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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,560 --> 00:00:07,220 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,220 --> 00:00:12,340 perception. You can't trust what you see even with your own eyes. 3 00:00:12,560 --> 00:00:14,820 Meet the Masters of Illusion. 4 00:00:21,220 --> 00:00:25,260 Hello everyone, I'm Dean Cain and welcome to Masters of Illusion. 5 00:00:25,560 --> 00:00:29,120 Do you think you can tell the difference between reality and illusion? 6 00:00:30,940 --> 00:00:35,260 Don't bet on it. If our masters of illusion do their jobs correctly, it 7 00:00:35,260 --> 00:00:36,400 not be so easy. 8 00:00:36,760 --> 00:00:39,340 But it's going to be a lot of fun trying to figure it out. 9 00:00:40,700 --> 00:00:44,120 Oh, hey, Rudy, Rudy Kobe, ladies and gentlemen. That's right. We were just 10 00:00:44,120 --> 00:00:47,940 starting the show. Yeah, I want to do a, I'm going to show them a secret 11 00:00:47,940 --> 00:00:51,200 experiment. That means I'm going to do the experiment, and I'll teach you the 12 00:00:51,200 --> 00:00:52,540 secret so you can do it at home. 13 00:00:52,860 --> 00:00:55,920 Okay? Okay. So imagine you're with your friends. You just say, ow, I think I 14 00:00:55,920 --> 00:00:58,780 hurt my hand. Let me see if I can snap it back into place. 15 00:01:01,130 --> 00:01:03,370 Now, two very important things about the arms. 16 00:01:03,610 --> 00:01:07,430 Are you okay, Dean? No. Two very important things. First of all, make 17 00:01:07,430 --> 00:01:12,730 have a plastic drinking cup under your arm before you begin, okay? And make 18 00:01:12,730 --> 00:01:16,090 it's a plastic drinking cup. 19 00:01:17,090 --> 00:01:18,090 Oh. 20 00:01:20,770 --> 00:01:27,650 It's time to change things up with our next performer. Let's give a big round 21 00:01:27,650 --> 00:01:30,090 applause for none other than Nathan Phan. 22 00:01:31,039 --> 00:01:32,460 Hello! Hello! 23 00:01:34,620 --> 00:01:38,100 Excuse me. You see, here on Masters of Illusion, we have so many incredibly 24 00:01:38,100 --> 00:01:42,560 talented magicians coming from all over the world. We often don't have enough 25 00:01:42,560 --> 00:01:46,060 dressing rooms for all of us. So some of us get relegated to these, you know, 26 00:01:46,100 --> 00:01:47,079 changing tents. 27 00:01:47,080 --> 00:01:50,240 I'm sure you've seen these around. So I haven't had a chance to even change into 28 00:01:50,240 --> 00:01:53,260 my show clothes yet. So if you'll just give me one moment. 29 00:01:53,740 --> 00:01:58,060 I'm going to step in here and quickly change. It won't be a tick, so just hold 30 00:01:58,060 --> 00:02:02,440 on. Two seconds, and hopefully I'll be able to have something that's a little 31 00:02:02,440 --> 00:02:05,620 bit more show -worthy for you all, because really, you fine folks have been 32 00:02:05,620 --> 00:02:11,820 here, and you really deserve a much better outfit. So I think that's 33 00:02:11,820 --> 00:02:13,880 much better. There it is. 34 00:02:14,240 --> 00:02:17,760 So that's the nice thing about being a magician. Sometimes being a magician 35 00:02:17,760 --> 00:02:23,520 really comes in handy. Of course, we can't do it without a little bit of help 36 00:02:23,520 --> 00:02:24,520 from our friends. 37 00:02:35,569 --> 00:02:39,370 This illusionist is about to attempt a physical feat that I've never seen 38 00:02:39,370 --> 00:02:42,390 before. It's bound to make your head spin. 39 00:02:42,970 --> 00:02:45,130 Let's hear it for Mayor Yadid. 40 00:02:48,550 --> 00:02:49,690 Thank you for volunteering. 41 00:02:49,950 --> 00:02:52,570 Thank you for helping out. What's your name, by the way? My name is Jim. Nice 42 00:02:52,570 --> 00:02:55,370 meet you, Jim. Nice to meet you, sir. Jim, in magic, there's something known 43 00:02:55,370 --> 00:02:59,350 do as I do or follow the leader. Basically, it's very simple. All you 44 00:02:59,350 --> 00:03:00,670 is everything I do. Okay. 45 00:03:02,550 --> 00:03:03,670 That's good. That's good. That's good. 46 00:03:06,070 --> 00:03:07,410 No, I'm kidding. It's just a gag. 47 00:03:08,010 --> 00:03:11,610 Just a gag. Much simpler than that. All I really want you to do, Jim, is I want 48 00:03:11,610 --> 00:03:15,410 you to put your left hand down on the table like that with the thumb towards 49 00:03:15,410 --> 00:03:18,950 yourself. But to make this easier for you, because I've done this before, what 50 00:03:18,950 --> 00:03:22,030 want you to do is put both legs together and get as close to the table as you 51 00:03:22,030 --> 00:03:24,430 can and lean forward. This will make it a lot easier. 52 00:03:24,690 --> 00:03:27,810 Now, the two of us in there are in the exact same position. I want you to move 53 00:03:27,810 --> 00:03:31,650 your hand so the fingers are pointing towards yourself. Keep your hand flat on 54 00:03:31,650 --> 00:03:32,650 the table. It makes it easier. 55 00:03:33,530 --> 00:03:36,330 That's good. That's good. Does it hurt a little bit up here? Yes, it does. It 56 00:03:36,330 --> 00:03:39,530 does. Me too. That's normal. But keep the hand flat. It'll be easier. Watch 57 00:03:47,390 --> 00:03:48,390 Jim. 58 00:03:54,270 --> 00:03:57,030 Jim. If I do that, I think I'll need a doctor. 59 00:03:58,370 --> 00:04:01,130 Jim, I'm catching up. I'm catching up. 60 00:04:02,110 --> 00:04:05,210 Okay, Jim, you and I are in the exact same position. Yes, sir. 61 00:04:05,610 --> 00:04:08,130 But you know what the difference is between you and I? 62 00:04:09,270 --> 00:04:12,290 I'll give you a little tip because I've done this many times, some tips. I don't 63 00:04:12,290 --> 00:04:14,330 know if you noticed, but my arm was here when I was twisting. 64 00:04:14,570 --> 00:04:20,010 If you kind of massage your arm like up here, up here, and when you do it, you 65 00:04:20,010 --> 00:04:22,170 can move it a little bit more. So you can go ahead and move it a little bit 66 00:04:22,170 --> 00:04:23,170 more. 67 00:04:23,450 --> 00:04:24,850 No, you could. You know what? 68 00:04:25,090 --> 00:04:29,150 Take your other hand. Take your other hand and, like, grab your thumb. Like, 69 00:04:29,150 --> 00:04:31,290 around to the... No, no, around the other way. 70 00:04:31,630 --> 00:04:32,930 And, like, twist. 71 00:04:34,210 --> 00:04:38,770 No, no, watch this. I don't know if I can go much further than this. 72 00:04:51,920 --> 00:04:54,120 I hope they like it. It hurts like hell to do it. 73 00:04:54,980 --> 00:04:56,280 Really, look. I mean, it's a mess. 74 00:04:58,660 --> 00:05:00,640 But you know, Jim, I could do this all night long. 75 00:05:00,880 --> 00:05:01,880 I couldn't. 76 00:05:02,680 --> 00:05:03,900 But they'd only get bored. 77 00:05:04,640 --> 00:05:06,700 So I think I'll stop right here, right now. 78 00:05:07,460 --> 00:05:08,840 Thank you for your help, Jim. 79 00:05:09,080 --> 00:05:10,820 I need to unwind, but you're done. 80 00:05:17,650 --> 00:05:21,550 Magicians are true masters of a deck of cards, able to maneuver and manipulate 81 00:05:21,550 --> 00:05:23,490 them however they see fit. 82 00:05:24,070 --> 00:05:27,350 Remind me never to play cards with this one. 83 00:05:27,650 --> 00:05:28,890 It's Joshua J. 84 00:05:34,450 --> 00:05:37,710 Everybody's always asking me as a close -up magician, ooh, I'd hate to play 85 00:05:37,710 --> 00:05:42,010 cards with you because you could cheat in casinos. And the truth is, I don't 86 00:05:42,010 --> 00:05:44,110 know if I can cheat in casinos. I've never tried. 87 00:05:44,490 --> 00:05:46,390 So I developed a way. 88 00:05:47,230 --> 00:05:52,490 to test this out. It's a game in a sort of way, and this game will test out how 89 00:05:52,490 --> 00:05:55,930 I would do if I was to try and cheat in a game of cards. 90 00:05:56,310 --> 00:05:59,430 So the game is this. I will try and shuffle and cut. 91 00:05:59,650 --> 00:06:05,630 And in one shuffle and four cuts, I'll try and cut to the best poker hand I can 92 00:06:05,630 --> 00:06:06,750 possibly locate. 93 00:06:07,310 --> 00:06:08,690 Now, this is extremely difficult. 94 00:06:09,010 --> 00:06:12,510 It looks a little something like this. 95 00:06:14,930 --> 00:06:16,210 That's my one shuffle. 96 00:06:16,990 --> 00:06:23,270 And this is my one, two, three, four cut. 97 00:06:24,750 --> 00:06:25,770 Let's see how I did. 98 00:06:26,870 --> 00:06:27,870 That's one eight. 99 00:06:30,370 --> 00:06:31,370 That's two eight. 100 00:06:33,250 --> 00:06:34,530 That's three eights. 101 00:06:34,810 --> 00:06:35,810 Oops. 102 00:06:36,730 --> 00:06:37,730 That's a five. 103 00:06:39,490 --> 00:06:41,470 Okay, well, three eights isn't bad. 104 00:06:41,730 --> 00:06:45,090 I mean, if you get dealt three eights in a game of poker, you're probably going 105 00:06:45,090 --> 00:06:46,090 to win. 106 00:06:46,250 --> 00:06:47,770 But we're not here to do probably. 107 00:06:49,510 --> 00:06:50,510 That's a five. 108 00:06:52,030 --> 00:06:58,470 If I deal exactly one, two, three, four, five, that is the last 109 00:06:58,470 --> 00:06:59,470 eight. 110 00:07:02,630 --> 00:07:08,590 But I said I would put the best poker hand I can possibly locate. 111 00:07:09,100 --> 00:07:13,740 I didn't say I'd cut to four aces. That's why I cut to the ten. Jack, 112 00:07:14,000 --> 00:07:17,720 king, ace, a royal flush. That really is the best poker hand. 113 00:07:25,740 --> 00:07:30,440 The always amazing sleight of hand of Murray Sawchuck when we return. 114 00:07:40,290 --> 00:07:44,110 This performer is blending his love for magic and music together. 115 00:07:45,110 --> 00:07:46,690 Here's Murray Satchuk. 116 00:07:49,090 --> 00:07:50,370 Hey, you guys. How you doing? 117 00:07:51,650 --> 00:07:54,230 I'm a dear friend, Charlie. We just picked from the audience. Thanks for 118 00:07:54,230 --> 00:07:55,230 here, sir. I appreciate it. 119 00:07:56,110 --> 00:07:59,590 People like doing card tricks, but I like to change things up a little bit. 120 00:07:59,590 --> 00:08:01,670 work with a lot of musicians, so I collect a lot of guitar picks. 121 00:08:02,150 --> 00:08:04,230 So I want you to pick any guitar pick you wish. Take one out. 122 00:08:07,730 --> 00:08:09,690 Happy with that? Green? Oh, all right. 123 00:08:10,080 --> 00:08:12,440 And then I want you to take, I'm going to, on this side, I'm going to write my 124 00:08:12,440 --> 00:08:17,700 initial, which is M -S for Murray Sawchuck, like that. And then on this 125 00:08:17,700 --> 00:08:18,700 want you to write your initial. 126 00:08:18,840 --> 00:08:21,160 That way you know it's the only guitar pick we're ever going to use. 127 00:08:22,860 --> 00:08:23,679 Got it? 128 00:08:23,680 --> 00:08:26,060 Excellent. Very nice. Show the cameras like that. 129 00:08:26,280 --> 00:08:30,140 So we have my initials on the side, and of course your initials on that side. So 130 00:08:30,140 --> 00:08:31,840 it identifies the only pick we're ever going to use. Cool? 131 00:08:32,240 --> 00:08:33,058 All right. 132 00:08:33,059 --> 00:08:35,720 Also, I have a box of cards, and I got a glass. 133 00:08:35,960 --> 00:08:37,559 So I want you to put your hand out just like that for me. 134 00:08:37,900 --> 00:08:38,900 I'm taking this glass. 135 00:08:39,400 --> 00:08:42,640 Place the cards right there. Place the box right on top, just like that. 136 00:08:42,880 --> 00:08:45,280 So we've got the glass, the box of cards, right? 137 00:08:45,520 --> 00:08:48,040 Nothing's rearranged, obviously, except the pick. 138 00:08:48,840 --> 00:08:51,260 That's the trick I always do with all my musical friends. They find it kind of 139 00:08:51,260 --> 00:08:52,840 interesting. I always watch very carefully. 140 00:08:53,100 --> 00:08:55,300 Let's fill this up and watch it. Here we go. 141 00:08:55,500 --> 00:08:56,500 Watch. 142 00:08:59,320 --> 00:09:00,320 Check it out. 143 00:09:00,780 --> 00:09:01,659 Isn't that cool? 144 00:09:01,660 --> 00:09:02,660 Don't do it, man. 145 00:09:03,100 --> 00:09:04,300 Hey, sir. Check it out. 146 00:09:04,520 --> 00:09:05,520 Have a look at it. 147 00:09:05,960 --> 00:09:07,200 Yeah, that's it. Check it out. 148 00:09:20,900 --> 00:09:26,140 She came all the way from France just to amaze all of us here and you at home. 149 00:09:26,360 --> 00:09:29,460 So let's welcome to the stage Alexandra Duvivier. 150 00:09:34,700 --> 00:09:37,720 I am so thrilled to be here with all this amazing crowd. 151 00:09:38,060 --> 00:09:42,200 And I have here two members of the audience coming here to help me. Thank 152 00:09:42,200 --> 00:09:46,800 much. Thank you so much. If I ask you now, what do I have in my sock? 153 00:09:47,160 --> 00:09:48,180 What would you answer? 154 00:09:48,600 --> 00:09:49,439 Your feet? 155 00:09:49,440 --> 00:09:50,880 No, I mean this sock. 156 00:09:53,340 --> 00:09:54,580 French style. Okay. 157 00:09:55,120 --> 00:09:57,640 No, I have... Of course. 158 00:09:58,220 --> 00:09:59,300 Money, money, money. 159 00:09:59,720 --> 00:10:01,340 That's it. You can have a look to do. 160 00:10:01,580 --> 00:10:06,090 There are... Four dollars. Please, please, please have a look. And you can 161 00:10:06,090 --> 00:10:09,730 check my sock, which is clean. 162 00:10:11,950 --> 00:10:14,830 I can handle it. You can put it on the table. Thank you, sweetheart. 163 00:10:15,410 --> 00:10:19,150 You can see, can you please testify that you see four coins? Yes. Of course, 164 00:10:19,190 --> 00:10:23,110 yes. Can you please testify yourself that you see four coins as well? Yes, of 165 00:10:23,110 --> 00:10:24,230 course. Of course, yes. 166 00:10:24,630 --> 00:10:25,970 Here, let's try it. 167 00:10:29,579 --> 00:10:33,680 I'm telling you, it's working pretty well, because now I have one here, and 168 00:10:33,680 --> 00:10:37,240 watch, three left. Of course, this is pretty normal, isn't it? 169 00:10:37,480 --> 00:10:40,900 You have three times to understand what I'm doing, because I will do it three 170 00:10:40,900 --> 00:10:41,900 times in a row. 171 00:10:41,940 --> 00:10:45,080 So can you please confirm you see three coins in Spanish? 172 00:10:45,980 --> 00:10:52,880 That was a wild explanation in Spanish, but that's okay. You 173 00:10:52,880 --> 00:10:54,120 see three in Spanish? 174 00:10:56,899 --> 00:10:59,340 A bit better, maybe. But that's fine. 175 00:11:00,060 --> 00:11:05,840 Sorry. So, let's do it. And now... Oh, yeah. That was painful, but you know... 176 00:11:05,840 --> 00:11:07,000 Yeah, one. 177 00:11:08,140 --> 00:11:12,660 And two. Two to go and two to go. Can you confirm that you can see two in 178 00:11:12,660 --> 00:11:13,660 French? 179 00:11:17,300 --> 00:11:20,940 Don't bother. Only me speaks French here, so don't bother. So, two. 180 00:11:23,660 --> 00:11:24,660 I'm so impressed. 181 00:11:26,280 --> 00:11:28,540 This is exactly the... Exactly. 182 00:11:28,880 --> 00:11:34,720 So now... That's it. And now I have three here and only one left. 183 00:11:35,020 --> 00:11:39,580 For the last one, for the last one, maybe I can use your hand. Would you 184 00:11:39,820 --> 00:11:40,719 Oh, great. 185 00:11:40,720 --> 00:11:42,980 So let's try it. Let's try it. Okay. 186 00:11:43,940 --> 00:11:47,700 One, two, three, and of course, four. 187 00:11:49,080 --> 00:11:52,640 So now the goal of the game for me is to try to... No. 188 00:11:52,970 --> 00:11:56,490 I will take one coin and you will close your hand as fast as possible because I 189 00:11:56,490 --> 00:11:59,090 am able to steal one more from you. 190 00:11:59,630 --> 00:12:00,630 This is my job. 191 00:12:01,290 --> 00:12:03,390 So I take one. Oh, that's so good. 192 00:12:03,630 --> 00:12:05,150 And now I will try, try. 193 00:12:05,370 --> 00:12:09,290 I don't promise, but I will try to make that coin travel to the inside of your 194 00:12:09,290 --> 00:12:10,890 hand without you opening it. 195 00:12:11,230 --> 00:12:14,030 I know it's a wager, but I'm here to do so. 196 00:12:14,350 --> 00:12:15,390 So let's try it. 197 00:12:15,650 --> 00:12:22,330 Let's try to do... I didn't do well. I think I didn't aim correctly, but 198 00:12:22,720 --> 00:12:25,980 Now it's done. Can you please open your hands slowly? 199 00:12:26,960 --> 00:12:33,380 I think you've done it so well. One, two, three, and jump. 200 00:12:33,660 --> 00:12:34,660 This is amazing. 201 00:12:34,840 --> 00:12:39,580 Thank you so much. Thank you so much. Thank 202 00:12:39,580 --> 00:12:42,640 you for your help. 203 00:12:43,760 --> 00:12:47,040 Amazing is the only way to describe the conjurers. 204 00:12:47,500 --> 00:12:48,500 Next. 205 00:12:58,570 --> 00:13:03,090 We have a couple of Brits coming all the way across the pond to this very stage 206 00:13:03,090 --> 00:13:05,530 and just in time for tea. 207 00:13:05,810 --> 00:13:07,710 Let's hear it for the conjurers. 208 00:13:10,650 --> 00:13:14,130 So, we're here tonight with a member of the audience. What's your name? Andrea. 209 00:13:14,190 --> 00:13:18,330 Andrea, a beautiful name. I thought tonight I'll show you my favorite trick. 210 00:13:18,930 --> 00:13:23,070 And I'll make a lovely cup of tea. My favorite card in the world is the jack 211 00:13:23,070 --> 00:13:27,010 hearts. This one just here. And I'm going to show you that it really is in 212 00:13:27,010 --> 00:13:28,010 middle -ish. 213 00:13:29,040 --> 00:13:31,840 Now, there's probably more cards on this side than that, but would you agree 214 00:13:31,840 --> 00:13:33,800 it's lost randomly somewhere in the centre? 215 00:13:34,080 --> 00:13:37,520 Yes. Good. Thank you so much. Now, look, momentarily, I'm going to ask for you 216 00:13:37,520 --> 00:13:38,760 to have a favourite card as well. 217 00:13:39,000 --> 00:13:41,940 So let me give them a little mix -up like this, you know, not any 218 00:13:41,940 --> 00:13:43,400 order, which I promise they are not. 219 00:13:43,680 --> 00:13:46,180 Whatever you want. I'll run my thumb down the side, just say stop. 220 00:13:46,600 --> 00:13:48,760 Ooh, right there. Good. Now, up to you. 221 00:13:49,200 --> 00:13:51,940 That one or another one. Whatever you like. Completely your choice. 222 00:13:53,320 --> 00:13:54,320 Ooh. 223 00:13:54,530 --> 00:13:57,030 Normally they go from the top. Not tonight. Okay, good. Take out that card 224 00:13:57,030 --> 00:13:59,590 me. Let everyone see. The camera, everybody at home. I will not look. I'll 225 00:13:59,590 --> 00:14:02,950 away. Let everybody see the card. And then once you've done that, put it back 226 00:14:02,950 --> 00:14:03,950 top for me. 227 00:14:04,490 --> 00:14:05,710 Lovely. And I'll put these on here. 228 00:14:05,950 --> 00:14:09,130 So now, would you be happy that I don't know what your card is? 229 00:14:09,330 --> 00:14:12,990 Yes. All right. So I would estimate it's probably about a third of the way down. 230 00:14:13,050 --> 00:14:15,770 Now look, if I cut the card, it gets lost more. 231 00:14:16,390 --> 00:14:18,990 Obviously. But you might sit there and think that you're a magician. 232 00:14:19,270 --> 00:14:22,410 So you know where the cards are. You control the cards at all times. 233 00:14:22,890 --> 00:14:25,890 Cheers for nodding. Don't trust me at all. Will you cut them for me? Lift off 234 00:14:25,890 --> 00:14:27,570 some cards, big baguette, small baguette. Put them here. 235 00:14:28,810 --> 00:14:31,650 Points for neatness. Oh, they were very neat. Very good. All right, now look, 236 00:14:31,750 --> 00:14:32,489 it's your trick. 237 00:14:32,490 --> 00:14:33,489 So it's your choice. 238 00:14:33,490 --> 00:14:35,150 Do you want to cut them again or do we stop there? 239 00:14:35,770 --> 00:14:36,770 Okay. 240 00:14:37,050 --> 00:14:39,570 I'll half the card, but I won't change the order. 241 00:14:39,790 --> 00:14:40,790 How many cards are in a pack? 242 00:14:42,250 --> 00:14:44,550 52. All right. You can cut them again if you want. 243 00:14:44,910 --> 00:14:45,910 You lend a foot. 244 00:14:47,130 --> 00:14:48,130 Sorry. 245 00:14:48,450 --> 00:14:49,610 No, that's fine. It's my fault. 246 00:14:50,150 --> 00:14:51,150 52. 247 00:14:51,400 --> 00:14:55,720 If this doesn't work, it's my fault we chose you. So look, lean in for me. 248 00:14:56,000 --> 00:15:00,280 26 cards, exactly half. That's 2, 4, 6, 8, 10. 249 00:15:00,740 --> 00:15:03,460 2, 4, 6, 8, 10. 250 00:15:03,700 --> 00:15:05,420 2, 4, 6. 251 00:15:06,240 --> 00:15:07,920 Exactly half from where you cut. 252 00:15:08,480 --> 00:15:10,660 You're looking impressed already. If you like this, you'll love the end. Now 253 00:15:10,660 --> 00:15:13,380 look, so at the start, you'll remember I sent you my favorite card. 254 00:15:13,600 --> 00:15:16,780 My favorite card is the jack of hearts. Then at random... 255 00:15:17,200 --> 00:15:18,119 You had a card. 256 00:15:18,120 --> 00:15:21,320 A card that you chose not from the top, from the middle. A random position in 257 00:15:21,320 --> 00:15:24,820 the pack. And then you returned it to an even more random position. And then you 258 00:15:24,820 --> 00:15:25,579 cut them. 259 00:15:25,580 --> 00:15:26,580 Normally it's twice. 260 00:15:26,760 --> 00:15:28,400 Today we went rogue and did it three times. 261 00:15:28,940 --> 00:15:29,859 That's fine. 262 00:15:29,860 --> 00:15:33,680 So look, the objective is simple. Hopefully, somehow, even though you cut 263 00:15:33,680 --> 00:15:36,120 cards, mixed them, shuffled them, changed the order, our cards should have 264 00:15:36,120 --> 00:15:40,460 potentially, maybe, possibly landed side by side. If that happened, would that 265 00:15:40,460 --> 00:15:41,460 be a good trick? 266 00:15:41,480 --> 00:15:44,160 Yes. Good. So for the first time, what was your card? 267 00:15:44,800 --> 00:15:46,040 King. Of? 268 00:15:46,800 --> 00:15:47,800 That one? 269 00:15:48,200 --> 00:15:52,280 Oh, good. Now, that's not bad. That's okay. But I said that all the best 270 00:15:52,280 --> 00:15:55,240 have three parts. It's got to have a motto, an ethos that I live by. So, 271 00:15:55,320 --> 00:15:57,020 that's not bad. You mix and shuffle. 272 00:15:57,400 --> 00:16:00,420 What's better than that is this. That ace, that ace, that ace, and that ace. 273 00:16:00,920 --> 00:16:01,920 Oh, my God. 274 00:16:01,960 --> 00:16:04,880 Thank you. But, look, even better than that. Under the ace of diamonds, check 275 00:16:04,880 --> 00:16:08,620 this out. You did everything. This should be the two, three, four, five, 276 00:16:08,780 --> 00:16:10,420 seven, eight, nine, and the... 277 00:16:10,959 --> 00:16:13,940 10. That's perfect. You did amazingly well. Under the space, I think you know 278 00:16:13,940 --> 00:16:17,380 where it's going. But look, every single one is there and in order all the way 279 00:16:17,380 --> 00:16:19,400 through. We'll do it again with a heart. This time it's faster. 280 00:16:19,620 --> 00:16:22,520 Everyone is there. Leading into the diamonds, which of course are there. And 281 00:16:22,520 --> 00:16:24,400 lastly, that's the 8, the 2, the 3, the 4. 282 00:16:24,640 --> 00:16:27,200 You get the idea. 5, 6, 7, 8, 9, 10, etc. 283 00:16:27,760 --> 00:16:29,460 Everybody give Andreas and Matthew a round of applause. 284 00:16:31,000 --> 00:16:34,400 But look, we said and it's proved that we do trips all over the world. We're 285 00:16:34,400 --> 00:16:37,580 very blessed, very privileged, very honoured to go to many cafe shops. And 286 00:16:37,580 --> 00:16:40,750 thing is this, when I was younger, The reason I love the Jack of Hearts, it's a 287 00:16:40,750 --> 00:16:41,750 magical card. 288 00:16:41,770 --> 00:16:44,510 Now, that may sound silly, but look, you've just seen everything that we've 289 00:16:44,510 --> 00:16:48,450 done. And if you watch and watch closely, my card, the Jack, in front of 290 00:16:48,450 --> 00:16:51,850 eyes, should have vanished. 291 00:16:52,810 --> 00:16:55,510 If you have a look through, and you really can, there's the Jack of 292 00:16:55,550 --> 00:16:59,650 but you'll notice that all the way through, there is no Jack of Hearts. 293 00:17:00,390 --> 00:17:04,170 Your card has, as we magicians say, vanished. 294 00:17:04,589 --> 00:17:10,310 But the amazing thing is, when something vanishes, We can always make it 295 00:17:10,310 --> 00:17:14,550 reappear. And that is magic. 296 00:17:18,990 --> 00:17:23,990 The Impossible is made possible by Eric Eaton. Next. 297 00:17:32,790 --> 00:17:36,590 Now for an artist's approach to a masterful illusion. 298 00:17:37,050 --> 00:17:38,910 We have Eric Eaton. 299 00:17:39,430 --> 00:17:40,430 What's up, guys? 300 00:17:43,130 --> 00:17:45,530 So, I have my volunteer from the audience. What's your name? 301 00:17:46,050 --> 00:17:48,630 Kara. Today, we are going to do something fun. 302 00:17:49,050 --> 00:17:50,890 Kara, what do you like to do in your free time? 303 00:17:51,190 --> 00:17:52,190 Paint? 304 00:17:52,770 --> 00:17:53,770 Do you like to paint? 305 00:17:54,650 --> 00:17:56,350 Paint? All right, good. We're going to go with paint. 306 00:17:57,190 --> 00:17:58,190 Kara likes to paint. 307 00:17:58,590 --> 00:17:59,910 All right, Kara, what do you like to paint? 308 00:18:00,690 --> 00:18:01,690 Cars? 309 00:18:03,270 --> 00:18:04,770 Yeah, cars. Good choice, Kara. 310 00:18:05,340 --> 00:18:08,380 So today I thought we'd paint a car. Ladies, if I can get you to rate this 311 00:18:08,380 --> 00:18:09,380 me. 312 00:18:12,140 --> 00:18:15,700 Kara, we have four different paints here. So for painting purposes, let's do 313 00:18:15,700 --> 00:18:21,240 mirror, the stripe, the grill, and the body of the car. 314 00:18:21,580 --> 00:18:25,220 Okay? All right. I want you to pick any one of those paints you want. 315 00:18:27,140 --> 00:18:31,520 Perfect. Now, if I can get you to paint either the body, stripe, grill, or 316 00:18:31,520 --> 00:18:32,940 mirror, I'll let you pick. 317 00:18:39,280 --> 00:18:42,220 Perfect. Perfect. I'll take that one. We don't need it anymore. If I can get you 318 00:18:42,220 --> 00:18:43,420 to grab another one for me. 319 00:18:46,840 --> 00:18:48,700 Good. I was worried you were going to pick the headlight. 320 00:18:51,200 --> 00:18:54,580 Good choice. I'll take that from you. And if I can get you to grab another 321 00:18:58,280 --> 00:19:01,100 This one's pretty easy, just straight up and down, just like you learned in 322 00:19:01,100 --> 00:19:02,100 school. 323 00:19:02,840 --> 00:19:04,540 And then lastly is the red. 324 00:19:12,780 --> 00:19:13,940 You missed the spot. 325 00:19:14,760 --> 00:19:15,760 Perfect. 326 00:19:16,280 --> 00:19:17,280 Thank you, Kara. 327 00:19:18,020 --> 00:19:21,920 All right, ladies and gentlemen, you can see we have completely painted this car 328 00:19:21,920 --> 00:19:25,260 perfectly by Kara. Give her a round of applause. 329 00:19:28,000 --> 00:19:29,740 Now, Kara, you had a free choice, correct? 330 00:19:30,060 --> 00:19:34,880 Yes. How cool would that be if we made a car appear behind here that looked just 331 00:19:34,880 --> 00:19:35,880 like that? 332 00:19:35,920 --> 00:19:38,120 Pretty cool. Pretty cool. Ladies and gentlemen, watch. 333 00:19:38,540 --> 00:19:40,560 One, two, three. 334 00:19:47,560 --> 00:19:53,780 I know, not as big as you thought, but we have a green mirror, yellow stripe, 335 00:19:54,180 --> 00:19:57,400 blue grill, and a red face. 336 00:19:57,620 --> 00:19:58,820 Everyone give Tara a round of applause. 337 00:20:02,760 --> 00:20:06,700 Well, that's our show for now. We have lots more magic coming up in the next 338 00:20:06,700 --> 00:20:10,820 edition of Masters of Illusion. Don't you miss it. Until then, I'm Dean Cain. 339 00:20:10,980 --> 00:20:12,000 Thank you for watching. 340 00:20:15,880 --> 00:20:17,200 Thank you guys for being a great audience. 29807

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