Original subtitles

Did he eat his head?

- Did you notify my wife? - [Debora] Yes, yes. He's coming.

- Please let everyone else know, too, miss. - [Debora] Yes, of course.

- Are we working on funerals? - [Debora] At the funeral, yes.

- With photos. - [Debora] And with the photos, of course.

[Eva] Oh, no. Did he eat his head?

He ate his head.

[Eva] Do you want to have the funeral?

[Debora] Hello, hello. Let's have the funeral. Yes.

With photos.

- [Eva] Okay. - [Debora] In an hour.

- [Eva] Let's have the funeral. - [Debora] Is that okay?

Whatever you want, we'll take photos anyway, so, yes...

Oh well.

[Riccardo] As far as our ideas are concerned

scandalous and immoral,

the reality was that then any news

it ended up on the front page.

There was something mysterious about it

but then, on the other hand, he dreamed about it.

He wanted us. He cheered us.

[photograph shot]

[Riccardo] Two paradoxical faces

[photograph shot]

[Riccardo] And it's up to us to amaze and create

[inaudible voice]

Get up, get up!

[Riccardo] Growing up,

[indistinct voices]

[Riccardo] Virility, aggressiveness,

I never really understood them.

[children's laughter]

[Riccardo] Women,

They were the part

[Riccardo] Dad, what are you doing?

[Riccardo] Their body, their shapes

like something dirty, to be hidden.

And despite the time

my father worked very hard

These beautiful creatures were like that.

And how were they made?

when they then went out the door

For the ancient Greeks

It represented autonomy and freedom.

Hide, hide.

[carabiniere] We'll take these away. They are under seizure.

- [newsagent] But how, I paid them. - [policeman] Listen, do you see that?

The headquarters of the DC. These newspapers cannot stay here.

[newsagent] I would like to understand why They decide what I can and cannot read.

The police should take care of it of more important things

don't seize his newspaper.

Why are they seizing "Beauty"?

But indeed.

It's that we live in a sea of ​​assholes.

- But who are you? - Riccardo Schicchi.

- And how old are you? - Twelve.

You have a vision, kid.

You can come to the newspaper to browse here whenever you want.

Then, in a little while, let's talk about your future.

Schicchi did you say?

Friendly.

[Riccardo] I had a gift.

I recognized the divas at first sight.

And despite

for some strange reason,

Miss, I would like to meet you, if you allow me.

[Riccardo] Very much.

We became inseparable,

And, paradoxical as it may sound,

We decided to change the costume.

we found that people were ready.

[journalist, TV] It's a new phenomenon

and loves to surprise the public

She is a kind

[Ilona] No, I'm a missionary

Because if there is no love in the world,

Listen, Mr. Schicchi,

He invented a type

Well... Since the radio

a kind of transmission like that

having free nets in hand,

thought of occupying this space

Here we are back with "Radio Luna".

You. Do you want to come to bed with me?

Cicciolino, you can ask me anything you want.

Judge, life is made

This is a character

- [judge] Ah, it's Cicciolina. - [Costanzo] Ah, he knew her.

- Cicciolina knew her though. - [judge] Cicciolina.

[Costanzo] Okay,

- Ilona stands there calmly.

[Costanzo] With disgust I don't know,

[Riccardo] Ilona was a breath of fresh air

Around her he moved

of desire, of energy, of vitality.

But then we started getting arrested

most of the time oversized.

On charges of criminal offences

The result was that the broadcasts

the newspapers, censored,

We had to find a solution.

Yes, yes, I understand. But you talk and talk.

And then you back out on adult film.

Come. Come with me.

We go into partnership.

[Riccardo] I wasn't convinced.

You make the films and I show them to you.

[Riccardo] But for us who had asked ourselves

it was hard to escape

Porn is the future.

[Riccardo] It was an incredible success.

term that did not exist.

[Riccardo] Ilona was the first

that with the same face

could pass through the family magazines

[shouts of exultation]

[Riccardo] We founded the first agency

destined for the world of porn.

[man] Photo, photo.

[Riccardo] And not content,

[inaudible voices]

[journalist, TV] She is better known

from today the Honorable Ilona Staller

with the Radical Party,

[shouts of exultation]

It's ready.

[Ilona] Our relationship lasted beyond

Riccardo knew that Cicciolina

It was supposed to be everyone's.

But like every beautiful thing

[Riccardo] He fell in love with one of the

When they decided to get married

I rented a hotel room

I watched her from the terrace

Like every stressful moment

I didn't miss a diabetic attack.

[speaks Hungarian]

It is not removable.

[doctor speaks in Hungarian]

Yes, then go away.

[doctor speaks in Hungarian]

Stay.

[Riccardo] I had met her

Despite the skepticism of many,

Simply because she believed in herself.

[Moana] I've always been

The looks on my body

I had many lovers.

And always at the same time

Builders. Industrialists.

Jewelers. Powerful politicians.

Very powerful.

I've always liked sex.

But with whoever I wanted.

- Good morning. - [woman] You're welcome.

Follow me.

[Moana] Before entering porn,

The auditions are here.

[Moana] I did a lot of auditions for the so-called "institutional" cinema.

They were great producers,

internationally renowned authors.

But once inside the room,

And when I say everyone,

Then came the first porn movie.

and I found nothing wrong with it.

[man] It is not acceptable...

[Moana] But at the time I was working in TV

...continue working here. The program is for children.

[Moana] The greatest paradox

I'm never in porn

- Moana, I'm sorry. - Yes?

They ask me if you have blood tests.

Sure.

[Moana] Then the boys were all young,

The universe is a point of view.

I like everything that is unusual,

Then I met Riccardo Schicchi.

No one could create

In fact they all wanted to work

What the heck, "World Sex". "Cicciolina and Moana at the World Cup".

You who make love with all the teams opponents until they are destroyed.

In the end, Italy wins the World Cup.

Yes, Italy lacks a little healthy patriotism...

- [Ilona] Nice, I like it. - Many things are missing.

It's nice because it's dynamic We start with the goalkeeper.

- You're a genius. - Let's not exaggerate. Almost.

Among the initiatives surrounding the World Cup,

The star is Moana Pozzi.

Moana Pozzi!

[applause]

[Riccardo] He was intelligent,

What is your modesty about?

Reveal my feelings

With whom I have no intimacy.

[Riccardo] He had so much class

that you sometimes wondered

...I have my feelings,

maybe even to a friend

[Riccardo] There was something waterproof

Why America?

[Riccardo] Something that I don't think he has

Why did she go to America?

[Riccardo] Something that sometimes

he wanted to be as far away as possible

and hit rock bottom when necessary.

Without protection, without anything.

With actors taken on the street, like cats. Does that seem normal to you?

She doesn't say anything? She's here anyway to drink coffee that I buy for her.

Congratulations. You kept quiet. When she had to, she remained silent.

- You should be ashamed of it. - Mr. Schicchi.

Congratulations. You should be ashamed.

- Sea. - Is it possible?

You must.

[Moana] They're always turned

What was that malaise?

Don't bother us. Pretend to work. I pay her, I don't know if she remembers.

[Sea] I took the truth with me.

He won't be a genius, but he is a producer.

Moana, Marietto is a loan shark. He is not a producer.

He offers me four films.

[telephone]

You can make a movie every three years, you still make a lot of money, Moana.

I have TV programs, advertising, everything...

Give me 400 million in four weeks.

Can you make me that much money?

- No. - Well.

But whoever works with me, stay beautiful forever, Moana.

You, on the other hand, went to America to become short and fat.

Even silly, I'm not kidding. It's the hormones in the meat.

- [Moana] Stop it. - There are studies. I'm not kidding.

Those hormones make you become short and dumb.

And, in fact, you are lowering yourself.

- You worry me. - [Moana] But worry about what?

- Why do you have to go to America? - I had a good time, I swear.

I also met a boy...

Cute, very young.

With the other one, with the very old one, How's it going? The lawyer.

Well, forget it.

Then you say why the money.

But because the money is... real, they are there, concrete.

People...

I'll go to the programs.

Whatever you want, that's fine.

But the contract I'll sign it for the four films.

Ocean. You could do anything, Moana.

What it is...

Alright.

Okay, sorry, she was the most beautiful of all...

But he is a very pleasant presence.

No, but that's fine with me.

[Debora] I speak English and French.

Even a little Spanish and...

- Yes, better written French. - The dream?

- The dream? - The dream. What is your dream?

[Debora] But...

- I would not know. - [Riccardo] She's very shy, huh?

No no!

- She is very shy. - No, I wouldn't say so. I mean...

Miss, no one in the world will it ever be that important

to be able to intimidate her. If you remember, eh.

The dream is to be a journalist.

Beautiful. Keep it in mind.

I have to go get my insulin because I couldn't eat the donut,

but it's my favorite dessert. Wait for me here.

Yes, yes.

[Debora] I was desperate.

and a job just lost.

I came from a small town near Rome.

Normality catapulted

Only when I had

that I realized what it was.

- Did you notice? - No.

No?

Everyone's looking at her. Because they think I'm an artist of mine.

[Riccardo] That's a good sign, miss.

You know it's much more difficult find a good secretary

what a good actress? For this I pay two and a half million.

- Two and a half million? - [Riccardo] Two and a half million.

- Are you good with cats? - [Debora] The cats?

- It's essential. - Well, yes, yes.

The only thing he has to do is understanding how to make us news.

News, of course.

- You have to think about making the news public. - Yes.

- I'll get the bag for you. - [Debora] Thank you.

She gets me mine. Let's go to my office.

Like in his office? Isn't it closed on Saturday?

[Riccardo] The office is mine, miss.

- I open it whenever I want. - I have an appointment.

[Debora] Having suffered harassment

it was normal that over time

I expected the same thing to happen again.

[Riccardo] On the fourth floor there is Moana, above Ilona Staller.

Moana isn't there, do you know why?

- It's in America, New York. Have you ever been there? - No.

This is where I live. The office is next door. Below, instead...

- Are we going home or to the office? - [Riccardo] Come, come.

Come on, miss.

There's a little apartment down there

that we use to host the girls from Hungary.

It's small, but cute.

The carpet is clean, I had it redone new.

You can lie down if you want. Come.

- So, she likes cats. - Yes, I like cats.

It's very important, because there are 23 of them.

[meow]

[Riccardo] There are some up there the cans of meat.

While the kibbles I keep them in boxes.

We give the white cod because he has a weak stomach.

The keys?

- The coat? The coat, miss. - There he is.

[Riccardo] Watch your shoulder.

- The keys? - Who.

Thank you.

See you tomorrow at my office. He closes the door behind him,

which I'll come and close later.

Ah, for the test, Monday at nine o'clock sharp, here.

- Don't worry, I'll do it. - Thank you very much, miss.

[door closing]

[telephone]

- [Debora] Future Diva? - [Riccardo Open the door, miss.

I did not understand.

- [Riccardo] Open the door! - Oh, yes.

- Did you see that beautiful sun? How is she? - There's Mercedes in her room.

[Riccardo] Is he smoking?

Three rules.

[mumbles]

No smoking, no cigarettes, no drugs and no tricks.

- It's not complicated. - [woman] What the fuck.

No swearing. He's smoking. When science proves me right,

she will be dead...

I have an aunt who is 80 years old... He smokes twenty packs.

Who cares about his aunt. It's my agency and there's no smoking.

What does your aunt have to do with it?

If his aunt is a chimney, it's his problem.

- I'm fed up, you've pissed me off. I'm leaving. - Ah, what's wrong?

As if I didn't know because he's leaving.

Then are you coming back?

[telephone]

A briefcase has disappeared of Mr. Schicchi's father-in-law,

with ten million. He says he forgot it here.

- But nobody found it. - Is it all about me now?

And lo and behold, 15 days later

that one presents itself with a fourth of new breasts.

- Sure. - And he says: "Mister Schicchi"...

- Did it go? - [boy] I'm coming!

In twenty minutes, he'll come and call me, All right?

- Yes. - The desk with the view is his.

Welcome.

- Hi, Riccardo. See you. - [Debora] Goodbye, Mercedes.

They called from that program what I was telling you. There is this housewife

who prostitutes herself in the morning without her husband's knowledge.

They wanted to interview her, if and date forfeit.

I didn't make love to him.

We are engaged. I've never made love to him. Me.

After 20 years of sexual revolution, punished with chastity.

Eh?

Ah, Mr. Schicchi. I have slime. and the octopus that lights up.

- Cute. - [Debora] For the program...

- Water guns? - [Debora] Right.

They are fundamental.

- They called from the program... - It's not working. How many do we have?

I have two.

- It's not enough, at least 20. - [Debora] I'll take some more.

- They asked us for a girl. - Let's give it to him.

The interview would have been with his face covered...

- Come? - Yes, face covered.

- Should I send them to be extras? - They pay two million.

They can pay whatever they want. I don't send my artists

with a balaclava on television. It just doesn't exist.

Our artists must be sublimated. They should not be mortified.

- No. Right. - With their faces covered. Are they mafia members?

- No. - I'm amazed at her.

You're right. Sorry.

[telephone]

- I hadn't thought of that. - You have to think about it.

[Debora] I'll call you back right away.

- [Riccardo] Ah, miss. - Yes?

Did he feed Tinta?

- Ink? - [Riccardo] Dye.

On Patrizia's desk there's Tinta's lunch.

She recognizes him because he jumps.

[softly] Lunch for Tinta. Who is?

[whispering] It's the python. In the green room, over there.

Ah, ah. Of course.

Look, now we're going on lunch break.

For the contract, talk to Mr. Chic...

[indistinct voice]

He could have told me which was a quail.

I fire her. It all has to be redone. It's not suitable, miss.

Why? I'm here...

He can't even find it a girl for the interview.

- It's her... - He doesn't have the right stuff.

They pay two million, how can they let it go?

- Do you realize? - Yes.

No. It's too soft. It's not capable.

She's polite, miss. Too polite.

He doesn't have the right stuff. Find a job that suits you.

But I can't find the keys.

[telephone]

There will be a girl tomorrow instead of the housewife for the interview.

[telephone]

I'm tired of wearing them always give the keys back.

I'm never going back from Calcata to give them back to him.

I also wanted to talk to her of how to fix

of things that don't work here in the office.

How to reorganize it.

[telephone]

Whenever he wants, we'll discuss.

Take care of the program and shows.

We will discuss what he wants, whenever he sees fit.

Oh, shall we have lunch together?

See you later.

[Debora] Even though I continued

that I wanted to be a journalist

that world turned out to be

from what I expected.

Patrizia is here with us.

[Debora] From that day I remained there

Ten years in which I learned all this

to survive and assert myself.

[man] With an angel's face like hers, why does she prostitute herself?

[Debora] You know, I buy bags there, the shoes...

Yes. I do.

- [man] Is that allowed? - Yes, hello. You can leave it there.

- You're welcome. There, on the chair. - [man] There are four costumes.

They are two elves and two fairies, as you told me.

A little signature here, please.

[indistinct voices]

- Fine, thanks. - Yes, sorry. Goodbye.

Do they know at home? Did he ask his dad and mom?

What if she has a child one day? Have you ever thought about the consequences?

It has to be safe. One hundred percent. Porn is not that kind of thing.

Maybe I'll think about it.

[Riccardo] He's so young, he has all the time. We're here anyway.

- [girl] Thank you. - Nail.

Goodbye. If they were scientists, they were scientists...

- There are three things. - [Riccardo] Yes, tell me.

All confirmed for today's service, two men and two women.

- Three men and three women. - He said two.

- Impossible. Have you read the script? - Yes...

- I need at least three men. - So you need two.

Yes. Then, there would be the 144 recordings.

Yes.

Very interesting news.

For a recording of Moana they pay 200 million.

How much?

- Two-hundred. - Proceed.

Then I proceed. For Mrs. Pozzi...

- Yes. - A painting arrived from Schifano.

I think it is exactly a portrait of Mrs. Pozzi.

- Handsome. - There's a package from De Crescenzo.

But, be careful...

It will be a book. Instead Schifano is very important.

Mr. Schicchi, Miss Mercedes...

Miss, please. He should mind his own business.

- There would be a little contract. - There would be a heart here. I don't...

- I call her, she doesn't answer. - I'll call her.

- [Riccardo] What's your name? - Lucia.

[woman] Who is Schicchi?

- [Riccardo] I would do it a little more... - Mom.

[Riccardo] I think you...

- Who is Schicchi? - Who is Schicchi?

[boy] You're welcome.

Stop making fun of her face. I am Debora's mother.

I came to inform you which is not a crush.

- He has a family. - Never doubted.

I'm keeping an eye on you, Mr. Schicchi.

But why, excuse me? Mom, everyone's working here.

- Good work. - [Debora] Mom, it's temporary.

- When is my turn? - Wait a minute, really.

- Let's fix it now. - See you at home.

[Debora] It's temporary.

[indistinct voices]

- I have a great mom. - You have a great mom.

A little bit particular, but a great mother.

Absolutely. It is very important. having a great mother behind you.

- But did she go away? - Yes.

Then we can... Yes...

[screams]

[Eva] I still remember

There was something empathetic about him.

He was always smiling

as if to understand you,

What do you say, Deborah? All right.

Mr. Schicchi, are the flowers okay?

[Eva] He courted me for almost eight months.

that he just wanted to be a friend.

- The racket, miss. - Yes.

[Riccardo] Quick, miss, that fades the sun.

[Eva] It's not like it could be defined

He was thin, not very athletic.

Mortadella.

[Eva] But he was the kindest man

There was something innocent,

An island of love.

Where you can make love without taboos and without anyone bothering you.

I want to do Love Island, miss.

Do you understand me? No, right?

But do you believe me?

[Riccardo] Touch the nipples.

Pull his hair.

Marcellina, not you. Malcom...

[telephone]

[Riccardo] The telephone, miss.

It's distracting me. Go answer over there. Sure.

- She should already be there answering. - Guys, the pasta is ready.

- We're shooting, Valentino. - [Malcolm] But I'm hungry.

- Malcolm, let's finish the scene. - And don't call me Valentino.

Come on, Ricky. But it's five hours. that we are here.

Come on. Pause.

If Marcellina is hungry, let's take a break.

Pause.

This is a disaster. You are not fishing, you're always on the pitch.

No, you're a charlatan, there's no point in you nodding.

Take ten people, you lock them in a room and film them.

While they sleep, while they make love.

What do people care about looking at you? while you cook? Oh yeah...

[Debora] Who would look at it, Mr. Schicchi?

- She would look at it right away. - I don't watch anything, let alone this.

What if they want to fuck?

- It's a show. - [Malcolm] Okay...

- Do you always take them back? - [Riccardo] Always, Marcellina.

Just eat. Give me the pasta

- I would always let myself be filmed. - Like you, lots.

Are you going to miss it?

I want to do it.

Marcellina had an intuition. It would be a worldwide success.

[Eva] She knew how to dream big.

And then, no one had ever succeeded

Eva, don't listen to them. They don't understand.

They don't understand me.

[Riccardo] I did three seasons there, and if I spend the summer there,

I can do it even all next winter.

[Eva] Tomorrow we go shopping new shoes, is it better?

- [Riccardo] No, no. - Yes.

[Eva] I had a clear feeling

of having found the solution

And that I just had to let go.

But what I still didn't know

that he would love me more than anyone else

[Debora] A few weeks and he arrived

Blonde, mischievous, delicious.

Mercedesz.

[Riccardo] Games with daddy.

[Debora] For everyone "Memes".

[Riccardo] And you play with daddy.

Miss, have you never met? She's my daughter.

I had a liaison with Eva a couple of years ago.

- At the seaside. She's my daughter, miss. - Yes.

[Richard] Eve... We need to make her famous.

Ho già in mente una lista di programmi dove mandarla.

Li chiamiamo subito.

No, ci penso io. Lei pensi a collocarla in tutti gli spettacoli del Fans Club.

E i film non li farà mai Eva.

- In che senso? - Nel senso che non fa il porno.

Eva non fa il porno. È giusto che anche lei lo sappia.

Ah!

È giusto che lo sappiano tutti e che lo sappia anche lei.

Bene.

Eva non fa...

Queste le hanno stampate. Sono delle diapositive.

- Ci facciamo i santini. - Va bene.

- Tipo 200? - 200, 300. No, no. 2000, 3000.

No, 200. Che ci facciamo con 200, 300?

Ah, mi servirebbe il costume di Babbo Natale.

- Quello che sta nello studio. - Allora...

Il costume è stato... usato.

- Allora lo porti in tintoria. Per il 25. - [Debora] Va bene.

Per il 25. Papà torna subito. Ok? Aspetta qua.

Orsa, mi devi promettere che non dirai mai a Memi,

ma proprio mai, che io non sono suo padre.

Anche perché io mi sento suo padre. Io sono suo padre.

- Sì. - Forse dovremmo farle compagnia.

Con un fratellino o una sorellina.

Sì.

E forse ci dovremmo anche sposare a questo punto.

Per Memi.

Dobbiamo andare a chiedere ai miei genitori.

In Ungheria è così la tradizione.

Andiamo in Ungheria a chiederlo ai tuoi genitori.

Andiamo dovunque vuoi.

[voci indistinte]

[Eva canta "Son of a Preacher Man"]

[fischi e urla]

[continua a cantare]

Padre Mauro!

[Riccardo] Non si scandalizzi, signorina.

Sono fra i nostri maggiori clienti.

Pussycat, se la ricorda Pussycat?

È due anni che sta con uno di loro. Un bel ragazzetto.

- Ma veramente? - Due anni non sono pochi.

- Non sono affatto pochi. - Non sono pochi, no.

- Sei stata incredibile, Eva. - Devi fare un film, per forza.

[Riccardo] Lascia stare il film, no.

[uomo] Diventeresti famosa, eh.

- È già famosa. - [uomo] Diventeresti ricca.

Ti compri la Mercedes, come Moana.

Non dargli retta, orsa.

È brutto.

Non lo ascoltare, Eva. Non lo ascoltare.

[musica dallo spettacolo]

[fischi]

[D'Agostino, TV] Il mio imbarazzo

o, piuttosto, del materiale

Io credo che ormai i tuoi genitori

oggi ti possono riconoscere

[Baudo] Oh!

[D'Agostino] Diciamo apertamente...

Come è possibile oggi,

diventare delle persone...

[Moana] Ma lo sanno tutti, lo sai?

- Facciamolo vedere, dai.

[Moana] Sì, ho pubblicato un libro,

dove ci sono tutte le mie foto

A chi non l'ha comprato,

Anche perché io ho paura

Qualche tracimazione.

In quanto il silicone, a un certo punto,

- No, no... - [Baudo] Fai vedere questo...

- Dai, su.

[Baudo] Questa.

[D'Agostino] Vediamo com'era Moana

- [Baudo] This is "Novella 2000". - [D'Agostino] "Novella 2000". Here.

This is hope for you ugly ones.

I let him be bad,

[D'Agostino] Remarkable. All this, here.

[Baudo] Now I wanted to call

[voice fades] who is a doctor,

[telephone]

- I did not understand. - [Moana] There's not much to understand.

I don't want to make porn movies anymore.

After these last ones we have by contract, that's it.

I want to do something else.

[Marietto chuckles]

Have you completely lost your mind?

Let's hear it. What do you hope to do?

Well, for now, porn slows me down.

I tried to write, but... it didn't work out. They don't take me seriously.

I want to do something else. I know I can do other things too.

Who put this bullshit in your head? That one there?

That idiot husband of yours?

Antonio is the only one who never told me anything.

Do you know how much money I give up? me with you?

Do you know how much money I'm giving up?

[screaming] You made porn!

When someone does porn, she's a porn actress. Period!

And you want to make normal movies. If when they look at you

they only think about your pussy and to your ass!

This is what they think. She, on the other hand, wants to do something else.

Where are you going? Who the fuck do you think you are? Bitch!

Sea!

This bitch...

- Hello, Mattei. - [Mattei] Hello, De'.

- Hello. Are you? - Mary.

Mr. Schicchi told me to wait here.

Excuse me a moment.

Mr. Schicchi, the girl at my desk...

I cannot.

- Miss... What's wrong with you? - Eva gave them to me.

Come, come. This is the evidence. of Marcellina for the 144.

[Marcellina, tape recorder] Come here, my little kitty.

[groans]

Yes, I like it that way a lot.

Do you like it?

But you want me

[groans]

- You're very good, Marcellina. - [Debora] Very, very good.

Truly?

Huh? It's graceful, balanced, it is never rhetorical.

Clear.

- She never likes anything. - May.

I also thought it was beautiful, but I wanted to hear from you,

- because anyway... - [Riccardo] You are a talent, Marcellina.

- Riccardo, you are number one. - No.

- I put all my heart into it. - You can feel it.

You can hear it, Marcellina.

I'm really too happy.

Well, anyway, now we can also set up some dates for us at the venue,

I'm going to redo my calves anyway in a month.

- We'll mark this down. In a month... -Shall we mark it?

- On the agenda. - Let's mark it.

- Well, I'm going. - [Riccardo] Yes.

[Marcellina] Hello, hello.

- HI. - HI.

- [Riccardo] Hi, Marcellina, good job. - Bye bye.

[door closing]

A disaster. Poor thing, what a disaster.

That footballer she's with he's ruining it.

Then, in my opinion, no need to do calves.

- No, let's place it in the shows. - Yes.

Let's help her. Somehow.

Mr. Schicchi, the girl at my desk, Mary.

Ah, Mary. I had her come from Milan. She needs help.

- He's 18, we have to take care of him. - Why?

It's a perforated Mary Smurf.

And I entrust it to you. Please.

No movie. Only shows to Mary too.

- I'm going to take these photos. - What do you mean "perforated Smurf"?

Eh, because first of all he made "Snow White and the 30 Dwarfs".

Inexperienced, thrown onto a set like this.

It seems like a way to you to treat a girl?

From here to having to take care of it myself...

Miss! We are amoral, not immoral.

Take her to the rooms and do it for her choose the room you prefer.

Please, miss.

[door closing]

[thud]

[ambulance siren]

[Eva] He just woke up.

Oh, yes, yes.

[under his breath] Your mother.

Yes, he greets you.

A diabetic attack, as usual.

- What do you think, miss? - [Eva] She's fine.

He thinks Eva is with me because... Does this sound familiar?

- [Eva] We found it on the ground... - Family?

I have to remind you of an old one disabled cousin who is in Hungary.

A very ugly little toad.

I knew him when we got married.

He is the one who made them develop a sense of tenderness...

for sick men.

Don't ever tell him that, though.

Because he doesn't know yet.

- When did you arrive? - Tonight.

Then this morning in the office they said you were here.

Well...

I'm really back.

It's over. It's not going well.

I am sorry.

He couldn't stand the blond.

He says he remembered too much that I did porn.

[Riccardo] He doesn't understand anything.

Men go crazy for uninhibited women.

As long as they are not wives or mothers.

[Ilona chuckles]

Yes.

Everyone except you.

I was in love. Really.

[Ilona cries]

- I know. - [Ilona] He did horrible things to me.

Horrible.

It was cruel.

The little one?

Is the little one here?

Eh?

- Yes. - [Riccardo] So you're home.

We are all here. Let's start again.

You have to stay calm, okay?

You got big boobs.

They are wonderful. That's how it goes now, eh.

My breasts were all empty with breastfeeding.

An indecent thing.

And that one?

- Oh, no. Nothing, a witness. - A witness for what?

Well... You can't get married like that with everything in your name.

- No? I have to get married in your name? - I have the lawyer's papers.

Ilona, ​​leave the papers alone. We've had this conversation before. You know.

- I left you the apartments. - [Ilona] What are you saying?

I also registered the other company in your name.

- It was more convenient for you. - If you die, everything goes to that one.

Of course. Because she's my wife.

[disapproving line]

Why do I have to die? It's been two years younger than you. You will die first.

Madness, Riccardo. You don't even know her and you marry her.

- We did it all together. - She's my wife.

- [Ilona] And here comes this... - [Riccardo] Lower your voice.

- I'm speechless, Riccardo. - [Riccardo] Ilona, ​​you're not well.

Look, Ilona is not well. Oh well.

Alright.

[photographers, together] Here it is, here it is!

[overlapping voices]

[cries of pain]

Come on, come on. Very good.

Is he okay?

[crying]

[indistinct voices]

[Eva] Please. Please don't sign. You don't know this one.

He's a friend, how come I don't know him? He gives them back to me doubled, I reinvest...

But those bills they have dates already passed. Don't you see?

What do you care about dates, bear? He's a friend, I tell you.

- I know him, trust me. - I beg you.

- I beg you, don't do it. - Do you want to get up?

- Please, please. - Come on, bear.

[whispers] Listen to me.

I am your wife. And I'm asking you not to sign.

It must be worth something what I tell you.

How beautiful you are, bear.

[indistinct voices from TV]

- You underestimate me. - But you are beautiful, bear.

- Bear, please. - You underestimate me.

- Trust me. - I just have to start making movies.

- Do you know how much money we make? - No!

There are many ways to make money.

The other day, after the show, a man wanted an autograph.

And while I was signing, he says to me: "I've seen all your movies."

- A me. - But you didn't do them.

- [Eva] Exactly. - What does this say?

I said it, and he: "Aren't you Schicchi's wife?"

- Schicchi's wife? - Yes, it makes no difference whether I do them or not.

- No. You don't know what you're talking about. - You always said porn was cool.

- No, that's not true. - We do it all the time here in the office.

- Why can't I try? - Bear, you're obsessed!

Not for you. We've done that before!

You've already done porn. The services you and I as newlyweds.

That's porn. All the auditions. It's porn.

Yes, halfway through it, it would wilt.

- It is not true. - I...

I want to make a real movie.

- With real actors. Professionals... - [Riccardo] Real movies have two sides.

- ...that they know how to do. - Real movies... Listen to me, bear.

- Real movies always have two sides. - And...

- You never listen to me. - Of any actress

you say "beautiful". You don't understand what I can do.

- I have to fall in love artistically. - It is manipulated like a puppet.

- Artistically? - Yes.

Richard!

You had to put your hands on it on that one's body?

Yes. To take a good photo many hands were needed.

- Bear, these are stupid paranoias. - Riccardo, really.

[baby crying]

I could do great things.

Without this idiot now come and steal all our money.

[baby crying]

- [Eva] Here I am, love! - He's a friend.

Cause!

[baby crying]

And then there's the shell. Look how beautiful, bear.

Franco Miseria did it.

She moves. You will stay in here.

She slowly turns and appears. Like the Madonna.

I had thought about the title "The violated shell".

- Which is beautiful. - "The violated shell"?

- It's poetic. - "Finally a pornstar."

Trust us we sell more. Which is this "violated shell".

Please! I find it much more fair, because after all, how long have you been together?

- Four years? - Five years.

Finally a pornstar.

The other title is more coherent with the plot.

Finally pornstar... I'm the director.

I will have the right to choose the... At least as a subtitle.

[Riccardo] It's more exotic...

- HI. - So? Shall we start together?

- Let's put it as a subtitle. - And then the boys, Marietto, clean.

Can I choose them too? Could I view them? Nice, clean.

- Eh! - [Riccardo] I really care. Bear!

For the music, Rustichelli. I convinced Rustichelli.

- Really? - [Riccardo] Yes.

[indistinct voices]

Very nice. Now let's try it.

[indistinct voices]

[engine roar]

Mr. Schicchi.

Miss.

- How's it going? - Well.

And law?

I brought her lunch.

Come. Follow me. I have to feed the rabbits, instead.

I got four rabbits. They mated and now there are twenty-six of them.

The male is relentless.

One is also called the same as her.

This is you, miss.

[Riccardo] The Internet has ruined everything,

There is no more professionalism. Underpaid girls.

Today anyone wakes up and makes a movie.

Without a vision, without art.

There is a control of the masses, without poetry. Did you see?

I've had it for three seasons.

If I'm good, I'll get through the summer and I make autumn there.

If Eva knew...

Eh... Eva.

And how is work going?

- It's not easy. - [Riccardo] How?

Every time I send a resume, they always expect a depraved one.

Miss, never allow that the words of others

define who she is.

If I had allowed it, I wouldn't have achieved anything in life.

And, instead, we did something.

- Yes. - And the dream?

Eh... The dream, the dream is there.

Don't despair. Give me three, four months, I'll put it in order

and come back to work for us.

No, I'm not coming back, Mr. Schicchi.

And it hurts, miss. Why women who work with me

they stay beautiful.

- Yes? - [Riccardo] Yes.

And those that go away become ugly. I'm not kidding. Have you seen Ilona?

- She's been reborn since she came back. - Oh well.

- She's beautiful. - I'm going to get ugly.

Do as you wish.

I, however, have some appointments, in some editorial office, I took it from him.

If she wants to get ugly, crow and raven.

Ah, Mr. Schicchi, I'm preparing a surprise!

What?

I can't tell him.

- [Riccardo] Tell me the surprise. - No no.

- [Riccardo] But he's already announced it. - I know, you're right. Sorry.

- She's beautiful. - [Riccardo] Let him go, then.

- [Debora] It will take a little time anyway. - She's very strange.

[engine roar]

[indistinct children's voices]

[Riccardo] They called from Rai, bear.

Eh?

They are needed for the program of Mammuccari.

Nice. Just don't put me in under the table.

No, I'll take care of it. We'll tell him.

"Only if he comes with his wife," they told me.

They want the couple, bear.

[indistinct children's voices]

- [Eva] We finally get along. - If the children find out...

- Mom and Dad aren't together... - We don't tell him. No!

- We don't tell the children. - We can do so many things.

- I'm not jealous anymore. - But you don't have to.

- I have no need to fear any more follies. - [Riccardo] Why be jealous?

What are you saying? You made a big mess!

I loved you. This is the only mess I made.

We've never been like this I agree as now.

[telephone]

What a sad sentence, bear.

If you think about it, I'm here. You can always find me in the kitchen.

Ready?

- HI! - [Eva] Hello!

- Richard, Massimiliano. - Nice to meet you, Riccardo.

- [Massi] Nice to meet you. - [Riccardo] The pleasure is mine.

- [Eva] Sorry for the delay. - Nice shirt.

Thank you.

- We have to... - You know, kids today...

They brought me an aperitif, so I'm fine.

Bravo.

- And how old are you? - John 34.

- Thirty-four? - [Massi] Yes.

But why do you talk like that?

Today I woke up with this problem and I don't know what to say.

He is 34 years old. Are you rich or not rich?

Bear, come on, stop it.

I have the right to ask the man who sees my wife

whether he is rich or not. Are you rich?

- Are you rich or not rich? - Normal.

- I don't know, normal. - How old are you?

- Thirty-four I said. - [waiter] Good evening.

- Good evening. - [waiter] What shall I bring you?

For me the usual.

I'll take a courgette cake and an amatriciana.

- What do you have for seconds? - The omelette. Very famous.

- Bring him an omelette. - [waiter] Ok. Thanks.

[indistinct voices]

- Leave him alone. - How did it go today?

- [Eva] Good, good. You? - [Massi] I'm very good.

[fading voice] It just occurred to me that I have a colleague

that, on weekends, when he goes out with his wife,

he told me he has a babysitter crazy,

so if you want...

- [Eva] Right. - [Massi] Shall I forward it to you?

[inaudible voices]

[Massi] Now you're pissing me off,

Come here, I won't do anything to you. I'll just kill you.

- Oh, come here. - Why!

[imitates a cat]

You have to stop it!

- What the fuck! - [Eva] Don't hurt him.

- Massi, don't touch it. - But I don't...

[Eva] What happened?

- Nothing, what happened... - He doesn't know how to joke.

He's been following me around all morning. Wherever he goes, he stays there like this.

What should I do? Then he says that someone loses his temper.

- [Riccardo] He doesn't know how to joke. - Maybe it's a drop in blood sugar.

What? What, low blood sugar? This is just bullshit.

- Maybe we'll measure it, huh. - Hate.

- He's crazy, dangerous. Look at him. - Eva, two days and she's been out of the house.

Even for children, I mean.

Due.

How the fuck do I do it? But how the fuck do I do it?

[horn]

[Massi] No, no, no. Bring it back.

[Riccardo] They wanted to shoot it down.

- I don't care, take them back. - It exceeded the permitted number.

I already told you yes to rabbits,

you cannot bring a different animal every month.

The ASL sent me to my home, what was I supposed to do with the rabbits?

Ask yourself a couple of questions, right?

Maybe the ASL is doing well, seeing the end of the other rabbits.

- Memi is still crying. - Me too. What did I know about foxes?

What did I know about foxes?

- He didn't know. - I had thought...

Please, there's the deer too.

They even wanted to shoot the deer. They are crazy.

- You're not saying anything? - [Riccardo] He doesn't say anything.

- He doesn't say anything. - Nothing. Then I'm crazy.

I'm crazy. Let's turn this house into a farm.

- Bring two giraffes next week. - At that time?

Come on, let's put it in the pen with the fawn.

With the deer. That's a great idea.

They warm up together. She's beautiful.

- They eat the same grass anyway. - Bear, I'm pregnant.

Ah!

You don't want to get divorced, do you?

- No. - [Riccardo] No?

No.

So, we're never getting back together, bear.

Congratulations.

[Riccardo] Miss, what does it cost you?

[nurse] The father is already inside.

- At least know how Eva is. - He can't come in.

- [Riccardo] How can I not come in? - The father is already there. He can't.

- But I'm the husband. - I did not understand.

- I have to go in. - Who's that inside?

The father.

- And I'm the husband, I have to come in. - There can only be one person and that's it.

So, take away the father and put in the husband.

[buzz]

She's beautiful.

Hey. Uncle Richard.

It's the only good thing you've done.

[man] The new film is a public flop

The critics' condemnation was unanimous,

to adult films

[Riccardo] At least once in your life, listen to me.

- [Moana] You've told me so many times. - You can't run an election campaign

as if I were an intellectual. It's not you.

We have to go around Rome with a convertible, Moana.

- But no, the convertible, no. - To throw flyers and sweets.

We are a rainbow. All this seriousness will kill us, Moana.

- Then, can you work with those two crows? - But they are not two crows.

- They are two philosophers. - You don't know them. They're two rotten mice.

- [Moana] Trust me. - Which bring a lot of bad luck. Trust me.

- [Antonio] Honey, come. You're here. - Come on, come on.

[journalist, TV] She ran for office

Last time it reported more than 22,000

- She wasn't elected, but... - [Moana, TV] It went well, yes.

[journalist, TV] Why this time?

Well, because I love Rome, first of all,

this desire to commit myself

It's not a matter of advertising,

[journalist, TV] What would he do?

I would be inflexible.

I would mainly be in charge of checking

And then, punish those who make mistakes very harshly.

[journalist, TV] We do the best for you

- Thank you, Mrs. Pozzi. - [Moana, TV] Thank you.

Yes, I have to go, bye.

[indistinct voices from TV]

Here you are.

It's the ANSA questionnaire that they give to all mayoral candidates.

I know what it is, miss.

[man, TV] It's a small avant-garde.

An unfounded party

[telephone]

Miss...

[man, TV] He's a character who transforms...

- Moana is right-wing. - Yes, turn the other page.

See. Hello?

Yes!

- Moana is totally right-wing. - Yes, yes, yes.

No. Wait, it's not... It's Ilona.

- No... I can't hear you... - What does Ilona want?

Wait, you don't understand... Okay. Do you want...

Ilona, ​​do you want us to come... All right, we're coming. We're coming.

- [agent] When did all this happen? - [Ilona] Last night.

My lawyer called me from the United States. And nothing.

My husband took him back there.

[agent] No, of course, sir, You are right.

He didn't even have the child on his passport. Now you tell me how he did it.

- Bastard. - [Officer] Technically it's a kidnapping.

According to Italian law.

My little one, kidnapped?

Do you know what the lawyer said?

I can't even do the shows anymore, if not, I lose the custody case.

I already couldn't take my panties off anymore to the shows.

- Tell him, Riccardo. Tell him. - [Riccardo] Always on you.

You tell him too. Why don't you take off your panties?

Never. He never takes them off.

- How do I do it now? How can I? - Never take them off.

[Ilona] How do I work? How do I pay lawyers?

Of course, madam... Honourable Member. You are right.

They take my baby away from me if I do my job.

- If I take off my underwear, a couple... - You don't take them off, actually.

- Where do babies come from, in your opinion? - He never takes them off.

I'll tell you. You don't have panties on when they're born.

[agent] Okay.

If you give me a moment, I make copies of the reports

and I'll bring them to you to sign. With permission.

[Ilona cries]

[Ilona] My little one.

[door closing]

I'm taking it back, though.

How true is God, I'm taking my baby back.

I'll go. I'll go.

- I'm going through Mexico. - But where are you going?

- But where... You can't. - I'm going through Mexico.

[Debora] In America they arrest him.

[Riccardo] I know America well. Did you listen to the police?

Technically it's a kidnapping.

- We have the right to take it back. - For Italy.

- [Riccardo] Absolutely right. - You know what they do to you, it's the father.

- But what father? One who steals his son. - [Riccardo] But I won't let myself be caught.

- I can also be invisible. - Listen to me, you have two children.

- [Debora] I know, but it's dangerous. - What are you doing? You never see them again.

You're a bitch. You only care of your children. And mine then?

Then you brought him here. You both steal it when you can.

- Selfish! - No, no, no.

[Ilona] Selfish!

- [Riccardo] Police! Police! - [Ilona] Selfish!

- They're fighting over me. - Selfish.

[agent 1] Sir, let's calm down, please.

- [Agent 2] Enough, Enough! Calm down. - Madam, leave her alone.

[man, TV] It's from a few hours ago

for the office of mayor of Rome

Francesco Rutelli

Satisfied, the two candidates

Moana, we are at the second electoral defeat

after the one two years ago to Parliament.

Can we say he narrowly missed winning?

Look, the thing that is very sad is that people in the newspapers

they didn't take me seriously.

While I was very serious.

I've never been so serious in my life.

[man, TV] What did you regret the most?

[sighs]

Well, being underestimated is the thing

I prefer to say that I didn't win

[buzz]

[musica dance]

You weren't afraid that all the peas did they hit him on the head?

No.

Me, after the third month, I think with this thing on my face...

Excuse me. Do you have any tonic? I feel a little nauseous. Thanks.

But it's normal that you I hadn't thought of it.

What does it have to do with anything? It's not just for work.

- Sea. - [Debora] It's also for life.

- [Riccardo] These envelopes are for you. - [Moana] But they're horrible.

Inside these envelopes are very beautiful. Where is Marcellina?

- He was here. He'll be getting ready. - He's not getting ready.

- I can't stand the empty stage. - Yes. I'm going to see.

- [Riccardo] Orsa, are you going? - Already done.

They are happy if you return.

Marcellina?

Do you know where Marcellina is?

[Debora] Marcellina?

Oh! Stay with me! Marcellina!

Stay with me, stay here! [screaming] Help! Help me! Oh!

[Debora, screaming] Help!

[Marcellina, screaming] Ah! No! No!

No!

Those are real screams. Marietto, those are real screams.

[Marcellina] No!

[Richard] Marcellina is really screaming.

You know, it's hard to say.

- It's not difficult, they're real screams. - Yes, maybe yes.

I don't give my artists anymore to do these things. Forget it.

These are the ways things are now. Most requested.

But who cares about the things requested!

They want to make mental disorders real of the worst males.

This is what they are doing.

Marietto, we invented it porn, not for this crap.

Let's put his head in the toilet because they ask for it.

They are fantasies, they are not real things.

They are fantasies that create real things. Trust me.

Everyone watches porn. Everyone.

And what do we do? We get into people's heads

and we tell him that it gets exciting massacring women.

Does that seem right to you? Not to me. Tomorrow I only invest in projects

of a certain level. Like "The Wet Naughty Girl".

When we remade the ending.

-How beautiful was it? It was beautiful. - Well, yes, it was nice. Romantic.

Yes, yes. The ending came out very well.

- It came out great. - It wasn't a big investment.

- [Riccardo] Who cares. It happens. - It went to waste.

You didn't even see it.

No, then I went around the video stores of Rome.

What do they say?

The cassettes. They deliver them unrewound.

All stopped at minute ten. Nobody watches your grand finales.

They want movies where they rape women, where they beat them, they sodomize them.

Yes, if they stick his head in the toilet and they flush the water, it doesn't seem serious to me.

- [Marietto] Indeed. - But one thing, you do porn too.

Even in your movies they fuck. Here they must have made them scream a little more.

- [Riccardo] It's different. - [Pieri] It isn't.

Yes, mine is art.

But what art? You said it right, You invented this stuff in Italy.

- It's always porn. - You're not acting like a good soul with us.

Even if you put little flowers on it, the little crowns

anyway, you make money with pussy.

It's a fact. You make money on pussy too.

Alright.

I like to amaze, not mortify.

Okay, okay. Maybe we'll talk about it again. You don't look very lucid today.

Pieri, leave it alone. Let's go.

Hi, Ricca', see you tomorrow.

[door closing]

I, Mr. Schicchi, am going, that I have to ship these.

Miss, what do you think?

And what do I think? Nothing. I don't think anything.

Do you agree with them?

Listen, Mr. Schicchi, I understood his...

his fight for freedom.

- I agree too. - But?

No... She can't possibly think of...

to understand all the fantasies of others.

His will be made of beautiful, colorful things.

But there's that stuff there too.

- And she knows it. - I don't know anything, miss.

But he didn't want Eva to do porn.

It's different. He doesn't know what he's talking about.

- It's different. - Alright.

Okay. No, maybe... Maybe it's different.

But before, when they said those things,

the doubt, that maybe...

Even us with all this a little...

Maybe we contributed a little with that stuff there.

Wait. Some paper. Wait.

[breathing with difficulty]

[whispering] Hello.

[door closing]

HI.

[Riccardo] But you don't smoke. You don't do drugs, Moana.

You are 33 years old. You train every day. It's not possible.

Today everything is taken care of. Why not yours?

There are therapies for pain.

Treatments to delay of a few months.

But not a few months, forever.

I've always hated limits. This is the worst.

[Berlusconi, TV] This is where my roots are,

Here I learned

my job as an entrepreneur.

Here I also learned

I chose to take the field...

Oh, the coffee.

[Berlusconi, TV] ...to deal with public affairs

because I don't want to live

governed by forces...

[turns down the TV volume]

[TV voice in the background]

- Thank you. - [Moana] You're welcome.

I put on a couple of kilos, you know.

- [Riccardo] I saw. - Almost three.

- I feel better. - You're better. You're much better.

Marietto would like to turn a movie by the end of the month.

It would be... the last movie.

- Of those by contract. - He's a chicken. I'll talk to Marietto.

He doesn't realize of what you're going through.

- No. - [Riccardo] He's a charlatan, I call him.

- Calm. - No, I want your help to turn it.

- I don't think that's the right thing. - I want to make my last film.

I want to do it.

I never understood your choices, Moana.

You went to America...

to hang out with people taken from the street.

Sometimes you have to review as far as horror goes.

Maybe I was looking for it all my life horror, you know.

I learned this very early.

When certain limits are broken

nothing seems so bad to you anymore.

You always come back there.

I would like to tell you everything, but it terrifies me too.

I want to exit the scene with the thing I do best.

I'll help you.

The body double I would like to choose it with you.

[thunder]

[journalist] Moana Pozzi, 33 years old,

she died in France

The news of the death,

happened two days ago,

we learned today from the family

that they had kept it secret

[Debora] Mr. Schicchi was the only one

But something in his head broke.

"It is better that they live a short time, but free,

rather than long in the cage,” he said.

Someone found a new owner.

A couple died under the wheels

that sped along the Cassia.

And a stinking and affectionate one

Beautiful, cultured and intelligent,

in France, Moana Pozzi.

However, we all knew the news

To kill her,

was a fulminant liver tumor.

[Marzullo, TV] Here, life is a dream and dreams help...

Life is a dream.

I would like to be eternal,

Always be like this,

It would be a wonderful thing.

Dreams help you live better,

[sighs]

Well... I'm very realistic,

I prefer to think that life

and, when it ends, patience.

Like when you wake up in the morning,

to dream of having a beautiful thing

Then I wake up, he's not there.

[Eva] We were at home and... nothing.

He collapsed and stopped answering me.

[doctor] Unfortunately, with diabetes, these crises become more frequent.

But now you can rest easy. We hope to send him home soon...

[bip]

- It's me, Ricca. - Mass.

Do you see me?

Distant.

"Damn you", you gave us a shock.

What are they giving you? Good stuff at least?

- [Riccardo] Are we alone? - Yes.

- The others are all over there. - The boys?

The boys, Massi?

You always have to be there, eh.

- Always with the boys. - Always.

Will you promise me?

- [Massi] I promise. - You always have to be with the boys.

[Massi] I'm in, Ricca. I'm here.

Because I can't stay forever...

[Massi] I get it, come on. I'm in. He's fine.

I love you, Massi. I love you so much.

I left you some money on the bedside table.

Scherzo.

I love you too.

- [man] Good morning. - Good morning.

[indistinct voices]

What?

- [Riccardo] But it costs a little more. - [engineer] Oh, yes.

- It wasn't worth much. Bear! - Bear, what are you doing?

- What are you doing? - Let me introduce you to the engineer.

- I'm having a bunker built. - That?

Bear, it can't be done...

- Everything is in order. - [Eva] What a return and then...

- [engineer] With your permission. - Richard.

I asked Massi to make you live here.

With us. But not like this.

- You can't like that. - You don't know them, bear.

They'll come get me, but they won't find me because I'm here.

- But who's coming to pick you up? - [Riccardo] They're coming.

- [Eva] Nobody's coming. - They'll come, bear.

- This time I'm going to die in jail. - And what's this obsession with the bunker?

Diva Futura saved the whole bunker, don't you remember?

It's not a bunker. I had three windows bricked up

and I put in the armored door.

Huh? It's a safe room.

Cause.

Thank you.

[door closing]

Eva.

I was thinking of registering Diva Futura after you.

It's the least I can do, bear.

With all that what are you doing for me.

With these we are at 120 million.

And I can...

continue to help you with your debts. No problem.

I'm black.

But I will always help you. That's not the point.

The point, Riccardo, is...

that I told you not to sign.

I asked you on my knees: "Please, bear, please, don't sign, please."

But what kind of couple are we?

You who decide without listening what does your wife say.

- And now he's asking us for money. - But he was a friend, bear.

When you have the depressions of sugars, you do absurd things.

But it's not that, if you're diabetic, you can ruin us all.

Lo stalker. Don't hire the stalker.

- But you: "No, trust me." - I thought he would calm down.

- [Eva] Does he seem calmed down to you? - No.

- You hired my stalker! - I was wrong.

[Eva] It's all... It's all too much...

I... I liked it a lot at first.

That you were so... open,

that you trusted everyone.

And now... this thing for me...

destroys everything.

I didn't mean to. For the photo, bear.

The photo with the hands. It was an artistic question.

Also, yes. Also.

You're always with all the girls with a certain attitude.

It is not true.

I need of something more normal.

It's too much. It's all too crazy as it is.

Here. Now I have to redo my makeup.

Oh! I still can't do it.

I'm going, it's late.

Cause.

So what? I...

I'm going to stay downstairs from my mother in the meantime.

Can we not tell the children?

Can we not tell anyone, bear? For a while.

Eva.

[Simone] Do you know what everyone is looking for now?

You know it?

Moana's heir, darling.

Moana's heir.

How long have I been telling you this? How much?

[muffled voice] Don't listen your husband with those little movies.

You have to do real porn, Eva. I'll make you a star.

[bells]

[inaudible voices]

HI.

[director] Listen, so you turn around now. Turn around. Turn around.

And you stick it in his ass. Maybe it will turn out better.

This scene is shit. It's shit.

[verse of pain]

Can we stop for a moment? It hurts me, just a moment.

Look, I have two more films at the same time.

But when do I finish? Slap her later, come on.

[slap]

No. I can't do it. I can't do it.

I'm sorry, I can't. I am sorry.

We've already shot two scenes and that's two a day.

But I can't do anything about it with those scenes, Eva. Nothing.

Save my jump all day. Look!

- [Simone] What's up, darling? - Hey, Simone.

I thought so, but Riccardo was right. It's not for me.

I'm used to a... In another way.

One... Another atmosphere. Like the movies with Riccardo.

Do you understand? And this is not... I cannot.

Honey, you signed a contract, huh. For four films.

Now we have two weeks here in Hungary.

Then we have two weeks in the United States.

[director] She wants to be a princess.

- This is porn. - [Simone] It's all already organized.

It's all paid for. It's the first day.

Money has been invested.

Eh! There needs to be somewhere take this money back for me.

[actor speaks in Hungarian]

[Simone] Someone has to give them back to me.

[laughing] I'll seize your house. I don't know, I don't want to be forced.

There is a contract, Eva.

Don't bullshit me.

Huh? Come on. Now relax for a moment.

Let's take a break, guys.

A break for Eva.

And you get back to work, huh?

[groans in the background]

[in Hungarian] Look, Eva, We are all waiting for you.

I understand you, but let's finish the scene, if not, we won't have the money.

[steps]

[man, in English] This is for the next scene.

[groans in the background]

[dogs barking in the background]

I was thinking...

Maybe I'll go stay home in Campagnano.

- [Memi] Mom. - Hello, love. Come here.

Hey, come on, come on!

Oh, I missed you.

[ambulance sirens]

[siren and beeps]

[woman] Two minutes and we are ready for dialysis.

Yes. That's fine.

[steps and door]

Are you really sure? that we don't want to get back together?

Eh?

You know the first thing I thought when did I see you?

It's just that I'm always I liked the blackberries.

With clear eyes.

Instead, the woman of my life she was blonde.

I knew it from the first moment.

- If I didn't live with you, I was nothing. - [Eva] No.

- [Riccardo] Thank you. - No.

[verses of despair]

Hey. Hey, what's up?

I am afraid.

- [Eva] About what? - I am afraid.

[Eva] About what? That you are never afraid of anything.

I'm afraid I won't be there anymore.

I wanted to be there at Riccardino's birthday.

- What are you saying? - [Riccardo] I wanted to be there.

What do you say? Of course you'll be there.

Huh? Yes, you will be there.

You'll be there.

[footsteps and door opening]

[Eva] I'll wait for you here, okay?

I am waiting for you.

- [doctor] Hello. Hello, ma'am. - [Eva] Hello.

So, unfortunately, during dialysis, her husband had a stroke.

A blow?

Yes, unfortunately, yes, ma'am. And... now he's intubated.

And we're waking him up from a medically induced coma.

[doctor] We will do

how much it has been reabsorbed

and above all understand

[Eva] Can we see it?

[doctor] Sure. Wait a minute here.

[breathing with difficulty]

I love you.

They've already made 24.

- Twenty-six. - Twenty-six.

From four damn movies.

This makes 26 movies. and nothing can be done,

just an injunction?

I know, he's right. That's all we can do.

I've done porn before, but those don't come out anymore.

I've been working for six years for Mediaset.

I can't walk down the street

that all the beautiful children they jump on my neck.

This summer, me and Gabibbo, nine million viewers.

- Nine and a half million. - Nine thirty. Record.

- A triumph. - They said: "King and queen of ratings."

They've already called me, very angry.

"Eva, have you started making porn films again?"

And they are right. This wants to ruin me.

I know, I know.

Lawyer, now that you know, please do everything you can.

Eva doesn't even know this one.

Never seen in her life, but does it seem normal to you?

And I didn't even want to.

You know that after the first scene I said I couldn't do it.

I couldn't.

This is what he told me who with the contract seized my house.

And now, every six months, a new movie comes out.

And what was I doing?

- What? - [Riccardo] Nothing, bear.

The lawyer has now obtained the decree and withdraws all the films.

Yes, they withdraw them, but they exist.

They're coming out now. Understand? Now.

- Why that face? - Don't blame him, it's irrelevant.

I don't take it personally. I just want to know. why did he look at me so strange.

- He didn't make any face. - May I ask?

Porn movie contracts... are not binding.

They had nothing to blackmail her with.

- What? - Porn movies are illegal.

So, any contract it has no legal value.

Lawyer, thank you.

Very kind, as always.

[breathes with agitation]

I'll walk her out. The jacket.

I am confident. I am convinced that we will solve it this time too.

[screams]

Cause.

I hate you. I hate you, I hate you.

You were supposed to stop me from doing them.

Oh, but I tried. in all ways.

I've told you a thousand times, bear.

Why do you do this?

Unfortunately, in the end they win always the worst instincts.

Everywhere.

In families. In homes. In men.

I tried in every way.

But everything degenerates, bear.

I love you.

The woman I love must be free.

Free not to love me.

Free to leave me.

Free to make a porn movie too.

[Eva, TV] No. Honestly.

If I could go back

[journalist, TV] She has also made some

Yes, I did it before with Riccardo.

But... it was an erotic, beautiful thing.

AND...

But the point is,

[journalist, TV] In what sense?

Meaning what...

If you are a bartender and you change jobs,

It's not like you're a bartender for life.

And... if, instead, you make a porn film...

then you're always the same.

[crowd buzz]

[journalist, TV] Isn't that a bit of a denial?

[crowd buzz]

No.

I do not believe.

Yes.

It is true.

If... If I was a scientist,

My husband always says that. Um...

Maybe it applies to me too. I don't know.

And...

It's certain that...

I did...

I ruined myself.

Own...

[crowd buzz]

[breathes with agitation]

But who are you to judge?

You who in the...

in the computer or under the pillow

great secret desire.

I am here because you exist.

[buzz]

[indistinct children's voices]

[Debora] Hello, Maria.

How do you feel?

- Good morning, Queen. - You got it! Queen!

[Debora] It is said that every revolution,

have a fall.

And in a strange turn of events

the suspicion that, for us too,

it emerged day after day,

[doorbell]

- [Officer] Hello. Is this Mrs. Eva Henger? - Yes.

Hi, you have to follow us to the police station.

-Riccardo! Only... - [Riccardino] Mom! Who is it?

[Eva] Stay there, stay there, love. I have to call the babysitter.

[Officer] Sorry, we have a warrant.

[Debora] We discovered that the police were investigating

[Eva] Just a moment...

On what charge?

Criminal association with the purpose of committing crime to the exploitation of prostitution.

- No, I'm totally against it. - She didn't understand.

[Debora] A plainclothes policeman had

in the Diva Futura premises.

[indistinct voices]

[Debora] The ideal of free love

it was translated badly

- Call both lawyers, bear! - [Eva] Yes!

[Riccardo] Call both of them!

[Debora] The searches,

club closures,

Put that in too. Let's look at everything.

[agent] We're done here. We'll let you know later.

Don't put them in the sun.

[Debora] A very long process began.

In the ten years that followed,

[cries]

[Riccardo] Don't cry. She's been crying all day.

Come, I'll show you something. Follow me.

[Debora] He was deluding himself.

He said they couldn't take it away from him.

He had even done

to keep his art safe.

Rome, Italy... they were full of red light districts.

Where everything was done.

Yet the only premises targeted

A real obstinacy.

[police sirens]

[braking]

[Debora] The great fault was

the costume in the sunlight,

[voice inaudible]

[Debora] At the umpteenth arrest,

And from that day on, I never came back

[indistinct voices]

- Signora Hanger, ointment. - Hello, doctor.

- Did they wait a long time for us? - Yes.

Can I talk to you aside for a moment?

No. You can speak here. even with my children.

- Why? - Yes.

Unfortunately, the conditions her husband's conditions got worse last night.

- He had another stroke. - Another?

Yes. We did all the maneuvers. of resuscitation, but...

Unfortunately, despite this,

we didn't succeed, this time, to save him.

But... But what does it mean?

Is... Is Riccardo alive?

I'm sorry, ma'am.

Unfortunately, we did everything we could.

No... I didn't understand.

Is he alive or not? Is he alive?

But... But I... I wasn't there.

I wasn't there.

- I... - I understand perfectly.

I didn't... I wasn't there.

With my husband. I wasn't there.

Unfortunately, madam, there was no more brain activity.

No... No, no, because...

Because he heard me, he felt me ​​when I was there.

When I was there, he heard me and...

I talked to him and he did... he did...

He heard me. I...

Madam, they were conditioned movements.

Can I... see Richard?

- Can I see my husband? - [Doctor] I don't think that's the case now.

I want to see my husband.

[doctor] Sure. Wait a minute here.

- Salve. - Look, it's not that we don't want to.

But this is a well-known person.

It would be difficult for the church cope with all the commotion.

We have, among other things, a wedding in the afternoon.

They could come so many people

that I don't know if the church could contain them all.

Look, be patient. I already told him.

- [Massi] Father, I understand. - It can't be done.

But then I to Eva, to the wife, as I explain to her

that Riccardo can't do the funeral inside a church?

- He cared. - Look, I can understand...

He cared about it, in this church he gave us communion. Please.

- Look. - Look, she keeps insisting.

and keeps coming here.

[Massi] This is the offer.

To come back, to come back. But I think I was clear.

Well...

[Debora] The priest celebrated the mass

half of Italian porn.

On the other hand, among us sinners

The one that's hard to refuse.

Richard arrived late

That day many people went up

That adorable bastard.

I said I would go up too

and that I would have told

I would have told

not to take too much

Not even myself.

Or when he confessed to me

that he enters the porn

That it had been a mistake.

That would have continued

and her flower crowns

But then he regretted it

And he had forbidden me

because you should never justify

[crowd buzz]

[Debora] And we must defend them

And then I would have told about when

who thought he was free.

But what, in the end,

So, the minor in question is entrusted to the mother,

Ilona Staller here present.

[Debora] You are only free

If you are alone.

But who wants to be alone?

In the end, I didn't say anything.

Because talking would have been

Or maybe I was just too shy,

as he had guessed

I will certainly never thank fate,

who took Riccardo Schicchi away

as I kept repeating to him

He never knew what it was.

[screams and laughter]

Miss, hold this.

Have you seen it? Here, the dicks.

Let's do obstacle courses.

Miss, don't make that face. It's art, an artist made them.

- Why! - [woman] How beautiful.

HI.

[screams of joy]

[indistinct voices]

Let's have a race. But Marcellina doesn't play, otherwise she wins.

[indistinct voices]

[man] You are beautiful.

- Your name? - Leonardo. Thank you.

[Debora] From the day of the funeral

that an era was coming to an end

But we also had the awareness

it was the most unique and unrepeatable thing

And still think today

It gives me so much strength.

So fragile, so lost.

Cheerful, in crisis, a bungler.

But always, always with a big heart.

[screams of exultation]

[woman] Come on, pull. Come on.

[screams of exultation]

[indistinct voices]

Miss.

How wonderful.