is in the soil.
528
01:13:41,360 --> 01:13:43,560
VIOLIN STRINGS
529
01:14:36,280 --> 01:14:38,680
WOMAN: Once upon a time,
530
01:14:38,760 --> 01:14:41,880
in the heart
of the British countryside,
531
01:14:41,960 --> 01:14:43,960
there lived a fair maiden.
532
01:14:45,480 --> 01:14:47,880
She had a strange dream...
533
01:14:49,440 --> 01:14:52,800
...and was told that
the answers to all her problems
534
01:14:52,880 --> 01:14:54,880
lay within the land around her.
535
01:14:56,000 --> 01:14:58,640
TRIUMPHANT STRINGS
536
01:15:24,400 --> 01:15:26,800
She realised the answer
lay within her all along.
537
01:15:31,400 --> 01:15:33,160
Everything is connected.
538
01:15:33,640 --> 01:15:35,000
We are all one.
539
01:15:37,000 --> 01:15:39,080
Together, anything is possible.
540
01:15:53,440 --> 01:15:55,040
The past is gone.
541
01:15:55,920 --> 01:15:57,200
The future is unwritten.
542
01:16:19,200 --> 01:16:24,960
MUSIC: O WILLOW WALY
♪We lay my love and I
543
01:16:25,040 --> 01:16:30,720
♪Beneath a weeping willow
544
01:16:30,800 --> 01:16:36,560
♪But now alone I lie
545
01:16:36,640 --> 01:16:41,760
♪And weep beside the tree
546
01:16:41,840 --> 01:16:47,680
♪Singing 'O Willow Waly'
547
01:16:47,760 --> 01:16:53,360
♪By the tree that weeps with me
548
01:16:53,440 --> 01:16:59,080
♪Singing 'O Willow Waly'
549
01:16:59,160 --> 01:17:05,280
♪'Till my lover returns to me
550
01:17:05,360 --> 01:17:11,120
♪We lay my love and I
551
01:17:11,200 --> 01:17:16,800
♪Beneath a weeping willow
552
01:17:16,880 --> 01:17:22,440
♪But now alone I lie
553
01:17:22,520 --> 01:17:27,920
♪Oh willow I die
554
01:17:40,720 --> 01:17:46,480
♪Singing 'O Willow Waly'
555
01:17:46,560 --> 01:17:52,640
♪'Till my lover returns to me
556
01:17:52,720 --> 01:17:58,400
♪We lay my love and I
557
01:17:58,480 --> 01:18:04,240
♪Beneath a weeping willow
558
01:18:04,320 --> 01:18:09,920
♪But broken heart have I
559
01:18:10,000 --> 01:18:14,000
♪O willow I die
560
01:18:15,920 --> 01:18:20,920
♪O willow I die♪
561
01:18:24,200 --> 01:18:27,160
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