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All language subtitles for I Love Lucy s02e04 the handcuffs

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,830 --> 00:00:40,670 Now, ladies and gentlemen, if you will observe closely, please, I shall 2 00:00:40,670 --> 00:00:45,290 to make the packet of cigarettes magically reappear. 3 00:00:45,910 --> 00:00:50,070 Hocus pocus dominocus. 4 00:00:51,470 --> 00:00:54,550 That's very good. 5 00:00:55,150 --> 00:00:56,550 Fine, Fred, that's fine. 6 00:00:56,970 --> 00:00:58,450 What a talent. 7 00:00:59,810 --> 00:01:01,770 Now, ladies and gentlemen... 8 00:01:02,480 --> 00:01:03,600 For my next trick. 9 00:01:03,900 --> 00:01:05,600 Oh, not another one. 10 00:01:05,920 --> 00:01:09,420 Oh, Fred, you've been on an hour. That's 70 minutes too long. 11 00:01:10,720 --> 00:01:13,780 Well, if you're going to take that attitude, I won't show you my next 12 00:01:13,920 --> 00:01:14,920 That's great. Fine. 13 00:01:15,020 --> 00:01:17,760 That's good, Fred, because I've got a lot of work to do. This next 14 00:01:17,760 --> 00:01:22,420 is known as mystifying Merch's handcuff escape. 15 00:01:24,440 --> 00:01:26,340 And you're going to have to beg me before I do it. 16 00:01:26,640 --> 00:01:28,000 Oh, please, Fred. 17 00:01:28,400 --> 00:01:31,060 Well, well, well, if you're going to say please, okay. 18 00:01:31,710 --> 00:01:32,710 I'll do it. 19 00:01:35,250 --> 00:01:39,050 It'll only take a second. You have to be a volunteer from the audience. 20 00:01:39,410 --> 00:01:45,870 This is the most mystifying bit of prestidigitation in my entire 21 00:01:46,630 --> 00:01:47,950 And I shall need a volunteer. 22 00:01:48,430 --> 00:01:49,430 I'm here. 23 00:01:50,750 --> 00:01:52,890 Well, well, there's a very beautiful young lady. 24 00:01:53,610 --> 00:01:57,470 Now I'm going to ask you to look at these and see that they are securely 25 00:01:57,910 --> 00:02:00,450 And that it will be impossible for you to remove them. 26 00:02:15,440 --> 00:02:17,940 Oh, come on, Ethel. Let's get out of this trap. 27 00:02:18,900 --> 00:02:20,160 I'm coming, Houdini. 28 00:02:22,180 --> 00:02:24,980 Listen, Ethel. I hope I didn't hurt his feelings. 29 00:02:25,260 --> 00:02:26,260 Hurt his feelings? 30 00:02:26,380 --> 00:02:29,780 Listen, I've seen him do those magic tricks a hundred times. This is the best 31 00:02:29,780 --> 00:02:30,860 audience he ever had. 32 00:02:31,540 --> 00:02:34,680 We didn't intend to stay all afternoon. See you later. That's all right. Bye 33 00:02:34,680 --> 00:02:35,680 -bye, Ethel. 34 00:02:35,960 --> 00:02:37,820 Oh, poor Fred. 35 00:02:38,140 --> 00:02:40,560 What do you mean, poor Fred? Poor Oz. 36 00:02:41,080 --> 00:02:42,640 Certainly glad that finally left. 37 00:02:42,900 --> 00:02:44,770 I got a lot of work to do. this afternoon. 38 00:02:45,090 --> 00:02:47,610 You have? I thought you were just saying that to get rid of Fred. 39 00:02:47,950 --> 00:02:50,290 No, I got to learn my part for this television show. 40 00:02:50,510 --> 00:02:53,350 Oh, honey, you got a lot of time for that. That doesn't go on till tomorrow. 41 00:02:53,810 --> 00:02:55,070 I know, but the rehearsal is tonight. 42 00:02:55,570 --> 00:02:57,610 Well, I'll just clean things up then. 43 00:02:58,290 --> 00:02:59,650 Tonight? Yeah. 44 00:02:59,890 --> 00:03:03,090 For Ricky, tonight is Monday. You were going to take me to a movie and dinner. 45 00:03:03,470 --> 00:03:04,470 I was? 46 00:03:04,730 --> 00:03:06,810 Well, I didn't tell you about it yet, but you were. 47 00:03:08,330 --> 00:03:10,810 Gee whiz, Ricky, you only get one night off a week. 48 00:03:11,070 --> 00:03:14,250 Well, honey, That's why they're having the rehearsal tonight, so I can be 49 00:03:14,330 --> 00:03:15,630 I'm very important to the show. 50 00:03:15,930 --> 00:03:17,890 Well, you're very important to me, too. 51 00:03:18,510 --> 00:03:20,450 Gee, I never get to see you anymore. 52 00:03:20,870 --> 00:03:23,710 Well, honey, I'll take you to dinner and a movie some other night, huh? 53 00:03:24,570 --> 00:03:27,770 You've been saying that for a long time. You know how long it's been since I've 54 00:03:27,770 --> 00:03:28,770 seen a movie? 55 00:03:28,810 --> 00:03:29,810 How long? 56 00:03:29,890 --> 00:03:34,310 Well, I can't remember the title, but there was a guy named Ben that won a 57 00:03:34,310 --> 00:03:35,310 chariot race. 58 00:03:44,520 --> 00:03:45,620 never get to go out together. 59 00:03:45,940 --> 00:03:49,900 Well, honey, I promise that I'll keep Mondays for you from now on. Well, you 60 00:03:49,900 --> 00:03:52,580 better. I'll see what Ethel's doing tonight. Okay, honey. 61 00:04:51,650 --> 00:04:53,010 Hey, what's this? Hey! 62 00:04:53,790 --> 00:04:54,790 What happened? 63 00:04:55,650 --> 00:04:57,710 What are you doing? 64 00:04:58,150 --> 00:05:01,530 I'm going to use these on you every Monday and then you can't get away from 65 00:05:01,590 --> 00:05:04,910 Oh, honey, you know I'm not trying to find ways to get away from you. 66 00:05:05,390 --> 00:05:07,950 I know, and I love you. Well, I love you, too. 67 00:05:08,330 --> 00:05:13,630 How do you get these things off? 68 00:05:14,110 --> 00:05:15,150 Well, I'll show you. 69 00:05:15,410 --> 00:05:16,990 Hocus Pocus Dominocus. 70 00:05:18,190 --> 00:05:19,190 Gee, 71 00:05:20,790 --> 00:05:23,390 that's funny. When Fred had them on, I just jiggled them and they fell off. 72 00:05:24,270 --> 00:05:25,950 Hocus Pocus Dominocus. 73 00:05:28,510 --> 00:05:30,950 Let me try it. 74 00:05:32,370 --> 00:05:34,070 Hocus Pocus whatever it is. 75 00:05:37,040 --> 00:05:38,480 is more mystifying than I thought. 76 00:05:38,960 --> 00:05:40,140 I better call him, honey. 77 00:05:41,280 --> 00:05:42,280 Sorry, 78 00:05:43,600 --> 00:05:46,120 honey. Fred doesn't know him. He went down to the corner. 79 00:05:46,380 --> 00:05:49,280 Ethel and I got these out of his trunk. Well, come on. Let's call Ethel, huh? 80 00:05:49,360 --> 00:05:50,360 Yeah. 81 00:05:51,560 --> 00:05:52,259 I'll go. 82 00:05:52,260 --> 00:05:53,640 Hey. Hey, Lucy. 83 00:05:54,180 --> 00:05:55,940 Don't put those... Uh -oh. 84 00:05:56,580 --> 00:05:58,360 We're too late. Too late for what? 85 00:05:59,120 --> 00:06:00,440 Um... Too late for what? 86 00:06:00,660 --> 00:06:03,300 Uh, Fred, uh... Too late for what? What is it? 87 00:06:04,980 --> 00:06:06,320 Those are not the tricks. 88 00:06:08,810 --> 00:06:10,070 These are the trick handcuffs. 89 00:06:10,690 --> 00:06:13,070 I took them down to the barbershop to show the boys. 90 00:06:13,310 --> 00:06:14,310 Oh, great. 91 00:06:14,350 --> 00:06:16,070 Well, any idiot should have seen the difference. 92 00:06:16,630 --> 00:06:18,110 Almost any idiot. 93 00:06:20,030 --> 00:06:22,530 Well, isn't there any way that you can get these things unlocked? 94 00:06:22,750 --> 00:06:23,870 Sure, you open them with a key. 95 00:06:24,270 --> 00:06:26,530 Well, what are you waiting for? Where's the key? 96 00:06:26,910 --> 00:06:27,910 I never had one. 97 00:06:28,590 --> 00:06:30,670 Those are old Civil War handcuffs. 98 00:06:39,880 --> 00:06:41,620 They were given to me when I did a police benefit. 99 00:06:41,880 --> 00:06:44,540 And that was way back in 1919. 100 00:06:45,300 --> 00:06:46,300 Oh, no. 101 00:06:46,700 --> 00:06:48,620 Well, genius, what now? 102 00:06:48,900 --> 00:06:50,820 Are we going to go through life like this? 103 00:06:51,860 --> 00:06:55,840 Now, honey, remember when we were married, you wanted to be joined 104 00:06:55,840 --> 00:06:56,840 matrimony. 105 00:06:57,960 --> 00:07:02,900 And as I recall, it was till death do us part. Yeah, that's right. 106 00:07:04,460 --> 00:07:07,540 That event is about to take place right now. 107 00:07:11,150 --> 00:07:12,570 this whole thing with one phone call. 108 00:07:12,810 --> 00:07:13,589 What do you mean? 109 00:07:13,590 --> 00:07:15,390 Well, there is such a thing as a locksmith. 110 00:07:15,610 --> 00:07:16,610 Of course. 111 00:07:16,730 --> 00:07:18,330 Now, wait a minute. I'll do it. 112 00:07:21,390 --> 00:07:22,550 I'll get the locksmith. 113 00:07:24,030 --> 00:07:27,370 I'll do it. Here, here. I got him, I got him. Here we are. Right there. 114 00:07:28,350 --> 00:07:29,350 Here it is. 115 00:07:29,490 --> 00:07:31,330 He's the fellow right near here on First Avenue. 116 00:07:31,590 --> 00:07:34,010 Well, he won't be at the store this late. Call his home. 117 00:07:34,270 --> 00:07:36,650 Well, let's see if they got his home. Yeah, here's his home number. What's the 118 00:07:36,650 --> 00:07:38,470 number? Well, I lost my place now. 119 00:07:45,710 --> 00:07:46,710 8 .30. 120 00:07:46,830 --> 00:07:48,650 I got to be there for the television rehearsal. 121 00:07:48,950 --> 00:07:51,850 Don't worry. I'll have him meet us down there. Oh, no. I'm not going to go down 122 00:07:51,850 --> 00:07:52,850 there like this. 123 00:07:53,130 --> 00:07:54,730 I'll just have to call and tell him I'll be late. 124 00:07:55,690 --> 00:07:57,030 Gee, I don't think he's home. 125 00:07:57,950 --> 00:07:59,550 Hello? Are you the locksmith? 126 00:08:00,350 --> 00:08:03,970 Well, this is Mrs. Ricky Ricardo at 623 East 68th Street. 127 00:08:04,710 --> 00:08:10,070 Yes. By accident, my husband and I got handcuffed together, and we'd like you 128 00:08:10,070 --> 00:08:11,630 come over and take them off for us. 129 00:08:13,790 --> 00:08:14,790 No. 130 00:08:15,080 --> 00:08:16,080 from jail. 131 00:08:16,780 --> 00:08:18,500 It was an accident. 132 00:08:19,840 --> 00:08:21,540 But wait a minute, that's too late. 133 00:08:22,440 --> 00:08:23,440 Wait a minute. 134 00:08:23,600 --> 00:08:24,600 Oh. 135 00:08:27,400 --> 00:08:29,340 He won't come until morning. 136 00:08:29,620 --> 00:08:32,240 Well, never mind. There's a whole page full of locksmiths here. 137 00:08:32,659 --> 00:08:39,659 Look now, Ricky, I 138 00:08:39,659 --> 00:08:43,000 can't help it if there isn't a locksmith in New York City that'll come over here 139 00:08:43,000 --> 00:08:44,250 tonight. Can't help it. 140 00:08:45,050 --> 00:08:46,050 Here, 141 00:08:50,450 --> 00:08:52,250 cut my arm off and go to rehearsal. 142 00:08:53,350 --> 00:08:55,990 Never mind, that is too late. Let's go to bed. Come on. All right. 143 00:08:58,210 --> 00:08:59,210 I'm sorry. 144 00:08:59,590 --> 00:09:02,670 Well, look, now, let's not lose our tempers. Let's get organized. 145 00:09:03,010 --> 00:09:04,470 Now, first, let's get undressed. 146 00:09:04,730 --> 00:09:05,730 Okay. All right. 147 00:09:42,090 --> 00:09:43,090 this. Now, just a minute. 148 00:09:44,110 --> 00:09:45,110 Come here. 149 00:09:46,450 --> 00:09:47,450 Wait a minute. 150 00:09:48,550 --> 00:09:49,550 That's a new suit. 151 00:09:49,810 --> 00:09:52,210 Well, it's either that or we're going to have to sleep in our clothes all night. 152 00:09:52,430 --> 00:09:55,170 Well, then we'll have to sleep in our clothes all night. I'm not going to ruin 153 00:09:55,170 --> 00:09:56,170 new suit. Okay. 154 00:09:59,510 --> 00:10:00,510 Let me see. 155 00:10:01,410 --> 00:10:05,010 Well, let's at least take our shoes off, huh? 156 00:10:40,150 --> 00:10:41,150 Let's turn around. 157 00:10:41,610 --> 00:10:42,610 No, not there. 158 00:10:42,970 --> 00:10:43,970 Turn over here. 159 00:10:44,070 --> 00:10:45,690 I'm climbing two beds from the end. 160 00:10:46,190 --> 00:10:47,190 All right? Let's go. 161 00:12:37,770 --> 00:12:38,770 I'm not. Yeah. 162 00:12:39,570 --> 00:12:41,490 Yeah. Yeah, that'll do it. 163 00:12:42,190 --> 00:12:43,169 Now hold still. 164 00:12:43,170 --> 00:12:44,170 All right. 165 00:12:44,770 --> 00:12:45,770 Hey, wait! 166 00:14:12,300 --> 00:14:13,059 In your bed? 167 00:14:13,060 --> 00:14:14,060 Right. Right? 168 00:14:14,220 --> 00:14:15,220 Okay. 169 00:14:17,220 --> 00:14:18,220 Oh! 170 00:15:09,930 --> 00:15:11,310 I'm certainly glad to see you. 171 00:15:11,570 --> 00:15:12,770 Yes, I imagine you are. 172 00:15:13,570 --> 00:15:15,870 My, my, that is an old pair, all right. 173 00:15:16,730 --> 00:15:19,430 They don't make them anymore, you know. Yeah, we know, we know. 174 00:15:20,410 --> 00:15:22,650 What museum did you steal them from? 175 00:15:24,790 --> 00:15:30,150 Mr. Waller, you can get them off, can't you? Oh, yes, I think so, Mrs. Ricardo. 176 00:15:31,670 --> 00:15:32,670 Ricardo, 177 00:15:32,970 --> 00:15:36,430 say, you any relation to that band leader, that Ricky Ricardo? 178 00:15:37,150 --> 00:15:38,630 Yes, he's a close relative. 179 00:15:39,150 --> 00:15:40,150 Very close. 180 00:15:40,190 --> 00:15:44,350 Oh, I recognize you now. You are Ricky Ricardo, aren't you? 181 00:15:44,590 --> 00:15:45,349 Yeah, that's right. 182 00:15:45,350 --> 00:15:46,710 Well, imagine that. 183 00:15:47,030 --> 00:15:51,630 Me and the missus went to your Tippecanee nightclub on our 40th wedding 184 00:15:51,630 --> 00:15:56,110 anniversary. So you do that thing with the drum, that, uh, that, uh, uh, uh, 185 00:15:56,110 --> 00:15:57,110 uh, bobble ink number. 186 00:15:57,850 --> 00:15:59,590 Babaloo. Yeah, that's what I said. 187 00:15:59,930 --> 00:16:05,010 Oh, say, wait till I tell the missus. She'll never believe me. Look, would you 188 00:16:05,010 --> 00:16:06,690 give me your autograph so that she'll know? 189 00:16:09,420 --> 00:16:10,420 Take it out to Abigail. 190 00:16:10,640 --> 00:16:12,040 Abigail. Abigail, yes. 191 00:16:12,240 --> 00:16:16,160 Oh, she buys all your records. She's played that bobbling number a million 192 00:16:16,160 --> 00:16:18,900 already. Oh, we're going to get her a drum for Christmas. 193 00:16:19,740 --> 00:16:20,740 Sweet, sweet. 194 00:16:20,780 --> 00:16:24,840 Oh, she likes you. Sweet, sweet. She would rather hear... Now, Mr. Walters, 195 00:16:24,840 --> 00:16:27,180 handcuffs? Oh, oh, yes, yes. 196 00:16:27,880 --> 00:16:33,140 You know, I'm probably the only locksmith in America that has a key to 197 00:16:34,280 --> 00:16:35,280 Yes, sir? 198 00:16:46,189 --> 00:16:47,189 business. 199 00:16:47,450 --> 00:16:48,450 No. 200 00:16:49,170 --> 00:16:51,670 Won an amateur dance contest once. 201 00:16:54,270 --> 00:16:59,550 No. My friends all said that I'd make another Freddie Astaire. 202 00:17:00,230 --> 00:17:01,230 No. 203 00:17:02,510 --> 00:17:07,410 But what with one thing and another, I finally drifted into the locksmith game. 204 00:17:08,050 --> 00:17:09,050 No. 205 00:17:09,790 --> 00:17:14,050 But I always figured that I missed my real calling. 206 00:17:18,920 --> 00:17:23,740 What with one of these days with television and all, I may still get my 207 00:17:23,740 --> 00:17:24,740 break. 208 00:17:25,200 --> 00:17:26,200 You know? 209 00:17:28,500 --> 00:17:29,500 None of these fit. 210 00:17:30,820 --> 00:17:32,780 Look, couldn't you fire them off? 211 00:17:33,020 --> 00:17:36,580 Oh, no, that's tempered steel. You wouldn't want to go through that, son. 212 00:17:36,940 --> 00:17:37,940 See, I'll tell you what. 213 00:17:38,180 --> 00:17:42,460 I got a collection of real old handcuff keys at home. The only one in existence. 214 00:17:42,880 --> 00:17:44,680 My grandfather started me on it. 215 00:17:45,180 --> 00:17:49,210 As Granny used to say... Son, he called me son even though I was a grandson. 216 00:18:34,540 --> 00:18:36,000 would be the only one with a key. 217 00:18:36,320 --> 00:18:38,980 He better hurry up. I'm going to miss the television show now. 218 00:18:40,160 --> 00:18:41,160 Come on. 219 00:18:43,000 --> 00:18:44,660 Hello? Mr. Walters? 220 00:18:45,100 --> 00:18:46,600 Well, what happened? What happened? 221 00:18:47,500 --> 00:18:48,500 Oh, no! 222 00:18:48,800 --> 00:18:49,559 What happened? 223 00:18:49,560 --> 00:18:52,360 Well, look, Mr. Walters, don't come to the apartment. Wait a minute, will you? 224 00:18:52,440 --> 00:18:54,180 Mr. Walters, don't come to the apartment. 225 00:18:54,380 --> 00:18:57,840 No. Look, go to Television Center, Studio A. 226 00:18:58,240 --> 00:18:59,320 Studio A. 227 00:18:59,780 --> 00:19:02,980 Meet us there right away, please. I'm on the air in one hour. 228 00:19:05,770 --> 00:19:06,669 All right, goodbye. 229 00:19:06,670 --> 00:19:07,670 What happened? 230 00:19:08,250 --> 00:19:11,070 He had a little trouble getting the key. And guess why? 231 00:19:11,370 --> 00:19:13,570 Why? He locked himself out of his house. 232 00:19:44,360 --> 00:19:45,279 Let me guess here quick. 233 00:19:45,280 --> 00:19:48,420 Does the producer know about these handcuffs? Nobody saw you come in. 234 00:19:49,020 --> 00:19:51,700 Yeah? Mr. Ricardo, you're on in two minutes. 235 00:19:51,980 --> 00:19:55,260 Oh, we might as well tell him. We'll never make it in time. Well, you can't 236 00:19:55,260 --> 00:19:57,360 that. The producer will kill me. You'll never work the show again. 237 00:19:57,720 --> 00:20:00,360 Well, I don't care if I ever work the show again. You don't think I'm going to 238 00:20:00,360 --> 00:20:04,280 go on television handcuffed to her, do you? As your agent, I say go on. 239 00:20:04,520 --> 00:20:05,880 Well, ask myself. I say no. 240 00:20:06,160 --> 00:20:07,160 Do I get a vote? 241 00:20:07,280 --> 00:20:08,280 No. All right. 242 00:20:10,320 --> 00:20:14,780 Are you going to cancel or shall I? You cancel your 90%. My... ten percent goes 243 00:20:14,780 --> 00:20:18,780 on. You might as well go on, Ricky. They'll find out why you're canceling. 244 00:20:18,780 --> 00:20:19,759 be in the papers. 245 00:20:19,760 --> 00:20:21,680 Oh. Get on stage, Mr. Ricardo. 246 00:20:22,000 --> 00:20:23,320 All right. All right. We're coming. 247 00:20:24,740 --> 00:20:27,440 Well, come on, will you? I got a wife and two kids. 248 00:20:28,760 --> 00:20:30,640 All right. Come on. Come on, honey. 249 00:20:32,640 --> 00:20:33,640 Now, listen. 250 00:20:34,280 --> 00:20:36,280 You stand behind me as much as you can. 251 00:20:36,920 --> 00:20:38,720 No funny stuff now, understand? 252 00:20:53,160 --> 00:20:54,160 Thank you. 253 00:21:52,510 --> 00:21:53,510 Some of the names? Yes. 254 00:24:35,880 --> 00:24:39,560 Carol M .C. by Viola Bond and Jerry the Agent by Paul Dubov. 255 00:24:55,600 --> 00:24:57,880 I Love Lucy is a Desilu production. 18427