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1
00:00:32,299 --> 00:00:34,520
And now, I love Lucy.
2
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Gee, these Italian trains sure are
cramped.
3
00:00:52,140 --> 00:00:54,780
Imagine, one seat for four people.
4
00:00:55,220 --> 00:00:56,740
Ethel, will you stop complaining?
5
00:00:57,200 --> 00:00:59,400
Well, it's true, they're not very roomy.
6
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They're roomy enough, it's just that
you're roomier.
7
00:01:05,240 --> 00:01:07,380
Well, it's not so bad now that Lucy's
not here.
8
00:01:07,840 --> 00:01:09,200
Yeah. Where'd she go?
9
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Just out to stretch her legs.
10
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What's the matter? There's a man out
there leering at me. The typical masher.
11
00:01:20,900 --> 00:01:25,160
Lucy, why is it that every time you get
on a train, you start imagining things?
12
00:01:25,400 --> 00:01:30,680
I am not imagining things. I know a
masher when I see... There he is now.
13
00:01:30,700 --> 00:01:31,700
Ricky, don't lose your temper.
14
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Why should I lose my temper?
15
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Aren't you going to beat him up? What
for?
16
00:01:38,140 --> 00:01:39,140
For?
17
00:01:39,300 --> 00:01:40,660
Oh, honey, calm down.
18
00:01:40,860 --> 00:01:41,860
He didn't do anything.
19
00:01:42,040 --> 00:01:43,800
Well, he was thinking.
20
00:01:47,520 --> 00:01:50,280
Where was I sitting?
21
00:01:50,580 --> 00:01:51,600
Right beside me.
22
00:01:52,240 --> 00:01:53,240
Where?
23
00:01:53,720 --> 00:01:55,780
Gee, it was there a minute ago. Come on.
24
00:01:56,780 --> 00:01:57,780
Get over it.
25
00:01:58,200 --> 00:02:01,240
Come on, get over it. Get over it. Let
me get my dress.
26
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Such a train.
27
00:02:21,880 --> 00:02:24,580
Fred, at what time do we get to Rome?
28
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Ten o 'clock.
29
00:02:26,640 --> 00:02:27,640
Oh.
30
00:02:28,260 --> 00:02:32,220
Well, that's only just about one more
hour. That won't be so bad.
31
00:02:32,780 --> 00:02:33,780
this torture?
32
00:02:34,260 --> 00:02:38,360
Well, I mean, that's 10 o 'clock
tomorrow morning.
33
00:02:38,800 --> 00:02:39,800
What?
34
00:02:40,400 --> 00:02:42,660
You mean we have to sit like this all
night?
35
00:02:43,160 --> 00:02:44,980
Well, it's only 13 more hours.
36
00:02:46,420 --> 00:02:49,000
If I could only reach you, I'd punch you
right in the nose.
37
00:02:50,160 --> 00:02:52,400
Fred, why didn't you get us birthed?
38
00:02:52,720 --> 00:02:54,140
Well, it's cheaper this way.
39
00:02:54,440 --> 00:02:55,440
Oh, fine.
40
00:02:55,460 --> 00:02:58,300
Well, as Ricky's band manager, it's my
job to save money.
41
00:03:00,010 --> 00:03:02,750
I appreciate that, Fred, but you've got
to draw the line someplace.
42
00:03:03,350 --> 00:03:05,490
Oh, we're lucky he hasn't got a
hitchhiking.
43
00:03:05,810 --> 00:03:07,230
Will you stop yapping?
44
00:03:09,570 --> 00:03:13,070
Oh, 13 more hours in this sardine can.
45
00:03:14,390 --> 00:03:17,250
Sardines were better off. They got all
that oil to wiggle around in.
46
00:03:21,170 --> 00:03:22,710
Let's try to get some sleep, huh?
47
00:03:41,770 --> 00:03:42,770
to have more room.
48
00:03:43,270 --> 00:03:46,350
This is all Fred's fault. Let him stand
up.
49
00:03:47,610 --> 00:03:48,610
Fred?
50
00:03:49,530 --> 00:03:50,530
Fred?
51
00:03:50,990 --> 00:03:52,570
Wake up, sleeping beauty.
52
00:03:53,910 --> 00:03:56,310
You couldn't wake him up with a stick of
dynamite.
53
00:03:56,770 --> 00:03:57,970
Hey, I got an idea.
54
00:03:58,570 --> 00:04:00,870
Hey, look, there goes Gina Lola Brigida.
55
00:04:01,090 --> 00:04:02,090
Where? Where?
56
00:04:07,330 --> 00:04:08,930
Now, what's the big idea?
57
00:04:09,370 --> 00:04:12,260
Well, you got us into this. You can
just... Stand up.
58
00:04:13,280 --> 00:04:14,660
Bethel, I'm not going to forget this.
59
00:05:10,830 --> 00:05:11,830
There's that man again.
60
00:05:14,510 --> 00:05:17,710
Yeah, he is looking kind of funny on
you. I told you he was a masher.
61
00:05:21,350 --> 00:05:22,950
Is there anything I can do for you?
62
00:05:23,330 --> 00:05:24,550
Excuse me, senor.
63
00:05:25,090 --> 00:05:28,390
I am afraid I have given the wrong
impression.
64
00:05:28,710 --> 00:05:31,290
Yeah, well... Allow me to introduce
myself.
65
00:05:31,510 --> 00:05:33,510
I am Vittorio Filippi.
66
00:05:33,830 --> 00:05:35,190
Vittorio Filippi. Yes.
67
00:05:35,930 --> 00:05:39,090
Vittorio Filippi. I produce films here
in Italy.
68
00:05:39,570 --> 00:05:40,570
Oh!
69
00:05:47,180 --> 00:05:51,900
and they're just wonderful. They're so
realistic and earthy. Thank you. Thank
70
00:05:51,900 --> 00:05:54,920
you. Well, we better introduce
ourselves. My name is Ricky Ricardo.
71
00:05:55,220 --> 00:05:56,240
Ricky Ricardo.
72
00:05:56,460 --> 00:05:59,840
Well, I read you were traveling in
Europe.
73
00:06:00,120 --> 00:06:00,919
Oh, you did?
74
00:06:00,920 --> 00:06:05,640
Yes. This is my wife, Lucy.
75
00:06:05,880 --> 00:06:06,880
How do you do, madame?
76
00:06:07,040 --> 00:06:10,120
And Mrs. Mertz. How do you do, Mr.
Mertz? And Mr.
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00:06:10,340 --> 00:06:12,820
Mertz. How are you? Good to see you.
78
00:06:13,160 --> 00:06:18,570
I shouldn't have... been staring at Mrs.
Ricardo, really. Oh, that's all right.
79
00:06:20,550 --> 00:06:25,050
But you see, she happens to be just the
type I need for a new picture.
80
00:06:26,190 --> 00:06:27,190
Who, me?
81
00:06:27,410 --> 00:06:28,410
Yes.
82
00:06:29,010 --> 00:06:32,750
Tell me, Mrs. Ricardo, have you ever
considered acting?
83
00:06:33,370 --> 00:06:35,550
Has she ever considered acting?
84
00:06:54,030 --> 00:06:56,050
Look here, Mr. Ricardo, here's my card.
85
00:06:56,450 --> 00:07:01,030
If you charming wife would be interested
in auditioning, call me, please.
86
00:07:01,290 --> 00:07:06,670
But do it soon. You see, we start
production in a few days. It was very,
87
00:07:06,670 --> 00:07:08,270
nice meeting all of you. Thank you.
88
00:07:08,790 --> 00:07:09,790
Arrivederci.
89
00:07:09,970 --> 00:07:10,970
Arrivederci. Goodbye.
90
00:07:11,930 --> 00:07:13,410
Poor man.
91
00:07:23,180 --> 00:07:24,180
your debut.
92
00:08:18,540 --> 00:08:19,539
It's nothing, Rick.
93
00:08:19,540 --> 00:08:20,540
Nothing?
94
00:08:21,080 --> 00:08:22,500
Smarter than the Yankee Stadium.
95
00:08:22,920 --> 00:08:25,660
Joe DiMaggio would have hit 80 home runs
in that hat box.
96
00:08:27,940 --> 00:08:31,360
Oh, what can I expect when I expose him
to culture?
97
00:08:32,100 --> 00:08:35,799
Come on, Lucy, take a look at it. I saw
it. Listen, there's a big article about
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00:08:35,799 --> 00:08:40,000
Vittorio Filippi in here and pictures of
some of the actresses he discovered.
99
00:08:40,700 --> 00:08:41,840
Aren't they earthy?
100
00:08:42,600 --> 00:08:43,600
Wow.
101
00:08:44,780 --> 00:08:47,460
Oh, I don't think those Italian
actresses are so much.
102
00:08:47,800 --> 00:08:49,800
Not one of them's got her hair combed.
103
00:08:50,820 --> 00:08:52,020
Well, they look great to me.
104
00:08:53,680 --> 00:08:57,020
If I let my hair go like that, you'd
never let me hear the end of it.
105
00:08:57,460 --> 00:08:59,880
Honeybunch, if the rest of you looked
like that, I wouldn't care if you were
106
00:08:59,880 --> 00:09:00,880
bald.
107
00:09:06,580 --> 00:09:07,580
Ricky? Yes?
108
00:09:08,160 --> 00:09:09,640
Do you like earthy women?
109
00:09:10,440 --> 00:09:11,440
What's earthy?
110
00:09:11,660 --> 00:09:12,660
That.
111
00:09:13,340 --> 00:09:15,100
Well, we don't call that earthy in Cuba.
112
00:09:15,380 --> 00:09:16,380
Oh, what do you call it?
113
00:09:17,100 --> 00:09:18,099
I have words for it.
114
00:09:18,100 --> 00:09:19,580
Ay, ay, ay, ay, ay.
115
00:09:24,140 --> 00:09:25,140
Come in.
116
00:09:25,900 --> 00:09:28,480
The hangers you called for, Signora. Oh,
yeah, yes.
117
00:09:28,800 --> 00:09:34,480
Oh, uh, Signor Bellboy, would you, uh,
translate the story for me on Vittorio
118
00:09:34,480 --> 00:09:37,520
Filippi? Uh, I don't understand Italian,
you know.
119
00:09:37,780 --> 00:09:38,780
Uh,
120
00:09:39,800 --> 00:09:44,900
it says here, Signor Vittorio Filippi
has announced the starting date of his
121
00:09:44,900 --> 00:09:45,900
newest picture.
122
00:09:45,980 --> 00:09:50,120
which will be called... Oh,
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00:09:50,280 --> 00:09:53,440
mother!
124
00:09:56,320 --> 00:09:57,740
It's the same thing in Italy.
125
00:10:00,300 --> 00:10:04,480
Excuse me, signora. The name of the
picture will be Grappolo Pungente.
126
00:10:05,060 --> 00:10:06,120
Grappolo, what does that mean?
127
00:10:06,340 --> 00:10:07,620
It means bitter grapes.
128
00:10:08,080 --> 00:10:09,080
Bitter grapes?
129
00:10:09,220 --> 00:10:10,620
Oh, what else does it say?
130
00:10:10,880 --> 00:10:12,980
The picture will be filmed in color.
131
00:10:13,500 --> 00:10:16,100
and will be shot in and around Rome.
132
00:10:16,360 --> 00:10:17,359
Uh -huh. Go on.
133
00:10:17,360 --> 00:10:20,000
That's all there is. È finito. Oh, well,
thank you very much.
134
00:10:21,260 --> 00:10:24,480
Belle bambine tutte queste cose, sono
belle.
135
00:10:25,780 --> 00:10:28,140
Would you like to take the magazine with
you?
136
00:10:28,340 --> 00:10:31,280
Oh, grazie. You're welcome. Ai, ai, ai.
137
00:10:41,230 --> 00:10:42,570
I wonder what part they want me for.
138
00:10:42,850 --> 00:10:44,810
Oh, you're probably going to be one of
the bunch.
139
00:10:47,730 --> 00:10:48,730
Very funny.
140
00:10:48,970 --> 00:10:51,290
Gee, I've got to find out about the
grape vineyards.
141
00:10:51,490 --> 00:10:53,890
How the workers act, what they do there.
142
00:10:54,210 --> 00:10:57,230
Lucy. There must be some grape vineyards
near here someplace. Lucy.
143
00:10:57,470 --> 00:11:00,910
I bet I can learn all about them in a
couple of hours. Oh, no, you don't.
144
00:11:01,390 --> 00:11:02,249
Why not?
145
00:11:02,250 --> 00:11:04,570
Look, honey, Italy has enough problems
already.
146
00:11:05,390 --> 00:11:09,490
I don't want to have to worry about you
lousing up the entire grape industry.
147
00:11:09,750 --> 00:11:10,699
Oh.
148
00:11:10,700 --> 00:11:13,900
All I want to do is soak up a little
local color so I'll know what I'm acting
149
00:11:13,900 --> 00:11:16,960
about. What could possibly happen to me?
Well, I could answer that, but we're
150
00:11:16,960 --> 00:11:18,080
only going to be here ten days.
151
00:11:19,060 --> 00:11:20,520
Come on, Fred, let's check the theater.
152
00:11:20,740 --> 00:11:23,580
Okay. So long, Fred. See you later. No
funny business.
153
00:11:24,060 --> 00:11:26,060
Promise. All right, all right.
154
00:11:26,440 --> 00:11:27,019
All right.
155
00:11:27,020 --> 00:11:28,020
See you later.
156
00:11:32,040 --> 00:11:33,180
Come on, Ethel, let's go.
157
00:11:37,000 --> 00:11:40,400
You promised Ricky you wouldn't. I did
not. I promised him no funny business.
158
00:11:40,580 --> 00:11:44,540
Soaking up local color for acting
purposes happens to be a very serious
159
00:11:44,540 --> 00:11:48,340
business. Oh, brother. Besides, the only
reason he doesn't want me to go is
160
00:11:48,340 --> 00:11:50,880
because he doesn't want me to be in that
picture. Now, don't start that he
161
00:11:50,880 --> 00:11:53,460
doesn't want me in show business stuff.
Well, he doesn't.
162
00:11:53,840 --> 00:11:55,980
How can I find out where the grape
vineyards are?
163
00:11:56,380 --> 00:11:58,340
Just look in the yellow pages of the
phone book.
164
00:12:02,320 --> 00:12:05,200
Operator, would you ask the bellboy to
come up to 605, please?
165
00:12:05,600 --> 00:12:06,519
Thank you.
166
00:12:06,520 --> 00:12:09,360
I'll ask him where they are. So you find
a vineyard. What are you going to do
167
00:12:09,360 --> 00:12:11,240
about the fact that you don't speak
Italian?
168
00:12:11,800 --> 00:12:14,520
I know a few words. What I don't know,
I'll shrug.
169
00:12:16,340 --> 00:12:18,160
How can you shrug a conversation?
170
00:12:18,640 --> 00:12:21,520
Ethel, you have been in Italy for a
week. Haven't you learned anything?
171
00:12:21,860 --> 00:12:22,860
What does this mean?
172
00:12:25,040 --> 00:12:26,040
It's wonderful.
173
00:12:26,100 --> 00:12:27,100
Right.
174
00:12:27,340 --> 00:12:28,340
How about this?
175
00:12:30,600 --> 00:12:31,600
Who knows?
176
00:12:32,160 --> 00:12:33,160
Very.
177
00:12:39,720 --> 00:12:41,340
the spaghetti, wind it around the fork.
178
00:12:43,540 --> 00:12:45,240
What's this?
179
00:12:47,260 --> 00:12:48,680
Oh, I give up. What is it?
180
00:12:49,020 --> 00:12:50,280
Get me a large pizza.
181
00:12:53,960 --> 00:12:54,960
Come in.
182
00:12:55,700 --> 00:12:59,240
Si, senora, you sent for me? Yes, I'd
like a little information, please.
183
00:12:59,540 --> 00:13:02,520
I'd like to know a little bit about the
wine industry, how they make the wine,
184
00:13:02,560 --> 00:13:05,100
how they pick the grapes and how they
press the juice out with their feet.
185
00:13:05,440 --> 00:13:07,340
Are there any grape vineyards around
here?
186
00:13:07,800 --> 00:13:11,940
Well, there's only one little town
called Turo where they still make wine
187
00:13:11,940 --> 00:13:15,260
that, you know. All other wineries are
modern. They use big machinery.
188
00:13:15,460 --> 00:13:17,120
Oh, oh, well, where is this Turo?
189
00:13:17,320 --> 00:13:20,620
Oh, it's right on the outskirts of the
city. Oh, well, thank you very much.
190
00:13:20,780 --> 00:13:21,780
Turo, Turo.
191
00:13:22,220 --> 00:13:23,220
You want to come along?
192
00:13:23,480 --> 00:13:24,480
No, thanks.
193
00:13:25,560 --> 00:13:28,120
What am I going to tell Ricky when he
asks where you are?
194
00:13:28,520 --> 00:13:31,200
Tell him anything you want. I have
nothing to hide. Tell him the truth.
195
00:13:31,860 --> 00:13:34,200
Okay, I'll tell him the truth. Don't you
dare!
196
00:14:27,120 --> 00:14:28,660
I heard, you know, the poor girl.
197
00:15:07,600 --> 00:15:10,400
Thank you.
198
00:16:01,470 --> 00:16:04,790
Rosa, Teresa, voi lavorerete nel tino.
199
00:16:22,320 --> 00:16:26,040
I want you to work in Tino, and you,
Rosa, go to the vineyard. But why?
200
00:16:26,500 --> 00:16:27,500
Why?
201
00:16:27,880 --> 00:16:30,860
Look, look at those beautiful feet.
They're as wide as a pizza.
202
00:16:31,260 --> 00:16:32,800
They can hit you so hard.
203
00:16:35,700 --> 00:16:37,660
Let's go, let's go, let's go.
204
00:16:38,100 --> 00:16:39,100
Let's go now.
205
00:19:09,830 --> 00:19:10,830
Where did Lucy go?
206
00:19:11,550 --> 00:19:12,750
Where did Lucy go?
207
00:19:14,330 --> 00:19:17,250
Will you stop repeating everything I
say? Where did she go?
208
00:19:19,510 --> 00:19:24,950
Well... Ethel, did she go shopping? I
promise not to tell.
209
00:19:26,170 --> 00:19:28,610
Did she go around sucking up local
color?
210
00:19:42,760 --> 00:19:45,360
because you were trying to keep her out
of that movie. What do you mean, keep
211
00:19:45,360 --> 00:19:48,240
her out of that movie? I just don't want
her to go around and get herself into
212
00:19:48,240 --> 00:19:49,240
trouble again.
213
00:19:49,700 --> 00:19:53,280
Really? Well, why would I ask Victoria
Felipe to come over here if I didn't
214
00:19:53,280 --> 00:19:54,280
her in the movie?
215
00:19:54,520 --> 00:19:55,520
Why, that's right.
216
00:19:55,940 --> 00:19:56,940
Sure.
217
00:19:57,160 --> 00:20:00,900
Now, don't you worry about it, Ricky.
She just probably picked a few grapes
218
00:20:00,900 --> 00:20:02,180
she's on her way home right now.
219
00:20:02,600 --> 00:20:04,840
Yeah, well, I hope you're right. Yeah,
I'm sure of it.
220
00:22:22,580 --> 00:22:26,360
I cannot wait any longer, really. Oh,
gee, that's too bad. She's going to be
221
00:22:26,360 --> 00:22:30,420
awful sorry that she missed you. Oh,
she's so anxious to be in your picture.
222
00:22:30,420 --> 00:22:33,560
sorry, but, you see, I have to go back
at the studio. I'm late. Wait just a few
223
00:22:33,560 --> 00:22:35,100
minutes longer. Just a few minutes.
224
00:22:52,140 --> 00:22:53,140
for working in your picture.
225
00:22:53,340 --> 00:22:56,640
Boy, when it comes to soaking up local
color, you don't mess around.
226
00:22:57,900 --> 00:23:00,060
Lucy, why don't you go wash that blue
stuff up?
227
00:23:00,320 --> 00:23:02,340
I tried to. It won't come off.
228
00:23:02,600 --> 00:23:03,600
But, Mrs.
229
00:23:03,760 --> 00:23:05,680
Ricardo, I'm afraid you misunderstood.
230
00:23:06,940 --> 00:23:10,300
You see, Vida Grapes is just a symbolic
title.
231
00:23:10,760 --> 00:23:13,540
The picture has nothing to do with the
grape industry.
232
00:23:17,230 --> 00:23:21,770
And, uh, besides, you see, I had you in
mind for a small part as a typical
233
00:23:21,770 --> 00:23:23,890
American tourist visiting in Italy.
234
00:23:24,110 --> 00:23:25,110
Oh, well, fine!
235
00:23:25,510 --> 00:23:29,390
Oh, it isn't fine at all. You see, we're
shooting the scene tomorrow morning in
236
00:23:29,390 --> 00:23:33,050
color, and I couldn't take a chance that
you would be back to normal by then.
237
00:23:33,370 --> 00:23:34,370
Well, well...
238
00:23:46,860 --> 00:23:49,140
Oh, please, I'll do anything. I'll dye
my hair. I'll do anything.
239
00:23:49,380 --> 00:23:50,620
Mrs. Ricardo, please.
240
00:23:50,900 --> 00:23:53,340
You know, the part isn't big enough to
go to all that trouble.
241
00:23:53,600 --> 00:23:56,640
Really. Well, it's very nice of you to
come over, Mr. Felipe.
242
00:23:56,860 --> 00:24:00,360
It was very nice meeting you. Thank you.
I'm awfully sorry, Mrs. Ricardo. I'll
243
00:24:00,360 --> 00:24:02,220
shave my head. I'll wear a mask.
244
00:24:03,720 --> 00:24:06,140
No. Goodbye, Mr. Mercer. Goodbye.
245
00:24:06,460 --> 00:24:08,040
Goodbye, Mrs. Mercer. Goodbye.
246
00:24:09,180 --> 00:24:10,180
Just a minute.
247
00:24:10,520 --> 00:24:14,380
Oh. Mrs. Mercer, would you be interested
in playing that part?
248
00:24:21,160 --> 00:24:23,160
tomorrow morning at my studio at 8 o
'clock.
249
00:24:23,860 --> 00:24:29,040
You are a typical American tourist, if I
ever saw one. Oh, thank you. Oh, thank
250
00:24:29,040 --> 00:24:32,300
you. Oh, I'll be right there at 8 o
'clock.
251
00:24:32,580 --> 00:24:36,400
Oh, imagine me in an Italian movie.
252
00:24:36,880 --> 00:24:38,280
This is only the beginning.
253
00:24:38,560 --> 00:24:40,720
I may end up being a star.
254
00:24:43,640 --> 00:24:45,060
Arrivederci, mi amore.
255
00:24:47,080 --> 00:24:50,220
Mi amore, arrivederci.
256
00:25:18,410 --> 00:25:20,990
Vittorio Filippi was played by Franco
Costaro.
257
00:25:21,230 --> 00:25:23,210
The bellboy was Solverio Lomedico.
258
00:25:23,430 --> 00:25:26,290
The two women were Teresa Torelli and
Rosa Barbato.
259
00:25:26,490 --> 00:25:28,550
And the boss was Ernesto Molinari.
260
00:25:31,230 --> 00:25:33,510
I Love Lucy is a Desilu production.
261
00:25:33,910 --> 00:25:37,350
Lucille Ball and Desi Arnaz will be back
next week at the same time.
20482
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