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These are the user uploaded subtitles that are being translated: 1 00:00:00,127 --> 00:00:05,779 Encoded by Hunter Crazy4TV.com 2 00:00:06,375 --> 00:00:07,625 -MAN: We've got a body. -♪ (INTENSE MUSIC PLAYING) ♪ 3 00:00:07,625 --> 00:00:10,250 We've got at least six other murders with the same MO. 4 00:00:12,083 --> 00:00:13,750 DCI GABRIEL MARKHAM: If we could go back far enough, 5 00:00:14,250 --> 00:00:16,291 now we've got a good chance of finding this guy. 6 00:00:31,083 --> 00:00:32,417 -♪ (ROCK MUSIC PLAYING) ♪ -Rachel Sheridan. 7 00:00:32,417 --> 00:00:33,917 She gets paid to design black sites for Octagon. 8 00:00:33,917 --> 00:00:36,166 Let's find Sheridan and what she knows about Idrisi. 9 00:00:36,166 --> 00:00:37,625 Lila Hall, Sheridan's daughter, 10 00:00:37,625 --> 00:00:38,750 works in a bar part time. 11 00:00:38,750 --> 00:00:40,166 Maybe we could talk about your mother. 12 00:00:40,166 --> 00:00:41,917 Some very dangerous people are looking for her. 13 00:00:42,166 --> 00:00:44,875 Don't shoot! I'm with you! I'm the informant! 14 00:00:45,208 --> 00:00:47,166 -Volkan Horatio. -Call it in. 15 00:00:47,458 --> 00:00:49,041 -(GLASS SHATTERS) -♪ (MUSIC CONTINUES) ♪ 16 00:00:49,625 --> 00:00:50,959 Jensen's gone. It's a set up. 17 00:00:51,375 --> 00:00:53,000 COL. ADEENA DONOVAN: (OVER RADIO) Lowry may have turned Volkan. 18 00:00:53,208 --> 00:00:54,625 JANE LOWRY: Where's Rachel Sheridan? 19 00:00:54,625 --> 00:00:57,500 Project Tenebrae, that's the real enemy. 20 00:00:57,792 --> 00:00:59,959 Grab your stuff. Hey, I'm here to help. 21 00:01:00,250 --> 00:01:02,333 Sheridan, if Idrisi's alive we need to find out 22 00:01:02,333 --> 00:01:03,291 which black site he's in. 23 00:01:03,750 --> 00:01:05,208 -RACHEL SHERIDAN: There's a site controlled by... -Parker. 24 00:01:05,208 --> 00:01:07,291 Parker finds Idrisi alive, decides he wants to pump him 25 00:01:07,291 --> 00:01:08,542 for intel, so he hides him. 26 00:01:08,542 --> 00:01:10,291 It's an abandoned military complex, 27 00:01:10,291 --> 00:01:11,625 that's where you'll find Idrisi. 28 00:01:11,625 --> 00:01:13,125 LCPL. GRACIE NOVIN: (OVER RADIO) Arriving at last location. 29 00:01:13,625 --> 00:01:14,375 God. 30 00:01:14,625 --> 00:01:15,417 DONOVAN: (OVER RADIO) Move out fast, 31 00:01:15,417 --> 00:01:16,375 you've been compromised. 32 00:01:16,375 --> 00:01:17,542 (GUNFIRE) 33 00:01:17,542 --> 00:01:18,625 Everybody get down! 34 00:01:19,542 --> 00:01:21,291 SHERIDAN: I'm gonna try and lead them away. 35 00:01:21,291 --> 00:01:22,291 Rachel, wait! 36 00:01:22,625 --> 00:01:23,792 SGT. SAMUEL WYATT: Stay down. 37 00:01:23,792 --> 00:01:25,291 (GUNFIRE CONTINUES) 38 00:01:27,667 --> 00:01:29,291 NOVIN: Sheridan's in the wind ma'am. 39 00:01:31,041 --> 00:01:35,208 [engine revving] 40 00:01:35,208 --> 00:01:37,166 [alarm blaring] 41 00:01:37,166 --> 00:01:40,291 [gunfire] 42 00:01:41,667 --> 00:01:44,667 [haunting music] 43 00:01:44,667 --> 00:01:51,834 ♪ ♪ 44 00:01:55,625 --> 00:01:58,750 - Jawedan. 45 00:01:58,750 --> 00:02:01,125 - Can you walk? 46 00:02:01,125 --> 00:02:02,333 - I think so. 47 00:02:02,333 --> 00:02:04,500 [suspenseful music] 48 00:02:04,500 --> 00:02:06,083 [laughs] 49 00:02:06,083 --> 00:02:13,208 ♪ ♪ 50 00:02:14,125 --> 00:02:17,166 [dramatic music] 51 00:02:17,166 --> 00:02:24,250 ♪ ♪ 52 00:02:27,333 --> 00:02:29,000 [console beeping] 53 00:02:29,000 --> 00:02:36,083 ♪ ♪ 54 00:02:44,041 --> 00:02:46,083 [alarm blaring softly] 55 00:02:46,083 --> 00:02:53,250 ♪ ♪ 56 00:02:55,208 --> 00:02:58,083 - We need to go. 57 00:02:58,083 --> 00:02:59,709 Omair, we need to go. 58 00:02:59,709 --> 00:03:02,208 - My father... 59 00:03:02,208 --> 00:03:04,959 He gave this to me when I was 12. 60 00:03:04,959 --> 00:03:07,417 [coughs] 61 00:03:07,417 --> 00:03:09,792 Before he died. 62 00:03:09,792 --> 00:03:10,917 He-- 63 00:03:10,917 --> 00:03:12,250 [sputters] 64 00:03:12,250 --> 00:03:14,750 [retches] 65 00:03:14,750 --> 00:03:16,333 - Omair! 66 00:03:16,333 --> 00:03:18,083 Omair! 67 00:03:18,083 --> 00:03:21,458 - [distantly] Can you hear me? Omair! 68 00:03:21,458 --> 00:03:23,333 Omair! 69 00:03:23,333 --> 00:03:27,083 [ominous music] 70 00:03:27,083 --> 00:03:29,000 - Tell me about the terrorist cells 71 00:03:29,000 --> 00:03:30,458 in Nangarhar. 72 00:03:30,458 --> 00:03:31,917 Give me some names, 73 00:03:31,917 --> 00:03:33,375 locations, 74 00:03:33,375 --> 00:03:34,834 or we go again. 75 00:03:34,834 --> 00:03:37,709 - He's had enough. 76 00:03:37,709 --> 00:03:39,125 He keeps dying. 77 00:03:39,125 --> 00:03:40,458 We keep bringing him back. 78 00:03:40,458 --> 00:03:42,500 The human body can only take so much. 79 00:03:42,500 --> 00:03:43,792 - In a month, 80 00:03:43,792 --> 00:03:45,083 he hasn't given us a single piece 81 00:03:45,083 --> 00:03:46,792 of actionable intel. 82 00:03:46,792 --> 00:03:49,792 [disquieting music] 83 00:03:49,792 --> 00:03:52,875 ♪ ♪ 84 00:03:52,875 --> 00:03:54,625 We start again in an hour. 85 00:03:54,625 --> 00:03:56,000 ♪ ♪ 86 00:03:56,000 --> 00:03:59,125 [The Heavy's "Short Change Hero"] 87 00:03:59,125 --> 00:04:00,792 ♪ ♪ 88 00:04:00,792 --> 00:04:05,125 - ♪ I can't see where you coming from ♪ 89 00:04:05,125 --> 00:04:09,792 ♪ But I know just what you runnin' from ♪ 90 00:04:09,792 --> 00:04:14,041 ♪ And what matters ain't the "who's baddest" ♪ 91 00:04:14,041 --> 00:04:18,667 ♪ But the ones who stop you falling from your ladder ♪ 92 00:04:18,667 --> 00:04:24,583 ♪ Come on, feelin' like you're feelin' now ♪ 93 00:04:24,583 --> 00:04:29,000 ♪ And doin' things just to please your crowd ♪ 94 00:04:29,000 --> 00:04:33,834 ♪ When I love you like the way I love you ♪ 95 00:04:33,834 --> 00:04:37,625 ♪ And I suffer, but I ain't gonna cut you ♪ 96 00:04:37,625 --> 00:04:43,250 ♪ 'Cause this ain't no place for no hero ♪ 97 00:04:43,250 --> 00:04:48,000 ♪ This ain't no place for no better man ♪ 98 00:04:48,000 --> 00:04:54,500 ♪ This ain't no place for no hero to call home ♪ 99 00:04:54,500 --> 00:04:57,542 ♪ ♪ 100 00:04:57,542 --> 00:05:01,959 ♪ This ain't no place for no hero ♪ 101 00:05:01,959 --> 00:05:06,834 ♪ This ain't no place for no better man ♪ 102 00:05:06,834 --> 00:05:12,375 ♪ This ain't no place for no hero to call home ♪ 103 00:05:14,375 --> 00:05:17,500 - [gasping] 104 00:05:19,041 --> 00:05:22,041 [eerie music] 105 00:05:22,041 --> 00:05:29,208 ♪ ♪ 106 00:05:35,709 --> 00:05:37,917 [mildly tense music] 107 00:05:37,917 --> 00:05:39,542 - Sit-rep. 108 00:05:39,542 --> 00:05:40,917 - Clear. 109 00:05:40,917 --> 00:05:44,709 - We're at the last of Volkan's warehouses. 110 00:05:44,709 --> 00:05:46,333 - How're the boys doing? 111 00:05:46,333 --> 00:05:48,750 - McAllister and Wyatt are en route to the black site. 112 00:05:48,750 --> 00:05:50,041 You just find out 113 00:05:50,041 --> 00:05:52,083 what happened to Rachel Sheridan. 114 00:05:52,083 --> 00:05:54,291 - Copy that. 115 00:05:54,291 --> 00:05:57,375 [suspenseful music] 116 00:05:57,375 --> 00:06:04,458 ♪ ♪ 117 00:06:14,917 --> 00:06:16,208 Careful. 118 00:06:16,208 --> 00:06:17,792 Could be rigged. 119 00:06:17,792 --> 00:06:20,792 ♪ ♪ 120 00:06:20,792 --> 00:06:22,542 Clear. 121 00:06:22,542 --> 00:06:25,583 [mournful music] 122 00:06:25,583 --> 00:06:30,709 ♪ ♪ 123 00:06:30,709 --> 00:06:33,667 Jesus. It's Rachel Sheridan. 124 00:06:33,667 --> 00:06:40,750 ♪ ♪ 125 00:06:41,000 --> 00:06:43,166 Rachel Sheridan's dead. 126 00:06:43,166 --> 00:06:44,750 They've done a number on her. 127 00:06:44,750 --> 00:06:46,417 ♪ ♪ 128 00:06:46,417 --> 00:06:48,417 - We have to assume that Jane and Volkan 129 00:06:48,417 --> 00:06:49,458 got the location of the site 130 00:06:49,458 --> 00:06:51,458 and are coming for Idrisi. 131 00:06:51,458 --> 00:06:53,291 I have no other choice. 132 00:06:53,291 --> 00:06:56,291 [confrontational music] 133 00:06:56,291 --> 00:07:03,458 ♪ ♪ 134 00:07:04,000 --> 00:07:08,375 Your office told me where you were. 135 00:07:08,375 --> 00:07:13,000 There's a black site... 136 00:07:13,000 --> 00:07:14,667 in Klomino, Poland, 137 00:07:14,667 --> 00:07:18,083 paid for with a Special Operations slush fund 138 00:07:18,083 --> 00:07:19,417 and controlled by you. 139 00:07:19,417 --> 00:07:20,500 - You know I can't talk about 140 00:07:20,500 --> 00:07:22,500 this shit, Adeena. 141 00:07:22,500 --> 00:07:25,458 - Jane Lowry knows Idrisi's there. 142 00:07:25,458 --> 00:07:28,083 She took out Krieger, Sheridan, 143 00:07:28,083 --> 00:07:30,542 and now she's coming for him. 144 00:07:30,542 --> 00:07:31,917 - You're telling me that 145 00:07:31,917 --> 00:07:34,917 I have Omair Idrisi at this site? 146 00:07:34,917 --> 00:07:36,333 You are aware that I was the one 147 00:07:36,333 --> 00:07:38,333 who ordered the MOP strike on him? 148 00:07:38,333 --> 00:07:40,125 - Let's not waste time being cute. 149 00:07:40,125 --> 00:07:42,125 - Do you have any evidence or solid facts 150 00:07:42,125 --> 00:07:43,917 to support these ludicrous claims? 151 00:07:43,917 --> 00:07:46,083 - Your site is off the grid. 152 00:07:46,083 --> 00:07:47,417 That means that if anything happens, 153 00:07:47,417 --> 00:07:49,709 there's no backup, no reinforcements, 154 00:07:49,709 --> 00:07:51,375 so tighten your security. 155 00:07:51,375 --> 00:07:52,875 - You really want me to get on the phone to your people 156 00:07:52,875 --> 00:07:54,375 and tell them you're slinging around 157 00:07:54,375 --> 00:07:56,709 unfounded accusations like this? 158 00:07:56,709 --> 00:07:59,583 Jesus, Adeena, you'll be a laughingstock. 159 00:07:59,583 --> 00:08:01,917 - We're both on the same side here. 160 00:08:01,917 --> 00:08:05,542 Our intel is that Jane Lowry is going to the black site. 161 00:08:05,542 --> 00:08:08,041 That isn't going to change. 162 00:08:08,041 --> 00:08:09,709 We need to stop her. 163 00:08:09,709 --> 00:08:12,750 [foreboding music] 164 00:08:12,750 --> 00:08:19,875 ♪ ♪ 165 00:08:24,417 --> 00:08:26,333 Parker gave me nothing. 166 00:08:26,333 --> 00:08:28,667 I see no other option. Mission is a go. 167 00:08:28,667 --> 00:08:30,625 Get to Idrisi before Jane does, 168 00:08:30,625 --> 00:08:32,667 secure him, and bring him out, 169 00:08:32,667 --> 00:08:35,500 and if you run into her, 170 00:08:35,500 --> 00:08:37,125 don't leave her alive. 171 00:08:37,125 --> 00:08:38,667 ♪ ♪ 172 00:08:38,667 --> 00:08:39,625 - Copy that. 173 00:08:39,625 --> 00:08:41,375 [car engine revving] 174 00:08:43,291 --> 00:08:45,166 - Pretty regular sweep of guard patrols. 175 00:08:45,166 --> 00:08:47,583 - Now's a good time to go underground. 176 00:08:47,583 --> 00:08:50,583 [dramatic music] 177 00:08:50,583 --> 00:08:57,709 ♪ ♪ 178 00:09:22,959 --> 00:09:24,625 - It wasn't your fault, mate, 179 00:09:24,625 --> 00:09:27,917 what happened to Lila. 180 00:09:27,917 --> 00:09:32,208 - I know exactly what is and isn't my fault, McAllister. 181 00:09:32,208 --> 00:09:34,041 I'm just staying on mission. 182 00:09:34,041 --> 00:09:37,083 [eerie music] 183 00:09:37,083 --> 00:09:44,208 ♪ ♪ 184 00:09:47,000 --> 00:09:50,250 - What are you doing here? 185 00:09:50,250 --> 00:09:52,834 - Work. 186 00:09:52,834 --> 00:09:54,375 Where's the team? 187 00:09:54,375 --> 00:09:56,333 - McAllister and Wyatt are infiltrating 188 00:09:56,333 --> 00:09:57,625 the black site. 189 00:09:57,625 --> 00:09:58,709 Reynolds and Novin 190 00:09:58,709 --> 00:10:00,834 have found Rachel Sheridan, dead. 191 00:10:00,834 --> 00:10:02,500 And you are going back to hospital. 192 00:10:02,500 --> 00:10:03,542 - To do what? 193 00:10:03,542 --> 00:10:05,375 - To recover. - No. 194 00:10:05,375 --> 00:10:06,458 No, sorry, ma'am. 195 00:10:06,458 --> 00:10:08,709 Got a job to do here. 196 00:10:08,709 --> 00:10:12,667 I'm up to speed on the black site, all right? 197 00:10:12,667 --> 00:10:15,667 - You have the comms, Lance Corporal. 198 00:10:15,667 --> 00:10:22,792 ♪ ♪ 199 00:10:25,667 --> 00:10:28,583 - Bravo, send sit-rep. 200 00:10:28,583 --> 00:10:30,667 - Johnson, is that you? 201 00:10:30,667 --> 00:10:32,709 Back at work already? 202 00:10:32,709 --> 00:10:34,291 Respect. 203 00:10:34,291 --> 00:10:36,208 - Just living for the day you get my name right, Sergeant. 204 00:10:36,208 --> 00:10:39,000 - Well, then, you're going to be living a long time. 205 00:10:39,000 --> 00:10:41,375 We're entering the arterial tunnel now. 206 00:10:41,375 --> 00:10:42,792 - Copy that. 207 00:10:42,792 --> 00:10:44,000 Comms will be out the moment 208 00:10:44,000 --> 00:10:45,333 you get beyond the perimeter. 209 00:10:45,333 --> 00:10:46,417 They'll have a pretty sophisticated 210 00:10:46,417 --> 00:10:47,583 jamming system in there. 211 00:10:47,583 --> 00:10:49,291 The black site itself 212 00:10:49,291 --> 00:10:50,875 will be fairly rudimentary, 213 00:10:50,875 --> 00:10:53,333 but Sheridan retrofitted the old Soviet base 214 00:10:53,333 --> 00:10:55,000 with a system of emergency lockdowns 215 00:10:55,000 --> 00:10:57,333 that you really don't want to be the ones to trigger. 216 00:10:57,333 --> 00:10:59,333 - Yeah, we're screwed. Got it. 217 00:10:59,333 --> 00:11:00,792 Good to hear your voice, mate. 218 00:11:00,792 --> 00:11:02,208 - Ready? - Yeah. 219 00:11:02,208 --> 00:11:04,041 - One, two, three. 220 00:11:04,041 --> 00:11:07,083 [disquieting music] 221 00:11:07,083 --> 00:11:14,250 ♪ ♪ 222 00:11:14,667 --> 00:11:15,750 - Good luck. 223 00:11:15,750 --> 00:11:17,125 ♪ ♪ 224 00:11:17,125 --> 00:11:18,583 - See you on the other side. 225 00:11:18,583 --> 00:11:25,709 ♪ ♪ 226 00:11:28,083 --> 00:11:30,375 - Comms are now out. 227 00:11:30,375 --> 00:11:31,959 [grunts] 228 00:11:33,625 --> 00:11:37,250 Have you heard of something called Project Tenebrae, ma'am? 229 00:11:39,959 --> 00:11:42,750 Lowry said something about it being the real enemy, 230 00:11:42,750 --> 00:11:45,917 um, before she, um... 231 00:11:45,917 --> 00:11:49,083 ♪ ♪ 232 00:11:49,083 --> 00:11:50,375 I don't know. 233 00:11:50,375 --> 00:11:51,792 It just seemed important. 234 00:11:51,792 --> 00:11:53,458 - You should look into it, 235 00:11:53,458 --> 00:11:56,083 but right now, you should focus on the mission. 236 00:11:56,083 --> 00:12:03,166 ♪ ♪ 237 00:12:10,917 --> 00:12:12,792 - You son of a bitch. 238 00:12:12,792 --> 00:12:14,458 ♪ ♪ 239 00:12:14,458 --> 00:12:16,166 [metal scraping] 240 00:12:16,166 --> 00:12:19,125 ♪ ♪ 241 00:12:19,125 --> 00:12:20,625 [loud thud] 242 00:12:20,625 --> 00:12:22,500 - Can you make a bit more noise? 243 00:12:22,500 --> 00:12:24,417 - [whispering] It's rusted. 244 00:12:24,417 --> 00:12:31,542 ♪ ♪ 245 00:12:34,041 --> 00:12:35,834 [metal ringing] 246 00:12:35,834 --> 00:12:38,000 ♪ ♪ 247 00:12:38,000 --> 00:12:41,000 [ominous music] 248 00:12:41,000 --> 00:12:45,166 ♪ ♪ 249 00:12:45,166 --> 00:12:46,500 [indistinct voices] 250 00:12:46,500 --> 00:12:48,208 - Jesus, Jensen! 251 00:12:48,208 --> 00:12:50,834 - [sighs] Captain. 252 00:12:50,834 --> 00:12:52,041 Uh, I'm glad you're here, actually. 253 00:12:52,041 --> 00:12:53,667 Uh, Donovan asked me 254 00:12:53,667 --> 00:12:55,166 to look into something while she was gone, 255 00:12:55,166 --> 00:12:57,792 um, and I found I need second level clearance. 256 00:12:57,792 --> 00:12:59,500 - [scoffs] I don't believe this. 257 00:12:59,500 --> 00:13:00,834 - It concerns Lowry. 258 00:13:00,834 --> 00:13:02,458 - You shouldn't be at work. 259 00:13:02,458 --> 00:13:04,166 ♪ ♪ 260 00:13:04,166 --> 00:13:05,667 - Captain, time's an issue, 261 00:13:05,667 --> 00:13:08,000 and, uh, Donovan isn't due back for a while. 262 00:13:08,000 --> 00:13:09,750 - All right. 263 00:13:09,750 --> 00:13:12,792 [eerie music] 264 00:13:12,792 --> 00:13:19,917 ♪ ♪ 265 00:13:24,291 --> 00:13:26,500 - Captain? 266 00:13:26,500 --> 00:13:28,000 Sorry, um, 267 00:13:28,000 --> 00:13:30,500 do you mind if we have the room? 268 00:13:30,500 --> 00:13:33,291 - Yeah, of course. 269 00:13:33,291 --> 00:13:34,875 It's done. 270 00:13:34,875 --> 00:13:37,875 [mournful music] 271 00:13:37,875 --> 00:13:39,375 ♪ ♪ 272 00:13:39,375 --> 00:13:41,000 Um... 273 00:13:41,000 --> 00:13:43,166 Jensen, it's good to have you back. 274 00:13:43,166 --> 00:13:50,250 ♪ ♪ 275 00:13:54,917 --> 00:13:56,250 - The fuck are you doing here? 276 00:13:56,250 --> 00:14:00,125 ♪ ♪ 277 00:14:00,125 --> 00:14:02,333 - Following up a lead. - No. 278 00:14:02,333 --> 00:14:03,959 Here, back at work. 279 00:14:03,959 --> 00:14:05,417 It hasn't even been 24 hours. 280 00:14:05,417 --> 00:14:07,250 - Uh, I don't blame you, 281 00:14:07,250 --> 00:14:08,375 if that's what you're worried about. 282 00:14:08,375 --> 00:14:10,083 - Oh, yeah? 283 00:14:10,083 --> 00:14:12,583 You should. 284 00:14:12,583 --> 00:14:14,625 I left you in the car. 285 00:14:14,625 --> 00:14:17,125 You weren't even meant to be in the fucking field! 286 00:14:17,125 --> 00:14:18,625 - Can this not wait? 287 00:14:18,625 --> 00:14:24,875 ♪ ♪ 288 00:14:24,875 --> 00:14:27,291 - Have you looked at yourself, Will? 289 00:14:27,291 --> 00:14:34,417 ♪ ♪ 290 00:14:38,125 --> 00:14:40,625 Have you looked at what they've done to you? 291 00:14:40,625 --> 00:14:42,125 Have you? 292 00:14:42,125 --> 00:14:49,250 ♪ ♪ 293 00:14:56,291 --> 00:14:57,917 Why are you doing this? 294 00:14:57,917 --> 00:15:02,250 ♪ ♪ 295 00:15:02,250 --> 00:15:06,625 This fucking life-- it's not for you! 296 00:15:06,625 --> 00:15:08,125 It's not. 297 00:15:08,125 --> 00:15:14,458 ♪ ♪ 298 00:15:14,458 --> 00:15:15,458 Please. 299 00:15:15,458 --> 00:15:20,917 ♪ ♪ 300 00:15:20,917 --> 00:15:23,125 - We done here? Um... 301 00:15:23,125 --> 00:15:24,458 'Cause this work isn't. 302 00:15:24,458 --> 00:15:31,542 ♪ ♪ 303 00:15:37,792 --> 00:15:40,875 [loud squeaking] 304 00:15:46,041 --> 00:15:47,208 - Wait. 305 00:15:47,208 --> 00:15:50,291 [suspenseful music] 306 00:15:50,291 --> 00:15:52,792 ♪ ♪ 307 00:15:52,792 --> 00:15:57,125 - Move. - Move. 308 00:15:57,125 --> 00:16:04,250 ♪ ♪ 309 00:16:08,709 --> 00:16:10,875 Black site secure zone dead ahead. 310 00:16:10,875 --> 00:16:18,000 ♪ ♪ 311 00:16:18,000 --> 00:16:20,250 Shit. Is that a metal detector? 312 00:16:20,250 --> 00:16:22,333 Rachel Sheridan never mentioned that. 313 00:16:22,333 --> 00:16:23,917 ♪ ♪ 314 00:16:23,917 --> 00:16:25,500 If we go through there all geared up, 315 00:16:25,500 --> 00:16:27,041 we'll have every alarm in the place ringing. 316 00:16:27,041 --> 00:16:34,208 ♪ ♪ 317 00:16:44,417 --> 00:16:45,792 What are you doing? 318 00:16:45,792 --> 00:16:47,709 - You watch my back from here. I'll check ahead. 319 00:16:47,709 --> 00:16:49,792 ♪ ♪ 320 00:16:49,792 --> 00:16:51,250 - Unarmed. 321 00:16:51,250 --> 00:16:52,959 - You know another way around? 322 00:16:52,959 --> 00:16:59,834 ♪ ♪ 323 00:16:59,834 --> 00:17:02,500 And while we're talking, I don't know. 324 00:17:02,500 --> 00:17:03,792 - You don't know what? 325 00:17:03,792 --> 00:17:07,125 - What I'm gonna do when I see Idrisi again. 326 00:17:07,125 --> 00:17:10,875 - Why the hell are you telling me this now? 327 00:17:10,875 --> 00:17:12,875 - Out of respect. 328 00:17:12,875 --> 00:17:14,500 Besides, 329 00:17:14,500 --> 00:17:16,542 you can't shout at me, can you? 330 00:17:16,542 --> 00:17:23,667 ♪ ♪ 331 00:17:24,083 --> 00:17:26,125 - [whispering] Asshole. 332 00:17:26,125 --> 00:17:33,250 ♪ ♪ 333 00:18:14,667 --> 00:18:17,083 - Sir. 334 00:18:17,083 --> 00:18:18,834 - One, two. 335 00:18:18,834 --> 00:18:21,291 [locks beep and engage] 336 00:18:24,333 --> 00:18:26,041 - We're on high alert. 337 00:18:26,041 --> 00:18:28,291 Who gave you permission to open the cell? 338 00:18:28,291 --> 00:18:30,709 - Uh, Dr. Pryce needed to see the patient. 339 00:18:30,709 --> 00:18:32,083 - Pryce. 340 00:18:32,083 --> 00:18:34,041 What the hell are you playing at? 341 00:18:34,041 --> 00:18:36,041 Shit. 342 00:18:36,041 --> 00:18:38,250 [alarm blaring] 343 00:18:38,250 --> 00:18:41,291 [ominous music] 344 00:18:41,291 --> 00:18:48,417 ♪ ♪ 345 00:19:09,083 --> 00:19:10,250 - Mac! 346 00:19:13,375 --> 00:19:14,583 Mac! 347 00:19:14,583 --> 00:19:16,375 ♪ ♪ 348 00:19:16,375 --> 00:19:17,750 Shit. 349 00:19:17,750 --> 00:19:20,834 [suspenseful music] 350 00:19:20,834 --> 00:19:23,291 ♪ ♪ 351 00:19:23,291 --> 00:19:25,750 - [growls] 352 00:19:25,750 --> 00:19:27,583 Twat! 353 00:19:27,583 --> 00:19:30,709 [disquieting music] 354 00:19:30,709 --> 00:19:34,250 ♪ ♪ 355 00:19:34,250 --> 00:19:36,125 - [grunts] 356 00:19:36,125 --> 00:19:37,917 - Adrenaline. It'll help. 357 00:19:37,917 --> 00:19:40,083 ♪ ♪ 358 00:19:40,083 --> 00:19:42,000 I've taken care of immediate security, 359 00:19:42,000 --> 00:19:44,583 but there'll be more in the area, coming this way. 360 00:19:44,583 --> 00:19:51,750 ♪ ♪ 361 00:20:03,500 --> 00:20:04,792 - Captain. 362 00:20:04,792 --> 00:20:07,583 Parker's running a rogue op for his own glory. 363 00:20:07,583 --> 00:20:09,917 - At least that means going in and grabbing Idrisi 364 00:20:09,917 --> 00:20:12,000 won't cause an international incident. 365 00:20:12,000 --> 00:20:14,709 - Did you give Jensen a security override earlier? 366 00:20:14,709 --> 00:20:16,041 I received an alert. 367 00:20:16,041 --> 00:20:18,834 - He was looking into intel on Lowry. 368 00:20:18,834 --> 00:20:21,208 - I had denied him the request. 369 00:20:21,208 --> 00:20:22,834 He's barely able to function as it is. 370 00:20:22,834 --> 00:20:24,709 - Lowry had access to my records. 371 00:20:24,709 --> 00:20:26,166 Wyatt's as well. 372 00:20:26,166 --> 00:20:27,583 Something else is going on here. 373 00:20:27,583 --> 00:20:30,458 - You don't think I'm aware of that? 374 00:20:30,458 --> 00:20:33,750 Right now, I am trying to protect Jensen. 375 00:20:33,750 --> 00:20:35,583 - No, right now, 376 00:20:35,583 --> 00:20:37,458 you are hiding something from me. 377 00:20:37,458 --> 00:20:39,083 - We are not equals, Captain. 378 00:20:39,083 --> 00:20:40,917 I have no duty to you. 379 00:20:40,917 --> 00:20:42,333 [cell phone beeps] 380 00:20:42,333 --> 00:20:44,834 [ominous music] 381 00:20:44,834 --> 00:20:46,583 That's a geo-tag from Parker. 382 00:20:46,583 --> 00:20:49,000 Why would he send me that? 383 00:20:49,000 --> 00:20:51,458 Get over there and find out what the hell's going on. 384 00:20:51,458 --> 00:20:58,667 ♪ ♪ 385 00:20:59,208 --> 00:21:01,250 - So, um, 386 00:21:01,250 --> 00:21:06,291 in the middle of the night, I got an email from you. 387 00:21:06,291 --> 00:21:07,667 - I didn't send you an email. 388 00:21:07,667 --> 00:21:09,125 - Yeah, I know. You were asleep. 389 00:21:09,125 --> 00:21:10,959 I could see that. 390 00:21:13,625 --> 00:21:15,834 - You were in my hospital room? 391 00:21:19,000 --> 00:21:20,834 - Point is, 392 00:21:20,834 --> 00:21:22,166 it was a link 393 00:21:22,166 --> 00:21:25,625 to all of Will Jensen's files. 394 00:21:25,625 --> 00:21:27,000 - Mm-hm. 395 00:21:27,000 --> 00:21:28,875 Uh, it's an automated program. 396 00:21:28,875 --> 00:21:31,709 If I don't check in every 24 hours, um... 397 00:21:31,709 --> 00:21:35,792 It's just important to keep everything backed up. 398 00:21:35,792 --> 00:21:37,792 - Dude, I'm not a hard drive. 399 00:21:37,792 --> 00:21:40,041 - No. 400 00:21:40,041 --> 00:21:42,375 You're, uh-- you're the person I trust. 401 00:21:42,375 --> 00:21:45,375 [tender music] 402 00:21:45,375 --> 00:21:48,417 ♪ ♪ 403 00:21:48,417 --> 00:21:50,041 - Gracie, saddle up. 404 00:21:50,041 --> 00:21:51,667 We're going to check on Parker. 405 00:21:51,667 --> 00:21:53,166 Something might be up. 406 00:21:53,166 --> 00:21:55,583 - Copy. - All right. 407 00:21:57,208 --> 00:21:58,417 - Catch you later. 408 00:21:58,417 --> 00:21:59,875 - Grace? 409 00:22:04,291 --> 00:22:07,542 - [laughs] 410 00:22:07,542 --> 00:22:14,667 ♪ ♪ 411 00:22:16,709 --> 00:22:19,834 - [clears throat] 412 00:22:19,834 --> 00:22:21,750 [alarms blaring] 413 00:22:21,750 --> 00:22:23,667 [dramatic music] 414 00:22:23,667 --> 00:22:25,917 - Okara's in cell number five. 415 00:22:25,917 --> 00:22:28,750 - We release all of the prisoners, doctor. 416 00:22:28,750 --> 00:22:31,417 - Omair, these men-- they've seen me as the enemy. 417 00:22:31,417 --> 00:22:32,750 The things I've done... 418 00:22:32,750 --> 00:22:35,291 - That is why you are helping me, hm? 419 00:22:35,291 --> 00:22:38,208 Why you risked everything to-- 420 00:22:38,208 --> 00:22:39,625 to place a call to my wife. 421 00:22:39,625 --> 00:22:41,792 To redeem yourself. 422 00:22:41,792 --> 00:22:46,291 We are all prisoners of some kind, doctor. 423 00:22:46,291 --> 00:22:48,083 We need Okara 424 00:22:48,083 --> 00:22:49,792 to open the doors. 425 00:22:49,792 --> 00:22:51,375 - We need to take it slowly. 426 00:22:51,375 --> 00:22:53,375 Torture's taken its toll. 427 00:22:53,375 --> 00:22:55,291 - Okara, now. 428 00:22:55,291 --> 00:22:56,917 [quiet music] 429 00:22:56,917 --> 00:22:59,792 - [sighs] 430 00:22:59,792 --> 00:23:02,792 You promise they won't harm me? 431 00:23:02,792 --> 00:23:04,583 - I give you my word. 432 00:23:04,583 --> 00:23:06,041 ♪ ♪ 433 00:23:06,041 --> 00:23:09,083 [dramatic music] 434 00:23:09,083 --> 00:23:16,166 ♪ ♪ 435 00:23:42,041 --> 00:23:45,125 [disquieting music] 436 00:23:45,125 --> 00:23:47,333 - Whoa. 437 00:23:47,333 --> 00:23:50,333 [suspenseful music] 438 00:23:50,333 --> 00:23:57,458 ♪ ♪ 439 00:23:57,834 --> 00:23:59,375 - Who the hell are you? 440 00:23:59,375 --> 00:24:01,500 - Sergeant Wyatt. How you doing? 441 00:24:01,500 --> 00:24:03,583 Looks like I got here just in time. 442 00:24:03,583 --> 00:24:05,458 - You broke in here? 443 00:24:05,458 --> 00:24:06,875 That's impossible. 444 00:24:06,875 --> 00:24:09,333 - Call Colonel Parker. He'll vouch for me--mostly. 445 00:24:09,333 --> 00:24:11,291 - Parker's not picking up. 446 00:24:11,291 --> 00:24:13,041 [disquieting music] 447 00:24:13,041 --> 00:24:14,709 - You just lost your eyes as well. 448 00:24:14,709 --> 00:24:17,500 ♪ ♪ 449 00:24:17,500 --> 00:24:18,917 Look, I got a body on the wrong side 450 00:24:18,917 --> 00:24:20,625 of your lockdown, Sergeant McAllister. 451 00:24:20,625 --> 00:24:24,291 I know Parker will have warned you about Jane Lowry. 452 00:24:24,291 --> 00:24:25,875 That's why we're here, 453 00:24:25,875 --> 00:24:28,041 to make sure she doesn't get what she wants. 454 00:24:28,041 --> 00:24:29,959 - Or maybe you were here to help her. 455 00:24:29,959 --> 00:24:31,417 - Come on. 456 00:24:31,417 --> 00:24:35,542 ♪ ♪ 457 00:24:35,542 --> 00:24:37,709 - Okara. 458 00:24:37,709 --> 00:24:39,709 How long to open the doors? 459 00:24:39,709 --> 00:24:41,792 - I don't work for you, Idrisi. 460 00:24:41,792 --> 00:24:44,208 I work for myself. 461 00:24:44,208 --> 00:24:46,041 - They told me there wasn't a prison built 462 00:24:46,041 --> 00:24:47,458 that could hold you. 463 00:24:47,458 --> 00:24:49,375 - They were right. 464 00:24:49,375 --> 00:24:50,917 Ten minutes, 465 00:24:50,917 --> 00:24:52,709 if we're lucky. 466 00:24:54,583 --> 00:24:57,375 - Rachel Sheridan built a back door into this site. 467 00:24:57,375 --> 00:24:58,709 It's via an arterial tunnel 468 00:24:58,709 --> 00:25:00,125 connected to an old drainage system. 469 00:25:00,125 --> 00:25:01,792 It's about half a klick from here. 470 00:25:01,792 --> 00:25:03,917 It's how me and my buddy got in, 471 00:25:03,917 --> 00:25:05,709 and right now, there's a chance that Jane Lowry 472 00:25:05,709 --> 00:25:07,000 knows about it, too, so just-- 473 00:25:07,000 --> 00:25:08,291 just get some bodies down there. 474 00:25:08,291 --> 00:25:10,583 Guard it, at least. 475 00:25:10,583 --> 00:25:11,917 Come on, I wouldn't be telling you this shit 476 00:25:11,917 --> 00:25:13,625 if I was working with her, would I? 477 00:25:15,875 --> 00:25:19,041 - Get me a patrol on the old drainage system entrance. 478 00:25:19,041 --> 00:25:22,208 East of the site. 479 00:25:23,417 --> 00:25:24,750 - [exhales heavily] 480 00:25:24,750 --> 00:25:27,750 [quiet music] 481 00:25:27,750 --> 00:25:32,792 ♪ ♪ 482 00:25:32,792 --> 00:25:34,917 [object clangs] 483 00:25:34,917 --> 00:25:37,750 [suspenseful music] 484 00:25:37,750 --> 00:25:39,291 - Someone else is here. 485 00:25:39,291 --> 00:25:41,041 You two, go. Find them. 486 00:25:41,041 --> 00:25:42,458 Find them. 487 00:25:42,458 --> 00:25:49,625 ♪ ♪ 488 00:25:57,000 --> 00:26:00,000 [desolate music] 489 00:26:00,000 --> 00:26:04,709 ♪ ♪ 490 00:26:04,709 --> 00:26:07,667 [dramatic music] 491 00:26:07,667 --> 00:26:10,750 [disquieting music] 492 00:26:10,750 --> 00:26:16,709 ♪ ♪ 493 00:26:16,709 --> 00:26:18,125 - Who else is in here? Who else is in here 494 00:26:18,125 --> 00:26:19,625 we gotta worry about? 495 00:26:19,625 --> 00:26:22,083 - Ibrahim Okara. 496 00:26:22,083 --> 00:26:23,625 Ex-Boko Haram. 497 00:26:23,625 --> 00:26:26,291 - Yeah, he's a nasty son of a bitch. 498 00:26:26,291 --> 00:26:27,667 Listen, I just-- 499 00:26:27,667 --> 00:26:29,417 Hey, hey, hey, easy! Just get me in there. 500 00:26:29,417 --> 00:26:31,125 Just get me in there. I'll bring it under control. 501 00:26:31,125 --> 00:26:33,166 I'll find my buddy. I will bring it under control. 502 00:26:33,166 --> 00:26:35,333 - No, no, that's not happening. 503 00:26:35,333 --> 00:26:37,041 The men in there are desperate. 504 00:26:37,041 --> 00:26:38,166 Dangerous. 505 00:26:38,166 --> 00:26:41,041 ♪ ♪ 506 00:26:41,041 --> 00:26:42,959 If your friend is trapped in there with them... 507 00:26:42,959 --> 00:26:45,834 ♪ ♪ 508 00:26:45,834 --> 00:26:47,500 Then he's as good as dead. 509 00:26:47,500 --> 00:26:54,041 ♪ ♪ 510 00:26:54,041 --> 00:26:57,834 - You, find a chair. 511 00:26:57,834 --> 00:26:59,000 Pick him up. 512 00:26:59,000 --> 00:27:01,333 - [grunting] 513 00:27:01,333 --> 00:27:04,333 [suspenseful music] 514 00:27:04,333 --> 00:27:11,542 ♪ ♪ 515 00:27:17,834 --> 00:27:21,542 Tell me what you are doing here. 516 00:27:21,542 --> 00:27:24,208 - Had to see for myself 517 00:27:24,208 --> 00:27:26,500 if it was true. 518 00:27:26,500 --> 00:27:28,917 How the fuck did you survive that? 519 00:27:28,917 --> 00:27:30,208 ♪ ♪ 520 00:27:30,208 --> 00:27:32,875 - Turns out it was not my day to die. 521 00:27:32,875 --> 00:27:36,417 ♪ ♪ 522 00:27:36,417 --> 00:27:37,750 - [chuckles] 523 00:27:37,750 --> 00:27:39,333 - [chuckles] 524 00:27:39,333 --> 00:27:40,625 ♪ ♪ 525 00:27:40,625 --> 00:27:43,333 - That whole plan you had-- 526 00:27:43,333 --> 00:27:48,417 Markov, the Novichok... 527 00:27:48,417 --> 00:27:51,291 we well and truly fucked that up for you. 528 00:27:51,291 --> 00:27:54,250 - [laughs] 529 00:27:54,250 --> 00:27:56,458 Good. 530 00:27:56,458 --> 00:27:58,208 You still have spirit. 531 00:27:58,208 --> 00:28:01,125 ♪ ♪ 532 00:28:01,125 --> 00:28:02,750 Something to break. 533 00:28:02,750 --> 00:28:06,125 ♪ ♪ 534 00:28:06,125 --> 00:28:07,542 Did you come alone? 535 00:28:07,542 --> 00:28:09,959 - Wanted to make it extra special for you. 536 00:28:09,959 --> 00:28:13,792 - Ah, come on, don't lie to me. 537 00:28:13,792 --> 00:28:15,583 Where is your boyfriend 538 00:28:15,583 --> 00:28:16,875 from the USA? 539 00:28:16,875 --> 00:28:17,792 Hm? 540 00:28:17,792 --> 00:28:19,625 [electrical fizzing] 541 00:28:19,625 --> 00:28:23,792 - [speaking native language] 542 00:28:23,792 --> 00:28:26,000 - So much for your reputation. 543 00:28:26,000 --> 00:28:27,375 - I can get us out, 544 00:28:27,375 --> 00:28:29,208 but we're talking hours, not minutes. 545 00:28:29,208 --> 00:28:30,917 They have too many safeguards. 546 00:28:30,917 --> 00:28:34,709 - Fortunately, I did not place all my faith in you, Okara. 547 00:28:34,709 --> 00:28:37,709 You forget, our captors are blind. 548 00:28:37,709 --> 00:28:39,542 [intercom beeps] 549 00:28:39,542 --> 00:28:42,458 I have a hostage. 550 00:28:42,458 --> 00:28:46,000 Open the doors before I execute. 551 00:28:46,000 --> 00:28:49,000 [dramatic music] 552 00:28:49,000 --> 00:28:51,000 ♪ ♪ 553 00:28:51,000 --> 00:28:54,083 [defibrillator humming] 554 00:28:54,083 --> 00:28:56,208 ♪ ♪ 555 00:28:56,208 --> 00:28:57,750 - [screams] 556 00:28:57,750 --> 00:28:59,583 ♪ ♪ 557 00:28:59,583 --> 00:29:00,959 - Come on, you gotta let me in there. 558 00:29:00,959 --> 00:29:01,917 Let me in there! 559 00:29:01,917 --> 00:29:03,542 - I can't do that! 560 00:29:03,542 --> 00:29:05,125 - [groaning] 561 00:29:05,125 --> 00:29:07,458 - Open the doors! 562 00:29:07,458 --> 00:29:08,667 ♪ ♪ 563 00:29:08,667 --> 00:29:10,709 [defibrillator humming] 564 00:29:10,709 --> 00:29:12,500 - [groaning] 565 00:29:12,500 --> 00:29:19,625 ♪ ♪ 566 00:29:37,166 --> 00:29:39,166 - Your father... 567 00:29:39,166 --> 00:29:43,834 He was a good man, Omair. 568 00:29:43,834 --> 00:29:45,417 He would not want you 569 00:29:45,417 --> 00:29:48,458 to give into your anger, 570 00:29:48,458 --> 00:29:50,417 to seek revenge. 571 00:29:50,417 --> 00:29:53,458 [uneasy music] 572 00:29:53,458 --> 00:30:00,583 ♪ ♪ 573 00:30:08,208 --> 00:30:11,208 [dramatic music] 574 00:30:11,208 --> 00:30:13,792 ♪ ♪ 575 00:30:13,792 --> 00:30:15,375 - [grunting] You fucking me? 576 00:30:15,375 --> 00:30:18,375 [energetic music] 577 00:30:18,375 --> 00:30:21,291 ♪ ♪ 578 00:30:21,291 --> 00:30:22,542 - Alpha team! 579 00:30:22,542 --> 00:30:29,667 ♪ ♪ 580 00:30:30,208 --> 00:30:31,667 - You're thinking that "this guy 581 00:30:31,667 --> 00:30:32,917 won't actually hurt me." 582 00:30:32,917 --> 00:30:35,583 ♪ ♪ 583 00:30:35,583 --> 00:30:37,583 This guy fucking will. 584 00:30:37,583 --> 00:30:39,750 Now open the fucking doors 585 00:30:39,750 --> 00:30:41,917 and let me in! 586 00:30:41,917 --> 00:30:44,709 All right, last chance. 587 00:30:44,709 --> 00:30:47,959 - [groans] 588 00:30:47,959 --> 00:30:50,917 [quiet music] 589 00:30:50,917 --> 00:30:52,542 - Oh, no, no, no, no, no. 590 00:30:52,542 --> 00:30:53,792 No, no, no, no, come on. 591 00:30:53,792 --> 00:30:55,083 Come on, wake up. 592 00:30:55,083 --> 00:30:56,458 Wake up. Come on. 593 00:30:56,458 --> 00:30:57,917 C-- 594 00:30:57,917 --> 00:30:59,458 ♪ ♪ 595 00:30:59,458 --> 00:31:01,041 Oh, you son of a bitch. 596 00:31:01,041 --> 00:31:08,125 ♪ ♪ 597 00:31:10,041 --> 00:31:11,208 [growls] 598 00:31:18,375 --> 00:31:19,750 [dramatic music] 599 00:31:19,750 --> 00:31:21,417 Oh, come on! 600 00:31:21,417 --> 00:31:28,500 ♪ ♪ 601 00:31:40,667 --> 00:31:43,667 [tense music] 602 00:31:43,667 --> 00:31:50,792 ♪ ♪ 603 00:31:53,917 --> 00:31:56,500 [suspenseful music] 604 00:31:56,500 --> 00:31:59,542 [dramatic music] 605 00:31:59,542 --> 00:32:00,834 ♪ ♪ 606 00:32:00,834 --> 00:32:02,166 - Moving. 607 00:32:02,166 --> 00:32:09,291 ♪ ♪ 608 00:32:24,125 --> 00:32:25,667 - Parker's family. 609 00:32:25,667 --> 00:32:32,834 ♪ ♪ 610 00:32:33,333 --> 00:32:35,166 - Volkan has them. 611 00:32:35,166 --> 00:32:38,208 [quiet synth music] 612 00:32:38,208 --> 00:32:45,375 ♪ ♪ 613 00:32:50,500 --> 00:32:53,667 [syncopated percussive synth music] 614 00:32:53,667 --> 00:33:00,750 ♪ ♪ 615 00:33:03,208 --> 00:33:04,583 [heavy thud] 616 00:33:10,125 --> 00:33:11,583 - Lower your weapons, soldier. 617 00:33:11,583 --> 00:33:14,709 ♪ ♪ 618 00:33:14,709 --> 00:33:16,792 - Volkan. 619 00:33:16,792 --> 00:33:20,500 - Lower your weapon, soldier. 620 00:33:20,500 --> 00:33:21,583 - Let them go. 621 00:33:21,583 --> 00:33:23,625 - [cocks gun] Lower it. 622 00:33:23,625 --> 00:33:30,750 ♪ ♪ 623 00:33:43,834 --> 00:33:45,458 - You can't win this. 624 00:33:45,458 --> 00:33:47,417 - Idrisi is alive. 625 00:33:47,417 --> 00:33:48,750 ♪ ♪ 626 00:33:48,750 --> 00:33:50,458 Do you have any idea what that means? 627 00:33:50,458 --> 00:33:52,000 - And what about when he discovers 628 00:33:52,000 --> 00:33:54,000 what you've done, 629 00:33:54,000 --> 00:33:56,375 turning your back on your own people? 630 00:33:56,375 --> 00:33:59,583 - What happens to me is not important. 631 00:33:59,583 --> 00:34:01,333 He is all that matters. 632 00:34:01,333 --> 00:34:02,750 [gunshot] 633 00:34:02,750 --> 00:34:04,375 - [gasps] 634 00:34:04,375 --> 00:34:08,417 - [gurgles] 635 00:34:08,417 --> 00:34:15,125 ♪ ♪ 636 00:34:15,125 --> 00:34:17,250 - Volkan is dead. 637 00:34:17,250 --> 00:34:21,583 I repeat, Volkan is dead. 638 00:34:21,583 --> 00:34:23,166 - Solid copy on that. 639 00:34:23,166 --> 00:34:25,542 - Parker and his family were held hostage. 640 00:34:25,542 --> 00:34:27,208 They've taken him. 641 00:34:27,208 --> 00:34:29,458 - They must be using him to gain access to the site. 642 00:34:29,458 --> 00:34:31,125 You need to get over there, fast as you can. 643 00:34:31,125 --> 00:34:32,583 I'll try and contact Parker again. 644 00:34:32,583 --> 00:34:34,041 - [groans] 645 00:34:34,041 --> 00:34:37,083 [dramatic music] 646 00:34:37,083 --> 00:34:44,125 ♪ ♪ 647 00:34:44,375 --> 00:34:46,667 - Open the doors! 648 00:34:46,667 --> 00:34:49,667 ♪ ♪ 649 00:34:49,667 --> 00:34:51,792 Open the doors! 650 00:34:54,208 --> 00:34:57,458 [electrical flickering, popping] 651 00:35:02,750 --> 00:35:05,250 - They are not opening the door. 652 00:35:05,250 --> 00:35:07,000 They are not listening to you. 653 00:35:07,000 --> 00:35:08,208 - Fuck you. 654 00:35:08,208 --> 00:35:09,417 [suspenseful music] 655 00:35:09,417 --> 00:35:10,834 - And neither are we. 656 00:35:10,834 --> 00:35:15,500 ♪ ♪ 657 00:35:15,500 --> 00:35:17,333 But you're right. 658 00:35:17,333 --> 00:35:20,375 Maybe a hostage is the way out. 659 00:35:20,375 --> 00:35:22,667 A bullet in the leg, 660 00:35:22,667 --> 00:35:24,750 one in the arm. 661 00:35:24,750 --> 00:35:27,500 We'll see how quickly they open the door 662 00:35:27,500 --> 00:35:30,583 when their most valuable prisoner is under threat. 663 00:35:30,583 --> 00:35:32,750 At least your name still means something, Idrisi. 664 00:35:32,750 --> 00:35:34,041 [defibrillator hums] 665 00:35:34,041 --> 00:35:34,959 Gah! 666 00:35:34,959 --> 00:35:38,000 [dramatic music] 667 00:35:38,000 --> 00:35:44,750 ♪ ♪ 668 00:35:44,750 --> 00:35:46,250 - Stay back! 669 00:35:46,250 --> 00:35:48,959 Back. 670 00:35:48,959 --> 00:35:51,542 Stay back! 671 00:35:51,542 --> 00:35:58,709 ♪ ♪ 672 00:36:06,333 --> 00:36:09,417 [eerie music] 673 00:36:09,417 --> 00:36:12,083 ♪ ♪ 674 00:36:12,083 --> 00:36:13,875 - Okay, fellas. 675 00:36:13,875 --> 00:36:15,917 We need to get to the control room. 676 00:36:15,917 --> 00:36:17,041 - We're in lockdown, sir. 677 00:36:17,041 --> 00:36:18,542 - Come on, guys, look at me. 678 00:36:18,542 --> 00:36:20,667 I'm Colonel Parker. I'm your commanding officer, 679 00:36:20,667 --> 00:36:24,083 and we need to get to the goddamn control room! 680 00:36:24,083 --> 00:36:25,250 - Sir, I'm sorry... [cell phone beeps] 681 00:36:25,250 --> 00:36:28,875 but we can't open the doors. 682 00:36:28,875 --> 00:36:30,208 Sir? 683 00:36:32,750 --> 00:36:33,875 - Hey! Whoa, whoa, whoa. 684 00:36:33,875 --> 00:36:35,166 Easy, easy. 685 00:36:35,166 --> 00:36:37,208 I hope you've come to sort this shit-storm out. 686 00:36:37,208 --> 00:36:40,583 - I'm sorry, buddy. You're gonna have to speak up. 687 00:36:40,583 --> 00:36:42,125 You know, since Grozny, 688 00:36:42,125 --> 00:36:44,166 I am as deaf as a post. 689 00:36:44,166 --> 00:36:47,208 [tense music] 690 00:36:47,208 --> 00:36:48,625 ♪ ♪ 691 00:36:48,625 --> 00:36:49,917 - Down! 692 00:36:49,917 --> 00:36:52,959 [dramatic music] 693 00:36:52,959 --> 00:37:00,083 ♪ ♪ 694 00:37:03,000 --> 00:37:03,959 - On them! 695 00:37:03,959 --> 00:37:11,125 ♪ ♪ 696 00:37:11,625 --> 00:37:12,709 This way. 697 00:37:12,709 --> 00:37:14,125 [tense music] 698 00:37:14,125 --> 00:37:16,625 - [breathing heavily] 699 00:37:16,625 --> 00:37:19,250 ♪ ♪ 700 00:37:19,250 --> 00:37:22,291 [laughs] 701 00:37:22,291 --> 00:37:25,166 You have to keep me alive, huh? 702 00:37:25,166 --> 00:37:26,458 - I'm just doing my job, all right? 703 00:37:26,458 --> 00:37:27,875 - Yeah, but 704 00:37:27,875 --> 00:37:30,125 if you didn't, no one would know. 705 00:37:30,125 --> 00:37:32,625 If it was the other way around, 706 00:37:32,625 --> 00:37:34,000 I wouldn't hesitate. 707 00:37:34,000 --> 00:37:35,166 - That's why I'm the good guy 708 00:37:35,166 --> 00:37:38,291 and you're the bad guy. 709 00:37:38,291 --> 00:37:39,834 - Your enemy is just someone 710 00:37:39,834 --> 00:37:44,500 whose point of view you haven't understood yet. 711 00:37:44,500 --> 00:37:46,000 My father was a farmer. 712 00:37:46,000 --> 00:37:48,166 - I know all about your father. 713 00:37:48,166 --> 00:37:49,417 A Western missile strike 714 00:37:49,417 --> 00:37:51,667 at an incorrectly-identified village. 715 00:37:51,667 --> 00:37:53,709 - Eh. 716 00:37:53,709 --> 00:37:54,792 So you understand. 717 00:37:54,792 --> 00:37:56,166 - Yeah, I understand. 718 00:37:56,166 --> 00:37:57,166 That gave you an excuse to act 719 00:37:57,166 --> 00:37:59,375 like a sociopath. 720 00:37:59,375 --> 00:38:03,625 Bombing hotels, bringing down airliners... 721 00:38:03,625 --> 00:38:06,500 - What do you--Oh! 722 00:38:06,500 --> 00:38:09,500 [desolate music] 723 00:38:09,500 --> 00:38:12,458 ♪ ♪ 724 00:38:12,458 --> 00:38:14,208 More men than bullets. 725 00:38:14,208 --> 00:38:15,250 ♪ ♪ 726 00:38:15,250 --> 00:38:16,500 - Let's go. 727 00:38:16,500 --> 00:38:19,875 ♪ ♪ 728 00:38:19,875 --> 00:38:22,875 [foreboding music] 729 00:38:22,875 --> 00:38:30,041 ♪ ♪ 730 00:38:39,959 --> 00:38:41,750 - They had my whole family, Wyatt. 731 00:38:41,750 --> 00:38:43,208 There was nothing I could do. 732 00:38:43,208 --> 00:38:45,500 - The name Lila Hall mean anything to you? 733 00:38:45,500 --> 00:38:48,041 Her mother was Rachel Sheridan, and they're both dead, 734 00:38:48,041 --> 00:38:49,750 because you lied. You lied to everybody 735 00:38:49,750 --> 00:38:51,041 and you hid Idrisi away in here. 736 00:38:51,041 --> 00:38:52,125 - What I do with men like Idrisi 737 00:38:52,125 --> 00:38:53,834 is about keeping people safe! 738 00:38:53,834 --> 00:38:55,583 - Bullshit. It's about stripes and medals. 739 00:38:55,583 --> 00:38:56,959 Now, I know you got a way in there. 740 00:38:56,959 --> 00:38:58,667 - Yeah, I got another way in. 741 00:38:58,667 --> 00:39:00,750 I got a way out as well for both of us. 742 00:39:00,750 --> 00:39:02,917 Total deniability. 743 00:39:02,917 --> 00:39:04,417 We can walk away. 744 00:39:04,417 --> 00:39:05,750 You can get your life back. 745 00:39:05,750 --> 00:39:07,959 You can go home again. 746 00:39:07,959 --> 00:39:10,750 [dramatic music] 747 00:39:10,750 --> 00:39:11,875 - Haven't you heard? 748 00:39:11,875 --> 00:39:13,083 I'm with 20 now. 749 00:39:13,083 --> 00:39:14,583 Now you get me the hell in there. 750 00:39:14,583 --> 00:39:16,834 ♪ ♪ 751 00:39:16,834 --> 00:39:19,417 - This way. 752 00:39:19,417 --> 00:39:22,417 ♪ ♪ 753 00:39:22,417 --> 00:39:24,125 - [grunts] 754 00:39:24,125 --> 00:39:25,500 - You're the site director. 755 00:39:25,500 --> 00:39:27,250 I'd like to see my husband. 756 00:39:27,250 --> 00:39:29,125 - We're--we're in lockdown. 757 00:39:29,125 --> 00:39:30,417 - Well, take us out of it. 758 00:39:30,417 --> 00:39:32,500 - I can't. System's locked me out. 759 00:39:32,500 --> 00:39:33,792 - I know who designed this place. 760 00:39:33,792 --> 00:39:35,375 I watched her die. 761 00:39:35,375 --> 00:39:37,000 I also know that in lockdown, 762 00:39:37,000 --> 00:39:39,667 you and Parker have the override keys. 763 00:39:39,667 --> 00:39:45,291 ♪ ♪ 764 00:39:45,291 --> 00:39:46,458 Move him! 765 00:39:46,458 --> 00:39:49,625 ♪ ♪ 766 00:39:50,083 --> 00:39:51,959 - Listen, they don't care about you. 767 00:39:51,959 --> 00:39:52,959 They want me. 768 00:39:52,959 --> 00:39:55,458 So use me as bait, hm? 769 00:39:55,458 --> 00:39:56,500 [laughs] 770 00:39:56,500 --> 00:39:58,166 You don't have enough bullets, 771 00:39:58,166 --> 00:39:59,625 and I will not survive 772 00:39:59,625 --> 00:40:04,208 in the hands of a man like Okara. 773 00:40:04,208 --> 00:40:05,667 [dramatic music] 774 00:40:05,667 --> 00:40:07,959 - Wait. 775 00:40:07,959 --> 00:40:09,625 Stop. 776 00:40:09,625 --> 00:40:10,625 Don't move. 777 00:40:10,625 --> 00:40:13,792 ♪ ♪ 778 00:40:13,792 --> 00:40:15,083 - Shh. 779 00:40:15,083 --> 00:40:17,166 ♪ ♪ 780 00:40:17,166 --> 00:40:19,458 The British soldier 781 00:40:19,458 --> 00:40:21,000 is behind you. 782 00:40:21,000 --> 00:40:24,792 - [laughs] 783 00:40:24,792 --> 00:40:27,834 [uneasy music] 784 00:40:27,834 --> 00:40:29,417 ♪ ♪ 785 00:40:29,417 --> 00:40:31,125 Do you think I'm stupid, 786 00:40:31,125 --> 00:40:33,417 Idrisi? 787 00:40:33,417 --> 00:40:36,458 [dramatic music] 788 00:40:36,458 --> 00:40:38,959 ♪ ♪ 789 00:40:38,959 --> 00:40:40,667 [gun clicks] 790 00:40:40,667 --> 00:40:47,792 ♪ ♪ 791 00:40:51,208 --> 00:40:52,667 [gunshot] 792 00:40:52,667 --> 00:40:55,667 [suspenseful music] 793 00:40:55,667 --> 00:41:01,542 ♪ ♪ 794 00:41:01,542 --> 00:41:04,375 - Drop it. 795 00:41:04,375 --> 00:41:05,875 Drop the weapon. 796 00:41:05,875 --> 00:41:07,542 ♪ ♪ 797 00:41:07,542 --> 00:41:09,667 - Not today, Habibie. 798 00:41:09,667 --> 00:41:12,875 ♪ ♪ 799 00:41:12,875 --> 00:41:14,417 - Get on the ground, now! 800 00:41:14,417 --> 00:41:16,041 Hands. 801 00:41:16,041 --> 00:41:17,208 Hands. 802 00:41:17,208 --> 00:41:20,917 ♪ ♪ 803 00:41:20,917 --> 00:41:23,417 Ah, it's nice to see you stayed on mission. 804 00:41:23,417 --> 00:41:26,375 - Well, one of us has got to do a proper job, eh? 805 00:41:26,375 --> 00:41:29,000 - Your boyfriend is rough. [laughs] 806 00:41:29,000 --> 00:41:30,375 - Move. 807 00:41:30,375 --> 00:41:32,500 ♪ ♪ 808 00:41:32,500 --> 00:41:34,041 - How you doing, Omair? 809 00:41:34,041 --> 00:41:35,333 - Fuck you. 810 00:41:35,333 --> 00:41:39,583 ♪ ♪ 811 00:41:41,208 --> 00:41:43,125 [console beeping] 812 00:41:43,125 --> 00:41:44,417 - Faster. 813 00:41:44,417 --> 00:41:46,417 - It's not opening. 814 00:41:46,417 --> 00:41:48,583 Whatever they've been doing has jammed the locks. 815 00:41:48,583 --> 00:41:49,834 [console beeping] 816 00:41:49,834 --> 00:41:52,875 [haunting music] 817 00:41:52,875 --> 00:41:57,917 ♪ ♪ 818 00:41:57,917 --> 00:42:00,291 - Move, move, move! 819 00:42:00,291 --> 00:42:03,250 ♪ ♪ 820 00:42:03,250 --> 00:42:05,083 [gun clicking] 821 00:42:05,083 --> 00:42:11,750 ♪ ♪ 822 00:42:11,750 --> 00:42:13,333 - Got it. 823 00:42:13,333 --> 00:42:16,417 - Open the fucking door! 824 00:42:16,417 --> 00:42:18,125 - I was the one who kept him alive. 825 00:42:18,125 --> 00:42:20,125 You need to understand that. 826 00:42:20,125 --> 00:42:21,792 ♪ ♪ 827 00:42:21,792 --> 00:42:23,959 [alarm sounds] 828 00:42:23,959 --> 00:42:27,000 [dramatic music] 829 00:42:27,000 --> 00:42:31,625 ♪ ♪ 830 00:42:31,625 --> 00:42:32,667 - Contact! 831 00:42:32,667 --> 00:42:33,917 [gunshots] 832 00:42:33,917 --> 00:42:35,250 ♪ ♪ 833 00:42:35,250 --> 00:42:36,291 - Get down! 834 00:42:36,291 --> 00:42:40,375 ♪ ♪ 835 00:42:40,375 --> 00:42:41,500 - Changing! 836 00:42:41,500 --> 00:42:43,917 ♪ ♪ 837 00:42:43,917 --> 00:42:45,458 Shit. Moving! 838 00:42:45,458 --> 00:42:47,458 ♪ ♪ 839 00:42:47,458 --> 00:42:49,041 That's an ammo stack back there. 840 00:42:49,041 --> 00:42:50,500 Lucky I wasn't blown to pieces. 841 00:42:50,500 --> 00:42:52,041 ♪ ♪ 842 00:42:52,041 --> 00:42:53,959 - Shoot to the right! 843 00:42:53,959 --> 00:42:54,959 I'm running low. 844 00:42:54,959 --> 00:43:00,375 ♪ ♪ 845 00:43:00,375 --> 00:43:02,125 - Out! 846 00:43:02,125 --> 00:43:03,125 - I'm out! 847 00:43:03,125 --> 00:43:04,125 - Empty! 848 00:43:04,125 --> 00:43:06,000 - They're out of ammo! 849 00:43:06,000 --> 00:43:06,917 [grunts] 850 00:43:06,917 --> 00:43:08,083 - Shut the fuck up! 851 00:43:08,083 --> 00:43:09,041 - Go! 852 00:43:09,041 --> 00:43:10,083 [rock music] 853 00:43:10,083 --> 00:43:12,041 - Yeah! 854 00:43:12,041 --> 00:43:19,166 ♪ ♪ 855 00:43:25,625 --> 00:43:28,667 - Aren't you guys sick of us saving your asses? 856 00:43:28,667 --> 00:43:31,125 - Ha. Highlight of my day. Move it! 857 00:43:31,125 --> 00:43:35,583 ♪ ♪ 858 00:43:35,583 --> 00:43:36,917 - Ammo dump, 11 o'clock. 859 00:43:36,917 --> 00:43:38,458 - Got it. 860 00:43:38,458 --> 00:43:45,542 ♪ ♪ 861 00:43:51,291 --> 00:43:53,083 - Go! 862 00:43:53,083 --> 00:43:56,083 [music fades] 863 00:43:56,083 --> 00:43:57,875 ♪ ♪ 864 00:43:57,875 --> 00:44:00,875 [desolate music] 865 00:44:00,875 --> 00:44:02,250 ♪ ♪ 866 00:44:02,250 --> 00:44:05,125 - Sit-rep. 867 00:44:05,125 --> 00:44:07,917 - Uh, I've lost touch with Novin and Reynolds. 868 00:44:07,917 --> 00:44:10,542 ♪ ♪ 869 00:44:10,542 --> 00:44:12,667 And no word from Mac and Wyatt. 870 00:44:12,667 --> 00:44:19,750 ♪ ♪ 871 00:44:24,709 --> 00:44:27,709 [dramatic music] 872 00:44:27,709 --> 00:44:28,709 ♪ ♪ 873 00:44:28,709 --> 00:44:29,792 - So your wife and family 874 00:44:29,792 --> 00:44:30,917 are at the NATO base in Zagan. 875 00:44:30,917 --> 00:44:32,041 - Thank you, Captain. 876 00:44:32,041 --> 00:44:33,333 - I've sealed the entrance. 877 00:44:33,333 --> 00:44:34,709 It'll hold them back for a while, 878 00:44:34,709 --> 00:44:35,959 but, uh, we need to get a move on. 879 00:44:35,959 --> 00:44:37,166 - Now we need to talk about Idrisi-- 880 00:44:37,166 --> 00:44:38,667 what we're going to do with him. 881 00:44:38,667 --> 00:44:42,208 - Yeah, sure, let's talk. 882 00:44:42,208 --> 00:44:44,959 We're gonna take him with us, Colonel. 883 00:44:44,959 --> 00:44:48,000 [bass guitar music] 884 00:44:48,000 --> 00:44:49,083 - Which means you-- 885 00:44:49,083 --> 00:44:50,542 you got a long walk home. 886 00:44:50,542 --> 00:44:52,792 MOP strike, asshole. Remember that? 887 00:44:52,792 --> 00:44:54,834 That's the second time you've left me for dead. 888 00:44:54,834 --> 00:44:56,667 - Let's go, Wyatt! 889 00:44:56,667 --> 00:44:58,083 - I'm glad the family's okay. 890 00:44:58,083 --> 00:44:59,625 - Oh, fuck you, Sergeant. 891 00:44:59,625 --> 00:45:00,625 [engine revs] 892 00:45:00,625 --> 00:45:01,959 - Fuck you too, Colonel. 893 00:45:01,959 --> 00:45:09,083 ♪ ♪ 894 00:45:20,625 --> 00:45:23,625 [desolate music] 895 00:45:23,625 --> 00:45:25,500 ♪ ♪ 896 00:45:25,500 --> 00:45:27,750 - Maybe you should call it a day, Will. 897 00:45:27,750 --> 00:45:29,125 - Think I've done it. 898 00:45:29,125 --> 00:45:31,291 - Done what? 899 00:45:31,291 --> 00:45:32,750 - I think I've cracked it. 900 00:45:32,750 --> 00:45:34,000 I think--I think I've cracked the thing that 901 00:45:34,000 --> 00:45:36,417 Lowry was talking about, Tenebrae. 902 00:45:36,417 --> 00:45:38,500 There weren't any, uh, references 903 00:45:38,500 --> 00:45:41,792 or logs or databases or anything like that, but... 904 00:45:41,792 --> 00:45:43,917 But when you digitally remove something, 905 00:45:43,917 --> 00:45:46,375 you can leave traces. 906 00:45:46,375 --> 00:45:48,291 I've been chasing the ghosts in the machine. 907 00:45:48,291 --> 00:45:50,125 - I told you to leave it for now. 908 00:45:50,125 --> 00:45:51,375 ♪ ♪ 909 00:45:51,375 --> 00:45:53,333 - Never could resist a challenge. 910 00:45:53,333 --> 00:46:00,500 ♪ ♪ 911 00:46:06,500 --> 00:46:09,041 Wait, what? Hold on. 912 00:46:09,041 --> 00:46:10,208 [dramatic music] 913 00:46:10,208 --> 00:46:12,166 ♪ ♪ 914 00:46:12,166 --> 00:46:15,166 [groaning, gasping] 915 00:46:15,166 --> 00:46:20,709 ♪ ♪ 916 00:46:20,709 --> 00:46:23,417 - I'm sorry. I'm sorry. 917 00:46:23,417 --> 00:46:26,166 I'm sorry, Will. I'm sorry. 918 00:46:26,166 --> 00:46:28,500 I've got no choice. I'm sorry. I'm sorry. 919 00:46:28,500 --> 00:46:31,500 - [choked gasping] 920 00:46:31,500 --> 00:46:38,709 ♪ ♪ 921 00:46:58,375 --> 00:47:01,375 [ominous music] 922 00:47:01,375 --> 00:47:08,500 ♪ ♪ 923 00:47:27,542 --> 00:47:29,500 - We've got the package. 924 00:47:29,500 --> 00:47:31,041 Over. 925 00:47:31,041 --> 00:47:34,583 ♪ ♪ 926 00:47:34,583 --> 00:47:37,750 [The Heavy's "Short Change Hero"] 927 00:47:37,750 --> 00:47:39,417 ♪ ♪ 928 00:47:39,417 --> 00:47:44,125 - ♪ I can't see where you coming from ♪ 929 00:47:44,125 --> 00:47:48,542 ♪ But I know just what you runnin' from ♪ 930 00:47:48,542 --> 00:47:52,750 ♪ And what matters ain't the "who's baddest" ♪ 931 00:47:52,750 --> 00:47:57,375 ♪ But the ones who stop you falling from your ladder ♪ 932 00:47:57,375 --> 00:48:03,041 ♪ 'Cause this ain't no place for no hero ♪ 933 00:48:03,041 --> 00:48:07,792 ♪ This ain't no place for no better man ♪ 934 00:48:07,792 --> 00:48:13,792 ♪ This ain't no place for no hero to call home ♪ 935 00:48:13,792 --> 00:48:20,959 ♪ ♪ 936 00:48:27,959 --> 00:48:31,041 [synth tone] 937 00:48:31,041 --> 00:48:34,166 [ringing tone] 938 00:48:34,166 --> 00:48:36,959 [engine revving] 939 00:48:38,166 --> 00:48:39,875 -♪ (TENSE DRUM BEAT PLAYS) ♪ -(FOOTSTEPS) 940 00:48:39,875 --> 00:48:41,375 Shit, tangos incoming. Should we, uh, 941 00:48:41,375 --> 00:48:43,000 -sort this out in a bit? -Is it bad? 942 00:48:43,834 --> 00:48:45,208 THOMAS MCALLISTER: Yeah, it's pretty bad. 943 00:48:45,583 --> 00:48:47,542 -Any last words? -Fuck you. 944 00:48:49,000 --> 00:48:50,500 ♪ (TENSE DRUM BEAT CONTINUES) ♪ 945 00:48:50,667 --> 00:48:51,834 -(GUNFIRE) -(GROANS) 946 00:48:53,333 --> 00:48:54,291 (GLASS BREAKING) 947 00:48:58,083 --> 00:48:59,542 ♪ (TENSE MUSIC INTENSIFIES) ♪ 948 00:49:07,834 --> 00:49:09,000 ♪ (ROCK MUSIC PLAYING) ♪ 949 00:49:09,792 --> 00:49:11,500 -(DEFIBRILLATOR BUZZING) -(SCREAMING) 950 00:49:11,500 --> 00:49:13,834 I was sat on a chair, trying to do electrocuted acting 951 00:49:13,834 --> 00:49:16,417 which was pretty tough. I was super sore the next day. 952 00:49:16,417 --> 00:49:18,500 Just cause of-- (GRUNTING) 953 00:49:18,500 --> 00:49:20,333 It was better than that, I think, on the day. 954 00:49:20,333 --> 00:49:21,083 (GRUNTS) 955 00:49:21,458 --> 00:49:24,041 We-- you know-- we stretch things a little bit. 956 00:49:24,041 --> 00:49:26,000 And I'm sure there's gonna be loads of guys-- 957 00:49:26,000 --> 00:49:28,542 "Uh, I'm very sorry, but when you use the defibrillator 958 00:49:28,542 --> 00:49:30,709 over the trousers, that wouldn't actually work." 959 00:49:30,709 --> 00:49:32,375 You can't really test it out, can you? 960 00:49:33,291 --> 00:49:35,375 (DEFIBRILLATOR BEEPING) 961 00:49:36,834 --> 00:49:37,667 (GRUNTING) 962 00:49:37,875 --> 00:49:39,041 MJ BASSETT: Omair Idrisi is still alive. 963 00:49:39,041 --> 00:49:40,959 And he's being tortured for information. 964 00:49:40,959 --> 00:49:42,583 They take him to death, they resurrect him. 965 00:49:42,834 --> 00:49:44,375 They take him to death, they resurrect him. 966 00:49:44,375 --> 00:49:46,166 I thought that was a fascinating idea. 967 00:49:46,166 --> 00:49:47,875 Human body can only take so much. 968 00:49:47,875 --> 00:49:50,500 The notion that he could be freed, 969 00:49:50,500 --> 00:49:53,625 and the world would know that western forces have lied... 970 00:49:53,625 --> 00:49:54,875 Also the fact that he would bring 971 00:49:54,875 --> 00:49:56,709 the Jihadi organizations together, 972 00:49:56,709 --> 00:49:58,208 makes him very, very dangerous. 973 00:49:58,208 --> 00:49:59,667 We start again in an hour. 974 00:50:01,834 --> 00:50:04,000 DANIEL MACPHERSON: To work our way to Idrisi 975 00:50:04,000 --> 00:50:07,166 we have to go through a sewer and a series of tunnels 976 00:50:07,166 --> 00:50:08,542 and find our way through a grate 977 00:50:08,542 --> 00:50:10,625 into this black site in Poland. 978 00:50:10,875 --> 00:50:12,542 I actually get quite claustrophobic. 979 00:50:12,750 --> 00:50:15,333 And we were shooting in some of these underground tunnels, 980 00:50:15,333 --> 00:50:16,792 it was like a maze down there. 981 00:50:16,792 --> 00:50:19,417 -It's just dark-- -Dilapidated and-- 982 00:50:19,417 --> 00:50:20,917 -Damp-- -Eerie and-- 983 00:50:20,917 --> 00:50:22,750 -Cold-- -Spooky as hell. 984 00:50:22,750 --> 00:50:26,250 -And nine straight days. -It looks spectacular. 985 00:50:26,250 --> 00:50:28,000 Do I ever want to go back? No. 986 00:50:28,000 --> 00:50:29,041 (LAUGHS) 987 00:50:29,417 --> 00:50:30,792 Get down! 988 00:50:30,792 --> 00:50:33,583 We've got wounds all the time, and there's blood all over us, 989 00:50:33,583 --> 00:50:36,333 and there's dirt all over us and-- and it's fantastic. 990 00:50:36,333 --> 00:50:37,583 (GUNFIRE) 991 00:50:37,583 --> 00:50:39,792 Aren't you guys sick of us saving your asses? 992 00:50:39,792 --> 00:50:41,417 It's a running theme, isn't it? 993 00:50:41,417 --> 00:50:42,291 Highlight of my day. 994 00:50:42,500 --> 00:50:43,625 It wouldn't be a Strike Back episode 995 00:50:43,625 --> 00:50:44,917 without the girls coming to rescue us. 996 00:50:44,917 --> 00:50:48,083 Lots of kick-ass sequences, big explosions... 997 00:50:48,083 --> 00:50:49,083 Go! 998 00:50:49,083 --> 00:50:50,834 ALIN SUMARWATA: It does not stop. 999 00:50:51,792 --> 00:50:53,875 What comes to the foreground in our story 1000 00:50:53,875 --> 00:50:54,917 is Project Tenebrae. 1001 00:50:54,917 --> 00:50:57,125 Right now I am trying to protect Jensen. 1002 00:50:57,625 --> 00:51:00,792 No. Right now you are hiding something from me. 1003 00:51:00,792 --> 00:51:03,291 Donovan knows that she has to close this down. 1004 00:51:03,291 --> 00:51:04,333 I think I've cracked it. 1005 00:51:05,458 --> 00:51:08,125 The Section has got too close to finding the secrets 1006 00:51:08,125 --> 00:51:09,458 which is why poor Will Jensen 1007 00:51:09,458 --> 00:51:11,417 ends up with a plastic bag over his head. 1008 00:51:11,959 --> 00:51:13,250 -(GRUNTING) -Don't move. 1009 00:51:14,125 --> 00:51:15,291 Not cool, dude. 1010 00:51:15,291 --> 00:51:18,375 No one wanted that. No one wanted Jensen to die. 1011 00:51:18,375 --> 00:51:20,542 It's about her covering her own tracks. 1012 00:51:20,542 --> 00:51:22,291 Her trying to fix her own mistakes. 1013 00:51:22,291 --> 00:51:27,500 And, uh... that will all unravel as the series progresses. 64170

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