All language subtitles for Zig.Zag.2002.1080p.WEBRip.x264.AAC

Downloaded from
YTS.MX

Official YIFY movies site:
YTS.MX

[ No Audible Dialogue ]

[ Boy ]
MY NAME IS ZIGZAG--

TWO BIG Z's,
TWO LITTLE G's.

EVEN WHEN YOU GOT
THE SUPER-TUNED CELLS
IN YOUR HEAD,

IT DON'T STOP
THE STING OF THE PUNCHES.

NOW IS WHEN YOU GOT TO USE
ALL YOUR SPECIAL POWERS
TO KEEP THE NOISE BLOCKED OUT.

KEEP IT OUTTA YOUR HEAD
IN CASE THERE'S MORE ON THE WAY.

[ No Audible Dialogue ]

[ ZigZag ]
MY DAD AIN'T TOO SMART.

ALWAYS ASKIN' QUESTIONS
THAT ONLY MEAN MORE NOISE
NO MATTER WHAT ANSWER YOU GIVE.

BEST THING IS ACT LIKE HE JUST
GAVE YOU THE WORST BEATIN' EVER
SO HE LOSE INTEREST.

SINGER TAUGHT ME THAT,
EVEN BEFORE HE GAVE ME
MY NEW NAME.

[ Helicopter Passing Overhead ]
DON'T COME IN HERE
WHEN I'M BUSY, HUH ? HUH ?

YOU LISTEN TO ME, NIGGA.
LOOK AT ME.
YOU AIN'T PAID THE RENT.

TWO HUNDRED DOLLARS.
SAME DEAL AS BEFORE.

I'M GONNA TELL YOU NOW,
I WANT MY MONEY BY FRIDAY,

OR I SWEAR TO GOD
I'M GONNA BEAT YOUR ASS...

LIKE YOU
AIN'T NEVER SEEN !

THEN YOU GOT TO FIND
YOUR ASS ANOTHER
MOTHERFUCKIN' PLACE TO LIVE.

YOU UNDERSTAND ME, BOY ?
"OKAY" ? OKAY, WHAT ?
YEAH, OKAY.

OKAY, I-I'LL GIVE YOU
TWO-ZERO-ZERO.
UH-HUH, UH-HUH, UH-HUH.

OR ELSE WHAT ?
OR ELSE MY BLACK ASS
IS OUT ON THE STREET.

THAT'S RIGHT, NIGGA !
THAT'S RIGHT.

[ Father ]
GET UP.

GET UP, NIGGA !

[ Stammering ]

I'M TRYIN'
TO TEACH YOU SOMETHIN' !

[ Scoffs ]

GO ON.
GET OUTTA HERE.

[ ZigZag ] I ZIGZAG OUTTA THERE
REAL FAST BEFORE MY DAD...

CAN SEE WHAT I'M THINKIN'
ON THE INSIDE.

DON'T KNOW WHERE
I'LL GET THE TWO-ZERO-ZERO.

MAYBE I'LL ASK SINGER.
HE ALWAYS GOOD AT MAKIN' A PLAN.

SINGER'S MY BIG BROTHER,
ONLY HE AIN'T FOR REAL.

WE BEEN TOGETHER
A COUPLE YEARS NOW.
[ Honking ]

COULDN'T TELL YOU HOW MANY PLANS
SINGER'S COME UP WITH.

LIKE GIVIN' ME MY NEW NAME
AND SPECIAL POWERS.

[ Siren Wailing ]

[ Chattering ]

[ Woman ] I'M DOING
THE VERY BEST I CAN.

HE HAS TO GO BACK.

[ Singer ]
PLEASE, HE CAN'T GO BACK.
YOU CAN'T DO THAT.

[ Woman ]
DEAN, I APPRECIATE YOUR CONCERN,
BUT IN CASES LIKE THIS,

ABOUT ALL WE CAN DO
IS CALL SOCIAL SERVICES.

YOU CAN'T SEND HIM
BACK OVER THERE.

YOU CAN'T SEND HIM
BACK TO HIS FATHER.

[ Woman ]
IF THE SITUATION
MERITS--

[ Singer ] THE GUY'S
BEATIN' THE KID. HOW MUCH
MORE MERIT DO YOU NEED ?

WHAT DO YOU WANT ?
DEAN.

BIG BROTHERS IS ABOUT YOU
HELPIN' HIM WITH HIS HOMEWORK,

TAKING HIM TO THE MOVIES,
YOU KNOW, JUST BEIN'
A GOOD ROLE MODEL.

I KNOW, I KNOW.

JUST-- JUST GO
WITH ME FOR A MOMENT.
JUST GO WITH ME.

WHAT DO YOU THINK
IS GONNA HAPPEN TO HIM
WHEN HE'S 18 YEARS OLD ?

DO YOU THINK HE'S GONNA
MAKE IT ONE MINUTE IN JAIL
OR IF HE STAYS WITH HIS DAD ?

- WHAT DO YOU THINK
IS GONNA HAPPEN TO HIM ?
- BELIEVE ME, I'M--

I KNOW HOW MUCH YOU CARE,

ESPECIALLY IN-IN-IN LIGHT
OF YOUR-- YOUR ILLNESS.

OH, MY ILLNESS.
OH, GREAT.
THAT'S GREAT.

THAT'S
FUCKING GREAT.

I CAN'T BELIEVE--

THIS HAS NOTHING TO DO
WITH ME, OKAY ? THIS IS ALL
ABOUT LOUIS'S WELL-BEING, OKAY ?

EITHER YOU'RE GONNA HELP ME
OR NOT. WHAT ARE YOU GONNA DO ?
OF COURSE !

BUT WE HAVE TO WORK
WITHIN THE SYSTEM
WE HAVE, OKAY ?

THE SYSTEM. YEAH, OKAY.
LET'S WORK WITH THE SYSTEM.

YOU'VE BEEN WITH LOUIS
FOR A YEAR AND A HALF ?
YEAH.

IT'S BEEN ABOUT
A YEAR AND A HALF.

WELL, OUTSIDE OF
THE HOME SITUATION,
HE'S MADE SOME IMPROVEMENT.

YEAH, HE'S MADE
A LOT OF IMPROVEMENTS.

HE'S READING, HE'S WRITING NOW,
AND YOU KNOW HE'S GONNA GET HIS
G.E.D. IF HE STICKS WITH THIS.

AND HE'S STILL AT
THE DISHWASHING JOB
I GOT HIM.

HE STAYING
OUT OF TROUBLE ?

WHAT ABOUT HIS TENDENCY
TO SHOPLIFT ?

WELL--
[ Sighs ]

[ Singer ] COME ON.
EVERYBODY DOES THAT SHIT.

[ ZigZag ]
I GOTTA PUSH ALL THAT
OUTTA MY HEAD--

SINGER AND
THE TWO-ZERO-ZERO--

'CAUSE NOW IT'S TIME
TO SEE THE TOAD.

[ Man Speaking In Spanish
On The Radio ]

[ Man On Radio Continues ]

[ Man ]
WHO'S UP ?

[ ZigZag ]
THAT'S THE INDIAN.

THAT'S CINDY.
HI, LOUIS.

- [ Babbling ]
- THOSE ARE
THE LUNCH BASTARDS.

[ Man ]
WHERE THE FUCK
YOU BEEN, MAN ?

[ ZigZag ] IT'S HARD
NOT TO LOOK AT SOMETHING
YOU KNOW YOU DON'T WANNA SEE,

BUT THOSE LITTLE SAFE NUMBERS
JUST SCREAM BACK AT ME.

THAT'S WHAT HAPPENS
WHEN YOU GOT THE SPECIAL POWERS.

YOU'RE ALWAYS SEEIN' STUFF
YOU AIN'T EVEN SUPPOSED TO.

NOW HOW THE FUCK LONG
YOU BEEN STANDIN' THERE ?

[ ZigZag ]
THE TOAD'S GOT RADAR
JUST LIKE ME.

SO I STUFF
THE NUMBERS DOWN DEEP INSIDE
WHERE THE TOAD CAN'T SEE 'EM.

WHY DO I GET THE IMPRESSION
YOU'RE NOT AS DUMB AS YOU LOOK ?

HUH ? WHY DO I
GET THAT IMPRESSION ?

JUST REMEMBER. I GOT
A THOUSAND PEOPLE OUT THERE JUST
DYIN' TO REPLACE YOU YESTERDAY.

WHY, A LITTLE OL'
SPICKITTY-DICK
IN HERE THIS MORNIN'...

ASKIN' AFTER
YOUR JOBBY-JOB, HUH ?

THAT'S RIGHT. NEVER GO WRONG
WITH A TRUSTY WETBACK,
I'LL TELL YOU THAT MUCH.

HARDWORKIN'
MOTHERFUCKERS.

[ ZigZag ] THE TOAD'S
GOT LOTS OF DIFFERENT NAMES
FOR THE PEOPLE THAT WORK HERE.

REDSKINS, SPICKS,
NIGGERS, COONS, FAGGOTS.

...START SINGIN' SONGS
AND SHOOTIN' EACH OTHER.

FUNNY THING IS, YOU DON'T NEED
TO HEAR PEOPLE'S WORDS
TO KNOW WHAT THEY'RE SAYING.

THAT'S FOR YOU.
OKAY, NOW. GOTTA
ASK YOU A QUESTION.

WHAT THE FUCK YOU DOIN'
STANDIN' THERE ? YOU GOT
A MOUNTAIN OF DISHES OUT THERE.

COME ON. COME ON, NOW.
GET THE FUCK OUT THERE.

[ Thinking ]
5-2-3-7-3-9.

5-2-3-7-3-9.
5-2-3-7-3-9.

5-2-3-7-3-9.
5-2-3-7-3-9.

5-2-3-7-3-9.
5-2-3-7-3-9.

5-2-3-7-3-9.
5-2-3-7-3-9.

5-2-3-7-3-9.
5-2-3-7-3-9.

[ ZigZag ] NOW'S MY FAVORITE
TIME OF DAY, RIGHT AT
THE BEGINNING OF MY SHIFT...

WHEN I'M FLYIN' THROUGH
A HUGE PILE OF PLATES AND CUPS
THE LUNCH BASTARDS LEFT,

AND THE SUN
BOUNCES IN SO BRIGHT
I GOTTA WORK BY FEEL.

THEN EVERYTHING
GOES ON THE INSIDE.

AUTOMATIC.

EVERYONE AROUND ME
STUCK IN SLOW MOTION.

[ Man Speaking,
Voice Distorted ]

[ Man Continues,
Distorted ]

[ Man Continues,
Distorted ]

[ Man ] LOUIS.
[ Man #2 ]
HEY, BOY.

LOUIS !
WE'RE TALKIN'
TO YOU !

MAN, SHIT. THAT NIGGER'S
DUMBER THAN THIS FUCKIN'
SOUP SPOON, MAN.

[ Workers Laughing ]

[ ZigZag ]
MY MIND LETS GO
OF WHATEVER THEY'RE SAYIN',

'CAUSE IT DON'T REALLY MATTER
WHEN YOU GOT DISHES
PILED UP FROM LUNCH.

[ Workers Chattering ]

OKAY, SHH.
YEAH, COME ON.

COME ON, COME ON, COME ON.

[ Man #2 ]
YOU BROKE THE FUCKIN'--

WHAT THE FUCK IS GOIN' ON
OUT HERE ? WHO BROKE
MY FUCKIN' WINDOW ?

LOUIS, YOU BREAK
MY FUCKIN' WINDOW ?

HMM-MM.
WELL, IF IT WASN'T YOU,
THEN WHO THE FUCK DID IT ?

YOU'RE STANDIN'
RIGHT IN FRONT OF IT.
GODDAMN IT.

I'M GONNA ASK YOU ONE MORE TIME.
WHO BROKE MY FUCKIN' WINDOW ?

YOU TELL ME,
OR I'M GONNA TAKE IT
OUTTA YOUR NEXT CHECK !

I DIDN'T BREAK NO WINDOW.
I WAS MOVIN'--
WHO THE FUCK DID, THEN ?

GODDAMN IT,
I'M TALKIN' TO YOU !

YOU LOOK AT ME
WHEN I'M TALKIN' TO YOU,
GODDAMN IT !

WHO THE FUCK DO YOU THINK
YOU IS ? YOU LOOK ME
IN THE GODDAMN EYE !

** [ Romantic Melody ]

[ ZigZag ]
I GOT A PLACE IN THE ATTIC
WHERE I STAY SOMETIMES...

WHEN MY DAD'S NOISE
GETS REAL BAD.

** [ Melody Continues ]

**

** [ Woman Singing
In Spanish ]

** [ Singing Continues ]
[ Alarm Bell Rings ]

[ Door Closing ]

** [ Singing Continues ]

** [ Singing Fades ]

[ Rain Falling ]

[ Thunder Rumbling ]

[ Toad ] YOU DON'T THINK
I KNOW WHO BROKE THAT
FUCKIN' WINDOW, DO YA ?

[ Man ]
I WAS OVER THERE
CUTTING VEGETABLES !

I WAS NOWHERE
NEAR THAT MIRROR.
NOW, YOU LISTEN TO ME.

YOU READ
MY FUCKIN' LIPS.

I COMPRENDE TODO,
ALL RIGHT ?

¡ YO COMPRENDO TODO !
WHY YOU YELLIN'
AT ME, MAN ?

[ Toad ] I SEE
EVERY FUCKIN' THING.
AW, COME ON !

IT'S NOT MY FAULT !
I DIDN'T DO IT !
NOW, LISTEN TO ME.

READ MY FUCKIN' LIPS.
YO COMPRENDO TODO.

EVERY FUCKIN' THING
THAT GOES ON AROUND HERE,
I SEE IT.

HELLO, ZIGZAG.

[ ZigZag ]
DALE DON'T SAY NOTHIN'.
HE NEVER BOTHERS NO ONE.

HE DOES HIS TALKIN'
ON THE INSIDE, LIKE ME.

[ Announcer Speaking,
Indistinct ]

GODDAMN, NIGGA !
WHAT THE HELL YOU DOIN' HOME ?

- YOU SUPPOSED TO BE IN SCHOOL.
- I GOT BUSINESS.

B-- [ Chuckles ]
"BUSINESS" ?

[ Laughing ]
SHIT.

WHAT KINDA BUSINESS YOU GOT ?
YOU GOT NO GODDAMN BUSINESS.

FUCK YOU DOIN' IN THERE ?
I GOT
THE TWO-ZERO-ZERO.

HEY, TALK ENGLISH,
MOTHERFUCKER.

I'M TIRED OF ALL THAT
"NUMERICAL-BERICAL" SHIT.

FOR RENT. YOU SAID BY FRIDAY
I HAVE TO GIVE YOU
TWO-ZERO-ZERO.

I SAID THAT ?

WELL, SHIT,
WHERE IT AT, NIGGA ?
COME ON.

HAND IT OVER.

GODDAMN, NIGGA !
SHIT !

OH, LORD. WH--
WHERE THE HELL YOU
GET ALL OF THIS ?

JUST WATCHED THE TOAD OPEN
THE SAFE AND REMEMBERED
THE NUMBERS IN MY HEAD.

5-2-3-7-3-9.

GODDAMN ! YOU TOOK
ALL OF THIS FROM THAT
FAT SLOB THAT YOU WORK FOR ?

OH, LORD !

NOW, THIS HERE,
THIS MY SHIT.

YOU GOT THIS;
YOU CAN GET SOME MORE.

SHIT.

I CAN SETTLE MY SHIT
WITH CADILLAC TOM.

HUH ?

[ Man On Police Radio,
Indistinct ]

I FIND THE PRICK
WHO DID THIS,

I'M GONNA SCOOP OUT HIS EYEBALLS
AND STICK 'EM RIGHT UP HIS ASS.

OKAY. UM, COULD SOMEONE ELSE
HAVE SEEN YOU OPEN THE SAFE ?

I DON'T KNOW.
MAYBE WILLIAMS.

THAT STINK-PUSS CINDY.
RIGHT THERE.

PRIME SUSPECT. CINDY.
GET ANY PRINTS ?

YEAH, WE GOT
A COUPLE OF GOOD ONES
OFF THE LEVER,

BUT THAT ALONE
DOESN'T DO US MUCH GOOD.

'CAUSE EVERY GREASY BASTARD
GOT THEIR HANDS
ALL OVER MY SAFE.

EXACTLY.
INCLUDING YOURS.
BUT YOU NEVER KNOW.

[ Detective ]
SOMETIMES FINGERPRINTS
SURPRISE US.

HEY, LITTLE MAN.
COME ON. GET IN.

[ Singer ]
HEY, I'M SORRY
I'M LATE, MAN.

I HAD A SITUATION TODAY
AND I JUST--

HOW WAS SCHOOL TODAY ?
WAS IT GOOD ?

ZIGZAG, ZIGZAG,
I'M TALKIN' TO YOU.
HOW WAS SCHOOL ?

DIDN'T HAVE TIME.
YOU DIDN'T
HAVE TIME ?

WHAT DO YOU MEAN
YOU DIDN'T HAVE TIME ?

I HAD STUFF TO DO LIKE
GET THIS JACKET YOU GAVE ME...

AND MY CLOTHES
SO I COULD MOVE OUT.

YOU'RE NOT GONNA MOVE OUT.
WHERE YOU GONNA GO ?

- I AIN'T GOT NO MONEY
NO MORE FOR RENT.
- WELL, WELL, WELL.

YOU CASHED YOUR CHECK
THE OTHER DAY, RIGHT ?

YOU GOT PAID,
RIGHT ?
4-5-9-2-1.

I-- I MEAN,
THE TOAD'S MONEY,
MY DAD STOLE.

WHAT ?
4-5-9-2-1.

I TOOK FROM TOAD'S SAFE.
N-- 4-5-9-2-1.

HOLD ON.
HOLD ON, MAN.
MY DAD'S--

SAY WHAT YOU JUST SAID,
EXCEPT SAY IT SLOWER.

NINE-TWO-FOUR-ONE
I TOOK FROM TOAD'S SAFE.

THEN GAVE MY DAD
TWO-ZERO-ZERO,
'CEPT HE TOOK--

- OH, NO, YOU DIDN'T.
NO, YOU DIDN'T.
- NINE-TWO-FOUR-ONE, I TOOK--

ZIGZAG, THINK FOR A MINUTE.
JUST THINK FOR A MINUTE.

MAYBE THIS IS
JUST INSIDE YOUR HEAD.

MAYBE IT DIDN'T HAPPEN
ON THE OUTSIDE. HUH ?

MAYBE IT'S JUST A DREAM.
MAYBE IT'S JUST
INSIDE YOUR HEAD.

MAYBE YOU'RE JUST
A LITTLE CONFUSED, MAYBE, HUH ?

OKAY. SINGER...
WANNA SEE MY PAYCHECK ?

YEAH.
LET ME SEE IT.

- WHERE'D YOU GET THAT FROM ?
- THIS ONE ? IT'S A PAYCHECK.

ZIGZAG, DID YOU GET THIS
FROM THE RESTAURANT ?

[ Stammering ]
IT'S JUST A--
IT'S A PAYCHECK.

I KNOW WHAT IT IS.
DID YOU GET IT
FROM THE RESTAURANT ?

YOU SAID THAT WAS
INSIDE MY HEAD.

I KNOW WHAT I SAID,
BUT DO YOU KNOW
WHERE THESE CAME FROM ?

YOU KNOW--

HOW MANY TIMES I GOTTA TELL YOU
ABOUT TAKING THINGS ?

IT WAS-- IT WAS
ONLY INSIDE MY HEAD.
ZIGZAG,

DO YOU UNDERSTAND
WHAT'S GONNA HAPPEN TO YOU ?

THEY'LL PUT YOU
IN A JUVENILE FACILITY
IF THEY FIND OUT YOU TOOK THIS.

SINGER, I-I'M SORRY.
I'VE TOLD YOU
SO MANY TIMES.

HOW MANY TIMES I HAVE TO
GO OVER IT FOR YOU ?

I-I-- NO, NO.
THEY'LL TAKE YOU AWAY FROM ME.
DO YOU UNDERSTAND ?

YEAH. THEY'RE GONNA
TAKE YOU AWAY FROM ME.
NO, SINGER.

I-- YOU SAID--
YOU SAID IT WAS
INSIDE MY HEAD.

NOW-- NOW YOU SAY I'M GOIN'
TO THE JUVENILE FACILITY.

I DON'T WANNA GO TO
THE JUVENILE FACILITY.
ALL RIGHT.

I'M SORRY. I'M SORRY.
JUST DON'T WORRY.

OKAY ? DON'T WORRY.
I'M GONNA-- I'M GONNA
FIGURE THIS OUT SOMEHOW.

NOW, THE THING IS,
YOU GOTTA PROMISE ME.

YOU GOTTA PROMISE ME
YOU'RE NOT GONNA TALK
TO ANYBODY BUT ME. OKAY ?

DON'T TALK TO ANYBODY.
I-I WON'T !

IF YOU GOTTA TALK TO SOMEBODY,
JUST TALK INSIDE YOUR HEAD.
THAT'S IT.

GOT IT ?

TOMORROW, FIRST THING
WE DO IS GO TO YOUR POP'S,
ALL RIGHT ?

I'M SORRY.

[ ZigZag ]
SINGER'S THE ONE
WHO TOLD ME...

WE ALL GOT SPECIAL POWERS INSIDE
WE DON'T EVEN KNOW ABOUT.

LIKE RADAR TO SEE WHAT YOU
CAN'T EVEN SEE WITH YOUR EYES.

THEN HE GAVE ME MY NEW NAME,
'CAUSE HE SAID NOTHING CAN
CATCH YOU WHEN YOU ZIGZAG.

[ No Audible Dialogue ]
AND HE'S RIGHT TOO.

THE NOISE AIN'T NEVER
GOT ME FOR GOOD.

[ Man On Radio
Indistinct ]

BATCH UNDER CENTER.
SITS BACK. TWO TIGHT END SET.

HANDOFF TO STEWART,
THIS TIME TRYING THE LEFT SIDE.

STEWART BOUNCES OUT,
TURNS THE CORNER.

HE'S TO THE 50,
HE'S TO THE 40, THE 30,

AND KNOCKED OUT OF BOUNDS
AT THE PATRIOT 22.
HELLO ?

[ ZigZag ]
SHH ! SINGER,
KEEP IT DOWN, MAN.

IS ANYBODY HOME ?
SINGER,
BE CAREFUL.

DAVID ?

SINGER, DON'T GO BACK THERE.
ANOTHER FIRST DOWN
DEEP IN--

[ Clattering ]
NOBODY'S HERE.

LET'S GO. HURRY UP.

KEEP AN EYE OUT.

WHERE DO YOU THINK
HE PUT IT ?

COME ON.
HELP ME OUT, MAN.

WHAT AM I LOOKING FOR ?
I DON'T KNOW
WHAT I'M LOOKING FOR.

- YOU'RE LOOKIN' FOR THE MONEY.
- YEAH, I KNOW THAT
W-WHAT IS IT IN ?

IT'S IN A BAG.
A PAPER BAG.

NO OFFENSE, MAN,
BUT YOUR FATHER'S A PIG.

SHH. SINGER.

SHH !

JUST KEEP AN EYE OUT.
THAT'S ALL, MAN. THAT'S ALL
YOU GOTTA WORRY ABOUT.

[ Siren Wailing ]

[ Groaning ]

SINGER.

SINGER, SINGER.
YOU OKAY, SINGER ?

SINGER,
GET IN A SEAT.

YOU GOT THE NOISE, SINGER ?

SHHH.
[ Helicopter Passes Overhead ]

SINGER, YOU OKAY ?

I'M OKAY. I'M OKAY.

THERE'S SOMETHING
I NEED TO TELL YOU.

[ Singer ]
* WE MAY NEVER
BE KINGS TODAY *

[ ZigZag ] MY BIG BROTHER
GOT THE NOISE IN HIS BALLS
SO BAD THEY TOOK ONE OFF.

THAT'S WHAT SINGER
HAD TO TELL ME.

[ Singer ]
* TAKE HOME THE LAUN--
DO I SOUND LIKE ELMER FUDD ?

[ ZigZag ]
THAT'S NOT HOW YOU SOUND.

[ Singer ]
* TAKE-- TAKE HOME

[ ZigZag Narrating ]
HE SAID THE NOISE
BEEN GROWING INSIDE HIM...

THE SAME WAY
THE SPECIAL POWERS
BEEN GROWIN' INSIDE ME.

* WHAT ARE THE CHANCES

I WANTED TO ASK SINGER,
"HOW COME SOME THINGS
GROWIN' INSIDE KILLS YOU...

AND OTHERS
KEEP YOU ALIVE ?"

* WE MAY NEVER TAKE HOME

* THE LAUNDRY

* AND-- *

[ Muttering ]

WHAT ?

HOW COME YOU DON'T HAVE
ANY FRIENDS, SINGER ?

I GOT FRIENDS, MAN.

I GOT YOU, RIGHT ?

YEAH, BUT WHAT ABOUT
OTHER PEOPLE ?

I DON'T NEED OTHER PEOPLE.

OTHER PEOPLE ARE JUST A PAIN
IN THE ASS. THEY TAKE UP
TOO MUCH OF MY TIME.

- SO JUST YOU AND ME ?
- THAT'S RIGHT.

YOU AND ME, BABY.

THE DYNAMIC DUO.

WHAT A PAIR.

OH, ZIGZAG.

ZIGZAG, LISTEN TO THIS.

DO YOU THINK IF WE WENT BACK
THAT YOU COULD OPEN UP
THE SAFE AGAIN ?

I STILL GOT THE NUMBERS
IN MY HEAD.

5-2-3-7-3-9.
THAT'S GREAT, MAN.

ALL WE GOTTA DO IS GET
THE MONEY FROM YOUR POPS,

AND THEN WE'LL
GO BACK AFTER HOURS.

I HAVE FELLOWES SCHOOL
TOMORROW.

SO WE'LL GO TOMORROW NIGHT,
THEN, AFTER WORK.

** [ Mariachis Playing
On The Radio ]

LOUIS, TIME TO TAKE
A BREAK.

TAKE A BREAK NOW.
WE NEED TO TALK
TO YOU, SON.

SO THIS IS THE YOUNG MAN
YOU WERE TELLING ME ABOUT ?

YOU'LL SEE VERY QUICKLY
WHAT I'M TALKIN' ABOUT,
OFFICER. YEAH.

HOW YA DOIN' ?
I'M DETECTIVE HAWK.

HE'S JUST A LITTLE SHORT
ON THE CHEDDAR CHEESE.

MR. WALTERS,
HOW OLD IS HE ?

I CAN'T INTERVIEW A MINOR
WITHOUT A PARENT PRESENT.
YOUNG MAN'S 18.

JUST TURNED 18, UH, WHAT,
LAST WEEK. UH, LAST MONTH.

OKAY. CAN I SEE
HIS DRIVER'S LICENSE ?

NO, HE 18.
HE REALLY IS 18.
I PROMISE.

I NEED SOMETHING
TO VERIFY HIS AGE
BEFORE WE DO THE INTERVIEW.

I SAY HE'S 18.
THAT'S NOT--

THAT'S NOT LEGAL VERIFICATION,
HIS EMPLOYER SAYING HE'S 18 ?

'CAUSE I'M TELLIN' YA,
HE IS 18.

ALL RIGHT.
BUT UNDERSTAND, OFFICIALLY,
THIS IS OFF THE RECORD.

[ Walters ]
MY LIPS ARE SEALED.
SO,

DO YOU REMEMBER ON MONDAY--
DETECTIVE,
HE, UH--

HE'S STUPID, NOT DEAF.

SINGER SAID I AIN'T STUPID.
YOU'RE THE ONE WHO'S STUPID.
WHAT SINGER SAY ?

I'M STUPID ?
NOW, WHERE YOU GOIN' ON
YOUR NEXT COFFEE BREAK ?

OFF TO OSLO TO PICK UP
YOUR NOBEL PRIZE ?

[ Laughing ]

I'M STUPID. COME ON, NOW.
ANSWER THE QUESTION.

ANYWAY, ON MONDAY,

YOU WERE IN THE OFFICE
WITH MR. WALTERS.

WHAT MR. WALTERS ?

- MR. WALTERS, YOUR BOSS.
- YOU MEAN THE TOAD ?

[ Workers Laughing ]

NEXT PERSON
I HEAR CALL ME THAT...

IS GONNA GET
AN ASS FUCKIN' !

YEAH, ANYWAY, ON MONDAY,

YOU AND MR. WALTERS
WERE IN HIS OFFICE,

AND YOU WATCHED HIM
OPEN THE SAFE.

THEN HE GAVE YOU YOUR CHECK.
REMEMBER ?

OH, COME ON, NOW.
WE DON'T GOT TIME
FOR THE SILENT TREATMENT.

LET'S GO.
ANSWER THE QUESTION.
NOTHIN' HAPPENED.

THERE YOU GO.
NOTHIN' HAPPENED.

NEXT WITNESS.
HERE WE GO.
WHAT DO YOU MEAN ?

SINGER SAYS NOTHIN' HAPPENED.
SO I'M OPENIN' THE SAFE
OUTSIDE MY HEAD.

NUMBERS IS ON THE INSIDE.
NEVER TOOK A RIDE
DOWN MY FINGERS.

NEVER BROKE NO DAMN WINDOW.
WINDOW WAS REAL.
SAFE WAS NO REAL.

- WHAT'S HE SAYIN' ?
- I DON'T KNOW WHAT
THE FUCK HE'S SAYIN'.

MOST OF THE TIME HE DON'T SAY
A THING, AND WHEN HE DO TALK,

IT'S THAT
MUMBLY-BUMBLY BULLSHIT.

I'M TELLIN' YOU,
YOU GOT THE WRONG GUY.
IT'S CINDY. I SWEAR TO GOD.

YOU KNOW SHE'S
FUCKIN' THE BARTENDER,
THINKS I DON'T EVEN KNOW ?

GUESS WHAT. I KNOW,
'CAUSE I KNOW EVERY GODDAMN
THING GOES ON IN THIS PLACE.

MR. WALTERS, TO GET
A CONVICTION, WE'RE PROBABLY
GONNA NEED MORE THAN,

"YOUR HONOR, SHE'S BANGIN'
ONE OF THE BARTENDERS."
HEY !

GET THE FUCK BACK HERE.

WHERE THE FUCK YOU GOIN' ?
WE'RE NOT DONE NOW.
GODDAMN IT.

YOU FIGURE OUT THIS NUMBNUT
COMMITTED THE GREAT TRAIN
ROBBERY, YOU LET ME KNOW.

I GOT A BUSINESS TO RUN.

CAN I GO BACK TO WORK, PLEASE ?

JUST A FEW MORE QUESTIONS.

SO YOUR BOSS TELLS ME
THAT YOU'RE REALLY GOOD
AT REMEMBERING NUMBERS.

IS THAT TRUE ?

I DON'T KNOW.
DO YOU REMEMBER...

WATCHING THE TOAD
OPEN THE SAFE
ON MONDAY ?

TOLD YOU BEFORE.
NOTHIN' HAPPENED.

NOTHIN' HAPPENED WHEN ?
MONDAY NIGHT.

[ ZigZag Continues,
Indistinct ]

DIDN'T SEE NOR HEAR
NO NOTHIN' NOWHERE.

JUST LIKE SINGER SAYS.
"SINGER" ?
WHO'S SINGER ?

HE'S MY BIG BROTHER,
ONLY HE AIN'T FOR REAL.

SO, HE KILL JIMMY
FUCKIN' HOFFA TOO ?
HUH ?

THANKS FOR YOUR HELP, LOUIS.
YOU CAN GO BACK TO WORK.

YEAH, BACK TO FUCKIN' WORK,
ZIGZAG.

YOU'RE RIGHT, MR. WALTERS.
THERE'S NOTHIN' THERE.

OF COURSE THERE'S NOTHIN' THERE.
THAT'S WHAT I BEEN SAYIN'.

NOW, CAN WE STOP FUCKIN' AROUND
AND START SWEATIN'
SOME REAL SUSPECTS ?

[ Hawk ] WELL, I STILL
HAVE TO QUESTION THE COOKS
AND THE WAITERS...

AND THE CASHIER OUT FRONT.
OH, JESUS ! FUCK ME !
I NEED A NEW DETECTIVE.

EXCUSE ME ?
GODDAMN IT.
I DON'T MEAN
NO DISRESPECT,

BUT I NEED SOMEBODY
THAT KNOWS WHAT THE FUCK
THEY'RE DOIN'.

I NEED TO GET
MY CASH MONEY BACK.

JESUS CHRIST, THAT BITCH IS OFF
SPENDIN' MY MONEY, AND YOU'RE
TALKIN' TO THE BUSBOY AND--

YOU JUST REMEMBER
ONE THING, OKAY ?

NOW, NO ONE GIVES A SHIT
ABOUT YOUR PATHETIC
LITTLE $9,000.

BUT AT LEAST
I PRETEND I DO.

TALK TO YOU LATER.

[ ZigZag ]
THEY GOT TWO KINDS OF PEOPLE
WALKIN' AROUND IN THIS WORLD.

GOOD EGGS AND FEAR HEADS.

SOMETIMES IT'S HARD
TO TELL WHO'S WHO.

YOU GOTTA USE
YOUR SPECIAL POWERS
AND LOOK DOWN DEEP.

MAKE SURE YOU KNOW WHICH ONE
YOU'RE REALLY TALKIN' TO.

- HOW'S IT GOIN', ZIGZAG ?
- OKAY, DALE.

HEY, DALE.

YOU A INDIAN ?

YEAH.
DALE DON'T SOUND
LIKE NO INDIAN NAME.

NO.

[ Horn Honking ]

WHO IS THAT ?
DALE.

OH, YEAH ?
HE'S A BIG BOY, HUH ?

MM-HMM.
YOU DIDN'T SAY ANYTHING
TO HIM, DID YOU ?

HMM-MM.
GOOD, GOOD, GOOD.

SO, HOW WAS WORK TODAY ?

TOAD SAID HE'D GIVE US
FIVE-ZERO-ZERO IF WE CATCH
WHOEVER TOOK HIS MONEY.

I ALMOST TOLD THE COP
I DID IT SO WE CAN GET
THE MONEY REWARD.

OH, NO.
NO, NO, NO, NO, NO.

DON'T DO THAT.
DON'T-- DON'T DO THAT, OKAY ?

JUST KEEP ACTING
THE WAY I TOLD YOU,
LIKE NOTHING HAPPENED.

MAN, WE GOTTA GET THAT
MONEY BACK FROM YOUR DAD
INTO THE TOAD'S SAFE ASAP.

I DON'T WANNA SEE
MY DAD NO MORE, SINGER.

I KNOW, ZIGZAG, I KNOW,
BUT WE DON'T HAVE
ANOTHER CHOICE, OKAY ?

THAT'S JUST THE WAY
IT'S GONNA HAVE TO BE.

YOUR FATHER'S CAR IS HERE.

I'M GUESSING
HE'S STILL HERE.

ALL RIGHT. I'LL GO UP
AND TALK TO HIM.

DON'T WORRY.
EVERYTHING'S GONNA BE FINE.
YOU UNDERSTAND ?

JUST STAY HERE.
DON'T MOVE.

MR. FLETCHER ?

DAVID ?

MR. FLETCHER ?

- SINGER !
- SHIT !

- COME ON !
WHAT YOU WANT ?
- MR. FLETCHER, LOOK.

LET ME TELL YOU SOMETHING.
THAT MONEY YOU TOOK IS STOLEN.
YOU UNDERSTAND THAT ?

SO WHAT ? SHIT,
NOW IT'S STOLEN TWICE !

- YOU THINK I GIVE A FUCK ?
- WELL, YOU BETTER.
YOU KNOW WHY ?

- [ Singer ] IF HE GOES DOWN,
THEY'RE GONNA SEND HIM AWAY.
- "SEND HIM AWAY" ? SHIT !

THEY SEND THAT MOTHERFUCKER
TO JUVENILE FOR A YEAR,
THAT'S ABOUT IT.

FUCK YOU KNOW ?
HUH ? PROBABLY DO
THE LITTLE NIGGA SOME GOOD.

- OH, THAT'S GREAT.
THAT'S JUST GREAT.
- FUCK YOU !

YOU BETTER GET YOUR ASS
OUTTA HERE BEFORE I COME DOWN
AND FUCK YOUR SHIT UP.

HEY. YEAH, RIGHT.

YOU'RE A TOUGH MAN, SIR,
BUT LET ME TELL YOU SOMETHIN'.

IF HE GOES DOWN,
YOU'RE GONNA GO DOWN.
YOU UNDERSTAND THAT ?

SO EITHER GIVE
THE MONEY BACK--
OR WHAT ? OR WHAT ?

EITHER GIVE THE MONEY BACK,
OR YOU'RE GONNA FACE
A LOTTA TIME.

YOU WANT THE MONEY BACK ?
COME ON AND GET IT.
COME ON.

YOU WANT IT BACK SO BAD,
GO ON AND WALK UP IN THERE.

- WALK IN, AND YOU CAN HAVE
ALL THE MONEY YOU WANT.
- YEAH, BUT YOU'RE GONNA HIT ME.

YOU GODDAMN RIGHT
I'M GONNA HIT YOUR ASS !

JUST TELL ME
WHERE THE MONEY IS, MAN.

IS IT GONE ?
THAT'S ALL I GOTTA KNOW.
I CARE ABOUT LOUIS, MAN.

JUST TELL ME
WHERE THE MONEY'S AT.
YOU WHAT ?

AW, SHIT. PLEASE.
I SEE THROUGH YOU.

JUST BECAUSE YOU
TAKE HIM TO THE MOVIES
EVERY NOW AND THEN,

OH, THAT MAKES YOU
A BIG HERO, HUH ?

THAT MAKES YOU A SUPERSTAR.
HUH ? SUPERIOR TO ME ?

YOU TRY RAISIN' A KID
LIKE THAT 24-7, NIGGA !

HUH ? SEE HOW MUCH
YOU CARE THEN.
I'M SORRY.

I'M NOT HERE TO TELL YOU
HOW TO RAISE YOUR KID.

- GET YOUR ASS OUTTA HERE !
- JUST PLEASE TELL ME
WHERE THE MONEY'S AT.

WANNA KNOW WHERE
THE MONEY'S AT ?
I'LL TELL YA.

WHY DON'T YOU
GO ASK CADILLAC TOM ?
DOWN AT THE MONKEY CAGE.

AND NOW YOU ASK HIM.

- ALL RIGHT. ALL RIGHT, I WILL.
ALL RIGHT, I WILL.
- HUH ?

YEAH ! NOW, NOW, NOW,
DON'T BE SURPRISED IF HE
TELL YOU TO SUCK HIS NINE !

I AIN'T TALKIN' ABOUT
THE ONE IN HIS PANTS EITHER.

[ Male Tenant ]
HEY, SHUT UP, NIGGA ! PLEASE !

HEY, BOY, COME ON BACK.
BRING BACK THE LITTLE GIRLFRIEND
OVER THERE AND EARN 50 BUCKS.

[ Singer ]
YOU'RE A SICK BASTARD,
YOU KNOW THAT ?

UH-HUH. GET A LITTLE PONY
AND RIDE. THERE YOU GO.

COME ON. RIDE, BABY !

RIDE !

[ Fletcher ]
RIDE ! HUH ?
RIDE THAT PONY !

YOU DON'T
HAVE MENTAL PROBLEMS.
YOU HAVE FATHER PROBLEMS.

WHAT MY DAD MEAN
BY THAT FIVE-ZERO ?
OH, NOTHIN', MAN.

[ Singer ] TELL HIM
THE SITUATION. EITHER HE'LL
SAY YES OR NO, RIGHT ?

JUST PUT ON YOUR RADAR
AND STAY CLOSE TO ME, OKAY ?

** [ Rock ]
[ Woman Laughing ]

[ Cheering ]

[ Clears Throat ]
I'M LOOKING FOR TOM.

CADILLAC TOM.
YEAH, THAT'S HIM.
IS HE IN ?

TEN-DOLLAR COVER.
KID STAYS OUTSIDE.

ALL RIGHT, ALL RIGHT.
WE'LL JUST WAIT
OUT HERE, THEN, OKAY ?

[ Scoffs ]
HE'S BACK THERE,
NOT OUT HERE.

OH, HE IS ?
WELL, IF YOU WOULD ASK HIM,
WOULD HE COME OUT ?

TEN DOLLARS, YOU CAN
GO ASK HIM YOURSELF.

CAN YOU PAGE HIM OR WHISTLE
FOR HIM OR WHATEVER YOU DO
TO HAVE HIM COME OUT ?

THAT IS GOOD.
WE'VE HAD YOU DOWN HERE BEFORE,
BUT THE RETARD BIT'S FRESH.

YOU COCKSUCKING--
HE'S NO RETARD, MAN !

NOW, I DON'T--
OKAY, I'M SORRY.
FUCK, MAN.

JUST DON'T CALL HIM
A RETARD, ALL RIGHT ?

JESUS CHRIST, YOU LIQUOR BOARD
GUYS MUST THINK I'M RETARDED !

WE HAD A GIRL IN HERE
LAST MONTH SAYING
SHE GOT LOCKED OUT.

"CAN I GO SEE MY DADDY ?
I WANNA WATCH TRL."

SHE HAD PIGTAILS AND BRACES.
YOU KNOW WHAT I TOLD HER ?
I TOLD HER TO FUCK OFF !

THAT'S A GREAT STORY,
BUT WE'RE NOT WITH
THE LIQUOR BOARD.

I JUST NEED TO TALK--
TEN-DOLLAR--

COVER.
YEAH, I KNOW.

HEY, YOU TWO.
FOLLOW ME.

[ Woman ]
STILL HAVE TIME
FOR A LAP DANCE.

COME ON.
[ Giggling ]

** [ Rock ]
[ Cheering ]

HEY, ZIGZAG.

ZIGZAG, COME ON.
WE'RE HERE.
YOU CAN LOOK LATER.

SINGER, THEY DON'T GOT
NO THING BETWEEN THEIR LEGS.

[ Knocking ]
BOSS.

- TAKE A SEAT.
- NO, I'M OKAY, THANKS.

TAKE A SEAT.

KID. HEY, KID.
CLOSE THE DOOR.

[ Cadillac Tom ]
SO, SHELLY SAYS
WE GOT URGENT BUSINESS,

BUT I DON'T THINK
I KNOW YOU.

DO I KNOW YOU ?
NO, NO, YOU DON'T.

UH, I'M DEAN SINGER.

AND THIS IS LOUIS.
UH, DAVID FLETCHER'S SON ?
HEY, KID.

THIS AIN'T A PEEP SHOW. HECTOR,
ARE YOU READY IN CASE HIS STORY
STARTS GETTING BORING ?

- SURE.
- SIXTY SECONDS, MATE.
CLOCK HIM, HECTOR.

[ Singer ] WHAT ?
ARE YOU GONNA TIME ME ?
YOU GOTTA BE KIDDING.

AND... GO !

[ Singer ]
UH--

ALL RIGHT.
UH, WELL, OKAY. UM--

I BELIEVE MR. FLETCHER
GAVE YOU $9,000 YESTERDAY.
IS THAT RIGHT ?

MAYBE HE DID. SO WHAT ?

THE MONEY HE GAVE YOU
WAS TAKEN BY LOUIS
FROM THE PLACE WHERE HE WORKS,

AND THEN HIS FATHER
STOLE IT FROM HIM.

IF WE DON'T GET
THAT MONEY BACK, HE'S
GONNA GO TO JUVENILE HOME.

DO YOU UNDERSTAND WHAT
I'M SAYING ? I KNOW THIS IS
A LONG SHOT, AND I'M HOPING--

CHERRY'S NOT COMING
IN TODAY BECAUSE SHE
GOT HER PERIOD AND--

- OH. SORRY.
- DOES ANYBODY
KNOCK AROUND HERE ?

SORRY. FUCK YOU.

- NICE.
- CUNT.

SIXTY-FIVE DANCERS I'VE GOT.
DO YOU KNOW WHAT THAT'S LIKE ?

- NO, SIR, I DON'T--
- YOU NEED A GODDAMN COMPUTER
TO SCHEDULE AROUND...

THOSE FUCKING MENSTRUAL CYCLES !

YOU THROUGH YET ?

ACTUALLY, I'M NOT.

LOUIS IS ONLY 15 YEARS OLD,

AND HE'S GOT
HIS WHOLE LIFE
AHEAD OF HIM.

I DON'T SEE WHY
HE HAS TO GO DOWN
'CAUSE HIS FATHER'S--

- AND TIME'S UP.
- WHAT ?

- TIME'S UP.
- WAIT A MINUTE. SHE JUST
USED UP ALL MY TIME.

START THE CLOCK OVER,
OKAY, AND I'LL--
BOSS ?

THIRTY SECONDS, HECTOR.
[ Hector ]
RIGHT.

- CLOCK HIM.
- AND... GO.

OKAY. WELL--
TWENTY-EIGHT SECONDS.

- TWENTY-SIX SECONDS.
- I GOT AN IDEA.
I WAS HOP--

TWENTY-FOUR.
IS THAT REALLY
NECESSARY ?

TWENTY-TWO
SECONDS.
NEVER MIND.
GET 'EM THE FUCK OUTTA HERE.

- AND ABORTED.
- I DON'T HAVE TIME
FOR THIS SHIT !

- LOSE 'EM, HECTOR.
- HOLD UP, CADILLAC.
HOW 'BOUT A LOAN ?

[ Man ] EIGHTY-SEVEN,
EIGHTY-EIGHT, EIGHTY-NINE--
[ Cadillac Tom ] YOU DONE ?

YEAH. BUNCH OF BENJAMINS.

- THAT'S A RUBBER BAND ?
- HEY. EASY, FREAK BOY.

SORRY. GO, GO. GO OVER
THERE BY THE CIGARETTE MACHINE,
ALL RIGHT ?

BE RIGHT WITH YOU.

I'LL TELL YOU WHAT.

NORMAL VIG'S 25% A WEEK
UNTIL YOU PAY BACK
THE ENTIRE PRINCIPAL.

- AW, MAN, 25%.
I DON'T KNOW--
- YEAH, RIGHT.

FOR THE RETARD,
I'LL GO 20.
ALL RIGHT.

I CAN GO AS HIGH AS 10.
WHAT DO YOU THINK
ABOUT 10% ?

YOU BELIEVE THIS ?
LOOK, MATE.

I'D CHARGE
THE FUCKIN' POPE 15.

GIMME THAT RATE.
I'LL TAKE THAT.
NOW YOU'RE GETTIN' GREEDY.

HEY, YOU DON'T LIKE
THE TERMS AND CONDITIONS,
GO TO CITIBANK.

ALL RIGHT, ALL RIGHT.
LET'S WRITE THIS DOWN.
I DON'T WRITE NOTHING DOWN.

IT'S BAD LUCK,
RIGHT, SHELLY ?
VOODOO.

YEAH, YEAH,
LET'S JUST DO IT.
LET'S DO IT, OKAY ?

[ Woman On Radio ]
...HIGHS NEAR 60 TODAY,
LOW 70s IN THE INLAND VALLEYS.

DOWNTOWN LOS ANGELES:
OVERCAST AND 57 DEGREES.

AM 720 NEWS TIME
IS 7:30.

WE'VE GOT TRAFFIC
EVERY TEN MINUTES--
I'M AWAKE. I'M AWAKE.

[ ZigZag ] IT'S ALREADY
SEVEN-THREE-ZERO, SINGER.

WE STILL GONNA GO
TO FELLOWES SCHOOL TODAY ?

YEAH, JUST GIVE ME
A CHANCE. I'M BUS--
I'M JUST RESTING HERE A SEC.

SINGER, WHY I ALWAYS
GOTTA GO TO SCHOOL ?
SCHOOL'S BORING.

BECAUSE YOU DO, MAN.
BECAUSE YOU JUST DO.

YOU DON'T KNOW EVERYTHING,
SO YOU HAVE TO GO TO SCHOOL
AND LEARN. WE ALL DO.

BUT, SINGER,
I ALREADY GOT THE JOB.
I LIVE HERE WITH YOU.

WHAT DAY IT IS ?
IT'S FRIDAY, MAN.

FRIDAY. ALL DAY
IT'S GONNA BE FRIDAY.

I GOT A QUESTION
TO ASK YOU.
WHAT ?

WHAT DO YOU CALL
THOSE SOFT ROUNDS ?

I DON'T UNDERSTAND. WHAT DO
YOU MEAN, "SOFT ROUNDS" ?
MAKE YOURSELF CLEAR.

SOFT ROUNDS. THE WOMAN AT
THE MONKEY CAGE LAST NIGHT.
SHE HAD 'EM.

AND THE FIRST LADY I SEEN WITH
EDDIE AT MY DAD'S APARTMENT,
SHE HAD 'EM TOO.

BREASTS.
YOU'RE TALKIN' ABOUT BREASTS.
OH.

- "BRETTS" ?
- BREASTS.

"BRETTS."
BREASTS.
BREASTS !

OKAY. UM-- HOW COME
WE DON'T GOT THEM ?

BECAUSE JUST WOMEN DO,
THAT'S WHY.

- YEAH, BUT HOW-- HOW COME ?
- HOW COME ? I DON'T KNOW.

I DON'T KNOW.
I DON'T KNOW HOW COME.

I DON'T KNOW.
DON'T YOU LISTEN AT SCHOOL ?

DON'T THEY TEACH YOU
ABOUT THE BIRDS AND
THE BEES AND ALL THAT ?

DON'T YOU LISTEN ?
OH, THE SPIDER.
UM--

WE LEARNED ABOUT THE SPIDER.
THE BLACK WINDOW GOT THE--
GOT THE RED DOT ON THE--

THE BLACK WI-WIDOW, MAN.
BLACK WIDOW.

NO, NO, IT WAS THE BLACK--
MISS TATE CALLS IT
THE BLACK WINDOW.

IT GOT A RED DOT
ON THE BACK.

IT'S BLACK WIDOW.
BLACK WIDOW, YOU GOT IT ?
SINGER, YOU WASN'T EVEN THERE.

I DON'T HAVE TO BE THERE
TO KNOW THAT, MAN, OKAY ?

WELL, IT'S CALLED
THE BLACK WINDOW, AND
IT HAS A RED DOT ON--

LET'S JUST FORGET THAT.
LET'S FORGET IT, AND WE'LL
TALK ABOUT IT LATER.

WHY LATER, SINGER ?
YOU'RE THE ONE THAT
ALWAYS SAYS--

BECAUSE I SAID LATER !
JUST SHUT THE FUCK UP !

COME ON.
LET'S GO.
WE'RE LATE.

WHAT ARE YOU
WAITING FOR ?

ZIGZAG, I'M SORRY
I YELLED AT YOU, OKAY ?

I'M JUST HAVING A HARD TIME
KEEPING EVERYTHING TOGETHER,
ALL RIGHT.

YOU KNOW,
I GOT $9,000 DUE,

AND THEN-- [ Groans ]--
$1,800 ON TOP OF THAT
BY THURSDAY.

I MEAN, WHERE AM I
GONNA GET THAT ?

SINGER, YOU SAY
CADILLAC TOM GAVE YOU
NINE-ZERO-ZERO-ZERO.

GIVE ONE-EIGHT-ZERO-ZERO
TO CADILLAC TOM.

UH--

THAT'S NOT
HOW IT WORKS, ZIGZAG.

[ Woman ] OKAY.
WE ALL KNOW HOW ADDITION
AND SUBTRACTION WORKS.

RIGHT ?
YES, LOUIS.

MISS TATE, CAN I
SEE YOUR "BRETTS" ?

- EXCUSE ME ?
- YOUR "BRETTS."

MY-- MY BARRETTES ?

YOUR "BRETTS."

I DON'T UNDERSTAND
WHAT YOU'RE SAYING.

IS IT IN THIS ROOM ?

POINT TO IT.

[ Gasps ] OH, LOUIS, NO !
THAT'S ENOUGH. STOP.
[ Students Laughing ]

YOU DON'T TOUCH
PEOPLE THERE, OKAY ?

THAT'S PRIVATE.

THE WOMEN
IN THE MONKEY CAGE
AIN'T PRIVATE.

OH, WAIT A MINUTE.
WAIT A MINUTE, HONEY.

WHAT DO YOU KNOW
ABOUT THE MONKEY CAGE ?

LOUIS ?
LOUIS ?

[ Singer Whispering ]
ZIGZAG.

ZIGZAG ! PSST !
ZIGZAG !

SINGER,
WHAT TOOK YOU SO LONG ?
WH-WHERE'S YOUR CAR ?

I PARKED
A COUPLE BLOCKS AWAY.
I DIDN'T WANT ANYBODY SEEING ME.

GOT THE NUMBER
IN YOUR HEAD ?

5-2-3-7-3-9.
OH, GOOD, GOOD, GOOD.

WHY THE HELL
DOESN'T HE LOCK THAT ?

IF HE DID,
HOW WOULD WE GET IN ?

NEVER MIND. HERE.

HOW COME WE GOTTA
PUT THESE ON FOR ?

SO WE WON'T
GET FINGERPRINTS
ON EVERYTHING.

[ Panting ]

HOW'S IT GOIN' ?
I'M TRYIN', SINGER.

OKAY, GO FOR IT, BABY.

OH. ALL RIGHT.
OKAY, OKAY.

JUST SLOW DOWN.
SLOW DOWN, ALL RIGHT.

SLOW DOWN.
DO EVERYTHING YOU DID BEFORE
EXACTLY THE SAME, OKAY ?

GO SLOW. COME ON.
CONCENTRATE.
DON'T BE NERVOUS.

ALL RIGHT, JUST--
JUST RELAX.

JUST CONCENTRATE.

SHIT !
HE MUST HAVE CHANGED
THE COMBINATION, MAN.

[ Door Opening,
Closing ]

** [ Walters Humming ]

** [ Humming Continues ]

** [ Humming ]
WHAT A FUCKIN' PIGSTY.

YOU ALWAYS THIS MESSY ?
[ Walters ]
YOU ALWAYS SO RUDE ?

YOU MARRIED ?

MAYBE. KINDA.

SORTA. BARELY.
[ Snorts ]

HOW 'BOUT YOU ?
[ Woman ]
HA-HA-HA. THAT'S REAL FUNNY.

HOW LONG
YOU BEEN A HOOKER ?

YOU KNOW,
I BEEN AROUND.

[ Grunts ]

YOU LOOK AT THE CLASSIFIEDS
OR SOMETHIN' ?

[ Snorts ]
A FRIEND OF MINE,
JORDAN.

SHE'S A DANCER
AT THE MONKEY CAGE.

USED TO DO ESCORT.
SHE'S THE ONE THAT
GOT ME JUICED IN.

[ Walters ]
I COULD GET YOU
OUT OF IT, YOU KNOW ?

I'LL GIVE YOU A--
I'LL GIVE YOU
A LITTLE JOB HERE.

PART OF OUR LITTLE ARRANGEMENT.
YOU COULD EARN SOMETHIN'
ON THE SIDE.

WHAT DO YOU SAY ?

[ Chuckles ]
I DON'T THINK SO.

YOU THINK STANDING ON MY FEET
FOR SIX HOURS AND THEN
SUCKING YOUR DICK...

AT THE END OF EVERY SHIFT SOUNDS
EVEN REMOTELY APPEALING ?

I'LL PAY YA 500 DOLLAR.

DON'T INSULT ME.

I MADE 700 BUCKS LAST NIGHT.
TWO HOURS, NO SEX.

ALL I HAD TO DO
WAS CLEAN THIS GUY'S HOUSE.

SEVEN HUNDRED DOLLAR ?
MM-HMM.

CLEAN SOME STUPID
MOTHERFUCKER'S HOUSE ?

YEAH, I MEAN, IT WASN'T
JUST REGULAR CLEANING.

YOU KNOW, I WORE A G-STRING,
CARRIED A FEATHER DUSTER,
BENT OVER A LOT.

THEN GET THIS:
THE GUY ASKS ME TO STICK MY HEAD
IN A MICROWAVE...

WHILE HE JERKS OFF
INTO A TEST TUBE.

I WAS LIKE,
"HEY, BUDDY, AND WHEN
DID YOU ESCAPE ?" RIGHT ?

AND THEN THE GUY
SHOWS ME HIS FREEZER.

HE'S GOT LIKE HUNDREDS
OF THESE THINGS FILLED
WITH HIS OWN SPERM.

I'M TALKIN' ABOUT
SOME SICK SHIT.

BUT I WAS LIKE, "WHATEVER, MAN.
THANKS FOR THE SEVEN BILLS."

WAS IT ON ?

WHAT ?

MICROWAVE.

HOW COULD IT BE ON
IF MY HEAD WAS IN IT ?

YEAH.

THIS YOURS ?

[ Prostitute ]
I DON'T THINK SO.

GODDAMN BUSBOY !

LIKE ROACHES, LEAVING
THEIR SHIT EVERYWHERE.

GUESS WHAT TIME IT IS.
TIME FOR ANOTHER KNOBBY JOB.

UH-UH. CANDY STORE IS CLOSED.

COME ON.

I GOT TAI CHI IN EXACTLY,
UH, SEVEN HOURS.

[ Walters ]
TAI CHI ?
MM-HMM.

COME ON. JUST A LITTLE,
TINY KNOBBY JOB.
IT'S TRUE.

[ Chuckles ]
LITTLE TEENSY,
TINY KNOBBY JOB ?

UH-UH.
UNLESS WE GO RIGHT NOW,

IT'LL COST YOU
ANOTHER HOUR PLUS 200.

OH, YOU'RE KILLIN' ME.
MMM.

YOU'RE KILLIN' ME,
YOU'RE KILLIN' ME,
YOU'RE KILLIN' ME.

YOU'RE KILLIN' ME,
YOU'RE KILLIN' ME.

YOU'RE KILLIN' ME,
YOU'RE KILLIN' ME,
YOU'RE KILLIN' ME !
OH !

OKAY. OKAY.
[ Chuckles ]

MM.
AND NOT IN HERE.

WHY NOT ?
'CAUSE IT'S FUCKING DISGUSTING,
AND IT STINKS. COME ON.

OUT IN THE BAR AGAIN.
MM-HMM.
WHERE IT SMELLS NICE.

[ Walters ]
KNOB, KNOB, KNOB.
[ Gasping ]

GET TO MY BASE !
IT HAS EQUIPMENT
TO FINISH THE EXP--

[ Screaming ]

- GET TO MY BASE.
GET TO MY--
- OH. YEAH.

[ Muttering, Groaning ]
YOU CAN DO IT.
YOU CAN DO IT.

YOU CAN DO IT.
YOU CAN DO IT.
YEAH.

I'M BACK !
[ Shouting, Indistinct ]
[ Growls ]

[ Roaring ]
[ Chuckles ]

[ Growls ]

GONNA BUST 'EM UP.

HULK IS BACK !
[ Yelling ]

WHAT THE HELL
ARE YOU DOING UP
SO DAMN EARLY, MAN ?

SATURDAY MORNINGS.
I GOT CARTOONS TO WATCH.
HE'S HEADED YOUR WAY.

[ Man #2 ]
WE'LL BE READY.
RIGHT.

A MAN AND HIS PRIORITIES.

[ Man #2 ]
THE HULK IS APPROACHING--

SINGER, HOW COME
WE JUST DIDN'T LEAVE
TOAD'S MONEY ON HIS DESK ?

'CAUSE IT WOULDN'T
LOOK RIGHT, THAT'S WHY.

HE'S PROBABLY--
HE'LL KNOW SOMEBODY WAS
IN THERE RIGHT AFTER HIM.

WE GOTTA MAKE IT LOOK LIKE
IT WAS ONE OF THE ASSISTANT
MANAGERS WHO DID IT,

AND THEN THEY GOT
A GUILTY CONSCIENCE
AND THEY CAME BACK.

WHAT'S THAT ?
WHAT'S A GUILTY CONSCIENCE,
SINGER ?

FUCK, IT'S TOO EARLY
IN THE MORNING
FOR THIS SHIT.

A GUILTY CONSCIENCE
IS WHEN YOU DO SOMETHING
THAT YOU SHOULDN'T DO...

AND YOU FEEL BAD.

LIKE REMEMBER THE OTHER DAY
I YELLED AT YOU ?

WELL, I FELT BAD INSIDE,
AND THAT'S-- THAT'S--
THAT'S CALLED "GUILT."

I GOT SOME GUILT, SINGER.

WHAT DO YOU
GOT GUILT ABOUT ?

WHAT I DONE
TO YOUR COUCH.

WHAT DID YOU DO
TO MY COUCH ?
LAST NIGHT I PEED IT.

YOU PEED ON MY COUCH ?

IT WAS THE BEST PEE
I EVER FELT.

I DON'T KNOW, I DON'T KNOW.
IT FELT REAL GOOD, SINGER.

OH.
[ Chuckles ]

OH, MY GOD. OH, BOY.

WELL, MY FRIEND,

WHAT YOU HAD LAST NIGHT
IS WHAT PEOPLE CALL
A "WET DREAM."

WHAT'S-- WHAT'S A--
WHAT'S A WET DREAM ?

[ Woman ]
HULK ! NO !
HULK SMASH !

WELL, REMEMBER THAT--

REMEMBER ALL THE WOMEN
YOU SAW AT THE MONKEY CAGE ?

THEN YOU SAID THAT WOMAN
DIDN'T HAVE A THING.
REMEMBER THAT ?

SHE DIDN'T HAVE A THING, SINGER,
UNLESS SHE WAS HIDIN' IT.
RIGHT, RIGHT.

A WOMAN'S THING
IS CALLED A VAGINA,

AND A MAN'S--
YOUR THING THERE--
IS CALLED A PENIS.

I THOUGHT MY THING
WAS CALLED A THING.
YEAH. WELL, YEAH.

PENIS IS A--
PENIS IS A TECHNICAL NAME.

THEY GOT A LOT
OF OTHER NAMES FOR IT TOO.

LIKE, I'M SURE YOU'VE HEARD
THAT FOR PENIS THEY HAVE, UH--

COCK AND--
JOHNSON AND DICK AND--

THERE'S PUSSY AND--
AND SNATCH AND CUNT.

UH, SNATCH AND--
CALLED SPERM.

YES, BASICALLY,
ANY WOMAN'S PUSSY.

FROM 15 TO 40.
I KNOW, I KNOW, I KNOW,
BUT YOU GOTTA GET--

YOU GOTTA GET THE SPERM
INSIDE A WOMAN'S--

AND THAT'S-- THAT'S WHAT
HAPPENED TO YOU WHEN YOU HAD
A WET DREAM LAST NIGHT.

[ Man On TV ]
THIS YOUR IDEA
OF A JOKE, BANNER ?

[ Woman On TV ]
YOU'RE ONLY MAKING IT WORSE !

WHEN A MAN GETS EXCITED,
HIS PENIS GETS HARD.

AND THEN THE--
THE PENIS GOES--

THE DICK GOES
INSIDE THE PUSSY,

AND IT GOES BACK
AND FORTH LIKE THAT
A COUPLE TIMES.

OR A FEW MINUTES-- WHATEVER--
AND-- AND-- TILL THE MAN COMES.

I KNOW IT SOUNDS STRANGE,
BUT THAT'S HOW WE MAKE BABIES.

YEAH, I KNOW.
I SUCK AT THIS, MAN.

[ Hulk Growls ]
HULK DESTROY !

[ ZigZag ]
THE BABY COMES OUT
THE PUSSY ?

UH-HUH. YOU WERE BORN
RIGHT FROM IN THERE. THAT'S
WHERE YOU POPPED OUT FROM.

SINGER, YOU EVER
TOUCHED A PUSSY ?

OH, YEAH.
A COUPLE IN MY DAY.

I WONDER WHEN
I'LL TOUCH A PUSSY.

YOU DON'T TOUCH ANYTHING
TILL YOUR 18 YEARS OLD, MAN.

- YOU GOTTA BE ONE-EIGHT
TO TOUCH A WOMAN'S PUSSY ?
- YEAH. YOU GOTTA BE 18.

SINGER, YOU SAID
YOU CAN MAKE A BABY
STARTIN' WHEN YOU'RE ONE-FIVE.

YEAH, I DID,
BUT YOU CAN'T. IT'S--

IT'S COM--
IT'S COMPLICATED.

IT'S--
YOU CAN'T.
I DON'T UNDERSTAND, SINGER.

JUST REMEMBER, NO PUSSY TOUCHING
UNTIL YOU'RE 18. YOU GOT ME ?
WOW, LOOK AT THAT.

DON'T TOUCH THESE.
[ Honking ]

ALL RIGHT, ALL RIGHT.
SORRY, SORRY. HE'S HAVING FUN.
HI.

WHAT'S UP, RALPH ?
HI, RALPH.

TAKE IT EASY.
SEE ? AND THIS
IS FOR LIFTING UP.

I'M GONNA
SHOW YOU RIGHT HERE.
ALL RIGHT, HERE WE GO.

I'M GONNA TAKE YOU AROUND,
AND I'M GONNA LET YOU DO IT,
ALL RIGHT ?

SINGER--
ALL RIGHT,
LOWER THIS ONE.

NOW LOWER THAT ONE.
ALL RIGHT, NOW WE'RE
GONNA GO IN THERE.

SEE ?

THAT'S IT.
EASY. HEY !
[ Horn Honking ]

BE CAREFUL.
[ Honking ]

[ Honking ]
YOU LOVE MY JOB,
DON'T YOU ?

[ Honking ]

SINGER ! SINGER !
SINGER !

SINGER ! SINGER ! SINGER !
SINGER ! SINGER ! SINGER !

SINGER. SINGER,
CAN YOU HEAR ME ?
SINGER.

[ Woman ]
CALL THE AMBULANCE.
CALL 911.

[ Woman ]
HAS ANYONE EXPLAINED TO YOU
THAT YOUR FRIEND IS VERY SICK ?

WHAT ?
HE'S VERY SICK.

SINGER SAID HE GOT THE NOISE IN
HIS BALL, SO THEY TOOK IT OFF.

HOW COME ?

HE HAS TESTICULAR CANCER,
WHICH MEANS THERE ARE
BAD CELLS IN HIS TESTICLE.

BY REMOVING THE TESTICLE,
WE HOPED IT WOULD ALSO
REMOVE THE BAD CELLS.

SO HOW COME
HE'S STILL SICK, THEN ?

CANCER HAD ALREADY SPREAD
INTO HIS ABDOMEN AND LUNGS.

YOU NEED TO BE PREPARED
FOR THE WORST.

I GOTTA GO ZIGZAG SOME DISHES.

** [ Funk Playing On Radio ]

SO WHERE YOU HEADED, MAN ?

YOU KNOW A RESTAURANT
ON RIVERSIDE,
THE GRUB AND GROG ?

ON RIVERSIDE DRIVE ?
YEAH, NO, I DON'T KNOW IT.

WHAT KIND OF FOOD
THEY GOT THERE ?

SAME KIND AS EVERYWHERE ELSE.

"SAME KIND AS EVERYWHERE ELSE."
AIN'T THAT THE FUCKIN' TRUTH.

AIN'T THAT
THE FUCKIN' TRUTH, BABY.

YOU WANT A HIT ?
YOU DON'T GOTTA.

IT'S COOL.
DON'T WORRY ABOUT IT.
DON'T WORRY ABOUT IT.

SO, CHECK IT OUT.
CHECK IT OUT.

WHAT'S THE STORY WITH THIS
PLACE ? YOU GOT SOME PUSSY
LINED UP THERE, OR WHAT ?

WE GOT LOTS OF PUSSY.
I KNOW WHERE IT'S HIDDEN.

THAT'S WHAT I'M TALKIN' ABOUT,
NIGGA. THAT'S WHAT I'M
TALKIN' ABOUT, BABY !

THIS SHIT-HOLE
RIGHT HERE ?
RIGHT HERE.

ALL RIGHT.
WE HERE, BABY.
THIS IS WHERE I WORK AT.

I GOTTA ZIGZAG
SOME DISHES NOW.

WHAT THE FUCK
ARE YOU TALKIN' ABOUT ?
I GAVE YOUR ASS A RIDE.

NOW IT'S YOUR TURN.
COME ON. DELIVER !

I GOTTA GO ZIGZAG
THE TOAD'S DISHES.

MOTHERFUCKER,
WHAT ARE TALKIN' ABOUT,
A ZIGZAG OF DISHES ?

YOU LITTLE PEANUT HEAD BITCH !
LET ME TELL YOU SOMETHIN' !

I GAVE YOU A RIDE. YOU SAID
YOU WERE GONNA HOOK ME UP.
WHERE IS SHE ?

WHERE IS SHE WHO ?
WHAT THE FUCK YOU MEAN ?
LISTEN.

IF YOU DON'T DELIVER,
I'M KICKIN' YOUR ASS.
WHAT THE HELL IS THIS ?

WHO THE FUCK ARE YOU ?
GET THE FUCK BACK, OKAY ?

WHAT THE HELL NOW ?
EXCUSE ME.
CAN YOU BACK THE FUCK UP ?

THANK YOU.
IF YOU WANNA HAVE A LITTLE
ASS PARTY, FIND SOMEBODY ELSE.

GET OUTTA HERE !
THIS BOY'S GOTTA
WASH DISHES NOW !

FUCK YOU ! FIRST OF ALL,
I AIN'T NO FAGGOT.

NOW BACK YOUR ASS UP !
LISTEN TO ME.

TAKE YOUR FUCKIN' COAT
AND YOUR CAR OFF MY PROPERTY,
OR I'M GONNA KICK YOUR ASS !

HOW 'BOUT FUCK YOU ?
MOTHERFUCKER !

DON'T WANNA GET OUT.
CUT OFF YOUR SICK NUTS,
THAT'S WHAT I'M GONNA DO.

YEAH, WELL, FUCK YOU,
MOTHERFU-- OH, SHIT !

GET THE FUCK
OFF MY PROPERTY RIGHT NOW !

YOU ASS ! THIS AIN'T OVER,
YOU EXTRA LARGE BITCH !
GET THE FUCK OUTTA HERE !

MOTHERFUCKER !
I KNOW HOW YOU LOOK, BITCH !

[ Tires Screeching ]
[ Horns Honking ]

LOUIS, COME HERE.

HOW OLD ARE YOU ?

ONE-FIVE.
"ONE-FIVE" ?

FIFTEEN ? YOU'RE FIFTEEN ?
YOU'RE A FUCKIN' MIRACLE.

UNBELIEVABLE.

LOOK AT THEM CLOUDS.
THEY'RE SOME NICE CLOUDS.

WHAT DO THEY CALL
THE BIG FLUFFY MOTHERFUCKERS ?

NIMBUS ? "SIMULUS" ?
CUMULUS ? "NIMBULUS" ?

FLUFFY MOTHERFUCKERS.

THANKS, LOUIS.
YOU'RE A SWEETHEART.

HOW OLD ARE YOU ?

ME ? WHY ?

YOU AT LEAST ONE-FIVE ?

FIFTEEN ?
UH, YEAH. HELLO !

I'LL BE NINETEEN
IN SEVEN MONTHS.
YOU'RE THE RIGHT AGE.

- FOR WHAT ?
- LOUIS !

FRONT AND CENTER.
COME ON, NOW.

TALK TO THE DETECTIVE.

IS MY DAD GOIN' TO JAIL ?

THAT'S FOR THE JURY TO DECIDE.
HE BEAT HER UP PRETTY GOOD.

WHILE WE HAD HIM IN CUSTODY,
WE ASKED HIM...

DID HE KNOW ANYTHING
ABOUT THE INVESTIGATION
THAT WE'RE DOING HERE.

NOW, YOUR DAD SIGNED
THIS PARENTAL RELEASE.

THIS GIVES ME PERMISSION
TO QUESTION YOU ON THE RECORD,

AS WELL AS
GET YOUR FINGERPRINTS.

YOU UNDERSTAND ?

BUT WHAT I'M REALLY
TRYING TO FIGURE OUT HERE
IS WHO DID THIS.

AND IF WHOEVER DID THIS
WORKS WITH ME,

THEY WON'T GET IN
AS MUCH TROUBLE AS
IF THEY TRIED TO HIDE IT.

YOU WITH ME SO FAR ?

I BETTER GET BACK
TO THOSE DISHES.

TOAD GETS PRETTY MAD
IF YOU LET 'EM PILE UP
TOO MUCH.

COME ON. LET'S STAY HERE.
JUST A COUPLE MORE MINUTES.
OKAY ?

THIS IS DETECTIVE JONATHAN HAWK
INTERVIEWING LOUIS FLETCHER,

A.K.A. ZIGZAG,

REGARDING CASE NUMBER
24576-ADAM-CHARLIE.

NOW, IS THERE ANYTHING ELSE
YOU WANNA TELL ME THAT HAPPENED
THIS PAST TUESDAY MORNING ?

LOOK, IT'LL MAKE IT
A LOT EASIER ON EVERYONE
IF YOU TELL ME RIGHT NOW.

DID YOU TAKE THE MONEY
OUT OF THE SAFE ?

ZIGZAG ?

ZIGZAG !

[ Distant Sirens Wailing ]

[ Walters ]
KEEP IT NICE AND WARM
FOR ME, NOW.

BACK THE FUCK OFF !
MY BOYFRIEND'S GONNA
BE RIGHT OUT.

THE TOAD'S YOUR BOYFRIEND ?

WHO THE FUCK'S THE TOAD ?
YOU KNOW, MR. WALTERS.

THE TOAD.

TOAD ? THAT'S GENIUS.

HOW DO YOU KNOW HIM ?

I WORK HERE.

SORRY TO HEAR THAT.

WELL, IF YOU DON'T MIND,
I'M GONNA GO HOME NOW, OKAY ?

PEPPER SPRAY.
STAY THE FUCK BACK UNLESS YOU
WANT THIS SHIT IN YOUR EYES !

[ Engine Starts ]

** [ Radio: Pop ]

COME HERE.

HOW OLD ARE YOU ?

ONE-FIVE.
FIFTEEN ?

AND THAT FREAK'S GOT YOU
WORKING THIS LATE ? SHIT.

YOU KNOW, YOU SCARED
THE HELL OUT OF ME.

YOU SHOULDN'T BE HANGIN'
AROUND THIS TIME OF NIGHT.
YOUR PARENTS COMIN' TO GET YOU ?

MY DAD'S IN JAIL.
WHAT ABOUT YOUR MOM ?

SHE DIED WHEN SHE
WAS HAVIN' ME, MAYBE.
SINGER SAYS WE DON'T KNOW.

JESUS.
WHAT'S YOUR NAME ?

ZIGZAG. TWO BIG Z's,
TWO LITTLE G's.

YOU'RE A LITTLE WEIRD.

COME ON.
YOU NEED A RIDE SOMEWHERE ?

[ ZigZag ]
HOW OLD ARE YOU ?

[ Jenna ] WHO, ME ?
TWENTY-TWO. WHY ?
JUST CHECKIN'.

SO YOU'RE 15, RIGHT ?
WHAT IS THAT ?
LIKE HIGH SCHOOL ?

GOT A GIRLFRIEND
OR SOMETHING ?

I'M STILL LOOKIN' FOR ONE.
YOU COULD BE MY GIRLFRIEND.

[ Chuckles ]
THAT'S SWEET,
BUT I DON'T THINK SO.

YOU'RE THE RIGHT AGE.

FOR WHAT ?

ONE-FIVE TO FOUR-ZERO.
TO MAKE LOVE.

WOW. NOT SO SHY
ANYMORE, HUH ?

SO WHAT HAPPENED
WITH YOUR DAD ?

HE BEAT UP A CRACK DEALER
WHO WAS REALLY A COP.

OUCH. SO WHO DO YOU
LIVE WITH, THEN ?

SINGER. BUT HE'S NOT
MY BIG BROTHER FOR REAL.
THE AGENCY HOOKED US UP.

IS HE LIKE A VOLUNTEER
OR SOMETHING ?

[ Diners Chattering ]

SO WHAT'S YOUR FAVORITE
THING YOU AND YOUR
BIG BROTHER EVER DONE ?

I DON'T KNOW.

COME ON. THERE'S
GOTTA BE SOMETHING.

HASN'T HE EVER TAKEN YOU
TO DISNEYLAND OR SOMEPLACE ?

SOME SHIT LIKE THAT ?
ANYTHING ?

COME ON.
YOU'RE NOT GONNA TELL ME
YOUR FAVORITE THING ?

OKAY, NOW I KNOW.
OKAY, WHAT ?

WHEN ME AND SINGER STOLE
THE BLACK BEAUTY FROM MY DAD.

AND ? COME ON. YOU GOTTA
GIVE ME MORE THAN THAT.

WHAT'S A BLACK BEAUTY ?

IT'S-- IT'S THIS BAT
MY DAD ALWAYS HIT ME WITH...

WHENEVER HE WOULD GET MAD.

WHENEVER I WOULD DO SOMETHIN'
WRONG, HE-HE WOULD SAY...

IT'S TIME TO ASK BLACK BEAUTY
WHAT SHE THOUGHT.

ONE DAY, ME AND SINGER
SNEAKED HER OUT OF MY DAD'S
APARTMENT WHEN HE WAS ASLEEP.

DROVE AWAY OUTSIDE THE CITY
TO THIS PLACE WITH THIS BRIDGE,
AND SINGER--

SINGER LET ME THROW
BLACK BEAUTY OVER THE BRIDGE AND
WATCH HER FLOAT DOWN THE RIVER.

[ Panting ]

AND WE-WE BUILT A FIRE RING
WITH THESE ROCKS,

AND WE-- AND WE COOKED HOT DOGS
ON A REAL FIRE.

KNOW WHAT YOU NEED ?

READY FOR A CARD TRICK ?

ALL RIGHT, THIS ONE'S
CALLED THE DIAMOND HOTEL.

THE SCENE TAKES PLACE
IN THE BRONX.

IT'S A HOT, HOT
SUMMER NIGHT IN THE BRONX.

EVERYONE WANTS TO BE THERE
FOR THE BIG BRONX PARADE.

[ Jenna ]
OKEYDOKEY, ZIGZAG. WELL, I HOPE
YOUR BIG BROTHER FEELS BETTER.

HEY, LISTEN.

SURPRISE HIM.
DO SOMETHING NICE.

COME HERE.

[ ZigZag ]
SINGER'S AWAKE
WHEN I FIND HIS ROOM.

I TELL HIM ABOUT JENNA
AND THE STRAWBERRY WAFFLES,
AND HE LAUGHS.

HE SHOWS ME HOW THE DOCTORS
GIVE HIM SOMETHING
CALLED A MORPHINE PUMP.

HE JUST PUSHES A BUTTON,
AND THE NOISE GOES AWAY.

THE DOCTORS
DON'T WANT SINGER TO LEAVE,
BUT HE SAYS HE'S FINE.

[ Singer ]
FOUR ACES OR FOUR--

[ ZigZag ]
I DIDN'T DO ANYTHING.
IT'S NOT A TRICK DECK, IS IT ?

THIS IS YOUR CARD, SINGER.

ONE MORE.
LAST ONE. YOU GOT--

OH, ALL THE GUYS.
OH, WAIT. THERE'S NO GIRLS.

HOW COME THERE'S NO GIRLS ?
OH, ARE THEY IN MY HAND ?

WHAT DO YOU THINK, SINGER ?
WHAT DO YOU THINK ?

WHAT ? SHOULD I SHOW HIM ?
GUESS WHO IT IS.

THOSE ARE THE FELLAS,
AND THESE ARE THE WOMEN, SINGER.

YOU'RE A REGULAR
DAVID COPPERFIELD. GO GET--
GET ME THE CAMERA. HURRY UP.

COME ON.
DON'T MESS UP THE BED.

I GOT A SERIOUS
VISUAL GOING THERE.

[ Groans ]
HEY, DON'T MOVE, DON'T MOVE.

IT'S GONNA BE A GOOD ONE.

ZIGZAG, I'VE BEEN THINKIN'.

I'VE BEEN THINKIN', MAN.
LET'S-- LET'S JUST DO SOMETHIN'.

DO SOMETHIN' LIKE WHAT ?

I DON'T KNOW, MAN.

LET'S JUST DO SOMETHING
THAT YOU AND I
HAVE NEVER DONE BEFORE.

MAYBE WE CAN GO
ON A DATE WITH JENNA.

OKAY. JUST DO LIKE A--
LIKE A DATE ?

YOU, ME AND HER ?
WHAT, WE DO A LITTLE THREE-WAY ?
YOU, ME AND JENNA ?

THAT'S SOMETHIN'
I'VE NEVER DONE BEFORE.
[ Laughs ]

THREE WHAT ?
FORGET IT.

YOU KNOW, THAT'S ACTUALLY
NOT A BAD IDEA.

SHE'S HELPED YOU OUT
A LOT BEFORE, HASN'T SHE ?

BUT HOW THE HELL
ARE WE GONNA FIND HER ?

WHY DON'T WE JUST
ASK JORDAN ?

I DON'T-- WHO'S JORDAN ?

JORDAN.
YOU KNOW, HER DANCER
FRIEND AT THE MONKEY CAGE.

USED TO DO ESCORT.

ZIGZAG, YOU'RE A FUCKIN' GENIUS.
JESUS CHRIST.

HERE, HOLD THAT.
HOLD THAT GENIUS LOOK.
HOLD IT RIGHT THERE.

HELLO ? ANYBODY HERE ?

HELLO ? HELLO ?

CARMEN, JACKIE, BRENDA.
THERE IT IS ! JORDAN.

** [ Techno ]

HEY. HEY.
CAN I TALK TO YOU FOR A MINUTE ?

- HEY, THE DYNAMIC DUO !
- WHAT THE HELL IS THIS ?

CAN I TALK TO YOU
IN PRIVATE FOR A MOMENT ?

I'M DOIN' AN AUDITION.
YOU GOT SOMETHIN'
TO SAY, SAY IT HERE.

- [ Singer ] NO, I DON'T
THINK WE CAN SAY IT HERE.
- NOW, YOU DANCE.

I CAN'T BELIEVE THIS SHIT.

YOU'RE GETTIN' SHY
IN FRONT OF THESE TWO
BUTT JUMPERS ?

TELL ME, LOVE,
HOW ARE YOU GONNA DANCE...

WHEN THIS ROOM'S FULL OF 200
DRUNKS WITH HARD-ONS ?

YOU'VE SEEN
ALL YOU NEED TO SEE.

NO, I DIDN'T SEE SHIT.
YOU NEED TO GET DOWN
TO YOUR PANTIES, LOVE.

I CAN'T HIRE YOU TILL
YOU DO SOME BEND-OVERS.

- FUCK YOU !
- NO, NO. FUCK YOU !

- FUCK YOU ! FUCK YOU !
- FUCK YOU ! FUCKING ASSHOLES !

WHY AM I TALKING TO YOU ?

THIS YOUR FIRST PAYMENT ?

YEAH, THAT'S RIGHT.
THAT'S RIGHT. 'COURSE,
I HAD TO PAWN MY CAR TO DO IT.

BUT LOOK, IT'S BEEN
BARELY WHAT, THREE DAYS ?
AND I GOT YOU ALL THE MONEY.

IF I GET IT ALL BY THURSDAY,
WILL YOU DROP THE VIG ?

FUCKING AMATEURS !
LISTEN-- FUCK OFF !

LISTEN, MATES, VIG KICKED IN
THE MINUTE YOU LEFT HERE.

YOU'RE LUCKY I DON'T
CHARGE YOU ANOTHER GRAND
FOR FUCKING UP MY AUDITION !

OH, HEY, HEY, JORDAN ?
HEY, JORDAN.
[ Muttering ]

HOW ARE YOU DOIN' ?
MY NAME IS DEAN. YEAH.
I'M A FRIEND OF JENNA'S.

WHAT KIND OF FRIEND ?
WELL, UM--

I'M A CLIENT, I GUESS.
YOU'RE NOT GONNA
BEAT ME UP.

BLUE ANGEL ESCORTS ?
THANK YOU VERY MUCH.
I APPRECIATE IT.

WH-WHAT'S THE NUMBER ?
GIVE ME THE NUMBER
ONE MORE TIME.

TELL JENNA
ZIGZAG SAYS HI.
OKAY, I WILL.

HEY, YES, HELLO. I'D LIKE
TO MAKE AN APPOINTMENT
FOR JENNA FOR TONIGHT.

NO, I'M SURE THEY'RE ALL
VERY BEAUTIFUL AND EVERYTHING,
BUT I REALLY NEED HER.

THEN COULD YOU GIVE HER
A MESSAGE FOR ME, PLEASE ?
ZIGZAG SAYS HI.

JUST ONE MINUTE.
SINGER. S-I-N-G-E-R.
AND MY PHONE NUMBER IS--

[ Siren Wailing ]
S-I-N-G-E-R.

555-0182.

JUST HAVE HER
CALL ME, OKAY ?

HA-HAVE HER CALL ME.

WELL, I GUESS
WE'RE GOIN' STAG,
BUDDY. COME ON.

[ ZigZag ]
SUPERMAN.
HE'S FROM ANOTHER PLANET.

[ Singer ]
THERE YOU GO.

THINK THEY GOT THE NOISE
WHERE SUPERMAN COMES FROM ?

YEAH.

YOU BET. THEY GOT
THE NOISE EVERYWHERE.

ZIGZAG... WE GOTTA TALK.

MORE SEX 101 TALK ?

NO, NO MORE OF THAT.
YOU ALREADY GOT THAT DOWN
PRETTY WELL.

WE JUST NEED TO TALK ABOUT--
ABOUT MY CONDITION.

- WHAT CONDITION ?
- MY CONDITION.

RE-REMEMBER WHEN THE DOCTOR SAID
THAT I GOTTA PREPARE YOU IN CASE
SOMETHIN' SHOULD HAPPEN ?

YOU KNOW, WHAT SHE
WAS SAYING REALLY WAS,

"TOO BAD, SUCKER.
IT'S OVER.

THERE'S NOTHIN' ELSE WE CAN DO
TO HELP YOU. SO THERE."

BUT THE MORPHINE PUMP,
SINGER. THAT HELPS YOU.

OH, YEAH, NO, IT'S WORTH IT.
THAT'S FOR DAMN SURE.

BUT IT'S NOT GONNA TAKE
THE "C" WORD AWAY.

I HAVE CANCER, ZIGZAG.

I-I DON'T UNDERSTAND.

DON'T MAKE THIS
ANY HARDER FOR ME
THAN IT ALREADY IS.

I'M SICK. I'M SICK,
AND I'M GONNA DIE.

YOU'RE NOT GONNA DIE, SINGER.
YOU GOT THE SPECIAL POWERS.

YOU TAUGHT ME.

YEAH, SPECIAL POWERS.
BUT IT'S NOT GONNA HELP ME, MAN.

I'M GONNA DIE.
EVERYBODY DIES.

YOUR FATHER'S GONNA DIE,
THE TOAD'S GONNA DIE,

EVEN YOU'RE
GONNA DIE SOMEDAY.

THE ONLY DIFFERENCE IS
I'M GONNA DIE A LOT SOONER
THAN EVERYBODY ELSE.

THAT DOESN'T MEAN
I'M NOT GONNA BE YOUR FRIEND.

I'M JUST NOT GONNA
BE RIGHT HERE TO HELP YOU,

SO YOU GOTTA LEARN
TO HELP YOURSELF.

YOU UNDERSTAND ?
'CAUSE YOU'RE DIFFERENT.

PEOPLE MAY TALK TO YOU AT FIRST,
AND THEY'RE NOT GONNA GET THAT
YOU'RE DIFFERENT RIGHT AWAY,

SO YOU GOTTA
MAKE IT CLEAR, OKAY ?

GOOD.

[ Sighs ]

WHAT IS THIS ?

WHAT TIME IS IT ?

AH, JEEZ.

DID JEN--
DID J-JENNA CALL ?

- NO ?
- MM-MM.

GUESS WE'RE GONNA HAVE TO MAKE
A PERSONAL APPEARANCE...

AT THE BLUE ANGEL ESCORTS, HUH ?

[ Groaning ]

JUST GIVE ME
A COUPLE MINUTES.

[ Siren Wailing ]

HOW MUCH LONGER
WE GONNA WAIT HERE, SINGER ?

UNTIL SHE SHOWS UP.

SINGER. WHAT IF SHE DON'T
SHOW UP, SINGER ?

WELL, I GUESS THEN
WE'RE JUST FUCKED, AREN'T WE ?

HOLY SHIT !

HEY, WHAT ARE YOU
DOIN' HERE ?
SINGER BROUGHT ME HERE.

DEAN. HOW YOU DOIN' ?
THE BIG BROTHER WHO'S NOT REALLY
THE BIG BROTHER, RIGHT ?

YEAH, THAT-THAT'S ME.

I'VE HEARD A LOT
ABOUT YOU FROM ZIGZAG.
I FEEL LIKE I KNOW YOU.

OH, OUR BIG NIGHT
AT JOHNIE'S, HUH ?

WELL, HEY, UM,
I'VE GOT AN APPOINTMENT
IN A FEW MINUTES, SO--

NO, I KNOW, I KNOW.
THAT'S WHY WE'RE HERE.

OH, NO, NO, NO, NO.
WE'RE NOT HERE FOR THAT.

AH, JEEZ, SO YOU GUYS--
NO, NOT THAT.

- WE'RE JUST HOPIN' YOU
COULD HELP US OUT A LITTLE.
- JESUS CHRIST, WHAT A RELIEF.

FUCK. WH-WH-WHAT'S UP ?
I MEAN, I HARDLY KNOW THE KID.

WE JUST-- HE TOOK SOME MONEY
FROM HIS BOSS, RIGHT ?

AND, UM, WE WERE HOPING
TO RETURN THE MONEY
WITHOUT HIM NOTICING.

LOOK, I'M SORRY.
IT'S ALL STARTING TO SOUND
A LITTLE TOO INVOLVED--

NO, I KNOW.
BUT IF YOU COULD JUST TALK
TO TOAD FOR US, YOU KNOW ?

HOW ABOUT LATER, MAYBE THE THREE
OF US COULD GET TOGETHER, MAYBE
HAVE DRINKS SOMEWHERE, TALK ?

I DON'T THINK SO. UM--

ALL RIGHT, LOOK, SINGER,
IT'S REAL NICE TO MEET YOU.

I'M GLAD YOU GOT
OUT OF THE HOSPITAL.

MAYBE I'LL SEE YOU SOMETIME
AT JOHNIE'S, OKAY ?

[ Groaning ]
SINGER !

SINGER, YOU OKAY ?

SINGER, COME ON.

FUCK ME.
SINGER ?

[ Chattering ]

WHAT'S THAT ?

THE ONE-ZERO-ZERO
YOU GAVE ME.

FOR WHEN SINGER WAKES UP.
YOU CAN MAKE LOVE WITH HIM.

OH, I CAN'T TAKE THAT.

YEAH, BUT, BUT YOU SAID
DO SOMETHIN' NICE.

AND SINGER, HE'S OLD ENOUGH.
HE'S THREE-FIVE.

LOOK, I KNOW THAT.
BUT IF I TAKE THIS, IT'S
NOT MAKIN' LOVE, OKAY ?

[ Heart Monitor Beeping ]

HEY.

COME HERE.

I WAS DYIN' OUT THERE.
[ Chuckles ]

HEY, THAT LOOKS PRETTY GOOD.

THAT'S SOME KID OUT THERE.
HE JUST TRIED TO TALK ME INTO
GIVIN' YOU A MERCY FUCK.

SO, ARE YOU GONNA BE MERCIFUL
OR WHAT ?

[ Laughs ]
[ Groans ]

PEOPLE ARE GONNA TALK.
LET 'EM.

DON'T KNOW.
THINK YOU CAN TAKE IT ?

I WISH I COULD, BUT I WOULDN'T
WANT TO DISAPPOINT YOU.

[ Laughs ]

WHAT'S THAT,
A MORPHINE DRIP ?
CAN I GET SOME OF THAT ?

YEAH, GO AHEAD.
HELP YOURSELF.

HOW ARE YOU DOING ?

I'M GREAT. REALLY.

LOOK, I KNOW THIS IS
A LOT TO ASK OF YOU,

BUT CAN YOU LOOK AFTER HIM
FOR A DAY OR TWO
TILL I GET OUT ?

NO, NO, IT'S NOT THAT DIFFICULT.
ALL YOU GOTTA DO IS PUT HIM
IN FRONT OF A TV,

TOSS HIM SOME PIZZAS,
AND HE'LL BE FINE.

I ALREADY MISSED
ONE APPOINTMENT AS IT IS,
BRINGIN' YOU HERE.

I GOT ANOTHER ONE
IN A COUPLE OF HOURS.

NO, DON'T SAY NO.
JUST DON'T SAY NO.

HOW ABOUT IF I BRING HIM
TO YOUR PLACE, SET HIM UP...

AND CHECK IN ON HIM
TOMORROW, OKAY ?

THE MONEY'S IN THE FREEZER.
IT'S IN THE ICE-CREAM CARTON.

DON'T DO THIS TO ME.

[ ZigZag ]
JENNA, HOW WE GONNA GET THE
MONEY INSIDE THE TOAD'S SAFE ?

FUCK IF I KNOW.
LET'S JUST FIND IT FIRST.

HEY, DID SINGER TAKE THESE ?
COOL. COOL.

I GOT THE MONEY.

HELLO, FISH.
HEY, LITTLE GUYS.

HEY, WAS THAT LIKE THAT
WHEN YOU LEFT ?

[ ZigZag ]
WHAT ?

- MM-MM.
- [ Door Opens ]

- [ Jenna ]
HEY, LOOK OUT !
- WHERE THE MONEY AT, BITCH ?

DON'T KNOW NOTHIN'
ABOUT NO--
DON'T LIE TO ME, LOUIS !

I DON'T KNOW NOTHIN' ABOUT--
THE $1,800 YOU OWE CADILLAC.
HEY, HEY, HEY !

[ Jenna ] STOP IT !
LOOKIT HERE, NIGGA.
DON'T FUCK WITH ME.

YOU'RE SUPPOSED TO BE
IN JAIL !
OH, FUCK !

SURPRISE, SURPRISE, NIGGA !
I'M OUT !
STOP IT !

- AND CADILLAC TOLD ME--
- COME ON. LEAVE HIM ALONE !

GET AWAY FROM ME !
DO YOU WANNA MESS WITH ME ?

BITCH, DON'T YOU KNOW
I'LL WHIP YOUR ASS TOO !

[ Muttering, Grunting ]
GONNA TRY TO TAKE ME, LOUIS ?
HUH, NIGGA ?

[ Grunts ]
CAN'T TOUCH ME, NIGGA !

[ ZigZag Groaning ]
HEY !

OH, SHIT !
FUCKIN' ASSHOLE !

GODDAMN !
COME ON, ZIGZAG ! LET'S GO !

OH, SHIT ! OH, SHIT !
[ Door Slams ]

[ ZigZag ]
I TOLD JENNA ABOUT THE TOAD
AND THE NINE-TWO-FOUR-ONE,

AND THEN JENNA MAKES A PLAN
JUST LIKE SINGER USED TO.

SHE SAYS HOW WE NEED
SOMEONE ON THE INSIDE,

SOMEONE WE CAN TRUST.

IS THAT HIM ?

MM-HMM.

HELLO, ZIGZAG.
WHO'S YOUR FRIEND ?

[ Man Speaking Spanish
On Radio ]

** [ Mariachi ]

BITCH.

[ Walters ]
WHERE THE HELL YOU BEEN ?
DETECTIVE ASSHOLE'S BACK.

HE'S GONNA
COME BACK LOOKIN' FOR YOU.
DON'T PUNCH OUT TILL HE DO.

GET TO WORK !
GET TO WORK !

[ ZigZag ]
I DON'T KNOW
WHAT'S GONNA HAPPEN,

BUT I KNOW I DON'T
WANT THIS SHIFT TO END.

SO I GO DOWN DEEP,
WHERE I CAN'T HEAR NOTHIN'.

WHERE I DON'T KNOW NOTHIN'
BUT THE DISHES STACKED UP
FROM THE LUNCH BASTARDS.

AND I JUST ZIGZAG MY WAY
RIGHT OUT OF THIS UNIVERSE.

[ Faint Voice ]
ZIGZAG ? ZIGZAG ?

[ Louder Voice ]
ZIGZAG ? ZIGZAG ?

HE'S TRYING TO FIND YOU.
YOU CAN'T LET HIM TALK
TO YOU RIGHT NOW.

- GET DOWN.
- LOUIS ?

LOUIS ?
WHERE THE FUCK ARE YOU ?

DALE, WHERE THE FUCK
IS RICKY "RETARDO" ?

I JUST SAW HIM
OUT COLLECTING BUS TUBS.

HE'S NOT SUPPOSED TO BE
OUT THERE ! GODDAMN IT !

COME ON. I'M GONNA FIND HIM
FOR YOU, I PROMISE.

ANYBODY SEEN
"RETARDO" MONTALBAN ?

OKAY, IT'S A LITTLE
SOONER THAN WE PLANNED.

BUT EVERYTHING ELSE,
JUST LIKE WE TALKED ABOUT.
HERE'S THE MONEY.

CAN'T A WOMAN DROP BY WITHOUT
MAKIN' A FUCKIN' APPOINTMENT ?

HERE COMES JENNA.
SCOOT DOWN UNDER THE DESK.

I CANNOT DO THIS SHIT NOW.
I GOT DETECTIVE ASSHOLE
NOSIN' AROUND.

YOU COME BACK LATER.
COME BACK LATER !

COME ON, BABY,
A HUNDRED BUCKS.

[ Walters ]
WHAT ARE YOU UP TO ?

NOTHIN'. COME ON, BABY.
COME ON. I'M JUST A LITTLE
HARD UP FOR CASH.

[ Hawk ]
AM I INTERRUPTING ?

I'LL SEE YOU THERE, MARY.

YOU SAY HELLO TO,
UH, DENISE, ALL RIGHT ?

WHAT CAN I DO FOR YOU TONIGHT,
OFFICER ? SHE WAS JUST LEAVIN'.

SO, UH, WHO WAS THAT ?
WHO WAS THAT ?

WELL, THAT WAS MY LITTLE
SISTER'S NIECE'S COUSIN.

SHE'S A HOOKER,
SHERLOCK "HOMIE."

SHE'LL SUCK MY LITTLE DICK
WHENEVER I LIKE.

SO THANK YOU IN ADVANCE
FOR CUTTIN' ME SOME
SLICKETY-SLACK, OFFICER,

'CAUSE, YES, I'M MARRIED.

FUCKIN' DIPSHIT.
MAYBE YOU NEED
TO SLOW DOWN ON THOSE.

WHAT, ON THESE HERE ?
YEAH.

FUCK YOU !

- [ Clattering ]
- YOU NEED TO UNDERSTAND,
MR. MOTHERFUCKER.

YOU WILL NOT DISRESPECT ME.
UNDERSTAND ?

YOU'VE GOT TEN MINUTES.
IF THE KID DOESN'T SHOW UP,
MY SHIT'S IN THE WIND.

[ Clattering ]

SILVER FEATHER, MY ASS.
"MY SHIT IS IN THE WIND."

"MY SHIT IS IN THE WIND."

I'LL "MR. MOTHERFUCKER" YOU--

FILE A GODDAMN LAWSUIT
WITH THE CITY, WHAT I'LL DO.

[ Chuckles ]

THAT'S WHAT I'M TALKIN' ABOUT.

THAT'S WHAT I'M TALKIN' ABOUT.
[ Sighs ]

[ Closes Safe ]
HOW ABOUT A NICE LITTLE LAWSUIT,
DETECTIVE ASSHOLE ?

DETECTIVE ASSHOLE,
MEET MY LAWYER.

[ Clattering ]
AIN'T NO SHIT
GONNA BE IN THE WIND.

MOTHERFUCKER !
GODDAMN !

DON'T THINK FOR A SECOND 'CAUSE
MY GODDAMN WINDOW'S BROKEN...

I DON'T SEE YOU
RIPPIN' ME OFF BACK THERE.

[ Indistinct Shouting ]

WHY YOU COMIN' DOWN ON ME ?
QUIT YOUR FUCKIN' AROUND !
GET BACK TO WORK ! GODDAMN IT.

[ Walters ] FUCK YOU TOO !
[ Man ] I WAS
OVER THERE THE WHOLE TIME.

[ Walters ]
OH, THAT'S VERY INTERESTING.
FUCK YOURSELF.

YOU KNOW, WRITE ME
A FUCKIN' LETTER IS WHAT I SAY !

MOTHERFUCKER.

WHAT THE FUCK--

[ Grunts ]

[ Hawk ]
ZIGZAG ? ZIGZAG ?

WHOA, WHOA, WHOA.
JUST RELAX.

BEEN LOOKIN' FOR YOU
FOR THE LAST 20 MINUTES, ZIG.

HERE, GIVE ME THAT.

"I'M RETURNING THE ENTIRE
AMOUNT I BORROWED FROM YOU,

"$9,241,

WITH THE FULL FAITH
THAT YOU'LL FORGIVE MY MISTAKE
AND CANCEL THE INVESTIGATION."

WELL, I NEED TO GET MY STORY
STRAIGHT FOR MY REPORT.

OKAY ?

SO FIRST OFF...

THE TOAD GOT HIMSELF ALL
TANKED UP ON JACK DANIEL'S...

AND MANAGED TO KNOCK HIMSELF
OUT COLD, RIGHT ?

RIGHT ?
AND THEN OUR PERPETRATOR MUST'VE
GOTTEN A GUILTY CONSCIENCE,

BECAUSE AT SOME POINT
DURING THE EVENING,
THE MONEY WAS RETURNED, RIGHT ?

ISN'T THAT WHAT YOU HEARD
FROM THE COOKS AND THE WAITERS ?

SO THE MONEY WAS RETURNED.
NO HARM DONE.

THERE'S ONLY ONE OTHER
QUESTION TO BE RESOLVED.

THE PRINTS WE LIFTED DON'T
MATCH ANY OF THE EMPLOYEES.

NOT EVEN THE DISHWASHER.

YOU CAN GO
BACK TO WORK.

OH, YEAH, ONE OTHER THING,
STRICTLY OFF THE RECORD.

THAT WINDOW LOOKS LIKE A MIRROR
FROM INSIDE THE KITCHEN.

BUT WHEN YOU GET
RIGHT UP NEXT TO IT, YOU CAN SEE
IN HERE ANYTIME YOU WANT.

ALL RIGHT ?

[ ZigZag ]
THE SUN'S FULL BRIGHT TODAY,
AND THE TIRES ARE LOUD...

'CAUSE THE STREETS ARE COVERED
WITH LITTLE POOLS THAT EXPLODE.

I LIKE THE RHYTHM
THE CITY MAKES ALL ON ITS OWN--

SOUNDS AND SMELLS
AND DIFFERENT PEOPLE...

ALL CRASHING DOWN TOGETHER
SO LOUD, THEY GO INVISIBLE.

SILENT.

JUST FLOATIN'
AROUND LIKE GHOSTS.

SINGER DIED THE SAME NIGHT
WE TAUGHT THE TOAD A LESSON.

DON'T ASK ME HOW.

I WAS KEEPING MY RADAR
ON HIM THE WHOLE TIME.

I WANTED TO TELL HIM HOW DALE
WENT TO THE MONKEY CAGE...

AND DELIVERED
NINE-ZERO-ZERO-ZERO
WORTH OF BOOZE, NO CHARGE,

AND HOW THE TOAD
WOULDN'T EVEN NOTICE SINCE
HIS BOOKKEEPING WAS SO SLOPPY.

ME AND JENNA STILL
SEE EACH OTHER SOMETIMES.

NOT SO MUCH, BUT SOMETIMES.

PRETTY SOON I'LL BE ONE-EIGHT.
THEN MAYBE I'LL GET TO SEE
HER THING.

LET'S GO !
[ Shouting ]
OW ! OW !

I AIN'T DID NOTHIN', MAN !
I AIN'T DID NOTHIN' !

[ ZigZag ]
SOMEHOW MY DAD
MESSED UP HIS PAROLE.

LOOK, I DON'T NEED
INCARCERATION, MAN !
I NEED HELP, MAN !

OH, SHUT UP !

I STAY AT THE MARMONT
FOSTER HOME FOR BOYS NOW.

DIANA GAVE ME A BOX
OF SINGER'S STUFF.

SHE SIGNED ME UP
FOR A NEW BIG BROTHER TOO,
BUT SO FAR NO ONE.

[ Walters ]
"ORGANIC." ORGANIC, MY ASS.

I'LL TELL YOU ABOUT ORG--
YOU WANNA KNOW WHAT ORGANIC IS ?

A GODDAMN
HIPPIE CONSPIRACY.

ORGANINC, MY ASS.

THAT'S WHAT ORGANIC IS.
IT'S A GODDAMN
HIPPIE CONSPIRACY.

ORGANIC
IS JUST HIPPIE TALK...

FOR SOGGY, BROWN,
WILTED AND EXPENSIVE.

HEY. HEY, LOUIS,
GUESS WHAT.

DETECTIVE ASSHOLE
CALLED ME UP TODAY.
HE CLEARED YOUR NAME.

THAT'S RIGHT. 'COURSE, I KNEW
ALL ALONG YOU DIDN'T DO IT.

I KNOW ANOTHER THING TOO.
I'M GONNA CATCH THE HOMO
WHO DID IT.

YES, I AM,
IF IT'S THE LAST THING I DO.

- I'M NOT AFRAID ANYMORE.
- NOT AFRAID OF WHAT ?

OF ANYTHING.

WELL, SHAZAM !

SEEN JENNA LATELY ?

WHO THE FUCK IS JENNA ? HUH ?

WHO THE FUCK IS JENNA,
YOU SLIPPERY LITTLE DIPSHIT ?

NOW, LISTEN,
I'VE GOT A THEORY ABOUT YOU...

AND THIS WHOLE
DUM-DUM ACT OF YOURS.

NINETY-FIVE PERCENT OF THE TIME
I'M CONVINCED...

IT'S A BIG, STEAMY LOAD OF POO.

YOU GOT IT ?
JUST REMEMBER NOW.

MR. WALTERS DON'T MISS MUCH,
AND I'M WATCHIN' YOU.

ALL RIGHT ?

I KNOW WHERE YOU LIVE.
I KNOW WHERE YOU SLEEP.

[ ZigZag ] THAT'S THE LAST TIME
THE TOAD MENTIONED CASE NUMBER
24576-ADAM-CHARLIE.

I FLOAT INTO POSITION
AT MY DISH STATION.

THE BUS TUBS
ARE STACKED TO THE CEILING
FROM THE LUNCH BASTARDS.

MY BODY GOES AUTOMATIC.

RELAX.

EVERYTHING GOES QUIET
ON THE INSIDE.

THIS IS MY FAVORITE
TIME OF DAY,

WHEN THE LIGHT
BOUNCES OFF THE WALLS SO BRIGHT.

THIS IS WHEN I THINK
ABOUT SINGER THE MOST...

AND ALL THE STUFF HE GAVE ME,

LIKE THE SPECIAL POWERS...

AND MY NEW NAME, ZIGZAG.

TWO BIG Z's, TWO LITTLE G's.

**

* I'M MOVIN'
WITH THE STREAK OF A SPEAR *

* I'M CRUISIN'
IN THE PAST AND THE NEAR *

* DONE LIVIN'
IN THE CITY OF GHOSTS *

* COOL ASHES LIKE
IT'S ALL THAT SHE WROTE *

* SHAKE YOUR SADNESS SOOT

* IT'S DOIN' ME GOOD

* EMBRACE THE SOLITUDE

* IT'S DOIN' ME GOOD

* I'M DARTIN' THROUGH
THE TRAFFIC ALONE *

* AND DAMN THE SHADOWS CARVE
THE STREETS THAT I ROAM *

* BEWITCHING
IS THE NEED TO BE HELD *

* I TRY TO FIGHT IT
BUT I'M UNDER THAT SPELL *

* KNEE DEEP IN SADNESS SOOT

* IT'S DOIN' ME GOOD

* EMBRACE THE SOLITUDE

* IT'S WELCOMING NONE

* FACE THE NIGHT
AND ALL ITS FIREWORKS *

* WRAP YOURSELF UP
IN THE SILENCE *

* BIRTH AND DREAMS
OF LOVE UNEARTHED *

* A GOLDEN MIND
WITH HIGHER SIGHTS *

* FACE THE NIGHT

* FACE THE NIGHT ALONE

* FACE THE NIGHT

* FACE THE NIGHT ALONE

** [ Humming ]

* I'M SWIMMIN'
WITH THE WEIGHT OF MY HEART *

* UPSTREAM TO WHERE
THE GREEN RIVER PARTS *

* AND TWO DIRECTIONS
FORCE MY WILL TO DECIDE *

* SHOULD I DRIFT
BEFORE I SWIM FOR MY LIFE *

* KNEE DEEP IN SADNESS SOOT

* WE'RE GATHERING RUST

* EMBRACE THE QUIET LOVE

* THAT'S WELCOMING US

* SHAKE LOOSE THE SADNESS

* SHAKE LOOSE THE SADNESS

* SHAKE LOOSE THE SADNESS

* SHAKE IT LOOSE, THE SADNESS

* SHAKE IT LOOSE
SHAKE IT LOOSE, THE SADNESS *

* SHAKE IT LOOSE, SHAKE IT LOOSE
THE SADNESS *

* SHAKE IT LOOSE, SHAKE IT LOOSE
SHAKE IT LOOSE *

* SHAKE IT LOOSE, SHAKE IT LOOSE
SHAKE IT LOOSE *

* SHAKE LOOSE THE SADNESS *