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All language subtitles for Billboard.Dad.1998.480p.DVDRip.x264.AAC-[YTS.MX]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:35,736 --> 00:00:37,538 NICE RIDE. 4 00:00:37,571 --> 00:00:40,541 HEY, SAY HELLO TO YOUR DAD FOR ME. 5 00:00:40,574 --> 00:00:43,209 HAVEN'T SEEN THE BIG KAHUNA FOR A WHILE. 6 00:00:47,280 --> 00:00:49,249 Girl: GREETINGS FROM VENICE, CALIFORNIA. 7 00:00:49,282 --> 00:00:52,819 HI. I'M EMILY TYLER, AND I'M A PRETTY LUCKY KID. 8 00:00:52,853 --> 00:00:56,389 MY SISTER TESS AND I LIVE IN ABOUT THE GREATEST PLACE YOU CAN IMAGINE. 9 00:00:56,422 --> 00:00:59,560 PEOPLE COME HERE ON VACATION FROM ALL OVER THE WORLD, 10 00:00:59,593 --> 00:01:02,596 BUT FOR US, THIS IS OUR BACKYARD. 11 00:01:02,629 --> 00:01:04,598 THIS IS THE FAMOUS VENICE BOARDWALK. 12 00:01:04,631 --> 00:01:07,133 IT'S GOT COOL SHOPS, GREAT PLACES TO EAT, 13 00:01:07,167 --> 00:01:10,470 AND TONS OF INTERESTING PEOPLE AND THINGS TO LOOK AT. 14 00:01:10,504 --> 00:01:14,474 IT MIGHT NOT LOOK LIKE A TYPICAL NEIGHBORHOOD, BUT YOU'D BE SURPRISED. 15 00:01:14,508 --> 00:01:16,710 THE PEOPLE WHO LIVE HERE ARE THE GREATEST. 16 00:01:16,743 --> 00:01:18,845 THE REAL WAY YOU CAN JUDGE A PLACE 17 00:01:18,879 --> 00:01:21,214 IS WHEN THINGS AREN'T GOING SO WELL. 18 00:01:21,247 --> 00:01:24,450 A COUPLE OF YEARS AGO WAS A DIFFICULT TIME FOR OUR FAMILY. 19 00:01:24,484 --> 00:01:26,820 EVERYONE AROUND HERE REALLY PITCHED IN. 20 00:01:26,853 --> 00:01:29,122 BUT MORE ABOUT THAT LATER. 21 00:01:30,190 --> 00:01:31,157 HEY, TESS. 22 00:01:31,191 --> 00:01:32,158 EMILY. 23 00:01:32,192 --> 00:01:33,226 OOPS. 24 00:01:33,259 --> 00:01:35,529 MY SISTER AND I ARE A LOT ALIKE. 25 00:01:35,562 --> 00:01:37,898 IN FACT, SOME PEOPLE CAN'T EVEN TELL US APART. 26 00:01:37,931 --> 00:01:40,634 BUT WE ARE REALLY VERY DIFFERENT. 27 00:01:40,667 --> 00:01:43,704 TESS IS BETTER AT MOST SPORTS, BUT I'M A BETTER SURFER. 28 00:01:43,737 --> 00:01:46,472 MY SISTER IS LEFT‐HANDED, AND I'M RIGHT‐HANDED. 29 00:01:46,507 --> 00:01:47,841 TESS LIKES BOYS... 30 00:01:47,874 --> 00:01:49,610 AND I LIKE BOYS. 31 00:01:49,643 --> 00:01:52,746 WELL, THERE'S GOT TO BE SOME THINGS WE AGREE ON. 32 00:01:56,917 --> 00:01:59,886 OH, AND ANOTHER THING WE AGREE ON‐‐ 33 00:01:59,920 --> 00:02:02,889 WE'VE GOT ABOUT THE GREATEST DAD IN THE WORLD. 34 00:02:02,923 --> 00:02:06,660 ANYWAY, WE'RE JUST A COUPLE KIDS FROM VENICE, CALIFORNIA. 35 00:02:06,693 --> 00:02:09,495 IT ISN'T JUST A COOL PLACE TO VISIT. 36 00:02:09,530 --> 00:02:11,164 IT'S OUR HOME. 37 00:02:16,570 --> 00:02:19,540 HEY, EMILY. HAVE YOU SEEN THE WHISK? 38 00:02:20,507 --> 00:02:22,543 WHAT? 39 00:02:22,576 --> 00:02:24,511 WE LOST THE WHISK? 40 00:02:24,545 --> 00:02:27,180 OH, NO, OH, NO, OH, NO, OH, NO! 41 00:02:28,615 --> 00:02:31,284 HOW CAN WE GO ON? OHH! 42 00:02:31,317 --> 00:02:33,687 DO YOU EVEN KNOW WHAT A WHISK IS? 43 00:02:33,720 --> 00:02:34,688 I HAVE NO IDEA. 44 00:02:34,721 --> 00:02:35,856 IT'S WHAT ALL THE GREAT CHEFS USE 45 00:02:35,889 --> 00:02:37,190 TO SCRAMBLE THEIR EGGS. 46 00:02:37,223 --> 00:02:37,891 WHAT'S WRONG WITH FORKS? 47 00:02:37,924 --> 00:02:39,292 IT BRUISES THE EGGS. 48 00:02:39,325 --> 00:02:40,927 NEXT YOU'RE GONNA BE WORRIED 49 00:02:40,961 --> 00:02:42,729 ABOUT HURTING THEIR FEELINGS. 50 00:02:42,763 --> 00:02:44,865 HERE...WATCH. 51 00:02:46,800 --> 00:02:49,603 YUP. UH‐HUH. 52 00:02:53,707 --> 00:02:54,741 HA! 53 00:02:55,942 --> 00:02:57,978 ♪ SCRAM, SCRAM, SCRAM ♪ 54 00:02:58,011 --> 00:02:59,580 ♪ SCRAMBLE, SCRAMBLE ♪ 55 00:02:59,613 --> 00:03:01,247 WHOO‐HOO! 56 00:03:01,281 --> 00:03:02,783 SCRAMBLED EGGS. 57 00:03:02,816 --> 00:03:04,551 NO, NO, NO. 58 00:03:07,921 --> 00:03:09,222 [GIGGLES] 59 00:03:12,993 --> 00:03:15,328 THAT... IS SCRAMBLED EGGS. 60 00:03:15,361 --> 00:03:17,798 HA HA! 61 00:03:17,831 --> 00:03:19,232 [MACHINERY BUZZING] 62 00:03:19,265 --> 00:03:21,267 DAD'S BEEN WORKING AGAIN. 63 00:03:21,301 --> 00:03:22,903 LET'S BRING HIM BREAKFAST. 64 00:03:33,013 --> 00:03:35,816 Emily, voice‐over: THIS IS OUR DAD. HE'S A SCULPTOR. 65 00:03:35,849 --> 00:03:38,585 NOT THE STARVING‐ARTIST KIND. MAYBE YOU'VE SEEN HIS WORK. 66 00:03:38,619 --> 00:03:40,987 EVER SINCE OUR MOTHER DIED TWO YEARS AGO, 67 00:03:41,021 --> 00:03:43,657 IT SEEMS LIKE ALL HE EVER DOES IS WORK. 68 00:03:43,690 --> 00:03:47,260 THAT'S GREAT FOR HIS FANS, BUT NOT SO GREAT FOR US. 69 00:03:54,000 --> 00:03:54,968 MORNING, DADDY. 70 00:03:55,001 --> 00:03:56,036 MORNING, DAD. 71 00:03:56,069 --> 00:03:59,005 OH, MORNING, MONSTER. MORNING, MUNCHKIN. COME HERE. 72 00:03:59,039 --> 00:04:00,774 YOU'RE SO DIRTY. 73 00:04:00,807 --> 00:04:02,308 DIRTY MAN. DIRTY MAN. 74 00:04:02,342 --> 00:04:03,844 [KISSING LOUDLY] 75 00:04:03,877 --> 00:04:05,378 OH. 76 00:04:08,849 --> 00:04:10,383 WHISK. 77 00:04:10,416 --> 00:04:13,053 OH, THERE IT IS. I WAS LOOKING FOR THAT ALL NIGHT. 78 00:04:13,086 --> 00:04:15,288 IF I COULD ONLY FIND MY BLOWTORCH. 79 00:04:15,321 --> 00:04:16,823 IT'S UNDER THE COFFEEPOT. 80 00:04:16,857 --> 00:04:17,858 AH! 81 00:04:17,891 --> 00:04:20,761 YOU'VE BEEN WORKING ALL NIGHT AGAIN, HAVEN'T YOU. 82 00:04:20,794 --> 00:04:23,764 ALL NIGHT? WHAT? IS IT MORNING ALREADY? 83 00:04:23,797 --> 00:04:27,033 WELL...SEE THAT BRIGHT STUFF OUT THERE? 84 00:04:27,067 --> 00:04:29,035 HEAR THE BIRDS CHIRPING? 85 00:04:29,069 --> 00:04:30,671 YES, YES, I DO. 86 00:04:30,704 --> 00:04:31,672 OHH... 87 00:04:31,705 --> 00:04:32,873 DAD, IT'S EXCELLENT. 88 00:04:32,906 --> 00:04:34,040 YEAH. 89 00:04:34,074 --> 00:04:35,776 WHAT HAPPENS HERE? 90 00:04:35,809 --> 00:04:38,645 YOU KNOW, I'M NOT REALLY SURE YET. 91 00:04:38,679 --> 00:04:40,046 ANYWAY, I'M WORKING MORE 92 00:04:40,080 --> 00:04:43,650 FROM SORT OF A FEELING PLACE THESE DAYS. 93 00:04:43,684 --> 00:04:46,853 WELL, YOU CAN'T WORK ON AN EMPTY STOMACH, SO COME ON, LET'S EAT. 94 00:04:46,887 --> 00:04:48,021 COME ON. 95 00:04:48,054 --> 00:04:49,823 OH! OH, LOOK AT THIS. 96 00:04:49,856 --> 00:04:51,825 GREAT! 97 00:04:51,858 --> 00:04:54,094 DAD, YOU MISSED KILLER WAVES THIS MORNING. 98 00:04:54,127 --> 00:04:56,663 EL NIÑO SENT US SOME AWESOME 6‐FOOTERS. 99 00:04:56,697 --> 00:04:58,665 HOW COME YOU NEVER GO SURFING ANYMORE? 100 00:04:58,699 --> 00:05:01,702 YOU USED TO BE THE FIRST ONE ON THE BEACH. 101 00:05:01,735 --> 00:05:02,903 OH... I DON'T KNOW. 102 00:05:02,936 --> 00:05:05,005 I GUESS I JUST HAVEN'T FELT LIKE IT. 103 00:05:06,707 --> 00:05:08,975 ARE YOU STILL GONNA MEET US FOR ICE CREAM LATER? 104 00:05:09,009 --> 00:05:11,044 ICE...OH, YEAH. 105 00:05:11,077 --> 00:05:12,478 YEAH, OF COURSE. 106 00:05:16,082 --> 00:05:17,851 DAD, ARE YOU OK? 107 00:05:20,086 --> 00:05:22,122 YEAH. SURE. WHY? 108 00:05:22,155 --> 00:05:24,991 IT'S JUST LATELY, YOU SEEM KIND OF OUT OF IT. 109 00:05:25,025 --> 00:05:27,393 NO. I HAVEN'T BEEN OUT OF IT. 110 00:05:27,427 --> 00:05:29,029 I HAVE BEEN TOTALLY WITH IT. 111 00:05:29,062 --> 00:05:30,496 DAD! DAD! 112 00:05:31,932 --> 00:05:33,433 WHAT IS THAT? 113 00:05:33,466 --> 00:05:35,001 ORANGE JUICE. 114 00:05:35,035 --> 00:05:36,036 OH, MY GOD. 115 00:05:36,069 --> 00:05:37,437 Tess: ON CEREAL? 116 00:05:37,470 --> 00:05:38,739 I WANTED MILK. 117 00:05:38,772 --> 00:05:39,740 [BEEP] 118 00:05:39,773 --> 00:05:41,908 IT'S ME. I FORGOT MY KEY. 119 00:05:41,942 --> 00:05:43,476 WHAT'S THE PASSWORD? 120 00:05:43,510 --> 00:05:45,779 I'VE GOT A CLIENT WITH ME, SWEETIE. 121 00:05:45,812 --> 00:05:47,447 THEY LOVE TO TEASE ME. 122 00:05:47,480 --> 00:05:49,115 JUST GO LET HIM IN. 123 00:05:49,149 --> 00:05:50,350 ALL RIGHTY. 124 00:05:52,519 --> 00:05:56,089 I DISCOVERED MAXWELL WHEN HE WAS JUST A STUDENT IN FLORENCE‐‐ 125 00:05:56,122 --> 00:05:59,926 CLASSICALLY TRAINED BUT VERY HIP, VERY NOW, VERY CUTTING‐EDGE. EDGY. 126 00:05:59,960 --> 00:06:02,395 Emily, voice‐over: THIS IS NIGEL, MY DAD'S AGENT. 127 00:06:02,428 --> 00:06:03,930 HE'S LIKE FAMILY‐‐ 128 00:06:03,964 --> 00:06:07,067 THE KIND OF FAMILY THAT MOVES IN AND NEVER LEAVES. 129 00:06:12,205 --> 00:06:14,508 HI, NIGE. 130 00:06:14,541 --> 00:06:16,943 AND THE PASSWORD IS? 131 00:06:16,977 --> 00:06:20,080 Nigel: CLIENT. WHERE'S YOUR DADDY? 132 00:06:20,113 --> 00:06:23,950 IN THE STUDIO CREATING HIS LATEST MASTERPIECE? 133 00:06:37,230 --> 00:06:38,198 AH. 134 00:06:38,231 --> 00:06:39,733 DAD. DAD. 135 00:06:39,766 --> 00:06:42,503 YEAH, YEAH, YEAH. GO SIT DOWN. 136 00:06:44,237 --> 00:06:45,872 HI. 137 00:06:48,909 --> 00:06:50,076 MAX TYLER. 138 00:06:50,110 --> 00:06:51,545 ENOLA RUBINSTEIN. 139 00:06:51,578 --> 00:06:53,980 AS IN THE RUBINSTEIN FOUNDATION. 140 00:06:54,014 --> 00:06:55,215 MRS. RUBINSTEIN. 141 00:06:55,248 --> 00:06:56,983 MS. RUBINSTEIN. 142 00:06:57,017 --> 00:07:01,988 THE PIECE I WANT TO SHOW YOU IS RIGHT OVER THIS WAY. 143 00:07:02,022 --> 00:07:03,189 IS HE SINGLE? 144 00:07:03,223 --> 00:07:04,224 WIDOWER. 145 00:07:04,257 --> 00:07:05,526 EXCELLENT. 146 00:07:16,036 --> 00:07:18,138 THIS ONE... 147 00:07:18,171 --> 00:07:20,907 IS BREATHTAKING. 148 00:07:20,941 --> 00:07:22,108 THAT'S OUR MOTHER. 149 00:07:22,142 --> 00:07:23,910 REALLY. 150 00:07:23,944 --> 00:07:25,579 SHE WAS A BALLERINA. 151 00:07:25,612 --> 00:07:28,481 DAD FELL FOR HER THE FIRST TIME HE EVER SAW HER DANCE. 152 00:07:28,515 --> 00:07:30,851 IT WAS LOVE AT FIRST SIGHT. 153 00:07:30,884 --> 00:07:34,921 LATER, HE WAITED FOR HER BACKSTAGE WITH A HUGE BOUQUET OF ROSES. 154 00:07:34,955 --> 00:07:37,858 AND SHE FLIPPED FOR HIM. WHO WOULDN'T? 155 00:07:37,891 --> 00:07:41,027 AND FROM THAT DAY ON, THEY WERE NEVER APART. 156 00:07:41,061 --> 00:07:44,097 DAD SAID THAT EVERY DAY WITH HER WAS MAGIC. 157 00:07:44,130 --> 00:07:46,499 HOW UTTERLY ROMANTIC. 158 00:07:47,868 --> 00:07:50,170 I MUST HAVE HIM. 159 00:07:52,005 --> 00:07:53,106 IT. 160 00:07:53,139 --> 00:07:54,908 HOW MUCH? 161 00:07:54,941 --> 00:07:57,944 I'M SORRY. THIS PIECE ISN'T FOR SALE. 162 00:07:57,978 --> 00:08:00,547 NIGEL WILL LET YOU KNOW WHAT'S AVAILABLE. 163 00:08:00,581 --> 00:08:02,115 EXCUSE US. 164 00:08:04,851 --> 00:08:07,921 ARTISTS. THEY'RE SO TEMPERAMENTAL, SO MOODY, 165 00:08:07,954 --> 00:08:09,956 SO...YOU KNOW. 166 00:08:09,990 --> 00:08:14,227 AND CALL MY CONTRACTOR WHEN THE SCULPTURE'S READY TO BE DELIVERED. 167 00:08:14,260 --> 00:08:18,599 THERE'S AN EXTRA 25% IN IT FOR YOU IF YOU GET ME A DATE WITH MAX. 168 00:08:18,632 --> 00:08:22,636 WISH I COULD, DOVE. HE HASN'T GOTTEN OVER LOSING HIS WIFE. 169 00:08:22,669 --> 00:08:25,839 YES, WHAT A SHAME. WHAT A TRAGEDY. 170 00:08:25,872 --> 00:08:29,576 AND YET, HIS ANGUISH KEEPS YOU IN ARMANI. 171 00:08:36,049 --> 00:08:37,050 TA, DARLING. 172 00:08:37,083 --> 00:08:38,519 TA, DEAR. 173 00:08:56,903 --> 00:09:00,340 THE BANK WON'T CASH THAT IF THERE'S SLOBBER ON IT. 174 00:09:00,373 --> 00:09:03,076 NICE SUIT! 175 00:09:03,109 --> 00:09:05,879 ANOTHER ROLEX? 176 00:09:05,912 --> 00:09:08,582 I SAW YOUR NEW RANGE ROVER PARKED OUTSIDE. 177 00:09:08,615 --> 00:09:11,217 HOW COME DAD'S STILL DRIVING HIS OLD CUTLASS, 178 00:09:11,251 --> 00:09:14,120 AND YOU GET A NEW CAR EVERY OTHER MONTH? 179 00:09:14,154 --> 00:09:17,858 I HAVE TO LOOK SUCCESSFUL IN THE CIRCLES I TRAVEL. 180 00:09:17,891 --> 00:09:20,160 I DON'T WANT THE NEXT PERSON I MEET 181 00:09:20,193 --> 00:09:22,362 TO THINK THAT THEY'RE THE FIRST PERSON 182 00:09:22,395 --> 00:09:24,898 TO WRITE ME A BIG CHECK. 183 00:09:24,931 --> 00:09:26,900 NOW, SPEAKING OF BIG CHECKS, 184 00:09:26,933 --> 00:09:29,970 I THINK I'LL WALK THIS ONE TO THE BANK. 185 00:09:33,173 --> 00:09:36,076 THERE'S SOMETHING FISHY ABOUT THAT GUY. 186 00:09:36,109 --> 00:09:40,681 FISHY? ALL YOU NEED IS MAYONNAISE, AND YOU'VE GOT TUNA SALAD. 187 00:09:40,714 --> 00:09:44,718 Emily, voice‐over: THIS IS OUR SWIM CLUB, HOME OF OUR DIVING TEAM, 188 00:09:44,751 --> 00:09:46,252 THE WEST SIDE SQUIDS. 189 00:09:46,286 --> 00:09:48,622 EVERY YEAR, THERE'S A DIVING MEET 190 00:09:48,655 --> 00:09:51,958 BETWEEN THE SQUIDS AND OUR BIG RIVALS FROM THE PALOS VERDES SWIM CLUB. 191 00:09:51,992 --> 00:09:54,928 MY SISTER TESS IS THE BEST DIVER ON THE TEAM. 192 00:09:54,961 --> 00:09:57,030 ME? I DO OK. 193 00:10:02,035 --> 00:10:04,671 AND THIS IS BRAD, OUR SWIM COACH. 194 00:10:04,705 --> 00:10:06,239 NEED I SAY MORE? 195 00:10:06,272 --> 00:10:08,675 GREAT TRY, EMILY. YOU'RE GETTING BETTER. 196 00:10:08,709 --> 00:10:10,644 THANKS, BOD! 197 00:10:10,677 --> 00:10:12,278 I MEAN, BRAD. 198 00:10:20,787 --> 00:10:23,256 I'VE NEVER TRAINED A MORE BEAUTIFUL AND TALENTED DIVER. 199 00:10:23,289 --> 00:10:25,225 CAN I TAKE YOU TO THE NEXT SEVENTH GRADE DANCE? 200 00:10:25,258 --> 00:10:27,694 PICK ME UP AT...7:30? 201 00:10:27,728 --> 00:10:29,262 [DING] 202 00:10:31,231 --> 00:10:32,265 [BLOWS WHISTLE] 203 00:10:32,298 --> 00:10:33,700 NEXT! 204 00:10:33,734 --> 00:10:35,636 Girl: ISN'T TESS GONNA DIVE? 205 00:10:42,142 --> 00:10:44,010 SEE YOU LATER. 206 00:10:44,044 --> 00:10:45,779 YO, LOVE‐STRUCK. PUT THIS ON MY BACK. 207 00:10:45,812 --> 00:10:48,114 I DON'T WANT TO GET SUNBURNED. 208 00:10:48,148 --> 00:10:50,083 ALL RIGHT, ALREADY. I'M NOT YOUR SLAVE GIRL. 209 00:10:52,018 --> 00:10:53,319 OOPS. 210 00:10:53,353 --> 00:10:56,156 YOU KNOW, IF YOU CONCENTRATED AS MUCH ON YOUR DIVING 211 00:10:56,189 --> 00:10:58,358 AS YOU DO ON THE DIVING INSTRUCTOR, 212 00:10:58,391 --> 00:11:00,994 WE MIGHT HAVE A CHANCE TO WIN THE REGIONALS. 213 00:11:01,027 --> 00:11:04,264 I CAN'T HELP IT. HE'S A HUNK‐A‐SAURUS. 214 00:11:04,297 --> 00:11:07,701 HOW COULD YOU NOT THINK THAT HE ISN'T TOTALLY DELISH? 215 00:11:07,734 --> 00:11:08,769 HE'S NOT HER TYPE. 216 00:11:08,802 --> 00:11:10,070 AND WHAT'S MY TYPE? 217 00:11:10,103 --> 00:11:12,005 A MAN WHO CAN JAM, A DUDE WITH A 'TUDE, 218 00:11:12,038 --> 00:11:13,740 A TOWER OF POWER, CAN REALLY ROCK THE SHOWER. 219 00:11:13,774 --> 00:11:15,075 ROCK THE WHAT? 220 00:11:15,108 --> 00:11:17,043 I GOT TO WORK ON MY RHYMING. 221 00:11:17,077 --> 00:11:18,812 Emily, voice‐over: THIS IS CODY. 222 00:11:18,845 --> 00:11:20,814 WE'VE KNOWN HIM SINCE... FOREVER. 223 00:11:20,847 --> 00:11:22,983 HE LIVES IN THE NEIGHBORHOOD. 224 00:11:23,016 --> 00:11:25,318 CODY ALSO HAS A BIG CRUSH ON MY SISTER TESS, 225 00:11:25,351 --> 00:11:28,021 AND SHE'S THE ONLY ONE THAT DOESN'T KNOW ABOUT IT. 226 00:11:28,054 --> 00:11:29,122 CHECK THIS OUT. 227 00:11:29,155 --> 00:11:32,192 TWO TICKETS TO THE NO DOUBT CONCERT FOR NEXT WEEKEND. 228 00:11:32,225 --> 00:11:34,427 MY OLD MAN WORKED ON THEIR LAST ALBUM. 229 00:11:34,460 --> 00:11:36,329 I GOT BACKSTAGE PASSES. 230 00:11:36,362 --> 00:11:39,065 THAT'S SO COOL! THEY'RE MY FAVORITE BAND. 231 00:11:39,099 --> 00:11:42,102 GOOD. I WAS HOPING ONE OF YOU MIGHT BE UP FOR IT. 232 00:11:42,135 --> 00:11:45,305 OUR DAD WON'T LET US GO TO CONCERTS WITHOUT A RESPONSIBLE ADULT. 233 00:11:45,338 --> 00:11:47,273 MY AU PAIR WILL BE THERE. SHE'S 18. 234 00:11:47,307 --> 00:11:50,476 SHE SAID "RESPONSIBLE." YOUR AU PAIR USED TO BE A GROUPIE. 235 00:11:50,511 --> 00:11:53,213 Tess: YOUR DAD MET HER ON TOUR. 236 00:11:53,246 --> 00:11:54,147 [WHISTLE BLOWS] 237 00:11:54,180 --> 00:11:56,883 TESS! WHY DON'T YOU SHOW 'EM HOW IT'S DONE? 238 00:12:03,557 --> 00:12:05,258 Emily: HEY, JULES. HEY, KRISTEN. 239 00:12:05,291 --> 00:12:07,127 WHO'S THAT? 240 00:12:07,160 --> 00:12:09,262 SOME NEW KID. 241 00:12:09,295 --> 00:12:11,164 HEARD HE'S FROM HOLLYWEIRD. 242 00:12:17,904 --> 00:12:19,305 WHOA! 243 00:12:23,810 --> 00:12:26,079 Brad: DON'T PANIC. I GOT YOU. 244 00:12:26,112 --> 00:12:28,181 LET GO OF ME, COLLEGE BOY. I'M FINE. 245 00:12:29,249 --> 00:12:31,417 HEY, HOW WOULD YOU LIKE IT 246 00:12:31,451 --> 00:12:34,354 IF SOMEONE LAUGHED AT YOU BECAUSE YOU FELL IN THE WATER? 247 00:12:36,923 --> 00:12:39,159 WELL...IT WAS SORT OF FUNNY. 248 00:12:39,192 --> 00:12:42,128 YEAH. HILARIOUS. 249 00:12:47,433 --> 00:12:49,202 YOU KNOW WHAT I HEARD? 250 00:12:49,235 --> 00:12:51,905 HE GOES TO A SPECIAL SCHOOL FOR PROBLEM KIDS. 251 00:12:51,938 --> 00:12:53,540 I HEARD HE GOT KICKED OUT. 252 00:12:53,574 --> 00:12:55,308 I HEARD HE DID TIME IN JUVIE HALL. 253 00:12:55,341 --> 00:12:57,310 ONE THING'S FOR SURE. 254 00:12:57,343 --> 00:12:59,946 HE SHOULD BE ARRESTED FOR CRIMES AGAINST FASHION. 255 00:13:10,290 --> 00:13:11,491 WHAT IS HE DOING?! 256 00:13:11,525 --> 00:13:13,226 THAT GUY PROBABLY CAN'T EVEN SWIM A STROKE. 257 00:13:19,232 --> 00:13:21,602 YOU DON'T EVEN DIVE OFF THE HIGH PLATFORM, TESS, 258 00:13:21,635 --> 00:13:23,937 AND YOU'RE THE BEST DIVER ON THE TEAM. 259 00:13:35,348 --> 00:13:37,483 BANZAI‐EE! 260 00:13:40,921 --> 00:13:43,356 I THINK YOUR REPUTATION'S SAFE. 261 00:13:45,892 --> 00:13:48,494 Emily, voice‐over: THIS IS OUR HANGOUT‐‐VAN GOGH'S EAR. 262 00:13:48,529 --> 00:13:51,297 DAD TOOK MOM HERE ON THEIR FIRST DATE. 263 00:13:51,331 --> 00:13:54,300 WE CAME HERE SO OFTEN, AUTUMN NAMED A SANDWICH AFTER US. 264 00:13:54,334 --> 00:13:55,602 Max: OOH, OOH...AH! 265 00:13:55,636 --> 00:13:56,970 AUTUMN!AUTUMN! 266 00:13:57,003 --> 00:13:59,472 HI! GUESS WHO WE BROUGHT! 267 00:13:59,506 --> 00:14:02,576 STRANGER, WE'VE MISSED YOU AROUND HERE. HI, GIRLS. 268 00:14:02,609 --> 00:14:03,577 HI.HI. 269 00:14:03,610 --> 00:14:05,445 IT'S GOOD TO SEE YOU. 270 00:14:05,478 --> 00:14:07,213 GOOD TO SEE YOU, TOO. 271 00:14:08,414 --> 00:14:10,450 WOW! LOOK AT THIS. 272 00:14:10,483 --> 00:14:12,352 THE PLACE HAS NOT CHANGED AT ALL. 273 00:14:12,385 --> 00:14:13,987 THANK YOU. 274 00:14:14,020 --> 00:14:15,488 THAT WASN'T A COMPLIMENT. 275 00:14:17,558 --> 00:14:20,527 HEY, MAX! WHERE YOU BEEN, MAN? 276 00:14:20,561 --> 00:14:22,529 DUDE, YOU LOOK LIKE A FISHBELLY. 277 00:14:22,563 --> 00:14:25,265 YOU'RE IN NEED OF SOME SERIOUS SUNNAGE. 278 00:14:25,298 --> 00:14:27,267 YEAH. I, UH...I'VE BEEN BUSY WORKING. 279 00:14:27,300 --> 00:14:28,969 OH, BUMMER. 280 00:14:29,002 --> 00:14:30,303 HEY, LET'S SIT. 281 00:14:33,006 --> 00:14:34,374 AUTUMN, MY DEAR? 282 00:14:34,407 --> 00:14:36,577 YES? 283 00:14:36,610 --> 00:14:39,012 DO YOU STILL MAKE THOSE FAMOUS TYLER FAMILY ICE CREAM SUNDAES? 284 00:14:39,045 --> 00:14:41,247 WITH COOKIE DOUGH ICE CREAM AND 3 SPOONS. 285 00:14:41,281 --> 00:14:42,382 AND MARSHMALLOW SAUCE. 286 00:14:42,415 --> 00:14:43,650 YEAH! 287 00:14:43,684 --> 00:14:45,285 AND...WHIPPED CREAM. YEAH. 288 00:14:45,318 --> 00:14:46,653 AND...NUTS. 289 00:14:52,559 --> 00:14:53,560 DAD?DAD? 290 00:14:55,461 --> 00:14:57,030 YEAH. 291 00:14:57,063 --> 00:14:58,364 NUTS. 292 00:15:00,466 --> 00:15:02,302 OK. WELL... 293 00:15:02,335 --> 00:15:05,271 TYLER FAMILY SPECIAL, COMING UP. 294 00:15:05,305 --> 00:15:07,608 SO, DAD, THIS WAS A GREAT IDEA, HUH? 295 00:15:07,641 --> 00:15:10,711 GET OUT OF THE HOUSE, SEE ALL YOUR FRIENDS FOR A CHANGE. 296 00:15:10,744 --> 00:15:12,646 SURE. 297 00:15:12,679 --> 00:15:15,949 MAYBE LATER WE CAN GO DOWN TO THE PIER AND RIDE THE ROLLER COASTER. 298 00:15:15,982 --> 00:15:17,951 I HARDLY EVER THROW UP ANYMORE. 299 00:15:17,984 --> 00:15:19,052 HMM. 300 00:15:19,085 --> 00:15:21,354 EXCEPT YESTERDAY. 301 00:15:22,989 --> 00:15:25,726 AND THERE'S SUPPOSED TO BE A REALLY PRETTY SUNSET TONIGHT. 302 00:15:25,759 --> 00:15:28,394 YOU GIRLS REMEMBER YOUR MOTHER? 303 00:15:28,428 --> 00:15:29,663 DAD... 304 00:15:29,696 --> 00:15:32,633 COURSE WE DO. 305 00:15:32,666 --> 00:15:35,335 I MEAN...I MEAN, REALLY... 306 00:15:35,368 --> 00:15:37,270 REALLY REMEMBER HER. 307 00:15:38,404 --> 00:15:41,074 REMEMBER HER LAUGH? HMM? 308 00:15:41,107 --> 00:15:43,577 HOW HER HAIR SMELLED... 309 00:15:45,011 --> 00:15:48,314 JUST HOW FULL OF LIFE SHE WAS. 310 00:15:50,316 --> 00:15:53,353 I REMEMBER HOW MOM USED TO MAKE US ALL DRIVE UP TO BIG BEAR 311 00:15:53,386 --> 00:15:56,089 AT LEAST ONCE A YEAR, JUST SO WE COULD TOUCH THE SNOW. 312 00:15:56,122 --> 00:15:57,624 SURE. 313 00:15:57,658 --> 00:16:00,561 AND I REMEMBER HOW GREAT SHE WAS AT TELLING STORIES, 314 00:16:00,594 --> 00:16:03,496 ESPECIALLY THE ONES ABOUT GROWING UP IN SAN FRANCISCO. 315 00:16:03,530 --> 00:16:06,567 YOU KNOW WHAT'D BE REALLY FUN? IF WE DROVE UP THERE SOME WEEKEND. 316 00:16:06,600 --> 00:16:09,369 WHAT DO YOU SAY, DAD? 317 00:16:09,402 --> 00:16:12,338 TA‐DA! THANKS! THANK YOU! 318 00:16:12,372 --> 00:16:14,007 THANKS, DADDY. THANKS, DADDY. 319 00:16:14,040 --> 00:16:14,775 OH, HERE... 320 00:16:14,808 --> 00:16:16,543 OH, IT'S ON THE HOUSE. 321 00:16:16,577 --> 00:16:18,645 OH. THANKS. 322 00:16:33,059 --> 00:16:35,696 YOU KNOW, I NEVER LIKED THE NUTS. 323 00:16:37,463 --> 00:16:41,367 I ALWAYS JUST GOT THEM ON MY SUNDAE BECAUSE... 324 00:16:41,401 --> 00:16:44,370 'CAUSE YOUR MOM DID. I'M SORRY. 325 00:16:44,404 --> 00:16:47,140 YOU GIRLS, YOU CAN GO AHEAD AND FINISH UP. I'LL MEET YOU AT HOME. 326 00:16:47,173 --> 00:16:48,742 COME RIGHT AWAY. 327 00:17:07,728 --> 00:17:09,830 TESS, YOU AWAKE? 328 00:17:09,863 --> 00:17:12,165 YOU CAN'T SLEEP EITHER? 329 00:17:13,834 --> 00:17:15,736 THINKING ABOUT MOM? 330 00:17:16,737 --> 00:17:18,639 I MISS HER. 331 00:17:25,211 --> 00:17:27,213 I MISS HER, TOO. 332 00:17:29,115 --> 00:17:31,484 I THINK ABOUT HER EVERY NIGHT. 333 00:17:31,518 --> 00:17:33,854 EVERY DAY. 334 00:17:33,887 --> 00:17:37,490 THERE'S SO MUCH WE NEVER GOT TO TALK ABOUT. 335 00:17:37,524 --> 00:17:41,094 IF SHE WERE HERE, SHE'D KNOW HOW TO HELP DAD. 336 00:17:42,796 --> 00:17:44,731 I WISH SHE WERE HERE. 337 00:17:44,765 --> 00:17:46,232 ME, TOO. 338 00:17:51,137 --> 00:17:53,507 WHAT IF SOMETHING HAPPENS TO DAD? 339 00:17:53,540 --> 00:17:56,176 WHAT? LIKE HE COULD DIE OF SADNESS? 340 00:17:56,209 --> 00:17:59,746 YOU'VE SEEN JERRY SPRINGER. IT HAPPENS. 341 00:17:59,780 --> 00:18:01,682 LET'S FACE IT. 342 00:18:01,715 --> 00:18:05,719 MAYBE WHAT DAD NEEDS TO CHEER HIM UP IS A WOMAN. 343 00:18:07,721 --> 00:18:11,224 YOU KNOW WHAT, TESS? SOMETIMES I THINK YOU'RE THE SMART ONE. 344 00:18:11,257 --> 00:18:12,759 YOU JUST FIGURED THAT OUT? 345 00:18:12,793 --> 00:18:14,661 I'M GONNA GET YOU. 346 00:18:14,695 --> 00:18:16,129 NO! 347 00:18:16,162 --> 00:18:17,497 NO! 348 00:18:17,531 --> 00:18:18,632 AAH! 349 00:18:23,537 --> 00:18:27,808 "SWF, 30s, N/S, 350 00:18:27,841 --> 00:18:32,145 ISO SM, B&B, FOR R&M"? 351 00:18:32,178 --> 00:18:35,215 YOU NEED A CODE BOOK TO DECIPHER THESE THINGS. 352 00:18:35,248 --> 00:18:36,917 IT'S EASY. 353 00:18:36,950 --> 00:18:40,921 SINGLE WHITE FEMALE IN HER THIRTIES, NON‐SMOKER, 354 00:18:40,954 --> 00:18:45,826 IN SEARCH OF SINGLE MALE, BROWN HAIR AND BROWN EYES, FOR ROMANCE AND MONOGAMY. 355 00:18:45,859 --> 00:18:47,460 WOW. YOU'RE GOOD. 356 00:18:47,493 --> 00:18:49,262 YOU JUST HAVE TO READ BETWEEN THE LINES. 357 00:18:49,295 --> 00:18:51,464 ANYTIME THEY COMPARE THEMSELVES TO‐‐ 358 00:18:51,497 --> 00:18:52,866 MY FLY GIRLS! HOW'S IT GOIN'? 359 00:18:52,899 --> 00:18:54,568 HEY, CODY. 360 00:18:54,601 --> 00:18:56,770 READING THE PERSONALS? WHAT'S UP WITH THAT? 361 00:18:56,803 --> 00:18:58,471 WE'RE TRYING TO FIND OUR DAD A WOMAN. 362 00:18:58,505 --> 00:19:00,273 THAT'S EASY. GET HIM A GUITAR. 363 00:19:00,306 --> 00:19:02,442 CHICKS DIG MUSICIANS. WORKS FOR MY DAD. 364 00:19:02,475 --> 00:19:05,512 OUR DAD IS A FAMOUS ARTIST. HE'S GOT ENOUGH GROUPIES OF HIS OWN. 365 00:19:05,546 --> 00:19:08,181 WE WANT A SMART AND PRETTY WOMAN‐‐ 366 00:19:08,214 --> 00:19:11,585 SOMEONE INDEPENDENT, BUT STILL LIKES BEING TAKEN CARE OF SOMETIMES. 367 00:19:11,618 --> 00:19:13,587 YOU COULD SIT ON A CHAT ROOM ON THE INTERNET. 368 00:19:13,620 --> 00:19:15,188 THAT'S WHERE ALL THE ACTION IS. 369 00:19:15,221 --> 00:19:18,191 DON'T YOU WATCH THE NEWS? THAT STUFF IS WAY CREEPY. 370 00:19:18,224 --> 00:19:22,596 YOU GO IN FOR A CHAT, AND YOU END UP BEING STALKED BY PSYCHO PEOPLE.COM. 371 00:19:22,629 --> 00:19:24,197 AND DAD WOULDN'T GO FOR THAT. 372 00:19:24,230 --> 00:19:25,899 HEY, MY DAD'S RECORD COMPANY 373 00:19:25,932 --> 00:19:28,635 GOT HIM A BILLBOARD OVER ON SUNSET BOULEVARD TO ADVERTISE HIS LAST CD. 374 00:19:28,669 --> 00:19:30,571 IT WENT PLATINUM IN ONE DAY. 375 00:19:30,604 --> 00:19:32,539 GIRLS WERE MOBBING HIM ON THE STREETS. 376 00:19:32,573 --> 00:19:33,574 I'M LIKING THIS. 377 00:19:33,607 --> 00:19:35,642 A PERSONAL AD ON A BILLBOARD? 378 00:19:35,676 --> 00:19:37,678 THE WHOLE CITY WOULD SEE IT! 379 00:19:37,711 --> 00:19:39,580 CODY, YOU ROCK! 380 00:19:42,649 --> 00:19:43,584 IT'S PERFECT! 381 00:19:43,617 --> 00:19:44,985 TALK ABOUT MAXIMUM EXPOSURE. 382 00:19:45,018 --> 00:19:47,821 WE GO IN UNDER THE COVER OF DARKNESS. 383 00:19:51,892 --> 00:19:53,660 GO, GO, GO! 384 00:19:54,761 --> 00:19:56,296 STOP! 385 00:19:56,329 --> 00:19:57,864 GO, GO. 386 00:19:57,898 --> 00:19:59,566 GO! LET'S GO! 387 00:20:01,367 --> 00:20:03,637 STOP, STOP. 388 00:20:08,374 --> 00:20:09,876 STAY RIGHT BEHIND ME. 389 00:20:09,910 --> 00:20:11,645 ALL CLEAR. 390 00:20:11,678 --> 00:20:13,246 GO, GO, GO! 391 00:20:38,672 --> 00:20:41,407 THERE'S CARS COMING. DON'T LOOK DOWN! 392 00:20:43,309 --> 00:20:46,346 CAMOUFLAGE, PART TWO. 393 00:21:27,353 --> 00:21:30,056 EASY, EASY, EASY... TAKE IT BACK UP! 394 00:21:31,925 --> 00:21:33,694 CAREFUL. 395 00:21:59,820 --> 00:22:01,321 [DOOR CLOSES] 396 00:22:10,697 --> 00:22:11,898 [CLAP CLAP] 397 00:22:30,116 --> 00:22:31,718 [BUZZER] 398 00:22:40,060 --> 00:22:41,962 UH... 399 00:22:41,995 --> 00:22:43,429 WRONG HOUSE. 400 00:22:43,463 --> 00:22:45,699 THE MUSICIAN LIVES 3 DOORS DOWN. 401 00:22:45,732 --> 00:22:47,801 I'M LOOKIN' FOR YOU, DAD. 402 00:22:47,834 --> 00:22:50,504 EXCUSE ME? 403 00:22:50,537 --> 00:22:54,440 I REALIZE IT'S A LITTLE UNORTHODOX, ME JUST SHOWING UP LIKE THIS, 404 00:22:54,474 --> 00:22:56,076 BUT I'M NO GOOD WITH LETTERS. 405 00:22:56,109 --> 00:22:57,844 I CAN'T WRITE. 406 00:22:57,878 --> 00:22:59,079 UH... 407 00:22:59,112 --> 00:23:01,114 DAD, WHAT'S GOING ON? 408 00:23:01,147 --> 00:23:03,183 YOU MUST BE THE ARTIST! 409 00:23:03,216 --> 00:23:06,520 NO, NO. I'M THE ARTIST. THESE ARE MY DAUGHTERS. WHO ARE YOU? 410 00:23:06,553 --> 00:23:07,954 WELL, I'M INTERESTED. 411 00:23:10,090 --> 00:23:12,025 COOL TO THE MAX! 412 00:23:12,058 --> 00:23:13,694 RIGHT ON! 413 00:23:13,727 --> 00:23:16,496 OH, MY GOSH. EMILY, IT'S WORKING! 414 00:23:16,530 --> 00:23:19,766 WILL SOMEBODY PLEASE TELL ME WHAT THIS IS ALL ABOUT? 415 00:23:19,800 --> 00:23:21,735 THE BILLBOARD. WHAT ELSE? 416 00:23:21,768 --> 00:23:23,970 BIG GESTURES REALLY GET ME. 417 00:23:27,173 --> 00:23:29,009 [CHUCKLES] 418 00:23:29,042 --> 00:23:30,777 UH.... 419 00:23:30,811 --> 00:23:33,780 I AM COMPLETELY CLUELESS HERE, 420 00:23:33,814 --> 00:23:37,818 SO SOMEBODY BETTER START GIVING ME THE 411, AND FAST. 421 00:23:37,851 --> 00:23:39,953 YOU MEAN HE DOESN'T KNOW ABOUT THIS? 422 00:23:39,986 --> 00:23:41,822 GIRLS... 423 00:23:43,256 --> 00:23:45,759 BOY, IT'S REALLY GONNA BLOW YOUR MIND. 424 00:23:45,792 --> 00:23:46,960 HA HA... 425 00:23:46,993 --> 00:23:47,828 LET'S GET DRESSED. 426 00:23:47,861 --> 00:23:49,863 DAD, WE'RE GONNA SHOW YOU YOUR BILLBOARD. 427 00:23:51,197 --> 00:23:52,966 UH... 428 00:23:52,999 --> 00:23:55,001 YOU'LL EXCUSE US, WON'T YOU? 429 00:23:55,035 --> 00:23:56,236 GIRLS? 430 00:23:56,269 --> 00:23:57,838 [DOOR SLAMS] 431 00:24:06,046 --> 00:24:07,848 TV: HERE IN LOS ANGELES, 432 00:24:07,881 --> 00:24:09,583 PEOPLE WILL DO ANYTHING TO GET NOTICED. 433 00:24:09,616 --> 00:24:12,485 I'M HERE ON SUNSET BOULEVARD WITH BILLBOARD DAD, 434 00:24:12,519 --> 00:24:15,488 THE MAN WHO PUT A PERSONAL AD ON A BILLBOARD. 435 00:24:15,522 --> 00:24:18,992 BILLBOARD DAD, IS THIS BILLBOARD GETTING THE RESULTS YOU WANTED? 436 00:24:19,025 --> 00:24:21,995 FRANKLY, I HAVE TO SAY I FIND THE WHOLE THING 437 00:24:22,028 --> 00:24:24,064 A LITTLE ON THE EMBARRASSING SIDE. 438 00:24:24,097 --> 00:24:26,600 HEY, BROOKE, CHECK THIS OUT. BILLBOARD DAD. 439 00:24:26,633 --> 00:24:29,870 THIS GUY PUT A PERSONAL AD ON A BILLBOARD OVER SUNSET. 440 00:24:29,903 --> 00:24:31,137 I'M NOT INTERESTED. 441 00:24:31,171 --> 00:24:33,273 ARE YOU CRAZY? HE'S GORGEOUS. 442 00:24:33,306 --> 00:24:35,241 PLEASE. I'M NOT THAT SHALLOW. 443 00:24:35,275 --> 00:24:37,110 WELL, I AM. 444 00:24:37,143 --> 00:24:40,847 COME ON. HE'S NOT DROOLING, HE'S NOT TALKING TO HIMSELF. 445 00:24:40,881 --> 00:24:42,983 HIS KNUCKLES DON'T DRAG WHEN HE WALKS. 446 00:24:43,016 --> 00:24:45,185 I MEAN, I'M THINKING "HERE COMES THE BRIDE." 447 00:24:45,218 --> 00:24:48,054 ONLY IN L. A. ARE DESPERATION AND INSANITY 448 00:24:48,088 --> 00:24:49,990 CONSIDERED A PUBLIC INTEREST STORY. 449 00:24:50,023 --> 00:24:51,291 I KNOW, I KNOW. 450 00:24:51,324 --> 00:24:53,159 BUT HE'S SO CUTE. 451 00:24:53,193 --> 00:24:56,162 IT'S LIKE ROCK, PAPER, SCISSORS. 452 00:24:56,196 --> 00:25:00,200 REALLY CUTE COVERS DESPERATION AND SMASHES INSANITY. 453 00:25:00,233 --> 00:25:03,069 DEBBIE, YOU'RE THE FIRST PERSON I'VE MET 454 00:25:03,103 --> 00:25:05,939 WHOSE MOTHER DOES NOT WORRY ABOUT HER ENOUGH. 455 00:25:05,972 --> 00:25:08,274 YOU HAVE TO START DATING AGAIN. 456 00:25:08,308 --> 00:25:11,111 IT'S BEEN 26 MONTHS SINCE YOU GOT DIVORCED. 457 00:25:11,144 --> 00:25:13,614 26 MONTHS. YOU'RE COUNTING? 458 00:25:13,647 --> 00:25:16,550 I'M A BOOKKEEPER. IT'S MY JOB TO COUNT. 459 00:25:16,583 --> 00:25:20,153 BESIDES, IF YOU DON'T PUT YOURSELF OUT THERE, YOU'LL NEVER MEET ANYONE. 460 00:25:20,186 --> 00:25:22,155 I FINALLY HAVE MY LIFE TOGETHER. 461 00:25:22,188 --> 00:25:25,291 THE LAST THING I NEED IS A REBOUND RELATIONSHIP. 462 00:25:25,325 --> 00:25:26,860 BESIDES, JACK'S GETTING REMARRIED, 463 00:25:26,893 --> 00:25:28,862 AND LOOK WHAT THAT'S DOING TO OUR SON. 464 00:25:28,895 --> 00:25:30,664 OH, I SEE. 465 00:25:30,697 --> 00:25:34,334 THE CHEATING EX‐HUSBAND GETS TO BE HAPPY, BUT YOU HAVE TO SUFFER. 466 00:25:34,367 --> 00:25:38,004 I'M NOT SUFFERING. I DON'T NEED A MAN TO MAKE ME HAPPY. 467 00:25:38,038 --> 00:25:40,874 OK. 468 00:25:40,907 --> 00:25:42,676 Max: YEAH, WE'RE CERTAINLY HOPING THAT. 469 00:25:42,709 --> 00:25:44,678 Reporter: AND THESE ARE YOUR GIRLS RIGHT HERE? 470 00:25:44,711 --> 00:25:46,212 OH, MY GOSH, YOU'RE TWINS! 471 00:25:46,246 --> 00:25:48,982 GIRLS, WHAT PROMPTED YOU TO DO THIS FOR YOUR FATHER? 472 00:25:49,015 --> 00:25:52,052 WELL, HE'S SINGLE, AND HE'S GOT A LOT TO OFFER A WOMAN. 473 00:25:52,085 --> 00:25:54,955 SO WE SAID IT FOR HIM‐‐ HE'S THE GREATEST. 474 00:25:54,988 --> 00:25:57,257 Reporter: THERE YOU HAVE IT‐‐FROM THE MOUTHS OF BABES. 475 00:25:57,290 --> 00:25:59,092 SHE CALLED US BABES. 476 00:25:59,125 --> 00:26:01,662 FORGIVE HER. 477 00:26:01,695 --> 00:26:04,931 OH...AND I'M THE SMART ONE. 478 00:26:04,965 --> 00:26:06,700 Max: OK. 479 00:26:06,733 --> 00:26:09,102 WHAT WOMAN IN HER RIGHT MIND WOULD DATE A MAN 480 00:26:09,135 --> 00:26:10,937 WHO PUTS A PERSONAL AD UP ON A BILLBOARD? 481 00:26:10,971 --> 00:26:12,238 I WOULD. 482 00:26:12,272 --> 00:26:13,940 OH, COME ON. YOU READ ARCHIE COMICS 483 00:26:13,974 --> 00:26:15,676 BECAUSE YOU THINK JUGHEAD HAS POTENTIAL. 484 00:26:15,709 --> 00:26:18,111 HEY...WITH A DIFFERENT HAT. THAT'S ALL I'M SAYING. 485 00:26:18,144 --> 00:26:21,014 AND ANYWAY, BILLBOARD DAD‐‐ HE HAS A SENSE OF HUMOR, 486 00:26:21,047 --> 00:26:22,282 AND HIS KIDS LIKE HIM. 487 00:26:22,315 --> 00:26:24,017 HOW BAD CAN HE BE? 488 00:26:24,050 --> 00:26:26,219 LISTEN TO YOU. YOU'RE AS BAD AS HE IS. 489 00:26:26,252 --> 00:26:28,154 IF YOU'RE GONNA WRITE A LETTER, YOU'RE ON YOUR OWN. 490 00:26:28,188 --> 00:26:29,690 OK. 491 00:26:29,723 --> 00:26:32,358 YES. YES, AND I AM VERY, VERY SORRY. 492 00:26:32,392 --> 00:26:34,394 I THINK WE ALL ARE. 493 00:26:34,427 --> 00:26:36,997 UH...NO. NO. 494 00:26:37,030 --> 00:26:40,734 I HAD NO IDEA THEY WERE PLANNING ANY OF THIS. 495 00:26:40,767 --> 00:26:43,770 UH, I DID SEE IT ON THE NEWS. 496 00:26:45,271 --> 00:26:49,175 OH, A NEW ONE. OH, SO THIS ISN'T A PROBLEM. 497 00:26:49,209 --> 00:26:52,112 NO, NO, NO. DON'T THANK ME. 498 00:26:52,145 --> 00:26:54,147 PLEASE, DO NOT THANK ME. 499 00:26:54,180 --> 00:26:57,350 ME? WELL, I HAVE BLUE EYES. 500 00:26:57,383 --> 00:27:00,020 GREAT. GOOD‐BYE. 501 00:27:01,221 --> 00:27:04,224 WELL, IT SEEMS THAT THE BILLBOARD COMPANY 502 00:27:04,257 --> 00:27:05,992 WILL NOT BE PRESSING CHARGES. 503 00:27:06,026 --> 00:27:08,261 WHAT BILLBOARD COMPANY? 504 00:27:08,294 --> 00:27:11,097 SEEMS THAT THEY LOVE ALL OF THIS FREE PUBLICITY. 505 00:27:11,131 --> 00:27:13,199 WHAT PUBLICITY? 506 00:27:13,233 --> 00:27:15,435 AND THEY'LL BE PUTTING UP A NEW BILLBOARD, ANYWAY. 507 00:27:15,468 --> 00:27:17,237 THEY CAN'T TAKE IT DOWN! 508 00:27:17,270 --> 00:27:19,305 WHAT ABOUT ALL THE WOMEN WHO ARE GONNA ANSWER IT? 509 00:27:19,339 --> 00:27:20,674 WHO? WHAT‐‐ WHAT WOMEN? 510 00:27:20,707 --> 00:27:23,009 GIRLS, GIRLS, GIRLS, GIRLS. 511 00:27:23,043 --> 00:27:25,712 IF I WANTED TO GO OUT, WHICH I DON'T, 512 00:27:25,746 --> 00:27:28,048 I WOULD FIND MY OWN DATE, OK? 513 00:27:28,081 --> 00:27:30,751 AND NOT BY PUTTING SOME AD UP 514 00:27:30,784 --> 00:27:33,153 ON A BILLBOARD OVER SUNSET STRIP. 515 00:27:33,186 --> 00:27:34,755 OK, THEN HOW? 516 00:27:34,788 --> 00:27:37,090 YOU HARDLY EVER LEAVE THE STUDIO. 517 00:27:37,123 --> 00:27:40,293 YOU DON'T HANG OUT WITH YOUR OLD FRIENDS. YOU NEVER GO OUT. 518 00:27:40,326 --> 00:27:42,663 YOU DON'T EVEN DO ANYTHING WITH US ANYMORE. 519 00:27:44,497 --> 00:27:45,999 NOW... 520 00:27:46,032 --> 00:27:47,233 [BUZZER] 521 00:27:47,267 --> 00:27:49,135 AH! SIT. 522 00:27:49,169 --> 00:27:51,337 NOBODY MOVES. I'LL GET IT. 523 00:27:52,372 --> 00:27:54,207 WHAT IS GOING ON? 524 00:27:54,240 --> 00:27:56,109 NIGEL... 525 00:28:03,049 --> 00:28:04,217 WELL... 526 00:28:09,455 --> 00:28:11,157 HEY, MR. TYLER. 527 00:28:12,392 --> 00:28:15,228 I GOT QUITE A BIT OF MAIL. 528 00:28:15,261 --> 00:28:16,296 UNBELIEVABLE! 529 00:28:16,329 --> 00:28:18,064 DAD, YOU'RE A HOTTIE! 530 00:28:18,098 --> 00:28:21,234 WHO IN THE WORLD IS ALL THIS MAIL FOR? 531 00:28:21,267 --> 00:28:23,103 ME. 532 00:28:23,136 --> 00:28:26,239 BY THE WAY, I SAW YOU ON THE NEWS. 533 00:28:26,272 --> 00:28:29,109 NICE JOB, TESS, EMILY. WE'RE WITH YA. 534 00:28:31,411 --> 00:28:34,380 Nigel: THE NEWS?! NOBODY ASKED ME ABOUT AIRTIME! 535 00:28:34,414 --> 00:28:36,116 GIRLS... 536 00:28:36,149 --> 00:28:38,384 MAXWELL, I'M SUPPOSED TO BE IN CHARGE OF YOUR P. R. 537 00:28:38,418 --> 00:28:40,286 I KNOW WHAT'S BEST FOR YOU! 538 00:28:45,458 --> 00:28:48,261 THERE MUST BE, LIKE, A MILLION LETTERS HERE! 539 00:28:48,294 --> 00:28:49,863 TWO MILLION! 540 00:28:51,397 --> 00:28:54,167 THIS ONE SMELLS ROMANTIC. 541 00:28:54,200 --> 00:28:55,902 THIS ONE SENT A BRIBE. 542 00:28:59,439 --> 00:29:01,441 THIS ONE SENT A PICTURE. 543 00:29:01,474 --> 00:29:03,777 OH, THAT'S HER CAT. 544 00:29:03,810 --> 00:29:06,146 OH, MY GOOD‐‐ YOU'RE RIGHT. 545 00:29:06,179 --> 00:29:09,182 IT WAS THE WHISKERS THAT THREW ME. EEESH! 546 00:29:09,215 --> 00:29:11,885 DAD, YOU'VE GOT TO BE AT LEAST A LITTLE CURIOUS. 547 00:29:11,918 --> 00:29:14,254 I MEAN, SOME OF THESE WOMEN SOUND REALLY GOOD. 548 00:29:14,287 --> 00:29:15,889 YEAH? 549 00:29:15,922 --> 00:29:17,791 LOOK. THIS ONE'S A DOCTOR. 550 00:29:19,893 --> 00:29:21,494 A CONCERT CELLIST. 551 00:29:26,466 --> 00:29:28,401 AND...A FASHION MODEL. 552 00:29:28,434 --> 00:29:30,537 OH! 553 00:29:30,571 --> 00:29:33,540 COME ON, DAD. JUST GO ON A COUPLE DATES. PLEASE? 554 00:29:33,574 --> 00:29:35,375 PLEASE, DAD? FOR US? 555 00:29:35,408 --> 00:29:36,510 PLEASE? 556 00:29:36,543 --> 00:29:38,244 PLEASE? OH... 557 00:29:38,278 --> 00:29:39,445 PLEASE, PLEASE, PLEASE? 558 00:29:42,916 --> 00:29:45,151 ALL RIGHT. I'LL TELL YOU WHAT. 559 00:29:45,185 --> 00:29:47,453 I WILL GO OUT ON 3 DATES. 560 00:29:47,487 --> 00:29:48,589 7. 5. 561 00:29:48,622 --> 00:29:50,223 SOLD. 562 00:29:51,391 --> 00:29:55,128 AND ONLY BECAUSE I LOVE YOU TWO VERY MUCH. 563 00:29:55,161 --> 00:29:58,464 AFTER THESE 5 DATES, YOU WILL LEAVE ME ALONE. 564 00:29:58,498 --> 00:29:59,900 IS IT UNDERSTOOD? 565 00:29:59,933 --> 00:30:00,901 YEAH. 566 00:30:00,934 --> 00:30:02,202 UNDERSTOOD? GREAT. 567 00:30:02,235 --> 00:30:04,605 5 DATES. YOU HAVE YOUR WISH. 568 00:30:04,638 --> 00:30:06,206 I HOPE YOU'RE HAPPY. 569 00:30:06,239 --> 00:30:08,441 ANY MORE MONEY, GIVE IT TO ME. 570 00:30:21,955 --> 00:30:24,490 SO YOU, UH, COME HERE OFTEN? 571 00:30:24,525 --> 00:30:26,492 PARDON ME ME FOR SAYING THIS, 572 00:30:26,527 --> 00:30:30,296 BUT...YOU DON'T REALLY LOOK LIKE YOU WANT TO BE HERE. 573 00:30:30,330 --> 00:30:33,466 OH, I‐I‐I'M SORRY. UH, I... 574 00:30:33,499 --> 00:30:37,504 FRANKLY, IT'S BEEN A WHILE SINCE I'VE BEEN OUT WITH ANYONE. 575 00:30:37,538 --> 00:30:40,507 I THINK I'M JUST OUT OF PRACTICE. 576 00:30:40,541 --> 00:30:43,409 DON'T WORRY. YOU CAN RELAX. I'VE HAD PLENTY. 577 00:30:43,443 --> 00:30:46,479 IT'S ALWAYS THE SAME STORY. 578 00:30:46,513 --> 00:30:48,949 YOU'LL ASK ME TO TELL YOU ABOUT MYSELF. 579 00:30:48,982 --> 00:30:52,218 I'LL POUR MY HEART OUT. 580 00:30:52,252 --> 00:30:57,524 YOU'LL TELL ME EXACTLY WHAT I WANT TO HEAR, 581 00:30:57,558 --> 00:31:01,528 MAKE ME FALL MADLY IN LOVE WITH YOU... 582 00:31:01,562 --> 00:31:03,897 AND THAT'S THE MOMENT WHEN YOU'LL DUMP ME. 583 00:31:03,930 --> 00:31:08,902 MIGHT AS WELL JUST END THIS CHARADE RIGHT NOW BEFORE I GET HURT, 584 00:31:08,935 --> 00:31:11,905 WHILE I STILL HAVE ENOUGH PROZAC LEFT FROM THE LAST JERK 585 00:31:11,938 --> 00:31:14,274 WHO SOLD ME DOWN THE RIVER! 586 00:31:14,307 --> 00:31:16,643 I'M OUT OF HERE! 587 00:31:16,677 --> 00:31:19,279 OK. AHH...UH... 588 00:31:20,647 --> 00:31:22,616 I, UH, W‐WAITER? 589 00:31:22,649 --> 00:31:24,450 CHECK. 590 00:31:24,484 --> 00:31:25,919 DO YOU HAVE EARWAX? 591 00:31:25,952 --> 00:31:27,453 IT'S HEREDITARY, YOU KNOW. 592 00:31:27,487 --> 00:31:29,623 MY ENTIRE FAMILY HAS A TERRIBLE PROBLEM WITH IT. 593 00:31:29,656 --> 00:31:31,525 OH, WAIT! 594 00:31:31,558 --> 00:31:33,459 I THINK I HAVE A Q‐TIP IN MY PURSE. 595 00:31:33,493 --> 00:31:35,195 GOTCHA. 596 00:31:35,228 --> 00:31:38,264 IT'S IN HERE, I SWEAR. HA HA! 597 00:31:39,399 --> 00:31:40,400 ♪ Q‐TIPPY ♪ 598 00:31:40,433 --> 00:31:42,636 HA HA! 599 00:31:46,006 --> 00:31:47,340 CHECK. 600 00:31:51,444 --> 00:31:55,415 UH...YOU HAVE LOVELY EYES. 601 00:31:55,448 --> 00:31:56,683 AHEM. 602 00:32:00,687 --> 00:32:02,689 THANK YOU. 603 00:32:05,458 --> 00:32:07,961 I‐‐UH, W‐WAITER, THE... 604 00:32:07,994 --> 00:32:10,463 [MOUTHING WORDS] 605 00:32:10,496 --> 00:32:14,067 HAVE YOU EVER DATED A PARISIAN WOMAN BEFORE? 606 00:32:14,100 --> 00:32:15,435 NO. NO, NO. 607 00:32:15,468 --> 00:32:17,303 OH, HO! 608 00:32:17,337 --> 00:32:18,539 YOU'RE IN FOR A TREAT, CHERI! 609 00:32:18,572 --> 00:32:19,973 HA HA! 610 00:32:20,006 --> 00:32:22,408 GARCON! 611 00:32:22,442 --> 00:32:23,677 [DROPS FORK ON PLATE] 612 00:32:23,710 --> 00:32:26,680 OH, BOY. UH...WAITER. 613 00:32:26,713 --> 00:32:28,448 GARCON. 614 00:32:28,481 --> 00:32:32,052 MAKE SURE YOU CHEW IT REAL GOOD, 615 00:32:32,085 --> 00:32:37,457 AND DON'T EAT TOO FAST, OR YOU'LL GIVE YOURSELF A WIDDLE TUMMYACHE. 616 00:32:37,490 --> 00:32:38,759 I CAN‐‐ 617 00:32:38,792 --> 00:32:40,994 UH! YOU NEED A NAPKIN? 618 00:32:41,027 --> 00:32:42,563 HERE YOU GO. 619 00:32:42,596 --> 00:32:45,098 AH! AH! THANK YOU. THAT'S GOOD. 620 00:32:45,131 --> 00:32:47,433 THE LITTLE CUTE GUY NEEDS A NAPKIN. 621 00:32:47,467 --> 00:32:49,069 OH, LOOK AT THAT. 622 00:32:49,102 --> 00:32:51,371 HE'S GOT A LITTLE SMOOTZ RIGHT THERE. 623 00:32:51,404 --> 00:32:53,707 OH, HE'S A CUTE ONE. HE'S A CUTIE. 624 00:32:53,740 --> 00:32:55,475 OH, HE'S SO CUTE. 625 00:32:55,509 --> 00:32:57,678 YEAH, HE IS. UH, WAITER! W‐WAITER? 626 00:32:57,711 --> 00:32:59,445 JUST‐‐JUST‐‐ 627 00:32:59,479 --> 00:33:00,681 HE'S A CUTIE. YEAH. 628 00:33:00,714 --> 00:33:02,448 I'M GONNA SIT DOWN NOW. 629 00:33:02,482 --> 00:33:03,617 OH, OKEY‐DOKEY. 630 00:33:03,650 --> 00:33:04,551 YEAH. OKEY‐DOKEY. 631 00:33:09,122 --> 00:33:11,391 WE SHOULD HAVE MADE IT 7 DATES. 632 00:33:11,424 --> 00:33:14,427 YOU CAN'T JUST GIVE UP, DAD. 633 00:33:14,460 --> 00:33:16,129 GIRLS, A DEAL IS A DEAL. 634 00:33:16,162 --> 00:33:19,099 BUT WE STILL GOT A WHOLE BAGFUL OF LETTERS. 635 00:33:19,132 --> 00:33:21,134 THERE'S GOT TO BE SOMEONE IN THERE FOR YOU. 636 00:33:24,070 --> 00:33:26,039 IT JUST DIDN'T WORK OUT. 637 00:33:26,072 --> 00:33:28,509 COME ON, TESS. LET'S GO. 638 00:33:49,563 --> 00:33:53,399 IT GOES IN, I GO OUT ON A DATE. 639 00:33:58,572 --> 00:34:01,542 CLOSE, BUT... ALL RIGHT, ONE MORE. 640 00:34:05,579 --> 00:34:07,581 [SIGHS] 641 00:34:07,614 --> 00:34:09,783 I WILL MARRY THIS WOMAN. 642 00:34:09,816 --> 00:34:11,417 HA HA HA! 643 00:34:17,591 --> 00:34:19,693 IT'S UP... 644 00:34:19,726 --> 00:34:21,161 AND IT'S BAD. 645 00:34:26,567 --> 00:34:29,135 THE MAN NEVER LIKED DATING ANYWAY... 646 00:34:29,169 --> 00:34:30,470 AND THAT ONE'S BAD, TOO. 647 00:34:35,609 --> 00:34:37,177 THE PRESSURE'S ON. 648 00:34:37,210 --> 00:34:39,580 ALL RIGHT, THERE'S NO PRESSURE WHATSOEVER. 649 00:34:39,613 --> 00:34:41,815 AND...OH! 650 00:34:41,848 --> 00:34:43,817 OH, BOY. 651 00:34:43,850 --> 00:34:45,451 WELL... 652 00:34:47,688 --> 00:34:49,590 OH. UH, YOU'RE KIDDING. 653 00:34:49,623 --> 00:34:52,826 WOW! OF COURSE I'D LIKE TO MEET YOU. 654 00:34:52,859 --> 00:34:54,828 HOW ABOUT TOMORROW? 655 00:34:54,861 --> 00:34:57,598 AT THE ART MUSEUM? 656 00:34:57,631 --> 00:34:59,600 11:30? I'LL BE THERE. 657 00:34:59,633 --> 00:35:01,568 OK, BYE. 658 00:35:01,602 --> 00:35:05,572 GUESS WHO'S GOT A DATE WITH BILLBOARD DAD? 659 00:35:05,606 --> 00:35:06,807 MOI. 660 00:35:06,840 --> 00:35:08,474 HA HA HA! 661 00:35:09,510 --> 00:35:10,844 I'M GETTING NERVOUS. 662 00:35:10,877 --> 00:35:12,779 OH, DON'T BE NERVOUS. 663 00:35:12,813 --> 00:35:15,616 AT LEAST HE HAD THE GOOD SENSE TO PICK A MUSEUM. 664 00:35:15,649 --> 00:35:17,217 THAT SHOWS SOME CLASS. 665 00:35:17,250 --> 00:35:18,619 HEY, YOU'RE RIGHT. HE'S CULTURED. 666 00:35:18,652 --> 00:35:19,620 YEAH, EDUCATED. 667 00:35:19,653 --> 00:35:22,222 OH, HE'S NEVER GONNA LIKE ME. 668 00:35:22,255 --> 00:35:24,858 HA HA! YES, HE WILL. HE'S GONNA LOVE YOU. 669 00:35:24,891 --> 00:35:26,627 DO I LOOK OK? 670 00:35:26,660 --> 00:35:27,861 YEAH, YOU LOOK BEAUTIFUL. 671 00:35:27,894 --> 00:35:29,630 I MEAN, NOT TOO, UH‐‐ 672 00:35:29,663 --> 00:35:31,632 NO. YOU DIDN'T TRY TOO HARD, BUT YOU LOOK NICE. 673 00:35:31,665 --> 00:35:32,498 THAT'S IMPORTANT. 674 00:35:34,267 --> 00:35:36,236 THIS IS YOUR DATE, DEBBIE, 675 00:35:36,269 --> 00:35:38,238 SO TELL ME AGAIN WHY I'M HERE. 676 00:35:38,271 --> 00:35:40,240 BECAUSE THIS GUY LOOKS FINE ON TV, 677 00:35:40,273 --> 00:35:42,643 BUT WHAT IF HE TURNS OUT TO BE A WEIRDO? 678 00:35:42,676 --> 00:35:44,611 HEY, WHEN I TUG MY EAR‐‐ 679 00:35:44,645 --> 00:35:46,613 I KNOW‐‐I PRETEND TO BUMP INTO YOU. 680 00:35:46,647 --> 00:35:48,849 AND THEN WHAT? I TAG ALONG LIKE A THIRD WHEEL? 681 00:35:48,882 --> 00:35:50,617 THIS IS SO HIGH SCHOOL. 682 00:35:50,651 --> 00:35:53,253 HEY, HIGH SCHOOL WAS MY BEST YEARS. 683 00:35:53,286 --> 00:35:55,255 I'LL BE YOUR BEST FRIEND. 684 00:35:55,288 --> 00:35:56,890 YEAH, YEAH, YEAH. YOU ALREADY ARE. 685 00:35:56,923 --> 00:35:59,660 OK. I'LL BE OVER THERE. 686 00:35:59,693 --> 00:36:02,796 IF YOU NEED ME, JUST TUG. 687 00:36:11,705 --> 00:36:13,540 DO YOU MIND IF I SIT HERE? 688 00:36:13,574 --> 00:36:14,675 NO. 689 00:36:24,350 --> 00:36:26,653 I LOVE CALDER. 690 00:36:26,687 --> 00:36:28,254 MMM. SO DO I. 691 00:36:28,288 --> 00:36:30,290 HIS WORK JUST MAKES ME FEEL LIKE SMILING. 692 00:36:36,730 --> 00:36:38,699 I ALWAYS LOVED THAT PIECE. 693 00:36:38,732 --> 00:36:42,669 I USED TO DO STUDIES OF IT WHEN I WAS A STUDENT. 694 00:36:42,703 --> 00:36:44,237 ARE YOU AN ARTIST? 695 00:36:44,270 --> 00:36:45,706 A SCULPTOR, ACTUALLY. 696 00:36:45,739 --> 00:36:47,307 OH. 697 00:36:47,340 --> 00:36:49,309 NOT THAT I'VE EVER ACTUALLY GOTTEN 698 00:36:49,342 --> 00:36:50,977 ANY OF MY WORK IN HERE YET, BUT... 699 00:36:51,011 --> 00:36:52,613 DON'T FEEL BAD. 700 00:36:52,646 --> 00:36:55,215 I THINK YOU HAVE TO BE DEAD TO GET YOUR WORK IN HERE. 701 00:36:57,350 --> 00:36:58,719 DAD'S TALKING TO THAT WOMAN. 702 00:36:58,752 --> 00:37:00,954 I'LL GIVE THAT A FEW YEARS. 703 00:37:00,987 --> 00:37:02,355 HA HA! 704 00:37:02,388 --> 00:37:03,857 SHE MUST BE HIS DATE. 705 00:37:03,890 --> 00:37:04,925 SHE'S PRETTY. 706 00:37:07,293 --> 00:37:08,729 Tess: HE'S LAUGHING! 707 00:37:08,762 --> 00:37:10,531 I THINK HE LIKES HER. 708 00:37:10,564 --> 00:37:11,932 OH, OH. 709 00:37:11,965 --> 00:37:14,801 SO‐‐SO YOU'RE SAYING YOUR FRIEND IS HERE FOR A DATE? 710 00:37:14,835 --> 00:37:16,770 THAT'S RIGHT. 711 00:37:16,803 --> 00:37:22,643 MY BEST FRIEND ACTUALLY WROTE THAT GUY ON TV‐‐ BILLBOARD DAD. 712 00:37:22,676 --> 00:37:26,379 I'M JUST HERE IN CASE SHE NEEDS TO BE BAILED OUT. 713 00:37:26,412 --> 00:37:28,749 OH, YEAH. WELL, I KNOW HOW THAT GOES. 714 00:37:30,884 --> 00:37:33,053 HEY! YOU TWO WERE ON TV! 715 00:37:33,086 --> 00:37:35,756 YOU'RE BILLBOARD DAD'S KIDS, AREN'T YOU? 716 00:37:35,789 --> 00:37:37,390 YEAH. THAT'S US. 717 00:37:37,423 --> 00:37:38,892 SOMEBODY SOUNDS GREAT ON PAPER OR OVER THE PHONE. 718 00:37:38,925 --> 00:37:41,061 YOU MEET THEM IN PERSON, IT'S LIKE, 719 00:37:41,094 --> 00:37:43,897 "EW, MY GOODNESS! WHAT PLANET DID THIS PERSON FALL OFF OF?" 720 00:37:43,930 --> 00:37:45,866 ESPECIALLY IN THIS CASE. 721 00:37:47,634 --> 00:37:48,735 OH, YEAH, THE... 722 00:37:48,769 --> 00:37:51,304 WHERE'S YOUR FATHER? I'M HIS DATE. 723 00:37:51,337 --> 00:37:53,273 YOU'RE HIS DATE? 724 00:37:54,741 --> 00:37:57,043 THEN WHO'S THAT WOMAN HE'S TALKING TO? 725 00:37:57,077 --> 00:37:59,913 I‐I'M CURIOUS. WHY DIDN'T... 726 00:37:59,946 --> 00:38:02,015 WHY DIDN'T YOU ANSWER THAT? 727 00:38:02,048 --> 00:38:03,049 WHAT, THE BILLBOARD? 728 00:38:03,083 --> 00:38:04,718 YEAH, THE... 729 00:38:07,954 --> 00:38:09,656 WELL, BECAUSE... 730 00:38:10,957 --> 00:38:15,028 I MEAN, LOVE DOESN'T HAPPEN THAT WAY. 731 00:38:15,061 --> 00:38:18,398 YOU DON'T BELIEVE IN LOVE AT FIRST SIGHT? 732 00:38:20,734 --> 00:38:23,704 I'M SORRY. WHAT DID YOU SAY TO ME? 733 00:38:23,737 --> 00:38:26,439 Emily: DAD, GUESS WHAT. WE FOUND YOUR DATE. 734 00:38:26,472 --> 00:38:27,974 DIDN'T YOU SEE US WAVING AT YOU? 735 00:38:28,008 --> 00:38:29,743 FOR A MINUTE THERE, I THOUGHT YOU'D STOOD ME UP. 736 00:38:29,776 --> 00:38:32,412 I'M SORRY. I WAS TALKING TO YOUR FRIEND. 737 00:38:32,445 --> 00:38:35,015 I DIDN'T REALIZE YOU WERE WAITING. 738 00:38:35,048 --> 00:38:37,884 YOU'RE...YOU'RE... BILLBOARD DAD? 739 00:38:37,918 --> 00:38:39,119 UH, MAX, ACTUALLY. 740 00:38:39,152 --> 00:38:41,121 BROOKE. 741 00:38:41,154 --> 00:38:42,756 DEBBIE. 742 00:38:42,789 --> 00:38:43,990 DEBBIE! DEBBIE! 743 00:38:44,024 --> 00:38:44,991 DEBBIE. HA HA! 744 00:38:45,025 --> 00:38:47,360 YOU'VE MET EMILY AND TESS. 745 00:38:47,393 --> 00:38:51,464 Emily, voice‐over: WELL, THIS COULD HAVE BEEN A REALLY WEIRD MOMENT. 746 00:38:51,497 --> 00:38:53,734 WE COULD TELL DAD LIKED BROOKE, 747 00:38:53,767 --> 00:38:54,835 AND DEBBIE COULD TELL BROOKE LIKED DAD. 748 00:38:54,868 --> 00:38:58,138 SHE SUGGESTED THAT BROOKE AND DAD HAVE LUNCH TOGETHER. 749 00:38:58,171 --> 00:39:00,507 TALK ABOUT A GOOD FRIEND. 750 00:39:03,009 --> 00:39:04,911 NICE MEETING YOU, GIRLS. 751 00:39:04,945 --> 00:39:06,847 YOU, TOO. 752 00:39:06,880 --> 00:39:08,715 BE BACK AFTER LUNCH. YOU GIRLS BEHAVE YOURSELVES. 753 00:39:08,749 --> 00:39:09,850 DON'T WORRY. WE WILL. 754 00:39:15,055 --> 00:39:18,124 THAT'S WHAT HE THINKS. 755 00:39:18,158 --> 00:39:20,961 SO I MOVED HERE FROM BOSTON AFTER OPTOMETRY SCHOOL, 756 00:39:20,994 --> 00:39:24,430 AND THEN I DID MY POSTGRADUATE WORK AT PARSONS, 757 00:39:24,464 --> 00:39:26,432 AND MY COMPANY WAS BORN. 758 00:39:26,466 --> 00:39:28,101 AND WHY GLASSES? 759 00:39:28,134 --> 00:39:30,070 OH, MY MOM USED TO SAY THIS THING... 760 00:39:30,103 --> 00:39:32,072 SO FAR, SO GOOD. 761 00:39:32,105 --> 00:39:34,508 "MEN DON'T MAKE PASSES AT GIRLS WHO WEAR GLASSES." 762 00:39:34,541 --> 00:39:36,009 I'M GONNA CHANGE THAT. 763 00:39:36,042 --> 00:39:39,780 WELL, I CAN'T IMAGINE MEN NOT MAKING PASSES AT YOU. 764 00:39:39,813 --> 00:39:41,515 I MEAN, YOU'RE... YOU'RE VERY BEAUTIFUL. 765 00:39:43,917 --> 00:39:45,151 THANK YOU. 766 00:39:46,553 --> 00:39:48,154 HE TOLD HER SHE'S BEAUTIFUL. 767 00:39:48,188 --> 00:39:50,123 SHE'S GOT TO BE TOTALLY CRUSHING ON HIM. 768 00:39:50,156 --> 00:39:52,025 LET'S GIVE THEM A NUDGE. 769 00:39:52,058 --> 00:39:54,494 GIVE ME ALL THE MONEY YOU'VE GOT. 770 00:39:59,132 --> 00:40:01,768 NO. NO. 771 00:40:01,802 --> 00:40:04,404 NOT THAT TABLE. SIT SOMEWHERE ELSE. 772 00:40:06,472 --> 00:40:08,008 Brooke: HA HA HA! 773 00:40:08,041 --> 00:40:09,543 Max: THANK YOU. 774 00:40:09,576 --> 00:40:11,077 SO WHY SCULPTING? 775 00:40:11,111 --> 00:40:13,046 OH, I WAS JUST SO BAD AT BASKETBALL. 776 00:40:13,079 --> 00:40:14,480 VERY CLUMSY YOUNG MAN. 777 00:40:14,515 --> 00:40:15,782 OH, THANK YOU. 778 00:40:15,816 --> 00:40:17,518 I DON'T THINK WE ORDERED THESE. 779 00:40:17,551 --> 00:40:18,484 COMPLIMENTS OF THE HOUSE. 780 00:40:18,519 --> 00:40:19,485 OH. WELL, THANK YOU. 781 00:40:19,520 --> 00:40:20,587 THANK YOU. 782 00:40:21,888 --> 00:40:23,824 WHAT'S HAPPENING? IS HE GONNA KISS HER? 783 00:40:23,857 --> 00:40:25,526 I DON'T KNOW! I CAN'T SEE A THING. 784 00:40:25,559 --> 00:40:27,828 THAT HAS SOMETHING TO DO WITH YOU. 785 00:40:27,861 --> 00:40:29,062 Woman: FOR MADEMOISELLE. 786 00:40:29,095 --> 00:40:31,131 HOW BEAUTIFUL. 787 00:40:31,164 --> 00:40:33,099 IT'S BEEN TAKEN CARE OF. 788 00:40:33,133 --> 00:40:34,801 THANK YOU. 789 00:40:34,835 --> 00:40:39,039 OH, WELL... NOTHING...REALLY. 790 00:40:39,072 --> 00:40:41,908 Tess: OUCH! EMILY, YOU STEPPED ON MY FOOT! 791 00:40:41,942 --> 00:40:44,578 GET YOUR ELBOW OUT OF MY STOMACH! I'M GONNA FALL! 792 00:40:46,913 --> 00:40:48,849 WELL, DON'T LOOK AT ME. 793 00:40:48,882 --> 00:40:51,217 MY SISTER'S THE GRACEFUL ONE. 794 00:40:51,251 --> 00:40:54,821 GIRLS...HELLO. 795 00:40:54,855 --> 00:40:57,190 WE'LL BE TALKING LATER, WON'T WE? 796 00:41:00,026 --> 00:41:02,863 Max: HEY, DOWN IN THE SEAT. BOTH OF YOU. 797 00:41:02,896 --> 00:41:05,098 I DON'T WANT TO HEAR ANOTHER PEEP OUT OF YOU. GOT IT? 798 00:41:05,131 --> 00:41:08,101 I THINK MY GIRLS COULD USE A LITTLE LESSON IN SUBTLETY. 799 00:41:08,134 --> 00:41:09,870 OH, I DON'T KNOW. 800 00:41:09,903 --> 00:41:12,205 I THINK BEING DIRECT ALWAYS GETS THE BEST RESULTS. 801 00:41:12,238 --> 00:41:13,874 YEAH? 802 00:41:13,907 --> 00:41:15,275 WELL, IN THAT CASE, 803 00:41:15,308 --> 00:41:19,245 I KNOW I'M SUPPOSED TO WAIT 3 DAYS BEFORE I CALL YOU, 804 00:41:19,279 --> 00:41:22,248 BUT, UH... YOU WANT TO GO OUT WITH ME AGAIN? 805 00:41:22,282 --> 00:41:25,251 I‐‐I MEAN, JUST ME THIS TIME. 806 00:41:25,285 --> 00:41:27,888 I'D REALLY LIKE TO GET TO KNOW YOU BETTER, MAX, 807 00:41:27,921 --> 00:41:29,055 BUT, UM... 808 00:41:29,089 --> 00:41:31,658 UH‐OH. BUT. 809 00:41:34,327 --> 00:41:38,198 WELL, IT'S JUST I'VE RUSHED INTO RELATIONSHIPS BEFORE, 810 00:41:38,231 --> 00:41:40,634 AND THEY'VE ENDED BADLY. 811 00:41:40,667 --> 00:41:41,935 WE'D HAVE TO TAKE THINGS SLOW. 812 00:41:41,968 --> 00:41:43,904 OH! OH, SURE, SLOW. 813 00:41:43,937 --> 00:41:45,906 NO, WE CAN DO SLOW. 814 00:41:45,939 --> 00:41:49,309 WE CAN...WE CAN GO HOWEVER YOU'D LIKE. 815 00:41:49,342 --> 00:41:51,177 SO HOW'S SATURDAY? 816 00:41:51,211 --> 00:41:53,179 SATURDAY'S GOOD. 817 00:42:10,964 --> 00:42:12,198 [RINGS DOORBELL] 818 00:42:18,204 --> 00:42:19,339 HI. 819 00:42:19,372 --> 00:42:21,074 HELLO THERE. YOU LOOK GORGEOUS. 820 00:42:21,107 --> 00:42:22,342 OH, THANK YOU. 821 00:42:22,375 --> 00:42:23,944 YOU LOOK NICE, TOO. 822 00:42:23,977 --> 00:42:25,178 THANK YOU. 823 00:42:25,211 --> 00:42:27,013 SHALL WE? 824 00:42:31,618 --> 00:42:33,153 HERE YOU GO. 825 00:42:33,186 --> 00:42:35,589 THANK YOU VERY MUCH. 826 00:42:35,622 --> 00:42:37,157 SO, THANK YOU. 827 00:42:37,190 --> 00:42:39,660 YEAH. IT'S VERY NICE... GETTING TO KNOW YOU. 828 00:42:39,693 --> 00:42:40,661 YES. 829 00:42:40,694 --> 00:42:41,928 UP. 830 00:42:41,962 --> 00:42:43,964 THANK YOU. 831 00:42:45,165 --> 00:42:46,132 ...FUN. 832 00:42:46,166 --> 00:42:47,133 YEAH. 833 00:42:47,167 --> 00:42:48,234 YEAH. 834 00:42:49,970 --> 00:42:51,237 HERE YOU GO. 835 00:42:51,271 --> 00:42:52,105 THAT DOOR... 836 00:42:52,138 --> 00:42:53,139 HA HA! 837 00:42:56,009 --> 00:42:57,210 UH... 838 00:42:57,243 --> 00:42:58,679 GOOD NIGHT. 839 00:42:58,712 --> 00:43:00,113 GOOD NIGHT. 840 00:43:17,297 --> 00:43:19,265 GOOD NIGHT. 841 00:43:35,048 --> 00:43:36,282 [DOOR CLOSES] 842 00:43:41,454 --> 00:43:45,158 Nigel: WELL, IT'S ABOUT TIME, MAXWELL. 843 00:43:45,191 --> 00:43:48,428 WHO IS THIS INFERNAL WOMAN KEEPING YOU AWAY FROM YOUR WORK? 844 00:43:48,461 --> 00:43:52,432 WE'RE TWO WEEKS AWAY FROM THE BIGGEST SHOW OF YOUR CAREER. 845 00:43:52,465 --> 00:43:55,435 YOU SHOULD BE IN THE STUDIO CREATING BRILLIANCE, 846 00:43:55,468 --> 00:43:58,171 NOT FROLICKING ABOUT WITH SOME COMMON TROLLOP. 847 00:43:58,204 --> 00:44:00,440 OH! LANGUAGE. 848 00:44:00,473 --> 00:44:03,176 BESIDES, WHEN HAVE I EVER LET YOU DOWN? 849 00:44:03,209 --> 00:44:05,145 TRUST ME. 850 00:44:05,178 --> 00:44:08,014 THERE WILL BE PLENTY OF PIECES FOR THE NEW SHOW. 851 00:44:08,048 --> 00:44:11,017 PLUS...THIS NEW DIRECTION I'M GOING IN... 852 00:44:11,051 --> 00:44:12,719 IS VERY EXCITING. 853 00:44:12,753 --> 00:44:14,020 NEW? 854 00:44:14,054 --> 00:44:16,422 NO, NO, NO. NEW IS BAD. 855 00:44:16,456 --> 00:44:18,191 AHH! 856 00:44:18,224 --> 00:44:20,326 THE BUYERS WANT TO SEE A MAXWELL TYLER SCULPTURE 857 00:44:20,360 --> 00:44:23,063 SIMILAR TO THE PIECE THAT MADE YOU FAMOUS. 858 00:44:23,096 --> 00:44:24,464 REMEMBER THAT? 859 00:44:24,497 --> 00:44:26,332 STICK WITH THE OLD STUFF, MY FRIEND. 860 00:44:26,366 --> 00:44:27,400 I CAN SELL IT. 861 00:44:27,433 --> 00:44:29,202 OH, POSH! 862 00:44:29,235 --> 00:44:32,472 NIGEL... YOU COULD SELL IGLOOS TO THE ESKIMOS. 863 00:44:32,506 --> 00:44:34,074 WE ALL KNOW THIS. 864 00:44:34,107 --> 00:44:36,209 BESIDES, BROOKE... AHH, BROOKE. 865 00:44:36,242 --> 00:44:40,080 SHE'S BEEN ENCOURAGING ME TO BROADEN MY FOCUS AS AN ARTIST, 866 00:44:40,113 --> 00:44:43,149 AND YOU KNOW SOMETHING? SHE'S 100% RIGHT. 867 00:44:43,183 --> 00:44:45,485 SO I TELL YOU WHAT, PAL. 868 00:44:45,519 --> 00:44:49,055 YOU STICK WITH THE MONEY, AND THAT'LL BE YOUR JOB. 869 00:44:49,089 --> 00:44:51,324 I WANT TO DO MY JOB, MY FRIEND. 870 00:44:53,093 --> 00:44:54,995 DON'T LISTEN TO HER. 871 00:44:55,028 --> 00:44:58,098 I'M THE ONE WHO MADE YOU FAMOUS, MY FRIEND. 872 00:44:58,131 --> 00:45:00,767 NIGEL, MY FRIEND... GOOD NIGHT. 873 00:45:02,402 --> 00:45:06,139 ♪ I'M GONNA MAKE YOU LOVE ME ♪ 874 00:45:07,541 --> 00:45:11,244 I'M THE ONE WITH THE MASSIVE CREDIT CARD DEBT. 875 00:45:11,277 --> 00:45:15,115 I'M ALSO THE ONE WITH THE ASTRONOMICAL CAR PAYMENTS. 876 00:45:15,148 --> 00:45:18,118 HE'S IN LOVE. THAT'S WONDERFUL, YEAH. 877 00:45:18,151 --> 00:45:19,319 [SIGHS] 878 00:45:19,352 --> 00:45:22,889 THEY'RE ALL TRYING TO RUIN ME, THAT'S ALL. GREAT. THANK YOU. 879 00:45:31,364 --> 00:45:34,334 HEH HEH HEH! 880 00:45:34,367 --> 00:45:36,102 WAKE UP! 881 00:45:36,136 --> 00:45:37,504 WAKE UP, SLEEPYHEADS. 882 00:45:37,538 --> 00:45:41,141 TIME TO HANG TEN OFF THE OLD LONG BOARD. 883 00:45:41,174 --> 00:45:44,177 TIME TO GO! COME ON! COME ON! 884 00:45:46,179 --> 00:45:48,181 HE'S BACK! 885 00:45:51,184 --> 00:45:53,186 Child: OH, NICE DIVE! 886 00:45:54,888 --> 00:45:56,489 LET'S SEE WHAT YOU GOT. 887 00:46:02,328 --> 00:46:03,329 [SCREAMING] 888 00:46:03,363 --> 00:46:06,466 YOU'RE JUST GONNA GET ALL WET IN A MINUTE, EMILY. 889 00:46:08,234 --> 00:46:09,435 [SCREAMING] 890 00:46:12,606 --> 00:46:14,440 AH! 891 00:46:14,474 --> 00:46:16,209 LESS THAN A MINUTE. 892 00:46:16,242 --> 00:46:18,879 HEY, WATCH WHERE YOU'RE POINTING THAT THING, JERK! 893 00:46:22,616 --> 00:46:25,586 HEY, TESS, I GOT YOU THIS TAPE FROM THE NO DOUBT CONCERT, 894 00:46:25,619 --> 00:46:27,320 AND I GOT YOU A SHIRT. 895 00:46:27,353 --> 00:46:30,891 WOW, THANKS, CODY. THAT'S AWESOME. 896 00:46:33,527 --> 00:46:34,928 [BLOWS WHISTLE] 897 00:46:34,961 --> 00:46:36,496 EVERYBODY LISTEN UP! 898 00:46:36,530 --> 00:46:40,200 AS YOU ALL KNOW, THE PARKS AND RECREATION REGIONAL DIVING MEET 899 00:46:40,233 --> 00:46:42,302 IS COMING UP AT THE END OF THIS MONTH. 900 00:46:42,335 --> 00:46:45,606 SOME OF YOU MAY REMEMBER LAST YEAR WE GOT ROBBED 901 00:46:45,639 --> 00:46:48,208 BY THOSE SNOBS FROM PALOS VERDES. 902 00:46:48,241 --> 00:46:49,610 [KIDS BOOING] 903 00:46:49,643 --> 00:46:55,315 THIS YEAR, WE GOT A CHANCE TO WIN BACK OUR FIRST PLACE AND OUR DIGNITY. 904 00:46:55,348 --> 00:46:58,451 SO LET'S ALL WORK HARD TO PUT A TROPHY IN OUR CASE! 905 00:46:58,484 --> 00:47:00,320 [CHEERING] 906 00:47:03,657 --> 00:47:05,225 TESS... 907 00:47:05,258 --> 00:47:07,193 THEY'VE ADDED A NEW DIVE THIS TIME: 908 00:47:07,227 --> 00:47:09,530 A REVERSE PIKE OFF THE HIGH PLATFORM. 909 00:47:09,563 --> 00:47:11,197 PALOS VERDES HAS IT. 910 00:47:11,231 --> 00:47:14,367 WELL...I'M NOT GREAT WITH HEIGHTS... 911 00:47:14,400 --> 00:47:16,570 BUT I'LL GIVE IT A SHOT, BRAD. 912 00:47:16,603 --> 00:47:18,204 THAT'S MY GIRL. 913 00:47:19,640 --> 00:47:22,643 HE CALLED YOU HIS GIRL? 914 00:47:22,676 --> 00:47:25,011 GET OVER YOURSELF, EMILY. 915 00:47:37,624 --> 00:47:39,960 OK. YOU CAN DO THIS. 916 00:47:39,993 --> 00:47:43,864 JUST PRETEND IT'S LIKE THE LOW DIVE, ONLY HIGHER. 917 00:47:47,300 --> 00:47:48,401 MUCH HIGHER. 918 00:47:48,434 --> 00:47:50,403 LIKE MOUNT EVEREST HIGHER. 919 00:47:50,436 --> 00:47:51,972 Brad: CONCENTRATE! 920 00:47:52,005 --> 00:47:53,674 KEEP YOUR LEGS TOGETHER. 921 00:47:53,707 --> 00:47:55,475 NICE CLEAN ENTRY. 922 00:48:03,049 --> 00:48:04,450 [KIDS GROANING] 923 00:48:05,586 --> 00:48:07,320 DARN! 924 00:48:07,353 --> 00:48:09,422 DON'T WORRY. WE GOT A COUPLE OF WEEKS TO WORK IT OUT. 925 00:48:09,455 --> 00:48:11,592 GONNA DIVE LIKE THAT AT THE REGIONALS? 926 00:48:11,625 --> 00:48:14,427 WAY TO GET YOUR PICTURE IN THE DIVING LOSERS HALL OF SHAME. 927 00:48:14,460 --> 00:48:16,930 YEAH? YOU THINK YOU CAN DO BETTER? LET'S SEE IT. 928 00:48:16,963 --> 00:48:18,398 ALL RIGHT. 929 00:48:18,431 --> 00:48:22,402 Cody: HE CAN'T DIVE. THAT GUY'S A TOTAL SPAZOID. 930 00:48:22,435 --> 00:48:24,370 OH, MY GOSH! 931 00:48:24,404 --> 00:48:26,406 OH, MY GOSH! 932 00:48:26,439 --> 00:48:28,308 HE'S GONNA HURT HIMSELF. 933 00:48:33,747 --> 00:48:38,351 Girl: OH, MY GOSH! HE DID BETTER THAN TESS. 934 00:48:41,321 --> 00:48:43,056 YOU JUST MADE THE DIVING TEAM. 935 00:48:43,089 --> 00:48:46,392 I GOT BETTER THINGS TO DO THAN BE ON YOUR STUPID DIVING TEAM. 936 00:48:46,426 --> 00:48:49,596 Child: WHAT AN IDIOT! 937 00:48:49,630 --> 00:48:52,465 THERE'S ONLY 6 SPACES ON THE TEAM. 938 00:48:52,498 --> 00:48:56,703 IF HE'S ON, SOMEBODY'S GONNA GET BUMPED OFF. 939 00:48:56,737 --> 00:48:59,072 I'M NUMBER 6. 940 00:49:00,473 --> 00:49:02,342 IT'S GONNA BE ME. 941 00:49:03,744 --> 00:49:05,078 [SIGHS] 942 00:49:08,081 --> 00:49:10,751 WOW! WHERE'D YOU FIND THIS PLACE? 943 00:49:10,784 --> 00:49:12,753 I BUILT IT. 944 00:49:12,786 --> 00:49:14,487 YOU BUILT IT? 945 00:49:14,521 --> 00:49:17,090 DESIGNED IT, SUPERVISED THE BUILDING. 946 00:49:17,123 --> 00:49:19,492 WHY DO YOU HAVE A TRACTOR? 947 00:49:19,526 --> 00:49:20,761 FORKLIFT, ACTUALLY. 948 00:49:20,794 --> 00:49:22,495 AH. HA HA HA! 949 00:49:22,529 --> 00:49:26,099 ABOUT HALF THE PIECES I WORK ON ARE, UH... 950 00:49:26,132 --> 00:49:28,101 WELL, THEY'RE PRETTY LARGE‐‐ 951 00:49:28,134 --> 00:49:31,505 AS YOU CAN SEE, SOME OF THEM UPWARDS OF 18, 20 FEET‐‐ 952 00:49:31,538 --> 00:49:35,108 AND, UH, I JUST DON'T FEEL LIKE LIFTING THAT MUCH, 953 00:49:35,141 --> 00:49:36,777 SO A FORKLIFT COMES IN HANDY. 954 00:49:36,810 --> 00:49:38,745 LOOK AT ALL THIS STUFF. 955 00:49:38,779 --> 00:49:40,647 MMM. 956 00:49:40,681 --> 00:49:43,483 MY SON WOULD LOVE TO GET HIS HANDS ON SOME OF THESE TOOLS. 957 00:49:43,517 --> 00:49:45,485 IS HE MECHANICALLY INCLINED? 958 00:49:45,519 --> 00:49:47,487 Brooke over intercom: OH, HE LIKES TO TINKER 959 00:49:47,521 --> 00:49:48,755 WITH GEARS AND PARTS. 960 00:49:48,789 --> 00:49:50,490 AT LEAST HE USED TO, 961 00:49:50,524 --> 00:49:52,492 UNTIL HE HIT THIS REBELLIOUS STAGE. 962 00:49:52,526 --> 00:49:54,795 I THINK ALL KIDS GO THROUGH THAT. 963 00:49:54,828 --> 00:49:56,797 TESTING‐THE‐LIMITS THING. 964 00:49:56,830 --> 00:49:59,132 YEAH, I KNOW. 965 00:49:59,165 --> 00:50:02,536 HE'S JUST UPSET ABOUT HIS DAD GETTING REMARRIED, SO HE'S ACTING OUT. 966 00:50:02,569 --> 00:50:04,137 Max: OH. 967 00:50:04,170 --> 00:50:07,140 Brooke: WANTS TO MAKE A STATEMENT AT THE WEDDING. 968 00:50:07,173 --> 00:50:10,544 ALL RIGHT, SPEAKING OF STATEMENTS, 969 00:50:10,577 --> 00:50:15,148 THIS IS ONE OF MY NEWEST PIECES. 970 00:50:15,181 --> 00:50:16,349 Brooke: OH... 971 00:50:16,382 --> 00:50:17,818 Nigel: EAVESDROPPING?! 972 00:50:17,851 --> 00:50:19,485 NAUGHTY GIRLS. 973 00:50:19,520 --> 00:50:22,623 WE'RE JUST KIDS. NOBODY TELLS US ANYTHING. 974 00:50:22,656 --> 00:50:25,659 HOW ELSE ARE WE GONNA FIND OUT WHAT'S GOING ON? 975 00:50:25,692 --> 00:50:29,129 WELL, I'LL HAVE YOU KNOW THAT WHEN I WAS A LITTLE BOY, 976 00:50:29,162 --> 00:50:31,131 WE DIDN'T HAVE INTERCOMS. 977 00:50:31,164 --> 00:50:33,166 WHEN WE WANTED TO FIND SOMETHING OUT, 978 00:50:33,199 --> 00:50:34,568 WE HAD TO PEEK THROUGH KEYHOLES 979 00:50:34,601 --> 00:50:36,637 AND ROOT THROUGH TRASH JUST LIKE EVERYONE ELSE. 980 00:50:36,670 --> 00:50:38,572 OK, NIGEL. 981 00:50:38,605 --> 00:50:40,073 WHATEVER. 982 00:50:54,220 --> 00:50:57,490 I LOVE ALL THE MOVEMENT IN IT. IT'S GREAT. 983 00:51:01,161 --> 00:51:02,663 UH, GIRLS... 984 00:51:02,696 --> 00:51:03,697 [FEEDBACK] 985 00:51:03,730 --> 00:51:04,831 AH! BLAST IT! 986 00:51:04,865 --> 00:51:06,700 SINCE YOU'RE THERE, COME ON DOWN. 987 00:51:06,733 --> 00:51:08,535 BROOKE'S HERE FOR YOUR FIELD TRIP. 988 00:51:08,569 --> 00:51:11,171 Emily, voice‐over: BROOKE TURNED OUT TO BE GREAT. 989 00:51:11,204 --> 00:51:13,574 SHE TOOK US TO DO ALL THE FUN THINGS‐‐ 990 00:51:13,607 --> 00:51:15,075 GIRL STUFF. 991 00:51:18,645 --> 00:51:20,614 ENJOYING YOURSELVES, GIRLS? 992 00:51:20,647 --> 00:51:22,215 ARE YOU KIDDING? 993 00:51:22,248 --> 00:51:25,218 SO, BROOKE, WHEN ARE WE GONNA GET TO MEET YOUR SON? 994 00:51:25,251 --> 00:51:27,754 DEFINITELY SOON. YOU GUYS WILL GET ALONG GREAT. 995 00:51:27,788 --> 00:51:30,857 DO YOU THINK A COLLEGE GUY WOULD FALL IN LOVE WITH A YOUNGER WOMAN? 996 00:51:30,891 --> 00:51:33,493 MUCH YOUNGER. 997 00:51:33,527 --> 00:51:35,762 EMILY'S CRUSHING ON OUR DIVING COACH. 998 00:51:35,796 --> 00:51:38,632 TODAY, SHE PRACTICALLY DROOLED ON HIS CLIPBOARD. 999 00:51:38,665 --> 00:51:41,635 YOU WOULD, TOO, IF YOU SAW HIM. 1000 00:51:41,668 --> 00:51:43,604 HE'S TOTALLY DREAMY. 1001 00:51:43,637 --> 00:51:47,641 HE WAS ON THE CALENDAR "THE MEN OF USC." 1002 00:51:47,674 --> 00:51:49,409 DREAMY IS GOOD, 1003 00:51:49,442 --> 00:51:50,811 BUT THE MOST IMPORTANT THING IS TRUST. 1004 00:51:50,844 --> 00:51:52,813 IF YOU CAN'T TRUST THE PERSON YOU LOVE, 1005 00:51:52,846 --> 00:51:54,480 YOU DON'T HAVE ANYTHING. 1006 00:51:54,515 --> 00:51:56,449 I TRUST BRAD WITH MY LIFE. 1007 00:51:56,482 --> 00:51:58,885 DUH. HE'S A LIFEGUARD. 1008 00:51:58,919 --> 00:52:00,654 GO AHEAD, LAUGH. 1009 00:52:00,687 --> 00:52:03,223 BUT AT LEAST I KNOW WHEN A GUY'S SENDING ME SIGNALS. 1010 00:52:03,256 --> 00:52:04,858 WHAT'S THAT SUPPOSED TO MEAN? 1011 00:52:04,891 --> 00:52:06,259 FIGURE IT OUT. 1012 00:52:06,292 --> 00:52:09,563 I'M GONNA GO GET MY LEGS WAXED. 1013 00:52:09,596 --> 00:52:12,498 YOU DON'T EVEN HAVE HAIR ON THEM YET. 1014 00:52:19,673 --> 00:52:23,476 I'M TALKING ABOUT THE PRODUCTION RUN, YOU IMBECILE. 1015 00:52:23,510 --> 00:52:26,613 HOW LONG IS IT GOING TO TAKE YOU? 1016 00:52:26,647 --> 00:52:31,451 OH, NO. STOP COMPLAINING, OR I'LL SEND YOU BACK TO WHERE I FOUND YOU‐‐ 1017 00:52:31,484 --> 00:52:34,454 AT THAT FACTORY MAKING LAWN GNOMES. 1018 00:52:34,487 --> 00:52:35,889 HEY, NIGE. 1019 00:52:35,922 --> 00:52:38,191 HOW'S IT GOING? 1020 00:52:38,224 --> 00:52:39,626 WHO WAS THAT ON THE PHONE? 1021 00:52:39,660 --> 00:52:41,628 WHERE'S YOUR DADDY? 1022 00:52:41,662 --> 00:52:42,929 HE'S WITH BROOKE. 1023 00:52:42,963 --> 00:52:44,497 SHE'S THE COOLEST. 1024 00:52:44,531 --> 00:52:46,900 HE PRACTICALLY SPENDS ALL OF HIS TIME WITH HER. 1025 00:52:46,933 --> 00:52:48,769 I THINK THEY COULD REALLY FALL IN L‐‐ 1026 00:52:48,802 --> 00:52:51,271 DON'T SAY THAT! NOT THE "L" WORD. 1027 00:52:51,304 --> 00:52:52,773 DON'T EVEN PUT IT OUT THERE. 1028 00:52:52,806 --> 00:52:54,708 DON'T YOU WANT OUR DAD TO BE HAPPY? 1029 00:52:54,741 --> 00:52:56,910 IF YOUR DAD GETS HAPPY, THEN HIS ART MIGHT CHANGE, 1030 00:52:56,943 --> 00:53:00,514 AND IF HIS ART CHANGES, THEN IT MIGHT NOT SELL, 1031 00:53:00,547 --> 00:53:03,216 AND IF IT DOESN'T SELL, WELL‐‐POOF! 1032 00:53:03,249 --> 00:53:05,786 THERE GOES YOUR SHINY LITTLE LIFE STYLES. 1033 00:53:08,755 --> 00:53:11,324 BYE, LADIES. 1034 00:53:14,528 --> 00:53:15,896 OUR SHINY LIFE STYLE? 1035 00:53:15,929 --> 00:53:18,899 HE'S THE ONE DRIVING A RANGE ROVER. 1036 00:53:18,932 --> 00:53:21,768 AND WEARING A ROLEX. IT'S PROBABLY FAKE. 1037 00:53:27,040 --> 00:53:29,543 HOW ABOUT THESE? 1038 00:53:29,576 --> 00:53:32,012 OH, THAT LOOKS GREAT. TAKE A LOOK. 1039 00:53:32,045 --> 00:53:34,881 SO, HOW'S IT GOING WITH THE BILLBOARD HUNK? 1040 00:53:34,915 --> 00:53:36,750 FINE. 1041 00:53:36,783 --> 00:53:37,684 YOU SET A DATE YET? 1042 00:53:37,718 --> 00:53:39,953 I KNOW HOW THESE REBOUND RELATIONSHIPS GO. 1043 00:53:39,986 --> 00:53:41,955 HE FALLS HARD FOR THE FIRST PERSON HE CLICKS WITH, 1044 00:53:41,988 --> 00:53:43,990 THEN NEXT MONTH I FIND OUT HE'S TWO‐TIMING ME. 1045 00:53:44,024 --> 00:53:46,760 SO DON'T GO PICKING OUT MY CHINA PATTERNS ANYTIME SOON. 1046 00:53:46,793 --> 00:53:48,695 WHOA, MISS CYNIC. 1047 00:53:48,729 --> 00:53:51,765 NOT EVERY GUY'S A LOWDOWN CHEATER LIKE YOUR EX‐HUSBAND. 1048 00:53:51,798 --> 00:53:54,935 AND YOU'RE THE ONE WHO BROUGHT UP CHINA PATTERNS. 1049 00:53:54,968 --> 00:53:57,003 IT'S OK TO ADMIT YOU LIKE THE GUY. 1050 00:53:57,037 --> 00:53:58,939 I JUST DON'T WANT TO GET HURT AGAIN. 1051 00:53:58,972 --> 00:54:00,741 THAT DOESN'T HAPPEN EVERY TIME. 1052 00:54:02,743 --> 00:54:04,845 Tess: EMILY, YOUR FOOD'S HERE. 1053 00:54:22,428 --> 00:54:24,831 GUESS WHO'S CRUISING DOWN THE STREETS ON A SKATEBOARD. 1054 00:54:24,865 --> 00:54:26,633 LET'S GO. 1055 00:54:30,003 --> 00:54:32,873 Emily, voice‐over: THAT KID RYAN WAS ALWAYS SUCH A PAIN. 1056 00:54:32,906 --> 00:54:35,576 HE WANTED EVERYONE TO THINK THAT HE WAS ALL PUNKED OUT. 1057 00:54:35,609 --> 00:54:37,711 SOMEONE NEEDED TO TEACH HIM A LESSON. 1058 00:54:37,744 --> 00:54:39,746 THAT'S ENOUGH! WE'RE GONNA MISS HIM! 1059 00:54:50,356 --> 00:54:51,892 [GIGGLING] 1060 00:55:17,050 --> 00:55:19,019 WOW! YOU TWO LOOK NICE. 1061 00:55:19,052 --> 00:55:20,721 WHERE ARE YOU GOING? 1062 00:55:20,754 --> 00:55:23,790 WELL, TONIGHT'S OUR TWO‐MONTH ANNIVERSARY, 1063 00:55:23,824 --> 00:55:29,095 SO BROOKE AND I ARE SPENDING A NICE ROMANTIC EVENING ALONE. 1064 00:55:29,129 --> 00:55:30,831 THAT'S COOL. 1065 00:55:30,864 --> 00:55:32,999 WELL, IT'S ABOUT TIME YOU TWO GOT ROMANTIC. 1066 00:55:34,935 --> 00:55:38,138 NOW, DO WE NEED TO GIVE YOU THE SAFE SEX TALK? 1067 00:55:38,171 --> 00:55:39,773 EMILY DANIELLE... 1068 00:55:39,806 --> 00:55:42,676 Brooke: IT'S OK. MY SON ASKED ME THE SAME THING 1069 00:55:42,709 --> 00:55:44,845 WHEN I TOLD HIM ABOUT TONIGHT. 1070 00:55:44,878 --> 00:55:47,013 THE THREE OF YOU CAN COMPARE NOTES WHEN HE COMES OVER. 1071 00:55:47,047 --> 00:55:48,749 HE'S COMING OVER? 1072 00:55:48,782 --> 00:55:50,083 MM‐HMM. HIS FATHER'S ON HIS HONEYMOON, 1073 00:55:50,116 --> 00:55:51,852 SO I GET HIM FOR THE WEEKEND. 1074 00:55:51,885 --> 00:55:54,087 YOU THREE CAN HANG OUT WITH NIGEL TONIGHT. WON'T THAT BE FUN? 1075 00:55:54,120 --> 00:55:55,155 YEAH. YEAH. 1076 00:55:55,188 --> 00:55:56,823 [HORN HONKS] 1077 00:55:56,857 --> 00:55:58,692 Brooke: THAT MUST BE HIM. WILL YOU GET IT? 1078 00:56:01,728 --> 00:56:02,763 HUH! 1079 00:56:04,931 --> 00:56:06,900 HUH! 1080 00:56:19,145 --> 00:56:21,982 OH, MY GOD! RYAN, WHAT HAPPENED? 1081 00:56:27,754 --> 00:56:29,055 I WIPED OUT ON MY SKATEBOARD. 1082 00:56:29,089 --> 00:56:32,125 ARE YOU ALL RIGHT? 1083 00:56:32,158 --> 00:56:34,460 NO PERMANENT DAMAGE. 1084 00:56:34,494 --> 00:56:36,697 LET'S GET YOU UPSTAIRS, CLEANED UP, AND CHANGED BEFORE YOU CATCH COLD. 1085 00:56:36,730 --> 00:56:38,098 COME ON. RIGHT THIS WAY. 1086 00:56:38,131 --> 00:56:39,700 Brooke: COME ON, SWEETIE. 1087 00:56:39,733 --> 00:56:41,702 HOW COME HE DIDN'T TELL? 1088 00:56:41,735 --> 00:56:43,169 I DON'T KNOW. 1089 00:56:43,203 --> 00:56:45,706 YOU HAVE A LOT OF FUN, ALL RIGHT? 1090 00:56:45,739 --> 00:56:47,874 COME HERE. GIVE ME A KISS. 1091 00:56:47,908 --> 00:56:52,145 I'M COUNTING ON YOU TWO TO MAKE RYAN FEEL RIGHT AT HOME, OK? 1092 00:56:52,178 --> 00:56:53,747 Brooke: READY? 1093 00:56:53,780 --> 00:56:55,148 YOU BET, HON. 1094 00:56:55,181 --> 00:57:00,754 RYAN...YOUR CLOTHES ARE IN THE DRYER. BE GOOD. 1095 00:57:00,787 --> 00:57:02,756 WE WON'T BE TOO LATE. 1096 00:57:02,789 --> 00:57:04,758 ANY PROBLEMS AT ALL, YOU JUST... 1097 00:57:04,791 --> 00:57:06,760 WELL, TALK TO NIGEL. 1098 00:57:06,793 --> 00:57:08,028 HA HA! NIGEL. 1099 00:57:12,799 --> 00:57:15,101 PRETTY COOL STEREO. IMPRESSIVE. 1100 00:57:15,135 --> 00:57:16,937 WE HAVE AN ALARM SYSTEM. 1101 00:57:16,970 --> 00:57:18,238 [SIGHS] 1102 00:57:18,271 --> 00:57:19,940 HOW COME YOU DIDN'T TELL ON US? 1103 00:57:19,973 --> 00:57:21,808 BECAUSE I'M NOT A RAT. 1104 00:57:21,842 --> 00:57:23,744 SPARE US THE PRISON CODE OF HONOR. 1105 00:57:23,777 --> 00:57:26,246 YOU DIDN'T TELL 'CAUSE NOW YOU'VE GOT ONE UP ON US. 1106 00:57:26,279 --> 00:57:29,015 YOU CAN USE IT LATER WHEN YOU REALLY WANT REVENGE. 1107 00:57:29,049 --> 00:57:31,151 FOR A BETTY, YOU'RE NOT AS DUMB AS YOU LOOK. 1108 00:57:31,184 --> 00:57:34,487 DON'T CALL ME A BETTY. AND WHAT'S ALL THAT STUFF 1109 00:57:34,521 --> 00:57:36,489 ABOUT GROWING UP IN FOSTER HOMES? 1110 00:57:36,523 --> 00:57:39,593 WHAT ARE YOU, SOME KIND OF PATHOLOGICAL LIAR? 1111 00:57:39,626 --> 00:57:41,161 YOU'RE RIGHT. 1112 00:57:41,194 --> 00:57:42,896 [SNORING LOUDLY] 1113 00:57:47,534 --> 00:57:50,036 Ryan: I THOUGHT YOU SAID THIS GUY WAS YOUR DAD'S AGENT. 1114 00:57:50,070 --> 00:57:52,138 WHAT'S HE DOING SNOOZING ON YOUR CHAIR? 1115 00:57:52,172 --> 00:57:53,574 WHAT, DOES HE LIVE HERE? 1116 00:57:53,607 --> 00:57:56,109 NO. OUR DAD'S HIS ONLY CLIENT. 1117 00:57:56,142 --> 00:57:57,511 WHATEVER. 1118 00:57:57,544 --> 00:57:58,879 BYE, DORKS. I'M OUT OF HERE. 1119 00:57:58,912 --> 00:58:00,814 WHY DO YOU HAVE TO BE SO RUDE? 1120 00:58:00,847 --> 00:58:03,049 I WOULDN'T EXPECT YOU TWO TO UNDERSTAND. 1121 00:58:03,083 --> 00:58:05,586 YOU'RE THESE PERFECT LITTLE PEOPLE WITH THIS PERFECT LIFE. 1122 00:58:07,153 --> 00:58:08,121 WE'RE NOT PERFECT. 1123 00:58:08,154 --> 00:58:09,890 NOBODY IS. 1124 00:58:09,923 --> 00:58:11,925 AND OUR LIFE'S NOT PERFECT EITHER. 1125 00:58:11,958 --> 00:58:13,293 YEAH, RIGHT. 1126 00:58:13,326 --> 00:58:15,829 LIKE EVERYTHING YOU'VE EVER TRIED HASN'T WORKED OUT. 1127 00:58:15,862 --> 00:58:17,998 I CAN'T DO A REVERSE DIVE. 1128 00:58:18,031 --> 00:58:19,533 THAT'S JUST SOME STUPID DIVE 1129 00:58:19,566 --> 00:58:20,934 IN SOME DUMB LOCAL COMPETITION. 1130 00:58:20,967 --> 00:58:23,203 WHY DOES IT MATTER THAT MUCH TO YOU ANYHOW? 1131 00:58:27,974 --> 00:58:29,643 MY MOTHER WAS A BALLERINA. 1132 00:58:29,676 --> 00:58:32,579 THIS IS AS CLOSE AS I COULD GET. 1133 00:58:37,584 --> 00:58:40,521 WELL, THAT'S THE LAMEST EXCUSE I'VE EVER HEARD. 1134 00:58:42,122 --> 00:58:44,925 YOU KNOW, JUST BECAUSE YOUR FATHER GOT MARRIED AGAIN 1135 00:58:44,958 --> 00:58:46,893 DOESN'T MEAN HE WON'T LOVE YOU ANYMORE. 1136 00:58:46,927 --> 00:58:50,063 WHO ASKED YOU, MUNCHKIN? 1137 00:58:50,096 --> 00:58:51,632 I'M MONSTER. 1138 00:58:51,665 --> 00:58:52,966 I'M MUNCHKIN. 1139 00:58:55,368 --> 00:58:57,571 WHATEVER. AND BY THE WAY, 1140 00:58:57,604 --> 00:58:59,673 I DECIDED TO JOIN THE DIVING TEAM AFTER ALL. 1141 00:58:59,706 --> 00:59:01,708 GUESS WHO'S OFF IT. 1142 00:59:05,145 --> 00:59:08,649 Nigel: NO! NO! NO! NOT POLYESTER! 1143 00:59:15,021 --> 00:59:17,991 Max: AH, YOU'RE RIGHT, HONEY. HE'S HERE. 1144 00:59:18,024 --> 00:59:19,993 HEY, WHAT'S UP? 1145 00:59:20,026 --> 00:59:21,995 JUST WAITING TO GO HOME. 1146 00:59:22,028 --> 00:59:23,964 WHERE'S MY MOM? 1147 00:59:23,997 --> 00:59:25,699 SHE'S OUT IN THE CAR. 1148 00:59:28,401 --> 00:59:31,572 I'LL GIVE YOU BOTH A LIFT HOME. 1149 00:59:34,174 --> 00:59:38,011 LISTEN, YOUR MOM TOLD ME ABOUT YOUR DAD GETTING REMARRIED. 1150 00:59:38,044 --> 00:59:41,014 THAT'S GOT TO BE A TOUGH ONE, HUH? 1151 00:59:41,047 --> 00:59:42,616 NO BIGGIE. 1152 00:59:42,649 --> 00:59:45,619 YEAH. WELL, I'LL TELL YOU... 1153 00:59:45,652 --> 00:59:49,623 I'VE BEEN OUTNUMBERED BY WOMEN FOR SO LONG HERE, 1154 00:59:49,656 --> 00:59:52,258 BE NICE TO HAVE ANOTHER GUY AROUND. 1155 00:59:52,292 --> 00:59:54,027 READY TO GO? 1156 00:59:54,060 --> 00:59:55,261 YEAH. 1157 00:59:55,295 --> 00:59:57,030 LET'S HIT THE ROAD. 1158 01:00:11,277 --> 01:00:13,246 Nigel: CAREFUL, YOU IDIOT. 1159 01:00:13,279 --> 01:00:15,716 I CAN'T AFFORD ANOTHER BROKEN ONE. 1160 01:00:15,749 --> 01:00:19,019 THAT'S MY NEW BMW YOU'RE HOLDING. 1161 01:00:22,088 --> 01:00:25,058 WHAT'S THE RUSH ON THESE PHONY TYLER SCULPTURES? 1162 01:00:25,091 --> 01:00:28,061 BECAUSE WHO KNOWS WHAT THE NEW STUFF WILL BE LIKE. 1163 01:00:28,094 --> 01:00:30,296 IF IT WASN'T FOR THIS STUPID WOMAN IN HIS LIFE, 1164 01:00:30,330 --> 01:00:32,766 HE'D STILL BE MAKING THE OLD STUFF, AND THAT SELLS. 1165 01:00:32,799 --> 01:00:34,434 DON'T THROW A HISSY FIT. 1166 01:00:34,467 --> 01:00:35,769 JUST TELL TYLER TO DUMP THE CHICK, 1167 01:00:35,802 --> 01:00:37,070 YOUR PROBLEMS ARE SOLVED. 1168 01:00:37,103 --> 01:00:40,473 ALL THIS HOOPLA OVER THIS STUFF. SHEESH! 1169 01:00:44,344 --> 01:00:45,746 NIGEL, HI. 1170 01:00:45,779 --> 01:00:47,147 OH. SAT ON MY GLASSES. 1171 01:00:47,180 --> 01:00:49,049 OH, NO! 1172 01:00:49,082 --> 01:00:51,051 MAX SAID YOU MIGHT BE ABLE TO HELP ME OUT. 1173 01:00:51,084 --> 01:00:52,786 SURE. COME ON IN. I'LL SEE WHAT I CAN DO. 1174 01:00:55,321 --> 01:00:57,290 WHAT DO YOU THINK? CAN YOU SAVE THEM? 1175 01:00:57,323 --> 01:00:59,760 WELL, THEY'RE ALMOST NOT WORTH REPAIRING. 1176 01:00:59,793 --> 01:01:01,795 HOW ABOUT A NEW PAIR? 1177 01:01:01,828 --> 01:01:02,829 OH. BRILLIANT! 1178 01:01:06,366 --> 01:01:11,337 BROOKE, IT'S SO WONDERFUL TO SEE MAX HAS FOUND SOMEONE. 1179 01:01:11,371 --> 01:01:13,807 ADMIT IT. YOU'RE HEAD OVER HEELS FOR HIM, TOO. 1180 01:01:13,840 --> 01:01:16,342 OK, YOU CAUGHT ME. I ADMIT IT. 1181 01:01:16,376 --> 01:01:19,713 WHEN MAX WAS A STUDENT IN ITALY, I DISCOVERED HIM. 1182 01:01:19,746 --> 01:01:21,281 YOU EVER BEEN THERE? 1183 01:01:21,314 --> 01:01:23,083 NO, BUT I'D LOVE TO GO SOMEDAY. 1184 01:01:23,116 --> 01:01:25,185 WHAT ABOUT IT? WHY DON'T YOU JUST GO? 1185 01:01:25,218 --> 01:01:28,188 RENT A HOUSE IN THE ITALIAN COUNTRYSIDE, 1186 01:01:28,221 --> 01:01:31,191 NICE ROMANTIC SUMMER ABROAD. 1187 01:01:31,224 --> 01:01:33,193 I WOULD LOVE TO RENT A HOUSE IN ITALY WITH MAX, 1188 01:01:33,226 --> 01:01:34,327 BUT WHAT ABOUT THE KIDS? 1189 01:01:34,360 --> 01:01:36,329 THEY'D WANT TO STAY WITH THEIR FRIENDS. 1190 01:01:36,362 --> 01:01:37,998 LEAVE THEM WITH ME. 1191 01:01:38,031 --> 01:01:40,000 YOU'D TAKE THE KIDS FOR A WHOLE SUMMER? 1192 01:01:40,033 --> 01:01:42,268 YOU CAN'T BE TOO CAREFUL WITH A NEW RELATIONSHIP. 1193 01:01:42,302 --> 01:01:45,739 I SUPPOSE IT WOULD BE GREAT TO SPEND SOME TIME WITH MAX ALONE. 1194 01:01:45,772 --> 01:01:49,142 IT'S NOT EASY GETTING TO KNOW EACH OTHER WITH 3 KIDS RUNNING AROUND. 1195 01:01:49,175 --> 01:01:51,244 NOT THAT I DON'T LOVE HIS GIRLS. THEY'RE GREAT. 1196 01:01:51,277 --> 01:01:54,748 RYAN, OF COURSE, IS ANOTHER STORY. 1197 01:01:54,781 --> 01:01:56,517 HE'LL HAVE TO COME AROUND IN HIS OWN TIME. 1198 01:01:56,550 --> 01:01:59,419 CAN I MAKE A CONFESSION? 1199 01:01:59,452 --> 01:02:00,787 HMM? 1200 01:02:00,821 --> 01:02:03,389 IN EUROPE, MAX MIGHT ACTUALLY BE INSPIRED 1201 01:02:03,423 --> 01:02:05,091 TO GET SOME WORK DONE. 1202 01:02:05,125 --> 01:02:08,328 I KNOW MAX HASN'T BEEN WORKING ENOUGH SINCE WE MET, 1203 01:02:08,361 --> 01:02:11,064 BUT STARTING TODAY, I'M PUTTING MY FOOT DOWN, 1204 01:02:11,097 --> 01:02:13,066 AND I'M SENDING HIM STRAIGHT TO HIS STUDIO 1205 01:02:13,099 --> 01:02:16,302 WITH STRICT INSTRUCTIONS NOT TO COME OUT UNTIL HE'S CREATED HIS NEW MASTERPIECE. 1206 01:02:16,336 --> 01:02:18,438 I DON'T WANT HIM GOING BROKE ON MY ACCOUNT. 1207 01:02:18,471 --> 01:02:21,875 THANK YOU FOR MAKING MY JOB SO MUCH EASIER. 1208 01:02:24,077 --> 01:02:26,513 SO. WHAT DO YOU THINK? 1209 01:02:26,547 --> 01:02:30,316 HONESTLY? THEY MAKE YOU LOOK KIND OF DEVIOUS. 1210 01:02:30,350 --> 01:02:31,885 I'LL TAKE THEM. 1211 01:02:31,918 --> 01:02:34,821 I'LL GO BACK AND GET YOU A CASE. 1212 01:02:43,396 --> 01:02:45,365 EMILY, DID YOU BORROW MY‐‐ 1213 01:02:45,398 --> 01:02:47,133 SHH! 1214 01:02:47,167 --> 01:02:49,135 NIGEL'S TALKING TO BROOKE ABOUT DADDY. 1215 01:02:49,169 --> 01:02:51,337 IT SOUNDS LIKE THEY'RE PLANNING TO MOVE TO ITALY. 1216 01:02:51,371 --> 01:02:52,472 ITALY? COOL. 1217 01:02:52,506 --> 01:02:54,508 NOT COOL. WE'RE NOT INVITED. 1218 01:02:54,541 --> 01:02:58,111 Brooke over intercom: I WOULD LOVE TO RENT A HOUSE IN ITALY WITH MAX. 1219 01:02:58,144 --> 01:03:00,346 IT WOULD BE GREAT TO SPEND SOME TIME WITH MAX ALONE. 1220 01:03:00,380 --> 01:03:02,115 Nigel: WHAT ABOUT THE CHILDREN? 1221 01:03:02,148 --> 01:03:04,217 YOU CAN'T JUST LEAVE THEM WITH SOME STRANGER. 1222 01:03:04,250 --> 01:03:06,352 THEY'RE STAYING WITH ME, AND THAT'S ALL. 1223 01:03:06,386 --> 01:03:08,522 Brooke on tape: YOU'D TAKE THE KIDS FOR A WHOLE SUMMER? 1224 01:03:08,555 --> 01:03:10,390 OF COURSE. WHAT WOULD YOU DO? 1225 01:03:10,423 --> 01:03:12,926 SEND THEM OFF TO SOME BOARDING SCHOOL? 1226 01:03:12,959 --> 01:03:15,228 GREAT IDEA. SEND THEM AWAY. 1227 01:03:15,261 --> 01:03:17,898 IT'S NOT EASY GETTING TO KNOW EACH OTHER WITH 3 KIDS RUNNING AROUND. 1228 01:03:17,931 --> 01:03:20,166 MAX WOULD NEVER AGREE TO THAT. 1229 01:03:20,200 --> 01:03:23,136 HE'LL HAVE TO COME AROUND IN HIS OWN TIME. 1230 01:03:23,169 --> 01:03:25,205 HOW MUCH IS MAX WORTH? 1231 01:03:25,238 --> 01:03:27,608 THAT'S CONFIDENTIAL INFORMATION. 1232 01:03:27,641 --> 01:03:31,177 IF I DIDN'T KNOW ANY BETTER, I'D THINK YOU WERE AFTER HIS MONEY. 1233 01:03:31,211 --> 01:03:32,846 OK, YOU CAUGHT ME. I ADMIT IT. 1234 01:03:32,879 --> 01:03:36,950 I'M NOT GOING TO LET HIM GET HURT BY SOME GOLD DIGGER. 1235 01:03:49,896 --> 01:03:51,431 DOUBLETS! 1236 01:03:51,464 --> 01:03:53,433 WHY THE LONG FACES? 1237 01:03:53,466 --> 01:03:56,436 TELL YOUR UNCLE NIGEL WHAT'S GOT YOU SO DOWN. 1238 01:03:56,469 --> 01:03:58,438 DON'T TRY TO ACT ALL CHEERY FOR US. 1239 01:03:58,471 --> 01:04:00,874 WE HEARD YOU TALKING WITH BROOKE. 1240 01:04:00,907 --> 01:04:02,442 OH, DEAR. 1241 01:04:02,475 --> 01:04:06,446 I WAS HOPING TO SPARE YOU TWO THE UGLY TRUTH. 1242 01:04:06,479 --> 01:04:08,882 YOU'RE SO YOUNG AND IMPRESSIONABLE. 1243 01:04:08,915 --> 01:04:10,884 HOW MUCH DID YOU HEAR? 1244 01:04:10,917 --> 01:04:13,219 THEY'RE MOVING TO EUROPE? 1245 01:04:13,253 --> 01:04:15,656 SHE'S GOING TO MAKE DAD SEND US AWAY TO BOARDING SCHOOL? 1246 01:04:15,689 --> 01:04:18,191 AND SHE'S AFTER HIS MONEY. 1247 01:04:18,224 --> 01:04:20,193 OH, GOOD! THEN YOU MISSED THE PART 1248 01:04:20,226 --> 01:04:21,662 ABOUT THE 3 EX‐HUSBANDS, RIGHT? 1249 01:04:21,695 --> 01:04:23,296 3 OF THEM? 1250 01:04:25,231 --> 01:04:29,202 HOW DO YOU THINK SHE GOT THE MONEY TO START HER OWN BUSINESS? 1251 01:04:29,235 --> 01:04:30,904 ALL THIS TIME, SHE'S BEEN LYING TO US. 1252 01:04:30,937 --> 01:04:32,472 WE THOUGHT SHE LOVED DAD. 1253 01:04:32,506 --> 01:04:34,407 AND SHE SEEMED SO TERRIFIC. 1254 01:04:34,440 --> 01:04:37,911 IT'S TIME YOU LEARNED THAT PEOPLE AREN'T ALWAYS AS THEY APPEAR TO BE. 1255 01:04:37,944 --> 01:04:41,247 THIS IS TERRIBLE! WE CAN'T LET HER BREAK UP OUR FAMILY! 1256 01:04:41,281 --> 01:04:43,917 SHE'S GONNA HURT DADDY, AND HE'S BEEN THROUGH ENOUGH. 1257 01:04:43,950 --> 01:04:45,485 WE'VE GOT TO DO SOMETHING. 1258 01:04:45,519 --> 01:04:48,922 I'VE GOT AN IDEA HOW TO GET RID OF HER, 1259 01:04:48,955 --> 01:04:51,324 BUT I'LL NEED YOUR HELP. 1260 01:04:53,059 --> 01:04:54,961 [POWER TOOL WHIRRING] 1261 01:05:03,737 --> 01:05:05,471 Nigel: GOOD MORNING, MAX. 1262 01:05:05,506 --> 01:05:08,474 GET OUT YOUR DRAWING PAD. I BROUGHT YOU INSPIRATION. 1263 01:05:08,509 --> 01:05:10,544 NIGEL, I DON'T NEED A MODEL TODAY. 1264 01:05:10,577 --> 01:05:13,680 OH, JUST DO IT AS A FAVOR TO ONE OF MY COUNTRYMEN. 1265 01:05:13,714 --> 01:05:17,050 THE POOR DOVE WILL BE DEPORTED IF SHE DOESN'T GET HER WORK PAPERS. 1266 01:05:17,083 --> 01:05:20,086 MAKE ME LOOK GOOD, CAN'T YOU? 1267 01:05:21,555 --> 01:05:23,524 WELL, I GUESS I COULD DO SOME SKETCHING. 1268 01:05:23,557 --> 01:05:25,526 I DON'T WANT TO HEAR ANOTHER WORD FROM YOU 1269 01:05:25,559 --> 01:05:27,528 ABOUT HOW MUCH TIME I'VE BEEN WASTING. 1270 01:05:27,561 --> 01:05:29,295 GREAT. 1271 01:05:29,329 --> 01:05:31,031 YOU'RE HIRED, DOLL. GO GET UNDRESSED. 1272 01:05:38,304 --> 01:05:41,274 THERE'S A ROBE IN THE STORAGE ROOM. 1273 01:05:41,307 --> 01:05:42,976 JUST THROW YOUR CLOTHES ANYWHERE. 1274 01:05:45,779 --> 01:05:48,515 WHAT IS THAT FOR, NIGEL? 1275 01:05:48,549 --> 01:05:50,016 I'M THIRSTY. 1276 01:05:50,050 --> 01:05:51,985 I'LL BET YOU'RE THIRSTY. 1277 01:05:55,522 --> 01:05:57,023 [CHUCKLING] 1278 01:06:14,675 --> 01:06:17,578 YOU'RE WANTED AT YOUR BOYFRIEND'S HOUSE. 1279 01:06:17,611 --> 01:06:20,313 THAT MAX! HE PROMISED ME THAT HE WAS GOING TO WORK 1280 01:06:20,346 --> 01:06:22,315 ON HIS SCULPTURE ALL DAY TODAY. 1281 01:06:22,348 --> 01:06:24,551 AW... HE MISSES YOU. HOW CUTE. 1282 01:06:24,585 --> 01:06:26,019 HA HA HA! 1283 01:06:42,068 --> 01:06:43,469 HELLO. 1284 01:06:45,071 --> 01:06:46,472 HELLO? 1285 01:07:15,769 --> 01:07:17,838 ANYTHING FOR NIGEL, BELIEVE ME. 1286 01:07:17,871 --> 01:07:19,472 THERE. 1287 01:07:21,441 --> 01:07:24,645 SHE LOOKS SO CRUSHED. I REALLY FEEL GUILTY. 1288 01:07:24,678 --> 01:07:27,814 SHE'S A GOLD DIGGER. WE HAD NO CHOICE. 1289 01:07:27,848 --> 01:07:31,117 IF WE DID THE RIGHT THING, THEN HOW COME I FEEL SO CRUMMY? 1290 01:07:34,621 --> 01:07:36,422 I SHOULD HAVE TRUSTED MY INSTINCTS. 1291 01:07:36,456 --> 01:07:37,457 I SHOULD HAVE SEEN THIS COMING. 1292 01:07:37,490 --> 01:07:39,793 TALK TO THE GUY. MAYBE THERE'S SOME EXPLANATION. 1293 01:07:39,826 --> 01:07:41,662 OH, THERE'S AN EXPLANATION. 1294 01:07:41,695 --> 01:07:43,630 ALL MEN ARE THE SAME. THEY'RE LIARS, 1295 01:07:43,664 --> 01:07:46,399 AND THEY'RE CHEATERS, AND THEY'RE TWO‐TIMING JERKS, 1296 01:07:46,432 --> 01:07:47,868 AND THOSE ARE THEIR GOOD QUALITIES. 1297 01:07:47,901 --> 01:07:48,869 WHAT HAPPENED? 1298 01:07:48,902 --> 01:07:50,537 NOTHING! 1299 01:07:50,571 --> 01:07:53,106 BILLBOARD DAD TURNED INTO A BILLBOARD JERK. 1300 01:07:53,139 --> 01:07:56,409 I'M SORRY, RYAN. I DIDN'T MEAN TO SNAP. 1301 01:07:56,442 --> 01:08:00,681 I KNOW I HAVEN'T BEEN SPENDING AS MUCH TIME WITH YOU AS I SHOULD. 1302 01:08:00,714 --> 01:08:03,684 I KNOW YOU'RE BUMMED OUT ABOUT YOUR DAD. 1303 01:08:03,717 --> 01:08:06,553 I'M GOING TO MAKE THIS UP TO YOU, I PROMISE. 1304 01:08:13,727 --> 01:08:15,696 ANY WORD FROM THE GOLD DIGGER? 1305 01:08:15,729 --> 01:08:18,699 NONE. SHE WON'T EVEN RETURN DAD'S CALLS. 1306 01:08:18,732 --> 01:08:20,466 SPLENDID. 1307 01:08:20,500 --> 01:08:22,703 DON'T SAY UNCLE NIGEL DOESN'T TAKE CARE OF THINGS. 1308 01:08:22,736 --> 01:08:24,137 WE GOT TO GO TO OUR DIVING MEET. 1309 01:08:24,170 --> 01:08:25,572 YEAH. 1310 01:08:33,714 --> 01:08:35,516 [CLATTERING] 1311 01:08:44,525 --> 01:08:46,727 HOW'S THE WORK COMING, MAXWELL? 1312 01:08:46,760 --> 01:08:48,595 [IRRITATED] FINE, JUST FINE. 1313 01:08:51,532 --> 01:08:54,500 I'VE GOT MY TORTURED SOUL BACK. 1314 01:08:56,537 --> 01:08:59,172 Cody: DIVING FOR PALOS VERDES IN THE 3‐METER SPRINGBOARD, 1315 01:08:59,205 --> 01:09:00,541 JENNY SMITH. 1316 01:09:03,844 --> 01:09:06,179 [CHEERING] 1317 01:09:14,220 --> 01:09:18,491 DIVING FOR THE SQUIDS, CAROL CLARK. 1318 01:09:18,525 --> 01:09:20,694 Children: SQUID! SQUID! SQUIRT 'EM, SQUID! 1319 01:09:20,727 --> 01:09:22,495 [CHEERING] 1320 01:09:29,970 --> 01:09:33,774 THIS CONCLUDES THE 3‐METER SPRINGBOARD PART OF THE COMPETITION. 1321 01:09:33,807 --> 01:09:36,543 Children: SQUID! SQUID! SQUIRT 'EM, SQUID! 1322 01:09:36,577 --> 01:09:38,612 Cody: WITH THE SCORE STILL TIED, 1323 01:09:38,645 --> 01:09:41,548 IT LOOKS LIKE THE 5‐METER PLATFORM WILL HAVE TO DETERMINE THE CHAMPIONSHIP 1324 01:09:41,582 --> 01:09:43,650 BETWEEN PALOS VERDES AND THE WEST SIDE SQUIDS. 1325 01:09:49,556 --> 01:09:52,759 NOW DIVING FOR PALOS VERDES, PHIL JOHNSON. 1326 01:10:06,372 --> 01:10:08,842 [CHEERING] 1327 01:10:20,020 --> 01:10:24,625 TESS, THE ENTIRE REPUTATION OF OUR SWIM CLUB RESTS ON YOUR SHOULDERS. 1328 01:10:24,658 --> 01:10:27,661 SO...RELAX AND HAVE FUN. 1329 01:10:29,295 --> 01:10:31,297 EASY FOR HIM TO SAY. 1330 01:10:33,834 --> 01:10:36,036 YEAH! COME ON, TESS! GO, TESS! 1331 01:10:36,069 --> 01:10:38,004 COME ON, TESS! 1332 01:10:38,038 --> 01:10:40,607 GO, TESS! 1333 01:10:40,641 --> 01:10:42,676 GO, TESS! 1334 01:10:45,879 --> 01:10:50,283 [CHANTING] GO, TESS! GO, TESS! GO, TESS! GO, TESS! 1335 01:11:02,896 --> 01:11:05,599 YES! 1336 01:11:05,632 --> 01:11:07,634 Cody: LOOKED LIKE A VERY GOOD DIVE FROM TYLER. 1337 01:11:07,668 --> 01:11:11,437 SHE WAS A LITTLE OVER ON THE ENTRY, BUT LET'S WAIT FOR THE SCORE. 1338 01:11:18,612 --> 01:11:20,781 [RAPPING] ♪ WITH ONE ROUND OF PLATFORM DIVING LEFT ♪ 1339 01:11:20,814 --> 01:11:23,884 ♪ WE ARE STILL TIED, AND THAT IS AS GOOD AS IT GETS ♪ 1340 01:11:27,020 --> 01:11:28,088 YEAH! 1341 01:11:28,121 --> 01:11:29,856 Girl: ALL RIGHT, TESS! 1342 01:11:29,890 --> 01:11:31,658 Ryan: GOOD DIVE, TESS. 1343 01:11:31,692 --> 01:11:34,394 Brad: WHAT ARE YOU DOING? PUT YOUR SUIT ON! 1344 01:11:34,427 --> 01:11:35,762 I'M NOT DIVING TODAY. 1345 01:11:35,796 --> 01:11:36,963 Brad: WHAT? 1346 01:11:36,997 --> 01:11:39,432 DON'T PLAY WITH ME, BOY. OF COURSE YOU ARE. 1347 01:11:39,465 --> 01:11:42,703 I CAN'T. I JUST GOT A NEW TATTOO. 1348 01:11:42,736 --> 01:11:45,338 IT HAS TO STAY OUT OF WATER FOR 48 HOURS. 1349 01:11:45,371 --> 01:11:47,073 DOCTOR'S ORDERS. 1350 01:11:47,107 --> 01:11:49,342 THAT'S JUST GREAT. I SHOULD HAVE KNOWN I COULDN'T COUNT ON YOU. 1351 01:11:49,375 --> 01:11:50,777 NOW WE'RE SHORT A DIVER. 1352 01:11:50,811 --> 01:11:53,013 NO, YOU'RE NOT. YOU'VE GOT EMILY. 1353 01:11:54,380 --> 01:11:56,817 EMILY, I NEED YOU. 1354 01:11:56,850 --> 01:11:58,685 ME? 1355 01:11:58,719 --> 01:12:01,888 YEAH. I BEEN WATCHING YOU, AND YOU'RE LOOKING REALLY GOOD LATELY. 1356 01:12:01,922 --> 01:12:03,924 THANKS, BRAD. SO ARE YOU. 1357 01:12:03,957 --> 01:12:05,626 HUH? 1358 01:12:05,659 --> 01:12:07,994 EMILY, GO GET YOUR SUIT ON. WE'RE ALL COUNTING ON YOU. 1359 01:12:10,697 --> 01:12:13,934 Cody: AND FOR THE FINAL DIVE FOR THE P. V. DIVING TEAM, 1360 01:12:13,967 --> 01:12:16,102 IT'S HERMAN SCHLEKENBERGER. 1361 01:12:21,975 --> 01:12:24,845 GO FOR IT! 1362 01:12:28,915 --> 01:12:30,383 [CHEERING] 1363 01:12:30,416 --> 01:12:31,518 OHH... 1364 01:12:40,493 --> 01:12:43,129 Cody: IT LOOKS LIKE THE WINNER OF THIS MEET 1365 01:12:43,163 --> 01:12:45,932 WILL BE DECIDED BY EMILY TYLER'S FINAL DIVE. 1366 01:12:45,966 --> 01:12:48,935 SHE NEEDS A COMBINED SCORE OF AT LEAST 22 1367 01:12:48,969 --> 01:12:51,137 TO WIN THE MEET FOR WEST SIDE SQUIDS. 1368 01:13:24,237 --> 01:13:25,806 [CHEERING] 1369 01:13:27,207 --> 01:13:29,776 Cody: SHE DID IT! 1370 01:13:38,218 --> 01:13:41,955 EMILY TYLER WINS IT FOR THE SQUIDS ON THE LAST DIVE! 1371 01:13:53,834 --> 01:13:56,803 HOW COME YOU LIED TO THE COACH SO I COULD DIVE? 1372 01:13:56,837 --> 01:13:58,505 Ryan: WHAT MAKES YOU THINK I DID? 1373 01:14:03,043 --> 01:14:04,144 NO TATTOO. 1374 01:14:04,177 --> 01:14:05,746 Autumn: CONGRATULATIONS, EMILY. 1375 01:14:05,779 --> 01:14:07,213 THANK YOU. 1376 01:14:07,247 --> 01:14:08,849 I HEAR YOU SQUIDS REALLY DOUSED THEM. 1377 01:14:08,882 --> 01:14:09,916 HA HA! 1378 01:14:09,950 --> 01:14:12,786 SO I DIDN'T SEE YOUR DAD AT THE MEET. 1379 01:14:12,819 --> 01:14:15,822 HE WAS TOTALLY BUMMED OUT BECAUSE YOUR MOM AND HIM BROKE UP. 1380 01:14:15,856 --> 01:14:18,124 MAYBE HE SHOULDN'T HAVE CHEATED ON HER. 1381 01:14:18,158 --> 01:14:21,562 HE DIDN'T. AND MAYBE SHE SHOULDN'T HAVE LIED TO HIM ABOUT ALL THOSE EX‐HUSBANDS. 1382 01:14:21,595 --> 01:14:23,564 AND TRIED TO GET HER HANDS ON HIS MONEY. 1383 01:14:23,597 --> 01:14:25,265 WHAT ARE YOU TALKING ABOUT? 1384 01:14:25,298 --> 01:14:28,835 MY DAD'S THE ONLY EX‐HUSBAND THAT SHE'S GOT. 1385 01:14:28,869 --> 01:14:30,270 AND THE BUSINESS IS DOING GREAT. 1386 01:14:30,303 --> 01:14:32,606 SHE DOESN'T NEED YOUR DAD'S MONEY. 1387 01:14:32,639 --> 01:14:33,940 NIGEL. NIGEL. 1388 01:14:33,974 --> 01:14:35,275 YEAH, NIGEL. IF THERE'S ANYONE 1389 01:14:35,308 --> 01:14:37,611 THAT'S STEALING YOUR DAD'S MONEY, IT'S HIM. 1390 01:14:37,644 --> 01:14:39,012 HERE, COME ON. I'LL SHOW YOU. 1391 01:14:41,147 --> 01:14:42,248 Man: HERE YOU GO. 1392 01:14:42,282 --> 01:14:43,617 THANKS. 1393 01:14:53,293 --> 01:14:54,595 WHAT DID I TELL YOU? 1394 01:14:54,628 --> 01:14:56,262 WE HAVE TO WARN YOUR FATHER. 1395 01:14:56,296 --> 01:14:58,064 Emily: HE'LL NEVER BELIEVE US. 1396 01:14:58,098 --> 01:15:00,300 I MEAN, HE TRUSTS NIGEL WAY TOO MUCH. 1397 01:15:00,333 --> 01:15:03,303 HE WILL IF HE HEARS IT FROM NIGEL HIMSELF. 1398 01:15:03,336 --> 01:15:05,305 YEAH, RIGHT. LIKE THAT'S GONNA HAPPEN. 1399 01:15:05,338 --> 01:15:07,641 WAIT. I'VE GOT AN IDEA! COME ON! 1400 01:15:19,953 --> 01:15:22,055 Tess, voice‐over: WE NEEDED CODY'S HELP, 1401 01:15:22,088 --> 01:15:25,058 BUT WHEN I FINALLY CAUGHT UP WITH HIM AND SAW HIM PUNKED OUT, 1402 01:15:25,091 --> 01:15:27,894 I REALIZED HE WAS GOING THROUGH AN IDENTITY CRISIS, 1403 01:15:27,928 --> 01:15:30,296 AND THAT WASN'T ALL HE WAS CONFUSED ABOUT. 1404 01:15:30,330 --> 01:15:32,899 CODY, WHAT DID YOU DO TO YOURSELF? 1405 01:15:32,933 --> 01:15:34,901 OK, I KNOW IT SEEMS DESPERATE, 1406 01:15:34,935 --> 01:15:36,903 BUT I TRIED FLATTERY, EVEN CONCERT TICKETS. 1407 01:15:36,937 --> 01:15:38,304 IT GOT ME ZILCH. 1408 01:15:38,338 --> 01:15:40,306 IT'S OBVIOUS YOUR SISTER GOES FOR BAD BOYS. 1409 01:15:40,340 --> 01:15:43,343 IF TESS DOESN'T GET THE MESSAGE THAT I LIKE HER NOW, 1410 01:15:43,376 --> 01:15:45,345 I'M GONNA HAVE TO BECOME A MONK. 1411 01:15:45,378 --> 01:15:47,347 EMILY, DON'T LOOK AT ME LIKE THAT. 1412 01:15:47,380 --> 01:15:49,215 DO I LOOK THAT RIDICULOUS? 1413 01:15:49,249 --> 01:15:50,951 I'M TESS. 1414 01:15:50,984 --> 01:15:55,255 OH, MY GOSH. YOU'RE‐‐ I'M DEAD. 1415 01:15:57,991 --> 01:16:01,962 CODY, SNAP OUT OF IT. WE NEED YOUR HELP. 1416 01:16:01,995 --> 01:16:03,964 ANYTHING. 1417 01:16:06,967 --> 01:16:08,234 FILTHY. 1418 01:16:12,372 --> 01:16:14,941 HERE'S THE SKETCH OF THE NEW SCULPTURE DAD'S BEEN WORKING ON. 1419 01:16:14,975 --> 01:16:16,076 OH... 1420 01:16:16,109 --> 01:16:17,343 LIKE IT? 1421 01:16:17,377 --> 01:16:20,113 IT'S THE MOST BEAUTIFUL THING I'VE EVER SEEN. 1422 01:16:20,146 --> 01:16:24,250 WHY DON'T YOU GO SEE IF YOU CAN HELP THE CATERER SET UP? 1423 01:16:33,426 --> 01:16:35,996 MEET ME AT THE LOADING SITE. 1424 01:16:36,029 --> 01:16:38,999 I'VE SEEN MAX'S NEW WORK. 1425 01:16:39,032 --> 01:16:42,102 NOW, YOU IGNORAMUS! 1426 01:16:42,135 --> 01:16:45,005 Nigel: I NEED AS MANY COPIES OF THAT AS YOU CAN MAKE. CHOP‐CHOP. 1427 01:16:45,038 --> 01:16:47,373 Man: I CAN'T BELIEVE PEOPLE BUY THIS STUFF. 1428 01:16:47,407 --> 01:16:49,375 OH, BELIEVE. I'M GONNA BE RICH, RICH, RICH. 1429 01:16:49,409 --> 01:16:52,078 EVERYONE'S GONNA WANT ONE OF THESE NEW STATUES, 1430 01:16:52,112 --> 01:16:55,381 ESPECIALLY THE PEOPLE WHO BOUGHT THE OLD ONES. 1431 01:16:55,415 --> 01:17:00,386 I'M GOING TO BE SO FILTHY RICH SELLING MAX TYLER'S KNOCKOFFS, 1432 01:17:00,420 --> 01:17:03,657 I WON'T NEED HIM ANYMORE. HEE HEE HEE! 1433 01:17:03,690 --> 01:17:05,291 GOT IT. 1434 01:17:15,068 --> 01:17:16,436 THIS IS GREAT. 1435 01:17:16,469 --> 01:17:18,438 COMPLETE DEPARTURE FROM HIS EARLIER STUFF. 1436 01:17:18,471 --> 01:17:21,174 AHA. WELL, IT'S SO REFRESHING, DON'T YOU THINK? 1437 01:17:21,207 --> 01:17:25,045 I TOLD MAXWELL HIS PUBLIC'S READY FOR A NEW DEPARTURE. 1438 01:17:25,078 --> 01:17:27,413 HE'S RIGHT. THIS NEW WORK IS SO EXCITING. 1439 01:17:27,447 --> 01:17:30,416 I HAVE TO HAVE A PIECE FOR MY COLLECTION. 1440 01:17:30,450 --> 01:17:32,152 COME ON, HONEY. LET'S PICK ONE. 1441 01:17:32,185 --> 01:17:33,319 GREAT. 1442 01:17:35,055 --> 01:17:37,123 ♪ NIGEL'S RICH, NIGEL'S RICH ♪ 1443 01:17:37,157 --> 01:17:38,759 ♪ NIGEL'S ROLLING IN THE DOUGH ♪ 1444 01:17:38,792 --> 01:17:40,761 ♪ AND THE BEST PART OF THIS LITTLE SCAM ♪ 1445 01:17:40,794 --> 01:17:42,262 ♪ IS NO ONE'S GOING TO KNOW ♪ 1446 01:17:42,295 --> 01:17:44,430 HA HA HA! 1447 01:17:44,464 --> 01:17:46,767 WHERE IS MY MEAL TICKET? 1448 01:17:48,368 --> 01:17:50,370 IT'S HIS OPENING. 1449 01:17:52,506 --> 01:17:56,677 WELL, I CAN'T BE EXPECTED TO DO EVERYTHING. 1450 01:17:58,378 --> 01:18:01,481 Answering machine: HELLO. BROOKE CAN'T COME TO THE PHONE RIGHT NOW. 1451 01:18:01,515 --> 01:18:04,484 PLEASE LEAVE A MESSAGE AFTER THE TONE. THANK YOU. 1452 01:18:04,518 --> 01:18:08,088 UH, BROOKE, HI. MAX AGAIN. 1453 01:18:08,121 --> 01:18:10,223 STILL TRYING TO REACH YOU. 1454 01:18:10,256 --> 01:18:15,061 I'VE LEFT MESSAGES...HERE. LEFT THEM AT THE STORE. 1455 01:18:15,095 --> 01:18:16,797 PLEASE CALL ME. 1456 01:18:18,331 --> 01:18:20,200 THERE YOU ARE. 1457 01:18:20,233 --> 01:18:23,469 YOUR NEW WORK HAS YOUR PUBLIC ALL ABUZZ. 1458 01:18:23,503 --> 01:18:25,471 THEY'RE CRYING FOR A SPEECH. 1459 01:18:25,506 --> 01:18:27,473 OH, NIGEL, I DON'T WANT TO. 1460 01:18:27,508 --> 01:18:30,110 I JUST‐‐I DON'T CARE IF THEY LIKE IT OR NOT. 1461 01:18:30,143 --> 01:18:33,113 NO, NO. JUST COME DOWN THERE WITH ME. 1462 01:18:33,146 --> 01:18:35,115 I'LL DO ALL THE TALKING, FRIEND. 1463 01:18:35,148 --> 01:18:38,118 FINE, FINE. YOU DO THE TALKING. 1464 01:18:38,151 --> 01:18:39,853 YOU ALWAYS DO. 1465 01:18:55,536 --> 01:18:57,871 MAXWELL TYLER, EVERYONE. 1466 01:19:00,140 --> 01:19:01,407 THANK YOU. 1467 01:19:03,143 --> 01:19:05,111 GOOD EVENING, AND GRACIOUS THANKS 1468 01:19:05,145 --> 01:19:07,380 FOR SHARING IN THIS EXCITING EVENING. 1469 01:19:07,413 --> 01:19:09,149 PSST. DAD, COME HERE. 1470 01:19:09,182 --> 01:19:11,484 WHEN MAXWELL TOLD ME THAT HE WAS WORKING ON SOMETHING TRANSITIONAL, 1471 01:19:11,518 --> 01:19:13,554 I KNEW IT WOULD BE SOMETHING WONDERFUL, 1472 01:19:13,587 --> 01:19:16,456 AND THAT'S WHY I TOLD HIM TO GO FOR IT! 1473 01:19:16,489 --> 01:19:18,158 DAD, YOU'VE GOT TO LISTEN TO THIS. 1474 01:19:18,191 --> 01:19:19,159 GIRLS, LATER, LATER. 1475 01:19:19,192 --> 01:19:20,326 BUT, DAD! 1476 01:19:20,360 --> 01:19:22,462 I SAID LATER. 1477 01:19:22,495 --> 01:19:24,430 WE'VE GOT TO STOP HIM. 1478 01:19:24,464 --> 01:19:25,899 GIVE ME THE TAPE. 1479 01:19:25,932 --> 01:19:28,569 Nigel: WHEN I FOUND MAXWELL TYLER, 1480 01:19:28,602 --> 01:19:31,171 HE WAS PRACTICALLY STARVING ON THE STREET. 1481 01:19:31,204 --> 01:19:36,276 BUT THANKS TO MY ARTISTIC GUIDANCE, HE'S BECOME A STAR. 1482 01:19:36,309 --> 01:19:39,145 I GUESS YOU COULD SAY I'VE BEEN MORE THAN AN AGENT, 1483 01:19:39,179 --> 01:19:40,480 MORE THAN A FRIEND. 1484 01:19:40,514 --> 01:19:42,115 Emily: NIGEL, GIVE ME THAT. 1485 01:19:42,148 --> 01:19:43,416 I'VE BEEN HIS MUSE. 1486 01:19:43,449 --> 01:19:45,485 IS ANYONE HERE BUYING THIS BALONEY? 1487 01:19:45,519 --> 01:19:49,155 YOU WANT TO HEAR SOME STRAIGHT TALK? LISTEN TO THIS SONG. 1488 01:19:49,189 --> 01:19:50,423 CRANK IT UP, CODY. 1489 01:19:50,456 --> 01:19:53,126 WHAT ARE YOU DO‐‐ 1490 01:19:53,159 --> 01:19:55,228 Nigel on tape, set to rap music: I NEED AS MANY COPIES OF THAT AS YOU CAN MAKE... 1491 01:19:55,261 --> 01:19:56,830 CAN MAKE, CAN MAKE, CAN MAKE‐‐MAKE‐‐MAKE. 1492 01:19:56,863 --> 01:20:01,201 I'M GONNA BE RICH, RICH, RICH, FILTHY, FILTHY RICH SELLING MAX TYLER'S KNOCKOFFS... 1493 01:20:01,234 --> 01:20:03,203 KNOCKOFFS, K‐K‐KNOCKOFFS. 1494 01:20:03,236 --> 01:20:04,370 [CROWD MURMURING] 1495 01:20:04,404 --> 01:20:06,406 NIGEL? 1496 01:20:06,439 --> 01:20:07,508 I DID THE MIX. 1497 01:20:07,541 --> 01:20:10,410 TELL OUR DAD HOW YOU'VE BEEN FORGING HIS SCULPTURES. 1498 01:20:10,443 --> 01:20:13,346 AND SELLING FAKES TO ALL THESE HONEST PEOPLE. 1499 01:20:13,379 --> 01:20:16,983 THAT'S RIDICULOUS! I'VE BEEN DOING NO SUCH THING! 1500 01:20:18,451 --> 01:20:19,920 NIGEL. 1501 01:20:22,523 --> 01:20:23,957 Man: UH‐OH. WATCH OUT. 1502 01:20:25,959 --> 01:20:27,594 IS THIS TRUE? 1503 01:20:27,628 --> 01:20:29,630 Nigel: IF YOU ASK ME, YOU SHOULD SEND THE TWO LITTLE NOSY BRATS 1504 01:20:29,663 --> 01:20:32,265 TO BOARDING SCHOOL! 1505 01:20:32,298 --> 01:20:35,235 OH! DID I SAY THAT OUT LOUD? 1506 01:20:35,268 --> 01:20:36,970 YEAH, NIGEL, YOU DID. 1507 01:20:37,003 --> 01:20:38,639 YOU DON'T HONESTLY BELIEVE 1508 01:20:38,672 --> 01:20:40,607 I WOULD FORGE YOUR ART JUST TO MAKE MONEY. 1509 01:20:40,641 --> 01:20:42,643 SEE, WHAT I DO I DON'T DO FOR MONEY. 1510 01:20:42,676 --> 01:20:44,377 OF COURSE YOU DON'T! 1511 01:20:44,410 --> 01:20:47,247 SOMEONE HAS TO LOOK OUT FOR YOUR FINANCIAL WELL‐BEING. 1512 01:20:47,280 --> 01:20:50,183 I THINK THE ONLY PERSON YOU'VE BEEN LOOKING OUT FOR IS YOURSELF! 1513 01:20:50,216 --> 01:20:51,652 OH, BUG OFF, YOU BLOODY INGRATE! 1514 01:20:51,685 --> 01:20:53,887 AFTER EVERYTHING I'VE DONE FOR YOU, 1515 01:20:53,920 --> 01:20:55,989 I'M ENTITLED TO A PROFIT. 1516 01:20:56,022 --> 01:20:58,959 YOU AND THE LITTLE RUG RATS CAN EAT MY SKIVVIES. 1517 01:20:58,992 --> 01:21:02,362 NOBODY TALKS ABOUT MY GIRLS LIKE THAT. 1518 01:21:02,395 --> 01:21:03,630 Nigel: WHOA! 1519 01:21:03,664 --> 01:21:05,365 Max: YOU'RE FIRED! 1520 01:21:05,398 --> 01:21:07,500 OH! OH... 1521 01:21:07,534 --> 01:21:09,502 AND LOSE THE PHONY BRITISH ACCENT. 1522 01:21:09,536 --> 01:21:11,572 EVERYBODY KNOWS YOU'RE FROM NEW JERSEY! 1523 01:21:11,605 --> 01:21:13,239 [MAN LAUGHS] 1524 01:21:13,273 --> 01:21:14,975 MY NEW SUIT! 1525 01:21:15,008 --> 01:21:17,911 JUST GET AWAY FROM ME! GET AWAY FROM ME! ARGH! 1526 01:21:17,944 --> 01:21:20,681 ALL RIGHT, THAT'S IT. PARTY'S OVER. 1527 01:21:20,714 --> 01:21:22,916 EVERYBODY GO HOME. 1528 01:21:27,487 --> 01:21:28,689 COME HERE. 1529 01:21:28,722 --> 01:21:31,324 GIVE ME THAT. 1530 01:21:46,439 --> 01:21:50,010 DADDY, ARE YOU GOING TO BE MAD AT US FOREVER? 1531 01:21:50,043 --> 01:21:52,412 MONSTER, MUNCHKIN, PULL UP A SEAT. 1532 01:21:52,445 --> 01:21:53,914 COME ON. 1533 01:21:58,318 --> 01:21:59,653 I'M NOT MAD AT YOU. 1534 01:21:59,686 --> 01:22:01,722 I KNOW, DAD. YOU'RE WORSE THAN MAD. 1535 01:22:01,755 --> 01:22:03,456 YOU'RE SAD. 1536 01:22:03,489 --> 01:22:05,058 WE'RE REALLY SORRY. 1537 01:22:05,091 --> 01:22:07,060 WE MESSED THINGS UP BIG TIME, 1538 01:22:07,093 --> 01:22:09,329 ESPECIALLY FOR YOU AND BROOKE. 1539 01:22:09,362 --> 01:22:12,065 WELL, DON'T WORRY ABOUT IT. 1540 01:22:12,098 --> 01:22:15,468 I THINK BROOKE AND ME, WE JUST... 1541 01:22:15,501 --> 01:22:18,038 WE WEREN'T MEANT TO BE. 1542 01:22:18,071 --> 01:22:20,440 NO, DAD. NIGEL WASN'T MEANT TO BE. 1543 01:22:20,473 --> 01:22:22,042 LOOK, LOOK, LOOK. 1544 01:22:22,075 --> 01:22:24,444 I THINK ALL OF US, ESPECIALLY ME, 1545 01:22:24,477 --> 01:22:26,446 WE HAVE TO STOP FOCUSSING 1546 01:22:26,479 --> 01:22:29,049 ON WHAT'S HAPPENED IN THE PAST. 1547 01:22:29,082 --> 01:22:32,418 WE NEED A NEW START, A FRESH BEGINNING. AGREED? 1548 01:22:32,452 --> 01:22:34,454 SURE, DAD. 1549 01:22:34,487 --> 01:22:35,622 WHATEVER YOU SAY. 1550 01:22:35,656 --> 01:22:40,060 FROM NOW ON, IT'S JUST GONNA BE THE 3 OF US, OUR FAMILY. 1551 01:22:40,093 --> 01:22:43,496 I'LL BE SPENDING A LOT MORE TIME WITH YOU TWO. 1552 01:22:43,530 --> 01:22:45,098 NO MORE DISTRACTIONS, 1553 01:22:45,131 --> 01:22:46,767 NO MORE OF THESE EXTRA PEOPLE. 1554 01:22:46,800 --> 01:22:49,102 DEFINITELY‐‐ 1555 01:22:49,135 --> 01:22:51,104 DEFINITELY NO MORE GIRLFRIENDS, ALL RIGHT? 1556 01:22:51,137 --> 01:22:53,507 JUST BE MY TWO FAVORITES, HUH? 1557 01:22:53,540 --> 01:22:57,110 COME HERE, COME HERE. COME HERE. AHH... 1558 01:23:02,115 --> 01:23:04,084 NOW, COME ON. LET'S GET OUT OF HERE. 1559 01:23:05,586 --> 01:23:06,787 HE REALLY MISSES BROOKE. 1560 01:23:06,820 --> 01:23:09,389 WE'VE GOT TO DO SOMETHING. 1561 01:23:17,130 --> 01:23:20,767 SO THIS IS WHY YOU DRAGGED ME TO THE MUSEUM. 1562 01:23:20,801 --> 01:23:23,537 COULD WE TALK TO YOU? 1563 01:23:23,570 --> 01:23:26,339 WE REALLY NEED TO EXPLAIN SOMETHING. 1564 01:23:26,372 --> 01:23:29,042 MOM, PLEASE LISTEN TO THEM. 1565 01:23:31,812 --> 01:23:33,580 ALL RIGHT. 1566 01:23:34,815 --> 01:23:36,382 Emily and Tess: DAD! 1567 01:23:36,416 --> 01:23:37,383 LOOK! 1568 01:23:37,417 --> 01:23:39,152 WHERE HAVE YOU TWO BEEN? 1569 01:23:39,185 --> 01:23:40,687 HAVEN'T YOU SEEN THE NEWS? 1570 01:23:40,721 --> 01:23:42,556 I DON'T HAVE TIME FOR TELEVISION. WE GOT WORK TO DO. 1571 01:23:42,589 --> 01:23:44,124 TV: BILLBOARD DAD IS AT IT AGAIN. 1572 01:23:44,157 --> 01:23:46,126 THERE'S ANOTHER MESSAGE OVER THE SUNSET STRIP, 1573 01:23:46,159 --> 01:23:48,128 BUT THIS TIME, IT'S FOR HIM. 1574 01:23:48,161 --> 01:23:50,130 WE DON'T KNOW WHO THE LUCKY LADY IS, 1575 01:23:50,163 --> 01:23:52,666 BUT IT JUST GOES TO SHOW IT DOES PAY TO ADVERTISE. 1576 01:23:52,699 --> 01:23:56,537 Max: I THOUGHT I TOLD YOU GIRLS NEVER TO DO SOMETHING LIKE THIS EVER AGAIN! 1577 01:23:56,570 --> 01:23:57,771 WE DIDN'T DO IT! 1578 01:23:57,804 --> 01:23:59,540 HONEST! 1579 01:23:59,573 --> 01:24:00,841 WELL, IF YOU DIDN'T, WHO DID? 1580 01:24:00,874 --> 01:24:03,143 TV: HERE IN LOS ANGELES, PEOPLE WILL DO ANYTHING TO GET NOTICED. 1581 01:24:04,845 --> 01:24:06,146 [MAX CHUCKLES] 1582 01:24:06,179 --> 01:24:08,048 [BUZZER] 1583 01:24:17,791 --> 01:24:21,728 SO WHY AM I ALWAYS THE LAST TO KNOW EVERYTHING AROUND HERE? 1584 01:24:21,762 --> 01:24:24,565 WELL, I FIGURED THE ONLY WAY TO CATCH YOUR ATTENTION 1585 01:24:24,598 --> 01:24:26,733 WAS WITH AN IMPRESSIVE VISUAL STATEMENT. 1586 01:24:26,767 --> 01:24:28,569 WELL... 1587 01:24:28,602 --> 01:24:31,672 YOU CERTAINLY ARE. 1588 01:24:31,705 --> 01:24:35,175 THANK YOU, BUT I WAS TALKING ABOUT THE BILLBOARD. 1589 01:24:35,208 --> 01:24:38,812 I FIGURE THE BILLBOARD SAYS IT ALL. 1590 01:24:38,845 --> 01:24:42,082 WELL...NOT EVERYTHING. 1591 01:24:53,894 --> 01:24:55,529 [GIGGLING] 1592 01:24:57,263 --> 01:24:59,800 AND EVERYONE LIVED HAPPILY EVER AFTER. 1593 01:24:59,833 --> 01:25:03,503 EVEN ME...UNLESS THERE'S SOME INFORMATION YOU'RE NOT SHARING. 1594 01:25:03,537 --> 01:25:05,539 TRUST ME. YOU'RE HAPPY. 1595 01:25:06,873 --> 01:25:09,543 NOT THAT HAPPY. 1596 01:25:11,244 --> 01:25:12,613 ALL RIGHT, I'M HAPPY, TOO, 1597 01:25:12,646 --> 01:25:14,214 BUT DON'T TELL ANYBODY. 1598 01:25:14,247 --> 01:25:16,617 HAPPY IS BAD FOR MY IMAGE. 1599 01:25:16,650 --> 01:25:18,852 SEE? EVERYONE LIVED HAPPILY EVER AFTER. 1600 01:25:18,885 --> 01:25:20,621 WELL... 1601 01:25:20,654 --> 01:25:22,455 ALMOST EVERYONE. 1602 01:25:28,261 --> 01:25:30,263 Nigel: LOVELY ORIGINAL ARTWORK HERE. 1603 01:25:30,296 --> 01:25:32,265 GET YOUR LOVELY ORIGINAL ARTWORK‐‐ 1604 01:25:32,298 --> 01:25:34,668 SOMETHING TO HANG OVER THE MANTELPIECE. 1605 01:25:34,701 --> 01:25:36,670 LOVELY ORIGINAL ARTWORK. 1606 01:25:36,703 --> 01:25:39,673 FASCINATING DOGS PLAYING FASCINATING DOG TRICKS 1607 01:25:39,706 --> 01:25:41,274 ON A FASCINATING TAPESTRY. 1608 01:25:41,307 --> 01:25:43,777 SIR, LOVELY ORIGINAL WORK. 1609 01:25:43,810 --> 01:25:48,815 YOU, MA'AM, YOU LOOK LIKE A WOMAN THAT NEEDS A DOG OVER HER MANTELPIECE TODAY. 106716