All language subtitles for Master.in.the.House.E70.190519.HDTV.H264-NEXT-VIU

(Under the crystal clear sky,)

(it's full of spring vibe.)

The weather is so nice today.

- I know. - It's nice and sunny.

You don't see...

- fine dust anywhere. - I know. There's no fine dust.

- No fine dust today. - It feels like a different country.

- It's nice and sunny. - I know.

It's a perfect day for a picnic.

We're in Heyri today. Heyri, Paju.

- Oh, Heyri? - Heyri.

(What brings them to Heyri Art Village...)

(where literature and arts come alive?)

I think today... This is what I think.

Heyri has its own literature, poetry...

It's the city of artists, right?

I think...

You know we had Fire-avengers Special last time.

We went physical. So this time, it's got to be about brain.

- I agree. - I'm sure 100 percent.

They don't normally make us go physical in a row.

To be fair. It's a tradition.

- Body and brain. - Isn't that risky?

Of course. That's cheating. That never happens.

We might have a poet.

- Or a writer. - I'm serious.

Here's the call hint...

about the master you're going to meet in Heyri.

(Looking forward)

Hello?

(Hello?)

- Oh, hello? - Hello?

(Wait a minute.)

Hello. This is All the Butlers.

Yes. Hi.

Hello. Nice to meet you. This is Yang Se Hyeong.

Nice to meet you.

I heard you called us...

as a hint giver for our master today.

Yes.

- Wait a minute. - Wait.

- You sound... - It's...

It sounds familiar.

(The sun shines...)

(on the low voice.)

(Is this warm man...)

You sound very familiar.

Are you the one who we think it is?

No.

No.

(Laughing)

- Who do you... - Who do you think we were thinking?

(Whoever you're thinking, it's not me.)

The person we're thinking...

is an actor with the last name Lee.

- No. - That's who we were thinking.

- No. - No?

- No? - Recently,

in "Mr. Sunshine",

- did you play... - No.

Eugene Choi?

No.

- I knew it. - He sounds nervous.

We're 100 percent correct.

Is this Lee Byung Hun?

Yes. Hello. Nice to meet you.

(Hollywood's man, the king actor, Hint Giver Lee Byung Hun)

(As much as they're happy,)

(as much as they want to see him,)

(they scream.)

Awesome. He's my role model.

You always say that.

(Seong Jae's role model box is open again.)

Seriously.

It's really nice to meet you. It's an honor.

- It's an honor. - It's such an honor.

How did you know right away from my voice?

- That's because... - I knew it as soon as I heard it.

- That's... - Of course, we know.

because you're every actor's role model.

Seong Jae said...

you're his role model.

- Really? Thank you. - Yes.

- It's such an honor. - I'm enjoying your show.

Do you watch our show from time to time?

Yes, I've seen it many times.

- My goodness. - Ever since we started this show,

we've always wanted to invite you as our master.

We've been thinking we must have you as our master.

(Laughing)

- He just... - He just laughs.

It sounds like a movie.

There are so many things we'd like to learn from you.

What do you want to learn from him?

I want to learn acting with eyes.

He shows every emotion...

in his eyes.

Is that something we can learn?

Are we able to learn your acting with eyes?

(The look is another language that freezes or melts emotions.)

(We'll have you as our look master.)

I can teach you how to break dance.

(Laughing)

One more time

(Slide to unlock break dance.)

(Slide to unlock ugly past.)

When I looked up your social media,

you often post the videos...

that others call ugly past.

For example,

- Like a dance? - the teeth showing dance.

It seems like...

you love your own dancing videos.

(He's stealing fans' hearts...)

(with his reckless movements.)

(My two feet are free on BPM.)

I think...

we could do a comic dance together.

Actually...

you could call it ugly past,

but I think it depends on how you see it.

Because I enjoyed...

watching those videos.

Since I laughed a lot,

I thought other people would also find them funny.

- I see. - That's interesting.

People know already.

What's the point of hiding?

(He sounds very cool.)

That's what I want to learn from you.

Let's have Mojito tour later.

- We can go abroad too. - Hollywood tour.

(The lovely offers...)

(make him shy.)

- He just laughs. - He just laughs.

By the way, aren't you currently working on a movie?

Recently, I finished filming "Chiefs of Namsan".

Right now, I'm filming "Mountain Baekdu".

I see.

Can you invite us to the preview if that's possible?

I'm happy to. Of course.

Please invite us. We'll make sure to attend.

If you reach out to me then, I'll make sure that happens.

I'll reach out for sure.

Listening to the call until now,

I can't help but notice it's very personal.

Sorry, my bad.

- That's very personal. - I almost forgot.

Let's get to the point now.

What kind of relationship do you have...

with today's master, Byung Hun?

He's like my twin brother.

- Your twin brother? - My twin brother.

It would sound appropriate if I say that he's like a twin brother to me.

But there's only one Lee Byung Hun in Korea.

If he called him his twin brother...

- They must be very close. - Like a family.

- A very close relationship. - Yes, we're very close.

(Thinking)

What parts of him are similar to you?

Because you called him your twin brother.

- I think we kind of look alike. - Okay.

And you know how if you spend a lot of time with a friend,

you become similar to each other.

(You become similar to each other.)

So he must have known the master for a long time.

How long have you known him?

I've known him for over 20 years.

- My goodness. - No wonder!

That's long enough to become similar to each other.

That's right. Even if you're very close...

and have good feelings for someone,

it's hard for you to die for someone.

- That's right. - That's right.

But he almost...

died because of me.

(Surprised)

(How close are they...)

(that he almost died because of him?)

So he's almost like your life saver.

(To Byung Hun, the master is an old friend and a life saver.)

That's right.

So you're the one who received...

help from the master.

Yes, he helped me a lot.

He helped me a lot.

Also, like me,

the master has worked in Hollywood.

(The master has worked in Hollywood.)

For real?

(Byung Hun overcame the high barrier of Hollywood...)

(and left his handprint as an Asian actor for the first time.)

(Is his twin brother's handprint also in Hollywood?)

- Yes. - So he's an actor?

There's not a lot of Korean actors who work in Hollywood.

- Wait a minute... - Rain?

Rain?

Ma Dong Seok?

If he's an actor,

he could be Choi Min Sik, Song Kang Ho...

or she could be Bae Doo Na.

So if we hear the master's name,

we're all going to recognize...

and know right away?

(Are we going to know right away?)

- I don't know. - Okay.

Of course you don't.

So the master could or couldn't be one of the actors we just listed?

Yes.

Are you trying to confuse us right now?

(Laughing)

This is very catchy.

(You're trying to confuse us on purpose, right?)

- Let me give you another hint. - Yes.

Not only does he use his facial expressions,

but he also uses his entire body to express himself.

- His entire body. - He has a unique talent.

(His entire body?)

(Master is very precise and professional...)

(as he doesn't waste a single movement.)

If Byung Hun talks of him like this,

- he truly must be a master. - I know.

For sure.

After watching his rehearsal in Hollywood,

people gave him a standing ovation.

(People gave him a standing ovation after the rehearsal in Hollywood?)

After the rehearsal?

(The local staffs were touched...)

(by master's conveying of emotions.)

That's how great he is...

when it comes to conveying emotions with his body.

- Right! I forgot to tell you. - Yes.

I'm very concerned about one thing.

- I'm being very serious here. - Okay.

If any of you...

- are physically weak... - Yes.

- or have lack of strength, - Yes.

you shouldn't participate in today's episode.

What?

It's going to be that difficult?

Seong Jae just stood up.

(My body feels sore already.)

- We'll be sore after today? - This person usually...

- This person's life motto is... - Yes.

(This person's life motto is...)

Do or die.

(Do or die.)

- My goodness. - Or something like...

Die but don't give up.

These are his life mottos.

Do or die.

I've only heard this phrase in the military.

I haven't seen anyone...

who actually has a life motto like that before.

You're right.

We don't usually confront those types of people.

(We don't usually confront those types of people.)

- So he... - Because he's being shot,

- and there are cameras around, - Yes.

he'll be even more dramatic than usual.

Can you call him in advance? That we're not ready.

I was very worried when I heard the news at first.

I thought he shouldn't be your master.

So why does this person try that hard?

I think he actually risks his life.

So what should we do when we first meet our master?

- Act like a man. - Yes.

- Be courageous. - Courageous.

Can I just say that I can't do it courageously?

That works.

I can't do it!

With courage,

I can't do it anymore! Please leave!

(That was manly and courageous.)

That's enough, master!

I think, "I can't do it", is not acceptable.

Okay, it's unacceptable.

He might not like that...

Is there something he doesn't...

like to hear?

(Is there something we shouldn't say in front of the master?)

Let me think.

I know what he likes to hear.

- What does he like? - What does he like to hear?

(What is it?)

He likes it when people say he looks like me.

Really?

You're not kidding, are you?

You have to be very clear here.

What if he gets angrier when he hears that?

This might get us into big trouble.

(What if we die today?)

I'm genuinely concerned,

but I wish you guys good luck.

Thank you.

As you said,

we'll visit you to learn breakdancing.

We'll reserve a venue.

(We'll have the right venue ready.)

Sure, I'll teach you guys.

(Sure, I'll teach you guys.)

Thank you so much. We hope you finish...

the movie without any injury. I'll keep in touch.

Okay. Thank you.

- Thank you! - Thank you!

He hung up right away.

(He doesn't hesitate to hang up.)

(Anyway...)

- Maybe he's a foreign actor. - He could be a Hollywood actor!

Who would communicate with him if he was a foreign actor?

We can't even say a word.

What if he's Bruce Willis?

If Mr. Willis comes on our show, it would be unbelievable.

We have another hint to give out.

(There's another hint apart from the call hint?)

We prepared a video...

when he worked with Lee Byung Hun.

That would be a critical hint.

Just to make sure,

there is the master in the video.

- So we can find him in here? - He's in the video?

Master is in the video?

It's "The Good, the Bad, the Weird."

(The first video is from "The Good, the Bad, the Weird.")

(1st hint is from the film in 2008, "The Good, the Bad, the Weird.")

(It's the famous chase scene of the three main characters.)

Is it really Song Kang Ho?

(Is it Song Kang Ho?)

Or is he Jung Woo Sung?

(Is it Jung Woo Sung?)

(Master appears in the chase scene?)

But this isn't a Hollywood film.

So he's in here somewhere.

- Where is he? - Is he somewhere in the back?

Maybe he's the horse.

- The horse? - He could be the director.

This is "G.I. Joe."

This is a Hollywood film.

(2nd hint is from the film in 2013, "G.I. Joe 2.")

(It's the scene where Byung Hun confronts his old enemy.)

There's a black ninja and a white ninja.

Maybe the black ninja is the master.

(Is the black ninja our master?)

(This action scene between the two actors is impressive.)

Are you sure he's in here?

No, no.

He's in the video, but we might not just recognize it.

He must be in the video.

He's in the video?

(What does that mean?)

This is "Red 2."

(3rd hint is from the film in 2013, "Red: The Legend.")

There's Bruce Willis.

He meets Bruce Willis there...

Get on your knees.

(This is Byung Hun's exclusive action scene as a CIA agent.)

But nobody except for Byung Hun is in the video.

Is Byun Hun today's master?

That's so cool.

(It's not possible to take eyes off from the action scene.)

- He's so cool. - What now?

- I have no idea. - That was awesome.

(Where on earth is the master?)

In all three videos,

he was there.

(He was in all three videos.)

(Master was in all three videos?)

In all three videos,

- Did you figure it out? - Yes.

- He was in the video. - He was.

(Seung Gi and Sang Yun figured out who the master is.)

(Clueless)

Assuming from where we are today, and knowing what's in this area,

I feel anxious.

- This area? - Yes.

I forgot about...

what's in this area.

- This area is... - What's in this area?

- This area is... - Isn't this artists' village?

There is a scary place.

(The master's residence is the scary place they have forgotten about?)

(Even if he doesn't know this place, he becomes solemn.)

You two know.

You two know.

(They know, and they are solemn.)

Let's go.

(Who's the outlaw of Heyri?)

(Unimaginable people...)

(reside in this area.)

(They never stop shouting.)

(They have intense body conversations.)

(It's loud.)

Did you hear that?

(Didn't you hear something?)

(That sounds terrifying.)

(Taking the risk,)

(they head to the place where people are conversing with their bodies.)

No way.

(It's in the middle...)

(of a war here.)

(Hitting)

(The master is...)

(in this warlike scene?)

(Did his fists get him to Hollywood?)

What's going on? Why are they fighting?

(Fly like a butterfly...)

(and sting like a bee.)

What's this? Why are they fighting? Don't fight. Don't fight.

(Despite Seong Jae trying to stop them, they continue to fight.)

(In that sweaty scene,)

(there is someone who is strongly exuding the aura of a master.)

(What?)

(That man is...)

(With unusual body movements,)

(this man suppressed the enemies.)

(Who is the master?)

- Master. - Master.

(Who is the master?)

(His prediction was right.)

Hello.

- Hello. - Hello.

He's the master. He's Master Jung Doo Hong.

(He's the legend of Korean action acting.)

(He's the symbol of Korean action acting...)

(and the godfather of stunt.)

("General's Son", "Beat", "Public Enemy", "Shiri", "Silmido",)

("Taegukgi", "Fighter in the Wind", "Crying Fist",)

("A Bittersweet Life", "The City of Violence",)

("Hwang Jin Yi", "The Good, the Bad, the Weird", etc)

(He worked in a total of about 200 films as a stunt coordinator.)

(Jung Doo Hong is...)

(the living history of Korean action acting.)

I want to be the world's best...

stunt coordinator.

Hello. It's nice to meet you.

(It's the godfather of action acting, Master Jung Doo Hong.)

- It's nice to meet you. - Hello. I am Yang Se Hyeong.

We will greet you formally...

so that you will go easy on us.

It's a little embarrassing, but...

We saw all the flashy moves.

- Maybe we should put... - We should...

- make our greeting showy too. - a kick.

(Showy action acting has to be responded with a showy greeting.)

Please be our master today.

- We are All the Butlers. - We are All the Butlers.

(Was that showy?)

(He just laughs.)

I am sorry.

(They quickly become embarrassed.)

(I'm embarrassed for them.)

When Byung Hun was giving us a hint,

he said you were his twin brother.

He said you were his alter ego.

I heard you've known each other for 20 years.

He said you like it when someone says you look like him.

What?

He said you like it when someone says you look like him.

- What? - Byung Hun...

(He gets upset.)

- That's not it. - Why do I look like him?

He's the one who looks like me.

(Is he admitting that he and Byung Hun look alike?)

I was just pretending to like it in front of him.

(He was just pretending to like it.)

He's always deluded.

- It was false information. - It was false information.

Byung Hun, he says it's not true.

(We assure you that you deluded yourself.)

I heard you went to Hollywood together.

Yes. "G.I. Joe 2" and "Red 2".

(He acted with Byung Hun in two Hollywood films.)

Byung Hun and I have worked on many films together, including...

"The Good, the Bad, the Weird".

(They worked together on many films.)

("The Good, the Bad, the Weird")

(The master was behind...)

(Byung Hun's flashy action scene.)

("G.I. Joe: Retaliation")

(The master is here too.)

("Red 2")

(Find Doo Hong.)

(Here he is.)

(The master was behind the Hollywood action star Lee Byung Hun.)

- You were in the film "Beat" too. - "Beat".

In "Beat", I was in the last scene. The underground parking lot scene.

I drove over a car and fell from a motorcycle.

(The motorcycle scene of "Beat" upgraded the class...)

(of Korean action acting.)

(The master fully committed himself to create this master scene.)

- It was me. - You did that yourself?

At the time, everything was fun, and I was fearless.

He made an homage to "Beat".

- The motorcycle scene. - You rode the motorcycle like this.

Yes.

(The rebellious young man Jung Woo Sung...)

(had a motorcycle.)

(But I have the hoverboard.)

(Crying out)

(He created his dark past with a hoverboard.)

In the film "The Good, the Bad, the Weird",

there's a scene where Woo Sung rides a horse...

in the opposite direction and shoots guns.

- That... - Did you direct that?

There are cases like this.

The director wanted Woo Sung to move in the opposite direction.

The director would give me ideas about what kind of action actings...

he expects for each character.

He would throw his ideas in a very abstract way.

In an abstract way.

That's when my head starts to hurt.

So it's not in the script.

Are you the one coming up with such details?

Right. I came up with an idea about how he will move...

- in the opposite direction. - I see.

I have to turn that abstract idea...

- into an actionable idea. - Right.

When the idea is translated well, the director approves it.

Once that happens, my job as a stunt coordinator is done.

(This is the role of a stunt coordinator.)

(One line in a script...)

(turned into a legendary 3-minute-long...)

(action scene where the character moves in the opposite direction.)

That scene was shot...

in a desert. So it was very dusty.

When the director shouted "action",

60, 70 horses started to run, so it became very dusty.

- You couldn't even see. - Right.

I had to come up with solutions...

to cope with...

that situation.

There are many things I need to consider for one acting scene.

(He's impressed.)

He's amazing.

In the past, Hong Kong's action films were very popular.

Now, Hollywood action films...

are unimaginably popular.

But they still try to save money.

This place is the only...

training facility in the world for stuntmen...

where they can receive a systemized training.

It really is.

This facility is designed specifically for the training.

(The master's action school became the foothold...)

(of Korean action acting.)

(The wire action facility enables them to do action acting...)

(that surpasses that of "Crouching Tiger, Hidden Dragon".)

(They can freely move around walls and buildings too.)

Descend.

(They've got the equipment for the flying action acting.)

That's how it should go. Action.

(He also teaches how to handle any weapons.)

Every year, from April to October,

I teach a six-month course...

to those who want it, for free.

- For free. - For free?

It's been about 23 years.

This action school will...

Even if I die,

my successors will continue to teach...

for free in this action school,

until it's gone.

(It's where the future action actors nurture their dreams.)

(He's amazing.)

Are the ones behind you...

the future action actors of Korea?

Some of them are already working as stunt coordinators.

Some are working hard to become...

a stunt coordinator.

From what I know, she played...

a stunt double for Kim Tae Ri in "Mr. Sunshine".

- Really? - Yes.

Did you do all of those actions?

Getting shot in the leg and falling from places?

Yes.

Didn't you do that too?

"Assassination".

She played a stunt double for Jun Ji Hyun in "The Berlin File".

(She's a stunt woman who plays a stunt double for Jun Ji Hyun.)

She's the ace...

of my action school.

She's the ace.

- It's nice to meet you. - She really is.

(It's an honor to meet you.)

She's really great.

- In "Dachimawa Lee", - Yes.

I played a stunt double for Kong Hyo Jin.

- Kong Hyo Jin? - Kong Hyo Jin?

(Kong Hyo Jin?)

In "Empress Cheonchu", I played a stunt double for Che Si Ra...

and Lee Chae Young.

Che Si Ra?

That's why you had a slim body.

His body is...

(He's very muscular.)

It's actually not.

How can you do that with such arms?

How did you...

play a stunt double for Kong Hyo Jin and Che Si Ra?

That's why I don't have work these days.

My body became an awkward size.

(He became too muscular.)

He's so big.

(He's working hard as a stunt double for Song Joong Ki now.)

- He's big. - This is fun.

Has anyone else played a stunt double?

I played a stunt double for Ryu Seung Ryong.

(Ryu Seong Cheol was the stunt double for the comical actor.)

You look a little bit like him too.

Wait.

You didn't become his stunt double because of your face, did you?

(They've got the similar body, face, and even the facial hair.)

- He looks like him too. - Did you intentionally grow hair?

What did you do as Seung Ryong's stunt double?

- Did you do this? - Yes.

When I did this, people flew.

People flew.

I acted in the scenes where he bumped into a building...

or fell from a building.

He specializes in playing a zombie.

- A zombie? - A zombie?

I am the stunt coordinator for the two seasons of "Kingdom".

(He's the stunt coordinator for "Kingdom".)

I really loved "Kingdom".

What happens in Season Two?

I couldn't tell you that.

I can't tell you.

What's special about acting as a zombie?

In "Kingdom",

you have to run fast without moving your arms.

- How? - Stretch your neck forward.

(The stunt coordinator teaches them the zombie action acting.)

(Stretch your neck...)

(towards your prey.)

(Shouting)

(Run like crazy while looking like you are possessed.)

My gosh.

(It makes you move a step back before you know.)

That was...

That was scary.

That was scary.

(This is the zombie action acting in historical film unique to Korea.)

That was great.

When you act as a stunt double, you meet actors who are very unique.

Ma Dong Seok is one example.

He's got such a big build.

- His character is very unique. - We have one for him.

What?

You played him, didn't you?

(Yoon Seong Min plays a stunt double for Dong Seok.)

He's Dong Seok.

(His big build makes him sync Dong Seok 100 percent.)

Can you turn back?

Can you turn back and do this?

Can you turn back?

He's Ma Dong Seok.

(His trapezius muscles make him look like Dong Seok.)

Which films did you work on together with Dong Seok?

- Most of his films? - Yes.

We are always working together.

- Then... - You always work together.

You are his designated stunt double then.

Right.

Since you have to...

maintain a body similar to Dong Seok's,

you must always adjust your body to his.

If he gains more weight, you have to gain more weight.

- We've agreed on a certain weight. - Really?

We've agreed not to exceed that weight.

Dong Seok would be in trouble...

if he loses a lot of weight.

He has to do all the acting himself.

Then he has to retire.

- Dong Seok has to retire? - Yes.

- He does a lot of things for him. - I see.

(Like Byung Hun and Master Jung, they are inseparable.)

He's really strong.

How do you know?

We've shot a film together.

Then come on out and show us.

(It's been all talk,)

- He can act with you. - Try it.

(but this time, he will show us.)

- Try it. - I shouldn't have said it.

I shouldn't have said it.

(Are you curious about...)

(how strong Dong Seok is, Honey?)

He makes me step backward.

He's so big.

The closer he gets, the more three-dimensional he becomes.

I know.

His body does.

(He held his two hands tightly.)

Let's make it look like "The Outlaws".

I never anticipated this.

What I did at the time was...

- He had a gun. - I had a gun.

We have a gun. Bring a gun.

- You have a gun? - We have a gun.

You really have a gun.

Is it a rifle? We have a rifle, right?

He had a rifle.

They really have one.

(Whatever you need for action acting, tell me.)

Let's say there's a wall here.

- I will be hiding. - Right.

A wall. Build a wall for him. Turn back.

A wall.

Turn back. Go there and turn back.

You are building a wall too?

- It's... - They've got everything.

- They've got everything. - Like this.

- A wall. - They've got everything.

(The members join the acting.)

There you have the wall.

Ready. Have you practiced the move?

- Yes. - Is it all set?

- I will do this. - And I will grab the gun.

It's the scene where they run into each other at a wall.

- Can we start? - Yes.

Ready.

(Sang Yun penetrated deeply into the enemy camp.)

(At a corner of a wall,)

(he runs into Dong Seok.)

Action.

Then...

(Grabbing)

- What? - No way!

- What? - No way!

[VIU Ver] E70 Master in the House / All the Butlers
"Becoming Action Stars"
-= Ruo Xi =-

Action.

Then...

(Grabbing)

(Screaming)

- What? - No way!

(With a scream, Sang Yun...)

(was thrown outside the frame.)

(He's the real Ma Dong Seok.)

- He flew all the way there. - He flew there.

It's not that I can fly well.

- Did he throw you like that? - He threw me.

You should all try it. He makes you fly.

- He's incredible. - We've...

- never learned it. - You three should try it.

- Try it. - Try it, Seong Jae.

- Seong Jae. - It won't be easy.

I think flying is the most difficult.

Give it a try, Seong Jae.

That's the kind of thing Dong Seok would actually do.

(I won't lose to you easily.)

(Then I will exert my full force.)

Here we go. Ready. Action.

(Grabbing)

(He tries to take the rifle from him,)

(but he only ends up getting the taste of Dong Seok's power.)

- My gosh. - This is real.

It's no joke, is it?

I think his arm is broken.

What? What happened? Something flashed.

(The taste of Dong Seok makes him humble.)

Thank you. My gosh.

I wanted to look as cool as I can when I fall.

But when he pulled the rifle, I just flew away.

- That's what happens. - Did you get my face?

(This is what happens when you nicely get thrown.)

- Do I just... - I will move forward once...

Right. Okay.

I think I might be able to take it from you.

(Smirking)

Be rougher with him.

Throw him harder.

- "Throw him harder." - "Throw him harder."

Throw him further.

- Be gentle though. - Okay.

- Make it spicy. - Okay.

- I got it. - Ready.

Make it spicy.

- You are in big trouble. - Throw him hard.

Ready and action.

(Seung Gi, the ace action star of All the Butlers...)

(will compete against Dong Seok's stunt double.)

Ready and action.

(Did Seung Gi succeed to take the rifle?)

(Laughing)

(He takes the rifle...)

(and throws him.)

(Here's the taste of Dong Seok.)

My gosh.

(It's spicy, rough, and intense.)

I'm okay.

I knew it.

I am not joking.

I lost my consciousness for a brief moment.

Didn't something flash?

By the way, when you were throwing him, were you cursing at him?

(Was he cursing at Seung Gi?)

I think you cursed like this.

I think you cursed at me.

(He gets as immersed as Dong Seok.)

I think you cursed.

I will do this first.

When you pull it back, I will...

Hey. Hey.

- Hey. - Just stay out of it.

- Hey. - Stay out of it.

Make it the spiciest for him.

- The spiciest. - Be rough with him.

(When you deny your charge, you get a harsher penalty.)

I will do my best.

- Ready. Be careful not to get hurt. - Yes.

Don't get hurt.

(He's about to give Se Hyeong the taste of Dong Seok.)

Action.

(Hitting)

(My gosh.)

(Extremely terrified,)

(he changes his profession to a cameraman.)

What was that?

(He becomes gentle.)

Okay.

- Zoom in. - There's no camera.

What is that?

Great.

Thank you.

- Thank you. - Well done.

By the way, isn't Dong Seok's...

action acting style different...

from the action acting style you seek?

That man's easy to teach.

Really?

- You just need power. - Teaching you...

is actually a challenge for me. Your slim body makes...

- you look agile. - Yes.

When someone like you does Dong Seok's action acting,

it would be really boring.

What's the reason you came to me?

(Now,)

- To learn. - Right.

- Yes. - Let's learn that.

- "Action". - Yes.

(let's learn action.)

(The action acting master will give them a special lesson.)

(All the action actings you are seeking in Korea...)

(are in this action school.)

(The basic training is a must to learn action acting.)

(The master will also teach them...)

(his unique reality action acting.)

(Fearlessly fly,)

(hang, and fall.)

(All the Butlers, on standby, and action.)

(The action acting class begins.)

I have a feeling we are going to get thrown a lot today.

It's going to be one scary day.

I want to learn that.

Martial arts moves.

I want to learn the Drunken Master Move.

Either that or being beaten.

(Whatever they learn, it's going to be a tough day.)

Shall we warm up?

What?

- He's doing pull-ups. - My goodness.

(Even in the brief moment of waiting for the members,)

He pulls up all the way here.

(he trains himself.)

(There's no easy path...)

(in the journey of being an action actor.)

- Hurry. Hurry. - This is intense.

(The intense atmosphere makes them walk faster.)

(Running)

(Tense up, everybody.)

Without further ado, let's start the warm-up.

(Words are unnecessary.)

(They start the warm-up right away.)

Lay it out.

(Lay what out?)

(At the master's words,)

(everyone moves busily.)

(What are all these?)

(In the middle of the gym,)

(mats are piled up.)

What is this for?

This is intense.

(What is the warm-up exercise of...)

(Korea's master stuntman?)

Today's going to be tough.

That's a trampoline.

In period dramas... Seung Gi, you've done it.

- You've jumped over a wall. - Yes.

- You've jumped on a wall. - Yes.

(For the action of jumping over or jumping from a wall,)

(this is a must-have tool.)

Let's watch the demonstration first.

This is the first thing you have to do.

Go. Action.

He's Ryu Seung Ryong's stunt double.

Go.

(At the start signal,)

(he sprints fearlessly.)

Suck in your tummy.

(We have to do...)

(this jump?)

(This is the basic action acting move both powerful and graceful.)

(He jumps lightly...)

(to the point much higher than the members' heights.)

(Turning his head)

(Did I do a good job, Master Jung?)

(His jump was powerful, but he ended it cutely.)

- What was that? What was that? - He just...

His eyes were funny.

He landed nicely and...

(Did I do a good job, Master Jung?)

That was cute.

(The stuntmen are actually very cute.)

- Are we ready? - Yes.

Bring that.

- We will build a wall. - A wall.

We have to jump over that?

(A black wall is put in front of the members.)

(Their heads barely stick out of the wall.)

We are going to jump over that?

(Se Hyeong is not even visible.)

In a period drama,

it's like jumping over the wall of Vice Minister Choi's residence.

Is it always about this high? Is it supposed to be higher?

It's supposed to be higher.

(The wall of action acting feels too high.)

(Will we be able to jump over this wall?)

Here we go. Let's watch a demonstration first.

Go.

(The trained instructor...)

(shows a demonstration.)

(He measures the distance...)

(and fearlessly jumps.)

(He jumps over a wall...)

(and lands gently.)

(He's pleased.)

(He's a big man, but he jumped so lightly.)

How can he move so lightly when he's a big man?

(He's a proud stuntman.)

Let's try jumping over a wall.

It's safe to land.

Here we go.

(It's the height they have never dared to jump over.)

(There is only one way for them to jump over it.)

It's high.

(They have to do or die.)

We have to either do or die.

Can he be able to do it?

(The first person to try is...)

(Seung Gi, Action Ace.)

Go, Seung Gi.

(Action Ace who represents All the Butlers...)

(starts running.)

(With confidence, he almost looks relaxed.)

(Action Ace...)

(has a great start.)

(Did he do it on the first try?)

Seung Gi is good.

Seung Gi knows how to step on the trampoline well.

He put his weight on it.

His legs dipped deep.

- That's what you should do. - Right.

(He's collecting clues about what factors make the jump successful.)

- You don't use your strength. - He's too good.

- Well done. - Thank you.

(Seong Jae, the second contestant is...)

(motivated by Action Ace.)

I will be serious now.

- Okay. - Don't force it too much.

Be serious.

(The trampoline jump is the basic action acting move.)

I will be serious.

(I will jump over the wall on the first try.)

(With one jump,)

(I can become Action Ace too.)

(Oh, my goodness.)

- Look at that. - Seong Jae.

- Seong Jae. - That was a mistake.

- Why did you start from here? - My goodness.

- I will do it again. - You...

should've jumped here.

- But you jumped here. - Don't do your dance.

I calculated it wrong.

I...

(It's not easy, is it?)

I will do it right this time.

(He gets ready again.)

Go.

(Seong Jae gives another go.)

Okay.

(He runs calmly...)

(and succeeds.)

That's it.

(He jumps over the wall...)

(and falls perfectly.)

That's it.

(He's good, isn't he?)

I get it now, Master.

- Right? - Yes.

I can do the kick too.

He's good.

(He's proud of Seong Jae.)

(Seong Jae jumped over the wall too.)

- You didn't do it, did you? - I didn't. I should.

- I've been waiting. - Take your time.

Go.

Go.

(Since I am small,)

(I will jump over you without breaking a sweat.)

(Groaning)

(Struggling)

(His jump was unstable,)

(but he tries to look cool.)

I get it now.

I think I've seen that action. I've seen that jumping action.

I get it now.

I got scared.

When you get near it, the wall looks taller.

It suddenly gets tall.

It's because you fear it.

(He finishes analyzing the successful jump stories.)

(Seung Gi made a perfect parabola.)

(Seong Jae miscalculated the distance.)

(A psychological factor made Se Hyeong hesitant.)

(All the factors are in my head.)

I got it.

(Now the calculation is...)

(over.)

You have to jump hard, Sang Yun.

You can do it. You will jump over it no matter what.

(Everyone is cheering for him. He just has to jump over it now.)

(There will be no mistake in my jump.)

(Rattling)

(Shouting)

(A critical error has occurred.)

(That was very fun to watch.)

(He's hugely embarrassed.)

Didn't you say you are playing an anti-North spy in a film?

- It's... - You're an anti-wall spy.

I thought he was an actor, but he's a comedian.

My gosh. I have to jump over it too.

Sang Yun, step on the trampoline...

and look at the light far ahead. Over there.

- The light? - Yes.

Look at the 15° angle.

(He gets the master's tip and tries it again.)

(Will he...)

(do it well this time?)

That's it. What?

That's it. What?

(His body remained where he jumped.)

I am starting to get it.

You went up. You just have to move your body forward.

Okay. I see.

Looking from the back, I can tell you can jump over it.

- Really? I got scared. - There's no problem.

I think you got scared.

You can jump over it, without a doubt.

(He jumped high enough.)

- Sang Yun. - Yes.

You've got enough skill to jump over that wall.

But you lack confidence.

You've already jumped over it.

Have confidence. Be bold.

Okay.

(You either do it...)

(or die.)

(As master said,)

(he takes the leap with confidence.)

(Will he...)

(jump over it this time?)

(He jumps over it with sufficient height.)

Good!

- Okay! - Wow.

(Including last runner Sang Yun,)

(everyone passed the black wall.)

I told you, you already had it in you.

Good. Good job.

- We'll move on to level 2. - Level 2.

- Level 2. - Master Jung.

- You did great. - He's really...

- You're the best. - He gives you...

- a training of faith. - Right.

You've already jumped over it.

It's higher.

It's level 2.

(It's the second level.)

(It's thicker and higher.)

It's higher?

I don't think...

you can jump over it without help.

(It's taller than their heights.)

It's this much higher...

than my height.

(They're overwhelmed,)

This is...

(and they become speechless.)

It's definitely higher.

- It's higher, right? - Yes.

You're all being fooled.

You're being fooled.

The wall out there is...

making you fear.

(They only fear the challenge because it's unknown.)

It's really far away.

Seung Gi, do it just like the last time.

Everyone, don't think about the height,

do it like the last time.

Don't think about the height.

Let's go, Seung Gi!

I might not make it.

I think Seung Gi can do it.

(With their expectations on his back,)

(Seung Gi prepares to go.)

This is... Okay.

(Their confidence now depends on Seung Gi.)

- I'm going. - Good luck.

Go.

(With the same timing like before,)

I told you.

(he easily jumps over.)

(This is the confidence of Action Ace.)

I told you he could do it.

(I knew it.)

- He's so good. - See?

First time's always the hardest.

- Seung Gi, you're... - He did it...

- awesome. - even though it was higher.

- He's good. - It's just like before.

He's good.

All you need is confidence.

(This is the training of faith.)

(Seong Jae takes the confidence,)

I'm going.

(and he goes next.)

Go.

(Just like Level 1,)

(he trips.)

(He lost balance just like last time.)

Are you playing darts?

I'm going.

(He catches his breath,)

(and tries once again.)

That's it!

(He reenacts...)

(the confidence he showed before.)

That's it!

(That's it.)

(Confidence, you say?)

I did it.

(After Seong Jae,)

- Okay. - That's it.

(Se Hyeong closely makes it.)

He looked like Michael Jackson.

I thought you were him.

(His landing looks just like before.)

Think you can do this.

(The wall that looked so high...)

He makes it look so easy.

(is now just a playground for them.)

(Fear turned into excitement.)

- It's kind of fun. - It's fun now.

Right, I want to do it again.

I have to go hard.

(And he still can't seem to enjoy it.)

I have to step hard.

Step harder.

(He keeps thinking of...)

(his cursed steps.)

(It's starting to become his trauma.)

I have to put my weight on.

Put my weight on.

Sang Yun, just like the last time.

- Yes. - Let's go.

(Be confident.)

(Just like the last time,)

(he misses a step.)

- It's difficult to trip on that. - I know.

(It's tough to watch...)

(all his failures.)

(Heavy breathing)

Be more confident,

- and just get up there. - Yes.

Let's go!

Yell, "Do or die!"

Okay. Do or die!

Step harder.

Step harder.

- You can do this. - Go.

(I will trust myself,)

I'm going to jump all over you.

(and make it at all costs.)

It's not impossible!

Do or die.

(Do,)

(or die.)

(I trust myself,)

(and throw myself towards fear.)

(He's really confident this time,)

(and he sat on it.)

(No!)

(He modestly kneels...)

(and give a scream.)

(You humiliated me.)

Okay.

(That was close.)

- Thank you. - It was fun.

(They wrap up in a hurry before he tries again.)

- It's fun. - We made it after all.

- We did. - It was fun.

If you want to try again, pay 50 cents from now on.

50 cents?

Do you think this is a trampoline arcade?

He said a trampoline arcade.

This isn't a trampoline arcade.

Master Jung is not an arcade owner.

(He could have paid 50 cents if he tried 5 minutes more.)

(50 cents for 30 minutes of trampoline.)

(I'll succeed in the next action.)

(That was it for basic training.)

(Now, it's the real deal.)

(An A to Z of...)

(Korean action scenes taught by the master)

(Added with comical action scenes.)

As a stunt coordinator,

what do you think...

is the most important in action scenes?

Emotions.

(Action is about emotions.)

- Not technique? - It's all about emotions.

You need good emotions...

to show your technique.

(So it's about emotions?)

When you watch the scene from "Veteran",

it looks like people would really fight that way.

After Hwang Jung Min was beaten up,

he says, "Now, it's self-defense."

And he didn't punch, but slapped the guy.

(It was the most satisfying scene of "Veteran".)

You should only do what you're capable of.

Now, it's self-defense.

(Master's action scenes...)

(have the actors' emotions intact.)

I put that in on purpose.

- The slaps? - Yes.

Because the character...

is wanting to punish...

- the guy for his bad deeds. - Yes.

What happens when you get slapped?

- It feels bad. - It also hurts your pride.

- So I put that in. - As I was watching that,

- I felt really satisfied. - It was really satisfying.

Every attack has to suit the character.

- You watched "Beat". - Yes.

Jung Woo Sung and Im Chang Jung fight on the roof.

Im Chang Jung's character fools around in the film.

- "You think you're tough?" - Yes.

And when he charges in,

he gets hit in the neck.

(He directs a humiliating attack for a character like that.)

You think you're tough?

You know who I am?

(Falls on the ground.)

(Smiling)

The audience laughed a lot at that scene.

- Yes. - Right.

- It was perfect for the character. - Right.

- Right, they all laughed so hard. - Yes.

- It was a good scene. - Yes.

- Would you like me to demonstrate? - Yes.

Cheol Min, come here.

It goes like this.

(1. Basic actions)

- Right. - When we add...

Some skills?

some skills,

(2. Basic actions and technique)

it looks like this.

(It looks so quick.)

- You move totally differently. - Yes.

Now, we add emotions here.

(You add emotions here?)

Action.

(3. Basic actions, technique, and emotions)

It looks like this.

(He fiercely stares at the opponent,)

(and throws a punch with all his strength.)

It looks like this.

See?

I could almost feel it.

- Did you? - Yes.

(They're deeply moved.)

This is so interesting.

What's the first thing that comes to your mind...

when you hear Korean action?

Korean action?

What's the first thing that comes to your mind?

A dogfight?

They punch with their heads down.

- There's no technique. - Yes.

- There's no technique. - Right.

What do we call that in Korea?

- A dogfight. - A dogfight.

A dogfight.

Let me show you. Get ready.

(Here comes the total dogfight.)

- Start at the center. - I'll jump in.

He's going to jump in.

Ready...

- He looks different. - Start at the center.

(Korean dogfight)

Ready, action.

Isn't that too much?

- They're at it. - He actually hit him.

- Wait. - Shouldn't we...

- Someone stop them! - They're actually fighting.

(This dogfight looks so real.)

- It's an actual dogfight. - I can't tell who's hitting who.

It's an actual dogfight.

Really.

It looks so real.

(They're grabbing each other's hair.)

- Goodness. - It's an actual dogfight.

- Stop! - Stop!

Right, all Koreans grab the hair when they fight.

- Right. You grab the hair. - Yes.

(Exclaims)

Cut.

(Let's make peace.)

You saw how he grabbed him by the hair.

- Doesn't it seem reckless? - Yes.

- Did they plan all those moves? - Was this planned out?

Yes, they did.

I thought it was a dogfight.

It looked so real.

When planning the moves out,

it's important to decide on the intensity and the amount...

- of emotions involved. - Right.

Look at them. The fight is over,

- but they don't look happy. - You're right.

- They look irritated. - Doesn't this mean...

- they were... - They're both mad.

too much into the fight?

They need to act like that.

(That's why it's so real.)

How about we also try...

this dogfighting method but without...

any planning beforehand?

- 2 versus 2? Okay. - Yes, 2 versus 2.

- Okay. - How should we do this?

You need to decide on your characters.

Are you in high school or university?

Let's be high schoolers.

- High schoolers? - Let's say we're at an academy.

- An academy? - Yes.

The real ace fighter has already left.

Wait.

You know how a few of them remain at the scene?

(The ace has left, and the classroom is theirs.)

All right. Let's see.

This is the bathroom.

You guys are peeing.

Let's go wash our hands.

Hey, guys. What brings you all the way to Paju?

Who talks like that?

- I'll pick the fight. - Okay.

Good. He's an expert at picking fights.

We can't pick fights well.

- Okay. - Let's go in.

It's so hot today.

- Who are they? - I don't know.

(The four meet amidst the scorching heat.)

I hate this weather. I'm melting.

It's terrible weather.

What are you staring at?

(What are you staring at?)

I'm talking to you, shorty.

I'm talking to you!

- Are you an elementary school kid? - What?

Why are you wearing a school uniform?

We're high schoolers, so don't come here.

- How old are you? - What?

- How old are you? - And you? We're older...

- than you. - What about you?

What? Were you born in 2019?

How old are you guys?

- My goodness. Sir. - My gosh.

How old are you?

- He must be an adult. - He has a mustache.

(He looks like a principal.)

Hey, don't be intimidated.

Don't stop me. You know my temper, right?

- Let me be. - Is age that important?

- Hey, hey. - What did you say?

- Let me be. - You'll hurt them.

- Seung Gi. - Gosh.

- They're making me laugh. - Who are you?

Seung Gi, I'll take him.

What? Okay?

Darn it.

You take the right. I'll take the left.

- Let's make this quick. - All right.

(The master carefully studies the situation.)

(Since the ace fighter is gone,)

(it's their turf now.)

Can you even fight?

(it's their turf now.)

Hit me.

(He provokes him.)

(Seong Jae's provocation...)

(awakens the dragon in Se Hyeong's right arm.)

- Come on and hit me. - You jerk!

(You jerk!)

Seung Gi, help!

- Gosh! - Hey!

(It's chaotic.)

- Hey! - Hey!

- Hey! - Hit him!

(He flails his limbs.)

- You punk! - Hey!

(Punching)

Why would you punch my bottom?

Hey!

(The spontaneous fight makes it even more chaotic.)

(Seong Jae swears.)

Hey, hold on.

He bit him.

Don't bite!

- Hey! Hey! - Hey!

Go, Seung Gi!

You can't both hit me!

- I'm going to take your hat. - Hey!

I'm going to take this.

I'm going to take it. It's mine.

(Fighting)

I'm going to take your hat.

(A chase unfolds.)

(They need to return to the classroom...)

(before the ace fighter returns.)

Cut. Cut.

Cut.

(It was a reckless fight...)

All right.

(since they didn't plan at all.)

(This won't do.)

- Do you see those weapons? - We need to learn.

- Yes. - Yes.

Pick the ones you want to use,

- The ones we want? - and I'll incorporate them.

(They can be firearms...)

(or swords.)

(It doesn't matter...)

(for the master.)

There are so many.

- Awesome. - What are they?

Pick the one you're confident at using.

(He will incorporate their actions into the fight.)

(There's even a cue stick.)

(Should I pick this?)

Now, I'll teach you the moves.

(They have chosen their weapons.)

I'm excited.

(Seung Gi chooses a sword.)

- Seung Gi. - Yes?

What's your character?

- I'm a swordsman. - A swordsman?

- Yes. - Are you an expert?

- Yes, I am. - Okay.

- I'm an expert. - All right.

(He wants to become a man...)

(who can easily quell the assassins with his fancy swordsmanship.)

I've destroyed their group.

- So they're here for revenge. - So...

- They came to end me. - They're furious.

All right, then.

Also, this is a lodging.

- A lodging? - I'm having a drink,

and that's when they come in.

All right. I'll show you the moves.

(The master is quick.)

- All right. - Go past this way.

An expert should first kill at one blow.

Right.

- Action. 1. Come slowly. - 1...

2, 3.

- He looks amazing. - I know.

- Come in. Come in. - 2, 3.

Try to stab me.

Go forward.

(The master slowly plans the moves out.)

Come in. Both of you.

- 1 and 2. 1, 2. - 2...

Good. I'll wield my sword like this, so go that way.

Two. Which way will you go?

- Come over here. - Which way?

1 and 2.

I'd like you to struggle once.

- What? - I'd like that.

- Should our swords clash? - Over here.

You should struggle here. He's an expert too.

- You understand, right? - Got it.

- Struggle this once. - One.

Clash. What do you want afterward? Should I push him away?

- Should I push? - From here?

Try it.

From here,

I'll swiftly turn around and slice him.

(He'll give a sudden death blow.)

- That's good. Then... - I'll push him.

Say, "It won't go your way," and push me to the side.

It won't go your way!

Then slice him.

(The master adds onto Seung Gi's idea.)

Do that.

(He's content.)

He directed everything in that short amount of time.

(An entire scene is completed.)

- Slowly. Okay, action. - They look angry.

1, 2, 3.

Come in. Four. Come in.

1, 2, 3.

And four.

Five.

(Their jaws drop.)

This is what a stunt coordinator does.

(This is what a stunt coordinator does.)

He's so amazing.

- 2. - 1, 2.

Two.

- Three. - Push him.

Four.

5, 6, 7.

- 5, 6, 7. - 7.

1, 2, 3.

(How do I look?)

Okay.

- This time, it'll be realistic. - Okay.

Get into the mood. Breathe.

(Get into the mood. Breathe.)

Ready.

(He imagines himself as a swordsman who needs to fight them alone.)

(Lodging)

(A man is drinking alone.)

(Suddenly, a group of assassins barges in.)

Action.

(The fight begins.)

Action.

This glass will be dedicated to you.

(He fights against the advancing enemies...)

(with dignity...)

(and elegance.)

(After dodging the enemies' swords,)

(he gives them the death blows.)

(Finally,)

(he faces his final enemy.)

This is the finale.

(This is the finale.)

(He subdues his enemies...)

(before his warm drink is cooled down,)

This is the finale.

(He successfully reenacts the scene...)

(that the master has drawn for him.)

(Impressed)

(You're so amazing!)

(He sweats buckets.)

You looked professional.

- He was outstanding. - He's my role model.

It works.

He's your role model.

He really looked like one.

You were the best.

- Thank you. - Well done.

- You sliced through so well. - That was amazing.

- You looked great. - Did you see that?

I did.

(He was mesmerized from the start.)

(His steady control of the tempo...)

(even made the master impressed.)

You know what?

I'm trying so hard to become your role model.

- You know what? - Turn around.

(Whispering)

- He's planning something out. - What is he doing?

- He already has a plan. - What did you do?

- There's something I wanted to try. - Sure.

This is my scenario.

(What will his scene be?)

I'm resting below an acacia tree.

(Scene 1. Se Hyeong the genius swordsman...)

(is resting under the acacia tree.)

(The fate of the genius swordsman...)

(tells that he must defeat a large number of attackers.)

(We waited so long for this day, Yang Se Hyeong!)

We’ve seen this before. So far so good.

(Interesting)

(Now,)

(is it my turn?)

(The acacia tree...)

(will be stained with blood.)

Wow, the backlight!

(The mood...)

(intensifies)

- Good. - He has the sword.

(So funny)

(He kills 6 with 1 slash.)

(My apologies, acacia.)

(I had to leave stains on you.)

The genius swordsman saunters...

to his next destination.

(He's a genius comedian.)

It’s a skit.

(Se Hyeong’s action skit ends here.)

This was a practice.

I actually wanted to use the arrow.

- What I initially thought was... - Yes.

to hold the bow behind.

- You are pulling the bow? - Right.

Yes. I shoot the arrow to the air.

(Se Hyeong’s Scene 1. He shoots the arrow up from his back.)

(But the enemies don't know.)

But they don't know.

And casually,

I ask the enemies to look above.

That's when the arrow falls.

(Scene 2. The arrow hits the enemy.)

That's when the fight starts.

When they approach, I shoot one.

I turn around and shoot.

- He has this figured out. - Next,

I don't have arrows anymore.

I would hit one like this,

do one here,

and strangle one here.

Last, I don't have arrows.

So I use the enemy's sword.

I put the sword on the bow, and shoot the sword.

And the sword would finish the last one.

You have this all figured out. Go for it.

I do, but you need to help me with the choreography.

(You need to do the choreography.)

You handle the choreography. This is what I want to do.

(Can this unfounded tale...)

I think it's good that you start with one person dying.

(become a good action scene?)

Can we change the story a little?

- What should I do? - He's the lord.

- I am? - Yes.

You go ahead and sit there.

And you are the assassin who came to kill the lord.

- An assassin? Sure. - Yes.

It's all going to be real, but let me make a proposal.

We jumped over the wall before.

If you just jump, it will connect together with this scene.

From the previous training on jumping over the wall.

So you will jump and then land. Good. That's it.

This is going to be awesome.

Ready?

(A period action drama, "Flying Lord Yuk.")

(Assassin by Yang Se Hyeong)

(Lord by Yuk Seong Jae)

Action!

Action!

(Scene 1. End of Goryeo Dynasty,)

(Assassin Yang jumps over the palace wall for a kill.)

(Scene 2. Front of the Palace. Lord Yuk faces Assassin Yang.)

Finally, you came.

Please return the sword to my owner.

(Ridiculous)

Take it if you can.

(Scene 3. Lord Yuk's guards stand in the way of Yang.)

(Kill him.)

Kill him.

(He shoots the arrow from his back.)

Do you think you can beat me?

(You! Look above.)

(What?)

(What happened?)

(Avoids the attack by rolling)

(Floats like a butterfly,)

(stings like a bee.)

(He creates all sound effects with his mouth.)

What are you doing!

(Scene 4. Guards do not stand a chance against Assassin Yang.)

What are you doing?

(If there's no arrow,)

(then use the bow.)

(Lord Yuk,)

(it’s time for your head now.)

(Trembling)

(Lord Yuk quickly succumbs to reality.)

(Scene 5. Lord Yuk and Assassin Yang, only two are left.)

Please spare me. Please spare me.

I will now return the sword to the owner.

I will do anything. Please spare me.

Please spare me.

(Coughing)

(Scene 6. Lord Yuk faces the end.)

He leaves whistling.

(Assassin Yang casually leaves.)

(A period action drama, "Flying Lord Yuk.")

- Come alive, and then die again! - Right? He should try that.

(A standing ovation.)

- Okay. - Wow.

Great work.

- It was really fun. - This must be a fantasy genre.

This is a fantasy. A fantasy genre.

(Pleased)

This was all possible thanks to the action actors.

- Seriously. - All thanks to them.

If they weren't there, and their action wasn't good,

a good movie is not possible. The character cannot shine.

(The final destination for the action training...)

(is to produce a movie.)

Can we do that?

(A do-or-die spirit!)

(Nothing is impossible for the master.)

Ready! Action!

(Produced by Sabu Pictures, distributed by All the Butlers.)

(Stunt Coordinator Jung Doo Hong, Cast SangSeungHyeongJae)

(A long-awaited blockbuster of the 1st half of 2019)

(A judge set me free. He said I am innocent.)

(Guilty if no fun,)

(Not guilty, if fun.)

(Stunt Coordinator Jung's blockbuster action film)

(100% real action with no stunt doubles.)

(This is the do-or-die spirit.)

(Jung Doo Hong's...)

(exciting SF action is coming soon!)

(Do or Die)