Original subtitles

Downloaded from YTS.MX

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[ No Audible Dialogue ]

[ Boy ] MY NAME IS ZIGZAG--

TWO BIG Z's, TWO LITTLE G's.

EVEN WHEN YOU GOT THE SUPER-TUNED CELLS IN YOUR HEAD,

IT DON'T STOP THE STING OF THE PUNCHES.

NOW IS WHEN YOU GOT TO USE ALL YOUR SPECIAL POWERS TO KEEP THE NOISE BLOCKED OUT.

KEEP IT OUTTA YOUR HEAD IN CASE THERE'S MORE ON THE WAY.

[ No Audible Dialogue ]

[ ZigZag ] MY DAD AIN'T TOO SMART.

ALWAYS ASKIN' QUESTIONS THAT ONLY MEAN MORE NOISE NO MATTER WHAT ANSWER YOU GIVE.

BEST THING IS ACT LIKE HE JUST GAVE YOU THE WORST BEATIN' EVER SO HE LOSE INTEREST.

SINGER TAUGHT ME THAT, EVEN BEFORE HE GAVE ME MY NEW NAME.

[ Helicopter Passing Overhead ] DON'T COME IN HERE WHEN I'M BUSY, HUH ? HUH ?

YOU LISTEN TO ME, NIGGA. LOOK AT ME. YOU AIN'T PAID THE RENT.

TWO HUNDRED DOLLARS. SAME DEAL AS BEFORE.

I'M GONNA TELL YOU NOW, I WANT MY MONEY BY FRIDAY,

OR I SWEAR TO GOD I'M GONNA BEAT YOUR ASS...

LIKE YOU AIN'T NEVER SEEN !

THEN YOU GOT TO FIND YOUR ASS ANOTHER MOTHERFUCKIN' PLACE TO LIVE.

YOU UNDERSTAND ME, BOY ? "OKAY" ? OKAY, WHAT ? YEAH, OKAY.

OKAY, I-I'LL GIVE YOU TWO-ZERO-ZERO. UH-HUH, UH-HUH, UH-HUH.

OR ELSE WHAT ? OR ELSE MY BLACK ASS IS OUT ON THE STREET.

THAT'S RIGHT, NIGGA ! THAT'S RIGHT.

[ Father ] GET UP.

GET UP, NIGGA !

[ Stammering ]

I'M TRYIN' TO TEACH YOU SOMETHIN' !

[ Scoffs ]

GO ON. GET OUTTA HERE.

[ ZigZag ] I ZIGZAG OUTTA THERE REAL FAST BEFORE MY DAD...

CAN SEE WHAT I'M THINKIN' ON THE INSIDE.

DON'T KNOW WHERE I'LL GET THE TWO-ZERO-ZERO.

MAYBE I'LL ASK SINGER. HE ALWAYS GOOD AT MAKIN' A PLAN.

SINGER'S MY BIG BROTHER, ONLY HE AIN'T FOR REAL.

WE BEEN TOGETHER A COUPLE YEARS NOW. [ Honking ]

COULDN'T TELL YOU HOW MANY PLANS SINGER'S COME UP WITH.

LIKE GIVIN' ME MY NEW NAME AND SPECIAL POWERS.

[ Siren Wailing ]

[ Chattering ]

[ Woman ] I'M DOING THE VERY BEST I CAN.

HE HAS TO GO BACK.

[ Singer ] PLEASE, HE CAN'T GO BACK. YOU CAN'T DO THAT.

[ Woman ] DEAN, I APPRECIATE YOUR CONCERN, BUT IN CASES LIKE THIS,

ABOUT ALL WE CAN DO IS CALL SOCIAL SERVICES.

YOU CAN'T SEND HIM BACK OVER THERE.

YOU CAN'T SEND HIM BACK TO HIS FATHER.

[ Woman ] IF THE SITUATION MERITS--

[ Singer ] THE GUY'S BEATIN' THE KID. HOW MUCH MORE MERIT DO YOU NEED ?

WHAT DO YOU WANT ? DEAN.

BIG BROTHERS IS ABOUT YOU HELPIN' HIM WITH HIS HOMEWORK,

TAKING HIM TO THE MOVIES, YOU KNOW, JUST BEIN' A GOOD ROLE MODEL.

I KNOW, I KNOW.

JUST-- JUST GO WITH ME FOR A MOMENT. JUST GO WITH ME.

WHAT DO YOU THINK IS GONNA HAPPEN TO HIM WHEN HE'S 18 YEARS OLD ?

DO YOU THINK HE'S GONNA MAKE IT ONE MINUTE IN JAIL OR IF HE STAYS WITH HIS DAD ?

- WHAT DO YOU THINK IS GONNA HAPPEN TO HIM ? - BELIEVE ME, I'M--

I KNOW HOW MUCH YOU CARE,

ESPECIALLY IN-IN-IN LIGHT OF YOUR-- YOUR ILLNESS.

OH, MY ILLNESS. OH, GREAT. THAT'S GREAT.

THAT'S FUCKING GREAT.

I CAN'T BELIEVE--

THIS HAS NOTHING TO DO WITH ME, OKAY ? THIS IS ALL ABOUT LOUIS'S WELL-BEING, OKAY ?

EITHER YOU'RE GONNA HELP ME OR NOT. WHAT ARE YOU GONNA DO ? OF COURSE !

BUT WE HAVE TO WORK WITHIN THE SYSTEM WE HAVE, OKAY ?

THE SYSTEM. YEAH, OKAY. LET'S WORK WITH THE SYSTEM.

YOU'VE BEEN WITH LOUIS FOR A YEAR AND A HALF ? YEAH.

IT'S BEEN ABOUT A YEAR AND A HALF.

WELL, OUTSIDE OF THE HOME SITUATION, HE'S MADE SOME IMPROVEMENT.

YEAH, HE'S MADE A LOT OF IMPROVEMENTS.

HE'S READING, HE'S WRITING NOW, AND YOU KNOW HE'S GONNA GET HIS G.E.D. IF HE STICKS WITH THIS.

AND HE'S STILL AT THE DISHWASHING JOB I GOT HIM.

HE STAYING OUT OF TROUBLE ?

WHAT ABOUT HIS TENDENCY TO SHOPLIFT ?

WELL-- [ Sighs ]

[ Singer ] COME ON. EVERYBODY DOES THAT SHIT.

[ ZigZag ] I GOTTA PUSH ALL THAT OUTTA MY HEAD--

SINGER AND THE TWO-ZERO-ZERO--

'CAUSE NOW IT'S TIME TO SEE THE TOAD.

[ Man Speaking In Spanish On The Radio ]

[ Man On Radio Continues ]

[ Man ] WHO'S UP ?

[ ZigZag ] THAT'S THE INDIAN.

THAT'S CINDY. HI, LOUIS.

- [ Babbling ] - THOSE ARE THE LUNCH BASTARDS.

[ Man ] WHERE THE FUCK YOU BEEN, MAN ?

[ ZigZag ] IT'S HARD NOT TO LOOK AT SOMETHING YOU KNOW YOU DON'T WANNA SEE,

BUT THOSE LITTLE SAFE NUMBERS JUST SCREAM BACK AT ME.

THAT'S WHAT HAPPENS WHEN YOU GOT THE SPECIAL POWERS.

YOU'RE ALWAYS SEEIN' STUFF YOU AIN'T EVEN SUPPOSED TO.

NOW HOW THE FUCK LONG YOU BEEN STANDIN' THERE ?

[ ZigZag ] THE TOAD'S GOT RADAR JUST LIKE ME.

SO I STUFF THE NUMBERS DOWN DEEP INSIDE WHERE THE TOAD CAN'T SEE 'EM.

WHY DO I GET THE IMPRESSION YOU'RE NOT AS DUMB AS YOU LOOK ?

HUH ? WHY DO I GET THAT IMPRESSION ?

JUST REMEMBER. I GOT A THOUSAND PEOPLE OUT THERE JUST DYIN' TO REPLACE YOU YESTERDAY.

WHY, A LITTLE OL' SPICKITTY-DICK IN HERE THIS MORNIN'...

ASKIN' AFTER YOUR JOBBY-JOB, HUH ?

THAT'S RIGHT. NEVER GO WRONG WITH A TRUSTY WETBACK, I'LL TELL YOU THAT MUCH.

HARDWORKIN' MOTHERFUCKERS.

[ ZigZag ] THE TOAD'S GOT LOTS OF DIFFERENT NAMES FOR THE PEOPLE THAT WORK HERE.

REDSKINS, SPICKS, NIGGERS, COONS, FAGGOTS.

...START SINGIN' SONGS AND SHOOTIN' EACH OTHER.

FUNNY THING IS, YOU DON'T NEED TO HEAR PEOPLE'S WORDS TO KNOW WHAT THEY'RE SAYING.

THAT'S FOR YOU. OKAY, NOW. GOTTA ASK YOU A QUESTION.

WHAT THE FUCK YOU DOIN' STANDIN' THERE ? YOU GOT A MOUNTAIN OF DISHES OUT THERE.

COME ON. COME ON, NOW. GET THE FUCK OUT THERE.

[ Thinking ] 5-2-3-7-3-9.

5-2-3-7-3-9. 5-2-3-7-3-9.

5-2-3-7-3-9. 5-2-3-7-3-9.

5-2-3-7-3-9. 5-2-3-7-3-9.

5-2-3-7-3-9. 5-2-3-7-3-9.

5-2-3-7-3-9. 5-2-3-7-3-9.

[ ZigZag ] NOW'S MY FAVORITE TIME OF DAY, RIGHT AT THE BEGINNING OF MY SHIFT...

WHEN I'M FLYIN' THROUGH A HUGE PILE OF PLATES AND CUPS THE LUNCH BASTARDS LEFT,

AND THE SUN BOUNCES IN SO BRIGHT I GOTTA WORK BY FEEL.

THEN EVERYTHING GOES ON THE INSIDE.

AUTOMATIC.

EVERYONE AROUND ME STUCK IN SLOW MOTION.

[ Man Speaking, Voice Distorted ]

[ Man Continues, Distorted ]

[ Man Continues, Distorted ]

[ Man ] LOUIS. [ Man #2 ] HEY, BOY.

LOUIS ! WE'RE TALKIN' TO YOU !

MAN, SHIT. THAT NIGGER'S DUMBER THAN THIS FUCKIN' SOUP SPOON, MAN.

[ Workers Laughing ]

[ ZigZag ] MY MIND LETS GO OF WHATEVER THEY'RE SAYIN',

'CAUSE IT DON'T REALLY MATTER WHEN YOU GOT DISHES PILED UP FROM LUNCH.

[ Workers Chattering ]

OKAY, SHH. YEAH, COME ON.

COME ON, COME ON, COME ON.

[ Man #2 ] YOU BROKE THE FUCKIN'--

WHAT THE FUCK IS GOIN' ON OUT HERE ? WHO BROKE MY FUCKIN' WINDOW ?

LOUIS, YOU BREAK MY FUCKIN' WINDOW ?

HMM-MM. WELL, IF IT WASN'T YOU, THEN WHO THE FUCK DID IT ?

YOU'RE STANDIN' RIGHT IN FRONT OF IT. GODDAMN IT.

I'M GONNA ASK YOU ONE MORE TIME. WHO BROKE MY FUCKIN' WINDOW ?

YOU TELL ME, OR I'M GONNA TAKE IT OUTTA YOUR NEXT CHECK !

I DIDN'T BREAK NO WINDOW. I WAS MOVIN'-- WHO THE FUCK DID, THEN ?

GODDAMN IT, I'M TALKIN' TO YOU !

YOU LOOK AT ME WHEN I'M TALKIN' TO YOU, GODDAMN IT !

WHO THE FUCK DO YOU THINK YOU IS ? YOU LOOK ME IN THE GODDAMN EYE !

** [ Romantic Melody ]

[ ZigZag ] I GOT A PLACE IN THE ATTIC WHERE I STAY SOMETIMES...

WHEN MY DAD'S NOISE GETS REAL BAD.

** [ Melody Continues ]

**

** [ Woman Singing In Spanish ]

** [ Singing Continues ] [ Alarm Bell Rings ]

[ Door Closing ]

** [ Singing Continues ]

** [ Singing Fades ]

[ Rain Falling ]

[ Thunder Rumbling ]

[ Toad ] YOU DON'T THINK I KNOW WHO BROKE THAT FUCKIN' WINDOW, DO YA ?

[ Man ] I WAS OVER THERE CUTTING VEGETABLES !

I WAS NOWHERE NEAR THAT MIRROR. NOW, YOU LISTEN TO ME.

YOU READ MY FUCKIN' LIPS.

I COMPRENDE TODO, ALL RIGHT ?

¡ YO COMPRENDO TODO ! WHY YOU YELLIN' AT ME, MAN ?

[ Toad ] I SEE EVERY FUCKIN' THING. AW, COME ON !

IT'S NOT MY FAULT ! I DIDN'T DO IT ! NOW, LISTEN TO ME.

READ MY FUCKIN' LIPS. YO COMPRENDO TODO.

EVERY FUCKIN' THING THAT GOES ON AROUND HERE, I SEE IT.

HELLO, ZIGZAG.

[ ZigZag ] DALE DON'T SAY NOTHIN'. HE NEVER BOTHERS NO ONE.

HE DOES HIS TALKIN' ON THE INSIDE, LIKE ME.

[ Announcer Speaking, Indistinct ]

GODDAMN, NIGGA ! WHAT THE HELL YOU DOIN' HOME ?

- YOU SUPPOSED TO BE IN SCHOOL. - I GOT BUSINESS.

B-- [ Chuckles ] "BUSINESS" ?

[ Laughing ] SHIT.

WHAT KINDA BUSINESS YOU GOT ? YOU GOT NO GODDAMN BUSINESS.

FUCK YOU DOIN' IN THERE ? I GOT THE TWO-ZERO-ZERO.

HEY, TALK ENGLISH, MOTHERFUCKER.

I'M TIRED OF ALL THAT "NUMERICAL-BERICAL" SHIT.

FOR RENT. YOU SAID BY FRIDAY I HAVE TO GIVE YOU TWO-ZERO-ZERO.

I SAID THAT ?

WELL, SHIT, WHERE IT AT, NIGGA ? COME ON.

HAND IT OVER.

GODDAMN, NIGGA ! SHIT !

OH, LORD. WH-- WHERE THE HELL YOU GET ALL OF THIS ?

JUST WATCHED THE TOAD OPEN THE SAFE AND REMEMBERED THE NUMBERS IN MY HEAD.

5-2-3-7-3-9.

GODDAMN ! YOU TOOK ALL OF THIS FROM THAT FAT SLOB THAT YOU WORK FOR ?

OH, LORD !

NOW, THIS HERE, THIS MY SHIT.

YOU GOT THIS; YOU CAN GET SOME MORE.

SHIT.

I CAN SETTLE MY SHIT WITH CADILLAC TOM.

HUH ?

[ Man On Police Radio, Indistinct ]

I FIND THE PRICK WHO DID THIS,

I'M GONNA SCOOP OUT HIS EYEBALLS AND STICK 'EM RIGHT UP HIS ASS.

OKAY. UM, COULD SOMEONE ELSE HAVE SEEN YOU OPEN THE SAFE ?

I DON'T KNOW. MAYBE WILLIAMS.

THAT STINK-PUSS CINDY. RIGHT THERE.

PRIME SUSPECT. CINDY. GET ANY PRINTS ?

YEAH, WE GOT A COUPLE OF GOOD ONES OFF THE LEVER,

BUT THAT ALONE DOESN'T DO US MUCH GOOD.

'CAUSE EVERY GREASY BASTARD GOT THEIR HANDS ALL OVER MY SAFE.

EXACTLY. INCLUDING YOURS. BUT YOU NEVER KNOW.

[ Detective ] SOMETIMES FINGERPRINTS SURPRISE US.

HEY, LITTLE MAN. COME ON. GET IN.

[ Singer ] HEY, I'M SORRY I'M LATE, MAN.

I HAD A SITUATION TODAY AND I JUST--

HOW WAS SCHOOL TODAY ? WAS IT GOOD ?

ZIGZAG, ZIGZAG, I'M TALKIN' TO YOU. HOW WAS SCHOOL ?

DIDN'T HAVE TIME. YOU DIDN'T HAVE TIME ?

WHAT DO YOU MEAN YOU DIDN'T HAVE TIME ?

I HAD STUFF TO DO LIKE GET THIS JACKET YOU GAVE ME...

AND MY CLOTHES SO I COULD MOVE OUT.

YOU'RE NOT GONNA MOVE OUT. WHERE YOU GONNA GO ?

- I AIN'T GOT NO MONEY NO MORE FOR RENT. - WELL, WELL, WELL.

YOU CASHED YOUR CHECK THE OTHER DAY, RIGHT ?

YOU GOT PAID, RIGHT ? 4-5-9-2-1.

I-- I MEAN, THE TOAD'S MONEY, MY DAD STOLE.

WHAT ? 4-5-9-2-1.

I TOOK FROM TOAD'S SAFE. N-- 4-5-9-2-1.

HOLD ON. HOLD ON, MAN. MY DAD'S--

SAY WHAT YOU JUST SAID, EXCEPT SAY IT SLOWER.

NINE-TWO-FOUR-ONE I TOOK FROM TOAD'S SAFE.

THEN GAVE MY DAD TWO-ZERO-ZERO, 'CEPT HE TOOK--

- OH, NO, YOU DIDN'T. NO, YOU DIDN'T. - NINE-TWO-FOUR-ONE, I TOOK--

ZIGZAG, THINK FOR A MINUTE. JUST THINK FOR A MINUTE.

MAYBE THIS IS JUST INSIDE YOUR HEAD.

MAYBE IT DIDN'T HAPPEN ON THE OUTSIDE. HUH ?

MAYBE IT'S JUST A DREAM. MAYBE IT'S JUST INSIDE YOUR HEAD.

MAYBE YOU'RE JUST A LITTLE CONFUSED, MAYBE, HUH ?

OKAY. SINGER... WANNA SEE MY PAYCHECK ?

YEAH. LET ME SEE IT.

- WHERE'D YOU GET THAT FROM ? - THIS ONE ? IT'S A PAYCHECK.

ZIGZAG, DID YOU GET THIS FROM THE RESTAURANT ?

[ Stammering ] IT'S JUST A-- IT'S A PAYCHECK.

I KNOW WHAT IT IS. DID YOU GET IT FROM THE RESTAURANT ?

YOU SAID THAT WAS INSIDE MY HEAD.

I KNOW WHAT I SAID, BUT DO YOU KNOW WHERE THESE CAME FROM ?

YOU KNOW--

HOW MANY TIMES I GOTTA TELL YOU ABOUT TAKING THINGS ?

IT WAS-- IT WAS ONLY INSIDE MY HEAD. ZIGZAG,

DO YOU UNDERSTAND WHAT'S GONNA HAPPEN TO YOU ?

THEY'LL PUT YOU IN A JUVENILE FACILITY IF THEY FIND OUT YOU TOOK THIS.

SINGER, I-I'M SORRY. I'VE TOLD YOU SO MANY TIMES.

HOW MANY TIMES I HAVE TO GO OVER IT FOR YOU ?

I-I-- NO, NO. THEY'LL TAKE YOU AWAY FROM ME. DO YOU UNDERSTAND ?

YEAH. THEY'RE GONNA TAKE YOU AWAY FROM ME. NO, SINGER.

I-- YOU SAID-- YOU SAID IT WAS INSIDE MY HEAD.

NOW-- NOW YOU SAY I'M GOIN' TO THE JUVENILE FACILITY.

I DON'T WANNA GO TO THE JUVENILE FACILITY. ALL RIGHT.

I'M SORRY. I'M SORRY. JUST DON'T WORRY.

OKAY ? DON'T WORRY. I'M GONNA-- I'M GONNA FIGURE THIS OUT SOMEHOW.

NOW, THE THING IS, YOU GOTTA PROMISE ME.

YOU GOTTA PROMISE ME YOU'RE NOT GONNA TALK TO ANYBODY BUT ME. OKAY ?

DON'T TALK TO ANYBODY. I-I WON'T !

IF YOU GOTTA TALK TO SOMEBODY, JUST TALK INSIDE YOUR HEAD. THAT'S IT.

GOT IT ?

TOMORROW, FIRST THING WE DO IS GO TO YOUR POP'S, ALL RIGHT ?

I'M SORRY.

[ ZigZag ] SINGER'S THE ONE WHO TOLD ME...

WE ALL GOT SPECIAL POWERS INSIDE WE DON'T EVEN KNOW ABOUT.

LIKE RADAR TO SEE WHAT YOU CAN'T EVEN SEE WITH YOUR EYES.

THEN HE GAVE ME MY NEW NAME, 'CAUSE HE SAID NOTHING CAN CATCH YOU WHEN YOU ZIGZAG.

[ No Audible Dialogue ] AND HE'S RIGHT TOO.

THE NOISE AIN'T NEVER GOT ME FOR GOOD.

[ Man On Radio Indistinct ]

BATCH UNDER CENTER. SITS BACK. TWO TIGHT END SET.

HANDOFF TO STEWART, THIS TIME TRYING THE LEFT SIDE.

STEWART BOUNCES OUT, TURNS THE CORNER.

HE'S TO THE 50, HE'S TO THE 40, THE 30,

AND KNOCKED OUT OF BOUNDS AT THE PATRIOT 22. HELLO ?

[ ZigZag ] SHH ! SINGER, KEEP IT DOWN, MAN.

IS ANYBODY HOME ? SINGER, BE CAREFUL.

DAVID ?

SINGER, DON'T GO BACK THERE. ANOTHER FIRST DOWN DEEP IN--

[ Clattering ] NOBODY'S HERE.

LET'S GO. HURRY UP.

KEEP AN EYE OUT.

WHERE DO YOU THINK HE PUT IT ?

COME ON. HELP ME OUT, MAN.

WHAT AM I LOOKING FOR ? I DON'T KNOW WHAT I'M LOOKING FOR.

- YOU'RE LOOKIN' FOR THE MONEY. - YEAH, I KNOW THAT W-WHAT IS IT IN ?

IT'S IN A BAG. A PAPER BAG.

NO OFFENSE, MAN, BUT YOUR FATHER'S A PIG.

SHH. SINGER.

SHH !

JUST KEEP AN EYE OUT. THAT'S ALL, MAN. THAT'S ALL YOU GOTTA WORRY ABOUT.

[ Siren Wailing ]

[ Groaning ]

SINGER.

SINGER, SINGER. YOU OKAY, SINGER ?

SINGER, GET IN A SEAT.

YOU GOT THE NOISE, SINGER ?

SHHH. [ Helicopter Passes Overhead ]

SINGER, YOU OKAY ?

I'M OKAY. I'M OKAY.

THERE'S SOMETHING I NEED TO TELL YOU.

[ Singer ] * WE MAY NEVER BE KINGS TODAY *

[ ZigZag ] MY BIG BROTHER GOT THE NOISE IN HIS BALLS SO BAD THEY TOOK ONE OFF.

THAT'S WHAT SINGER HAD TO TELL ME.

[ Singer ] * TAKE HOME THE LAUN-- DO I SOUND LIKE ELMER FUDD ?

[ ZigZag ] THAT'S NOT HOW YOU SOUND.

[ Singer ] * TAKE-- TAKE HOME

[ ZigZag Narrating ] HE SAID THE NOISE BEEN GROWING INSIDE HIM...

THE SAME WAY THE SPECIAL POWERS BEEN GROWIN' INSIDE ME.

* WHAT ARE THE CHANCES

I WANTED TO ASK SINGER, "HOW COME SOME THINGS GROWIN' INSIDE KILLS YOU...

AND OTHERS KEEP YOU ALIVE ?"

* WE MAY NEVER TAKE HOME

* THE LAUNDRY

* AND-- *

[ Muttering ]

WHAT ?

HOW COME YOU DON'T HAVE ANY FRIENDS, SINGER ?

I GOT FRIENDS, MAN.

I GOT YOU, RIGHT ?

YEAH, BUT WHAT ABOUT OTHER PEOPLE ?

I DON'T NEED OTHER PEOPLE.

OTHER PEOPLE ARE JUST A PAIN IN THE ASS. THEY TAKE UP TOO MUCH OF MY TIME.

- SO JUST YOU AND ME ? - THAT'S RIGHT.

YOU AND ME, BABY.

THE DYNAMIC DUO.

WHAT A PAIR.

OH, ZIGZAG.

ZIGZAG, LISTEN TO THIS.

DO YOU THINK IF WE WENT BACK THAT YOU COULD OPEN UP THE SAFE AGAIN ?

I STILL GOT THE NUMBERS IN MY HEAD.

5-2-3-7-3-9. THAT'S GREAT, MAN.

ALL WE GOTTA DO IS GET THE MONEY FROM YOUR POPS,

AND THEN WE'LL GO BACK AFTER HOURS.

I HAVE FELLOWES SCHOOL TOMORROW.

SO WE'LL GO TOMORROW NIGHT, THEN, AFTER WORK.

** [ Mariachis Playing On The Radio ]

LOUIS, TIME TO TAKE A BREAK.

TAKE A BREAK NOW. WE NEED TO TALK TO YOU, SON.

SO THIS IS THE YOUNG MAN YOU WERE TELLING ME ABOUT ?

YOU'LL SEE VERY QUICKLY WHAT I'M TALKIN' ABOUT, OFFICER. YEAH.

HOW YA DOIN' ? I'M DETECTIVE HAWK.

HE'S JUST A LITTLE SHORT ON THE CHEDDAR CHEESE.

MR. WALTERS, HOW OLD IS HE ?

I CAN'T INTERVIEW A MINOR WITHOUT A PARENT PRESENT. YOUNG MAN'S 18.

JUST TURNED 18, UH, WHAT, LAST WEEK. UH, LAST MONTH.

OKAY. CAN I SEE HIS DRIVER'S LICENSE ?

NO, HE 18. HE REALLY IS 18. I PROMISE.

I NEED SOMETHING TO VERIFY HIS AGE BEFORE WE DO THE INTERVIEW.

I SAY HE'S 18. THAT'S NOT--

THAT'S NOT LEGAL VERIFICATION, HIS EMPLOYER SAYING HE'S 18 ?

'CAUSE I'M TELLIN' YA, HE IS 18.

ALL RIGHT. BUT UNDERSTAND, OFFICIALLY, THIS IS OFF THE RECORD.

[ Walters ] MY LIPS ARE SEALED. SO,

DO YOU REMEMBER ON MONDAY-- DETECTIVE, HE, UH--

HE'S STUPID, NOT DEAF.

SINGER SAID I AIN'T STUPID. YOU'RE THE ONE WHO'S STUPID. WHAT SINGER SAY ?

I'M STUPID ? NOW, WHERE YOU GOIN' ON YOUR NEXT COFFEE BREAK ?

OFF TO OSLO TO PICK UP YOUR NOBEL PRIZE ?

[ Laughing ]

I'M STUPID. COME ON, NOW. ANSWER THE QUESTION.

ANYWAY, ON MONDAY,

YOU WERE IN THE OFFICE WITH MR. WALTERS.

WHAT MR. WALTERS ?

- MR. WALTERS, YOUR BOSS. - YOU MEAN THE TOAD ?

[ Workers Laughing ]

NEXT PERSON I HEAR CALL ME THAT...

IS GONNA GET AN ASS FUCKIN' !

YEAH, ANYWAY, ON MONDAY,

YOU AND MR. WALTERS WERE IN HIS OFFICE,

AND YOU WATCHED HIM OPEN THE SAFE.

THEN HE GAVE YOU YOUR CHECK. REMEMBER ?

OH, COME ON, NOW. WE DON'T GOT TIME FOR THE SILENT TREATMENT.

LET'S GO. ANSWER THE QUESTION. NOTHIN' HAPPENED.

THERE YOU GO. NOTHIN' HAPPENED.

NEXT WITNESS. HERE WE GO. WHAT DO YOU MEAN ?

SINGER SAYS NOTHIN' HAPPENED. SO I'M OPENIN' THE SAFE OUTSIDE MY HEAD.

NUMBERS IS ON THE INSIDE. NEVER TOOK A RIDE DOWN MY FINGERS.

NEVER BROKE NO DAMN WINDOW. WINDOW WAS REAL. SAFE WAS NO REAL.

- WHAT'S HE SAYIN' ? - I DON'T KNOW WHAT THE FUCK HE'S SAYIN'.

MOST OF THE TIME HE DON'T SAY A THING, AND WHEN HE DO TALK,

IT'S THAT MUMBLY-BUMBLY BULLSHIT.

I'M TELLIN' YOU, YOU GOT THE WRONG GUY. IT'S CINDY. I SWEAR TO GOD.

YOU KNOW SHE'S FUCKIN' THE BARTENDER, THINKS I DON'T EVEN KNOW ?

GUESS WHAT. I KNOW, 'CAUSE I KNOW EVERY GODDAMN THING GOES ON IN THIS PLACE.

MR. WALTERS, TO GET A CONVICTION, WE'RE PROBABLY GONNA NEED MORE THAN,

"YOUR HONOR, SHE'S BANGIN' ONE OF THE BARTENDERS." HEY !

GET THE FUCK BACK HERE.

WHERE THE FUCK YOU GOIN' ? WE'RE NOT DONE NOW. GODDAMN IT.

YOU FIGURE OUT THIS NUMBNUT COMMITTED THE GREAT TRAIN ROBBERY, YOU LET ME KNOW.

I GOT A BUSINESS TO RUN.

CAN I GO BACK TO WORK, PLEASE ?

JUST A FEW MORE QUESTIONS.

SO YOUR BOSS TELLS ME THAT YOU'RE REALLY GOOD AT REMEMBERING NUMBERS.

IS THAT TRUE ?

I DON'T KNOW. DO YOU REMEMBER...

WATCHING THE TOAD OPEN THE SAFE ON MONDAY ?

TOLD YOU BEFORE. NOTHIN' HAPPENED.

NOTHIN' HAPPENED WHEN ? MONDAY NIGHT.

[ ZigZag Continues, Indistinct ]

DIDN'T SEE NOR HEAR NO NOTHIN' NOWHERE.

JUST LIKE SINGER SAYS. "SINGER" ? WHO'S SINGER ?

HE'S MY BIG BROTHER, ONLY HE AIN'T FOR REAL.

SO, HE KILL JIMMY FUCKIN' HOFFA TOO ? HUH ?

THANKS FOR YOUR HELP, LOUIS. YOU CAN GO BACK TO WORK.

YEAH, BACK TO FUCKIN' WORK, ZIGZAG.

YOU'RE RIGHT, MR. WALTERS. THERE'S NOTHIN' THERE.

OF COURSE THERE'S NOTHIN' THERE. THAT'S WHAT I BEEN SAYIN'.

NOW, CAN WE STOP FUCKIN' AROUND AND START SWEATIN' SOME REAL SUSPECTS ?

[ Hawk ] WELL, I STILL HAVE TO QUESTION THE COOKS AND THE WAITERS...

AND THE CASHIER OUT FRONT. OH, JESUS ! FUCK ME ! I NEED A NEW DETECTIVE.

EXCUSE ME ? GODDAMN IT. I DON'T MEAN NO DISRESPECT,

BUT I NEED SOMEBODY THAT KNOWS WHAT THE FUCK THEY'RE DOIN'.

I NEED TO GET MY CASH MONEY BACK.

JESUS CHRIST, THAT BITCH IS OFF SPENDIN' MY MONEY, AND YOU'RE TALKIN' TO THE BUSBOY AND--

YOU JUST REMEMBER ONE THING, OKAY ?

NOW, NO ONE GIVES A SHIT ABOUT YOUR PATHETIC LITTLE $9,000.

BUT AT LEAST I PRETEND I DO.

TALK TO YOU LATER.

[ ZigZag ] THEY GOT TWO KINDS OF PEOPLE WALKIN' AROUND IN THIS WORLD.

GOOD EGGS AND FEAR HEADS.

SOMETIMES IT'S HARD TO TELL WHO'S WHO.

YOU GOTTA USE YOUR SPECIAL POWERS AND LOOK DOWN DEEP.

MAKE SURE YOU KNOW WHICH ONE YOU'RE REALLY TALKIN' TO.

- HOW'S IT GOIN', ZIGZAG ? - OKAY, DALE.

HEY, DALE.

YOU A INDIAN ?

YEAH. DALE DON'T SOUND LIKE NO INDIAN NAME.

NO.

[ Horn Honking ]

WHO IS THAT ? DALE.

OH, YEAH ? HE'S A BIG BOY, HUH ?

MM-HMM. YOU DIDN'T SAY ANYTHING TO HIM, DID YOU ?

HMM-MM. GOOD, GOOD, GOOD.

SO, HOW WAS WORK TODAY ?

TOAD SAID HE'D GIVE US FIVE-ZERO-ZERO IF WE CATCH WHOEVER TOOK HIS MONEY.

I ALMOST TOLD THE COP I DID IT SO WE CAN GET THE MONEY REWARD.

OH, NO. NO, NO, NO, NO, NO.

DON'T DO THAT. DON'T-- DON'T DO THAT, OKAY ?

JUST KEEP ACTING THE WAY I TOLD YOU, LIKE NOTHING HAPPENED.

MAN, WE GOTTA GET THAT MONEY BACK FROM YOUR DAD INTO THE TOAD'S SAFE ASAP.

I DON'T WANNA SEE MY DAD NO MORE, SINGER.

I KNOW, ZIGZAG, I KNOW, BUT WE DON'T HAVE ANOTHER CHOICE, OKAY ?

THAT'S JUST THE WAY IT'S GONNA HAVE TO BE.

YOUR FATHER'S CAR IS HERE.

I'M GUESSING HE'S STILL HERE.

ALL RIGHT. I'LL GO UP AND TALK TO HIM.

DON'T WORRY. EVERYTHING'S GONNA BE FINE. YOU UNDERSTAND ?

JUST STAY HERE. DON'T MOVE.

MR. FLETCHER ?

DAVID ?

MR. FLETCHER ?

- SINGER ! - SHIT !

- COME ON ! WHAT YOU WANT ? - MR. FLETCHER, LOOK.

LET ME TELL YOU SOMETHING. THAT MONEY YOU TOOK IS STOLEN. YOU UNDERSTAND THAT ?

SO WHAT ? SHIT, NOW IT'S STOLEN TWICE !

- YOU THINK I GIVE A FUCK ? - WELL, YOU BETTER. YOU KNOW WHY ?

- [ Singer ] IF HE GOES DOWN, THEY'RE GONNA SEND HIM AWAY. - "SEND HIM AWAY" ? SHIT !

THEY SEND THAT MOTHERFUCKER TO JUVENILE FOR A YEAR, THAT'S ABOUT IT.

FUCK YOU KNOW ? HUH ? PROBABLY DO THE LITTLE NIGGA SOME GOOD.

- OH, THAT'S GREAT. THAT'S JUST GREAT. - FUCK YOU !

YOU BETTER GET YOUR ASS OUTTA HERE BEFORE I COME DOWN AND FUCK YOUR SHIT UP.

HEY. YEAH, RIGHT.

YOU'RE A TOUGH MAN, SIR, BUT LET ME TELL YOU SOMETHIN'.

IF HE GOES DOWN, YOU'RE GONNA GO DOWN. YOU UNDERSTAND THAT ?

SO EITHER GIVE THE MONEY BACK-- OR WHAT ? OR WHAT ?

EITHER GIVE THE MONEY BACK, OR YOU'RE GONNA FACE A LOTTA TIME.

YOU WANT THE MONEY BACK ? COME ON AND GET IT. COME ON.

YOU WANT IT BACK SO BAD, GO ON AND WALK UP IN THERE.

- WALK IN, AND YOU CAN HAVE ALL THE MONEY YOU WANT. - YEAH, BUT YOU'RE GONNA HIT ME.

YOU GODDAMN RIGHT I'M GONNA HIT YOUR ASS !

JUST TELL ME WHERE THE MONEY IS, MAN.

IS IT GONE ? THAT'S ALL I GOTTA KNOW. I CARE ABOUT LOUIS, MAN.

JUST TELL ME WHERE THE MONEY'S AT. YOU WHAT ?

AW, SHIT. PLEASE. I SEE THROUGH YOU.

JUST BECAUSE YOU TAKE HIM TO THE MOVIES EVERY NOW AND THEN,

OH, THAT MAKES YOU A BIG HERO, HUH ?

THAT MAKES YOU A SUPERSTAR. HUH ? SUPERIOR TO ME ?

YOU TRY RAISIN' A KID LIKE THAT 24-7, NIGGA !

HUH ? SEE HOW MUCH YOU CARE THEN. I'M SORRY.

I'M NOT HERE TO TELL YOU HOW TO RAISE YOUR KID.

- GET YOUR ASS OUTTA HERE ! - JUST PLEASE TELL ME WHERE THE MONEY'S AT.

WANNA KNOW WHERE THE MONEY'S AT ? I'LL TELL YA.

WHY DON'T YOU GO ASK CADILLAC TOM ? DOWN AT THE MONKEY CAGE.

AND NOW YOU ASK HIM.

- ALL RIGHT. ALL RIGHT, I WILL. ALL RIGHT, I WILL. - HUH ?

YEAH ! NOW, NOW, NOW, DON'T BE SURPRISED IF HE TELL YOU TO SUCK HIS NINE !

I AIN'T TALKIN' ABOUT THE ONE IN HIS PANTS EITHER.

[ Male Tenant ] HEY, SHUT UP, NIGGA ! PLEASE !

HEY, BOY, COME ON BACK. BRING BACK THE LITTLE GIRLFRIEND OVER THERE AND EARN 50 BUCKS.

[ Singer ] YOU'RE A SICK BASTARD, YOU KNOW THAT ?

UH-HUH. GET A LITTLE PONY AND RIDE. THERE YOU GO.

COME ON. RIDE, BABY !

RIDE !

[ Fletcher ] RIDE ! HUH ? RIDE THAT PONY !

YOU DON'T HAVE MENTAL PROBLEMS. YOU HAVE FATHER PROBLEMS.

WHAT MY DAD MEAN BY THAT FIVE-ZERO ? OH, NOTHIN', MAN.

[ Singer ] TELL HIM THE SITUATION. EITHER HE'LL SAY YES OR NO, RIGHT ?

JUST PUT ON YOUR RADAR AND STAY CLOSE TO ME, OKAY ?

** [ Rock ] [ Woman Laughing ]

[ Cheering ]

[ Clears Throat ] I'M LOOKING FOR TOM.

CADILLAC TOM. YEAH, THAT'S HIM. IS HE IN ?

TEN-DOLLAR COVER. KID STAYS OUTSIDE.

ALL RIGHT, ALL RIGHT. WE'LL JUST WAIT OUT HERE, THEN, OKAY ?

[ Scoffs ] HE'S BACK THERE, NOT OUT HERE.

OH, HE IS ? WELL, IF YOU WOULD ASK HIM, WOULD HE COME OUT ?

TEN DOLLARS, YOU CAN GO ASK HIM YOURSELF.

CAN YOU PAGE HIM OR WHISTLE FOR HIM OR WHATEVER YOU DO TO HAVE HIM COME OUT ?

THAT IS GOOD. WE'VE HAD YOU DOWN HERE BEFORE, BUT THE RETARD BIT'S FRESH.

YOU COCKSUCKING-- HE'S NO RETARD, MAN !

NOW, I DON'T-- OKAY, I'M SORRY. FUCK, MAN.

JUST DON'T CALL HIM A RETARD, ALL RIGHT ?

JESUS CHRIST, YOU LIQUOR BOARD GUYS MUST THINK I'M RETARDED !

WE HAD A GIRL IN HERE LAST MONTH SAYING SHE GOT LOCKED OUT.

"CAN I GO SEE MY DADDY ? I WANNA WATCH TRL."

SHE HAD PIGTAILS AND BRACES. YOU KNOW WHAT I TOLD HER ? I TOLD HER TO FUCK OFF !

THAT'S A GREAT STORY, BUT WE'RE NOT WITH THE LIQUOR BOARD.

I JUST NEED TO TALK-- TEN-DOLLAR--

COVER. YEAH, I KNOW.

HEY, YOU TWO. FOLLOW ME.

[ Woman ] STILL HAVE TIME FOR A LAP DANCE.

COME ON. [ Giggling ]

** [ Rock ] [ Cheering ]

HEY, ZIGZAG.

ZIGZAG, COME ON. WE'RE HERE. YOU CAN LOOK LATER.

SINGER, THEY DON'T GOT NO THING BETWEEN THEIR LEGS.

[ Knocking ] BOSS.

- TAKE A SEAT. - NO, I'M OKAY, THANKS.

TAKE A SEAT.

KID. HEY, KID. CLOSE THE DOOR.

[ Cadillac Tom ] SO, SHELLY SAYS WE GOT URGENT BUSINESS,

BUT I DON'T THINK I KNOW YOU.

DO I KNOW YOU ? NO, NO, YOU DON'T.

UH, I'M DEAN SINGER.

AND THIS IS LOUIS. UH, DAVID FLETCHER'S SON ? HEY, KID.

THIS AIN'T A PEEP SHOW. HECTOR, ARE YOU READY IN CASE HIS STORY STARTS GETTING BORING ?

- SURE. - SIXTY SECONDS, MATE. CLOCK HIM, HECTOR.

[ Singer ] WHAT ? ARE YOU GONNA TIME ME ? YOU GOTTA BE KIDDING.

AND... GO !

[ Singer ] UH--

ALL RIGHT. UH, WELL, OKAY. UM--

I BELIEVE MR. FLETCHER GAVE YOU $9,000 YESTERDAY. IS THAT RIGHT ?

MAYBE HE DID. SO WHAT ?

THE MONEY HE GAVE YOU WAS TAKEN BY LOUIS FROM THE PLACE WHERE HE WORKS,

AND THEN HIS FATHER STOLE IT FROM HIM.

IF WE DON'T GET THAT MONEY BACK, HE'S GONNA GO TO JUVENILE HOME.

DO YOU UNDERSTAND WHAT I'M SAYING ? I KNOW THIS IS A LONG SHOT, AND I'M HOPING--

CHERRY'S NOT COMING IN TODAY BECAUSE SHE GOT HER PERIOD AND--

- OH. SORRY. - DOES ANYBODY KNOCK AROUND HERE ?

SORRY. FUCK YOU.

- NICE. - CUNT.

SIXTY-FIVE DANCERS I'VE GOT. DO YOU KNOW WHAT THAT'S LIKE ?

- NO, SIR, I DON'T-- - YOU NEED A GODDAMN COMPUTER TO SCHEDULE AROUND...

THOSE FUCKING MENSTRUAL CYCLES !

YOU THROUGH YET ?

ACTUALLY, I'M NOT.

LOUIS IS ONLY 15 YEARS OLD,

AND HE'S GOT HIS WHOLE LIFE AHEAD OF HIM.

I DON'T SEE WHY HE HAS TO GO DOWN 'CAUSE HIS FATHER'S--

- AND TIME'S UP. - WHAT ?

- TIME'S UP. - WAIT A MINUTE. SHE JUST USED UP ALL MY TIME.

START THE CLOCK OVER, OKAY, AND I'LL-- BOSS ?

THIRTY SECONDS, HECTOR. [ Hector ] RIGHT.

- CLOCK HIM. - AND... GO.

OKAY. WELL-- TWENTY-EIGHT SECONDS.

- TWENTY-SIX SECONDS. - I GOT AN IDEA. I WAS HOP--

TWENTY-FOUR. IS THAT REALLY NECESSARY ?

TWENTY-TWO SECONDS. NEVER MIND. GET 'EM THE FUCK OUTTA HERE.

- AND ABORTED. - I DON'T HAVE TIME FOR THIS SHIT !

- LOSE 'EM, HECTOR. - HOLD UP, CADILLAC. HOW 'BOUT A LOAN ?

[ Man ] EIGHTY-SEVEN, EIGHTY-EIGHT, EIGHTY-NINE-- [ Cadillac Tom ] YOU DONE ?

YEAH. BUNCH OF BENJAMINS.

- THAT'S A RUBBER BAND ? - HEY. EASY, FREAK BOY.

SORRY. GO, GO. GO OVER THERE BY THE CIGARETTE MACHINE, ALL RIGHT ?

BE RIGHT WITH YOU.

I'LL TELL YOU WHAT.

NORMAL VIG'S 25% A WEEK UNTIL YOU PAY BACK THE ENTIRE PRINCIPAL.

- AW, MAN, 25%. I DON'T KNOW-- - YEAH, RIGHT.

FOR THE RETARD, I'LL GO 20. ALL RIGHT.

I CAN GO AS HIGH AS 10. WHAT DO YOU THINK ABOUT 10% ?

YOU BELIEVE THIS ? LOOK, MATE.

I'D CHARGE THE FUCKIN' POPE 15.

GIMME THAT RATE. I'LL TAKE THAT. NOW YOU'RE GETTIN' GREEDY.

HEY, YOU DON'T LIKE THE TERMS AND CONDITIONS, GO TO CITIBANK.

ALL RIGHT, ALL RIGHT. LET'S WRITE THIS DOWN. I DON'T WRITE NOTHING DOWN.

IT'S BAD LUCK, RIGHT, SHELLY ? VOODOO.

YEAH, YEAH, LET'S JUST DO IT. LET'S DO IT, OKAY ?

[ Woman On Radio ] ...HIGHS NEAR 60 TODAY, LOW 70s IN THE INLAND VALLEYS.

DOWNTOWN LOS ANGELES: OVERCAST AND 57 DEGREES.

AM 720 NEWS TIME IS 7:30.

WE'VE GOT TRAFFIC EVERY TEN MINUTES-- I'M AWAKE. I'M AWAKE.

[ ZigZag ] IT'S ALREADY SEVEN-THREE-ZERO, SINGER.

WE STILL GONNA GO TO FELLOWES SCHOOL TODAY ?

YEAH, JUST GIVE ME A CHANCE. I'M BUS-- I'M JUST RESTING HERE A SEC.

SINGER, WHY I ALWAYS GOTTA GO TO SCHOOL ? SCHOOL'S BORING.

BECAUSE YOU DO, MAN. BECAUSE YOU JUST DO.

YOU DON'T KNOW EVERYTHING, SO YOU HAVE TO GO TO SCHOOL AND LEARN. WE ALL DO.

BUT, SINGER, I ALREADY GOT THE JOB. I LIVE HERE WITH YOU.

WHAT DAY IT IS ? IT'S FRIDAY, MAN.

FRIDAY. ALL DAY IT'S GONNA BE FRIDAY.

I GOT A QUESTION TO ASK YOU. WHAT ?

WHAT DO YOU CALL THOSE SOFT ROUNDS ?

I DON'T UNDERSTAND. WHAT DO YOU MEAN, "SOFT ROUNDS" ? MAKE YOURSELF CLEAR.

SOFT ROUNDS. THE WOMAN AT THE MONKEY CAGE LAST NIGHT. SHE HAD 'EM.

AND THE FIRST LADY I SEEN WITH EDDIE AT MY DAD'S APARTMENT, SHE HAD 'EM TOO.

BREASTS. YOU'RE TALKIN' ABOUT BREASTS. OH.

- "BRETTS" ? - BREASTS.

"BRETTS." BREASTS. BREASTS !

OKAY. UM-- HOW COME WE DON'T GOT THEM ?

BECAUSE JUST WOMEN DO, THAT'S WHY.

- YEAH, BUT HOW-- HOW COME ? - HOW COME ? I DON'T KNOW.

I DON'T KNOW. I DON'T KNOW HOW COME.

I DON'T KNOW. DON'T YOU LISTEN AT SCHOOL ?

DON'T THEY TEACH YOU ABOUT THE BIRDS AND THE BEES AND ALL THAT ?

DON'T YOU LISTEN ? OH, THE SPIDER. UM--

WE LEARNED ABOUT THE SPIDER. THE BLACK WINDOW GOT THE-- GOT THE RED DOT ON THE--

THE BLACK WI-WIDOW, MAN. BLACK WIDOW.

NO, NO, IT WAS THE BLACK-- MISS TATE CALLS IT THE BLACK WINDOW.

IT GOT A RED DOT ON THE BACK.

IT'S BLACK WIDOW. BLACK WIDOW, YOU GOT IT ? SINGER, YOU WASN'T EVEN THERE.

I DON'T HAVE TO BE THERE TO KNOW THAT, MAN, OKAY ?

WELL, IT'S CALLED THE BLACK WINDOW, AND IT HAS A RED DOT ON--

LET'S JUST FORGET THAT. LET'S FORGET IT, AND WE'LL TALK ABOUT IT LATER.

WHY LATER, SINGER ? YOU'RE THE ONE THAT ALWAYS SAYS--

BECAUSE I SAID LATER ! JUST SHUT THE FUCK UP !

COME ON. LET'S GO. WE'RE LATE.

WHAT ARE YOU WAITING FOR ?

ZIGZAG, I'M SORRY I YELLED AT YOU, OKAY ?

I'M JUST HAVING A HARD TIME KEEPING EVERYTHING TOGETHER, ALL RIGHT.

YOU KNOW, I GOT $9,000 DUE,

AND THEN-- [ Groans ]-- $1,800 ON TOP OF THAT BY THURSDAY.

I MEAN, WHERE AM I GONNA GET THAT ?

SINGER, YOU SAY CADILLAC TOM GAVE YOU NINE-ZERO-ZERO-ZERO.

GIVE ONE-EIGHT-ZERO-ZERO TO CADILLAC TOM.

UH--

THAT'S NOT HOW IT WORKS, ZIGZAG.

[ Woman ] OKAY. WE ALL KNOW HOW ADDITION AND SUBTRACTION WORKS.

RIGHT ? YES, LOUIS.

MISS TATE, CAN I SEE YOUR "BRETTS" ?

- EXCUSE ME ? - YOUR "BRETTS."

MY-- MY BARRETTES ?

YOUR "BRETTS."

I DON'T UNDERSTAND WHAT YOU'RE SAYING.

IS IT IN THIS ROOM ?

POINT TO IT.

[ Gasps ] OH, LOUIS, NO ! THAT'S ENOUGH. STOP. [ Students Laughing ]

YOU DON'T TOUCH PEOPLE THERE, OKAY ?

THAT'S PRIVATE.

THE WOMEN IN THE MONKEY CAGE AIN'T PRIVATE.

OH, WAIT A MINUTE. WAIT A MINUTE, HONEY.

WHAT DO YOU KNOW ABOUT THE MONKEY CAGE ?

LOUIS ? LOUIS ?

[ Singer Whispering ] ZIGZAG.

ZIGZAG ! PSST ! ZIGZAG !

SINGER, WHAT TOOK YOU SO LONG ? WH-WHERE'S YOUR CAR ?

I PARKED A COUPLE BLOCKS AWAY. I DIDN'T WANT ANYBODY SEEING ME.

GOT THE NUMBER IN YOUR HEAD ?

5-2-3-7-3-9. OH, GOOD, GOOD, GOOD.

WHY THE HELL DOESN'T HE LOCK THAT ?

IF HE DID, HOW WOULD WE GET IN ?

NEVER MIND. HERE.

HOW COME WE GOTTA PUT THESE ON FOR ?

SO WE WON'T GET FINGERPRINTS ON EVERYTHING.

[ Panting ]

HOW'S IT GOIN' ? I'M TRYIN', SINGER.

OKAY, GO FOR IT, BABY.

OH. ALL RIGHT. OKAY, OKAY.

JUST SLOW DOWN. SLOW DOWN, ALL RIGHT.

SLOW DOWN. DO EVERYTHING YOU DID BEFORE EXACTLY THE SAME, OKAY ?

GO SLOW. COME ON. CONCENTRATE. DON'T BE NERVOUS.

ALL RIGHT, JUST-- JUST RELAX.

JUST CONCENTRATE.

SHIT ! HE MUST HAVE CHANGED THE COMBINATION, MAN.

[ Door Opening, Closing ]

** [ Walters Humming ]

** [ Humming Continues ]

** [ Humming ] WHAT A FUCKIN' PIGSTY.

YOU ALWAYS THIS MESSY ? [ Walters ] YOU ALWAYS SO RUDE ?

YOU MARRIED ?

MAYBE. KINDA.

SORTA. BARELY. [ Snorts ]

HOW 'BOUT YOU ? [ Woman ] HA-HA-HA. THAT'S REAL FUNNY.

HOW LONG YOU BEEN A HOOKER ?

YOU KNOW, I BEEN AROUND.

[ Grunts ]

YOU LOOK AT THE CLASSIFIEDS OR SOMETHIN' ?

[ Snorts ] A FRIEND OF MINE, JORDAN.

SHE'S A DANCER AT THE MONKEY CAGE.

USED TO DO ESCORT. SHE'S THE ONE THAT GOT ME JUICED IN.

[ Walters ] I COULD GET YOU OUT OF IT, YOU KNOW ?

I'LL GIVE YOU A-- I'LL GIVE YOU A LITTLE JOB HERE.

PART OF OUR LITTLE ARRANGEMENT. YOU COULD EARN SOMETHIN' ON THE SIDE.

WHAT DO YOU SAY ?

[ Chuckles ] I DON'T THINK SO.

YOU THINK STANDING ON MY FEET FOR SIX HOURS AND THEN SUCKING YOUR DICK...

AT THE END OF EVERY SHIFT SOUNDS EVEN REMOTELY APPEALING ?

I'LL PAY YA 500 DOLLAR.

DON'T INSULT ME.

I MADE 700 BUCKS LAST NIGHT. TWO HOURS, NO SEX.

ALL I HAD TO DO WAS CLEAN THIS GUY'S HOUSE.

SEVEN HUNDRED DOLLAR ? MM-HMM.

CLEAN SOME STUPID MOTHERFUCKER'S HOUSE ?

YEAH, I MEAN, IT WASN'T JUST REGULAR CLEANING.

YOU KNOW, I WORE A G-STRING, CARRIED A FEATHER DUSTER, BENT OVER A LOT.

THEN GET THIS: THE GUY ASKS ME TO STICK MY HEAD IN A MICROWAVE...

WHILE HE JERKS OFF INTO A TEST TUBE.

I WAS LIKE, "HEY, BUDDY, AND WHEN DID YOU ESCAPE ?" RIGHT ?

AND THEN THE GUY SHOWS ME HIS FREEZER.

HE'S GOT LIKE HUNDREDS OF THESE THINGS FILLED WITH HIS OWN SPERM.

I'M TALKIN' ABOUT SOME SICK SHIT.

BUT I WAS LIKE, "WHATEVER, MAN. THANKS FOR THE SEVEN BILLS."

WAS IT ON ?

WHAT ?

MICROWAVE.

HOW COULD IT BE ON IF MY HEAD WAS IN IT ?

YEAH.

THIS YOURS ?

[ Prostitute ] I DON'T THINK SO.

GODDAMN BUSBOY !

LIKE ROACHES, LEAVING THEIR SHIT EVERYWHERE.

GUESS WHAT TIME IT IS. TIME FOR ANOTHER KNOBBY JOB.

UH-UH. CANDY STORE IS CLOSED.

COME ON.

I GOT TAI CHI IN EXACTLY, UH, SEVEN HOURS.

[ Walters ] TAI CHI ? MM-HMM.

COME ON. JUST A LITTLE, TINY KNOBBY JOB. IT'S TRUE.

[ Chuckles ] LITTLE TEENSY, TINY KNOBBY JOB ?

UH-UH. UNLESS WE GO RIGHT NOW,

IT'LL COST YOU ANOTHER HOUR PLUS 200.

OH, YOU'RE KILLIN' ME. MMM.

YOU'RE KILLIN' ME, YOU'RE KILLIN' ME, YOU'RE KILLIN' ME.

YOU'RE KILLIN' ME, YOU'RE KILLIN' ME.

YOU'RE KILLIN' ME, YOU'RE KILLIN' ME, YOU'RE KILLIN' ME ! OH !

OKAY. OKAY. [ Chuckles ]

MM. AND NOT IN HERE.

WHY NOT ? 'CAUSE IT'S FUCKING DISGUSTING, AND IT STINKS. COME ON.

OUT IN THE BAR AGAIN. MM-HMM. WHERE IT SMELLS NICE.

[ Walters ] KNOB, KNOB, KNOB. [ Gasping ]

GET TO MY BASE ! IT HAS EQUIPMENT TO FINISH THE EXP--

[ Screaming ]

- GET TO MY BASE. GET TO MY-- - OH. YEAH.

[ Muttering, Groaning ] YOU CAN DO IT. YOU CAN DO IT.

YOU CAN DO IT. YOU CAN DO IT. YEAH.

I'M BACK ! [ Shouting, Indistinct ] [ Growls ]

[ Roaring ] [ Chuckles ]

[ Growls ]

GONNA BUST 'EM UP.

HULK IS BACK ! [ Yelling ]

WHAT THE HELL ARE YOU DOING UP SO DAMN EARLY, MAN ?

SATURDAY MORNINGS. I GOT CARTOONS TO WATCH. HE'S HEADED YOUR WAY.

[ Man #2 ] WE'LL BE READY. RIGHT.

A MAN AND HIS PRIORITIES.

[ Man #2 ] THE HULK IS APPROACHING--

SINGER, HOW COME WE JUST DIDN'T LEAVE TOAD'S MONEY ON HIS DESK ?

'CAUSE IT WOULDN'T LOOK RIGHT, THAT'S WHY.

HE'S PROBABLY-- HE'LL KNOW SOMEBODY WAS IN THERE RIGHT AFTER HIM.

WE GOTTA MAKE IT LOOK LIKE IT WAS ONE OF THE ASSISTANT MANAGERS WHO DID IT,

AND THEN THEY GOT A GUILTY CONSCIENCE AND THEY CAME BACK.

WHAT'S THAT ? WHAT'S A GUILTY CONSCIENCE, SINGER ?

FUCK, IT'S TOO EARLY IN THE MORNING FOR THIS SHIT.

A GUILTY CONSCIENCE IS WHEN YOU DO SOMETHING THAT YOU SHOULDN'T DO...

AND YOU FEEL BAD.

LIKE REMEMBER THE OTHER DAY I YELLED AT YOU ?

WELL, I FELT BAD INSIDE, AND THAT'S-- THAT'S-- THAT'S CALLED "GUILT."

I GOT SOME GUILT, SINGER.

WHAT DO YOU GOT GUILT ABOUT ?

WHAT I DONE TO YOUR COUCH.

WHAT DID YOU DO TO MY COUCH ? LAST NIGHT I PEED IT.

YOU PEED ON MY COUCH ?

IT WAS THE BEST PEE I EVER FELT.

I DON'T KNOW, I DON'T KNOW. IT FELT REAL GOOD, SINGER.

OH. [ Chuckles ]

OH, MY GOD. OH, BOY.

WELL, MY FRIEND,

WHAT YOU HAD LAST NIGHT IS WHAT PEOPLE CALL A "WET DREAM."

WHAT'S-- WHAT'S A-- WHAT'S A WET DREAM ?

[ Woman ] HULK ! NO ! HULK SMASH !

WELL, REMEMBER THAT--

REMEMBER ALL THE WOMEN YOU SAW AT THE MONKEY CAGE ?

THEN YOU SAID THAT WOMAN DIDN'T HAVE A THING. REMEMBER THAT ?

SHE DIDN'T HAVE A THING, SINGER, UNLESS SHE WAS HIDIN' IT. RIGHT, RIGHT.

A WOMAN'S THING IS CALLED A VAGINA,

AND A MAN'S-- YOUR THING THERE-- IS CALLED A PENIS.

I THOUGHT MY THING WAS CALLED A THING. YEAH. WELL, YEAH.

PENIS IS A-- PENIS IS A TECHNICAL NAME.

THEY GOT A LOT OF OTHER NAMES FOR IT TOO.

LIKE, I'M SURE YOU'VE HEARD THAT FOR PENIS THEY HAVE, UH--

COCK AND-- JOHNSON AND DICK AND--

THERE'S PUSSY AND-- AND SNATCH AND CUNT.

UH, SNATCH AND-- CALLED SPERM.

YES, BASICALLY, ANY WOMAN'S PUSSY.

FROM 15 TO 40. I KNOW, I KNOW, I KNOW, BUT YOU GOTTA GET--

YOU GOTTA GET THE SPERM INSIDE A WOMAN'S--

AND THAT'S-- THAT'S WHAT HAPPENED TO YOU WHEN YOU HAD A WET DREAM LAST NIGHT.

[ Man On TV ] THIS YOUR IDEA OF A JOKE, BANNER ?

[ Woman On TV ] YOU'RE ONLY MAKING IT WORSE !

WHEN A MAN GETS EXCITED, HIS PENIS GETS HARD.

AND THEN THE-- THE PENIS GOES--

THE DICK GOES INSIDE THE PUSSY,

AND IT GOES BACK AND FORTH LIKE THAT A COUPLE TIMES.

OR A FEW MINUTES-- WHATEVER-- AND-- AND-- TILL THE MAN COMES.

I KNOW IT SOUNDS STRANGE, BUT THAT'S HOW WE MAKE BABIES.

YEAH, I KNOW. I SUCK AT THIS, MAN.

[ Hulk Growls ] HULK DESTROY !

[ ZigZag ] THE BABY COMES OUT THE PUSSY ?

UH-HUH. YOU WERE BORN RIGHT FROM IN THERE. THAT'S WHERE YOU POPPED OUT FROM.

SINGER, YOU EVER TOUCHED A PUSSY ?

OH, YEAH. A COUPLE IN MY DAY.

I WONDER WHEN I'LL TOUCH A PUSSY.

YOU DON'T TOUCH ANYTHING TILL YOUR 18 YEARS OLD, MAN.

- YOU GOTTA BE ONE-EIGHT TO TOUCH A WOMAN'S PUSSY ? - YEAH. YOU GOTTA BE 18.

SINGER, YOU SAID YOU CAN MAKE A BABY STARTIN' WHEN YOU'RE ONE-FIVE.

YEAH, I DID, BUT YOU CAN'T. IT'S--

IT'S COM-- IT'S COMPLICATED.

IT'S-- YOU CAN'T. I DON'T UNDERSTAND, SINGER.

JUST REMEMBER, NO PUSSY TOUCHING UNTIL YOU'RE 18. YOU GOT ME ? WOW, LOOK AT THAT.

DON'T TOUCH THESE. [ Honking ]

ALL RIGHT, ALL RIGHT. SORRY, SORRY. HE'S HAVING FUN. HI.

WHAT'S UP, RALPH ? HI, RALPH.

TAKE IT EASY. SEE ? AND THIS IS FOR LIFTING UP.

I'M GONNA SHOW YOU RIGHT HERE. ALL RIGHT, HERE WE GO.

I'M GONNA TAKE YOU AROUND, AND I'M GONNA LET YOU DO IT, ALL RIGHT ?

SINGER-- ALL RIGHT, LOWER THIS ONE.

NOW LOWER THAT ONE. ALL RIGHT, NOW WE'RE GONNA GO IN THERE.

SEE ?

THAT'S IT. EASY. HEY ! [ Horn Honking ]

BE CAREFUL. [ Honking ]

[ Honking ] YOU LOVE MY JOB, DON'T YOU ?

[ Honking ]

SINGER ! SINGER ! SINGER !

SINGER ! SINGER ! SINGER ! SINGER ! SINGER ! SINGER !

SINGER. SINGER, CAN YOU HEAR ME ? SINGER.

[ Woman ] CALL THE AMBULANCE. CALL 911.

[ Woman ] HAS ANYONE EXPLAINED TO YOU THAT YOUR FRIEND IS VERY SICK ?

WHAT ? HE'S VERY SICK.

SINGER SAID HE GOT THE NOISE IN HIS BALL, SO THEY TOOK IT OFF.

HOW COME ?

HE HAS TESTICULAR CANCER, WHICH MEANS THERE ARE BAD CELLS IN HIS TESTICLE.

BY REMOVING THE TESTICLE, WE HOPED IT WOULD ALSO REMOVE THE BAD CELLS.

SO HOW COME HE'S STILL SICK, THEN ?

CANCER HAD ALREADY SPREAD INTO HIS ABDOMEN AND LUNGS.

YOU NEED TO BE PREPARED FOR THE WORST.

I GOTTA GO ZIGZAG SOME DISHES.

** [ Funk Playing On Radio ]

SO WHERE YOU HEADED, MAN ?

YOU KNOW A RESTAURANT ON RIVERSIDE, THE GRUB AND GROG ?

ON RIVERSIDE DRIVE ? YEAH, NO, I DON'T KNOW IT.

WHAT KIND OF FOOD THEY GOT THERE ?

SAME KIND AS EVERYWHERE ELSE.

"SAME KIND AS EVERYWHERE ELSE." AIN'T THAT THE FUCKIN' TRUTH.

AIN'T THAT THE FUCKIN' TRUTH, BABY.

YOU WANT A HIT ? YOU DON'T GOTTA.

IT'S COOL. DON'T WORRY ABOUT IT. DON'T WORRY ABOUT IT.

SO, CHECK IT OUT. CHECK IT OUT.

WHAT'S THE STORY WITH THIS PLACE ? YOU GOT SOME PUSSY LINED UP THERE, OR WHAT ?

WE GOT LOTS OF PUSSY. I KNOW WHERE IT'S HIDDEN.

THAT'S WHAT I'M TALKIN' ABOUT, NIGGA. THAT'S WHAT I'M TALKIN' ABOUT, BABY !

THIS SHIT-HOLE RIGHT HERE ? RIGHT HERE.

ALL RIGHT. WE HERE, BABY. THIS IS WHERE I WORK AT.

I GOTTA ZIGZAG SOME DISHES NOW.

WHAT THE FUCK ARE YOU TALKIN' ABOUT ? I GAVE YOUR ASS A RIDE.

NOW IT'S YOUR TURN. COME ON. DELIVER !

I GOTTA GO ZIGZAG THE TOAD'S DISHES.

MOTHERFUCKER, WHAT ARE TALKIN' ABOUT, A ZIGZAG OF DISHES ?

YOU LITTLE PEANUT HEAD BITCH ! LET ME TELL YOU SOMETHIN' !

I GAVE YOU A RIDE. YOU SAID YOU WERE GONNA HOOK ME UP. WHERE IS SHE ?

WHERE IS SHE WHO ? WHAT THE FUCK YOU MEAN ? LISTEN.

IF YOU DON'T DELIVER, I'M KICKIN' YOUR ASS. WHAT THE HELL IS THIS ?

WHO THE FUCK ARE YOU ? GET THE FUCK BACK, OKAY ?

WHAT THE HELL NOW ? EXCUSE ME. CAN YOU BACK THE FUCK UP ?

THANK YOU. IF YOU WANNA HAVE A LITTLE ASS PARTY, FIND SOMEBODY ELSE.

GET OUTTA HERE ! THIS BOY'S GOTTA WASH DISHES NOW !

FUCK YOU ! FIRST OF ALL, I AIN'T NO FAGGOT.

NOW BACK YOUR ASS UP ! LISTEN TO ME.

TAKE YOUR FUCKIN' COAT AND YOUR CAR OFF MY PROPERTY, OR I'M GONNA KICK YOUR ASS !

HOW 'BOUT FUCK YOU ? MOTHERFUCKER !

DON'T WANNA GET OUT. CUT OFF YOUR SICK NUTS, THAT'S WHAT I'M GONNA DO.

YEAH, WELL, FUCK YOU, MOTHERFU-- OH, SHIT !

GET THE FUCK OFF MY PROPERTY RIGHT NOW !

YOU ASS ! THIS AIN'T OVER, YOU EXTRA LARGE BITCH ! GET THE FUCK OUTTA HERE !

MOTHERFUCKER ! I KNOW HOW YOU LOOK, BITCH !

[ Tires Screeching ] [ Horns Honking ]

LOUIS, COME HERE.

HOW OLD ARE YOU ?

ONE-FIVE. "ONE-FIVE" ?

FIFTEEN ? YOU'RE FIFTEEN ? YOU'RE A FUCKIN' MIRACLE.

UNBELIEVABLE.

LOOK AT THEM CLOUDS. THEY'RE SOME NICE CLOUDS.

WHAT DO THEY CALL THE BIG FLUFFY MOTHERFUCKERS ?

NIMBUS ? "SIMULUS" ? CUMULUS ? "NIMBULUS" ?

FLUFFY MOTHERFUCKERS.

THANKS, LOUIS. YOU'RE A SWEETHEART.

HOW OLD ARE YOU ?

ME ? WHY ?

YOU AT LEAST ONE-FIVE ?

FIFTEEN ? UH, YEAH. HELLO !

I'LL BE NINETEEN IN SEVEN MONTHS. YOU'RE THE RIGHT AGE.

- FOR WHAT ? - LOUIS !

FRONT AND CENTER. COME ON, NOW.

TALK TO THE DETECTIVE.

IS MY DAD GOIN' TO JAIL ?

THAT'S FOR THE JURY TO DECIDE. HE BEAT HER UP PRETTY GOOD.

WHILE WE HAD HIM IN CUSTODY, WE ASKED HIM...

DID HE KNOW ANYTHING ABOUT THE INVESTIGATION THAT WE'RE DOING HERE.

NOW, YOUR DAD SIGNED THIS PARENTAL RELEASE.

THIS GIVES ME PERMISSION TO QUESTION YOU ON THE RECORD,

AS WELL AS GET YOUR FINGERPRINTS.

YOU UNDERSTAND ?

BUT WHAT I'M REALLY TRYING TO FIGURE OUT HERE IS WHO DID THIS.

AND IF WHOEVER DID THIS WORKS WITH ME,

THEY WON'T GET IN AS MUCH TROUBLE AS IF THEY TRIED TO HIDE IT.

YOU WITH ME SO FAR ?

I BETTER GET BACK TO THOSE DISHES.

TOAD GETS PRETTY MAD IF YOU LET 'EM PILE UP TOO MUCH.

COME ON. LET'S STAY HERE. JUST A COUPLE MORE MINUTES. OKAY ?

THIS IS DETECTIVE JONATHAN HAWK INTERVIEWING LOUIS FLETCHER,

A.K.A. ZIGZAG,

REGARDING CASE NUMBER 24576-ADAM-CHARLIE.

NOW, IS THERE ANYTHING ELSE YOU WANNA TELL ME THAT HAPPENED THIS PAST TUESDAY MORNING ?

LOOK, IT'LL MAKE IT A LOT EASIER ON EVERYONE IF YOU TELL ME RIGHT NOW.

DID YOU TAKE THE MONEY OUT OF THE SAFE ?

ZIGZAG ?

ZIGZAG !

[ Distant Sirens Wailing ]

[ Walters ] KEEP IT NICE AND WARM FOR ME, NOW.

BACK THE FUCK OFF ! MY BOYFRIEND'S GONNA BE RIGHT OUT.

THE TOAD'S YOUR BOYFRIEND ?

WHO THE FUCK'S THE TOAD ? YOU KNOW, MR. WALTERS.

THE TOAD.

TOAD ? THAT'S GENIUS.

HOW DO YOU KNOW HIM ?

I WORK HERE.

SORRY TO HEAR THAT.

WELL, IF YOU DON'T MIND, I'M GONNA GO HOME NOW, OKAY ?

PEPPER SPRAY. STAY THE FUCK BACK UNLESS YOU WANT THIS SHIT IN YOUR EYES !

[ Engine Starts ]

** [ Radio: Pop ]

COME HERE.

HOW OLD ARE YOU ?

ONE-FIVE. FIFTEEN ?

AND THAT FREAK'S GOT YOU WORKING THIS LATE ? SHIT.

YOU KNOW, YOU SCARED THE HELL OUT OF ME.

YOU SHOULDN'T BE HANGIN' AROUND THIS TIME OF NIGHT. YOUR PARENTS COMIN' TO GET YOU ?

MY DAD'S IN JAIL. WHAT ABOUT YOUR MOM ?

SHE DIED WHEN SHE WAS HAVIN' ME, MAYBE. SINGER SAYS WE DON'T KNOW.

JESUS. WHAT'S YOUR NAME ?

ZIGZAG. TWO BIG Z's, TWO LITTLE G's.

YOU'RE A LITTLE WEIRD.

COME ON. YOU NEED A RIDE SOMEWHERE ?

[ ZigZag ] HOW OLD ARE YOU ?

[ Jenna ] WHO, ME ? TWENTY-TWO. WHY ? JUST CHECKIN'.

SO YOU'RE 15, RIGHT ? WHAT IS THAT ? LIKE HIGH SCHOOL ?

GOT A GIRLFRIEND OR SOMETHING ?

I'M STILL LOOKIN' FOR ONE. YOU COULD BE MY GIRLFRIEND.

[ Chuckles ] THAT'S SWEET, BUT I DON'T THINK SO.

YOU'RE THE RIGHT AGE.

FOR WHAT ?

ONE-FIVE TO FOUR-ZERO. TO MAKE LOVE.

WOW. NOT SO SHY ANYMORE, HUH ?

SO WHAT HAPPENED WITH YOUR DAD ?

HE BEAT UP A CRACK DEALER WHO WAS REALLY A COP.

OUCH. SO WHO DO YOU LIVE WITH, THEN ?

SINGER. BUT HE'S NOT MY BIG BROTHER FOR REAL. THE AGENCY HOOKED US UP.

IS HE LIKE A VOLUNTEER OR SOMETHING ?

[ Diners Chattering ]

SO WHAT'S YOUR FAVORITE THING YOU AND YOUR BIG BROTHER EVER DONE ?

I DON'T KNOW.

COME ON. THERE'S GOTTA BE SOMETHING.

HASN'T HE EVER TAKEN YOU TO DISNEYLAND OR SOMEPLACE ?

SOME SHIT LIKE THAT ? ANYTHING ?

COME ON. YOU'RE NOT GONNA TELL ME YOUR FAVORITE THING ?

OKAY, NOW I KNOW. OKAY, WHAT ?

WHEN ME AND SINGER STOLE THE BLACK BEAUTY FROM MY DAD.

AND ? COME ON. YOU GOTTA GIVE ME MORE THAN THAT.

WHAT'S A BLACK BEAUTY ?

IT'S-- IT'S THIS BAT MY DAD ALWAYS HIT ME WITH...

WHENEVER HE WOULD GET MAD.

WHENEVER I WOULD DO SOMETHIN' WRONG, HE-HE WOULD SAY...

IT'S TIME TO ASK BLACK BEAUTY WHAT SHE THOUGHT.

ONE DAY, ME AND SINGER SNEAKED HER OUT OF MY DAD'S APARTMENT WHEN HE WAS ASLEEP.

DROVE AWAY OUTSIDE THE CITY TO THIS PLACE WITH THIS BRIDGE, AND SINGER--

SINGER LET ME THROW BLACK BEAUTY OVER THE BRIDGE AND WATCH HER FLOAT DOWN THE RIVER.

[ Panting ]

AND WE-WE BUILT A FIRE RING WITH THESE ROCKS,

AND WE-- AND WE COOKED HOT DOGS ON A REAL FIRE.

KNOW WHAT YOU NEED ?

READY FOR A CARD TRICK ?

ALL RIGHT, THIS ONE'S CALLED THE DIAMOND HOTEL.

THE SCENE TAKES PLACE IN THE BRONX.

IT'S A HOT, HOT SUMMER NIGHT IN THE BRONX.

EVERYONE WANTS TO BE THERE FOR THE BIG BRONX PARADE.

[ Jenna ] OKEYDOKEY, ZIGZAG. WELL, I HOPE YOUR BIG BROTHER FEELS BETTER.

HEY, LISTEN.

SURPRISE HIM. DO SOMETHING NICE.

COME HERE.

[ ZigZag ] SINGER'S AWAKE WHEN I FIND HIS ROOM.

I TELL HIM ABOUT JENNA AND THE STRAWBERRY WAFFLES, AND HE LAUGHS.

HE SHOWS ME HOW THE DOCTORS GIVE HIM SOMETHING CALLED A MORPHINE PUMP.

HE JUST PUSHES A BUTTON, AND THE NOISE GOES AWAY.

THE DOCTORS DON'T WANT SINGER TO LEAVE, BUT HE SAYS HE'S FINE.

[ Singer ] FOUR ACES OR FOUR--

[ ZigZag ] I DIDN'T DO ANYTHING. IT'S NOT A TRICK DECK, IS IT ?

THIS IS YOUR CARD, SINGER.

ONE MORE. LAST ONE. YOU GOT--

OH, ALL THE GUYS. OH, WAIT. THERE'S NO GIRLS.

HOW COME THERE'S NO GIRLS ? OH, ARE THEY IN MY HAND ?

WHAT DO YOU THINK, SINGER ? WHAT DO YOU THINK ?

WHAT ? SHOULD I SHOW HIM ? GUESS WHO IT IS.

THOSE ARE THE FELLAS, AND THESE ARE THE WOMEN, SINGER.

YOU'RE A REGULAR DAVID COPPERFIELD. GO GET-- GET ME THE CAMERA. HURRY UP.

COME ON. DON'T MESS UP THE BED.

I GOT A SERIOUS VISUAL GOING THERE.

[ Groans ] HEY, DON'T MOVE, DON'T MOVE.

IT'S GONNA BE A GOOD ONE.

ZIGZAG, I'VE BEEN THINKIN'.

I'VE BEEN THINKIN', MAN. LET'S-- LET'S JUST DO SOMETHIN'.

DO SOMETHIN' LIKE WHAT ?

I DON'T KNOW, MAN.

LET'S JUST DO SOMETHING THAT YOU AND I HAVE NEVER DONE BEFORE.

MAYBE WE CAN GO ON A DATE WITH JENNA.

OKAY. JUST DO LIKE A-- LIKE A DATE ?

YOU, ME AND HER ? WHAT, WE DO A LITTLE THREE-WAY ? YOU, ME AND JENNA ?

THAT'S SOMETHIN' I'VE NEVER DONE BEFORE. [ Laughs ]

THREE WHAT ? FORGET IT.

YOU KNOW, THAT'S ACTUALLY NOT A BAD IDEA.

SHE'S HELPED YOU OUT A LOT BEFORE, HASN'T SHE ?

BUT HOW THE HELL ARE WE GONNA FIND HER ?

WHY DON'T WE JUST ASK JORDAN ?

I DON'T-- WHO'S JORDAN ?

JORDAN. YOU KNOW, HER DANCER FRIEND AT THE MONKEY CAGE.

USED TO DO ESCORT.

ZIGZAG, YOU'RE A FUCKIN' GENIUS. JESUS CHRIST.

HERE, HOLD THAT. HOLD THAT GENIUS LOOK. HOLD IT RIGHT THERE.

HELLO ? ANYBODY HERE ?

HELLO ? HELLO ?

CARMEN, JACKIE, BRENDA. THERE IT IS ! JORDAN.

** [ Techno ]

HEY. HEY. CAN I TALK TO YOU FOR A MINUTE ?

- HEY, THE DYNAMIC DUO ! - WHAT THE HELL IS THIS ?

CAN I TALK TO YOU IN PRIVATE FOR A MOMENT ?

I'M DOIN' AN AUDITION. YOU GOT SOMETHIN' TO SAY, SAY IT HERE.

- [ Singer ] NO, I DON'T THINK WE CAN SAY IT HERE. - NOW, YOU DANCE.

I CAN'T BELIEVE THIS SHIT.

YOU'RE GETTIN' SHY IN FRONT OF THESE TWO BUTT JUMPERS ?

TELL ME, LOVE, HOW ARE YOU GONNA DANCE...

WHEN THIS ROOM'S FULL OF 200 DRUNKS WITH HARD-ONS ?

YOU'VE SEEN ALL YOU NEED TO SEE.

NO, I DIDN'T SEE SHIT. YOU NEED TO GET DOWN TO YOUR PANTIES, LOVE.

I CAN'T HIRE YOU TILL YOU DO SOME BEND-OVERS.

- FUCK YOU ! - NO, NO. FUCK YOU !

- FUCK YOU ! FUCK YOU ! - FUCK YOU ! FUCKING ASSHOLES !

WHY AM I TALKING TO YOU ?

THIS YOUR FIRST PAYMENT ?

YEAH, THAT'S RIGHT. THAT'S RIGHT. 'COURSE, I HAD TO PAWN MY CAR TO DO IT.

BUT LOOK, IT'S BEEN BARELY WHAT, THREE DAYS ? AND I GOT YOU ALL THE MONEY.

IF I GET IT ALL BY THURSDAY, WILL YOU DROP THE VIG ?

FUCKING AMATEURS ! LISTEN-- FUCK OFF !

LISTEN, MATES, VIG KICKED IN THE MINUTE YOU LEFT HERE.

YOU'RE LUCKY I DON'T CHARGE YOU ANOTHER GRAND FOR FUCKING UP MY AUDITION !

OH, HEY, HEY, JORDAN ? HEY, JORDAN. [ Muttering ]

HOW ARE YOU DOIN' ? MY NAME IS DEAN. YEAH. I'M A FRIEND OF JENNA'S.

WHAT KIND OF FRIEND ? WELL, UM--

I'M A CLIENT, I GUESS. YOU'RE NOT GONNA BEAT ME UP.

BLUE ANGEL ESCORTS ? THANK YOU VERY MUCH. I APPRECIATE IT.

WH-WHAT'S THE NUMBER ? GIVE ME THE NUMBER ONE MORE TIME.

TELL JENNA ZIGZAG SAYS HI. OKAY, I WILL.

HEY, YES, HELLO. I'D LIKE TO MAKE AN APPOINTMENT FOR JENNA FOR TONIGHT.

NO, I'M SURE THEY'RE ALL VERY BEAUTIFUL AND EVERYTHING, BUT I REALLY NEED HER.

THEN COULD YOU GIVE HER A MESSAGE FOR ME, PLEASE ? ZIGZAG SAYS HI.

JUST ONE MINUTE. SINGER. S-I-N-G-E-R. AND MY PHONE NUMBER IS--

[ Siren Wailing ] S-I-N-G-E-R.

555-0182.

JUST HAVE HER CALL ME, OKAY ?

HA-HAVE HER CALL ME.

WELL, I GUESS WE'RE GOIN' STAG, BUDDY. COME ON.

[ ZigZag ] SUPERMAN. HE'S FROM ANOTHER PLANET.

[ Singer ] THERE YOU GO.

THINK THEY GOT THE NOISE WHERE SUPERMAN COMES FROM ?

YEAH.

YOU BET. THEY GOT THE NOISE EVERYWHERE.

ZIGZAG... WE GOTTA TALK.

MORE SEX 101 TALK ?

NO, NO MORE OF THAT. YOU ALREADY GOT THAT DOWN PRETTY WELL.

WE JUST NEED TO TALK ABOUT-- ABOUT MY CONDITION.

- WHAT CONDITION ? - MY CONDITION.

RE-REMEMBER WHEN THE DOCTOR SAID THAT I GOTTA PREPARE YOU IN CASE SOMETHIN' SHOULD HAPPEN ?

YOU KNOW, WHAT SHE WAS SAYING REALLY WAS,

"TOO BAD, SUCKER. IT'S OVER.

THERE'S NOTHIN' ELSE WE CAN DO TO HELP YOU. SO THERE."

BUT THE MORPHINE PUMP, SINGER. THAT HELPS YOU.

OH, YEAH, NO, IT'S WORTH IT. THAT'S FOR DAMN SURE.

BUT IT'S NOT GONNA TAKE THE "C" WORD AWAY.

I HAVE CANCER, ZIGZAG.

I-I DON'T UNDERSTAND.

DON'T MAKE THIS ANY HARDER FOR ME THAN IT ALREADY IS.

I'M SICK. I'M SICK, AND I'M GONNA DIE.

YOU'RE NOT GONNA DIE, SINGER. YOU GOT THE SPECIAL POWERS.

YOU TAUGHT ME.

YEAH, SPECIAL POWERS. BUT IT'S NOT GONNA HELP ME, MAN.

I'M GONNA DIE. EVERYBODY DIES.

YOUR FATHER'S GONNA DIE, THE TOAD'S GONNA DIE,

EVEN YOU'RE GONNA DIE SOMEDAY.

THE ONLY DIFFERENCE IS I'M GONNA DIE A LOT SOONER THAN EVERYBODY ELSE.

THAT DOESN'T MEAN I'M NOT GONNA BE YOUR FRIEND.

I'M JUST NOT GONNA BE RIGHT HERE TO HELP YOU,

SO YOU GOTTA LEARN TO HELP YOURSELF.

YOU UNDERSTAND ? 'CAUSE YOU'RE DIFFERENT.

PEOPLE MAY TALK TO YOU AT FIRST, AND THEY'RE NOT GONNA GET THAT YOU'RE DIFFERENT RIGHT AWAY,

SO YOU GOTTA MAKE IT CLEAR, OKAY ?

GOOD.

[ Sighs ]

WHAT IS THIS ?

WHAT TIME IS IT ?

AH, JEEZ.

DID JEN-- DID J-JENNA CALL ?

- NO ? - MM-MM.

GUESS WE'RE GONNA HAVE TO MAKE A PERSONAL APPEARANCE...

AT THE BLUE ANGEL ESCORTS, HUH ?

[ Groaning ]

JUST GIVE ME A COUPLE MINUTES.

[ Siren Wailing ]

HOW MUCH LONGER WE GONNA WAIT HERE, SINGER ?

UNTIL SHE SHOWS UP.

SINGER. WHAT IF SHE DON'T SHOW UP, SINGER ?

WELL, I GUESS THEN WE'RE JUST FUCKED, AREN'T WE ?

HOLY SHIT !

HEY, WHAT ARE YOU DOIN' HERE ? SINGER BROUGHT ME HERE.

DEAN. HOW YOU DOIN' ? THE BIG BROTHER WHO'S NOT REALLY THE BIG BROTHER, RIGHT ?

YEAH, THAT-THAT'S ME.

I'VE HEARD A LOT ABOUT YOU FROM ZIGZAG. I FEEL LIKE I KNOW YOU.

OH, OUR BIG NIGHT AT JOHNIE'S, HUH ?

WELL, HEY, UM, I'VE GOT AN APPOINTMENT IN A FEW MINUTES, SO--

NO, I KNOW, I KNOW. THAT'S WHY WE'RE HERE.

OH, NO, NO, NO, NO. WE'RE NOT HERE FOR THAT.

AH, JEEZ, SO YOU GUYS-- NO, NOT THAT.

- WE'RE JUST HOPIN' YOU COULD HELP US OUT A LITTLE. - JESUS CHRIST, WHAT A RELIEF.

FUCK. WH-WH-WHAT'S UP ? I MEAN, I HARDLY KNOW THE KID.

WE JUST-- HE TOOK SOME MONEY FROM HIS BOSS, RIGHT ?

AND, UM, WE WERE HOPING TO RETURN THE MONEY WITHOUT HIM NOTICING.

LOOK, I'M SORRY. IT'S ALL STARTING TO SOUND A LITTLE TOO INVOLVED--

NO, I KNOW. BUT IF YOU COULD JUST TALK TO TOAD FOR US, YOU KNOW ?

HOW ABOUT LATER, MAYBE THE THREE OF US COULD GET TOGETHER, MAYBE HAVE DRINKS SOMEWHERE, TALK ?

I DON'T THINK SO. UM--

ALL RIGHT, LOOK, SINGER, IT'S REAL NICE TO MEET YOU.

I'M GLAD YOU GOT OUT OF THE HOSPITAL.

MAYBE I'LL SEE YOU SOMETIME AT JOHNIE'S, OKAY ?

[ Groaning ] SINGER !

SINGER, YOU OKAY ?

SINGER, COME ON.

FUCK ME. SINGER ?

[ Chattering ]

WHAT'S THAT ?

THE ONE-ZERO-ZERO YOU GAVE ME.

FOR WHEN SINGER WAKES UP. YOU CAN MAKE LOVE WITH HIM.

OH, I CAN'T TAKE THAT.

YEAH, BUT, BUT YOU SAID DO SOMETHIN' NICE.

AND SINGER, HE'S OLD ENOUGH. HE'S THREE-FIVE.

LOOK, I KNOW THAT. BUT IF I TAKE THIS, IT'S NOT MAKIN' LOVE, OKAY ?

[ Heart Monitor Beeping ]

HEY.

COME HERE.

I WAS DYIN' OUT THERE. [ Chuckles ]

HEY, THAT LOOKS PRETTY GOOD.

THAT'S SOME KID OUT THERE. HE JUST TRIED TO TALK ME INTO GIVIN' YOU A MERCY FUCK.

SO, ARE YOU GONNA BE MERCIFUL OR WHAT ?

[ Laughs ] [ Groans ]

PEOPLE ARE GONNA TALK. LET 'EM.

DON'T KNOW. THINK YOU CAN TAKE IT ?

I WISH I COULD, BUT I WOULDN'T WANT TO DISAPPOINT YOU.

[ Laughs ]

WHAT'S THAT, A MORPHINE DRIP ? CAN I GET SOME OF THAT ?

YEAH, GO AHEAD. HELP YOURSELF.

HOW ARE YOU DOING ?

I'M GREAT. REALLY.

LOOK, I KNOW THIS IS A LOT TO ASK OF YOU,

BUT CAN YOU LOOK AFTER HIM FOR A DAY OR TWO TILL I GET OUT ?

NO, NO, IT'S NOT THAT DIFFICULT. ALL YOU GOTTA DO IS PUT HIM IN FRONT OF A TV,

TOSS HIM SOME PIZZAS, AND HE'LL BE FINE.

I ALREADY MISSED ONE APPOINTMENT AS IT IS, BRINGIN' YOU HERE.

I GOT ANOTHER ONE IN A COUPLE OF HOURS.

NO, DON'T SAY NO. JUST DON'T SAY NO.

HOW ABOUT IF I BRING HIM TO YOUR PLACE, SET HIM UP...

AND CHECK IN ON HIM TOMORROW, OKAY ?

THE MONEY'S IN THE FREEZER. IT'S IN THE ICE-CREAM CARTON.

DON'T DO THIS TO ME.

[ ZigZag ] JENNA, HOW WE GONNA GET THE MONEY INSIDE THE TOAD'S SAFE ?

FUCK IF I KNOW. LET'S JUST FIND IT FIRST.

HEY, DID SINGER TAKE THESE ? COOL. COOL.

I GOT THE MONEY.

HELLO, FISH. HEY, LITTLE GUYS.

HEY, WAS THAT LIKE THAT WHEN YOU LEFT ?

[ ZigZag ] WHAT ?

- MM-MM. - [ Door Opens ]

- [ Jenna ] HEY, LOOK OUT ! - WHERE THE MONEY AT, BITCH ?

DON'T KNOW NOTHIN' ABOUT NO-- DON'T LIE TO ME, LOUIS !

I DON'T KNOW NOTHIN' ABOUT-- THE $1,800 YOU OWE CADILLAC. HEY, HEY, HEY !

[ Jenna ] STOP IT ! LOOKIT HERE, NIGGA. DON'T FUCK WITH ME.

YOU'RE SUPPOSED TO BE IN JAIL ! OH, FUCK !

SURPRISE, SURPRISE, NIGGA ! I'M OUT ! STOP IT !

- AND CADILLAC TOLD ME-- - COME ON. LEAVE HIM ALONE !

GET AWAY FROM ME ! DO YOU WANNA MESS WITH ME ?

BITCH, DON'T YOU KNOW I'LL WHIP YOUR ASS TOO !

[ Muttering, Grunting ] GONNA TRY TO TAKE ME, LOUIS ? HUH, NIGGA ?

[ Grunts ] CAN'T TOUCH ME, NIGGA !

[ ZigZag Groaning ] HEY !

OH, SHIT ! FUCKIN' ASSHOLE !

GODDAMN ! COME ON, ZIGZAG ! LET'S GO !

OH, SHIT ! OH, SHIT ! [ Door Slams ]

[ ZigZag ] I TOLD JENNA ABOUT THE TOAD AND THE NINE-TWO-FOUR-ONE,

AND THEN JENNA MAKES A PLAN JUST LIKE SINGER USED TO.

SHE SAYS HOW WE NEED SOMEONE ON THE INSIDE,

SOMEONE WE CAN TRUST.

IS THAT HIM ?

MM-HMM.

HELLO, ZIGZAG. WHO'S YOUR FRIEND ?

[ Man Speaking Spanish On Radio ]

** [ Mariachi ]

BITCH.

[ Walters ] WHERE THE HELL YOU BEEN ? DETECTIVE ASSHOLE'S BACK.

HE'S GONNA COME BACK LOOKIN' FOR YOU. DON'T PUNCH OUT TILL HE DO.

GET TO WORK ! GET TO WORK !

[ ZigZag ] I DON'T KNOW WHAT'S GONNA HAPPEN,

BUT I KNOW I DON'T WANT THIS SHIFT TO END.

SO I GO DOWN DEEP, WHERE I CAN'T HEAR NOTHIN'.

WHERE I DON'T KNOW NOTHIN' BUT THE DISHES STACKED UP FROM THE LUNCH BASTARDS.

AND I JUST ZIGZAG MY WAY RIGHT OUT OF THIS UNIVERSE.

[ Faint Voice ] ZIGZAG ? ZIGZAG ?

[ Louder Voice ] ZIGZAG ? ZIGZAG ?

HE'S TRYING TO FIND YOU. YOU CAN'T LET HIM TALK TO YOU RIGHT NOW.

- GET DOWN. - LOUIS ?

LOUIS ? WHERE THE FUCK ARE YOU ?

DALE, WHERE THE FUCK IS RICKY "RETARDO" ?

I JUST SAW HIM OUT COLLECTING BUS TUBS.

HE'S NOT SUPPOSED TO BE OUT THERE ! GODDAMN IT !

COME ON. I'M GONNA FIND HIM FOR YOU, I PROMISE.

ANYBODY SEEN "RETARDO" MONTALBAN ?

OKAY, IT'S A LITTLE SOONER THAN WE PLANNED.

BUT EVERYTHING ELSE, JUST LIKE WE TALKED ABOUT. HERE'S THE MONEY.

CAN'T A WOMAN DROP BY WITHOUT MAKIN' A FUCKIN' APPOINTMENT ?

HERE COMES JENNA. SCOOT DOWN UNDER THE DESK.

I CANNOT DO THIS SHIT NOW. I GOT DETECTIVE ASSHOLE NOSIN' AROUND.

YOU COME BACK LATER. COME BACK LATER !

COME ON, BABY, A HUNDRED BUCKS.

[ Walters ] WHAT ARE YOU UP TO ?

NOTHIN'. COME ON, BABY. COME ON. I'M JUST A LITTLE HARD UP FOR CASH.

[ Hawk ] AM I INTERRUPTING ?

I'LL SEE YOU THERE, MARY.

YOU SAY HELLO TO, UH, DENISE, ALL RIGHT ?

WHAT CAN I DO FOR YOU TONIGHT, OFFICER ? SHE WAS JUST LEAVIN'.

SO, UH, WHO WAS THAT ? WHO WAS THAT ?

WELL, THAT WAS MY LITTLE SISTER'S NIECE'S COUSIN.

SHE'S A HOOKER, SHERLOCK "HOMIE."

SHE'LL SUCK MY LITTLE DICK WHENEVER I LIKE.

SO THANK YOU IN ADVANCE FOR CUTTIN' ME SOME SLICKETY-SLACK, OFFICER,

'CAUSE, YES, I'M MARRIED.

FUCKIN' DIPSHIT. MAYBE YOU NEED TO SLOW DOWN ON THOSE.

WHAT, ON THESE HERE ? YEAH.

FUCK YOU !

- [ Clattering ] - YOU NEED TO UNDERSTAND, MR. MOTHERFUCKER.

YOU WILL NOT DISRESPECT ME. UNDERSTAND ?

YOU'VE GOT TEN MINUTES. IF THE KID DOESN'T SHOW UP, MY SHIT'S IN THE WIND.

[ Clattering ]

SILVER FEATHER, MY ASS. "MY SHIT IS IN THE WIND."

"MY SHIT IS IN THE WIND."

I'LL "MR. MOTHERFUCKER" YOU--

FILE A GODDAMN LAWSUIT WITH THE CITY, WHAT I'LL DO.

[ Chuckles ]

THAT'S WHAT I'M TALKIN' ABOUT.

THAT'S WHAT I'M TALKIN' ABOUT. [ Sighs ]

[ Closes Safe ] HOW ABOUT A NICE LITTLE LAWSUIT, DETECTIVE ASSHOLE ?

DETECTIVE ASSHOLE, MEET MY LAWYER.

[ Clattering ] AIN'T NO SHIT GONNA BE IN THE WIND.

MOTHERFUCKER ! GODDAMN !

DON'T THINK FOR A SECOND 'CAUSE MY GODDAMN WINDOW'S BROKEN...

I DON'T SEE YOU RIPPIN' ME OFF BACK THERE.

[ Indistinct Shouting ]

WHY YOU COMIN' DOWN ON ME ? QUIT YOUR FUCKIN' AROUND ! GET BACK TO WORK ! GODDAMN IT.

[ Walters ] FUCK YOU TOO ! [ Man ] I WAS OVER THERE THE WHOLE TIME.

[ Walters ] OH, THAT'S VERY INTERESTING. FUCK YOURSELF.

YOU KNOW, WRITE ME A FUCKIN' LETTER IS WHAT I SAY !

MOTHERFUCKER.

WHAT THE FUCK--

[ Grunts ]

[ Hawk ] ZIGZAG ? ZIGZAG ?

WHOA, WHOA, WHOA. JUST RELAX.

BEEN LOOKIN' FOR YOU FOR THE LAST 20 MINUTES, ZIG.

HERE, GIVE ME THAT.

"I'M RETURNING THE ENTIRE AMOUNT I BORROWED FROM YOU,

"$9,241,

WITH THE FULL FAITH THAT YOU'LL FORGIVE MY MISTAKE AND CANCEL THE INVESTIGATION."

WELL, I NEED TO GET MY STORY STRAIGHT FOR MY REPORT.

OKAY ?

SO FIRST OFF...

THE TOAD GOT HIMSELF ALL TANKED UP ON JACK DANIEL'S...

AND MANAGED TO KNOCK HIMSELF OUT COLD, RIGHT ?

RIGHT ? AND THEN OUR PERPETRATOR MUST'VE GOTTEN A GUILTY CONSCIENCE,

BECAUSE AT SOME POINT DURING THE EVENING, THE MONEY WAS RETURNED, RIGHT ?

ISN'T THAT WHAT YOU HEARD FROM THE COOKS AND THE WAITERS ?

SO THE MONEY WAS RETURNED. NO HARM DONE.

THERE'S ONLY ONE OTHER QUESTION TO BE RESOLVED.

THE PRINTS WE LIFTED DON'T MATCH ANY OF THE EMPLOYEES.

NOT EVEN THE DISHWASHER.

YOU CAN GO BACK TO WORK.

OH, YEAH, ONE OTHER THING, STRICTLY OFF THE RECORD.

THAT WINDOW LOOKS LIKE A MIRROR FROM INSIDE THE KITCHEN.

BUT WHEN YOU GET RIGHT UP NEXT TO IT, YOU CAN SEE IN HERE ANYTIME YOU WANT.

ALL RIGHT ?

[ ZigZag ] THE SUN'S FULL BRIGHT TODAY, AND THE TIRES ARE LOUD...

'CAUSE THE STREETS ARE COVERED WITH LITTLE POOLS THAT EXPLODE.

I LIKE THE RHYTHM THE CITY MAKES ALL ON ITS OWN--

SOUNDS AND SMELLS AND DIFFERENT PEOPLE...

ALL CRASHING DOWN TOGETHER SO LOUD, THEY GO INVISIBLE.

SILENT.

JUST FLOATIN' AROUND LIKE GHOSTS.

SINGER DIED THE SAME NIGHT WE TAUGHT THE TOAD A LESSON.

DON'T ASK ME HOW.

I WAS KEEPING MY RADAR ON HIM THE WHOLE TIME.

I WANTED TO TELL HIM HOW DALE WENT TO THE MONKEY CAGE...

AND DELIVERED NINE-ZERO-ZERO-ZERO WORTH OF BOOZE, NO CHARGE,

AND HOW THE TOAD WOULDN'T EVEN NOTICE SINCE HIS BOOKKEEPING WAS SO SLOPPY.

ME AND JENNA STILL SEE EACH OTHER SOMETIMES.

NOT SO MUCH, BUT SOMETIMES.

PRETTY SOON I'LL BE ONE-EIGHT. THEN MAYBE I'LL GET TO SEE HER THING.

LET'S GO ! [ Shouting ] OW ! OW !

I AIN'T DID NOTHIN', MAN ! I AIN'T DID NOTHIN' !

[ ZigZag ] SOMEHOW MY DAD MESSED UP HIS PAROLE.

LOOK, I DON'T NEED INCARCERATION, MAN ! I NEED HELP, MAN !

OH, SHUT UP !

I STAY AT THE MARMONT FOSTER HOME FOR BOYS NOW.

DIANA GAVE ME A BOX OF SINGER'S STUFF.

SHE SIGNED ME UP FOR A NEW BIG BROTHER TOO, BUT SO FAR NO ONE.

[ Walters ] "ORGANIC." ORGANIC, MY ASS.

I'LL TELL YOU ABOUT ORG-- YOU WANNA KNOW WHAT ORGANIC IS ?

A GODDAMN HIPPIE CONSPIRACY.

ORGANINC, MY ASS.

THAT'S WHAT ORGANIC IS. IT'S A GODDAMN HIPPIE CONSPIRACY.

ORGANIC IS JUST HIPPIE TALK...

FOR SOGGY, BROWN, WILTED AND EXPENSIVE.

HEY. HEY, LOUIS, GUESS WHAT.

DETECTIVE ASSHOLE CALLED ME UP TODAY. HE CLEARED YOUR NAME.

THAT'S RIGHT. 'COURSE, I KNEW ALL ALONG YOU DIDN'T DO IT.

I KNOW ANOTHER THING TOO. I'M GONNA CATCH THE HOMO WHO DID IT.

YES, I AM, IF IT'S THE LAST THING I DO.

- I'M NOT AFRAID ANYMORE. - NOT AFRAID OF WHAT ?

OF ANYTHING.

WELL, SHAZAM !

SEEN JENNA LATELY ?

WHO THE FUCK IS JENNA ? HUH ?

WHO THE FUCK IS JENNA, YOU SLIPPERY LITTLE DIPSHIT ?

NOW, LISTEN, I'VE GOT A THEORY ABOUT YOU...

AND THIS WHOLE DUM-DUM ACT OF YOURS.

NINETY-FIVE PERCENT OF THE TIME I'M CONVINCED...

IT'S A BIG, STEAMY LOAD OF POO.

YOU GOT IT ? JUST REMEMBER NOW.

MR. WALTERS DON'T MISS MUCH, AND I'M WATCHIN' YOU.

ALL RIGHT ?

I KNOW WHERE YOU LIVE. I KNOW WHERE YOU SLEEP.

[ ZigZag ] THAT'S THE LAST TIME THE TOAD MENTIONED CASE NUMBER 24576-ADAM-CHARLIE.

I FLOAT INTO POSITION AT MY DISH STATION.

THE BUS TUBS ARE STACKED TO THE CEILING FROM THE LUNCH BASTARDS.

MY BODY GOES AUTOMATIC.

RELAX.

EVERYTHING GOES QUIET ON THE INSIDE.

THIS IS MY FAVORITE TIME OF DAY,

WHEN THE LIGHT BOUNCES OFF THE WALLS SO BRIGHT.

THIS IS WHEN I THINK ABOUT SINGER THE MOST...

AND ALL THE STUFF HE GAVE ME,

LIKE THE SPECIAL POWERS...

AND MY NEW NAME, ZIGZAG.

TWO BIG Z's, TWO LITTLE G's.

**

* I'M MOVIN' WITH THE STREAK OF A SPEAR *

* I'M CRUISIN' IN THE PAST AND THE NEAR *

* DONE LIVIN' IN THE CITY OF GHOSTS *

* COOL ASHES LIKE IT'S ALL THAT SHE WROTE *

* SHAKE YOUR SADNESS SOOT

* IT'S DOIN' ME GOOD

* EMBRACE THE SOLITUDE

* IT'S DOIN' ME GOOD

* I'M DARTIN' THROUGH THE TRAFFIC ALONE *

* AND DAMN THE SHADOWS CARVE THE STREETS THAT I ROAM *

* BEWITCHING IS THE NEED TO BE HELD *

* I TRY TO FIGHT IT BUT I'M UNDER THAT SPELL *

* KNEE DEEP IN SADNESS SOOT

* IT'S DOIN' ME GOOD

* EMBRACE THE SOLITUDE

* IT'S WELCOMING NONE

* FACE THE NIGHT AND ALL ITS FIREWORKS *

* WRAP YOURSELF UP IN THE SILENCE *

* BIRTH AND DREAMS OF LOVE UNEARTHED *

* A GOLDEN MIND WITH HIGHER SIGHTS *

* FACE THE NIGHT

* FACE THE NIGHT ALONE

* FACE THE NIGHT

* FACE THE NIGHT ALONE

** [ Humming ]

* I'M SWIMMIN' WITH THE WEIGHT OF MY HEART *

* UPSTREAM TO WHERE THE GREEN RIVER PARTS *

* AND TWO DIRECTIONS FORCE MY WILL TO DECIDE *

* SHOULD I DRIFT BEFORE I SWIM FOR MY LIFE *

* KNEE DEEP IN SADNESS SOOT

* WE'RE GATHERING RUST

* EMBRACE THE QUIET LOVE

* THAT'S WELCOMING US

* SHAKE LOOSE THE SADNESS

* SHAKE LOOSE THE SADNESS

* SHAKE LOOSE THE SADNESS

* SHAKE IT LOOSE, THE SADNESS

* SHAKE IT LOOSE SHAKE IT LOOSE, THE SADNESS *

* SHAKE IT LOOSE, SHAKE IT LOOSE THE SADNESS *

* SHAKE IT LOOSE, SHAKE IT LOOSE SHAKE IT LOOSE *

* SHAKE IT LOOSE, SHAKE IT LOOSE SHAKE IT LOOSE *

* SHAKE LOOSE THE SADNESS *