All language subtitles for I Love Lucy s05e23 lucys italian movie

And now, I love Lucy.

Gee, these Italian trains sure are
cramped.

Imagine, one seat for four people.

Ethel, will you stop complaining?

Well, it's true, they're not very roomy.

They're roomy enough, it's just that
you're roomier.

Well, it's not so bad now that Lucy's
not here.

Yeah. Where'd she go?

Just out to stretch her legs.

What's the matter? There's a man out
there leering at me. The typical masher.

Lucy, why is it that every time you get
on a train, you start imagining things?

I am not imagining things. I know a
masher when I see... There he is now.

Ricky, don't lose your temper.

Why should I lose my temper?

Aren't you going to beat him up? What
for?

For?

Oh, honey, calm down.

He didn't do anything.

Well, he was thinking.

Where was I sitting?

Right beside me.

Where?

Gee, it was there a minute ago. Come on.

Get over it.

Come on, get over it. Get over it. Let
me get my dress.

Such a train.

Fred, at what time do we get to Rome?

Ten o 'clock.

Oh.

Well, that's only just about one more
hour. That won't be so bad.

this torture?

Well, I mean, that's 10 o 'clock
tomorrow morning.

What?

You mean we have to sit like this all
night?

Well, it's only 13 more hours.

If I could only reach you, I'd punch you
right in the nose.

Fred, why didn't you get us birthed?

Well, it's cheaper this way.

Oh, fine.

Well, as Ricky's band manager, it's my
job to save money.

I appreciate that, Fred, but you've got
to draw the line someplace.

Oh, we're lucky he hasn't got a
hitchhiking.

Will you stop yapping?

Oh, 13 more hours in this sardine can.

Sardines were better off. They got all
that oil to wiggle around in.

Let's try to get some sleep, huh?

to have more room.

This is all Fred's fault. Let him stand
up.

Fred?

Fred?

Wake up, sleeping beauty.

You couldn't wake him up with a stick of
dynamite.

Hey, I got an idea.

Hey, look, there goes Gina Lola Brigida.

Where? Where?

Now, what's the big idea?

Well, you got us into this. You can
just... Stand up.

Bethel, I'm not going to forget this.

There's that man again.

Yeah, he is looking kind of funny on
you. I told you he was a masher.

Is there anything I can do for you?

Excuse me, senor.

I am afraid I have given the wrong
impression.

Yeah, well... Allow me to introduce
myself.

I am Vittorio Filippi.

Vittorio Filippi. Yes.

Vittorio Filippi. I produce films here
in Italy.

Oh!

and they're just wonderful. They're so
realistic and earthy. Thank you. Thank

you. Well, we better introduce
ourselves. My name is Ricky Ricardo.

Ricky Ricardo.

Well, I read you were traveling in
Europe.

Oh, you did?

Yes. This is my wife, Lucy.

How do you do, madame?

And Mrs. Mertz. How do you do, Mr.
Mertz? And Mr.

Mertz. How are you? Good to see you.

I shouldn't have... been staring at Mrs.
Ricardo, really. Oh, that's all right.

But you see, she happens to be just the
type I need for a new picture.

Who, me?

Yes.

Tell me, Mrs. Ricardo, have you ever
considered acting?

Has she ever considered acting?

Look here, Mr. Ricardo, here's my card.

If you charming wife would be interested
in auditioning, call me, please.

But do it soon. You see, we start
production in a few days. It was very,

nice meeting all of you. Thank you.

Arrivederci.

Arrivederci. Goodbye.

Poor man.

your debut.

It's nothing, Rick.

Nothing?

Smarter than the Yankee Stadium.

Joe DiMaggio would have hit 80 home runs
in that hat box.

Oh, what can I expect when I expose him
to culture?

Come on, Lucy, take a look at it. I saw
it. Listen, there's a big article about

Vittorio Filippi in here and pictures of
some of the actresses he discovered.

Aren't they earthy?

Wow.

Oh, I don't think those Italian
actresses are so much.

Not one of them's got her hair combed.

Well, they look great to me.

If I let my hair go like that, you'd
never let me hear the end of it.

Honeybunch, if the rest of you looked
like that, I wouldn't care if you were

bald.

Ricky? Yes?

Do you like earthy women?

What's earthy?

That.

Well, we don't call that earthy in Cuba.

Oh, what do you call it?

I have words for it.

Ay, ay, ay, ay, ay.

Come in.

The hangers you called for, Signora. Oh,
yeah, yes.

Oh, uh, Signor Bellboy, would you, uh,
translate the story for me on Vittorio

Filippi? Uh, I don't understand Italian,
you know.

Uh,

it says here, Signor Vittorio Filippi
has announced the starting date of his

newest picture.

which will be called... Oh,

mother!

It's the same thing in Italy.

Excuse me, signora. The name of the
picture will be Grappolo Pungente.

Grappolo, what does that mean?

It means bitter grapes.

Bitter grapes?

Oh, what else does it say?

The picture will be filmed in color.

and will be shot in and around Rome.

Uh -huh. Go on.

That's all there is. È finito. Oh, well,
thank you very much.

Belle bambine tutte queste cose, sono
belle.

Would you like to take the magazine with
you?

Oh, grazie. You're welcome. Ai, ai, ai.

I wonder what part they want me for.

Oh, you're probably going to be one of
the bunch.

Very funny.

Gee, I've got to find out about the
grape vineyards.

How the workers act, what they do there.

Lucy. There must be some grape vineyards
near here someplace. Lucy.

I bet I can learn all about them in a
couple of hours. Oh, no, you don't.

Why not?

Look, honey, Italy has enough problems
already.

I don't want to have to worry about you
lousing up the entire grape industry.

Oh.

All I want to do is soak up a little
local color so I'll know what I'm acting

about. What could possibly happen to me?
Well, I could answer that, but we're

only going to be here ten days.

Come on, Fred, let's check the theater.

Okay. So long, Fred. See you later. No
funny business.

Promise. All right, all right.

All right.

See you later.

Come on, Ethel, let's go.

You promised Ricky you wouldn't. I did
not. I promised him no funny business.

Soaking up local color for acting
purposes happens to be a very serious

business. Oh, brother. Besides, the only
reason he doesn't want me to go is

because he doesn't want me to be in that
picture. Now, don't start that he

doesn't want me in show business stuff.
Well, he doesn't.

How can I find out where the grape
vineyards are?

Just look in the yellow pages of the
phone book.

Operator, would you ask the bellboy to
come up to 605, please?

Thank you.

I'll ask him where they are. So you find
a vineyard. What are you going to do

about the fact that you don't speak
Italian?

I know a few words. What I don't know,
I'll shrug.

How can you shrug a conversation?

Ethel, you have been in Italy for a
week. Haven't you learned anything?

What does this mean?

It's wonderful.

Right.

How about this?

Who knows?

Very.

the spaghetti, wind it around the fork.

What's this?

Oh, I give up. What is it?

Get me a large pizza.

Come in.

Si, senora, you sent for me? Yes, I'd
like a little information, please.

I'd like to know a little bit about the
wine industry, how they make the wine,

how they pick the grapes and how they
press the juice out with their feet.

Are there any grape vineyards around
here?

Well, there's only one little town
called Turo where they still make wine

that, you know. All other wineries are
modern. They use big machinery.

Oh, oh, well, where is this Turo?

Oh, it's right on the outskirts of the
city. Oh, well, thank you very much.

Turo, Turo.

You want to come along?

No, thanks.

What am I going to tell Ricky when he
asks where you are?

Tell him anything you want. I have
nothing to hide. Tell him the truth.

Okay, I'll tell him the truth. Don't you
dare!

I heard, you know, the poor girl.

Thank you.

Rosa, Teresa, voi lavorerete nel tino.

I want you to work in Tino, and you,
Rosa, go to the vineyard. But why?

Why?

Look, look at those beautiful feet.
They're as wide as a pizza.

They can hit you so hard.

Let's go, let's go, let's go.

Let's go now.

Where did Lucy go?

Where did Lucy go?

Will you stop repeating everything I
say? Where did she go?

Well... Ethel, did she go shopping? I
promise not to tell.

Did she go around sucking up local
color?

because you were trying to keep her out
of that movie. What do you mean, keep

her out of that movie? I just don't want
her to go around and get herself into

trouble again.

Really? Well, why would I ask Victoria
Felipe to come over here if I didn't

her in the movie?

Why, that's right.

Sure.

Now, don't you worry about it, Ricky.
She just probably picked a few grapes

she's on her way home right now.

Yeah, well, I hope you're right. Yeah,
I'm sure of it.

I cannot wait any longer, really. Oh,
gee, that's too bad. She's going to be

awful sorry that she missed you. Oh,
she's so anxious to be in your picture.

sorry, but, you see, I have to go back
at the studio. I'm late. Wait just a few

minutes longer. Just a few minutes.

for working in your picture.

Boy, when it comes to soaking up local
color, you don't mess around.

Lucy, why don't you go wash that blue
stuff up?

I tried to. It won't come off.

But, Mrs.

Ricardo, I'm afraid you misunderstood.

You see, Vida Grapes is just a symbolic
title.

The picture has nothing to do with the
grape industry.

And, uh, besides, you see, I had you in
mind for a small part as a typical

American tourist visiting in Italy.

Oh, well, fine!

Oh, it isn't fine at all. You see, we're
shooting the scene tomorrow morning in

color, and I couldn't take a chance that
you would be back to normal by then.

Well, well...

Oh, please, I'll do anything. I'll dye
my hair. I'll do anything.

Mrs. Ricardo, please.

You know, the part isn't big enough to
go to all that trouble.

Really. Well, it's very nice of you to
come over, Mr. Felipe.

It was very nice meeting you. Thank you.
I'm awfully sorry, Mrs. Ricardo. I'll

shave my head. I'll wear a mask.

No. Goodbye, Mr. Mercer. Goodbye.

Goodbye, Mrs. Mercer. Goodbye.

Just a minute.

Oh. Mrs. Mercer, would you be interested
in playing that part?

tomorrow morning at my studio at 8 o
'clock.

You are a typical American tourist, if I
ever saw one. Oh, thank you. Oh, thank

you. Oh, I'll be right there at 8 o
'clock.

Oh, imagine me in an Italian movie.

This is only the beginning.

I may end up being a star.

Arrivederci, mi amore.

Mi amore, arrivederci.

Vittorio Filippi was played by Franco
Costaro.

The bellboy was Solverio Lomedico.

The two women were Teresa Torelli and
Rosa Barbato.

And the boss was Ernesto Molinari.

I Love Lucy is a Desilu production.

Lucille Ball and Desi Arnaz will be back
next week at the same time.