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1
00:02:59,945 --> 00:03:03,514
This is WSNB Radio New Orleans
2
00:03:03,516 --> 00:03:07,218
live broadcasting from the
beautiful Suburban Gardens here,
3
00:03:07,220 --> 00:03:10,355
where our special guest this evening,
Mr. Louis Armstrong,
4
00:03:10,357 --> 00:03:13,725
is back in New Orleans
after ten long years.
5
00:03:13,727 --> 00:03:16,896
He's come back here
a big, big star.
6
00:03:19,032 --> 00:03:20,933
...on WSNB Radio
New Orleans.
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00:03:20,935 --> 00:03:23,903
And our next broadcast
is brought to you by,
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00:03:23,905 --> 00:03:26,305
uh, Royal Crown Hair Cream.
9
00:03:26,307 --> 00:03:28,173
That's right.
Your hair'll be curling...
10
00:03:30,779 --> 00:03:33,013
What a crowd here...
11
00:03:33,915 --> 00:03:35,248
Yes, sir.
12
00:03:35,250 --> 00:03:37,951
Our station manager
handed me a paper here
13
00:03:37,953 --> 00:03:40,571
that says to his recollection,
14
00:03:40,572 --> 00:03:43,732
this will be the first time a colored
boy will be on the radio in New Orleans.
15
00:03:44,560 --> 00:03:46,961
All right,
so we see they're dimming the lights here,
16
00:03:46,963 --> 00:03:50,865
and, uh, our MC
is approaching the microphone
17
00:03:50,867 --> 00:03:53,568
to begin
this evening's broadcast.
18
00:03:53,570 --> 00:03:56,871
I ain't announcing
no nigger man on the radio.
19
00:04:12,090 --> 00:04:13,856
Good evening,
ladies and gentlemen.
20
00:04:13,858 --> 00:04:15,692
I'm Mr. Armstrong.
21
00:04:31,812 --> 00:04:33,410
Hello. You like that?
22
00:04:33,412 --> 00:04:35,347
I said we back home,
we back home.
23
00:04:39,821 --> 00:04:41,219
Thank you, folks.
Thank you, folks.
24
00:04:41,221 --> 00:04:43,356
Thank you, folks.
Look out here, folks.
25
00:04:43,358 --> 00:04:46,592
Now, this goes out to
all you lovely people in here
26
00:04:46,594 --> 00:04:49,996
and all my beautiful brothers and
sisters outside on the levee.
27
00:04:53,802 --> 00:04:55,234
The first I'm going
to play for you
28
00:04:55,236 --> 00:04:57,371
is You Rascal You.
You Rascal You.
29
00:04:57,373 --> 00:04:58,739
Look out here, fellas,
look out.
30
00:04:58,741 --> 00:05:00,374
You ready?
Here we go. One...
31
00:05:18,895 --> 00:05:20,195
♪ Boy, you know one thing?
32
00:05:20,197 --> 00:05:22,364
♪ I'll sure be glad
when you're dead
33
00:05:26,837 --> 00:05:28,470
♪ Laughin' and grinnin'
in my face
34
00:05:28,472 --> 00:05:31,341
♪ You're trying to be in the
back with my wife, you old dog
35
00:05:46,592 --> 00:05:49,660
♪ I'll be glad when you're dead
you rascal, you
36
00:06:23,766 --> 00:06:26,633
♪ I'll be glad when you're dead
you rascal you
37
00:06:26,635 --> 00:06:30,972
♪ I'll be glad
when you're dead you rascal you
38
00:06:30,974 --> 00:06:33,040
♪ When you're layin'
six feet deep
39
00:06:33,042 --> 00:06:35,643
♪ No more fried chicken
will you eat
40
00:06:35,645 --> 00:06:38,614
♪ You ain't no good,
you rascal you ♪
41
00:07:00,639 --> 00:07:03,173
Thank you, thank you.
42
00:07:03,175 --> 00:07:07,111
Thank you. Thank you, folks.
Thank you, folks. Thank you, thank you.
43
00:07:38,980 --> 00:07:40,847
Ladies and gentlemen,
listen to the crowd
44
00:07:40,849 --> 00:07:45,719
welcoming home the wonderful
Louis Armstrong in New Orleans.
45
00:07:53,197 --> 00:07:55,362
This here is my sister,
Miss Nora Bass.
46
00:07:55,364 --> 00:07:57,432
Nora, this is
Mr. Charles Bolden.
47
00:07:57,434 --> 00:08:00,068
He live on First Street.
48
00:08:00,070 --> 00:08:03,738
Maybe you should invite Mr.
Bolden to Sunday service with us.
49
00:08:06,878 --> 00:08:08,310
Nora.
50
00:08:11,082 --> 00:08:14,450
You don't seem like much a church-going man,
Mr. Bolden.
51
00:08:15,920 --> 00:08:17,787
Mama and me, we go to...
52
00:08:17,789 --> 00:08:20,290
Mama and me, we go
to First Street Baptist.
53
00:08:22,595 --> 00:08:24,027
Mama.
54
00:08:24,029 --> 00:08:25,963
This is
Mr. Charles Bolden.
55
00:08:25,965 --> 00:08:28,366
This is my mama,
Mrs. Ida Bass.
56
00:08:29,102 --> 00:08:30,201
How do you do,
Mrs. Ida...
57
00:08:30,203 --> 00:08:32,436
How do you make
your livin', Mr. Bolden?
58
00:08:37,277 --> 00:08:38,977
I make the church music better.
59
00:08:48,889 --> 00:08:50,656
I make the church music better.
60
00:10:05,406 --> 00:10:07,039
So what do a manager do?
61
00:10:07,041 --> 00:10:08,506
What do a manager do?
62
00:10:08,742 --> 00:10:09,575
Oh.
63
00:10:09,577 --> 00:10:11,177
I take care of the business
64
00:10:11,179 --> 00:10:12,945
while you take care
of your music.
65
00:10:13,748 --> 00:10:16,449
Your music got power.
I hear it.
66
00:10:17,018 --> 00:10:19,252
I seen what it do
to folks.
67
00:10:19,254 --> 00:10:21,421
Take power like you got...
68
00:10:21,423 --> 00:10:23,457
...combine it with
a business purpose,
69
00:10:24,193 --> 00:10:25,992
that's what a manager do.
70
00:10:28,598 --> 00:10:30,564
You a sensation, Bolden.
71
00:10:33,937 --> 00:10:36,270
You play horn louder
than the day's long,
72
00:10:36,272 --> 00:10:37,905
even in the hot sun.
73
00:10:37,907 --> 00:10:42,010
You got women dropping to your feet,
hoping to carry your horn.
74
00:10:42,012 --> 00:10:44,612
The day you was born,
you was kissed on the lips
75
00:10:44,614 --> 00:10:48,117
with something only you got,
ain't nobody else got it.
76
00:10:48,586 --> 00:10:50,552
Folks hear your music,
77
00:10:50,554 --> 00:10:52,020
they understand something
78
00:10:52,022 --> 00:10:54,156
can't hardly put to words.
79
00:10:56,328 --> 00:10:58,962
And I know how to sell
what you got.
80
00:11:01,333 --> 00:11:03,666
And you...
81
00:11:03,668 --> 00:11:06,437
...you better listen to me.
82
00:11:07,105 --> 00:11:08,671
Mmm-hmm.
83
00:11:11,644 --> 00:11:14,078
How the band supposed to make
more money if we gotta pay you?
84
00:11:14,947 --> 00:11:17,681
I put you in front
of a white audience.
85
00:11:23,924 --> 00:11:25,457
Jesus Christ, Bartley.
86
00:11:25,459 --> 00:11:27,927
Yeah.
87
00:11:27,929 --> 00:11:29,194
You ever done this?
88
00:11:29,196 --> 00:11:30,896
I got to fly
the balloon.
89
00:12:00,430 --> 00:12:02,464
Boy, they don't
like this one bit, huh?
90
00:12:04,435 --> 00:12:06,234
How long before
we gotta start this...
91
00:12:07,337 --> 00:12:09,305
- Oh, no, I'll be damned.
- Oh, yeah.
92
00:12:09,307 --> 00:12:11,540
Oh, no. Buddy.
93
00:12:12,510 --> 00:12:13,876
Bartley, I don't think
this is a good idea.
94
00:12:13,878 --> 00:12:16,212
Oh, you'll be all right.
You'll be great.
95
00:12:16,214 --> 00:12:17,313
I won't fall?
96
00:12:17,315 --> 00:12:18,281
Come on,
you got to go now.
97
00:12:18,283 --> 00:12:19,316
Yeah?
98
00:12:19,318 --> 00:12:20,983
Why the fuck
am I doing this?
99
00:12:20,985 --> 00:12:22,486
All right.
100
00:12:22,487 --> 00:12:23,987
I... Tell me...
Tell me when to jump.
101
00:12:27,093 --> 00:12:30,026
Play it loud!
102
00:12:33,833 --> 00:12:37,335
- Stop the cart. Stop the cart.
- Whoa, whoa.
103
00:13:00,662 --> 00:13:01,995
Oh.
104
00:14:00,860 --> 00:14:03,061
Thanks for the crowd.
105
00:14:09,804 --> 00:14:11,403
Whoo!
106
00:14:11,405 --> 00:14:13,872
Hey, Buddy Bolden!
107
00:14:21,616 --> 00:14:23,049
Whoo!
108
00:14:41,872 --> 00:14:42,871
Stop.
109
00:15:35,028 --> 00:15:36,462
Thank you,
ladies and gentlemen, thank you.
110
00:15:36,464 --> 00:15:39,465
I see that we have someone
who can't not be here today.
111
00:15:39,467 --> 00:15:41,617
Right over there.
112
00:15:41,618 --> 00:15:43,768
You know, folks,
they helped me get my very first cornet.
113
00:15:43,771 --> 00:15:45,072
Yes, they did.
114
00:15:45,074 --> 00:15:47,174
I was just a little boy
back then.
115
00:15:55,518 --> 00:15:58,051
♪ Oh, that's it right there
116
00:15:59,222 --> 00:16:01,589
♪ Every night
117
00:16:01,591 --> 00:16:04,559
♪ You'll hear her croon
118
00:16:04,561 --> 00:16:09,098
♪ A Russian lullaby
119
00:16:10,067 --> 00:16:11,365
♪ Oh, just
120
00:16:12,503 --> 00:16:15,704
♪ Just a little plaintive tune
121
00:16:15,706 --> 00:16:19,842
♪ When baby starts to cry
122
00:16:21,747 --> 00:16:27,050
♪ Rock-a-bye, my baby... ♪
123
00:16:44,805 --> 00:16:46,805
You all right
down here, Buddy?
124
00:19:21,608 --> 00:19:25,643
...Radio broadcasting
live from Suburban Gardens
125
00:19:25,645 --> 00:19:27,845
in New Orleans.
126
00:19:58,081 --> 00:20:00,014
Evening, Bolden.
127
00:20:01,250 --> 00:20:03,184
As an officer
of the court,
128
00:20:03,186 --> 00:20:07,556
I am duty-bound to
make a periodic assessment
129
00:20:07,558 --> 00:20:11,727
of the conditions in our
state prisons and asylums.
130
00:20:11,729 --> 00:20:15,898
As presiding judge of the
Criminal Court or Orleans parish,
131
00:20:15,900 --> 00:20:18,567
I am the final arbiter
132
00:20:18,569 --> 00:20:21,771
of your life and liberty.
133
00:20:21,773 --> 00:20:24,607
I'm here
because you're here.
134
00:20:29,849 --> 00:20:31,547
"Servants...
135
00:20:31,549 --> 00:20:33,784
"be obedient to them
that are your masters.
136
00:20:33,786 --> 00:20:37,287
"according to the flesh,
with fear and trembling..."
137
00:20:39,325 --> 00:20:43,294
That's the way the world
moves on, Bolden.
138
00:20:44,131 --> 00:20:46,263
Hate your oppressors
139
00:20:46,265 --> 00:20:49,634
and you'll be enslaved
forever by your memories.
140
00:20:58,046 --> 00:20:59,612
Hey!
141
00:21:00,348 --> 00:21:02,432
Hey!
142
00:21:02,433 --> 00:21:04,517
Kid, you gotta put 'em up
or you gonna get hit.
143
00:21:05,453 --> 00:21:06,787
All right, you two.
144
00:21:06,789 --> 00:21:07,921
Go on. Come on.
145
00:21:36,587 --> 00:21:39,088
What'd I tell you?
What'd I tell you?
146
00:21:59,011 --> 00:22:00,510
Come on now,
come on!
147
00:23:31,811 --> 00:23:33,545
Come on down
and see me play tonight.
148
00:23:33,547 --> 00:23:35,314
And leave Mama
all alone?
149
00:23:35,316 --> 00:23:36,715
No. Bring her with.
150
00:23:36,717 --> 00:23:38,750
She can dance
like we do in church.
151
00:23:38,752 --> 00:23:41,386
- What?
- I know she can.
152
00:24:41,955 --> 00:24:42,987
Hold this.
153
00:24:54,000 --> 00:24:55,934
Come on,
you go it.
154
00:25:03,844 --> 00:25:05,011
God damn.
155
00:25:16,992 --> 00:25:18,458
Why we out here?
156
00:25:18,460 --> 00:25:19,927
Women are dancing
over here.
157
00:25:20,530 --> 00:25:22,562
Buddy, dancing's inside.
158
00:25:24,133 --> 00:25:26,100
Ain't never enough
dancers for that.
159
00:25:26,102 --> 00:25:27,501
You gotta call 'em all.
160
00:25:27,503 --> 00:25:29,737
Can't you call, call 'em
from inside?
161
00:25:31,874 --> 00:25:33,909
So you're just gonna
keep playing, huh?
162
00:25:37,181 --> 00:25:39,014
You know what's
between them stars?
163
00:25:39,016 --> 00:25:40,682
Don't start with
that shit, Buddy.
164
00:25:40,684 --> 00:25:41,718
Space.
165
00:25:41,720 --> 00:25:43,019
Please, man. Shit.
166
00:25:43,021 --> 00:25:44,653
Ain't nothin' but time.
167
00:25:47,759 --> 00:25:49,025
Yeah.
168
00:26:21,828 --> 00:26:23,028
Nora.
169
00:26:25,800 --> 00:26:27,066
Shh.
170
00:26:29,470 --> 00:26:32,205
- Nora.
- Shh.
171
00:26:32,207 --> 00:26:35,075
What are you doing here?
172
00:26:35,077 --> 00:26:37,878
Nora,
why you don't come see me play?
173
00:26:39,448 --> 00:26:42,116
A lady don't go
where the Bolden band play.
174
00:26:44,186 --> 00:26:46,454
Oh.
175
00:26:46,456 --> 00:26:49,724
Mama said you grow up
too wild for a good girl.
176
00:26:49,726 --> 00:26:51,926
All that rockin'
in church,
177
00:26:51,928 --> 00:26:53,628
she don't like that, no.
178
00:27:01,505 --> 00:27:03,739
Mama don't like
your music neither.
179
00:27:09,247 --> 00:27:10,947
Hey, whoa, whoa!
180
00:27:11,783 --> 00:27:13,683
Y'all ain't
playin' it right.
181
00:27:16,588 --> 00:27:18,322
Put your horns down.
Put 'em down, put 'em down.
182
00:27:18,324 --> 00:27:20,657
We, we, we,
we're gonna clap it out.
183
00:27:20,658 --> 00:27:22,993
Tillman, give me that, uh, give me that
beat you were working with. Hit it on four.
184
00:27:22,995 --> 00:27:24,695
This one?
185
00:27:25,498 --> 00:27:27,199
Yeah, yeah,
that's it. Four.
186
00:27:27,201 --> 00:27:28,499
Now, Johnson.
187
00:27:28,501 --> 00:27:31,235
Ba, ba, ba-ra, ba-ra.
188
00:27:31,237 --> 00:27:33,538
Ba, ba, ba-ra, ba-ra.
189
00:27:35,374 --> 00:27:37,676
See how that feels?
Yeah, yeah, that's it.
190
00:27:37,678 --> 00:27:39,377
Now, Mumford,
give me time.
191
00:27:44,418 --> 00:27:46,752
Oh, yeah.
Cornish, come on down.
192
00:27:46,754 --> 00:27:48,821
Hit two and four.
193
00:27:50,458 --> 00:27:51,991
Come on, Cornish.
194
00:27:51,993 --> 00:27:53,292
Da. Da.
195
00:27:53,294 --> 00:27:54,294
Let's go.
196
00:27:55,364 --> 00:27:57,129
Yeah.
Yeah, that's right.
197
00:27:58,900 --> 00:27:59,833
Yeah.
198
00:27:59,835 --> 00:28:00,901
Now, Warner.
199
00:28:01,971 --> 00:28:04,272
Pay attention. Look.
You're gonna hit the four.
200
00:28:08,244 --> 00:28:09,577
Come on, Warner.
201
00:28:14,184 --> 00:28:16,885
Oh, yeah.
202
00:28:27,632 --> 00:28:29,064
Listen, listen.
203
00:28:33,305 --> 00:28:34,703
That's it.
204
00:28:36,408 --> 00:28:38,108
Oh!
205
00:28:46,452 --> 00:28:48,152
Yeah, ha.
206
00:28:56,696 --> 00:28:58,897
This music about
talking to each other.
207
00:28:59,266 --> 00:29:00,732
Yeah. Come on.
208
00:29:01,402 --> 00:29:03,368
Now y'all havin'
a conversation.
209
00:29:04,672 --> 00:29:06,605
Who said that?
210
00:29:06,607 --> 00:29:07,773
Why would you now...
211
00:29:07,775 --> 00:29:08,776
Yeah!
212
00:29:14,249 --> 00:29:15,249
Come on.
213
00:29:39,376 --> 00:29:40,377
I love you!
214
00:29:59,565 --> 00:30:00,897
Mama.
215
00:30:03,669 --> 00:30:05,135
Nora gonna
move in with us.
216
00:30:16,082 --> 00:30:17,182
Mmm.
217
00:30:17,183 --> 00:30:18,281
Yeah. That's it.
218
00:30:18,284 --> 00:30:20,118
Ease into it
like that.
219
00:30:20,553 --> 00:30:21,954
And you gotta, um...
220
00:30:21,956 --> 00:30:24,223
Get your...
Get your wrists loose.
221
00:30:24,225 --> 00:30:25,707
See that.
222
00:30:25,708 --> 00:30:27,192
Blow your lips.
Like that.
223
00:30:27,194 --> 00:30:28,694
You blow...
224
00:30:28,696 --> 00:30:31,097
Yeah, like...
225
00:30:35,470 --> 00:30:38,304
I ain't raise my daughter
for the likes of you.
226
00:30:38,306 --> 00:30:41,374
How you fixin' to make a livin'
playing your horn?
227
00:30:42,377 --> 00:30:44,210
Why can't you
get a real job?
228
00:31:53,422 --> 00:31:54,920
You dressing for church?
229
00:31:54,922 --> 00:31:59,459
I don't wanna hear nothing about
that First Street Baptist Church.
230
00:32:04,233 --> 00:32:05,532
We're Episcopal.
231
00:32:11,975 --> 00:32:13,608
Yeah.
232
00:32:13,609 --> 00:32:15,242
I got a new collar
for your shirt.
233
00:32:15,245 --> 00:32:18,279
Mama, I ain't wearing a collar.
It's too tight around my neck.
234
00:32:19,649 --> 00:32:21,250
Where you
performing at?
235
00:32:21,619 --> 00:32:23,051
Union Sons Hall.
236
00:32:24,288 --> 00:32:26,655
They call it the Funky Butt
when you're out playing.
237
00:32:26,657 --> 00:32:28,257
Yeah, Mama.
But how you know that?
238
00:32:28,259 --> 00:32:29,291
I hear things.
239
00:32:30,829 --> 00:32:32,861
No, Mama, no.
No, Mama.
240
00:32:34,465 --> 00:32:35,899
No, Mama, please.
241
00:32:37,169 --> 00:32:38,768
Mama, please, I can't
breathe with that on.
242
00:32:38,770 --> 00:32:39,836
But you look good.
243
00:32:39,838 --> 00:32:41,504
Can't breathe in it.
244
00:32:55,555 --> 00:32:56,987
Hey!
245
00:32:58,492 --> 00:32:59,958
Hey!
246
00:33:01,295 --> 00:33:02,327
Hey!
247
00:33:04,298 --> 00:33:05,497
Hey!
248
00:33:07,235 --> 00:33:08,501
Hey!
249
00:33:10,103 --> 00:33:11,203
Hey!
250
00:33:55,753 --> 00:33:57,219
Bolden!
251
00:33:57,221 --> 00:33:58,222
Buddy.
252
00:33:58,724 --> 00:34:00,857
Buddy!
Where you at, man?
253
00:34:02,661 --> 00:34:04,961
There you are.
I been lookin' all over.
254
00:34:04,963 --> 00:34:07,531
Evenin', Warner.
This here is Mavis.
255
00:34:08,234 --> 00:34:10,133
Hey, Mavis.
256
00:34:10,134 --> 00:34:12,035
Bolden, we got a big crowd
waitin' on you, man.
257
00:34:12,038 --> 00:34:13,571
We're busy now, honey.
258
00:34:13,573 --> 00:34:16,407
And George Baquet,
waitin' out there with his horn.
259
00:34:17,310 --> 00:34:19,944
Blue-eyed tan man comin'
to our neighborhood?
260
00:34:21,348 --> 00:34:23,282
Warner, you worried
about George Baquet?
261
00:34:23,284 --> 00:34:24,917
That motherfucker
comin' for my job.
262
00:34:24,919 --> 00:34:26,485
Ain't nobody
comin' for your job.
263
00:34:26,487 --> 00:34:28,820
Why you think the best
paid clarinet man in New Orleans
264
00:34:28,822 --> 00:34:30,223
come to the pit
to play with us?
265
00:34:30,225 --> 00:34:32,157
Jimmy Palao got the
light-skin niggers, too.
266
00:34:32,159 --> 00:34:33,692
Nobody come
for your job.
267
00:34:33,694 --> 00:34:36,062
He ain't so white
like they talk.
268
00:34:36,064 --> 00:34:41,100
♪ Make me a pallet on your floor
269
00:34:44,173 --> 00:34:48,709
♪ Make me a pallet
on your floor
270
00:34:48,711 --> 00:34:50,311
What she doin' here?
271
00:34:51,614 --> 00:34:55,182
♪ If you make me a pallet
272
00:34:55,184 --> 00:34:59,187
♪ I swear your woman
will never know
273
00:35:00,457 --> 00:35:05,493
♪ Make me a pallet
on your floor
274
00:35:29,255 --> 00:35:31,054
Play your heart out,
Buddy Bolden.
275
00:35:38,030 --> 00:35:40,031
♪ Make it soft
276
00:35:40,033 --> 00:35:43,669
♪ Make it easy
make it flow
277
00:35:46,439 --> 00:35:48,273
♪ Make it soft
278
00:35:48,275 --> 00:35:52,512
♪ Make it easy
make it slow
279
00:35:54,915 --> 00:35:58,084
♪ When she comes in
280
00:35:58,086 --> 00:36:01,921
♪ I swear she would
never know
281
00:36:01,923 --> 00:36:07,727
♪ That you make me a pallet
down upon your floor ♪
282
00:36:19,175 --> 00:36:21,076
I'm pregnant.
283
00:36:24,648 --> 00:36:26,081
A baby?
284
00:36:26,817 --> 00:36:28,517
You can't take care
of yourself.
285
00:36:30,120 --> 00:36:32,554
Ain't you got one already?
A little boy?
286
00:36:38,963 --> 00:36:41,631
Yeah!
287
00:36:42,467 --> 00:36:44,634
Right and wrong.
288
00:36:45,937 --> 00:36:49,106
Oh, it can be
so confusing.
289
00:36:49,108 --> 00:36:50,974
Lord wrote a book
about it.
290
00:36:50,976 --> 00:36:54,144
Civil societies are
defined by it.
291
00:36:56,182 --> 00:36:59,050
You just don't know
the difference.
292
00:36:59,052 --> 00:37:01,286
Niggers don't know
right from wrong.
293
00:37:03,356 --> 00:37:05,590
You are not
in God's image.
294
00:37:13,334 --> 00:37:15,367
We're gonna
have a baby, Buddy.
295
00:37:19,508 --> 00:37:20,574
Come on.
296
00:38:03,321 --> 00:38:05,155
King Bolden.
297
00:38:05,157 --> 00:38:07,624
I want you to meet
George Baquet.
298
00:38:15,568 --> 00:38:16,634
Hey, George.
299
00:38:22,074 --> 00:38:23,909
You come to copy me?
300
00:38:23,911 --> 00:38:25,243
Don't worry, Warner.
301
00:38:25,245 --> 00:38:27,612
He just want to do a couple
of rounds with Bolden.
302
00:39:51,639 --> 00:39:52,639
Yeah!
303
00:40:19,903 --> 00:40:22,636
Ladies and gentlemen,
this here George Baquet.
304
00:40:49,068 --> 00:40:51,068
Here, here,
let me show you how to.
305
00:40:55,975 --> 00:40:57,341
Warner, come and get me!
306
00:40:58,377 --> 00:41:00,478
Come on, Warner,
come and get me.
307
00:41:01,548 --> 00:41:02,548
Come on.
308
00:41:31,413 --> 00:41:34,014
It's all right.
It's all right.
309
00:41:34,983 --> 00:41:36,449
You'll get this.
310
00:41:38,454 --> 00:41:40,488
Bolden, do you
write your music down?
311
00:41:41,225 --> 00:41:43,657
Can you
write it down?
312
00:41:43,659 --> 00:41:45,192
We're composing on the bandstand,
you know?
313
00:41:45,194 --> 00:41:48,530
So, it's...
It's like we're talking to each other.
314
00:41:48,532 --> 00:41:49,864
We're havin'
a conversation.
315
00:41:49,866 --> 00:41:52,567
I let the notes play on through,
that's what I do.
316
00:41:53,337 --> 00:41:54,903
Just got to listen.
317
00:41:54,905 --> 00:41:57,539
I never play without the
music right in front of me.
318
00:41:59,511 --> 00:42:01,611
You play it the same,
same, same, same, same.
319
00:42:01,613 --> 00:42:03,746
I don't do none of that.
I play it my way.
320
00:42:03,748 --> 00:42:05,632
Every time.
321
00:42:05,633 --> 00:42:07,517
And that string may,
it may never come out the same
322
00:42:07,519 --> 00:42:08,786
so how you gonna
write it down?
323
00:42:08,788 --> 00:42:10,254
How you gonna
write it down, huh?
324
00:42:10,256 --> 00:42:11,854
Bolden if you don't
write your music down,
325
00:42:11,856 --> 00:42:13,791
how's anyone gonna
play it when you're gone?
326
00:42:13,793 --> 00:42:16,727
You don't understand.
It's a... It's a livin' thing.
327
00:42:16,729 --> 00:42:18,797
It's, it's, it's...
It's me and the whole band.
328
00:42:18,799 --> 00:42:21,031
We, we, we just
breathing together.
329
00:42:22,669 --> 00:42:24,702
So you don't even know
what you're gonna play.
330
00:42:25,272 --> 00:42:27,037
You know,
sometimes I...
331
00:42:29,476 --> 00:42:31,977
I think it's better
not to play anything at all.
332
00:42:37,452 --> 00:42:40,653
Bolden, try playing
around this.
333
00:44:25,035 --> 00:44:27,235
You think Warner
holding back the band?
334
00:44:28,204 --> 00:44:29,837
He been working hard.
335
00:44:30,874 --> 00:44:32,874
But I'm with you
whatever you decide.
336
00:45:00,273 --> 00:45:01,405
♪ Ride on
337
00:45:01,407 --> 00:45:03,941
♪ No man can hinder thee
338
00:45:03,943 --> 00:45:07,612
- ♪ Ride on
- ♪ Ride on King Jesus
339
00:45:07,614 --> 00:45:09,181
♪ Ride on
340
00:45:09,183 --> 00:45:12,116
♪ No man can hinder thee
341
00:45:12,118 --> 00:45:13,552
♪ Ride on
342
00:45:13,554 --> 00:45:16,521
- ♪ Ride on
- ♪ Ride on King Jesus
343
00:45:16,523 --> 00:45:18,256
♪ Ride on
344
00:45:18,258 --> 00:45:19,725
♪ No man can... ♪
345
00:45:21,830 --> 00:45:23,896
You know what
this country needs?
346
00:45:24,432 --> 00:45:25,764
What's that?
347
00:45:25,766 --> 00:45:28,001
A negro
heavyweight champ.
348
00:45:28,737 --> 00:45:30,403
Jack Johnson
the champ, man.
349
00:45:30,405 --> 00:45:32,039
He the color champ.
350
00:45:32,041 --> 00:45:33,973
White champ
won't even fight him.
351
00:45:33,975 --> 00:45:35,643
No.
352
00:45:35,645 --> 00:45:38,512
White champ ain't gonna
fight your ministry boys
353
00:45:38,514 --> 00:45:39,912
and you wanna know why?
354
00:45:39,914 --> 00:45:40,948
Why?
355
00:45:40,950 --> 00:45:42,950
'Cause they don't
find us serious.
356
00:45:45,355 --> 00:45:48,922
Gettin' in a ring with Jack
Johnson's pretty goddamn serious.
357
00:45:53,163 --> 00:45:54,363
White folks...
358
00:45:55,766 --> 00:45:57,832
they're gonna have to
reckon with talent.
359
00:46:00,304 --> 00:46:02,404
Bolden, you know about
360
00:46:03,107 --> 00:46:04,874
cylinder recording?
361
00:46:06,744 --> 00:46:09,612
- Cylinder recording?
- Mmm-hmm.
362
00:46:09,614 --> 00:46:11,514
Put your music
in a machine.
363
00:46:23,129 --> 00:46:25,562
Bartley know a man
put music in a tin can.
364
00:46:25,564 --> 00:46:27,265
Music in
a tin can?
365
00:46:27,267 --> 00:46:28,533
Yeah.
366
00:46:28,535 --> 00:46:29,734
Well, how do it work?
367
00:46:29,736 --> 00:46:31,403
You sound music
into a machine
368
00:46:31,405 --> 00:46:33,271
and the machine
put out a tin can.
369
00:46:33,273 --> 00:46:36,341
They'll put tin can back into the machine,
and that music come out.
370
00:46:38,279 --> 00:46:39,845
B...
371
00:46:39,847 --> 00:46:41,680
Music in a tin can?
372
00:46:41,682 --> 00:46:43,682
What it sound like?
373
00:46:43,684 --> 00:46:45,618
I don't know.
I never heard it.
374
00:46:45,620 --> 00:46:47,386
But Bartley say
it sound like money.
375
00:46:48,489 --> 00:46:50,356
Sounds like magic.
376
00:46:50,358 --> 00:46:52,092
Yeah.
377
00:46:52,094 --> 00:46:55,829
Folks will hear my music,
but I'm invisible.
378
00:46:55,831 --> 00:46:57,230
I don't know, Nora.
379
00:46:57,232 --> 00:46:59,767
People hearing you play
and you ain't there?
380
00:47:02,003 --> 00:47:03,204
Yeah.
381
00:47:58,499 --> 00:47:59,932
This is a shit hole!
382
00:48:00,867 --> 00:48:03,602
Gotta get a better place!
383
00:48:03,604 --> 00:48:05,938
And I want
bigger niggers next time.
384
00:48:49,321 --> 00:48:50,620
This cost a dime.
385
00:48:51,857 --> 00:48:54,557
Sell 50 vials,
you make a dollar.
386
00:48:56,795 --> 00:49:01,064
Sell 100 vials,
you get $2.10.
387
00:49:02,535 --> 00:49:04,168
As business gets better,
388
00:49:05,605 --> 00:49:06,972
y'all do better.
389
00:49:08,741 --> 00:49:10,507
There's money
in recording music.
390
00:49:12,512 --> 00:49:14,913
You gonna put your music
in Bartley's machine?
391
00:49:17,384 --> 00:49:19,618
If there's a machine
play your music,
392
00:49:19,620 --> 00:49:21,087
more folks gonna hear.
393
00:49:21,689 --> 00:49:23,722
White folks, too.
394
00:49:23,724 --> 00:49:25,558
They the ones
can afford the machine.
395
00:50:07,338 --> 00:50:10,039
Desire and desperation
396
00:50:10,041 --> 00:50:13,143
are dangerous
motivations, Bolden.
397
00:50:17,516 --> 00:50:19,115
Humility recedes
398
00:50:19,117 --> 00:50:22,152
and loyalty vanishes.
399
00:50:22,988 --> 00:50:25,389
One thing stays the same.
400
00:50:25,391 --> 00:50:27,458
There's always someone
who can do it better.
401
00:51:02,832 --> 00:51:04,431
Teach him
a lesson, Buddy.
402
00:51:09,205 --> 00:51:10,606
Yeah, all right.
Thank you.
403
00:51:27,658 --> 00:51:30,893
Warner, I can't find
the valves to my horn.
404
00:51:30,895 --> 00:51:32,528
You have the valves
right here. Look.
405
00:51:32,530 --> 00:51:33,597
You're fine.
406
00:51:33,599 --> 00:51:34,698
I'm not fine, Warner.
407
00:52:10,439 --> 00:52:11,171
Buddy.
408
00:52:13,175 --> 00:52:14,473
Play somethin'.
409
00:52:16,178 --> 00:52:19,079
He's gonna let some other
motherfucker right in
410
00:52:19,081 --> 00:52:20,247
and steal our shit off?
411
00:52:20,249 --> 00:52:22,248
Who gonna catch us, Buddy?
412
00:52:22,249 --> 00:52:24,250
Cornish, Cornish, Cornish.
You're supposed to be on my side.
413
00:52:24,253 --> 00:52:27,254
Can't nobody do
what we do, baby.
414
00:52:27,256 --> 00:52:30,724
You gotta put your music in that
man's machine, motherfucker.
415
00:52:34,965 --> 00:52:37,331
King Bolden.
You ready?
416
00:52:38,068 --> 00:52:40,202
Are you ready, Warner?
417
00:52:40,204 --> 00:52:42,170
Ain't I lookin' ready?
418
00:52:42,172 --> 00:52:43,805
We gonna play
at Butcher Hollow tonight.
419
00:52:43,807 --> 00:52:44,807
No.
420
00:52:45,976 --> 00:52:47,477
It hurts my ears, man.
421
00:52:47,479 --> 00:52:49,745
The sound comin' off
of that wall, it's, uh,
422
00:52:49,747 --> 00:52:51,246
messin' with my time,
so...
423
00:52:51,248 --> 00:52:53,015
We go now,
we'll be right on time.
424
00:52:53,017 --> 00:52:54,817
Right on the down beat.
425
00:52:54,819 --> 00:52:57,821
Warner, listen to me.
My lip ain't balmed, so...
426
00:52:59,090 --> 00:53:02,092
So get on down there.
I'll meet y'all over there.
427
00:53:02,094 --> 00:53:03,660
Come on, man,
we gotta go to work.
428
00:53:03,662 --> 00:53:05,629
"Go to work"?
Warner, you goin' to work.
429
00:53:08,701 --> 00:53:09,934
You all right, Buddy?
430
00:53:09,936 --> 00:53:11,136
Goddamn!
Warner, get out!
431
00:53:11,138 --> 00:53:12,070
Warner get out!
432
00:53:12,072 --> 00:53:13,837
Get on out.
433
00:53:13,839 --> 00:53:15,373
And I'll be right over.
434
00:53:16,009 --> 00:53:17,342
Okay?
435
00:53:22,516 --> 00:53:24,650
Well, I guess I'll see you over there,
Buddy.
436
00:53:37,298 --> 00:53:40,767
You were supposed to be
playing my place last night.
437
00:53:43,272 --> 00:53:47,241
I heard you was playing down the street.
Hmm?
438
00:53:47,243 --> 00:53:49,744
You fuck up my Thursday
night business.
439
00:53:49,746 --> 00:53:51,412
Somebody be
playing like me.
440
00:53:51,414 --> 00:53:54,115
Somebody be
playing like me.
441
00:53:54,117 --> 00:53:57,418
You gonna give us
the next three Thursdays
442
00:53:57,787 --> 00:53:59,587
for nothin'. Hmm?
443
00:54:00,925 --> 00:54:01,925
Gotta pay the band.
444
00:54:04,628 --> 00:54:07,095
You out your
motherfuckin' mind.
445
00:54:07,097 --> 00:54:09,231
You mess with
that man's business,
446
00:54:09,233 --> 00:54:12,234
that means you messing
with my business.
447
00:54:21,813 --> 00:54:23,814
Hey, Bartley,
448
00:54:23,815 --> 00:54:25,815
what you gonna do when you get
Buddy's music in a tin can?
449
00:54:25,818 --> 00:54:27,283
I'm gonna sell it.
450
00:54:27,285 --> 00:54:29,553
Who's gonna want
to hear his music?
451
00:54:29,555 --> 00:54:33,291
And I got exclusive arrangements
with a white man by then.
452
00:54:38,232 --> 00:54:40,599
Baby, you're gonna be
a family man now.
453
00:54:40,601 --> 00:54:43,501
You gonna have a child
to provide for.
454
00:54:43,503 --> 00:54:46,973
You wanna play your horn instead
of plastering walls, all right.
455
00:54:46,975 --> 00:54:49,308
But you gotta
make it pay.
456
00:55:05,995 --> 00:55:07,494
Bartley...
457
00:55:07,496 --> 00:55:11,466
he need to put
his music in that machine.
458
00:55:11,468 --> 00:55:13,233
Don't worry, baby.
459
00:55:13,235 --> 00:55:14,636
We gonna get him.
460
00:55:15,572 --> 00:55:19,008
Sooner or later,
we gonna get his music.
461
00:55:31,155 --> 00:55:33,223
You're
listening to Louis Armstrong...
462
00:55:33,225 --> 00:55:34,590
Nora!
463
00:55:36,227 --> 00:55:38,828
I need to get married
to you, Buddy.
464
00:55:41,266 --> 00:55:42,932
When you coming home?
465
00:56:24,113 --> 00:56:25,412
Hey, baby.
466
00:56:52,176 --> 00:56:54,210
♪ Cold empty bed
467
00:56:54,212 --> 00:56:56,512
♪ Springs hard as lead
468
00:56:56,514 --> 00:56:58,848
♪ Feel like Old Ned
469
00:56:58,850 --> 00:57:00,484
♪ Wished I was dead
470
00:57:00,486 --> 00:57:03,119
♪ All my life through
471
00:57:03,121 --> 00:57:07,557
♪ I've been so black and blue
472
00:57:08,093 --> 00:57:09,427
♪ Hmm, hmm
473
00:57:09,429 --> 00:57:10,961
♪ Even the mouse
474
00:57:11,864 --> 00:57:14,665
♪ Ran from my house
475
00:57:14,667 --> 00:57:18,035
♪ They laughed at you
and scorned you too
476
00:57:18,037 --> 00:57:20,304
♪ What did I do, babe
477
00:57:20,306 --> 00:57:24,143
♪ To be so black and blue?
478
00:57:26,146 --> 00:57:29,248
♪ Mmm, I'm white
479
00:57:29,250 --> 00:57:31,383
♪ Inside
480
00:57:31,385 --> 00:57:35,020
♪ But that don't help my case
481
00:57:35,790 --> 00:57:37,791
♪ 'Cause it
482
00:57:37,793 --> 00:57:40,325
♪ Can't hide
483
00:57:40,327 --> 00:57:43,463
♪ What is in my face
484
00:57:48,570 --> 00:57:50,638
♪ How would it end?
485
00:57:50,640 --> 00:57:53,040
♪ Ain't got a friend
486
00:57:53,042 --> 00:57:56,644
♪ My only sin is in my skin
487
00:57:56,646 --> 00:57:58,245
♪ What did I do, babe
488
00:57:58,247 --> 00:57:59,180
Bartley!
489
00:57:59,182 --> 00:58:02,883
♪ To be so black and blue?
490
00:58:03,821 --> 00:58:05,187
Bartley!
491
00:58:16,668 --> 00:58:17,834
Buddy!
492
00:58:17,836 --> 00:58:19,535
Buddy! Buddy!
493
00:58:33,752 --> 00:58:35,018
Come on.
494
00:58:41,895 --> 00:58:44,195
That's what a motherfuckin'
manager do.
495
00:59:06,688 --> 00:59:07,754
Aah!
496
00:59:07,756 --> 00:59:10,390
Stupid motherfuckin'
whore.
497
00:59:14,998 --> 00:59:16,264
Clean him up.
498
00:59:59,079 --> 01:00:00,812
Ain't you somethin',
499
01:00:02,181 --> 01:00:03,815
King Bolden.
500
01:00:07,254 --> 01:00:09,054
You ain't come home
to me.
501
01:00:13,361 --> 01:00:14,927
Don't do that to me.
502
01:00:47,530 --> 01:00:49,732
Ain't nobody playin'
what we playin'.
503
01:00:49,734 --> 01:00:51,867
Ain't nobody playin'
what Buddy playin'.
504
01:00:52,603 --> 01:00:55,004
Nobody's splitting up.
505
01:00:55,006 --> 01:00:57,973
And it just have a certain life.
506
01:01:04,783 --> 01:01:06,416
Buddy showed up
like black Jesus.
507
01:01:09,054 --> 01:01:11,154
So I guess that make us
his disciples.
508
01:01:13,793 --> 01:01:16,059
I'm looking for
a Buddy Bolden.
509
01:01:16,528 --> 01:01:18,262
Well, shit, get in line.
510
01:01:18,264 --> 01:01:19,096
You the police?
511
01:01:19,098 --> 01:01:23,334
Uh, no, no.
Uh, Bartley sent me.
512
01:01:23,336 --> 01:01:25,169
You don't play
clarinet, do you?
513
01:01:25,171 --> 01:01:27,072
No.
514
01:01:27,074 --> 01:01:28,640
No, he said that
515
01:01:28,642 --> 01:01:31,743
Bolden wanted to record his music.
I can do this.
516
01:01:31,745 --> 01:01:33,578
It come out on
a little tin can, huh?
517
01:01:33,580 --> 01:01:37,949
No. No, it comes out
on a wax cylinder.
518
01:01:37,951 --> 01:01:39,886
Ah. I got...
519
01:01:42,657 --> 01:01:46,092
- "Oscar Zahn"
- Mmm-mmm. Uh, Zahn.
520
01:01:46,594 --> 01:01:48,294
"Cylinder recorders."
521
01:01:49,532 --> 01:01:51,298
Buddy want to record
our music.
522
01:01:53,602 --> 01:01:55,135
Let me see that.
523
01:01:58,775 --> 01:02:00,607
Buddy's scared people are
gonna steal our music.
524
01:02:00,609 --> 01:02:02,877
Now he wanna
put it on a machine?
525
01:02:04,514 --> 01:02:06,014
Make no sense to me.
526
01:02:26,138 --> 01:02:29,106
Why you think the best
paid clarinet man in New Orleans
527
01:02:29,108 --> 01:02:31,108
come to the pit
to play with us?
528
01:02:34,446 --> 01:02:36,180
So, uh...
529
01:02:39,886 --> 01:02:41,452
It's pretty good.
530
01:02:42,455 --> 01:02:43,956
Mmm-hmm.
531
01:02:50,965 --> 01:02:54,333
We need to talk about exclusive arrangements,
you and me.
532
01:03:14,956 --> 01:03:17,191
I'll put you
in front of a white audience.
533
01:03:26,804 --> 01:03:28,870
You a sensation, Bolden.
534
01:03:29,505 --> 01:03:31,473
When people hear your music,
535
01:03:31,475 --> 01:03:35,144
they understand somethin'
can hardly be put in words.
536
01:04:12,353 --> 01:04:17,189
We need to talk about exclusive arrangements,
you and me.
537
01:05:01,973 --> 01:05:05,208
Playing with George Baquet,
good business.
538
01:05:13,052 --> 01:05:15,920
Now how you gonna make a livin'
without these, huh?
539
01:05:18,157 --> 01:05:21,125
You got a wife and child
to provide for.
540
01:05:22,328 --> 01:05:23,394
If it is your child.
541
01:05:35,643 --> 01:05:37,509
You gonna
get out of bed?
542
01:05:37,511 --> 01:05:41,414
Willie Cornish come by,
gave me the buttons for your horn.
543
01:05:42,617 --> 01:05:44,350
Why you takin' them out?
544
01:05:49,558 --> 01:05:51,157
I hear your daddy
every time you play.
545
01:05:51,159 --> 01:05:53,560
I hear your daddy
every time you play.
546
01:05:59,301 --> 01:06:01,669
Your daddy die young
to give you strength.
547
01:07:20,356 --> 01:07:23,123
My daddy gave me
the power of my lungs.
548
01:07:23,125 --> 01:07:25,460
That's how I play like I do.
549
01:07:59,231 --> 01:08:02,233
Your daddy
was sacrificed for your gift.
550
01:08:02,235 --> 01:08:04,268
What gonna happen
to your baby?
551
01:08:04,270 --> 01:08:06,404
You gonna lose your gift.
552
01:08:08,608 --> 01:08:10,676
Where are you now?
Huh?
553
01:08:29,598 --> 01:08:30,830
Brothers and sisters...
554
01:08:38,241 --> 01:08:41,474
...I come to you today
to talk about returning home.
555
01:08:41,476 --> 01:08:42,576
Back to Africa.
556
01:08:47,184 --> 01:08:49,950
We will never
be Americans.
557
01:08:49,952 --> 01:08:51,653
It's time to return home.
558
01:08:55,726 --> 01:08:58,527
- Now, let's go.
- We have the right to a peaceful protest.
559
01:09:31,898 --> 01:09:33,831
Get out! Get out! Go!
560
01:10:05,134 --> 01:10:07,435
You, come here!
You don't move!
561
01:10:10,474 --> 01:10:12,273
- Hey. Hey.
- Keep your hands off of me!
562
01:10:19,216 --> 01:10:21,383
This is all on Bartley.
563
01:10:21,385 --> 01:10:25,654
This here's your enterprising nigger's boy,
Bolden.
564
01:10:25,656 --> 01:10:29,158
Caused a riot outside that
dance hall he was playin' at.
565
01:10:29,160 --> 01:10:30,893
He's serious trouble.
566
01:10:32,298 --> 01:10:33,963
This is all on Bartley.
567
01:10:37,136 --> 01:10:38,736
Shut Bolden down?
568
01:10:38,738 --> 01:10:42,339
Shut him down.
Just stop that boy playing.
569
01:10:42,341 --> 01:10:45,309
A bold nigger
is dangerous.
570
01:11:00,361 --> 01:11:01,761
What you lookin' at?
571
01:12:00,093 --> 01:12:01,525
Come on.
572
01:12:01,527 --> 01:12:02,992
Get on out of here.
573
01:12:04,597 --> 01:12:06,764
Motherfucker!
Get off of me!
574
01:12:10,403 --> 01:12:12,370
Cornish, where's Warner?
575
01:12:16,976 --> 01:12:19,177
You made all your crowd crazy,
caused a riot.
576
01:12:19,179 --> 01:12:21,146
You will stop playing
your goddamn horn.
577
01:12:21,148 --> 01:12:23,983
That's what the motherfuckers want.
That's what you'll do.
578
01:12:35,163 --> 01:12:36,897
What we gonna do here?
579
01:12:44,807 --> 01:12:46,307
What's wrong
with the man?
580
01:12:46,309 --> 01:12:47,941
He gone
lost his mind.
581
01:12:48,511 --> 01:12:50,044
Look, he ain't no Bolden,
582
01:12:50,046 --> 01:12:53,047
but we can always get Bunk
Johnson to play with us all.
583
01:12:56,086 --> 01:12:57,585
Ain't you got work?
584
01:12:59,290 --> 01:13:00,856
You gonna
get out of bed?
585
01:14:38,363 --> 01:14:41,298
No. No, no. Leave me!
586
01:16:52,708 --> 01:16:54,342
Horns up, motherfuckers.
587
01:17:33,453 --> 01:17:34,886
Ambition...
588
01:17:36,589 --> 01:17:38,355
born of vanity.
589
01:17:41,695 --> 01:17:44,229
This is America, Bolden.
590
01:17:44,231 --> 01:17:46,832
How far you think
you're gonna get?
591
01:17:48,837 --> 01:17:50,937
Destroy the nigger's soul,
592
01:17:50,939 --> 01:17:54,307
and they will destroy
each other.
593
01:18:17,701 --> 01:18:18,967
Turn around.
594
01:18:28,179 --> 01:18:30,012
Number 9 to win.
595
01:18:42,127 --> 01:18:43,794
Your valves
are right here.
596
01:18:44,029 --> 01:18:45,295
You fine.
597
01:18:53,306 --> 01:18:54,539
I'm leaving you, Buddy.
598
01:18:56,009 --> 01:18:58,543
Mr. Warner gonna
take us up to Chicago.
599
01:19:00,613 --> 01:19:02,381
I'mma help them
settle up there.
600
01:19:03,751 --> 01:19:05,883
Can see if I can
get some work.
601
01:19:06,787 --> 01:19:08,687
Maybe in one of
the stockyards.
602
01:19:24,306 --> 01:19:31,545
♪ Well, I though I heard
Buddy Bolden call
603
01:19:32,982 --> 01:19:39,154
♪ We started in the summer
we didn't end till fall
604
01:19:39,823 --> 01:19:42,357
♪ You walk in my room
605
01:19:42,359 --> 01:19:47,028
♪ But when you leave,
you will crawl
606
01:19:47,030 --> 01:19:52,902
♪ Oh, that's what
Mr. Bolden called...
607
01:20:54,737 --> 01:20:56,470
Are you ready?
608
01:20:56,941 --> 01:20:58,806
Are you ready?
609
01:21:00,777 --> 01:21:03,745
Destroy men's souls
610
01:21:03,747 --> 01:21:06,815
and they will
destroy each other.
611
01:21:06,817 --> 01:21:09,384
The best boxers
in the world
612
01:21:09,386 --> 01:21:10,920
in the ring of fire!
613
01:21:14,325 --> 01:21:15,992
♪ Yeah
614
01:21:16,594 --> 01:21:19,162
♪ And then take it away
615
01:21:21,166 --> 01:21:24,702
♪ I thought I heard him say
616
01:21:27,272 --> 01:21:30,574
No, Bolden.
Step back, man.
617
01:21:30,576 --> 01:21:33,377
♪...Buddy Bolden repeat
618
01:21:34,914 --> 01:21:41,019
♪ I can play it hot
or I can play it sweet
619
01:21:42,856 --> 01:21:44,990
- I'm going...
- You ain't going in!
620
01:21:44,992 --> 01:21:46,424
- Get out of here.
- That's my song!
621
01:21:50,597 --> 01:21:55,067
♪ That's what I heard
Buddy Bolden repeat ♪
622
01:23:08,515 --> 01:23:09,714
That one there.
623
01:24:12,584 --> 01:24:14,252
Get up! Get up!
624
01:24:14,254 --> 01:24:16,187
Get your black ass up!
625
01:24:16,189 --> 01:24:17,921
- Get up!
- Bartley!
626
01:24:18,657 --> 01:24:20,057
You look at me, Bartley!
627
01:24:20,059 --> 01:24:22,460
You lost!
You lost on our deal!
628
01:24:24,498 --> 01:24:25,830
Bartley!
629
01:25:08,412 --> 01:25:10,812
You're gonna stop
killing us.
630
01:25:12,549 --> 01:25:14,217
It ain't me, baby.
631
01:25:15,220 --> 01:25:16,953
It ain't me.
632
01:26:06,975 --> 01:26:08,808
You have no past.
633
01:26:10,045 --> 01:26:11,745
No history.
634
01:26:13,248 --> 01:26:14,715
No culture.
635
01:26:16,818 --> 01:26:19,153
You come from nothing.
636
01:26:19,155 --> 01:26:20,988
I come from
the same place as you.
637
01:26:22,725 --> 01:26:24,759
There is nothing
638
01:26:24,761 --> 01:26:26,560
the same for you and me.
639
01:26:26,562 --> 01:26:28,897
And that ain't never
gonna change.
640
01:26:31,302 --> 01:26:33,402
You come from nothing,
raise your head,
641
01:26:33,404 --> 01:26:35,737
get people to gather
like you're some kind of...
642
01:26:38,143 --> 01:26:40,842
You think we're gonna
let that happen?
643
01:26:40,844 --> 01:26:42,111
Hmm?
644
01:26:42,113 --> 01:26:45,448
Let you incite
a godless crowd?
645
01:26:45,450 --> 01:26:47,717
You don't like
what I played on this?
646
01:26:50,990 --> 01:26:53,023
No one ever will.
647
01:27:03,369 --> 01:27:05,770
Power that is not righteous
648
01:27:06,340 --> 01:27:08,440
must be destroyed.
649
01:27:51,689 --> 01:27:53,955
Oh, thank you, folks.
Thank you, folks.
650
01:27:53,957 --> 01:27:55,557
Thank you, thank you.
651
01:27:56,260 --> 01:27:58,560
Thank you, folks.
Thank you, folks.
652
01:27:58,562 --> 01:27:59,963
So good to be back home.
653
01:27:59,965 --> 01:28:01,964
You know,
when I was a little boy wearing short pants,
654
01:28:01,966 --> 01:28:04,701
I lived with my sister and
my mama in the back of town.
655
01:28:04,703 --> 01:28:07,404
Yeah. Yeah,
that was my neighborhood.
656
01:28:10,509 --> 01:28:13,077
I was delivering coal
to the district.
657
01:28:14,680 --> 01:28:17,848
Boy, yeah, they don't talk about
a district no more, now, do they?
658
01:28:19,786 --> 01:28:22,953
Yeah. Yeah, I think I remember
seeing you there, Jackson, yeah.
659
01:28:22,955 --> 01:28:25,055
You had a big hat on though
covering your face.
660
01:28:27,895 --> 01:28:31,496
Anyway, this one morning, I was rolling
through that particular neighborhood,
661
01:28:31,498 --> 01:28:34,533
and I heard a sound
that I never heard before.
662
01:28:34,535 --> 01:28:36,002
I thought, "Man..."
663
01:28:38,972 --> 01:28:40,807
And, folks,
I wanna tell you something.
664
01:28:40,809 --> 01:28:43,476
He was playing the
saddest tune anyone hear.
665
01:28:43,478 --> 01:28:45,344
Oh. Mmm-mmm.
666
01:28:45,346 --> 01:28:46,813
I looked at him,
I said, "Mister."
667
01:28:46,815 --> 01:28:49,215
I said, "Mister."
668
01:28:49,216 --> 01:28:51,697
I said, "Why you playing so sad,
why you playing so sad a tune?"
669
01:28:53,922 --> 01:28:55,243
And he looked at me
and he said,
670
01:28:56,225 --> 01:28:57,958
he said, "Son,
671
01:28:57,960 --> 01:29:00,494
"today they took away the king.
They took away the king."
672
01:29:16,580 --> 01:29:18,314
I said, "The king?"
673
01:29:18,316 --> 01:29:19,748
I was just a little boy,
you know.
674
01:29:19,750 --> 01:29:21,383
"The king?"
I said, "Who's the king?"
675
01:29:21,385 --> 01:29:22,718
He said, "'Who's the king?'"
676
01:29:22,720 --> 01:29:26,355
"Buddy Bolden."
He said, "King Buddy Bolden."
677
01:29:26,357 --> 01:29:28,258
That's what he told me.
678
01:29:30,595 --> 01:29:33,363
So this one's gonna go out
to King Buddy Bolden,
679
01:29:33,365 --> 01:29:35,632
the first king
of New Orleans music.
48320
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