All language subtitles for Falling.Water.S01E08.The.Well.1080p.AMZN.WEB-DL.DD5.1.H265-SiGMA

.

- Previously on
"Falling Water"...

- It was a gift
from the ambassador.

- I've seen the boy
in the flyers

at the Belgian consulate.

- Aeskyton?

This is where she went,
isn't it?

- You don't want to go there.

- Something happened
to me there.

It was the start of everything
that's happened since.

- I know this is scary,

but together we can
find your son.

- They were betrayed.
- By who?

- Fat men who eat
too much ice cream.

- Your mother's catatonia's
unchanged.

- Wake up!

- Who is he?
- He's the Belgian ambassador

to the UN.

- He was my silent partner.

- Our Belgian client
has concerns.

- He's always concerned.

- Yeah,
he's congenitally paranoid.

[soft music]

*

[glitchy tones]

[ominous music]

*

[ominous music intensifies]

*

[dark music]

*

[soft music]

- Forge.

Noun: A furnace in which
wrought iron is produced

by heating and hammering.

- [tapping]
Press on, Seekers.

Continue to explore.

- Forge.
Verb, transitive:

To make or imitate falsely
with the intent to defraud.

- Guides, don't overmanage.

Be firm, yet gentle.
Give them your trust.

Let them feel their way.

- Forge.
Verb, transitive:

to form or bring into being
by the expenditure of effort.

*

[soft industrial music]

*

[distant sounds of traffic]

- I apologize for the disarray.

With the new ambassador
coming in,

we're all shifting offices.

- If it isn't rude, what
happened to the old ambassador?

- He passed away.

- Have you seen this boy?

- Where did you get this?

- It's her son.
He's missing,

and a friend of ours
said he thought he

may have seen him here.

- How old is your son?

- He's seven.

- This is going to
sound strange.

- We're good with strange.

- I used to have a drawing
of this same boy.

But it was 30 years old.
The ambassador got it for me.

I found out recently it was
on the back of a record album.

- Can I see the drawing?

- I don't have it.

We had it in a reception
after the ambassador's funeral.

One of his business partners
stole it off my wall.

A boring, paranoid man,

but all to happy
to help himself to my property.

- You know, we'd really
love to see this drawing.

You wouldn't have the business
partner's contact information?

- He has an office in midtown.

If you see my drawing there,
steal it.

[indistinct chatter]

[soft music]

[door opens, closes]

*

[distant dog barking]

- Those'll kill ya.

- [soft laugh]

- You know, I had enough
of the games and the non-answers

from you and Ann-Marie.

So now we're gonna
make things official.

This is my shield.
I'm a policeman,

and we're going to
the precinct to have a chat.

Get up.
Let's go.

- Hey!
I only have a five-minute break.

- Well, then, you better answer
my questions really quickly.

When I saw you kill that guy...

[ominous music]

I watched you pull a bag
over his head.

*

- It was a dream,
and he deserved it.

- Why?

*

- He was one of us.

And then he wasn't.

And because of it,
Trey and the others are dead.

- Are you telling me
the Belgian ambassador

wore green sneakers?

*

- I didn't know
that it was gonna, like...

*

Like, stay with me...

like it has.

I thought I'd feel better.

- It's death.

No one feels better.

*

[eerie music]

[door creaks open]

[footfall]

- You must be my next
one-on-one session.

*

- I believe you're right.

- Well, then, shall we?

- I've never done this before.

I have these...dreams.

They stay with me.

- And is that why you're here?

- If I'm honest?

- Rather a waste if you're not.

[ominous tone]

- There's a woman.

I lost her somehow.

One moment she was in my arms,

the next she vanished
completely.

Like a bad dream.

[dark music]

- And where is she now?

- I don't know.

- Did she come here?

- Yes.

- Was that her in the picture
you were looking at?

- Did you know her?

- I remember everyone.

Mind like a Venus flytrap.

But it's your journey
I'm interested in.

- Her journey
is my journey.

- Following in her footsteps?

- I was hoping to
find my way back to her.

- Well, you can't do that until
you understand why she left.

How did you meet?

*

- We met in a bar.

It was a Tuesday.

We went back to her place
and didn't leave for a week.

I was working in London, so
we'd have these bursts of time,

then gaps.

What did she do
while she was here?

- Well, I could answer that,
but I think we better

get back to why
you stopped seeing each other.

- Did you have sessions
like this with her?

- Yes, but the details
of those sessions

aren't for me to share.

How did you feel
when she vanished?

- Like a boat on a dark ocean.

- And what about before that,
when you were on your break?

Were you seeing other people?

- No.
- Did she?

- No.

- You sure?

- What do you mean?

- What if you were
having a dream,

and in that dream she was
married to another man?

- I'd know it was a dream.

- What if it was actually true?

That she had a husband?

- She didn't.
I'd know.

- Are you sure?

*

- What are you trying to say?

- You only saw each other
in short bursts.

*

- I'd know.

- There.

That fear in your voice.

The fear that behind our masks,

none of us are who we seem.

*

That's primal for you.

*

[wind whooshing]

[ominous music]

*

[knocking]

[intense ominous music]

.

[ominous music]

[knocking]

[knocking]

- Hey, I was gonna call you.

- What do you think
you're doing?

Alice's boss saw you
and called her parents.

- Yeah, I had to ask her
some questions.

- She's my patient,
and a minor.

You had to know I'd find out.

So which is it, did you
not think or did you not care?

- I care.

There are connections.

My case, the people
in Alice's cult.

They say they can
heal my mother.

- Your mother.

Your medically catatonic mother
whose condition

has gone unchanged
for seven years.

- They told me there was hope.

[solemn music]

- And that's why you were
interested in Alice.

*

That's why you were
interested in me.

- No.
You were separate.

- Don't touch me.

- I never meant
to to lie to you.

- I don't give a damn
what you meant.

I haven't let myself
get this fooled

in a long time.

- You're not a fool.

I love you.

- Go to hell.

*

[Robert Eacey's "All Gone"
plays]

- * Come on down
from your mountain *

* I'm on my belly

* For 20 years and counting

* You've been
lording it over me *

- Why do you think
that man killed himself?

- Could be any one
of a million reasons.

*

But mostly those reasons
boil down to fear and despair.

*

At least they do
in my personal experience.

- * Everybody here's
been broken *

* Everybody is alone

- Who was it?

*

- It was me.

I didn't do a very good job,
obviously, but...

I know what it's like
to feel lonely

and out of your mind.

*

- Actually, this is the least
out of my mind

I've felt in a very long time.

Which is why I'm probably
out of my mind,

but I feel so close.

Ever since we saw him
at that window, it's like...

I'm gonna find him
around the next corner.

Only when I get
around the corner, he's...

hidden, somehow.

- Hidden or hiding?

- The Belgian can't be the end.

He was business partners
with the ambassador.

What was their business?

- [inhales sharply]
If only there was some sort of

pocket computer that
we could use to answer

these sorts of questions.

[keys clacking]

*

Rare-earth metals.

*

Seems they recently

sold a large chunk of their
holdings to a Malaysian company.

Hm, I know the firm
that brokered the deal.

I did a stock offering
with them.

- Look at this.

- * Everybody's
waiting too long *

- This is the shrine I found

at that abandoned house.
Here, look.

"Rare-earth metals."

[eerie tone]

- That's a pretty thin straw
you're grasping.

- Call your people at the firm.

See if they can
meet us tomorrow.

- I have to fly
to Nagasaki tomorrow.

- * I wanna see it once
before it's all gone *

- I will cancel.
For you.

- No.

- No.
You have a hunch.

Let's follow it through.

I will get them
to see us first thing,

and you can stay here tonight,
and then I will fly out

right after.

- Where would I sleep?

- You can sleep here.

[exhales]
Here.

I own the apartment downstairs.

I haven't had a chance
to punch through the ceiling,

but you will sleep here,
and I will stay down there.

*

[indistinct chatter]

- Cheers.

[soft laugh]

[ominous music]

*

Glass of wine?

- No.
- Might help.

- The only thing that will help

is answers.

- Oh, there are
all kinds of answers.

But I suspect you want the sort
wrapped up in tidy little boxes.

- I just want the truth.

- About your lover?

- You said
she came here.

- Mm.

She was lovely.

Although she did arrive thinking

she was going to write an exposé
about us all.

- Where is she now?

- I don't know.

- What did you do to her?

- Do you really want to follow
in her footsteps?

- I'd walk through fire for her.

- Well, then,

I think you'd better
come with me.

[dark music]

[metal door opens, closes]

*

[brooding tone]

- What's inside?

- A small, empty room.

- And what happens
when I go in there?

- You fill it.

*

- Is that where she went?

- If you want to find her,

you need to make
a leap of faith.

- [exhales]

I don't trust you.

- You probably shouldn't.

But we all have people we love

and we do what we can
for them.

*

*

[metal door creaks, closes]

[door clanks]

[lock clanks]

[dramatic music]

.

[dark music]

- [exhales]

[water dripping]

*

*

[breathing heavily]

*

[Robert Eacey's "All Gone"
playing]

*

[phone beeping]

[line trilling]

- Hi.
It's Sabine.

Leave a message.
[beep]

- Hey.

I've been calling and...

you've not been answering,
so I...

figured I'd leave
another message.

I just...

I wanna explain...

I screwed up.

And that's on me, but...

and...

I know I should've
thought of you more.

I do.

All the time.

*

You're under my skin.

- * Everybody's waiting
too long *

- Just--just call me.

You know, even if it's to

hang up in my face.

- * I wanna see it once more
before it's gone *

* Oh see it once more
before it's gone *

[soft music]

*

[ominous whoosh]

[muffled footsteps reverberate]

[soft music]

*

[slow-motion ominous tone]

[muffled doorknob rattles]

[muffled thudding reverberates]

[indistinct shout reverberates]

[muffled, indistinct shouts
reverberating]

[whirring]

[items clatter]
[table scrapes]

[loud clanking]

[muffled reverberations resume]

[loud clanking]

[muffled reverberations resume]

[clattering]

Aah!
Aah!

[clock ticking]

[growling]

[baby cries]

[baby crying]

[clock ticking]

[baby cries]

[eerie music]

*

I'm here!

*

I'm here!

*

[solemn music]

.

[water dripping]

[ominous music]

*

[tone dings]

[solemn music]

*

- [echoing]
Hold my hand?

*

[tapping reverberates]

*

- Would you come with me, sir?

- What's going on?

- It's quite urgent.

There's a problem
with the plane.

[dramatic music]

*

*

Look up.

*

[airplane roaring distantly]

*

- I should be on that plane.

- You belong here.

[airplane engine roaring]

Keep your eyes on the plane.

[engine hisses]

- What's happening?

- It's crashing.

*

- You can't just let
this happen.

There are people on board.

- We're helpless.

*

- No!

[roaring reverses]

[water dripping]

[solemn music]

*

[motorized traffic]

- Are you finally ready?

- You've been moving me
in circles.

- You've been moving yourself.

We've been standing still
with our arms open.

- It's my own fault.

You hold out the carrot
of all these answers,

but it's bullshit.

My mother's the way she is.

- If you really believe that,

you wouldn't have called.

- I called
because you're under arrest.

[tense music]

- This won't get you
what you want.

- You can't give me
what I want.

You never could.

*

- Bill, how are you?
- Hey, bud.

- I apologize for
sticking you in here.

We're expanding our footprint
and the place is chaos.

- No.
- Have we met?

- This is Tess.
She works with me.

- Well, how can The Firm
help you?

Because you know we would love
to help you.

- Rare-earth metals.

- Uh, you recently
brokered a deal

for several hundred million
dollars worth of mineral rights?

- We did.

- Well, my company is looking
to vertically integrate,

and can't make cell phones
without rare-earth metals.

- That's an interesting
proposition.

I think that we'd be happy to

build you some
options contracts.

- I'm not interested in paper.
I was hoping

you could introduce me
to your, uh, Malaysian buyer.

- If you'll excuse me.
Bathroom.

- Definitely think
we could do that.

[ominous music]

*

- Miss?

Miss, are you Tess?

- Yeah.

- This is for you.

- Thank you.

*

- You have the right
to remain silent.

Anything you say can
and will be used

against you
in a court of law.

You have the right
to an attorney.

- I don't need an attorney.

- I still have to finish.
- I know my rights.

- Then sign here.

- You have no evidence
to charge me with.

- I have an explosion

and 12 dead bodies.

- And nothing to link me
to either.

- You convinced Alice to murder
the Belgian ambassador.

- The ambassador died in
Montreal of a drug overdose.

- I was there.
I saw her do it.

- You were asleep in a car
parked by the side of the road.

- Alice at least
has the decency

to be haunted.

You don't give a damn.

- I think the purity
of my cause puts me

on the right side
of the ledger.

- You know the problem
with that?

Even if you're right,

you open the door so
every asshole who comes along

can claim the same exact thing.

- You're talking about the law.

I'm talking about
the human spirit.

[tense music]

Your wound is so deep.

We can help you heal.

*

You have so much power,

but no purpose.

You feel deeply,

but have nothing to love.

- That's not true.

- Then why are you so alone?

*

- You turned the girl
into a killer.

If that's not
on the wrong side of the ledger,

your ledger is not worth
the paper it's written on.

*

You're free to go.

But don't get too comfortable.

*

- Your mother will be
disappointed.

- Yeah, if you don't mind,

I'll let my mother
speak for herself.

[indistinct chatter]

.

- [breathing deeply]

[ominous whispering]

[door clanks]

[door creaks]

[dark music]

*

[gentle eerie music]

*

You don't belong here.

- How do you know
where I belong?

This place is just dream.

A private stage
where you act out

the illusion of love
with a woman

you don't even know.

- She's not an illusion.

- Look around.

In all these piles,
can you tell me the name

of one book?

*

- Why are you doing this?

- Because the truth is cold
like the universe.

- I love her.

- You love her.

You.

You.
You.

- I love her.

- Then what's her middle name?

*

- I don't know.

- Has she ever broken a bone?

- I don't know.
- Look at her vanity.

Can you name
one brand of perfume?

Lotion?
Lipstick?

- I know who she is.

- You don't have a clue
who she is.

You cling to the idea of love
when it's an invention,

an irrational,
narcissistic trick

you've played on
your own mind.

- Stop.

[dark music]

*

- That's her as she is now.

It breathes, it eats,

but it's barely human.

*

- What did you do to her?

- She requested her fate.

Just like you.

*

- What did you do?

- Do you really want me
to show you?

- Please.

*

What did you do?

[solemn music]

*

*

- [echoing]
They're coming.

[intense music]

[tires squeal]

[tires screech]

[steel batons unsheathe]

*

- [grunts]

[painful noise blares]

[agonized screams]

[painful noise blares]

[screaming]

[grunting]

[dramatic music]

[gagging]

*

[dark music]

[shivering]

[susurrant whoosh]

*

[motorized traffic]

[typewriter dings]

- "Turning and turning
in the widening gyre

The falcon cannot hear
the falconer."

*

"Things fall apart;

"the centre cannot hold;

"Mere anarchy is loosed
upon the world,

The blood-dimmed tide
is loosed..."

- Now do you see?

It's all pointless,

all your thrashing about.

*

The world is entropy.

There is no fate,
no destiny.

She's not your soul mate.

There's no such thing.

*

You're two bodies that collided

by accident

in a bar.

Your happenstance.

[dark music]

You're nothing.

*

There's no glory in suffering.

Let go of her

and be free.

*

*

- No.

[tone dings]

[solemn music]

*

- Find The Boy,

The Boy, and save us both.

*

[airplane engine roaring]

.

[elevator bell dings]

- Shouldn't you be at home?

- You said your mother
never talks to you.

What if she could?

- You need to get away
from those people.

Talk to your doctor.

She's a good doctor.

- What if you could
hear her voice?

Like I've heard it.

- Ann-Marie put you up to this?

- No.

[lock clicks]

Your mother did.

[solemn music]

- Enough.
Leave me alone.

- I didn't have to come here.

I'm trying to
make things better.

*

Don't you even want to know
what she has to say?

*

- I always like a last meal
just before I travel.

If you wanted to come with me,

we could hop over to Malaysia,

visit Mr. Song?

- Thanks, but no.

- Here.

It's something to distract you.

It's a prototype,
the new five-gen.

It's narrower, faster, and...

look, on the back,

I put an imperfection.

When you hold the phone, your
finger goes right to that spot,

makes it feel more personal.

- There's an old friend of mine
who works at The Firm.

He saw me with you this morning,

and he passed me a note.

It says I shouldn't trust you.

[tense music]

- Who is he?

- Someone I grew up with.

*

- Did he say why
you shouldn't trust me?

- No.

*

- Do you believe him?

*

- Would I have told you
if I did?

*

- What does he want?

- He wants me
to meet with him.

- Well, I'll go with you.

And then together we can
find out what he knows.

- He'll say more if I go alone.

- I want to be there.

Tess...

*

I care about you.

Profoundly.

*

- I know.

*

- Take the phone.

*

It has a tracking function.

If you call me
just before you meet him,

I can listen in.

- Okay.

- You promise?

How's it feel?
Not too perfect?

- It's beautiful.

- You should sit.

- I'll stand.

- Whatever happens,
I'll be fine.

She won't hurt me.

[dark music]

*

Your mother's
a very powerful dreamer.

*

As her manic depression grew,
she retreated further

and further into dreams,
until...

*

I eventually stayed there.

*

I was losing my mind.

- What are you doing?

- I was a wife and a mother,
but never fully myself.

- Stop it.

both: It was dreams or death.

And in my dreams,
I was free of

contradictions

and confinements

and obligations.

- It wasn't even a choice.

I would have hurt myself.

I would have hurt you.

*

You would have spent
your entire life

taking care of me.

You wouldn't have had a life.

- Stop.

- I left you

because I wanted to spare you.

*

I left you

because I love you.

*

- How are you doing this?

- She's not.

*

You are.

*

You are finally strong enough

to make it happen.

*

And I have been waiting for you

for so very long.

*

[Robert Eacey's "All Gone"]

*

- Here you go.
Thanks.

*

- Forge.

To refine or
create something new.

Something stronger.

Like iron.

Or love.

I forge.

You forge.

They forge.

*

[dark music]

*