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1
00:00:03,104 --> 00:00:04,205
- PREVIOUSLY ON AWKWARD...
2
00:00:04,205 --> 00:00:05,606
- SHE'S GOT
A PERFORMANCE TONIGHT
3
00:00:05,606 --> 00:00:06,640
WHICH SHE'S NOW SHUT ME OUT OF.
- THAT'S NOT TRUE.
4
00:00:06,640 --> 00:00:07,641
I AM SHUTTING ALL OF YOU
OUT OF IT.
5
00:00:07,641 --> 00:00:08,709
YOU KNOW
WHAT'S INTERESTING?
6
00:00:08,709 --> 00:00:10,044
- WHAT?
- YOU.
7
00:00:10,044 --> 00:00:11,379
- YOU WERE CLASSIC.
8
00:00:11,379 --> 00:00:14,048
[phone buzzing]
9
00:00:19,587 --> 00:00:21,122
- I DIDN'T KNOW
IF MATTY'S CHEESE-NASTY PLAYLIST
10
00:00:21,122 --> 00:00:23,624
WAS THROWING ME OFF
OR THE PARALYZING GUILT I FELT
11
00:00:23,624 --> 00:00:24,792
FROM HITTING
THE "IGNORE" BUTTON
12
00:00:24,792 --> 00:00:26,494
WHEN HE SHOWED UP
THE NIGHT BEFORE,
13
00:00:26,494 --> 00:00:29,930
BUT EITHER WAY, I WAS PHONING
IT IN TO MY OWN BOOTY CALL.
14
00:00:29,930 --> 00:00:32,233
- YOU OKAY?
- MM-HMM.
15
00:00:32,233 --> 00:00:33,634
- YOU SEEM DISTRACTED
BY SOMETHING.
16
00:00:33,634 --> 00:00:37,171
- UNFORTUNATELY, "SOMETHING"
HAD A NAME: COLLIN JENNINGS,
17
00:00:37,171 --> 00:00:38,739
WHO I HADN'T STOPPED
THINKING ABOUT
18
00:00:38,739 --> 00:00:41,475
SINCE WE BONDED OVER LEMON BARS
IN MY EPIC OUTING,
19
00:00:41,475 --> 00:00:42,943
BUT WITH MY MAN
IN MY BED,
20
00:00:42,943 --> 00:00:44,845
I NEEDED TO GET COLLIN
OUT OF MY HEAD.
21
00:00:44,845 --> 00:00:47,381
I HAD SUCCESSFULLY FAKED SLEEP
TO MATTY,
22
00:00:47,381 --> 00:00:50,718
BUT WOULD I BE ABLE
TO PULL OFF FAKING "IT"?
23
00:00:50,718 --> 00:00:53,721
[romantic new wave music]
24
00:00:53,721 --> 00:00:57,591
*
25
00:00:57,591 --> 00:00:58,859
- HOLD ON A SECOND.
26
00:00:58,859 --> 00:01:02,530
- * OUT IN THE LIGHT
LAST SUMMER NIGHT *
27
00:01:02,530 --> 00:01:05,032
[R&B music]
28
00:01:05,032 --> 00:01:07,335
[both moaning]
29
00:01:09,870 --> 00:01:12,573
- OH, MY GOD,
THAT WAS UNREAL.
30
00:01:12,573 --> 00:01:14,007
- AND UNFAIR.
31
00:01:14,007 --> 00:01:15,443
IN MY NAKED
AND VULNERABLE STATE,
32
00:01:15,443 --> 00:01:19,413
MY FANTASY HAD RUDELY CREEPED IN
AND MADE MY REALITY ITS BITCH.
33
00:01:19,413 --> 00:01:21,182
[keyboard clicking]
34
00:01:21,182 --> 00:01:22,850
[thud]
35
00:01:22,850 --> 00:01:24,152
AND I COULDN'T
GET INTO IT
36
00:01:24,152 --> 00:01:25,953
UNTIL FREAKIN' COLLIN
POPPED INTO MY HEAD--
37
00:01:25,953 --> 00:01:27,888
NOT ON PURPOSE.
I WAS TRYING TO FOCUS ON MATTY.
38
00:01:27,888 --> 00:01:29,590
SO THEN I TRIED
THINKING ABOUT BASEBALL,
39
00:01:29,590 --> 00:01:30,858
'CAUSE THAT'S WHAT GUYS DO,
40
00:01:30,858 --> 00:01:33,427
BUT THEN COLLIN SHOWED UP
IN A DODGERS UNIFORM.
41
00:01:33,427 --> 00:01:34,695
DAMN HIM.
42
00:01:34,695 --> 00:01:36,430
SHOULD I BE WORRIED?
I THINK I SHOULD BE WORRIED.
43
00:01:36,430 --> 00:01:38,499
- STOP BEING SO "DRAMASTIC,"
HAMILTON.
44
00:01:38,499 --> 00:01:39,967
EVERYONE HAS FANTASIES.
45
00:01:39,967 --> 00:01:41,235
- EVEN YOU?
- OF COURSE!
46
00:01:41,235 --> 00:01:43,171
- THERE'S NO WAY
YOU THOUGHT-BUBBLE
47
00:01:43,171 --> 00:01:44,572
ABOUT ANYONE
BUT JAKE ROSATI.
48
00:01:44,572 --> 00:01:46,440
- NOT TRUE.
I HAVE TWO BATH BUDDIES.
49
00:01:46,440 --> 00:01:47,908
ONE IS MY SHOWER MASSAGER,
50
00:01:47,908 --> 00:01:49,610
AND THE OTHER IS NIALL
FROM ONE DIRECTION.
51
00:01:49,610 --> 00:01:51,779
- HE'S NOT EVEN
THE CUTE ONE.
52
00:01:51,779 --> 00:01:55,183
HENRY AND I ONLY FANTASIZE
ABOUT EACH OTHER, RIGHT, HENRY?
53
00:01:57,685 --> 00:01:59,387
WHAT THE HELL WAS THAT?
54
00:01:59,387 --> 00:02:01,789
- GUESS YOU AND YOUR FAKE
BOYFRIEND ARE IN A FAKE FIGHT?
55
00:02:01,789 --> 00:02:04,392
- SOMETHING IS DEFINITELY
GOING DOWN IN CHINATOWN.
56
00:02:04,392 --> 00:02:05,693
- NOW YOU AND I
CAN FREAK OUT TOGETHER.
57
00:02:05,693 --> 00:02:07,495
- UH, MING CAN BUY A TICKET
ON THE FREAK TRAIN,
58
00:02:07,495 --> 00:02:09,397
BUT, "J", YOU HAVE NOTHING
TO WORRY ABOUT.
59
00:02:09,397 --> 00:02:11,299
HAVING FANTASIES
IS TOTES NORMAL
60
00:02:11,299 --> 00:02:13,367
AND THE KEY TO MAINTAINING
A HEALTHY RELATIONSHIP.
61
00:02:13,367 --> 00:02:14,968
- WHAT FANTASIES?
- I DON'T HAVE ANY FANTASIES,
62
00:02:14,968 --> 00:02:16,237
EVER, NOT ONE.
63
00:02:16,237 --> 00:02:18,005
WE'RE TALKING ONE-TRACK MIND
HERE, ROSATI.
64
00:02:18,005 --> 00:02:20,641
CAN YOU GIVE US A MINUTE?
WE'RE GIRL-TALKING,
65
00:02:20,641 --> 00:02:23,211
AND I CAN'T PROMISE THE SUBJECT
OF TAMPONS WON'T COME UP.
66
00:02:23,211 --> 00:02:25,213
- UH.
67
00:02:25,213 --> 00:02:29,317
- IF FANTASIES ARE TOTES NORMAL,
WHY DID YOU JUST LIE ABOUT IT?
68
00:02:29,317 --> 00:02:31,219
- HE IS A BOY,
WHICH MEANS HE IS TOO SENSITIVE
69
00:02:31,219 --> 00:02:33,221
TO HANDLE THE TRUTH,
AND THE TRUTH IS,
70
00:02:33,221 --> 00:02:35,456
I DAYDREAM
ABOUT SLIP-SLIDING NAKED
71
00:02:35,456 --> 00:02:37,258
ACROSS NIALL'S
BABY-SMOOTH CHEST.
72
00:02:37,258 --> 00:02:39,260
WHICH DOESN'T MEAN
I LOVE JAKE ANY LESS.
73
00:02:39,260 --> 00:02:42,730
- "T" MADE A GOOD POINT, ALBEIT
A SLIGHTLY DISTURBING ONE.
74
00:02:42,730 --> 00:02:45,933
IF JAKARA WASN'T THREATENED
BY TAMARA'S MENTAL DALLIANCES,
75
00:02:45,933 --> 00:02:48,035
MAYBE MY RELATIONSHIP
WAS SAFE FROM MINE.
76
00:02:48,035 --> 00:02:49,603
[bell rings]
77
00:02:49,603 --> 00:02:52,706
- SO, INSPIRED
BY JUNIOR BLOGGER OVER THERE
78
00:02:52,706 --> 00:02:55,376
AND HER INCREDIBLY BLEAK YARN
ABOUT THE LOSS OF INNOCENCE,
79
00:02:55,376 --> 00:02:58,111
YOU'RE ALL GONNA WRITE
ABOUT FIRSTS.
80
00:02:58,111 --> 00:02:59,247
YES, ANGER MANAGEMENT?
81
00:02:59,247 --> 00:03:01,114
- FIRST WHAT?
82
00:03:01,114 --> 00:03:02,616
- HOW 'BOUT THE FIRST TIME
YOU GOT AN "A" IN MY CLASS?
83
00:03:02,616 --> 00:03:04,017
OH, WAIT,
THAT NEVER HAPPENED.
84
00:03:04,017 --> 00:03:05,319
- WHAT IF
WE HAVEN'T HAD SEX YET?
85
00:03:05,319 --> 00:03:06,454
WHAT DO WE WRITE ABOUT?
86
00:03:06,454 --> 00:03:07,888
- OPEN YOUR EARS,
AMERICAN PSYCHO.
87
00:03:07,888 --> 00:03:10,258
I DID NOT SAY YOU HAD TO WRITE
ABOUT LOSING YOUR VIRGINITY.
88
00:03:10,258 --> 00:03:12,260
NO ONE WANTS TO HEAR ABOUT YOUR
MISADVENTURES WITH MADISON.
89
00:03:12,260 --> 00:03:13,827
- WHO?
- YOUR BLOW-UP GIRLFRIEND.
90
00:03:13,827 --> 00:03:15,963
- I DON'T HAVE A--
91
00:03:15,963 --> 00:03:18,732
HER NAME IS AMY.
92
00:03:18,732 --> 00:03:20,368
- YES?
- AM I DONE WITH THE ASSIGNMENT?
93
00:03:20,368 --> 00:03:22,102
- YOU USED SOMETHING
THAT YOU WROTE A YEAR AGO.
94
00:03:22,102 --> 00:03:23,937
THAT'S NOT WRITING.
IT'S CALLED "READING."
95
00:03:23,937 --> 00:03:26,039
- SO SHOULD I EXPAND
ON MY STORY?
96
00:03:26,039 --> 00:03:27,675
- YOU COULD, IF I WASN'T
COMPLETELY OUT OF SCOTCH.
97
00:03:27,675 --> 00:03:29,977
YOU ALREADY WROTE THE GRITTY,
TENEBROUS REALITY.
98
00:03:29,977 --> 00:03:33,547
NOW WRITE WHAT YOU THOUGHT
YOUR FIRST TIME WOULD BE.
99
00:03:33,547 --> 00:03:36,149
WRITE THE FANTASY.
- NOT A PROBLEM.
100
00:03:36,149 --> 00:03:39,320
I WAS AN EXPERT
IN THAT DEPARTMENT.
101
00:03:39,320 --> 00:03:41,955
- AND THIS TIME, TRY NOT TO
DEPRESS THE [bleep] OUT OF ME.
102
00:03:43,156 --> 00:03:45,926
- TOLD YOU YOU KILLED IT.
- MM-HMM.
103
00:03:48,128 --> 00:03:51,532
[bell rings]
104
00:03:51,532 --> 00:03:54,468
- DO YOU WANT TO KNOW WHAT
I THINK ABOUT THIS ASSIGNMENT?
105
00:03:54,468 --> 00:03:56,036
- ACTUALLY, I CAN'T THINK
OF ANYTHING I WANT LESS.
106
00:03:56,036 --> 00:03:57,538
- IT'S TOTALLY
INAPPROPRIATE.
107
00:03:57,538 --> 00:03:59,307
I REFUSE TO WRITE
ABOUT SLUTTING IT UP.
108
00:03:59,307 --> 00:04:00,708
- I BELIEVE I SAID
"FIRST ANYTHING."
109
00:04:00,708 --> 00:04:02,976
- YEAH, BUT SO FAR,
YOU'VE ONLY GIVEN GOOD GRADES
110
00:04:02,976 --> 00:04:05,446
FOR PERVY PORN, WHICH
I'M PRETTY SURE IS ILLEGAL,
111
00:04:05,446 --> 00:04:07,415
SINCE WE'RE UNDERAGE.
- FIRST OFF,
112
00:04:07,415 --> 00:04:09,317
I'D RATHER PUT A HOT POKER
TO MY BALLS
113
00:04:09,317 --> 00:04:11,319
THAN READ ABOUT YOUR
PUBESCENT FUMBLINGS,
114
00:04:11,319 --> 00:04:14,822
AND SECONDLY, I HAVE
AN AMPLE SUPPLY OF PERVY PORN.
115
00:04:14,822 --> 00:04:15,956
THANK YOU.
116
00:04:15,956 --> 00:04:18,058
- YOU'RE NOT WELCOME.
- MISS SAXTON,
117
00:04:18,058 --> 00:04:20,328
I DON'T GIVE A CRAP HOW YOU LOST
YOUR PRECIOUS FLOWER.
118
00:04:20,328 --> 00:04:22,930
I JUST WANT TO KNOW
ABOUT THE FIRST TIME YOU DID
119
00:04:22,930 --> 00:04:25,433
OR FELT SOMETHING THAT MOVED YOU
OR RIPPED YOU APART.
120
00:04:25,433 --> 00:04:26,500
DON'T THINK.
121
00:04:26,500 --> 00:04:29,503
WHAT FIRST
ABSOLUTELY DESTROYED YOU?
122
00:04:29,503 --> 00:04:31,439
- THE FIRST TIME
I SHOPPED RETAIL.
123
00:04:31,439 --> 00:04:34,675
- THERE YOU GO.
THERE YOU GO.
124
00:04:38,346 --> 00:04:39,980
- I KNOW WHY YOU DIDN'T WANT ME
AT YOUR READING.
125
00:04:39,980 --> 00:04:42,350
IT'S BECAUSE YOU READ A STORY
ABOUT US DOING IT.
126
00:04:42,350 --> 00:04:43,584
- NOTHING YOU HAVEN'T
READ BEFORE.
127
00:04:43,584 --> 00:04:45,986
JUST THE BLOG ENTRY
ABOUT US IN THE CLOSET.
128
00:04:45,986 --> 00:04:48,121
- I NEVER READ YOUR BLOG.
129
00:04:48,121 --> 00:04:50,624
- WELL, THEN YOU'RE
THE ONLY ONE WHO HASN'T.
130
00:04:50,624 --> 00:04:51,625
DO YOU WANT TO READ IT?
131
00:04:51,625 --> 00:04:52,793
- I DON'T NEED TO.
132
00:04:52,793 --> 00:04:55,262
WE SHARE THAT MEMORY,
REMEMBER?
133
00:04:55,262 --> 00:04:56,530
IT'S ALREADY IN MY HEAD.
134
00:04:56,530 --> 00:04:57,965
- I HAD NO RIGHT
TO BE OFFENDED
135
00:04:57,965 --> 00:05:00,368
THAT HE HADN'T READ MY BLOG,
BUT I WAS.
136
00:05:00,368 --> 00:05:03,036
WHILE MATTY HAD NEVER SHOWN
ANY INTEREST IN MY WRITING,
137
00:05:03,036 --> 00:05:04,872
COLLIN--
A VIRTUAL STRANGER--
138
00:05:04,872 --> 00:05:09,009
HAD GONE OUT OF HIS WAY
TO HEAR THE UNPLUGGED VERSION.
139
00:05:09,009 --> 00:05:11,845
- HENRY!
STOP RUNNING AWAY FROM ME!
140
00:05:11,845 --> 00:05:14,582
WHAT IS YOUR DEAL?
UGH--WHOA!
141
00:05:14,582 --> 00:05:16,717
JEEZ,
WHERE DID YOU COME FROM?
142
00:05:16,717 --> 00:05:18,118
- THE WHERE IS NOT AS IMPORTANT
AS THE WHO.
143
00:05:18,118 --> 00:05:19,853
- OKAY, THEN WHO?
144
00:05:19,853 --> 00:05:21,121
- FRED WU.
- FRED WHO?
145
00:05:21,121 --> 00:05:23,691
- FRED WU.
- OH, FRED WU.
146
00:05:23,691 --> 00:05:25,993
DOESN'T RING A BELL.
- LET ME RING IT FOR YOU.
147
00:05:25,993 --> 00:05:28,261
YOUR BEARD HAS BEEN SHAVED.
148
00:05:28,261 --> 00:05:30,063
DING DING.
149
00:05:30,063 --> 00:05:33,401
I KNEW IT WAS YOU.
MING FEI YEN HUANG.
150
00:05:39,807 --> 00:05:41,975
- WHAT THE HELL WAS THAT?
151
00:05:41,975 --> 00:05:44,111
- THE KISS OF DEATH!
- [gasps]
152
00:05:44,111 --> 00:05:45,979
BECCA FOUND OUT
YOU'VE BEEN SEEING FRED?
153
00:05:45,979 --> 00:05:47,948
- I DON'T KNOW WHEN
I'LL EVER SEE YOU AGAIN,
154
00:05:47,948 --> 00:05:50,884
SO IF I DON'T,
JUST KNOW I LOVE YOU.
155
00:05:53,053 --> 00:05:55,456
I'M SO DEAD.
156
00:05:55,456 --> 00:05:57,057
- AND SO WAS MY MUSE,
157
00:05:57,057 --> 00:05:59,126
OR AT LEAST SHE WAS
TAKING THE NIGHT OFF.
158
00:05:59,126 --> 00:06:01,429
WHILE THE REAL VERSION
OF MY FIRST TIME WITH MATTY
159
00:06:01,429 --> 00:06:03,096
HAD ALMOST WRITTEN ITSELF,
160
00:06:03,096 --> 00:06:07,334
THE FANTASY VERSION
WAS PLAYING HARD TO GET.
161
00:06:07,334 --> 00:06:08,969
"THERE WERE A LOT OF THINGS
I WANTED TO FORGET
162
00:06:08,969 --> 00:06:11,238
"ABOUT MY 15th YEAR
ON THE PLANET,
163
00:06:11,238 --> 00:06:14,542
"BUT MY SUMMER AT CAMP POOKAH
WASN'T ONE OF THEM.
164
00:06:14,542 --> 00:06:15,843
[romantic pop music]
165
00:06:15,843 --> 00:06:18,879
"THE FIRST TIME I WAS ALONE
WITH MATTY MCKIBBEN,
166
00:06:18,879 --> 00:06:22,750
A GOD AMONG BOYS,
HE TOOK MY BREATH AWAY."
167
00:06:22,750 --> 00:06:25,453
*
168
00:06:25,453 --> 00:06:29,457
- * I CAN'T TAKE ANO-- *
169
00:06:29,457 --> 00:06:31,324
[music stops]
170
00:06:37,465 --> 00:06:40,200
"COLLIN HAD NOT ONLY
INFILTRATED MY SEX LIFE,
171
00:06:40,200 --> 00:06:43,737
"HE WAS MAKING GUEST APPEARANCES
IN MY LITERARY ONE AS WELL.
172
00:06:43,737 --> 00:06:46,206
"BUT THERE WAS NO WAY THAT DUDE
WAS GONNA PLAY MY MUSE
173
00:06:46,206 --> 00:06:49,109
"WHEN I HAD A PERFECTLY HOT
BOYFRIEND TO GET THE JOB DONE.
174
00:06:49,109 --> 00:06:51,912
"SO WHY WASN'T HE HOLDING UP
HIS END OF THE BARGAIN?
175
00:06:51,912 --> 00:06:53,714
"I HAD SPENT EVERY MINUTE
OF THAT SUMMER
176
00:06:53,714 --> 00:06:55,115
"DAYDREAMING ABOUT MATTY
177
00:06:55,115 --> 00:06:57,751
BUT COULDN'T CONJURE UP
A SINGLE FREAKIN' FANTASY."
178
00:06:57,751 --> 00:06:59,219
*
179
00:06:59,219 --> 00:07:02,322
- * OF BROKEN PLANS
TO START A CRAZE *
180
00:07:02,322 --> 00:07:03,991
* ALL THESE
HALF-HEARTED ESSAYS *
181
00:07:03,991 --> 00:07:06,494
- "THIS ASSIGNMENT BLOWS."
182
00:07:06,494 --> 00:07:09,697
- * TIRED LINES
THAT DON'T WORK OUT *
183
00:07:09,697 --> 00:07:11,398
- THERE WAS ONLY
ONE SUREFIRE WAY
184
00:07:11,398 --> 00:07:13,501
TO COMBAT WRITER'S BLOCK:
185
00:07:13,501 --> 00:07:15,302
IGNORE IT,
TRUSTING THAT DAYLIGHT
186
00:07:15,302 --> 00:07:18,238
WAS GOING TO BRING
INSPIRATION.
187
00:07:20,373 --> 00:07:23,310
- * STILL GLUED
TO THE BACK NOW *
188
00:07:25,846 --> 00:07:27,314
- YOU STILL WRITING
THAT PAPER?
189
00:07:27,314 --> 00:07:29,149
- "STILL WRITING" WOULD IMPLY
THAT I'VE STARTED.
190
00:07:29,149 --> 00:07:30,217
- SO TAKE A BREAK.
191
00:07:30,217 --> 00:07:33,353
- I CAN'T UNTIL I START
THIS DAMN THING.
192
00:07:33,353 --> 00:07:34,922
- OH, I BET
WE CAN GET IT STARTED.
193
00:07:34,922 --> 00:07:35,923
HUH?
194
00:07:35,923 --> 00:07:37,525
I CAN GIVE YOU SOMETHING
TO WRITE ABOUT.
195
00:07:37,525 --> 00:07:40,528
- I WON'T BE ABLE TO CONCENTRATE
UNTIL I GET SOME WRITING DONE.
196
00:07:40,528 --> 00:07:43,396
- YOU CALL ME
IF YOU NEED INSPIRATION.
197
00:07:46,600 --> 00:07:50,804
- I SEE
YOU'RE ON THE WRITER'S DIET.
198
00:07:50,804 --> 00:07:52,105
WHEN HE WROTE,
199
00:07:52,105 --> 00:07:54,207
F. SCOTT FITZGERALD
TOOK FUDGE AND COFFEE BREAKS.
200
00:07:54,207 --> 00:07:55,242
- WELL, THEN THAT'S
THE ONLY THING
201
00:07:55,242 --> 00:07:56,710
FITZGERALD AND I
HAVE IN COMMON,
202
00:07:56,710 --> 00:07:58,679
BECAUSE I'VE BEEN STARING
AT A BLANK PAGE FOR TWO DAYS.
203
00:07:58,679 --> 00:08:00,047
- YOU WERE ON FIRE
AT THE READING.
204
00:08:00,047 --> 00:08:03,016
JUST TAKE WHAT YOU WROTE
AND MAKE IT SEXY.
205
00:08:03,016 --> 00:08:04,918
- I'M TRYING TO, BUT I CAN
ONLY REMEMBER THE REAL THING.
206
00:08:04,918 --> 00:08:06,820
THAT'S THE IMAGE
THAT'S STUCK IN MY HEAD.
207
00:08:06,820 --> 00:08:08,789
- SO LET IT GO.
208
00:08:08,789 --> 00:08:11,091
CLOSE YOUR EYES.
209
00:08:11,091 --> 00:08:13,594
OR DON'T.
210
00:08:13,594 --> 00:08:16,630
THINK BACK TO WHAT IT WAS LIKE
BEFORE MATTY KISSED YOU,
211
00:08:16,630 --> 00:08:19,232
OR THE FIRST TIME
HE TOUCHED YOU.
212
00:08:19,232 --> 00:08:20,233
[dreamy music]
213
00:08:20,233 --> 00:08:21,769
BEFORE YOU KNEW
ANYTHING ABOUT HIM,
214
00:08:21,769 --> 00:08:26,006
YOU HAD MEMORIZED HIS SMILE,
THE COLOR OF HIS EYES,
215
00:08:26,006 --> 00:08:29,476
HOW HE ALWAYS SMELLED
OF CHLORINE AND SUNSCREEN--
216
00:08:29,476 --> 00:08:33,914
OF SUMMER--AND WHEN
HE FINALLY LOOKED AT YOU,
217
00:08:33,914 --> 00:08:36,817
YOU COULD LIVE
OFF THAT SMILE FOR A WEEK.
218
00:08:36,817 --> 00:08:38,786
BUT NOTHING
COULD COMPARE
219
00:08:38,786 --> 00:08:41,488
TO THE FIRST TIME
HE TOUCHED YOU.
220
00:08:41,488 --> 00:08:44,157
IT WAS LIKE YOU WERE
THE ONLY TWO PEOPLE ON EARTH,
221
00:08:44,157 --> 00:08:45,826
AND YOU COULDN'T STAND
THE THOUGHT
222
00:08:45,826 --> 00:08:50,297
OF EVER BEING AWAY
FROM HIM AGAIN.
223
00:08:50,297 --> 00:08:51,298
SEE?
224
00:08:51,298 --> 00:08:52,600
[music stops abruptly]
225
00:08:52,600 --> 00:08:54,768
YOU GOT THIS.
[chuckles]
226
00:08:59,506 --> 00:09:01,975
[dreamy music starts]
227
00:09:01,975 --> 00:09:04,011
- "THE ESPRESSO MACHINE
WHIRRED UNDER HIS VOICE,
228
00:09:04,011 --> 00:09:05,913
"MAKING IT HARD TO HEAR
WHAT COLLIN--
229
00:09:05,913 --> 00:09:07,080
[music restarts]
230
00:09:07,080 --> 00:09:09,817
"MAKING IT HARD TO HEAR
WHAT HE WAS SAYING,
231
00:09:09,817 --> 00:09:13,621
BUT THE WORDS DIDN'T MATTER,
BECAUSE THEY WERE MEANT FOR ME."
232
00:09:16,389 --> 00:09:17,390
- HEY.
233
00:09:17,390 --> 00:09:18,659
HOW'S THE PAPER COMING?
234
00:09:18,659 --> 00:09:20,393
- ALL DONE.
TURNED IT IN YESTERDAY.
235
00:09:20,393 --> 00:09:22,095
- AWESOME.
- AND I'M GUESSING
236
00:09:22,095 --> 00:09:23,631
YOU DON'T WANT TO READ
THE NEW VERSION EITHER?
237
00:09:23,631 --> 00:09:26,433
MATTY SAID HE WASN'T INTERESTED,
SO WHY DID I HAVE
238
00:09:26,433 --> 00:09:28,368
THIS OVERWHELMING URGE
TO CONFESS?
239
00:09:28,368 --> 00:09:29,937
AND WHAT WOULD I CONFESS?
240
00:09:29,937 --> 00:09:32,640
I HAD A ONE-NIGHT STAND
WITH THE PAGE?
241
00:09:33,974 --> 00:09:35,308
- [whispering] MING.
242
00:09:35,308 --> 00:09:37,544
- WE SHOULDN'T BE MEETING
ON SCHOOL GROUNDS.
243
00:09:37,544 --> 00:09:39,446
HELLO KITTY MIGHT SEE US.
- WE'RE SAFE HERE.
244
00:09:39,446 --> 00:09:42,082
THIS SANCTUARY'S TOO DIRTY
FOR BECCA'S PORCELAIN SKIN.
245
00:09:42,082 --> 00:09:44,652
- DOESN'T MATTER ANYWAY.
SHE KNOWS ABOUT US.
246
00:09:44,652 --> 00:09:45,919
- IT'S THE LAST PIECE
OF THE PUZZLE.
247
00:09:45,919 --> 00:09:47,420
I KNEW THE BITCH
HAD POWER.
248
00:09:47,420 --> 00:09:48,756
I JUST DIDN'T KNOW
IT WAS SO FAR-REACHING.
249
00:09:48,756 --> 00:09:50,023
- NOW WHAT DID SHE DO?
250
00:09:50,023 --> 00:09:52,025
- THERE WAS A CHEATING SCANDAL
AT MY NEW SCHOOL.
251
00:09:52,025 --> 00:09:53,393
GUESS WHO WAS FRAMED FOR IT.
252
00:09:53,393 --> 00:09:54,928
- BITCH!
253
00:09:54,928 --> 00:09:56,063
- I'M BEING SENT TO IDAHO.
254
00:09:56,063 --> 00:09:57,731
- IDAHO? NO!
255
00:09:57,731 --> 00:09:59,266
- YES.
- WHAT'S IN IDAHO?
256
00:09:59,266 --> 00:10:01,568
- I DON'T KNOW, MING.
I DON'T KNOW!
257
00:10:01,568 --> 00:10:03,937
ACTUALLY, SOME COUSINS.
258
00:10:03,937 --> 00:10:05,806
PROMISE ME
YOU'LL BE CAREFUL.
259
00:10:05,806 --> 00:10:10,443
- IT'S TOO LATE FOR ME TOO.
BECCA GAVE ME THE JUDAS KISS.
260
00:10:10,443 --> 00:10:11,912
- DAMN THAT BECCA.
DAMN HER TO HELL!
261
00:10:11,912 --> 00:10:13,413
- [whimpers]
262
00:10:17,751 --> 00:10:20,153
- COME WITH ME.
263
00:10:20,153 --> 00:10:24,124
- I'D RATHER TAKE MY CHANCES
WITH BECCA THAN MOVE TO IDAHO.
264
00:10:24,124 --> 00:10:26,827
- I'M A TRUANT, MING,
A FELON,
265
00:10:26,827 --> 00:10:29,730
LIVING OUTSIDE THE LAW.
266
00:10:29,730 --> 00:10:33,000
IF I NEVER SEE YOU AGAIN,
YOU SHOULD KNOW...
267
00:10:33,000 --> 00:10:34,234
I LOVE YOU.
268
00:10:34,234 --> 00:10:36,469
- I LOVE YOU TOO.
269
00:10:36,469 --> 00:10:39,873
- * WE WOULD FALL
270
00:10:39,873 --> 00:10:44,477
* BUT NOT IN LOVE
271
00:10:44,477 --> 00:10:47,981
*
272
00:10:47,981 --> 00:10:50,050
- EVERYTHING WAS
STATUS QUO.
273
00:10:50,050 --> 00:10:53,420
MY PAPER WAS DONE, AND
SO WAS MY LITERARY OBSESSION.
274
00:10:53,420 --> 00:10:55,155
SOME WRITERS HAD TO DRINK
OR DO DRUGS
275
00:10:55,155 --> 00:10:56,890
TO GET THE JUICES FLOWING.
276
00:10:56,890 --> 00:10:59,492
I GOT INSPIRATION
FROM ANOTHER SOURCE.
277
00:10:59,492 --> 00:11:01,428
- THE FIRST TIME
YOU GOT PROBED BY ALIENS.
278
00:11:01,428 --> 00:11:03,130
- WHAT?
IT TOTALLY HAPPENED.
279
00:11:03,130 --> 00:11:04,597
- OH, I HAVE NO DOUBT.
WHAT I DON'T KNOW
280
00:11:04,597 --> 00:11:06,399
IS WHAT TRANSPIRED FROM THE TIME
THAT YOU SAW THE LIGHT
281
00:11:06,399 --> 00:11:09,436
UNTIL AFTER YOU GOT PROBED.
282
00:11:09,436 --> 00:11:11,571
EQUATING SHOPPING RETAIL
TO PRISON RAPE.
283
00:11:11,571 --> 00:11:12,740
WOW, THAT WAS
A BIT MUCH,
284
00:11:12,740 --> 00:11:14,607
BUT A MARKED IMPROVEMENT
OVER YOUR OTHER PAPERS.
285
00:11:14,607 --> 00:11:17,244
KEEP UP THE GOOD WORK,
SADIE.
286
00:11:17,244 --> 00:11:19,346
OH, THIS IS GOOD.
287
00:11:19,346 --> 00:11:21,181
"WHEN I CARELESSLY COVERED
MY LIPS,
288
00:11:21,181 --> 00:11:23,583
"BURNED RAW
FROM THE SCALDING TEA,
289
00:11:23,583 --> 00:11:25,853
"HE REACHED
INTO HIS ICED MOCHA
290
00:11:25,853 --> 00:11:28,255
"AND FISHED OUT
A FEW PATHETIC CUBES,
291
00:11:28,255 --> 00:11:31,491
"BUT IT WASN'T THE ICE HE USED
TO NUMB MY PAIN.
292
00:11:31,491 --> 00:11:32,993
"IT WAS HIS KISS.
293
00:11:32,993 --> 00:11:34,995
THE FIRST KISS--"
294
00:11:34,995 --> 00:11:37,831
I'D READ ON, BUT I DON'T WANT
KYLE'S HEAD TO EXPLODE HERE.
295
00:11:37,831 --> 00:11:40,267
MISS HAMILTON, YOU WERE
SUPPOSED TO WRITE THE FANTASY.
296
00:11:40,267 --> 00:11:41,401
- IT WAS MY TURN
TO GET CALLED OUT.
297
00:11:41,401 --> 00:11:43,636
MR. HART HAD
A BUILT-IN B.S. DETECTOR.
298
00:11:43,636 --> 00:11:45,773
HE KNEW IT WASN'T
A REDO OF THE ORIGINAL.
299
00:11:45,773 --> 00:11:47,307
- BUT THIS FEELS REAL.
300
00:11:47,307 --> 00:11:49,276
MAYBE THE STORY WASN'T REAL,
BUT THE CHEMISTRY YOU CREATED
301
00:11:49,276 --> 00:11:51,779
BETWEEN THOSE TWO
ARGUABLY PRECIOUS CHARACTERS
302
00:11:51,779 --> 00:11:53,646
WAS PALPABLE.
303
00:11:53,646 --> 00:11:55,582
- I WAS CONVINCED
MY COLLIN OBSESSION
304
00:11:55,582 --> 00:11:58,651
WASN'T A THREAT
TO MY RELATIONSHIP,
305
00:11:58,651 --> 00:12:01,822
BUT IF IT FELT REAL ON PAPER,
MAYBE IT WAS REAL OFF OF IT.
306
00:12:01,822 --> 00:12:04,191
- YOU'RE MAKING THE REST OF US
LOOK BAD.
307
00:12:04,191 --> 00:12:09,029
OH, YOU GOT AN EYELASH.
308
00:12:09,029 --> 00:12:10,197
MAKE A WISH.
309
00:12:10,197 --> 00:12:12,132
- I WISHED WHAT WAS HAPPENING
WASN'T.
310
00:12:12,132 --> 00:12:14,601
I HAD TAKEN ALL THE BLAME
FOR THE SEXY MOVIES IN MY HEAD,
311
00:12:14,601 --> 00:12:17,370
BUT IT TURNS OUT MY FANTASIES
WEREN'T JUST ONE-SIDED.
312
00:12:17,370 --> 00:12:19,539
COLLIN WAS EGGING IT ON.
313
00:12:19,539 --> 00:12:22,409
HE WAS THE ONE WHO HAD
OPENED UP PANDORA'S BOX, NOT ME.
314
00:12:22,409 --> 00:12:24,111
I HAD NO IDEA
WHO PANDORA WAS,
315
00:12:24,111 --> 00:12:25,879
BUT HER BOX
NEEDED TO STAY CLOSED
316
00:12:25,879 --> 00:12:27,580
SO NOBODY ELSE'S BOX
WOULD OPEN.
317
00:12:27,580 --> 00:12:28,581
[bell ringing]
318
00:12:28,581 --> 00:12:30,717
- WHAT'D YOU WISH FOR?
319
00:12:30,717 --> 00:12:31,919
- I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
320
00:12:31,919 --> 00:12:33,553
- I THINK YOU DO.
- NOPE.
321
00:12:33,553 --> 00:12:35,155
- I'M TALKING ABOUT YOUR STORY
THAT OBVIOUSLY TOOK PLACE
322
00:12:35,155 --> 00:12:36,156
AT THE COFFEEHOUSE,
323
00:12:36,156 --> 00:12:37,925
THE LUST,
THE EYELASH BLOWING.
324
00:12:37,925 --> 00:12:40,393
THAT PAPER WASN'T ABOUT YOUR
FIRST TIME WITH MATTY.
325
00:12:40,393 --> 00:12:43,230
IT WAS ABOUT WHAT YOU WANT YOUR
FIRST TIME WITH COLLIN TO BE.
326
00:12:43,230 --> 00:12:44,832
- IT'S FICTION.
I DIDN'T DO ANYTHING.
327
00:12:44,832 --> 00:12:45,833
- I NEVER SAID YOU DID.
328
00:12:45,833 --> 00:12:49,336
BUT NOW I KNOW
YOU WANTED TO.
329
00:12:49,336 --> 00:12:50,603
AND I'M GOING TO TELL.
330
00:12:50,603 --> 00:12:53,273
- WHO ARE YOU GONNA TELL?
- WHO DO YOU THINK?
331
00:12:53,273 --> 00:12:55,475
- DON'T TELL.
- OH, I'M GOING TO.
332
00:12:55,475 --> 00:12:56,743
- I'M GONNA GET THERE FIRST.
- I DOUBT IT.
333
00:12:56,743 --> 00:12:58,445
I HAVE LONGER LEGS.
334
00:12:58,445 --> 00:13:00,147
- WHAT IS GOING ON?
335
00:13:00,147 --> 00:13:01,548
- JENNA HAS SOMETHING
TO TELL YOU.
336
00:13:01,548 --> 00:13:04,417
- WHAT IS IT?
- I, UH...
337
00:13:04,417 --> 00:13:05,853
GOT AN "A" ON MY PAPER.
338
00:13:05,853 --> 00:13:07,587
MM!
339
00:13:07,587 --> 00:13:09,756
YEAH!
340
00:13:09,756 --> 00:13:11,591
- WEIRD.
341
00:13:11,591 --> 00:13:12,860
- I'M WORRIED THIS COLLIN THING
MIGHT BE MORE
342
00:13:12,860 --> 00:13:14,561
THAN JUST A FANTASY.
343
00:13:14,561 --> 00:13:16,229
I THINK I MIGHT HAVE
ACTUAL FEELINGS FOR HIM.
344
00:13:16,229 --> 00:13:18,131
- DON'T PUT THOSE THOUGHTS
OUT IN THE UNIVERSE.
345
00:13:18,131 --> 00:13:20,267
LAST TIME I DID THAT,
A GUY ENDED UP DEAD.
346
00:13:20,267 --> 00:13:22,535
WAIT, YOU DON'T WANT TO ACT
ON THOSE FEELINGS, DO YOU?
347
00:13:22,535 --> 00:13:23,670
PLEASE SAY NO.
348
00:13:23,670 --> 00:13:25,172
- NO?
349
00:13:25,172 --> 00:13:26,373
- YOU HAVE EVERYTHING
YOU EVER WANTED.
350
00:13:26,373 --> 00:13:27,774
WHY ARE YOU TRYING
TO SABOTAGE IT?
351
00:13:27,774 --> 00:13:29,509
- I DON'T KNOW.
352
00:13:29,509 --> 00:13:31,211
- A FANTASY IS JUST THAT.
353
00:13:31,211 --> 00:13:32,779
AND IT'S NEVER AS GOOD
AS THE REALITY.
354
00:13:32,779 --> 00:13:35,048
NIALL FROM ONE DIRECTION AND I
ARE SOUL MATES,
355
00:13:35,048 --> 00:13:36,449
AND HE DOESN'T EVEN
KNOW ME.
356
00:13:36,449 --> 00:13:37,750
MY AUTOGRAPHED PIC OF HIM,
357
00:13:37,750 --> 00:13:39,586
THE ONE OF HIM STANDING
ON THE DIVING BOARD IN A TUX,
358
00:13:39,586 --> 00:13:41,088
I BET HE DIDN'T EVEN SIGN IT.
359
00:13:41,088 --> 00:13:42,890
MY POINT IS, YOU NEED TO END
THIS FLIRTATIONSHIP
360
00:13:42,890 --> 00:13:44,624
Y'ASAP.
361
00:13:44,624 --> 00:13:45,893
"YESTERDAY AS SOON AS POSSIBLE."
362
00:13:45,893 --> 00:13:47,928
JENNA, YOUR RELATIONSHIP
IS A HOUSE OF CARDS.
363
00:13:47,928 --> 00:13:49,562
DON'T OPEN THE DOOR
FOR A BREEZE.
364
00:13:49,562 --> 00:13:51,231
- I AM NOT THE ONE
OPENING THE DOOR.
365
00:13:51,231 --> 00:13:52,933
COLLIN IS.
HE'S THE ONE SQUEEZING MY ARM
366
00:13:52,933 --> 00:13:54,601
AND PULLING EYELASHES
OFF OF MY FACE.
367
00:13:54,601 --> 00:13:55,768
- YOU HAVE TO TALK TO HIM.
368
00:13:55,768 --> 00:13:57,804
- MATTY?
- NO, COLLIN.
369
00:13:57,804 --> 00:14:00,140
- HE IS NOT A CHEATER.
370
00:14:00,140 --> 00:14:01,508
- WHO?
- MATTY.
371
00:14:01,508 --> 00:14:02,976
- NO, FRED.
- FRED WHO?
372
00:14:02,976 --> 00:14:04,344
- FRED WU.
373
00:14:04,344 --> 00:14:06,914
HE'S GOING AWAY FOR GOOD,
THANKS TO BECCA.
374
00:14:06,914 --> 00:14:09,282
IF IT TAKES
THE REST OF MY LIFE,
375
00:14:09,282 --> 00:14:12,119
I AM GOING TO TAKE
THAT [bleep] DOWN.
376
00:14:12,119 --> 00:14:14,754
[dramatic music]
377
00:14:14,754 --> 00:14:15,923
[growls]
378
00:14:15,923 --> 00:14:18,791
*
379
00:14:18,791 --> 00:14:19,993
I KNOW WHAT YOU DID,
380
00:14:19,993 --> 00:14:21,761
AND YOU'RE NOT GOING
TO GET AWAY WITH IT.
381
00:14:21,761 --> 00:14:23,496
- WHAT'S WRONG, MING MING?
382
00:14:23,496 --> 00:14:25,398
- YOU HAD FRED'S HOUSE
REDISTRICTED
383
00:14:25,398 --> 00:14:26,766
SO HE HAD TO TRANSFER SCHOOLS,
384
00:14:26,766 --> 00:14:28,001
AND THEN YOU FRAMED HIM
385
00:14:28,001 --> 00:14:29,702
SO HE HAS TO LEAVE
THE STATE!
386
00:14:29,702 --> 00:14:32,639
- IF THIS WAS A CHESS GAME,
AND IT IS,
387
00:14:32,639 --> 00:14:33,941
I'M THE GRANDMASTER,
388
00:14:33,941 --> 00:14:36,509
AND I JUST OPENED
WITH A SVESHNIKOV SICILIAN.
389
00:14:36,509 --> 00:14:39,612
REALITY IS,
MING FEI YEN HUANG,
390
00:14:39,612 --> 00:14:41,581
I WILL ALWAYS BE
FIVE MOVES AHEAD OF YOU,
391
00:14:41,581 --> 00:14:44,351
AND YOU WILL ALWAYS
GET CRUSHED.
392
00:14:44,351 --> 00:14:46,786
- YOU KNOW WHAT?
YOU'RE PROBABLY RIGHT.
393
00:14:46,786 --> 00:14:50,057
IN FACT, YOU'VE BEEN RIGHT
ABOUT ME ALL ALONG.
394
00:14:50,057 --> 00:14:52,792
I'M NOT ASIAN.
I'M WHITE.
395
00:14:52,792 --> 00:14:55,728
AND YOU KNOW HOW A WHITE BITCH
DEALS WITH AN ASIAN BITCH?
396
00:14:55,728 --> 00:14:57,965
SHE GETS IN HER FACE.
397
00:14:57,965 --> 00:14:59,166
- OOF!
398
00:14:59,166 --> 00:15:02,202
[crowd gasps]
399
00:15:02,202 --> 00:15:05,172
- GOOD-BYE, KITTY!
400
00:15:05,172 --> 00:15:06,406
- PUSHED TO HER LIMIT,
401
00:15:06,406 --> 00:15:08,541
MING HAD FINALLY GONE
FULL-ON BANANA PANTS.
402
00:15:08,541 --> 00:15:10,510
AND IT WAS INSPIRING.
403
00:15:10,510 --> 00:15:12,345
MAYBE I NEEDED TO HANDLE
MY PROBLEMS
404
00:15:12,345 --> 00:15:13,446
LIKE A WHITE BITCH TOO.
405
00:15:13,446 --> 00:15:15,248
IT'S NOT THAT I PLANNED
TO PUNCH COLLIN.
406
00:15:15,248 --> 00:15:16,583
I JUST WANTED TO GIVE
HIS CRUSH
407
00:15:16,583 --> 00:15:17,650
A SERIOUS BEAT-DOWN.
408
00:15:17,650 --> 00:15:19,419
AND NO MATTER HOW MUCH
HE PROTESTED,
409
00:15:19,419 --> 00:15:21,688
I WAS GOING TO PUT AN END
TO THE FLIRTATIONSHIP
410
00:15:21,688 --> 00:15:22,789
ONCE AND FOR ALL.
411
00:15:22,789 --> 00:15:25,658
[pop music]
412
00:15:25,658 --> 00:15:28,996
- * AS I LAY IN THERE
413
00:15:28,996 --> 00:15:30,263
* IN THE SHADOWS
414
00:15:30,263 --> 00:15:32,165
- WHICH TURNED OUT TO BE
MUCH EASIER THAN I THOUGHT
415
00:15:32,165 --> 00:15:34,401
BECAUSE IT WAS
ALL IN MY HEAD.
416
00:15:37,537 --> 00:15:38,738
- "WHILE GUILT HAD BEEN
THE FRONTRUNNER OF MY EMOTIONS,
417
00:15:38,738 --> 00:15:41,274
"IT WAS FORCED TO TAKE
A BACKSEAT TO REJECTION,
418
00:15:41,274 --> 00:15:43,310
"WITH ANGER IN HOT PURSUIT.
419
00:15:43,310 --> 00:15:45,012
"I WAS MAD AT MYSELF
FOR FEELING REJECTED,
420
00:15:45,012 --> 00:15:46,513
"WHICH BROUGHT ME
RIGHT BACK TO GUILT
421
00:15:46,513 --> 00:15:48,315
FOR HAVING THOSE FEELINGS
IN THE FIRST PLACE."
422
00:15:48,315 --> 00:15:49,416
[knock at door]
423
00:15:49,416 --> 00:15:51,184
- WHY WAS THIS PAPER
IN THE TRASH?
424
00:15:51,184 --> 00:15:54,021
AND WHY ARE YOU IN BED
AT 7:00?
425
00:15:54,021 --> 00:15:58,558
- BECAUSE I'M TIRED.
426
00:15:58,558 --> 00:15:59,926
- ARE WE HAVING
A FAMILY MEETING?
427
00:15:59,926 --> 00:16:02,095
- NO.
- OH, IT'S OKAY, JENNA.
428
00:16:02,095 --> 00:16:04,197
WE CAN HAVE ONE
WITHOUT YOU.
429
00:16:04,197 --> 00:16:07,067
LACE, I AM SO PROUD
OF OUR DAUGHTER.
430
00:16:07,067 --> 00:16:08,268
HAVE YOU SEEN THIS?
431
00:16:08,268 --> 00:16:11,138
- NOT ONLY HAVE I SEEN IT,
I'VE READ IT.
432
00:16:11,138 --> 00:16:12,772
I DUG IT
OUT OF THE TRASH,
433
00:16:12,772 --> 00:16:14,641
AND YOUR PAPER IS AWESOME.
434
00:16:14,641 --> 00:16:15,808
- NO, IT'S NOT.
435
00:16:15,808 --> 00:16:17,410
IT'S DISGUSTING
AND DESPICABLE
436
00:16:17,410 --> 00:16:19,046
AND ALMOST RUINED MY LIFE.
437
00:16:19,046 --> 00:16:21,048
- BUT YOU GOT AN "A."
- I DESERVED AN "F."
438
00:16:21,048 --> 00:16:23,250
THE PAPER WAS SUPPOSED TO BE
ABOUT MATTY, BUT IT--
439
00:16:23,250 --> 00:16:25,452
IT WAS ABOUT SOMEONE ELSE.
440
00:16:25,452 --> 00:16:26,453
- COLLIN?
- MOM!
441
00:16:26,453 --> 00:16:27,454
- WHO'S THAT?
442
00:16:27,454 --> 00:16:28,555
- THIS BOY SHE HAS
A CRUSH ON.
443
00:16:28,555 --> 00:16:29,556
- THERE'S NO CRIME
444
00:16:29,556 --> 00:16:31,058
IN HAVING A CRUSH, JENNA.
445
00:16:31,058 --> 00:16:32,125
- HE'S RIGHT.
446
00:16:32,125 --> 00:16:33,426
THE FANTASY HELPS SUSTAIN
THE REALITY.
447
00:16:33,426 --> 00:16:35,062
I DON'T KNOW WHERE
YOUR FATHER AND I WOULD BE
448
00:16:35,062 --> 00:16:36,463
WITHOUT OUR CELEBRITY
SANDWICHES.
449
00:16:36,463 --> 00:16:37,964
- YOUR WHAT?
- THE TOP TWO FAMOUS PEOPLE
450
00:16:37,964 --> 00:16:39,132
WE'D LIKE TO BE
IN THE MIDDLE OF.
451
00:16:39,132 --> 00:16:42,302
- MY BREAD IS CLIVE OWEN
AND RYAN GOSLING,
452
00:16:42,302 --> 00:16:44,071
AND YOUR FATHER'S
IS CHARLIZE THERON
453
00:16:44,071 --> 00:16:45,838
AND KRISTIN SCOTT THOMAS,
454
00:16:45,838 --> 00:16:47,207
WHO YOU MIGHT WANT
TO TRADE IN.
455
00:16:47,207 --> 00:16:48,675
SHE'S GETTING UP THERE.
456
00:16:48,675 --> 00:16:50,910
- WOULD YOU RATHER ME BEING
INTO SOMEONE JENNA'S AGE?
457
00:16:50,910 --> 00:16:52,812
- GOOD POINT.
- MM.
458
00:16:52,812 --> 00:16:53,946
- DOES THAT MEAN
YOU'LL STILL BE INTO ME
459
00:16:53,946 --> 00:16:55,382
WHEN MY BOOBS HIT THE FLOOR?
460
00:16:55,382 --> 00:16:56,983
- THOSE THINGS
AREN'T GOING ANYWHERE.
461
00:16:56,983 --> 00:16:59,586
AND I'LL ALWAYS BE
INTO YOU, WOMAN.
462
00:16:59,586 --> 00:17:01,621
MM.
- OKAY.
463
00:17:01,621 --> 00:17:02,955
FAMILY MEETING OVER.
NOT IN MY BED.
464
00:17:02,955 --> 00:17:04,957
NOT IN MY BED.
NOT IN MY BED. NO.
465
00:17:04,957 --> 00:17:07,294
- [giggling]
466
00:17:09,596 --> 00:17:11,098
- "APART FROM THE TRAUMA
OF BEING EXPOSED
467
00:17:11,098 --> 00:17:13,466
"TO MY PARENTS' MAKE-OUT SESH
AND CELEBRITY SUBS,
468
00:17:13,466 --> 00:17:15,902
"I HAD TO ADMIT,
I FELT RELIEVED.
469
00:17:15,902 --> 00:17:16,969
"AND NORMAL.
470
00:17:16,969 --> 00:17:18,471
"EVEN WITH OLD MARRIED COUPLES,
471
00:17:18,471 --> 00:17:21,408
HAVING FANTASIES
WAS A GIVEN."
472
00:17:21,408 --> 00:17:23,410
- SO I THOUGHT THAT WE
COULD GO OUT TONIGHT,
473
00:17:23,410 --> 00:17:24,444
NOW THAT YOU'RE
ALL DONE WRITING.
474
00:17:24,444 --> 00:17:26,113
- I HAD EXONERATED MYSELF,
475
00:17:26,113 --> 00:17:28,815
CLEARED MY NAME OF ANY CRIMES
OF MENTAL PASSION.
476
00:17:28,815 --> 00:17:32,119
BUT IT DIDN'T MEAN
SADIE WOULD.
477
00:17:32,119 --> 00:17:33,386
- WHAT'S GOING ON?
478
00:17:33,386 --> 00:17:35,655
- UH, IT'S GIRL SIGNAL
479
00:17:35,655 --> 00:17:38,024
FOR "YOUR MASCARA'S RUNNING."
480
00:17:38,024 --> 00:17:41,961
OH, GOTTA GO.
BETTER FIX IT. BYE.
481
00:17:41,961 --> 00:17:43,296
- ARE YOU TERRORIZING
MY GIRLFRIEND?
482
00:17:43,296 --> 00:17:46,633
- NO, JUST SAVORING
THE EROTIC WRITTEN WORD.
483
00:17:46,633 --> 00:17:48,668
YOU'VE READ
JENNA'S PAPER, RIGHT?
484
00:17:48,668 --> 00:17:50,470
- NO.
- INTERESTING!
485
00:17:50,470 --> 00:17:53,273
I WONDER WHY THAT IS.
486
00:17:53,273 --> 00:17:54,741
- I DON'T KNOW WHAT YOU'RE
TRYING TO START HERE, SADE,
487
00:17:54,741 --> 00:17:56,176
BUT LEAVE JENNA ALONE, OKAY?
488
00:17:56,176 --> 00:17:57,577
- IF YOU HAD READ THE PAPER,
YOU WOULD KNOW
489
00:17:57,577 --> 00:18:01,548
THAT I'M NOT THE ONE
YOU SHOULD BE LASHING OUT AT.
490
00:18:01,548 --> 00:18:03,015
- THE RUMORS
HAVE BEEN SWIRLING
491
00:18:03,015 --> 00:18:04,284
ABOUT YESTERDAY'S FIGHT,
492
00:18:04,284 --> 00:18:06,686
BUT I WANTED TO HEAR IT
FROM THE HORSE'S MOUTH.
493
00:18:06,686 --> 00:18:08,155
IN DETAIL.
494
00:18:08,155 --> 00:18:09,956
IT'S BEEN A WHILE SINCE WE'VE
HAD A GOOD BITCH BRAWL.
495
00:18:09,956 --> 00:18:11,291
- EVEN THOUGHT FIGHTING
ON SCHOOL GROUNDS
496
00:18:11,291 --> 00:18:12,392
IS PUNISHABLE BY EXPULSION
497
00:18:12,392 --> 00:18:13,793
AND A LONG STINT
IN JUVEY,
498
00:18:13,793 --> 00:18:16,296
SHE CHOSE TO PUNCH ME
IN THE FACE,
499
00:18:16,296 --> 00:18:18,365
UNPROVOKED.
500
00:18:18,365 --> 00:18:22,068
MY DOCTOR SAYS I HAVE
A DETACHED RETINA.
501
00:18:22,068 --> 00:18:24,070
WOULD YOU LIKE TO SEE
A NOTE, MS. MARKS?
502
00:18:24,070 --> 00:18:25,405
- NAH, I ONLY READ
ON MY KINDLE NOW.
503
00:18:25,405 --> 00:18:27,240
- SHE'S LYING.
504
00:18:27,240 --> 00:18:28,308
FOR THE PAST SEVERAL MONTHS,
505
00:18:28,308 --> 00:18:29,842
SHE HAS MADE IT
HER PERSONAL MISSION
506
00:18:29,842 --> 00:18:31,644
TO RUIN MY LIFE.
507
00:18:31,644 --> 00:18:33,813
- POOR THING'S SUFFERING
FROM DEMENTIA.
508
00:18:33,813 --> 00:18:36,549
I'M A QUIET GIRL
FROM A NICE ASIAN FAMILY.
509
00:18:36,549 --> 00:18:38,618
I DON'T EVEN OWN
A PAIR OF HIGH HEELS
510
00:18:38,618 --> 00:18:39,786
OR A CELLULAR PHONE.
511
00:18:39,786 --> 00:18:41,454
- CELL.
NO ONE SAYS "CELLULAR".
512
00:18:41,454 --> 00:18:44,191
- SHE DOESN'T NEED
A CELL PHONE.
513
00:18:44,191 --> 00:18:46,193
SHE HAS TELEPATHIC POWERS.
514
00:18:46,193 --> 00:18:48,261
- SOUNDS LIKE YOU THINK
BECCA'S MAGIC.
515
00:18:48,261 --> 00:18:49,596
YOU CALLING HER A WITCH?
516
00:18:49,596 --> 00:18:51,864
- AMONG OTHER THINGS.
- [whimpers]
517
00:18:51,864 --> 00:18:53,966
THAT HURTS MY HEART.
[sniffles]
518
00:18:53,966 --> 00:18:55,268
- JUST GO AHEAD AND EXPEL ME.
519
00:18:55,268 --> 00:18:57,204
BUST OUT THE PAPERWORK.
I'LL SIGN IT.
520
00:18:57,204 --> 00:18:59,506
- WHY? I HAVE 32
NOTARIZED AFFIDAVITS
521
00:18:59,506 --> 00:19:01,308
SWEARING BECCA WALKED
INTO A DOOR.
522
00:19:01,308 --> 00:19:04,677
[dramatic drum roll]
523
00:19:04,677 --> 00:19:07,680
[heroic music]
524
00:19:07,680 --> 00:19:15,622
*
525
00:19:19,058 --> 00:19:22,829
- [screams]
526
00:19:22,829 --> 00:19:25,265
- I THOUGHT YOU'D BE THE ONE
WHO WAS IN TROUBLE, MING.
527
00:19:25,265 --> 00:19:26,733
- SO DID I!
528
00:19:26,733 --> 00:19:28,835
- MING DIDN'T HAVE TO LOOK
OVER HER SHOULDER ANYMORE,
529
00:19:28,835 --> 00:19:31,771
AND I DIDN'T WANT TO HAVE
TO LOOK OVER MINE.
530
00:19:33,973 --> 00:19:37,477
YOU NEED TO READ THIS.
531
00:19:37,477 --> 00:19:39,379
- YOU SURE?
- "I WAS RELIEVED.
532
00:19:39,379 --> 00:19:40,913
"FOR ABOUT 30 MINUTES.
533
00:19:40,913 --> 00:19:43,516
"AND IT HAD BEEN THREE HOURS
SINCE I GAVE MATTY MY PAPER.
534
00:19:43,516 --> 00:19:45,685
"SURE, HE WAS A SLOW READER,
BUT NOT THAT SLOW.
535
00:19:45,685 --> 00:19:46,853
"IT WAS FINE.
536
00:19:46,853 --> 00:19:48,621
"THERE WERE NO NAMES,
NO SPECIFICS,
537
00:19:48,621 --> 00:19:50,056
"AND NO WAY ANYONE
COULD FIGURE OUT
538
00:19:50,056 --> 00:19:51,891
"IT WAS ABOUT COLLIN.
539
00:19:51,891 --> 00:19:55,428
MATTY WOULD NEVER KNOW."
[phone vibrates]
540
00:19:55,428 --> 00:19:56,596
[beep]
HI.
541
00:19:56,596 --> 00:19:58,365
- I READ YOUR PAPER.
542
00:19:58,365 --> 00:20:01,734
YOU NEED TO COME OVER.
NOW.
543
00:20:01,734 --> 00:20:03,102
- HE KNOWS.
544
00:20:03,102 --> 00:20:05,004
[ominous music]
545
00:20:08,040 --> 00:20:09,409
- YOUR PAPER.
- I KNOW IT WAS UNSETTLING,
546
00:20:09,409 --> 00:20:10,710
BUT IT WASN'T REAL.
547
00:20:10,710 --> 00:20:12,879
IT WAS JUST A MOMENTARY...
548
00:20:12,879 --> 00:20:14,547
LAPSE IN JUDGMENT.
549
00:20:14,547 --> 00:20:16,349
- IT WAS HOT.
550
00:20:16,349 --> 00:20:19,419
I KNOW IT DIDN'T
REALLY HAPPEN THAT WAY.
551
00:20:19,419 --> 00:20:21,488
BUT IT CAN.
552
00:20:21,488 --> 00:20:23,890
- IT DIDN'T MATTER THAT MY STORY
WAS ABOUT SOMEONE ELSE
553
00:20:23,890 --> 00:20:26,659
BECAUSE MY FANTASY
HAD JUMPED OFF THE PAGE.
554
00:20:26,659 --> 00:20:29,462
MATTY MCKIBBEN
WAS THE REAL DEAL.
555
00:20:29,462 --> 00:20:33,400
AND FINALLY, I COULD GET BACK
TO MY BASICS...
556
00:20:33,400 --> 00:20:35,502
AND ONLY IMAGINE HIM.
557
00:20:39,272 --> 00:20:40,607
- NEXT ON AWKWARD...
COLLIN INVITED US
558
00:20:40,607 --> 00:20:41,974
TO A PARTY
FOR THAT PHOTOGRAPHER WE LIKED
559
00:20:41,974 --> 00:20:43,543
AT HIS GIRLFRIEND'S HOUSE.
560
00:20:43,543 --> 00:20:45,345
- BUT FRIDAY'S THE JULIES'
ANNUAL BLACK FRIDAY PARTY.
561
00:20:45,345 --> 00:20:46,913
- YOU'RE THROWING A PARTY
WITH THE JULIES?
562
00:20:46,913 --> 00:20:49,549
I'M SORRY. YOU'RE RIGHT.
I'M BEING SELFISH.
563
00:20:49,549 --> 00:20:51,017
- YOU'RE 16.
564
00:20:51,017 --> 00:20:53,586
IF THERE'S EVER A TIME
TO BE SELFISH, IT'S NOW.
565
00:20:53,586 --> 00:20:55,054
- WHERE'S JENNA?
- GOOD QUESTION.
566
00:20:55,054 --> 00:20:56,055
- PLEASE TELL ME
YOU'RE NOT GONNA LEAVE.
567
00:20:56,055 --> 00:20:56,989
- I'M NOT GOING ANYWHERE.
41623
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