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1
00:00:13,033 --> 00:00:15,565
[ BIRDS CHIRPING ]
2
00:00:15,633 --> 00:00:19,765
[ VEHICLE APPROACHING ]
3
00:01:02,833 --> 00:01:05,466
[ RUMBLING ]
4
00:01:11,166 --> 00:01:13,966
[ RUMBLING INTENSIFIES ]
5
00:01:19,933 --> 00:01:23,599
[ GURGLES, SPUTTERS ]
6
00:01:25,633 --> 00:01:27,599
[ BIRD CAWING ]
7
00:01:34,133 --> 00:01:36,165
I HAD A FEELING
IT WAS A DUSTER.
8
00:01:36,233 --> 00:01:40,366
YOU GOT THE ONLY THREE DRY WELLS
IN PARADISE BASIN, HENRY,
9
00:01:40,433 --> 00:01:43,799
AND TWO LEASES
EXPIRING NEXT WEEK.
10
00:01:43,867 --> 00:01:45,832
WHAT ABOUT
THE BAILEY FIVE?
11
00:01:45,900 --> 00:01:47,699
LOOKS BAD, HENRY.
12
00:01:47,766 --> 00:01:50,699
DROPPED THE BID AT 6-5.
WE'RE FISHING FOR IT NOW.
13
00:01:50,766 --> 00:01:52,632
WELL, YOU CAN'T SELL DUST,
HENRY,
14
00:01:52,700 --> 00:01:54,765
SO YOU GOT TO HIGHTAIL IT
UP TO THE BIG CITY
15
00:01:54,833 --> 00:01:57,099
AND GET YOURSELF
SOME SHOPPING MONEY QUICK, YES.
16
00:01:57,166 --> 00:02:00,332
BILLY JOE, IS MONEY
ALL YOU EVER THINK ABOUT?
17
00:02:00,400 --> 00:02:02,299
HENRY,
I AM AN ACCOUNTANT.
18
00:02:02,367 --> 00:02:04,732
I'M SUPPOSED TO THINK
ABOUT MONEY.
19
00:02:04,800 --> 00:02:08,332
SO YOU GO ON UP NORTH AND RAISE
$1.2 MILLION STARTING RIGHT NOW,
20
00:02:08,400 --> 00:02:10,332
OR YOU'RE BROKE, YES.
21
00:02:10,400 --> 00:02:13,732
HENRY, YOU'RE A RICH MAN,
22
00:02:13,800 --> 00:02:16,765
AND A RICH MAN
CAN'T AFFORD TO GO BROKE.
23
00:02:21,000 --> 00:02:23,832
[ UP-TEMPO MUSIC PLAYS ]
24
00:02:26,933 --> 00:02:28,799
♪ HERE COME THE ♪
25
00:02:28,867 --> 00:02:30,632
♪ WHEELER DEALERS ♪
26
00:02:30,700 --> 00:02:32,466
♪ WHEELER DEALERS ♪
27
00:02:32,533 --> 00:02:34,399
♪ HIGHFALUTIN LOCAL YOKELS ♪
28
00:02:34,467 --> 00:02:36,232
♪ DIAMONDS IN THE ROUGH ♪
29
00:02:36,300 --> 00:02:38,099
♪ FANCY-DANCING CITY SLICKERS ♪
30
00:02:38,166 --> 00:02:39,799
♪ THAT'S WHAT I CALL
WHEELER DEALERS ♪
31
00:02:39,867 --> 00:02:43,065
♪ YEAH, LONG AS WE GOT MONEY,
THAT'S ENOUGH, YEAH ♪
32
00:02:43,133 --> 00:02:45,399
♪ NOW, WE'RE JUST
ORDINARY PEOPLE ♪
33
00:02:45,467 --> 00:02:47,565
♪ BUT WHEN WE GO TO TOWN ♪
34
00:02:47,633 --> 00:02:50,832
♪ EVERYWHERE WE GO, WE'RE GONNA
LAY THAT MONEY DOWN ♪
35
00:02:50,900 --> 00:02:52,899
♪ YOU KNOW YOU GOT TO
SPEND A DOLLAR ♪
36
00:02:52,967 --> 00:02:55,032
♪ IF YOU WANT TO MAKE A DIME ♪
37
00:02:55,100 --> 00:02:57,699
♪ JUST KEEP ON SPENDING MONEY
ALL THE TIME ♪
38
00:02:57,766 --> 00:02:59,366
♪ THEY CALL US ♪
39
00:02:59,433 --> 00:03:01,165
♪ WHEELER DEALERS ♪
40
00:03:01,233 --> 00:03:02,932
♪ WHEELER DEALERS ♪
41
00:03:03,000 --> 00:03:04,799
♪ HIGHFALUTIN LOCAL YOKELS ♪
42
00:03:04,867 --> 00:03:06,765
♪ DIAMONDS IN THE ROUGH ♪
43
00:03:06,833 --> 00:03:08,599
♪ FANCY-DANCING CITY SLICKERS ♪
44
00:03:08,666 --> 00:03:10,265
♪ JUST SOME KIND OF
WHEELER DEALERS ♪
45
00:03:10,333 --> 00:03:13,632
♪ YEAH, LONG AS WE GOT MONEY,
THAT'S ENOUGH ♪
46
00:03:15,666 --> 00:03:17,832
♪ FROM VERMONT TO CALIFORNIA ♪
47
00:03:17,900 --> 00:03:19,799
♪ IT'S VERY MUCH THE SAME ♪
48
00:03:19,867 --> 00:03:21,565
♪ THEY'LL TELL YOU
WE'RE THE KIND OF FOLKS ♪
49
00:03:21,633 --> 00:03:23,532
♪ THEY'RE PROUD
TO KNOW BY NAME ♪
50
00:03:23,600 --> 00:03:25,265
♪ WITH A QUAINT
NEW ENGLAND ACCENT ♪
51
00:03:25,333 --> 00:03:27,265
♪ OR A GOOD OLD
TEXAS DRAWL ♪
52
00:03:27,333 --> 00:03:28,265
HELLO, J.R.!
53
00:03:28,333 --> 00:03:29,366
GOOD DAY, R.J.
54
00:03:29,433 --> 00:03:30,565
HI AND HOW ARE Y'ALL?
55
00:03:30,633 --> 00:03:32,899
♪ NOW, IF I EVER GET TO HEAVEN ♪
56
00:03:32,967 --> 00:03:34,799
♪ I'M GOING THERE WHEN I DIE ♪
57
00:03:34,867 --> 00:03:36,665
♪ GONNA MEET WITH
THE BOARD OF DIRECTORS ♪
58
00:03:36,733 --> 00:03:38,632
♪ OF THAT COMPANY IN THE SKY ♪
59
00:03:38,700 --> 00:03:40,632
♪ AND IF THEY GOT
A PLACE UP THERE ♪
60
00:03:40,700 --> 00:03:42,466
♪ WHERE WEALTH
IS BOUGHT AND SOLD ♪
61
00:03:42,533 --> 00:03:44,332
♪ SAINT PETER BETTER WATCH
HIS PEARLY GATES ♪
62
00:03:44,400 --> 00:03:46,452
♪ AND GUARD THEM STREETS OF GOLD ♪
♪ HERE COME THE ♪
63
00:03:46,487 --> 00:03:48,599
♪ WHEELER DEALERS ♪
64
00:03:48,666 --> 00:03:50,332
♪ WHEELER DEALERS ♪
65
00:03:50,400 --> 00:03:52,165
♪ HIGHFALUTIN LOCAL YOKELS ♪
66
00:03:52,233 --> 00:03:54,065
♪ DIAMONDS IN THE ROUGH ♪
67
00:03:54,133 --> 00:03:55,932
♪ FANCY-DANCING CITY SLICKERS ♪
68
00:03:56,000 --> 00:03:57,432
♪ AIN'T THAT
A BIG DEAL? ♪
69
00:03:57,500 --> 00:04:01,665
♪ YEAH, LONG AS WE GOT MONEY,
THAT'S ENOUGH, YEAH ♪
70
00:04:01,733 --> 00:04:04,065
SAVE YOUR
CONFEDERATE MONEY, BOYS.
71
00:04:04,133 --> 00:04:05,732
WIDGETS IS COMING BACK
IN STYLE.
72
00:04:05,800 --> 00:04:11,099
♪ DA, DA, DA, DA-A-A-A-A ♪
73
00:04:19,500 --> 00:04:22,466
[ DRAMATIC MUSIC PLAYS ]
74
00:04:54,333 --> 00:04:56,532
[ HORNS HONKING ]
75
00:04:56,600 --> 00:04:58,299
TAXI.
76
00:04:58,367 --> 00:05:00,832
TAXI!
77
00:05:00,900 --> 00:05:02,399
TAXI!
78
00:05:06,467 --> 00:05:08,466
TAXI.
79
00:05:17,500 --> 00:05:20,366
WHAT ARE YOU DOING, LADY?
80
00:05:20,433 --> 00:05:21,466
THERE, YOUNG MAN.
81
00:05:21,533 --> 00:05:23,432
MAYBE THAT'LL TEACH YOU
SOME MANNERS.
82
00:05:23,500 --> 00:05:25,065
OH.
83
00:05:41,967 --> 00:05:43,765
YOU CAN'T GET A CAB
IN THE AIRPORT.
84
00:05:43,833 --> 00:05:45,599
YOU CAN'T GET A CAB
WHEN IT RAINS.
85
00:05:45,666 --> 00:05:47,899
YOU CAN'T GET A CAB
UNLESS YOU DON'T WANT ONE.
86
00:05:47,967 --> 00:05:49,899
ANY OTHER CITY,
YOU CAN PHONE FOR A CAB.
87
00:05:49,967 --> 00:05:51,232
NOT NEW YORK.
88
00:05:51,300 --> 00:05:53,399
YOU'RE JUST LIKE MY WIFE, MISTER.
89
00:05:53,467 --> 00:05:56,399
YOU DON'T UNDERSTAND
THE ECONOMICS OF THE SITUATION.
90
00:05:56,467 --> 00:05:57,765
THEN TEACH ME.
91
00:05:57,833 --> 00:06:00,265
I'M INTERESTED IN THE ECONOMICS
OF ABOUT EVERY SITUATION.
92
00:06:00,333 --> 00:06:03,165
WELL, THERE ARE 11,000 CABS
IN THE CITY
93
00:06:03,233 --> 00:06:06,432
AND NO NEW PERMITS
FOR THE NEXT 25 YEARS.
94
00:06:06,500 --> 00:06:09,532
NOW, SUPPOSE YOU WANT TO
BUY A CAB AND START HACKING.
95
00:06:09,600 --> 00:06:11,632
YOU GOT TO GET
A NEW PERMIT, TOO.
96
00:06:11,700 --> 00:06:13,699
NOW, THE TAB
ON A NEW PERMIT
97
00:06:13,766 --> 00:06:17,699
IS $18,500
ON THE OPEN MARKET.
98
00:06:17,766 --> 00:06:18,799
MM-HMM.
99
00:06:18,867 --> 00:06:21,665
AND HOW MUCH
DID YOUR CAB COST, MR., UH...
100
00:06:21,733 --> 00:06:22,999
FEINBERG?
101
00:06:23,066 --> 00:06:25,832
$3,300. NEW.
102
00:06:25,900 --> 00:06:27,099
MM-HMM.
103
00:06:27,166 --> 00:06:30,165
AND THAT MAKES YOUR INVESTMENT,
UH, WITH THE PERMIT
104
00:06:30,233 --> 00:06:32,332
COME TO ABOUT $22,000?
105
00:06:32,400 --> 00:06:34,299
YEAH.
BUT DON'T TELL MY WIFE.
106
00:06:34,367 --> 00:06:35,699
SHE'LL THINK I'M RICH.
107
00:06:35,766 --> 00:06:37,366
[ BOTH CHUCKLE ]
108
00:06:37,433 --> 00:06:38,966
MM-HMM.
109
00:06:41,066 --> 00:06:43,132
MR. FEINBERG,
110
00:06:43,200 --> 00:06:47,765
I'LL GIVE YOU $24,000
FOR YOUR CAB AND PERMIT.
111
00:06:47,833 --> 00:06:49,432
YOU WANT TO BUY THE CAB?
112
00:06:49,500 --> 00:06:52,565
RIGHT, BUT YOU
COME ALONG WITH IT.
113
00:06:52,633 --> 00:06:55,665
I'LL NEED YOUR SERVICES
FOR A WEEK, MAYBE TWO.
114
00:06:55,733 --> 00:06:56,999
NO, LOOK, MISTER.
115
00:06:57,066 --> 00:06:59,466
I CAN'T SELL THE CAB.
I NEED IT.
116
00:06:59,533 --> 00:07:01,165
WELL, I FIGURED THAT.
117
00:07:01,233 --> 00:07:03,466
SO, WHEN I LEAVE,
118
00:07:03,533 --> 00:07:07,732
I'LL SELL IT BACK TO YOU
FOR $22,000.
119
00:07:07,800 --> 00:07:09,665
YOU WANT TO LOSE 2 GRAND
120
00:07:09,733 --> 00:07:12,499
JUST TO KEEP YOUR FEET DRY
WHEN IT STARTS TO RAIN?
121
00:07:12,566 --> 00:07:14,899
I DON'T LOSE, MR. FEINBERG.
122
00:07:14,967 --> 00:07:17,632
YOU SEE,
I BORROW THE MONEY,
123
00:07:17,700 --> 00:07:20,932
AND THEN I GET A DEDUCTION
ON THE LOAN INTEREST
124
00:07:21,000 --> 00:07:23,199
AND ANOTHER
ON THE DEPRECIATION
125
00:07:23,266 --> 00:07:26,299
AND ANOTHER ON THE LOSS
WHEN I SELL IT BACK TO YOU,
126
00:07:26,367 --> 00:07:28,665
AND YOU MAKE
A NICE PROFIT.
127
00:07:28,733 --> 00:07:31,665
YOU WIN AND I WIN.
128
00:07:31,733 --> 00:07:32,699
UNH-UNH.
129
00:07:32,766 --> 00:07:34,732
THERE GOT TO BE A LOSER
SOMEWHERE.
130
00:07:34,800 --> 00:07:35,899
TAX MAN LOSES.
131
00:07:35,967 --> 00:07:38,832
HE USUALLY DOES
ON A HENRY TYROON DEAL.
132
00:07:39,933 --> 00:07:44,665
MISTER, YOU JUST
GOT YOURSELF A TAXI.
133
00:07:44,733 --> 00:07:46,065
[ TELEPHONE BEEPS ]
134
00:07:47,400 --> 00:07:49,099
YEAH?
135
00:07:49,166 --> 00:07:50,409
HE DID?
136
00:07:51,433 --> 00:07:52,788
HENRY'S NOT IN MIDLAND.
137
00:07:52,823 --> 00:07:54,643
THEY SAID HE WENT UP TO NEW YORK.
138
00:07:54,687 --> 00:07:56,048
NEW YORK?
139
00:07:56,083 --> 00:07:59,824
YEAH, I BET OLD HENRY'S UP THERE
LOOKING FOR SOME LOOSE CHANGE.
140
00:07:59,859 --> 00:08:02,366
THEY TELL ME HE HIT
NOTHING BUT DUST IN THE BASIN.
141
00:08:02,433 --> 00:08:04,132
NOTHING BUT DUST.
142
00:08:04,200 --> 00:08:07,265
THIS YEAR THERE'S A REAL JINX
ON HIM WHEN IT COMES TO OIL.
143
00:08:07,333 --> 00:08:09,665
WELL, IF HE'S LOOKING
FOR MULLET IN NEW YORK,
144
00:08:09,733 --> 00:08:11,832
IT LOOKS LIKE THAT'S WHERE
WE'LL FIND THE ACTION.
145
00:08:11,900 --> 00:08:15,165
I RECKON WE BETTER SWING BY
FOR A LOOK-SEE.
146
00:08:15,233 --> 00:08:17,599
WE BETTER SASHAY
UP TO NEW YORK.
147
00:08:17,666 --> 00:08:20,099
YEAH.
RIGHT NOW, CHARLIE.
148
00:08:32,879 --> 00:08:33,699
OH.
149
00:08:33,766 --> 00:08:36,016
I CAN'T TELL
WHETHER I'M HUNG OVER
150
00:08:36,051 --> 00:08:37,672
OR WHETHER I'VE GOT
SINUS TROUBLE.
151
00:08:37,707 --> 00:08:39,529
WELL, SINCE YOU'VE GOT THE CHOICE,
WHY NOT MAKE IT SINUS TROUBLE.
152
00:08:39,564 --> 00:08:41,417
OH, THANKS A LOT.
153
00:08:41,452 --> 00:08:43,988
UH, THE FUZZ ON THAT TOUNGUE.
154
00:08:43,989 --> 00:08:46,094
MY SINUSES DON'T REACH THAT FAR.
155
00:08:46,129 --> 00:08:47,373
WHERE'D YOU PICK UP THE FUZZ?
156
00:08:47,408 --> 00:08:49,283
I CAUGHT IT
AT A COCKTAIL PARTY.
157
00:08:49,318 --> 00:08:50,933
I DON'T THINK
I ATE ENOUGH.
158
00:08:50,968 --> 00:08:52,140
BET YOU ATE
ENOUGH OLIVES.
159
00:08:52,667 --> 00:08:54,048
AND WHERE DID YOU
SPEND THE NIGHT?
160
00:08:54,083 --> 00:08:55,696
ON THE GOOD SHIP
LOLLIPOP?
161
00:08:55,731 --> 00:08:57,165
NO. WENT TO A GALLERY
WITH LEONARD.
162
00:08:57,233 --> 00:08:59,199
A NEW ARTIST HE THINKS
IS THE COMING THING.
163
00:08:59,267 --> 00:09:00,799
LEONARD STILL HAVING
HIS PROBLEMS?
164
00:09:00,867 --> 00:09:02,266
STILL SEEING
THAT PSYCHIATRIST?
165
00:09:02,333 --> 00:09:03,465
YOU'D HAVE PROBLEMS, TOO,
166
00:09:03,533 --> 00:09:05,399
IF YOU WERE MARRIED TO THAT
WOMAN HE WAS MARRIED TO.
167
00:09:05,466 --> 00:09:07,732
WELL, I'VE HAVE PROBLEMS
MARRIED TO ANY WOMAN.
168
00:09:07,800 --> 00:09:11,032
OH, ISN'T IT AMAZING HOW I
SPARKLE SO EARLY IN THE MORNING?
169
00:09:11,100 --> 00:09:12,165
WHY BOTHER SPARKLING?
170
00:09:12,233 --> 00:09:14,232
WHEN A GIRL SPARKLES
DOWN ON WALL STREET,
171
00:09:14,300 --> 00:09:15,399
SHE'S A THREAT.
172
00:09:15,466 --> 00:09:18,699
WHEN SHE SPARKLES UPTOWN,
IN MY TERRITORY,
173
00:09:18,767 --> 00:09:20,036
SHE'S A PROMISE.
174
00:09:20,071 --> 00:09:22,465
I'LL STAY DOWNTOWN,
THANK YOU VERY MUCH.
175
00:09:22,533 --> 00:09:24,599
YOU BETTER QUIT SPARKLING
FOR LEONARD.
176
00:09:24,666 --> 00:09:26,465
YOU WON'T GET ANYWHERE
WITH HIM.
177
00:09:26,533 --> 00:09:28,565
A HEADSHRINKER'S
TOO MUCH COMPETITION.
178
00:09:28,633 --> 00:09:30,565
IT PUTS A THIRD PARTY
IN THE ACTION.
179
00:09:30,633 --> 00:09:32,332
LEONARD'S A PASTIME,
NOT A PROJECT.
180
00:09:32,400 --> 00:09:34,165
IT'S COMFORTABLE
TO HAVE HIM AROUND.
181
00:09:34,233 --> 00:09:36,232
HE HELPS ME WARD OFF
THE GRABBERS.
182
00:09:36,300 --> 00:09:38,632
I'VE GOT TO RUN,
SO I'LL SEE YOU LATER.
183
00:09:38,700 --> 00:09:40,799
NOW, YOU SEE, IF YOU WORKED
UPTOWN INSTEAD OF DOWN,
184
00:09:40,867 --> 00:09:42,432
YOU WOULDN'T HAVE TO BOLT
SO EARLY.
185
00:09:42,500 --> 00:09:45,232
WE COULD SHOP AT BONWITS
AT LUNCHTIME.
186
00:09:45,300 --> 00:09:48,032
OH, UPTOWN IS JUST
A STATE OF MIND.
187
00:09:50,733 --> 00:09:52,132
ME?
188
00:09:52,200 --> 00:09:54,532
PUT UP ANOTHER $100,000?
189
00:09:54,600 --> 00:09:55,665
ME?
190
00:09:55,733 --> 00:09:57,842
HENRY, YOU MUST BE
OUT OF YOUR MIND.
191
00:09:57,843 --> 00:09:59,998
YOU SURPRISE ME, LEN.
YOU'RE HESITATING.
192
00:09:59,999 --> 00:10:01,438
WE WENT DOWN THE LINE
WITH YOU THIS YEAR,
193
00:10:01,473 --> 00:10:02,229
AND WHAT DID IT GET US?
194
00:10:02,264 --> 00:10:06,429
PART OWNERSHIP IN SIX OF THE
DEEPEST, DRIEST HOLES IN TEXAS.
195
00:10:06,430 --> 00:10:08,269
YOU BOYS SURE GOT SHORT MEMORIES.
196
00:10:08,270 --> 00:10:10,776
HOW ABOUT THE SEVEN WELLS
WE BROUGHT IN TWO YEARS AGO?
197
00:10:10,777 --> 00:10:12,221
I DON'T BELIEVE IN LIVING
IN THE PAST.
198
00:10:12,222 --> 00:10:14,287
YOU'RE SLOWING DOWN, HENRY.
MAYBE YOU'RE LOOSING YOUR TOUCH.
199
00:10:14,288 --> 00:10:15,719
YOU USED TO HAVE
UNDERCURRENTS, HENRY.
200
00:10:15,933 --> 00:10:18,272
I DON'T FEEL THE
UNDERCURRENTS ANYMORE.
201
00:10:18,307 --> 00:10:19,951
LEN, A FEW YEARS AGO,
202
00:10:19,986 --> 00:10:22,345
WHEN YOU HAD ALL THOSE SURPLUS
AIRPLANES YOU COULDN'T UNLOAD,
203
00:10:22,380 --> 00:10:24,615
- YOU SAID, "SEND THEM TO
THE JUNKMAN," RIGHT?
- RIGHT.
204
00:10:24,650 --> 00:10:27,398
WELL, JUST WHO WAS IT THAT SOLD
THEM AS AN AIR FORCE
205
00:10:27,433 --> 00:10:29,764
TO A CERTAIN UNNAMED PARTY
IN CENTRAL AMERICA?
206
00:10:29,799 --> 00:10:31,499
BUT WE GOT PAID
IN BANANAS.
207
00:10:31,566 --> 00:10:33,850
YEAH, AND YOU FERRIED
THOSE BANANAS ON YOUR AIRLINE
208
00:10:33,885 --> 00:10:35,711
AND CLEARED HALF A MILLION
DOLLARS, RIGHT?
209
00:10:35,746 --> 00:10:37,199
AND YOU, FLINK.
210
00:10:37,267 --> 00:10:38,399
WHO WAS IT THAT PUT YOU
211
00:10:38,482 --> 00:10:40,934
ONTO THOSE 40,000
OBSOLETE JAPANESE CAMERAS?
212
00:10:40,969 --> 00:10:42,086
YOU DID, HENRY,
BUT I --
213
00:10:42,121 --> 00:10:44,285
I MADE YOU THE FIRST
AMERICAN IN HISTORY
214
00:10:44,320 --> 00:10:46,757
TO EXPORT JAPANESE CAMERAS
TO JAPAN.
215
00:10:46,792 --> 00:10:48,553
I DIDN'T MAKE BEANS
ON THAT DEAL.
216
00:10:48,588 --> 00:10:51,665
OH, BUT WHEN WE IMPORTED THEM
AGAIN, YOU MADE A KILLING, HUH?
217
00:10:51,733 --> 00:10:55,465
AND YOU, ACHILLES.
OF ALL PEOPLE TO HOLD OUT ON ME.
218
00:10:55,533 --> 00:10:58,273
WHEN WE HAD
THOSE TANKER CHARTERS
219
00:10:58,308 --> 00:11:00,409
AND THEY BOTTLED OUR SHIPS UP
IN THE SUEZ,
220
00:11:00,444 --> 00:11:03,775
WHO WAS IT THAT SWAPPED
ALL THAT NAIL-POLISH REMOVER
221
00:11:03,810 --> 00:11:06,631
FOR SIX MORE TANKERS
TO MEET OUR COMMITMENTS?
222
00:11:06,666 --> 00:11:09,299
THAT I LIKED.
THAT WAS COMPLICATED.
223
00:11:09,367 --> 00:11:11,554
YEAH.
JUST REMEMBER, BOYS.
224
00:11:11,589 --> 00:11:13,152
NOBODY WHO HAS EVER
SOLD ME SHORT
225
00:11:13,187 --> 00:11:14,630
HAS COME OUT
AHEAD OF THE GAME YET.
226
00:11:14,665 --> 00:11:18,999
NOW, I WANT $100,000 FROM EACH
OF YOU, AND I WANT IT NOW.
227
00:11:19,066 --> 00:11:20,665
Len: WELL...
228
00:11:20,733 --> 00:11:23,332
I'VE ALWAYS BEEN
A PERCENTAGE PLAYER, HENRY.
229
00:11:23,400 --> 00:11:25,499
COUNT ME IN.
230
00:11:25,566 --> 00:11:27,399
I'LL GO ALONG
FOR THE RIDE.
231
00:11:27,466 --> 00:11:29,965
IT'S AGAINST
MY BETTER JUDGMENT...
232
00:11:30,033 --> 00:11:32,632
BUT I MADE A LOT OF MONEY
AGAINST MY BETTER JUDGMENT.
233
00:11:37,200 --> 00:11:38,764
THANK YOU, GENTLEMEN.
234
00:11:38,799 --> 00:11:40,499
- OKAY, BOY.
- RIGHTO.
235
00:11:45,933 --> 00:11:48,032
Bear: LET'S GET TO
THAT LIST, WHITBY.
236
00:11:48,100 --> 00:11:49,966
HERE IT IS RIGHT HERE.
237
00:11:50,033 --> 00:11:55,366
IT'S EVERY STOCK THAT OSGOOD
BOUGHT BEFORE HE PASSED ON.
238
00:11:55,433 --> 00:11:58,232
UM, MEGLO MANITOBA
IRON ORE.
239
00:11:58,300 --> 00:12:01,532
HE BOUGHT IT IN 1951
FOR $3 A SHARE.
240
00:12:01,600 --> 00:12:02,932
WHERE IS IT NOW?
241
00:12:03,000 --> 00:12:05,065
A 61-CENT BID.
242
00:12:05,133 --> 00:12:09,232
GREAT EASTERN OFFSHORE OIL,
COST $14...
243
00:12:09,300 --> 00:12:11,065
SIX-CENT BID.
244
00:12:11,133 --> 00:12:13,332
YOU MEAN WE HAVEN'T UNLOADED
THAT YET?
245
00:12:13,400 --> 00:12:15,799
WELL, IT TAKE'S A WHILE TO
UNLOAD THE REAL DOGS, BULLARD.
246
00:12:15,867 --> 00:12:18,032
MY BOY, SOMEWHERE IN
THIS VAST, VERDANT,
247
00:12:18,100 --> 00:12:19,399
EVER-GROWING NATION OF OURS
248
00:12:19,467 --> 00:12:21,265
MUST BE SOME PEOPLE
STUPID ENOUGH
249
00:12:21,333 --> 00:12:23,199
TO BUY GREAT EASTERN
OFFSHORE OIL.
250
00:12:23,266 --> 00:12:24,499
FIND THEM.
251
00:12:24,566 --> 00:12:25,699
YES, SIR.
252
00:12:25,766 --> 00:12:28,232
HERE'S ANOTHER REAL DOG,
BULLARD --
253
00:12:28,300 --> 00:12:29,499
UNIVERSAL WIDGET.
254
00:12:29,566 --> 00:12:31,099
DOESN'T SAY WHEN OSGOOD
BOUGHT IT.
255
00:12:31,166 --> 00:12:33,499
DOESN'T SAY FOR HOW MUCH.
WE'VE HAD IT FOR A LONG TIME.
256
00:12:33,566 --> 00:12:36,132
I-I CAN'T SEEM TO FIND OUT
ANYTHING ABOUT IT.
257
00:12:36,200 --> 00:12:37,866
WELL, WRITE IT UP
IN OUR NEXT STOCK LETTER.
258
00:12:37,933 --> 00:12:39,265
POINT OUT THAT INDUSTRY
IS GROWING
259
00:12:39,333 --> 00:12:40,632
INCREASINGLY
WIDGET-CONSCIOUS.
260
00:12:40,700 --> 00:12:41,832
WHAT IS A WIDGET, BULLARD?
261
00:12:41,900 --> 00:12:43,499
I DON'T KNOW.
ASK INDUSTRY.
262
00:12:43,566 --> 00:12:45,665
HERE'S A HAPPIER ITEM.
REACTOR ENGINES.
263
00:12:45,733 --> 00:12:47,866
HE BOUGHT IT FOR FIVE CENTS
SIX YEARS AGO,
264
00:12:47,933 --> 00:12:50,032
SOLD IT YESTERDAY
FOR $61.
265
00:12:50,100 --> 00:12:53,132
[ CHUCKLES ] $61, EH?
THAT SHREWD OLD FOX.
266
00:12:53,200 --> 00:12:54,632
WELL, THAT'S THE LIST.
267
00:12:54,700 --> 00:12:56,966
WE'RE STILL IN THE RED WHILE
EVERYONE ELSE IS CLEANING UP.
268
00:12:57,033 --> 00:12:58,366
ECONOMY --
THAT'S THE ANSWER.
269
00:12:58,433 --> 00:13:00,366
WE JUST GOT TO TRIM OFF
SOME OF THE FAT.
270
00:13:00,433 --> 00:13:02,366
NO MORE LONG-DISTANCE
PHONE CALLS.
271
00:13:02,433 --> 00:13:05,165
TELL YOUR PALS AT THE CLUB
TO PICK UP SOME LUNCHEON CHECKS.
272
00:13:05,233 --> 00:13:06,765
LAST MAN OUT AT NIGHT
HAS TO MAKE SURE
273
00:13:06,833 --> 00:13:08,165
THAT HE TURNS OUT
ALL THE LIGHTS.
274
00:13:08,233 --> 00:13:10,599
CANCEL THE LINEN SERVICE.
WE'LL GET PAPER TOWELS --
275
00:13:10,666 --> 00:13:13,299
YOU KNOW, THE KIND THAT COME OUT
ONE SHEET AT A TIME.
276
00:13:13,367 --> 00:13:14,999
TELL THE MEN TO BLOT,
NOT RUB.
277
00:13:15,066 --> 00:13:16,432
I'LL TAKE CARE OF IT,
BULLARD.
278
00:13:16,500 --> 00:13:17,966
AND WE'VE GOT TO
LET SOMEBODY GO.
279
00:13:18,033 --> 00:13:19,432
BUT WE NEED EVERYBODY,
BULLARD.
280
00:13:19,500 --> 00:13:20,999
YOU NEVER NEED EVERYBODY.
281
00:13:21,066 --> 00:13:23,999
BUT IF WE LET ANY OF THE BOYS
GO, THERE'LL BE TALK.
282
00:13:24,066 --> 00:13:25,665
RIGHT, IF WE LET
ANY OF THE BOYS GO.
283
00:13:25,733 --> 00:13:27,665
BUT, UH,
WHAT ABOUT OUR GIRL?
284
00:13:27,733 --> 00:13:29,832
WELL, THE GIRL SEEMS TO BE
DOING PRETTY WELL --
285
00:13:29,900 --> 00:13:31,665
A LOT OF BRIGHT IDEAS,
A LOT OF ENERGY.
286
00:13:31,733 --> 00:13:33,132
IT'S KIND OF UNUSUAL
AROUND HERE.
287
00:13:33,200 --> 00:13:34,599
WHAT'S THE DIFFERENCE?
288
00:13:34,666 --> 00:13:36,866
THAT'S ONE WAY WE CAN CUT
EXPENSES WITHOUT CAUSING TALK.
289
00:13:36,933 --> 00:13:39,466
BESIDES, EVERYBODY KNOWS
THAT TAKING ON THAT GIRL
290
00:13:39,533 --> 00:13:40,732
WAS JUST AN EXPERIMENT.
291
00:13:40,800 --> 00:13:42,665
WE'VE GOT TO HAVE A REASON.
292
00:13:42,733 --> 00:13:44,932
LET HER TRY MOVING
ONE OF THOSE DOGS,
293
00:13:45,000 --> 00:13:47,232
LIKE THAT WIDGET THING,
FOR INSTANCE.
294
00:13:47,300 --> 00:13:49,232
THERE'S YOUR REASON.
295
00:13:49,300 --> 00:13:50,732
WHERE'S SHE GOING?
296
00:13:50,800 --> 00:13:51,966
HER LUNCH CLUB, I THINK.
297
00:13:52,033 --> 00:13:54,265
WOMEN SHOULDN'T BE ALLOWED
TO HAVE LUNCH CLUB.
298
00:13:54,333 --> 00:13:56,466
WE GOT TO KEEP THEM OFF BALANCE,
DISORGANIZED,
299
00:13:56,533 --> 00:13:58,132
CLAWING AND SCRATCHING
AT EACH OTHER.
300
00:13:58,200 --> 00:14:01,032
OTHERWISE, THEY MIGHT TURN ON US
LIKE MAD DOGS.
301
00:14:03,233 --> 00:14:07,399
AND SO YOU SEE, LADIES,
MANY THINGS ARE MADE OF STEEL --
302
00:14:07,467 --> 00:14:09,432
BRIGHT, SHINING, FAITHFUL STEEL
303
00:14:09,500 --> 00:14:12,065
THAT YOU USE IN YOUR KITCHENS
AT HOME.
304
00:14:12,133 --> 00:14:13,466
[ CHUCKLES ]
305
00:14:13,533 --> 00:14:17,799
NOW, I WANT TO LEAVE YOU
WITH AN INTERESTING STATISTIC
306
00:14:17,867 --> 00:14:22,632
CONCERNING A SMALL THING OF
SPECIAL IMPORTANCE TO WOMEN --
307
00:14:22,700 --> 00:14:25,199
THE BOBBY PIN.
[ LAUGHS ]
308
00:14:25,266 --> 00:14:27,732
[ GROANING ]
309
00:14:27,800 --> 00:14:30,332
NOW, THE VALUE
OF THE AMOUNT OF STEEL
310
00:14:30,400 --> 00:14:32,899
THAT GOES INTO
ONE YEAR'S PRODUCTION
311
00:14:32,967 --> 00:14:34,632
OF THE AMERICAN BOBBY PIN
312
00:14:34,700 --> 00:14:37,299
IS GREATER
THAN THE NATIONAL INCOME
313
00:14:37,367 --> 00:14:40,665
OF MANY FAR EASTERN
AND SOUTH AMERICAN NATIONS.
314
00:14:40,733 --> 00:14:41,765
[ CHUCKLES ]
315
00:14:41,833 --> 00:14:43,565
SO IS IT ANY WONDER, THEN,
316
00:14:43,633 --> 00:14:48,165
THAT WE OF THE INDUSTRY
ARE PROUD?
317
00:14:48,233 --> 00:14:50,799
THANK YOU, LADIES,
FOR YOUR ATTENTION.
318
00:14:53,400 --> 00:14:54,799
[ CLEARS THROAT ]
319
00:14:56,900 --> 00:14:59,132
ARE THERE ANY QUESTIONS?
320
00:14:59,200 --> 00:15:01,499
MR. WILSON,
IT WAS VERY NICE OF YOU
321
00:15:01,566 --> 00:15:04,732
TO EXPLAIN TO US
HOW SHINY STEEL IS,
322
00:15:04,800 --> 00:15:08,299
BUT WE WOULD LIKE
SOME HARD FACTS AND FIGURES.
323
00:15:08,367 --> 00:15:11,499
FOR INSTANCE,
HOW WILL EARNINGS PER SHARE
324
00:15:11,566 --> 00:15:13,165
BE AFFECTED
BY THE FRINGE BENEFITS
325
00:15:13,233 --> 00:15:15,966
IN SECTION 17
OF THE RECENT UNION CONTRACT?
326
00:15:16,033 --> 00:15:19,699
WELL, YOUNG LADY, WE'D HAVE TO
TAKE OUT OUR PENCILS
327
00:15:19,766 --> 00:15:22,232
AND SHARPEN THEM
TO ANSWER THAT ONE, WOULDN'T WE?
328
00:15:22,300 --> 00:15:23,265
[ CHUCKLES ]
329
00:15:25,200 --> 00:15:28,366
SAY YOU RAISED
IRON BILLET PRICES 5%.
330
00:15:28,433 --> 00:15:30,732
WHAT EFFECT WOULD
FOREIGN COMPETITION HAVE
331
00:15:30,800 --> 00:15:32,366
CONSIDERING
FREIGHT COSTS?
332
00:15:32,433 --> 00:15:35,866
WELL, THAT'S SOMETHING
THAT WOULD HAVE TO BE DETERMINED
333
00:15:35,933 --> 00:15:38,032
COOLLY, LOGICALLY,
334
00:15:38,100 --> 00:15:42,065
AND WITH THE BEST INTEREST OF
THE AMERICAN CONSUMER AT HEART.
335
00:15:42,133 --> 00:15:44,665
BUT WHAT WOULD
THE FIGURES BE?
336
00:15:48,433 --> 00:15:52,399
OH, BUT I SEE THAT I'M OVERDUE
AT MY OFFICE NOW,
337
00:15:52,467 --> 00:15:56,665
SO I MUST BID ALL YOU
CHARMING LADIES ADIEU.
338
00:15:56,733 --> 00:15:59,932
THANK YOU SO MUCH FOR COMING,
MR. WILSON.
339
00:16:00,000 --> 00:16:02,966
JERUSALEM STEEL HAS BEEN
DELIGHTED TO MEET YOU LADIES.
340
00:16:03,033 --> 00:16:05,499
YOU'RE UPPERMOST
IN OUR THOUGHTS.
341
00:16:05,566 --> 00:16:09,099
[ INDISTINCT CONVERSATIONS ]
342
00:16:09,166 --> 00:16:10,866
OH, WHAT'S THE USE?
343
00:16:10,933 --> 00:16:12,866
THEY TREAT US LIKE SECRETARIES
AND HOUSEWIVES --
344
00:16:12,933 --> 00:16:13,866
JUST WOMEN.
345
00:16:13,933 --> 00:16:16,232
INSULTING.
ABSOLUTELY INSULTING.
346
00:16:16,300 --> 00:16:17,866
DID YOU GET THAT BIT
ABOUT THE KITCHEN?
347
00:16:17,933 --> 00:16:19,765
AND THEY'RE SUPPOSED TO BE
SMARTER THAN WE ARE.
348
00:16:19,833 --> 00:16:20,899
THAT'S A LAUGH.
349
00:16:20,967 --> 00:16:22,599
WHY DOESN'T ANYONE
TAKE US SERIOUSLY?
350
00:16:22,666 --> 00:16:24,132
I'LL TELL YOU WHY.
351
00:16:24,200 --> 00:16:26,299
BECAUSE THEY DON'T THINK WOMEN
HAVE A PLACE ON WALL STREET,
352
00:16:26,367 --> 00:16:27,732
AND WE HAVE.
353
00:16:27,800 --> 00:16:29,732
THEY WON'T LET US JOIN THE
SOCIETY OF SECURITY ANALYSTS.
354
00:16:29,800 --> 00:16:31,165
THE NEXT THING YOU KNOW,
355
00:16:31,233 --> 00:16:33,132
THEY WON'T LET US ON THE FLOOR
OF THE STOCK EXCHANGE.
356
00:16:33,200 --> 00:16:34,899
THEY SAY WE'RE TOO EMOTIONAL
FOR SECURITIES,
357
00:16:34,967 --> 00:16:38,565
WE HAVE NO HEAD FOR FIGURES,
BUT OUR DAY IS COMING!
358
00:16:38,633 --> 00:16:41,799
WE'LL SHOW THEM!
WE HAVE RIGHTS!
359
00:16:41,867 --> 00:16:44,399
AND WE'RE NOT EMOTIONAL,
AND WE'RE NOT EXCITABLE!
360
00:16:44,467 --> 00:16:47,699
[ INDISTINCT SHOUTING,
SILVERWARE CLINKING ]
361
00:16:48,967 --> 00:16:52,299
YOU DESERVE A SHOT AT SOMETHING
REALLY BIG, THATCHER.
362
00:16:52,367 --> 00:16:54,366
OF COURSE, I'LL ADMIT
I WAS A LITTLE NERVOUS
363
00:16:54,433 --> 00:16:55,899
WHEN YOU FIRST
CAME WITH US.
364
00:16:55,967 --> 00:16:59,499
BUT NOW WE'VE ALL COME TO THINK
OF YOU AS ONE OF THE BOYS.
365
00:16:59,566 --> 00:17:01,399
WELL, THANK YOU,
MR. BEAR.
366
00:17:01,467 --> 00:17:03,332
AND NOW WE'RE GOING TO
GIVE YOU A CHANCE
367
00:17:03,400 --> 00:17:05,366
TO SHOW YOUR REAL STUFF,
REAL SALESMANSHIP.
368
00:17:05,433 --> 00:17:07,999
WE'VE ACQUIRED A LITTLE GEM
CALLED UNIVERSAL WIDGET,
369
00:17:08,066 --> 00:17:09,799
AND WE THINK THE PUBLIC
OUGHT TO SHARE
370
00:17:09,867 --> 00:17:10,966
IN THIS GREAT OPPORTUNITY.
371
00:17:11,033 --> 00:17:12,099
OF COURSE, YOU UNDERSTAND
372
00:17:12,166 --> 00:17:13,732
THE EVER-INCREASINGLY
DOMINANT ROLE
373
00:17:13,800 --> 00:17:15,665
THAT WIDGETS PLAY
IN OUR NATIONAL ECONOMY.
374
00:17:15,733 --> 00:17:18,199
OH, CERTAINLY, MR. BEAR.
I'LL START ON IT RIGHT AWAY.
375
00:17:18,266 --> 00:17:20,765
THAT'S MY BOY.
376
00:17:22,800 --> 00:17:25,565
WIDGETS... WIDGETS...
377
00:17:25,633 --> 00:17:26,966
WIDGETS.
378
00:17:27,033 --> 00:17:28,632
AH! HERE WE ARE.
379
00:17:28,700 --> 00:17:31,932
UNIVERSAL WIDGET,
WHIPPLETON, MASSACHUSETTS.
380
00:17:32,000 --> 00:17:34,099
FOUNDED 1844.
381
00:17:34,166 --> 00:17:35,765
THE PRESIDENT,
THADDEUS WHIPPLE.
382
00:17:35,833 --> 00:17:39,799
DIRECTORS LEMUEL WHIPPLE,
NEAHMIAH WHIPPLE, ISAAC WHIPPLE.
383
00:17:39,867 --> 00:17:43,265
NO ANNUAL MEETING
AND NO FIGURES REPORTED
384
00:17:43,333 --> 00:17:45,265
SINCE 1894.
385
00:17:45,333 --> 00:17:47,665
OH, BOY.
IT'S WORSE THAN I THOUGHT.
386
00:17:47,733 --> 00:17:50,132
Henry: EXCUSE ME, MA'AM.
387
00:17:50,200 --> 00:17:52,165
I'D APPRECIATE IT
IF YOU COULD DIRECT ME
388
00:17:52,233 --> 00:17:53,799
TO THE OFFICE
OF MR. BULLARD BEAR.
389
00:17:53,867 --> 00:17:55,966
OH, UH...
390
00:17:57,066 --> 00:17:58,032
THATAWAY?
391
00:17:58,100 --> 00:18:00,532
FIRST DOOR THERE.
392
00:18:00,600 --> 00:18:02,199
MUCH OBLIGED.
393
00:18:02,266 --> 00:18:03,732
I HOPE YOU'LL EXCUSE ME
394
00:18:03,800 --> 00:18:06,232
FOR THE FORWARDNESS OF THE
REMARK I'M ABOUT TO MAKE, MA'AM,
395
00:18:06,300 --> 00:18:08,532
BUT SURPRISE BECOMES YOU.
396
00:18:08,600 --> 00:18:10,699
MAKES YOUR EYES
REAL PRETTY BLUE,
397
00:18:10,766 --> 00:18:12,799
LIKE A PRAIRIE FLOWER,
SORT OF.
398
00:18:15,800 --> 00:18:17,565
[ SIGHS ]
399
00:18:17,633 --> 00:18:21,132
DID I HEAR WRONG, OR DID THAT
MAN ACTUALLY SAY "THATAWAY"?
400
00:18:21,200 --> 00:18:23,132
THATAWAY?
401
00:18:23,200 --> 00:18:25,065
THATAWAY.
402
00:18:31,200 --> 00:18:32,499
Henry: NOW, WITH ALL THE MONEY
403
00:18:32,567 --> 00:18:34,299
THAT THIS OFFICE
MUST HAVE MADE LAST YEAR,
404
00:18:34,366 --> 00:18:37,599
YOU HAVE GOT TO DRILL OFF
SOME OF THAT INCOME, MR. BEAR.
405
00:18:37,666 --> 00:18:39,532
NOW, I'VE GOT SOME
PARTICIPATIONS OPEN
406
00:18:39,600 --> 00:18:40,699
DOWN IN SCURRY COUNTY
407
00:18:40,766 --> 00:18:42,632
THAT'LL GIVE YOU
THE KIND OF TAX SHELTER
408
00:18:42,700 --> 00:18:44,799
THAT AN OUTFIT IN YOUR BRACKET
REALLY NEEDS.
409
00:18:44,866 --> 00:18:46,099
THE DEPLETION ALLOWANCE --
410
00:18:46,166 --> 00:18:48,599
MR. TYROON, THIS YEAR
I DON'T EVEN HAVE A BRACKET.
411
00:18:48,666 --> 00:18:51,165
MAYBE WE CAN GET TOGETHER
ON SOMETHING ELSE, THOUGH.
412
00:18:51,233 --> 00:18:52,932
YOU KNOW THE OIL BUSINESS.
413
00:18:53,000 --> 00:18:55,299
YOU KNOW
GREAT EASTERN OFFSHORE OIL?
414
00:18:55,366 --> 00:18:58,499
OH, YEAH.
NICE -- VERY NICE PEOPLE, YEAH.
415
00:18:58,567 --> 00:19:00,532
SORRY TO HEAR ABOUT THEIR RIG
LAST NIGHT.
416
00:19:00,600 --> 00:19:03,665
RIG? LAST NIGHT?
417
00:19:03,733 --> 00:19:05,765
THE VERY LAST RIG JUST,
YOU KNOW,
418
00:19:05,833 --> 00:19:09,299
GOT HIT BY A GALE DOWN IN THE
GULF AND TOPPLED OVER AND SANK.
419
00:19:09,366 --> 00:19:11,399
THEY GOT EVERYBODY OFF IN TIME,
THOUGH, THANK GOODNESS.
420
00:19:11,467 --> 00:19:14,499
THANK GOODNESS.
EXCUSE ME JUST A MINUTE.
421
00:19:28,133 --> 00:19:31,899
DR. PFEIFFER? CHARLIE RALEIGH
AT BEAR, OSGOOD, AND WHITBY.
422
00:19:31,967 --> 00:19:34,432
WE JUST GOT A FLASH
ON GREAT EASTERN OFFSHORE OIL.
423
00:19:34,500 --> 00:19:36,632
IT LOOKS LIKE THEY'VE FINALLY
SUNK SOMETHING --
424
00:19:36,700 --> 00:19:38,799
SOMETHING BIG
DOWN IN THE GULF.
425
00:19:38,866 --> 00:19:40,732
THIS MAY BE
YOUR LAST CHANCE
426
00:19:40,800 --> 00:19:42,599
TO BUY GREAT EASTERN
AT THIS PRICE.
427
00:19:42,666 --> 00:19:45,466
I'D NEVER FORGIVE MYSELF IF
I DIDN'T LET YOU KNOW IN TIME.
428
00:19:51,667 --> 00:19:56,032
UH, I DIDN'T KNOW YOU HAD WOMEN
WORKING ON WALL STREET NOW.
429
00:19:56,100 --> 00:19:58,666
OH, THAT'S MOLLY THATCHER,
ONE OF OUR TOP ANALYSTS,
430
00:19:58,733 --> 00:20:00,266
SPECIALIZING
IN THE WIDGET INDUSTRY.
431
00:20:00,333 --> 00:20:01,299
WIDGETS, HUH?
432
00:20:01,366 --> 00:20:03,299
QUITE A BOOM NOW,
SHE TELLS ME.
433
00:20:03,366 --> 00:20:05,999
WELL, I'M CERTAINLY INTERESTED
IN BOOMING INDUSTRIES.
434
00:20:06,066 --> 00:20:08,932
I GATHER YOU MIGHT CONSIDER
OPENING AN ACCOUNT WITH US.
435
00:20:09,000 --> 00:20:10,166
I CERTAINLY MIGHT.
436
00:20:10,233 --> 00:20:13,099
I'VE HAD MY EYES ON WIDGET
FOR QUITE SOME TIME NOW.
437
00:20:13,167 --> 00:20:16,266
LET'S SEE IF WE CAN GET
OUR MISS THATCHER FOR YOU.
438
00:20:21,600 --> 00:20:24,365
WELL, MR. TYROON,
439
00:20:24,433 --> 00:20:26,232
ACTUALLY, I'VE JUST STARTED
ON WIDGET,
440
00:20:26,300 --> 00:20:27,865
BUT ONE THING
I KNOW ALREADY --
441
00:20:27,933 --> 00:20:29,766
IT'S A VITAL COMPANY,
BUT A SMALL ONE.
442
00:20:29,833 --> 00:20:32,032
AND ONCE IT STARTS GROWING,
WHICH IT HAS TO...
443
00:20:32,100 --> 00:20:33,199
IT SURE HAS TO.
444
00:20:33,267 --> 00:20:35,732
...THEN THE STOCK COULD MOVE
VERY RAPIDLY.
445
00:20:35,800 --> 00:20:37,899
IT'S AN OLD COMPANY
AND SECURE.
446
00:20:37,966 --> 00:20:39,399
IT WAS STARTED IN 1844.
447
00:20:39,466 --> 00:20:42,266
AND ITS STRATEGIC POSITION IN
THE NEW ENGLAND AREA MAKES IT --
448
00:20:42,333 --> 00:20:43,432
MR. TYROON, PLEASE.
449
00:20:43,500 --> 00:20:44,999
OH, I'M SORRY, MA'AM.
450
00:20:45,066 --> 00:20:48,432
I DIDN'T WANT TO INTERRUPT,
AND I DIDN'T THINK YOU'D NOTICE.
451
00:20:48,500 --> 00:20:51,299
HAVE YOU BEEN LISTENING TO
ANYTHING I'VE SAID ABOUT WIDGET?
452
00:20:51,366 --> 00:20:54,065
ESTABLISHED 1844,
OLD AND SECURE,
453
00:20:54,133 --> 00:20:56,399
STRATEGIC POSITION
IN THE NEW ENGLAND AREA,
454
00:20:56,466 --> 00:20:58,532
AND YOU SURE GOT
MIGHTY PRETTY HAIR.
455
00:20:58,600 --> 00:21:00,299
UM, THE COMPANY'S
MANAGEMENT
456
00:21:00,366 --> 00:21:02,666
APPEARS TO BE ABLE
AND EXPERIENCED.
457
00:21:02,733 --> 00:21:04,965
[ TELEPHONE RINGING ]
EXCUSE ME.
458
00:21:08,066 --> 00:21:09,432
MOLLY THATCHER SPEAKING.
459
00:21:09,500 --> 00:21:10,766
OH, HI, LEONARD.
460
00:21:10,833 --> 00:21:12,632
NO, THAT'S ALL RIGHT.
I'M ALMOST FINISHED.
461
00:21:12,700 --> 00:21:15,065
WHAT TIME IS IT NOW?
462
00:21:15,133 --> 00:21:17,565
OH, IT IS?
WELL, I WON'T BE MUCH LONGER.
463
00:21:17,633 --> 00:21:21,799
WELL, LOOK, WHY DON'T YOU
GO ON UP TO THE APARTMENT,
464
00:21:21,866 --> 00:21:24,399
AND I'LL STOP BY THE MARKET
AND PICK US UP SOME CHIANTI,
465
00:21:24,466 --> 00:21:26,499
AND THEN I'LL WHIP US UP
SOME SCALLOPINI, ALL RIGHT?
466
00:21:26,566 --> 00:21:30,166
THEN WE CAN LISTEN TO MUSIC
AND WATCH THE LATE SHOW
467
00:21:30,233 --> 00:21:32,865
UNTIL YOUR NERVES
ARE SOOTHED, OKAY?
468
00:21:32,933 --> 00:21:34,699
FINE. BYE-BYE.
469
00:21:38,300 --> 00:21:40,632
NOW, THEN, MR. TYROON.
470
00:21:42,533 --> 00:21:45,332
UH, MR. TYROON.
471
00:21:45,400 --> 00:21:46,499
WHOO-HOO.
472
00:21:46,566 --> 00:21:48,666
HMM?
OH, EXCUSE ME.
473
00:21:48,733 --> 00:21:50,832
I'M AFRAID YOU WERE
A MILLION MILES AWAY JUST THEN.
474
00:21:50,900 --> 00:21:53,199
YES.
WELL, I-I'M SORRY.
475
00:21:53,267 --> 00:21:56,532
I-I DIDN'T KNOW I WAS IN THE WAY
OF YOUR PLANS.
476
00:21:56,600 --> 00:21:59,099
I GUESS WE BETTER TAKE THIS UP
ANOTHER TIME, HUH?
477
00:21:59,167 --> 00:22:01,699
OH, NO. I'M AT YOUR DISPOSAL,
MR. TYROON.
478
00:22:01,767 --> 00:22:03,199
WELL, NOW,
I REALLY WOULD
479
00:22:03,267 --> 00:22:05,299
LIKE TO KNOW MORE
ABOUT THESE WIDGETS,
480
00:22:05,366 --> 00:22:10,132
EXCEPT THE ONLY FREE TIME I HAVE
IS, UH, DINNER TONIGHT.
481
00:22:10,200 --> 00:22:12,666
OH, I'M TERRIBLY SORRY.
I HAVE A DATE.
482
00:22:12,733 --> 00:22:15,832
COULDN'T YOU ASK LEONARD
FOR THE NIGHT OFF?
483
00:22:15,900 --> 00:22:18,666
I DON'T HAVE TO ASK LEONARD
FOR ANYTHING.
484
00:22:21,767 --> 00:22:24,299
NOW, ARE YOU SURE YOU CAN'T
MAKE IT ANY OTHER TIME?
485
00:22:24,366 --> 00:22:25,965
CROSS MY HEART.
486
00:22:27,300 --> 00:22:28,832
WELL...
487
00:22:28,900 --> 00:22:30,766
ALL RIGHT.
488
00:22:30,833 --> 00:22:32,099
ALL RIGHT, THEN -- 7:30.
489
00:22:32,167 --> 00:22:33,699
I WAS JUST GONNA TAKE
A CAB UPTOWN.
490
00:22:33,767 --> 00:22:34,932
COULD I GIVE YOU A LIFT?
491
00:22:35,000 --> 00:22:36,766
OH, MR. TYROON,
YOU DON'T KNOW THIS TOWN.
492
00:22:36,833 --> 00:22:39,465
IT'S IMPOSSIBLE TO GET A CAB
AT THIS TIME OF DAY.
493
00:22:39,533 --> 00:22:41,365
I'LL SHOW YOU
TO THE SUBWAY.
494
00:22:43,433 --> 00:22:45,532
[ HORNS HONKING ]
495
00:22:45,600 --> 00:22:47,865
THE EAST SIDE SUBWAY
IS THIS WAY.
496
00:22:55,566 --> 00:22:56,699
HOWDY, PARTNER.
497
00:22:56,767 --> 00:22:58,365
HOWDY.
498
00:23:05,933 --> 00:23:09,032
WELL, BILLY JOE, HOLD HIM OFF
SOME OTHER WAY, THEN.
499
00:23:09,100 --> 00:23:11,265
WELL, WRITE A BOSTON CHECK
ON OUR MIAMI BANK,
500
00:23:11,333 --> 00:23:13,332
COVER THAT WITH A CHECK
FROM THE L.A. BANK,
501
00:23:13,400 --> 00:23:15,699
COVER THAT WITH A CHECK
FROM THE DALLAS BANK.
502
00:23:15,766 --> 00:23:17,966
BY THE TIME THEY RUN
THE FIRST CHECK DOWN,
503
00:23:18,033 --> 00:23:19,665
I'LL HAVE US THE MONEY.
504
00:23:19,733 --> 00:23:21,865
I AM NOT FOOLING AROUND,
BILLY JOE.
505
00:23:21,933 --> 00:23:24,999
I'M MEETING ALL KINDS
OF MONEY TOMORROW.
506
00:23:25,067 --> 00:23:27,165
YEAH.
WELL, SAME TO YOU, FELLA.
507
00:23:32,400 --> 00:23:33,466
HI.
508
00:23:33,533 --> 00:23:34,665
HI, MOLLY.
509
00:23:34,733 --> 00:23:35,865
OH, YOU HAVING COMPANY?
510
00:23:35,933 --> 00:23:36,966
NOPE. JUST ME.
511
00:23:37,033 --> 00:23:38,732
YOU GOT LEONARD
ON THE DOCKET AGAIN?
512
00:23:38,800 --> 00:23:39,999
NO, NOT TONIGHT.
513
00:23:40,067 --> 00:23:42,165
THIS TIME IT'S DINNER
WITH A CLIENT -- A TEXAN.
514
00:23:42,233 --> 00:23:43,332
OOH.
HOW DOES HE SHAPE UP?
515
00:23:43,400 --> 00:23:44,900
OH, YOU WOULDN'T BELIEVE HIM,
MY DEAR.
516
00:23:45,935 --> 00:23:47,164
HE'S REALLY TOO MUCH.
BOOTS AND ALL.
517
00:23:47,199 --> 00:23:49,180
BET HE WALKS IN HERE
WITH TWO DOZEN FLOWERS.
518
00:23:49,215 --> 00:23:51,399
YOU CAN FIND A BETTER REASON
THAN THAT TO HATE HIM.
519
00:23:51,467 --> 00:23:53,832
MY BOSS SAYS THIS IS
SOME SORT OF A CHALLENGE,
520
00:23:53,900 --> 00:23:56,432
BUT I THINK THAT TEXAS
IS JUST ANOTHER GUY ON THE MAKE.
521
00:23:56,500 --> 00:23:58,765
THAT'S THE WAY PEOPLE
ARE CONSTRUCTED.
522
00:23:58,833 --> 00:24:01,232
YOU KNOW, I DON'T LIKE WHAT'S
BEEN GOING ON IN THE OFFICE.
523
00:24:01,300 --> 00:24:02,566
I KEEP TELLING YOU --
524
00:24:02,633 --> 00:24:05,765
DOWNTOWN A GIRL HAS TO BE TWICE
AS SMART TO GET HALF AS FAR.
525
00:24:05,833 --> 00:24:09,099
I THINK MR. BEAR'S PUT ME
ON THIS FOR SOME SORT OF REASON.
526
00:24:09,166 --> 00:24:11,665
ON WALL STREET,
YOU'RE EVERY MAN'S RIVAL.
527
00:24:11,733 --> 00:24:14,365
UPTOWN, I SMILE,
AND I GET A $5 RAISE.
528
00:24:14,433 --> 00:24:16,032
OH, AN UPTOWN JOB
IS JUST THE WAY
529
00:24:16,100 --> 00:24:17,899
A GIRL KILLS TIME
TILL THE EVENING DATE.
530
00:24:17,967 --> 00:24:19,566
ANYWAY,
I LIKE WALL STREET.
531
00:24:19,633 --> 00:24:21,566
I LIKE MY JOB,
AND I'M GOOD AT IT.
532
00:24:21,633 --> 00:24:23,999
BESIDES, THE MAN I MARRY
IS GOING TO HAVE TO WANT
533
00:24:24,067 --> 00:24:26,532
SOMETHING MORE THAN A CHIEF COOK
AND BOTTLE WASHER.
534
00:24:26,600 --> 00:24:29,732
SOONER OR LATER, FATE, IN
THE FORM OF THE DIAPER SERVICE,
535
00:24:29,800 --> 00:24:31,532
MUST COME KNOCKING
AT THE DOOR.
536
00:24:31,600 --> 00:24:33,132
I'LL TAKE LATER.
537
00:24:33,200 --> 00:24:34,865
I'LL TAKE SOONER.
538
00:24:36,700 --> 00:24:38,599
- MMM.
- OOH.
539
00:24:38,666 --> 00:24:40,466
NOW, WHY DO YOU SUPPOSE
MR. BEAR WANTS ME
540
00:24:40,533 --> 00:24:42,665
TO FIGHT OFF A LARGE TEXAN?
541
00:24:42,733 --> 00:24:45,132
YOU THINK HE'S GOT MORE
THAN BUSINESS ON HIS MIND?
542
00:24:45,200 --> 00:24:47,132
EVERY MAN
HAS SEX ON THE BRAIN
543
00:24:47,200 --> 00:24:49,566
LIKE IT'S SOME SORT
OF WONDER DRUG,
544
00:24:49,633 --> 00:24:53,199
A CURE-ALL FOR EVERYTHING --
COLDS, PLEURISY, ARTHRITIS.
545
00:24:53,266 --> 00:24:56,499
I EVEN HAD A GUY ONCE TELL ME
THAT SEX PREVENTS CAVITIES.
546
00:24:56,567 --> 00:24:59,432
CAVITIES?
IN YOUR TEETH?
547
00:24:59,500 --> 00:25:00,732
SURE.
548
00:25:00,800 --> 00:25:02,899
WHEN YOU'RE TENSE, YOU HAVE
MORE ACIDS IN YOUR MOUTH,
549
00:25:02,967 --> 00:25:04,199
AND ACIDS EAT ENAMEL.
550
00:25:04,266 --> 00:25:06,865
WHEN YOU GET RID OF THE TENSION,
YOU GET RID OF THE ACIDS,
551
00:25:06,933 --> 00:25:08,832
AND THE BEST WAY
TO GET RID OF TENSION --
552
00:25:08,900 --> 00:25:11,665
DON'T TELL ME.
LET ME GUESS.
553
00:25:11,733 --> 00:25:14,466
SAY, WHY DON'T YOU EVER UNDRESS
IN THE BATHROOM?
554
00:25:14,533 --> 00:25:16,732
BECAUSE I CAN'T HEAR YOU
FROM THE BATHROOM.
555
00:25:16,800 --> 00:25:18,165
OH.
556
00:25:18,233 --> 00:25:21,665
WELL, AT LEAST LEONARD SPARES ME
ALL THAT JAZZ.
557
00:25:21,733 --> 00:25:25,765
SAY, WHERE ARE YOU AND THIS
COWBOY GONNA CHOW DOWN?
558
00:25:25,833 --> 00:25:27,032
I DON'T KNOW.
559
00:25:27,100 --> 00:25:29,132
SOMEPLACE WHERE HE CAN'T
PUT HIS BOOTS ON THE TABLE
560
00:25:29,200 --> 00:25:30,265
AND ORDER A BURNT STEAK.
561
00:25:30,333 --> 00:25:34,165
TRY LE COCHON TRèS CHER.
IT IS SO SWANK.
562
00:25:34,233 --> 00:25:36,165
YOU'RE NOT EVEN ALLOWED
TO USE YOUR TEETH.
563
00:25:36,233 --> 00:25:38,099
[ DOORBELL RINGS ]
YOU JUST GUM THE FOOD.
564
00:25:38,166 --> 00:25:41,066
THAT'S ABOUT THE BEST IDEA
YOU'VE HAD ALL DAY.
565
00:25:42,333 --> 00:25:44,399
- OH, LEONARD.
- EVENING.
566
00:25:44,467 --> 00:25:46,365
I'VE BEEN TRYING TO REACH YOU
FOR THE PAST HOUR.
567
00:25:46,433 --> 00:25:49,199
YOU KNOW DR. PFEIFFER
WILL NEVER ANSWER THE PHONE
DURING MY SESSIONS.
568
00:25:49,266 --> 00:25:50,933
WELL, I KNOW, LEONARD,
BUT I'M SORRY.
569
00:25:50,968 --> 00:25:52,066
I'M GONNA HAVE TO BREAK OUR
DINNER DATE,
570
00:25:52,133 --> 00:25:53,929
BECAUSE I HAVE A VERY URGENT
BUSINESS APPOINTMENT.
571
00:25:53,930 --> 00:25:56,029
I'LL-I'LL MAKE IT UP TO YOU
ANOTHER NIGHT. I PROMISE.
572
00:25:56,033 --> 00:25:58,732
NO VEAL SCALLOPINI?
NO SOFT MUSIC?
573
00:25:58,800 --> 00:25:59,932
I JUST TOLD YOU I CAN'T.
574
00:26:00,000 --> 00:26:01,832
I HAVE TO HAVE DINNER
WITH A CLIENT.
575
00:26:01,900 --> 00:26:05,332
HOW DID YOU RATIONALIZE
THIS REJECTION OF ME?
576
00:26:05,400 --> 00:26:07,199
WHAT EXCUSE
DID YOU GIVE YOURSELF?
577
00:26:07,266 --> 00:26:09,132
IT'S NOT A REJECTION.
IT'S A CLIENT.
578
00:26:09,200 --> 00:26:10,332
BUT THE REAL REASON,
579
00:26:10,400 --> 00:26:12,399
THE SUBCONSCIOUS REASON
YOU'RE REJECTING ME,
580
00:26:12,467 --> 00:26:15,099
HAS TO DO WITH THE AMBIGUOUS
MASCULINE-FEMININE ROLE
581
00:26:15,166 --> 00:26:16,299
WHICH YOU HAVE --
582
00:26:16,366 --> 00:26:18,299
IT HAS TO DO WITH
TRYING TO SELL SOME STOCK.
583
00:26:18,366 --> 00:26:19,365
STOCK. MONEY.
584
00:26:19,433 --> 00:26:21,399
DO YOU KNOW WHAT FREUD SAID
ABOUT MONEY?
585
00:26:21,467 --> 00:26:22,932
IT'S REFUSE, DIRT.
586
00:26:23,000 --> 00:26:25,076
I'M JUST TRYING TO TURN
A FAST MUD PIE.
587
00:26:25,111 --> 00:26:25,881
NOW, GOOD NIGHT, LEONARD.
588
00:26:25,916 --> 00:26:27,566
MY CLIENT'S COMING TO GET ME
PRETTY SOON.
589
00:26:27,633 --> 00:26:28,932
I'LL TALK TO YOU LATER.
590
00:26:29,000 --> 00:26:30,165
I'LL BE AT SONIA'S.
591
00:26:32,567 --> 00:26:34,199
WELL, HOWDY, LEONARD.
592
00:26:49,033 --> 00:26:51,165
EVENING, MA'AM.
BROUGHT YOU SOME FLOWERS.
593
00:26:51,233 --> 00:26:52,699
OH. [ CHUCKLES ]
594
00:26:52,766 --> 00:26:54,066
HOWDY, MA'AM.
595
00:26:54,133 --> 00:26:56,099
THAT'S MY ROOMMATE,
ELOISE COTT.
596
00:26:56,166 --> 00:26:58,066
HOLY COW.
597
00:26:58,133 --> 00:27:01,099
UH, I, UH, GUESS I BETTER
PUT MY SHOES ON.
598
00:27:01,166 --> 00:27:03,466
I FEEL A LITTLE SHORT
IN THE SADDLE.
599
00:27:03,533 --> 00:27:05,399
YOU KNOW, YOU REALLY
DIDN'T HAVE TO DO THIS.
600
00:27:05,467 --> 00:27:06,532
WELL, I ALWAYS FIGURED
601
00:27:06,600 --> 00:27:08,332
THAT FLOWERS AND LADIES
KIND OF GO TOGETHER.
602
00:27:08,400 --> 00:27:09,999
WHERE WE GONNA CHOW DOWN
TONIGHT, MA'AM?
603
00:27:10,067 --> 00:27:12,365
WELL, THERE'S A LITTLE PLACE
WHERE WE USUALLY DROP IN,
604
00:27:12,433 --> 00:27:13,966
SORT OF A NEIGHBORHOOD
ATMOSPHERE.
605
00:27:14,033 --> 00:27:16,099
IT'S CALLED
LE COCHON TRèS CHER.
606
00:27:16,166 --> 00:27:17,332
WHAT DOES THAT MEAN?
607
00:27:17,400 --> 00:27:19,632
WELL, IN FRENCH, IT MEANS
"THE VERY DEAR PIG,"
608
00:27:19,700 --> 00:27:21,832
BUT THAT'S NOT
WHAT IT MEANS.
609
00:27:31,833 --> 00:27:33,132
THANK YOU.
610
00:27:37,300 --> 00:27:40,099
[ MID-TEMPO MUSIC PLAYING ]
611
00:27:46,900 --> 00:27:48,666
WE SHOULD HAVE MADE
A RESERVATION.
612
00:27:48,733 --> 00:27:49,765
WE'LL NEVER GET A TABLE.
613
00:27:49,833 --> 00:27:51,332
OH, SURE.
614
00:27:55,833 --> 00:27:57,732
EXCUSE ME.
615
00:27:57,800 --> 00:28:00,066
WE'D LIKE TO GET A TABLE
AND SOMETHING TO EAT, PLEASE.
616
00:28:00,133 --> 00:28:02,566
[ French accent ] IF YOU WILL
WAIT AT THE BAR, MONSIEUR,
617
00:28:02,633 --> 00:28:04,932
I WILL CALL YOU --
PERHAPS TWO, THREE HOURS.
618
00:28:05,000 --> 00:28:07,032
OH, BUT I'M TOO HUNGRY
TO WAIT THAT LONG.
619
00:28:07,100 --> 00:28:09,532
AH! MONSIEUR DUGLACE,
MADAME, BONSOIR!
620
00:28:09,600 --> 00:28:12,332
LE NUMERAL QUATRE POUR
MSSR. DUGLACE ET DAME.
621
00:28:12,400 --> 00:28:14,232
MERCI.
622
00:28:14,300 --> 00:28:15,799
YES.
623
00:28:15,866 --> 00:28:17,965
EXCUSE ME.
624
00:28:18,033 --> 00:28:21,399
UH, CLYDE, I DON'T THINK
YOU UNDERSTOOD THE LADY.
625
00:28:21,466 --> 00:28:23,066
YOU GOT
ALL THOSE EMPTY TABLES,
626
00:28:23,133 --> 00:28:25,232
AND WE'D LIKE TO EAT THERE
RIGHT NOW.
627
00:28:25,300 --> 00:28:27,732
MONSIEUR, WHEN I SAY
THREE HOURS,
628
00:28:27,800 --> 00:28:29,399
I MEAN THREE HOURS.
629
00:28:29,466 --> 00:28:31,432
YOU LISTEN TO ME, MERLE.
630
00:28:31,500 --> 00:28:36,765
PASADO UNO PARA EL OFICIAL
DE IMIGRACIóN, ¿EH?
631
00:28:36,833 --> 00:28:41,332
PARA UNO PICCOLO
DE TU QUOTA.
632
00:28:41,400 --> 00:28:45,699
UN GRANDE AMIGO
DE ELIOT NESS.
633
00:28:48,000 --> 00:28:49,832
CERTAMENTE, SIGNORE.
634
00:28:49,900 --> 00:28:51,432
CERTAMENTE.
635
00:28:51,500 --> 00:28:54,999
IL TRADIRE DIECI
PER SIGNORE QUEEN.
636
00:28:55,067 --> 00:28:56,632
AVANTI.
637
00:29:03,033 --> 00:29:04,199
THANK YOU.
638
00:29:06,233 --> 00:29:07,232
MONSIEUR.
639
00:29:07,300 --> 00:29:09,099
WAS THAT ITALIAN?
640
00:29:09,167 --> 00:29:10,566
I FIND THAT IN NEW YORK,
641
00:29:10,633 --> 00:29:12,865
MOST FRENCH HEADWAITERS
ARE ITALIAN.
642
00:29:12,933 --> 00:29:14,199
CAN YOU SPEAK ITALIAN?
643
00:29:14,266 --> 00:29:15,299
NO, MA'AM.
NO, MA'AM.
644
00:29:15,366 --> 00:29:17,199
THAT'S JUST A LITTLE
WETBACK SPANISH.
645
00:29:17,266 --> 00:29:18,499
IT SOUNDS THE SAME.
646
00:29:18,567 --> 00:29:20,265
OH.
647
00:29:20,333 --> 00:29:22,632
[ MUSIC CONTINUES ]
648
00:29:31,833 --> 00:29:34,299
YOU, UH, REALLY DO
LIKE THIS PLACE, HUH?
649
00:29:34,366 --> 00:29:37,765
OH, YES. I COULD EAT HERE...
EVERY NIGHT OF MY LIFE.
650
00:29:43,300 --> 00:29:47,599
MADAME, MONSIEUR, MAY I SUGGEST
A SPECIALTY OF THE HOUSE?
651
00:29:47,667 --> 00:29:49,199
FILET DE SOLE MONACO.
652
00:29:49,266 --> 00:29:50,399
OH, EXCUSE ME, FRIEND.
653
00:29:50,466 --> 00:29:51,499
YES, SIR?
654
00:29:51,567 --> 00:29:52,566
WHAT'S THAT KEY FOR?
655
00:29:52,633 --> 00:29:54,365
THAT'S THE KEY
TO THE WINE CELLAR, SIR.
656
00:29:54,433 --> 00:29:57,932
WELL, IF THAT'S THE KEY,
THE DOOR MUST BE 50 FEET HIGH.
657
00:29:58,000 --> 00:30:00,899
MAY I SUGGEST THE SPECIALTY
OF THE HOUSE?
658
00:30:00,966 --> 00:30:02,999
FILET DE SOLE MONACO.
659
00:30:03,067 --> 00:30:04,965
OH, WELL,
I THINK I'LL HAVE
660
00:30:05,033 --> 00:30:07,365
THE POULET FLAMBé
SAINT BERNARD DU VIN.
661
00:30:07,433 --> 00:30:09,932
EXCELLENT.
EXCELLENT CHOICE.
662
00:30:10,000 --> 00:30:11,832
YOU, MONSIEUR?
663
00:30:11,900 --> 00:30:14,465
UH...
WHAT WAS THAT YOU HAD?
664
00:30:14,533 --> 00:30:17,032
OH, THAT'S CHICKEN
WITH MUSHROOMS AND ONIONS
665
00:30:17,100 --> 00:30:19,499
AND MARINATED IN WINE
AND TOPPED WITH BRANDY.
666
00:30:19,567 --> 00:30:23,432
UH, CHUCK-WAGON STEW
WITH A DASH OF RED-EYE, HUH?
667
00:30:23,500 --> 00:30:25,699
UH, WAITER,
BRING ME A BURNT STEAK
668
00:30:25,766 --> 00:30:28,166
AND A MESS OF GREENS, PLEASE.
669
00:30:28,233 --> 00:30:30,465
YES. OF COURSE.
670
00:30:36,633 --> 00:30:37,966
I'LL BET YOU A SHAVE
671
00:30:38,033 --> 00:30:40,899
THAT OLD HENRY'S ON TO SOMETHING
REAL GOOD.
672
00:30:40,967 --> 00:30:42,799
OKAY, I'LL SEE
YOUR SEE YOUR SHAVE
673
00:30:42,866 --> 00:30:44,532
AND RAISE YOU
TWO SHOESHINES.
674
00:30:44,600 --> 00:30:47,032
I'LL SEE YOUR TWO SHOESHINES,
RAISE YOU A SHAVE,
675
00:30:47,100 --> 00:30:49,532
AND LOAN YOU
MY HELICOPTER.
676
00:30:53,500 --> 00:30:54,865
- OH, THAT'S GOOD WINE.
- MM-HMM.
677
00:30:54,933 --> 00:30:57,165
AND AREN'T YOU GLAD I MADE YOU
CHANGE YOUR ORDER TO CHICKEN?
678
00:30:57,233 --> 00:30:58,466
I SURE AM.
679
00:30:58,533 --> 00:31:00,165
THAT CHICKEN'S THE MOST
I'VE HAD TO DRINK
680
00:31:00,233 --> 00:31:01,365
IN QUITE SOME TIME.
681
00:31:01,433 --> 00:31:03,199
NOW, MR. TYROON,
LET'S GET BACK TO BUSINESS,
682
00:31:03,266 --> 00:31:05,532
BECAUSE I KNOW YOU WANT TO HEAR
ABOUT WIDGETS.
683
00:31:05,600 --> 00:31:07,032
I SURE DO.
684
00:31:07,100 --> 00:31:10,032
HOW DID A GIRL LIKE YOU
EVER GET MIXED UP WITH WIDGETS?
685
00:31:10,100 --> 00:31:12,699
YOU MEAN WHAT AM I DOING
ON WALL STREET,
686
00:31:12,766 --> 00:31:14,165
AND HOW COME
I'M NOT MARRIED?
687
00:31:14,233 --> 00:31:17,665
WELL, NOW, I WASN'T GONNA GET TO
THAT FOR ANOTHER HOUR OR SO.
688
00:31:17,733 --> 00:31:19,799
I'M IMPRESSED
BY YOUR DIRECTNESS.
689
00:31:19,866 --> 00:31:21,699
MR. TYROON,
GETTING MARRIED
690
00:31:21,766 --> 00:31:24,099
IS NOT THE ONLY THING
A GIRL CAN DO.
691
00:31:24,166 --> 00:31:25,265
AND I LIKE WALL STREET,
692
00:31:25,333 --> 00:31:27,232
AND I WANT TO SEE GIRLS
ACCEPTED THERE.
693
00:31:27,300 --> 00:31:29,199
WELL, YOU MEAN
THEM FELLAS DOWNTOWN
694
00:31:29,266 --> 00:31:30,532
ARE GIVING YOU
A HARD TIME?
695
00:31:30,600 --> 00:31:33,099
UH-HUH, AND IF I CAN PUT WIDGET
OVER, I'M ON MY WAY.
696
00:31:33,166 --> 00:31:37,165
I MAY EVEN BE THE NEXT PRESIDENT
OF THE WOMEN SECURITY ANALYSTS.
697
00:31:37,233 --> 00:31:39,732
WELL, SINCE WE'RE DOING
ALL THIS SO SPEEDY-LIKE,
698
00:31:39,800 --> 00:31:42,699
THIS LEONARD,
IS HE YOUR STEADY FELLA?
699
00:31:42,766 --> 00:31:44,032
OH, NO, NO. NO.
700
00:31:44,100 --> 00:31:46,165
NO. I-I SEE A LOT OF HIM.
701
00:31:46,233 --> 00:31:48,732
HE'S AN ART CRITIC
AND VERY INTELLIGENT.
702
00:31:48,800 --> 00:31:50,799
AND YOUR NEXT QUESTION
IS GOING TO BE
703
00:31:50,866 --> 00:31:52,132
HOW LONG
HAVE I KNOWN HIM.
704
00:31:52,200 --> 00:31:53,665
WHOO-EE.
705
00:31:53,733 --> 00:31:55,665
THERE'S NO POINT
IN MESSING WITH YOU.
706
00:31:55,733 --> 00:31:57,466
YOU'RE AHEAD OF ME
ALL THE WAY.
707
00:31:57,533 --> 00:32:00,232
I'M JUST NOT USED TO
BRIGHT GIRLS.
708
00:32:01,400 --> 00:32:02,799
OH, YOU REALLY THINK
I'M BRIGHT?
709
00:32:02,866 --> 00:32:04,365
MM-HMM.
710
00:32:04,433 --> 00:32:06,966
OH, SO DO I,
AND NOBODY EVER TELLS ME THAT.
711
00:32:07,033 --> 00:32:09,399
WHENEVER ANYBODY
WANTS TO SCORE POINTS WITH ME,
712
00:32:09,467 --> 00:32:10,999
THEY TELL ME I'M PRETTY.
713
00:32:11,067 --> 00:32:13,432
AND I GET SO TIRED
OF THAT WHEN --
714
00:32:13,500 --> 00:32:16,732
WHEN ACTUALLY,
I-I'VE DONE S-SOME VERY...
715
00:32:16,800 --> 00:32:18,699
INTELLIGENT...
716
00:32:18,766 --> 00:32:20,999
THOUGHTFUL WORK.
717
00:32:28,266 --> 00:32:29,732
Wilson:
HEY! HEY, GOOD BUDDY!
718
00:32:29,800 --> 00:32:32,232
EVERYTHING'S
GONNA BE ALL RIGHT.
719
00:32:32,300 --> 00:32:34,665
OH, NOW GET OFF THE ROAD,
LITTLE PUPPY,
720
00:32:34,733 --> 00:32:36,165
AND LET US BIG DOGS ROLL.
721
00:32:36,233 --> 00:32:38,699
WELL, HOWDY, HENRY.
EVENING, MA'AM.
722
00:32:38,766 --> 00:32:40,466
Both: EVENING, MA'AM.
HOWDY, HENRY.
723
00:32:40,533 --> 00:32:41,665
HOWDY, BOYS.
724
00:32:41,733 --> 00:32:43,599
OH, UH, MISS MOLLY THATCHER,
I'D LIKE YOU TO MEET
725
00:32:43,666 --> 00:32:46,099
JAY RAY SPENALBEE,
RAY JAY POTTS, AND J.R. WILSON.
726
00:32:46,166 --> 00:32:47,099
- HI.
- HI.
- HI.
727
00:32:47,166 --> 00:32:48,632
THE BOYS ARE FROM TEXAS.
728
00:32:48,700 --> 00:32:50,032
NO. HELLO.
729
00:32:50,100 --> 00:32:52,466
IT'S A PLEASURE, MA'AM,
AND IF I'M NOT TOO BOLD,
730
00:32:52,533 --> 00:32:55,832
I'D JUST LIKE TO SAY THAT YOUR
HAIR'S PRETTY AS CORN SILK.
731
00:32:55,900 --> 00:32:57,966
PRETTIER.
[ LAUGHS ]
732
00:32:58,033 --> 00:32:59,365
SAY, NOW, HENRY,
733
00:32:59,433 --> 00:33:01,966
WHATEVER IT IS YOU'RE ON TO,
I'LL TAKE A FOURTH OF IT.
734
00:33:02,033 --> 00:33:03,299
AND I'LL TAKE
AN EIGHTH.
735
00:33:03,366 --> 00:33:06,132
I'LL SEE YOUR EIGHTH
AND I'LL RAISE YOU A FOURTH.
736
00:33:06,200 --> 00:33:07,865
WELL, UH,
I'LL TELL YOU, BOYS,
737
00:33:07,933 --> 00:33:09,799
I HAVEN'T GOT ANYTHING
GOING JUST NOW.
738
00:33:09,866 --> 00:33:12,466
THESE GENTLEMEN HAVE BEEN
ASSOCIATED WITH ME
739
00:33:12,533 --> 00:33:14,132
IN A COUPLE
OF MY VENTURES.
740
00:33:14,200 --> 00:33:16,332
OH, COME ON, NOW, HENRY.
YOU CAN TELL US.
741
00:33:16,400 --> 00:33:18,165
NOW, WHAT ARE WE
GETTING INTO THIS TIME?
742
00:33:18,233 --> 00:33:20,832
HONEST, BOYS, I'M JUST OUT
FOR A NICE SOCIABLE DINNER.
743
00:33:20,900 --> 00:33:22,165
IS THAT TRUE, MA'AM?
744
00:33:22,233 --> 00:33:23,365
YES, THAT'S TRUE.
745
00:33:23,433 --> 00:33:26,032
WHERE CAN A MAN GET A BOWL
OF CHILI IN HERE?
746
00:33:26,100 --> 00:33:27,966
HOW IS THE CHOW, MA'AM?
747
00:33:28,033 --> 00:33:30,066
WELL, IT'S JUST ABOUT
THE BEST IN THE WORLD --
748
00:33:30,133 --> 00:33:32,066
WHEN YOU GET A CHANCE
TO ENJOY IT.
749
00:33:32,133 --> 00:33:34,365
YOU, UH, REALLY LIKE
THIS PLACE, HUH?
750
00:33:34,433 --> 00:33:37,132
UNDER CERTAIN CIRCUMSTANCES,
IT CAN BE HEAVEN.
751
00:33:37,200 --> 00:33:40,865
WELL, PEOPLE HAVE
A DIFFERENT IDEA ABOUT HEAVEN.
752
00:33:40,933 --> 00:33:42,566
WELL, LET'S SEE.
753
00:33:42,633 --> 00:33:46,199
THERE'S A FEW INTERESTING PRINCIPLES.
754
00:33:46,266 --> 00:33:48,732
I MEAN, IT'S GOT
A HIGH MARGIN.
755
00:33:48,800 --> 00:33:50,199
YOU KEEP THE PEOPLE
PACKED IN THERE.
756
00:33:50,266 --> 00:33:52,199
AT A DOLLAR AND A HALF A SHOT,
THEY'RE CRYING TO GET IN.
757
00:33:52,266 --> 00:33:54,632
BY THE TIME THEY HAVE
FOUR OR FIVE WHISKEYS,
758
00:33:54,700 --> 00:33:57,232
THEY DON'T KNOW WHAT THE WINE
TASTES LIKE ANYWAY.
759
00:33:57,300 --> 00:34:01,066
OH, YEAH, THEY GOT THEM
LITTLE PULLEY CARTS.
760
00:34:01,133 --> 00:34:03,532
FIRE INSURANCE.
761
00:34:03,600 --> 00:34:07,032
YOU, UH, REALLY, REALLY
LIKE IT HERE?
762
00:34:07,100 --> 00:34:08,599
YES.
763
00:34:14,366 --> 00:34:17,499
WELL, WHEN HE'S NOT BUSY,
WOULD YOU HAVE HIM CALL ME BACK?
764
00:34:17,567 --> 00:34:19,299
Bear: Miss Thatcher?
765
00:34:19,366 --> 00:34:20,732
YES, MR. BEAR?
766
00:34:20,800 --> 00:34:22,199
What's new
with that widget thing
767
00:34:22,266 --> 00:34:23,532
we gave you
several days ago?
768
00:34:23,600 --> 00:34:25,265
WELL, I'VE BEEN TRYING
TO DO THE RESEARCH,
769
00:34:25,333 --> 00:34:27,199
BUT THE COMPANY
DOESN'T ANSWER ITS PHONE.
770
00:34:27,266 --> 00:34:29,432
What about that Texan
we set you up with?
771
00:34:29,500 --> 00:34:31,032
I-I HAVEN'T BEEN ABLE
TO REACH HIM.
772
00:34:31,100 --> 00:34:33,165
Well, don't let him get away,
Miss Thatcher.
773
00:34:33,233 --> 00:34:35,665
Speed things up. We've got to
get on to other things.
774
00:34:35,733 --> 00:34:37,566
[ CLICK ]
775
00:34:37,633 --> 00:34:39,632
[ SIGHS ]
776
00:34:39,700 --> 00:34:41,032
GIVE HER ANOTHER MONTH.
777
00:34:41,100 --> 00:34:43,466
OTHERWISE,
IT WILL LOOK TOO OBVIOUS.
778
00:34:43,533 --> 00:34:46,299
ONE MONTH,
AND WE TRIM THE FAT.
779
00:34:47,333 --> 00:34:49,332
OUT SHE GOES.
780
00:34:49,700 --> 00:34:52,399
LEONARD, I SYMPATHIZE,
781
00:34:52,466 --> 00:34:54,065
BUT I CAN'T LISTEN
TO YOUR TROUBLES NOW.
782
00:34:54,133 --> 00:34:55,232
I HAVE TOO MANY
OF MY OWN.
783
00:34:55,300 --> 00:34:56,699
[ TELEPHONE BUZZES ]
784
00:34:56,767 --> 00:34:59,032
LISTEN, I'LL SEE YOU AT
THE OPENING TONIGHT, ALL RIGHT?
785
00:34:59,100 --> 00:35:00,132
I HAVE ANOTHER CALL NOW.
786
00:35:00,200 --> 00:35:01,299
MOLLY THATCHER.
787
00:35:01,367 --> 00:35:03,399
Henry: Oh, I'm not
disturbing you, am I?
788
00:35:03,466 --> 00:35:05,165
OH, HI!
NO, NO.
789
00:35:05,233 --> 00:35:06,699
YOU'RE NOT DISTURBING ME
ONE BIT.
790
00:35:06,767 --> 00:35:08,432
I'VE BEEN TRYING
TO REACH YOU FOR DAYS.
791
00:35:08,500 --> 00:35:11,399
I was afraid I wouldn't get
the chance to talk to you again.
792
00:35:11,466 --> 00:35:13,932
WELL, I'VE BEEN WORKING
ON A LITTLE CRASH PROJECT.
793
00:35:14,000 --> 00:35:15,266
I GOT A SURPRISE FOR YOU.
794
00:35:15,333 --> 00:35:17,932
I'D LIKE TO SHOW IT TO YOU
TONIGHT ABOUT, UH, 7:30?
795
00:35:18,000 --> 00:35:19,199
OH.
796
00:35:19,267 --> 00:35:20,999
OH, I DO WANT
TO TALK TO YOU.
797
00:35:21,066 --> 00:35:23,132
UH, I HAVE TO GO
TO AN ART GALLERY TONIGHT,
798
00:35:23,200 --> 00:35:24,399
A RECEPTION
FOR A NEW ARTIST,
799
00:35:24,466 --> 00:35:26,366
THE FIRST TIME HIS PAINTINGS
HAVE BEEN HUNG.
800
00:35:26,433 --> 00:35:28,132
IF YOU WOULDN'T MIND
EATING EARLY,
801
00:35:28,200 --> 00:35:30,332
maybe you'd like to come
to the gallery with me.
802
00:35:30,400 --> 00:35:32,999
IT'S THE FIRST TIME
I EVER TOOK A GIRL TO A HANGING.
803
00:35:33,066 --> 00:35:35,099
[ CHUCKLES ]
BYE-BYE.
804
00:35:42,233 --> 00:35:43,532
EVENING, MA'AM.
805
00:35:45,533 --> 00:35:46,732
GOOD EVENING, SIR.
806
00:35:46,800 --> 00:35:48,499
WELL, GOOD EVENING THERE,
BONAPARTE.
807
00:35:48,566 --> 00:35:51,032
WE'LL BE OUT IN A COUPLE HOURS,
FEINBERG.
808
00:35:53,433 --> 00:35:56,032
[ MID-TEMPO MUSIC PLAYING ]
809
00:36:03,733 --> 00:36:05,499
GOOD EVENING, MR. TYROON.
810
00:36:05,566 --> 00:36:07,832
IT'S NICE TO SEE YOU
THIS EVENING.
811
00:36:07,900 --> 00:36:09,199
WELL, THANK YOU.
812
00:36:12,966 --> 00:36:16,032
COMMENDATORE, BUONASERA.
QUELL'ONORE.
813
00:36:16,100 --> 00:36:19,366
COMMENDATORE, BUONASERA.
QUELL'ONORE.
814
00:36:21,367 --> 00:36:23,665
SIGNORINA, BELLISSIMA.
815
00:36:23,733 --> 00:36:25,799
[ SPEAKING ITALIAN ]
816
00:36:36,433 --> 00:36:39,132
MOLTA CARINA, BELLISSIMA,
SIGNORINA.
817
00:36:39,200 --> 00:36:40,432
WAKE UP.
818
00:36:40,500 --> 00:36:42,332
ONE OF YOUR FAVORITE CIGARS,
MR. TYROON.
819
00:36:42,400 --> 00:36:44,565
FAVORITE CIGARS.
[ CHUCKLES ]
820
00:36:44,633 --> 00:36:46,565
GRAZIE, GRAZIE.
821
00:36:46,633 --> 00:36:48,366
THANK YOU, ZELDA.
822
00:36:48,433 --> 00:36:51,065
THEY CERTAINLY HAVE CHANGED
THIS PLACE, HAVEN'T THEY?
823
00:36:51,133 --> 00:36:52,465
AND THAT HEADWAITER --
824
00:36:52,533 --> 00:36:54,732
DID HE TURN OUT TO BE YOUR
LONG-LOST FATHER OR SOMETHING?
825
00:36:54,800 --> 00:36:57,699
WELL I FIGURED IF THE BAR IS MORE
PROFITABLE THAN THE DINING AREA
826
00:36:57,767 --> 00:36:59,632
AND PEOPLE LIKE TO BE
SHOVED AROUND,
827
00:36:59,700 --> 00:37:02,099
WELL, THEN, YOU DOUBLE THE SIZE
OF THE BAR
828
00:37:02,166 --> 00:37:03,766
AND SHOVE THEM
A LITTLE HARDER.
829
00:37:03,833 --> 00:37:05,432
GOOD EVENING, MR. TYROON.
GOOD EVENING, MADEMOISELLE.
830
00:37:05,500 --> 00:37:06,632
GOOD EVENING, CLYDE.
831
00:37:06,700 --> 00:37:09,332
NOW WE HAVE A 100-FOOT DOOR
ON THE WINE CELLAR.
832
00:37:09,400 --> 00:37:10,899
THEN I FIGURED,
833
00:37:10,966 --> 00:37:13,565
WHO WOULD LOAN ME ENOUGH MONEY
TO BUY THIS PLACE?
834
00:37:13,633 --> 00:37:16,332
SIMPLE.
A FIRE-INSURANCE COMPANY.
835
00:37:16,400 --> 00:37:20,065
MR. TYROON,
Y-YOU BOUGHT THIS PLACE?
836
00:37:20,133 --> 00:37:22,199
CHEZ-HENRI.
837
00:37:22,267 --> 00:37:24,832
"HENRI" IS THE SAME AS "HENRY,"
AND HENRY IS ME.
838
00:37:24,900 --> 00:37:26,632
- MR. TYROON --
- NO, NO, NO.
839
00:37:26,700 --> 00:37:29,399
YOU CAN CALL ME HENRI,
LIKE IT SAYS ON THE MENU.
840
00:37:29,466 --> 00:37:32,165
YOU BOUGHT THIS PLACE.
841
00:37:32,233 --> 00:37:34,699
WELL, YOU SAID YOU'D LIKE TO
EAT HERE EVERY NIGHT.
842
00:37:34,767 --> 00:37:36,199
WELL, NOW YOU CAN.
843
00:37:36,267 --> 00:37:39,032
SEE WHAT WE GOT TONIGHT.
844
00:37:41,033 --> 00:37:43,266
NARDO! NARDO?!
845
00:37:43,333 --> 00:37:45,965
WAIT FOR CHUCK!
846
00:37:46,033 --> 00:37:49,332
POTTSFIELD IS SUCH
AN ANTISEPTIC PAINTER.
847
00:37:49,400 --> 00:37:50,866
AT FIRST GLANCE,
848
00:37:50,933 --> 00:37:53,732
BUT THAT'S BECAUSE HE USES
ONLY WHITE PAINT.
849
00:37:53,800 --> 00:37:56,299
WELL, HIS PAINTINGS
ARE GERM-FREE.
850
00:37:56,367 --> 00:37:59,499
BUT THEN WHEN YOU'VE SAID THAT,
YOU'VE SAID EVERYTHING.
851
00:37:59,566 --> 00:38:00,832
[ LAUGHS ]
852
00:38:00,900 --> 00:38:02,965
PERSONALLY,
I LIKE HORSE PAINTINGS.
853
00:38:03,033 --> 00:38:05,565
HENRY, ABSTRACTS ARE ALWAYS
HARD AT FIRST.
854
00:38:05,633 --> 00:38:06,699
IT'S AN ACQUIRED TASTE.
855
00:38:06,767 --> 00:38:08,532
NOW, YOU HAVE TO TRY
TO UNDERSTAND,
856
00:38:08,600 --> 00:38:10,932
WHAT IS THE ARTIST
TRYING TO COMMUNICATE?
857
00:38:11,000 --> 00:38:13,965
A FEELING,
BUT HE AIN'T MAKING IT.
858
00:38:14,033 --> 00:38:17,032
BUT I CAN'T
THIS SATURDAY, SPIKE.
859
00:38:17,100 --> 00:38:19,199
I'M GOING TO THE CAPE
TO EXPAND.
860
00:38:19,267 --> 00:38:20,499
FOR THE WHOLE WEEKEND?!
861
00:38:20,566 --> 00:38:23,332
Man: NARDO!
NARDO, THERE YOU ARE!
862
00:38:23,400 --> 00:38:25,332
OH, HIS WORK IS GHASTLY,
863
00:38:25,400 --> 00:38:27,665
BUT IT DOES HAVE
A CERTAIN OBSCENE POWER.
864
00:38:27,733 --> 00:38:30,232
COMMUNICATION IS VERY DIFFICULT
AT FIRST, HENRY.
865
00:38:30,300 --> 00:38:31,299
MM-HMM.
866
00:38:31,367 --> 00:38:33,165
WELL, I AIN'T HAVING
ANY DIFFICULTY.
867
00:38:33,233 --> 00:38:34,766
HE IS.
868
00:38:34,833 --> 00:38:37,665
I DON'T THINK WHAT TED IS DOING
IS AWFUL AT ALL.
869
00:38:37,733 --> 00:38:41,965
AFTER ALL,
DEE DEE AND SALLY ARE TWINS.
870
00:38:42,033 --> 00:38:44,165
YOU'RE NOT TRYING, HENRY.
871
00:38:44,233 --> 00:38:47,832
WELL, I'M WILLING TO TRY,
BUT HE'S GOT TO TRY, TOO.
872
00:38:47,900 --> 00:38:49,532
OH, EXCUSE ME, HENRY.
873
00:38:52,700 --> 00:38:55,899
$500?
874
00:38:55,966 --> 00:38:58,366
I THINK I GET THE MESSAGE.
875
00:38:58,433 --> 00:39:03,299
NARDO!
NARDO, YOU DEAR, DEAR BOY!
876
00:39:03,367 --> 00:39:06,266
I READ YOUR BRILLIANT
LITTLE PIECE IN ART WORLD.
877
00:39:06,333 --> 00:39:09,332
OH, SO ACRID,
SO DELICIOUSLY NASTY!
878
00:39:09,400 --> 00:39:11,099
NOBODY ELSE
COULD DO IT!
879
00:39:11,166 --> 00:39:13,799
NARDO, YOU MUST COME
AND HAVE TEA WITH ME.
880
00:39:13,867 --> 00:39:16,565
THERE'S THE MOST EXCITING
NEOREALIST PAINTER
881
00:39:16,633 --> 00:39:17,866
I WANT YOU TO MEET.
882
00:39:17,933 --> 00:39:20,366
HE'S A SLOB, DARLING,
BUT HE'S A GENIUS.
883
00:39:20,433 --> 00:39:22,565
LET US IN ON IT, NARDO.
884
00:39:22,633 --> 00:39:24,932
WHAT ARE YOU GOING TO SAY
ABOUT THE EXHIBITION?
885
00:39:25,000 --> 00:39:26,665
YES.
886
00:39:26,733 --> 00:39:29,832
THIS EXHIBITION
IS GOING TO MAKE HISTORY.
887
00:39:29,900 --> 00:39:31,332
THAT'S WHAT I'LL SAY.
888
00:39:31,400 --> 00:39:33,832
WHAT STANISLAS
HAS ACHIEVED HERE
889
00:39:33,900 --> 00:39:36,366
IS ESSENCE
RATHER THAN APPEARANCE
890
00:39:36,433 --> 00:39:39,799
BY USING SPACE ON LIGHT
INSTEAD OF LIGHT ON SPACE,
891
00:39:39,867 --> 00:39:42,565
AND THAT, OF COURSE,
IS THE WHOLE MYSTIQUE
892
00:39:42,633 --> 00:39:46,266
OR GEIST, IF YOU WILL,
OF THE STANISLAS METHOD.
893
00:39:46,333 --> 00:39:48,665
HE'S BROUGHT MYSTICISM
TO PAINTING,
894
00:39:48,733 --> 00:39:50,799
BUT HE HASN'T FALLEN
INTO THE TRAP
895
00:39:50,867 --> 00:39:52,965
OF BRINGING PAINTING
TO MYSTICISM.
896
00:39:53,033 --> 00:39:54,932
OH, MY DEAR.
HE'S A GENIUS.
897
00:39:56,733 --> 00:40:00,232
ONE THINKS OF BAUDELAIRE AND
THE OTHER FIN-DE-SIèCLE POETS,
898
00:40:00,300 --> 00:40:02,299
BECAUSE, WELL,
899
00:40:02,367 --> 00:40:06,632
ONE JUST DOES THINK OF
BAUDELAIRE SO OFTEN THESE DAYS.
900
00:40:06,700 --> 00:40:08,599
OH.
901
00:40:09,866 --> 00:40:12,665
[ SOBBING ]
902
00:40:17,967 --> 00:40:20,332
OH, I'M SORRY.
903
00:40:20,400 --> 00:40:22,566
I DIDN'T WANT TO MAKE
A SCENE.
904
00:40:26,700 --> 00:40:29,299
SEEMS THIS PICTURE
BROKE THAT YOUNG FELLA UP.
905
00:40:29,366 --> 00:40:31,032
OH, DON'T WORRY
ABOUT HIM.
906
00:40:31,100 --> 00:40:33,332
HE'S A PAID WEEPER,
ONE OF THE BEST.
907
00:40:33,400 --> 00:40:37,299
UH, YOU KNOW
THIS FELLA STANISLAS?
908
00:40:37,366 --> 00:40:40,232
I AM STANISLAS.
909
00:40:43,467 --> 00:40:45,732
SEEMS TO ME THAT, UH,
910
00:40:45,800 --> 00:40:48,799
YOU USE SPACE ON LIGHT
INSTEAD OF LIGHT ON SPACE.
911
00:40:48,866 --> 00:40:50,232
SIX OF ONE...
912
00:40:52,233 --> 00:40:54,199
YOU'RE BRINGING MYSTICISM
TO PAINTING,
913
00:40:54,266 --> 00:40:56,399
BUT YOU AIN'T BRINGING PAINTING
TO MYSTICISM.
914
00:40:56,467 --> 00:40:59,765
WHAT ARE YOU,
SOME KIND OF RELIGIOUS NUT?
915
00:41:00,933 --> 00:41:03,199
TELL ME, STANISLAS,
916
00:41:03,266 --> 00:41:05,632
IS THIS AN ASKING PRICE,
OR IS THAT FIRM?
917
00:41:05,700 --> 00:41:08,132
FIRM.
SOLD FOUR ALREADY TONIGHT.
918
00:41:08,200 --> 00:41:10,466
OF COURSE,
IF YOU'RE A TEXAS COLLECTOR,
919
00:41:10,533 --> 00:41:12,732
I MIGHT WORK SOMETHING OUT
ON A JOB LOT.
920
00:41:12,800 --> 00:41:15,799
AFRAID I CAN'T AFFORD
A HOBBY LIKE COLLECTING.
921
00:41:15,866 --> 00:41:17,966
OH, IT'S NOT A HOBBY.
922
00:41:18,033 --> 00:41:19,999
IT'S AN INVESTMENT.
923
00:41:26,100 --> 00:41:27,665
REMEMBER THAT REMBRANDT
924
00:41:27,733 --> 00:41:29,632
THAT SOLD FOR $2 MILLION
A BIT AGO?
925
00:41:29,700 --> 00:41:30,932
YEAH, I HEARD ABOUT IT.
926
00:41:31,000 --> 00:41:33,265
YOU KNOW YOU COULD HAVE BOUGHT
THAT ONCE FOR 20 BUCKS?
927
00:41:33,333 --> 00:41:34,466
FROM WHOM?
928
00:41:34,533 --> 00:41:36,832
FROM REMBRANDT
WHEN HE PAINTED IT.
929
00:41:36,900 --> 00:41:39,865
NOW, MY STUFF
GOES FOR 500 CLAMS,
930
00:41:39,933 --> 00:41:42,632
BUT IT'S GOT
1,000% PROFIT POTENTIAL.
931
00:41:42,700 --> 00:41:44,599
YEAH, BUT REMBRANDT
AND THAT BUNCH,
932
00:41:44,666 --> 00:41:46,365
YOU KNOW,
THEY'RE OLD MASTERS.
933
00:41:46,433 --> 00:41:47,832
THEY'VE ALL BEEN BID UP.
934
00:41:47,900 --> 00:41:51,265
THIS NEW STUFF,
IT'S LIKE WILDCATTING.
935
00:41:51,333 --> 00:41:54,966
IT MAY GO UP,
BUT THE ODDS ARE AGAINST IT.
936
00:41:55,033 --> 00:41:58,466
IF I READ YOU RIGHT,
YOU GO FOR WILDCATS.
937
00:41:58,533 --> 00:42:01,665
I ALWAYS LIKE SOMETHING
ON THE OUTSKIRTS OF A PRODUCER
938
00:42:01,733 --> 00:42:03,299
WHERE NOBODY'S
BROUGHT ONE IN --
939
00:42:03,366 --> 00:42:06,865
NOT TOO EXPENSIVE,
BUT THEN, NOT TOO LEFT-FIELD.
940
00:42:06,933 --> 00:42:09,632
I BELIEVE I KNOW
OF JUST SUCH A FIELD.
941
00:42:09,700 --> 00:42:11,932
NOW, WHEN THE COLLECTION
NEEDS A CURATOR --
942
00:42:12,000 --> 00:42:13,332
A CURATOR?
943
00:42:13,400 --> 00:42:14,466
A FOREMAN.
944
00:42:14,533 --> 00:42:16,399
SOMEONE TO RIDE THE HERD
AND ALL THAT BEAUTY.
945
00:42:16,467 --> 00:42:18,732
WELL, I ALWAYS
GIVE MY ASSOCIATES
946
00:42:18,800 --> 00:42:20,832
A PIECE OF THE ACTION.
947
00:42:20,900 --> 00:42:22,899
LET ME LAY THIS ON YOU.
948
00:42:24,567 --> 00:42:28,865
THE COMING FIELD
IS GERMAN EXPRESSIONISTS.
949
00:42:45,033 --> 00:42:47,299
[ VACUUM WHIRRING ]
950
00:42:47,366 --> 00:42:48,932
Molly: I HAVE THE AWFUL FEELING
951
00:42:49,000 --> 00:42:50,499
THAT THE AX
IS ABOUT TO FALL.
952
00:42:50,567 --> 00:42:52,299
"HOW ARE THINGS GOING,
MISS THATCHER?
953
00:42:52,366 --> 00:42:54,599
WE CAN'T KEEP ON GIVING
YOU CHANCES, NOW, CAN WE?"
954
00:42:54,666 --> 00:42:55,999
LET THE AX FALL.
955
00:42:56,067 --> 00:42:58,599
WORK UPTOWN
AND BE A GIRL AGAIN.
956
00:43:00,633 --> 00:43:03,466
HOW CAN SOMEBODY
JUST DISAPPEAR FOR DAYS?
957
00:43:03,533 --> 00:43:04,765
HENRY?
958
00:43:04,833 --> 00:43:06,299
WHO ELSE?
959
00:43:06,366 --> 00:43:08,832
WELL, HE COULDN'T GO AROUND
IN PUBLIC FOREVER.
960
00:43:08,900 --> 00:43:10,365
[ TELEPHONE RINGING ]
961
00:43:10,433 --> 00:43:12,432
ANSWER THAT, WOULD YOU?
MY HANDS ARE WET.
962
00:43:15,967 --> 00:43:17,365
[ VACUUM SHUTS OFF ]
963
00:43:17,433 --> 00:43:19,466
YES?
964
00:43:19,533 --> 00:43:22,365
FINE, THANKS,
BUT MY HEAD'S HOT.
965
00:43:22,433 --> 00:43:24,032
HOLD ON.
966
00:43:29,166 --> 00:43:30,832
HELLO?
967
00:43:30,900 --> 00:43:32,466
HELLO, HENRY.
968
00:43:32,533 --> 00:43:33,999
OH, I'M FINE.
969
00:43:34,067 --> 00:43:35,932
OH, NO.
THAT'S ALL RIGHT.
970
00:43:36,000 --> 00:43:38,399
I'VE BEEN
TERRIBLY BUSY, TOO.
971
00:43:38,467 --> 00:43:41,699
I-I TRIED TO REACH YOU,
BUT YOU CHECKED OUT.
972
00:43:41,766 --> 00:43:43,632
HENRY, I NEVER DID GET
A CHANCE
973
00:43:43,700 --> 00:43:46,865
TO EXPLAIN TO YOU
ALL ABOUT WIDGET AND...
974
00:43:46,933 --> 00:43:48,999
HALF AN HOUR?
975
00:43:49,067 --> 00:43:50,932
WELL, I'M REALLY
AWFULLY BUSY,
976
00:43:51,000 --> 00:43:54,132
BUT, UM, I GUESS I COULD MAKE IT
IN A HALF AN HOUR.
977
00:43:54,200 --> 00:43:55,865
ALL RIGHT.
978
00:43:55,933 --> 00:43:57,765
OH, I-I'VE GOT TO GET IN
SOME CLOTHES.
979
00:43:57,833 --> 00:43:59,265
WOULD YOU RINSE
THOSE THINGS OUT FOR ME?
980
00:43:59,333 --> 00:44:00,265
SURE. RUN ALONG.
981
00:44:00,333 --> 00:44:01,832
DOES MY HAIR LOOK
ALL RIGHT?
982
00:44:01,900 --> 00:44:04,732
FOR A DOWNTOWN GIRL,
THAT'S AN UPTOWN QUESTION.
983
00:44:07,366 --> 00:44:08,932
BETTER NOT
LOOK AT THIS ONE.
984
00:44:09,000 --> 00:44:12,765
IT'S A SHATTERING EXPERIENCE.
LOOSENS YOUR TEETH.
985
00:44:12,833 --> 00:44:15,365
YOU KNOW, WE'RE SOPPING UP
THE FLOKES, FLACK,
986
00:44:15,433 --> 00:44:16,532
AND 'DINSKYS, ALL RIGHT.
987
00:44:16,600 --> 00:44:18,066
ABOUT TO GET
THE NOLDES CORNERED.
988
00:44:18,133 --> 00:44:19,399
HOW WE DOING
ON THEM GORKYS?
989
00:44:19,467 --> 00:44:21,199
WELL, IF YOU CAN EXTEND
YOUR BANK CREDIT,
990
00:44:21,266 --> 00:44:23,499
I CAN GRAB THE TWO GORKYS
IN THE ROTHSCHILD COLLECTION.
991
00:44:23,567 --> 00:44:25,165
[ DOORBELL RINGS ]
992
00:44:25,233 --> 00:44:26,632
[ WOMAN CRYING ]
993
00:44:26,700 --> 00:44:29,132
OH, NOW,
THERE, THERE, HONEY.
994
00:44:29,200 --> 00:44:31,899
DON'T CRY. NO.
995
00:44:34,700 --> 00:44:36,999
OH, I THOUGHT
YOU WERE GONE FOREVER.
996
00:44:37,067 --> 00:44:38,599
OH, ME AND MY BOY
STANISLAS,
997
00:44:38,666 --> 00:44:40,499
WE'VE BEEN WILDCATTING
ALL OVER THE PLACE.
998
00:44:40,567 --> 00:44:41,899
WE WENT TO EUROPE
ON TUESDAY.
999
00:44:41,967 --> 00:44:43,865
YOUR B--
W-WHAT ARE YOU DOING HERE?
1000
00:44:43,933 --> 00:44:46,132
MOTHER, YOU'RE TALKING
TO THE HEAD WRANGLER
1001
00:44:46,200 --> 00:44:47,899
OF THE HENRY TYROON
COLLECTION.
1002
00:44:47,967 --> 00:44:49,699
THIS IS
MISS CATHY MADISON.
1003
00:44:49,766 --> 00:44:52,199
SHE WORKS FOR THE SAME MAGAZINE
YOUR BOY LEONARD WORKS FOR.
1004
00:44:52,266 --> 00:44:53,532
ART WORLD?
1005
00:44:53,600 --> 00:44:56,066
SUCH A MOVING COLLECTION.
1006
00:44:56,133 --> 00:44:58,665
SUCH MARVELOUS TASTE.
1007
00:44:58,733 --> 00:45:00,165
THAT -- THAT NOLDE.
1008
00:45:00,233 --> 00:45:03,599
YEAH. HOW ABOUT THIS CUTE
LITTLE YELLER ONE RIGHT HERE?
1009
00:45:03,666 --> 00:45:04,765
AIN'T THAT A BEAUTY?
1010
00:45:04,833 --> 00:45:06,165
ARE THEY REAL?
1011
00:45:06,233 --> 00:45:07,499
THEY BETTER BE.
1012
00:45:07,567 --> 00:45:08,632
BUT THAT ONE OVER THERE --
1013
00:45:08,700 --> 00:45:10,099
THAT'S IN THE TATE GALLERY
IN LONDON.
1014
00:45:10,166 --> 00:45:11,932
WELL, IT WAS
IN THE TATE GALLERY.
1015
00:45:12,000 --> 00:45:13,966
WE JUST ABOUT GOT THIS
EXPRESSIONIST FIELD
1016
00:45:14,033 --> 00:45:16,165
- STAKED OUT, HUH?
- THEY ARE REAL.
1017
00:45:16,233 --> 00:45:19,466
MR. TYROON, I HOPE
YOU'LL SHOW THEM ALL TOGETHER
1018
00:45:19,533 --> 00:45:20,832
IN YOUR EXHIBITION.
1019
00:45:20,900 --> 00:45:24,299
YOUR PERSONAL TASTE
MAKES IT ALL A...
1020
00:45:24,366 --> 00:45:25,899
AN ENTITY.
1021
00:45:25,967 --> 00:45:29,966
UM, HENRY, HAVE YOU LOOKED
AT ANYTHING YOU'VE BOUGHT?
1022
00:45:30,033 --> 00:45:31,232
LOOKED?
1023
00:45:31,300 --> 00:45:33,432
MY POOR EYES
ABOUT BUGGED OUT.
1024
00:45:33,500 --> 00:45:35,332
NOW, IF YOU
COULD JUST TELL ME
1025
00:45:35,400 --> 00:45:37,999
WHAT YOU CONSIDER THE KEY
TO YOUR COLLECTION,
1026
00:45:38,067 --> 00:45:40,165
I'LL HAVE PLENTY
FOR MY INTERVIEW.
1027
00:45:40,233 --> 00:45:41,499
YES.
1028
00:45:41,567 --> 00:45:44,832
WELL, THE, UH, THE KEY
TO MY COLLECTION IS, UH, THIS.
1029
00:45:44,900 --> 00:45:48,066
I IMMERSE MYSELF
1030
00:45:48,133 --> 00:45:50,299
IN WHATEVER THE PAINTER
IS TRYING TO COMMUNICATE.
1031
00:45:50,366 --> 00:45:53,299
THIS SCHOOL, IF I MAY
CALL IT SUCH IS, UH,
1032
00:45:53,366 --> 00:45:55,332
IS NOT DECORATIVE.
1033
00:45:55,400 --> 00:45:58,199
IT DEALS WITH...
1034
00:45:58,266 --> 00:46:00,132
HUMAN PROBLEMS.
1035
00:46:00,200 --> 00:46:03,499
AND... I LEARN FROM IT.
1036
00:46:03,567 --> 00:46:06,332
MR. TYROON, THANK YOU.
1037
00:46:06,400 --> 00:46:08,732
YOU HAVE DONE
A BEAUTIFUL THING.
1038
00:46:10,567 --> 00:46:14,032
THE ART WORLD OWES YOU
A DEBT OF GRATITUDE.
1039
00:46:16,366 --> 00:46:18,732
Stanislas: LET ME GO DOWN
AND HELP YOU GRAB A CAB.
1040
00:46:18,800 --> 00:46:21,466
GOOD DAY, MA'AM.
1041
00:46:21,533 --> 00:46:23,099
[ SOBS ]
1042
00:46:23,166 --> 00:46:25,732
HENRY, YOU DON'T
LOVE THEM.
1043
00:46:25,800 --> 00:46:27,432
YOU HAVE NO RIGHT
TO OWN THEM.
1044
00:46:27,500 --> 00:46:29,566
WELL, NOW, I AIN'T GONNA
HIDE THEM AWAY.
1045
00:46:29,633 --> 00:46:32,066
I'VE JUST GOTTEN INVOLVED IN
A LITTLE WHEELIN' AND DEALIN'.
1046
00:46:32,133 --> 00:46:33,632
DOESN'T ANYTHING
GIVE YOU ANY PLEASURE
1047
00:46:33,700 --> 00:46:34,932
UNLESS IT MAKES MONEY
FOR YOU?
1048
00:46:35,000 --> 00:46:37,180
OH, MOLLY,
YOU GOT ME ALL WRONG.
1049
00:46:37,215 --> 00:46:39,275
YOU DON'T GO WHEELIN'
AND DEALIN' FOR MONEY.
1050
00:46:39,310 --> 00:46:40,498
YOU DO IT FOR FUN.
1051
00:46:40,533 --> 00:46:41,632
MONEY'S JUST THE WAY
YOU KEEP SCORE.
1052
00:46:41,700 --> 00:46:42,899
[ DOORBELL RINGS ]
1053
00:46:42,967 --> 00:46:44,932
YOU SEE, I FIGURE IF THERE'S
A STRIKE ANYWHERE,
1054
00:46:45,000 --> 00:46:47,665
THIS WHOLE FIELD
IS GONNA GO STRAIGHT UP.
1055
00:46:47,733 --> 00:46:50,132
NOW, ANYTIME YOU FEEL LIKE
COMMUNICATING WITH THESE FELLAS,
1056
00:46:50,200 --> 00:46:51,699
YOU JUST COME RIGHT ON UP,
YOU HEAR?
1057
00:46:53,733 --> 00:46:55,466
All: HOWDY, HENRY.
1058
00:46:55,533 --> 00:46:56,566
BOYS.
1059
00:46:56,633 --> 00:46:57,999
All: EVENING, MISS THATCHER.
1060
00:46:58,067 --> 00:46:59,932
EVENING, JAY RAY,
R.J., JAY RAY.
1061
00:47:00,000 --> 00:47:01,799
WE SURE HATE TO BUST IN.
1062
00:47:01,866 --> 00:47:04,678
WE ASK YOUR FORGIVENESS.
WE DIDN'T WANT TO INTERRUPT.
1063
00:47:04,713 --> 00:47:06,699
OH, THAT'S ALL RIGHT.
YOU'RE NOT INTERRUPTING A THING.
1064
00:47:06,766 --> 00:47:08,132
All: THANK YOU, MA'AM.
1065
00:47:08,200 --> 00:47:11,765
NOW, HENRY, YOU REMEMBER
THE TIME I LET YOU HAVE MY CREW
1066
00:47:11,833 --> 00:47:13,999
SO YOU COULD MEET
AN EXPIRATION DATE.
1067
00:47:14,067 --> 00:47:15,332
I SURE DO, J.R.
1068
00:47:15,400 --> 00:47:17,932
AND REMEMBER, HENRY, WHEN WE
DRILLED ALL THEM DUSTERS,
1069
00:47:18,000 --> 00:47:19,365
WE DIDN'T WHIMPER.
1070
00:47:19,433 --> 00:47:20,799
I DID APPRECIATE THAT.
1071
00:47:20,866 --> 00:47:21,999
WELL, THEN, HENRY,
1072
00:47:22,067 --> 00:47:24,432
NOW, WE HEAR YOU'RE
ONTO SOMETHING HOT.
1073
00:47:24,500 --> 00:47:26,603
WHERE'S THE ACTION, HENRY?
1074
00:47:26,638 --> 00:47:27,899
- CANADA?
- VENEZUELA?
1075
00:47:27,967 --> 00:47:29,165
WELL, NOW, HOLD ON, BOYS.
1076
00:47:29,233 --> 00:47:31,632
YOU CAUGHT ME OUT PREMATURELY.
I'M NOT READY YET.
1077
00:47:31,700 --> 00:47:33,865
All: BUT, HENRY,
WE'RE YOUR BUDDIES HERE.
1078
00:47:33,933 --> 00:47:37,066
WELL, SINCE I CAN'T PAY
FOR WHAT I BOUGHT,
1079
00:47:37,133 --> 00:47:40,265
I WOULD BE GLAD TO EXTEND
OF A LITTLE PARTICIPATION.
1080
00:47:40,333 --> 00:47:41,999
HENRY, WE HEAR TELL
1081
00:47:42,067 --> 00:47:44,265
YOU'RE MESSING AROUND
WITH THEM ELECTRONICS.
1082
00:47:44,333 --> 00:47:45,699
NO, NO, NO.
1083
00:47:45,766 --> 00:47:46,699
OIL.
1084
00:47:46,766 --> 00:47:48,532
OH, NO.
1085
00:47:48,600 --> 00:47:50,732
HEAVEN FORFEND.
NOT THIS YEAR.
1086
00:47:50,800 --> 00:47:52,899
ANYTHING BUT OIL.
1087
00:47:52,967 --> 00:47:55,332
OIL IT IS.
1088
00:47:55,400 --> 00:47:57,932
AND IT'S RIGHT HERE --
ON CANVAS.
1089
00:47:58,000 --> 00:47:59,665
- CANVAS?
- CANVAS?
1090
00:47:59,733 --> 00:48:02,432
HENRY, ARE YOU
ALL RIGHT, SON?
1091
00:48:02,500 --> 00:48:05,732
YOU FEELING A MIGHT BIT
PEAKED, SON?
1092
00:48:05,800 --> 00:48:08,558
MOLLY, I WONDER IF YOU COULD
GET THESE GENTLEMEN
1093
00:48:08,593 --> 00:48:10,223
SOMETHING FOR THEIR
PARCHED THROATS?
1094
00:48:10,258 --> 00:48:12,599
All: WELL, JUST A LITTLE
BRANCH WATER, MA'AM.
1095
00:48:14,600 --> 00:48:18,732
BOYS, DID YOU EVER HEAR
OF A FELLA NAMED RENOIR?
1096
00:48:18,800 --> 00:48:20,632
OF COURSE YOU HAVE.
1097
00:48:20,700 --> 00:48:21,732
ONCE UPON A TIME,
1098
00:48:21,800 --> 00:48:23,799
THIS FELLA RENOIR,
HE PAINTED PICTURES.
1099
00:48:23,866 --> 00:48:25,966
AND HE COULDN'T SELL THEM
TO SAVE HIS LIFE.
1100
00:48:26,033 --> 00:48:27,399
HE GAVE THEM AWAY
FOR HIS SUPPER.
1101
00:48:27,467 --> 00:48:28,799
SOLD SOME FOR 50 CENTS.
1102
00:48:28,866 --> 00:48:30,732
WHY?
1103
00:48:30,800 --> 00:48:33,132
THAT'S 'CAUSE THEY WAS ALL
KIND OF FUZZY.
1104
00:48:33,200 --> 00:48:34,732
AND PEOPLE LAUGHED.
1105
00:48:34,800 --> 00:48:37,799
PEOPLE WEREN'T READY
FOR FUZZY PICTURES.
1106
00:48:37,866 --> 00:48:41,504
DO YOU KNOW WHAT ONE OF THOSE
FUZZY OLD RENOIRS
1107
00:48:41,539 --> 00:48:42,765
WILL BRING TODAY?
1108
00:48:43,474 --> 00:48:44,632
MNH-MNH.
1109
00:48:45,971 --> 00:48:48,348
$1 MILLION.
1110
00:48:48,383 --> 00:48:49,840
[ WHISTLES ]
1111
00:48:49,875 --> 00:48:51,037
NOW, I KNOW.
1112
00:48:51,072 --> 00:48:53,804
YOU'RE GONNA SAY THAT THESE
PICTURES DON'T LOOK FUZZY.
1113
00:48:54,545 --> 00:48:55,864
THEY LOOK SCRATCHY.
1114
00:48:55,866 --> 00:48:57,265
WELL, I MAY BE WRONG,
1115
00:48:57,333 --> 00:49:00,199
BUT WHEN PEOPLE GET READY
FOR SCRATCHY PICTURES,
1116
00:49:00,266 --> 00:49:02,932
THESE ARE GONNA GO UP,
RIGHT THROUGH THE CEILING.
1117
00:49:08,000 --> 00:49:11,066
LOOK AT THE FUSELAGE
ON THIS WOMAN.
1118
00:49:11,133 --> 00:49:13,399
WHAT'S THE ACREAGE
ON THIS RUN, HENRY?
1119
00:49:13,467 --> 00:49:17,466
OH, I'D SAY, UH, $60 MILLION
AN ACRE, COUNTING THE FRAMES.
1120
00:49:17,533 --> 00:49:18,566
[ EXHALES SHARPLY ]
1121
00:49:18,633 --> 00:49:20,532
WHAT'S THE DEPLETION ALLOWANCE?
1122
00:49:20,600 --> 00:49:21,799
WELL, I'LL TELL YOU, J.R.,
1123
00:49:21,866 --> 00:49:24,066
IT'S NOT DEPLETION,
BUT IT WORKS OUT THE SAME.
1124
00:49:24,133 --> 00:49:26,732
YOU BUY THE PAINTINGS,
YOU GIVE THEM TO THE MUSEUM,
1125
00:49:26,800 --> 00:49:29,466
AND THEN YOU TAKE A DEDUCTION
ON THE APPRAISED VALUE,
1126
00:49:29,533 --> 00:49:30,899
WHICH IS GOING UP.
1127
00:49:30,967 --> 00:49:32,732
I FIGURE I CAN SAVE YOU,
1128
00:49:32,800 --> 00:49:35,899
OH, SAY, 10 CENTS
ON THE DOLLAR OFF INCOME.
1129
00:49:35,967 --> 00:49:38,232
RAY JAY.
1130
00:49:38,300 --> 00:49:39,532
JUST A MINUTE.
1131
00:49:39,600 --> 00:49:41,732
LOOK, RAY JAY,
YOU THE ART MAN.
1132
00:49:41,800 --> 00:49:44,199
- WE COULD BUY A LITTLE...
- THEY LOOK PRETTY GOOD.
1133
00:49:44,266 --> 00:49:46,899
[ INDISTINCT CONVERSATIONS ]
1134
00:49:46,967 --> 00:49:48,732
I'LL GO.
ALL RIGHT.
1135
00:49:53,233 --> 00:49:55,365
AHH.
1136
00:49:55,433 --> 00:49:57,466
HENRY, WE'VE MADE
A DECISION.
1137
00:49:57,533 --> 00:50:00,466
NOW, WE REALIZE THAT A DEAL
LIKE THIS IS RISKY,
1138
00:50:00,533 --> 00:50:03,165
BUT THERE'S A RISK
IN ALL GOOD THINGS.
1139
00:50:03,233 --> 00:50:05,165
SO WE'RE GONNA TAKE
HALF THE KANDINSKY
1140
00:50:05,233 --> 00:50:07,532
AND ONE-FOURTH OF THIS PILE
OVER HERE --
1141
00:50:07,600 --> 00:50:10,761
IF WE GET A ONE-EIGHTH OVERRIDE
1142
00:50:10,796 --> 00:50:13,698
ON THE PRODUCERS
OF THIS BATCH HERE.
1143
00:50:14,300 --> 00:50:16,086
ALL RIGHT.
SOUNDS FAIR.
1144
00:50:16,121 --> 00:50:17,376
YOU GOT YOURSELF A DEAL.
1145
00:50:17,411 --> 00:50:20,799
YES, SIR, IT'S A DEAL,
J.R., RAY JAY.
1146
00:50:20,866 --> 00:50:23,332
All: EVENING, MISS THATCHER.
EVENING, HENRY.
1147
00:50:23,725 --> 00:50:25,010
EVENING BOYS.
1148
00:50:25,045 --> 00:50:27,499
[ INDISTINCT CONVERSATIONS ]
1149
00:50:35,101 --> 00:50:37,135
WELL, NOW,
THAT WASN'T HARD, WAS IT?
1150
00:50:37,170 --> 00:50:39,342
HENRY, YOU'RE QUITE
AN OPERATOR.
1151
00:50:39,377 --> 00:50:40,719
IN SOME FIELDS.
1152
00:50:40,754 --> 00:50:42,406
IN OTHERS, I DON'T EVEN KNOW
WHERE TO START.
1153
00:50:42,441 --> 00:50:44,345
WELL, YOU COULD START
WITH UNIVERSAL WIDGET.
1154
00:50:44,380 --> 00:50:46,170
ALTHOUGH MAYBE
THAT'S NOT EXCITING ENOUGH --
1155
00:50:46,205 --> 00:50:48,819
NOT ENOUGH ROOM
FOR WHEELING AND DEALING.
1156
00:50:48,854 --> 00:50:50,233
YOU WANT ACTION?
1157
00:50:50,268 --> 00:50:51,421
MM-HMM.
1158
00:50:51,456 --> 00:50:52,912
OKAY.
1159
00:50:53,514 --> 00:50:54,743
FIRST THING IN THE MORNING,
1160
00:50:54,778 --> 00:50:57,420
YOU AND I WILL HOP IN A CAR
AND RUN UP TO MASSACHUSETTS
1161
00:50:57,455 --> 00:50:59,999
AND TAKE A LOOK
AT THIS UNIVERSAL WIDGET.
1162
00:51:00,797 --> 00:51:04,183
THEN YOU CAN PREPARE
TO HOLD ON TO YOUR HAT.
1163
00:51:06,166 --> 00:51:08,532
WHAT HAPPENED TO FEINBERG
AND YOUR TAXI?
1164
00:51:08,600 --> 00:51:11,466
WE COULDN'T GET THE TOP DOWN
ON THAT ONE.
1165
00:51:14,433 --> 00:51:16,799
[ WHIRRING ]
1166
00:51:19,166 --> 00:51:21,899
LEFT IS SCOTCH
AND RIGHT IS BOURBON.
1167
00:51:23,967 --> 00:51:25,632
[ ICE CLINKING ]
1168
00:51:26,766 --> 00:51:30,865
LEFT IS SODA,
AND RIGHT IS BRANCH WATER.
1169
00:51:30,933 --> 00:51:32,632
ALL I WANTED WAS A LIGHT.
1170
00:51:32,700 --> 00:51:34,165
UH, TRY THAT ONE.
1171
00:51:35,166 --> 00:51:37,532
[ WHIRRING ]
OH!
1172
00:51:37,600 --> 00:51:38,799
OH!
1173
00:51:38,866 --> 00:51:42,632
HENRY, THIS IS NOT THE WAY
I LIGHT MY CIGARETTES.
1174
00:51:49,567 --> 00:51:52,732
[ BELL TOLLING ]
1175
00:51:52,800 --> 00:51:54,032
EXCUSE ME.
1176
00:51:54,100 --> 00:51:56,965
COULD YOU TELL US WHERE
THE UNIVERSAL WIDGET PLANT IS?
1177
00:51:57,033 --> 00:51:59,365
PLANT IS
RIGHT DOWN THERE.
1178
00:51:59,433 --> 00:52:02,632
BURNED TO THE GROUND
AFTER THE WAR.
1179
00:52:02,700 --> 00:52:04,532
SPRING OF '99.
1180
00:52:04,600 --> 00:52:06,899
DON'T LET ON ANY MORE
THAN YOU HAVE TO, ZEKE.
1181
00:52:06,966 --> 00:52:09,299
IS THAT THE ONLY PLANT?
YOU SURE?
1182
00:52:09,366 --> 00:52:11,532
ONLY ONE.
1183
00:52:11,600 --> 00:52:13,832
FIRST LEFT,
SECOND RIGHT.
1184
00:52:16,100 --> 00:52:18,399
DOWN THE HILL.
1185
00:52:44,233 --> 00:52:46,232
OLD NEW ENGLAND COMPANY.
1186
00:52:46,300 --> 00:52:48,832
STRATEGICALLY LOCATED.
1187
00:52:48,900 --> 00:52:52,032
AND IT SURE HAS
LOTS OF ROOM FOR GROWTH.
1188
00:53:02,800 --> 00:53:04,199
[ KNOCK ON DOOR ]
1189
00:53:04,266 --> 00:53:05,566
COME IN.
1190
00:53:08,500 --> 00:53:10,132
GOOD AFTERNOON,
MR. WHIPPLE.
1191
00:53:10,200 --> 00:53:11,799
MIGHT BE.
MIGHT NOT BE.
1192
00:53:11,866 --> 00:53:12,965
MY NAME IS HENRY TYROON.
1193
00:53:13,033 --> 00:53:14,899
THIS YOUNG LADY
IS MISS MOLLY THATCHER
1194
00:53:14,966 --> 00:53:17,465
FROM THE WALL STREET FIRM
OF BEAR, OSGOOD, AND WHITBY.
1195
00:53:17,533 --> 00:53:19,799
WOMEN ON WALL STREET NOW,
HUH? HMM.
1196
00:53:19,866 --> 00:53:22,499
UH, MR. WHIPPLE, WE WON'T
TAKE UP MUCH OF YOUR TIME.
1197
00:53:22,567 --> 00:53:24,932
WE -- WE JUST WANT TO ASK YOU
A FEW QUESTIONS.
1198
00:53:25,000 --> 00:53:26,865
MIGHT AS WELL ASK THEM
SITTING DOWN.
1199
00:53:32,333 --> 00:53:34,032
UH, MR. WHIPPLE,
1200
00:53:34,100 --> 00:53:35,532
WHERE DID YOU BUILD
THE NEW PLANT
1201
00:53:35,600 --> 00:53:37,465
WHEN THE NORTH ADAMS STREET
PLANT BURNED DOWN?
1202
00:53:37,533 --> 00:53:39,499
NEVER DID BUILD
A NEW PLANT.
1203
00:53:39,567 --> 00:53:43,699
UM, YOU ARE THE PRESIDENT
OF UNIVERSAL WIDGET?
1204
00:53:43,766 --> 00:53:45,299
SAYS SO ON THE DOOR, DON'T IT?
1205
00:53:45,366 --> 00:53:47,865
DON'T THINK I'D PAINT
A FALSEHOOD ON MY DOOR, DO YOU?
1206
00:53:47,933 --> 00:53:50,965
WELL, THEN WHERE DO YOU MAKE
THE WIDGETS?
1207
00:53:51,033 --> 00:53:52,999
YOUNG LADY, I DON'T KNOW
WHY YOU'RE UP HERE
1208
00:53:53,067 --> 00:53:54,232
FUSSING ABOUT OUR STOCK.
1209
00:53:54,300 --> 00:53:55,765
WE WHIPPLES CONTROL IT ANYWAY.
1210
00:53:55,833 --> 00:53:58,999
WE HAVEN'T MADE A WIDGET
SINCE 1854.
1211
00:53:59,067 --> 00:54:00,166
ANY FOOL KNOWS THAT.
1212
00:54:00,233 --> 00:54:02,365
FLYING CLIPPERS WENT OUT
YEARS AGO.
1213
00:54:02,433 --> 00:54:04,499
BUT YOU MUST MAKE
SOMETHING.
1214
00:54:04,567 --> 00:54:05,832
WHY?
1215
00:54:05,900 --> 00:54:08,166
WELL, IT SEEMS TO ME,
IF YOU DON'T MAKE SOMETHING,
1216
00:54:08,233 --> 00:54:09,965
YOU GOT NO CALL
TO STAY IN BUSINESS.
1217
00:54:10,033 --> 00:54:11,399
I'M A BUSY MAN,
1218
00:54:11,466 --> 00:54:13,699
AND I'D LIKE THIS TO BE
THE LAST WORD ON THIS SUBJECT.
1219
00:54:13,766 --> 00:54:15,465
OUR COMPANY OWNS
JUST TWO THINGS --
1220
00:54:15,533 --> 00:54:17,999
THAT BOG OUT THERE
AND SOME STOCK WE BOUGHT.
1221
00:54:18,067 --> 00:54:20,666
ONLY THING THAT KEEPS US
FROM DISSOLVING THE CORPORATION
1222
00:54:20,733 --> 00:54:23,465
IS MY BROTHER LEMUEL SAYS WE'D
HAVE TO PAY A TAX ON THE STOCK.
1223
00:54:24,017 --> 00:54:25,590
I DON'T UNDERSTAND.
1224
00:54:25,625 --> 00:54:26,532
WELL, WHAT MR. WHIPPLE
IS SAYING
1225
00:54:26,600 --> 00:54:29,199
IS THAT WHEN THEY WENT OUT
OF WIDGET PRODUCTION,
1226
00:54:29,266 --> 00:54:31,699
THEY TOOK WHATEVER WAS LEFT
IN THE TREASURY
1227
00:54:31,766 --> 00:54:33,699
AND INVESTED IT
IN ANOTHER STOCK.
1228
00:54:33,766 --> 00:54:35,632
AND THAT'S
WHERE IT IS NOW.
1229
00:54:35,700 --> 00:54:36,832
THAT'S RIGHT.
1230
00:54:36,900 --> 00:54:38,666
WE BOUGHT AMERICAN TELEPHONE
AND TELEGRAPH
1231
00:54:38,733 --> 00:54:40,066
JUST BEFORE THE WAR.
1232
00:54:40,133 --> 00:54:41,232
BACK IN THE '30s?
1233
00:54:41,300 --> 00:54:43,566
THE DAY BEFORE THEY SUNK
THE LUSITANIA.
1234
00:54:43,633 --> 00:54:48,166
YOU BOUGHT AT&T IN 1915?
1235
00:54:48,233 --> 00:54:50,465
YOU HAVE A FORTUNE
IN HIDDEN ASSETS!
1236
00:54:50,533 --> 00:54:53,099
YOUNG LADY, DON'T YOU FUSS
WITH OUR STOCK.
1237
00:54:53,167 --> 00:54:55,732
IT'S SELLING NOW
JUST ABOUT THE WAY IT OUGHT TO.
1238
00:54:55,800 --> 00:54:57,899
YOU'D BETTER GO ON HOME
AND GET YOURSELF A HUSBAND.
1239
00:54:57,966 --> 00:54:59,132
AND A COOKBOOK.
1240
00:55:02,067 --> 00:55:04,566
[ DOOR OPENS, CLOSES ]
1241
00:55:17,933 --> 00:55:19,799
DOES MY FACE LOOK PUFFY?
1242
00:55:19,867 --> 00:55:23,299
I'M A GENTLEMAN, AND I REFUSE
TO ANSWER THAT QUESTION.
1243
00:55:23,367 --> 00:55:24,932
I'M SORRY I BURST OUT
LIKE THAT.
1244
00:55:25,000 --> 00:55:26,432
I HAVEN'T DONE THAT
IN YEARS.
1245
00:55:26,500 --> 00:55:28,866
YOU WEREN'T CRYING OVER
A LITTLE OLD BURNED-OUT FACTORY,
1246
00:55:28,933 --> 00:55:30,032
NOW, WERE YOU?
1247
00:55:30,100 --> 00:55:31,932
NO.
IT'S THE WHOLE SITUATION.
1248
00:55:32,000 --> 00:55:33,432
I MEAN, IF I CAN'T
PUT WIDGET OVER,
1249
00:55:33,500 --> 00:55:35,132
THEN IT'S GONNA MAKE IT
THAT MUCH HARDER
1250
00:55:35,200 --> 00:55:36,599
FOR EVERY GIRL
ON WALL STREET,
1251
00:55:36,666 --> 00:55:38,699
AND THEY'RE DEPENDING
ON ME.
1252
00:55:38,766 --> 00:55:40,565
ANYWAY, THIS IS
A WILD-GOOSE CHASE,
1253
00:55:40,633 --> 00:55:41,899
AND MY BOSS KNOWS IT.
1254
00:55:41,967 --> 00:55:44,699
WELL, THERE'S NOTHING WRONG
WITH A WILD-GOOSE CHASE,
1255
00:55:44,766 --> 00:55:46,432
PROVIDED YOU CATCH
THE GEESE.
1256
00:55:46,500 --> 00:55:48,299
ANYWAY, HOW CAN I SELL
WIDGET STOCK?
1257
00:55:48,367 --> 00:55:50,065
I MEAN, ANYBODY
IN HIS RIGHT MIND
1258
00:55:50,133 --> 00:55:52,599
WOULD GO AND BUY AT&T
DIRECT FROM HIS BROKER.
1259
00:55:52,666 --> 00:55:54,665
[ SIGHS ]
1260
00:55:54,733 --> 00:55:56,899
WELL, I GUESS THERE'S NOTHING
FOR ME TO DO
1261
00:55:56,967 --> 00:55:58,466
BUT GO BACK
TO PHILADELPHIA
1262
00:55:58,533 --> 00:56:01,199
AND PUSH LITTLE MONSTERS AROUND
IN SUPERMARKET CARTS.
1263
00:56:01,266 --> 00:56:03,199
YOU REALLY WANT TO STAY OUT
OF PHILADELPHIA?
1264
00:56:03,266 --> 00:56:04,432
EXCUSE ME.
1265
00:56:04,500 --> 00:56:06,399
ALL RIGHT.
I'LL MAKE YOU A DEAL.
1266
00:56:06,467 --> 00:56:09,665
UH, THIS STEAK
IS ALL PINK INSIDE.
1267
00:56:09,733 --> 00:56:11,065
YES, SIR.
1268
00:56:11,133 --> 00:56:13,065
YEAH, I WONDER IF YOU'D
TAKE IT BACK TO COOKY
1269
00:56:13,133 --> 00:56:15,265
AND TELL HIM TO BURN IT
FOR ME, PLEASE.
1270
00:56:15,333 --> 00:56:16,832
- YES, SIR.
- THANK YOU.
1271
00:56:19,967 --> 00:56:22,432
DON'T WAIT FOR ME.
TURKEY WILL GET COLD.
1272
00:56:22,500 --> 00:56:23,899
NOW, ABOUT THAT DEAL.
1273
00:56:23,967 --> 00:56:24,966
WHAT ABOUT IT?
1274
00:56:25,033 --> 00:56:27,132
ALL RIGHT.
HERE ARE THE TERMS.
1275
00:56:27,200 --> 00:56:29,932
IF I HELP YOU PUT OVER
THIS STOCK DEAL,
1276
00:56:30,000 --> 00:56:32,299
YOU COME DOWN TO TEXAS WITH ME
AS MY ASSISTANT
1277
00:56:32,367 --> 00:56:33,299
FOR SIX MONTHS.
1278
00:56:33,367 --> 00:56:36,632
IF I DON'T HELP YOU,
NO DEAL.
1279
00:56:36,700 --> 00:56:38,132
ME IN TEXAS?
1280
00:56:38,200 --> 00:56:39,966
THERE'S PLENTY OF ROOM.
1281
00:56:41,066 --> 00:56:42,599
HENRY, YOU'RE AN OPERATOR,
1282
00:56:42,666 --> 00:56:44,699
BUT DO YOU KNOW ANYTHING
ABOUT THE STOCK MARKET?
1283
00:56:44,766 --> 00:56:48,032
I KNOW THE STOCK MARKET
IS MONEY AND EMOTION.
1284
00:56:48,100 --> 00:56:51,899
THERE'S...
HOPE WHEN YOU START OUT,
1285
00:56:51,967 --> 00:56:54,768
GREED ON THE WAY UP,
AND FEAR ON THE WAY DOWN.
1286
00:56:54,769 --> 00:56:57,600
I KNOW THAT THE
STOCK MARKET IS PEOPLE,
1287
00:56:57,635 --> 00:56:59,599
AND IF THERE'S ANYTHING
YOU CAN'T SELL PEOPLE,
1288
00:56:59,666 --> 00:57:01,432
I HAVE YET TO FIND OUT
WHAT IT IS.
1289
00:57:01,500 --> 00:57:03,932
THESE PEOPLE NEED
A REASON TO BUY.
1290
00:57:04,000 --> 00:57:06,765
THE BEAUTY OF IT IS, THE REASON
DOESN'T HAVE TO MAKE SENSE.
1291
00:57:06,833 --> 00:57:10,199
YOU'RE NOT THINKING
OF ANYTHING ILLEGAL, ARE YOU?
1292
00:57:10,266 --> 00:57:12,199
I'M NEVER ILLEGAL.
1293
00:57:12,266 --> 00:57:16,299
I'M JUST CLOSE TO IT.
1294
00:57:16,967 --> 00:57:18,032
HMM.
1295
00:57:18,100 --> 00:57:19,432
TEXAS.
1296
00:57:20,833 --> 00:57:22,466
PHILADELPHIA.
1297
00:57:24,633 --> 00:57:26,699
OH, MR. TYROON,
YOU'VE GOT YOURSELF A DEAL.
1298
00:57:26,766 --> 00:57:27,832
ALL RIGHT.
1299
00:57:27,900 --> 00:57:29,832
FIRST OFF, WE GO SEE WHIPPLE
IN THE MORNING.
1300
00:57:29,900 --> 00:57:32,699
OH, NOW,
WAIT A MINUTE THERE.
1301
00:57:32,766 --> 00:57:34,865
STAYING OVERNIGHT
IS NOT PART OF THE DEAL.
1302
00:57:34,933 --> 00:57:37,265
WELL, WE'VE GOT TO TAKE
ADVANTAGE WHILE WE'RE HERE.
1303
00:57:38,500 --> 00:57:40,032
ADVANTAGE OF WHOM?
1304
00:57:40,100 --> 00:57:41,966
CIRCUMSTANCES, THAT'S ALL.
1305
00:57:42,033 --> 00:57:46,732
HENRY, I MAY NOT BE
THE DRIVEN-SNOW TYPE,
1306
00:57:46,800 --> 00:57:49,699
BUT I DON'T GO IN
FOR ONE-NIGHT STANDS.
1307
00:57:49,766 --> 00:57:51,966
I NEVER THOUGHT
YOU DID, MOLLY.
1308
00:57:52,033 --> 00:57:53,665
SEPARATE ROOMS OKAY?
1309
00:57:53,733 --> 00:57:55,365
SEPARATE FLOORS
IF YOU LIKE.
1310
00:57:55,433 --> 00:57:58,399
I REALLY DO HAVE TO CHECK
SOMETHING IN THE MORNING.
1311
00:57:58,467 --> 00:58:02,599
WE MAY HAVE AN EXTRA ASSET
IN THAT WIDGET WEED PATCH.
1312
00:58:04,266 --> 00:58:05,599
SEPARATE FLOORS.
1313
00:58:05,666 --> 00:58:07,699
OKAY.
1314
00:58:19,333 --> 00:58:21,032
[ CRUNCHING ]
1315
00:58:25,900 --> 00:58:28,332
MMM.
1316
00:58:28,400 --> 00:58:30,365
MY COMPLIMENTS
TO THE CHEF.
1317
00:58:39,733 --> 00:58:42,932
HENRY, WHY DON'T YOU BUY A
COUPLE OF NEW ENGLAND MOUNTAINS
1318
00:58:43,000 --> 00:58:44,732
AND SEND THEM DOWN
TO TEXAS?
1319
00:58:44,800 --> 00:58:48,566
WELL, NOW,
I'D PURELY LIKE TO DO THAT.
1320
00:58:48,633 --> 00:58:51,432
BUT I JUST DON'T THINK
I COULD SWING IT.
1321
00:58:51,500 --> 00:58:52,599
YOU DON'T MEAN TO SAY
1322
00:58:52,666 --> 00:58:54,932
YOU FINALLY DISCOVERED SOMETHING
YOU CAN'T BUY.
1323
00:58:55,000 --> 00:58:57,232
NO, I COULD BUY THE MOUNTAINS,
ALL RIGHT.
1324
00:58:57,300 --> 00:58:59,066
THE PROBLEM
IS MOVING THEM.
1325
00:58:59,133 --> 00:59:00,466
[ CHUCKLES ]
1326
00:59:03,533 --> 00:59:05,999
MY FACE STILL PUFFY?
1327
00:59:07,500 --> 00:59:10,265
IT'S STILL PUFFED
A LITTLE RIGHT HERE.
1328
00:59:10,333 --> 00:59:12,432
AND IT'S A LITTLE SWOLLEN
RIGHT HERE,
1329
00:59:12,500 --> 00:59:14,365
AND IT --
IT'S ALL MESSED UP HERE,
1330
00:59:14,433 --> 00:59:15,632
AND...
1331
00:59:15,700 --> 00:59:18,832
IT'S STILL ABOUT THE PRETTIEST
FACE I EVER DID SEE.
1332
00:59:21,000 --> 00:59:23,099
YOU KNOW SOMETHING?
1333
00:59:23,166 --> 00:59:26,099
WHEN I FIRST MET YOU, I DIDN'T
BELIEVE YOU WERE FOR REAL.
1334
00:59:26,166 --> 00:59:30,899
I MEAN, THE TEXAS ACCENT
AND THE HAT AND THOSE BOOTS.
1335
00:59:30,967 --> 00:59:33,632
WELL, IT WAS ALL
A LITTLE TOO MUCH.
1336
00:59:33,700 --> 00:59:35,132
WELL, SUPPOSING
WHEN I MET YOU
1337
00:59:35,200 --> 00:59:37,332
THAT I WAS WEARING
ONE OF THEM WALL STREET SUITS
1338
00:59:37,400 --> 00:59:41,865
AND A SHORT-BRIMMED HAT
AND I'D SAID, UH...
1339
00:59:41,933 --> 00:59:44,466
[ Boston accent]
"I FIND IT HARD TO BE HAPPY
1340
00:59:44,533 --> 00:59:45,932
NOW THAT I'VE LEFT
HARVARD."
1341
00:59:46,000 --> 00:59:48,832
[ Normal voice ] WOULD I HAVE
BEEN ANY MORE REAL?
1342
00:59:48,900 --> 00:59:50,532
[ Texas accent ]
WELL, MAYBE JUST A LITTLE BIT.
1343
00:59:50,600 --> 00:59:52,599
[ CHUCKLES ]
1344
00:59:52,666 --> 00:59:57,932
REAL IS WHAT YOU'RE USED TO
OR WHAT YOU GET USED TO.
1345
00:59:58,000 --> 01:00:00,765
THE BOOTS AND THE HAT
AND THE TEXAS ACCENT
1346
01:00:00,833 --> 01:00:03,332
ARE JUST TRIMMINGS,
THAT'S ALL.
1347
01:00:03,400 --> 01:00:06,099
THEY DON'T REALLY HAVE
AN AWFUL LOT TO DO WITH ME.
1348
01:00:06,166 --> 01:00:10,932
WELL, YOU'RE REAL TO ME NOW,
TRIMMINGS AND ALL.
1349
01:00:11,000 --> 01:00:13,599
OH?
1350
01:00:15,500 --> 01:00:17,632
AND I THINK IT'S TIME
WE GO BACK TO THE HOTEL.
1351
01:00:17,700 --> 01:00:18,732
YEAH.
1352
01:00:21,533 --> 01:00:22,832
OH.
1353
01:00:22,900 --> 01:00:24,665
[ LAUGHS ]
1354
01:00:38,266 --> 01:00:39,665
HENRY?
1355
01:00:39,733 --> 01:00:41,799
HMM?
1356
01:00:41,866 --> 01:00:44,832
NOTHING, JUST...
HENRY.
1357
01:01:03,366 --> 01:01:06,432
HEY, UH, YOU MADE ME
ALL KIND OF WIDE AWAKE.
1358
01:01:06,500 --> 01:01:07,999
WANT TO JOIN ME
FOR A NIGHTCAP?
1359
01:01:08,067 --> 01:01:09,765
NO, THANKS, HENRY.
I'M KIND OF TIRED.
1360
01:01:09,833 --> 01:01:11,132
ALL RIGHT.
1361
01:01:11,200 --> 01:01:13,399
YOU CALL ME THE MINUTE
YOU WAKE UP.
1362
01:01:13,467 --> 01:01:15,632
I'M ON THE SECOND FLOOR,
ROOM 23.
1363
01:01:15,700 --> 01:01:17,732
OKAY. IF YOU WAKE UP FIRST,
YOU CALL ME.
1364
01:01:17,800 --> 01:01:19,199
I'M IN, UH, 32.
1365
01:01:19,266 --> 01:01:20,966
ALL RIGHT.
SEE YOU AT BREAKFAST?
1366
01:01:21,033 --> 01:01:22,432
OKAY.
1367
01:01:30,000 --> 01:01:31,632
- GOOD NIGHT.
- GOOD NIGHT.
1368
01:01:31,700 --> 01:01:33,532
THANK YOU, SIR.
1369
01:01:41,633 --> 01:01:43,232
UH, MR. TYROON?
1370
01:01:43,300 --> 01:01:44,899
THE PARTY IN 23 CALLED UP
1371
01:01:44,967 --> 01:01:47,132
TO SAY THEY AIN'T
CHECKING OUT.
1372
01:01:47,200 --> 01:01:50,966
BUT THERE'S ANOTHER VACANCY
IN ROOM 31.
1373
01:01:51,033 --> 01:01:52,466
- 31?
- UH-HUH.
1374
01:01:52,533 --> 01:01:54,499
THAT'S RIGHT NEXT TO 32.
1375
01:01:54,567 --> 01:01:56,732
YOU SHARE A BATH.
1376
01:01:56,800 --> 01:01:58,865
IS THAT THE ONLY OTHER ROOM
YOU GOT?
1377
01:01:58,933 --> 01:02:01,665
WE AIN'T GOT ANOTHER VACANCY
IN THE HOTEL.
1378
01:02:04,333 --> 01:02:07,032
TOUGH LUCK, MR. TYROON.
1379
01:02:07,100 --> 01:02:09,265
YEAH.
1380
01:02:25,833 --> 01:02:27,999
I, UH, ASKED
FOR ANOTHER ROOM, BUT --
1381
01:02:28,067 --> 01:02:30,999
BUT THEY DIDN'T HAVE
ANY STANDARD MODELS LEFT.
1382
01:02:31,067 --> 01:02:32,732
PARTY IN 23
DIDN'T CHECK OUT.
1383
01:02:32,800 --> 01:02:34,765
THIS WAS THE ONLY ROOM
I COULD GET.
1384
01:02:34,833 --> 01:02:36,832
AND THE AUTOMOBILE
WITH THE SCOTCH AND THE BOURBON
1385
01:02:36,900 --> 01:02:38,199
AND THE NEW
"TUCK ME IN" LOOK,
1386
01:02:38,266 --> 01:02:40,199
THAT WAS THE ONLY THING
YOU COULD GET, TOO, HMM?
1387
01:02:40,266 --> 01:02:41,966
I DIDN'T THINK
YOU'D BELIEVE ME.
1388
01:02:42,033 --> 01:02:44,365
I DON'T. AND THE WARM-UP
ON THE MOUNTAINTOP --
1389
01:02:44,433 --> 01:02:46,365
THERE'S NOTHING WRONG
WITH YOUR TIMING, IS THERE?
1390
01:02:46,433 --> 01:02:47,699
I CROSS MY HEART, MOLLY.
1391
01:02:47,766 --> 01:02:49,899
AND THE NIGHTCAP THAT WAS
SUPPOSED TO SET ME UP.
1392
01:02:49,967 --> 01:02:52,032
WHAT DID YOU HAVE IN MIND --
A-A TRIPLE BOURBON?
1393
01:02:52,100 --> 01:02:53,432
I SWEAR TO YOU,
MOLLY, I --
1394
01:02:53,500 --> 01:02:55,832
NOW, LOOK, CLYDE. I TOLD YOU --
NO ONE-NIGHT STANDS.
1395
01:02:55,900 --> 01:02:57,399
NOW, AS FAR
AS I'M CONCERNED,
1396
01:02:57,467 --> 01:02:59,165
ROOMS 31 AND 32
ARE JUST ONE ROOM,
1397
01:02:59,233 --> 01:03:00,832
AND THEY HAVE
JUST ONE TENANT.
1398
01:03:00,900 --> 01:03:02,499
YOU?
1399
01:03:02,567 --> 01:03:04,532
MM-HMM.
1400
01:03:10,533 --> 01:03:12,299
HENRY?
1401
01:03:14,300 --> 01:03:16,266
HENRY, YOU ALL RIGHT?
1402
01:03:18,233 --> 01:03:19,665
YEAH, I'M ALL RIGHT.
1403
01:03:19,733 --> 01:03:22,032
WE'RE STILL PARTNERS,
AREN'T WE?
1404
01:03:23,166 --> 01:03:24,699
WE'RE STILL PARTNERS.
1405
01:03:25,767 --> 01:03:27,366
GOOD NIGHT, PARTNER.
1406
01:03:27,433 --> 01:03:29,499
GOOD NIGHT.
1407
01:03:41,100 --> 01:03:43,532
HELLO. OPERATOR?
1408
01:03:43,600 --> 01:03:45,965
YEAH, COULD YOU GET ME
MIDLAND, TEXAS,
1409
01:03:46,033 --> 01:03:48,932
EXCELSIOR 3-6-2-2-1,
PLEASE?
1410
01:03:49,000 --> 01:03:53,065
UH, MY NUMBER
IS W-1-H-K-K.
1411
01:03:58,033 --> 01:03:59,866
HELLO, PATRICIA.
HOW ARE YOU?
1412
01:03:59,933 --> 01:04:02,165
SAY, PAT, COULD YOU GET ME
BO BLUEDOG
1413
01:04:02,233 --> 01:04:03,599
ON THE OTHER RADIO PHONE
1414
01:04:03,666 --> 01:04:06,832
AND HAVE HIM CALL ME
AT W-1-H-K-K?
1415
01:04:06,900 --> 01:04:08,866
UH...
1416
01:04:08,933 --> 01:04:11,232
CONNECTICUT, I'D SAY,
HEADING SOUTH.
1417
01:04:11,300 --> 01:04:12,366
[ TELEPHONE BUZZES ]
1418
01:04:12,433 --> 01:04:14,065
ALL RIGHT.
THANK YOU, PAT.
1419
01:04:14,133 --> 01:04:16,599
HENRY TYROON'S OFFICE.
1420
01:04:16,666 --> 01:04:18,965
YES, HE IS.
1421
01:04:19,033 --> 01:04:20,065
OH, JUST ONE MOMENT.
1422
01:04:20,133 --> 01:04:22,032
IT'S SOMEBODY
CALLED BILLY JOE.
1423
01:04:22,100 --> 01:04:23,032
THANK YOU.
1424
01:04:23,100 --> 01:04:25,766
HI, BILLY JOE.
HOW ARE YOU?
1425
01:04:25,833 --> 01:04:27,732
YEAH, YEAH.
1426
01:04:27,800 --> 01:04:30,899
BILLY JOE, I TOLD YOU
I'D HAVE THE MONEY ON SCHEDULE.
1427
01:04:30,966 --> 01:04:33,499
I FIGURE TO SWING A BIG PIECE
OF CHANGE ON A RESTAURANT.
1428
01:04:33,566 --> 01:04:37,132
YEAH, AND I ALSO GOT A PIECE OF
THE ACTION WITH SOME PAINTERS.
1429
01:04:37,200 --> 01:04:39,965
YOU HEARD ME RIGHT.
PAINTERS.
1430
01:04:40,033 --> 01:04:42,332
WELL, I HAVEN'T GOT
THE WHOLE $1.2 MILLION,
1431
01:04:42,400 --> 01:04:43,632
BUT I'M MOVING, BILLY JOE.
1432
01:04:43,700 --> 01:04:44,665
I'LL GET IT SOMEHOW.
1433
01:04:44,733 --> 01:04:46,099
YOU JUST RELAX
AND HAVE BO CALL ME
1434
01:04:46,166 --> 01:04:48,065
WHEN HE GETS BACK FROM
HIS COFFEE BREAK, YOU HEAR?
1435
01:04:48,133 --> 01:04:49,999
THANK YOU, BILLY.
1436
01:04:52,133 --> 01:04:54,266
I HAD A TALK WITH
THADDEUS WHIPPLE THIS MORNING.
1437
01:04:54,333 --> 01:04:56,665
I WANT BO BLUEDOG TO GET
HIS DRILLING CREW TOGETHER.
1438
01:04:56,733 --> 01:05:00,132
DON'T BE SO MYSTERIOUS, HENRY.
WE'RE PARTNERS, REMEMBER?
1439
01:05:00,200 --> 01:05:01,465
YOU KNOW
THAT LITTLE WEED PATCH
1440
01:05:01,533 --> 01:05:03,332
- WHERE THE FACTORY BURNED DOWN?
- MM-HMM.
1441
01:05:03,400 --> 01:05:07,532
WELL, I MADE A DEAL WITH WIDGET
FOR THE SUBSOIL RIGHTS.
1442
01:05:07,600 --> 01:05:08,699
THE DRILLING RIGHTS?
1443
01:05:08,767 --> 01:05:10,632
YOU MEAN TO SAY
YOU THINK THERE'S OIL
1444
01:05:10,700 --> 01:05:11,866
THERE IN MASSACHUSETTS?
1445
01:05:11,933 --> 01:05:13,499
[ TELEPHONE BUZZES ]
1446
01:05:13,566 --> 01:05:14,832
HENRY TYROON'S OFFICE.
1447
01:05:14,900 --> 01:05:17,132
JUST ONE MOMENT.
I'LL SEE IF HE'S IN.
1448
01:05:17,200 --> 01:05:19,032
ARE YOU IN?
IT'S FOR YOU.
1449
01:05:19,100 --> 01:05:20,399
HELLO?
1450
01:05:20,466 --> 01:05:22,065
OH, HI, JACK.
HOW ARE YOU?
1451
01:05:22,133 --> 01:05:23,266
JACK? NOT BO?
1452
01:05:23,333 --> 01:05:25,699
IT'S JACK GRAHAM.
HE HEARD I WAS AT THIS NUMBER.
1453
01:05:25,767 --> 01:05:27,099
JUST A SOCIABLE CALL.
1454
01:05:27,166 --> 01:05:29,232
WHAT'S THAT, JACK?
1455
01:05:29,300 --> 01:05:31,299
OH, WELL,
IT'S KIND OF PARTLY CLOUDY.
1456
01:05:31,367 --> 01:05:33,932
IT'S A NICE DAY, THOUGH.
NICE DAY YESTERDAY, TOO.
1457
01:05:34,000 --> 01:05:35,999
HOW IS IT DOWN THERE,
HOT AND DRY?
1458
01:05:36,066 --> 01:05:38,065
JACK SAYS IT'S HOT AND DRY
DOWN IN TEXAS.
1459
01:05:38,133 --> 01:05:40,232
OH, THAT'S A LOAD OFF MY MIND.
[ TELEPHONE BUZZES ]
1460
01:05:40,300 --> 01:05:41,899
HENRY TYROON'S OFFICE.
1461
01:05:41,966 --> 01:05:44,132
YES, HE IS, BUT HE'S BUSY
ON THE OTHER LINE JUST NOW.
1462
01:05:44,200 --> 01:05:46,232
WILL YOU HOLD, OR SHALL I
HAVE HIM CALL YOU BACK?
1463
01:05:46,300 --> 01:05:47,732
WELL, THAT'S RIGHT NICE
OF YOU, JACK.
1464
01:05:47,800 --> 01:05:49,332
JACK'S FLYING SOME PEOPLE
TO SUN VALLEY.
1465
01:05:49,400 --> 01:05:50,866
WANTS TO KNOW
IF WE WANT TO GO SKIING.
1466
01:05:50,933 --> 01:05:51,899
IT'S FOR YOU.
1467
01:05:51,966 --> 01:05:54,032
OH, HEY, JACK,
I GOT ANOTHER CALL.
1468
01:05:54,100 --> 01:05:56,565
I GUESS WE'LL HAVE TO PASS
THIS TIME.
1469
01:05:56,633 --> 01:05:58,366
RIGHTO.
THANK YOU, JACK.
1470
01:05:58,433 --> 01:06:00,065
HELLO?
1471
01:06:00,133 --> 01:06:03,599
OH, HI, BO!
HOW ARE YOU?
1472
01:06:03,666 --> 01:06:05,932
WELL, IT'S KIND OF PARTLY
CLOUDY, BUT IT'S A NICE DAY.
1473
01:06:06,000 --> 01:06:07,332
I HEAR IT'S HOT AND DRY
DOWN THERE.
1474
01:06:07,400 --> 01:06:10,232
TERRIFIC WEATHER REPORT.
COSTS ONLY $300 AN HOUR.
1475
01:06:10,300 --> 01:06:12,632
BO, GOT A LITTLE PROJECT
FOR YOU.
1476
01:06:12,700 --> 01:06:15,532
YEP. WHIPPLETON,
MASSACHUSETTS.
1477
01:06:15,600 --> 01:06:18,432
NO, I'M NOT KIDDING.
THE UNIVERSAL WIDGET SITE.
1478
01:06:18,500 --> 01:06:21,499
WE'LL DRILL RIGHT THROUGH
THE ROCK TO THE EOSINE.
1479
01:06:21,566 --> 01:06:23,832
LET ME KNOW
WHEN YOU GET THERE, BO.
1480
01:06:23,900 --> 01:06:26,032
BO, SKIP THE QUESTIONS.
I GOT A REASON.
1481
01:06:26,100 --> 01:06:28,399
YOU JUST CALL ME
WHEN YOU GET TO THE HOTEL.
1482
01:06:28,466 --> 01:06:29,732
RIGHTO.
1483
01:06:29,800 --> 01:06:33,032
NOW, WHAT MAKES YOU THINK
THAT THERE'S ANY OIL
1484
01:06:33,100 --> 01:06:34,766
WITHIN 1,000 MILES
OF MASSACHUSETTS?
1485
01:06:34,833 --> 01:06:36,832
MOLLY, YOU GOT
A LITTLE OLD COMPANY
1486
01:06:36,900 --> 01:06:39,299
THAT'S GOT A LITTLE OLD
WEEDY PIECE OF LAND.
1487
01:06:39,367 --> 01:06:40,832
IT NEVER HURTS
THE STOCK IN IT
1488
01:06:40,900 --> 01:06:42,965
TO SET UP A DRILLING RIG
AND DRILL FOR OIL.
1489
01:06:44,133 --> 01:06:45,632
[ TELEPHONE BUZZES ]
1490
01:06:45,700 --> 01:06:47,766
HELLO?
1491
01:06:47,833 --> 01:06:51,599
NO, THIS IS W-1-H-K-K.
1492
01:06:51,666 --> 01:06:53,232
YEAH.
1493
01:06:58,100 --> 01:07:00,165
YOU BETTER HURRY
IF YOU'RE GONNA GET DOWNTOWN
1494
01:07:00,233 --> 01:07:02,099
BEFORE THE STOCK MARKET
CLOSES.
1495
01:07:02,166 --> 01:07:04,099
YOU CAN HAVE A HAIRDO
OR A RIDE IN A CONVERTIBLE,
1496
01:07:04,166 --> 01:07:05,866
BUT YOU CAN'T HAVE BOTH.
[ DOORBELL RINGS ]
1497
01:07:05,933 --> 01:07:07,532
COME IN!
DOOR'S OPEN!
1498
01:07:07,600 --> 01:07:09,832
All: AFTERNOON, MA'AM.
HOWDY, HENRY.
1499
01:07:09,900 --> 01:07:10,832
WE JUST GOT IN.
1500
01:07:10,900 --> 01:07:12,065
HI, JAY RAY,
RAY JAY, J.R.
1501
01:07:12,133 --> 01:07:15,299
HENRY, THEY REALLY GOT
OIL IN MASSACHUSETTS?
1502
01:07:15,367 --> 01:07:16,866
WELL...
1503
01:07:16,933 --> 01:07:20,165
A MAN CAN'T EVEN USE
A RADIO PHONE ANYMORE.
1504
01:07:20,233 --> 01:07:22,332
YOU GONNA BE ABLE TO DRILL
THROUGH THAT HARD ROCK
1505
01:07:22,400 --> 01:07:23,565
TO THE EOSINE, SON?
1506
01:07:23,633 --> 01:07:25,799
WHAT'S THAT MASSACHUSETTS
ACTION, HENRY?
1507
01:07:25,867 --> 01:07:27,432
NOW, YOU BOYS
ARE A WEE BIT EARLY.
1508
01:07:27,500 --> 01:07:28,965
THIS IS
AN INVESTMENT SITUATION.
1509
01:07:29,033 --> 01:07:30,366
I'LL KEEP YOU INFORMED.
1510
01:07:30,433 --> 01:07:31,732
HENRY, COULDN'T I
SELL THEM SOME?
1511
01:07:31,800 --> 01:07:33,299
I'LL TAKE AN EIGHTH,
WHATEVER IT IS.
1512
01:07:33,367 --> 01:07:34,832
WAIT A MINUTE.
I'LL TAKE AN EIGHTH.
1513
01:07:34,900 --> 01:07:36,299
TAKE AN EIGHTH OF YOUR EIGHTH,
RAY JAY.
1514
01:07:36,367 --> 01:07:38,366
FOR THE EIGHTH OF THE EIGHTH,
I'LL TELL YOU WHAT I'LL DO --
1515
01:07:38,433 --> 01:07:40,632
GIVE YOU A RIG I GOT STACKED
AND THROW IN A HELICOPTER.
1516
01:07:40,700 --> 01:07:41,965
I DON'T NEED NO RIG.
1517
01:07:42,033 --> 01:07:43,632
I'LL SWAP YOU TWO
OF MY EXPRESSIONIST PICTURES.
1518
01:07:43,700 --> 01:07:46,699
RAISE YOU AN EXPRESSIONIST
AND THROW IN ANOTHER HELICOPTER.
1519
01:07:46,767 --> 01:07:48,232
WELL, NOW, SIR,
I'LL JUST SEE YOUR RAISE,
1520
01:07:48,300 --> 01:07:50,632
AND I'LL RAISE YOU TWO MORE
OF MY EXPRESSIONIST PICTURES.
1521
01:07:50,700 --> 01:07:52,665
NOW, WHOA, WHOA.
HOLD ON, BOYS.
1522
01:07:52,733 --> 01:07:54,332
THERE'S NOTHING
TO SELL YET.
1523
01:07:54,400 --> 01:07:56,599
WELL, HENRY, IF WE'RE EARLY,
DON'T YOU FORGET ONE THING.
1524
01:07:56,666 --> 01:07:57,766
WE STILL BUDDIES.
1525
01:07:57,833 --> 01:07:59,732
- YOU BETTER BELIEVE IT.
- YEAH.
1526
01:07:59,800 --> 01:08:01,165
I DON'T UNDERSTAND.
1527
01:08:01,233 --> 01:08:03,332
HOW CAN YOU BUY SOMETHING WHEN
YOU DON'T EVEN KNOW WHAT IT IS?
1528
01:08:03,400 --> 01:08:07,499
WELL, YOU SEE, MA'AM, HENRY HERE
IS A REAL WHEELER DEALER.
1529
01:08:07,566 --> 01:08:09,332
AND A WHEELER DEALER
IS SOMEBODY
1530
01:08:09,400 --> 01:08:12,965
THAT LOVES TO FIND PLACES
FOR MONEY TO GO.
1531
01:08:13,033 --> 01:08:15,399
IT'S LIKE HITCHING
ONTO A STAR.
1532
01:08:15,466 --> 01:08:19,665
YOU MAY ZOOM UP TO THE SKIES
ON A MIGHTY PRETTY RIDE.
1533
01:08:19,733 --> 01:08:21,532
AND IF THE STAR FALLS?
1534
01:08:21,600 --> 01:08:24,199
WELL, THEN I FIND SOME WAY
FOR THE GOVERNMENT
1535
01:08:24,267 --> 01:08:26,399
TO TAKE THREE-QUARTERS
OF THE LOSS.
1536
01:08:26,466 --> 01:08:28,332
YOU SEE, MISS THATCHER,
1537
01:08:28,400 --> 01:08:30,665
THAT'S THE MARK
OF A REAL WHEELER DEALER.
1538
01:08:30,733 --> 01:08:32,232
YEAH.
1539
01:08:42,833 --> 01:08:45,032
AAH!
1540
01:08:49,233 --> 01:08:50,199
INVESTORS!
1541
01:08:50,267 --> 01:08:51,832
THAT STREET
IS FULL OF INVESTORS!
1542
01:08:51,900 --> 01:08:53,232
[ GROWLING ]
1543
01:08:53,300 --> 01:08:56,332
Man:
OH, STOP IT, VANSON.
1544
01:08:56,400 --> 01:08:58,965
LOOK AT THEM
DOWN THERE, BOSS.
1545
01:08:59,033 --> 01:09:01,565
MONEY, MONEY, MONEY --
THAT'S ALL THEY WANT.
1546
01:09:01,633 --> 01:09:02,899
RELAX, VANSON.
1547
01:09:02,966 --> 01:09:04,065
RELAX?
HOW CAN I RELAX?
1548
01:09:04,133 --> 01:09:05,132
I DOUBLE-CHECKED
1549
01:09:05,200 --> 01:09:07,132
THE CONSOLIDATED SILICON
STOCK TRANSFER.
1550
01:09:07,200 --> 01:09:09,766
IT'S ALL PERFECTLY LEGAL, BOSS.
THE COMPANY'S IN THE CLEAR.
1551
01:09:09,833 --> 01:09:11,399
BE PATIENT.
1552
01:09:11,466 --> 01:09:14,065
SOMETHING OUTRAGEOUS
IS BOUND TO COME ALONG.
1553
01:09:14,133 --> 01:09:15,965
WE HAVEN'T HAD
A REALLY GOOD VICTIM
1554
01:09:16,033 --> 01:09:17,999
SINCE WE SMASHED
ZIRCON AVIATION PRODUCTS.
1555
01:09:18,066 --> 01:09:19,599
[ CHUCKLES ]
1556
01:09:19,666 --> 01:09:23,266
TOO BAD YOU WEREN'T AROUND
FOR THE CRASH OF '29.
1557
01:09:23,333 --> 01:09:24,632
IT WAS HEAVEN.
1558
01:09:24,700 --> 01:09:26,766
[ CHUCKLES ]
1559
01:09:26,833 --> 01:09:28,932
YEAH. YEAH.
1560
01:09:29,000 --> 01:09:32,332
I'VE GOT LOTS OF STATISTICS,
LIKE LABOR SUPPLY
1561
01:09:32,400 --> 01:09:33,999
AND POWER CONSUMPTION
IN THE AREA
1562
01:09:34,066 --> 01:09:35,665
AND THINGS LIKE THAT.
1563
01:09:35,733 --> 01:09:37,266
THAT WON'T DO IT,
SWEETHEART.
1564
01:09:37,333 --> 01:09:40,165
WE NEED ROMANCE --
WAVES OF THE FUTURE,
1565
01:09:40,233 --> 01:09:42,132
RIBBONS OF CONCRETE
ACROSS THE LAND,
1566
01:09:42,200 --> 01:09:44,232
THE COUNTRY GROWING,
GROWING, GROWING.
1567
01:09:44,300 --> 01:09:47,199
WE GOT TO BUILD A BANDWAGON
FOR THESE PEOPLE TO JUMP ON.
1568
01:09:47,267 --> 01:09:49,065
I SURE HOPE
YOU LIKE GARLIC.
1569
01:09:49,133 --> 01:09:52,199
WE HAVE GOT TO FIGURE, WHO ARE
THE BIG INVESTORS TODAY?
1570
01:09:52,267 --> 01:09:54,965
NOT THE MORGANS
AND THE ROCKEFELLERS ANYMORE.
1571
01:09:55,033 --> 01:09:58,399
NO, IT'S THE PENSION FUNDS AND
UNION FUNDS AND MUTUAL FUNDS.
1572
01:09:58,466 --> 01:10:01,299
RIGHT. NOW, YOU TAKE
ONE OF THESE MUTUAL-FUND FELLAS.
1573
01:10:01,367 --> 01:10:04,899
MAILMAN BRINGS HIM $20 MILLION
EVERY DAY TO INVEST.
1574
01:10:04,966 --> 01:10:07,266
HE CAN'T GO SPECULATING
ON NO WILDCATS.
1575
01:10:07,333 --> 01:10:09,232
NO, HE GOT TO
PLAY IT CAUTIOUS.
1576
01:10:09,300 --> 01:10:10,565
HE HAS GOT TO INVEST
1577
01:10:10,633 --> 01:10:12,999
JUST LIKE
ALL THE OTHER MANAGERS DO.
1578
01:10:13,066 --> 01:10:16,165
NOW, WE'VE GOT TO CONVINCE
EACH ONE OF THEM
1579
01:10:16,233 --> 01:10:18,766
THAT THE OTHER
IS BUYING WIDGET.
1580
01:10:18,833 --> 01:10:20,965
[ LAUGHS ]
1581
01:10:21,033 --> 01:10:22,299
WHAT ARE YOU LAUGHING AT?
1582
01:10:22,367 --> 01:10:24,732
YOUR SOCKS.
I NEVER SAW THOSE BEFORE.
1583
01:10:24,800 --> 01:10:26,399
WHAT'S THE MATTER
WITH MY SOCKS?
1584
01:10:26,466 --> 01:10:29,465
WELL...
YOU LOOK LIKE A BUNNY.
1585
01:10:29,533 --> 01:10:31,632
I LOOK LIKE A BUNNY?
1586
01:10:31,700 --> 01:10:32,699
MM-HMM.
1587
01:10:32,767 --> 01:10:34,532
I CAN JUST SEE YOU
AS A LITTLE BOY.
1588
01:10:34,600 --> 01:10:35,832
LITTLE TINY WHEELER DEALER
1589
01:10:35,900 --> 01:10:38,299
TRADING A RED WAGON
FOR A BICYCLE.
1590
01:10:38,367 --> 01:10:39,965
AND YOU LOOK SO MUCH
LIKE A BUNNY,
1591
01:10:40,033 --> 01:10:41,499
NOBODY COULD GET MAD.
1592
01:10:45,867 --> 01:10:48,699
IT'S TIME FOR BUNNY'S
EVENING NIBBLE.
1593
01:10:52,066 --> 01:10:53,499
[ SIZZLING ]
1594
01:10:53,566 --> 01:10:55,732
MM! MM!
SCALLOPINI'S BURNING.
1595
01:11:02,233 --> 01:11:05,565
I APPRECIATE THE JOB YOU BOYS
DID PUBLICIZING MY RESTAURANT.
1596
01:11:05,633 --> 01:11:07,565
- IT WAS GREAT.
- HA! GREAT!
1597
01:11:07,633 --> 01:11:08,699
DID HE SAY GREAT?
1598
01:11:08,767 --> 01:11:10,565
LISTEN TO HIM, BUSTER.
HE CALLS IT ONLY GREAT.
1599
01:11:10,633 --> 01:11:12,165
ONLY GREAT, MR. TYROON?
1600
01:11:12,233 --> 01:11:13,799
THE JOB WE DID
WAS ONLY MAGNIFICENT!
1601
01:11:13,867 --> 01:11:15,465
- ONLY STUPENDOUS!
- ONLY FABULOUS!
1602
01:11:15,533 --> 01:11:16,999
THAT'S ALL IT WA--
GET THE BOOK. GET THE BOOK.
1603
01:11:17,066 --> 01:11:18,632
YOU'LL READ THE BOOK.
YOU'LL LOOK IN THE BOOK.
1604
01:11:18,700 --> 01:11:20,366
YOU'LL SEE.
1605
01:11:20,433 --> 01:11:22,866
LOOK. EVERY PAGE HAS GOT A PLUG
FOR CHEZ-HENRI.
1606
01:11:22,933 --> 01:11:25,065
OKAY, OKAY.
I AGREE.
1607
01:11:25,133 --> 01:11:28,099
NOW I'VE GOT SOMETHING ELSE
FOR YOU TO TAKE ON.
1608
01:11:28,166 --> 01:11:30,332
YOU NAME IT, WE'LL MAKE IT
A HOUSEHOLD WORD.
1609
01:11:30,400 --> 01:11:32,165
UNIVERSAL WIDGET.
1610
01:11:33,433 --> 01:11:35,465
IT'S A LITTLE STOCK
NOBODY EVER HEARD OF.
1611
01:11:35,533 --> 01:11:36,632
WIDGET.
1612
01:11:36,700 --> 01:11:38,499
WIDGET.
1613
01:11:38,566 --> 01:11:40,366
WIDGET.
WIDGET.
1614
01:11:40,433 --> 01:11:41,866
WIDGET.
1615
01:11:41,933 --> 01:11:43,499
- WIDGET.
- WIDGET.
1616
01:11:43,566 --> 01:11:45,299
WIDGET.
1617
01:11:45,367 --> 01:11:46,465
WID-GET.
1618
01:11:46,533 --> 01:11:49,199
WIDGET.
1619
01:11:49,267 --> 01:11:51,499
I CAN HEAR IT NOW, BUSTER.
IT STARTS AS A WHISPER.
1620
01:11:51,566 --> 01:11:53,232
THEN IT RISES TO A MURMUR.
1621
01:11:53,300 --> 01:11:55,366
Both: UNTIL IT BECOMES
A TRIUMPHANT SHOUT
1622
01:11:55,433 --> 01:11:57,232
IN THE THROATS
OF ALL AMERICA!
1623
01:11:58,900 --> 01:12:01,565
WHAT'S A WIDGET?
1624
01:12:01,633 --> 01:12:04,932
THE COMPANY HAS SOMETHING
TO DO WITH COMMUNICATIONS.
1625
01:12:05,000 --> 01:12:06,266
DON'T --
DON'T TELL US MORE.
1626
01:12:06,333 --> 01:12:08,699
WE DON'T BELIEVE
IN OVERRESEARCHING A PRODUCT.
1627
01:12:08,767 --> 01:12:11,299
BOYS, THERE ARE LAWS
ABOUT THIS SORT OF THING.
1628
01:12:11,367 --> 01:12:12,932
NOW, I WANT
A FIRST-CLASS JOB.
1629
01:12:13,000 --> 01:12:15,965
I WANT IT RESTRAINED, DIGNIFIED,
BUT HARD-HITTING.
1630
01:12:16,033 --> 01:12:17,332
SAY NO MORE.
1631
01:12:17,400 --> 01:12:19,599
THERE ARE DIFFERENCES BETWEEN
THIS CAMPAIGN AND THE --
1632
01:12:19,666 --> 01:12:22,099
HOLD IT. HOLD IT, MR. TYROON.
BUDDY'S THINKING.
1633
01:12:22,166 --> 01:12:24,665
[ THUMPING ]
1634
01:12:24,733 --> 01:12:27,165
I GOT IT! I GOT IT!
I GO--
1635
01:12:27,233 --> 01:12:30,232
WE LAUNCH A CAMPAIGN
TO GIVE AMERICA THE LEAD
1636
01:12:30,300 --> 01:12:32,399
IN INTERNATIONAL WIDGETRY!
1637
01:12:34,800 --> 01:12:37,366
YOU'VE GOT TO GIVE ME TIME,
MR. BEAR.
1638
01:12:37,433 --> 01:12:40,332
NOW, IN A WEEK, I GUARANTEE YOU
ACTION, OR I'LL RESIGN.
1639
01:12:40,400 --> 01:12:42,766
BUT, MISS THATCHER, THIS THING
KEEPS DRAGGING ON AND ON AND ON.
1640
01:12:42,833 --> 01:12:44,065
NOW, LOOK, MR. BEAR.
1641
01:12:44,133 --> 01:12:46,199
YOU PROMISED ME A MONTH,
AND THAT MONTH ISN'T UP YET.
1642
01:12:46,267 --> 01:12:48,032
NOW, IS YOUR WORD WORTH ANYTHING
OR ISN'T IT?
1643
01:12:48,100 --> 01:12:49,532
[ KNOCK ON DOOR ]
WELL, IT VARIES.
1644
01:12:49,600 --> 01:12:50,732
IT -- [ SIGHS ]
1645
01:12:53,900 --> 01:12:55,465
MOLLY THATCHER?
1646
01:12:56,733 --> 01:12:58,532
THANK YOU.
1647
01:13:01,900 --> 01:13:04,432
THANK YOU,
MISS THATCHER.
1648
01:13:04,500 --> 01:13:06,732
MAYBE I DID SAY ONE MONTH,
BUT THAT WAS --
1649
01:13:06,800 --> 01:13:08,599
NOW, LOOK.
LOOK AT THIS.
1650
01:13:10,700 --> 01:13:12,599
TEXAS MUTUAL
COOPERATIVE FUNDS.
1651
01:13:12,666 --> 01:13:14,899
RIGHT, AND IT'S A VERY SIZABLE
INVESTMENT IN WIDGET.
1652
01:13:14,966 --> 01:13:16,565
NOW I'VE GOT THE MUTUAL FUNDS
INTERESTED,
1653
01:13:16,633 --> 01:13:17,899
AND THIS IS
JUST THE BEGINNING.
1654
01:13:17,966 --> 01:13:19,599
MISS THATCHER,
I OWE YOU AN APOLOGY.
1655
01:13:19,666 --> 01:13:22,299
TAKE A WEEK, TAKE A MONTH --
TAKE ALL THE TIME THAT YOU LIKE.
1656
01:13:22,367 --> 01:13:24,665
FROM THE VERY FIRST DAY THAT YOU
SET FOOT IN THIS OFFICE,
1657
01:13:24,733 --> 01:13:27,699
I SAID TO MYSELF,
"THAT BOY IS GOING PLACES!"
1658
01:13:27,767 --> 01:13:29,299
[ BOTH LAUGH ]
1659
01:13:31,133 --> 01:13:33,199
SURE, SWEETHEART.
1660
01:13:33,266 --> 01:13:34,365
YOU DID?
1661
01:13:34,433 --> 01:13:36,365
WELL, NOW, THAT'S WHAT I CALL
REAL WONDERFUL.
1662
01:13:36,433 --> 01:13:39,399
BUT HOW DID A TEXAS MUTUAL-FUND
OUTFIT EVER GET WIND OF IT?
1663
01:13:39,466 --> 01:13:43,066
WELL, RAY JAY AND JAY RAY
AND J.R. WANTED PARTICIPATION,
1664
01:13:43,133 --> 01:13:46,032
BUT I WANTED THEM
TO PARTICIPATE MY WAY.
1665
01:13:46,100 --> 01:13:48,099
You see,
the three of them are
1666
01:13:48,167 --> 01:13:50,432
the Texas Mutual
Cooperative Fund.
1667
01:13:50,500 --> 01:13:53,699
THEY ACT MORE LIKE SPECULATORS
THAN MUTUAL-FUND OPERATORS.
1668
01:13:53,766 --> 01:13:56,099
NO, NO, SWEETHEART.
1669
01:13:56,167 --> 01:13:58,632
THEY'RE NOT
A MUTUAL-FUNDS COMPANY.
1670
01:13:58,700 --> 01:13:59,965
IT'S A CATTLE SYNDICATE.
1671
01:14:00,033 --> 01:14:02,365
I MIGHT HAVE KNOWN
THERE'D BE A CATCH SOMEPLACE.
1672
01:14:02,433 --> 01:14:04,099
WHY ARE YOU
SO DISAPPOINTED?
1673
01:14:04,167 --> 01:14:06,265
SOUNDS LIKE A MUTUAL FUND,
DOESN'T IT?
1674
01:14:06,333 --> 01:14:08,232
[ Chuckles ]
1675
01:14:10,266 --> 01:14:11,665
Man:
SEE WHERE TEXAS MUTUAL
1676
01:14:11,733 --> 01:14:14,065
IS ADDING UNIVERSAL WIDGET
TO THEIR PORTFOLIO.
1677
01:14:14,133 --> 01:14:16,732
IT'S GOOD TO SEE AN INTEREST
IN WIDGET.
1678
01:14:16,800 --> 01:14:18,299
AND HIGH TIME.
1679
01:14:18,367 --> 01:14:19,532
IF WE DON'T WATCH OUT,
1680
01:14:19,600 --> 01:14:22,265
THE SOVIET UNION
WILL OUTPRODUCE US IN WIDGETS.
1681
01:14:23,933 --> 01:14:25,866
YOU WON'T BE THE FIRST MAN
IN THIS TOWN
1682
01:14:25,933 --> 01:14:27,099
WHO TURNED DOWN
A GOOD THING
1683
01:14:27,166 --> 01:14:29,065
BECAUSE A WOMAN BROUGHT IT
TO HIS ATTENTION,
1684
01:14:29,133 --> 01:14:30,932
BUT WHEN TEXAS MUTUAL
COOPERATIVE FUND
1685
01:14:31,000 --> 01:14:33,565
MOVES ON AN ISSUE, IT'S TIME
YOU TOOK A LOOK FOR YOURSELF.
1686
01:14:33,633 --> 01:14:35,565
Man: LOOK.
1687
01:14:35,633 --> 01:14:37,732
IT'S ONLY ABOUT 7/8
OF AN INCH LONG.
1688
01:14:37,800 --> 01:14:40,532
THE PRODUCTION OF WIDGETS
IS A MASTERPIECE OF TOOLING.
1689
01:14:40,600 --> 01:14:43,499
ANY WIDGET WITH A TOLERANCE
OF MORE THAN 1/10,000 OF AN INCH
1690
01:14:43,566 --> 01:14:45,232
IS REJECTED.
1691
01:14:45,300 --> 01:14:47,432
Man #2: I GUESS THAT'S
WHAT MAKES THEM SO VITAL
1692
01:14:47,500 --> 01:14:49,065
TO TRANSISTORIZED
COMMUNICATIONS.
1693
01:14:49,133 --> 01:14:50,765
EXACTLY.
1694
01:14:59,466 --> 01:15:02,999
AIN'T NO OIL
IN MASSACHUSETTS.
1695
01:15:03,066 --> 01:15:05,565
I WON'T SAY THERE IS,
1696
01:15:05,633 --> 01:15:08,232
AND I WON'T SAY
THERE AIN'T.
1697
01:15:08,300 --> 01:15:10,299
WE MADE WENDELL'S COLUMN
THIS MORNING.
1698
01:15:10,366 --> 01:15:11,299
LISTEN TO THIS.
1699
01:15:11,366 --> 01:15:12,999
"DID THE SECRETARY
OF DEFENSE
1700
01:15:13,066 --> 01:15:15,332
"MAKE A SECRET TRIP
TO NEW ENGLAND YESTERDAY
1701
01:15:15,400 --> 01:15:19,332
FOR A QUICKIE INSPECTION
OF UNIVERSAL WIDGET?"
1702
01:15:19,400 --> 01:15:20,999
Henry:
NOT BAD. NOT BAD AT ALL.
1703
01:15:21,066 --> 01:15:22,799
YEAH, BUT WE'VE GOT TO ASK
MORE QUESTIONS.
1704
01:15:22,866 --> 01:15:25,632
THAT'S RIGHT. QUESTIONS ARE VERY
IMPORTANT, MR. TYROON.
1705
01:15:25,700 --> 01:15:28,232
YOU ASK ANY QUESTION,
AND THE PUBLIC ANSWERS YES.
1706
01:15:28,300 --> 01:15:31,199
YOU MEAN LIKE, "IS UNIVERSAL
WIDGET STEPPING UP PRODUCTION
1707
01:15:31,267 --> 01:15:33,132
"TO MEET THE DEMANDS
OF RADIO STAR,
1708
01:15:33,200 --> 01:15:34,632
THE NEW COMMUNICATIONS
SATELLITE?"
1709
01:15:34,700 --> 01:15:35,965
BUSTER,
HE'S GIVING OFF SPARKS.
1710
01:15:36,033 --> 01:15:37,832
NOT BAD. NOT BAD.
1711
01:15:37,900 --> 01:15:40,932
"IS TEXAS MUTUAL FUNDS
PULLING OUT OF RAILS
1712
01:15:41,000 --> 01:15:43,365
"TO CONCENTRATE
ON COMMUNICATIONS ISSUES
1713
01:15:43,433 --> 01:15:45,065
SUCH AS UNIVERSAL WIDGET?"
1714
01:15:45,133 --> 01:15:46,232
HE EFFERVESCES!
1715
01:15:46,300 --> 01:15:47,432
HE BUBBLES!
1716
01:15:47,500 --> 01:15:49,932
"ARE UNION LEADERS WORRIED
1717
01:15:50,000 --> 01:15:53,832
AS AUTOMATION STEPS UP
WIDGET PRODUCTION OVERNIGHT?"
1718
01:15:53,900 --> 01:15:56,232
EVERY WORD
IS MOTHER'S MILK.
1719
01:15:56,300 --> 01:15:59,199
GENTLEMEN, YOU'RE GREAT.
YOU HAVE DONE IT AGAIN.
1720
01:16:01,300 --> 01:16:03,932
[ UP-TEMPO MUSIC PLAYS ]
1721
01:16:12,200 --> 01:16:13,632
MY OFFICE CABLED
YESTERDAY.
1722
01:16:13,700 --> 01:16:15,432
THERE'S A HOT RUMOR
GOING AROUND --
1723
01:16:15,500 --> 01:16:17,965
A MERGER BETWEEN RCA
AND UNIVERSAL WIDGET.
1724
01:16:18,033 --> 01:16:20,099
WHERE THERE'S SMOKE,
THERE'S FIRE.
1725
01:16:33,133 --> 01:16:34,865
HONEY, WE'VE GOT IT.
1726
01:16:34,933 --> 01:16:36,465
WHAT? WHAT? WHAT?
WHAT DO WE HAVE?
1727
01:16:36,533 --> 01:16:37,532
HERE IT IS.
1728
01:16:37,600 --> 01:16:38,865
THIS IS THE LATEST ISSUE
1729
01:16:38,933 --> 01:16:40,632
OF MODERN TECHNIQUES
AND COMMUNICATIONS.
1730
01:16:40,700 --> 01:16:43,599
IT'S THE TECHNICAL JOURNAL
OF THE COMMUNICATIONS INDUSTRY.
1731
01:16:43,667 --> 01:16:44,699
NOW, LISTEN TO THIS.
1732
01:16:44,767 --> 01:16:46,732
"THE MANUFACTURERS
OF RADIO STAR,
1733
01:16:46,800 --> 01:16:48,832
"THE NEW COMMUNICATIONS
SATELLITE,
1734
01:16:48,900 --> 01:16:51,432
"HAVE STATED THAT THEY NEED
ALL THE WIDGETS
1735
01:16:51,500 --> 01:16:52,799
"THEY CAN POSSIBLY
ROUND UP,
1736
01:16:52,866 --> 01:16:54,432
"BECAUSE THEY CONSIDER THEM
ESSENTIAL
1737
01:16:54,500 --> 01:16:55,632
TO EFFICIENT PRODUCTION."
1738
01:16:55,700 --> 01:16:57,965
THEN THERE REALLY ARE WIDGETS.
THEY REALLY USE THEM?
1739
01:16:58,033 --> 01:16:59,565
[ Imitating Whipple ]
ANY FOOL KNOWS
1740
01:16:59,633 --> 01:17:01,666
THAT WIDGETS WENT OUT
WITH FLYING CLIPPERS.
1741
01:17:01,733 --> 01:17:04,699
OH, WELL, THEN THAT PARAGRAPH
DOESN'T MAKE SENSE.
1742
01:17:04,767 --> 01:17:06,032
I ONLY READ ONE PARAGRAPH.
1743
01:17:06,100 --> 01:17:07,999
THE WHOLE ARTICLE
IS ABOUT RADIO STAR,
1744
01:17:08,066 --> 01:17:09,799
THE NEW COMMUNICATIONS
SATELLITE.
1745
01:17:09,866 --> 01:17:12,399
NOW, INSIDE THE SATELLITE,
1746
01:17:12,466 --> 01:17:14,432
THEY CAN'T AFFORD TO WASTE
ONE INCH OF SPACE,
1747
01:17:14,500 --> 01:17:16,166
BECAUSE IT'S GOT
UMPTEEN INSTRUMENTS.
1748
01:17:16,233 --> 01:17:18,232
NOW, MEN HAVE TO MOUNT
THESE INSTRUMENTS
1749
01:17:18,300 --> 01:17:20,499
INSIDE THE SATELLITE
IN SOME PRETTY CLOSE QUARTERS.
1750
01:17:20,566 --> 01:17:22,666
ORDINARY MEN ARE HAVING
AN AWFUL LOT OF TROUBLE
1751
01:17:22,733 --> 01:17:24,632
SQUEEZING IN THERE
AND DOING ALL THIS WORK
1752
01:17:24,700 --> 01:17:25,865
IN THOSE ITTY-BITTY PLACES.
1753
01:17:25,933 --> 01:17:29,499
SO THEY'RE HIRING MIDGETS
TO DO THE WORK.
1754
01:17:29,566 --> 01:17:33,065
WELL, THEN WHAT'S THIS ABOUT?
A-A MISPRINT?
1755
01:17:33,133 --> 01:17:34,299
I SUPPOSE SO.
1756
01:17:35,466 --> 01:17:38,465
THEY SAID "WIDGETS,"
AND THEY MEANT "MIDGETS."
1757
01:17:38,533 --> 01:17:41,499
SO WHY DON'T YOU JUST GET OVER
ON THAT LITTLE OLD PHONE
1758
01:17:41,566 --> 01:17:44,099
AND YOU READ
THAT LITTLE OLD PARAGRAPH
1759
01:17:44,167 --> 01:17:46,199
TO ALL THE PEOPLE
ON YOUR LITTLE OLD LIST.
1760
01:17:46,267 --> 01:17:47,499
HENRY, DO YOU REALLY
THINK THAT --
1761
01:17:47,566 --> 01:17:48,932
HONEY, I DON'T WANT YOU
TO TELL A LIE.
1762
01:17:49,000 --> 01:17:50,599
I WANT YOU TO TELL
THE TRUTH,
1763
01:17:50,667 --> 01:17:53,532
AND THE TRUTH IS THAT MODERN
TECHNIQUES AND COMMUNICATIONS
1764
01:17:53,600 --> 01:17:56,166
PRINTED THE STATEMENT
THAT YOU ARE ABOUT TO READ.
1765
01:17:56,233 --> 01:17:57,599
[ CHUCKLES ]
1766
01:17:57,667 --> 01:17:58,766
YEAH.
1767
01:17:58,833 --> 01:18:01,399
[ UP-TEMPO MUSIC PLAYS ]
1768
01:18:23,767 --> 01:18:27,132
45. I'LL BET WIDGET MAKES 60
BY THE FIRST OF THE MONTH.
1769
01:18:27,200 --> 01:18:28,632
OUR GIRL PICKED A WINNER.
1770
01:18:28,700 --> 01:18:30,465
WELL, NOT EXACTLY.
I PICKED IT.
1771
01:18:30,533 --> 01:18:32,565
BUT SHE DID A PRETTY GOOD JOB
WITH IT.
1772
01:18:32,633 --> 01:18:34,932
HEY, LOOK AT THAT.
47.
1773
01:18:35,000 --> 01:18:37,432
WHITBY, IF IT HITS 50,
TAKE OUT THE PAPER TOWELS
1774
01:18:37,500 --> 01:18:39,332
AND BRING BACK
THE LINEN SERVICE.
1775
01:18:39,400 --> 01:18:40,499
[ CHUCKLES ]
1776
01:18:40,966 --> 01:18:42,765
[ DRAMATIC MUSIC PLAYS ]
1777
01:18:42,833 --> 01:18:45,199
[ BELL CHIMES ]
1778
01:18:45,266 --> 01:18:48,132
[ DRAMATIC MUSIC PLAYS ]
1779
01:18:48,200 --> 01:18:49,865
[ BELL CHIMES ]
1780
01:18:49,933 --> 01:18:52,099
[ UP-TEMPO MUSIC PLAYS ]
1781
01:19:20,000 --> 01:19:22,632
WILL YOU
LOOK AT THIS, BOSS?!
1782
01:19:22,700 --> 01:19:25,865
"WIDGET TO ENTER
MIRACLE DRUG FIELD."
1783
01:19:25,933 --> 01:19:26,932
YEAH.
1784
01:19:27,000 --> 01:19:28,599
WELL, VANSON, YOU MAY BE
ON TO SOMETHING.
1785
01:19:28,667 --> 01:19:30,265
WELL, THE WAY THAT STOCK'S
BEEN GOING UP
1786
01:19:30,333 --> 01:19:31,666
IS LITTLE TOO SPECTACULAR
FOR ME.
1787
01:19:31,733 --> 01:19:33,299
[ LAUGHS ]
- ALL RIGHT.
1788
01:19:33,366 --> 01:19:36,099
PUT THE SURVEILLANCE SQUAD ON IT
AND GIVE ME A DAY-BY-DAY REPORT.
1789
01:19:36,167 --> 01:19:37,365
RIGHT, BOSS.
1790
01:19:37,433 --> 01:19:40,732
I'LL LAY ODDS
SOMEBODY'S KITING THAT STOCK.
1791
01:19:48,366 --> 01:19:49,732
YOU KNOW,
THAT DEDUCTION WE GOT
1792
01:19:49,800 --> 01:19:51,765
FROM THE APPRAISED VALUE
OF THEM EXPRESSIONISTS
1793
01:19:51,833 --> 01:19:55,232
IS GONNA RUN OVER 10 CENTS
TO THE DOLLAR.
1794
01:19:55,300 --> 01:19:57,465
[ CHUCKLES ]
I FIGURED IT CLOSER TO 12.
1795
01:19:57,533 --> 01:19:59,999
OH, HENRY'S BEEN A REAL GOOD
BUDDY TO US THIS YEAR.
1796
01:20:00,067 --> 01:20:02,299
HE EVEN MADE US MONEY
ON THAT RESTAURANT, TOO.
1797
01:20:02,366 --> 01:20:04,432
YEAH, THAT'S WHAT
I'VE BEEN THINKING.
1798
01:20:04,500 --> 01:20:05,832
OLD HENRY'S DONE WELL BY US,
1799
01:20:05,900 --> 01:20:07,799
AND WE OUGHT TO DO SOMETHING
FOR HIM.
1800
01:20:07,866 --> 01:20:09,732
WELL, YOU CAN'T
GIVE HIM ANYTHING.
1801
01:20:09,800 --> 01:20:11,465
HE DON'T WANT TO OWN
A THING.
1802
01:20:11,533 --> 01:20:13,899
LEASES EVERYTHING
SO HE CAN DEDUCT IT.
1803
01:20:13,966 --> 01:20:16,699
MUST BE SOMETHING OLD HENRY
WANTS THAT WE CAN HELP HIM WITH.
1804
01:20:16,766 --> 01:20:18,765
WELL, I NEVER
HEARD OF ANYTHING HENRY WANTED
1805
01:20:18,833 --> 01:20:20,265
HE COULDN'T GET
FOR HISSELF.
1806
01:20:20,333 --> 01:20:23,066
EXCEPT, WELL, MAYBE THAT
LITTLE OLD GIRL UP IN NEW YORK.
1807
01:20:23,133 --> 01:20:24,432
- YEAH!
- MAYBE.
1808
01:20:24,500 --> 01:20:26,066
NAH.
1809
01:20:26,133 --> 01:20:28,965
THAT LITTLE OLD GIRL'S TOO STUCK
ON THE STOCK MARKET
1810
01:20:29,033 --> 01:20:30,932
TO HAVE ANY TIME
FOR HENRY --
1811
01:20:31,000 --> 01:20:33,399
ANY REAL TIME.
1812
01:20:33,466 --> 01:20:36,232
I THINK I KNOW A WAY
WE CAN HELP OLD HENRY OUT.
1813
01:20:36,300 --> 01:20:37,332
HOW?
1814
01:20:43,333 --> 01:20:46,499
LET'S HIGHBALL IT TO NEW YORK.
1815
01:20:49,033 --> 01:20:50,566
YEE-HA!
1816
01:21:00,633 --> 01:21:02,932
THANK YOU.
THANK YOU.
1817
01:21:03,000 --> 01:21:04,232
I WANT YOU TO KNOW
1818
01:21:04,300 --> 01:21:06,899
THAT I CONSIDER THE PRESIDENCY
OF THIS ORGANIZATION
1819
01:21:06,966 --> 01:21:10,132
THE HIGHEST HONOR ANY GIRL
ON WALL STREET CAN RECEIVE.
1820
01:21:10,200 --> 01:21:12,432
AND I PROMISE TO USE
MY TERM OF OFFICE
1821
01:21:12,500 --> 01:21:16,365
TO OPEN MORE AND MORE DOORS
TO WOMEN SECURITY ANALYSTS.
1822
01:21:16,433 --> 01:21:18,932
AND IN TIME, NO ONE WILL DARE
STAND IN THE WAY
1823
01:21:19,000 --> 01:21:21,465
OF WOMEN TAKING THEIR RIGHTFUL
PLACE IN WALL STREET,
1824
01:21:21,533 --> 01:21:23,499
AND BETWEEN YOU AND ME,
IT WON'T BE LONG
1825
01:21:23,567 --> 01:21:25,732
BEFORE I AM NO LONGER
THE ONLY WOMAN
1826
01:21:25,800 --> 01:21:28,632
IN THE INNER OFFICES
OF BEAR, OSGOOD, AND WHITBY.
1827
01:21:28,700 --> 01:21:31,199
YOU WANT ME TO FIRE
MY TOP ANALYST?
1828
01:21:31,266 --> 01:21:33,299
A WOMAN'S PLACE
IS IN THE HOME,
1829
01:21:33,366 --> 01:21:35,265
BUT MOST WOMEN
DON'T KNOW IT.
1830
01:21:35,333 --> 01:21:36,532
YOU GOT TO PUSH 'EM.
1831
01:21:36,600 --> 01:21:38,465
TEXAS IS GONNA MAKE MOLLY
MIGHTY HAPPY, TOO,
1832
01:21:38,533 --> 01:21:39,899
EVEN IF SHE
DON'T KNOW IT YET.
1833
01:21:39,966 --> 01:21:41,732
YOU WANT HER TO BE HAPPY,
DON'T YOU?
1834
01:21:41,800 --> 01:21:44,932
CAN'T POSSIBLY LET HER GO.
SHE'S MY NUMBER-ONE BOY.
1835
01:21:45,000 --> 01:21:48,399
WELL, WE THINK YOUR NUMBER-ONE
BOY'S READY FOR MOTHERHOOD.
1836
01:21:48,466 --> 01:21:51,865
JUST NOW, WHEN WIDGET
IS REALLY STARTING TO FLY?
1837
01:21:51,933 --> 01:21:54,532
WE HAPPEN TO KNOW
YOU TOOK A REAL WHOPPING
1838
01:21:54,600 --> 01:21:56,365
IN GREAT EASTERN
OFFSHORE OIL.
1839
01:21:56,433 --> 01:21:59,465
I CAN'T DO IT.
IT'S, UH, IT'S MORALLY WRONG.
1840
01:21:59,533 --> 01:22:04,299
SUPPOSE WE WAS TO GET YOU
OFF THE HOOK WITH GREAT EASTERN.
1841
01:22:04,366 --> 01:22:05,965
YOU MEAN YOU'D TAKE
MY WHOLE POSITION?
1842
01:22:06,033 --> 01:22:08,599
FOR HENRY AND MOLLY,
WE'LL TAKE THE WHOLE THING.
1843
01:22:08,667 --> 01:22:12,965
GENTLEMEN, I DON'T KNOW
WHAT TO SAY.
1844
01:22:13,033 --> 01:22:16,032
EXCEPT YOU MAKE ME FEEL HUMBLE.
1845
01:22:16,100 --> 01:22:17,599
TRULY HUMBLE.
1846
01:22:19,333 --> 01:22:21,732
OUT SHE GOES.
1847
01:22:21,800 --> 01:22:24,632
OH, HENRY, IF YOU KNEW HOW MUCH
I WANTED TO BE PRESIDENT.
1848
01:22:24,700 --> 01:22:26,032
WELL, THAT'S VERY NICE,
1849
01:22:26,100 --> 01:22:29,032
BUT IT DOES MAKE FOR SOME
DIFFICULTIES, DOESN'T IT?
1850
01:22:29,100 --> 01:22:31,465
And, Henry, I want you to come
to Philadelphia this weekend
1851
01:22:31,533 --> 01:22:32,599
to meet my parents.
1852
01:22:32,667 --> 01:22:34,465
They'll adore you.
I hope.
1853
01:22:34,533 --> 01:22:37,299
WELL, CAN WE, UH,
LEAVE FOR TEXAS FROM THERE?
1854
01:22:37,366 --> 01:22:38,632
TEXAS?
1855
01:22:38,700 --> 01:22:41,166
As I remember,
we got a deal.
1856
01:22:41,233 --> 01:22:42,999
OH, THAT.
1857
01:22:43,067 --> 01:22:45,932
UM, WELL, HENRY,
I KNOW I MADE THAT DEAL,
1858
01:22:46,000 --> 01:22:48,099
BUT, WELL, MY TERM OF OFFICE
IS SIX MONTHS,
1859
01:22:48,167 --> 01:22:49,332
AND I JUST CAN'T LEAVE NOW.
1860
01:22:49,400 --> 01:22:51,332
You can wait six months,
can't you?
1861
01:22:51,400 --> 01:22:54,399
YOU MADE A PROMISE, MOLLY.
YOU GAVE ME YOUR WORD ON IT.
1862
01:22:54,466 --> 01:22:57,632
Please, Henry, how did I ever
know I'd really be president?
1863
01:22:57,700 --> 01:22:59,566
A PROMISE IS A PROMISE.
1864
01:22:59,633 --> 01:23:02,432
WELL, I KNOW I PROMISED,
BUT...
1865
01:23:02,500 --> 01:23:05,432
HENRY, COULDN'T WE
TALK IT OVER TONIGHT?
1866
01:23:05,500 --> 01:23:09,232
WELL, UH, COULD YOU
DROP UP HERE, MOLLY?
1867
01:23:10,900 --> 01:23:12,432
IF YOU'D LIKE ME TO, HENRY.
1868
01:23:12,500 --> 01:23:15,566
I COULD ORDER US A LITTLE,
UH, LATE SUPPER.
1869
01:23:15,633 --> 01:23:17,332
That would be nice.
1870
01:23:17,400 --> 01:23:19,265
I'm tired of restaurants,
even Chez-Henri.
1871
01:23:19,333 --> 01:23:20,399
AS A MATTER OF FACT,
1872
01:23:20,466 --> 01:23:22,666
A LITTLE CHAMPAGNE
WOULDN'T HURT, WOULD IT?
1873
01:23:22,733 --> 01:23:24,999
A LITTLE CHAMPAGNE
NEVER HURT ANYBODY.
1874
01:23:25,067 --> 01:23:26,066
BYE.
1875
01:23:27,400 --> 01:23:28,499
[ SMOOCHES ]
1876
01:23:28,567 --> 01:23:30,799
[ SMOOCHES ]
1877
01:23:38,400 --> 01:23:40,332
[ SIGHS ]
1878
01:23:45,033 --> 01:23:48,099
YOU WERE A GREAT TALENT,
STANISLAS.
1879
01:23:48,166 --> 01:23:49,432
AND LOOK AT YOU NOW.
1880
01:23:49,500 --> 01:23:51,099
DON'T YOU LIKE
THE WAY I RIDE?
1881
01:23:51,166 --> 01:23:52,565
IT'S PEOPLE LIKE YOU
1882
01:23:52,633 --> 01:23:55,632
WHO GIVE THE NORTH MEDITERRANEAN
NEOREALIST MOVEMENT A BAD NAME.
1883
01:23:55,700 --> 01:23:58,032
THE BRUSH IS OUTMODED
AS A TOOL OF ART.
1884
01:23:58,100 --> 01:24:02,199
MODERN TECHNOLOGY DEMANDS NEW
MEANS OF ARTISTIC PRODUCTION.
1885
01:24:02,266 --> 01:24:05,099
ANYWAY, BUSTER, IT'S NOT ME
THAT'S BOTHERING YOU.
1886
01:24:05,166 --> 01:24:07,832
YOU'RE SUFFERING
FROM ACUTE LACK OF MOLLY.
1887
01:24:07,900 --> 01:24:10,165
MAYBE YOU'RE RIGHT.
1888
01:24:10,233 --> 01:24:11,665
I'VE LOST HER,
1889
01:24:11,733 --> 01:24:13,732
AND IT COULDN'T HAPPEN
AT A WORSE TIME.
1890
01:24:13,800 --> 01:24:16,765
MY PSYCHIATRIST WON'T SPEAK
TO ME WHEN SHE HEARS ABOUT THIS.
1891
01:24:16,833 --> 01:24:18,232
YOU COULDN'T
HELP IT, MAN.
1892
01:24:18,300 --> 01:24:21,399
TELL YOUR SHRINK THAT'S THE WAY
THE POPSICLE MELTS.
1893
01:24:21,467 --> 01:24:24,332
BROTHER, YOU DIDN'T
MAKE THE SCENE AT ALL.
1894
01:24:24,400 --> 01:24:26,165
I WAS DEFEATED BY MONEY.
1895
01:24:26,233 --> 01:24:29,032
PLAIN, COMMON, ORDINARY,
FILTHY MONEY.
1896
01:24:29,100 --> 01:24:30,332
WELL, THAT'S NOT TRUE.
1897
01:24:30,400 --> 01:24:32,332
PUTTING THE STOCK OVER
HELPED.
1898
01:24:32,400 --> 01:24:33,932
BUT THE REAL THING
IS EXCITEMENT,
1899
01:24:34,000 --> 01:24:35,466
WIN, LOSE, OR DRAW.
1900
01:24:35,533 --> 01:24:37,265
THAT GUY ALWAYS HAS
A GOOD TIME.
1901
01:24:37,333 --> 01:24:39,732
HE LOVES THE GAME,
ANY OLD GAME.
1902
01:24:39,800 --> 01:24:41,532
I CAN'T BELIEVE IT --
1903
01:24:41,600 --> 01:24:45,732
MOLLY WITH A HALF-EDUCATED,
SUN-DRIED PRAIRIE MARSHAL.
1904
01:24:45,800 --> 01:24:49,432
YOU'VE BEEN TUNED IN
TO THE WRONG WAVELENGTH, NARDO.
1905
01:24:49,500 --> 01:24:50,699
MEANING WHAT?
1906
01:24:50,766 --> 01:24:52,765
UNDERNEATH
ALL THAT COWBOY JAZZ,
1907
01:24:52,833 --> 01:24:54,999
THE OVERSIZE HAT,
AND THE BOOT BIT,
1908
01:24:55,066 --> 01:24:58,099
HE'S STRICTLY A YALE TYPE
FROM BOSTON.
1909
01:24:58,166 --> 01:25:01,032
BOSTON?
HE'S NOT FROM TEXAS?
1910
01:25:01,100 --> 01:25:03,032
LOOK, MAN, LONG AGO,
HE FIGURED
1911
01:25:03,100 --> 01:25:05,532
THE BEST WAY TO RUB UP AGAINST
MONEY WAS TO BE A TEXAN.
1912
01:25:05,600 --> 01:25:08,099
NOW HE'S BEEN THERE SO LONG,
HE'S CAUGHT THE ACCENT.
1913
01:25:08,166 --> 01:25:10,499
BUT THAT ITALIAN
HE SPEAKS SO WELL.
1914
01:25:10,566 --> 01:25:12,366
MAJORED
IN ROMANCE LANGUAGES
1915
01:25:12,433 --> 01:25:14,932
IN A LITTLE OLD TEXAS
SCHOOLHOUSE BY THE NAME OF YALE.
1916
01:25:15,000 --> 01:25:16,466
YALE? BUT --
1917
01:25:16,533 --> 01:25:18,632
BUT MOLLY DOESN'T KNOW
ABOUT THIS DECEPTION, DOES SHE?
1918
01:25:18,700 --> 01:25:20,299
WHAT IF SHE DOESN'T?
1919
01:25:22,700 --> 01:25:24,665
LOOK, MAN, IF YOU'RE GONNA WALK
ON MY CANVAS,
1920
01:25:24,733 --> 01:25:27,299
THE LEAST YOU CAN DO IS PUT
A LITTLE CRIMSON ON YOUR SOLES.
1921
01:25:45,760 --> 01:25:46,998
DID YOU SEE WIDGET
THIS MORNING, MR. B--
1922
01:25:47,033 --> 01:25:47,599
SIT DOWN, MISS THATCHER.
1923
01:25:47,666 --> 01:25:49,299
THANK YOU.
DID YOU SEE WIDGET THIS MORNING?
1924
01:25:49,367 --> 01:25:51,732
IT BROKE THROUGH ITS UPSIDE
RESISTANCE LEVEL -- 59.
1925
01:25:51,800 --> 01:25:53,966
YES. WELL, EVERYBODY HITS
A LUCKY FLUKE NOW AND THEN.
1926
01:25:54,033 --> 01:25:54,989
A LUCKY FLUKE?!
1927
01:25:55,024 --> 01:25:57,665
MISS THATCHER, I'VE BEEN WANTING
TO TALK TO YOU FOR SOME TIME,
1928
01:25:57,733 --> 01:25:58,932
LIKE A FATHER TO A DAUGHTER.
1929
01:25:59,000 --> 01:26:01,265
I'VE BEEN WATCHING
WHAT'S BEEN HAPPENING TO YOU.
1930
01:26:01,333 --> 01:26:02,599
YOU'VE GROWN HARD.
1931
01:26:02,666 --> 01:26:03,832
THAT TENDER, LOVELY LOOK
1932
01:26:03,900 --> 01:26:05,799
YOU USED TO HAVE IN YOUR EYES
IS GONE.
1933
01:26:05,867 --> 01:26:07,065
NOW THEY GLINT.
1934
01:26:07,133 --> 01:26:09,232
NO, I HAVE TO COME RIGHT OUT
AND SAY IT.
1935
01:26:09,300 --> 01:26:11,732
THIS CRASS COMMERCIAL WORLD
HAS COARSENED YOU.
1936
01:26:11,800 --> 01:26:13,032
WHAT DO YOU MEAN?
1937
01:26:13,100 --> 01:26:15,665
NO, MISS THATCHER, I WOULDN'T
WANT IT ON MY CONSCIENCE
1938
01:26:15,733 --> 01:26:17,366
THAT I TOOK
A LOVELY YOUNG GIRL
1939
01:26:17,433 --> 01:26:18,932
AND LET HER WORK
TRANSFORM HER
1940
01:26:19,000 --> 01:26:21,399
INTO A HEARTLESS, GRASPING
DEALER IN THE MARKETPLACE.
1941
01:26:21,467 --> 01:26:23,399
I-I CAN'T JUST BEAR SITTING BY
AND WATCHING
1942
01:26:23,467 --> 01:26:25,765
WHILE I SEE ALL THAT IS
WONDERFUL AND TENDER IN YOU
1943
01:26:25,833 --> 01:26:28,232
RUN OUT AND CAST ASIDE.
1944
01:26:28,300 --> 01:26:30,032
YOU CAN CLEAN OUT
YOUR DESK.
1945
01:26:30,100 --> 01:26:32,532
BUT YOU SAID --
1946
01:26:32,600 --> 01:26:34,265
I HAVE A DAUGHTER YOUR AGE, MOLLY.
1947
01:26:34,333 --> 01:26:37,732
AND NOW THAT I'M FIRING YOU,
I MAY CALL YOU MOLLY, MAY I NOT?
1948
01:26:37,800 --> 01:26:39,065
YOU GAVE ME YOUR WORD.
1949
01:26:39,133 --> 01:26:41,399
BUT REALLY,
YOU'LL BE MUCH HAPPIER IN TEXAS.
1950
01:26:42,467 --> 01:26:44,399
TEXAS?
DID YOU SAY TEXAS?
1951
01:26:44,467 --> 01:26:46,332
THAT'S RIGHT --
I UNDERSTAND YOU'RE GONNA HAVE
1952
01:26:46,400 --> 01:26:47,932
A TICKER TAPE
IN THE KITCHEN AND --
1953
01:26:48,000 --> 01:26:50,599
OOH, THAT DOUBLE-CROSSING
SIDEWINDER!
1954
01:26:50,666 --> 01:26:52,832
OOH, I WAS READY TO LIVE UP
TO MY PART OF THE DEAL,
1955
01:26:52,900 --> 01:26:54,932
BUT IF HE THINKS HE CAN
GUARANTEE IT THIS WAY...
1956
01:26:55,000 --> 01:26:56,132
NOW, MOLLY,
THERE'S NO NEED --
1957
01:26:56,200 --> 01:26:58,899
NOW, LOOK, MR. BEAR,
I'M NOT PART OF ANY DEALS,
1958
01:26:58,967 --> 01:27:00,899
AND I'M STAYING HERE
ON WALL STREET.
1959
01:27:00,967 --> 01:27:02,099
WITH MY RECORD IN WIDGET,
1960
01:27:02,166 --> 01:27:03,765
I CAN GET ANOTHER JOB
IN THREE MINUTES.
1961
01:27:03,833 --> 01:27:05,199
OH, BY THE WAY...
1962
01:27:05,266 --> 01:27:07,565
WE REVOKED YOUR
SECURITY DEALER'S REGISTRATION.
1963
01:27:07,633 --> 01:27:10,265
THE PAPERS SHOULD BE
IN WASHINGTON BY NOW.
1964
01:27:23,900 --> 01:27:25,899
[ TELEPHONE RINGS ]
1965
01:27:30,300 --> 01:27:31,232
HELLO?
1966
01:27:31,300 --> 01:27:32,699
HELLO. HENRY?
1967
01:27:32,766 --> 01:27:34,699
LISTEN, HENRY,
I PHONED TO ASK YOU,
1968
01:27:34,766 --> 01:27:37,366
HOW LONG DO YOU WANT US TO KEEP
DRILLING HOLES IN MASSACHUSETTS?
1969
01:27:37,433 --> 01:27:39,932
You know, this is gonna
run you into money.
1970
01:27:40,000 --> 01:27:41,899
WELL, FINISH OUT THE DAY
AND PACK UP,
1971
01:27:41,967 --> 01:27:43,599
AND I'LL SEE YOU
DOWN IN TEXAS.
1972
01:27:43,666 --> 01:27:45,899
SEE YA.
1973
01:27:46,267 --> 01:27:47,666
TEXAS.
1974
01:27:47,733 --> 01:27:50,732
HE EVEN WENT SO FAR AS TO HAVE
MR. BEAR REVOKE MY REGISTRATION.
1975
01:27:50,800 --> 01:27:53,499
OOH, I USED TO WONDER HOW LOW
A MAN COULD GET, AND NOW I KNOW.
1976
01:27:53,566 --> 01:27:54,666
I DON'T GET IT.
1977
01:27:54,733 --> 01:27:56,799
A FEW HOURS AGO,
YOU WERE MOONING OVER HIM.
1978
01:27:56,866 --> 01:27:58,732
YOU WERE READY TO PLAY
THE PAJAMA GAME.
1979
01:27:58,800 --> 01:28:01,032
A FEW HOURS AGO, I THOUGHT
HE WAS A MAN, NOT A SNAKE.
1980
01:28:01,100 --> 01:28:03,132
[ TELEPHONE RINGS ]
1981
01:28:03,200 --> 01:28:05,232
HELLO? YES.
1982
01:28:05,300 --> 01:28:07,232
OH, LEONARD,
I DON'T WANT TO TALK NOW.
1983
01:28:07,300 --> 01:28:09,499
ALL RIGHT.
MAKE IT QUICK.
1984
01:28:11,366 --> 01:28:13,199
HE WHAT?!
1985
01:28:13,267 --> 01:28:15,299
ARE YOU SURE?!
1986
01:28:15,366 --> 01:28:17,732
OH, THAT FRAUD!
1987
01:28:17,800 --> 01:28:20,565
DO YOU REMEMBER THE FIRST TIME
I TOLD YOU ABOUT HENRY TYROON?
1988
01:28:20,633 --> 01:28:23,199
I SAID HE WAS A $3 BILL
IF I EVER SAW ONE.
1989
01:28:23,267 --> 01:28:25,565
THEN YOU WENT THROUGH
A PERIOD OF INFLATION.
1990
01:28:25,633 --> 01:28:28,632
I WAS RIGHT.
HIM WITH HIS TEXAS BOOTIES.
1991
01:28:28,700 --> 01:28:31,032
WHY, THAT PHONY WAS BORN
AND BRED IN BOSTON.
1992
01:28:31,100 --> 01:28:32,332
HE WENT TO YALE!
1993
01:28:32,400 --> 01:28:34,232
NOBODY'S PERFECT.
1994
01:28:34,300 --> 01:28:35,699
AND THE ACT HE PUT ON.
1995
01:28:35,767 --> 01:28:37,532
HE EVEN MOVED HIS LIPS
WHEN HE READ!
1996
01:28:37,600 --> 01:28:39,766
SO HE LED YOU
UP THE GARDEN PATH.
1997
01:28:39,833 --> 01:28:41,065
HE SURE DID.
1998
01:28:41,133 --> 01:28:43,099
BUT NOW HE CAN JUST COOL
HIS HEELS AND WAIT FOR ME,
1999
01:28:43,167 --> 01:28:44,799
BECAUSE I'LL JUST GO BACK
TO PHILADELPHIA
2000
01:28:44,866 --> 01:28:46,166
WHERE THE MEN MAY BE DULL,
2001
01:28:46,233 --> 01:28:48,499
BUT AT LEAST THEY'RE NOT
BACKBITING FRAUDS!
2002
01:28:48,566 --> 01:28:51,399
AS LONG AS HE'S WAITING
FOR YOU,
2003
01:28:51,466 --> 01:28:54,065
WHY NOT GIVE HIM
SOME OF THE SAME?
2004
01:28:54,133 --> 01:28:55,232
THE SAME WHAT?
2005
01:28:55,300 --> 01:28:58,032
A STROLL
UP THE GARDEN PATH.
2006
01:28:58,100 --> 01:28:59,899
WAIT RIGHT THERE.
2007
01:29:04,767 --> 01:29:08,799
I WAS SAVING THIS
FOR A RAINY DAY.
2008
01:29:10,000 --> 01:29:13,199
GIVE ME
THAT SHORTY NIGHTIE.
2009
01:29:14,267 --> 01:29:16,365
WELL, DO YOU HAVE TO TALK
RIGHT NOW, BO?
2010
01:29:16,433 --> 01:29:18,965
I'M EXPECTING A VERY IMPORTANT
VISITOR UP HERE ANY MINUTE.
2011
01:29:19,033 --> 01:29:20,699
I'VE GOT TO TALK NOW!
2012
01:29:20,767 --> 01:29:22,965
HENRY!
HENRY, YOU READY?!
2013
01:29:23,033 --> 01:29:24,965
ALL RIGHT. GO AHEAD, BO.
WHAT IS IT?
2014
01:29:25,033 --> 01:29:28,032
HENRY, I DON'T KNOW,
BUT MAYBE WE'RE BOTH CRAZY,
2015
01:29:28,100 --> 01:29:29,899
BUT I'M WATCHING IT
COME UP!
2016
01:29:29,966 --> 01:29:32,399
IT'S COMING UP!
THE PUREST OIL I EVER SAW!
2017
01:29:32,466 --> 01:29:34,532
OIL IN MASSACHUSETTS?
2018
01:29:34,600 --> 01:29:36,632
WHAT ARE YOU TAKING,
HAPPY PILLS?
2019
01:29:36,700 --> 01:29:38,899
HENRY, WE WON'T EVEN
HAVE TO REFINE IT!
2020
01:29:38,966 --> 01:29:40,032
[ LAUGHS ]
2021
01:29:43,566 --> 01:29:45,332
[ RECEIVER CLICKS ]
2022
01:29:45,400 --> 01:29:48,266
OIL IN MASSACHUSETTS.
2023
01:29:48,333 --> 01:29:50,599
[ DOORBELL RINGS ]
2024
01:29:59,000 --> 01:30:01,532
OH, THE ROOM
LOOKS WONDERFUL, HENRY.
2025
01:30:01,600 --> 01:30:04,766
YOU SURE HAVE GOOD TASTE
FOR A TEXAN.
2026
01:30:06,300 --> 01:30:09,132
I GOT YOUR VERY FAVORITE DINNER
COMING UP IN A LITTLE WHILE,
2027
01:30:09,200 --> 01:30:12,232
AND I GOT
THAT CHAMPAGNEY WINE
2028
01:30:12,300 --> 01:30:14,332
COOLING IN ITS OWN
LITTLE OLD BUCKET.
2029
01:30:14,400 --> 01:30:15,532
OH, THAT'S TERRIFIC.
2030
01:30:15,600 --> 01:30:17,799
I SURE COULD USE
SOME CHAMPAGNEY WINE.
2031
01:30:17,866 --> 01:30:20,032
SAY NO MORE.
2032
01:30:20,100 --> 01:30:22,699
HEY, WHAT YOU GOT
IN THE LITTLE POKE, HUH?
2033
01:30:22,767 --> 01:30:25,299
OH, THIS?
2034
01:30:25,366 --> 01:30:27,899
MY NIGHT THINGS.
2035
01:30:29,100 --> 01:30:30,399
WHERE'S THE OTHER HALF?
2036
01:30:30,466 --> 01:30:33,166
OH, THAT'S ALL THERE IS.
THERE ISN'T ANY MORE.
2037
01:30:44,600 --> 01:30:45,932
[ BOTH CHUCKLE ]
2038
01:30:46,000 --> 01:30:47,232
BETTER GIVE ME THAT COAT,
2039
01:30:47,300 --> 01:30:49,499
OR YOU'LL BE STANDING AROUND
WITH IT ALL NIGHT LONG.
2040
01:30:49,566 --> 01:30:51,266
[ CHUCKLES ]
2041
01:30:51,333 --> 01:30:53,266
[ DOORBELL RINGS ]
2042
01:30:57,733 --> 01:30:59,532
AH, COME IN, GENTLEMEN.
2043
01:31:01,933 --> 01:31:03,632
OH, RIGHT OVER HERE.
2044
01:31:03,700 --> 01:31:05,332
RIGHT THERE.
2045
01:31:16,066 --> 01:31:18,432
THANK YOU. THANK YOU.
THAT WILL BE ALL.
2046
01:31:22,366 --> 01:31:25,899
OH, EVERYTHING LOOKS
JUST WONDERFUL.
2047
01:31:27,733 --> 01:31:32,032
HENRY, WHAT'S IT REALLY LIKE
IN TEXAS?
2048
01:31:33,400 --> 01:31:35,499
OH, MOLLY, YOU MEAN...
2049
01:31:35,566 --> 01:31:38,465
OH, YES. I MEAN.
2050
01:31:38,533 --> 01:31:40,832
MOLLY...
2051
01:31:40,900 --> 01:31:43,232
WELL, WHAT ABOUT
THE PRESIDENCY?
2052
01:31:43,300 --> 01:31:46,232
OH, NO, NO, NO, HENRY.
2053
01:31:46,300 --> 01:31:49,132
I'VE DECIDED THAT A WOMAN'S
PLACE IS IN THE HOME,
2054
01:31:49,200 --> 01:31:51,132
SO I'M GOING TO
GIVE UP WALL STREET
2055
01:31:51,200 --> 01:31:53,032
FOR A COOKBOOK
AND A HUSBAND.
2056
01:31:53,100 --> 01:31:55,266
AND IF YOUR HOME
IS IN TEXAS,
2057
01:31:55,333 --> 01:31:57,799
THEN THAT'S WHERE
MY HOME IS, TOO.
2058
01:31:57,866 --> 01:31:59,666
MOLLY.
2059
01:32:06,333 --> 01:32:07,965
SHALL WE CHOW DOWN?
2060
01:32:08,033 --> 01:32:11,199
WHY NOT? THEN WE'LL HAVE THAT
OUT OF THE WAY.
2061
01:32:33,500 --> 01:32:34,532
[ SIGHS ]
2062
01:32:34,600 --> 01:32:37,266
EVERYTHING
WAS JUST PERFECT.
2063
01:32:37,333 --> 01:32:40,965
IT MIGHT BE JUST THE MOST
PERFECT EVENING OF MY LIFE.
2064
01:32:41,033 --> 01:32:43,132
[ CHUCKLES ]
2065
01:32:43,200 --> 01:32:46,065
YOU KNOW, SWEETHEART,
2066
01:32:46,133 --> 01:32:48,465
WE CAN GET MARRIED
IN MIDLAND,
2067
01:32:48,533 --> 01:32:51,865
AND THEN YOU CAN REDO THE HOUSE
ANY WAY YOU WANT IT.
2068
01:32:51,933 --> 01:32:53,266
WELL, IF IT'S YOUR HOUSE,
2069
01:32:53,333 --> 01:32:56,065
I'M SURE I'LL LIKE IT
JUST THE WAY IT IS.
2070
01:33:01,333 --> 01:33:03,899
UH, DARLING, UM...
2071
01:33:03,966 --> 01:33:07,732
WHY DON'T YOU JUST LEAVE ME
ALONE IN HERE FOR A FEW MINUTES,
2072
01:33:07,800 --> 01:33:12,666
AND YOU GO IN AND SLIP INTO
SOMETHING MORE COMFORTABLE.
2073
01:33:15,466 --> 01:33:17,299
MORE COMFORTABLE?
2074
01:33:17,366 --> 01:33:18,699
MM-HMM.
2075
01:33:20,700 --> 01:33:22,499
ALL RIGHT, SWEETHEART.
2076
01:33:34,133 --> 01:33:35,699
YOU'LL SAY WHEN.
2077
01:33:35,767 --> 01:33:38,432
OH, OF COURSE, DARLING.
2078
01:33:42,966 --> 01:33:44,266
[ CLICKS TONGUE ]
2079
01:33:46,667 --> 01:33:47,799
[ CLICKS TONGUE ]
2080
01:35:12,933 --> 01:35:14,699
OH, HENRY.
2081
01:35:16,700 --> 01:35:19,099
WHEN, HENRY.
2082
01:35:35,566 --> 01:35:36,865
MOLLY!
2083
01:35:36,933 --> 01:35:40,065
YOU WANT TO TALK ABOUT DEALS,
HENRY TYROON?!
2084
01:35:40,133 --> 01:35:42,632
YOU WANT TO TALK
ABOUT TEXAS?!
2085
01:35:42,700 --> 01:35:44,799
MOLLY!
WHAT'S THIS ALL ABOUT?!
2086
01:35:44,866 --> 01:35:46,399
OH, DON'T PLAY INNOCENT
WITH ME!
2087
01:35:46,466 --> 01:35:47,465
MOLLY!
2088
01:35:47,533 --> 01:35:49,699
I WAS READY TO GIVE UP
MY PRESIDENCY FOR YOU,
2089
01:35:49,767 --> 01:35:51,365
BUT YOU HAD TO WRAP IT UP,
DIDN'T YOU?!
2090
01:35:51,433 --> 01:35:53,032
NO! MOLLY!
YOU HAD TO GET ME FIRED!
2091
01:35:53,100 --> 01:35:55,266
YOU HAD TO GET
MY REGISTRATION REVOKED!
2092
01:35:55,333 --> 01:35:56,666
WELL, NOBODY GETS ME
BY DOUBLE-DEAL--
2093
01:35:56,733 --> 01:35:57,666
DON'T!
2094
01:35:57,733 --> 01:35:58,832
NOBODY GETS ME THAT WAY.
2095
01:35:58,900 --> 01:36:00,732
YOU LIKE THIS THING SO MUCH,
YOU WEAR IT YOURSELF.
2096
01:36:00,800 --> 01:36:02,899
MOLLY, I DIDN'T GET YOU FIRED!
I DIDN'T DO ANY OF THOSE THINGS!
2097
01:36:02,966 --> 01:36:05,832
- I SUPPOSE YOU'D SWEAR IT ON
THE STATE OF TEXAS!
- THE WHOLE STATE!
2098
01:36:05,900 --> 01:36:07,399
WELL, YOU CAN DROP
THAT LITTLE ACT, TOO,
2099
01:36:07,466 --> 01:36:09,199
BECAUSE YOU'RE A BOSTON BOY
WITH A YALE DEGREE,
2100
01:36:09,267 --> 01:36:10,832
AND I THINK YOU GOT IT
IN DOUBLE-DEALING.
2101
01:36:10,900 --> 01:36:12,065
I KNOW WHAT YOU'RE DOING.
2102
01:36:12,133 --> 01:36:14,032
IT'S AN ACT TO TRY TO WEASEL OUT
OF YOUR BARGAIN!
2103
01:36:14,100 --> 01:36:16,166
ME WEASEL MY WAY --
2104
01:36:16,233 --> 01:36:17,365
OH! OH!
2105
01:36:17,433 --> 01:36:18,365
MOLLY! MOLLY!
2106
01:36:18,433 --> 01:36:19,565
MOLLY!
2107
01:36:26,767 --> 01:36:27,965
[ DOOR OPENS ]
2108
01:36:28,033 --> 01:36:29,666
- HI, MOLLY.
- HI.
2109
01:36:29,733 --> 01:36:31,065
MMM. MARTINI.
2110
01:36:31,133 --> 01:36:32,899
IN THE KITCHEN, ALL MADE.
2111
01:36:32,966 --> 01:36:34,532
WHAT'S WITH THE PHONE?
2112
01:36:34,600 --> 01:36:36,166
HENRY'S BEEN CALLING ME
ALL DAY.
2113
01:36:36,233 --> 01:36:37,865
I HAVE A SORE ARM
FROM HANGING UP.
2114
01:36:37,933 --> 01:36:40,899
ELOISE GETS TELEPHONE ACTION,
TOO, REMEMBER?
2115
01:36:40,966 --> 01:36:43,266
[ TELEPHONE RINGS ]
2116
01:36:43,333 --> 01:36:44,999
HELLO?
2117
01:36:45,066 --> 01:36:47,032
HOLD ON.
I'LL SEE.
2118
01:36:47,100 --> 01:36:49,465
IT'S HENRY TYROON.
WHAT SHALL I TELL HIM?
2119
01:36:49,533 --> 01:36:51,565
TELL HIM
TO GO SOAK HIS HEAD.
2120
01:36:51,633 --> 01:36:54,299
MOLLY SAYS YOU SHOULD
GO SOAK YOUR HEAD.
2121
01:36:58,767 --> 01:37:00,932
[ CHUCKLES ]
2122
01:37:02,933 --> 01:37:04,666
[ TELEPHONE RINGS ]
2123
01:37:04,733 --> 01:37:06,732
HELLO?
2124
01:37:06,800 --> 01:37:09,799
OH, YES, MR. TYROON.
2125
01:37:09,866 --> 01:37:12,032
HE SAYS HE'S DRYING OFF
HIS HEAD.
2126
01:37:12,100 --> 01:37:13,199
[ CHUCKLES ]
2127
01:37:13,267 --> 01:37:14,865
WHAT WAS THAT?
2128
01:37:14,933 --> 01:37:17,332
WELL, I'LL TRY.
2129
01:37:17,400 --> 01:37:18,532
MOLLY?
2130
01:37:18,600 --> 01:37:19,965
HMM?
2131
01:37:20,033 --> 01:37:21,565
I LOVE YOU.
2132
01:37:21,633 --> 01:37:23,299
WHAT?
2133
01:37:23,366 --> 01:37:25,132
WELL, THAT'S WHAT HE TOLD ME
TO TELL YOU.
2134
01:37:25,200 --> 01:37:26,965
TELL HIM
I'LL GET HIM ARRESTED
2135
01:37:27,033 --> 01:37:29,032
AS SOON AS I CAN THINK UP
A CHARGE.
2136
01:37:29,100 --> 01:37:31,766
SHE SAYS SHE'S GOING TO
HAVE YOU ARRESTED
2137
01:37:31,833 --> 01:37:34,365
AS SOON AS SHE CAN
THINK UP A CHARGE.
2138
01:37:37,267 --> 01:37:38,365
[ DOORBELL RINGS ]
2139
01:37:38,433 --> 01:37:40,399
COME IN.
2140
01:37:40,466 --> 01:37:41,799
MR. HENRY TYROON?
2141
01:37:41,866 --> 01:37:43,132
THAT'S ME.
2142
01:37:45,167 --> 01:37:46,232
WHAT'S THAT?
2143
01:37:46,300 --> 01:37:47,632
- SUBPOENA.
- FOR WHAT?
2144
01:37:47,700 --> 01:37:50,732
FRAUD -- IN THE MATTER
OF UNIVERSAL WIDGET.
2145
01:37:53,233 --> 01:37:54,365
[ DOOR CLOSES ]
2146
01:37:54,433 --> 01:37:56,499
MOLLY!
2147
01:38:03,566 --> 01:38:05,899
Man: DEFENDANTS ARE CHARGED
WITH VIOLATIONS
2148
01:38:05,967 --> 01:38:09,332
IN THE INVESTMENT COMPANY ACT,
THE ERIE CANAL ACT,
2149
01:38:09,400 --> 01:38:12,866
SECTIONS 14 THROUGH 23
OF THE INTERSTATE COMMERCE ACT,
2150
01:38:12,933 --> 01:38:16,565
CONSPIRACY TO LURK,
ENTAILMENT...
2151
01:38:19,433 --> 01:38:21,765
MR. VANSON, THIS INDICTMENT
SEEMS TO BE
2152
01:38:21,833 --> 01:38:23,132
A LITTLE ENTHUSIASTIC.
2153
01:38:23,200 --> 01:38:25,432
WELL, THEY'RE A PRETTY SLIPPERY
BUNCH, YOUR HONOR.
2154
01:38:25,500 --> 01:38:27,065
I HAD TO THROW THE BOOK
AT THEM.
2155
01:38:27,133 --> 01:38:30,632
MR. VANSON, THIS COURT INTENDS
TO WHITTLE DOWN --
2156
01:38:30,700 --> 01:38:33,932
WHITTLE DOWN, YOU UNDERSTAND? --
THE RELEVANT EVIDENCE.
2157
01:38:34,000 --> 01:38:36,132
THE LAST SECURITY CASE I SAT ON
TOOK FIVE YEARS.
2158
01:38:36,200 --> 01:38:37,799
I DON'T INTEND
TO SPEND FIVE YEARS
2159
01:38:37,867 --> 01:38:39,065
ON THIS ONE, YOU UNDERSTAND?
2160
01:38:39,133 --> 01:38:40,799
NOW, WE'LL STICK
TO THE BARE BONES.
2161
01:38:40,867 --> 01:38:42,366
THE BARE BONES,
YOU UNDERSTAND?
2162
01:38:42,433 --> 01:38:45,065
WE'LL GET OUT OF HERE
BY LUNCHTIME, YOU UNDERSTAND?
2163
01:38:45,133 --> 01:38:46,899
LUNCHTIME.
2164
01:38:46,967 --> 01:38:48,799
NOW GO AHEAD. GO AHEAD.
PROCEED.
2165
01:38:49,167 --> 01:38:51,132
ALL I DID WAS READ TO THEM
2166
01:38:51,200 --> 01:38:52,732
EXACTLY WHAT WAS WRITTEN
IN THE MAGAZINE.
2167
01:38:52,800 --> 01:38:53,899
AHA!
2168
01:38:53,966 --> 01:38:56,132
AND YOU CONSIDER THAT
PERFECTLY ETHICAL?
2169
01:38:56,200 --> 01:38:57,732
WELL, I WAS DESPERATE.
2170
01:38:57,800 --> 01:39:01,565
MY BOSS WANTED TO FIRE ME,
AND I WANTED TO KEEP MY JOB.
2171
01:39:01,633 --> 01:39:03,999
AH, THEN IT WAS
A LITTLE UNETHICAL.
2172
01:39:04,066 --> 01:39:06,832
NOW, I CAN'T LET HER TAKE
THE RAP FOR THAT, YOUR HONOR.
2173
01:39:06,900 --> 01:39:08,465
SHE NEVER WOULD HAVE
THOUGHT OF IT
2174
01:39:08,533 --> 01:39:09,799
IF I HADN'T
TOLD HER ABOUT IT.
2175
01:39:09,866 --> 01:39:11,266
NOW, HOLD ON, MR. TYROON.
2176
01:39:11,333 --> 01:39:14,365
YOUR ATTORNEY WILL GIVE YOU AMPLE
OPPORTUNITY TO SPEAK
2177
01:39:14,433 --> 01:39:15,532
AT THE PROPER TIME.
2178
01:39:15,600 --> 01:39:17,732
PROCEED, MR. VANSON.
2179
01:39:17,800 --> 01:39:20,199
NOW, MISS THATCHER,
YOU TOOK THIS WEEKEND TRIP
2180
01:39:20,267 --> 01:39:21,965
TO MASSACHUSETTS
WITH MR. TYROON.
2181
01:39:22,033 --> 01:39:23,699
WHAT WERE YOUR RELATIONS
WITH HIM?
2182
01:39:23,767 --> 01:39:26,532
WE WERE BUSINESS ASSOCIATES --
THAT AND NOTHING ELSE.
2183
01:39:26,600 --> 01:39:29,099
YOU WERE BUSINESS ASSOCIATES --
THAT AND NOTHING ELSE.
2184
01:39:29,167 --> 01:39:30,666
THANK YOU, MISS THATCHER.
2185
01:39:30,733 --> 01:39:33,732
I NOW CALL TO THE STAND
MR. HORACE PILLSBURY.
2186
01:39:36,167 --> 01:39:37,599
YOU ARE HORACE PILLSBURY,
2187
01:39:37,667 --> 01:39:40,232
NIGHT CLERK IN THE
COTTON MATHER INN, ARE YOU NOT?
2188
01:39:40,300 --> 01:39:42,832
I AM, AND THERE AIN'T MUCH
ESCAPES ME.
2189
01:39:42,900 --> 01:39:44,166
[ LAUGHTER ]
2190
01:39:44,233 --> 01:39:46,699
MR. PILLSBURY,
HAVE YOU EVER SEEN
2191
01:39:46,767 --> 01:39:50,832
THESE TWO
BUSINESS ASSOCIATES BEFORE?
2192
01:39:50,900 --> 01:39:52,266
YES, SIR.
2193
01:39:52,333 --> 01:39:54,099
THEY CHECKED INTO
THE COTTON MATHER INN
2194
01:39:54,167 --> 01:39:56,365
ON, UH, TUESDAY NIGHT,
JULY 16th.
2195
01:39:56,433 --> 01:39:58,365
THERE AIN'T MUCH
ESCAPES ME.
2196
01:39:58,433 --> 01:39:59,699
[ LAUGHTER ]
2197
01:39:59,767 --> 01:40:01,799
CAN YOU DESCRIBE THE NATURE
OF THE ACCOMMODATIONS
2198
01:40:01,866 --> 01:40:03,699
THESE BUSINESS ASSOCIATES TOOK?
YOUR HONOR!
2199
01:40:03,767 --> 01:40:06,032
YOUR HONOR, THAT QUESTION'S
IMPROPER AND IRRELEVANT.
2200
01:40:06,100 --> 01:40:08,065
YOUR HONOR, WE SUBMIT
THAT THIS LINE OF QUESTIONING
2201
01:40:08,133 --> 01:40:10,065
HAS ABSOLUTELY NOTHING
TO DO WITH THIS CASE.
2202
01:40:10,133 --> 01:40:11,166
NO, NO, NO, NO.
2203
01:40:11,233 --> 01:40:13,332
IT HAS EVERYTHING
TO DO WITH THE CHARGES.
2204
01:40:13,400 --> 01:40:14,666
MUCH OF THIS CASE DEPENDS
2205
01:40:14,733 --> 01:40:16,732
UPON THE CREDIBILITY
OF THE WITNESSES.
2206
01:40:16,800 --> 01:40:18,432
I PLAN TO PROVE TO THE COURT
2207
01:40:18,500 --> 01:40:20,732
THAT THEIR TESTIMONY
IS UNRELIABLE.
2208
01:40:20,800 --> 01:40:24,132
IF THAT'S THE PURPOSE OF THE
QUESTIONING, YOU MAY PROCEED.
2209
01:40:24,200 --> 01:40:26,465
THANK YOU, SIR!
2210
01:40:26,533 --> 01:40:28,666
NOW, MR. PILLSBURY,
2211
01:40:28,733 --> 01:40:31,065
WILL YOU PLEASE
ANSWER THE QUESTION?
2212
01:40:31,133 --> 01:40:33,999
WELL, THAT
BUSINESS ASSOCIATE
2213
01:40:34,066 --> 01:40:35,832
TOOK ONE ROOM
WITH A DOUBLE BED,
2214
01:40:35,900 --> 01:40:39,832
AND THAT BUSINESS ASSOCIATE
TOOK THE ADJOINING ROOM.
2215
01:40:39,900 --> 01:40:43,399
AND THEY SHARED
THE CONNECTING BATH.
2216
01:40:43,466 --> 01:40:45,199
AHA!
2217
01:40:45,267 --> 01:40:46,632
SO MUCH
FOR THE WITNESS'S CLAIM
2218
01:40:46,700 --> 01:40:48,599
THAT THE DEFENDANTS
WERE BUSINESS ASSOCIATES
2219
01:40:48,667 --> 01:40:49,965
AND NOTHING ELSE.
2220
01:40:50,033 --> 01:40:51,865
NEXT WITNESS, PLEASE.
2221
01:40:51,933 --> 01:40:55,699
Man: MR. THADDEUS WHIPPLE.
2222
01:40:57,900 --> 01:41:00,032
NOW, MR. WHIPPLE,
2223
01:41:00,100 --> 01:41:02,632
DID YOU LEASE THE SUBSOIL RIGHTS
TO MR. TYROON?
2224
01:41:02,700 --> 01:41:05,732
Whipple: YOU MEAN THAT CRAZY
FELLOW OVER THERE? I SURE DID.
2225
01:41:05,800 --> 01:41:07,732
HE PAID GOOD MONEY FOR THEM,
AND HE CAN HAVE THEM.
2226
01:41:07,800 --> 01:41:09,399
AIN'T NO OIL
IN MASSACHUSETTS.
2227
01:41:09,466 --> 01:41:13,132
WHAT ABOUT THE OIL MR. TYROON
CLAIMS TO HAVE DISCOVERED THERE?
2228
01:41:13,200 --> 01:41:14,999
HE STRUCK OIL, ALL RIGHT.
2229
01:41:15,066 --> 01:41:17,532
HE STRUCK A PIPELINE RUNS RIGHT
UNDERNEATH OUR PROPERTY.
2230
01:41:17,600 --> 01:41:18,965
[ LAUGHTER ]
2231
01:41:19,033 --> 01:41:20,565
PIPELINE?
2232
01:41:20,633 --> 01:41:22,999
PURE DIESEL.
2233
01:41:23,066 --> 01:41:26,132
DID, UH, HE KNOW
THERE WAS A PIPELINE THERE?
2234
01:41:26,200 --> 01:41:28,232
CAN'T SAY HE DID,
CAN'T SAY HE DIDN'T.
2235
01:41:28,300 --> 01:41:30,666
DID YOU TELL HIM
THERE WAS A PIPELINE THERE?
2236
01:41:30,733 --> 01:41:32,732
OF COURSE NOT.
HE DIDN'T ASK ME.
2237
01:41:32,800 --> 01:41:35,899
MR. WHIPPLE,
DOES THE PIPELINE COMPANY KNOW
2238
01:41:35,966 --> 01:41:37,666
ITS OIL IS BEING DIVERTED?
2239
01:41:37,733 --> 01:41:39,465
THEY OUGHT TO.
2240
01:41:39,533 --> 01:41:40,932
MY BROTHER LEMUEL'S
THEIR LAWYER,
2241
01:41:41,000 --> 01:41:42,299
AND HE FILED SUIT
THIS MORNING.
2242
01:41:42,366 --> 01:41:44,932
HE CHARGES TRESPASSING,
DAMAGE TO PROPERTY,
2243
01:41:45,000 --> 01:41:46,499
AND A LOT OF OTHER THINGS.
2244
01:41:46,566 --> 01:41:48,666
YOUR BROTHER'S SUING YOU?
2245
01:41:48,733 --> 01:41:52,299
NOT ME.
SUING THEM CRAZY TEXANS.
2246
01:41:52,366 --> 01:41:55,065
THEY OWN THE SUBSOIL RIGHTS,
NOT ME.
2247
01:41:55,133 --> 01:41:57,266
NOW, MR. TYROON,
2248
01:41:57,333 --> 01:41:59,732
SUPPOSE YOU TELL THE COURT
THE REAL REASON
2249
01:41:59,800 --> 01:42:01,632
FOR YOUR TRIP
TO MASSACHUSETTS.
2250
01:42:01,700 --> 01:42:03,499
LIKE I SAID,
A SORT OF PICNIC.
2251
01:42:03,566 --> 01:42:06,832
SEE, I'D MET THIS PRETTY GIRL
WHO FOR ONCE HAD SOME BRAINS,
2252
01:42:06,900 --> 01:42:09,365
AND SHE WAS HAVING A LITTLE
TROUBLE WITH A STOCK REPORT,
2253
01:42:09,433 --> 01:42:12,965
SO I FIGURED I'D COMBINE A
LITTLE BUSINESS WITH PLEASURE.
2254
01:42:13,033 --> 01:42:15,632
WELL, IT WAS A WAY
OF COURTING HER.
2255
01:42:15,700 --> 01:42:17,699
I OPENED MY BATHROOM DOOR,
AND THERE YOU ARE,
2256
01:42:17,767 --> 01:42:20,132
BRUSHING YOUR TEETH
IN YOUR UNDERWEAR!
2257
01:42:20,200 --> 01:42:21,899
[ LAUGHTER ]
2258
01:42:21,966 --> 01:42:24,599
NO OUTBURSTS, MISS THATCHER.
2259
01:42:26,267 --> 01:42:28,532
I SLEPT IN THE CAR, YOUR HONOR,
AND LET ME TELL YOU.
2260
01:42:28,600 --> 01:42:29,732
IT WAS COLD OUT THERE.
2261
01:42:29,800 --> 01:42:32,532
WILL THE WITNESSES
PLEASE CONFINE THEMSELVES
2262
01:42:32,600 --> 01:42:34,132
TO THE PURPOSES
OF THIS HEARING?
2263
01:42:34,200 --> 01:42:36,832
THEN THE REAL REASON
FOR YOUR TRIP
2264
01:42:36,900 --> 01:42:38,766
WAS YOUR INTEREST
IN THAT YOUNG LADY?
2265
01:42:38,833 --> 01:42:41,899
WELL, YOU MIGHT SAY SO.
AND I'M STILL INTERESTED.
2266
01:42:41,966 --> 01:42:43,899
OH, I SUPPOSE
THAT'S WHY YOU GOT ME FIRED.
2267
01:42:43,966 --> 01:42:44,965
I DIDN'T GET --
2268
01:42:45,033 --> 01:42:46,565
AGAIN, I MUST ASK
THE WITNESSES THAT --
2269
01:42:46,633 --> 01:42:48,166
PLEASE, YOUR HONOR,
I JUST HAVE TO SPEAK.
2270
01:42:48,233 --> 01:42:49,532
I DIDN'T EVEN KNOW
SHE GOT FIRED.
2271
01:42:49,600 --> 01:42:51,332
NOW, I'M WILLING TO TAKE
HALF THE BLAME.
2272
01:42:51,400 --> 01:42:53,166
- I'LL TAKE A QUARTER.
- I'LL TAKE AN EIGHTH.
2273
01:42:53,233 --> 01:42:55,899
LET'S TAKE 5/16ths
AND SPLIT IT THREE WAYS.
2274
01:42:55,966 --> 01:42:59,232
I'M ONLY THE JUDGE HERE,
BUT WILL SOMEBODY LET ME IN
2275
01:42:59,300 --> 01:43:01,332
ON THE SIGNIFICANCE
OF THIS TESTIMONY?
2276
01:43:01,400 --> 01:43:03,965
WHAT HENRY SAYS IS TRUE,
YOUR HONOR.
2277
01:43:04,033 --> 01:43:07,399
WE GOT MISS THATCHER LET GO
IN TRADE FOR SOME STOCK,
2278
01:43:07,466 --> 01:43:09,632
BUT WE MEANT WELL.
2279
01:43:09,700 --> 01:43:12,199
OH, HENRY.
2280
01:43:13,733 --> 01:43:14,932
HENRY!
2281
01:43:16,200 --> 01:43:19,166
[ SPECTATORS MURMURING ]
2282
01:43:21,800 --> 01:43:24,732
WITNESSES WILL REFRAIN
FROM HUGGING AND KISSING.
2283
01:43:26,733 --> 01:43:29,166
OH, Y-YOUR HONOR, MR. TYROON
SHOULDN'T BE A DEFENDANT.
2284
01:43:29,233 --> 01:43:30,832
I WAS THE ONE
WHO WANTED TO SELL WIDGET,
2285
01:43:30,900 --> 01:43:32,365
AND I DIDN'T MUCH CARE
HOW I DID IT.
2286
01:43:32,433 --> 01:43:34,632
PRESUMABLY NOT, YOUNG LADY.
2287
01:43:34,700 --> 01:43:37,632
TRADING IN THIS STOCK STOPPED
WHEN IT REACHED ITS PEAK.
2288
01:43:37,700 --> 01:43:39,732
EVERYONE HAS SOLD IT SO FAR
AS A PROFIT.
2289
01:43:39,800 --> 01:43:42,865
WHAT ABOUT THE INNOCENT PEOPLE
WHO ARE STILL HOLDING IT?
2290
01:43:42,933 --> 01:43:44,532
WE WHIPPLES HOLD 48%.
2291
01:43:44,600 --> 01:43:45,999
ALWAYS HAVE
AND ALWAYS WILL.
2292
01:43:46,066 --> 01:43:49,266
WE HOLD ANOTHER 48%,
YOUR HONOR.
2293
01:43:49,333 --> 01:43:51,599
WE FIGURED AS LONG
AS HENRY WAS INTERESTED,
2294
01:43:51,667 --> 01:43:53,666
- THERE JUST HAD TO BE A REASON.
- YES, SIR.
2295
01:43:53,733 --> 01:43:56,232
YOU BOUGHT THIS STOCK
FROM EVERYBODY?
2296
01:43:56,300 --> 01:43:57,932
THAT'S RIGHT, YOUR HONOR.
2297
01:43:58,000 --> 01:44:02,865
GUESS OUR 48% AND MR. WHIPPLE'S
48% MAKES US PARTNERS.
2298
01:44:02,933 --> 01:44:04,699
HOWDY, PARTNER.
2299
01:44:04,767 --> 01:44:06,232
NOW, YOU STOP THAT.
2300
01:44:06,300 --> 01:44:08,399
[ LAUGHTER ]
2301
01:44:08,466 --> 01:44:11,766
THERE'S STILL
4% STOCK OUTSTANDING.
2302
01:44:11,833 --> 01:44:13,999
SOON AS I GET IT,
I DON'T WANT TO HEAR NO TALK
2303
01:44:14,066 --> 01:44:17,332
ABOUT PARTNERSHIPS FROM YOU,
Y-YOU... COWBOY!
2304
01:44:17,400 --> 01:44:18,999
[ LAUGHTER ]
2305
01:44:19,066 --> 01:44:21,499
WELL, NOW, THE FACT IS,
YOUR HONOR,
2306
01:44:21,566 --> 01:44:23,399
I HAVE THE OTHER 4%.
2307
01:44:23,466 --> 01:44:24,565
NOW, IF MR. WHIPPLE THERE
2308
01:44:24,633 --> 01:44:26,499
IS INTERESTED IN PURCHASING
MY PERCENTAGE,
2309
01:44:26,566 --> 01:44:28,365
WHICH REPRESENTS
THE BALANCE OF POWER --
2310
01:44:28,433 --> 01:44:30,166
LET ME SEE NOW.
2311
01:44:30,233 --> 01:44:33,065
$1.2 MILLION, PAINTINGS,
THE RESTAURANT...
2312
01:44:33,133 --> 01:44:35,399
I DON'T THINK
A HALF A MILLION DOLLARS
2313
01:44:35,466 --> 01:44:37,699
IS ASKING TOO MUCH, IS IT?
2314
01:44:37,767 --> 01:44:41,499
SINCE THIS SITUATION HAS REMOVED
THE STOCK FROM PUBLIC OWNERSHIP,
2315
01:44:41,566 --> 01:44:43,832
THIS COURT NOW CONSIDERS
THAT THE CASE
2316
01:44:43,900 --> 01:44:45,166
IS BEYOND THE JURISDICTION
2317
01:44:45,233 --> 01:44:47,565
OF THE FEDERAL SECURITIES
COMMISSION.
2318
01:44:47,633 --> 01:44:49,632
CASE DISMISSED.
2319
01:44:49,700 --> 01:44:51,499
[ SPECTATORS MURMURING ]
2320
01:44:51,566 --> 01:44:52,699
KISS NOW.
2321
01:44:52,767 --> 01:44:54,899
THANK YOU, YOUR HONOR.
2322
01:44:54,966 --> 01:44:57,099
AFTERNOON, MISS THATCHER.
2323
01:44:57,167 --> 01:44:58,266
HOWDY, PARTNER.
2324
01:44:58,333 --> 01:44:59,965
TAKE GOOD CARE OF MY BOY.
2325
01:45:00,033 --> 01:45:01,266
THANK YOU, MR. BEAR.
2326
01:45:01,333 --> 01:45:03,232
HENRY, I'LL TAKE
A FOURTH OF THE ACTION.
2327
01:45:03,300 --> 01:45:04,799
AND I'LL TAKE THREE-FOURTHS
OF HIS FOURTH.
2328
01:45:04,866 --> 01:45:05,932
FIGURE ME IN FOR A FIFTH,
2329
01:45:06,000 --> 01:45:08,266
AND I'LL LOAN YOU MY HELICOPTER.
2330
01:45:08,333 --> 01:45:10,065
NO DICE, BOYS.
2331
01:45:10,133 --> 01:45:12,766
THIS IS A PRIVATE CORPORATION.
2332
01:45:12,833 --> 01:45:14,999
♪ HERE COME THE ♪
2333
01:45:15,066 --> 01:45:16,865
♪ WHEELER DEALERS ♪
2334
01:45:16,933 --> 01:45:18,632
♪ WHEELER DEALERS ♪
2335
01:45:18,700 --> 01:45:20,532
♪ HIGHFALUTIN LOCAL YOKELS ♪
2336
01:45:20,600 --> 01:45:22,099
♪ DIAMONDS IN THE ROUGH ♪
2337
01:45:22,167 --> 01:45:24,199
♪ FANCY-DANCING CITY SLICKERS ♪
2338
01:45:24,267 --> 01:45:25,932
♪ AIN'T THAT A BIG DEAL? ♪
2339
01:45:26,000 --> 01:45:28,632
♪ YEAH, LONG AS WE GOT MONEY,
THAT'S ENOUGH ♪
172789
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