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Who can turn the world on with her
smile?
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Who can take a nothing day and suddenly
make it all seem worthwhile?
3
00:00:22,580 --> 00:00:25,720
Well, it's you, girl, and you should
know it.
4
00:00:26,240 --> 00:00:32,600
With each glance and every little
movement you show it, love is all alone,
5
00:00:32,600 --> 00:00:37,680
need to waste it. You can have the time,
why don't you take it?
6
00:00:38,300 --> 00:00:41,880
You're gonna make it after all.
7
00:00:45,360 --> 00:00:49,440
You're gonna make it after all.
8
00:01:04,300 --> 00:01:06,900
Oh, did Ted get in yet, ma 'am? No, not
yet.
9
00:01:07,320 --> 00:01:10,340
See, I don't get it. Usually on the day
they announce the nominees for the Teddy
10
00:01:10,340 --> 00:01:11,520
Awards, he's the first one in.
11
00:01:12,620 --> 00:01:15,860
You don't suppose, Murray, after all
these years, Ted finally doesn't care
12
00:01:15,860 --> 00:01:16,860
whether or not he's nominated?
13
00:01:17,080 --> 00:01:18,080
Oh, who knows?
14
00:01:19,700 --> 00:01:22,740
All right, guys, I'm sorry I'm late. I
stopped off at church.
15
00:01:24,700 --> 00:01:25,900
Braid my guts out.
16
00:01:26,700 --> 00:01:27,840
Any word on the nominations?
17
00:01:28,220 --> 00:01:29,720
Uh, not yet, Ted. Any minute.
18
00:01:30,180 --> 00:01:31,760
Well, I sure hope I win a nomination.
19
00:01:32,580 --> 00:01:36,300
I promised God if I won, I'd send an
underprivileged kid to this jockey
20
00:01:37,660 --> 00:01:40,920
Why do some people get so excited about
these awards?
21
00:01:41,400 --> 00:01:42,860
I mean, for one thing, they're very
unfair.
22
00:01:43,120 --> 00:01:46,640
You have never been nominated as best
news writer, and I don't think that's
23
00:01:46,640 --> 00:01:47,880
right. Well, I don't know.
24
00:01:48,280 --> 00:01:51,040
But I can't help wanting to get at least
one nomination.
25
00:01:51,860 --> 00:01:54,800
Yeah, I used to feel that way every
year, too, but not this year. I'm not
26
00:01:54,800 --> 00:01:56,380
to get all caught up in your cravings.
27
00:01:56,580 --> 00:01:58,340
Well, that's because you're a shoe -in
this year. No!
28
00:01:58,680 --> 00:02:01,840
Oh, Murray, it's because I feel I did a
good job, so it doesn't matter whether
29
00:02:01,840 --> 00:02:02,840
or not I'm nominated.
30
00:02:02,960 --> 00:02:04,560
You know, you're being very mature about
that.
31
00:02:05,040 --> 00:02:07,600
Hey, the nominations are in.
32
00:02:08,479 --> 00:02:11,140
Hey, I've been nominated. Hot buns.
33
00:02:13,080 --> 00:02:17,020
Well, what about the writing? Oh, let's
see. Let's see. Zoom, zoom, zoom. Here
34
00:02:17,020 --> 00:02:18,020
it is.
35
00:02:18,300 --> 00:02:23,220
Nominations for Best Writer, News or
Documentary, Harold Renner, Lester
36
00:02:23,420 --> 00:02:24,420
Yeah, yeah, yeah.
37
00:02:24,780 --> 00:02:25,960
And Murray Slaughter!
38
00:02:35,850 --> 00:02:38,310
Thanks a lot, Mary. Thanks a lot. Hey,
how about this? That's terrific.
39
00:02:38,690 --> 00:02:41,430
Hey, listen, don't you want to see if
you were nominated? Ah, no, not really.
40
00:02:41,450 --> 00:02:43,490
Like I said, I think everyone takes them
much too seriously.
41
00:02:43,750 --> 00:02:44,750
You weren't nominated.
42
00:02:45,130 --> 00:02:46,910
You've got to be kidding.
43
00:02:47,770 --> 00:02:50,810
Just Mary and me and Sue Ann Nivens for
Best Daytime Program.
44
00:02:51,710 --> 00:02:55,430
Well, as I said, I think we all take
these things much too seriously. It
45
00:02:55,430 --> 00:02:57,870
matter. Right. It's not the end of the
world. Right, exactly.
46
00:02:58,130 --> 00:02:59,390
Let me see that again.
47
00:03:00,470 --> 00:03:03,010
Mary, if you went to church more often,
this wouldn't have happened.
48
00:03:05,940 --> 00:03:07,580
Lou, did you hear the great news?
49
00:03:08,100 --> 00:03:09,100
You're quitting.
50
00:03:10,300 --> 00:03:13,720
Lou, I've been nominated for another
Teddy Award. Isn't that exciting?
51
00:03:14,060 --> 00:03:18,920
Yeah. Any calls, Murray? No. Hey, Mr.
Grant, Murray got a nomination, too.
52
00:03:19,140 --> 00:03:20,140
no kidding?
53
00:03:20,320 --> 00:03:25,120
Well, congratulations, Murray. You son
of a gun. I'm really proud of you.
54
00:03:25,120 --> 00:03:28,000
terrific. Sure, sure. Make a fuss over
Murray.
55
00:03:28,660 --> 00:03:31,460
I always knew it. Ball -headed guys are
clannish.
56
00:03:38,120 --> 00:03:43,220
Mary. Oh, hi, Sue Ann. Oh, it's nice to
see that you're still cheerful after not
57
00:03:43,220 --> 00:03:46,480
being nominated for a Teddy Award, as I
was.
58
00:03:48,200 --> 00:03:50,580
Mary, this is Doug Kellum, Mary
Richards.
59
00:03:50,820 --> 00:03:54,260
Hi, Doug. Nice to meet you. Doug is from
Saskatchewan.
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00:03:54,540 --> 00:03:58,580
He was on my show last week when I was
demonstrating how to cook without a
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00:03:58,580 --> 00:03:59,580
kitchen.
62
00:04:03,720 --> 00:04:04,920
Hit it off, didn't we, Doug?
63
00:04:05,120 --> 00:04:06,220
You know it, honey.
64
00:04:06,620 --> 00:04:09,500
I've been teaching Sue Ann the joys of
the great outdoors.
65
00:04:10,120 --> 00:04:12,740
And I've been teaching him the joys of
the great indoors.
66
00:04:14,060 --> 00:04:15,019
He's Louie?
67
00:04:15,020 --> 00:04:16,019
Yeah, he is.
68
00:04:16,660 --> 00:04:20,620
Mary, I'm going to have to hurt him so.
I promised him I'd go to the awards with
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00:04:20,620 --> 00:04:22,440
him, and now Dougie wants to take me.
70
00:04:22,680 --> 00:04:26,860
Well, it's terrible when you have to
break one man's heart to satisfy another
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00:04:26,860 --> 00:04:27,860
man's desires.
72
00:04:28,260 --> 00:04:31,360
How lucky you are you won't ever have
that problem.
73
00:04:34,600 --> 00:04:35,600
Come in.
74
00:04:36,980 --> 00:04:39,280
Lou, I'm afraid I have bad news for you.
75
00:04:40,120 --> 00:04:43,600
It's really terrible and I just can't
put off telling you any longer.
76
00:04:44,480 --> 00:04:46,740
What? What's wrong? What is it?
77
00:04:46,960 --> 00:04:48,180
Well, you know that date we have.
78
00:04:48,420 --> 00:04:49,420
What date?
79
00:04:49,680 --> 00:04:50,860
This year's Teddy Awards.
80
00:04:51,220 --> 00:04:52,199
When do we make that date?
81
00:04:52,200 --> 00:04:53,200
Don't you remember?
82
00:04:53,220 --> 00:04:54,220
No, when?
83
00:04:54,380 --> 00:04:57,580
At last year's awards. I said maybe we
should go together this year.
84
00:04:59,340 --> 00:05:01,600
Well, you said sure, we'll see.
85
00:05:01,920 --> 00:05:03,620
So, we do have a date.
86
00:05:04,430 --> 00:05:06,650
Oh, oh, oh, yeah, yeah.
87
00:05:06,890 --> 00:05:08,730
And that's the bad news?
88
00:05:10,290 --> 00:05:13,910
No, the bad news is I'm going to have to
break the date.
89
00:05:17,790 --> 00:05:19,750
Oh, Sue Ann.
90
00:05:23,190 --> 00:05:24,430
Oh, darn it.
91
00:05:25,810 --> 00:05:29,370
I mean, you make a date. I look forward
to it for a whole...
92
00:05:38,220 --> 00:05:39,700
Lou, you are in pain.
93
00:05:40,240 --> 00:05:45,040
Which of course delights me, but I just
can't go with you.
94
00:05:45,960 --> 00:05:50,000
You see, I... How can I make this easy
for you?
95
00:05:51,680 --> 00:05:53,740
I've met someone better.
96
00:05:56,580 --> 00:06:02,160
Then my Indian guide turns to me and he
says, your guess as good as mine.
97
00:06:04,100 --> 00:06:05,520
Dougie, this is Lou Grant.
98
00:06:05,880 --> 00:06:07,200
Oh, how you doing, Polly?
99
00:06:07,820 --> 00:06:08,820
Hi, Dougie.
100
00:06:10,700 --> 00:06:15,480
I was just telling Mary about the time
my canoe capsized, zooming down the
101
00:06:15,480 --> 00:06:17,040
Colorado Rapids. No kidding.
102
00:06:17,400 --> 00:06:21,360
Yeah, yeah, but luckily my Indian guide
had a wooden leg, and we both held on to
103
00:06:21,360 --> 00:06:23,320
it and managed to stay afloat.
104
00:06:25,960 --> 00:06:27,980
Oh, isn't he wonderful, Lou?
105
00:06:29,800 --> 00:06:32,180
He has such an instinct for survival.
106
00:06:32,460 --> 00:06:34,220
Yeah, it's all come in handy.
107
00:06:39,600 --> 00:06:42,640
do for a living? Ah, you name it, I've
done it. Oh?
108
00:06:43,440 --> 00:06:44,800
Salesman? No.
109
00:06:46,380 --> 00:06:47,440
Labor? No.
110
00:06:48,300 --> 00:06:49,700
Uh, factory worker?
111
00:06:50,180 --> 00:06:52,040
No. Truck driver? No.
112
00:06:52,660 --> 00:06:54,480
What have you done? You name it.
113
00:06:58,300 --> 00:07:01,640
And now you must excuse us. I have to
get back to the studio.
114
00:07:02,480 --> 00:07:03,740
Oh, and Lou.
115
00:07:04,500 --> 00:07:07,100
Thanks for being so understanding about
the Teddy Awards.
116
00:07:08,010 --> 00:07:09,150
And you cheer up.
117
00:07:09,690 --> 00:07:15,490
One day you'll meet a wonderful, sexy,
beautiful woman who'll make you forget
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00:07:15,490 --> 00:07:16,490
me.
119
00:07:17,070 --> 00:07:18,750
In the meantime, why don't you take
Mary?
120
00:07:26,010 --> 00:07:27,010
Hey, Mary.
121
00:07:27,410 --> 00:07:30,950
You want to go to the awards with me?
Oh, come on, Mr. Grant.
122
00:07:31,250 --> 00:07:33,350
That's sweet. You don't have to ask me
to go to the awards.
123
00:07:36,910 --> 00:07:38,390
You'd be the best date in the world.
124
00:07:38,930 --> 00:07:42,350
Yeah. I don't have to bring you flowers
or candy.
125
00:07:43,530 --> 00:07:45,690
I don't have to talk if I don't feel
like it.
126
00:07:46,210 --> 00:07:47,470
I don't even have to kiss you.
127
00:07:48,350 --> 00:07:49,530
It's just like being married.
128
00:08:09,710 --> 00:08:13,110
Yes, we are, dear. Listen, you pretend
we're not even here yet, and you go on,
129
00:08:13,110 --> 00:08:14,130
finish putting on your makeup.
130
00:08:15,570 --> 00:08:17,430
I have finished putting on my makeup.
131
00:08:19,030 --> 00:08:20,030
Well, suit yourself.
132
00:08:23,490 --> 00:08:25,330
Doesn't Sue Ann look terrific tonight?
133
00:08:25,850 --> 00:08:27,490
Lovely. Would you believe, Mary?
134
00:08:27,730 --> 00:08:28,930
I made this dress.
135
00:08:29,650 --> 00:08:31,730
I'm amazed you were able to find that
much material.
136
00:08:36,010 --> 00:08:37,450
A little scotch for me, neat.
137
00:08:38,080 --> 00:08:40,059
Okay, I'll have the same with just a
touch of water.
138
00:08:40,320 --> 00:08:41,860
Nice apartment, Mary.
139
00:08:42,080 --> 00:08:44,260
Thank you. Did you decorate it yourself?
140
00:08:44,600 --> 00:08:45,459
Yeah, I did.
141
00:08:45,460 --> 00:08:46,460
Wow, it's fantastic.
142
00:08:46,960 --> 00:08:48,500
Oh, dear, Doug.
143
00:08:48,720 --> 00:08:50,520
You have been out in the woods too long.
144
00:08:52,040 --> 00:08:54,480
Mind if I look around a bit? No, please,
go right ahead.
145
00:08:56,560 --> 00:08:58,700
Mary, you have to keep me from being
foolish.
146
00:08:59,080 --> 00:09:00,080
What do you mean?
147
00:09:01,340 --> 00:09:03,600
I feel like a schoolgirl whenever I'm
with him.
148
00:09:05,100 --> 00:09:06,100
Mary.
149
00:09:07,020 --> 00:09:09,800
How do you know when you're really in
love?
150
00:09:10,440 --> 00:09:14,500
Well, Sue Ann, I guess, you know, that
differs from person to person. I'll tell
151
00:09:14,500 --> 00:09:15,500
you how you know.
152
00:09:16,940 --> 00:09:21,800
You know you're in love when you totally
screw up Hungarian goulash.
153
00:09:23,300 --> 00:09:27,140
I tried it the other day and I was all
thumbs. A simple thing like that.
154
00:09:27,660 --> 00:09:32,180
I mean, who could be bothered? A half
cup, a whole cup. My cup is running
155
00:09:32,340 --> 00:09:36,380
Well, Sue Ann, you think it's the real
thing, huh?
156
00:09:36,830 --> 00:09:37,830
The real thing?
157
00:09:38,130 --> 00:09:41,310
Mary, those noodles were burned solid to
the bottom of the pan.
158
00:09:41,570 --> 00:09:45,670
And I had to go after the gravy with an
ice pick. Oh, Sue Ann, that's wonderful.
159
00:09:46,610 --> 00:09:48,090
I'm really happy for you.
160
00:09:48,650 --> 00:09:49,650
That's quite a view.
161
00:09:49,990 --> 00:09:50,990
Well, thank you.
162
00:09:53,690 --> 00:09:55,550
Well, shall we drink to the Teddy
Awards?
163
00:09:56,010 --> 00:10:01,050
Oh, I already have my award. A living,
breathing statue of Adonis.
164
00:10:01,630 --> 00:10:04,010
Awarded to the woman who best knows what
to do with him.
165
00:10:06,569 --> 00:10:08,130
Would anyone care for some dip?
166
00:10:11,090 --> 00:10:13,270
Isn't he a wonderful hunk of man, Mary?
167
00:10:13,630 --> 00:10:16,050
I just love a good dip.
168
00:10:17,170 --> 00:10:24,070
So strong, so virile, so... This isn't
just any package dip, you realize. This
169
00:10:24,070 --> 00:10:29,190
is a recipe of my mother's. It's cream
cheese, onion, and... They don't make
170
00:10:29,190 --> 00:10:31,630
like this anymore. They don't make dip
like this anymore.
171
00:10:35,790 --> 00:10:37,870
freshen up before anyone else gets here.
172
00:10:38,890 --> 00:10:42,130
Would you care for some dip?
173
00:10:42,770 --> 00:10:43,770
No, thank you.
174
00:10:44,450 --> 00:10:47,250
She's quite a woman. Yes, she really is
quite a woman.
175
00:10:48,490 --> 00:10:49,490
So are you.
176
00:10:50,390 --> 00:10:52,110
Well, thank you very much.
177
00:10:52,370 --> 00:10:56,730
No, no, I mean it. Listen, maybe I
shouldn't say this, but I believe in
178
00:10:56,730 --> 00:10:57,730
honest.
179
00:10:57,850 --> 00:10:59,230
You've got it all over Sue Ann.
180
00:11:00,610 --> 00:11:04,890
Okay, Doug, look, let's just cut this
dumb talk right now, all right? Okay.
181
00:11:22,480 --> 00:11:25,800
Actually, you did. You see, Mary tried
to attack me, but I fought her off.
182
00:11:28,220 --> 00:11:29,660
Isn't he wonderful, Mary?
183
00:11:29,940 --> 00:11:31,360
And he's all mine.
184
00:11:39,160 --> 00:11:41,660
Well, well, I wonder where everybody is.
185
00:11:42,080 --> 00:11:45,200
Oh, Mary, I didn't show you the
beautiful ring Doug gave me yesterday.
186
00:11:45,420 --> 00:11:46,420
Isn't it lovely?
187
00:11:46,440 --> 00:11:48,780
Oh, yes, that's lovely. That's terrific.
188
00:11:49,480 --> 00:11:51,100
He carved it out of a peach pit.
189
00:11:57,860 --> 00:11:59,780
Oh, hiya, ma 'am. Hi, you look terrific.
190
00:12:00,080 --> 00:12:01,440
Oh, thanks, thanks. Hi, everybody.
191
00:12:02,000 --> 00:12:03,000
Where's Marie?
192
00:12:03,120 --> 00:12:05,300
Well, one of our kids has got a cold.
193
00:12:05,520 --> 00:12:08,820
Oh, gee, that's too bad. Yeah, besides,
I don't think she wanted to come.
194
00:12:09,080 --> 00:12:11,300
I mean, she said I was so nervous, I
made her nervous.
195
00:12:11,920 --> 00:12:12,920
Isn't that silly?
196
00:12:13,180 --> 00:12:16,260
I mean, I may be excited, Mary, but I'm
not nervous. I mean, you know, nervous
197
00:12:16,260 --> 00:12:17,460
is a whole different thing.
198
00:12:18,460 --> 00:12:19,459
You want a drink?
199
00:12:19,460 --> 00:12:20,460
Don't I have one? No.
200
00:12:21,580 --> 00:12:24,240
Then I would. Scotch and soda, please.
Okay. I'll get it myself.
201
00:12:24,900 --> 00:12:27,620
Mary, dear, say hello to little Kelly.
Hi. How you doing? Good to see you.
202
00:12:28,020 --> 00:12:29,200
Hi. Hi, Mary.
203
00:12:30,560 --> 00:12:31,560
Mary,
204
00:12:34,900 --> 00:12:36,160
it was Ted's idea.
205
00:12:36,440 --> 00:12:36,979
It was?
206
00:12:36,980 --> 00:12:37,980
It's terrific.
207
00:12:38,660 --> 00:12:42,300
Right. Why spend all that money on a
gown she's only gonna wear once?
208
00:12:42,560 --> 00:12:42,740
I
209
00:12:42,740 --> 00:12:51,140
don't
210
00:12:51,140 --> 00:12:54,200
care what anybody says.
211
00:12:54,460 --> 00:12:57,200
I think we look like the top of a gay
wedding cake
212
00:13:05,720 --> 00:13:07,420
Mary, I feel silly enough already.
213
00:13:08,080 --> 00:13:13,240
I'll have a cassis and vermouth with a
dash of bitters, two drops of dry
214
00:13:13,280 --> 00:13:14,940
some lime juice, and a green cherry.
215
00:13:15,940 --> 00:13:17,320
I don't have bitters.
216
00:13:17,740 --> 00:13:19,340
A glass of water will be fine.
217
00:13:20,560 --> 00:13:22,540
Who would you get that, Georgette? Hi,
218
00:13:24,640 --> 00:13:25,640
Georgette.
219
00:13:27,260 --> 00:13:28,260
It's a rental.
220
00:13:28,720 --> 00:13:30,940
Oh, what's Ted charging you?
221
00:13:38,480 --> 00:13:40,080
Lou, do you think I'm going to win
tonight?
222
00:13:40,820 --> 00:13:44,080
I don't know, Ted, but do me a favor. If
you lose, don't trip the winner like
223
00:13:44,080 --> 00:13:45,080
you did last year.
224
00:13:45,940 --> 00:13:48,340
Hey, that was an accident, Lou.
225
00:13:48,560 --> 00:13:50,600
How come the winner trips every time you
lose?
226
00:13:50,920 --> 00:13:51,920
What a coincidence.
227
00:13:53,560 --> 00:13:57,780
Let me have a double scotch. Mr. Grant,
I want to talk to you.
228
00:13:58,160 --> 00:14:02,100
Okay, make it a single. No, no, it's not
your drinking I'm talking about.
229
00:14:02,340 --> 00:14:03,560
Oh, good. Let me have a double.
230
00:14:04,620 --> 00:14:05,620
What's wrong?
231
00:14:06,199 --> 00:14:08,240
Sue Ann's boyfriend made a pass at me.
232
00:14:08,900 --> 00:14:12,160
What? Yeah, while she was out of the
room. He kissed me.
233
00:14:12,380 --> 00:14:13,359
What'd you do?
234
00:14:13,360 --> 00:14:14,360
I slapped him.
235
00:14:14,900 --> 00:14:16,500
I'll kill him. No, Mr. Grant.
236
00:14:16,760 --> 00:14:17,679
Don't make a scene.
237
00:14:17,680 --> 00:14:18,680
I'll kill him quiet.
238
00:14:22,840 --> 00:14:24,580
Did you at least tell Sue Ann? No.
239
00:14:24,800 --> 00:14:27,740
I'm not going to butt in. She's a grown
woman. She can take care of herself.
240
00:14:28,540 --> 00:14:31,100
Mr. Grant, I don't want to talk about it
anymore. Let's get back to the party.
241
00:14:31,280 --> 00:14:33,320
If you don't want to talk about it, why
don't you bring it up?
242
00:14:33,950 --> 00:14:35,670
Mr. Baird, I have no time for logic.
243
00:14:40,950 --> 00:14:47,390
And for the best documentary, the
nominees are Senior Citizens on Parade,
244
00:14:47,450 --> 00:14:53,230
producer Karen Hiller, Police Dogs You
Can Trust, A Vanishing Breed,
245
00:14:53,450 --> 00:15:00,350
producer George Troy, and Water
Pollution in Minneapolis, Don't Ask
246
00:15:00,350 --> 00:15:02,110
Our Fish to Live in a Ghetto.
247
00:15:04,060 --> 00:15:05,440
Producer Hal Stevens.
248
00:15:06,160 --> 00:15:09,500
You should have won this award, Mary.
Oh, come on, Murray. These are all
249
00:15:09,500 --> 00:15:10,500
terrific shows.
250
00:15:10,720 --> 00:15:13,680
And the winner is... Karen Hiller.
251
00:15:16,480 --> 00:15:19,540
What so I ever thought in my life?
252
00:15:21,860 --> 00:15:23,400
That's what I like about you, Mary.
253
00:15:23,640 --> 00:15:24,640
You're good music.
254
00:15:26,980 --> 00:15:27,980
Well, here it comes.
255
00:15:28,280 --> 00:15:30,220
Your next award is for the best news
writer.
256
00:15:31,020 --> 00:15:34,060
You know, I told my kids that if I win,
I'll mention all their names. Hey,
257
00:15:34,080 --> 00:15:34,939
that's a good idea.
258
00:15:34,940 --> 00:15:36,260
Yeah, if I could only remember them.
259
00:15:37,220 --> 00:15:42,060
Let's see. Bonnie Ellen Susie and the
Vietnamese kid we adopted.
260
00:15:42,820 --> 00:15:43,679
Lee Chin.
261
00:15:43,680 --> 00:15:44,680
Yeah, Lee Chin.
262
00:15:44,700 --> 00:15:48,720
And now the award for the best writer,
news or documentary.
263
00:15:49,140 --> 00:15:55,060
The nominees are Howard Brenner, KDF
-TV, Lester Hocker, Public Service
264
00:15:55,060 --> 00:15:58,940
Television, and Murray Slaughter, WJM
-TV.
265
00:15:59,800 --> 00:16:04,660
And the winner is... Lester Hocker.
266
00:16:09,220 --> 00:16:11,080
Hi, Bonnie, Ellen, Luke, and Lietzen.
267
00:16:15,120 --> 00:16:17,260
Well, I don't care what they say,
Murray. You're still the best.
268
00:16:17,500 --> 00:16:21,760
Right. We're lucky to have you. Thanks,
Ted. Thanks. Listen, maybe we ought to
269
00:16:21,760 --> 00:16:23,840
check this guy, Lester Hocker, out and
see if he's available.
270
00:16:25,300 --> 00:16:26,300
Just a thought.
271
00:16:28,420 --> 00:16:29,420
Next category.
272
00:16:29,500 --> 00:16:30,500
He's the best anchorman.
273
00:16:30,800 --> 00:16:32,120
Okay, okay. Everybody listen.
274
00:16:32,600 --> 00:16:35,680
When I win, George, after you throw your
arms around me, give me a big kiss.
275
00:16:36,120 --> 00:16:39,840
The rest of you, just squeal with
delight and jump to your feet and
276
00:16:40,260 --> 00:16:42,680
Ted. Okay, okay. Just don't boo.
277
00:16:44,700 --> 00:16:48,320
And now the award for the year's
outstanding anchorman.
278
00:16:48,680 --> 00:16:52,880
The nominees are Ted Baxter, 6 o 'clock
news, WJM.
279
00:16:53,380 --> 00:16:57,600
Barry Waldron, news close -up, WJR. That
was a stiff.
280
00:16:59,450 --> 00:17:03,570
Hank Denhoff, 11 o 'clock report, WJR.
Turkey.
281
00:17:06,150 --> 00:17:08,310
Please. God, please.
282
00:17:11,230 --> 00:17:16,010
And the winner is... Barry Waldron, news
close -up.
283
00:17:18,250 --> 00:17:19,670
What's all happening to you?
284
00:17:36,910 --> 00:17:39,070
We'll be right back after this message.
285
00:17:39,970 --> 00:17:41,950
You're the only one left, Sue Ann. Good
luck.
286
00:17:42,190 --> 00:17:44,050
Sue Ann, did you prepare a speech?
287
00:17:44,510 --> 00:17:45,510
Oh, yes.
288
00:17:46,810 --> 00:17:50,290
I thought I'd let them enjoy my dimples
for a while.
289
00:17:50,630 --> 00:17:54,430
Then I thought I would thank my new
business partner.
290
00:17:55,470 --> 00:17:57,810
Your business partner?
291
00:17:58,250 --> 00:18:01,450
Yes. Doug and I are going to form our
own corporation.
292
00:18:01,810 --> 00:18:04,150
A 50 -50 business partnership. Isn't
that wonderful?
293
00:18:05,530 --> 00:18:06,830
Yeah, that's great.
294
00:18:07,170 --> 00:18:08,210
It's wonderful.
295
00:18:09,310 --> 00:18:11,870
Terrific. Oh, I knew you'd be happy
about that.
296
00:18:12,210 --> 00:18:15,130
I'm going to go fix my lipstick. I think
I still have a few minutes before my
297
00:18:15,130 --> 00:18:19,450
category. Mary, why don't you go with
Sue Ann?
298
00:18:19,970 --> 00:18:24,230
Oh, gee, Mr. Grant, I don't have to.
Yes, you have to.
299
00:18:25,310 --> 00:18:27,990
You have to. Yes, I guess you're right,
I do.
300
00:18:29,250 --> 00:18:30,330
How did you know?
301
00:18:37,800 --> 00:18:39,020
I'm afraid they kicked me out.
302
00:18:44,620 --> 00:18:45,820
I lost, Lou.
303
00:18:47,100 --> 00:18:50,720
I'm sorry. I... I wanted you to be so
proud of me.
304
00:18:50,960 --> 00:18:52,720
It's all right, Ted. It doesn't matter.
305
00:18:53,600 --> 00:18:54,600
Thanks.
306
00:18:54,780 --> 00:18:56,880
Even if you won, I wouldn't be proud of
you.
307
00:19:07,240 --> 00:19:10,300
have to tell you this, but boy, I just,
I can't stand by and see you get hurt.
308
00:19:11,200 --> 00:19:12,800
I have to tell you, I just have to.
309
00:19:13,300 --> 00:19:16,700
Well, Mary, if my bra strap is showing,
why don't you come right out and tell
310
00:19:16,700 --> 00:19:17,679
me?
311
00:19:17,680 --> 00:19:22,140
Sue Ann, Doug made a pass at me.
312
00:19:25,840 --> 00:19:32,000
Oh, listen, Mary, lots of times men are
used to gesturing with their hands. They
313
00:19:32,000 --> 00:19:34,360
put their hands on someone's shoulders
and...
314
00:19:34,860 --> 00:19:37,840
Well, people with provincial principles
tend to misinterpret.
315
00:19:39,360 --> 00:19:42,060
Sue Ann, he grabbed me with both arms.
316
00:19:44,400 --> 00:19:47,560
Well, you offered him a drink. Perhaps
he was just saying thank you.
317
00:19:48,900 --> 00:19:50,080
He kissed me.
318
00:19:51,360 --> 00:19:52,780
Thank you very much.
319
00:19:55,500 --> 00:19:58,040
Oh, Sue Ann, come on. Please.
320
00:19:58,840 --> 00:20:00,320
Now, who am I to believe?
321
00:20:01,120 --> 00:20:05,600
If I go to Doug, I... I know you'll deny
it. And Doug is a man who has shared
322
00:20:05,600 --> 00:20:06,840
his innermost thoughts.
323
00:20:07,740 --> 00:20:13,120
A man who loves me, respects me,
understands me.
324
00:20:14,500 --> 00:20:20,740
Now, do I believe him or someone who has
never been really close to me, who has
325
00:20:20,740 --> 00:20:25,940
every reason to be jealous, who couldn't
make a souffle if her life depended on
326
00:20:25,940 --> 00:20:26,940
it?
327
00:20:29,180 --> 00:20:32,020
Oh, damn it, Mary, I believe you.
328
00:20:35,880 --> 00:20:36,880
I feel so alone.
329
00:20:37,560 --> 00:20:39,800
Oh, well, don't feel alone, Sue Ann. I'm
here.
330
00:20:40,420 --> 00:20:45,220
I need comforting, and you don't know
what to do. Tell me what to do. I'll do
331
00:20:45,220 --> 00:20:46,220
it.
332
00:20:47,540 --> 00:20:49,440
Take my head and pat it.
333
00:20:51,380 --> 00:20:52,359
Oh, be careful.
334
00:20:52,360 --> 00:20:54,300
Don't mess my hair. My category's next.
335
00:21:06,320 --> 00:21:09,660
I think we're doing wonderfully for two
people who don't like each other.
336
00:21:11,600 --> 00:21:12,640
So do I.
337
00:21:14,800 --> 00:21:21,640
By the way, dear, for those mascara
stains on your dress, try a dab of
338
00:21:21,640 --> 00:21:26,760
petroleum jelly before placing them in
warm suds with a little bit of baking
339
00:21:26,760 --> 00:21:28,820
soda. Well, well.
340
00:21:29,880 --> 00:21:30,880
Oh.
341
00:21:32,460 --> 00:21:34,780
Mary, I'm going to have to do something
very difficult.
342
00:21:35,820 --> 00:21:39,740
I'm going to have to go out there and
ditch Dougie.
343
00:21:43,500 --> 00:21:45,260
What am I going to say to him?
344
00:21:45,920 --> 00:21:52,520
You just say to him that you think he is
the lowest kind of cheap, unfeeling,
345
00:21:52,520 --> 00:21:55,660
money -grubbing parasite and you never
want to see him again.
346
00:21:56,680 --> 00:21:57,680
All right.
347
00:21:58,960 --> 00:22:01,000
I just hope he doesn't take it the wrong
way.
348
00:22:04,010 --> 00:22:07,190
You know, maybe you folks can help me
out because there's something I've never
349
00:22:07,190 --> 00:22:12,570
understood. I've been going to these
award dinners for years, and it's just
350
00:22:12,570 --> 00:22:13,570
minutes of glory.
351
00:22:14,070 --> 00:22:16,510
Why do people feel badly if they don't
win?
352
00:22:17,190 --> 00:22:19,430
Isn't it more important how you feel
about yourself?
353
00:22:20,370 --> 00:22:24,090
Don't you get more from a feeling of
self -worth than you do from a silly
354
00:22:24,090 --> 00:22:25,090
statue?
355
00:22:25,470 --> 00:22:27,110
I believe I can answer that.
356
00:22:27,570 --> 00:22:28,570
No.
357
00:22:34,890 --> 00:22:37,770
And good luck to both of us.
358
00:22:38,070 --> 00:22:39,310
There is no us.
359
00:22:39,730 --> 00:22:41,950
Mary just told me what happened between
the two of you.
360
00:22:42,150 --> 00:22:44,850
Hey, honey, one kiss. Oh, just go away.
361
00:22:45,230 --> 00:22:47,090
Come on, Saranda. I don't.
362
00:22:47,290 --> 00:22:49,870
Hey, hold it down. Don't you touch me. I
don't care.
363
00:22:50,390 --> 00:22:53,930
Please, honey. Will you please go away?
You heard what she said, buddy. Go away.
364
00:22:55,210 --> 00:22:56,210
Who's going to make it?
365
00:22:56,410 --> 00:22:57,790
I am. Mr. Grant.
366
00:23:05,450 --> 00:23:06,450
You got it.
367
00:23:18,010 --> 00:23:23,370
I had no idea it was so easy.
368
00:23:24,530 --> 00:23:26,570
All I said was step outside and stepped
outside.
369
00:23:36,940 --> 00:23:43,780
for the best daytime program are Fred
Richter's Exercise Emporium, W -O -U -L,
370
00:23:44,100 --> 00:23:50,740
Janet Halperin, Macrame Matinee, W -A
-S, and Sue Ann
371
00:23:50,740 --> 00:23:53,080
Nivens, the Happy Homemaker.
372
00:23:55,680 --> 00:23:57,420
W -J -M -T -V.
373
00:23:57,680 --> 00:24:00,440
Hey, Sue Ann, the guy was a bum.
374
00:24:01,160 --> 00:24:02,920
Sue Ann, control yourself.
375
00:24:40,220 --> 00:24:42,780
That yellow guy over there.
376
00:24:43,620 --> 00:24:49,520
Yeah, he's waiting for you Who is he the
guy you tripped?
377
00:24:53,880 --> 00:24:57,820
Don't worry about I'll take care of this
in two seconds
378
00:24:57,820 --> 00:25:04,720
Hey fella
379
00:25:04,720 --> 00:25:08,810
you want to step outside yeah You got
it. After you. Thanks.
380
00:25:09,290 --> 00:25:10,290
Oh!
30491
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