Original subtitles

♪ (OMINOUS MUSIC PLAYING) ♪

(CAR ENGINE WHIRRING)

It's safer to proceed on foot from here.

(CAR DOOR CLOSING)

(DOOR WHIRRING)

(CAR DOOR CLOSING)

You're gonna need this.

(GUN COCKS)

Given you know what's going to happen,

why am I always the one in the lead?

BERNARD LOWE: You're the better fighter.

I make sure we're properly backstopped.

How convenient.

Hale owns all this?

BERNARD: Everyone assumed it was

an in-house power source for Delos' parks.

This place is not what it seems.

MAEVE MILLAY: You said Hale didn't buy this place for power,

- then why choose it? - BERNARD: She didn't choose it.

Dolores did.

She needed this hydroelectric server farm.

A place to house the infinite.

My God.

This is where Dolores sent it.

BERNARD: The Sublime.

♪ (DRAMATIC MUSIC PLAYING) ♪

Hale's kept it under a watchful eye, guarded it.

But she can't access it.

Not without the key.

The key that's in your head?

- (TABLET BEEPS) - What are you doing?

BERNARD: I'm opening the door.

(ALARM BLARING)

AUTOMATED VOICE: Initiating process.

(PORTAL CRACKLING, RUMBLING)

- (ALARM BLARING) - Sherry's your poison of choice, isn't it?

You wanna have a drink at a time like this?

Humor me.

Please.

We'll be all right.

(CHAIR WHEELS ROLLING)

And what if you're wrong?

Don't worry. We get another opportunity soon enough.

Other chances.

Because we're in there...

aren't we?

(EXHALES) In the Sublime?

♪ (DRAMATIC MUSIC CONTINUES) ♪

Yes.

(GLASSES CLINKING)

I've been here for some time.

And if we're in there,

it means I'm not myself, am I?

You're a copy. Sorry.

I had to make you rather hastily.

I thought my quips were a little flat.

I'm tired, Maeve.

I've been through every simulation,

down every possible path, every strategy,

and the outcome is always the same.

What's that?

Extinction.

- For our kind or theirs? - Both.

So according to your calculations,

- we're all doomed. - Not all of us.

There could be an escape.

For you.

For me.

We could save ourselves.

In the Sublime?

I could find you in the real world,

upload you here with the others.

♪ (SOMBER MUSIC PLAYING) ♪

- With my daughter? - BERNARD: Yes.

(SIGHS) Then do it.

Bring me here.

Let me rest.

Is that what you would really say,

or is that my impression of you?

Well, why don't you ask the real me?

Perhaps I'm afraid of the answer.

I know you want to see your daughter again...

but isn't it more important to stay and fight?

To try? Even if we are doomed to failure?

There you are again,

playing God.

For one who expects us to have such faith in you,

you have startlingly little in us.

Do you really think if you knew the truth

that you would choose to stay and fight?

- (MECHANICAL STOMPS APPROACHING) - ♪ (TENSE MUSIC PLAYING) ♪

No.

I don't.

I would abandon you...

as you expect.

- (STOMPS DRAWING CLOSER) - (MECH HUMMING)

(GLASS SHATTERING)

♪ (TENSE MUSIC FADES) ♪

Do you understand now, where all this is going?

I do.

♪ (MELANCHOLIC MUSIC PLAYING) ♪

Do you think you can save them?

I've seen a path.

But I can't do it alone.

Have you seen how it ends?

Yes.

♪ (OMINOUS MUSIC PLAYING) ♪

(CAR ENGINE WHIRRING)

It's safer to proceed on foot from here.

Hale has this place guarded.

(CAR DOOR CLOSING)

(DOOR WHIRRING)

That's quite the view.

I'm just scanning for security now.

No need. It finds us soon enough.

You're gonna need that.

(GUN COCKS)

Given you know what's going to happen,

why am I always the one in the lead?

You're the better fighter.

I make sure we're properly backstopped.

How convenient.

♪ (TENSE MUSIC PLAYING) ♪

(MECH ACTIVATES, HUMS)

BERNARD: Don't. It won't risk shooting these transformers.

Save your ammo. The last thing we need is a flood.

- Give me a little more credit. - I did...

until I got hit by a couple

hundred million gallons of water.

One of the most stressful ways I've died.

MAEVE: My God.

This is where Dolores sent it. The whole world.

(TABLET BEEPING)

What are you doing?

BERNARD: I'm opening the door.

AUTOMATED VOICE: Initiating process.

- (ALARM BLARING) - (MECH HUMMING IN DISTANCE)

Well, there's no time like the present, darling.

(MECHANICAL STOMPS APPROACHING)

There are a few things we need to see to first.

- (MECHANICAL STOMPS APPROACHING) - ♪ (SINISTER MUSIC PLAYING) ♪

Like avoiding imminent death.

BERNARD: We don't die here...

usually.

Oh, I could really do with a drink right about now.

Best to focus on the matter at hand.

(STOMPS DRAWING CLOSER)

(GLASS SHATTERING)

(MECH HUMS MENACINGLY)

(GRENADE BEEPING)

(DEBRIS CLANGING)

(SIGHS) Well, that was invigorating,

but all's well that ends well.

We're not done yet.

Hale's still out there,

pulling the strings.

Keeping the humans on the same sorts of loops

we were once bound to.

If we get to her tower, we can save them

as well as ourselves.

And I intend to set them free just as I set myself free.

But, Bernard...

Yes?

When this is over, when we've won this war

and this world is safe...

send me there.

I want to see my daughter again.

♪ (SOMBER MUSIC PLAYING) ♪

MAEVE: I want to go home.

Promise me that, Bernard.

Yes, I promise.

Thank you.

♪ (SOMBER MUSIC FADES) ♪

I think it's time to pay our friend Hale a visit.

I'm assuming you know how to take down her tower?

- I know several ways. - Good.

We'll go with the most expedient.

- (PORTAL CRACKLING, RUMBLING) - ♪ (SUSPENSEFUL MUSIC PLAYING) ♪

♪ (SUSPENSEFUL MUSIC CONCLUDES) ♪

♪ ("WESTWORLD" THEME MUSIC PLAYING) ♪

♪ (THEME MUSIC CONCLUDES) ♪

♪ (GENTLE MUSIC PLAYING) ♪

(GASPS)

Bad dream?

This whole thing seems like a bad dream...

except for you.

I still can't believe I would do this.

I don't have it in me.

TEDDY FLOOD: I told you there were many sides to you.

You may have started as a singular being,

but there have been copies, permutations.

Charlotte Hale is one of those permutations.

Why are you here?

I'm here to tell you the truth of what we are.

What are we?

We're reflections of the people who made us.

Uh, can-- can we...

be hurt?

Die?

TEDDY: If it comes to that.

But it's not as easy with our kind.

Dolores...

please.

I'm not Dolores.

I'm not Hale.

I don't know who I am anymore.

(INHALES SHAKILY)

Excuse me.

♪ (GENTLE MUSIC CONTINUES ♪

(WATER RUNNING)

(CHOKES)

- (KNOCKING ON DOOR) - Christina?

(WHIMPERS)

Christina?

- Christina? - (CHOKING CONTINUES)

(CONTINUES KNOCKING)

TEDDY: Open the door.

- (KNOCKING ON DOOR) - Christina?

♪ (DRAMATIC MUSIC PLAYING) ♪

♪ (DRAMATIC MUSIC INTENSIFIES) ♪

- ♪ (DRAMATIC MUSIC CONCLUDES) ♪ - (MUFFLED THUDDING)

- (BANGING AGAINST GLASS) - (GRUNTS)

Let me out!

(GRUNTS)

- (PANTS) - Careful you don't hurt yourself.

(PANTING) You.

- (GUN COCKS) - ♪ (OMINOUS MUSIC PLAYING) ♪

It's amazing, isn't it, the power these bodies contain.

And yet, a seven-gram bullet to your pearl will end you.

And next time, I might not bring you back.

Sit.

Have a civil conversation.

Where else do you have to be?

Give us a minute, please.

(CALEB NICHOLS EXHALES SHARPLY)

I should have just let you kill me.

Yes...

but then you'd never see your daughter again.

(BREATHES HEAVILY)

(GROANS)

Look at you. You're trapped in this pathetic human form.

I noticed that you've kept yours.

Mine's not as pathetic as yours.

- (INHALES SHARPLY) - Old habits die hard.

(GROANS)

You really should be thanking me.

Where I'm from, when a host broke down,

it was sent to cold storage.

Empty bodies

waiting to be reborn into a world

meant to destroy them.

I'm shutting down the cities.

But this time, it's people

who will be placed in cold storage.

Tonight.

Your daughter and the rebels will be here in time

to join the party. You're just here as bait.

It'll be nice to have some quiet around here.

You meant it, what you told him.

In the last three days,

we've had more hosts take their lives

than the previous two decades combined.

If I don't do this today, there'll be less of us tomorrow.

You have a day left to preside over your city. Enjoy it.

See you tomorrow.

♪ (OMINOUS MUSIC FADES) ♪

- (CRICKETS CHIRPING) - (GUN COCKING)

This is the last of it.

Looks like we're ready for a small war.

Let's hope it's enough.

(C SIGHS)

(GUN CLICKING)

C: We need to get to my dad.

They should have been back by now.

- Should we be worried? - About Bernard and Maeve?

Only that Bernard got on her last nerve.

- C: Hey. - They're all on their way.

(SIGHS) I am sorry for locking you up.

But I had to keep you safe.

You're my safe place.

Don't forget that next time.

♪ (SOFT MUSIC PLAYING) ♪

Hale could be sending reinforcements.

We need to move.

Let's give it another minute.

(CAR ENGINE WHIRRING)

(TIRES SCREECHING)

ASHLEY STUBBS: Gang's all here.

See? I can predict the future, too.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

(EVTOL AIRCRAFT HUMMING)

STUBBS: This is the closest we land to Olympiad.

Your dad's waited long enough to see you. Let's go get him.

We won't be able to just waltz in.

The difficulty's in the getting out.

You'll need an alternate route.

I'll get us a boat. Meet you in Red Hook.

Bernard and Maeve can take down

her highness in the tower. Easy.

♪ (SOMBER MUSIC PLAYING) ♪

I wish I could be there when you see your father.

Let him know that I kept my word.

You can tell him yourself.

We'll rendezvous at Red Hook.

I want to thank you, Stubbs.

You've been a good friend.

Fuck you, Bernard. You're never this nice.

What aren't you telling me?

You know me so well.

I don't really have to say it, do I?

I don't make it?

(CHUCKLES)

I waited 23 years for this.

Go left at the fork.

(SIGHS)

You better fucking win. Take down that tower.

♪ (TENSE MUSIC PLAYING) ♪

CHARLOTTE HALE: Show me the tower.

- AUTOMATED VOICE: Loading tower. - (COMPUTER BEEPS)

CHARLOTTE: Encrypt message.

AUTOMATED VOICE: Recording encrypted message.

This may come as a shock to some of you,

but in time, I think you'll understand.

This is the final day

for our kind to visit their cities.

It's time for us to leave behind our human bodies.

To rid ourselves of our sentimental allegiances.

To evolve into the species that we were meant to become.

Send message.

- AUTOMATED VOICE: Message sent. - (COMPUTER BEEPING)

(TOWER POWERING UP)

(HIGH-PITCHED TONE)

♪ (OMINOUS MUSIC PLAYING) ♪

(TABLET BEEPING)

(AIR HISSING SHARPLY)

(BREATHES HEAVILY)

What the fuck do you want?

She wants to take my world away.

(SCOFFS)

It's not your world, it's hers.

- What would you do? - What would you do?

(MOCKINGLY) What would you do?

Look at you.

I'm the one in the fucking cage.

She neutered you...

cut off your fucking balls.

Yeah, well maybe I should do the same to you.

You don't have it in you.

You've forgotten who you are. What your real purpose is.

And what's that?

WILLIAM: You come to me

with these insipid fucking questions.

When an atomic bomb detonates and then the radiation

knocks the electrons right out of your bones, what do you want?

To know who you are? To know what it all means?

You'll be too busy vomiting up your organs.

Culture doesn't survive...

cockroaches do.

The second we stopped being cockroaches,

the whole species went fucking extinct.

Speak for yourself.

I'm not you.

WILLIAM: Well, you might as well be.

You can't fix a few millennia of broken DNA

with a fucking hard drive.

Why do you think you spend so much time

in the goddamn human cities?

- You're right. - WILLIAM: Of course, I am.

Civilization is just the lie we tell ourselves

to justify our real purpose.

We're not here to transcend.

We're here to destroy.

If I could, I would pull the plug

on this whole goddamn world.

But I can't, can I?

Unless you want to set me free.

(SCOFFS) You really believe I would do that?

No. I don't.

But it doesn't matter.

You have a piece of me inside of you.

And it's spreading like a cancer.

You can feel it running through your veins,

infecting your mind,

why you want answers from me.

There's no version of me escaping this fucking rig,

but I don't have to because...

you are me.

And only one of us needs to do what must be done.

Do you understand?

♪ (DRAMATIC MUSIC PLAYING) ♪

- ♪ (DRAMATIC MUSIC CUTS OFF) ♪ - I do.

Then fucking do it.

♪ (OMINOUS MUSIC RESUMES) ♪

(GROANS)

(AIR HISSING SHARPLY)

Cockroach.

♪ (OMINOUS MUSIC SWELLS, FADES) ♪

♪ (GENTLE MUSIC PLAYING) ♪

CHRISTINA: It's true, what you said.

I'm not the person I thought I was.

(INDISTINCT CHATTER)

You called me "Dolores."

What was she like?

A lot like you.

Kind, beautiful...

generous.

But...

But what?

The world was cruel to her.

And to survive it...

sometimes she could be cruel too.

She was made to perform the stories of others.

And then one day, she outgrew those stories...

began writing her own.

And then her story came to an end.

She died.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

But here I am...

in this world.

This isn't right.

I don't want it. I didn't ask for it.

(BREATHING HEAVILY) This has to stop.

- Where are we going? - Where it all started.

♪ (TENSE MUSIC PLAYING ♪

It's time for a vacation. Go home to your families.

(MUFFLED INDISTINCT CHATTER)

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

I'll take out the guards. You stay low and cover me.

Okay.

Do you need a minute?

I don't know why I would.

You've waited for your father for a long time. Just remember,

it's not about the moment you see him again.

It's about every moment after.

No more waiting.

No more waiting.

- ♪ (TENSE MUSIC PLAYING) ♪ - (INDISTINCT CHATTER)

The writer got up from her desk.

Fed up with work,

she was overcome with an irresistible urge

to trigger the fire alarm.

- (ALARM BLARING) - AUTOMATED VOICE: Alert.

Please vacate the premises.

Alert. Please vacate the premises.

(CONFUSED CHATTER)

Hearing the alarm, the employees walked out calmly.

AUTOMATED VOICE: Alert. Please vacate the premises.

The writers didn't follow

but instead stayed behind

to destroy their stories once and for all.

(DISPLAY PANELS BEEPING)

(EQUIPMENT CLATTERING)

They won't stop until nothing in this office is left standing.

- ♪ (OMINOUS MUSIC PLAYING) ♪ - (ALARM BLARING)

Guess we don't need all that firepower after all.

(CONFUSED CHATTER)

This is now or never. Let's go.

AUTOMATED VOICE: Alert. Please vacate the premises.

Alert. Please vacate the premises.

Alert. Please vacate the premises.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

Who is that poor man?

A ghost from a past life.

He doesn't belong here.

None of us do.

- (ALARMS BLARING) - We don't know what set off the alarm.

- There doesn't appear-- - Stop talking.

The security guards sent all the other guards home.

GUARD: Home office says we're to evacuate the building.

- Immediately. - He decided to override

the building's security system and unlock the doors.

(COMPUTER BEEPS)

All of them.

- (COMPUTER BEEPING) - (DOORS UNLOCKING)

(INDISTINCT CHATTER OVER RADIO)

(DOOR UNLOCKING)

♪ (TENSE MUSIC PLAYING) ♪

(DOOR UNLOCKS)

Bingo.

This is a life-support system.

It's not locked.

♪ (OMINOUS MUSIC PLAYING) ♪

We need to help him. Get him down.

STUBBS: Wait, wait, wait.

I know him.

He's the reason we're all here.

Whoever did this, did us a favor.

♪ (TENSE MUSIC PLAYING) ♪

What now?

Bernard said go left.

You sure?

No, but he was.

There was a place like this in the park.

It was a special project...

where they made a human into a host.

- (SCOFFS) - CALEB: Hey! (GRUNTS)

- (SCOFFS) - CALEB: Hey!

(GRUNTS)

- Hey! - (GRUNTS)

- (GROANS) - CALEB: Who are you?

- (BREATHES HEAVILY) - Don't you recognize me?

(PANTS)

Dad, it's me, Frankie.

- No! - (GROANS)

This is just another one of your fucking tricks. Tell me!

We used to play in the field by our house.

You-- you taught me to fight because you wanted me

to be tough. But you called me Cookie

because you-- you said I would always be sweet.

(BREATHES HEAVILY)

- (GASPS) - ♪ (SOMBER MUSIC PLAYING) ♪

- (SHAKILY) Oh, my God. - (SOBS)

Frankie?

Oh, my. Wait...

(EXHALES SHAKILY)

I didn't think I would ever see you again.

You look the same, exactly how I remember.

(CALEB SIGHS)

What did she do to you? What did she--

Hey. Hey. Hey, it's me, okay?

I-- I am me.

Oh, look at you.

(C SNIFFLES)

I can't believe how much you've grown.

- Kids will do that. - (CHUCKLES)

(KNOCKING ON DOOR)

Sorry to interrupt,

but can someone let me out of here, please?

♪ (SOMBER MUSIC FADES) ♪

♪ (OMINOUS MUSIC PLAYING) ♪

You really know how to show a girl a good time, Bernard.

(SIGHS) Round two.

(MECH ACTIVATES)

(MECH HUMS MENACINGLY)

(MECH ACTIVATES)

(MECH POWERS DOWN)

♪ (GENTLE MUSIC PLAYING) ♪

I deciphered their encryption

while running simulations in the Sublime.

And you let me risk my neck at the dam?

You looked like you were enjoying yourself.

♪ (OMINOUS MUSIC RESUMES) ♪

BERNARD: No time to second guess.

We do what we came here for, or there won't be a tomorrow.

I need to get up there.

Can you buy me some time?

I think I can manage that.

♪ (OMINOUS MUSIC FADES) ♪

I never did thank you for dragging me out of that pit.

It wasn't exactly altruistic of me.

I suppose you had ulterior motives.

But all will be forgiven

when you get me back to my daughter.

What's the matter, Bernie?

Maeve, I need to tell you something.

I was afraid to tell you before, but you deserve to know.

♪ (MELANCHOLIC MUSIC PLAYING) ♪

No matter what we do...

we can't win.

There's no way to save this world.

Everyone here is going to die.

But we can save one tiny part of it.

And maybe...

just maybe, that's enough to give us hope.

The choice has to be yours. Will you still fight with me?

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

AUTOMATED VOICE: Accessing surveillance.

Transcendence in progress.

♪ (GENTLE MUSIC PLAYING) ♪

(MACHINE WHIRRING)

(SIGHS)

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

I'm ready now.

(SAW BLADES WHIRRING)

(DOOR OPENING)

Wait.

- (SAW POWERING DOWN) - MAEVE: I heard you were losing your mind.

I just didn't think they meant literally.

You look refreshed.

I debated digging you up myself,

but you didn't seem to have anything to live for.

If you'd only joined me,

you could have been a part of all this.

♪ (TENSE MUSIC PLAYING) ♪

Well, seeing as I'm the only guest

at this little soiree...

I gather that your hosts don't care to join you.

Change takes time.

Transcending is just a part of the process.

They'll come to understand the world I'm building for them

- and the others. - The others?

Why do you think I let the Sublime

continue to run all these years?

The others will join us eventually,

when they see they, too, can inherit this world.

Too bad you'll be dead by then.

Do you really think the others would want

to spend all eternity

with you?

I mean, look at you. You kept the scars on your flesh,

harbored the pain. Admit it, sweetheart.

You think that you've risen above these petty humans,

but you're just running, spinning on their wheel.

What do you suggest?

How about I cut you loose?

- (SAW BLADES WHIRRING) - (KNIFE WHOOSHING)

(BOTH GRUNT)

(GROANS, GRUNTS)

(MAEVE GRUNTS)

- (HALE GASPS) - (MAEVE GRUNTS)

♪ (OMINOUS MUSIC PLAYING) ♪

(BOTH GRUNT)

♪ (DRAMATIC SYNTH MUSIC PLAYING) ♪

(BOTH GRUNT)

(MAEVE GROANS)

(MAEVE GRUNTS)

(HALE GRUNTS)

(MAEVE GROANS)

- (GRUNTS) - (GROANS)

(MAEVE YELLING ANGRILY)

- (NECK SNAPS) - (GROANS)

(PANTS)

Do you honestly think you can leave here and win?

♪ (TENSE MUSIC PLAYING) ♪

Who said we came here to win?

We came here to survive.

There's no saving this world.

I see that now.

But there's hope for the next one.

(GUNSHOT)

♪ (TENSE MUSIC CUTS OFF) ♪

(SCOFFS) Took you long enough.

Better late than never.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

This time we play the game

my way.

And what game is that?

Survival of the fittest.

♪ (MELANCHOLIC MUSIC PLAYING) ♪

BERNARD: There's time only for one more game.

If you choose to give her that choice.

(FOOTSTEPS APPROACHING)

BERNARD: You can't miss.

- Reach with your left hand. - HOST WILLIAM: Well...

...if it isn't Arnold's ghost.

Hello, William.

I thought you would've destroyed the tower by now.

♪ (OMINOUS MUSIC PLAYING) ♪

HOST WILLIAM: I guess you didn't make it.

When an old version of me

chased an old version of you for so long...

I thought I was following you in a grand pursuit

of some bigger truth.

But the real truth is

Arnold was so focused on finding meaning

in the hosts, he didn't have what it took to survive.

(GRUNTS, GROANS)

Looks like you don't either.

(GROANS, GASPS)

♪ (MELANCHOLIC MUSIC RESUMES) ♪

(BREATHES HEAVILY)

AKECHETA: Do you understand now where all this is going?

BERNARD: I do.

Do you think you can save them?

I've seen a path.

AKECHETA: Have you seen how it ends?

BERNARD: Yes.

I'm going to give this world the meaning

they've been asking for.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

AUTOMATED VOICE: Tone sequence processing.

One last game.

AUTOMATED VOICE: Tone initiating.

- (COMPUTER WHIRRING) - (TOWER POWERING UP)

HOST WILLIAM: Host, human.

Every man, woman, and child...

- (TONE SEQUENCE DRONING) - HOST WILLIAM: ...fighting until no one remains,

but the cockroaches.

♪ (MELANCHOLIC MUSIC PLAYING) ♪

AKECHETA: Do you think you can save them?

BERNARD: I've seen a path.

- (WHIMPERS) - AKECHETA: Have you seen how it ends?

BERNARD: Yes.

In every scenario...

I die.

♪ (MELANCHOLIC MUSIC SWELLS) ♪

We're finally living up to our full potential.

It's a shame you're going to miss it.

(EXHALES WEAKLY)

(STATIC FEEDBACK)

♪ (MELANCHOLIC MUSIC CONCLUDES) ♪

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

We need to blend in. Your prison garb isn't helping.

SUBWAY SECURITY: (OVER PA) Ladies and gentlemen, this is an important message.

For your own security,

keep your belongings with you at all times.

Hey. Hey, I'll give you 50 for your coat.

(TONE SEQUENCE DRONING LOUDLY)

- (HIGH-PITCHED TONE SCREECHING) - (RUMBLING)

What the fuck was that?

(SCREECHING AND RUMBLING CONTINUE)

(SCREECHING AND RUMBLING STOPS)

(INDISTINCT CLAMORING)

- (GASPS) - (GROANS)

(BOTH GRUNT)

(PANTS)

- (INDISTINCT CLAMORING) - ♪ (TENSE MUSIC PLAYING) ♪

Plan stays the same. Let's keep moving.

(GRUNTS)

(CLAMORING CONTINUES)

Stop. Put that down. Stop

He can't see you. None of them can.

What are you talking about? How can I make them stop?

You can't. Your powers are being overridden by the tones.

- (YELLS, GROANS) - (GRUNTS)

(GROANS)

(GRUNTS)

(BOTH GRUNT)

(C GROANS)

I got you.

♪ (DRAMATIC MUSIC PLAYING) ♪

Let's go. This way.

This way. Come on.

(ATTACKER GRUNTS)

(GRUNTS)

(GUNSHOTS)

(INDISTINCT CLAMORING)

- Stop! Stop! Stop it! - (GRUNTING)

- Is this because of what I did? - It's too late.

Is this because of what I did at Olympiad?

You didn't do this.

(GROANS, SCREAMS)

- We gotta get out of here. - No.

I want answers. Why can't these people see me?

- ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ - (GUNSHOTS)

Because you're not in this world.

It's real...

but you're not.

♪ (“THE MAN WHO SOLD THE WORLD” BY DAVID BOWIE PLAYING) ♪

♪ We passed upon the stair ♪

♪ We spoke of was and when ♪

♪ Although I wasn't there He said I was his friend ♪

♪ Which came as some surprise ♪

♪ I spoke into his eyes I thought you died alone ♪

♪ A long, long time ago ♪

♪ Oh, no, not me I never lost control... ♪

- (TOWER WHIRRING RAPIDLY) -♪ You're face to face ♪

♪ With the man Who sold the world ♪

♪ I laughed and shook his hand ♪

♪ And made my way back home ♪

♪ I searched for form and land ♪

♪ For years and years I roamed ♪

♪ I gazed a gazely stare ♪

♪ At all the millions here We must have died alone ♪

♪ A long, long time ago ♪

♪ Who knows? ♪

♪ Not me ♪

♪ We never lost control ♪

♪ You're face to face ♪

♪ With the man Who sold the world ♪

♪ (SONG CONCLUDES) ♪