Original subtitles

[scrolling through radio channels]

- ♪ How much do I love you? ♪

♪ I'll tell you no lie ♪

♪ How deep is the ocean? ♪

♪ How high is the sky? ♪

♪ How many times a day ♪

♪ Do I think of you? ♪

♪ How many roses are sprinkled with dew? ♪

♪ How far will I travel ♪

♪ To be where you are? ♪

♪ How far is the journey ♪

♪ From here to a star? ♪

♪ And if I ever lost you ♪

♪ How much would I cry? ♪

♪ How deep is the ocean? ♪

- I don't know who you been talking to,

but they got this all wrong.

These rumors got everything twisted.

- Now, Cleavon Kendrick, he got it twisted up, too?

'Cause he ain't never missed a bet on numbers day--

not till you pulled your little disappearing act.

- Now, Sax, listen--

- Like clockwork, every week,

old Cleavon bets half his paycheck

on his mama's birthday--

nine, one, eight.

But now my word from the bird is Virgil Hayes' days

of running numbers are over.

- Well, now, see, that's just the grapevine

trying to rattle your cage--

- Half my goddamn regulars

think they can't come to your store

and put their bets in no more.

Now that fucks with my bottom line.

- See, the cops are sniffing around.

They're arresting runners and stealing payouts.

- You think I don't know

this is about more than just the heat?

- People are losing their money.

They're losing their houses,

getting their heads cracked open

when they can't get you the money.

Now, come on, Sax, that's too much.

- I helped you make payments on this store

when the bank was gonna rip it from under you.

- Sax-- - You move when I say.

[loud clattering]

- Sorry, Daddy.

- Is this your little crumb snatcher?

Hi.

You're looking just as pretty as your mama.

- Say thank you to Mr. Saxon.

- Thank you, Mr. Saxon.

- Yeah.

I'll see you tomorrow.

Word will be out that we're still in business.

You my man?

- I'm your man.

- Right on.

[door bell rings]

[door shuts]

- Who was that?

- Nobody for you to be worried about.

- ♪ To be where you are? ♪

♪ How far is the journey--♪

- Got something for you.

- It's so pretty.

- Open it.

- ♪ How much would I cry? ♪

♪ How deep is the ocean ♪

- So you'll always have me with you.

- Thank you, Daddy.

- ♪ How much would I cry? ♪

♪ How high is the sky? ♪

[chains rattling]

[ominous music]

♪ ♪

- Rise and shine, puddin' pie.

- Why am I here?

It's--what--what is it?

What's going on?

- A little Q&A, just you and me.

- Does your boss know about this huge mistake

you're making?

- Me?

You're the one who fucked up.

Ain't that right, Agent Hayes?

- I don't know what you're talking about.

- I knew something was wrong about you

from the fucking beginning.

But you were smart, I'll give you that.

Wrapped the boss around your fingers,

the boy, too--the whole damn clan, but not me.

Never me.

So then--

[chair slams]

How long you been working with Jim Ellis?

- Mr. Saxton introduced us the other night.

- Shut up!

Stop.

You two been scheming for a while.

Is Jim the only rat, or did you manage to flip somebody else?

- I don't know what you're talking about.

- [sighs]

[sniffs]

[chair crashes]

You're gonna fucking love this.

[laughs]

- No.

No!

- Yes!

- No! No.

No, no.

- Here we go.

Yeah!

♪ ♪

[upbeat music]

♪ ♪

- Mija,

no more adventures like that.

Do you hear me?

- Yes, Mommy.

- OK.

OK.

Go fix yourself some breakfast, all right?

- Mm-hmm.

- Oh, my gosh.

I feel like I lost five years of my life

when I couldn't find her.

- This will put those five years back.

- Jim, I don't want your money.

- Oh, this is better than money.

- [chuckles] Wow.

Where did these come from?

- The real question is, what's Temple willing to do

so his wife never sees them?

[laughs]

- Look at you, bringing Christmas in July.

- Ho, ho, ho.

- Thank you.

[light music]

♪ ♪

[door shuts]

- Everything groovy?

- Yeah, the grooviest, actually.

Jim was just giving us what we need to leverage Temple.

- Oh.

- I helped, too.

- Wait, what? What does she mean?

- Peanut was your biggest cheerleader.

She helped convince Sax to give you those.

- I tell you, sometimes I wish my line of work

involved extortion and bribery.

- I can introduce you to some people.

[laughter]

- Actually, I met someone you work with--

a bald guy, mustache.

- Who, Billy? - Maybe.

I didn't really get his name.

But he was an intense fella.

- Yeah, that's Billy. Where'd you meet him?

- Well, we have this patient--

police officer, just woke up from a coma.

The nurses said that he's been demanding

to speak to Ezra Saxton.

That's your boss, right?

- You're telling me Groomes woke up?

- Look, relax. If there's one thing we learned

about Agent Hayes, whatever you expect of her,

she's doing the opposite.

- Sir, this isn't like her to not show up in the office.

- Right, but it's only been two hours.

Let's--

she's probably out there doing, I don't know,

getting her hair teased out or something.

- What?

- I don't know what the fuck they do.

[knock on door]

- Awan, I've got Jim Ellis on line six.

He says it's an emergency.

[dramatic music]

- Agent Bitsui.

- This Nina's partner?

- Uh, yes, sir, it is.

- Listen up. Nina's cover's blown.

Mine is, too.

Secretary said she's not in the office.

That right?

- Yes, she's gone missing.

- Well, that ain't no coincidence.

Billy Mahoney-- Saxton's muscle--

he's been suspicious of Nina from the jump.

Wherever she is, he took her there.

- Well, we'll put out an APB.

- That's why I'm calling.

You do that, it gets back to Sax, she's dead.

I need you to do nothing.

Any wrong move from your office, they'll take her out.

You get it? - Yeah, I get it.

- Good.

♪ ♪

[engine rumbling]

- Saxton's guys took her.

Ellis says that anything we do could get her killed.

[Marvin Gaye, "Trouble Man"]

♪ ♪

- ♪ I come up hard, baby ♪

♪ But that's OK ♪

♪ 'Cause trouble man don't get in my way ♪

♪ I come up hard, baby ♪

♪ I been for real, baby ♪

♪ ♪

♪ Gonna keep moving ♪

♪ Gonna roll to town ♪

♪ I come up hard ♪

♪ ♪

- Boss man.

- What the fuck is the emergency?

- Our interpreter's a fucking Fed.

- Nina St. James.

You picked that last name out of a magazine?

- Phone book. - And for what?

To get a pat on the head from the fucking government

for taking another brother down?

- You still don't know who I am, do you?

Let me help you.

Check my locket.

[tense music]

♪ ♪

Virgil Randolph Hayes,

son of South Philly,

husband to Audrey,

father to Nina,

and you fucking killed him.

♪ ♪

Glad you didn't deny it,

or I would have--

I would have lost my shit.

- How old were you back then,

five?

You don't know shit about what went down

between me and your pop.

- I know that one day he got in his car

and it blew up, just like you promised it would

if he stopped working for you!

- You were at my house.

You've eaten my food.

If this was about revenge, you could have killed me anytime.

- This is about justice.

You're gonna rot in prison

for what's left of your sorry fucking life.

- You I can understand,

but Jimmy.

- Jim has nothing to do with this.

- And not just Jimmy--

his father, too.

You're gonna pay.

- You're gonna send your caveman back in here

to do your dirty work?

At least be man enough to do it yourself.

Take me to an empty grave.

Bury me alive.

Let's--let's go!

- You move

when I say.

[tense music]

♪ ♪

- What the fuck is this?

- Well, I'll tell you who it isn't--

Mrs. Temple.

- Who's seen these?

- Just me, and a couple of others you'll never know.

Should we call her?

- She's never seeing these.

- Oh, knock yourself out.

There are copies, sealed in envelopes,

addressed to every newspaper in the state,

waiting to hit the mailbox if anything happens to me,

or if you don't play ball.

So how do you want to play this, Bob--

private,

or very fucking public?

- To make it in South Philly after the war,

you had to have guts and drive.

Your father had both.

- He was a good man.

- Well, not perfect.

- [chuckles]

Well, a better man than you.

- Well, he wasn't above stabbing a friend in the back.

And I got the scars in mine to prove it.

- Wanting out of a criminal life that you forced him into

was not a betrayal.

- But being an informant was.

- Your mind games aren't gonna work on me.

- Virgil was working with the Philadelphia Police Department.

- [laughs]

- That's why I killed him.

He was feeding them info about the numbers game--

not only at his store,

but in every one that I had control over.

- You're a liar.

You just want to justify killing a man

and destroying his family for greed,

for vanity, just so you could be king shit

in the neighborhood.

- Well, two things can be true at once.

- I'm telling you, fondue topped itself.

- Man, all that cheese cannot be good for you.

- Fuck cheese.

I'm talking about chocolate fondue.

[tense music]

♪ ♪

- Fucking fuck!

♪ ♪

- Let me tell you some real truths.

The FBI knows all about my undercover op.

They know all about your deal with the Russians.

They've been waiting for an opportunity

to take your sorry ass down.

So this time, you fucked with the wrong Hayes.

Whether you kill me or let me go,

you're done.

- Jim's here!

- Jim.

[chains rattling]

Fuck.

♪ ♪

[vehicle approaching]

- Hands on the car, asshole,

or I'll use your face to stop a bullet.

- Hey there, Billy.

Easy, I'm clean.

- Like I'd fucking trust you.

- No wires, no weapons.

I'm here to talk to Sax.

- I said shut the fuck up!

Benedict fucking Arnold.

- Billy, that's enough!

Let's handle this inside.

- Sax, you got to hear me out.

I know I fucked up. - Boss, come on.

Let me shoot him, just in the leg or something.

- Shut the fuck up, Billy.

I want to hear what Jim has to say.

- It ain't pretty,

but some evidence came my way from the Feds

about when Joey died--

that it wasn't an accident.

That there was C-4 in the blast--

the kind only Paris Guildford could get,

so they believe--

- You mean she believes.

What?

That I killed your brother?

- First I was trying to prove you didn't.

But then shit started pointing your way.

It was the last fucking thing I wanted to be true,

so I kept digging.

That's when this whole thing spun out of control.

- Who else you been turning?

I want to know who else is working with the Feds.

- No one. Just me, I swear.

- He's lying.

Look at his face. Look at his feet.

Every part of him is lying.

- What the hell are you doing here?

You knew the moment you rolled up here

there'd be a gun in your face,

that I could kill you on the spot.

- I figured that might be your angle,

which is why I went to see my pop.

- The old man is burned.

He was helping the Fed, too.

What'd you think, he'd have some trick up his sleeve

that would make me spare you?

- Yeah, maybe.

He went to go see Genesis.

[tense music]

- Hm.

♪ ♪

- You know, you never come by like you used to.

- Well, Charlotte keeps me pretty busy these days.

- Mm-hmm, I've heard.

[laughter]

- I'm glad I knocked.

Place looked closed.

- Well, for you, I'm always open.

- What's that?

- It's a new business proposal I'm working on for Daddy.

- Huh.

- Yeah, I talked to his new interpreter yesterday,

and I got inspired.

I want him to take me seriously as a business woman.

- I always loved your ambition.

Let's drink to that.

Two more rum and Cokes.

- You know, I got the perfect bottle for this,

straight from Havana.

- Beautiful, brilliant,

and a refined palate.

You're the whole package.

- I'm so glad you stopped by.

[soul music playing]

♪ ♪

[tense music]

♪ ♪

- Behind her.

- What, no chair?

- [groans] - Yeah.

- Fuck.

- No fucking chair.

- [grunts]

Ow.

- You know what to do.

Come on.

[tense music]

♪ ♪

- You OK? - [sighs]

Long as I don't inhale.

Might have broke a rib.

- What the hell are you doing here, Jim?

I worked my ass off trying to keep you out of it,

and you just waltz in here and fuck it up.

- I'm sorry I messed up your lies about all my lies

about all your lies.

- Jim. - Come on, Baltimore.

You know I couldn't just leave you hanging.

♪ ♪

- You know, I would love to be drinking

these on the beach in Cuba.

- Here's to that, then.

- [laughs] [telephone rings]

One second.

Azure Lounge. - Hey.

- Hey, Daddy. What's up?

- Can't I see how my favorite daughter's doing?

- Only daughter, but OK, I'll take it.

It's good timing. Guess who's here?

Wade stopped by.

You should come over and have drinks like old times.

- Ah. [chuckles]

Listen, I--

I'm a little busy right now, Rabbit.

But put Wade on the horn, would you?

- Wants to say hi.

- Oh.

Sax, my brother.

- '66 Reno split, huh?

I can't believe you dusted off that old relic.

- I can't believe you remembered.

- Those card shark fuckers had us by the short hairs.

You and your .45 got us out of there with our money

and our balls intact.

- We always were a good team.

- After all we've been through--

Reno, Vegas,

Las Cruces--

hell, Mount Suribachi.

Who'd have thought we'd end up like this?

- Things we do for our kids.

- Well, you'd be surprised.

- Jimmy is supposed to call me by 5:00 today.

You do us all a favor,

make sure he makes that call.

[somber music]

♪ ♪

[telephone ringing]

- Yeah. - Ezra Saxton.

- Sax, good to hear your voice.

How you been, friend?

- Got a big fucking problem.

An FBI agent, name's Nina Hayes.

I've got her in custody.

- No shit. - Look,

I can't have a Fed's blood on my hands.

I need a fix, and I need it now.

You my man?

- I'm your man.

Call you right back.

[beeping]

- That was fast.

- Ez, that you?

- Howard? - Just found out

a hell of a thing happened after you left.

The package with the tape was intercepted.

- Intercepted?

By who?

- My men were ambushed by emissaries

of an associate of yours.

Goes by the name Greek Sal.

♪ ♪

- Tell me what happened.

- Awan, hey, I have an update for you.

I got Cyrus Baker's phone records--

- The radio signal guy? - Mm-hmm.

- He practically blew up his house trying to kill me

and Nina, so he's literally a dead end.

- Maybe, but who he was talking to

before that happened isn't.

Look how many times he called the Bellamy Hotel in DC.

- We need to cross-check who was at the hotel

when these calls were made.

- I already talked to the hotel manager.

They sent me a list of guests for all of those dates.

- It's got to be connected to Xavier.

He's behind everything else.

[telephone ringing]

- Agent Grant.

- Newsflash.

I need you at the end of Route 37

at 2:00 PM sharp.

They're dropping off Hayes.

Take care of her.

Make sure it's clean.

- Done.

[tense music]

♪ ♪

- Only one of my boys made it out alive.

He ID'd one of Sal's ruffians as the triggerman.

Seems your little turf wars upended our grand scheme.

The tape never made it to Xavier.

And now the most important goddamn recording

in the history of history is in the fucking wind.

- I'll get the tape back, Howard.

- Good. It'd be a shame,

after all I've invested in you

and this little adventure of ours,

to have to call in my marker.

So you handle it, Ez.

You hear me?

Handle it well and handle it soon!

[beeping]

- Howard?

- No, but your problem's solved.

Have Hayes dropped at the end of Route 37

by 2:00 PM.

You'll never hear from her again.

- Good.

- And Xavier sends his regards.

- You give him my best.

♪ ♪

[dialing]

[Greek music]

♪ ♪

- I'm fucking eating.

- Got Ezra Saxton.

♪ ♪

- Sax.

- I know you have my tape, Sal.

- Your tape?

[chuckles] No, it's my tape now.

Listen, I'm not a big music guy,

but I was thinking about getting myself a reel to reel

so I can check it out.

- I'm gonna need that tape back.

- Well, that's highly fucking unlikely.

- We had a truce, Sal.

You broke it.

- That asshole Jim Ellis and your daughter

started this shit.

- Our war is an occupational hazard.

Now, I'm calling with an offer I think you'll appreciate.

You give me what I want, I'll give you what you want.

- And what's that?

- That asshole Jim Ellis.

I get the tape back, I hand him over.

No questions, no strings.

Hm?

- Here's another guest from DC.

[tense music]

♪ ♪

- What is it?

- Trust no one.

♪ ♪

Especially him.

♪ ♪

[chains rattling]

- Fuck!

- What happened to your confidence

in your father's Hail Mary?

- Just 'cause I still think we got a shot

doesn't mean I like being fucking handcuffed.

- Well, you didn't have to help me.

But I'm--

but I'm glad you did.

Thank you.

[loud tapping]

- Hey, traitors.

Play time's over.

[tense music]

♪ ♪

- Now what?

- Get in.

- Where are you taking us?

- You're both about to have your own bespoke adventure.

- I said get the fuck in.

- Don't fucking touch her.

[grunts] - What's up?

Huh? - Stop!

Leave him alone!

- Back off! - Ah.

OK.

You get in first, fuckwad.

- Uh!

♪ ♪

- Come on.

- [groans] - All right, get in.

- Now you.

♪ ♪

- [groans]

- Keys?

- Left pocket.

♪ ♪

- End of Route 37, yeah?

- Yeah.

Call Lyle, Royce, and the others.

Tell everyone the Greek Sal meeting is on.

Circle up at the Providence Railyard,

4:00 sharp. - You got it, boss man.

Sure I can't finish her off?

I'll do this one for fun.

- Not a Fed.

Just stick with the plan.

[The Undisputed Truth, "Smiling Faces Sometimes"]

♪ ♪

- ♪ Smiling faces

♪ Sometimes pretend to be your friend ♪

♪ Smiling faces ♪

♪ Show no trace of ♪

♪ Of the evil that lurks within ♪

- ♪ Can you dig it? ♪

- ♪ Smiling faces ♪

♪ Smiling faces sometimes ♪

♪ They don't tell the truth ♪

♪ Smiling faces ♪

♪ Smiling faces tell lies ♪

♪ And I've got proof ♪

♪ Oh, Lord, yeah ♪

♪ ♪

- Now get the fuck out.

See? The opposite of last time.

- [grunts]

♪ ♪

Cooperate with me, and I can help you.

- Save your fucking breath.

♪ ♪

For the cuffs!

Oh, no.

Ya!

Whoo!

It's been fun.

Have a nice life.

- ♪ So hear me when I'm saying ♪

♪ Smiling faces ♪

♪ Smiling faces sometimes ♪

♪ Yeah, they don't tell the truth ♪

♪ Smiling faces, smiling faces tell lies ♪

♪ And I've got proof ♪

- ♪ Beware ♪

♪ Beware of the handshake ♪

♪ Behind the flame ♪

♪ Can you dig it? ♪

- ♪ I'm telling you ♪ - ♪ Beware ♪

♪ Beware of the pat on the back ♪

♪ It just might hold you back ♪

♪ Jealousy ♪ - ♪ Jealousy ♪

- ♪ Misery ♪ - ♪ Misery ♪

- ♪ Envy ♪ - ♪ Envy ♪

- ♪ I tell you, you can't see behind ♪

♪ Smiling faces, smiling faces sometimes ♪

♪ Hey, they don't tell the truth ♪

♪ Smiling faces ♪

♪ Smiling faces tell lies ♪

[music stops]

- Get up.

Come on.

[tense music]

♪ ♪

- What is this?

- The enemy of my enemy solves all of my problems.

- You're giving me to Greek Sal,

which means you're letting Genesis die.

- Wade was a lot of things,

but a cold-blooded murderer was never one of them.

He's not gonna harm my girl.

- You really taking that risk?

Because that's a chess move you can't take back.

- Some plans require risk,

and sacrifice.

- Yeah, Joey learned that lesson, too.

- I didn't kill your brother.

Whether you believe it or not, it's the truth.

But you,

you made your choice.

- Oh, oh, oh. Ah!

Yes! Yes! Yes!

Oh, fuck!

Fuck!

Ah!

[car approaching]

What?

Ah!

♪ ♪

- Hayes.

- Grant.

- Got yourself into some trouble, huh?

- Yes, I guess I did.

- I tried to warn you.

I gave you every--

every chance.

- Don't! [gunshot]

[tense music]

♪ ♪

♪ ♪

- Hayes!

Where the fuck are you?

♪ ♪

[singsong] Hayesy.

[whistles]

Come on, Hayes.

♪ ♪

You never should have come to Phoenix, Hayes!

♪ ♪

There's no place for you here!

♪ ♪

There's only one way this is gonna go, Hayes!

It's just you and me out here.

♪ ♪

I'm gonna find you, Hayes!

- [grunts]

♪ ♪

- Ah!

[grunts]

♪ ♪

- [shouts]

♪ ♪

[cocks gun] - No!

[gunshot]

How did you find me?

- I followed Grant.

I knew we couldn't trust him, like Breen said.

- [chuckles]

- We're partners.

- [sobs]

Thanks, partner.

[somber music]

[sobs]

♪ ♪

Um, OK, can you--

can you deal with him? 'Cause I got to get to Jim.

- You should get to a hospital.

- He's in trouble. - Yeah, go.

I've got this.

[engine revs]

[tense music]

♪ ♪

- Stay here.

Come on.

- I need you to know the whole truth about what happened.

- Well, you better spill it quick.

- It was 'cause I thought you killed Joey,

but that wasn't the only reason.

Nina put the squeeze on me

when she found out about my daughter.

- You don't have a kid.

Oh, shit, Luna.

- I want to keep all the bad shit I've done

away from her as long as I can.

She's still my little girl.

The thought of never seeing her grow up...

it tore me apart.

I was always focused on this job,

doing it for you.

I lost my way.

You might have, too.

- Hm.

- Pops reckoned you killed Joey.

You let this shit go down, that'll only be confirmation.

He won't abide losing both his sons.

He'll want revenge, and he'll get it.

So I wouldn't be so sure Genesis will live till morning.

- Sax, what is this tape?

Some new Roy Orbison or something?

- Or something.

- As promised.

[chuckles]

- [groans]

- That's for touching my wife, you fuck!

March, jackass.

[Roy Orbison, "Crying"]

- ♪ I was all right for a while ♪

♪ I could smile for a while ♪

♪ But I saw you last night ♪

♪ You held my hand so tight ♪

♪ As you stopped to say hello ♪

- Sal!

- ♪ You wished me well ♪

- Yeah?

- One more thing.

- What's that?

- ♪ That I'd been crying ♪

[gunshot]

♪ Over you ♪

♪ Crying over you ♪

♪ And you took so long ♪

♪ Left me standing all alone ♪

♪ Alone and crying ♪

♪ Crying ♪

♪ Crying, crying ♪

♪ It's hard to understand ♪

- What the fuck happened?

We gotta get your dad out of there!

[gunfire]

- What the hell are you doing?

- I can't do this to my kid.

- We survive this, we go back for Nina.

- Boss!

[gunfire]

- [indistinct speech, groan]

[tense music]

♪ ♪

- Shit! They've got the case!

♪ ♪

[tires screech]

♪ ♪

- Ah!

Move! Get Sax out!

I got you covered! - Got you.

♪ ♪

- Billy!

[tense music]

♪ ♪

[engine revving]

♪ ♪

[indistinct speech]

[engines revving]

- Holy shit.

[tires squealing]

- No!

- Pop!

No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

Pops, please, please, please.

We got to get him to the car!

He needs to go to a hospital!

[somber music]

- [groaning]

My son and your-- and your sis--

♪ ♪

- What--what--what--what can we--what can we do?

Is there a--a new heart?

Can we--he's--

is he?

Is he?

No, no, no, no, no, no, no, no, no, no, no.

- He's gone.

- No, no, no, no, no, no, no, no!

[crying] Pops, Pops, Pops, Pops, Pops, please, please.

No, no, no, no, no, no.

♪ ♪

[sobbing] No!

[sobbing]

- And Royce would use my mascara

and paint a little mustache on

and pretend to be Daddy on the phone.

You remember he always wanted to be a big man.

- Yeah.

His time will come eventually.

- You OK?

- Hell yeah.

Nothing another round won't fix.

- Oh, well, damn.

We're really going there, aren't we?

♪ ♪

[tense music]

[humming]

[door opens]

♪ ♪

- You made it, boy.

- What the hell is going on?

♪ ♪

- Jimmy?

What the fuck?

- Royce wanted to tell you himself,

but he's still at the hospital.

- Well, what is it, his heart?

- It's not him.

♪ ♪

It's your pop.

♪ ♪

- Our women truckers are a valuable part

of our economic ecosystem.

They're doing the same amount of work as men

and should be compensated fairly.

Now, with these changes, it'll make their lives

and all of our lives a whole lot better.

[cheering]

- Ladies,

we did it

because you beautiful, badass women took a stand.

To Hector and the guys.

And to our esteemed union president,

Bob Temple!

all: Bob Temple!

[Supersoul Brothers, "Index N12"]

- ♪ Roll and roll and roll ♪

♪ Roll and roll and roll it now ♪

♪ Roll and roll and roll ♪

♪ Take the roll now ♪

♪ Roll and roll and roll ♪

♪ Roll and roll and roll out ♪

♪ You roll and roll and roll ♪

♪ Roll now ♪

♪ Roll and roll and roll, yeah now ♪

- Jim, we did it.

♪ ♪

It's all because of you.

- I'm happy for you, Iz.

But I came here to tell you I'm leaving town.

- [laughs] Not this again.

- It's not what I want.

It's the opposite of what I want, but--

My life's too fucking dangerous.

Safest thing for you and Peanut is if I'm gone.

- Jim, you can't go.

- Listen, Iz, this ain't easy for me.

- You have to stay.

David's not just an oncologist.

He's my oncologist.

[somber music]

♪ ♪

That's why I've been fighting so hard

for insurance,

to make sure I'm here for Luna for as long as I can be.

♪ ♪

- How serious?

♪ ♪

- Pretty fucking serious.

I'm starting treatment soon,

so I'm gonna need you to be here,

for her.

♪ ♪

For me, too.

- Iz, come drink some, girl!

Get over here!

- I've got tequila.

- Double shots!

You've earned it!

- Go on, get out of here.

Go have fun.

- [clears throat]

[chuckles]

♪ ♪

[upbeat music playing faintly]

♪ ♪

- [sighs]

[crickets chirping]

[exhales]

- Yes, I read it,

but I won't accept it.

- With respect, sir, it's not up to you.

- ASAC won't accept it either.

Hayes, you're not resigning.

- The fuck I'm not.

I got what I came for, and now I'm going home.

- What I'm about to tell you is top secret.

You were right about the conspiracy.

- Excuse me? What?

Every time--every time I brought it up to you--

- I know. We have known about this

tumult in the field office

for well over a year.

But I've been working with a task force

that forbade me from telling you this until just now.

- Well, it would have been a lot better for me if you had.

- And I apologize.

I apologize for that, and I apologize for

any of the antagonism that you've had to deal with

in this office.

- Yeah, there's been a little of that.

- Well, the offending parties didn't reveal themselves

until you arrived.

- You're welcome.

- And there's more.

This conspiracy leads all the way back to DC.

- And to Xavier.

Yeah, I know.

- How do you know?

- Because Breen left a tape

before he completely lost his mind.

He was on to Xavier.

Somehow that guy was involved with the Russians,

with Saxton, with Howard Hughes,

and God knows who else.

He was the one loose end we just couldn't connect.

- Well, I can connect that for you,

if you agree to stay.

- Hm.

[George Harrison, "Isn't It a Pity"]

♪ ♪

- ♪ Isn't it a pity ♪

♪ ♪

♪ Now, isn't it a shame ♪

♪ ♪

♪ How we break each other's hearts ♪

♪ ♪

♪ And cause each other pain ♪

♪ ♪

♪ How we take each other's love ♪

- Baltimore, how in the world did you know I was here?

- How do you think?

- You got my old man wrapped around your finger.

- Hm.

[sighs]

- Whoo! Didn't know I needed that.

♪ ♪

After everything, I wasn't sure I'd ever see you again.

Glad you came to say goodbye.

♪ ♪

- Well, that's not exactly why I came here.

The field office rejected my resignation.

They said, "You're uniquely qualified

"to help us on a top secret task force

on a crucial investigation."

- That's a whole lot of words. - [laughs]

- Did you accept?

- On one condition.

- What's that?

- I was debriefed.

Xavier is a national threat.

They want me to find him.

- Shit.

Xavier.

That guy's a ghost.

♪ ♪

- That guy's...

your brother.

Joey's alive,

and Saxton helped him disappear.

- ♪ Beauty that surrounds us ♪

♪ ♪

♪ Isn't it a pity ♪

♪ ♪

- Whew.

♪ ♪

- I can't do this without you.

♪ ♪

- Ah, shit.

♪ ♪

- ♪ Isn't it a pity ♪

[song continues on radio]

♪ Isn't it a sha-- ♪

[music stops]

- [speaking Spanish]

- [grumbles]

We have to stop them.

We have to stop them at all fucking costs.

I need a domestic war that plays out on the nightly news,

on the cover of hometown papers.

- [speaking Spanish]

- I need bad guys-- Mexicans,

Negroes that we can take down,

capture, and put away.

I need public victories.

[switches off tape]

- [speaking Spanish]

- [laughs]

[upbeat music]

♪ ♪

[typewriter clacking, dings]

children: Bad Robot!

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