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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:38,320 --> 00:00:39,320 Ricky, time to get up. 2 00:00:40,260 --> 00:00:43,720 Oh, come on now, honey. You said you had an appointment at 11, and it's after 3 00:00:43,720 --> 00:00:44,720 10. 4 00:01:24,330 --> 00:01:25,350 It's any day now. 5 00:01:26,070 --> 00:01:27,690 They're going to tell me whenever they're ready. 6 00:01:28,890 --> 00:01:31,470 You know, I've been thinking about shows like Burns and Allen. 7 00:01:31,770 --> 00:01:34,770 George Burns uses his wife on the show. Why don't you? 8 00:01:35,150 --> 00:01:36,150 I'd love to. 9 00:01:36,230 --> 00:01:37,690 You think she would leave George? 10 00:01:41,050 --> 00:01:44,670 Well, I know one thing. You'll never be a success on television. 11 00:01:45,190 --> 00:01:47,170 And what do you mean by that, Braytell? 12 00:01:59,500 --> 00:02:02,360 you have to have a pretty girl in your act to demonstrate the sponsor's 13 00:02:02,640 --> 00:02:07,240 Really? Sure. She eats it or drinks it or waxes the floor with it or cuts 14 00:02:07,240 --> 00:02:10,259 potatoes with it or drives off in it or smokes it. 15 00:02:16,000 --> 00:02:21,500 So? So how would you like to have your sponsor's product demonstrated by a 16 00:02:21,500 --> 00:02:22,500 gorgeous redhead? 17 00:02:22,720 --> 00:02:23,720 I'd love it. 18 00:02:23,860 --> 00:02:26,840 Oh, you would? You know where I can find one? Oh. 19 00:02:45,260 --> 00:02:46,260 want my wife in show business. 20 00:02:46,620 --> 00:02:47,620 Why not? 21 00:02:47,780 --> 00:02:50,320 Oh, Lucy, we've been over this 10 ,000 times. 22 00:02:50,780 --> 00:02:52,880 I want a wife who's just a wife. 23 00:02:53,460 --> 00:02:57,780 Now, all you have to do is clean the house for me, bring me my slippers when 24 00:02:57,780 --> 00:03:01,200 come home at night, cook for me, and be the mama for my children. 25 00:03:01,500 --> 00:03:03,000 You never wear your slippers. 26 00:03:03,440 --> 00:03:04,980 It doesn't matter. I just do the others. 27 00:03:08,540 --> 00:03:09,960 You're missing a good bet. 28 00:03:10,900 --> 00:03:14,200 Huh? I say you're missing a good bet. 29 00:03:37,160 --> 00:03:40,260 Imagination. I'll bet if Ziegfeld or Earl Carroll had seen me, they'd sign me 30 00:03:40,260 --> 00:03:41,039 like that. 31 00:03:41,040 --> 00:03:42,040 As what? 32 00:03:42,060 --> 00:03:43,500 As a beautiful showgirl. 33 00:04:11,470 --> 00:04:15,490 I don't want Lucy to hear. Oh, oh. Well, the network big shots are coming down 34 00:04:15,490 --> 00:04:17,510 to the club tonight to audition your show for TV. 35 00:04:17,850 --> 00:04:18,809 How do you know? 36 00:04:18,810 --> 00:04:19,810 Well, read this telegram. 37 00:04:20,290 --> 00:04:21,410 I opened it by mistake. 38 00:04:22,870 --> 00:04:24,050 Well, here's the mail for you. 39 00:04:25,630 --> 00:04:29,550 Dear Mr. Ricardo, we're coming down to the Tropicana to catch your show 40 00:04:30,530 --> 00:04:32,030 Oh, Fred, that's wonderful. 41 00:04:32,350 --> 00:04:34,210 For goodness sakes, don't tell Lucy, will you? 42 00:04:35,210 --> 00:04:38,530 If she knows the audition is tonight, she'll be pestering the life out of me 43 00:04:38,530 --> 00:04:39,590 trying to get into the act. 44 00:04:40,140 --> 00:04:41,720 How am I going to get rid of her for the day? 45 00:04:42,000 --> 00:04:43,400 Well, you could lock her in the bathroom. 46 00:04:44,420 --> 00:04:47,520 If she stays in there as long as Ethel does, she'd never even know the door's 47 00:04:47,520 --> 00:04:48,520 locked. 48 00:04:49,600 --> 00:04:53,780 No, Fred, I can't do that. Let's see what we got in here. What is this? 49 00:04:54,220 --> 00:04:55,420 What is all that stuff? 50 00:04:55,840 --> 00:04:57,480 Oh, it's our wills. 51 00:04:57,880 --> 00:04:59,400 The attorney wants us to sign them. 52 00:04:59,700 --> 00:05:01,240 Wills? Well, that's a happy thought. 53 00:05:02,340 --> 00:05:05,720 Listen, if my show is not a success, then I am going to need them. Well, I 54 00:05:05,720 --> 00:05:06,699 I could help you. 55 00:05:06,700 --> 00:05:09,960 I wish you could figure a way to get rid of Lucy. Hey, I know. 56 00:05:10,660 --> 00:05:12,420 I'll have her take this thing down to the attorney. 57 00:05:12,700 --> 00:05:14,240 His office is way downtown. 58 00:05:14,960 --> 00:05:16,740 Well, that ought to do it. Now, listen. 59 00:05:17,020 --> 00:05:18,760 Can I come and hear the rehearsal tonight? Sure. 60 00:05:19,280 --> 00:05:20,640 Remember now, tonight's the night. 61 00:05:21,080 --> 00:05:22,080 Knock them dead. 62 00:05:54,710 --> 00:05:56,050 No. Oh, Ricky. 63 00:05:57,690 --> 00:05:59,130 Don't you want to know who was at the door? 64 00:05:59,470 --> 00:06:03,170 Who was it? Your agent? Does he know when the TV audition is? What did he 65 00:06:03,230 --> 00:06:04,089 What did he say? 66 00:06:04,090 --> 00:06:08,270 No, he wasn't my agent. He was the mailman. He brought some papers for us 67 00:06:08,270 --> 00:06:10,030 sign, and we've got to take them down to the attorneys. 68 00:06:10,590 --> 00:06:11,590 It's my will. 69 00:06:11,730 --> 00:06:12,850 Well, I'll get your breakfast. 70 00:06:14,190 --> 00:06:15,190 Your will? 71 00:06:15,250 --> 00:06:17,210 Yes. What's the matter, Ricky? 72 00:06:17,730 --> 00:06:20,810 Nothing is the matter. There is two. You're keeping something from me. 73 00:06:32,270 --> 00:06:36,130 business. The lawyer says I should have a will. Then everything is legally taken 74 00:06:36,130 --> 00:06:37,630 care of if anything happens. 75 00:06:38,650 --> 00:06:40,170 I won't discuss it. 76 00:06:40,710 --> 00:06:45,450 Look, honey, you have to know how things are arranged so you know what to do 77 00:06:45,450 --> 00:06:48,010 when I, uh, when I go. 78 00:06:49,430 --> 00:06:50,730 Oh, all right, Ricky. 79 00:06:51,110 --> 00:06:52,110 That's better. 80 00:07:04,880 --> 00:07:05,880 I haven't gone yet. 81 00:07:06,360 --> 00:07:08,320 Don't go, Ricky. Don't go. 82 00:07:09,900 --> 00:07:12,380 Honey, I'm perfectly well. I feel fine. 83 00:07:12,880 --> 00:07:14,940 But let's face it, we all have to go sometime. 84 00:07:15,600 --> 00:07:16,600 We do? 85 00:07:16,780 --> 00:07:19,580 We do unless you know something the rest of us don't. 86 00:07:22,420 --> 00:07:23,740 No, I don't. 87 00:07:28,180 --> 00:07:29,380 I'll get your breakfast. 88 00:07:29,740 --> 00:07:30,740 All right, honey. 89 00:07:31,720 --> 00:07:33,200 He brought your wheel along. 90 00:07:51,020 --> 00:07:52,020 It's the lawyers. 91 00:07:52,120 --> 00:07:55,540 We got to get him signed, and you got to take him down to the attorneys today. 92 00:07:55,880 --> 00:07:58,420 Impossible. I have an appointment to have my hair dyed. 93 00:07:58,640 --> 00:07:59,640 Washed. 94 00:08:00,620 --> 00:08:04,920 They got to go today. Now, come on. Oh, Ricky, the attorney's way downtown. 95 00:08:05,080 --> 00:08:06,400 It'll take me all day. 96 00:08:06,800 --> 00:08:07,800 Yeah, I know. 97 00:08:08,400 --> 00:08:09,760 Oh, can't they wait? 98 00:08:10,020 --> 00:08:11,020 Absolutely not. 99 00:08:11,200 --> 00:08:12,179 Well, why not? 100 00:08:12,180 --> 00:08:13,180 Well, 101 00:08:13,440 --> 00:08:15,400 well, suppose you didn't take him down till tomorrow. 102 00:08:15,760 --> 00:08:18,540 Yes. And we both got killed today. 103 00:08:18,860 --> 00:08:20,960 Yes. How could you take him down tomorrow? 104 00:08:24,780 --> 00:08:26,220 Oh, yeah, that's right. 105 00:08:28,280 --> 00:08:29,940 Ole, ole, ole, ole. 106 00:08:30,180 --> 00:08:31,800 Ole, ole, ole, ole. 107 00:08:32,140 --> 00:08:33,679 Ah, ah, ah, ah. 108 00:08:34,039 --> 00:08:36,980 Ah, ah, ah, ah. All right, all right, fellas. 109 00:08:37,500 --> 00:08:41,440 That's pretty bad, you know. If you're going to sing, don't go ah, ah, ah, ah. 110 00:08:41,500 --> 00:08:42,940 Let's go ah, ah, ah, ah. 111 00:08:43,559 --> 00:08:46,720 Let's put some pep into this thing. What's the use of having a rehearsal if 112 00:08:46,720 --> 00:08:47,720 we're not going to do it right? 113 00:08:53,520 --> 00:08:54,840 All right, give me the clown music. All 114 00:08:54,840 --> 00:09:01,820 right, 115 00:09:01,860 --> 00:09:02,880 wait, wait, wait a minute. 116 00:09:03,280 --> 00:09:07,340 Listen, aren't you going to do the cello bit first? No, I'm going to do the 117 00:09:07,340 --> 00:09:08,540 handstand on the handlebars. 118 00:09:08,760 --> 00:09:09,539 Oh, okay. 119 00:09:09,540 --> 00:09:10,540 Clown music. 120 00:09:29,199 --> 00:09:30,199 The great club. 121 00:09:31,200 --> 00:09:32,560 Oh, my goodness. Sit down here. 122 00:09:32,820 --> 00:09:33,820 Are you all right? 123 00:09:34,120 --> 00:09:34,999 I don't know. 124 00:09:35,000 --> 00:09:36,260 You ought to lie down for a little while. 125 00:09:37,220 --> 00:09:40,500 I'd better go home. Yeah, I'll go with him. Where do you live? Staten Island. 126 00:09:42,320 --> 00:09:44,160 Look, you don't have to take him all the way home. 127 00:09:44,360 --> 00:09:46,840 Whether you take him home or your apartment, Fred, there's nobody there. 128 00:09:46,840 --> 00:09:49,620 right, come on, Bob. All right, come on. I'd better get the bicycle. I want to 129 00:09:49,620 --> 00:09:52,300 see if it's all right. Never mind the bicycle. I'll mind that. You take care 130 00:09:52,300 --> 00:09:53,300 yourself. 131 00:09:54,620 --> 00:09:56,520 Don't worry about tonight. I'll be okay. 132 00:09:57,580 --> 00:09:59,860 All right. Give me seventh in the book. Let's try it, huh? 133 00:10:00,360 --> 00:10:01,580 Everyone in the downbeat. Here we go. 134 00:10:44,910 --> 00:10:48,310 and Ricky said I could come over here and lie down for a while. Oh, what 135 00:10:48,310 --> 00:10:49,310 rehearsal? 136 00:10:49,410 --> 00:10:51,310 Are they getting ready for that TV audition? 137 00:10:51,670 --> 00:10:52,670 Sure, the show's tonight. 138 00:10:53,170 --> 00:10:55,210 Tonight? Why, that big bum. 139 00:10:55,590 --> 00:10:58,950 So that's why he sent me on a wild goose chase, just to get rid of me. 140 00:10:59,650 --> 00:11:02,250 Well, are you all right, Buffle? Will you be able to do the show tonight? 141 00:11:02,490 --> 00:11:04,250 Well, I guess I can if the bicycle works. 142 00:11:04,450 --> 00:11:05,450 The brake's locked. 143 00:11:05,590 --> 00:11:06,670 Oh. I'll take a look at it. 144 00:11:06,870 --> 00:11:08,190 Oh, you got it here? Yeah. 145 00:11:11,530 --> 00:11:13,230 How is it? Seems all right. 146 00:11:13,930 --> 00:11:14,950 Well, let's try it, huh? 147 00:11:28,570 --> 00:11:29,570 Here. 148 00:11:33,190 --> 00:11:34,730 Buffalo, are you badly hurt? 149 00:11:35,010 --> 00:11:37,210 Oh, you better tell Ricky to get somebody else. 150 00:11:37,450 --> 00:11:38,409 But who? 151 00:11:38,410 --> 00:11:39,510 I don't care. 152 00:11:40,000 --> 00:11:41,640 Why don't you take my place? Me? 153 00:11:41,920 --> 00:11:43,140 Oh, don't be ridiculous. 154 00:14:30,990 --> 00:14:32,370 Sponsors are here. What am I going to do? 155 00:14:33,270 --> 00:14:35,390 They don't look too happy. Are you kidding? 156 00:14:35,590 --> 00:14:36,590 For them, that's hilarious. 157 00:14:41,330 --> 00:14:43,730 I'll just have to wrap up the show. That's all I can do. 158 00:14:44,410 --> 00:14:48,350 Ladies and gentlemen, we thank you very much for being such a wonderful 159 00:14:48,350 --> 00:14:50,750 audience. But we'll have to conclude the show. 160 00:14:51,390 --> 00:14:54,890 Did you see the film named Risky, Risky Dough? 161 00:14:55,530 --> 00:14:56,730 I will confirm that. 162 00:15:03,400 --> 00:15:08,980 I'm looking for a fella named... Who are you looking for? 163 00:15:09,300 --> 00:15:12,900 I'm looking for a fella named Risky Risker Doe. Well, I'm Ricky Ricardo. 164 00:15:13,200 --> 00:15:14,680 Oh, well, pleased to meet you. 165 00:15:14,960 --> 00:15:15,960 Pleased to meet you. 166 00:15:16,060 --> 00:15:18,020 You know where I find Risky Risker Doe? 167 00:15:18,920 --> 00:15:22,960 Look, Clem, we're doing a show here, you know. Oh, I know, I know, yeah. 168 00:15:23,460 --> 00:15:25,500 Well, what do you want? I want to be in a band. 169 00:15:26,160 --> 00:15:27,540 Oh, you're a musician. 170 00:15:28,320 --> 00:15:29,320 I am? 171 00:15:44,490 --> 00:15:45,530 with a band just like that? 172 00:15:46,610 --> 00:15:47,610 Just like that? 173 00:15:49,150 --> 00:15:51,350 What do you think this is? 174 00:15:57,010 --> 00:15:58,970 First of all, I'll have to see your credentials. 175 00:16:03,670 --> 00:16:04,670 Listen, 176 00:16:09,930 --> 00:16:10,930 tell me something, Professor. 177 00:16:11,390 --> 00:16:12,850 Have you had any experience? 178 00:16:24,200 --> 00:16:24,899 How's that? 179 00:16:24,900 --> 00:16:26,120 I say, do you play that thing? 180 00:16:26,500 --> 00:16:27,500 What thing? 181 00:16:30,260 --> 00:16:31,800 Never mind making fun of my English. 182 00:16:32,680 --> 00:16:33,680 That's English. 183 00:17:04,540 --> 00:17:06,599 We'll listen to you. Play something for us. 184 00:18:42,670 --> 00:18:43,670 como lo quiere. 185 00:18:44,070 --> 00:18:45,070 Gracias. 186 00:18:46,750 --> 00:18:47,750 All right. 187 00:18:47,910 --> 00:18:49,430 All right, we go with the professor. 188 00:18:49,950 --> 00:18:51,970 On the downbeat, professor, we'll go with you. 189 00:18:52,730 --> 00:18:54,470 Anytime you're ready, professor, we'll go with you. 190 00:19:38,090 --> 00:19:39,069 It's very cellist. 191 00:19:39,070 --> 00:19:40,070 No. 192 00:19:40,490 --> 00:19:43,230 I'll tell you what, though. We have a brand new instrument. 193 00:19:43,650 --> 00:19:46,870 Oh. And I've been looking for someone who can play it. 194 00:19:47,070 --> 00:19:51,250 Oh. And if you can play it, you got yourself a job. Oh. 195 00:19:52,090 --> 00:19:53,510 Yeah. Oh. 196 00:19:53,770 --> 00:19:54,930 Yeah. Oh. 197 00:19:58,310 --> 00:19:59,450 You want to try it? 198 00:20:00,190 --> 00:20:01,190 Well, what is it? 199 00:20:01,450 --> 00:20:03,210 It's the sax of Ivar Tromboponović. 200 00:20:05,390 --> 00:20:07,190 Oh, it's the sax of Ivar Tromboponović. 201 00:20:07,470 --> 00:20:08,069 That's right. 202 00:20:08,070 --> 00:20:11,330 You think you can play it? Oh, sure, sure. Well, wonderful. Bring it out 203 00:20:11,350 --> 00:20:13,910 The professor can play it. We found someone who can play it. 204 00:20:14,350 --> 00:20:15,530 Bring it out here, professor. 205 00:20:16,190 --> 00:20:17,570 We'll take care of the telephone for you. 206 00:20:17,790 --> 00:20:19,970 We'll take care of the professor's telephone. Here's the text of Iberdro on 207 00:20:19,970 --> 00:20:22,090 phone. Here's the text of Iberdro on the phone. 208 00:20:22,690 --> 00:20:24,290 Here's the text of Iberdro on the phone. 209 00:20:24,570 --> 00:20:26,550 Here's the text of Iberdro on the phone. 210 00:20:36,780 --> 00:20:39,160 is give us a tune, and you got yourself a job. Right. 211 00:20:39,380 --> 00:20:41,000 All right? Right. Go to it. Right. 212 00:20:44,840 --> 00:20:48,380 Now, sit right there, Professor. Go ahead. Go ahead. Give us a tune. 213 00:22:31,950 --> 00:22:33,550 Let's say you pulled that out of your pocket. 214 00:22:36,630 --> 00:22:39,350 Well, Ricky, that's what I wanted to talk to you about. 215 00:22:39,950 --> 00:22:41,650 I have a surprise for you. 216 00:22:42,170 --> 00:22:43,170 You do? 217 00:22:43,290 --> 00:22:44,290 Yes. 218 00:22:44,510 --> 00:22:46,250 Something that should make you very happy. 219 00:22:47,370 --> 00:22:48,370 Lucy. 15718